Original subtitles

We really wanted the music experience to be egocentric.

The listener is key.

We work very hard to make that true for you.

I'm going to teach you how to take stereo, adapt that into Dolby Atmos,

really share some tidbits of knowledge you might find beneficial

as you explore how Dolby Atmos can fit into your workflows.

I'm Ceri Thomas from Dolby Laboratories, and I'm here with Mix With The Masters

to talk to you about Dolby Atmos and how it fits into the music ecosystem.

The Dolby Atmos Music Panner is a VST, an Audio Unit, and an AAX-compatible plug-in

that sends metadata, control metadata, pan metadata,

from your workstation, whether that's Logic Pro, Ableton Live,

any Audio Units-compatible workstation on a Mac, is able to use that Music Panner

to send metadata to your renderer.

We really kind of formalized that 9.1.4 or 9.1.6. It was really what we wanted

for music creation, because it allowed complete coverage

using transducers of that sound field.

So, creatively you can get to a single mix of Dolby Atmos that will translate

into binaural, as well as into speakers, and you can do that by saying,

"Okay, that speaker mix is great."

And then use those binaural Render Modes to actually improve and clarify

how that is going to transfer into formats that use our AC-4 IMS Codec

to deliver that experience.

The more that you can stick to those best practices,

the more you're going to get mixes that translate

to all of those different environments.