Original subtitles

[Music]

so here today with uh steve janowick at

capital studio c for mixed with the

masters to explore going from a stereo

session into dolby atmosphere

so this is a record uh i did this past

summer it's an artist named stacy

grisback this is a song called white

lightning it's an actually an old george

jones song that uh we've done a jazz

arrangement of white lightning

when i get into the mix because now this

reverb is coming out a million places

i'll probably have to adjust the levels

right but that's part of mixing this

does not port right over you don't take

a stereo mix and go whiz-bang computer

stuff and suddenly you have an atmos mix

you actually have to mix

i asked my old papi

the more transient

your source is the closer you keep it

binaurally it has nothing to do with

where you put it in the room more

ethereal less transient stuff you can

start pushing it out in the binaural

white lightning a solo i probably don't

want in dead center so solo what i might

do is something you know not given an

object put it in the front aux

we can kind of pull it

into the room this way

a little bit in the side

forward the side back which is actually

the side speakers

[Music]

we all want to do atmos mixing we all

want to do it in our own studios you can

do it in your home studio there is some

investment you have to make there's some

minimums you have to have you can do it

on one computer you use adobe audio

bridge and pro tools it all works

seamlessly

[Applause]