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1
00:00:02,567 --> 00:00:04,819
What's in the dark
is also in the light.
2
00:00:04,819 --> 00:00:07,072
It's just your perception
that changes.
3
00:00:08,865 --> 00:00:10,200
See?
4
00:00:10,200 --> 00:00:14,037
Good night, Bobby.
‐ Good night, Uncle Hollis.
5
00:00:14,037 --> 00:00:16,706
‐ That verse was crazy!
6
00:00:16,706 --> 00:00:18,583
Go ahead and hit me
with that next verse, nigga.
7
00:00:18,583 --> 00:00:21,336
‐ ♪ This is real street G
rap shit, road to riches ♪
8
00:00:21,336 --> 00:00:24,047
♪ Hunting niggas that starting
head‐butting their bitches ♪
9
00:00:26,466 --> 00:00:28,718
‐ Hey, yo, D.
Yo, I'm in the studio.
10
00:00:28,718 --> 00:00:31,554
And it‐‐it don't feel right
without you, man.
11
00:00:32,889 --> 00:00:34,558
Go to New York
and get with Bobby.
12
00:00:34,558 --> 00:00:35,934
Now is the time for you to see
13
00:00:35,934 --> 00:00:38,228
if you could really make
this music thing work.
14
00:00:38,228 --> 00:00:40,647
‐ You know how many rappers
is out there?
15
00:00:40,647 --> 00:00:42,232
‐ Better than you?
16
00:00:42,232 --> 00:00:44,109
‐ The single‐‐it's not moving
like they hoped it would.
17
00:00:44,109 --> 00:00:46,570
I mean, people are over
that corny poppy shit.
18
00:00:46,570 --> 00:00:47,737
People want that real shit.
19
00:00:47,737 --> 00:00:49,030
There's not gonna be
an album.
20
00:00:49,030 --> 00:00:50,282
It's over.
21
00:00:50,282 --> 00:00:52,242
‐ I tried to do this shit
by myself, and I failed.
22
00:00:52,242 --> 00:00:54,077
If we want to checkmate
this industry,
23
00:00:54,077 --> 00:00:55,578
we need all the pieces.
24
00:00:55,578 --> 00:00:59,374
Once we get all them pieces,
the whole industry will know.
25
00:01:01,376 --> 00:01:03,420
You don't get an album
if you don't have a single‐‐
26
00:01:03,420 --> 00:01:06,590
something that
distinguishes you.
27
00:01:06,590 --> 00:01:08,300
That's self‐distribution.
28
00:01:08,300 --> 00:01:10,594
If we want to get the DJs
and the local spots
29
00:01:10,594 --> 00:01:12,012
to put it on the shelves,
30
00:01:12,012 --> 00:01:14,681
we're gonna need, like,
5,000 vinyls and 5,000 tapes.
31
00:01:14,681 --> 00:01:16,266
- For one single?
- Yeah.
32
00:01:16,266 --> 00:01:18,810
But if we move fast and wide,
then that single‐‐
33
00:01:18,810 --> 00:01:20,604
That's gonna
get us our record deal, huh?
34
00:01:20,604 --> 00:01:22,105
‐ Right, if it's the right one.
35
00:01:22,105 --> 00:01:23,315
What are you
talking about‐‐
36
00:01:23,315 --> 00:01:24,816
all the tracks
that we recorded?
37
00:01:24,816 --> 00:01:27,068
‐ Right now, "Method Man"
is killing in the streets.
38
00:01:27,068 --> 00:01:28,486
That's the one, son.
39
00:01:28,486 --> 00:01:30,030
It's a banger for sure, but‐‐
40
00:01:30,030 --> 00:01:33,283
‐ Right‐‐exact‐‐Yo, the ladies
is fucking with it, too, son.
41
00:01:33,283 --> 00:01:34,701
Meth is a star.
You know that.
42
00:01:34,701 --> 00:01:36,870
‐ But, see, that's the problem.
43
00:01:36,870 --> 00:01:38,705
Meth's the only one
who's rhyming on it.
44
00:01:38,705 --> 00:01:41,082
No, people need to know
the Wu‐Tang is a group.
45
00:01:41,082 --> 00:01:44,627
So I'm thinking‐‐you know,
I'm thinking we do, uh...
46
00:01:44,627 --> 00:01:46,046
we do "Tearz."
47
00:01:46,046 --> 00:01:47,756
- ‐ "Tearz," nigga?
- Mm‐hmm.
48
00:01:47,756 --> 00:01:49,007
‐ "Tearz"?
49
00:01:49,007 --> 00:01:51,051
"Tearz" only got two people
on that shit.
50
00:01:51,051 --> 00:01:52,552
That's not
a group track, nigga.
51
00:01:52,552 --> 00:01:54,387
Yeah, but it's
Ghostface, and it's the RZA.
52
00:01:54,387 --> 00:01:56,681
That's the heart, and that's
the brain right there.
53
00:01:56,681 --> 00:01:57,932
You know what I mean?
54
00:01:57,932 --> 00:01:59,309
‐ Yeah, "Tearz" is my shit.
55
00:01:59,309 --> 00:02:01,353
But that shit ain't gonna go
in the club, son.
56
00:02:01,353 --> 00:02:02,937
‐ This is what I'm thinking
about "Tearz," right?
57
00:02:02,937 --> 00:02:04,481
It's got a bomb‐ass‐‐
58
00:02:04,481 --> 00:02:07,817
‐ Yo, it ain't "Tearz,"
and it's not "Method Man."
59
00:02:10,111 --> 00:02:12,697
‐ All right,
so‐‐so what you thinking, huh?
60
00:02:12,697 --> 00:02:15,075
You thinking about‐‐oh, you
thinking about that track
61
00:02:15,075 --> 00:02:17,577
that you and Rae
were working on?
62
00:02:17,577 --> 00:02:20,413
‐ It ain't that one either.
63
00:02:20,413 --> 00:02:22,624
No, we don't got that shit.
64
00:02:22,624 --> 00:02:25,043
‐ Then what?
65
00:02:25,043 --> 00:02:27,462
‐ Gonna have
to start from scratch.
66
00:02:29,547 --> 00:02:30,715
‐ What the fu‐‐
67
00:03:31,317 --> 00:03:32,694
‐ Yo, Bobby.
68
00:03:32,694 --> 00:03:34,821
Yo, son, you got floppy disks
full of tracks, son.
69
00:03:34,821 --> 00:03:36,656
Yo, all of these shits
is bangin', come on.
70
00:03:36,656 --> 00:03:39,075
‐ We're introducing
the Wu‐Tang Clan
71
00:03:39,075 --> 00:03:41,661
to the entire world
with this single.
72
00:03:41,661 --> 00:03:43,913
It's like making a first
impression with a chick.
73
00:03:43,913 --> 00:03:45,707
If you don't do it right,
74
00:03:45,707 --> 00:03:47,167
she ain't gonna let you
in her crib.
75
00:03:47,167 --> 00:03:49,252
‐ Boom, see, if it's about
the chicks, then let's go
76
00:03:49,252 --> 00:03:51,129
with "Method Man,"
just like I said.
77
00:03:51,129 --> 00:03:52,714
‐ It's not about chicks, yo.
78
00:03:52,714 --> 00:03:54,716
‐ So then
what it is about, Bobby?
79
00:03:54,716 --> 00:03:59,137
Explain it to us.
‐
80
00:03:59,137 --> 00:04:01,556
It's got to be...
81
00:04:01,556 --> 00:04:05,185
Wu‐Tang rugged, you dig?
82
00:04:05,185 --> 00:04:07,479
Grimy as shit,
83
00:04:07,479 --> 00:04:11,858
but like Power said,
it's got to play in the clubs.
84
00:04:11,858 --> 00:04:15,361
And like you said, it's got
to have the entire Clan on it.
85
00:04:15,361 --> 00:04:17,655
Mm‐hmm.
‐
86
00:04:17,655 --> 00:04:20,325
We got to do a posse cut.
87
00:04:20,325 --> 00:04:23,745
‐ Hey, yo, I, uh‐‐
I hear you, Bobby.
88
00:04:23,745 --> 00:04:25,789
I hear you,
but we don't got any time
89
00:04:25,789 --> 00:04:28,333
to be‐‐to be making
new tracks, man.
90
00:04:28,333 --> 00:04:29,959
‐ Yeah, and we ain't
got money either.
91
00:04:29,959 --> 00:04:31,419
‐ Mm‐hmm.
‐ You know what I'm saying?
92
00:04:31,419 --> 00:04:33,213
We got enough to pay
for two days in the studio
93
00:04:33,213 --> 00:04:35,006
to mix and master,
you know what I'm saying?
94
00:04:35,006 --> 00:04:37,258
And the rest of the cream is
for pressing up wax and tape.
95
00:04:37,258 --> 00:04:38,426
Just trust what you
already have.
96
00:04:38,426 --> 00:04:39,677
‐ No, yo‐‐
97
00:04:39,677 --> 00:04:41,095
We got to come through
chopping heads, yo.
98
00:04:41,095 --> 00:04:44,390
We got to have high BPM
and high energy,
99
00:04:44,390 --> 00:04:47,894
not just one animal roaring.
100
00:04:47,894 --> 00:04:49,813
We got to have
the entire fucking soundtrack
101
00:04:49,813 --> 00:04:51,606
of the jungle, yo.
102
00:04:51,606 --> 00:04:53,608
And we ain't got that shit.
103
00:04:53,608 --> 00:04:56,194
‐ Bobby, look, what do you mean
we ain't got that shit?
104
00:04:56,194 --> 00:04:58,238
Look at all
the damn floppy tapes.
105
00:04:58,238 --> 00:05:00,114
‐ Yo, let me have a couple
more days to figure this out,
106
00:05:00,114 --> 00:05:01,783
and if I don't,
107
00:05:01,783 --> 00:05:04,869
we can pick something else
for the single, all right?
108
00:05:04,869 --> 00:05:07,956
Okay. Bobby, I hear
what you're saying.
109
00:05:07,956 --> 00:05:09,207
We do not have a couple‐‐
110
00:05:11,709 --> 00:05:14,420
‐ Oh. All right,
I guess we leaving then.
111
00:05:14,420 --> 00:05:16,840
‐ Mm‐hmm.
112
00:05:42,031 --> 00:05:44,492
‐
113
00:05:56,880 --> 00:05:59,674
♪ If the music
make you move ♪
114
00:05:59,674 --> 00:06:02,635
♪ 'Cause you can dig
the groove ♪
115
00:06:02,635 --> 00:06:05,054
♪ Then groove on ♪
116
00:06:06,514 --> 00:06:08,057
♪ Groove on ♪
117
00:06:15,231 --> 00:06:16,566
♪ I want you to hit it ♪
118
00:06:18,443 --> 00:06:19,652
♪ Hit it and quit it ♪
119
00:06:21,654 --> 00:06:24,324
♪ I want you to, ooh ♪
120
00:06:47,847 --> 00:06:49,724
‐ Shit.
121
00:06:49,724 --> 00:06:52,143
Didn't you hear
what he said?
122
00:06:58,941 --> 00:07:01,152
I see
that you know how to fight.
123
00:07:01,152 --> 00:07:06,115
Well, today you are up
against the Ting brothers.
124
00:07:12,914 --> 00:07:14,916
‐ What?
125
00:07:14,916 --> 00:07:17,085
Ain't you supposed to
answer "Wu‐Tang Productions"?
126
00:07:17,085 --> 00:07:18,503
Yeah, my bad.
127
00:07:18,503 --> 00:07:20,546
Studio's booked
for tomorrow.
128
00:07:20,546 --> 00:07:22,048
- ‐ For tomorrow?
- Tomorrow.
129
00:07:22,048 --> 00:07:23,466
It's the only time
I could get.
130
00:07:23,466 --> 00:07:24,884
They're booked
for the rest of the month.
131
00:07:24,884 --> 00:07:26,344
Know what I mean?
We got it for two days, kid.
132
00:07:26,344 --> 00:07:29,263
That's it.
You're gonna be ready, right?
133
00:07:29,263 --> 00:07:30,264
‐ Yeah.
134
00:07:36,562 --> 00:07:38,981
What's up, man?
‐ What you looking for?
135
00:07:38,981 --> 00:07:40,566
‐ I have no idea.
136
00:07:44,362 --> 00:07:46,155
What's up, man?
137
00:08:17,228 --> 00:08:19,605
♪ When you're down and out ♪
138
00:08:19,605 --> 00:08:22,525
♪ In New York City ♪
139
00:08:22,525 --> 00:08:26,654
♪ I'm never, never, never
gonna get that way again ♪
140
00:08:26,654 --> 00:08:28,573
♪ Whoo! ♪
141
00:08:51,429 --> 00:08:52,805
‐ What's up?
142
00:08:52,805 --> 00:08:54,265
‐ What's up, yo?
143
00:08:56,267 --> 00:08:59,937
♪ Turn the tables
with our unity ♪
144
00:08:59,937 --> 00:09:01,481
‐ Yo, what up with Dennis?
145
00:09:01,481 --> 00:09:03,274
I heard about him and Shurrie.
146
00:09:05,693 --> 00:09:09,238
‐ Yeah. Yeah, he's‐‐he's cool.
147
00:09:09,238 --> 00:09:11,157
It's all in the family.
148
00:09:11,157 --> 00:09:13,618
‐ Cool, cool.
149
00:09:13,618 --> 00:09:15,453
Yeah, man.
150
00:09:15,453 --> 00:09:17,580
Tell D‐Lover I said what up.
151
00:09:17,580 --> 00:09:19,248
Heads been wanting
to hear more from us
152
00:09:19,248 --> 00:09:22,168
ever since we did that
"No More Mr. Nice Guy" track.
153
00:09:22,168 --> 00:09:24,462
‐ That shit was cool...
154
00:09:24,462 --> 00:09:27,507
you know, for the‐‐
for the neighborhood.
155
00:09:27,507 --> 00:09:30,009
Oh, by the way, he's going
by, uh, Ghostface Killah now.
156
00:09:30,009 --> 00:09:34,097
‐ Oh, yeah, I forgot.
Y'all be on that kung fu shit.
157
00:09:35,681 --> 00:09:36,974
‐ Yes.
158
00:09:41,896 --> 00:09:43,773
‐ So, uh, you working
on anything new?
159
00:09:43,773 --> 00:09:45,274
‐ Always, yo.
160
00:09:48,820 --> 00:09:51,906
Oh, shit, I was just there...
161
00:09:51,906 --> 00:09:54,909
A couple of hours ago.
162
00:09:54,909 --> 00:09:57,578
That shit was kind of dry,
though, a little stale.
163
00:09:57,578 --> 00:09:59,122
‐ I mean, I guess it's easy
to miss shit
164
00:09:59,122 --> 00:10:00,873
when you don't know
what you looking for.
165
00:10:05,711 --> 00:10:09,423
Oh, I was looking for this!
Deep cut.
166
00:10:09,423 --> 00:10:12,635
Yo, Puba and his people gonna
love what I do with this shit.
167
00:10:12,635 --> 00:10:14,720
I got a session
with them next week.
168
00:10:16,681 --> 00:10:18,141
‐ Word.
169
00:10:44,083 --> 00:10:45,918
♪ Pretend we're dead ♪
170
00:10:45,918 --> 00:10:50,173
♪ Dead ♪
171
00:10:50,173 --> 00:10:52,300
♪ Dead ♪
172
00:10:52,300 --> 00:10:54,594
♪ Pretend we're dead ♪
173
00:10:55,803 --> 00:10:59,182
‐ Hey, yo, yo, yo,
what he just cop?
174
00:10:59,182 --> 00:11:00,183
Man‐‐
175
00:11:25,291 --> 00:11:27,376
‐ Almost.
176
00:11:43,017 --> 00:11:47,563
♪ Something about love ♪
177
00:11:47,563 --> 00:11:52,568
‐ ♪ That makes me crazy ♪
178
00:11:52,568 --> 00:11:53,861
♪ Crazy ♪
179
00:11:53,861 --> 00:11:57,198
‐ ♪ Your love is for me ♪
180
00:11:59,617 --> 00:12:04,789
♪ Don't take it away ♪
181
00:12:04,789 --> 00:12:08,251
♪ No, no ♪
182
00:12:08,251 --> 00:12:12,713
♪ Something about love ♪
183
00:12:12,713 --> 00:12:17,677
‐ ♪ That drives men crazy ♪
184
00:12:17,677 --> 00:12:22,265
♪ Crazy ♪
‐ ♪ You'd be my only love ♪
185
00:12:45,037 --> 00:12:49,041
♪ The one you love ♪
186
00:12:49,041 --> 00:12:53,879
♪ Even if it means
I can't stay ♪
187
00:12:53,879 --> 00:12:57,174
♪ Oh ♪
188
00:12:57,174 --> 00:13:00,094
‐ You know Stevie Wonder
wrote this, right?
189
00:13:00,094 --> 00:13:02,096
You should know.
190
00:13:02,096 --> 00:13:05,433
I only played these boys
for you 10, 20 times.
191
00:13:05,433 --> 00:13:07,810
I do remember,
Uncle Hollis.
192
00:13:07,810 --> 00:13:09,729
That's why I had
to pick them up.
193
00:13:11,731 --> 00:13:13,482
‐ Good man.
194
00:13:15,693 --> 00:13:18,696
‐ ♪ You change your ways ♪
195
00:13:22,700 --> 00:13:26,704
♪ And something
'bout love ♪
196
00:13:26,704 --> 00:13:32,585
♪ That drives me crazy ♪
197
00:13:32,585 --> 00:13:39,550
♪ You'd be my only love ♪
198
00:13:39,550 --> 00:13:42,887
♪ I love you today ♪
199
00:13:42,887 --> 00:13:46,766
‐ So this is what goes on
in your head?
200
00:13:46,766 --> 00:13:49,143
It's like Radio City.
201
00:14:00,196 --> 00:14:03,741
‐
202
00:14:03,741 --> 00:14:07,244
♪ And something
'bout love ♪
203
00:14:07,244 --> 00:14:10,372
♪ And something 'bout love ♪
204
00:14:10,372 --> 00:14:13,125
♪ And something
'bout love ♪
205
00:14:13,125 --> 00:14:16,629
♪ That drives me crazy ♪
206
00:14:16,629 --> 00:14:19,590
‐ Bobby, they don't like that.
207
00:14:19,590 --> 00:14:22,218
What you doing to them?
208
00:14:22,218 --> 00:14:26,055
‐ It wasn't‐‐it wasn't what
I needed it to be.
209
00:14:26,055 --> 00:14:28,599
So I had to‐‐I had
to pick them up.
210
00:14:28,599 --> 00:14:32,686
♪ And something
'bout love ♪
211
00:14:32,686 --> 00:14:36,065
‐ Oh, damn, Bobby.
212
00:14:50,830 --> 00:14:53,457
I still don't see
why you want to use this music
213
00:14:53,457 --> 00:14:55,668
if you just gonna tear it up.
214
00:14:55,668 --> 00:14:59,421
‐ That's just your perception.
‐ My perception?
215
00:15:03,175 --> 00:15:07,721
‐ Do you remember when I was‐‐
I was afraid of the dark?
216
00:15:07,721 --> 00:15:09,640
‐ Oh, I remember very well.
217
00:15:09,640 --> 00:15:11,559
‐ Well, you told me
not to be scared.
218
00:15:11,559 --> 00:15:13,227
You told me that‐‐
219
00:15:13,227 --> 00:15:16,522
that everything
in the dark exists...
220
00:15:16,522 --> 00:15:18,107
in the light.
221
00:15:18,107 --> 00:15:19,733
It's a change
in your perception.
222
00:15:19,733 --> 00:15:21,527
It's the same with this music.
223
00:15:21,527 --> 00:15:23,404
I can't change exactly what's‐‐
224
00:15:23,404 --> 00:15:24,864
what they're playing
with the notes,
225
00:15:24,864 --> 00:15:27,324
but I can‐‐I can shape it.
226
00:15:27,324 --> 00:15:29,827
I can...
227
00:15:29,827 --> 00:15:32,413
I can push it from...
228
00:15:32,413 --> 00:15:35,207
from dark to light,
229
00:15:35,207 --> 00:15:38,085
make it whatever
I need it to be.
230
00:15:38,085 --> 00:15:40,045
‐ Whatever you can imagine.
231
00:15:40,045 --> 00:15:41,547
‐ Yeah.
232
00:15:46,010 --> 00:15:48,053
‐ Make up your mind already!
233
00:15:48,053 --> 00:15:51,098
‐ I told you your imagination
can turn on you.
234
00:15:51,098 --> 00:15:53,434
‐ See, that's exactly why, uh‐‐
235
00:16:20,961 --> 00:16:23,505
‐ Hey, man, what the hell?
236
00:16:23,505 --> 00:16:26,300
‐ Keep that shit going.
237
00:16:26,300 --> 00:16:28,177
That shit's good.
238
00:16:28,177 --> 00:16:30,304
Yeah. Yeah, yeah.
239
00:16:42,107 --> 00:16:44,276
Bong, bong.
240
00:16:44,276 --> 00:16:46,278
Yeah, yeah, yeah.
241
00:16:50,032 --> 00:16:52,159
Wu‐Tang city.
242
00:17:03,879 --> 00:17:05,339
‐ Ladies and gentlemen,
243
00:17:05,339 --> 00:17:07,424
we have the Honey Drippers
in the house tonight.
244
00:17:07,424 --> 00:17:09,843
And they just got back
from Washington, D. C.
245
00:17:09,843 --> 00:17:11,887
And I think they got something
they want to say.
246
00:17:14,765 --> 00:17:16,809
♪ Impeach the president ♪
247
00:17:16,809 --> 00:17:21,397
♪ Impeach the president,
impeach the president ♪
248
00:17:21,397 --> 00:17:24,483
‐ Hey, man, look, we know
you ain't gonna use us.
249
00:17:24,483 --> 00:17:26,277
All y'all ever want is Phil.
250
00:17:26,277 --> 00:17:29,822
‐ Oh, you know what?
You're right.
251
00:17:29,822 --> 00:17:32,241
‐ Oh, whoa, brother, brother,
252
00:17:32,241 --> 00:17:35,494
brother, you know Phil
wasn't shit when I found him.
253
00:17:35,494 --> 00:17:36,662
I had to drill his ass!
254
00:17:36,662 --> 00:17:39,790
Oh, shit!
255
00:17:39,790 --> 00:17:42,418
Thanks.
He always riding me.
256
00:17:42,418 --> 00:17:44,295
‐ Hey, that motherfucker
talks too much.
257
00:17:44,295 --> 00:17:46,547
I ain't got time
for none of that shit.
258
00:17:46,547 --> 00:17:49,341
‐ So now that Hammond's out,
how you want me to play it?
259
00:17:49,341 --> 00:17:51,343
Most of y'all like it like
how Marley Marl has it.
260
00:17:51,343 --> 00:17:52,595
‐ Let me hear that.
261
00:17:52,595 --> 00:17:54,847
‐ This is Hammond's version.
262
00:17:58,434 --> 00:18:00,936
But Marley Marl love that kick.
263
00:18:03,939 --> 00:18:06,567
‐ Yo, uh, let's, uh‐‐
264
00:18:06,567 --> 00:18:10,487
Let's try it out my way.
‐ Whatever you say, I'm down.
265
00:18:12,156 --> 00:18:13,949
‐ Sick.
266
00:18:24,168 --> 00:18:26,003
‐ I can dig that.
267
00:18:29,173 --> 00:18:31,842
‐ It's feeling kind of‐‐
kind of thin.
268
00:18:53,614 --> 00:18:54,865
Yeah, yeah, yeah, yeah.
269
00:18:54,865 --> 00:18:57,743
Hey, Phil, let me‐‐let me
get you on that snare.
270
00:18:57,743 --> 00:18:59,036
Lean into it.
271
00:19:02,831 --> 00:19:06,085
Yeah.
272
00:19:06,085 --> 00:19:09,296
And, yo, uh, what's your name?
273
00:19:09,296 --> 00:19:11,215
‐ Alex.
274
00:19:11,215 --> 00:19:14,343
‐ Let me get that shit
more, uh‐‐more frantic.
275
00:19:14,343 --> 00:19:16,261
‐ Frantic?
276
00:19:21,016 --> 00:19:24,895
‐ Hey, you, uh, on the left,
let me get that, uh‐‐
277
00:19:24,895 --> 00:19:27,898
the...
278
00:19:33,070 --> 00:19:36,240
‐ No, you can't.
But you can get it like this.
279
00:20:00,723 --> 00:20:02,933
‐ Yo, keep that shit going,
huh?
280
00:20:26,081 --> 00:20:27,624
♪ Your love is... ♪
281
00:20:27,624 --> 00:20:30,919
‐ Yo, I need more drums, yo.
Make that shit big.
282
00:20:30,919 --> 00:20:35,549
Give me‐‐give me, uh,
4 dB on the bass.
283
00:20:35,549 --> 00:20:38,886
Okay, like that?
284
00:20:38,886 --> 00:20:40,763
How does that sound?
285
00:20:42,848 --> 00:20:44,349
‐ Yeah.
286
00:20:44,349 --> 00:20:46,560
Yeah, right?
287
00:20:46,560 --> 00:20:49,646
That shit's hard, right?
‐ Very hard, bro.
288
00:20:49,646 --> 00:20:52,274
‐ Hey, yo, pause.
‐ Watch your mouth, son.
289
00:20:52,274 --> 00:20:53,942
‐ You heard this nigga?
290
00:20:53,942 --> 00:20:56,236
‐ Hey, yo, what's up, man?
291
00:20:56,236 --> 00:20:58,489
‐ Thought you said to pause.
‐ Turn that shit back on.
292
00:20:58,489 --> 00:21:00,157
‐ Hey, watch the board, man!
293
00:21:00,157 --> 00:21:01,700
‐ Play the music.
294
00:21:01,700 --> 00:21:04,244
‐ Hey, yo, just‐‐
Never mind them, all right?
295
00:21:04,244 --> 00:21:07,164
Let's‐‐let's stay focused here.
296
00:21:07,164 --> 00:21:10,334
‐ All right, my bad. I thought
it was hard, man, but...
297
00:21:10,334 --> 00:21:11,960
‐
298
00:21:11,960 --> 00:21:14,296
Yo, I'm done with my shit, son.
‐ Me too.
299
00:21:14,296 --> 00:21:16,340
‐ Yo, how you even read
that shit, son?
300
00:21:16,340 --> 00:21:19,009
‐ I'ma show you.
‐ Nah, nah, nah, hold on.
301
00:21:19,009 --> 00:21:20,761
‐ What you mean?
‐ I'm getting on the mic first.
302
00:21:20,761 --> 00:21:22,179
‐ You wilin'.
303
00:21:22,179 --> 00:21:24,306
‐ Yo, ain't nobody going
in the booth, all right?
304
00:21:24,306 --> 00:21:25,599
Until I say so.
305
00:21:25,599 --> 00:21:27,476
This shit is like
a fucking symphony, all right?
306
00:21:27,476 --> 00:21:30,938
Everybody's voice
is an instrument, all right?
307
00:21:30,938 --> 00:21:32,397
‐ What you mean?
308
00:21:32,397 --> 00:21:34,900
‐ Deck, you first.
309
00:21:34,900 --> 00:21:38,987
‐ Come on, man.
‐ The RZA chooses wisely.
310
00:21:38,987 --> 00:21:40,823
Yo, wack, son.
311
00:21:40,823 --> 00:21:43,408
'Cause I'm going first,
y'all better get to re‐writing.
312
00:21:43,408 --> 00:21:44,493
Whatever, yo.
313
00:21:44,493 --> 00:21:45,619
What are you talking
about?
314
00:21:45,619 --> 00:21:47,830
- ‐ And my nigga, GZA...
- Yo.
315
00:21:47,830 --> 00:21:49,206
‐ You last, yo. All right?
316
00:21:49,206 --> 00:21:51,792
‐ Ah, yeah, save the best
for last.
317
00:21:51,792 --> 00:21:53,210
I'll be right back,
matter of fact.
318
00:21:53,210 --> 00:21:54,753
You better have
some shit ready.
319
00:21:54,753 --> 00:21:57,506
‐ What up, dog?
‐ Peace, dog.
320
00:21:57,506 --> 00:21:58,966
‐ You out already?
321
00:21:58,966 --> 00:22:00,425
‐ Yeah, I'm about to go
contemplate my verse.
322
00:22:00,425 --> 00:22:01,760
Know what I mean?
323
00:22:01,760 --> 00:22:03,637
Might watch a phat karate flick
or something.
324
00:22:03,637 --> 00:22:05,764
You feel me? You good?
325
00:22:05,764 --> 00:22:07,266
‐ Yeah, son, I'm chillin'.
326
00:22:07,266 --> 00:22:08,684
I just ain't realize
327
00:22:08,684 --> 00:22:11,228
we was rolling this deep
in the studio and shit.
328
00:22:11,228 --> 00:22:12,729
Oh, yeah, the RZA wants
this record
329
00:22:12,729 --> 00:22:15,274
to feel like a live show,
know what I mean?
330
00:22:15,274 --> 00:22:16,400
Yo, kill that shit.
331
00:22:16,400 --> 00:22:19,236
We gon' take care of it.
Peace, cuz.
332
00:22:22,364 --> 00:22:25,117
Oh, yeah, make sure
the kick is stand, uh...
333
00:22:25,117 --> 00:22:26,493
Okay.
334
00:22:26,493 --> 00:22:28,662
And the weight
of all that shit is just...
335
00:22:28,662 --> 00:22:31,248
You rock, man.
And we're out...
336
00:22:31,248 --> 00:22:33,041
So we got Inspectah.
337
00:22:34,751 --> 00:22:36,169
What you think?
338
00:22:39,464 --> 00:22:42,467
‐ Hey, yo, this spot
mad different than yours, son.
339
00:22:44,636 --> 00:22:46,430
‐ I'm talking
about this beat, yo.
340
00:22:46,430 --> 00:22:49,474
‐ Oh, yeah, this shit phat.
341
00:22:49,474 --> 00:22:52,019
You know, always is, though.
342
00:22:52,019 --> 00:22:53,395
‐ Hey, what's up, man?
I'm Ethan.
343
00:22:53,395 --> 00:22:56,481
‐ What up? D‐Lov‐‐
344
00:22:56,481 --> 00:22:58,692
Ghostface.
345
00:22:58,692 --> 00:23:01,153
‐ Oh, he's the one
you've been talking about?
346
00:23:01,153 --> 00:23:02,905
- Yeah, yeah.
- Okay, sick.
347
00:23:02,905 --> 00:23:06,283
‐ Yeah, so what you do, Ethan?
‐ Uh, I'm the engineer.
348
00:23:08,076 --> 00:23:11,163
‐ Oh, word, word.
349
00:23:11,163 --> 00:23:13,874
‐ You're after Deck, yo,
all right?
350
00:23:15,542 --> 00:23:17,461
‐ Damn.
So that's mad soon, son.
351
00:23:17,461 --> 00:23:19,129
‐ Better get
that shit cracking.
352
00:23:23,133 --> 00:23:24,927
Peace, peace.
353
00:23:26,720 --> 00:23:28,722
- Imagine that.
- I know, right?
354
00:24:10,764 --> 00:24:12,474
‐ ♪ Jam on the mic ♪
355
00:24:12,474 --> 00:24:14,184
Nah.
356
00:24:22,943 --> 00:24:24,945
♪ I smoke on the mic ♪
357
00:24:26,363 --> 00:24:27,948
♪ I smoke on the mic ♪
358
00:24:27,948 --> 00:24:31,493
♪ Like Smokin' Joe Frazier ♪
359
00:24:35,455 --> 00:24:39,209
♪ Swing into your town like
your neighborhood Spider‐Man ♪
360
00:24:39,209 --> 00:24:42,421
Yo.
♪ Swinging through your town ♪
361
00:24:49,428 --> 00:24:50,721
♪ Swinging through your town ♪
362
00:24:50,721 --> 00:24:52,431
♪ Like the neighborhood
Spider‐Man ♪
363
00:24:52,431 --> 00:24:54,599
♪ So, uh, ticktock,
keep tickin' ♪
364
00:24:54,599 --> 00:24:57,227
♪ While I get ya flippin'
off the shit I'm kickin' ♪
365
00:24:57,227 --> 00:24:59,646
♪ The Lone Ranger,
code red, danger ♪
366
00:24:59,646 --> 00:25:02,691
♪ Deep in the dark with the art
to rip the charts apart ♪
367
00:25:02,691 --> 00:25:04,317
♪ The vandal,
too hot to handle ♪
368
00:25:04,317 --> 00:25:07,029
♪ Ya battle, you're saying
"goodbye" like Tevin Campbell ♪
369
00:25:07,029 --> 00:25:09,281
♪ Roughneck,
Inspectah Deck's on the set ♪
370
00:25:09,281 --> 00:25:12,284
♪ The Rebel, I make more noise
than heavy metal ♪
371
00:25:12,284 --> 00:25:14,828
- ‐ Shoo!
- You hear that shit?
372
00:25:14,828 --> 00:25:16,747
Yeah, he did, son.
He did.
373
00:25:16,747 --> 00:25:20,125
‐ Hey, Ghost, you up next, yo.
374
00:25:20,125 --> 00:25:22,002
You ready?
375
00:25:22,002 --> 00:25:23,962
‐ Nah, nah, nah.
Let‐‐let one of them go first.
376
00:25:23,962 --> 00:25:25,839
I'm out here right now.
Hold my quarter.
377
00:25:25,839 --> 00:25:27,674
‐ All right, Rae?
378
00:25:27,674 --> 00:25:30,552
‐ Like you even have
to fucking ask, yo.
379
00:25:30,552 --> 00:25:32,054
All right.
‐ Word, word.
380
00:25:32,054 --> 00:25:33,055
Let's get that fucking
shit.
381
00:25:33,055 --> 00:25:34,598
‐ Yeah, yeah.
Watch and learn.
382
00:25:34,598 --> 00:25:37,017
Come on, God,
you already know.
383
00:25:40,479 --> 00:25:42,606
♪ The way I make
the crowd go wild ♪
384
00:25:42,606 --> 00:25:44,524
♪ Sit back, relax,
won't smile ♪
385
00:25:44,524 --> 00:25:46,568
♪ Rae got it going on, pal ♪
386
00:25:46,568 --> 00:25:48,445
♪ Call me
the rap assassinator ♪
387
00:25:48,445 --> 00:25:50,822
♪ Rhymes rugged
and built like Schwarzenegger ♪
388
00:25:50,822 --> 00:25:52,991
♪ And I'ma get mad deep
like a threat ♪
389
00:25:52,991 --> 00:25:56,286
♪ Blow up your project,
then take all your assets ♪
390
00:25:56,286 --> 00:25:58,288
♪ 'Cause I came to shake
the frame in half ♪
391
00:25:58,288 --> 00:26:00,791
♪ With the thoughts
that bomb shit like math ♪
392
00:26:00,791 --> 00:26:03,543
♪ So if you want to try to
flip, go flip on the next man ♪
393
00:26:03,543 --> 00:26:05,253
♪ 'Cause I grab the clip and ♪
394
00:26:05,253 --> 00:26:07,839
♪ Hit you with 16 shots
and more I got ♪
395
00:26:07,839 --> 00:26:10,759
♪ Goin' to war
with the melting' pot, ah ♪
396
00:26:10,759 --> 00:26:13,178
Ah!
397
00:26:13,178 --> 00:26:14,888
‐ Yo, play that shit again.
‐ Yeah, yeah.
398
00:26:14,888 --> 00:26:17,140
‐ Yeah, play that shit,
again and again, guy.
399
00:26:17,140 --> 00:26:18,850
♪ So, uh, ticktock,
keep tickin' ♪
400
00:26:18,850 --> 00:26:20,102
♪ While I get you flippin'‐‐ ♪
401
00:26:20,102 --> 00:26:22,521
‐ Raise it up
just a little bit.
402
00:26:22,521 --> 00:26:23,897
♪ Code red, danger ♪
403
00:26:23,897 --> 00:26:25,690
♪ Deep in the dark
with the art ♪
404
00:26:25,690 --> 00:26:27,067
♪ To rip the charts apart ♪
405
00:26:27,067 --> 00:26:28,652
♪ The vandal,
too hot to handle ♪
406
00:26:28,652 --> 00:26:31,279
♪ Ya battle, you're sayin'
"goodbye" like Tevin Campbell ♪
407
00:26:31,279 --> 00:26:33,490
♪ Roughneck, Inspectah Deck's
on the set ♪
408
00:26:33,490 --> 00:26:36,076
♪ The rebel, I make more noise
than heavy metal ♪
409
00:26:36,076 --> 00:26:38,078
♪ The way I make
the crowd go wild ♪
410
00:26:38,078 --> 00:26:39,871
♪ Sit back, relax,
won't smile ♪
411
00:26:39,871 --> 00:26:41,498
♪ Rae got it going on, pal ♪
412
00:26:41,498 --> 00:26:43,667
♪ Call me
the rap assassinator ♪
413
00:26:43,667 --> 00:26:46,086
♪ Rhymes rugged
and built like Schwarzenegger ♪
414
00:26:46,086 --> 00:26:47,879
♪ And I'm gonna get mad deep
like a threat ♪
415
00:26:47,879 --> 00:26:50,173
‐ What's up?
416
00:26:50,173 --> 00:26:52,884
‐ I don't know, yo.
It's‐‐it's not lining up.
417
00:26:52,884 --> 00:26:54,219
‐ Really?
418
00:26:54,219 --> 00:26:57,472
‐ It's like the mix
is off or something.
419
00:26:57,472 --> 00:26:58,890
‐ I don't hear it.
420
00:26:58,890 --> 00:26:59,891
‐ No?
421
00:26:59,891 --> 00:27:02,561
Everything's how you wanted it.
422
00:27:04,688 --> 00:27:06,356
‐ All right, fuck it.
423
00:27:06,356 --> 00:27:08,692
Let's just lay down
everything else,
424
00:27:08,692 --> 00:27:09,901
and we can figure it out later.
425
00:27:09,901 --> 00:27:11,111
Okay.
‐ Right?
426
00:27:11,111 --> 00:27:12,654
Yeah, that works.
427
00:27:12,654 --> 00:27:14,656
‐ Hey, yo, Ghost,
you ready yet?
428
00:27:14,656 --> 00:27:15,740
‐ Nah, son.
429
00:27:15,740 --> 00:27:18,535
Nah, nah.
I'm still working on it.
430
00:27:18,535 --> 00:27:21,037
‐ All right.
Dirty, what's up with you?
431
00:27:21,037 --> 00:27:23,415
‐ Sure, I been ready, son!
What's up?
432
00:27:23,415 --> 00:27:26,251
‐ Hey, yo,
let me see this shit, man.
433
00:27:26,251 --> 00:27:28,545
‐ Yeah, you might learn
something, yeah.
434
00:27:28,545 --> 00:27:29,671
Mm‐hmm.
435
00:27:29,671 --> 00:27:31,172
‐ Hey, yo,
this nigga clowning, son.
436
00:27:31,172 --> 00:27:32,883
Look at that shit, son.
437
00:27:32,883 --> 00:27:34,175
‐ Look at it.
438
00:27:35,969 --> 00:27:37,637
‐ Yo, cuz, for real, yo?
439
00:27:37,637 --> 00:27:39,222
‐ For real, son.
440
00:27:39,222 --> 00:27:42,267
‐ Yo, this nigga‐‐you wrote
this shit when you was 13, yo.
441
00:27:44,185 --> 00:27:46,062
‐ How am I supposed to help
if I'm a prodigy, man?
442
00:27:46,062 --> 00:27:49,399
I can't help that, son.
Give me my shit, man.
443
00:27:49,399 --> 00:27:51,818
Hey, son, gold is gold.
444
00:27:51,818 --> 00:27:53,570
Man, I don't know why
y'all niggas is hating on me.
445
00:27:53,570 --> 00:27:55,363
‐ We got this studio
so we can record some new shit,
446
00:27:55,363 --> 00:27:56,948
not come up in here
with old bars, all right?
447
00:27:56,948 --> 00:27:59,159
Yo, take this shit serious.
448
00:27:59,159 --> 00:28:00,869
Go and write some new shit.
449
00:28:00,869 --> 00:28:02,954
An original verse, all right?
450
00:28:02,954 --> 00:28:04,456
‐ Man, listen,
451
00:28:04,456 --> 00:28:07,584
I can't even write under these
circumstances anyway, man.
452
00:28:07,584 --> 00:28:10,587
Don't oppress me, man.
The Black man is God.
453
00:28:12,672 --> 00:28:13,924
Yeah. Whatever, nigga.
454
00:28:13,924 --> 00:28:16,426
Yo, come back with a new verse,
all right?
455
00:29:07,686 --> 00:29:09,479
‐ You ain't shit.
456
00:29:10,522 --> 00:29:11,982
‐ What?
457
00:29:11,982 --> 00:29:13,650
Yo.
458
00:29:13,650 --> 00:29:17,153
Yo, you hear me?
459
00:29:17,153 --> 00:29:18,238
You ready yet?
460
00:29:18,238 --> 00:29:19,239
‐ Hey, yo, I‐I got to go
461
00:29:19,239 --> 00:29:21,032
take a leak, son.
462
00:29:22,993 --> 00:29:24,661
‐ Well, hurry
your ass up, nigga.
463
00:29:24,661 --> 00:29:27,038
We have one more day left
in the studio, all right?
464
00:29:27,038 --> 00:29:28,456
‐ Hey, yo, so then don't put me
on the song then.
465
00:29:28,456 --> 00:29:29,958
‐ Everybody has to be
on the song.
466
00:29:29,958 --> 00:29:31,710
Yo, you know, everybody
has to be on the track.
467
00:29:31,710 --> 00:29:34,129
‐ All right, all right, I heard
you, I heard you, all right?
468
00:29:34,129 --> 00:29:36,131
‐
469
00:29:38,883 --> 00:29:41,678
‐ Meth, you're up.
470
00:29:41,678 --> 00:29:43,054
‐ Finally, son.
471
00:29:43,054 --> 00:29:45,515
Damn, how long you's
gonna take?
472
00:29:45,515 --> 00:29:47,892
- It's on you.
- ‐ Symphony, right?
473
00:29:49,728 --> 00:29:52,313
♪ I mean, oh, yo,
check out the flow ♪
474
00:29:52,313 --> 00:29:55,066
♪ Like the Hudson or PCP
when I'm dustin' ♪
475
00:29:55,066 --> 00:29:57,277
♪ Niggas off
'cause I'm hot like sauce ♪
476
00:29:57,277 --> 00:29:59,779
♪ Smoke from the lyrical blunt
makes me ♪
477
00:29:59,779 --> 00:30:01,865
♪ Ooh,
grab my nut, get screwed ♪
478
00:30:01,865 --> 00:30:04,242
♪ Ow, here comes
my Shaolin style ♪
479
00:30:04,242 --> 00:30:08,997
♪ To my crew with the ♪
‐ ♪ Sooh ♪
480
00:30:08,997 --> 00:30:10,290
♪ It's the Method Man ♪
481
00:30:10,290 --> 00:30:11,624
♪ For short, Mr. Meth ♪
482
00:30:11,624 --> 00:30:13,710
♪ Movin' on your left ♪
483
00:30:13,710 --> 00:30:16,546
♪ Ah, and set it off,
get it off, let it off ♪
484
00:30:16,546 --> 00:30:18,298
♪ Like a gat,
I want to break full‐‐ ♪
485
00:30:20,925 --> 00:30:23,011
‐ Fuck, yo.
486
00:30:23,011 --> 00:30:24,262
‐ We've been at it for a while.
487
00:30:24,262 --> 00:30:27,307
Maybe we should re‐do
some verses.
488
00:30:27,307 --> 00:30:30,685
‐ It's not the verses.
It's the beat.
489
00:30:30,685 --> 00:30:33,688
This beat is soulful, but
I need something...
490
00:30:33,688 --> 00:30:35,899
more original.
491
00:30:35,899 --> 00:30:38,234
I need something unpredictable.
492
00:30:38,234 --> 00:30:41,696
‐ I‐I feel you. I just‐‐I think
you're burning out, man.
493
00:30:41,696 --> 00:30:45,325
I love this beat,
and these guys do, too.
494
00:30:45,325 --> 00:30:47,327
‐ Every verse...
495
00:30:47,327 --> 00:30:49,537
needs to hit hard...
496
00:30:49,537 --> 00:30:51,372
every verse.
497
00:30:51,372 --> 00:30:52,791
‐ It's just,
if we can't mix with four,
498
00:30:52,791 --> 00:30:54,501
it's gonna be crazy with seven.
499
00:30:54,501 --> 00:30:56,586
‐ Yo, I'm not taking anybody
off of the single, all right?
500
00:30:56,586 --> 00:30:59,214
Everybody will stay
on the song.
501
00:30:59,214 --> 00:31:01,800
‐ All right.
502
00:31:01,800 --> 00:31:03,968
‐ I just need to‐‐
I need to think.
503
00:31:05,261 --> 00:31:07,222
‐ Atención, por favor.
504
00:31:07,222 --> 00:31:08,723
‐ This nigga here, man.
505
00:31:12,060 --> 00:31:15,396
Yeah, that shit
better be hard.
506
00:31:15,396 --> 00:31:16,981
‐ You just wrote this shit
right now?
507
00:31:16,981 --> 00:31:18,483
‐ Yeah, son.
508
00:31:18,483 --> 00:31:20,151
What you thought I was doing
on the roof the whole time?
509
00:31:20,151 --> 00:31:21,986
‐ Not supposed to go
on the roof.
510
00:31:21,986 --> 00:31:23,571
‐ Yo, if he keeps writing
like this,
511
00:31:23,571 --> 00:31:25,615
he can climb to the top
of the Empire State Building.
512
00:31:25,615 --> 00:31:26,783
‐ Word.
513
00:31:26,783 --> 00:31:29,619
‐ Yo, this shit
is fucking hard, son.
514
00:31:29,619 --> 00:31:31,579
‐ King Kong, motherfucker!
515
00:31:31,579 --> 00:31:33,706
♪ Baby, baby, come on home ♪
516
00:31:33,706 --> 00:31:35,875
♪ First things first, man,
you're fuckin' with the worst ♪
517
00:31:35,875 --> 00:31:38,670
♪ I'll be sticking pins in your
head like a fuckin' nurse ♪
518
00:31:38,670 --> 00:31:41,548
♪ I'll attack any nigga
who's slack in his mack ♪
519
00:31:41,548 --> 00:31:43,800
♪ Come fully packed
with a fat rugged stack ♪
520
00:31:43,800 --> 00:31:45,885
♪ Shame on you
when you step through to ♪
521
00:31:45,885 --> 00:31:47,428
♪ The Ol' Dirty Bastard ♪
522
00:31:47,428 --> 00:31:49,055
♪ Straight
from the Brooklyn Zoo ♪
523
00:31:49,055 --> 00:31:51,015
♪ And I'll be damned
if I let any man ♪
524
00:31:51,015 --> 00:31:52,100
♪ Come to my center ♪
525
00:31:52,100 --> 00:31:53,560
♪ You enter the winter ♪
526
00:31:53,560 --> 00:31:55,436
♪ Straight up and down,
that shit is packed jam ♪
527
00:31:55,436 --> 00:31:58,189
♪ You can't slam, don't let me
get fool on him, man ♪
528
00:31:58,189 --> 00:32:00,775
‐ Whoo!
‐ That's original right there.
529
00:32:00,775 --> 00:32:03,111
‐ Word!
‐ Rhymes is phat.
530
00:32:03,111 --> 00:32:06,614
‐ Hey, Ghost, well, after that,
you got to be motiva‐‐
531
00:32:06,614 --> 00:32:08,366
Yo, what the fuck?
532
00:32:08,366 --> 00:32:11,119
Yo, where this nigga Ghost at?
533
00:32:11,119 --> 00:32:12,662
Disappearing.
I'm not gonna hold you.
534
00:32:12,662 --> 00:32:15,665
Ghostface Killah for real.
You know what I mean?
535
00:32:15,665 --> 00:32:17,167
Word.
536
00:32:23,047 --> 00:32:24,674
♪ My pen, my pen that‐‐ ♪
537
00:32:24,674 --> 00:32:27,886
♪ My pen that slays
for minutes and days ♪
538
00:32:31,055 --> 00:32:32,682
♪ As I lounge‐‐ ♪
539
00:32:32,682 --> 00:32:34,642
♪ I lunge at your throat ♪
540
00:32:34,642 --> 00:32:38,938
♪ Shaolin wooden men, we coming
for your‐‐ ♪
541
00:32:38,938 --> 00:32:40,857
♪ Shaolin wooden men ♪
542
00:32:40,857 --> 00:32:42,233
♪ We coming for your throat ♪
543
00:32:42,233 --> 00:32:44,652
♪ I got the goons born un‐‐ ♪
544
00:32:44,652 --> 00:32:46,112
♪ And the crew ♪
545
00:32:46,112 --> 00:32:49,240
♪ Fuck around,
get your skull split in two ♪
546
00:32:49,240 --> 00:32:52,118
Shh, shh, shh.
547
00:32:52,118 --> 00:32:53,745
♪ As I slice‐‐as I‐‐ ♪
548
00:32:53,745 --> 00:32:55,830
No, as I‐‐
549
00:32:55,830 --> 00:32:58,458
♪ As I slice just‐‐ ♪
550
00:33:00,877 --> 00:33:03,713
‐ Wait. Shh, shh, shh.
551
00:33:03,713 --> 00:33:05,256
Oh, come here.
552
00:33:05,256 --> 00:33:06,716
Ooh.
553
00:33:06,716 --> 00:33:10,094
Oh, I got you. I got you.
554
00:33:10,094 --> 00:33:12,722
Mommy's little alarm clock.
555
00:33:12,722 --> 00:33:14,724
‐ Yo, I'm sorry.
I woke him up by accident.
556
00:33:14,724 --> 00:33:16,184
‐ It's okay.
557
00:33:16,184 --> 00:33:17,894
‐ Just go back in there
and go back to sleep. Give me‐‐
558
00:33:17,894 --> 00:33:22,106
‐ No, no, no, it's okay.
He's probably just hungry.
559
00:33:22,106 --> 00:33:24,108
How about you‐‐you go
in the bedroom,
560
00:33:24,108 --> 00:33:27,070
and, yeah, I'll stay out here
with him?
561
00:33:30,490 --> 00:33:31,908
‐ Thank you.
562
00:33:31,908 --> 00:33:35,536
‐ Mm‐hmm.
563
00:33:35,536 --> 00:33:37,914
Can you make a bottle
first, though?
564
00:33:37,914 --> 00:33:40,917
‐ ♪ And I'll put your skull
in two ♪
565
00:33:40,917 --> 00:33:44,337
♪ As I come through
with the sword ♪
566
00:33:44,337 --> 00:33:46,965
♪ As I come through
with the sword ♪
567
00:33:49,717 --> 00:33:52,136
♪ Come through with the sword ♪
568
00:33:56,975 --> 00:33:58,351
All right. All right, baby.
569
00:33:58,351 --> 00:34:01,813
All right, all right,
I'm coming, I'm coming.
570
00:34:01,813 --> 00:34:04,357
♪ It's the Method Man,
for short Mr. Meth ♪
571
00:34:04,357 --> 00:34:06,317
♪ Movin' on your left ♪
572
00:34:06,317 --> 00:34:08,736
♪ Ah, and set it off,
get it off, let it off ♪
573
00:34:08,736 --> 00:34:09,946
♪ Like a gat‐‐ ♪
574
00:34:12,156 --> 00:34:13,700
♪ Ticktock, keep ticking ♪
575
00:34:13,700 --> 00:34:15,743
♪ While I get you flippin'
off the shit I'm kickin' ♪
576
00:34:15,743 --> 00:34:18,329
♪ The Lone Ranger,
code red, danger ♪
577
00:34:18,329 --> 00:34:20,039
♪ Deep in the dark
with the art ♪
578
00:34:21,749 --> 00:34:23,126
♪ First things first, man ♪
579
00:34:23,126 --> 00:34:24,585
♪ You're fuckin'
with the worst ♪
580
00:34:24,585 --> 00:34:26,170
♪ I'll be stickin' pins
in your head ♪
581
00:34:26,170 --> 00:34:27,630
♪ Like a fucking nurse ♪
582
00:34:27,630 --> 00:34:29,924
♪ I'll attack any nigga
who slack in his mack ♪
583
00:34:29,924 --> 00:34:31,134
♪ Come fully packed ♪
584
00:34:31,134 --> 00:34:32,593
♪ With a fat rugged stack ♪
585
00:34:35,179 --> 00:34:37,473
‐ ♪ It's the Method Man,
for short, Mr. Meth ♪
586
00:34:37,473 --> 00:34:39,600
♪ Movin' on your left ♪
587
00:34:39,600 --> 00:34:43,187
♪ Ah, and set it off, get it
off, let it off like a gat ♪
588
00:34:43,187 --> 00:34:45,648
♪ I wanna break full,
cock me back ♪
589
00:34:45,648 --> 00:34:47,358
♪ Joe Frazier,
the hellraiser ♪
590
00:34:47,358 --> 00:34:48,776
♪ Raisin' hell
with the flavor ♪
591
00:34:48,776 --> 00:34:51,154
♪ Terrorize a jam
like troops in Pakistan ♪
592
00:34:51,154 --> 00:34:52,363
♪ Swingin' through your town ♪
593
00:34:52,363 --> 00:34:53,781
♪ Like your neighborhood
Spider‐Man ♪
594
00:34:53,781 --> 00:34:55,992
♪ So, uh, ticktock,
keep tickin' ♪
595
00:34:55,992 --> 00:34:58,369
♪ While I get you flippin'
off the shit I'm kickin' ♪
596
00:34:58,369 --> 00:35:01,164
♪ The Lone Ranger,
code red, danger ♪
597
00:35:01,164 --> 00:35:02,582
♪ Deep in the dark
with the art ♪
598
00:35:02,582 --> 00:35:04,000
♪ To rip the charts apart ♪
599
00:35:04,000 --> 00:35:05,627
♪ The vandal,
too hot to handle ♪
600
00:35:05,627 --> 00:35:08,504
♪ Ya battle, you're saying
"goodbye" like Tevin Campbell ♪
601
00:35:08,504 --> 00:35:11,174
♪ Roughneck, Inspectah Deck's
on the set, the rebel‐‐ ♪
602
00:35:11,174 --> 00:35:13,718
‐ ♪ It's the Method Man,
for short, Mr. Meth. ♪
603
00:35:13,718 --> 00:35:15,053
♪ Movin' on your left ♪
604
00:35:15,053 --> 00:35:16,471
♪ Ah ♪
605
00:35:27,774 --> 00:35:31,444
♪ And set it off, get it off,
let it off like a gat ♪
606
00:35:35,615 --> 00:35:38,034
Yo, son,
you gonna keep me like this?
607
00:35:42,789 --> 00:35:44,457
Gonna let me get through
my whole verse this time?
608
00:35:44,457 --> 00:35:46,084
‐ I don't fucking know yet.
609
00:35:46,084 --> 00:35:47,585
‐ Yo, I ain't doing this shit
all night, son.
610
00:35:47,585 --> 00:35:49,921
‐ Hey, man, cool out.
Give the man his space.
611
00:35:49,921 --> 00:35:52,131
‐ Yo, drummer boy,
check this out.
612
00:35:52,131 --> 00:35:53,883
You don't know me, son.
613
00:36:02,016 --> 00:36:03,434
- What's up?
- Come on.
614
00:36:03,434 --> 00:36:05,269
Yeah, motherfucker!
Jamaica Queens, baby!
615
00:36:05,269 --> 00:36:06,479
You jive turkey
motherfucker!
616
00:36:09,482 --> 00:36:12,276
‐ Damn, son, Honey Drippers
ain't no joke.
617
00:36:12,276 --> 00:36:15,446
‐
618
00:36:15,446 --> 00:36:18,074
All right,
let's get back to work.
619
00:36:22,036 --> 00:36:25,456
Yo, let me‐‐let me
get something‐‐
620
00:36:25,456 --> 00:36:29,252
something
a little more like...
621
00:36:29,252 --> 00:36:31,129
this.
622
00:36:38,594 --> 00:36:40,722
‐ That's a totally
different beat.
623
00:36:40,722 --> 00:36:42,056
‐ Yeah, yeah, I know.
624
00:36:42,056 --> 00:36:45,685
I know, but it just might work,
all right?
625
00:36:47,103 --> 00:36:49,480
‐ ♪ Small change, they putting
shame in the game ♪
626
00:36:49,480 --> 00:36:53,192
♪ I take aim and blow a nigga
out the frame ♪
627
00:37:06,247 --> 00:37:08,916
♪ And like "Fame,"
my style'll live forever ♪
628
00:37:08,916 --> 00:37:11,294
♪ Niggas crossing over,
but they don't know no better ♪
629
00:37:11,294 --> 00:37:13,755
♪ But I do, true,
Can I get a "sooh"? ♪
630
00:37:13,755 --> 00:37:16,924
♪ Enough respect due
to the one‐six‐ooh‐‐ ♪
631
00:37:19,302 --> 00:37:22,221
Why you messing
with the beat, son?
632
00:37:22,221 --> 00:37:24,849
We already wrote to the other
one, and now you changing it?
633
00:37:24,849 --> 00:37:28,227
‐ Yo, why did you bail
on the studio session earlier?
634
00:37:28,227 --> 00:37:29,479
You know that shit cost money.
635
00:37:29,479 --> 00:37:31,314
‐ Hey, yo, I ain't bail
on that shit, son.
636
00:37:31,314 --> 00:37:32,899
It was just too crowded
in there.
637
00:37:32,899 --> 00:37:36,527
It wasn't really my style,
know what I mean?
638
00:37:36,527 --> 00:37:40,281
‐ All right, but we got a day
to get that single, so...
639
00:37:40,281 --> 00:37:42,325
‐ I know. So why you fucking
with the beat, son?
640
00:37:42,325 --> 00:37:43,618
‐ Yo, where the fuck
is your verse at?
641
00:37:43,618 --> 00:37:44,827
‐ Man, I already told you
642
00:37:44,827 --> 00:37:48,331
I need space
to hear myself, son.
643
00:37:48,331 --> 00:37:50,666
‐ Is that not why we got
the studio space
644
00:37:50,666 --> 00:37:52,168
in the first place,
for us to‐‐
645
00:37:52,168 --> 00:37:53,961
‐ Yeah, and then
you filled it up
646
00:37:53,961 --> 00:37:56,130
with a bunch of random dudes.
647
00:37:56,130 --> 00:37:58,132
‐ Random?
648
00:37:58,132 --> 00:37:59,926
Who is you talking about‐‐
Ethan?
649
00:37:59,926 --> 00:38:02,345
‐ Hey, yo, fuck Ethan.
‐
650
00:38:03,971 --> 00:38:07,225
Yo! I'ma tell Ethan exactly how
the fuck you feel
651
00:38:07,225 --> 00:38:08,476
about his ass, man.
652
00:38:08,476 --> 00:38:10,102
‐ Yeah, whatever, son.
Whatever.
653
00:38:10,102 --> 00:38:12,104
And I don't mean to be wasting
studio time and shit.
654
00:38:12,104 --> 00:38:14,565
I just...
655
00:38:14,565 --> 00:38:16,359
nothing's
sticking right now, you know.
656
00:38:16,359 --> 00:38:18,736
I ain't flowing.
It don't sound right.
657
00:38:18,736 --> 00:38:21,906
‐ Yeah, I feel that.
658
00:38:21,906 --> 00:38:25,993
I have not been able
to get this shit together.
659
00:38:28,496 --> 00:38:31,123
My beats are cool,
660
00:38:31,123 --> 00:38:33,835
but the shit just sounds
like it's clashing, yo.
661
00:38:33,835 --> 00:38:37,630
‐ Hmm. Hey, yo, push through
all of that shit.
662
00:38:39,257 --> 00:38:40,716
You always find it.
663
00:38:42,343 --> 00:38:44,637
‐ I know.
664
00:38:44,637 --> 00:38:46,514
I know.
665
00:38:46,514 --> 00:38:49,058
That's why I changed up
the drums on this motherfucker,
666
00:38:49,058 --> 00:38:50,643
so...
667
00:38:50,643 --> 00:38:51,853
‐ Yeah, well,
668
00:38:51,853 --> 00:38:54,272
play that shit again.
Let me hear it.
669
00:39:05,074 --> 00:39:07,410
Let me hear U‐God on top.
670
00:39:10,413 --> 00:39:12,915
‐ ♪ Ooh, what,
grab my nut, get screwed ♪
671
00:39:12,915 --> 00:39:15,334
♪ Oww, here comes
the Shaolin style ♪
672
00:39:15,334 --> 00:39:20,381
♪ True B‐A‐ba‐B‐Y‐U,
to my crew with the sooh ♪
673
00:39:20,381 --> 00:39:24,260
‐ Yeah, see, when I‐‐when I try
to mix in Rae and Meth's verse
674
00:39:24,260 --> 00:39:25,678
over this,
675
00:39:25,678 --> 00:39:29,682
it just‐‐it doesn't mix,
you know?
676
00:39:29,682 --> 00:39:33,311
‐ Yeah, I think I hear
what you talking about, son.
677
00:39:33,311 --> 00:39:36,314
‐
678
00:39:41,277 --> 00:39:43,279
Hey, y'all sure y'all
want him back, man?
679
00:39:43,279 --> 00:39:45,281
I like having more room.
680
00:39:56,751 --> 00:39:59,462
‐ Hey, yo,
shut the fuck up, son!
681
00:40:02,506 --> 00:40:04,133
Go ahead.
682
00:40:12,308 --> 00:40:13,726
Nah, nah, son.
683
00:40:13,726 --> 00:40:16,020
Yeah, t‐this the one
right here.
684
00:40:16,020 --> 00:40:17,730
‐ This one right here?
685
00:40:19,357 --> 00:40:22,568
Okay. Okay.
686
00:40:25,363 --> 00:40:27,740
‐ It's easier to think and shit
when we back home.
687
00:40:27,740 --> 00:40:29,742
‐ Well, this is cool
to be trying shit out.
688
00:40:29,742 --> 00:40:34,413
No, but if you want to take
that sound to that next level,
689
00:40:34,413 --> 00:40:36,165
we got to record
at Firehouse Studio.
690
00:40:36,165 --> 00:40:37,708
‐ It's just‐‐you know,
when we here,
691
00:40:37,708 --> 00:40:39,335
shit could just flow
when it flows.
692
00:40:39,335 --> 00:40:43,130
You know what I am saying?
Back at the studio‐‐
693
00:40:43,130 --> 00:40:46,550
‐ Yeah, it feels like you got
to force yourself sometimes.
694
00:40:48,177 --> 00:40:49,553
Yeah.
695
00:40:51,347 --> 00:40:52,890
‐ Hey, yo, let me‐‐let me hear
696
00:40:52,890 --> 00:40:55,518
that thing you was trying
with the keyboard, though.
697
00:40:55,518 --> 00:40:58,521
‐
698
00:41:03,859 --> 00:41:05,945
Check this out.
699
00:41:22,044 --> 00:41:23,796
Yo, what? What?
700
00:41:23,796 --> 00:41:26,549
What, you're not fucking
with it?
701
00:41:26,549 --> 00:41:29,260
‐ Nah, son.
I'm just‐‐I'm just wild hungry.
702
00:41:29,260 --> 00:41:30,428
‐ Oh, shit.
703
00:41:30,428 --> 00:41:31,721
‐ You trying to eat?
704
00:41:37,768 --> 00:41:40,229
‐
705
00:41:40,229 --> 00:41:43,357
Oh, shit. Yo!
Yo, yo, yo, yo!
706
00:41:43,357 --> 00:41:46,652
"And now I will kill you
707
00:41:46,652 --> 00:41:51,407
"not because you killed
my family,
708
00:41:51,407 --> 00:41:56,412
but because you are
an ugly motherfucker."
709
00:41:56,412 --> 00:41:58,998
‐ Oh, man, yo.
710
00:42:01,417 --> 00:42:04,170
‐ ♪ For crying out loud,
my style is wild, so book me ♪
711
00:42:04,170 --> 00:42:06,589
♪ My pen's been graded
like a Jordan rookie ♪
712
00:42:06,589 --> 00:42:08,883
♪ No cookie, crumbles,
rap flows, or mumbles ♪
713
00:42:08,883 --> 00:42:11,719
♪ In the field with the mic,
tight grip, no fumbles ♪
714
00:42:11,719 --> 00:42:13,387
♪ Killer bee bumbles ♪
715
00:42:15,514 --> 00:42:18,267
‐ Whoa!
716
00:42:18,267 --> 00:42:19,560
‐ ♪ You fucking
with the worst ♪
717
00:42:19,560 --> 00:42:20,853
♪ I'll be sticking pins
in your head
718
00:42:20,853 --> 00:42:21,937
♪ Like a fucking nurse... ♪
719
00:42:21,937 --> 00:42:23,647
‐ Whoa, shit!
720
00:42:23,647 --> 00:42:26,442
‐ What the fuck
is going on, dog?
721
00:42:26,442 --> 00:42:28,527
This shit's fucking crazy
right here.
722
00:42:28,527 --> 00:42:30,029
Yo, Dirty!
Is it just‐‐
723
00:42:30,029 --> 00:42:32,364
can y'all hear me?
724
00:42:32,364 --> 00:42:34,241
Where are we?
725
00:42:35,826 --> 00:42:37,203
‐ How you feeling about this?
726
00:42:37,203 --> 00:42:38,829
What you think?
727
00:42:38,829 --> 00:42:40,873
‐ ♪ Point‐blank
as I kick the square biz ♪
728
00:42:40,873 --> 00:42:42,208
♪ There it is ♪
729
00:42:42,208 --> 00:42:43,667
♪ You fucking with pros
and there it goes ♪
730
00:42:43,667 --> 00:42:45,628
‐ Hey, yo. Yo.
731
00:42:45,628 --> 00:42:48,672
Yo, check this.
732
00:42:48,672 --> 00:42:49,882
All right.
733
00:42:49,882 --> 00:42:52,301
Oh, shit.
734
00:42:54,678 --> 00:42:56,097
Okay.
735
00:43:02,895 --> 00:43:05,106
‐ Ooh!
736
00:43:05,106 --> 00:43:08,150
Yo, that's‐‐that's the sound.
That's it right there, B.
737
00:43:08,150 --> 00:43:09,777
That's it.
That's the sound, B.
738
00:43:18,035 --> 00:43:21,288
Yeah. Yeah, baby.
739
00:43:21,288 --> 00:43:22,373
‐ Hey, yo.
740
00:43:33,801 --> 00:43:35,427
‐ It's about
fucking time, nigga.
741
00:43:36,846 --> 00:43:40,432
It's about fucking time, yo.
I was waiting for this.
742
00:43:44,145 --> 00:43:46,772
‐ ♪ For crying out loud,
my style is wild, so book me ♪
743
00:43:46,772 --> 00:43:48,983
♪ Not long is how long
that this rhyme took me ♪
744
00:43:48,983 --> 00:43:51,360
♪ Ejectin' styles
from my lethal weapon ♪
745
00:43:51,360 --> 00:43:53,612
♪ My pen that rocks
from here to Oregon ♪
746
00:43:53,612 --> 00:43:55,823
♪ Here's more again, catch it
like a psycho flashback ♪
747
00:43:55,823 --> 00:43:57,116
♪ I love gats ♪
748
00:43:57,116 --> 00:43:58,868
♪ If rap was a gun,
you wouldn't bust back ♪
749
00:43:58,868 --> 00:44:01,287
♪ I come with shit in all types
of shapes and sounds ♪
750
00:44:01,287 --> 00:44:03,497
♪ And where I lounge
is my stomping grounds ♪
751
00:44:03,497 --> 00:44:05,624
♪ I give an order to my peeps
across the water ♪
752
00:44:05,624 --> 00:44:08,210
♪ To go and snatch up props
all around the border ♪
753
00:44:08,210 --> 00:44:09,962
♪ And get far
like a shooting star ♪
754
00:44:09,962 --> 00:44:13,007
♪ 'Cause who I are is living
the life of Pablo Escobar ♪
755
00:44:13,007 --> 00:44:14,925
♪ Point‐blank
as I kick the square biz ♪
756
00:44:14,925 --> 00:44:19,138
♪ There it is, you're fuckin'
with pros, and there it goes ♪
757
00:44:19,138 --> 00:44:20,306
Whoo!
758
00:44:20,306 --> 00:44:21,599
‐ ♪ I love gats ♪
759
00:44:21,599 --> 00:44:23,559
♪ If rap was a gun,
you wouldn't bust back ♪
760
00:44:23,559 --> 00:44:25,060
♪ You wouldn't bust back,
Ethan ♪
761
00:44:30,941 --> 00:44:32,526
‐ ♪ Yo, chill
with the feedback ♪
762
00:44:32,526 --> 00:44:33,986
♪ Black, we don't need that ♪
763
00:44:33,986 --> 00:44:35,988
♪ It's 10:00, ho, where
the fuck is your seed at? ♪
764
00:44:35,988 --> 00:44:37,448
♪ Feeling mad hostile ♪
765
00:44:37,448 --> 00:44:39,366
♪ Wearing Aeropostale,
flowing like Christ ♪
766
00:44:39,366 --> 00:44:40,868
♪ When I speaks the Gospel ♪
767
00:44:40,868 --> 00:44:43,454
♪ Stroll with the holy roll
then attack the globe ♪
768
00:44:43,454 --> 00:44:45,497
♪ With the buckus style,
the ruckus ♪
769
00:44:45,497 --> 00:44:47,583
♪ Ten times ten men
committing mad sin ♪
770
00:44:47,583 --> 00:44:49,793
♪ Turn the other cheek, and
I'll break your fucking chin ♪
771
00:44:49,793 --> 00:44:52,046
♪ Slaying boom‐bangs
like African drums ♪
772
00:44:52,046 --> 00:44:55,007
♪ We'll be coming around
the mountain when I come ♪
773
00:44:55,007 --> 00:44:56,300
‐ Hey, yo,
what's this beat, son?
774
00:44:56,300 --> 00:44:57,801
This ain't the shit
we spit over.
775
00:44:57,801 --> 00:45:00,930
‐ It's better now, nigga.
This that Wu‐Tang shit.
776
00:45:00,930 --> 00:45:02,431
Yeah, word.
777
00:45:02,431 --> 00:45:04,141
‐ Yo, this shit gonna tear
the club up.
778
00:45:07,228 --> 00:45:09,271
‐ Yo, yo, yo.
‐ Hey, what up?
779
00:45:09,271 --> 00:45:10,981
‐ Whoo!
‐ What up?
780
00:45:10,981 --> 00:45:13,067
‐ It is, bro.
781
00:45:13,067 --> 00:45:14,944
- ‐ I like your handshake.
- There you go.
782
00:45:14,944 --> 00:45:17,905
‐ Yo, son, I ain't never heard
no shit like this before, yo.
783
00:45:17,905 --> 00:45:19,823
I ain't never heard
no shit like this.
784
00:45:19,823 --> 00:45:21,617
‐ Nah, nah, no one has.
785
00:45:21,617 --> 00:45:23,619
‐ Peace, peace, peace!
786
00:45:23,619 --> 00:45:25,371
Peace, peace, peace.
‐ Hey, yo.
787
00:45:25,371 --> 00:45:26,497
‐ You went to the movies
788
00:45:26,497 --> 00:45:28,457
and dipped off
for, like, two days, son.
789
00:45:28,457 --> 00:45:31,585
‐ Yo, son, they was playing
the whole Dragon marathon.
790
00:45:31,585 --> 00:45:33,796
Dragon Fist, Dragon Lord,
what's the shit?
791
00:45:33,796 --> 00:45:36,048
The Dragon Forever shit.
‐ Oh, yeah.
792
00:45:36,048 --> 00:45:38,175
‐ The whole shit had me spent
on Dragons now.
793
00:45:38,175 --> 00:45:39,426
I need to chill out.
794
00:45:41,929 --> 00:45:44,265
♪ The Wu is too slamming
for these cold‐killing labels ♪
795
00:45:44,265 --> 00:45:46,684
♪ Who ain't had hits
since I seen Aunt Mabel ♪
796
00:45:46,684 --> 00:45:48,769
♪ Been doing artists in
like Cain did Abel ♪
797
00:45:48,769 --> 00:45:50,104
♪ Now they money's
getting stuck ♪
798
00:45:50,104 --> 00:45:51,605
♪ To the gum under the table ♪
799
00:45:51,605 --> 00:45:54,316
♪ That's what you get
when you misuse what I invent ♪
800
00:45:54,316 --> 00:45:56,735
♪ Your empire falls,
and you lose every cent ♪
801
00:45:56,735 --> 00:45:58,404
♪ For tryin' to blow up
a scrub ♪
802
00:45:58,404 --> 00:46:00,406
♪ Now that thought was just as
bright as a 20‐watt lightbulb ♪
803
00:46:00,406 --> 00:46:03,450
‐ What you think?
804
00:46:03,450 --> 00:46:05,661
‐ I think‐‐
805
00:46:05,661 --> 00:46:08,664
I think we getting this
pressed up tomorrow, right?
806
00:46:08,664 --> 00:46:10,791
Yo. Yo.
807
00:46:10,791 --> 00:46:12,334
‐ ♪ First of all,
who's your A&R? ♪
808
00:46:12,334 --> 00:46:14,962
♪ A mountain climber
who plays an electric guitar? ♪
809
00:46:14,962 --> 00:46:16,588
♪ But he don't know
the meaning of dope ♪
810
00:46:16,588 --> 00:46:18,382
♪ When he's looking for
a suit‐and‐tie rap ♪
811
00:46:18,382 --> 00:46:20,050
♪ That's cleaner
than a bar of soap ♪
812
00:46:20,050 --> 00:46:21,802
♪ And I'm the dirtiest thing
in sight ♪
813
00:46:21,802 --> 00:46:23,262
♪ Matter of fact,
bring out the girls ♪
814
00:46:23,262 --> 00:46:24,847
♪ And let's have a mud fight ♪
815
00:46:26,223 --> 00:46:27,933
Sooh!
816
00:46:37,818 --> 00:46:40,404
‐ ♪ Ya best protect ya neck ♪
817
00:46:51,623 --> 00:46:55,794
Wu‐Tang! Wu‐Tang!
Wu‐Tang! Wu‐Tang!
818
00:46:55,794 --> 00:46:58,672
Watch your step, kid!
Watch your step, kid!
819
00:46:58,672 --> 00:47:01,133
‐ ♪ First things first, man,
you're fuckin' with the worst ♪
820
00:47:01,133 --> 00:47:03,552
♪ I'll be sticking pins in your
head like a fuckin' nurse ♪
821
00:47:03,552 --> 00:47:06,138
♪ I'll attack any nigga
who's slack in his mack ♪
822
00:47:06,138 --> 00:47:08,515
♪ Come fully packed
with a fat rugged stack ♪
823
00:47:08,515 --> 00:47:09,808
♪ Shame on you
when you step through ♪
824
00:47:09,808 --> 00:47:11,810
♪ To The Ol' Dirty Bastard ♪
825
00:47:11,810 --> 00:47:13,145
♪ Straight
from the Brooklyn Zoo ♪
826
00:47:13,145 --> 00:47:14,855
‐ ♪ And I'll be damned
if I let any man ♪
827
00:47:14,855 --> 00:47:17,733
♪ Come to my center,
you enter the winter ♪
828
00:47:17,733 --> 00:47:19,443
♪ Straight up and down
that shit is packed jam ♪
829
00:47:19,443 --> 00:47:22,071
♪ You can't slam, don't let me
get fool on him, man ♪
830
00:47:22,071 --> 00:47:24,239
♪ The Ol' Dirty Bastard
is dirty and stinking ♪
831
00:47:24,239 --> 00:47:27,242
♪ Ason Unique rolling
with the night of the creeps ♪
832
00:47:27,242 --> 00:47:30,120
♪ Niggas be rolling ♪
833
00:47:30,120 --> 00:47:31,622
Whoo!
834
00:47:31,622 --> 00:47:33,957
‐ ♪ For crying out loud,
my style is wild, so book me ♪
835
00:47:33,957 --> 00:47:36,418
♪ Not long is how long
that this rhyme took me ♪
836
00:47:36,418 --> 00:47:38,420
♪ Ejecting styles
from my lethal weapon ♪
837
00:47:38,420 --> 00:47:40,297
♪ My pen that rocks
from here to ♪
838
00:47:40,297 --> 00:47:41,757
♪ Oregon ♪
839
00:47:41,757 --> 00:47:43,884
‐ ♪ Catch it like a psycho
flashback, I love gats ♪
840
00:47:43,884 --> 00:47:45,928
♪ If rap was a gun,
you wouldn't bust back ♪
841
00:47:45,928 --> 00:47:48,680
♪ I come with shit in all types
of shapes and sounds ♪
842
00:47:48,680 --> 00:47:50,724
♪ And where I lounge
is my stomping grounds ♪
843
00:47:50,724 --> 00:47:53,352
♪ I give an order to my peeps
across the water to go ♪
844
00:47:53,352 --> 00:47:55,562
♪ And snatch up props
all around the border ♪
845
00:47:55,562 --> 00:47:57,147
♪ And get far like
a shooting star ♪
846
00:47:57,147 --> 00:47:58,982
♪ 'Cause who I are
is living the life of ♪
847
00:47:58,982 --> 00:48:00,317
♪ Pablo Escobar ♪
848
00:48:00,317 --> 00:48:02,111
‐ ♪ Point‐blank
as I kick the square biz ♪
849
00:48:02,111 --> 00:48:04,113
♪ There it is, you're fuckin'
with pros and there it goes ♪
850
00:48:04,113 --> 00:48:05,697
‐ ♪ Yo, chill
with the feedback ♪
851
00:48:05,697 --> 00:48:07,199
♪ Black, we don't need that ♪
852
00:48:07,199 --> 00:48:09,410
♪ It's 10:00, ho, where
the fuck is your seed at? ♪
853
00:48:09,410 --> 00:48:10,744
♪ Feeling mad hostile ♪
854
00:48:10,744 --> 00:48:12,413
♪ Wearing Aeropostale
flowing like Christ ♪
855
00:48:12,413 --> 00:48:13,747
♪ When I speaks the Gospel ♪
856
00:48:15,374 --> 00:48:16,875
Get on the line.64413
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