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1
00:00:23,064 --> 00:00:24,274
THIS IS THE JEN MOMENT.
2
00:00:24,316 --> 00:00:25,442
THIS IS MY FUTURE
WE'RE WATCHING.
3
00:00:25,484 --> 00:00:27,778
ME AND JEN. JEN AND I.
4
00:00:27,820 --> 00:00:29,905
MM. BLACK AND WHITE FUTURE.
HOW RETRO.
5
00:00:29,947 --> 00:00:31,323
I'M TALKING ABOUT
THE ROMANTIC APOTHEOSIS.
6
00:00:31,365 --> 00:00:33,826
MY FIRST KISS WITH JEN
IS GOING TO BE JUST LIKE THAT.
7
00:00:33,868 --> 00:00:35,828
WHOA, WAIT A MINUTE.
WE'RE BACK TO THAT?
8
00:00:35,870 --> 00:00:37,579
YOU MEAN YOU HAVEN'T EVEN
KISSED THAT GIRL?
9
00:00:37,621 --> 00:00:38,831
IT'S NOT ABOUT
THE KISS, JOEY.
10
00:00:38,873 --> 00:00:40,040
IT'S ABOUT THE JOURNEY.
11
00:00:40,081 --> 00:00:42,209
IT'S ABOUT CREATING
AND SUSTAINING MAGIC.
12
00:00:42,250 --> 00:00:44,586
DOES JEN FALL FOR THIS
WARPED MOVIE LOGIC?
13
00:00:44,628 --> 00:00:46,129
IT'S NOT WARPED.
IT'S ROMANCE.
14
00:00:46,171 --> 00:00:47,130
IT'S OLD, DAWSON.
15
00:00:47,172 --> 00:00:48,799
JUST KISS HER,
WILL YOU?
16
00:00:48,841 --> 00:00:51,385
TAKE THE ELEVATOR TO THE NEXT
FLOOR AND GET OFF. IT'S TIME.
17
00:00:51,426 --> 00:00:52,845
OKAY, IT'S NOT
THAT SIMPLE, JOEY.
18
00:00:52,887 --> 00:00:55,222
IT'S ABOUT CREATING
THE PERFECT MOMENT.
19
00:00:55,263 --> 00:00:57,599
IT HAS TO BE PLANNED
WITH THE RIGHT...
20
00:00:57,641 --> 00:00:59,685
MUSIC AND LIGHTING AND DIALOGUE.
21
00:00:59,727 --> 00:01:01,102
YOU CAN'T
STORYBOARD A KISS.
22
00:01:01,144 --> 00:01:02,604
SURE YOU CAN.
23
00:01:02,646 --> 00:01:03,731
IT'S NOT REALITY,
DAWSON.
24
00:01:03,772 --> 00:01:04,773
THESE MOVIES
THAT YOU'RE WATCHING,
25
00:01:04,815 --> 00:01:06,149
THEY'RE FALSE IMAGES
THAT DON'T EXIST
26
00:01:06,191 --> 00:01:07,693
OUTSIDE THE CITY LIMITS
OF HOLLYWOOD.
27
00:01:07,735 --> 00:01:09,528
NOT TRUE. THEY'RE IMAGES
28
00:01:09,570 --> 00:01:11,613
GROUNDED IN THE REALITY
OF IMAGINATION.
29
00:01:11,655 --> 00:01:14,199
DID YOU JUST PULL THAT ONE
OUT OF YOUR BUTT OR WHAT?
30
00:01:14,241 --> 00:01:16,159
EVERYBODY THINKS
THAT MOVIES ARE FANTASY,
31
00:01:16,201 --> 00:01:18,161
BUT THEY
DON'T HAVE TO BE.
32
00:01:18,203 --> 00:01:19,747
FROM HERE TO ETERNITY.
YOU CAN HAVE THAT.
33
00:01:19,788 --> 00:01:21,206
YOU JUST HAVE
TO CREATE IT.
34
00:01:21,248 --> 00:01:23,083
THAT MOMENT ON THE BEACH
CAN BE YOURS.
35
00:01:23,124 --> 00:01:24,543
YOU COULD BE
DEBORAH KERR.
36
00:01:24,585 --> 00:01:26,628
HM. SAND IN MY CROTCH.
HEAVEN.
37
00:01:27,755 --> 00:01:30,173
YOU KNOW, IT'S ATTITUDES
LIKE YOURS
38
00:01:30,215 --> 00:01:33,092
THAT PREVENT STORYBOOK ROMANCES
FROM HAPPENING.
39
00:01:33,134 --> 00:01:34,093
YOU'RE WAY TOO CYNICAL.
40
00:01:34,135 --> 00:01:35,721
RIGHT.
41
00:01:35,763 --> 00:01:36,972
FAR TOO JADED
FOR THIS CONVERSATION.
42
00:01:37,014 --> 00:01:39,098
I'M SORRY, DAWSON,
43
00:01:39,140 --> 00:01:41,435
BUT ROMANCE DOESN'T COME
WITH A JOHN WILLIAMS SCORE.
44
00:01:41,476 --> 00:01:42,937
IT'S CALLED A STEREO.
45
00:01:42,978 --> 00:01:44,438
AND IT DOESN'T COME
WITH A SUNSET
46
00:01:44,479 --> 00:01:46,231
OR STARLIT SUMMER NIGHT, EITHER.
47
00:01:46,273 --> 00:01:47,733
AND I'M PERSONALLY OFFENDED
BY THIS MOVIE MENTALITY
48
00:01:47,775 --> 00:01:48,734
THAT WOULD HAVE US BELIEVE
49
00:01:48,776 --> 00:01:49,985
THAT BRAD PITT
AND SANDRA BULLOCK
50
00:01:50,027 --> 00:01:51,445
ARE GOING TO MAGICALLY
DROP FROM THE SKY
51
00:01:51,486 --> 00:01:53,030
AND SWEEP US OFF OUR FEET.
52
00:01:53,072 --> 00:01:54,531
I DIDN'T KNOW YOU HAD
A THING FOR BRAD PITT.
53
00:01:54,573 --> 00:01:56,575
I DON'T. IT'S AN ANALOGY.
SANDRA BULLOCK?
54
00:01:56,617 --> 00:01:58,201
DAWSON!
55
00:01:58,243 --> 00:01:59,828
THESE MOVIES AREN'T REAL.
56
00:01:59,870 --> 00:02:01,747
THEY'RE NOT KISSING
WITH THEIR TONGUES.
57
00:02:01,789 --> 00:02:03,999
IT'S TAKE 22. THE GIRL'S BORED.
THE GUY'S GAY.
58
00:02:04,041 --> 00:02:05,000
IT'S CELLULOID PROPAGANDA.
59
00:02:05,042 --> 00:02:07,127
JOEY. JOEY. JOEY...
60
00:02:07,168 --> 00:02:10,130
YOU BITTER, CYNICAL,
JADED...
61
00:02:10,171 --> 00:02:11,298
THING.
62
00:02:11,339 --> 00:02:14,134
YOU USED TO BE BITTER
AND CYNICAL TOO.
63
00:02:14,175 --> 00:02:16,386
YOU WERE FAR MORE
INTERESTING.
64
00:02:16,428 --> 00:02:19,138
BUT NOW I CHOOSE MAGIC.
65
00:02:19,180 --> 00:02:20,307
YOU KNOW, THIS PETER PAN
66
00:02:20,348 --> 00:02:23,769
FANTASY FILM LAND
YOU'RE LIVING IN,
67
00:02:23,811 --> 00:02:25,104
IT WILL BE
YOUR DOWNFALL.
68
00:02:25,144 --> 00:02:27,439
ONE DAY
YOU'LL UNDERSTAND, JOEY.
69
00:02:27,481 --> 00:02:29,190
YOU'LL KNOW WHAT IT'S LIKE
TO LONG FOR SOMEONE,
70
00:02:29,232 --> 00:02:31,026
TO DESIRE THEM
AND WANT TO KISS THEM,
71
00:02:31,068 --> 00:02:32,778
AND THEN YOU'RE GOING
TO COME TO ME
72
00:02:32,820 --> 00:02:34,613
AND YOU'RE GOING TO SAY,
"DAWSON, YOU WERE RIGHT."
73
00:02:36,239 --> 00:02:37,783
SEE, JOEY?
74
00:02:37,825 --> 00:02:40,535
ALL YOU HAVE TO DO
IS BELIEVE.
75
00:02:45,415 --> 00:02:47,042
CLAP HARD, DAWSON.
76
00:02:47,084 --> 00:02:48,669
YOU MAY BE
TINKERBELL'S LAST HOPE.
77
00:04:10,458 --> 00:04:14,171
ALL RIGHT, KIDS,
SO LET'S HEAR SOME IDEAS.
78
00:04:14,213 --> 00:04:16,423
WHAT ABOUT A BIG PRODUCTION
NUMBER AT THE VICTORY DANCE,
79
00:04:16,464 --> 00:04:18,299
RIGHT AT THE END
OF THE SECOND ACT?
80
00:04:18,341 --> 00:04:21,469
COULD SOMEONE PLEASE TELL
TOMMY TUNE BACK THERE
81
00:04:21,511 --> 00:04:24,598
THAT THE DISCUSSION IS LIMITED
TO NON-ASININE IDEAS?
82
00:04:24,639 --> 00:04:26,100
LET'S TRY TO KEEP
THIS STORY MEETING
83
00:04:26,141 --> 00:04:28,351
A LITTLE MORE UPBEAT
AND POLITICALLY CORRECT, NELLIE.
84
00:04:28,393 --> 00:04:29,603
HEY, I GOT IT.
85
00:04:29,644 --> 00:04:31,230
THE COACH HAS A HEART ATTACK
86
00:04:31,271 --> 00:04:33,107
AND DROPS RIGHT BEFORE THE GAME.
87
00:04:33,148 --> 00:04:34,691
NO, IT'S THE COACH.
NOBODY CARES.
88
00:04:34,733 --> 00:04:35,859
IT HAS BE SOMETHING BIGGER.
89
00:04:35,901 --> 00:04:37,194
WE START SHOOTING TONIGHT.
90
00:04:37,236 --> 00:04:38,946
I MEAN, SHOULDN'T
THE SCRIPT BE LOCKED?
91
00:04:38,987 --> 00:04:40,697
YES, BUT WE NEED
TO SOLVE THE ENDING.
92
00:04:40,739 --> 00:04:42,950
I MEAN, THERE'S SOMETHING
MISSING AT THE TOP OF THE ACT.
93
00:04:42,991 --> 00:04:45,619
WHAT IF WE GIVE THE SPLIT END
SOME KIND OF A PROBLEM?
94
00:04:45,660 --> 00:04:49,414
LIKE DRUGS, DRINKING...
HIS GIRLFRIEND GOT KNOCKED UP.
95
00:04:49,456 --> 00:04:50,791
KILL SOMEONE!
96
00:04:50,832 --> 00:04:53,001
AN UNEXPECTED DEATH
ALWAYS WORKS.
97
00:04:53,043 --> 00:04:57,422
GUYS, GUYS, YOU NEED TO CREATE
SOME DRAMATIC TENSION.
98
00:04:57,464 --> 00:04:58,966
THERE'S A FORMULA TO IT,
THAT'S ALL.
99
00:04:59,007 --> 00:05:01,635
ANYBODY EVER SEE ROCKY
OR THE KARATE KID?
100
00:05:01,676 --> 00:05:04,429
THIS FILM NEEDS TO BE ABOUT THE
UNDERDOG, NOT THE GOLDEN BOY.
101
00:05:04,471 --> 00:05:06,389
HE NEEDS TO OVERCOME SOME KIND
OF INTERNAL CONFLICT
102
00:05:06,431 --> 00:05:08,475
WITHIN HIMSELF.
WE, THE AUDIENCE,
103
00:05:08,516 --> 00:05:10,894
NEED TO KNOW WHY THIS GAME
IS SO IMPORTANT TO HIM.
104
00:05:10,936 --> 00:05:12,896
WHAT'S HE GOING TO PROVE
TO HIMSELF IF HE WINS IT?
105
00:05:12,938 --> 00:05:14,313
WE NEED TO CARE ABOUT HIM.
106
00:05:17,651 --> 00:05:18,902
PATHETIC!
107
00:05:18,944 --> 00:05:21,320
MR. GOLD, AS PRODUCER,
108
00:05:21,362 --> 00:05:24,616
I'M GOING TO HAVE
TO INSIST YOU SHUT HIM UP.
109
00:05:32,373 --> 00:05:35,335
I NOTICED YOU DIDN'T
HAND ME BACK MY TEST.
110
00:05:35,376 --> 00:05:38,588
DOES THAT MEAN YOU NEED
TO SEE ME AFTER CLASS?
111
00:05:38,630 --> 00:05:40,715
IT MEANS YOU RACKED UP ANOTHER
PRIME NUMBER ON A QUIZ.
112
00:05:40,757 --> 00:05:43,218
PRIME LIKE
QUALITY STEAK IS PRIME?
113
00:05:43,260 --> 00:05:46,554
PRIME LIKE 23 IS PRIME.
114
00:05:46,596 --> 00:05:49,266
DO YOU KNOW ANYTHING
ABOUT ETHAN FROME?
115
00:05:49,308 --> 00:05:52,978
UH...I KNOW HE HAS A FARM.
116
00:05:53,020 --> 00:05:55,230
♪ AND ON THAT FARM HE HAS A-- ♪
117
00:05:55,272 --> 00:05:56,690
STOP, PACEY.
118
00:05:56,731 --> 00:05:59,318
THIS IS SERIOUS.
119
00:05:59,358 --> 00:06:01,360
I HEARD THE OTHER TEACHERS
TALKING ABOUT YOUR WORK.
120
00:06:01,402 --> 00:06:03,362
OR LACK THEREOF.
121
00:06:03,404 --> 00:06:06,074
THIS IS ACROSS THE BOARD.
YOU'RE FAILING.
122
00:06:06,116 --> 00:06:09,286
DO YOU KNOW HOW DIFFICULT
IT IS TO FAIL?
123
00:06:09,328 --> 00:06:10,537
OKAY, THIS HAS TAKEN
A CONSIDERABLE AMOUNT
124
00:06:10,578 --> 00:06:11,538
OF WORK AND ENERGY.
125
00:06:11,579 --> 00:06:13,665
THIS IS DELIBERATE?
126
00:06:13,707 --> 00:06:15,000
OF COURSE.
127
00:06:15,042 --> 00:06:16,918
THIS IS
A PREMEDITATED EFFORT.
128
00:06:16,960 --> 00:06:18,670
YOU SEE, IT WAS MY HOPE
THAT A CERTAIN TEACHER
129
00:06:18,712 --> 00:06:19,921
WAS GOING TO BAIL ME OUT
130
00:06:19,963 --> 00:06:22,549
WITH SOME PRIVATE
TUTORIAL ENCOUNTERS.
131
00:06:22,590 --> 00:06:24,051
THIS ISN'T A QUESTION
OF YOUR INTELLIGENCE, PACEY.
132
00:06:24,092 --> 00:06:26,303
OF COURSE IT'S NOT.
133
00:06:26,345 --> 00:06:29,681
YOU SEE, MY PROBLEM IS
I HAVE A FOCUS ISSUE.
134
00:06:29,723 --> 00:06:31,933
I NEED A SLAVE DRIVER.
135
00:06:31,975 --> 00:06:33,685
SOMEBODY WITH A WHIP,
MAYBE?
136
00:06:33,727 --> 00:06:35,062
PACEY!
137
00:06:35,103 --> 00:06:36,688
WE CAN'T INTERACT
LIKE THIS.
138
00:06:36,730 --> 00:06:37,939
OH, NO. OF COURSE NOT.
139
00:06:37,981 --> 00:06:39,649
THIS IS DEADLY WRONG. TABOO.
140
00:06:39,691 --> 00:06:41,068
HOWEVER, YOU CAN TUTOR ME.
141
00:06:41,109 --> 00:06:42,236
THAT'S COMPLETELY ACCEPTABLE
142
00:06:42,277 --> 00:06:45,113
-WITHIN OUR STUDENT/
-TEACHER
RELATIONSHIP.
143
00:06:50,994 --> 00:06:53,330
I HAVE A TEACHERS' MEETING
AFTER CLASS,
144
00:06:53,372 --> 00:06:55,790
BUT I'LL BE WORKING LATE.
MEET ME HERE LATER.
145
00:06:55,832 --> 00:06:57,042
SIXISH?
146
00:06:59,378 --> 00:07:00,087
YEAH.
147
00:07:23,151 --> 00:07:26,280
IT FEELS LIKE THIS BABY
IS TANGLED IN MY RIB CAGE.
148
00:07:26,321 --> 00:07:27,906
GOD, YOU'RE HUGE.
149
00:07:27,948 --> 00:07:29,908
WHY DON'T YOU JUST GO HOME?
150
00:07:29,950 --> 00:07:32,911
NEVER TELL A PREGNANT WOMAN
SHE'S FAT.
151
00:07:32,953 --> 00:07:34,288
SORRY. YOU'RE NOT FAT, BESSIE.
152
00:07:34,329 --> 00:07:36,331
YOU'RE JUST...
MONUMENTALLY GARGANTUAN.
153
00:07:36,373 --> 00:07:39,584
YOUR SISTER REMINDS ME
OF A BEACHED WHALE.
154
00:07:39,626 --> 00:07:42,670
YOU'RE JOKING, RIGHT?
155
00:07:42,712 --> 00:07:43,713
THAT WAS A JOKE.
156
00:07:43,755 --> 00:07:45,465
THIS IS MY BIG BREAK.
157
00:07:45,506 --> 00:07:47,217
GOLD'S GOING TO LET ME
IN THE CLASS OFFICIALLY,
158
00:07:47,259 --> 00:07:48,593
PROVIDED I PROVE MYSELF
THIS WEEKEND.
159
00:07:48,635 --> 00:07:50,053
HOW?
160
00:07:50,095 --> 00:07:52,306
I'M ON THE CREW
FOR HELMETS OF GLORY.
161
00:07:52,347 --> 00:07:53,765
I'M A P.A. FOR NELLIE.
162
00:07:53,807 --> 00:07:56,226
IT'S A TEST.
YEAH, OF PURE HUMILIATION.
163
00:07:56,268 --> 00:07:58,228
SEE, THAT'S THE POINT. BUT IF I
CAN TAKE HER ABUSE
164
00:07:58,270 --> 00:08:00,147
WITH A WINNING ATTITUDE--
165
00:08:00,188 --> 00:08:02,232
OUR SERVING WENCH IS HERE.
166
00:08:02,274 --> 00:08:03,733
OF COURSE
THIS COMPLETELY RUINS
167
00:08:03,775 --> 00:08:05,235
MY ROMANTIC PLANS
WITH JEN THIS WEEKEND.
168
00:08:05,277 --> 00:08:06,611
FORGET WONDERBRA
FOR A MOMENT.
169
00:08:06,653 --> 00:08:08,363
DON'T YOU HAVE TO WORK
ON YOUR OWN MOVIE?
170
00:08:08,405 --> 00:08:09,406
WHAT'S UP WITH THAT?
171
00:08:09,448 --> 00:08:11,491
ORIGINALLY,
I WAS GOING TO DO BOTH.
172
00:08:11,532 --> 00:08:13,743
THAT WAS THE PLAN. I WAS GOING
TO BRIDGE FANTASY WITH REALITY
173
00:08:13,785 --> 00:08:15,787
AND PROVE THAT, YES,
ROMANCE CAN BE CREATED.
174
00:08:15,829 --> 00:08:17,122
GET OFF OF THAT.
175
00:08:17,164 --> 00:08:18,373
WHAT ARE YOU
TALKING ABOUT, MAN?
176
00:08:18,415 --> 00:08:19,833
IT'S THE LAST SCENE
IN THE MOVIE, RIGHT?
177
00:08:19,874 --> 00:08:21,293
THE MONSTER'S DEAD.
178
00:08:21,335 --> 00:08:23,003
IT'S THE BEAUTY THAT KILLED
THE BEAST, ET CETERA.
179
00:08:23,044 --> 00:08:25,880
PENELOPE, OUR HEROINE, SAYS HER
FINAL GOODBYES TO THE BEAST.
180
00:08:25,922 --> 00:08:27,966
I WAS GOING TO SHOOT IT UP
AT THE RUINS.
181
00:08:28,008 --> 00:08:30,344
UH, THAT'S TRESPASSING.
DON'T GET CAUGHT.
182
00:08:30,385 --> 00:08:33,138
BUT IT'S A PERFECT MONSTER'S
HAVEN... LUSH AND ROMANTIC.
183
00:08:33,180 --> 00:08:34,681
AND THE PERFECT PLACE
TO SEDUCE
184
00:08:34,722 --> 00:08:37,184
THE YOUNG AND BEAUTIFUL
ACTRESS PLAYING PENELOPE.
185
00:08:37,225 --> 00:08:39,311
YOU DOG! YOU ARE SLY!
186
00:08:39,353 --> 00:08:41,062
YOU MAKE IT SOUND
SO CHEAP.
187
00:08:41,104 --> 00:08:43,564
DO YOU WANT ANYTHING, OR DID YOU
JUST COME TO INFECT THE PLACE?
188
00:08:43,606 --> 00:08:44,858
I'M PICKING UP
189
00:08:44,899 --> 00:08:47,027
10 FISH AND CHIPS,
FIVE FAMILY FRIES,
190
00:08:47,068 --> 00:08:47,777
AND A DOZEN SHRIMP BURGERS.
191
00:08:47,819 --> 00:08:50,989
AND WHAT DO YOU WANT?
192
00:08:51,031 --> 00:08:54,242
ACTUALLY, SOMETHING A LITTLE
SEXY WOULD BE GOOD.
193
00:08:54,284 --> 00:08:56,870
I GOT A MAYBE-KIND-OF-SORT-OF
DATE THIS EVENING.
194
00:08:56,911 --> 00:08:58,955
MM. WHO'S THE LUCKY
FARM ANIMAL TONIGHT?
195
00:08:58,997 --> 00:09:01,333
UH, WHAT MAKES
A WOMAN HORNY?
196
00:09:01,375 --> 00:09:02,583
YOUR POLAR OPPOSITE?
197
00:09:02,625 --> 00:09:03,960
YOU MEAN OYSTERS.
198
00:09:04,002 --> 00:09:07,214
RIGHT, OYSTERS. A DOZEN OYSTERS,
JOEY. PACK THEM UP.
199
00:09:07,255 --> 00:09:09,632
AND YOU COULD PACK
THEM UP NOW, JOEY.
200
00:09:09,674 --> 00:09:10,758
HELLO! JOEY?
201
00:09:13,011 --> 00:09:16,056
HELLO? ANYBODY HOME?
202
00:09:16,097 --> 00:09:18,141
WHO IS THAT GUY?
203
00:09:18,183 --> 00:09:19,184
WHO'S WHO?
204
00:09:20,685 --> 00:09:22,687
UH, THE GUY WHO WAS
BREAKING YOUR NECK.
205
00:09:22,729 --> 00:09:24,105
DO YOU KNOW HIM?
206
00:09:24,147 --> 00:09:26,233
I'VE NEVER SEEN HIM BEFORE.
207
00:09:26,274 --> 00:09:28,485
HE'S PROBABLY JUST SOME RICH KID
208
00:09:28,527 --> 00:09:30,529
WHO JUST STEPPED OFF HIS MOMMY
AND DADDY'S YACHT OR SOMETHING.
209
00:09:30,569 --> 00:09:31,905
COULD IT BE?
210
00:09:31,946 --> 00:09:34,408
JOEY IS FINALLY NOTICING
THE OPPOSITE SEX?
211
00:09:34,449 --> 00:09:35,742
SHUT UP.
212
00:09:35,783 --> 00:09:37,536
UH, EXCUSE ME,
YOUNG MAN!
213
00:09:37,577 --> 00:09:38,786
THIS WOMAN HERE
THINKS YOU'RE VERY--
214
00:09:38,828 --> 00:09:42,874
YOU BUTT PLUG!
215
00:09:42,916 --> 00:09:47,254
FORGET IT, JOEY, GUYS OFF YACHTS
DON'T GO FOR WAITRESSES.
216
00:09:47,295 --> 00:09:49,172
HM?
217
00:09:49,214 --> 00:09:50,757
I'M GOING TO KILL YOU.
218
00:09:50,798 --> 00:09:52,217
ONE NIGHT
IN YOUR SLEEP...
219
00:09:52,259 --> 00:09:54,761
A SLIT THROAT, MAYBE,
OR A SCREWDRIVER TO YOUR TEMPLE.
220
00:09:54,802 --> 00:09:57,013
BE READY.
221
00:10:15,574 --> 00:10:17,158
HEY, DAWSON.
222
00:10:17,200 --> 00:10:19,619
HEY. WHAT ARE YOU
DOING HERE?
223
00:10:19,660 --> 00:10:21,788
OH, JUST
LIVING A FANTASY.
224
00:10:21,829 --> 00:10:23,622
NO, SERIOUSLY.
225
00:10:23,664 --> 00:10:25,166
CLIFF GAVE ME A PART.
226
00:10:25,208 --> 00:10:26,751
AT NO POINT WAS THERE
A COUCH INVOLVED, RIGHT?
227
00:10:26,793 --> 00:10:29,170
NO. CLIFF'S
A VERY NICE GUY.
228
00:10:30,838 --> 00:10:33,467
"WAY TO GO" AND "THOSE WHALERS
SURE DO LOOK BIG."
229
00:10:33,508 --> 00:10:35,176
BUT, JEN, YOU'RE SUPPOSED
TO BE IN MY MOVIE,
230
00:10:35,218 --> 00:10:37,178
NOT THIS HOMAGE
TO HEADGEAR.
231
00:10:37,220 --> 00:10:39,598
HEY! GLAD YOU MADE IT.
232
00:10:39,639 --> 00:10:40,807
HI.
233
00:10:40,848 --> 00:10:43,184
JUST IN TIME. WE WERE
JUST ABOUT TO START.
234
00:10:43,226 --> 00:10:44,102
REHEARSAL'S UP!
235
00:10:48,856 --> 00:10:49,816
THANKS, DAVID.
236
00:10:49,857 --> 00:10:50,525
IT'S DAWSON.
237
00:11:08,502 --> 00:11:10,211
HAS ETHAN MADE IT
TO THE COUNTY FAIR YET?
238
00:11:10,253 --> 00:11:12,755
UH, YEAH.
YEAH, HE HAS.
239
00:11:12,797 --> 00:11:14,132
YES, HE HAS.
240
00:11:14,174 --> 00:11:16,050
AMAZING.
241
00:11:16,092 --> 00:11:18,803
THERE WAS NO COUNTY FAIR
WHEN I READ IT.
242
00:11:25,185 --> 00:11:26,978
WHAT WERE YOU
IN HIGH SCHOOL?
243
00:11:27,020 --> 00:11:29,147
WHAT DO YOU MEAN?
244
00:11:29,189 --> 00:11:31,149
A JOCK? A BRAIN?
A CHEERLEADER?
245
00:11:31,191 --> 00:11:32,442
WHY?
246
00:11:32,484 --> 00:11:34,444
JUST CURIOUS.
247
00:11:34,486 --> 00:11:36,154
WELL, I WAS CAPTAIN
OF THE DANCE TEAM
248
00:11:36,196 --> 00:11:37,780
AND CLASS TREASURER.
249
00:11:37,822 --> 00:11:39,824
AND I STUDIED A LOT.
250
00:11:39,866 --> 00:11:41,159
BOYFRIEND?
251
00:11:41,201 --> 00:11:43,161
YES.
252
00:11:43,203 --> 00:11:44,912
A JOCK.
253
00:11:44,954 --> 00:11:47,999
CENTER FIELDER.
WHY ARE YOU ASKING?
254
00:11:48,041 --> 00:11:50,084
WOULD YOU HAVE DATED ME?
255
00:11:50,126 --> 00:11:51,794
SH--
256
00:11:51,836 --> 00:11:53,796
PACEY!
257
00:11:53,838 --> 00:11:56,424
WE'RE IN SCHOOL.
WE ARE NOT ALONE.
258
00:11:56,466 --> 00:11:57,967
THERE ARE PEOPLE
IN THIS BUILDING.
259
00:11:58,009 --> 00:11:59,718
AND IT'S
JUST A QUESTION.
260
00:11:59,760 --> 00:12:01,720
IF YOU AND I HAD GONE
TO SCHOOL TOGETHER
261
00:12:01,762 --> 00:12:04,057
AND WE WERE THE SAME AGE,
WOULD YOU HAVE DATED ME?
262
00:12:04,098 --> 00:12:06,476
PROBABLY NOT.
263
00:12:09,396 --> 00:12:11,730
BUT THAT WAS
A LONG TIME AGO,
264
00:12:11,772 --> 00:12:13,732
AND I'VE LEARNED A LOT.
265
00:12:13,774 --> 00:12:15,318
I'M SMARTER NOW.
266
00:12:15,360 --> 00:12:18,238
AT LEAST I WAS
UNTIL A FEW WEEKS AGO.
267
00:12:21,616 --> 00:12:22,825
WHAT'S THIS?
268
00:12:22,867 --> 00:12:25,744
SUMMARY QUESTIONS
FOR THE FIRST TWO CHAPTERS.
269
00:12:25,786 --> 00:12:27,121
I'LL TELL YOU WHAT.
270
00:12:27,163 --> 00:12:28,747
YOU ANSWER ALL OF THEM,
271
00:12:28,789 --> 00:12:31,042
AND PERHAPS I'LL GIVE YOU
SOME POSITIVE REINFORCEMENT.
272
00:12:32,168 --> 00:12:33,294
YEAH?
273
00:12:33,336 --> 00:12:34,588
YEAH.
274
00:13:31,936 --> 00:13:33,146
NO APPLAUSE.
275
00:13:33,187 --> 00:13:36,149
JUST SEND MONEY.
276
00:13:36,190 --> 00:13:37,900
WAIT, WAIT. DON'T GO.
277
00:13:41,195 --> 00:13:42,739
YOU KNOW,
YOU WERE SPYING ON ME.
278
00:13:42,781 --> 00:13:44,073
IT'S A PUBLIC DOCK.
279
00:13:44,115 --> 00:13:46,117
NO, I MEAN, IT'S OKAY.
280
00:13:46,159 --> 00:13:47,744
MY NAME'S ANDERSON.
281
00:13:47,786 --> 00:13:48,827
ANDERSON CRAWFORD.
282
00:13:48,869 --> 00:13:50,580
CONGRATULATIONS.
283
00:13:50,622 --> 00:13:55,585
SO DO YOU COME WITH A NAME
OR JUST AN ATTITUDE?
284
00:13:55,627 --> 00:13:57,587
JUST AN ATTITUDE.
285
00:13:57,629 --> 00:13:59,838
AND PEOPLE
FIND THIS CHARMING?
286
00:13:59,880 --> 00:14:01,007
I HAVEN'T ASKED.
287
00:14:04,885 --> 00:14:07,514
SO, UM...
288
00:14:07,555 --> 00:14:08,847
WHAT BRINGS YOU
TO CAPESIDE?
289
00:14:11,184 --> 00:14:12,143
TOUGH QUESTION?
290
00:14:12,185 --> 00:14:13,394
YEAH, I KNOW.
291
00:14:13,436 --> 00:14:14,937
YOU CAN
GET BACK TO ME.
292
00:14:17,816 --> 00:14:20,193
WELL, WHAT BRINGS YOU
TO CAPESIDE?
293
00:14:20,234 --> 00:14:21,695
OH, MY PARENTS.
294
00:14:21,736 --> 00:14:24,322
THEY'RE, UH,
ANTIQUE HOUNDS.
295
00:14:24,364 --> 00:14:26,324
THEY'RE ON THE HUNT
FOR SOME CHAIR.
296
00:14:26,366 --> 00:14:28,618
APPARENTLY, PAUL REVERE
ONCE PARKED IN IT.
297
00:14:28,660 --> 00:14:30,119
WELL, THAT EXPLAINS
YOUR PARENTS,
298
00:14:30,161 --> 00:14:31,245
BUT WHAT ABOUT YOU?
299
00:14:31,287 --> 00:14:32,455
I'M THE CREW.
300
00:14:32,497 --> 00:14:34,708
BEATS GOING
TO BOARDING SCHOOL.
301
00:14:34,749 --> 00:14:38,085
YOU CAN ONLY TAKE THAT ALL-MALE
ENVIRONMENT FOR SO LONG.
302
00:14:38,127 --> 00:14:40,338
BUT, YOU KNOW, I'M DOING
ALL THE SHARING HERE,
303
00:14:40,380 --> 00:14:42,340
SO TELL ME
SOMETHING ABOUT YOU.
304
00:14:42,382 --> 00:14:43,966
WELL, I'M A PISCES.
305
00:14:44,008 --> 00:14:47,470
I'M INTO HARLEYS, BODY PIERCING
AND MEN WITH TATTOOS.
306
00:14:47,512 --> 00:14:50,056
HM. ARE YOU HERE
WITH YOUR PARENTS?
307
00:14:50,097 --> 00:14:51,932
YOU GUYS OWN A BOAT?
308
00:14:53,100 --> 00:14:54,352
UM...
309
00:14:54,394 --> 00:14:56,730
ACTUALLY, WE BROUGHT
THE CHAUFFEUR.
310
00:14:56,771 --> 00:14:58,939
MOTHER HATES TO SAIL.
311
00:14:58,981 --> 00:15:00,024
SHE DOESN'T LIKE THE SUN.
312
00:15:00,066 --> 00:15:02,652
SHE BURNS EASY.
313
00:15:02,694 --> 00:15:04,153
WHAT ABOUT YOU?
314
00:15:04,195 --> 00:15:06,197
I WEAR LOTION.
315
00:15:06,239 --> 00:15:07,948
NO, I MEAN DO YOU LIKE TO SAIL?
316
00:15:07,990 --> 00:15:09,659
WHY DO YOU ASK?
317
00:15:09,701 --> 00:15:10,993
I'M TAKING A SURVEY.
318
00:15:12,537 --> 00:15:16,040
BECAUSE I...WANT YOU
TO COME SAILING WITH ME.
319
00:15:16,082 --> 00:15:18,000
TOMORROW.
320
00:15:18,042 --> 00:15:19,335
I CAN'T.
321
00:15:19,377 --> 00:15:21,003
COME ON.
I'LL SHOW YOU MY TATTOO.
322
00:15:21,045 --> 00:15:23,548
GAP AD HAS A TATTOO?
323
00:15:23,590 --> 00:15:27,301
IF YOU COME SAILING,
YOU'LL FIND OUT.
324
00:15:27,343 --> 00:15:28,803
NOON?
325
00:15:32,432 --> 00:15:33,683
OKAY.
326
00:15:33,725 --> 00:15:35,101
MAYBE.
327
00:15:35,142 --> 00:15:36,603
I CAN LIVE WITH MAYBE,
328
00:15:36,644 --> 00:15:38,521
IF AT LEAST YOU
TELL ME YOUR NAME.
329
00:15:42,066 --> 00:15:43,693
DEBORAH KERR...
330
00:15:43,735 --> 00:15:45,695
SON.
331
00:15:45,737 --> 00:15:47,029
DEBORAH CARSON.
332
00:15:50,116 --> 00:15:51,075
DONE.
333
00:15:51,117 --> 00:15:52,034
QUIZ ME.
334
00:15:53,745 --> 00:15:56,330
OKAY. LET'S START EASY.
335
00:15:56,372 --> 00:15:58,708
WHAT WAS THE NAME
OF ETHAN'S WIFE?
336
00:15:58,750 --> 00:15:59,959
WHO IS ZEENA?
337
00:16:00,000 --> 00:16:01,210
CORRECT.
338
00:16:01,252 --> 00:16:02,629
SO WHAT DO I WIN?
339
00:16:02,670 --> 00:16:04,631
NOT SO FAST.
THERE'S MORE.
340
00:16:04,672 --> 00:16:06,633
WHAT WAS THE NAME OF THE TOWN
IN WHICH THEY LIVED?
341
00:16:06,674 --> 00:16:08,342
WHAT IS STARKFIELD?
342
00:16:08,384 --> 00:16:09,510
VERY GOOD.
343
00:16:09,552 --> 00:16:11,011
RIGHT.
344
00:16:11,053 --> 00:16:12,639
I'M READY.
345
00:16:12,680 --> 00:16:14,891
ONE MORE.
346
00:16:14,933 --> 00:16:19,186
WHY DO YOU THINK ETHAN
HAD SUCH A STRONG SENSE OF DUTY?
347
00:16:19,228 --> 00:16:20,814
UH...
348
00:16:20,855 --> 00:16:22,649
YOU MUST CITE SOME EXAMPLES
FROM YOUR TEXT
349
00:16:22,690 --> 00:16:24,358
WHEN CONSTRUCTING
YOUR RESPONSE.
350
00:16:27,904 --> 00:16:30,114
THAT'S WHY
WE GOT TO GIVE IT 110%.
351
00:16:30,156 --> 00:16:31,282
8 DAYS A WEEK.
352
00:16:31,324 --> 00:16:33,284
REMEMBER HOW HARD
WE WORKED THIS SUMMER?
353
00:16:33,326 --> 00:16:34,285
NOW'S WHEN IT PAYS OFF.
354
00:16:34,327 --> 00:16:35,286
WITH COMMUNAL SHOWERS.
355
00:16:35,328 --> 00:16:36,287
LET'S DO IT
FOR THE COACH.
356
00:16:36,329 --> 00:16:37,872
HE LIKES TO WATCH.
357
00:16:37,914 --> 00:16:40,040
LET'S GO OUT THERE AND
SHOW 'EM WHAT WE'RE MADE OF.
358
00:16:40,082 --> 00:16:41,041
INSERT CLICHÉ HERE.
359
00:16:41,083 --> 00:16:42,293
LET'S LAY IT
ON THE LINE.
360
00:16:42,335 --> 00:16:43,294
MAY I HAVE ANOTHER?
361
00:16:43,336 --> 00:16:45,421
WELL, WELL, WELL.
362
00:16:45,463 --> 00:16:48,758
DOES SOMEONE NEED TO HAVE A TALK
WITH MR. GOLD
363
00:16:48,800 --> 00:16:50,677
CUT!
ABOUT SOMEONE'S ATTITUDE?
364
00:16:50,718 --> 00:16:51,678
HM?
365
00:16:51,719 --> 00:16:52,679
GO FOR IT, NELLIE.
366
00:16:52,720 --> 00:16:54,555
OH, I WILL, BELIEVE ME.
367
00:16:54,597 --> 00:16:57,016
AS PRODUCER,
368
00:16:57,057 --> 00:16:59,853
I WILL TELL HIM EXACTLY HOW YOU
DISRUPTED FILMING
369
00:16:59,894 --> 00:17:02,355
AND DELAYED
THE ENTIRE PRODUCTION.
370
00:17:02,396 --> 00:17:03,606
WHEN DID YOU
START TO HATE ME?
371
00:17:03,648 --> 00:17:05,191
I MISSED IT.
WHAT DID I DO?
372
00:17:05,232 --> 00:17:06,860
IT'S WHAT YOU DIDN'T DO.
373
00:17:06,901 --> 00:17:09,236
YOU HAVEN'T EARNED
YOUR PLACE HERE, DAWSON.
374
00:17:09,278 --> 00:17:11,238
I WORKED ALL SUMMER
ON THE SCRIPT,
375
00:17:11,280 --> 00:17:14,241
AND I DON'T APPRECIATE YOU
WALKING IN HERE
376
00:17:14,283 --> 00:17:16,076
AND TRASHING IT.
377
00:17:16,118 --> 00:17:17,537
I DON'T HATE YOU, DAWSON,
378
00:17:17,578 --> 00:17:19,163
BUT THIS IS BUSINESS.
379
00:17:19,205 --> 00:17:20,247
STRICTLY PROFESSIONAL.
380
00:17:20,289 --> 00:17:22,959
YOU NEED TO SHOW
A LITTLE GRATITUDE.
381
00:17:23,001 --> 00:17:24,502
NOW, YOU SHAPE UP,
382
00:17:24,544 --> 00:17:26,212
OR YOU'RE GOING
TO BE SHIPPED OUT.
383
00:17:26,253 --> 00:17:27,421
UNDERSTAND?
384
00:17:27,463 --> 00:17:29,590
LET'S GO AGAIN!
385
00:17:34,012 --> 00:17:36,931
ALL RIGHT, EVERYBODY.
BACK TO ONE.
386
00:17:36,973 --> 00:17:39,433
WHICH EXPLAINS HER
MOTIVATION OR DESIRE
387
00:17:39,475 --> 00:17:40,894
TO KEEP ETHAN FROM SEEING
388
00:17:40,935 --> 00:17:41,769
BEYOND THE SOMEWHAT
LIMITED SCOPE
389
00:17:41,811 --> 00:17:44,647
OF LIFE WITH HER
ON THE FARM.
390
00:17:44,689 --> 00:17:46,024
HM?
391
00:17:46,065 --> 00:17:47,650
WELL...
392
00:17:47,692 --> 00:17:49,610
WELL, WELL, WELL.
393
00:17:52,321 --> 00:17:54,281
AND MY REWARD IS?
394
00:17:54,323 --> 00:17:56,283
AH!
YOU GOT ME, PACEY.
395
00:17:56,325 --> 00:17:58,077
I NEVER EXPECTED YOU
TO GET THIS FAR.
396
00:17:58,118 --> 00:18:01,372
SO MS. JACOBS
WAS BLUFFING?
397
00:18:01,414 --> 00:18:04,082
YOUR REWARD
IS YOUR EDUCATION.
398
00:18:04,124 --> 00:18:06,753
NO, NO, NO, NO.
399
00:18:06,794 --> 00:18:09,380
I'LL TELL YOU WHAT.
I'LL OWE YOU.
400
00:18:09,422 --> 00:18:11,173
IT'S OKAY, TAMARA.
401
00:18:11,215 --> 00:18:12,592
NO, IT'S NOT.
402
00:18:12,633 --> 00:18:14,594
PACEY, NOT HERE, NOT NOW.
403
00:18:14,635 --> 00:18:16,220
THIS IS MY PLACE OF EMPLOYMENT.
404
00:18:16,262 --> 00:18:17,597
IT'S LATE.
405
00:18:17,638 --> 00:18:19,599
THERE'S NO JANITOR,
NO FILM CREW.
406
00:18:19,640 --> 00:18:21,225
EVERYBODY'S GONE HOME
FOR THE NIGHT.
407
00:18:21,267 --> 00:18:22,810
IT'S JUST YOU AND ME.
408
00:18:22,852 --> 00:18:23,811
PACEY!
409
00:18:23,853 --> 00:18:26,606
WHAT? WHAT'S THE MATTER?
410
00:18:28,107 --> 00:18:29,567
YOU KNOW, YOU'RE RIGHT.
411
00:18:31,652 --> 00:18:34,948
LET'S DO IT.
412
00:18:34,989 --> 00:18:37,283
BUT WHERE SHOULD WE DO IT?
OH, I KNOW.
413
00:18:37,324 --> 00:18:40,078
MY DESK. OUR FIRST TIME
SHOULD BE ON MY DESK.
414
00:18:40,119 --> 00:18:42,872
STRIP.
415
00:18:42,914 --> 00:18:45,083
HURRY UP.
WE DON'T HAVE MUCH TIME.
416
00:18:45,124 --> 00:18:46,417
BETTER DROP THEM.
417
00:18:46,459 --> 00:18:47,961
I KNOW WHAT YOU'RE DOING.
418
00:18:48,002 --> 00:18:50,046
YOU'RE CALLING MY BLUFF
TO SEE HOW FAR I'LL TAKE IT.
419
00:18:50,088 --> 00:18:52,632
NO, NO, NO.
I'M DEADLY SERIOUS.
420
00:18:52,673 --> 00:18:53,800
TAKE THEM OFF.
421
00:18:56,677 --> 00:18:59,179
I'M ON TO YOU, TAMARA.
I...I...
422
00:18:59,221 --> 00:19:00,807
YOU THINK
I'M GOING TO CAVE,
423
00:19:00,848 --> 00:19:02,516
THAT I WOULDN'T
GO THROUGH WITH IT.
424
00:19:02,558 --> 00:19:03,810
DO YOU HAVE CONDOMS,
PACEY?
425
00:19:03,851 --> 00:19:06,186
BECAUSE WE ARE GOING
TO NEED CONDOMS.
426
00:19:06,228 --> 00:19:08,230
IT IS A HIGH SCHOOL.
427
00:19:08,272 --> 00:19:10,566
I'M SURE YOU CAN
ROUND SOME UP.
428
00:19:10,608 --> 00:19:12,026
I, UH...
429
00:19:12,068 --> 00:19:13,778
WHAT'S WRONG?
430
00:19:13,820 --> 00:19:16,906
WELL...THIS JUST ISN'T
THE MOST
431
00:19:16,948 --> 00:19:18,950
ROMANTIC PLACE
ON EARTH, YOU KNOW.
432
00:19:18,992 --> 00:19:21,535
WHAT, IS THIS
YOUR FIRST TIME, PACEY?
433
00:19:25,623 --> 00:19:27,333
YOU KNOW THAT IT IS.
434
00:19:30,670 --> 00:19:33,965
GO HOME, PACEY.
435
00:19:34,007 --> 00:19:35,842
YOU NEED TO FIND
A GIRL YOUR OWN AGE,
436
00:19:35,883 --> 00:19:39,261
NOT SOME INSANE
MIDDLE-AGED WOMAN.
437
00:19:39,303 --> 00:19:40,262
NO, BUT--
438
00:19:40,304 --> 00:19:41,848
NO BUTS, PLEASE.
439
00:19:41,889 --> 00:19:43,599
LOOK, THIS CAN'T GO
ONE SECOND FURTHER.
440
00:19:43,641 --> 00:19:44,600
THIS IS BEYOND WRONG.
441
00:19:44,642 --> 00:19:46,310
I HOPE YOU
UNDERSTAND THAT.
442
00:19:46,352 --> 00:19:48,813
LOOK AT ME.
443
00:19:48,855 --> 00:19:50,272
YOU KEEP SAYING
HOW THIS IS WRONG,
444
00:19:50,314 --> 00:19:52,316
AND MAYBE
TONIGHT IT IS,
445
00:19:52,358 --> 00:19:54,234
BUT JUST TO SET
THE RECORD STRAIGHT,
446
00:19:54,276 --> 00:19:56,029
I'M A FIRM BELIEVER
THAT SOMETIMES
447
00:19:56,070 --> 00:19:59,907
IT'S RIGHT
TO DO THE WRONG THING.
448
00:20:12,294 --> 00:20:13,629
GOOD NIGHT...
449
00:20:13,671 --> 00:20:14,588
TAMMY.
450
00:20:55,713 --> 00:20:57,297
DEBORAH.
451
00:20:57,339 --> 00:20:59,217
DEBORAH CARSON.
452
00:20:59,258 --> 00:21:00,593
ANDERSON.
453
00:21:00,634 --> 00:21:03,221
ANDERSON CRAWFORD.
454
00:21:03,262 --> 00:21:05,014
WOW.
455
00:21:05,056 --> 00:21:07,975
YOU LOOK AMAZING.
456
00:21:09,643 --> 00:21:10,728
YEAH?
457
00:21:12,063 --> 00:21:13,022
YEAH.
458
00:21:13,064 --> 00:21:15,399
YOU WANT TO COME ABOARD?
459
00:21:15,441 --> 00:21:17,860
HERE. I'LL HELP YOU.
460
00:21:17,902 --> 00:21:20,613
MY PARENTS KNOW SOME CARSONS
WHO WINTER IN PALM BEACH.
461
00:21:20,654 --> 00:21:21,697
ANY RELATION?
462
00:21:23,282 --> 00:21:25,243
NO. WE'RE PRETTY MUCH
MANHATTAN-BOUND.
463
00:21:25,283 --> 00:21:26,619
WHERE'D YOU
GO TO SCHOOL?
464
00:21:26,660 --> 00:21:27,787
CHOATE.
465
00:21:27,828 --> 00:21:29,789
IT'S A DRAG, ISN'T IT?
466
00:21:29,830 --> 00:21:30,790
WHAT?
467
00:21:30,831 --> 00:21:32,625
BOARDING SCHOOL.
468
00:21:32,666 --> 00:21:34,001
WELL, I DON'T THINK SO.
469
00:21:34,043 --> 00:21:35,335
I KIND OF LIKE IT.
470
00:21:35,377 --> 00:21:37,296
WHAT'S THERE
TO LIKE ABOUT IT?
471
00:21:37,337 --> 00:21:39,132
WELL, IT'S
A PRIVILEGED EXISTENCE.
472
00:21:39,173 --> 00:21:41,134
I MEAN,
THINK OF THE OPTION.
473
00:21:41,175 --> 00:21:43,761
YOU COULD BE STUCK
IN A SMALL TOWN LIKE THIS,
474
00:21:43,803 --> 00:21:47,098
WHERE...NOTHING EXCITING
EVER HAPPENS.
475
00:21:47,140 --> 00:21:49,767
IT'S NOT THE EDUCATION
I'M TALKING ABOUT.
476
00:21:49,809 --> 00:21:51,144
IT'S MORE
THE BOARDING PART.
477
00:21:51,185 --> 00:21:52,686
SEEMS KIND OF UNNATURAL.
478
00:21:52,728 --> 00:21:54,772
TAKEN AWAY
WHEN YOU'RE 12,
479
00:21:54,814 --> 00:21:56,149
SEPARATED FROM YOUR FAMILY.
480
00:21:56,190 --> 00:21:58,025
JUST DOESN'T SEEM FAIR.
481
00:21:58,067 --> 00:21:59,110
YEAH.
482
00:21:59,152 --> 00:22:02,071
I KEEP THINKING
I'LL GET USED TO IT,
483
00:22:02,113 --> 00:22:04,406
BUT...I NEVER DO.
484
00:22:07,743 --> 00:22:10,079
I DIDN'T KNOW YOU SAILED.
485
00:22:10,121 --> 00:22:12,581
WELL, I'M A WOMAN
OF MANY TALENTS.
486
00:23:07,220 --> 00:23:09,055
MY DAD'S INTO
INVESTMENTS, PRIMARILY.
487
00:23:09,096 --> 00:23:11,598
HE DOESN'T REALLY WORK.
HE JUST MAKES MONEY.
488
00:23:11,640 --> 00:23:13,309
WHAT ABOUT YOURS?
489
00:23:13,351 --> 00:23:16,354
OH, HE'S A CEO OF
A HUGE CONGLOMERATE.
490
00:23:16,394 --> 00:23:18,689
REALLY? WHICH ONE?
491
00:23:18,731 --> 00:23:21,234
ONE OF THE NATION'S
BEST-SELLING TAMPONS.
492
00:23:21,275 --> 00:23:23,069
OH.
493
00:23:23,110 --> 00:23:25,363
SO WHAT'S
YOUR BOYFRIEND LIKE?
494
00:23:27,365 --> 00:23:31,160
IS THIS YOUR BACKWARDS WAY
OF ASKING IF I HAVE ONE?
495
00:23:31,202 --> 00:23:35,413
WELL, I JUST ASSUMED
THAT YOU DID.
496
00:23:35,455 --> 00:23:37,457
AND WHAT MAKES YOU
THINK THAT?
497
00:23:37,499 --> 00:23:39,710
THE WAY YOU CARRY YOURSELF.
498
00:23:39,752 --> 00:23:41,712
YOU'RE REALLY HANDS-OFF.
499
00:23:41,754 --> 00:23:44,090
IT'S LIKE A CLEAR RADIO SIGNAL,
YOU KNOW?
500
00:23:44,131 --> 00:23:45,716
I GUESS IF I WERE
SEEING SOMEBODY,
501
00:23:45,758 --> 00:23:50,221
I'D WANT THEM TO GIVE OFF
THE SAME VIBE.
502
00:23:50,263 --> 00:23:52,723
AND HOW WOULD YOU FEEL IF SHE
SAILED TO A DESERTED BEACH
503
00:23:52,765 --> 00:23:56,352
WITH SOME MYSTERY MAN?
504
00:23:56,394 --> 00:23:58,436
WELL, AS LONG AS SHE
DIDN'T KEEP IT SECRET,
505
00:23:58,478 --> 00:24:00,647
YOU KNOW,
DIDN'T LIE ABOUT IT,
506
00:24:00,689 --> 00:24:03,025
TRUTH CAN'T HURT YOU.
507
00:24:03,067 --> 00:24:04,484
IT'S THE LIES THAT KILL.
508
00:24:06,653 --> 00:24:08,155
HONESTY IS STILL
THE PRIMARY QUALITY
509
00:24:08,197 --> 00:24:09,615
I'M LOOKING
FOR IN A GIRL.
510
00:24:12,701 --> 00:24:13,702
ALL RIGHT, EVERYBODY!
511
00:24:13,744 --> 00:24:15,329
WE CAN DO THIS!
512
00:24:15,371 --> 00:24:17,748
AND...ACTION!
513
00:24:17,790 --> 00:24:20,209
JOHN, DON'T THINK OF IT
AS A FOOTBALL TEAM.
514
00:24:20,251 --> 00:24:21,585
THINK OF IT AS A FAMILY.
515
00:24:21,627 --> 00:24:22,669
HOW SO, TIM?
516
00:24:22,711 --> 00:24:24,130
WELL, IF WE PLAY
LIKE A FAMILY,
517
00:24:24,171 --> 00:24:26,464
WE MIGHT BE JUST ABLE
TO BEAT BRISTER.
518
00:24:26,506 --> 00:24:28,675
NOW YOU'RE TALKING. THAT'S WHAT
I CALL MINUTEMAN PRIDE--
519
00:24:28,717 --> 00:24:29,385
CUT!
520
00:24:31,053 --> 00:24:32,430
OH!
521
00:24:32,470 --> 00:24:35,349
DO YOU THINK WE CAN GET SOMEBODY
WHO'S NOT EPILEPTIC
522
00:24:35,391 --> 00:24:36,474
TO RUN THE CAMERA?
523
00:24:36,516 --> 00:24:37,851
YOU TRY IT.
524
00:24:37,893 --> 00:24:39,312
YOU RUN BACKWARDS
WITH A HAND-HELD
525
00:24:39,353 --> 00:24:41,063
AND SEE IF YOU CAN
DO IT ANY BETTER.
526
00:24:41,105 --> 00:24:42,815
THERE'S ACTUALLY A TECHNIQUE.
IF YOU BRACE YOUR ARMS--
527
00:24:42,856 --> 00:24:45,567
DID YOU
SAY SOMETHING?
528
00:24:45,609 --> 00:24:46,944
LOOKING GOOD.
529
00:24:49,363 --> 00:24:52,699
WE NEED MORE TAPE
FROM THE FILM LAB.
530
00:24:52,741 --> 00:24:54,994
GO FETCH, DOGGIE DAWSON.
531
00:24:56,578 --> 00:24:57,788
HEY.
532
00:24:57,830 --> 00:24:59,332
HOW'S IT GOING
BACK THERE?
533
00:24:59,373 --> 00:25:01,250
ARE THEY READY FOR THE
ALL-IMPORTANT CHEERLEADERS YET?
534
00:25:01,292 --> 00:25:02,751
HARDLY. THEY HAVEN'T EVEN
GOT A USEABLE TAKE
535
00:25:02,793 --> 00:25:04,044
OF THE FIRST SCENE.
536
00:25:04,086 --> 00:25:06,213
LET'S JUST SAY
THAT AS A DIRECTOR,
537
00:25:06,255 --> 00:25:08,132
YOUR FRIEND CLIFF
IS A GREAT QUARTERBACK.
538
00:25:08,174 --> 00:25:10,717
WELL, WE CAN'T
ALL BE PRODIGIES.
539
00:25:10,759 --> 00:25:12,636
AND HELMETS OF GLORY?
540
00:25:12,678 --> 00:25:14,512
CAN YOU EVEN SAY IT
WITH A STRAIGHT FACE?
541
00:25:14,554 --> 00:25:16,849
BARELY.
542
00:25:16,890 --> 00:25:18,516
WHY ARE YOU HERE?
543
00:25:18,558 --> 00:25:20,186
I DON'T GET IT.
544
00:25:20,227 --> 00:25:21,937
EXCEPT TO WATCH ME
GET HUMILIATED.
545
00:25:21,979 --> 00:25:25,399
BECAUSE I KNEW
YOU'D BE HERE. HELLO?
546
00:25:25,441 --> 00:25:28,694
HEY, IF WE FINISH EARLY,
YOU WANT TO HELP ME GET
THAT MAGIC-HOUR SHOT?
547
00:25:28,735 --> 00:25:31,447
ABSOLUTELY. I'D LOVE THE CHANCE
TO WORK WITH A REAL DIRECTOR.
548
00:25:31,489 --> 00:25:32,906
LATER...
549
00:25:32,948 --> 00:25:34,532
IF WE EVER
GET OUT OF HERE.
550
00:25:34,574 --> 00:25:35,993
YOU GOT IT.
551
00:25:40,331 --> 00:25:42,666
HERE'S THE GRASSY KNOLL HERE,
AND THIS IS ELM.
552
00:25:42,708 --> 00:25:44,293
NOW, IF OSWALD
WAS HERE--
553
00:25:44,335 --> 00:25:45,961
YOU ACTUALLY BUY INTO
THAT MAGIC BULLET THEORY?
554
00:25:46,003 --> 00:25:47,796
WHAT ARE YOU SAYING?
555
00:25:47,838 --> 00:25:50,632
ARE YOU SAYING THAT EVERY ONE
ON THE WARREN COMMISSION LIED?
556
00:25:50,674 --> 00:25:52,676
I'M JUST SAYING
THAT KEVIN COSTNER
557
00:25:52,718 --> 00:25:54,678
WAS PRETTY CONVINCING
IN JFK.
558
00:25:54,720 --> 00:25:57,681
I MEAN, I CAN'T BELIEVE YOU'VE
ACTUALLY READ THE REPORT.
559
00:25:57,723 --> 00:25:58,932
ISN'T IT LIKE
A MILLION PAGES?
560
00:25:58,974 --> 00:26:01,519
CURIOUS.
561
00:26:01,559 --> 00:26:02,602
THERE'S CURIOUS,
562
00:26:02,644 --> 00:26:06,148
AND THEN THERE'S
SAND MODELS OF DALLAS.
563
00:26:06,190 --> 00:26:08,192
HAVE I TOLD YOU ABOUT
MY UFO THEORIES?
564
00:26:08,234 --> 00:26:09,651
YOUR WHAT?
565
00:26:09,693 --> 00:26:11,611
MY UFO THEORIES--
566
00:26:11,653 --> 00:26:13,989
HOW THEY SWOOP DOWN
SOMETIMES,
567
00:26:14,031 --> 00:26:16,325
DESTROYING ENTIRE CITIES.
568
00:26:18,660 --> 00:26:20,871
NO, YOU DON'T.
569
00:26:22,664 --> 00:26:26,043
IT'S JUST DALLAS, HOME
OF ROSS PEROT AND THE COWBOYS.
570
00:26:26,085 --> 00:26:28,045
NO ONE'S
GOING TO MISS IT.
571
00:26:33,675 --> 00:26:36,011
LOOK AT THE TIME.
I-- I'VE GOT TO GO.
572
00:26:36,053 --> 00:26:37,971
MY PARENTS
ARE EXPECTING ME.
573
00:26:40,057 --> 00:26:41,892
IS THAT THE TRUTH,
574
00:26:41,934 --> 00:26:45,354
OR ARE YOU JUST TRYING TO WIGGLE
OUT OF A ROMANTIC SITUATION?
575
00:26:48,065 --> 00:26:49,649
I'M SORRY.
576
00:26:49,691 --> 00:26:51,360
LET'S GET
CINDERELLA HOME.
577
00:27:04,415 --> 00:27:07,293
TODAY WAS A LOT OF FUN,
ANDERSON, BUT...
578
00:27:09,627 --> 00:27:11,880
YOU NEED TO KNOW
THE TRUTH.
579
00:27:11,922 --> 00:27:13,715
AND THAT WOULD BE...?
580
00:27:16,634 --> 00:27:18,971
I'M NOT CINDERELLA.
581
00:27:19,012 --> 00:27:20,931
NOT EVEN CLOSE.
582
00:27:28,147 --> 00:27:28,981
BACKGROUND ACTION!
583
00:27:29,022 --> 00:27:29,940
IN SLATE GIRL.
584
00:27:31,609 --> 00:27:33,611
ALL RIGHT, EVERYBODY.
THIS IS IT.
585
00:27:33,651 --> 00:27:35,362
THIS IS THE SHOT.
I CAN FEEL IT.
586
00:27:35,404 --> 00:27:36,780
AND...
587
00:27:36,822 --> 00:27:38,282
ACTION!
588
00:27:38,324 --> 00:27:40,075
JOHN, DON'T THINK OF IT
AS A FOOTBALL TEAM.
589
00:27:40,117 --> 00:27:41,827
YOU HAVE TO THINK OF IT
AS A FAMILY.
590
00:27:41,868 --> 00:27:42,869
WELL, HOW SO, TIM?
591
00:27:42,911 --> 00:27:43,912
CUT!
592
00:27:43,954 --> 00:27:46,373
SORRY.
593
00:27:45,372 --> 00:27:46,373
LET'S GO AGAIN.
594
00:27:46,415 --> 00:27:47,958
AH, THE MAGIC OF FILMMAKING.
595
00:27:48,000 --> 00:27:49,293
PACEY.
596
00:27:49,335 --> 00:27:50,628
WHAT'S LOSER FRIEND
DOING HERE?
597
00:27:50,668 --> 00:27:51,629
GET OUT OF THAT THING.
598
00:27:51,669 --> 00:27:54,214
I WAS JUST
KEEPING IT WARM.
599
00:27:54,256 --> 00:27:57,259
CLIFF, SWEETIE,
IT'S NOT WORKING.
600
00:27:57,301 --> 00:27:59,928
I KNOW YOU WANT THIS
MOVING TRACKING THING,
601
00:27:59,970 --> 00:28:02,264
BUT CAN'T WE JUST USE
THE TRIPOD FOR THIS ONE?
602
00:28:02,306 --> 00:28:04,224
HEY, GUYS,
JUST LET ME DO IT.
603
00:28:04,266 --> 00:28:06,560
LOOK, DAWSON,
I'VE HAD IT WITH YOU!
604
00:28:06,602 --> 00:28:08,187
WHOA! WAIT A SECOND.
605
00:28:08,228 --> 00:28:10,939
YOU GOT AN IDEA,
LET'S HEAR IT.
606
00:28:10,981 --> 00:28:12,483
I'M OPEN.
607
00:28:12,525 --> 00:28:14,568
AND...ACTION!
608
00:28:14,610 --> 00:28:17,070
JOHN, YOU CAN'T THINK OF IT
AS A FOOTBALL TEAM.
609
00:28:17,112 --> 00:28:18,905
YOU HAVE TO THINK OF IT
AS A FAMILY.
610
00:28:18,947 --> 00:28:20,533
NOW YOU'RE TALKING.
611
00:28:20,574 --> 00:28:22,201
THAT'S WHAT I CALL
MINUTEMAN PRIDE.
612
00:28:22,242 --> 00:28:22,951
LET'S GO GET THEM,
BROTHER.
613
00:28:22,993 --> 00:28:25,120
YEAH!
614
00:28:25,162 --> 00:28:27,164
CUT! CUT!
GREAT! PERFECT!
615
00:28:27,206 --> 00:28:28,748
PERFECT!
616
00:28:38,634 --> 00:28:40,177
YOU WERE BRILLIANT
TODAY.
617
00:28:40,219 --> 00:28:42,596
YOU REALLY PUT THAT NELLIE OLSON
RIGHT IN HER PLACE.
618
00:28:42,638 --> 00:28:44,806
THANK YOU. THE REAL FILMING
IS YET TO COME.
619
00:28:44,848 --> 00:28:46,308
HELLO.
620
00:28:46,350 --> 00:28:47,809
WHAT CAN I GET YOU GUYS
THIS EVENING?
621
00:28:47,851 --> 00:28:49,727
WE'LL HAVE TWO TURKEY CLUBS
AND TWO COKES.
622
00:28:49,769 --> 00:28:51,855
NO MAYO ON MINE.
623
00:28:51,897 --> 00:28:53,649
CAN I SUGGEST BODIE'S OWN
FAT-FREE HERB SAUCE?
624
00:28:53,691 --> 00:28:54,650
IT'S GREAT
WITH THE CLUB.
625
00:28:54,692 --> 00:28:56,652
SOLD.
626
00:28:56,694 --> 00:28:58,529
UH, SANDWICHES TO GO,
COKES WHILE WE WAIT.
627
00:28:58,571 --> 00:28:59,572
WE'RE CATCHING
MAGIC HOUR TONIGHT.
628
00:28:59,613 --> 00:29:00,947
THE RUINS, REMEMBER?
629
00:29:00,989 --> 00:29:03,659
OH, YEAH.
I'LL PUT A RUSH ON IT.
630
00:29:03,701 --> 00:29:05,536
WHAT HAS GOTTEN
INTO JOEY?
631
00:29:05,578 --> 00:29:07,496
I DON'T KNOW.
IT'S BIZARRE.
632
00:29:07,538 --> 00:29:09,789
YOU WERE LATE.
633
00:29:09,831 --> 00:29:13,126
LOOK, I'M IN CHARGE UNTIL YOU'RE
18 OR DAD GETS PAROLED,
634
00:29:13,168 --> 00:29:15,170
WHATEVER COMES FIRST.
635
00:29:15,212 --> 00:29:17,548
AND WE HAVE TO HELP
EACH OTHER OUT, JOEY.
636
00:29:17,590 --> 00:29:19,299
THAT'S JUST
THE WAY IT HAS TO BE.
637
00:29:19,341 --> 00:29:21,801
I'M SORRY.
RUIN MY GOOD MOOD.
638
00:29:21,843 --> 00:29:23,554
I WAS JUST TRYING
TO HAVE A MOMENT OF HAPPINESS
639
00:29:23,596 --> 00:29:26,557
IN AN OTHERWISE
PATHETIC EXISTENCE.
640
00:29:26,599 --> 00:29:28,267
YOU CAN RELATE,
CAN'T YOU?
641
00:29:34,981 --> 00:29:36,275
WHAT IS IT?
642
00:29:37,984 --> 00:29:39,278
UH, NOTHING.
643
00:29:41,238 --> 00:29:43,198
MIND IF I JOIN YOU?
I'M ON BREAK.
644
00:29:43,240 --> 00:29:45,284
SURE.
645
00:29:50,623 --> 00:29:52,249
WHO'S THAT?
NOBODY.
646
00:29:52,291 --> 00:29:53,626
WELL, HE'S KIND
OF A CUTE NOBODY.
647
00:29:53,667 --> 00:29:55,335
WHO?
648
00:29:55,377 --> 00:29:57,254
HEY, DEBORAH.
HI.
649
00:29:57,296 --> 00:29:59,965
WHAT ARE YOU DOING HERE?
I THOUGHT YOU HAD
TO MEET YOUR PARENTS.
650
00:30:00,006 --> 00:30:00,924
WHO'S DEBORAH?
651
00:30:00,966 --> 00:30:02,008
SHE'S DEBORAH.
652
00:30:02,050 --> 00:30:04,844
NO, SHE'S NOT.
653
00:30:04,886 --> 00:30:06,305
OH...SHE'S NOT?
654
00:30:06,346 --> 00:30:09,516
WELL, THEN WHO DID I SPEND
THE AFTERNOON WITH?
655
00:30:09,558 --> 00:30:11,644
AN IMPOSTOR?
656
00:30:11,685 --> 00:30:14,104
IT'S JUST THAT, UH,
WE DON'T CALL HER DEBORAH.
657
00:30:14,146 --> 00:30:15,897
SHE'S JUST "DEB" TO US.
658
00:30:15,939 --> 00:30:18,776
OH. ARE YOU GUYS
FROM NEW YORK, AS WELL?
659
00:30:18,817 --> 00:30:20,611
WAIT A MINUTE.
WHAT'S GOING ON HERE?
660
00:30:20,653 --> 00:30:22,988
UH, YEAH. WE'RE JUST
PASSING THROUGH, THOUGH.
661
00:30:23,029 --> 00:30:24,364
DEB AND I GO
TO SCHOOL TOGETHER.
662
00:30:24,406 --> 00:30:25,699
AND YOU ARE?
663
00:30:25,741 --> 00:30:26,700
ANDERSON.
664
00:30:26,742 --> 00:30:27,951
DEBORAH AND I WENT
SAILING TODAY.
665
00:30:27,993 --> 00:30:30,287
AH.
OH.
666
00:30:30,329 --> 00:30:31,747
WOULD YOU LIKE
TO JOIN US,
667
00:30:31,789 --> 00:30:33,791
DEB'S FRIEND
WHO WE'VE NEVER MET, EVER?
668
00:30:33,831 --> 00:30:35,793
UH, I'M GOING
TO GET A TAKEOUT.
669
00:30:35,833 --> 00:30:37,294
SANDWICHES UP.
670
00:30:41,840 --> 00:30:43,925
YOU KNOW, ANDERSON,
THE FOOD'S GOOD HERE,
671
00:30:43,967 --> 00:30:46,136
BUT THE SERVICE
IS A LITTLE IFFY.
672
00:30:46,178 --> 00:30:48,764
YOU THINK YOUR PARENTS MIGHT
FREE YOU UP TONIGHT?
673
00:30:48,806 --> 00:30:50,974
I DON'T KNOW...BIG FAMILY
SCRABBLE TOURNAMENT TONIGHT.
674
00:30:51,016 --> 00:30:52,768
HEY, JOEY.
675
00:30:52,810 --> 00:30:54,603
I MIGHT BE ABLE
TO SNEAK AWAY LATER.
676
00:30:54,645 --> 00:30:56,271
OKAY. WELL, YOU KNOW
WHERE I'LL BE.
677
00:30:56,313 --> 00:30:59,024
PLANET EARTH TO JOEY!
678
00:30:59,065 --> 00:31:00,609
I'LL COME BY
AFTER THE GAME.
679
00:31:00,651 --> 00:31:02,860
HEY, "CHARADE" IS
A GOOD SEVEN-LETTER WORD
680
00:31:02,902 --> 00:31:05,071
YOU CAN USE
IN THAT SCRABBLE GAME.
681
00:31:07,366 --> 00:31:10,910
MUST'VE COME RIGHT
IN THE MIDDLE OF SOMETHING.
682
00:31:10,952 --> 00:31:12,996
HERE YOU GO.
683
00:31:13,038 --> 00:31:14,206
THAT'S 7.50.
684
00:31:16,750 --> 00:31:20,128
MISS, WOULD YOU, UH,
WOULD YOU LIKE ANYTHING?
685
00:31:20,170 --> 00:31:22,255
NO, BUT THANK YOU.
686
00:31:22,297 --> 00:31:23,923
ANYTIME.
687
00:31:23,965 --> 00:31:25,008
I CALLED IN A TAKEOUT.
688
00:31:25,050 --> 00:31:27,052
RIGHT THIS WAY.
689
00:31:27,093 --> 00:31:28,846
IT WAS REALLY NICE
TO MEET YOU.
690
00:31:28,887 --> 00:31:29,888
YEAH.
SEE YOU GUYS LATER.
691
00:31:29,929 --> 00:31:32,349
SEE YOU.
692
00:31:36,895 --> 00:31:39,981
WELL...
693
00:31:40,023 --> 00:31:43,068
ARE YOU KIDDING?
THAT'S MY FAVORITE.
694
00:31:43,109 --> 00:31:44,152
ISN'T THAT YOURS?
695
00:31:44,194 --> 00:31:45,738
NO. MY FAVORITE SCENE
696
00:31:45,779 --> 00:31:46,988
IS WHEN STREISAND
MEETS UP WITH REDFORD
697
00:31:47,030 --> 00:31:49,115
YEARS LATER IN THE STREET,
698
00:31:49,157 --> 00:31:50,868
AND THEY SPEAK PLEASANTLY...
699
00:31:50,908 --> 00:31:52,870
AND CORDIALLY,
700
00:31:52,910 --> 00:31:54,913
AND THEN SHE BRUSHES HIS HAIR
OFF HIS FOREHEAD
701
00:31:54,954 --> 00:31:57,290
THE WAY SHE DID WHEN THEY FIRST
MET YEARS EARLIER.
702
00:31:57,332 --> 00:31:58,834
OH! IT KILLS ME.
703
00:31:58,876 --> 00:32:01,461
IT'S SO BITTERSWEET.
THEY BELONGED TOGETHER.
704
00:32:01,503 --> 00:32:04,297
BUT THEY COULD NEVER GO BACK
TO THE WAY THEY WERE.
705
00:32:04,339 --> 00:32:06,466
OH, STOP! I'M GOING
TO CRY RIGHT NOW.
706
00:32:06,508 --> 00:32:08,552
OKAY. LET'S GET OUT OF HERE.
707
00:32:08,594 --> 00:32:10,888
I'LL WALK YOU HOME.
WE'LL TAKE THE SCENIC ROUTE.
708
00:32:10,928 --> 00:32:12,389
WILL YOU HOLD MY HAND
LIKE KATIE AND HUBBELL?
709
00:32:12,431 --> 00:32:13,390
MAYBE MORE.
710
00:32:13,432 --> 00:32:14,558
OOH.
711
00:32:14,600 --> 00:32:16,393
I'LL GET MY THINGS.
712
00:32:22,107 --> 00:32:23,400
HELLO, TAMARA.
713
00:32:26,737 --> 00:32:28,697
MR. GOLD IS RIGHT AROUND
THE CORNER.
714
00:32:28,739 --> 00:32:31,074
I KNOW. I HEARD.
HE'S WALKING YOU HOME.
715
00:32:31,116 --> 00:32:33,076
WELL, MR. GOLD
IS A FRIEND OF MINE.
716
00:32:33,118 --> 00:32:34,494
OH, CLEARLY.
717
00:32:34,536 --> 00:32:36,538
WE'RE FRIENDS, PACEY.
718
00:32:36,580 --> 00:32:38,707
I KNOW WHAT YOU DO
WITH YOUR STUDENTS,
719
00:32:38,749 --> 00:32:41,084
SO I GUESS HE'S IN
FOR ONE HECK OF A RIDE.
720
00:32:41,126 --> 00:32:43,462
LOOK, YOU HAVE GOT
TO STOP WITH THIS
721
00:32:43,503 --> 00:32:45,130
BEFORE IT GETS OUT OF HAND.
722
00:32:45,171 --> 00:32:46,924
OH, THIS IS ALREADY
OUT OF HAND.
723
00:32:46,965 --> 00:32:48,007
I HAVE TO GO.
724
00:32:48,049 --> 00:32:49,802
WAIT, WAIT.
725
00:32:49,843 --> 00:32:52,971
WHAT DO YOU WANT
FROM ME?
726
00:32:53,012 --> 00:32:54,807
YOU.
727
00:32:56,516 --> 00:32:58,017
I WANT YOU.
728
00:33:11,239 --> 00:33:13,575
WE'RE ACTUALLY
NOT SUPPOSED TO BE HERE.
729
00:33:13,617 --> 00:33:15,076
THE GUY'S DEAD.
THE SON'S A REAL ASS.
730
00:33:15,118 --> 00:33:16,578
SO IF YOU SEE SOMEBODY,
RUN.
731
00:33:16,620 --> 00:33:18,121
OH, NOW WE'RE
TRESPASSING, ARE WE?
732
00:33:18,163 --> 00:33:19,748
YES, WE ARE.
733
00:33:19,790 --> 00:33:21,416
SO, WHAT IS THIS PLACE?
734
00:33:21,458 --> 00:33:22,960
THE MONSTER'S
SECRET HAVEN.
735
00:33:23,001 --> 00:33:24,711
NO, NO, FOR REAL. WHAT IS IT?
IT'S INCREDIBLE.
736
00:33:24,753 --> 00:33:26,338
IT'S PART OF SOME
GUY'S ESTATE.
737
00:33:26,379 --> 00:33:29,341
HE BUILT IT FOR HIS
DEAD WIFE-- BEFORE SHE DIED.
738
00:33:29,382 --> 00:33:31,343
SHE LOVED GREECE.
IT WAS HER FAVORITE SPOT.
739
00:33:31,384 --> 00:33:33,720
AND THEN SHE GOT SICK
AND COULDN'T TRAVEL ANYMORE,
740
00:33:33,762 --> 00:33:36,014
SO HE BROUGHT
GREECE TO HER.
741
00:33:36,055 --> 00:33:37,390
THAT IS SO ROMANTIC.
742
00:33:37,432 --> 00:33:38,517
YEAH?
743
00:33:38,558 --> 00:33:39,810
I THINK SO.
744
00:33:49,194 --> 00:33:51,905
THIS IS
ABSOLUTELY BEAUTIFUL.
745
00:33:51,947 --> 00:33:53,615
WELL, WE GOT TO HURRY
OR WE'RE GOING TO LOSE THE SUN.
746
00:33:55,408 --> 00:33:57,285
SO, UH, WHAT DO YOU
WANT ME TO DO HERE?
747
00:33:57,327 --> 00:33:59,287
WELL...JUST GIVE ME THAT.
748
00:33:59,329 --> 00:34:00,664
JUST SIT RIGHT THERE...
749
00:34:00,706 --> 00:34:05,084
AND WATCH ME
AS I CREATE THE MOMENT.
750
00:34:10,966 --> 00:34:13,927
["ALL I WANT" BY
TOAD THE WET SPROCKET
PLAYING]
751
00:34:13,969 --> 00:34:18,306
I WAS THINKING OF USING THIS
FOR THE CLOSING SEQUENCE.
752
00:34:18,348 --> 00:34:19,474
WHAT DO YOU THINK?
753
00:34:19,516 --> 00:34:21,309
WELL, IT'S A LITTLE SCHMALTZY,
754
00:34:21,351 --> 00:34:23,228
CONSIDERING IT'S A HORROR FILM.
755
00:34:23,269 --> 00:34:27,024
YEAH, BUT I WAS GOING
FOR THE TRAGIC ENDING.
756
00:34:28,734 --> 00:34:30,318
SEE, THE MONSTER'S DEAD,
757
00:34:30,360 --> 00:34:33,071
BUT IN HIS DEATH,
PENELOPE FINDS UNDERSTANDING.
758
00:34:33,112 --> 00:34:35,198
SHE COMES HERE TO HIS SECRET
PLACE TO SAY GOODBYE.
759
00:34:35,240 --> 00:34:38,702
IT'S THEMATIC.
760
00:34:38,744 --> 00:34:41,120
IT KIND OF BALANCES OUT
ALL THE BLOOD.
761
00:34:41,162 --> 00:34:43,040
I SEE IT.
762
00:34:43,081 --> 00:34:44,041
YOU DO?
763
00:34:44,081 --> 00:34:46,543
YEAH.
764
00:34:46,585 --> 00:34:47,878
READY?
765
00:34:47,920 --> 00:34:48,837
YEAH.
766
00:34:50,380 --> 00:34:53,132
OKAY, UM, SO, SO WHAT'S MY...
767
00:34:53,174 --> 00:34:54,718
WHAT'S MY DIRECTION?
768
00:34:54,760 --> 00:34:56,135
THAT OF LONGING.
769
00:34:56,177 --> 00:34:58,555
INCREDIBLE SADNESS.
770
00:35:00,306 --> 00:35:03,226
THINK ABOUT
WHAT'S JUST HAPPENED.
771
00:35:03,268 --> 00:35:04,644
YOU'VE JUST DISCOVERED
THAT THE MONSTER YOU KILLED
772
00:35:04,686 --> 00:35:07,272
WAS REALLY
THE MAN YOU LOVED,
773
00:35:07,313 --> 00:35:11,150
THE VICTIM OF AN EXPERIMENT
GONE TERRIBLY WRONG.
774
00:35:11,192 --> 00:35:11,902
ACTION.
775
00:35:27,125 --> 00:35:28,125
CUT.
776
00:35:30,378 --> 00:35:31,797
AND PRINT.
777
00:35:31,838 --> 00:35:33,882
WAS THAT OKAY? BECAUSE,
I MEAN, I CAN DO IT--
778
00:35:33,924 --> 00:35:36,301
THAT WAS--
YOU ARE AMAZING!
779
00:35:36,342 --> 00:35:39,054
OH. SADNESS IS MY SPECIALTY.
780
00:35:39,096 --> 00:35:40,680
SHOULD WE DO IT AGAIN?
I'M NOT SURE--
781
00:35:40,722 --> 00:35:43,308
IT WAS PERFECT.
782
00:35:43,349 --> 00:35:44,726
WELL, I HAD
A GOOD DIRECTOR.
783
00:35:44,768 --> 00:35:46,436
AND I HAD A GOOD ACTRESS.
784
00:35:49,731 --> 00:35:51,066
SO...
785
00:35:51,108 --> 00:35:53,610
SO, UH...
786
00:35:53,652 --> 00:35:56,195
IT SEEMS A SHAME TO WASTE ALL
787
00:35:56,237 --> 00:35:59,240
THE SUNSET...
788
00:35:59,282 --> 00:36:00,826
THE MUSIC...
789
00:36:00,867 --> 00:36:02,577
THE SOFT CANDLELIGHT.
790
00:36:09,292 --> 00:36:11,252
WAIT A MINUTE.
791
00:36:11,294 --> 00:36:12,545
WAIT. WHAT ARE YOU DOING?
792
00:36:13,672 --> 00:36:15,381
UM...
793
00:36:32,065 --> 00:36:33,358
PRETTY GOOD AT THAT THING.
794
00:36:35,068 --> 00:36:37,154
HEY.
795
00:36:37,194 --> 00:36:38,864
I WAS HOPING YOU'D SHOW UP.
796
00:36:43,076 --> 00:36:44,036
LISTEN, UM...
797
00:36:45,787 --> 00:36:48,165
WE LEAVE TOMORROW.
798
00:36:48,205 --> 00:36:51,376
BUT, UH, I COME TO NEW YORK
ALL THE TIME.
799
00:36:51,417 --> 00:36:53,211
I'LL TAKE YOU OUT TO DINNER,
THE RAINBOW ROOM.
800
00:36:53,252 --> 00:36:55,088
WE CAN DANCE
THE NIGHT AWAY.
801
00:36:58,299 --> 00:37:01,720
I'M NOT A VERY GOOD
DANCER, ANDERSON,
802
00:37:01,761 --> 00:37:03,346
AND I PREFER BOULEY.
803
00:37:03,388 --> 00:37:05,223
IT'S MY HAUNT.
I'M AN EAST SIDE GIRL.
804
00:37:06,474 --> 00:37:09,394
BUT...BOULEY ISN'T...
805
00:37:11,938 --> 00:37:13,148
LET ME GET YOU MY NUMBER.
806
00:37:13,190 --> 00:37:15,067
OKAY.
807
00:37:34,002 --> 00:37:35,003
CALL ME...
808
00:37:35,045 --> 00:37:37,547
WOULD YOU?
809
00:37:40,800 --> 00:37:41,927
YEAH.
810
00:38:16,002 --> 00:38:17,545
CAN I WALK YOU
SOMEWHERE?
811
00:38:22,968 --> 00:38:26,012
NO.
812
00:38:28,098 --> 00:38:30,058
YOU, UH...
813
00:38:30,100 --> 00:38:32,852
YOU NEED TO STAY
RIGHT HERE...
814
00:38:32,894 --> 00:38:34,687
IN THE MOONLIGHT.
815
00:38:37,398 --> 00:38:39,776
THAT'S WHERE YOU BELONG.
816
00:38:47,325 --> 00:38:47,993
BYE.
817
00:39:04,050 --> 00:39:06,761
DAWSON, YOU WERE VIDEOTAPING
A REALLY PRIVATE MOMENT.
818
00:39:06,803 --> 00:39:09,555
OKAY, JUST LET ME EXPLAIN,
ALL RIGHT? LET ME EXPLAIN.
819
00:39:09,597 --> 00:39:11,808
I-- I WANTED...
820
00:39:11,850 --> 00:39:13,935
I WANTED THE MOMENT
TO BE PERFECT BETWEEN US.
821
00:39:13,977 --> 00:39:15,270
I WANTED TO CREATE
SOMETHING SPECIAL,
822
00:39:15,312 --> 00:39:17,230
SOMETHING WORTHY OF HOW SPECIAL
I THINK YOU ARE.
823
00:39:17,272 --> 00:39:20,859
DAWSON, YOU JUST TRY TOO HARD.
YOU'RE OVERZEALOUS.
824
00:39:20,900 --> 00:39:24,487
THAT'S MY DOWNFALL.
825
00:39:24,529 --> 00:39:27,240
I MEAN, WHY CAN'T YOU
JUST LET THE MOMENT EXIST?
826
00:39:27,282 --> 00:39:29,492
WHY DO YOU ALWAYS FEEL
THE NEED TO MAKE IT HAPPEN?
827
00:39:29,534 --> 00:39:32,370
I DON'T KNOW, I DON'T KNOW.
I JUST-- I DO.
828
00:39:32,411 --> 00:39:34,580
I...
829
00:39:34,622 --> 00:39:37,667
I DON'T KNOW
WHAT ELSE TO SAY, JEN,
830
00:39:37,709 --> 00:39:39,836
EXCEPT THAT MY INTENTIONS ARE
NOTHING SHORT OF HONORABLE.
831
00:39:41,754 --> 00:39:44,674
I'VE NEVER MET ANYONE LIKE YOU
BEFORE, JEN. YOU SCARE ME.
832
00:39:44,716 --> 00:39:46,092
I SCARE YOU?
833
00:39:46,134 --> 00:39:47,593
AND I LOVE
THE WAY YOU SCARE ME,
834
00:39:47,635 --> 00:39:48,720
BUT IT MAKES ME NERVOUS,
835
00:39:48,761 --> 00:39:50,347
AND THEN I DO OR SAY
SOMETHING STUPID,
836
00:39:50,388 --> 00:39:52,515
AND THEN I SPEND
ALL THIS ENERGY
837
00:39:52,557 --> 00:39:54,184
COMING UP WITH IDEAS TO BE SMART
838
00:39:54,226 --> 00:39:55,434
SO THAT YOU WON'T
THINK I'M STUPID,
839
00:39:55,476 --> 00:39:56,686
BUT THEN THOSE IDEAS
ULTIMATELY BACKFIRE,
840
00:39:56,728 --> 00:39:58,146
MAKING ME LOOK
EVEN MORE STUPID,
841
00:39:58,188 --> 00:39:59,647
AND IT'S JUST
A VICIOUS CYCLE,
842
00:39:59,689 --> 00:40:02,108
AND I'M REALLY AT THE END
OF MY ROPE RIGHT NOW, JEN,
843
00:40:02,150 --> 00:40:04,361
BECAUSE ALL I WANT TO DO
IS KISS YOU, AND I'M AFRAID
844
00:40:04,402 --> 00:40:06,363
IF I DON'T KISS YOU SOON,
I'M GOING TO EXPLODE.
845
00:40:06,404 --> 00:40:08,198
HUH.
846
00:40:08,240 --> 00:40:09,699
YOU KNOW...
847
00:40:09,741 --> 00:40:11,701
DAWSON, THIS REALLY SUCKS.
848
00:40:11,743 --> 00:40:15,705
WHY?
849
00:40:15,747 --> 00:40:17,165
NOW I'M SCARED.
850
00:40:17,207 --> 00:40:19,084
WHY?
851
00:40:19,125 --> 00:40:21,460
THE KISS, THE KISS.
I MEAN...
852
00:40:21,502 --> 00:40:24,547
YOU'VE BUILT THIS KISS UP
TO BE SUCH A BIG DEAL.
853
00:40:24,589 --> 00:40:26,632
WHAT HAPPENS
IF I'M A DISAPPOINTMENT?
854
00:40:28,676 --> 00:40:29,635
NEVER HAPPEN.
855
00:40:38,978 --> 00:40:40,355
WHERE WERE YOU?
856
00:40:40,397 --> 00:40:44,442
NOWHERE.
857
00:40:44,483 --> 00:40:46,861
HEY, THANKS FOR HELPING
ME OUT TODAY.
858
00:40:46,903 --> 00:40:49,364
SHE'S BEING NICE, BODIE.
WHAT DOES THIS MEAN?
859
00:40:49,406 --> 00:40:51,366
UH...
860
00:40:51,408 --> 00:40:52,909
TREAD LIGHTLY.
861
00:40:54,077 --> 00:40:56,162
OKAY.
862
00:40:56,204 --> 00:40:59,749
UM, BOULEY,
THAT RESTAURANT IN NEW YORK,
863
00:40:59,791 --> 00:41:01,542
IT'S ON THE EAST SIDE,
ISN'T IT?
864
00:41:01,584 --> 00:41:03,920
NO, NO, NO.
IT'S IN TRIBECA,
865
00:41:03,962 --> 00:41:06,089
AND IT CLOSED DOWN
A COUPLE OF YEARS AGO.
866
00:41:06,131 --> 00:41:09,008
THEY HAD A GREAT CHEF,
THOUGH. WHY?
867
00:41:09,050 --> 00:41:11,094
NO REASON.
868
00:41:22,521 --> 00:41:25,108
PERCENTAGE OF DUMB THINGS I DO
IS RISING AROUND YOU.
869
00:41:25,150 --> 00:41:26,776
WHAT DO YOU
THINK THAT MEANS
870
00:41:26,818 --> 00:41:29,362
WHEN YOU KEEP ON DOING DUMB
THINGS AROUND THE SAME GIRL?
871
00:41:29,404 --> 00:41:31,739
WELL, I'M SURE SOMETHING
EXTREMELY FREUDIAN.
872
00:41:34,491 --> 00:41:35,701
OH, NO.
873
00:41:35,743 --> 00:41:37,620
WHAT? WHAT? WHAT?
874
00:41:37,662 --> 00:41:40,457
WE GOT TO HIDE.
875
00:41:44,961 --> 00:41:46,254
LET'S GO.
876
00:41:46,296 --> 00:41:48,547
WHERE ARE WE GOING?
I DON'T KNOW, HURRY.
877
00:41:48,589 --> 00:41:49,799
WHO'S COMING?
878
00:41:54,637 --> 00:41:56,931
OKAY, SO...WHAT DO WE DO?
879
00:41:56,973 --> 00:41:57,890
WE'RE GOING TO HIDE.
880
00:42:09,819 --> 00:42:12,030
THIS IS REALLY GROSS.
IT SMELLS.
881
00:42:12,071 --> 00:42:14,032
I KNOW, I KNOW.
SH. SH.
882
00:42:14,073 --> 00:42:15,158
OH, GOD,
THERE'S, LIKE, STUFF--
883
00:42:15,200 --> 00:42:16,826
SH, SH. IT'S...
884
00:42:16,868 --> 00:42:18,744
JUST LIKE A COBWEB
OR SOMETHING.
885
00:42:18,786 --> 00:42:19,745
JUST A--?
886
00:42:19,787 --> 00:42:20,705
SH, SH.
60386
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