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1
00:00:29,067 --> 00:00:31,000
[PIANO PLAYS]
2
00:01:50,133 --> 00:01:52,067
THOU PREPAREST
A TABLE FOR ME
3
00:01:52,133 --> 00:01:54,067
IN THE PRESENCE
OF MINE ENEMIES.
4
00:01:54,133 --> 00:01:56,733
THOU ANNOINTEST
MY HEAD WITH OIL.
5
00:01:56,800 --> 00:01:59,633
SURELY GOODNESS AND MERCY
SHALL FOLLOW ME
6
00:01:59,700 --> 00:02:01,733
ALL THE DAYS OF MY LIFE...
7
00:02:01,800 --> 00:02:05,400
AND I WILL DWELL
IN THE HOUSE OF THE LORD...
8
00:02:05,467 --> 00:02:06,767
FOREVER.
9
00:02:06,833 --> 00:02:08,900
ASHES TO ASHES...
10
00:02:08,967 --> 00:02:10,833
AND DUST TO DUST.
11
00:02:10,900 --> 00:02:12,733
FAREWELL, OLD FRIEND.
12
00:02:14,467 --> 00:02:17,767
WE WILL MISS YOU
AS WE MISS THE GOOD DAYS
13
00:02:17,833 --> 00:02:20,700
AND THE GOOD NIGHTS
OF YOUR PAST GLORY.
14
00:02:20,767 --> 00:02:23,900
MAY THE BENEVOLENT LORD
IN ALL HIS WISDOM
15
00:02:23,967 --> 00:02:25,900
CARRY YOU
AMONG THE STARS
16
00:02:25,967 --> 00:02:28,167
FROM WHICH
YOU LAY CLAIM.
17
00:02:28,233 --> 00:02:31,167
IN THE NAME OF THE FATHER
AND OF THE SON
18
00:02:31,233 --> 00:02:33,067
AND OF THE HOLY SPIRIT.
19
00:02:33,100 --> 00:02:34,067
AMEN.
20
00:02:38,467 --> 00:02:40,533
GOODBYE, MARCUS.
21
00:05:38,967 --> 00:05:40,400
[WOMAN]
YEAH, COME IN.
22
00:06:03,767 --> 00:06:06,833
IT'S KIND OF LATE,
YOU KNOW.
23
00:06:06,900 --> 00:06:09,100
BILLY FROM THE HOTEL
SEND YOU?
24
00:06:10,967 --> 00:06:13,400
REALLY, HE SHOULDN'T
SEND ANYBODY THIS LATE
25
00:06:13,467 --> 00:06:14,900
'CAUSE I USUALLY PASS.
26
00:06:18,233 --> 00:06:19,267
WELL...
27
00:06:21,767 --> 00:06:23,800
NOW THAT YOU'RE HERE,
COME ON.
28
00:06:26,500 --> 00:06:27,700
WELL, DON'T
JUST STAND THERE.
29
00:06:27,767 --> 00:06:29,467
YOU CAN COME IN,
YOU KNOW.
30
00:06:33,933 --> 00:06:36,600
OH, AND, LIKE, THESE
WALLS ARE PAPER-THIN,
31
00:06:36,667 --> 00:06:38,567
SO WE GOT
TO KEEP IT DOWN.
32
00:06:40,467 --> 00:06:42,633
BILLY TELL YOU
HOW MUCH?
33
00:06:42,700 --> 00:06:44,900
20 FOR QUICKIES,
50 ALL NIGHT.
34
00:06:49,133 --> 00:06:51,567
OH, ALL RIGHT.
IF YOU CAN'T AFFORD IT,
35
00:06:51,633 --> 00:06:53,567
I'LL GIVE YOU A BREAK.
36
00:06:53,633 --> 00:06:55,067
40. O.K.?
37
00:06:56,100 --> 00:06:57,333
'CAUSE IT'S SLOW.
38
00:07:09,467 --> 00:07:10,867
AAH!
39
00:07:10,933 --> 00:07:11,900
MMM!
40
00:07:15,067 --> 00:07:17,400
[SOBS]
41
00:07:17,467 --> 00:07:19,400
YOU KNOW WHAT I WANT.
42
00:07:19,467 --> 00:07:20,433
[SOBS]
43
00:07:20,500 --> 00:07:22,500
NOW, WHERE IS IT?
44
00:07:22,567 --> 00:07:23,567
MMM!
45
00:07:38,467 --> 00:07:40,067
HI, STONE.
46
00:07:40,133 --> 00:07:41,400
FOR YOU.
47
00:07:41,467 --> 00:07:43,867
OHHH...THAT'S NICE.
THANK YOU.
48
00:07:43,933 --> 00:07:45,267
HOW ABOUT
A CELEBRATION
TONIGHT?
49
00:07:45,333 --> 00:07:47,567
WE CAN THINK
OF A REASON
TOMORROW.
50
00:07:47,633 --> 00:07:48,700
HA HA.
51
00:07:53,133 --> 00:07:55,067
SORRY.
52
00:07:55,133 --> 00:07:56,733
DIDN'T KNOW
YOU WERE BUSY.
53
00:07:57,833 --> 00:07:59,267
ANOTHER TIME, HUH?
54
00:07:59,333 --> 00:08:00,900
MM-HMM.
55
00:08:00,967 --> 00:08:02,067
OH. UH...
56
00:08:02,133 --> 00:08:03,700
GOOD NIGHT,
CYNTHIA.
57
00:08:07,467 --> 00:08:08,433
STONE?
58
00:08:13,200 --> 00:08:15,400
DON'T GO AWAY MAD,
ALL RIGHT?
59
00:08:17,833 --> 00:08:18,767
YEAH.
60
00:09:11,333 --> 00:09:12,267
VERA!
61
00:09:14,167 --> 00:09:15,767
VERA, YOU BUSY?
62
00:09:18,500 --> 00:09:19,433
VERA!
63
00:09:24,333 --> 00:09:25,833
VERA, YOU IN THERE?
64
00:09:41,833 --> 00:09:42,767
VERA?
65
00:09:51,167 --> 00:09:52,100
VERA?
66
00:09:52,167 --> 00:09:53,100
AAH!
67
00:09:53,167 --> 00:09:54,267
AAH!
68
00:09:56,833 --> 00:09:57,800
UHH!
69
00:10:08,167 --> 00:10:09,100
UHH!
70
00:10:12,767 --> 00:10:13,967
UHH!
71
00:10:15,267 --> 00:10:16,233
OHH!
72
00:10:19,667 --> 00:10:22,433
COME ON, BLACK BOY.
COME ON, GET UP!
73
00:10:22,500 --> 00:10:25,500
GET UP, BLACK BOY!
WANT TO PLAY?
COME ON, LET'S PLAY.
74
00:10:25,567 --> 00:10:26,933
COME ON,
GET UP, NIGGER!
75
00:10:27,000 --> 00:10:27,933
COME ON!
76
00:10:29,567 --> 00:10:31,200
GET UP!
77
00:10:32,267 --> 00:10:33,233
COME ON!
78
00:10:35,733 --> 00:10:36,667
UNH!
79
00:10:36,733 --> 00:10:37,900
AAH!
80
00:10:38,967 --> 00:10:40,267
YOU SON OF A--
81
00:11:03,367 --> 00:11:04,300
UHH!
82
00:11:04,367 --> 00:11:05,567
[COUGHS]
83
00:11:13,333 --> 00:11:14,467
AAH!
84
00:11:15,533 --> 00:11:16,467
OH!
85
00:11:32,067 --> 00:11:32,933
AAH!
86
00:11:38,333 --> 00:11:39,500
UHH...
87
00:11:57,333 --> 00:11:58,333
[COUGHS]
88
00:13:11,333 --> 00:13:13,067
GOOD NIGHT,
CYNTHIA.
89
00:13:17,333 --> 00:13:18,500
GOOD NIGHT.
90
00:13:28,100 --> 00:13:29,533
YOU LOOK A MESS.
91
00:13:29,600 --> 00:13:31,067
WHAT WAS HAPPENING
UPSTAIRS?
92
00:13:31,100 --> 00:13:32,767
THERE WAS
A TERRIBLE RACKET.
93
00:13:34,833 --> 00:13:37,267
I THOUGHT YOU
GAVE UP THAT SCENE.
94
00:13:37,333 --> 00:13:39,500
I DID, BUT...
95
00:13:40,800 --> 00:13:43,667
HEY, BABY, UH...
WE AIN'T MARRIED
OR NOTHING.
96
00:13:43,733 --> 00:13:44,700
NO STRINGS,
WE SAID?
97
00:13:44,767 --> 00:13:45,733
AAH!
98
00:13:45,800 --> 00:13:47,100
WHAT'S THAT?
99
00:13:47,167 --> 00:13:48,433
SOMEBODY,
CALL THE POLICE!
100
00:13:48,500 --> 00:13:49,833
ROOM 301.
101
00:13:49,900 --> 00:13:52,167
VERA BROWNMILLER.
SHE'S BEEN MURDERED.
102
00:13:56,633 --> 00:13:57,767
[TELEPHONE RINGS]
103
00:14:00,500 --> 00:14:01,767
[RING]
104
00:14:04,500 --> 00:14:05,800
[RING]
105
00:14:08,667 --> 00:14:09,767
[RING]
106
00:14:12,833 --> 00:14:13,767
YEAH.
107
00:14:15,267 --> 00:14:17,433
HELLO, YOU OLD FAGGOT.
108
00:14:20,167 --> 00:14:21,433
YEAH.
109
00:14:21,500 --> 00:14:22,933
I GOT IT.
110
00:14:24,333 --> 00:14:25,767
WHY DIDN'T I CALL?
111
00:14:25,833 --> 00:14:28,433
HA HA. WHAT'S
YOUR HURRY, LOVER?
112
00:14:28,500 --> 00:14:30,267
I GOT IT, DIDN'T I?
113
00:14:31,500 --> 00:14:33,433
AND YOU'VE GOT MY HUNDRED.
114
00:14:33,500 --> 00:14:35,467
IS IT IN YOUR HAND NOW?
115
00:14:37,067 --> 00:14:38,067
GOOD.
116
00:14:39,333 --> 00:14:42,267
NOW...TAKE IT
IN YOUR RIGHT HAND...
117
00:14:42,333 --> 00:14:44,767
AND SHOVE IT
UP YOUR KEISTER!
118
00:14:47,333 --> 00:14:50,267
DID YOU KNOW I HAD
TO KILL HER TO GET IT?
119
00:14:52,833 --> 00:14:54,067
500?
120
00:14:56,067 --> 00:14:56,933
OH, WOW.
121
00:14:57,067 --> 00:14:58,267
HA HA.
122
00:14:58,333 --> 00:15:00,267
YOU ARE REALLY LOOSE, BABY.
123
00:15:00,333 --> 00:15:02,267
HA HA HA HA.
124
00:15:02,333 --> 00:15:04,100
AM I SATISFIED?
125
00:15:04,167 --> 00:15:06,167
OF COURSE I'M NOT
SATISFIED.
126
00:15:09,167 --> 00:15:10,600
WELL, LET'S SEE...
127
00:15:12,167 --> 00:15:13,267
UM...
128
00:15:14,367 --> 00:15:17,267
DOES A HUNDRED GRAND
SEEM TOO MUCH?
129
00:15:19,800 --> 00:15:21,767
I'LL TELL YOU WHAT
I'M TRYING TO DO!
130
00:15:21,833 --> 00:15:24,433
YOU'D BETTER HAVE
100 YARDS BY TOMORROW,
131
00:15:24,500 --> 00:15:26,767
OR YOU'VE GOT SHIT.
132
00:15:26,833 --> 00:15:29,100
I' CALLING THE SHOTS
NOW, BABY.
133
00:15:34,667 --> 00:15:37,100
HA HA HA HA HA!
134
00:15:38,167 --> 00:15:39,100
[TELEPHONE RINGS]
135
00:15:39,167 --> 00:15:41,100
HA HA HA HA HA!
136
00:15:42,167 --> 00:15:43,533
[RING]
137
00:15:43,600 --> 00:15:46,067
YOU CATCH A GUY
IN THIS HOOKER'S ROOM.
138
00:15:46,100 --> 00:15:48,067
YOU MIX IT UP
A LITTLE.
139
00:15:48,100 --> 00:15:50,067
AND ALL YOU
CAN TELL ME
140
00:15:50,100 --> 00:15:52,700
IS THAT HE'S 6 FOOT,
YOUNGISH,
AND WELL-DRESSED.
141
00:15:54,067 --> 00:15:55,600
BOY, HAVE YOU
SLOWED UP.
142
00:15:57,667 --> 00:16:00,767
ALL RIGHT.
WHAT DID HIS FACE
LOOK LIKE?
143
00:16:00,833 --> 00:16:02,600
HIS FACE?
144
00:16:02,667 --> 00:16:05,267
I WAS TOO BUSY
TRYING TO SAVE MY ASS.
145
00:16:05,333 --> 00:16:07,767
HE HAD A CANE
AN A PIG STICKER.
146
00:16:07,833 --> 00:16:09,733
THAT'S WHERE ALL
MY ATTENTION WAS.
147
00:16:09,800 --> 00:16:11,967
EVERYTHING ELSE
WAS A RED HAZE.
148
00:16:13,500 --> 00:16:14,433
BOWEN.
149
00:16:15,533 --> 00:16:18,767
GET YOUR GODDAMN FEET
OFF MY CHIPPENDALE.
150
00:16:18,833 --> 00:16:20,500
HA HA. JESUS.
151
00:16:21,833 --> 00:16:23,933
WHAT A DUMP.
152
00:16:24,067 --> 00:16:25,867
AND YOU,
A COLLEGE MAN.
153
00:16:27,067 --> 00:16:30,300
WELL, HOME IS WHERE
THE HEART IS, BILL.
154
00:16:30,367 --> 00:16:33,233
IT'S BEEN TWO YEARS
SINCE YOUR SISTER DIED
OF AN OVERDOSE.
155
00:16:33,300 --> 00:16:35,167
YOU PLANNING
TO MAKE A CAREER
156
00:16:35,233 --> 00:16:38,067
OUT OF MUSCLING
THESE TWO-BIT PUSHERS
IN THIS GHETTO?
157
00:16:38,133 --> 00:16:41,067
YOU TURN ONE IN,
FIVE MORE
HIT THE STREET.
158
00:16:41,067 --> 00:16:43,667
LAY OFF. THIS DUNG HEAP,
AS YOU CALL IT,
159
00:16:43,733 --> 00:16:46,333
IS MY PENANCE, NOT YOURS.
160
00:16:46,400 --> 00:16:48,933
I DIDN'T QUIT
THE PRECINCT.
I WAS KICKED OUT.
161
00:16:49,067 --> 00:16:52,233
OH, FOR CHRIST'S SAKE.
WILL YOU STOP
BEING A MARTYR?
162
00:16:52,300 --> 00:16:54,433
YOU WERE SUSPENDED.
WHAT THE HELL
163
00:16:54,500 --> 00:16:56,367
DID YOU EXPECT
FROM THE COMMISSIONER?
164
00:16:56,433 --> 00:16:58,733
YOU STRANGLED
THAT PUSHER
WITH YOUR BARE HANDS.
165
00:16:58,800 --> 00:17:02,433
A LIEUTENANT OF POLICE
IS SUPPOSED TO BE
LEVELHEADED...
166
00:17:02,500 --> 00:17:04,533
UNDER ANY CIRCUMSTANCES.
167
00:17:04,600 --> 00:17:07,067
YOU WERE LUCKY
YOU DIDN'T GET THE PEN.
168
00:17:11,400 --> 00:17:13,733
I'M NOT GETTING
THROUGH TO YOU, SHEP.
169
00:17:15,200 --> 00:17:18,133
OH, WHAT THE HELL.
I DON'T OWE YOU
ANYTHING.
170
00:17:18,200 --> 00:17:20,367
YOU'RE ALWAYS
THROWING ME A BONE.
171
00:17:20,433 --> 00:17:22,167
I'D LIKE
A CHANGE OF PACE.
172
00:17:24,067 --> 00:17:25,900
WHAT THE HELL
DOES THAT MEAN?
173
00:17:25,967 --> 00:17:27,900
WELL, THOSE
GUILT-RIDDEN PARENTS
174
00:17:27,967 --> 00:17:30,300
LOOKING FOR THEIR
LOST DAUGHTERS.
175
00:17:30,367 --> 00:17:32,067
THEY'RE GETTING
MIGHTY MONOTONOUS.
176
00:17:32,067 --> 00:17:34,667
HOW MANY IS IT NOW?
ABOUT THREE THIS MONTH?
177
00:17:34,733 --> 00:17:37,300
CAN'T YOU DO
BETTER THAN THAT?
178
00:17:37,367 --> 00:17:38,567
SCREW YOU.
179
00:17:38,633 --> 00:17:40,667
JESUS, YOU
REALLY ARE SOMETHING.
180
00:17:40,733 --> 00:17:43,333
I TELL YOU WHAT.
YOU GIVE ME THREE DAYS,
181
00:17:43,400 --> 00:17:45,833
I'LL WRAP UP
THIS BROWNMILLER CASE
FOR YOU.
182
00:17:45,900 --> 00:17:47,167
NOW, ABOUT THE MONEY.
183
00:17:47,233 --> 00:17:49,900
WHAT THE HELL
ARE YOU TALKING
ABOUT, MONEY?
184
00:17:49,967 --> 00:17:51,900
THE MONEY YOU'RE
GOING TO WASTE
185
00:17:51,967 --> 00:17:53,567
ON THOSE STOOLIES
AND FINKS.
186
00:17:53,633 --> 00:17:55,967
ABOUT $200 OUGHT
TO DO ME JUST FINE.
187
00:17:56,067 --> 00:17:58,967
YOU NEED A SHOT
OF PENICILLIN
JUST TO GO IN HERE.
188
00:17:59,067 --> 00:18:00,967
WELL, HASN'T
KILLE M YET.
189
00:18:02,833 --> 00:18:05,600
WELL, HAVE YOU GOT
A CLEAN GLASS?
190
00:18:05,667 --> 00:18:07,633
YEAH, SOMEWHERE
AROUND HERE.
191
00:18:08,833 --> 00:18:09,933
WHERE? WHERE?
192
00:18:19,067 --> 00:18:19,933
THANKS.
193
00:18:20,067 --> 00:18:22,433
WHY DIDN'T YOU
SPIT ON IT FIRST?
194
00:18:22,500 --> 00:18:23,433
[SNORTS]
195
00:18:26,500 --> 00:18:28,433
YEAH, THAT'S, UH...
200 BUCKS...
196
00:18:28,500 --> 00:18:30,433
AND A GUN FOR ME.
197
00:18:30,500 --> 00:18:33,933
AW, COME ON, BILL.
YOU KNOW I GOT
THE STREET WIRED.
198
00:18:36,167 --> 00:18:37,100
LOOK, SHEP.
199
00:18:37,167 --> 00:18:39,100
I WAS TALKING
TO THE CAPTAIN,
200
00:18:39,167 --> 00:18:41,600
AN H WAS TALKING
TO THE COMMISSIONER.
201
00:18:41,667 --> 00:18:44,600
IF YOU'LL COME IN AND
TALK TO BOTH OF THEM,
202
00:18:44,667 --> 00:18:46,700
WE'LL STRAIGHTEN OUT
THIS WHOLE THING.
203
00:18:46,767 --> 00:18:48,867
FORGET IT, PAL.
PRACTICALLY...
204
00:18:48,933 --> 00:18:50,267
AND PHILOSOPHICALLY,
205
00:18:50,333 --> 00:18:52,600
I'M FOR LAW AND ORDER.
206
00:18:52,667 --> 00:18:54,100
BUT TECHNICALLY,
IT STINKS.
207
00:18:54,167 --> 00:18:55,767
AFTER I CATCH
SOME BASTARD
208
00:18:55,833 --> 00:18:58,433
AND HAVE TO READ HIM
HIS BILL OF RIGHTS,
209
00:18:58,500 --> 00:19:00,933
AFTER ME AND GOD KNOWS
HOW MANY OTHERS
210
00:19:01,067 --> 00:19:03,433
SAW HIM CUT DOWN
SOME POOR OLD GROCER
211
00:19:03,500 --> 00:19:06,100
AND GET OFF WITH SPIT...
UH-UH.
212
00:19:06,167 --> 00:19:07,433
SOMETHING'S WRONG.
213
00:19:11,833 --> 00:19:13,100
MM-HMM.
214
00:19:13,167 --> 00:19:15,600
PAY YOUR TAB AT SIEGAL'S
WITH THIS.
215
00:19:15,667 --> 00:19:18,100
I'LL TAKE IT
OUT OF PETTY CASH.
216
00:19:20,500 --> 00:19:21,933
YOU GOT THE PERMIT.
217
00:19:22,067 --> 00:19:23,433
THANKS...
218
00:19:23,500 --> 00:19:24,600
FLATFOOT.
219
00:19:25,667 --> 00:19:27,167
GODDAMN PURITAN.
220
00:19:45,833 --> 00:19:47,267
$11, PLEASE.
221
00:19:47,333 --> 00:19:48,667
$11.
222
00:19:50,500 --> 00:19:51,467
THANK YOU.
223
00:19:52,767 --> 00:19:55,233
HERE'S YOUR WATCH.
STAY OUT OF TROUBLE,
STONE.
224
00:19:55,300 --> 00:19:57,100
YEAH. YEAH,
I'LL WORK ON THAT.
225
00:20:16,500 --> 00:20:17,433
HI, STONE.
226
00:20:17,500 --> 00:20:18,433
JOE.
227
00:20:24,833 --> 00:20:26,267
HERE YOU ARE, SIR.
228
00:20:26,333 --> 00:20:27,267
MMM.
229
00:20:28,833 --> 00:20:30,767
HE'S LOADED.
230
00:20:30,833 --> 00:20:32,767
YEAH, I KNOW.
BIG JOE GIAPENE.
231
00:20:32,833 --> 00:20:34,767
WHAT'S THE MATTER,
STONE, NO GUTS?
232
00:20:34,833 --> 00:20:37,700
HEY, YOU. DIDN'T
I GIVE YOU A 20?
233
00:20:37,767 --> 00:20:39,167
WHAT YOU
TALKING ABOUT?
234
00:20:39,233 --> 00:20:41,200
I GAVE HER
A DOUBLE SAWBUCK.
235
00:20:41,267 --> 00:20:43,367
I WAS READING
THE MAGAZINE.
236
00:20:43,433 --> 00:20:46,100
LOOK. CHECK
THE CIGAR BOX.
237
00:20:46,167 --> 00:20:50,100
I'LL EAT EVERY 20, 10,
OR 5 YOU FIND IN THERE.
238
00:20:50,167 --> 00:20:52,600
AND YOU'VE JUST
BEEN GONE A MINUTE.
239
00:20:52,667 --> 00:20:54,100
I COULD'VE SWORN...
240
00:20:54,167 --> 00:20:55,933
MUST BE
THAT GODDAMN COFFEE
241
00:20:56,000 --> 00:20:58,600
MY WIFE MAKES FOR ME
EVERY MORNING.
242
00:20:59,667 --> 00:21:01,433
WHY DON'T YOU
GET HER
243
00:21:01,500 --> 00:21:03,433
TO MAKE YOU SOME
MOUNTAIN-GROWN?
244
00:21:03,500 --> 00:21:07,733
WANT TO SPREAD A FEW WORDS
AROUND THE NEIGHBORHOOD
FOR ME, BIG MAMA?
245
00:21:07,800 --> 00:21:09,933
YOUR WORD IS MY WORD,
STONE.
246
00:21:10,067 --> 00:21:12,933
I'M LOOKING FOR
A RARE WALKING CANE
WITH A SILVER HEAD.
247
00:21:13,067 --> 00:21:14,667
AND ANYTHING
ON VERA BROWNMILLER.
248
00:21:14,733 --> 00:21:17,167
YEAH, I HEARD
SHE WAS RIPPED OFF,
249
00:21:17,233 --> 00:21:19,667
BUT SHE STILL LIVES ON
IN LIVING COLOR.
250
00:21:19,733 --> 00:21:22,167
WHAT DO YOU MEAN
BY THAT?
251
00:21:22,233 --> 00:21:25,667
SHIT, MAN,
SHE USED TO MOONLIGHT
FOR OLD MAX MAJORS,
252
00:21:25,733 --> 00:21:27,667
MAKING ALL THEM
PUSSY PICTURES.
253
00:21:27,733 --> 00:21:30,667
WE HAVE ONE PLAYING
AROUND THE CORNER NOW.
254
00:21:30,733 --> 00:21:31,667
YEAH?
255
00:21:31,733 --> 00:21:32,967
YEAH.
256
00:21:34,167 --> 00:21:35,600
KEEP THE CHANGE.
257
00:21:35,667 --> 00:21:37,767
OH, WHAT CHANGE?
258
00:21:37,833 --> 00:21:39,533
A BUCK.
259
00:21:39,600 --> 00:21:42,200
I'M EXPECTING MORE FROM YOU
IN A COUPLE DAYS.
260
00:21:42,267 --> 00:21:45,200
THERE'S ANOTHER 20 FOR YOU.
I'LL FORGET YOU
RIPPED OFF GIAPENE.
261
00:21:45,267 --> 00:21:47,067
HA HA HA HA!
262
00:21:47,133 --> 00:21:48,567
I LIKE THAT NIGGER.
263
00:21:48,633 --> 00:21:50,667
HE SURE IS FAIR.
264
00:22:00,067 --> 00:22:01,933
GOOD MORNING, SIR.
HOW ARE YOU?
265
00:22:02,067 --> 00:22:03,267
WHY, JUST A MINUTE.
266
00:22:03,333 --> 00:22:06,267
I GOT SOME RAW FILM
FROM NATIONAL LAB
FOR MR. MAJORS.
267
00:22:06,333 --> 00:22:07,667
NOBODY'S
IN THE OFFICE.
268
00:22:07,733 --> 00:22:09,833
THEY'RE ALL SHOOTING
ON STAGE 16.
269
00:22:09,900 --> 00:22:11,167
O.K. CAMERA READY?
270
00:22:11,233 --> 00:22:12,500
YEAH, WE'RE READY.
271
00:22:12,567 --> 00:22:13,833
ALL RIGHT.
PLACES, PLEASE.
272
00:22:13,900 --> 00:22:15,100
BRUCE.
273
00:22:15,167 --> 00:22:17,600
NOW, YOU KNOW WHAT
YOU'RE SUPPOSED TO DO.
274
00:22:17,667 --> 00:22:19,267
GO OVER
TO THE BED.
275
00:22:19,333 --> 00:22:21,933
TRY TO KEEP
YOUR MIND OFF
WHAT YOU'RE DOING.
276
00:22:22,067 --> 00:22:23,267
O.K. ROLL 'EM.
277
00:22:23,333 --> 00:22:24,767
SCENE SEVEN,
TAKE ONE.
278
00:22:24,833 --> 00:22:25,833
ACTION.
279
00:22:25,900 --> 00:22:27,267
[CAMERA RUNS]
280
00:22:27,333 --> 00:22:28,767
[BED SPRINGS SQUEAK]
281
00:22:48,067 --> 00:22:50,533
[SPRINGS SQUEAK]
282
00:22:56,067 --> 00:22:57,733
[SPRINGS SQUEAK]
283
00:23:05,500 --> 00:23:07,600
WHICH ONE IS MAX MAJORS?
284
00:23:07,667 --> 00:23:08,700
OVER THERE.
285
00:23:12,667 --> 00:23:14,300
[SPRINGS SQUEAK]
286
00:23:34,067 --> 00:23:35,600
THEY'RE
PRETTY GOOD, HUH?
287
00:23:39,833 --> 00:23:41,767
HOW DID YOU
GET IN HERE?
288
00:23:41,833 --> 00:23:44,600
THEY HAVE TO REHEARSE
MUCH FOR THIS?
289
00:23:44,667 --> 00:23:46,133
WHO ARE YOU?
290
00:23:47,500 --> 00:23:50,100
WELL, I COULD BE
FROM THE VICE SQUAD.
291
00:23:50,167 --> 00:23:51,600
BUT I AIN'T.
292
00:23:51,667 --> 00:23:54,100
BUT I COULD PUT
A DIME IN THE PHONE
293
00:23:54,167 --> 00:23:56,600
AND GET LIEUTENANT BOWEN
OVER HERE PRETTY QUICK.
294
00:23:56,667 --> 00:23:58,600
WANT TO GO SOMEPLACE
AND TALK?
295
00:24:02,500 --> 00:24:04,267
WHAT IS IT YOU WANT?
296
00:24:05,667 --> 00:24:06,600
NAME'S STONE.
297
00:24:06,667 --> 00:24:07,867
[SPRINGS SQUEAK]
298
00:24:07,933 --> 00:24:10,267
I'M A FRIEND OF, UH,
VERA BROWNMILLER'S,
299
00:24:10,333 --> 00:24:12,500
ONE OF YOUR
LEADING LADIES.
300
00:24:16,367 --> 00:24:17,300
COME ON.
301
00:24:18,400 --> 00:24:20,467
CUT. JIM, BRING
THAT LIGHT UP.
302
00:24:20,533 --> 00:24:21,933
GOT A DOUBLE
ON IT?
303
00:24:22,067 --> 00:24:22,933
YEAH.
304
00:24:23,067 --> 00:24:24,600
GET IT
ON THE BED.
305
00:24:24,667 --> 00:24:26,400
NO, HIGHER.
306
00:24:26,467 --> 00:24:27,900
O.K., SPOT IT.
307
00:24:27,967 --> 00:24:30,600
JUST WHAT IS IT
YOU'RE AFTER,
MR. STONE?
308
00:24:30,667 --> 00:24:33,100
THAT'S QUITE A DROP
FOR YOU, ISN'T IT?
309
00:24:33,167 --> 00:24:34,767
I'VE HEARD
ALL THE STORIES
310
00:24:34,833 --> 00:24:37,267
ABOUT HOW PEOPLE
GOT STARTED THIS WAY,
311
00:24:37,333 --> 00:24:39,767
BUT I DIDN'T KNOW
IT WORKED IN REVERSE.
312
00:24:39,833 --> 00:24:42,267
I WAS NEVER
WHAT'S CALLED
A CREATIVE PRODUCER.
313
00:24:42,333 --> 00:24:44,767
I WAS A DEAL MAKER.
I MADE MONEY.
314
00:24:44,833 --> 00:24:47,267
YOU CAN BUY CREATIVITY.
I STILL MAKE MONEY.
315
00:24:47,333 --> 00:24:49,767
GET ON
WITH YOUR BUSINESS
SO I CAN DO MINE.
316
00:24:49,833 --> 00:24:52,467
DID YOU KNOW THAT
VERA BROWNMILLER'S DEAD?
317
00:24:52,533 --> 00:24:54,367
I READ IT
IN THE PAPERS.
318
00:24:54,433 --> 00:24:57,067
NOT AN UNUSUAL ENDING
FOR A WOMAN LIKE HER.
319
00:24:57,100 --> 00:24:59,067
HOW WELL
DID YOU KNOW HER?
320
00:24:59,100 --> 00:25:01,500
I WOULDN'T SAY
I KNEW HER AT ALL.
321
00:25:01,567 --> 00:25:05,700
SHE WAS JUST AN ACTRESS
WE USED A FEW TIMES
AS A FAVOR.
322
00:25:05,767 --> 00:25:07,367
HA. SHE
WOULD'VE LIKED THAT.
323
00:25:07,433 --> 00:25:10,267
YEAH...YOU
CALLING HER AN ACTRESS.
324
00:25:10,333 --> 00:25:11,600
HMM.
325
00:25:11,667 --> 00:25:14,167
YOU MENTIONED A FAVOR.
FOR WHO?
326
00:25:14,233 --> 00:25:15,767
AN OLD FRIEND.
327
00:25:15,833 --> 00:25:17,133
MARCUS ROLLO.
328
00:25:17,200 --> 00:25:18,133
THE ACTOR?
329
00:25:18,200 --> 00:25:19,133
YES.
330
00:25:19,200 --> 00:25:20,800
THE ONE WHO JUST DIED?
331
00:25:20,867 --> 00:25:21,800
THAT'S RIGHT.
332
00:25:21,867 --> 00:25:24,300
WE WENT BACK
A LONG WAY.
333
00:25:24,367 --> 00:25:25,800
I ADMIRED HIS STYLE.
334
00:25:25,867 --> 00:25:28,300
HE WAS A SHOWMAN
IN THE TRUEST SENSE.
335
00:25:29,833 --> 00:25:31,767
ANYWAY,
AS I UNDERSTAND IT,
336
00:25:31,833 --> 00:25:34,633
THIS, UH, VERA WAS
A PROTEGEE OF SORTS.
337
00:25:34,700 --> 00:25:38,333
DID YOU EVER SEE HER
OUTSIDE THE STUDIO?
SOCIALLY, I MEAN.
338
00:25:38,400 --> 00:25:41,067
I DON'T THINK
I SPOKE TWO WORDS TO HER
339
00:25:41,067 --> 00:25:42,667
ON OR OFF THE SET.
340
00:25:42,733 --> 00:25:44,667
I LET MY DIRECTOR
HANDLE THAT.
341
00:25:44,733 --> 00:25:46,533
FRANKLY,
ALL THIS REVOLTS ME.
342
00:25:46,600 --> 00:25:47,533
[TELEPHONE RINGS]
343
00:25:49,833 --> 00:25:52,500
IS THERE ANYTHING ELSE,
MR. STONE? I'M VERY BUSY.
344
00:25:53,667 --> 00:25:54,933
OH. YEAH, THAT'S ALL.
345
00:25:55,067 --> 00:25:57,667
IF YOU CAN THINK
OF ANYTHING ELSE,
GIVE ME A CALL.
346
00:25:57,733 --> 00:25:59,167
YOU HAVE A CARD?
347
00:25:59,233 --> 00:26:00,833
YOU GOT A PEN?
348
00:26:04,167 --> 00:26:05,133
PHONE CALL,
MAX.
349
00:26:05,200 --> 00:26:06,767
BE RIGHT THERE.
350
00:26:11,333 --> 00:26:13,433
IF I'M NOT IN,
JUST LEAVE A MESSAGE.
351
00:26:13,500 --> 00:26:15,933
GOOD DAY, MR. STONE.
352
00:26:16,067 --> 00:26:18,100
THEY'RE HERE
FOR THE DELIVERY.
353
00:26:19,067 --> 00:26:20,767
DAMN THAT T.T.
354
00:26:25,333 --> 00:26:26,400
MAJORS HERE.
355
00:26:27,667 --> 00:26:29,767
WELL, WE'VE RUN
INTO A SNAG.
356
00:26:31,500 --> 00:26:33,600
WELL, WE'VE SEARCHED
THE ENTIRE HOUSE.
357
00:26:33,667 --> 00:26:36,867
THE OLD LADY
KEPT IT WITH HER
TILL THE BURIAL.
358
00:26:36,933 --> 00:26:39,867
WHEN HE GOT BACK
TO THE GRAVE,
IT WAS GONE.
359
00:26:40,967 --> 00:26:43,767
WELL, SOME HOOKER
NAMED VERA BROWNMILLER.
360
00:26:43,833 --> 00:26:47,200
NO. SHE KNEW.
THAT'S WHY SHE TOOK IT.
361
00:26:47,267 --> 00:26:48,933
YEAH. HE, UH...
362
00:26:49,067 --> 00:26:50,467
HE SENT CHESS.
363
00:26:51,967 --> 00:26:54,733
YEAH, I KNOW YOU SAID
NOT TO USE HIM.
364
00:26:54,800 --> 00:26:55,733
Goddamn T.T.
365
00:26:55,800 --> 00:26:58,733
YEAH. UH, LOOK,
I HAVE MY OWN TROUBLES.
366
00:26:58,800 --> 00:27:01,633
OH, SOM SHVART SHAMUS
HAS BEEN SNOOPING AROUND.
367
00:27:03,333 --> 00:27:04,267
OH, UH...
368
00:27:05,333 --> 00:27:06,267
"SHEPARD STONE,
369
00:27:06,333 --> 00:27:09,567
CARE OF SIEGAL'S BAR,
VENICE."
370
00:27:27,833 --> 00:27:29,767
YES, MAY I HELP YOU,
SIR?
371
00:27:29,833 --> 00:27:32,933
YES, I'D LIKE
TO SEE MISS FRANCIS.
372
00:27:33,067 --> 00:27:34,600
MY NAME IS STONE.
373
00:27:36,067 --> 00:27:38,433
DO YOU HAVE
AN APPOINTMENT,
MR. STONE?
374
00:27:38,500 --> 00:27:40,933
NO, BUT YOU MIGHT
MENTION TO HER
375
00:27:41,067 --> 00:27:42,767
WE HAVE
A MUTUAL ABERRATION.
376
00:27:43,833 --> 00:27:45,433
I DON'T UNDERSTAND.
377
00:27:45,500 --> 00:27:46,633
SH WILL.
378
00:27:54,067 --> 00:27:55,767
[DOOR OPENS]
379
00:27:55,833 --> 00:27:56,767
[DOOR CLOSES]
380
00:28:00,167 --> 00:28:01,700
WHAT WAS THAT?
381
00:28:01,767 --> 00:28:05,100
HMM? OH, MR. JAIMIE
IS MISS FRANCIS'
PERSONAL ASSISTANT.
382
00:28:05,167 --> 00:28:07,767
OH, MY MISTAKE.
I THOUGHT SHE WAS
A MODEL.
383
00:28:07,833 --> 00:28:10,100
WILL YOU FOLLOW ME,
MR. STONE?
384
00:28:27,833 --> 00:28:29,267
AH, MR. STONE.
385
00:28:29,333 --> 00:28:30,767
SO WE MEET FORMALLY.
386
00:28:30,833 --> 00:28:32,433
I FIGURED
IT'S ABOUT TIME
387
00:28:32,500 --> 00:28:35,067
SINCE WE'RE
BOTH SCREWING
THE SAME CHICK.
388
00:28:35,067 --> 00:28:36,767
FRANCIS.
389
00:28:36,833 --> 00:28:38,767
I'M SO ANGRY.
390
00:28:39,833 --> 00:28:41,267
LOOK AT
THESE LAYOUTS.
391
00:28:41,333 --> 00:28:43,267
THEY'RE HORRENDOUS.
392
00:28:43,333 --> 00:28:46,067
I MEAN, WHAT'S
GOTTEN INTO POLLY,
ANYWAY?
393
00:28:46,133 --> 00:28:48,967
THESE ARE NOT
THE DESIGNS I ORDERED.
394
00:28:49,067 --> 00:28:51,600
NO, THEY'RE NOT.
THEY'RE THE ONES
I REORDERED.
395
00:28:51,667 --> 00:28:53,300
WE TALKED
ABOUT THAT.
396
00:28:53,367 --> 00:28:56,433
BUT OBVIOUSLY YOU
CHOSE NOT TO FOLLOW
MY SUGGESTION.
397
00:28:56,500 --> 00:28:58,667
THEY WERE MERELY
SUGGESTIONS.
398
00:28:58,733 --> 00:29:01,967
THAT SHOULD BE
SUFFICIENT. YOU
KNOW ME WELL ENOUGH.
399
00:29:02,067 --> 00:29:04,067
NOW, WILL YOU
EXCUSE ME, PLEASE?
400
00:29:04,067 --> 00:29:06,267
WELL, I GUESS
THAT'LL HAVE TO DO.
401
00:29:06,333 --> 00:29:08,100
I'M CERTAIN IT WILL.
402
00:29:16,500 --> 00:29:19,967
THAT WAS A VERY VULGAR WAY
OF EXPRESSING OUR
RELATIONSHIP, STONE.
403
00:29:20,067 --> 00:29:22,300
I WAS UNDER THE IMPRESSION
THAT YOU WERE A MAN OF, UH...
404
00:29:22,367 --> 00:29:23,433
SOME CULTURE.
405
00:29:23,500 --> 00:29:26,667
LOOK, LADY,
I DON'T CARE WHAT YOU DO
406
00:29:26,733 --> 00:29:28,267
OR WHAT YOU DO IT WITH.
407
00:29:28,333 --> 00:29:30,433
YOU JUST LEAVE
CYNTHIA ALONE.
408
00:29:31,833 --> 00:29:34,267
WOULD YOU CARE
FOR A DRINK?
409
00:29:34,333 --> 00:29:36,633
SURE. FINE. WHY NOT?
410
00:29:36,700 --> 00:29:39,433
ANYTHING YOU GOT'S
ALL RIGHT.
411
00:29:39,500 --> 00:29:42,233
CYNTHIA IS
A VERY UNSTABLE GIRL.
412
00:29:42,300 --> 00:29:45,300
I USED TO THINK HER
A LOVELY, NAIVE CHILD...
413
00:29:45,367 --> 00:29:47,300
BUT CLEVER ENOUGH
TO WORK HERSELF
414
00:29:47,367 --> 00:29:50,200
INTO A LUCRATIVE BUSINESS
WITHOUT A DIME TO HER NAME.
415
00:29:50,267 --> 00:29:52,767
HOW DO YOU THINK
SHE GOT HER BOUTIQUE?
416
00:29:52,833 --> 00:29:53,933
YOU.
417
00:29:54,067 --> 00:29:54,967
CORRECT.
418
00:29:56,067 --> 00:29:57,200
AND, UH...
419
00:29:59,067 --> 00:30:00,433
YOU LIKE BEING USED?
420
00:30:00,500 --> 00:30:03,933
PEOPLE ONLY DO WHAT
THEY WANT TO DO,
MR. STONE.
421
00:30:04,000 --> 00:30:05,367
CHEERS.
422
00:30:05,433 --> 00:30:07,733
I SEE YOU'RE WEARING
A WEDDING BAND.
423
00:30:08,833 --> 00:30:10,267
IT'S LEGITIMATE.
424
00:30:10,333 --> 00:30:12,267
HAS BEEN FOR YEARS.
425
00:30:12,333 --> 00:30:15,567
MY HUSBAND AND I
HAVE A...CONVENIENT
RELATIONSHIP.
426
00:30:15,633 --> 00:30:18,400
NOT, UH, JAIMIE BOY.
427
00:30:18,467 --> 00:30:21,233
OH, YOU ARE A DEVIL,
AREN'T YOU,
MR. STONE?
428
00:30:21,300 --> 00:30:24,700
IS CYNTHIA INTO YOU
FOR A LOT OF BREAD?
429
00:30:24,767 --> 00:30:27,100
WHY? WOULD YOU BE
IN A POSITION
430
00:30:27,167 --> 00:30:29,300
TO BAIL HER OUT
IF SHE WERE?
431
00:30:29,367 --> 00:30:33,200
FRANKLY,
CYNTHIA STAYS WITH ME
BECAUSE SHE LIKES ME.
432
00:30:33,267 --> 00:30:36,767
SHE STAYS WITH YOU
BECAUSE OF WHAT
YOU CAN DO FOR HER.
433
00:30:36,833 --> 00:30:39,733
OF COURSE. THAT'S
WHAT I'VE BEEN TRYING
TO TELL YOU.
434
00:30:39,800 --> 00:30:43,333
LOOK, MR. STONE.
I KNOW YOU'RE NOT
A MAN OF MEANS.
435
00:30:43,400 --> 00:30:45,200
SUPPOSE
I GIVE YOU $500.
436
00:30:45,267 --> 00:30:46,800
JUST LEAVE HER
ALONE.
437
00:30:48,333 --> 00:30:50,767
AND HOW DO YOU
EXPECT TO STOP ME?
438
00:30:57,333 --> 00:30:58,933
THIS SORT OF
PLACES YOU
439
00:30:59,000 --> 00:31:00,567
AT THE BROWNMILLER
MURDER, DOESN'T IT?
440
00:31:00,633 --> 00:31:01,933
COPS...
441
00:31:02,067 --> 00:31:03,567
PUBLICITY...
442
00:31:03,633 --> 00:31:06,400
KIND OF BAD
FOR THE CAREER,
WOULDN'T YOU SAY?
443
00:31:08,667 --> 00:31:11,833
I'M BEGINNING
TO BE ATTRACTED
TO YOU, SHEP.
444
00:31:13,067 --> 00:31:15,267
CRYBABIES
TURN MY STOMACH.
445
00:31:15,333 --> 00:31:18,267
YOU JUST KNOW
TOO MANY JAIMIES,
BABY.
446
00:31:18,333 --> 00:31:22,200
I CAN SOMETIMES BE MORE
OF A WOMAN THAN CYN-CYN,
BELIEVE IT OR NOT.
447
00:31:22,267 --> 00:31:23,867
YEAH, YOU ARE TEMPTING.
448
00:31:24,933 --> 00:31:27,533
AND FRANKLY,
CYNTHIA LIKES WOMEN.
449
00:31:27,600 --> 00:31:29,467
MR. STONE...
450
00:31:29,533 --> 00:31:31,933
I HAPPEN TO BE
A LOT OF WOMAN.
451
00:31:34,333 --> 00:31:36,967
YOU'RE A FOXY LADY,
ALL RIGHT.
452
00:31:39,167 --> 00:31:40,200
[DOOR OPENS]
453
00:31:41,333 --> 00:31:42,733
[DOOR CLOSES]
454
00:31:48,333 --> 00:31:50,400
FREELOADING AGAIN,
HEY, STONE?
455
00:31:51,833 --> 00:31:54,267
WELL,
THERE'S NO PLACE
LIKE HOME, LOU.
456
00:31:54,333 --> 00:31:56,067
HOW ABOUT
ANOTHER DOUBLE?
457
00:31:56,100 --> 00:31:57,400
ANOTHER DOUBLE?
458
00:31:57,467 --> 00:32:00,467
AND YOU INTO ME
FOR A COUPLE OF
"C" NOTES.
459
00:32:00,533 --> 00:32:02,867
OH, BOY, OH, BOY.
460
00:32:02,933 --> 00:32:05,267
I TELL YOU WHAT
I'M GOING TO DO.
461
00:32:05,333 --> 00:32:07,267
I'M GOING TO BOOST
THE ECONOMY.
462
00:32:07,333 --> 00:32:09,700
I'LL CUT YOU.
DOUBLE OR NOTHING.
463
00:32:09,767 --> 00:32:11,500
WHAT,
FOR THE TWO BILLS?
464
00:32:11,567 --> 00:32:14,567
YOU DON'T BELIEVE
I THINK YOU'RE
THAT STUPID, DO YOU?
465
00:32:14,633 --> 00:32:15,700
THE DRINK.
466
00:32:15,767 --> 00:32:17,700
COME ON.
WHAT THE HELL?
467
00:32:17,767 --> 00:32:19,267
I ALWAYS LOSE
TO YOU.
468
00:32:19,333 --> 00:32:21,633
ALL RIGHT. ALL RIGHT.
GO AHEAD. CUT THEM.
469
00:32:28,433 --> 00:32:29,933
A LOUSY TREY.
470
00:32:30,067 --> 00:32:31,600
IT BEATS ME.
471
00:32:31,667 --> 00:32:34,267
I BEAT YOU
WITH A TREY?
A CRUMMY TREY?
472
00:32:34,333 --> 00:32:36,067
I CAN'T WIN
ALL THE TIME.
473
00:32:36,067 --> 00:32:37,433
THAT'S IT
FOR THE LOSERS.
474
00:32:37,500 --> 00:32:39,067
WHERE THE HELL
YOU GOING?
475
00:32:39,067 --> 00:32:42,700
DRINK THE BLOODY DRINK.
YOU THINK I'M GOING
TO POUR IT BACK?
476
00:32:42,767 --> 00:32:45,167
THAT MAKES 200 BUCKS
YOU OWE ME PLUS
A BUCK AND A HALF.
477
00:32:45,233 --> 00:32:47,067
NOW REMEMBER THAT.
478
00:32:47,100 --> 00:32:49,267
HOW CAN I EVER
FORGET IT?
479
00:32:49,333 --> 00:32:50,767
MR. STONE?
480
00:32:50,833 --> 00:32:52,767
YEAH.
481
00:32:52,833 --> 00:32:56,267
LADY WHERE YOU LIVE
TOLD ME THAT
I'D FIND YOU HERE.
482
00:32:56,333 --> 00:32:58,100
YOU BEEN SITTING
OVER THERE EVER
SINCE I CAME IN.
483
00:32:58,167 --> 00:33:01,167
TRYING TO DECIDE
WHETHER I CAN
AFFORD YOU OR NOT.
484
00:33:01,233 --> 00:33:02,400
YOU HEARD.
485
00:33:02,467 --> 00:33:05,267
I'M NOT A RICH MAN.
486
00:33:05,333 --> 00:33:06,667
IT'S GETTING
MONOTONOUS IN HERE.
487
00:33:06,733 --> 00:33:08,333
I'M RAYMOND DOLE.
488
00:33:08,400 --> 00:33:11,767
I UNDERSTAND
THAT YOU'RE AN EXCELLENT
INVESTIGATOR.
489
00:33:11,833 --> 00:33:12,800
EXCELLENT?
490
00:33:12,867 --> 00:33:13,833
EXCELLENT.
491
00:33:13,900 --> 00:33:15,767
WHO TOLD YOU--OH.
492
00:33:15,833 --> 00:33:17,267
DON'T TELL ME.
493
00:33:17,333 --> 00:33:18,767
MY EX-PARTNER.
494
00:33:18,833 --> 00:33:20,867
HE'S ALWAYS
THROWING ME A BONE.
495
00:33:22,833 --> 00:33:25,067
YOU WANT HER FOUND,
MR. DOLE?
496
00:33:26,667 --> 00:33:27,767
YES.
497
00:33:27,833 --> 00:33:30,433
HOW MUCH CAN YOU
AFFORD TO PAY?
498
00:33:30,500 --> 00:33:33,433
I WORK ON
DAILY RATES
AND EXPENSES.
499
00:33:33,500 --> 00:33:37,067
I'M CHEAP,
BUT I'M MEAN WHEN
IT'S TOO CHEAP.
500
00:33:37,133 --> 00:33:38,967
IT'S MY DAUGHTER.
501
00:33:39,067 --> 00:33:40,367
AMY.
502
00:33:41,833 --> 00:33:44,067
WILL YOU TAKE
THE JOB?
503
00:33:44,067 --> 00:33:47,100
YOU'RE NOT GETTING
TO THE POINT,
MR. DOLE.
504
00:33:50,533 --> 00:33:51,633
OH.
505
00:33:58,333 --> 00:34:00,267
I, UH...
506
00:34:00,333 --> 00:34:01,767
I HOPE YOU'LL...
507
00:34:01,833 --> 00:34:03,267
FIND HER SOON.
508
00:34:03,333 --> 00:34:06,767
THIS IS AWFULLY
TOUGH ON MY WIFE.
509
00:34:06,833 --> 00:34:09,767
YOU ARRIVED
JUST IN THE NICK
OF TIME, MR. DOLE.
510
00:34:09,833 --> 00:34:12,767
MY OFFICE EXPENSES
ARE JUST ABOUT NIL.
511
00:34:12,833 --> 00:34:14,267
O.K. I'LL FIND HER.
512
00:34:14,333 --> 00:34:17,267
DON'T YOU WANT
ANY MORE INFORMATION
ABOUT HER?
513
00:34:17,333 --> 00:34:18,767
NO, I'VE READ ENOUGH.
514
00:34:18,833 --> 00:34:22,267
I'LL FIND HER
IF SHE'S STILL AROUND.
515
00:34:22,333 --> 00:34:23,767
OH, MR. STONE, UH...
516
00:34:23,833 --> 00:34:25,767
WHERE CAN I REACH YOU?
517
00:34:25,833 --> 00:34:27,267
WHERE'S YOUR OFFICE?
518
00:34:27,333 --> 00:34:29,300
I'M JUST LEAVING IT.
519
00:34:34,833 --> 00:34:36,600
DON'T WORRY
ABOUT HIM, MISTER.
520
00:34:36,667 --> 00:34:37,933
HUH?
521
00:34:38,067 --> 00:34:40,500
THAT'S HIS PROBLEM.
HE'S TOO GODDAMNED
HONEST.
522
00:34:43,333 --> 00:34:44,767
YEAH.
523
00:34:44,833 --> 00:34:47,400
GIVE ME ANOTHER ONE,
WILL YOU?
524
00:34:47,467 --> 00:34:51,333
* THAT SAVED A WRETCH
525
00:34:51,400 --> 00:34:52,900
* LIKE ME
526
00:34:52,967 --> 00:34:54,733
SING!
527
00:34:54,800 --> 00:34:56,633
* I WAS
528
00:34:56,700 --> 00:34:58,900
SING FOR JESUS!
* WAS LOST
529
00:34:58,967 --> 00:35:03,067
* BUT NOW I'M FOUND
530
00:35:03,133 --> 00:35:05,100
* WAS BLIND
531
00:35:05,167 --> 00:35:07,767
SING!
* BUT NOW
532
00:35:07,833 --> 00:35:10,767
* I SEE
533
00:35:10,833 --> 00:35:15,767
* AHH
534
00:35:15,833 --> 00:35:19,100
* MEN *
535
00:35:19,167 --> 00:35:20,767
HALLELUJAH!
HALLELUJAH!
536
00:35:20,833 --> 00:35:22,667
AMEN!
AMEN!
537
00:35:24,133 --> 00:35:26,600
AND DIDN'T THE DEVIL
SAY TO JESUS,
538
00:35:26,667 --> 00:35:28,667
THROW YOURSELF
OFF THIS CLIFF
539
00:35:28,733 --> 00:35:31,067
AND PROVE TO ME
YOU'RE THE SON OF GOD?
540
00:35:31,133 --> 00:35:32,800
HE DID! AMEN!
AMEN!
541
00:35:32,867 --> 00:35:34,267
AND WHAT DID JESUS
SAY TO HIM?
542
00:35:34,333 --> 00:35:36,467
[ASSEMBLY]
THOU SHALL WORSHIP
GOD THE LORD!
543
00:35:36,533 --> 00:35:38,700
AND DIDN'T THE DEVIL
OFFER JESUS
544
00:35:38,767 --> 00:35:41,067
THE GLORIES
OF THE WORLD
545
00:35:41,100 --> 00:35:43,433
IF JESUS
WOULD WORSHIP HIM?
546
00:35:43,500 --> 00:35:44,467
HE DID!
HE DID!
547
00:35:44,533 --> 00:35:46,433
AND WHAT DID JESUS SAY?
548
00:35:46,500 --> 00:35:48,767
[ASSEMBLY]
THOU SHALL WORSHIP
GOD THE LORD!
549
00:35:48,833 --> 00:35:51,267
AND DIDN'T THE DEVIL
OFFER JESUS
550
00:35:51,333 --> 00:35:53,067
THE GLORIES OF THE WORLD
551
00:35:53,100 --> 00:35:55,067
IF JESUS WOULD
WORSHIP HIM?
552
00:35:55,067 --> 00:35:56,133
HE DID!
HE DID!
553
00:35:56,200 --> 00:35:58,267
AND WHAT DID JESUS SAY?
554
00:35:58,333 --> 00:35:59,767
[ASSEMBLY]
GET THEE BACK, SATAN.
555
00:35:59,833 --> 00:36:02,067
WE ALL KNOW
HOW THE DEVIL
556
00:36:02,133 --> 00:36:04,267
FINDS HIS WAY
INTO OUR HEARTS,
557
00:36:04,333 --> 00:36:07,867
ALWAYS MISCHIEVING
WHEN WE LEAST EXPECT HIM.
558
00:36:07,933 --> 00:36:10,067
HE STRIKES AT THE HEART
559
00:36:10,133 --> 00:36:11,933
WHERE JESUS LIVES
560
00:36:12,067 --> 00:36:14,467
BECAUSE IT IS
MOST VULNERABLE.
561
00:36:14,533 --> 00:36:16,133
IT'S THE HOUSE OF LOVE,
562
00:36:16,200 --> 00:36:18,433
LOVE FOR A LIVING CHRIST,
563
00:36:18,500 --> 00:36:20,800
REDEEMER OF THE WORLD!
564
00:36:20,867 --> 00:36:21,833
OH, JESUS!
565
00:36:21,900 --> 00:36:23,800
JESUS, SAVE ME!
566
00:36:23,867 --> 00:36:25,267
JESUS, SAVE ME!
567
00:36:25,333 --> 00:36:28,300
EVEN NOW I HEAR
A CRY IN THE WILDERNESS.
568
00:36:28,367 --> 00:36:30,100
I HEAR A CRY
OF THE LOVE!
569
00:36:30,167 --> 00:36:31,600
IT'S THE DEVIL!
570
00:36:31,667 --> 00:36:32,633
IT'S THE DEVIL!
571
00:36:32,700 --> 00:36:35,167
OH, JESUS CHRIST...
572
00:36:35,233 --> 00:36:37,433
SALVATION OF THE WORLD...
IT'S THE DEVIL!
573
00:36:37,500 --> 00:36:39,200
BEHOLD!
574
00:36:39,267 --> 00:36:41,300
BEHOLD, ONE OF
YOUR CHILDREN
575
00:36:41,367 --> 00:36:44,300
WHO IS BESET
BY THE SERPENT
OF DARKNESS.
576
00:36:44,367 --> 00:36:46,767
SHE IS NOT YET
BAPTIZED.
577
00:36:46,833 --> 00:36:49,267
SPREAD YOUR LOVE,
GOOD JESUS.
578
00:36:49,333 --> 00:36:52,767
GIVE HER STRENGTH
FROM YOUR LOVING HEART
579
00:36:52,833 --> 00:36:55,767
AND HER NATURAL DESIRE
TO FIND YOU.
580
00:36:55,833 --> 00:36:57,100
AMEN.
581
00:36:57,167 --> 00:36:58,267
AMEN!
AMEN!
582
00:36:58,333 --> 00:36:59,700
JESUS, SAVE ME!
583
00:36:59,767 --> 00:37:01,200
HOW DO YOU FEEL?
584
00:37:01,267 --> 00:37:03,233
I'M ALL RIGHT.
585
00:37:03,300 --> 00:37:04,267
AMEN.
586
00:37:04,333 --> 00:37:06,767
OH, I HAD
A BAD DREAM.
587
00:37:06,833 --> 00:37:09,267
AMEN, AMEN!
588
00:37:11,333 --> 00:37:14,267
MY ASSISTANTS
WILL NOW TAKE UP
THE COLLECTION
589
00:37:14,333 --> 00:37:17,267
WHILE YOU ARE ALL
CONFESSING
TO ONE ANOTHER.
590
00:37:17,333 --> 00:37:18,767
AND REMEMBER...
591
00:37:18,833 --> 00:37:19,967
GIVE.
592
00:37:20,067 --> 00:37:23,467
WE HAVE MANY EXPENSES
TO KEEP OUR CHURCH GOING.
593
00:37:23,533 --> 00:37:25,467
FIND JESUS
IN YOUR HEART
594
00:37:25,533 --> 00:37:28,267
AND BE GENEROUS.
595
00:37:28,333 --> 00:37:30,767
[SOBBING]
596
00:37:30,833 --> 00:37:32,767
TAKE MARY
TO THE PRAYER ROOM
597
00:37:32,833 --> 00:37:34,767
AND LISTEN TO
HER CONFESSION.
598
00:37:34,833 --> 00:37:36,400
JESUS...
599
00:37:37,600 --> 00:37:39,067
WELL, MR. STONE.
600
00:37:39,100 --> 00:37:41,533
DON'T TELL ME
YOU'VE GOT RELIGION.
601
00:37:41,600 --> 00:37:43,267
I'VE GOT MY OWN
TRIP.
602
00:37:43,333 --> 00:37:45,267
AND WHAT MIGHT
THAT BE?
603
00:37:45,333 --> 00:37:46,767
ALMOST ANY BOURBON.
604
00:37:46,833 --> 00:37:49,267
WHAT CAN I DO
FOR YOU, STONE?
605
00:37:49,333 --> 00:37:51,100
CAN WE TALK
SOMEPLACE?
606
00:37:53,633 --> 00:37:55,967
[MAN]
YOU SAID YOU SCREWED
THIS GUY THREE TIMES.
607
00:37:56,067 --> 00:37:57,467
WERE YOU SORRY?
608
00:37:57,533 --> 00:37:59,200
[WOMAN]
I DON'T KNOW.
609
00:37:59,267 --> 00:38:01,233
WHEN I WAS DOING IT
OR AFTERWARDS?
610
00:38:01,300 --> 00:38:03,133
HOW MANY TIMES?
611
00:38:05,333 --> 00:38:06,767
PRAYER ROOM?
612
00:38:06,833 --> 00:38:08,267
LOOK, STONE,
613
00:38:08,333 --> 00:38:09,767
I DON'T WANT
ANY TROUBLE.
614
00:38:09,833 --> 00:38:11,500
YOU'RE NO LONGER
A POLICEMAN,
615
00:38:11,567 --> 00:38:14,767
SO I HAVE EVERY RIGHT
TO ASK YOU TO LEAVE.
616
00:38:14,833 --> 00:38:16,767
I'M LOOKING FOR
A GIRL NAMED AMY DOLE.
617
00:38:16,833 --> 00:38:19,500
SHE COULD BE
A HOPHEAD 'CAUSE
I TRACED HER HERE.
618
00:38:21,667 --> 00:38:23,767
WE DON'T KEEP
DOPE ADDICTS.
619
00:38:23,833 --> 00:38:25,667
WE SAVE THEM.
620
00:38:25,733 --> 00:38:27,267
YEAH?
621
00:38:27,333 --> 00:38:29,600
WELL, I PASSED A FEW
BENNY POPPERS OUT THERE.
622
00:38:29,667 --> 00:38:32,333
THAT GIRL MARY
WAS ONE OF THEM.
623
00:38:32,400 --> 00:38:34,433
YOU TRYING TO
IRRITATE ME, STONE?
624
00:38:34,500 --> 00:38:35,867
HAVE YOU SEEN
AMY DOLE?
625
00:38:35,933 --> 00:38:38,267
YES, I'VE SEEN
AMY DOLE.
626
00:38:38,333 --> 00:38:39,767
SHE WAS HERE.
627
00:38:39,833 --> 00:38:42,600
SHE COULDN'T ACCEPT
THE LOVE OF JESUS.
628
00:38:42,667 --> 00:38:44,400
I HAD TO ASK HER
TO LEAVE.
629
00:38:44,467 --> 00:38:46,533
WELL, I'D, UH...
630
00:38:46,600 --> 00:38:48,833
LIKE TO ADD
TO YOUR COLLECTION.
631
00:38:50,333 --> 00:38:52,767
CAN YOU TELL ME
WHERE SHE IS NOW?
632
00:38:52,833 --> 00:38:55,767
I DON'T KEEP TRACK
OF THOSE WHO ARE
LOST.
633
00:38:55,833 --> 00:38:58,767
SHE COULD BE BACK
WHERE WE FOUND HER.
634
00:38:58,833 --> 00:39:01,133
AND WHERE MIGHT
THAT BE?
635
00:39:01,200 --> 00:39:03,700
LINDY'S POOH HOUSE
IN SANTA MONICA.
636
00:39:03,767 --> 00:39:05,500
YES.
637
00:39:05,567 --> 00:39:07,400
ONE OF MY ASSISTANTS
FOUND HER THERE
638
00:39:07,467 --> 00:39:08,800
BEFORE SHE WAS
BROUGHT HERE.
639
00:39:08,867 --> 00:39:11,233
FAIR ENOUGH.
640
00:39:11,300 --> 00:39:12,400
THANKS.
641
00:39:17,833 --> 00:39:19,267
[LAUGHING]
642
00:39:19,333 --> 00:39:21,267
WHAT IF
REVEREND AVERY
FINDS OUT?
643
00:39:21,333 --> 00:39:22,333
[GIGGLING]
644
00:39:24,933 --> 00:39:27,267
ONE OF YOUR HELPERS?
645
00:40:13,833 --> 00:40:16,167
HEY, NO SOUL
TILL 5:00, MY MAN.
646
00:40:16,233 --> 00:40:17,400
IS LINDY AROUND?
647
00:40:17,467 --> 00:40:18,767
SPEAKING.
648
00:40:18,833 --> 00:40:21,067
I'M LOOKING FOR
A GIRL NAMED
AMY DOLE.
649
00:40:21,133 --> 00:40:24,067
DOLE? NAME OF
A PINEAPPLE,
AIN'T IT?
650
00:40:24,133 --> 00:40:25,933
NO, THE NAME OF
A MISSING PERSON.
651
00:40:26,000 --> 00:40:27,433
HER PARENTS
ARE CONCERNED.
652
00:40:27,500 --> 00:40:28,733
YEAH. YOU A COP?
653
00:40:28,800 --> 00:40:30,867
I'M JUST A FRIEND
OF THE FAMILY.
654
00:40:30,933 --> 00:40:33,033
THEY'RE WORRIED
ABOUT HER.
655
00:40:33,100 --> 00:40:36,767
THEY JUST WANT TO KNOW
HOW AND WHERE SHE IS.
656
00:40:36,833 --> 00:40:39,767
I BELIEVE YOU,
BUT I CAN'T HELP YOU.
657
00:40:39,833 --> 00:40:43,400
I'M TOLD SHE USED TO
BE YOUR OLD LADY.
658
00:40:43,467 --> 00:40:45,833
NICE, HUH?
659
00:40:45,900 --> 00:40:48,767
I SET ONE OF THESE
ON EACH OF MY TABLES.
660
00:40:48,833 --> 00:40:51,767
IT ADDS A LITTLE...
CLASS TO MY PLACE,
661
00:40:51,833 --> 00:40:53,267
SHALL WE SAY?
662
00:40:53,333 --> 00:40:54,767
YEAH. YOU ALL CLASS.
663
00:40:54,833 --> 00:40:56,767
HEY, MAN, I COULD
AFFORD ROSES,
664
00:40:56,833 --> 00:40:59,700
BUT I DON'T THINK
ROSES WOULD WORK
IN THIS ROOM.
665
00:40:59,767 --> 00:41:03,100
HA HA HA HA HA HA!
666
00:41:03,167 --> 00:41:06,233
QUIT JIVING, LINDY.
EITHER TELL ME
WHAT I WANT TO KNOW
667
00:41:06,300 --> 00:41:07,300
OR TELL ME
TO GET OUT,
668
00:41:07,367 --> 00:41:08,467
BUT CAN THAT
SUPER SPADE BULLSHIT.
669
00:41:08,533 --> 00:41:10,200
WELL, A BOY
WITH A PLOY, HUH?
670
00:41:10,267 --> 00:41:11,833
NO, A MAN
WITH A PLAN.
671
00:41:11,900 --> 00:41:14,733
I'M THINKING A LOT OF
GRASS GETS PASSED IN HERE,
672
00:41:14,800 --> 00:41:16,933
MAYBE A LITTLE
HARD STUFF, TOO.
673
00:41:17,067 --> 00:41:19,300
I FIGURE SOME NIGHT
I COME IN HERE
674
00:41:19,367 --> 00:41:21,500
AND FIND MYSELF
A BAG.
675
00:41:21,567 --> 00:41:23,133
DON'S A CON,
676
00:41:23,200 --> 00:41:26,533
BUT MAYBE I'M THE CAT
WHO KNOWS WHERE
IT'S AT, MR...?
677
00:41:26,600 --> 00:41:27,567
STONE.
678
00:41:27,633 --> 00:41:28,600
MR. STONE.
679
00:41:28,667 --> 00:41:29,633
HAVE A SEAT.
680
00:41:29,700 --> 00:41:32,333
GET YOU SOME COFFEE,
MR. STONE.
681
00:41:35,333 --> 00:41:37,267
HEY...
682
00:41:37,333 --> 00:41:39,267
DON'T BE COMING TO ME
683
00:41:39,333 --> 00:41:41,267
WITH THAT FAMILY FRIEND
STUFF,
684
00:41:41,333 --> 00:41:42,767
'CAUSE HER FAMILY,
BROTHER,
685
00:41:42,833 --> 00:41:45,767
WOULDN'T LIKE YOU
NO MORE THAN
THEY LIKE ME.
686
00:41:45,833 --> 00:41:47,067
HA HA HA.
687
00:41:48,833 --> 00:41:50,767
YEAH, I KNEW
AMY DOLE.
688
00:41:50,833 --> 00:41:52,267
AND I DUG HER, TOO.
689
00:41:52,333 --> 00:41:54,267
YOU MIGHT SAY
I WENT THROUGH
690
00:41:54,333 --> 00:41:56,267
THAT WHOLE
NIGGER-BAG THING
691
00:41:56,333 --> 00:41:58,267
LIKE SWEET TALK
AND GIFTS
692
00:41:58,333 --> 00:42:01,267
AND DOGGING HER ARM
ALONG CENTRAL
ALL NIGHT.
693
00:42:01,333 --> 00:42:04,267
BUT THAT WAS BEFORE
SHE MET THAT MOTHER
CHESS.
694
00:42:04,333 --> 00:42:05,767
I GOT A SCAR, MAN,
695
00:42:05,833 --> 00:42:08,767
WHERE THREE OF THEM
JUMPED ME
AND NEAR KILLED ME.
696
00:42:08,833 --> 00:42:10,267
SAID STAY AWAY.
697
00:42:10,333 --> 00:42:12,267
I SAID,
I'M PEACE-LOVING.
698
00:42:12,333 --> 00:42:15,267
I AIN'T GOT TIME
FOR THAT SHIT.
699
00:42:15,333 --> 00:42:18,767
SO I STAYED AWAY.
I GOT ME A REAL
OLD LADY NOW.
700
00:42:18,833 --> 00:42:20,767
WHERE CAN I FIND
THIS CHESS?
701
00:42:20,833 --> 00:42:23,767
I DON'T KNOW,
AND I DON'T WANT
TO KNOW.
702
00:42:23,833 --> 00:42:26,767
I'VE HEARD
THE DUDE NOW DEALS
IN HOLLYWOOD.
703
00:42:26,833 --> 00:42:29,267
BUT THAT'S
ALL I KNOW.
YOU UNDERSTAND?
704
00:42:29,333 --> 00:42:30,767
WAIT A MINUTE.
705
00:42:30,833 --> 00:42:32,267
THERE'S A DUDE
706
00:42:32,333 --> 00:42:34,567
WHO KNOWS EVERY
JUNKIE, PIMP,
AND HUSTLER
707
00:42:34,633 --> 00:42:36,400
IN THE WHOLE
LOS ANGELES AREA.
708
00:42:36,467 --> 00:42:37,700
OH, YEAH. SHWERMER.
709
00:42:37,767 --> 00:42:38,900
THAT'S WHAT
THEY CALL HIM.
THE WORM.
710
00:42:38,967 --> 00:42:40,167
RIGHT.
THANK YOU.
711
00:42:40,233 --> 00:42:42,800
HEY, BROTHER,
NO CHARGE FOR
THE COFFEE.
712
00:42:42,867 --> 00:42:45,567
BUT SINCE YOU HERE,
STAY FOR DINNER.
713
00:42:45,633 --> 00:42:49,867
PIG BUTTS
AND BLACK-EYED PEAS
FOR ONLY $1.75.
714
00:42:49,933 --> 00:42:51,433
CAN'T BEAT IT
NO PLACE ELSE
IN THE WORLD.
715
00:42:51,500 --> 00:42:53,967
YOU JIVING.
SOUL FOOD?
PIG BUTTS?
716
00:42:54,067 --> 00:42:55,067
GO ON, BRO.
717
00:42:55,067 --> 00:42:56,067
YOU GOT A LIQUOR
LICENSE?
718
00:42:56,100 --> 00:42:57,333
NO, MAN. JUST BEER.
719
00:42:57,400 --> 00:43:01,267
JUST THROW ME
SOMETHING TO READ
WHILE I'M WAITING.
720
00:43:01,333 --> 00:43:02,267
SOUL FOOD!
721
00:43:02,333 --> 00:43:03,433
YES, INDEED.
722
00:43:03,500 --> 00:43:05,267
HOW YOU LIKE IT,
HOT?
723
00:43:05,333 --> 00:43:06,767
AS YOU CAN GET IT.
724
00:43:06,833 --> 00:43:08,067
HA HA HA HA HA!
725
00:44:09,200 --> 00:44:11,767
GET YOUR SKINNY ASS
OUT OF THAT TREE, WORM,
726
00:44:11,833 --> 00:44:13,600
BEFORE I CLIMB UP
AFTER YOU!
727
00:44:13,667 --> 00:44:16,267
NOBODY CALLS ME WORM
TO MY FACE, BLACK MAN!
728
00:44:16,333 --> 00:44:18,433
I AIN'T PUSHING NO SHIT.
729
00:44:18,500 --> 00:44:20,367
NOBODY SAID
YOU WERE, WORM!
730
00:44:20,433 --> 00:44:22,533
COME ON DOWN, MAN.
I AIN'T GOING TO
HUSTLE YOU.
731
00:44:22,600 --> 00:44:25,167
I JUST WANT
SOME INFORMATION.
732
00:44:25,233 --> 00:44:27,267
YOU KNOW I DON'T
LIKE TO BE CALLED
WORM.
733
00:44:27,333 --> 00:44:30,567
NO EX-PIG'S
GOING TO CALL ME
WORM, STONE!
734
00:44:30,633 --> 00:44:34,500
LOOK...MR. WORM...
735
00:44:34,567 --> 00:44:37,267
THIS EX-PIG
IS GETTING PISSED.
736
00:44:37,333 --> 00:44:39,733
THE LONGER YOU
STAY UP THERE,
737
00:44:39,800 --> 00:44:41,467
THE MORE STEAMED
I'M GOING TO GET!
738
00:44:41,533 --> 00:44:43,133
NOW COME ON DOWN!
739
00:44:43,200 --> 00:44:44,567
I'M NOT GOING TO
HURT YOU.
740
00:44:44,633 --> 00:44:48,267
I DON'T TRUST
NO EX-FUZZ
WHO DON'T TURN ON!
741
00:44:48,333 --> 00:44:50,567
1...
742
00:44:50,633 --> 00:44:52,200
2...
743
00:44:52,267 --> 00:44:53,233
3...
744
00:44:53,300 --> 00:44:54,767
WHAT, COP?
745
00:44:54,833 --> 00:44:57,567
4...5...
746
00:45:04,833 --> 00:45:06,533
DON'T MUSCLE ME,
NOW.
747
00:45:08,133 --> 00:45:12,067
HER OLD MAN'S
A DUDE NAMED CHESS.
748
00:45:12,067 --> 00:45:13,667
HE'S A PUNK PUSHER,
749
00:45:13,733 --> 00:45:17,100
BUT WORD'S OUT
HE'S GOT SOME HEAVY
HE WANTS TO UNLOAD.
750
00:45:17,167 --> 00:45:18,367
WHERE DO I FIND HIM?
751
00:45:18,433 --> 00:45:20,367
OH, HE'S MEAN,
STONE. MEAN.
752
00:45:20,433 --> 00:45:22,733
IF HE FINDS OUT
I DID THAT,
HE'LL DO ME IN.
753
00:45:22,800 --> 00:45:24,600
HEY, MAN,
DON'T WORRY ABOUT IT!
754
00:45:24,667 --> 00:45:26,600
NOW WHERE IS HE?
755
00:45:26,667 --> 00:45:28,633
HYPERION. 1735.
756
00:45:35,167 --> 00:45:37,067
ROTTEN PIG!
757
00:45:37,100 --> 00:45:38,733
STUPID PIG!
758
00:45:41,933 --> 00:45:43,600
[TELEPHONE RINGS]
759
00:45:43,667 --> 00:45:45,933
[ACID ROCK PLAYS]
760
00:45:46,067 --> 00:45:47,167
[RING]
761
00:45:49,633 --> 00:45:51,233
[RING]
762
00:45:54,067 --> 00:45:55,167
[RING]
763
00:45:57,567 --> 00:45:58,533
YEAH.
764
00:46:00,333 --> 00:46:02,067
WHO IS IT?
765
00:47:08,833 --> 00:47:11,600
AHA. CHESS.
766
00:47:11,667 --> 00:47:14,133
ROOM 5A.
767
00:47:15,333 --> 00:47:17,367
ROOM 5A.
768
00:47:36,100 --> 00:47:38,133
[MUSIC PLAYS]
769
00:49:12,167 --> 00:49:13,200
[MUSIC STOPS]
770
00:49:59,833 --> 00:50:02,300
"COME BACK TO JESUS.
771
00:50:02,367 --> 00:50:04,400
"LET HIM WASH
YOUR SINS AWAY!
772
00:50:04,467 --> 00:50:07,067
LOVE AMY."
773
00:54:13,333 --> 00:54:14,767
YES?
774
00:54:14,833 --> 00:54:16,267
MR. TALBOT?
775
00:54:16,333 --> 00:54:17,767
UH, YES.
776
00:54:17,833 --> 00:54:18,800
WHAT IS IT?
777
00:54:18,867 --> 00:54:20,333
IF YOU ARE HERE
FOR A READING,
778
00:54:20,400 --> 00:54:22,300
I'M CLOSED
FOR TONIGHT.
779
00:54:22,367 --> 00:54:23,633
COME TOMORROW.
780
00:54:23,700 --> 00:54:25,067
OH, I'M SORRY.
781
00:54:25,067 --> 00:54:26,600
I WAS UNDER
THE IMPRESSION
782
00:54:26,667 --> 00:54:28,100
THAT YOU WERE OPEN
AT ALL HOURS.
783
00:54:28,167 --> 00:54:30,667
UH, UH, MR...
784
00:54:30,733 --> 00:54:32,900
STONE. SHEP STONE.
785
00:54:32,967 --> 00:54:34,167
STONE.
786
00:54:34,233 --> 00:54:36,267
WELL, I'M
USUALLY OPEN,
787
00:54:36,333 --> 00:54:38,633
BUT I HAVE
AN ENGAGEMENT
TONIGHT.
788
00:54:38,700 --> 00:54:41,200
HOWEVER,
SINCE YOU ARE
HERE,
789
00:54:41,267 --> 00:54:44,433
I THINK I CAN
SPARE YOU
A FEW MINUTES.
790
00:54:44,500 --> 00:54:46,267
WON'T YOU COME IN?
791
00:54:46,333 --> 00:54:47,333
THANK YOU.
792
00:54:56,333 --> 00:55:00,767
SEEMS A SHAME
TO ASK YOU TO COME
BACK ANOTHER TIME.
793
00:55:00,833 --> 00:55:03,100
YES, THAT WOULD
BE A SHAME.
794
00:55:04,733 --> 00:55:07,267
A WONDERFUL
COLLECTION,
ISN'T IT?
795
00:55:07,333 --> 00:55:09,733
PERHAPS THE MOST
WONDERFUL OF SUCH
A COLLECTION
796
00:55:09,800 --> 00:55:11,767
ANYWHERE
IN THE WORLD.
797
00:55:11,833 --> 00:55:13,267
YOU KNOW,
I'VE BEEN OFFERED
798
00:55:13,333 --> 00:55:16,200
THOUSANDS
AND THOUSANDS OF
DOLLARS FOR IT,
799
00:55:16,267 --> 00:55:18,200
BUT IT'S PRICELESS.
800
00:55:18,267 --> 00:55:22,500
HA. I CAN'T BEAR
TO PART WITH
ANY OF IT.
801
00:55:22,567 --> 00:55:24,833
THESE MEMENTOS
AND SOUVENIRS
802
00:55:24,900 --> 00:55:26,767
OF A BYGONE ERA
803
00:55:26,833 --> 00:55:29,800
ARE MY MOST PRECIOUS
POSSESSIONS.
804
00:55:29,867 --> 00:55:32,333
MORE THAN POSSESSIONS.
805
00:55:32,400 --> 00:55:35,867
THE GHOSTS OF MANY
OF THESE DEAR
DEPARTED PEOPLE
806
00:55:35,933 --> 00:55:39,200
LIVE HERE AMONG
THESE OBJECTS.
807
00:55:39,267 --> 00:55:41,300
I COMMUNE WITH THEM
DAILY.
808
00:55:42,833 --> 00:55:45,067
THEY ARE MY ONLY
REAL FAMILY.
809
00:55:45,067 --> 00:55:46,267
HA.
810
00:55:46,333 --> 00:55:48,167
AND WITHOUT THEM...
811
00:55:49,833 --> 00:55:52,233
UH, THAT'S
AN INTERESTING
WALKING CANE
812
00:55:52,300 --> 00:55:53,400
YOU HAVE THERE.
813
00:55:53,467 --> 00:55:54,933
[CLOCK CHIMES]
814
00:55:55,067 --> 00:55:57,133
OH, THAT'S JUST
A LITTLE SOMETHING
I PICKED UP.
815
00:55:57,200 --> 00:55:58,667
I'M A COLLECTOR,
TOO.
816
00:55:58,733 --> 00:55:59,700
OH!
817
00:55:59,767 --> 00:56:02,100
IT'S ONE OF A KIND.
818
00:56:02,167 --> 00:56:04,300
WHERE DID YOU
FIND IT?
819
00:56:04,367 --> 00:56:07,067
BESIDE THE DEAD BODY
OF VERA BROWNMILLER.
820
00:56:07,133 --> 00:56:08,767
YOU MUST REMEMBER HER,
TALBOT.
821
00:56:08,833 --> 00:56:10,700
SHE WAS AN ACTRESS.
822
00:56:12,167 --> 00:56:14,700
WHO ARE YOU, STONE?
823
00:56:14,767 --> 00:56:18,067
I WAS A FRIEND
OF VERA'S.
824
00:56:18,133 --> 00:56:21,167
I SUPPOSE YOU KNOW
THE CANE BELONGED
TO MARCUS ROLLO.
825
00:56:21,233 --> 00:56:24,267
YEAH. I KNOW.
826
00:56:24,333 --> 00:56:26,267
IF YOU'RE FROM
THE POLICE,
827
00:56:26,333 --> 00:56:29,367
I'VE ALREADY BEEN
QUESTIONED BY
A LIEUTENANT BOWEN.
828
00:56:29,433 --> 00:56:31,367
I HAVE NO MOTIVE
WHATSOEVER
829
00:56:31,433 --> 00:56:33,267
TO HAVE KILLED VERA.
830
00:56:33,333 --> 00:56:34,567
WHO SAID
YOU KILLED HER?
831
00:56:34,633 --> 00:56:37,267
OH, DON'T KID ME.
832
00:56:37,333 --> 00:56:40,500
I KNOW YOU POLICE
HAVE AN INTELLIGENT
DEPARTMENT.
833
00:56:40,567 --> 00:56:43,767
I'VE HEARD OF
YOUR DEVIOUS WAYS.
834
00:56:43,833 --> 00:56:46,800
BUT, IF YOU INSIST...
835
00:56:46,867 --> 00:56:48,767
I'LL ADMIT...
836
00:56:48,833 --> 00:56:51,433
VERA AND I
WERE VERY CLOSE.
837
00:56:53,833 --> 00:56:55,800
YOU, SHE,
AND MARCUS ROLLO.
838
00:56:55,867 --> 00:56:57,300
I INTRODUCED THEM.
839
00:56:57,367 --> 00:56:59,267
VERA WAS NOT ONLY
MY FRIEND
840
00:56:59,333 --> 00:57:01,933
BUT WE HAD A GREAT
SPIRITUAL BOND.
841
00:57:02,067 --> 00:57:05,133
SHE WAS MY MEDIUM
ON MANY AN OCCASION.
842
00:57:05,200 --> 00:57:09,267
A SCORPIO ON THE CUSP
OF SAGITTARIUS.
843
00:57:09,333 --> 00:57:10,967
WHAT DOES THAT MEAN?
844
00:57:11,067 --> 00:57:14,800
THAT SHE HAD GREAT
VIBRATIONS FOR THE DEAD.
845
00:57:14,867 --> 00:57:17,067
WHAT WAS VERA'S
RELATIONSHIP
WITH ROLLO?
846
00:57:17,133 --> 00:57:20,067
OH, MERELY AS
A MEDIUM AND FRIEND.
847
00:57:20,133 --> 00:57:22,200
SEE, VERA WAS ONE OF
THE FEW PEOPLE
848
00:57:22,267 --> 00:57:25,067
HE WAS EVER CLOSE TO.
849
00:57:25,133 --> 00:57:28,533
STRANGE SHE DIDN'T
ATTEND HIS FUNERAL.
850
00:57:28,600 --> 00:57:29,967
YES. ISN'T IT.
851
00:57:31,333 --> 00:57:32,767
OH.
852
00:57:32,833 --> 00:57:34,767
ABOUT THE CANE.
853
00:57:34,833 --> 00:57:37,933
I'M WILLING TO PAY YOU
HANDSOMELY FOR IT.
854
00:57:38,067 --> 00:57:39,667
WHY ARE YOU
SO INTERESTED
IN BUYING SOMETHING
855
00:57:39,733 --> 00:57:42,467
YOU KNOW
DOESN'T RIGHTFULLY
BELONG TO ME?
856
00:57:42,533 --> 00:57:43,700
YOU KNEW IT BELONGED
TO ROLLO.
857
00:57:43,767 --> 00:57:47,233
WELL, ONE DOESN'T
ASK QUESTIONS
858
00:57:47,300 --> 00:57:49,767
WHEN IT CONCERNS
ONE'S HOBBY...
859
00:57:49,833 --> 00:57:51,900
AS YOU CAN SEE.
860
00:57:51,967 --> 00:57:55,533
EVEN IF YOU HAVE TO
KILL SOMEONE FOR IT.
861
00:57:55,600 --> 00:57:57,600
I RESENT THAT,
STONE.
862
00:57:57,667 --> 00:58:00,800
YOU CAN TAKE YOUR CANE
AND GET THE HELL
OUT OF HERE.
863
00:58:00,867 --> 00:58:04,333
AND I SUGGEST
YOU RETURN IT TO
ITS RIGHTFUL OWNERS.
864
00:58:04,400 --> 00:58:07,833
O.K. LET'S CUT
THE BULLSHIT, TALBOT.
865
00:58:07,900 --> 00:58:10,767
A FRIEND OF MINE
WAS KILLED
OVER THIS CANE.
866
00:58:10,833 --> 00:58:11,900
MAYBE SHE DIDN'T
STAND FOR MUCH,
867
00:58:11,967 --> 00:58:12,933
BUT I FIGURE
SHE DIDN'T DESERVE
868
00:58:13,067 --> 00:58:15,167
WHAT CHESS GAVE HER,
EITHER.
869
00:58:15,233 --> 00:58:17,533
WHY, TALBOT?
870
00:58:19,833 --> 00:58:21,267
I DON'T KNOW.
871
00:58:21,333 --> 00:58:24,100
I CAN'T BELIEVE
SHE WAS KILLED
872
00:58:24,167 --> 00:58:25,800
BECAUSE OF THAT CANE.
873
00:58:31,067 --> 00:58:33,933
WHAT DID YOU SAY
THIS WAS WORTH?
874
00:58:34,067 --> 00:58:37,433
SARAH BERNHARDT
SIGNED THAT FOR ME.
875
00:58:37,500 --> 00:58:39,400
IT'S PRICELESS.
876
00:58:42,300 --> 00:58:43,933
OH!
877
00:58:44,067 --> 00:58:45,200
UHH.
878
00:58:50,233 --> 00:58:51,800
WHY, TALBOT?
879
00:58:53,167 --> 00:58:55,233
I CAN'T.
880
00:58:55,300 --> 00:58:58,167
THEY'D KILL ME
FOR IT.
881
00:58:58,233 --> 00:59:01,067
WHAT DID ROLLO HAVE
TO DO WITH THIS?
882
00:59:01,067 --> 00:59:02,633
THEY USED HIM
883
00:59:02,700 --> 00:59:05,133
AS THEY USED
ALL OF US.
884
00:59:05,200 --> 00:59:07,133
HE WAS JUST
A COURIER.
885
00:59:07,200 --> 00:59:08,633
WHO ARE "THEY"?
886
00:59:11,200 --> 00:59:12,967
I JUST CAN'T.
887
00:59:26,133 --> 00:59:27,733
ALL RIGHT, TALBOT.
888
00:59:27,800 --> 00:59:29,400
I'LL BE BACK.
889
00:59:37,067 --> 00:59:39,067
[JUKE BOX
PLAYING JAZZ MUSIC]
890
00:59:39,133 --> 00:59:40,233
HELLO, LOU.
891
00:59:40,300 --> 00:59:41,400
HEY, STONE.
892
00:59:41,467 --> 00:59:44,400
BRING ME THE SPECIAL
AND A DOUBLE SHOT.
893
01:00:00,133 --> 01:00:01,767
SPECIAL TODAY
IS MEATBALLS
AND SPAGHETTI.
894
01:00:01,833 --> 01:00:03,067
BE READY SOON.
895
01:00:03,133 --> 01:00:04,567
SOUNDS GOOD TO ME.
896
01:00:16,433 --> 01:00:17,767
HEY, BARTENDER.
897
01:00:19,367 --> 01:00:21,400
YEAH, WHAT CAN I
DO FOR YOU?
898
01:00:21,467 --> 01:00:23,833
BOURBON
ON THE ROCKS.
899
01:00:26,067 --> 01:00:27,500
MAKE IT A DOUBLE.
900
01:00:27,567 --> 01:00:28,667
RIGHT.
901
01:00:36,400 --> 01:00:38,833
YOU GOT A CAN
IN HERE?
902
01:00:38,900 --> 01:00:41,933
STRAIGHT THROUGH
TO THE BACK.
903
01:00:42,000 --> 01:00:43,933
STONE, I'M GOING TO CHECK
THE MEATBALLS.
904
01:00:44,000 --> 01:00:45,333
WATCH THE CASH REGISTER.
905
01:00:45,400 --> 01:00:47,200
YEAH, LOU.
I'LL TAKE CARE OF IT.
906
01:00:57,067 --> 01:00:59,000
ARE YOU STONE?
907
01:00:59,067 --> 01:01:01,400
YEAH, I'M STONE.
908
01:01:01,467 --> 01:01:03,900
YOU GOT SOMETHING
DOESN'T BELONG TO YOU.
909
01:01:03,967 --> 01:01:05,767
I'D LIKE TO TAKE IT
WITH ME
910
01:01:05,833 --> 01:01:08,900
WITH AS LITTLE TROUBLE
AS POSSIBLE. YOU DIG?
911
01:01:08,967 --> 01:01:10,900
YEAH, I DIG.
912
01:01:10,967 --> 01:01:12,400
I'LL MAKE A DEAL,
913
01:01:12,467 --> 01:01:14,600
BUT NOT WITH SOME
PUNK RUNNER.
914
01:01:16,500 --> 01:01:18,367
YOU MOVE
ONE MORE INCH,
915
01:01:18,433 --> 01:01:20,633
YOU'RE GOING TO LOSE
YOUR MANHOOD.
916
01:01:20,700 --> 01:01:22,567
STONE!
917
01:01:22,633 --> 01:01:25,133
PUT IT ON THE TABLE.
918
01:01:31,067 --> 01:01:33,767
HE CAN BE
VERY MEAN, STONE.
919
01:01:33,833 --> 01:01:35,333
NOW WHERE'S THE CANE?
920
01:01:37,067 --> 01:01:38,933
BEHIND THE JUKE BOX.
921
01:01:45,467 --> 01:01:47,267
THANKS, STONE.
922
01:01:51,300 --> 01:01:53,133
LET'S GO.
923
01:02:11,633 --> 01:02:13,733
HOW'S THE SPAGHETTI,
LOU?
924
01:02:13,800 --> 01:02:14,900
GREAT.
925
01:02:14,967 --> 01:02:16,433
THANKS A LOT.
926
01:02:51,367 --> 01:02:52,667
TALBOT.
927
01:03:17,133 --> 01:03:18,467
TALBOT.
928
01:03:28,333 --> 01:03:29,833
TALBOT.
929
01:04:47,233 --> 01:04:48,300
YOU SON OF A BITCH.
930
01:04:48,367 --> 01:04:50,167
STILL DEALING ACID
TO KIDS?
931
01:04:50,233 --> 01:04:52,167
GET AWAY, YOU--
932
01:04:56,567 --> 01:04:57,933
SICK BASTARD!
933
01:04:58,067 --> 01:05:00,767
YOU'RE GOING
TO KILL ME!
934
01:05:02,333 --> 01:05:04,233
COME ON!
935
01:05:04,300 --> 01:05:05,833
COME ON!
936
01:05:05,900 --> 01:05:08,667
GET OUT OF MY FACE!
937
01:05:08,733 --> 01:05:10,267
JESUS CHRIST!
938
01:05:10,333 --> 01:05:11,567
NO!
939
01:05:13,133 --> 01:05:14,267
AUGH!
940
01:05:17,833 --> 01:05:20,267
[MUFFLED GROAN]
941
01:05:40,567 --> 01:05:41,667
[MOAN]
942
01:05:43,067 --> 01:05:45,200
[CAROUSEL MUSIC PLAYS]
943
01:06:00,500 --> 01:06:02,400
HAVE A NICE TRIP,
MACK.
944
01:06:22,600 --> 01:06:24,167
[TELEPHONE
RINGING]
945
01:06:27,567 --> 01:06:29,233
[RING]
946
01:06:32,400 --> 01:06:34,567
[RING]
947
01:06:37,567 --> 01:06:39,500
[RING]
948
01:06:39,567 --> 01:06:41,067
YEAH?
949
01:06:41,133 --> 01:06:42,433
THIS IS MOMS.
950
01:06:42,500 --> 01:06:43,600
WHAT'S UP, MOMS?
951
01:06:43,667 --> 01:06:47,067
YOU KNOW THAT OLDTIME
MOVIE STAR THAT DIED--
952
01:06:47,067 --> 01:06:48,333
MARCUS.
953
01:06:48,400 --> 01:06:49,333
YEAH. ROLLO.
954
01:06:49,400 --> 01:06:50,500
WELL, ANYWAY,
955
01:06:50,567 --> 01:06:54,067
HARRY WOULD GO OFF
TO HIS MANSION
ALL THE TIME.
956
01:06:54,133 --> 01:06:56,833
O.K., MAMA.
YOU'LL GET YOUR BREAD.
957
01:06:56,900 --> 01:06:58,067
[HANGS UP RECEIVER]
958
01:07:01,633 --> 01:07:04,167
STONE.
959
01:07:04,233 --> 01:07:06,400
AREN'T YOU COMING IN
TO SAY HELLO?
960
01:07:06,467 --> 01:07:08,900
WELL, I HADN'T
FIGURED ON IT.
961
01:07:08,967 --> 01:07:11,300
I HEARD YOU
COME IN.
962
01:07:11,367 --> 01:07:13,667
YOU STILL ANGRY?
963
01:07:13,733 --> 01:07:15,700
WRONG. TURNED OFF
IS MORE LIKE IT.
964
01:07:17,167 --> 01:07:18,867
COME HERE.
965
01:07:18,933 --> 01:07:20,333
I WANT TO SHOW YOU
SOMETHING.
966
01:07:20,400 --> 01:07:21,500
COME ON.
967
01:07:21,567 --> 01:07:23,333
I'VE DONE SOMETHING
REALLY SPECIAL.
968
01:07:23,400 --> 01:07:24,833
COME SEE IT.
969
01:07:24,900 --> 01:07:26,833
YOU'RE GOING
TO LOVE IT.
970
01:07:26,900 --> 01:07:28,333
LOOK AT THIS.
971
01:07:28,400 --> 01:07:29,667
DYNAMITE.
972
01:07:29,733 --> 01:07:31,633
ISN'T THAT
THE HIPPEST
SUMMER PATTERN
973
01:07:31,700 --> 01:07:33,067
YOU'VE EVER SEEN?
974
01:07:33,067 --> 01:07:36,167
AND THIS ONE--
I JUST FINISHED IT.
975
01:07:36,233 --> 01:07:38,167
WOULD YOU
LIKE A DRINK?
976
01:07:38,233 --> 01:07:40,067
YEAH, THANKS.
977
01:07:40,067 --> 01:07:41,633
ARE YOU LOOKING?
978
01:07:41,700 --> 01:07:42,667
MM-HMM.
979
01:07:42,733 --> 01:07:44,267
PRETTY TERRIFIC,
HUH?
980
01:07:44,333 --> 01:07:46,267
THE FLARE
AND THE FLOUNCE.
981
01:07:46,333 --> 01:07:48,233
KIND OF SEXY,
DON'T YOU THINK?
982
01:07:48,300 --> 01:07:50,767
LOOKS LIKE PLAIN OLD
BLUE JEANS TO ME.
983
01:07:50,833 --> 01:07:52,400
BLUE JEANS?
984
01:07:52,467 --> 01:07:54,467
SHEP, WHERE HAVE
YOU BEEN?
985
01:07:54,533 --> 01:07:57,400
DENIM HAPPENS TO BE
THE GREATEST THING
986
01:07:57,467 --> 01:07:58,900
SINCE THE NEW LOOK.
987
01:07:58,967 --> 01:08:01,467
THE WHOLE WORLD'S
WEARING BLUE DENIM.
988
01:08:01,533 --> 01:08:03,067
THEY'RE EVEN
DOING CARS IN THEM.
989
01:08:03,133 --> 01:08:06,500
STUDDED
AND EMBROIDERED,
990
01:08:06,567 --> 01:08:08,800
LINED
IN FUNKY CHINTZ.
991
01:08:10,733 --> 01:08:12,067
HERE YOU GO.
992
01:08:14,533 --> 01:08:16,467
I SHOW YOU
MY GENIUS,
993
01:08:16,533 --> 01:08:19,467
AND YOU LOOK AT
THE SPORTS PAGE.
994
01:08:19,533 --> 01:08:21,933
AT LEAST, YOU COULD
ACT INTERESTED.
995
01:08:24,633 --> 01:08:26,600
YOU REALLY ARE UPSET,
AREN'T YOU?
996
01:08:27,967 --> 01:08:29,400
YEAH.
997
01:08:29,467 --> 01:08:31,900
LOSING MY COOL
ALWAYS DID UPSET ME.
998
01:08:35,067 --> 01:08:36,733
I PAID A LITTLE VISIT
TO FRANCIS.
999
01:08:36,800 --> 01:08:38,133
I KNOW.
1000
01:08:40,133 --> 01:08:42,067
THE THOUGHT OF YOUR...
1001
01:08:43,300 --> 01:08:46,133
LESBIAN RELATIONSHIP
SORT OF GOT TO ME.
1002
01:08:46,200 --> 01:08:48,900
I'M NOT A LESBIAN.
1003
01:08:48,967 --> 01:08:50,067
IT JUST SO HAPPENS
1004
01:08:50,067 --> 01:08:51,867
THAT SOMEBODY I FIND
VERY INTERESTING
1005
01:08:51,933 --> 01:08:53,433
AND HAVE A GREAT DEAL
IN COMMON WITH
1006
01:08:53,500 --> 01:08:55,467
HAPPENS TO BE A WOMAN.
1007
01:08:55,533 --> 01:08:58,733
I KNOW A LOT OF GIRLS
WHO HAVE GIRLFRIENDS,
1008
01:08:58,800 --> 01:09:01,900
BUT THEY DON'T
HOP IN THE SACK
WITH THEM.
1009
01:09:01,967 --> 01:09:04,500
I'M ME.
I HAVEN'T CHANGED.
1010
01:09:04,567 --> 01:09:05,933
I'M THE SAME ME
1011
01:09:06,067 --> 01:09:07,133
YOU'VE BEEN
MAKING LOVE TO
1012
01:09:07,200 --> 01:09:09,533
FOR THE LAST
THREE MONTHS.
1013
01:09:09,600 --> 01:09:11,967
MAYBE IT'S ME
THAT'S CHANGED THEN.
1014
01:09:16,067 --> 01:09:18,067
LISTEN.
1015
01:09:18,133 --> 01:09:21,067
I THOUGHT
WHAT WE HAD
MADE SENSE.
1016
01:09:21,133 --> 01:09:22,233
REMEMBER?
1017
01:09:22,300 --> 01:09:23,900
NO COMMITMENTS,
1018
01:09:23,967 --> 01:09:25,900
NO SMOTHERING.
1019
01:09:25,967 --> 01:09:27,567
I REMEMBER.
1020
01:09:27,633 --> 01:09:30,067
SHEP, WHEN
I'M WITH YOU,
1021
01:09:30,133 --> 01:09:33,300
YOU'RE THE MOST
IMPORTANT THING
IN MY LIFE.
1022
01:09:44,967 --> 01:09:47,233
I TELL YOU WHAT--
1023
01:09:47,300 --> 01:09:49,567
I'LL GET STARTED,
AND, UH...
1024
01:09:49,633 --> 01:09:52,400
YOU CAN
CATCH UP LATER,
1025
01:09:52,467 --> 01:09:53,900
IF YOU HURRY.
1026
01:09:55,467 --> 01:09:56,600
WHOO.
1027
01:09:59,133 --> 01:10:00,300
LOOK OUT.
1028
01:10:23,033 --> 01:10:26,267
* I KNOW WHERE
1029
01:10:26,333 --> 01:10:29,633
* WE'RE GOIN'
1030
01:10:29,700 --> 01:10:35,233
* 'CAUSE I KNOW WHERE
1031
01:10:35,300 --> 01:10:39,900
* WE'VE BEEN
1032
01:10:39,967 --> 01:10:44,333
* THE DOOR TO LOVE
1033
01:10:44,400 --> 01:10:47,167
* IS OPEN
1034
01:10:47,233 --> 01:10:53,500
* TOGETHER,
WE CAN WALK *
1035
01:10:53,567 --> 01:10:58,100
* RIGHT IN
1036
01:10:58,167 --> 01:11:02,367
* FOR ALL
THAT WE NEED *
1037
01:11:02,433 --> 01:11:06,233
* IS WAITING FOR US
1038
01:11:06,300 --> 01:11:11,733
* AND WE JUST
MIGHT AS WELL *
1039
01:11:11,800 --> 01:11:14,800
* BEGIN
1040
01:11:17,233 --> 01:11:20,300
* I KNOW WHERE
1041
01:11:20,367 --> 01:11:26,100
* OUR LOVE CAN
TAKE US, BABY *
1042
01:11:27,567 --> 01:11:31,600
* 'CAUSE I KNOW WHERE
WE'VE BEEN *
1043
01:11:35,267 --> 01:11:36,967
YOU'RE VERY
SPECIAL TO ME.
1044
01:11:40,900 --> 01:11:42,900
IS THAT A COMMITMENT?
1045
01:12:02,100 --> 01:12:04,167
[PIANO PLAYING]
1046
01:12:15,233 --> 01:12:16,900
I WASN'T LAUGHING.
1047
01:12:18,567 --> 01:12:20,067
IT'S LIKE A CRATER,
1048
01:12:20,067 --> 01:12:22,567
AND THEY PUT
LITTLE SEEDS IN IT.
1049
01:12:24,067 --> 01:12:25,500
OH, EXCUSE ME.
1050
01:12:26,833 --> 01:12:27,933
MR. STONE.
1051
01:12:28,067 --> 01:12:29,867
WHAT A SURPRISE.
1052
01:12:29,933 --> 01:12:31,200
YOU ALMOST
SOUND GLAD.
1053
01:12:31,267 --> 01:12:32,700
I'M DELIGHTED.
1054
01:12:32,767 --> 01:12:36,067
MAYBE I COULD
PROVE IT TO YOU.
1055
01:12:36,133 --> 01:12:37,100
OH.
1056
01:12:37,167 --> 01:12:38,600
SOMEONE'S
CAUGHT YOUR EYE.
1057
01:12:38,667 --> 01:12:40,667
YOU'RE NOT A MUTANT.
1058
01:12:40,733 --> 01:12:43,167
WELL, I'D LIKE
TO GO ON RECORD,
MISS FRANCIS.
1059
01:12:43,233 --> 01:12:45,667
YOU'RE MUCH MORE
THAN A SMART WOMAN.
1060
01:12:45,733 --> 01:12:47,167
THAT ISN'T VERY SWEET,
1061
01:12:47,233 --> 01:12:48,667
BUT IT IS SINCERE.
1062
01:12:48,733 --> 01:12:49,833
COME ALONG.
1063
01:12:49,900 --> 01:12:52,333
THERE ARE PEOPLE
I WANT YOU TO MEET.
1064
01:12:52,400 --> 01:12:54,333
MAYBE SOMEBODY
WILL WANT YOU
1065
01:12:54,400 --> 01:12:56,067
TO FOLLOW
THEIR CURRENT LOVER.
1066
01:12:56,067 --> 01:12:57,833
VOILà.
1067
01:12:57,900 --> 01:12:59,833
THE OBJECT OF
YOUR CURIOSITY.
1068
01:12:59,900 --> 01:13:02,900
I'D LIKE YOU
BOTH TO MEET
MR. SHEP STONE.
1069
01:13:02,967 --> 01:13:04,300
WE'VE MET.
1070
01:13:04,367 --> 01:13:05,800
OH. AND DIANE,
TOO?
1071
01:13:05,867 --> 01:13:06,967
NOT FORMALLY.
1072
01:13:07,067 --> 01:13:08,467
I'M DIANE DAVIS.
1073
01:13:08,533 --> 01:13:12,333
FRAN, WHAT HAPPENED
TO YOUR TAROT
FORTUNE TELLER?
1074
01:13:12,400 --> 01:13:13,400
WHO KNOWS?
1075
01:13:13,467 --> 01:13:15,400
PROBABLY IN THE STUPID
SPIRIT WORLD.
1076
01:13:15,467 --> 01:13:16,833
ENTERTAINERS
ARE SO UNDEPENDABLE.
1077
01:13:16,900 --> 01:13:19,267
WHAT DO YOU DO,
MR. STONE?
1078
01:13:19,333 --> 01:13:21,767
MR. STONE IS
A PRIVATE DETECTIVE.
1079
01:13:21,833 --> 01:13:23,067
IS HE?
1080
01:13:23,067 --> 01:13:24,500
A VERY
IMPRESSIVE ONE.
1081
01:13:24,567 --> 01:13:25,667
HOW EXCITING.
1082
01:13:25,733 --> 01:13:27,667
ANY NEW DANGEROUS
CAPERS LATELY?
1083
01:13:27,733 --> 01:13:30,800
YOU MUST TELL ME
ALL ABOUT IT, SHEP.
1084
01:13:30,867 --> 01:13:32,300
OH, NO, YOU DON'T.
1085
01:13:32,367 --> 01:13:34,800
I'M GOING TO GET
STONE A DRINK.
1086
01:13:34,867 --> 01:13:36,133
HE'S MINE.
1087
01:13:39,067 --> 01:13:42,067
I WONDER WHAT BROUGHT
THE FLY TO THE OINTMENT.
1088
01:13:47,700 --> 01:13:49,633
ARE WE BORING YOU,
STONE?
1089
01:13:49,700 --> 01:13:53,133
HOW COULD YOU POSSIBLY
BE A BORE, MISS FRANCIS?
1090
01:13:53,200 --> 01:13:54,867
TOUCHé.
1091
01:13:54,933 --> 01:13:57,333
I DON'T KNOW
WHAT YOUR BAG IS,
1092
01:13:57,400 --> 01:14:00,067
BUT THEY'RE SHOWING
MOVIES UPSTAIRS.
1093
01:14:00,067 --> 01:14:01,700
WHAT ABOUT YOU?
1094
01:14:01,767 --> 01:14:04,567
FAR AS I'M CONCERNED,
THAT'S FOR PYGMIES.
1095
01:14:04,633 --> 01:14:06,533
I'VE NEVER HAD
THAT PROBLEM.
1096
01:14:06,600 --> 01:14:08,867
WHICH ONE OF THESE
IS YOUR HUSBAND?
1097
01:14:08,933 --> 01:14:10,533
HE'S UPSTAIRS.
1098
01:14:12,500 --> 01:14:14,367
I LIKE YOU, STONE.
1099
01:14:14,433 --> 01:14:16,867
I'M BEGINNING TO HAVE
SOME RESPECT FOR CYNTHIA
1100
01:14:16,933 --> 01:14:18,700
IN HER AMBIVALENCE.
1101
01:14:18,767 --> 01:14:21,067
WHERE IS, UH...
1102
01:14:21,067 --> 01:14:23,800
OUR GIRLFRIEND
THIS AFTERNOON?
1103
01:14:23,867 --> 01:14:25,300
SHE'LL BE ALONG.
1104
01:14:25,367 --> 01:14:27,067
SHOULD BE INTERESTING.
1105
01:14:27,067 --> 01:14:30,067
EXCUSE ME. I HAVE
TO PLAY HOSTESS.
1106
01:14:30,067 --> 01:14:31,500
I'LL BE BACK.
1107
01:14:31,567 --> 01:14:33,333
STAY THERE.
1108
01:14:33,400 --> 01:14:36,333
AHA. I CAUGHT FRAN
WITH HER HANDS DOWN.
1109
01:14:36,400 --> 01:14:39,333
DON'T YOU FIND IT
RATHER UNCOOL
IN HERE, SHEP?
1110
01:14:39,400 --> 01:14:42,533
WHY DON'T YOU AND I
GO OUT ON THE TERRACE?
1111
01:14:48,400 --> 01:14:50,633
I WASN'T LAUGHING.
1112
01:14:57,567 --> 01:15:00,567
NONE OF THIS SEEMS
TO IMPRESS YOU MUCH,
1113
01:15:00,633 --> 01:15:02,067
PARTY AND ALL.
1114
01:15:02,133 --> 01:15:06,567
WELL, I JUST HAVE
TO CONTENT MYSELF
WITH THE BASICS
1115
01:15:06,633 --> 01:15:09,367
LIKE, UH, LIVING
AND EATING.
1116
01:15:09,433 --> 01:15:12,600
AND STEALING THINGS THAT
DON'T BELONG TO YOU?
1117
01:15:19,400 --> 01:15:21,333
I'M PREPARED
TO OFFER YOU $50,000
1118
01:15:21,400 --> 01:15:23,833
FOR THE FORMER CONTENTS
OF THIS CANE,
1119
01:15:23,900 --> 01:15:25,900
NO MORE QUESTIONS ASKED.
1120
01:15:25,967 --> 01:15:27,800
50 THOU--
1121
01:15:27,867 --> 01:15:29,500
HOO.
1122
01:15:29,567 --> 01:15:32,100
OH, THAT'S A LOT
OF PETTY CASH.
1123
01:15:32,167 --> 01:15:35,600
FOR A SHABBY EX-COP,
YOU BET IT IS.
1124
01:15:35,667 --> 01:15:37,600
DO WE HAVE A DEAL?
1125
01:15:37,667 --> 01:15:40,067
DO I HAVE TO ANSWER
RIGHT AWAY?
1126
01:15:40,067 --> 01:15:41,200
IMMEDIATELY.
1127
01:15:41,267 --> 01:15:42,833
WELL, IN THAT CASE,
1128
01:15:42,900 --> 01:15:45,267
I THINK I CAN MAKE
A BETTER DEAL.
1129
01:15:45,333 --> 01:15:46,333
I PASS.
1130
01:15:50,433 --> 01:15:53,500
GIVE US YOUR GUN
AND DON'T MOVE,
1131
01:15:53,567 --> 01:15:55,200
OR I'LL HAVE
TO KILL YOU.
1132
01:15:55,267 --> 01:15:56,867
TAKE HIS GUN.
1133
01:16:02,333 --> 01:16:03,900
[SCREAMS]
1134
01:16:36,500 --> 01:16:37,933
THE CONTROL BOX.
1135
01:16:38,067 --> 01:16:40,267
STOP THE ELEVATOR.
GET HIM BACK.
1136
01:17:26,900 --> 01:17:28,667
HE WENT OUT THE TOP.
1137
01:17:28,733 --> 01:17:29,833
GET IN.
1138
01:17:31,067 --> 01:17:32,500
GET UP THERE.
1139
01:17:46,900 --> 01:17:48,667
HE WENT DOWN THE POST.
1140
01:18:30,633 --> 01:18:33,533
I'LL GET HIM.
YOU GET THE CAR.
1141
01:18:53,900 --> 01:18:56,067
UGHH!
1142
01:20:07,767 --> 01:20:08,867
[WOOF WOOF]
1143
01:20:08,933 --> 01:20:10,033
[WOOF WOOF]
1144
01:21:16,133 --> 01:21:17,233
AVERY.
1145
01:21:23,567 --> 01:21:25,500
YOU AGAIN.
1146
01:21:25,567 --> 01:21:28,067
WHAT DO YOU WANT
THIS TIME?
1147
01:21:28,067 --> 01:21:31,067
WELL, FOR STARTERS,
YOU CAN STOP
LYING TO ME.
1148
01:21:31,133 --> 01:21:32,500
AMY DOLE'S WITH YOU.
1149
01:21:32,567 --> 01:21:34,100
I WANT TO SEE HER.
1150
01:21:34,167 --> 01:21:35,600
YES, AMY'S WITH US.
1151
01:21:35,667 --> 01:21:38,600
I'M AFRAID I HAD
TO TELL THAT LITTLE LIE
1152
01:21:38,667 --> 01:21:40,700
TO PROTECT HER.
1153
01:21:40,767 --> 01:21:43,067
SHE WAS IN NO SHAPE
TO SEE ANYONE,
1154
01:21:43,067 --> 01:21:44,467
BUT SHE'S FINE NOW.
1155
01:21:44,533 --> 01:21:45,967
YOU SEE, STONE,
1156
01:21:46,067 --> 01:21:49,067
WE TAKE THESE KIDS
HOOKED ON DRUGS
AND WORSE.
1157
01:21:49,067 --> 01:21:52,067
WE GIVE THEM A HOME,
A FAITH,
1158
01:21:52,067 --> 01:21:53,167
SOMETHING STRONGER
1159
01:21:53,233 --> 01:21:55,767
THAN DRUGS, VIOLENCE,
AND FORNICATION.
1160
01:21:55,833 --> 01:21:58,833
WE BRING THEM BACK
INTO THE ARMS OF JESUS,
1161
01:21:58,900 --> 01:22:00,367
A LIVING,
POWERFUL FORCE.
1162
01:22:00,433 --> 01:22:02,867
NO ONE'S HERE
AGAINST THEIR WILL.
1163
01:22:02,933 --> 01:22:04,533
YOU WANT TO SEE AMY?
1164
01:22:04,600 --> 01:22:06,533
THEY'RE AT THE BEACH NOW,
1165
01:22:06,600 --> 01:22:08,067
BUT TOMORROW'S
OUR BAPTISMAL DAY,
1166
01:22:08,100 --> 01:22:10,133
A DAY OF GLORY
FOR JESUS.
1167
01:22:10,200 --> 01:22:14,367
NOW I WARN YOU
ONE THING, STONE.
1168
01:22:14,433 --> 01:22:16,200
WHEN YOU SPEAK
WITH HER,
1169
01:22:16,267 --> 01:22:18,500
WALK IN THE PEACEFUL
PATH OF JESUS.
1170
01:22:18,567 --> 01:22:20,500
WE WILL NOT
TOLERATE VIOLENCE.
1171
01:22:20,567 --> 01:22:22,233
I TELL YOU THIS
1172
01:22:22,300 --> 01:22:24,333
AS A HUMBLE SERVANT
OF THE LORD.
1173
01:22:25,567 --> 01:22:27,500
IT'S A MIGHTY
HUMBLE CAR
1174
01:22:27,567 --> 01:22:29,067
YOU GOT THERE.
REVEREND.
1175
01:22:29,067 --> 01:22:30,833
THE LORD PROVIDES.
1176
01:22:40,567 --> 01:22:43,500
JESUS! JESUS! JESUS!
1177
01:22:43,567 --> 01:22:45,500
TAKE THIS CHILD
INTO THY BOSOM
1178
01:22:45,567 --> 01:22:48,333
AND WIPE AWAY
THE STAIN OF CAIN.
1179
01:22:48,400 --> 01:22:50,833
GIVE HER SALVATION
AND ETERNAL LIFE
1180
01:22:50,900 --> 01:22:53,833
IN THE SPIRIT
OF THE FATHER,
THE SON,
1181
01:22:53,900 --> 01:22:56,367
AND THE DOVE
OF PEACE. AMEN.
1182
01:22:57,667 --> 01:23:00,167
I'VE BEEN SAVED!
1183
01:23:03,467 --> 01:23:05,067
* HE'S GOT
THE WHOLE WORLD *
1184
01:23:05,133 --> 01:23:07,067
* IN HIS HANDS...
1185
01:23:07,133 --> 01:23:09,567
EVERYBODY'S GOT TO HAVE
JESUS IN HIS HEART.
1186
01:23:09,633 --> 01:23:11,067
THAT'S WHERE IT'S AT.
1187
01:23:11,133 --> 01:23:12,567
LOOK AROUND YOU.
1188
01:23:12,633 --> 01:23:14,567
THIS IS WHERE
IT'S HAPPENING.
1189
01:23:14,633 --> 01:23:17,767
THE DEVIL'S OUT THERE
TO EAT YOUR ASS.
1190
01:23:17,833 --> 01:23:20,400
* HE'S GOT
THE WIND AND RAIN *
1191
01:23:20,467 --> 01:23:21,500
* IN HIS HANDS
1192
01:23:21,567 --> 01:23:22,967
* HE'S GOT
THE WIND AND RAIN *
1193
01:23:23,067 --> 01:23:24,400
* IN HIS HANDS
1194
01:23:24,467 --> 01:23:26,433
* HE'S GOT THE WHOLE WORLD
IN HIS HANDS *
1195
01:23:26,500 --> 01:23:29,067
* HE'S GOT
THE WHOLE WORLD... *
1196
01:23:29,067 --> 01:23:31,067
IS MY DAUGHTER
DOWN THERE?
1197
01:23:31,067 --> 01:23:33,067
I HAVEN'T
SPOTTED HER YET.
1198
01:23:33,067 --> 01:23:34,500
WHAT'S GOING ON THERE?
1199
01:23:34,567 --> 01:23:36,067
WHAT ARE THEY DOING?
1200
01:23:36,067 --> 01:23:37,500
SOME SORT
OF BAPTIZING.
1201
01:23:37,567 --> 01:23:38,933
BAPTIZING?
1202
01:23:39,067 --> 01:23:41,433
DO YOU THINK THEY'RE
BAPTIZING AMY?
1203
01:23:41,500 --> 01:23:43,933
I SUPPOSE SHE'S
DOWN THERE
SOMEWHERE.
1204
01:23:44,067 --> 01:23:45,100
WANT TO LOOK
FOR HER?
1205
01:23:45,167 --> 01:23:46,533
YEAH.
1206
01:23:46,600 --> 01:23:47,867
* IN HIS HANDS
1207
01:23:47,933 --> 01:23:50,833
* HE'S GOT THE WHOLE WORLD
IN HIS HANDS *
1208
01:23:50,900 --> 01:23:53,833
* HE'S GOT THE WHOLE WORLD
IN HIS HANDS *
1209
01:23:53,900 --> 01:23:55,800
* HE'S GOT
THE WHOLE WORLD *
1210
01:23:55,867 --> 01:23:56,933
* IN HIS HANDS
1211
01:23:57,067 --> 01:23:58,400
* HE'S GOT
THE WHOLE WORLD *
1212
01:23:58,467 --> 01:23:59,800
* IN HIS HANDS
1213
01:23:59,867 --> 01:24:02,567
* HE'S GOT THE WHOLE WORLD
IN HIS HANDS *
1214
01:24:02,633 --> 01:24:04,600
* HE'S GOT
YOU AND ME, BROTHER *
1215
01:24:04,667 --> 01:24:05,833
* IN HIS HANDS
1216
01:24:05,900 --> 01:24:07,600
* HE'S GOT YOU AND ME,
SISTER *
1217
01:24:07,667 --> 01:24:08,767
* IN HIS HANDS
1218
01:24:08,833 --> 01:24:10,333
* HE'S GOT YOU AND ME,
BROTHER *
1219
01:24:10,400 --> 01:24:11,700
* IN HIS HANDS
1220
01:24:11,767 --> 01:24:14,067
* HE'S GOT THE WHOLE WORLD
IN HIS HANDS... *
1221
01:24:14,067 --> 01:24:15,367
LORD, HAVE MERCY.
1222
01:24:15,433 --> 01:24:16,867
STAND UP FOR JESUS.
1223
01:24:16,933 --> 01:24:17,933
GET UP.
1224
01:24:18,067 --> 01:24:20,933
DO YOU FEEL JESUS
IN YOUR HEART?
1225
01:24:21,067 --> 01:24:22,433
STAND UP, BROTHER.
1226
01:24:22,500 --> 01:24:23,767
STAND UP.
1227
01:24:23,833 --> 01:24:25,933
LET ME HEAR YOU
SAY AMEN.
1228
01:24:26,067 --> 01:24:28,067
HALLELUJAH, CHILDREN.
1229
01:24:28,100 --> 01:24:29,533
OH, SWEET JESUS.
1230
01:24:29,600 --> 01:24:31,067
I GOT YOU, JESUS.
1231
01:24:31,100 --> 01:24:33,800
I'M WITH YOU,
LORD.
1232
01:24:33,867 --> 01:24:36,467
LORD, HAVE MERCY.
1233
01:24:36,533 --> 01:24:38,800
THAT LOOKS LIKE HER
OVER THERE.
1234
01:24:42,067 --> 01:24:43,467
THAT'S NOT THE WAY.
1235
01:24:43,533 --> 01:24:45,967
WE GOT TO TALK
TO THE LEADER FIRST.
1236
01:24:46,067 --> 01:24:47,467
BUT IT'S MY DAUGHTER.
1237
01:24:47,533 --> 01:24:48,967
WE AIN'T
GOING NOWHERE
1238
01:24:49,067 --> 01:24:51,467
IS HE SICKS
THOSE FREAKS ON ME.
1239
01:24:51,533 --> 01:24:52,467
FOLLOW ME.
1240
01:24:59,067 --> 01:25:00,333
BROTHER STONE.
1241
01:25:00,400 --> 01:25:01,467
PARSON.
1242
01:25:01,533 --> 01:25:03,233
IT'S "REVEREND."
1243
01:25:03,300 --> 01:25:06,467
MR. DOLE WANTS TO SEE
HIS DAUGHTER.
1244
01:25:06,533 --> 01:25:09,600
WHAT KIND OF A MONSTER
ARE YOU, ANYWAY?
1245
01:25:09,667 --> 01:25:11,100
LOOK AT THIS--
THIS...
1246
01:25:11,167 --> 01:25:13,067
THIS WHAT, MR. DOLE?
1247
01:25:13,100 --> 01:25:15,300
AND WHAT MAKES ME
A MONSTER?
1248
01:25:15,367 --> 01:25:16,967
BRINGING
THE LOVE OF JESUS
1249
01:25:17,067 --> 01:25:20,167
INTO THE HEARTS
OF THESE LOST SOULS?
1250
01:25:20,233 --> 01:25:21,467
THEY'RE LIKE ANIMALS.
1251
01:25:21,533 --> 01:25:23,767
WE'RE ALL ANIMALS,
MR. DOLE.
1252
01:25:23,833 --> 01:25:26,267
THE LOVE OF JESUS
IS THE ONLY THING
1253
01:25:26,333 --> 01:25:29,167
THAT LIFTS US
ABOVE THE BEAST.
1254
01:25:29,233 --> 01:25:31,567
HOW DO I TALK
TO HIM, STONE?
1255
01:25:31,633 --> 01:25:34,733
TELL HIM YOU WANT TO TALK
TO YOUR DAUGHTER.
1256
01:25:34,800 --> 01:25:36,767
THERE'S NOTHING
STOPPING YOU, MR. DOLE.
1257
01:25:38,333 --> 01:25:39,833
AMY'S OVER THERE.
1258
01:25:39,900 --> 01:25:41,767
DO YOU BELIEVE
IN JESUS?
1259
01:25:41,833 --> 01:25:42,767
I'M JEWISH.
1260
01:25:42,833 --> 01:25:44,233
GROOVY. SO WAS HE.
1261
01:25:44,300 --> 01:25:45,733
THAT WAS
HIS PROBLEM.
1262
01:25:45,800 --> 01:25:47,733
I DON'T HAVE
THAT PROBLEM.
1263
01:25:47,800 --> 01:25:49,233
I'M NOT EVEN
ORTHODOX.
1264
01:25:49,300 --> 01:25:51,667
BUT YOU BELIEVE
THERE WAS A JESUS.
1265
01:25:51,733 --> 01:25:53,167
IT'S HISTORY, RIGHT?
1266
01:25:53,233 --> 01:25:55,167
LOOK, I WAS
JUST WATCHING.
1267
01:25:55,233 --> 01:25:56,667
NOW YOU JUST SUPPOSE
1268
01:25:56,733 --> 01:25:59,167
THAT JESUS CAME DOWN
AS THE SAVIOR
1269
01:25:59,233 --> 01:26:00,733
AND JUST SUPPOSE
1270
01:26:00,800 --> 01:26:03,367
PEOPLE MADE A MISTAKE
AND DIDN'T BELIEVE.
1271
01:26:03,433 --> 01:26:05,767
EVEN THE PRESIDENT
CAN MAKE A MISTAKE.
1272
01:26:05,833 --> 01:26:07,900
THE BELIEVERS HAD
AS MUCH RIGHT
1273
01:26:07,967 --> 01:26:10,567
AS THE PHARISEES
WHO TURNED THEIR
BACK ON HIM.
1274
01:26:10,633 --> 01:26:13,067
THEY SAW THE LIGHT,
BUT WOULDN'T BELIEVE.
1275
01:26:13,133 --> 01:26:15,700
THEIR PRIDE AND EGO
WOULDN'T ACCEPT HIM.
1276
01:26:15,767 --> 01:26:18,167
IF YOU BELIEVE
AND DON'T ACCEPT HIM,
1277
01:26:18,233 --> 01:26:19,533
YOU ARE AS UNHIP
AS THEY ARE
1278
01:26:19,600 --> 01:26:21,567
AND YOU ARE DAMNED.
1279
01:26:21,633 --> 01:26:23,667
DON'T YOU WANT
TO SAVE YOUR SOUL?
1280
01:26:23,733 --> 01:26:27,700
BELIEVE IN THE LIVING JESUS
WHO DIED FOR YOU.
1281
01:26:27,767 --> 01:26:28,867
AMY.
1282
01:26:28,933 --> 01:26:30,067
AMY.
1283
01:26:32,933 --> 01:26:35,467
AMY.
1284
01:26:35,533 --> 01:26:37,567
IT'S DAD.
1285
01:26:37,633 --> 01:26:40,967
YOU'RE NOT
MY FATHER.
1286
01:26:41,067 --> 01:26:43,500
YOU'RE A LIAR.
1287
01:26:43,567 --> 01:26:45,433
ANYWAY, JESUS
IS MY FATHER.
1288
01:26:49,067 --> 01:26:51,333
I'VE COME
TO TAKE YOU HOME.
1289
01:26:51,400 --> 01:26:53,867
THIS IS MY HOME.
1290
01:26:53,933 --> 01:26:55,733
NOW GO AWAY.
1291
01:26:55,800 --> 01:26:56,767
SEE WHAT YOU DID?
1292
01:26:56,833 --> 01:26:58,067
SHE WAS
COMING AROUND.
1293
01:26:58,100 --> 01:26:59,133
AMY!
1294
01:26:59,200 --> 01:27:00,600
MR. DOLE.
1295
01:27:00,667 --> 01:27:03,233
MY SUGGESTION TO YOU
IS THAT YOU LEAVE.
1296
01:27:03,300 --> 01:27:04,867
YOU'VE
BRAINWASHED HER.
1297
01:27:04,933 --> 01:27:07,333
THAT'S NOT THE GIRL
I BROUGHT UP.
1298
01:27:07,400 --> 01:27:09,333
YOU'VE DONE
SOMETHING TO HER.
1299
01:27:09,400 --> 01:27:11,333
OF COURSE I HAVE,
MR. DOLE.
1300
01:27:11,400 --> 01:27:13,067
I GAVE HER JESUS.
1301
01:27:13,100 --> 01:27:14,833
YOU SON OF A BITCH.
1302
01:27:17,733 --> 01:27:19,633
WHERE DID I MISS?
1303
01:27:19,700 --> 01:27:21,667
WHERE DID I
GO WRONG?
1304
01:27:21,733 --> 01:27:22,967
WHATEVER SHE WANTED,
1305
01:27:23,067 --> 01:27:25,667
I WORKED MY HEART
TO GET FOR HER.
1306
01:27:25,733 --> 01:27:28,267
YEAH, WELL,
MAYBE THAT'S IT.
1307
01:27:28,333 --> 01:27:29,433
HUH?
1308
01:27:29,500 --> 01:27:30,933
JUST KEEP WALKING.
1309
01:27:36,833 --> 01:27:38,067
AMY.
1310
01:27:39,333 --> 01:27:41,633
I GOT A MESSAGE
FOR YOU.
1311
01:27:41,700 --> 01:27:43,667
HARRY CHESS IS DEAD.
1312
01:27:46,400 --> 01:27:48,200
HEY.
1313
01:27:48,267 --> 01:27:50,467
HEY, YOU! STOP!
1314
01:27:50,533 --> 01:27:52,933
WHAT DID YOU SAY
ABOUT CHESS?
1315
01:27:53,067 --> 01:27:55,067
HE'S DEAD.
1316
01:27:55,133 --> 01:27:56,267
YOU'RE A LIAR.
1317
01:27:56,333 --> 01:27:59,067
HE'S GOING TO MEET ME
HERE TODAY.
1318
01:27:59,067 --> 01:28:01,900
SOMEBODY WILL HAVE
TO GET HIM OUT
OF THE MORGUE.
1319
01:28:01,967 --> 01:28:03,967
WHERE'S
THE HEROIN, AMY?
1320
01:28:04,067 --> 01:28:06,567
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1321
01:28:06,633 --> 01:28:09,467
YOU'LL HAVE TO
WHEN THE POLICE
GET THERE.
1322
01:28:09,533 --> 01:28:10,667
CHESS CONFESSED
EVERYTHING
1323
01:28:10,733 --> 01:28:11,900
BEFORE HE DIED.
1324
01:28:11,967 --> 01:28:13,600
YOU'VE GOT IT.
1325
01:28:13,667 --> 01:28:15,067
TELL ME
WHERE IT IS.
1326
01:28:15,100 --> 01:28:16,700
IT'LL GO
EASIER ON YOU.
1327
01:28:16,767 --> 01:28:19,233
IT'S--IT'S FOR JESUS.
1328
01:28:19,300 --> 01:28:22,533
WE WERE GOING TO SELL IT
TO HELP PEOPLE.
1329
01:28:22,600 --> 01:28:24,500
DON'T BE STUPID.
1330
01:28:24,567 --> 01:28:26,533
HE USED YOU
TO HIDE IT.
1331
01:28:26,600 --> 01:28:27,600
HE WAS GOING
TO KILL YOU
1332
01:28:27,667 --> 01:28:29,400
AFTER HE GOT
RID OF IT.
1333
01:28:29,467 --> 01:28:31,067
YOU'RE A LIAR!
1334
01:28:31,067 --> 01:28:33,267
CHESS LOVES ME.
HE LOVES JESUS.
1335
01:28:54,133 --> 01:28:55,767
AMY!
1336
01:28:58,733 --> 01:29:00,800
COPS, MAN! SPLIT!
1337
01:29:29,300 --> 01:29:30,933
REVEREND AVERY!
1338
01:29:33,700 --> 01:29:35,067
AMY!
1339
01:29:35,100 --> 01:29:36,833
REVEREND AVERY!
1340
01:29:36,900 --> 01:29:38,867
REVEREND AVERY!
1341
01:29:41,433 --> 01:29:42,933
LEAVE HER ALONE!
1342
01:30:51,600 --> 01:30:54,933
NOW I GOT YOU,
YOU LITTLE BITCH!
1343
01:30:56,367 --> 01:30:57,867
LEAVE ME ALONE!
1344
01:33:15,867 --> 01:33:17,133
STONE!
1345
01:33:17,200 --> 01:33:18,067
DON'T.
1346
01:33:18,133 --> 01:33:19,133
DON'T.
1347
01:33:19,200 --> 01:33:20,700
DON'T.
1348
01:33:27,167 --> 01:33:29,300
GO DOWN
AND PICK HIM UP.
1349
01:33:41,633 --> 01:33:45,067
BOY, ARE YOU
STUBBORN.
1350
01:33:45,067 --> 01:33:46,500
WHERE'S THE STASH?
1351
01:33:51,867 --> 01:33:54,800
NICE DAY FOR A SWIM,
ISN'T IT?
1352
01:33:54,867 --> 01:33:56,867
SUPPOSE
HE COULDN'T SWIM.
1353
01:33:56,933 --> 01:34:00,267
THAT'D BE ONE MORE
YOU WOULDN'T HAVE
TO LOCK UP.
1354
01:34:00,333 --> 01:34:02,800
OH, FOR CHRIST SAKE.
1355
01:34:02,867 --> 01:34:03,933
COME ON, COME ON.
1356
01:34:14,900 --> 01:34:16,100
CUT FOR THE STREET,
1357
01:34:16,167 --> 01:34:19,100
I'D SAY MAYBE...
1/2 MILLION BUCKS.
1358
01:34:19,167 --> 01:34:21,467
WHO THE HELL
IS DOLE?
1359
01:34:21,533 --> 01:34:23,133
WHY'D YOU
SEND HIM TO ME?
1360
01:34:23,200 --> 01:34:25,800
I SENT HIM?
THAT WHAT HE SAID?
1361
01:34:25,867 --> 01:34:27,200
WELL, NOT EXACTLY.
1362
01:34:28,367 --> 01:34:30,467
WELL, WELL.
1363
01:34:32,067 --> 01:34:34,467
I'M SURPRISED
TO SEE YOU, NICK.
1364
01:34:34,533 --> 01:34:36,967
THE BOYS MUST HAVE
BEEN REALLY WORRIED
1365
01:34:37,067 --> 01:34:39,133
IF THEY SENT YOU
TO CLEAN IT UP.
1366
01:34:39,200 --> 01:34:41,767
CALIFORNIA...
1367
01:34:41,833 --> 01:34:43,733
YOU'RE
ALL FREAKS HERE.
1368
01:34:43,800 --> 01:34:45,600
PUT HIM IN THE CAR.
1369
01:34:47,267 --> 01:34:48,400
CIAO, NICK.
1370
01:34:51,467 --> 01:34:53,367
YOU GOT A REAL
BIG ONE, STONE.
1371
01:34:53,433 --> 01:34:54,800
LOANS SYNDICATE
DIRTY MONEY
1372
01:34:54,867 --> 01:34:56,867
TO PEOPLE WHO CAN'T
GET IT FROM BANKS.
1373
01:34:56,933 --> 01:34:59,167
NICK MASSETTI.
1374
01:34:59,233 --> 01:35:04,067
THAT EXPLAINS THE TIE-IN
WITH ROLLO AND THE REST.
1375
01:35:04,100 --> 01:35:05,567
ONCE MASSETTI GOT
A LOCK ON THEM,
1376
01:35:05,633 --> 01:35:09,533
HE FORCED THEM
TO PUSH NARCOTICS.
1377
01:35:09,600 --> 01:35:11,867
OH, YEAH. YOU'D BETTER
PICK UP MAX MAJORS
1378
01:35:11,933 --> 01:35:14,167
AND HIS GIRLFRIEND
DIANE DAVIS.
1379
01:35:14,233 --> 01:35:15,533
SEE YOU AROUND, BOWEN.
1380
01:35:15,600 --> 01:35:16,700
YEAH.
1381
01:35:39,767 --> 01:35:41,800
HERE YOU ARE, SIR.
1382
01:35:41,867 --> 01:35:44,067
DO JUST FINE.
1383
01:35:44,067 --> 01:35:45,200
THANK YOU.
1384
01:36:04,533 --> 01:36:07,267
* I KNOW WHERE
1385
01:36:07,333 --> 01:36:11,700
* WE'RE GOIN'
1386
01:36:11,767 --> 01:36:13,067
HI, STONE.
1387
01:36:13,100 --> 01:36:17,100
* 'CAUSE I KNOW WHERE
1388
01:36:17,167 --> 01:36:21,167
* WE'VE BEEN
1389
01:36:21,233 --> 01:36:25,567
* THE DOOR TO LOVE
1390
01:36:25,633 --> 01:36:29,067
* IS OPEN
1391
01:36:29,067 --> 01:36:34,700
* TOGETHER,
WE CAN WALK *
1392
01:36:34,767 --> 01:36:39,300
* RIGHT IN
1393
01:36:39,367 --> 01:36:44,067
* FOR ALL THAT WE NEED
1394
01:36:44,100 --> 01:36:47,433
* IS WAITING FOR US
1395
01:36:47,500 --> 01:36:53,233
* AND WE JUST
MIGHT AS WELL *
1396
01:36:53,300 --> 01:36:55,967
* BEGIN
1397
01:36:58,300 --> 01:37:01,633
* I KNOW WHERE
1398
01:37:01,700 --> 01:37:08,067
* OUR LOVE CAN
TAKE US, BABY *
1399
01:37:08,100 --> 01:37:13,467
* 'CAUSE I KNOW WHERE
WE'VE BEEN *
91212
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