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These are the user uploaded subtitles that are being translated: 1 00:00:01,139 --> 00:00:04,004 male announcer: IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:04,038 --> 00:00:06,351 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:06,385 --> 00:00:09,043 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:09,078 --> 00:00:10,803 THESE ARE THEIR STORIES. 5 00:00:12,840 --> 00:00:14,324 - THIS IS A LITERARY JOURNAL. 6 00:00:14,359 --> 00:00:16,602 IF YOU WANT TO CONTRIBUTE, YOU CAN TAKE OUT OUR GARBAGE 7 00:00:16,637 --> 00:00:19,674 BECAUSE IT AND YOUR POETRY HAVE A LOT IN COMMON. 8 00:00:19,709 --> 00:00:22,056 [hangs up] 9 00:00:22,091 --> 00:00:23,299 BORED AND TALENTLESS HOUSEWIVES 10 00:00:23,333 --> 00:00:26,164 SHOULD SPEND MORE TIME IN BED WITH THEIR HUSBANDS 11 00:00:26,198 --> 00:00:28,200 AND LESS ON THE POEMS R US WEBSITE. 12 00:00:28,235 --> 00:00:29,995 - THEY HAVE FEELINGS, JACOB. 13 00:00:30,030 --> 00:00:33,033 - NO, NO, THEY HAVE MONEY, AND WE'RE NOT A VANITY PRESS. 14 00:00:33,067 --> 00:00:35,276 NOT YET. 15 00:00:35,311 --> 00:00:38,176 AND BY THE WAY, YOUR LATEST EPIC... 16 00:00:38,210 --> 00:00:39,349 SUCKS. 17 00:00:41,903 --> 00:00:44,492 - YOU'RE GONNA HAVE TO STOP THIS, JACOB. 18 00:00:44,527 --> 00:00:46,322 WE DON'T KNOW WHY DON IS COMING. 19 00:00:46,356 --> 00:00:47,426 - IF IT WERE GOOD NEWS, 20 00:00:47,461 --> 00:00:49,083 HE WOULD'VE TOLD US ON THE PHONE. 21 00:00:55,676 --> 00:00:58,403 - THERE ONCE WAS A MAN FROM PAWTUCKET... 22 00:00:58,437 --> 00:01:01,406 - HOW BAD IS IT? 23 00:01:01,440 --> 00:01:03,546 - HAVE YOU LOOKED AT THE DOW RECENTLY? 24 00:01:03,580 --> 00:01:04,512 - DON... 25 00:01:04,547 --> 00:01:05,617 - OR THE PROPOSED CUTS 26 00:01:05,651 --> 00:01:09,034 AND TAX DEDUCTIONS FOR CHARITABLE CONTRIBUTIONS? 27 00:01:09,069 --> 00:01:11,312 - YOU'RE CUTTING ALL OF OUR FUNDING. 28 00:01:11,347 --> 00:01:13,659 - AS SOON AS THE ENDOWMENT BOUNCES BACK, YOU'VE GOT-- 29 00:01:13,694 --> 00:01:15,868 - JUST EASE HIM INTO IT, OKAY? 30 00:01:20,425 --> 00:01:23,083 [sighs] 31 00:01:24,670 --> 00:01:25,809 WE SHOULD GET GOING. 32 00:01:25,844 --> 00:01:27,777 - WHAT'S THE POINT? 33 00:01:27,811 --> 00:01:29,744 - WE'LL WORK IT OUT, JACOB. 34 00:01:29,779 --> 00:01:33,507 DON SAID THE FOUNDATION WILL RECONSIDER FOR NEXT QUARTER. 35 00:01:33,541 --> 00:01:36,372 WE HAVE ENOUGH MONEY TO PUBLISH THIS ISSUE. 36 00:01:36,406 --> 00:01:38,098 - I HATE READINGS. 37 00:01:38,132 --> 00:01:40,859 - YOU LOVE READINGS. 38 00:01:40,893 --> 00:01:42,688 THEY SELL SUBSCRIPTIONS, 39 00:01:42,723 --> 00:01:47,521 AND YOU GET TO SURROUND YOURSELF WITH PIE-EYED SYCOPHANTS. 40 00:01:47,555 --> 00:01:49,764 - YOU KNOW, MAYBE YOU SHOULDN'T COME. 41 00:01:49,799 --> 00:01:52,940 YOU COULD, UM, GO SEE DON. 42 00:01:52,974 --> 00:01:54,148 HAVE A DRINK WITH HIM. 43 00:01:54,183 --> 00:01:55,805 - WHY? 44 00:01:55,839 --> 00:01:59,705 - HE HAS SOME DISCRETION AT THAT DAMN FOUNDATION. 45 00:01:59,740 --> 00:02:03,088 YOU KNOW, TEASE HIM OR SOMETHING. 46 00:02:03,123 --> 00:02:04,331 - TEASE HIM. 47 00:02:04,365 --> 00:02:06,471 - WHAT DO WOMEN DO WHEN THEY WANT SOMETHING 48 00:02:06,505 --> 00:02:09,370 FROM A MAN THEY DON'T WANT TO SLEEP WITH? 49 00:02:09,405 --> 00:02:11,545 I BELIEVE IT'S AN ANCIENT ART. 50 00:02:11,579 --> 00:02:13,478 - UH... 51 00:02:13,512 --> 00:02:16,481 - NEVER MIND. FORGET I SAID ANYTHING. 52 00:02:16,515 --> 00:02:17,551 [chuckles] 53 00:02:17,585 --> 00:02:20,795 I DON'T THINK STRAIGHT WHEN I'M DESPERATE. 54 00:02:20,830 --> 00:02:24,592 COME ON, LET'S GO GET MY ASS KISSED. 55 00:02:24,627 --> 00:02:29,942 - DO YOU REALLY THINK IT WOULD MAKE A DIFFERENCE? 56 00:02:34,775 --> 00:02:37,122 - LAUREN THINKS I SHOULD START WITH STREET SCENE. 57 00:02:37,157 --> 00:02:38,813 I'M LEANING TOWARDS THE LAMB. 58 00:02:38,848 --> 00:02:40,677 - LAUREN? 59 00:02:40,712 --> 00:02:42,472 YOU USED TO WORRY ABOUT HAROLD BLOOM. 60 00:02:42,507 --> 00:02:44,233 - SHE UNDERSTANDS MY WORK, 61 00:02:44,267 --> 00:02:47,167 SHE KEEPS ME FROM PUBLICLY EMBARRASSING MYSELF. 62 00:02:47,201 --> 00:02:52,102 - WELL, WE ALL KNOW THAT'S A FULL-TIME JOB. 63 00:02:52,137 --> 00:02:53,932 - THAT'S PART OF MY CHARM. 64 00:02:53,966 --> 00:02:56,693 - NOT THE ONLY PART. 65 00:02:56,728 --> 00:02:59,938 - YOU KNOW, 66 00:02:59,972 --> 00:03:02,941 I HADN'T BEEN LOOKING FORWARD TO THIS READING. 67 00:03:02,975 --> 00:03:05,426 - WE'RE ON. - YEAH. 68 00:03:05,461 --> 00:03:08,188 - [clears throat] 69 00:03:08,222 --> 00:03:09,948 GOOD EVENING. 70 00:03:09,982 --> 00:03:11,294 I'M SANDRA DUNBAR, 71 00:03:11,329 --> 00:03:14,504 AND I AM A PROUD SUPPORTER OF THE VILLAGE QUARTERLY, 72 00:03:14,539 --> 00:03:18,508 AND AN EVEN PROUDER SUPPORTER OF ITS EDITOR IN CHIEF. 73 00:03:18,543 --> 00:03:20,993 THE DISTINGUISHED POET JACOB GARRETY. 74 00:03:21,028 --> 00:03:22,098 NOW, I KNOW YOU'VE ALL BEEN WAITING, 75 00:03:22,132 --> 00:03:25,066 SO WITHOUT FURTHER ADO... 76 00:03:25,101 --> 00:03:27,207 [applause] 77 00:03:33,592 --> 00:03:36,561 - A THRIVING WEED BEHIND A DOG-PROOF FENCE. 78 00:03:36,595 --> 00:03:40,841 A WRITHING DOG BEHIND A SCREEN OF WEEDS. 79 00:03:40,875 --> 00:03:43,361 THE STREET NEEDS PEOPLE LESS AND LESS. 80 00:03:43,395 --> 00:03:47,227 THEIR BRAVE PURSUITS, THEIR WRETCHED DEEDS. 81 00:03:47,261 --> 00:03:49,953 THEY THINK THE STREET IS THERE FOR THEM. 82 00:03:49,988 --> 00:03:54,303 TO BEAR THEIR FEET, TO BEAR THEM ON. 83 00:03:54,337 --> 00:03:56,857 "BUT BEAR WITH ME," THE PAVEMENT SAYS, 84 00:03:56,891 --> 00:03:59,480 "I'M HERE AT NIGHT, I'M HERE AT DAWN. 85 00:03:59,515 --> 00:04:04,934 WHEN YOU ARE HERE, AND WHEN YOU'RE GONE." 86 00:04:52,464 --> 00:04:55,329 - HER WALLET WAS FOUND LYING IN THE GUTTER. NO CASH. 87 00:04:55,364 --> 00:04:57,538 I.D. SAYS SHE'S LAUREN COLLINS. 88 00:04:57,573 --> 00:04:59,057 22. 89 00:04:59,091 --> 00:05:00,852 LIVED ON AVENUE C. 90 00:05:00,886 --> 00:05:04,407 A WOMAN OVER HERE ON THE THIRD FLOOR HEARD A SCREAM AT 11:30. 91 00:05:04,442 --> 00:05:06,064 BY THE TIME SHE GETS TO THE WINDOW, 92 00:05:06,098 --> 00:05:08,998 THE GIRL'S DOWN, THE PERP--NOWHERE TO BE SEEN. 93 00:05:09,032 --> 00:05:10,137 - ALL RIGHT, WELL, WE'LL NEED TO CANVAS 94 00:05:10,171 --> 00:05:11,863 ALL THE APARTMENTS FACING THE STREET. 95 00:05:11,897 --> 00:05:13,243 - YOU GOT IT. - THANK YOU. 96 00:05:13,278 --> 00:05:14,244 - THANKS, JOEY. 97 00:05:14,279 --> 00:05:16,350 - BLUNT FORCE TRAUMA TO THE CRANIUM. 98 00:05:16,385 --> 00:05:17,455 CSU FOUND A BRICK OVER THERE. 99 00:05:17,489 --> 00:05:19,664 LOOKS TO HAVE BLOOD ON IT. 100 00:05:19,698 --> 00:05:23,219 - WELL, THERE'S NO PURSE. NO CASH IN THE WALLET. 101 00:05:23,253 --> 00:05:24,772 - I DON'T THINK IT WAS A MUGGING. 102 00:05:24,807 --> 00:05:26,153 - WELL, HER CLOTHES ARE INTACT, 103 00:05:26,187 --> 00:05:27,672 BUT WE'LL CHECK FOR SEXUAL ASSAULT. 104 00:05:27,706 --> 00:05:30,260 THERE'S A STAIN ON HER DRESS--LOOKS PROMISING. 105 00:05:30,295 --> 00:05:32,470 - IS THAT BRUISING ON THE SHOULDER, THERE? 106 00:05:32,504 --> 00:05:34,023 - YUP. HERE AND HERE. SOMEBODY GRABBED HER. 107 00:05:34,057 --> 00:05:36,439 - WELL, THEY FOUGHT, 108 00:05:36,474 --> 00:05:39,166 SOMEBODY GOT MAD, AND PICKED UP A BRICK. 109 00:05:39,200 --> 00:05:41,237 - SHE DOESN'T LOOK LIKE MUCH OF A FIGHTER. 110 00:05:41,271 --> 00:05:42,859 - WHICH IS WHY SHE LOST. 111 00:05:42,894 --> 00:05:45,517 KEYS ARE OUT. 112 00:05:45,552 --> 00:05:48,382 WHAT'S THIS--POETRY READING. JACOB GARRETY. 113 00:05:48,417 --> 00:05:50,660 THAT'S TONIGHT. 9:00 TO 11:00. 114 00:05:50,695 --> 00:05:53,353 PEOPLE ACTUALLY GO TO POETRY READINGS? 115 00:05:53,387 --> 00:05:55,251 - OPEN BAR RECEPTION TO FOLLOW. 116 00:05:55,285 --> 00:05:56,183 - THERE YOU GO. 117 00:05:56,217 --> 00:05:58,461 - NO! 118 00:05:58,496 --> 00:06:00,049 GET YOUR HANDS OFF ME! 119 00:06:00,083 --> 00:06:01,982 I JUST WANT TO SEE IF IT'S HER! 120 00:06:02,016 --> 00:06:03,259 WHO THE HELL'S IN CHARGE, HERE? 121 00:06:03,293 --> 00:06:04,674 - SIR, PLEASE, 122 00:06:04,709 --> 00:06:05,951 CALM DOWN. 123 00:06:05,986 --> 00:06:07,297 - I DON'T NEED CALM, 124 00:06:07,332 --> 00:06:08,851 I JUST NEED SOMEONE TO TELL ME IF IT'S LAUREN. 125 00:06:08,885 --> 00:06:12,302 - LET ME BUY YOU A CUP OF COFFEE. 126 00:06:13,683 --> 00:06:16,065 - NO. 127 00:06:16,099 --> 00:06:19,931 GOD, PLEASE, NO. 128 00:06:19,965 --> 00:06:22,899 THIS CITY. 129 00:06:22,934 --> 00:06:25,626 TURNS US INTO SAVAGES. 130 00:06:25,661 --> 00:06:28,388 - DO YOU KNOW IF LAUREN WAS HAVING ANY PROBLEMS? 131 00:06:28,422 --> 00:06:29,250 - WHAT KIND OF PROBLEMS? 132 00:06:29,285 --> 00:06:31,425 NO, SHE WASN'T HAVING ANY PROBLEMS. 133 00:06:31,460 --> 00:06:33,427 - HOW LONG HAD SHE BEEN WORKING FOR YOU, MR. GARRITY? 134 00:06:33,462 --> 00:06:37,258 - SHE WORKED WITH ME. SHE LOVED ME, AND I LOVED HER. 135 00:06:37,293 --> 00:06:39,364 - I'M VERY SORRY. 136 00:06:39,399 --> 00:06:41,401 - I SHOULD'VE BEEN WITH HER. 137 00:06:41,435 --> 00:06:42,436 THESE DAMN READINGS. 138 00:06:42,471 --> 00:06:43,989 STUDENTS, DILETTANTES, 139 00:06:44,024 --> 00:06:47,165 MINISCULE MINDS WITH OVERBLOWN AMBITIONS. 140 00:06:47,199 --> 00:06:49,443 - I CAN IMAGINE. 141 00:06:49,478 --> 00:06:51,411 DID LAUREN LEAVE THE READING EARLY? 142 00:06:52,860 --> 00:06:53,965 - LAUREN NEVER MADE IT TO THE READING. 143 00:06:53,999 --> 00:06:56,588 SHE HAD TO, UH, FINISH SOME PROOFING. 144 00:06:56,623 --> 00:06:57,831 - I SEE. 145 00:06:57,865 --> 00:07:01,524 WELL, WHY, THEN, MAY I ASK, WERE YOU HEADING DOWN THERE 146 00:07:01,559 --> 00:07:04,872 TO THE OFFICE IN THE MIDDLE OF THE NIGHT? 147 00:07:04,907 --> 00:07:05,908 - TO MEET HER. 148 00:07:05,942 --> 00:07:08,358 I WAS... SUPPOSED TO MEET HER. 149 00:07:08,393 --> 00:07:09,532 - BUT SHE'D LEFT. 150 00:07:09,567 --> 00:07:11,465 SHE WAS OUTSIDE ON THE STREET, 151 00:07:11,500 --> 00:07:14,261 OUTSIDE THE VILLAGE QUARTERLY OFFICE WHEN SHE WAS ATTACKED. 152 00:07:16,608 --> 00:07:18,127 - MAYBE SHE GOT TIRED OF WAITING. 153 00:07:18,161 --> 00:07:20,094 - BUT HER KEYS WERE OUT, WHICH THEY WOULD'VE BEEN 154 00:07:20,129 --> 00:07:21,302 IF SHE WAS ON HER WAY IN. 155 00:07:21,337 --> 00:07:23,028 SO SHE'D BEEN OUT. 156 00:07:23,063 --> 00:07:24,374 DO YOU KNOW WHERE SHE MIGHT'VE BEEN? 157 00:07:24,409 --> 00:07:27,274 - MAYBE SHE FORGOT SOMETHING. HOW WOULD I KNOW? 158 00:07:29,483 --> 00:07:31,312 SHE WAS A PHANTOM OF DELIGHT 159 00:07:31,347 --> 00:07:33,487 WHEN FIRST SHE GLEAMED UPON MY SIGHT. 160 00:07:33,522 --> 00:07:36,007 A LOVELY APPARITION SENT 161 00:07:36,041 --> 00:07:39,217 TO BE A MOMENT'S ORNAMENT. 162 00:07:45,465 --> 00:07:46,776 WORDSWORTH. 163 00:07:48,744 --> 00:07:51,298 - I'M GETTING MORE PRESS CALLS ABOUT THE VILLAGE QUARTERLY. 164 00:07:51,332 --> 00:07:52,920 I THOUGHT POETRY WAS DEAD. 165 00:07:52,955 --> 00:07:54,163 - NO, THAT'S THEATER. 166 00:07:54,197 --> 00:07:55,336 IT'S, UH, ONE OF THE MOST 167 00:07:55,371 --> 00:07:57,994 DISTINGUISHED JOURNALS IN THE CITY. 168 00:07:58,029 --> 00:07:59,409 - MEANING WHAT? 169 00:07:59,444 --> 00:08:01,895 A FEW THOUSAND PEOPLE BUY IT, A COUPLE HUNDRED READ IT? 170 00:08:01,929 --> 00:08:04,000 - NO, PEOPLE LIKE TO PUT IT ON THEIR COFFEE TABLES. 171 00:08:04,035 --> 00:08:05,623 MAKES 'EM FEEL SMART. 172 00:08:05,657 --> 00:08:06,762 - AND NOW IT'S GIVING THE INTELLECTUALS OF THE PRESS 173 00:08:06,796 --> 00:08:08,280 AN EXCUSE TO WRITE ABOUT A PRETTY GIRL 174 00:08:08,315 --> 00:08:10,179 WHO GOT HER HEAD BASHED IN. 175 00:08:10,213 --> 00:08:11,421 WHAT HAVE YOU GOT? 176 00:08:11,456 --> 00:08:14,010 - UH, WELL, THE PRINTS ON THE MURDER WEAPON WERE SMUDGED, 177 00:08:14,045 --> 00:08:18,774 AND WITHIN TEN FEET, CSU FOUND 56 OTHER RANDOM PRINTS. 178 00:08:18,808 --> 00:08:20,500 FOOTPRINTS, SOIL SAMPLES, 179 00:08:20,534 --> 00:08:23,641 AND VARIOUS BODILY FLUIDS OF HUMANS AND ANIMALS. 180 00:08:23,675 --> 00:08:25,366 - DUMP A BODY ON A CITY STREET, 181 00:08:25,401 --> 00:08:28,024 KEEP THE CRIME LAB BUSY FOR 1,000 YEARS. 182 00:08:28,059 --> 00:08:29,301 - RODGERS FOUND SOMETHING ON THE DRESS 183 00:08:29,336 --> 00:08:30,613 LIKE SEMEN. 184 00:08:30,648 --> 00:08:31,994 SHE'S RUNNING IT THROUGH THE DATABASE. 185 00:08:32,028 --> 00:08:33,927 - AND WE HAD COFFEE WITH JACOB GARRETY, 186 00:08:33,961 --> 00:08:36,446 THE QUARTERLY'S POET IN CHIEF AND THE VICTIM'S LOVER. 187 00:08:36,481 --> 00:08:38,138 NO RECORD, BUT THAT'S ONLY BECAUSE 188 00:08:38,172 --> 00:08:40,312 POMPOUS ISN'T AGAINST THE LAW. 189 00:08:40,347 --> 00:08:41,382 - DID HE HAVE ANY THOUGHTS 190 00:08:41,417 --> 00:08:43,108 ABOUT WHO MIGHT'VE WANTED TO HURT MS. COLLINS? 191 00:08:43,143 --> 00:08:46,387 - WELL, HE SORT OF RULED OUT WORDSWORTH. 192 00:08:46,422 --> 00:08:49,908 THIS GUY, THE LOVE OF HIS LIFE IS SAVAGELY MURDERED, 193 00:08:49,943 --> 00:08:51,703 AND HE'S RECITING POETRY. 194 00:08:51,738 --> 00:08:53,394 IT WAS ALL I COULD DO TO KEEP FROM SMACKING HIM. 195 00:08:53,429 --> 00:08:56,777 - FIND OUT IF THE VICTIM HAD ANY ENEMIES. 196 00:08:56,812 --> 00:08:59,815 - THE POLICE TOLD ME SHE WAS ON HER WAY IN. 197 00:08:59,849 --> 00:09:01,955 SHE'D BEEN OUT. 198 00:09:01,989 --> 00:09:04,233 SHE TOLD ME SHE WAS GOING TO SEE YOU. 199 00:09:04,267 --> 00:09:06,338 - WHAT DID YOU TELL THE POLICE? 200 00:09:06,373 --> 00:09:08,030 - NOTHING, IT'S-- 201 00:09:08,064 --> 00:09:11,930 IT'S NOT LIKE I THINK YOU KILLED HER. 202 00:09:11,965 --> 00:09:13,518 YOU DIDN'T KILL HER, DID YOU? 203 00:09:13,553 --> 00:09:14,899 - OF COURSE NOT. 204 00:09:14,933 --> 00:09:19,006 I SAW HER, WE TALKED, SHE LEFT. 205 00:09:19,041 --> 00:09:21,077 - ONE OF US SHOULD TELL THE POLICE. 206 00:09:21,112 --> 00:09:22,665 - LOOK, I DON'T WANT THE FOUNDATION 207 00:09:22,700 --> 00:09:25,599 DRAGGED INTO THE INVESTIGATION. 208 00:09:25,634 --> 00:09:27,290 - OR YOUR WIFE. 209 00:09:34,056 --> 00:09:39,026 - LOOK, THERE MAY BE SOME FUNDS AVAILABLE FOR THE QUARTERLY. 210 00:09:39,061 --> 00:09:42,374 - YOU'RE OFFERING ME A BRIBE. 211 00:09:42,409 --> 00:09:45,481 - I'M OFFERING YOU YOUR PRECIOUS MAGAZINE. 212 00:09:45,515 --> 00:09:47,241 DO YOU WANT IT OR NOT? 213 00:09:51,556 --> 00:09:54,455 - SHOULDN'T YOU BE LOOKING IN CRACK HOUSES? 214 00:09:54,490 --> 00:09:57,217 OR BARS ON THE BOWERY? 215 00:09:57,251 --> 00:09:58,943 THEY'RE ALL MILLION-DOLLAR CONDOS NOW. 216 00:09:58,977 --> 00:10:00,185 - THE FESTER PRIZE 217 00:10:00,220 --> 00:10:01,324 FROM THE AMERICAN ACADEMY OF POETS. 218 00:10:01,359 --> 00:10:02,705 I'M IMPRESSED. - DON'T BE. 219 00:10:02,740 --> 00:10:04,673 POETS ARE JUST ONE NOTCH BELOW HOLLYWOOD 220 00:10:04,707 --> 00:10:07,158 IN GIVING SELF-CONGRATULATORY TRINKETS. 221 00:10:07,192 --> 00:10:09,747 I DON'T KNOW WHAT YOU THINK YOU'LL FIND HERE. 222 00:10:09,781 --> 00:10:11,438 - HELPFUL IF WE KNOW SOMETHING ABOUT THE VICTIM. 223 00:10:11,472 --> 00:10:13,647 - WE EDITED A MAGAZINE. 224 00:10:13,682 --> 00:10:15,269 SHE READ SUBMISSIONS, 225 00:10:15,304 --> 00:10:18,272 WORKED WITH POETS, PRINTERS, READERS, CONTRIBUTORS-- 226 00:10:18,307 --> 00:10:20,447 - AND SENT OUT REJECTION LETTERS. 227 00:10:20,481 --> 00:10:23,623 - LAUREN SCREENED OUT THE ONES THAT WERE OBVIOUSLY CRAP. 228 00:10:23,657 --> 00:10:26,177 WE GET HUNDREDS OF SUBMISSIONS EVERY WEEK, 229 00:10:26,211 --> 00:10:27,454 MOST OF WHICH ARE WRITTEN 230 00:10:27,488 --> 00:10:30,526 BY PEOPLE WHO'VE NEVER EVEN READ A POEM. 231 00:10:30,560 --> 00:10:33,391 - THIS ONE SENT HIS REJECTION FORM BACK. 232 00:10:33,425 --> 00:10:35,669 YOU SHOULD BE ASHAMED OF YOURSELF. 233 00:10:35,704 --> 00:10:37,498 VERY NEAT. WHO'S WETHERLY? 234 00:10:37,533 --> 00:10:39,052 - HE'S NOT A WRITER, HE'S A LUNATIC. 235 00:10:39,086 --> 00:10:40,156 DRIVES US BOTH CRAZY. 236 00:10:43,850 --> 00:10:46,059 IF I THOUGHT FOR A SECOND HE WOULD HURT LAUREN, 237 00:10:46,093 --> 00:10:49,683 I WOULD HAVE KILLED THE SON OF A BITCH. 238 00:10:49,718 --> 00:10:52,168 - HYPERBOLE, RIGHT? 239 00:10:55,447 --> 00:10:57,311 - WELL, OF COURSE THEY WOULDN'T PUBLISH ME. 240 00:10:57,346 --> 00:11:00,176 THEY WANT ME AS FAR AWAY FROM THEIR PRECIOUS QUARTERLY 241 00:11:00,211 --> 00:11:01,143 AS POSSIBLE. 242 00:11:01,177 --> 00:11:02,420 - AND WHY IS THAT? 243 00:11:02,454 --> 00:11:06,320 - JACOB GARRETY IS A THIEF AND A FRAUD 244 00:11:06,355 --> 00:11:08,806 AND I HAVE THE PROOF. 245 00:11:08,840 --> 00:11:10,497 [clears throat] 246 00:11:10,531 --> 00:11:16,158 HERE IS A POEM ALLEGEDLY WRITTEN 247 00:11:16,192 --> 00:11:18,608 BY GARRETY, 248 00:11:18,643 --> 00:11:23,475 AND HERE IS ONE OF MINE 249 00:11:23,510 --> 00:11:26,686 THAT HE REJECTED FROM THE QUARTERLY. 250 00:11:26,720 --> 00:11:30,448 - YOU'RE SAYING HE PLAGIARIZED YOUR POEM? 251 00:11:30,482 --> 00:11:32,139 - [clears throat] 252 00:11:32,174 --> 00:11:35,280 LARCENY WOULD BE MORE ACCURATE. 253 00:11:35,315 --> 00:11:37,489 HE HAD THE GALL TO PUBLISH 254 00:11:37,524 --> 00:11:40,078 IN THE DECEMBER ISSUE. 255 00:11:40,113 --> 00:11:42,115 HE DIDN'T KNOW THAT I STILL READ THE MAGAZINE. 256 00:11:42,149 --> 00:11:44,151 - YEAH, I'M SORRY, MR. WETHERLY. 257 00:11:44,186 --> 00:11:46,015 I DON'T SEE, UM, 258 00:11:46,050 --> 00:11:48,259 THE SIMILARITY BETWEEN THESE TWO, UH, POEMS. 259 00:11:48,293 --> 00:11:49,294 HIS IS A LOVE POEM 260 00:11:49,329 --> 00:11:52,435 AND YOURS IS ABOUT A, UH, MOSQUITO. 261 00:11:52,470 --> 00:11:56,129 - THE METER. IT'S THE SAME. 262 00:11:56,163 --> 00:12:00,167 DA DA. DA DA. 263 00:12:00,202 --> 00:12:01,306 - MM-HMM. 264 00:12:01,341 --> 00:12:03,584 DA-DA, DA-DA, DA-DA, DA-DA. 265 00:12:03,619 --> 00:12:08,589 - DA DA, DA DA, DA DA. DA DA. 266 00:12:08,624 --> 00:12:11,489 - DA-DA, DA-DA, DA-DA-- 267 00:12:11,523 --> 00:12:13,629 - DA DA. THAT'S IT. - MM-HMM. 268 00:12:13,663 --> 00:12:14,768 - MR. WETHERLY, 269 00:12:14,803 --> 00:12:16,770 WHERE WERE YOU LAST NIGHT AROUND 11:30? 270 00:12:16,805 --> 00:12:21,602 - HERE, WRITING...THIS. 271 00:12:21,637 --> 00:12:22,811 - WRITING THIS? 272 00:12:22,845 --> 00:12:26,021 - OH, I SEE. 273 00:12:26,055 --> 00:12:30,335 HE SENT YOU, DIDN'T HE? 274 00:12:30,370 --> 00:12:31,785 - MR. WETHERLY IS, UH, PARANOID. 275 00:12:31,820 --> 00:12:34,754 - WELL, THE SHRINKS AT OSSINING WILL CLEAR THAT RIGHT UP. 276 00:12:34,788 --> 00:12:36,134 - YEAH, BUT I DON'T KNOW. 277 00:12:36,169 --> 00:12:38,758 THE OBJECT OF HIS PARANOIA SEEMS TO BE JACOB, NOT LAUREN. 278 00:12:38,792 --> 00:12:42,520 - WELL, SECOND BEST IS BETTER THAN NOTHING AT ALL. 279 00:12:42,554 --> 00:12:43,555 - POSSIBLY. 280 00:12:43,590 --> 00:12:46,627 UH, YOU KNOW, BUT JACOB IS NOT HALF BAD. 281 00:12:46,662 --> 00:12:49,182 "O FOR A MUSE OF BLOOD TO TELL IT, 282 00:12:49,216 --> 00:12:51,149 I CURSE YOUR SOUL THAT YOU WOULD SELL IT." 283 00:12:51,184 --> 00:12:53,082 - YEAH, HE SOUNDS LIKE A FUN GUY. 284 00:12:53,117 --> 00:12:56,223 - "THE NIGHTS ON THE SAND UNDER GASPING ISLAND STARS, 285 00:12:56,258 --> 00:12:58,363 "THE DAWN WALKS, PALM TO PALM, 286 00:12:58,398 --> 00:13:00,434 "NIGHT'S LOVE-SWEAT MELTING AWAY, 287 00:13:00,469 --> 00:13:02,643 "AND IN ITS PLACE, YOUR FACE, YOUR FACE, 288 00:13:02,678 --> 00:13:05,543 "YOUR FACE THAT NOW, FOR CANCEROUS GOLD 289 00:13:05,577 --> 00:13:07,200 IS SOLD." 290 00:13:07,234 --> 00:13:09,616 HE'S WRITING ABOUT A LOVER LEAVING HIM FOR MONEY. 291 00:13:13,206 --> 00:13:16,002 - LAUREN? - SHE WAS THE LOVER. 292 00:13:16,036 --> 00:13:17,866 - BUT SHE HADN'T LEFT HIM. 293 00:13:17,900 --> 00:13:21,352 - NOT ACCORDING TO WHAT HE TOLD US. 294 00:13:21,386 --> 00:13:22,663 ALL RIGHT, SO WHO IN THAT WORLD 295 00:13:22,698 --> 00:13:24,493 HAS TWO DIMES TO RUB TOGETHER? 296 00:13:24,527 --> 00:13:28,669 - UH, THE MAGAZINE IS SUPPORTED BY A FOUNDATION. 297 00:13:28,704 --> 00:13:31,707 - ME AND LAUREN. 298 00:13:31,741 --> 00:13:34,883 BUT I'M A HAPPILY MARRIED MAN. 299 00:13:34,917 --> 00:13:36,954 OH. EVERYBODY SAYS THAT, RIGHT? 300 00:13:36,988 --> 00:13:37,955 - RIGHT. 301 00:13:37,989 --> 00:13:39,025 RIGHT, AS FAR AS I KNOW, 302 00:13:39,059 --> 00:13:41,855 JACOB AND LAUREN WERE THE PERFECT COUPLE. 303 00:13:41,890 --> 00:13:44,685 THE TORTURED ARTIST AND THE STARSTRUCK PROTEGE. 304 00:13:44,720 --> 00:13:45,963 - SOUNDS LIKE YOU SAW HIM IN ACTION. 305 00:13:45,997 --> 00:13:49,518 WOULD YOU HANG AROUND THE, UH, OFFICES HERE AND THERE? 306 00:13:49,552 --> 00:13:51,209 - WELL, I TRIED NOT TO. 307 00:13:51,244 --> 00:13:52,762 NOW I'M ON THE TOP OF JACOB'S LIST 308 00:13:52,797 --> 00:13:54,695 OF THE THINGS THAT HE ABHORS. 309 00:13:54,730 --> 00:13:55,800 - WHY IS THAT? 310 00:13:55,835 --> 00:13:58,320 - BECAUSE I CAN AFFORD TO BUY DINNER. 311 00:13:58,354 --> 00:14:01,219 NOW JACOB THINKS THAT PEOPLE WHO ACCUMULATE WEALTH 312 00:14:01,254 --> 00:14:02,703 ARE MORALLY BANKRUPT. 313 00:14:02,738 --> 00:14:04,533 - SO YOU DON'T LIKE HIM, HE DOESN'T LIKE YOU. 314 00:14:04,567 --> 00:14:07,950 BUT STILL YOU, YOU FOOT HIS BILLS? 315 00:14:07,985 --> 00:14:09,987 - WELL, MY GRANDFATHER WHO STARTED THIS FOUNDATION 316 00:14:10,021 --> 00:14:12,058 HAD A SOFT SPOT FOR POETS. 317 00:14:12,092 --> 00:14:13,853 - YOU DIDN'T SEE ANY SIGNS THAT LAUREN 318 00:14:13,887 --> 00:14:15,130 WAS HAVING AN AFFAIR WITH ANYBODY. 319 00:14:15,164 --> 00:14:16,752 - NO. 320 00:14:16,786 --> 00:14:19,479 NO, AND IF SHE DID, SHE'D HAVE TO HIDE IT. 321 00:14:19,513 --> 00:14:22,482 OH, JACOB'S A VERY JEALOUS TYPE. 322 00:14:22,516 --> 00:14:24,415 - HOW JEALOUS? 323 00:14:24,449 --> 00:14:26,693 - WELL, I TOOK LAUREN FOR A CUP OF COFFEE ONE AFTERNOON 324 00:14:26,727 --> 00:14:28,833 TO DISCUSS A CIRCULATION CAMPAIGN. 325 00:14:28,868 --> 00:14:31,180 LAUREN TOLD ME THAT WHEN SHE GOT BACK TO THE OFFICE, 326 00:14:31,215 --> 00:14:33,596 JACOB SMASHED A CHAIR ON HER DESK. 327 00:14:37,497 --> 00:14:39,637 - I WANT YOU TO LISTEN TO ME, JACOB. 328 00:14:39,671 --> 00:14:40,914 WHEN A WOMAN IS MURDERED, 329 00:14:40,949 --> 00:14:43,227 THE PRIMARY SUSPECT'S ALWAYS HER LOVER. 330 00:14:43,261 --> 00:14:44,814 - I DIDN'T KILL LAUREN. 331 00:14:44,849 --> 00:14:45,919 - WELL, OF COURSE YOU DIDN'T. 332 00:14:45,954 --> 00:14:48,922 BUT YOU NEED TO UNDERSTAND HOW THESE THINGS GO. 333 00:14:48,957 --> 00:14:50,061 THE POLICE ARE GONNA COME AFTER YOU. 334 00:14:50,096 --> 00:14:52,132 YOU'VE GOTTA BE PREPARED. 335 00:14:52,167 --> 00:14:53,927 - WHAT DOES IT MATTER? 336 00:14:53,962 --> 00:14:57,344 SHE'S GONE, THE QUARTERLY'S GOING. 337 00:14:57,379 --> 00:15:00,071 - WELL, MAYBE THERE'S SOMETHING I CAN DO. 338 00:15:00,106 --> 00:15:01,210 I'LL TALK TO MY HUSBAND. 339 00:15:01,245 --> 00:15:03,695 - YOU'VE ALREADY BEEN VERY GENEROUS. 340 00:15:07,285 --> 00:15:11,945 - I BELIEVE IN WHAT YOU'RE DOING. 341 00:15:11,980 --> 00:15:13,533 - YOU KNOW WHERE... 342 00:15:13,567 --> 00:15:15,811 POETRY RANKS ON THE WORLD'S CONCERNS? 343 00:15:15,845 --> 00:15:16,950 - WHERE? 344 00:15:16,985 --> 00:15:19,746 - THERE WAS A TIME I THOUGHT POETRY COULD MATTER. 345 00:15:19,780 --> 00:15:24,751 WHEN I THOUGHT MY POETRY COULD MATTER. 346 00:15:24,785 --> 00:15:27,305 - I KNOW. 347 00:15:27,340 --> 00:15:30,377 - YEAH. YOU DO. I KNOW THAT. 348 00:15:37,798 --> 00:15:40,974 IT'S JUST... 349 00:15:41,009 --> 00:15:44,150 EVERYTHING IS SO HOPELESS. 350 00:16:01,546 --> 00:16:02,789 - OCCASIONALLY, I HAVE A TEMPER. 351 00:16:02,823 --> 00:16:04,204 I AM A HUMAN BEING. 352 00:16:04,239 --> 00:16:05,550 - WELL... 353 00:16:05,585 --> 00:16:07,518 OTHER HUMAN BEINGS LOSE THEIR TEMPER 354 00:16:07,552 --> 00:16:09,002 WITHOUT SMASHING OFFICE FURNITURE. 355 00:16:09,037 --> 00:16:12,350 - YEAH WELL, OTHER HUMAN BEINGS GO THROUGH LIFE LIKE CATTLE. 356 00:16:12,385 --> 00:16:14,283 THEIR EYES TO THE GROUND, 357 00:16:14,318 --> 00:16:17,493 THEIR EMOTIONS LIMITED TO ROOTING FOR FOOTBALL TEAMS. 358 00:16:17,528 --> 00:16:19,461 - WE'RE A PRETTY SORRY BUNCH, AREN'T WE? 359 00:16:19,495 --> 00:16:22,878 AND TELL ME ABOUT THIS EMOTION WHEN YOU SMASHED THAT CHAIR. 360 00:16:22,912 --> 00:16:24,776 - I NEEDED HELP AT THE OFFICE. 361 00:16:24,811 --> 00:16:26,088 WE WERE ON A DEADLINE, 362 00:16:26,123 --> 00:16:27,848 AND LAUREN WAS NOWHERE TO BE FOUND. 363 00:16:27,883 --> 00:16:30,920 - BECAUSE SHE WAS HAVING COFFEE WITH DON MCCALLUM. 364 00:16:30,955 --> 00:16:32,232 - THAT WASN'T THE PROBLEM. 365 00:16:32,267 --> 00:16:34,131 - NO, THE ISSUE WAS THAT, UH, 366 00:16:34,165 --> 00:16:36,581 SHE WASN'T WHERE SHE WAS SUPPOSED TO BE. 367 00:16:36,616 --> 00:16:38,894 JUST LIKE THE OTHER NIGHT AT THE READING. 368 00:16:38,928 --> 00:16:42,173 - I ALREADY TOLD YOU SHE WAS CLOSING AN ISSUE. 369 00:16:42,208 --> 00:16:44,244 - SO IF WE ASKED OTHER PEOPLE WHO WERE THERE, 370 00:16:44,279 --> 00:16:45,521 WOULD THEY TELL US YOU WERE TICKED OFF 371 00:16:45,556 --> 00:16:47,075 ABOUT LAUREN'S NO-SHOW? 372 00:16:47,109 --> 00:16:48,317 - THEY WOULD TELL YOU THAT 373 00:16:48,352 --> 00:16:50,319 I HAD NO GREATER LOVE THAN LAUREN, 374 00:16:50,354 --> 00:16:52,356 THAT MY LIFE ENDED WITH HERS, 375 00:16:52,390 --> 00:16:54,358 THAT CIVIL SERVICE WORKERS ARE LAZY AND STUPID 376 00:16:54,392 --> 00:16:57,188 AND STICK TO THE FIRST ARROW THEY PULL FROM THEIR QUIVER. 377 00:16:57,223 --> 00:16:59,294 - YOU'RE NOT SCORING ANY POINTS HERE, MR. GARRETY. 378 00:16:59,328 --> 00:17:02,228 - I DON'T NEED TO. I DIDN'T DO ANYTHING. 379 00:17:02,262 --> 00:17:05,369 THE POOR GIRL WAS KILLED BY A MUGGER, WASN'T SHE? 380 00:17:05,403 --> 00:17:07,095 I LOVED HER. 381 00:17:07,129 --> 00:17:08,924 - WHAT TIME DID THE READING END? 382 00:17:08,958 --> 00:17:13,066 - UM, I DON'T KNOW. 10:30, 10:45. 383 00:17:13,101 --> 00:17:16,690 THEN I HAD TO STAY AND SIP WINE WITH MY ADORING FANS. 384 00:17:16,725 --> 00:17:17,933 - AH, YES. 385 00:17:17,967 --> 00:17:21,074 THE STUDENTS, DILETTANTES. 386 00:17:21,109 --> 00:17:23,801 UH, MINUSCULE MINDS? 387 00:17:23,835 --> 00:17:25,182 - YEAH. 388 00:17:25,216 --> 00:17:29,600 - "O FOR A MUSE OF BLOOD..." 389 00:17:29,634 --> 00:17:32,706 YEAH, I FEEL LIKE I'VE... 390 00:17:32,741 --> 00:17:34,812 I--I SWEAR I'VE, I'VE, UH, HEARD THAT BEFORE. 391 00:17:34,846 --> 00:17:36,641 OH, I KNOW. OH, THAT'S THE, UH, 392 00:17:36,676 --> 00:17:41,198 THAT'S THE WAY HENRY V OPENS UP, SHAKESPEARE. 393 00:17:41,232 --> 00:17:44,304 IF YOU'RE GONNA STEAL-- - I DON'T STEAL. 394 00:17:44,339 --> 00:17:45,719 THAT WAS A MUSE OF FIRE. 395 00:17:45,754 --> 00:17:48,584 THIS IS A LITERARY ALLUSION. 396 00:17:48,619 --> 00:17:50,517 NOW IF YOU WANT TO TALK ABOUT POETRY, 397 00:17:50,552 --> 00:17:53,486 I'LL SEND YOU A CHILD'S GARDEN OF VERSE. 398 00:17:53,520 --> 00:17:55,212 WE CAN TAKE IT FROM THERE. 399 00:17:58,663 --> 00:18:00,286 - MAYBE LATER. 400 00:18:00,320 --> 00:18:01,425 AS FOR LAUREN, 401 00:18:01,459 --> 00:18:03,944 WHAT IF WE TOLD YOU THAT THE MEDICAL EXAMINER 402 00:18:03,979 --> 00:18:06,015 FOUND SOME SEMEN ON HER DRESS? 403 00:18:06,050 --> 00:18:08,087 - WE'RE ADULTS. 404 00:18:08,121 --> 00:18:10,261 - YOU'RE SAYING IT, IT WOULD HAVE BEEN YOURS. 405 00:18:10,296 --> 00:18:12,781 - YOU'RE SAYING IT WOULD HAVE BEEN SOMEBODY ELSE'S? 406 00:18:14,852 --> 00:18:16,405 - HOW'S THIS GUY LOOKING? 407 00:18:16,440 --> 00:18:19,028 - MM, TEMPER, SMASHES THINGS, 408 00:18:19,063 --> 00:18:20,547 HE DENIES HIS JEALOUSY. 409 00:18:20,582 --> 00:18:22,377 BUT SHE WAS A PRETTY GIRL 410 00:18:22,411 --> 00:18:24,137 AND A WHOLE LOT YOUNGER THAN HIM. 411 00:18:24,172 --> 00:18:27,520 - MM. - YOU DON'T AGREE. 412 00:18:27,554 --> 00:18:29,625 - NO, HE'S GOT A TEMPER AND HE'S A FOOL. 413 00:18:29,660 --> 00:18:30,626 - BUT? 414 00:18:30,661 --> 00:18:33,112 I QUESTION HIS ARTISTIC INTEGRITY 415 00:18:33,146 --> 00:18:34,527 AND HE GETS INDIGNANT. 416 00:18:34,561 --> 00:18:37,633 I QUESTION LAUREN'S FIDELITY AND HE DISMISSES IT. 417 00:18:37,668 --> 00:18:39,463 UH, I THINK HIS EGO'S SO BIG HE CAN'T EVEN IMAGINE THAT 418 00:18:39,497 --> 00:18:40,947 SHE MIGHT HAVE BEEN CHEATING ON HIM. 419 00:18:40,981 --> 00:18:42,155 - WELL, IT WORKS BOTH WAYS. 420 00:18:42,190 --> 00:18:44,364 IF SHE DID AND HE FOUND OUT... 421 00:18:44,399 --> 00:18:45,503 - WHY DON'T YOU TWO FINISH THIS DEBATE 422 00:18:45,538 --> 00:18:47,505 WHILE YOU GO CHECK OUT HIS ALIBI? 423 00:18:51,268 --> 00:18:53,994 - I RENTED A BAR. I PAID FOR SOME DRINKS. 424 00:18:54,029 --> 00:18:55,203 - DO YOU REMEMBER WHAT TIME IT ENDED? 425 00:18:55,237 --> 00:18:58,723 - UM, IT WAS BEFORE 11:00. MAYBE 10:45. 426 00:18:58,758 --> 00:19:01,588 BUT JACOB AND I SAT AROUND FOR A WHILE AFTERWARDS TALKING. 427 00:19:01,623 --> 00:19:04,419 - WHAT DID YOU AND JACOB, UH, TALK ABOUT? 428 00:19:04,453 --> 00:19:07,732 - POETRY. 429 00:19:07,767 --> 00:19:09,700 - MR. DUNBAR. 430 00:19:09,734 --> 00:19:12,185 DID YOU ENJOY THE POETRY READING? 431 00:19:12,220 --> 00:19:13,807 - I WAS WORKING LATE. 432 00:19:13,842 --> 00:19:16,845 - HMM, THAT MEANS THAT THE KNICKS WERE ON. 433 00:19:16,879 --> 00:19:18,950 - IT WAS A GREAT GAME. - POETRY IN MOTION. 434 00:19:18,985 --> 00:19:20,124 THE BEST KIND. 435 00:19:20,159 --> 00:19:23,714 - DID JACOB SAY ANYTHING TO YOU ABOUT LAUREN? 436 00:19:23,748 --> 00:19:25,854 - I DON'T THINK SO. 437 00:19:25,888 --> 00:19:27,545 I KNOW HE FOUND HER USEFUL. 438 00:19:27,580 --> 00:19:29,582 - USEFUL? 439 00:19:29,616 --> 00:19:33,344 YOU TOLD US THAT SHE WAS THE, UH, LOVE OF HIS LIFE. 440 00:19:33,379 --> 00:19:35,312 - JACOB CAN BE A LITTLE DRAMATIC. 441 00:19:35,346 --> 00:19:36,623 YOU MAY HAVE NOTICED. 442 00:19:36,658 --> 00:19:38,073 - WELL, WE THOUGHT HE MIGHT HAVE HAD REASON 443 00:19:38,107 --> 00:19:39,039 TO BE JEALOUS, 444 00:19:39,074 --> 00:19:40,420 BUT YOU'RE SAYING HE DIDN'T EVEN LOVE HER. 445 00:19:40,455 --> 00:19:42,215 - JACOB LOVED POETRY. 446 00:19:42,250 --> 00:19:45,080 WOMEN LOVED JACOB. 447 00:19:45,114 --> 00:19:46,530 WOMEN THROW THEMSELVES AT HIM. 448 00:19:46,564 --> 00:19:48,048 THE RIGHT WORDS IN THE RIGHT ORDER 449 00:19:48,083 --> 00:19:50,810 READ BY THE RIGHT MAN. 450 00:19:50,844 --> 00:19:53,537 IT'LL MOVE YOUR SOUL. 451 00:19:53,571 --> 00:19:55,780 - HEY, THOSE, THOSE WOMEN 452 00:19:55,815 --> 00:19:59,750 WHO, UH, THROW THEMSELVES AT JACOB... 453 00:19:59,784 --> 00:20:01,061 CAN YOU NAME ANY? 454 00:20:01,096 --> 00:20:03,512 - OH, UM... 455 00:20:03,547 --> 00:20:05,100 WELL, THERE'S EMMA. 456 00:20:05,134 --> 00:20:07,689 SHE WORKS AT THE BOOKSTORE ON CHARLES. 457 00:20:07,723 --> 00:20:09,967 - I STILL GO HEAR HIM SPEAK WHENEVER I CAN. 458 00:20:10,001 --> 00:20:11,693 THE MAN JUST HAS SOMETHING. 459 00:20:11,727 --> 00:20:13,108 - I KNOW. 460 00:20:13,142 --> 00:20:14,661 THE RIGHT WORDS IN THE RIGHT ORDER 461 00:20:14,696 --> 00:20:16,456 CAN MOVE YOUR SOUL. - NOT JUST YOUR SOUL. 462 00:20:16,491 --> 00:20:18,631 FEEL A TINGLE UP YOUR LEG, YOU KNOW WHAT I MEAN? 463 00:20:18,665 --> 00:20:19,942 MY MOM USED TO SAY SHE FELT THAT WAY 464 00:20:19,977 --> 00:20:21,806 WHEN SHE HEARD PAUL MCCARTNEY SING YESTERDAY. 465 00:20:21,841 --> 00:20:23,014 - MM, NO KIDDING. 466 00:20:23,049 --> 00:20:26,155 BUT, UM, OSTENSIBLY, YOU GOT CLOSER TO JACOB 467 00:20:26,190 --> 00:20:29,814 THAT YOUR MOM EVER DID TO PAUL MCCARTNEY. 468 00:20:29,849 --> 00:20:32,127 - WHAT? ARE YOU THE SEX POLICE? 469 00:20:32,161 --> 00:20:34,371 - NO, WE'RE THE REGULAR POLICE. 470 00:20:34,405 --> 00:20:35,993 WE'RE TRYING TO FIND OUT ABOUT LAUREN COLLINS. 471 00:20:36,027 --> 00:20:38,271 SHE REPLACED YOU AS JACOB'S ASSISTANT, IS THAT RIGHT? 472 00:20:38,306 --> 00:20:39,962 - THAT'S RIGHT. 473 00:20:39,997 --> 00:20:41,101 - AND AS HIS GIRLFRIEND? 474 00:20:41,136 --> 00:20:42,965 - I GUESS. 475 00:20:43,000 --> 00:20:44,070 I HEARD ABOUT WHAT HAPPENED TO HER. 476 00:20:44,104 --> 00:20:45,485 IT'S SO AWFUL. 477 00:20:45,520 --> 00:20:46,659 - MM-HMM. 478 00:20:46,693 --> 00:20:49,248 - WHAT? [scoffs] 479 00:20:49,282 --> 00:20:51,526 YOU DON'T THINK I-- 480 00:20:51,560 --> 00:20:53,804 I LEFT BOTH POSITIONS VOLUNTARILY. 481 00:20:53,838 --> 00:20:56,047 ASSISTANT AND GIRLFRIEND. 482 00:20:56,082 --> 00:20:59,119 - AND WHAT ABOUT THAT OLD TINGLE UP THE LEG? 483 00:20:59,154 --> 00:21:02,571 - THAT WAS ONLY FOR JACOB. 484 00:21:02,606 --> 00:21:04,953 OKAY, I'M NOT EXACTLY PROUD OF THIS. 485 00:21:04,987 --> 00:21:07,127 HE WAS ALWAYS CULTIVATING RICH GUYS AS DONORS. 486 00:21:07,162 --> 00:21:10,476 SOMETIMES THEY NEEDED A LITTLE EXTRA INCENTIVE 487 00:21:10,510 --> 00:21:13,755 TO HELP OUT. 488 00:21:13,789 --> 00:21:17,137 - SO JACOB ASKED YOU TO SLEEP WITH THEM. 489 00:21:17,172 --> 00:21:18,725 - AND THESE RICH GUYS WHO NEEDED PERSUADING, 490 00:21:18,760 --> 00:21:20,279 WAS ONE OF THEM DON MCCALLUM? 491 00:21:20,313 --> 00:21:23,903 - JUST DON'T LET HIS WIFE KNOW. 492 00:21:23,937 --> 00:21:26,112 HE WAS ALWAYS AFRAID SHE'D FIND OUT. 493 00:21:26,146 --> 00:21:30,323 - I JUST GOT OFF THE PHONE WITH THE BANK. 494 00:21:30,358 --> 00:21:32,049 IS THERE SOMETHING YOU NEGLECTED TO TELL ME? 495 00:21:32,083 --> 00:21:33,533 - WHAT'S THE BIG DEAL? WE CAN AFFORD IT. 496 00:21:33,568 --> 00:21:35,466 - $50,000 TO THE VILLAGE QUARTERLY? 497 00:21:35,501 --> 00:21:37,572 - IT'S LIFE OR DEATH FOR THEM, JOHN. 498 00:21:37,606 --> 00:21:40,264 - IT'S NOT THEM, SANDRA, IT'S HIM. 499 00:21:40,299 --> 00:21:41,886 I'M NOT AN IDIOT. 500 00:21:41,921 --> 00:21:44,337 - [laughs] OH, REALLY? 501 00:21:44,372 --> 00:21:45,373 HOW CAN I TELL? 502 00:21:45,407 --> 00:21:46,995 - YOU WANT TO SUPPORT THAT BUM, FINE. 503 00:21:47,029 --> 00:21:48,237 I'LL GIVE YOU A HAT AND A TOKEN 504 00:21:48,272 --> 00:21:49,791 AND YOU CAN PANHANDLE ON THE E TRAIN. 505 00:21:49,825 --> 00:21:51,033 - YOU'RE A MORON. 506 00:21:51,068 --> 00:21:54,347 - I LIVE IN THE REAL WORLD WHERE I WORK FOR MY MONEY. 507 00:21:54,382 --> 00:21:56,349 AND YOU'RE NOT GIVING ANOTHER PENNY 508 00:21:56,384 --> 00:22:00,249 TO THAT LEFTOVER BEATNIK FAKER AND HIS MUMBO-JUMBO MAGAZINE 509 00:22:00,284 --> 00:22:02,010 THAT NOBODY READS EXCEPT YOU 510 00:22:02,044 --> 00:22:05,185 AND SOME POINTY-HEAD GIRLS FROM BARNARD. 511 00:22:05,220 --> 00:22:08,292 OH, THAT'S JUST GREAT. 512 00:22:08,327 --> 00:22:11,847 - I WANT A DIVORCE. 513 00:22:14,436 --> 00:22:15,506 - IT'S OKAY, HONEY. 514 00:22:15,541 --> 00:22:18,129 I SHOULD PROBABLY TALK TO THEM IN PRIVATE. 515 00:22:18,164 --> 00:22:19,717 [baby babbling] 516 00:22:23,411 --> 00:22:26,172 SO WHAT IS SO IMPORTANT? 517 00:22:26,206 --> 00:22:30,279 - UH, WE'RE FOLLOWING LEADS ON THE LAUREN COLLINS MURDER. 518 00:22:30,314 --> 00:22:31,695 - IT TURNS OUT JACOB GARRETY 519 00:22:31,729 --> 00:22:33,973 ISN'T ONLY ONE OF THE CITY'S GREATEST POETS, 520 00:22:34,007 --> 00:22:36,389 HE'S ALSO ONE OF ITS GREATEST PIMPS. 521 00:22:36,424 --> 00:22:38,909 - WE HEARD ALL ABOUT IT FROM EMMA COHEN. 522 00:22:38,943 --> 00:22:40,531 JACOB'S FORMER ASSISTANT. 523 00:22:40,566 --> 00:22:42,878 DO YOU REMEMBER HER? 524 00:22:42,913 --> 00:22:45,260 - I WONDER IF YOUR WIFE DOES. 525 00:22:48,056 --> 00:22:52,750 - LAUREN CAME TO SEE ME. 526 00:22:52,785 --> 00:22:55,926 BUT WE, WE DIDN'T HAVE SEX. 527 00:22:55,960 --> 00:22:58,411 I MEAN, NOT REALLY SEX. 528 00:22:58,446 --> 00:23:02,415 WE STARTED SOMETHING WE DIDN'T FINISH. 529 00:23:02,450 --> 00:23:03,589 SHE DIDN'T WANT TO DO ANYTHING. 530 00:23:03,623 --> 00:23:06,730 JACOB WANTED HER TO, SHE DIDN'T. 531 00:23:06,764 --> 00:23:09,042 AND I THINK SHE THOUGHT IF SHE SMILED AT ME NICELY, 532 00:23:09,077 --> 00:23:10,458 I WOULD GIVE HER WHATEVER SHE WANTED. 533 00:23:10,492 --> 00:23:12,943 - HMM. KIND OF NAIVE. 534 00:23:12,977 --> 00:23:17,016 - I DOUBT SHE EVEN KNEW ABOUT WHAT HAD HAPPENED BEFORE. 535 00:23:17,050 --> 00:23:18,569 AND I DON'T THINK JACOB ADVERTISED 536 00:23:18,604 --> 00:23:20,606 TO HIS NEW GIRLFRIENDS THAT HE HAD WHORED OUT 537 00:23:20,640 --> 00:23:23,125 THE PREVIOUS ONES. 538 00:23:23,160 --> 00:23:25,093 IF YOU DON'T BELIEVE ME, GO ASK HIM. 539 00:23:58,885 --> 00:24:01,750 - WE CAN ASK HIM. 540 00:24:01,785 --> 00:24:03,821 BUT I DON'T THINK HE'S GONNA ANSWER. 541 00:24:09,862 --> 00:24:12,830 - THE GUY FROM THE FLOOR BELOW SAW HIM AT 6:00 P.M. 542 00:24:12,865 --> 00:24:15,005 - WHO FOUND THE BODY? - THAT SAME NEIGHBOR. 543 00:24:15,039 --> 00:24:18,008 HE CAME UP TO BORROW THE NEWSPAPER AT 6:45. 544 00:24:18,042 --> 00:24:19,941 - OKAY. THANK YOU. 545 00:24:19,975 --> 00:24:21,598 WELL, THAT RULES OUT DON MCCALLUM. 546 00:24:21,632 --> 00:24:23,669 HE WAS WITH US. 547 00:24:23,703 --> 00:24:26,257 - I COUNT SEVEN OR EIGHT STAB WOUNDS. 548 00:24:26,292 --> 00:24:29,157 - LOOK AT THIS SPATTER PATTERN. 549 00:24:29,191 --> 00:24:32,540 WHOEVER DID THIS WAS JUST CONSUMED WITH FURY. 550 00:24:32,574 --> 00:24:34,231 - WELL, WE FOUND A BLOODY PAIR OF SCISSORS 551 00:24:34,265 --> 00:24:35,439 UNDER THE DESK. 552 00:24:35,474 --> 00:24:37,476 VIC SHOULD HAVE KNOWN TO KEEP HIS EYES OPEN. 553 00:24:37,510 --> 00:24:38,753 - WHY? 554 00:24:38,787 --> 00:24:40,513 - 'CAUSE HE'S BEEN THROUGH IT BEFORE. 555 00:24:40,548 --> 00:24:42,550 LOOK AT THIS. 556 00:24:42,584 --> 00:24:46,312 THAT IS AN OLD KNIFE WOUND 557 00:24:46,346 --> 00:24:48,970 FROM MAYBE 10, 15 YEARS AGO. 558 00:24:49,004 --> 00:24:51,386 - WHAT ARE THE ODDS THAT ONE POET 559 00:24:51,420 --> 00:24:55,183 WOULD GET STABBED TWICE BY TWO DIFFERENT PEOPLE? 560 00:24:55,217 --> 00:24:56,633 [beep] 561 00:24:56,667 --> 00:24:58,013 - JOHN DUNBAR AGAIN. 562 00:24:58,048 --> 00:25:00,499 YOU CAN'T HIDE FOREVER, YOU BASTARD. 563 00:25:00,533 --> 00:25:03,432 ANSWER THE DAMN PHONE! 564 00:25:03,467 --> 00:25:05,883 FINE. [click, beep] 565 00:25:05,918 --> 00:25:10,439 SANDRA'S HUSBAND. 566 00:25:10,474 --> 00:25:14,720 - JOHN ISN'T HERE. 567 00:25:14,754 --> 00:25:16,756 WHY DON'T YOU JUST COME IN? 568 00:25:20,691 --> 00:25:22,279 [crying] I'M SORRY, I'M-- 569 00:25:22,313 --> 00:25:24,730 I'M REALLY NOT VERY GOOD AT THIS. 570 00:25:24,764 --> 00:25:28,078 - EXCUSE ME, WHAT ARE WE TALKING ABOUT, MRS. DUNBAR? 571 00:25:28,112 --> 00:25:31,322 - JOHN AND I ARE SPLITTING UP. 572 00:25:33,635 --> 00:25:34,947 - SORRY. 573 00:25:34,981 --> 00:25:36,811 - 13 YEARS DOWN THE TOILET. 574 00:25:36,845 --> 00:25:38,226 WHERE DOES THAT LEAVE ME? 575 00:25:38,260 --> 00:25:41,678 I NEVER COMPLAINED TO HIM ABOUT HIS CLUBHOUSE TICKETS 576 00:25:41,712 --> 00:25:43,300 TO EVERY SPORT EVER INVENTED 577 00:25:43,334 --> 00:25:45,578 OR HIS GOLF CLUB OR HIS CIGAR CLUB. 578 00:25:45,613 --> 00:25:48,132 BUT I DONATE A FEW DOLLARS TO A POETRY JOURNAL-- 579 00:25:48,167 --> 00:25:50,272 - I'M AFRAID WE HAVE SOME MORE BAD NEWS FOR YOU, 580 00:25:50,307 --> 00:25:51,722 MRS. DUNBAR. 581 00:25:52,758 --> 00:25:56,140 - JACOB GARRETY HAS BEEN MURDERED. 582 00:25:56,175 --> 00:25:59,005 - NO. 583 00:25:59,040 --> 00:26:01,698 - I'M VERY SORRY. 584 00:26:03,492 --> 00:26:05,874 - WHY WOULD ANYONE WANT TO KILL JACOB? 585 00:26:05,909 --> 00:26:11,604 - WE UNDERSTAND THAT JACOB MADE SOME OF HIS GIRLFRIENDS 586 00:26:11,639 --> 00:26:15,884 SLEEP WITH POTENTIAL DONORS FOR MONEY-- 587 00:26:15,919 --> 00:26:17,576 - NO, NO, NO, NO. THAT'S NOT POSSIBLE. 588 00:26:17,610 --> 00:26:19,439 JACOB DIDN'T CARE ABOUT MONEY. 589 00:26:19,474 --> 00:26:21,096 HE ONLY CARED ABOUT ART. 590 00:26:21,131 --> 00:26:27,344 I SAW HIM STRUGGLE OVER WORDS, OVER SYLLABLES. 591 00:26:27,378 --> 00:26:29,518 JOHN COULD NEVER UNDERSTAND THAT. 592 00:26:31,072 --> 00:26:34,869 [crying aloud] 593 00:26:34,903 --> 00:26:36,629 - JOHN DUNBAR AGAIN. 594 00:26:36,664 --> 00:26:38,527 YOU CAN'T HIDE FOREVER, YOU BASTARD. 595 00:26:38,562 --> 00:26:40,599 ANSWER THE DAMN PHONE! 596 00:26:40,633 --> 00:26:43,498 FINE. [click, beep] 597 00:26:43,532 --> 00:26:45,327 - DID YOU EVER FIND HIM? 598 00:26:45,362 --> 00:26:46,743 - YOU THINK I KILLED THAT SON OF A BITCH? 599 00:26:46,777 --> 00:26:47,951 - YOU DO SOUND PRETTY ANGRY. 600 00:26:47,985 --> 00:26:50,401 - ME? I'M THE HAPPIEST GUY IN THE WORLD. 601 00:26:50,436 --> 00:26:53,059 - SURE. YOU DUMPED THE WIFE... 602 00:26:53,094 --> 00:26:54,716 - THAT WAS HER IDEA. 603 00:26:54,751 --> 00:26:56,097 AND CREDIT WHERE CREDIT'S DUE, 604 00:26:56,131 --> 00:26:57,305 IT WAS THE BEST IDEA SHE EVER HAD. 605 00:26:57,339 --> 00:26:59,307 - THEN WHY THE ANGRY CALLS TO JACOB? 606 00:26:59,341 --> 00:27:00,480 - HE CONNED SANDRA OUT OF 100,000 607 00:27:00,515 --> 00:27:02,310 OF MY HARD-EARNED DOLLARS. 608 00:27:02,344 --> 00:27:04,657 50,000 EARLIER THIS YEAR. 50,000 MORE THIS WEEK. 609 00:27:04,692 --> 00:27:06,072 - WASN'T IT HERS TO GIVE? 610 00:27:06,107 --> 00:27:08,212 - SHE CAN DEBATE THAT WITH MY LAWYER. 611 00:27:08,247 --> 00:27:11,043 SHE THINKS SHE'S LADY BOUNTIFUL. 612 00:27:11,077 --> 00:27:13,321 WHEN I MET HER, SHE WAS WORKING THREE JOBS 613 00:27:13,355 --> 00:27:15,634 TO PAY TUITION AT QUEENS COLLEGE. 614 00:27:15,668 --> 00:27:17,843 THANK GOD FOR PRENUPS. 615 00:27:17,877 --> 00:27:19,051 SHE'S TAKING OUT OF THIS MARRIAGE 616 00:27:19,085 --> 00:27:20,500 EXACTLY WHAT SHE BROUGHT IN. 617 00:27:20,535 --> 00:27:23,676 A NICE RACK AND 100 BUCKS. 618 00:27:23,711 --> 00:27:25,126 PARDON MY FRENCH. 619 00:27:25,160 --> 00:27:27,680 - SO WHAT DID JACOB DO WHEN YOU ASKED FOR THE MONEY BACK? 620 00:27:27,715 --> 00:27:29,648 - NOTHING. I NEVER SPOKE WITH HIM. 621 00:27:29,682 --> 00:27:31,201 - NEVER? 622 00:27:31,235 --> 00:27:32,685 CAN YOU ACCOUNT FOR YOUR TIME YESTERDAY 623 00:27:32,720 --> 00:27:34,618 BETWEEN 6:00 AND 7:00 P.M.? 624 00:27:34,653 --> 00:27:37,483 - I WAS HAVING DINNER WITH MY GIRLFRIEND. 625 00:27:37,517 --> 00:27:40,072 YOU WANT TO CALL HER? FEEL FREE. 626 00:27:40,106 --> 00:27:43,144 I HAVE NOTHING TO HIDE. 627 00:27:43,178 --> 00:27:45,387 - IF MY KID EVER TELLS ME SHE WANTS TO BE A POET, 628 00:27:45,422 --> 00:27:47,458 I'LL TELL HER TO JOIN THE MAFIA INSTEAD. 629 00:27:47,493 --> 00:27:49,253 NICER PEOPLE. 630 00:27:49,288 --> 00:27:51,290 - SO WHAT HAPPENED TO THIS GUY-- 631 00:27:51,324 --> 00:27:54,189 THE POETRY-LOVER'S HUSBAND? 632 00:27:54,224 --> 00:27:56,536 - HIS ALIBI HOLDS. 633 00:27:56,571 --> 00:27:58,228 - SO YOU'RE RUNNING IN CIRCLES? 634 00:27:58,262 --> 00:27:59,781 - WELL, EVEN IF IT DIDN'T, 635 00:27:59,816 --> 00:28:01,438 HE MIGHT HAVE HAD A MOTIVE TO KILL JACOB, 636 00:28:01,472 --> 00:28:03,958 BUT WHY LAUREN? 637 00:28:03,992 --> 00:28:06,270 - JACOB WAS STABBED ABOUT 10 OR 15 YEARS AGO. 638 00:28:06,305 --> 00:28:07,547 OH, HERE WE GO. 639 00:28:07,582 --> 00:28:09,791 A POLICE REPORT. 640 00:28:09,826 --> 00:28:12,725 "JACOB GARRETY. ASSAULT BY KNIFE 1996. 641 00:28:12,760 --> 00:28:14,037 "NO CHARGES FILED. 642 00:28:14,071 --> 00:28:16,418 VICTIM WAS A STUDENT AT QUEENS COLLEGE." 643 00:28:16,453 --> 00:28:19,490 - QUEENS COLLEGE. THAT'S WHERE SANDRA DUNBAR WENT. 644 00:28:19,525 --> 00:28:21,527 - RIGHT AROUND THE SAME TIME. 645 00:28:21,561 --> 00:28:24,254 - MY COUSIN MAX THE ACCOUNTANT WENT TO QUEENS COLLEGE. 646 00:28:24,288 --> 00:28:26,152 MILLIONS OF PEOPLE GO TO QUEENS COLLEGE. 647 00:28:26,187 --> 00:28:28,534 - YEAH, BUT I DON'T THINK YOUR COUSIN MAX THE ACCOUNTANT 648 00:28:28,568 --> 00:28:30,329 RAN IN THESE SAME CIRCLES. 649 00:28:30,363 --> 00:28:34,816 UM, "JACOB GARRETY, SANDRA O'BANNON." 650 00:28:34,851 --> 00:28:37,992 LOOK AT THAT. 651 00:28:38,026 --> 00:28:39,407 CLASS OF '96. 652 00:28:39,441 --> 00:28:41,581 BOTH MEMBERS OF THE POETICS GUILD. 653 00:28:41,616 --> 00:28:44,067 - I WONDER IF SHE MAJORED IN KNIFE FIGHTING. 654 00:28:44,101 --> 00:28:50,038 - UM, THIS POEM I ALWAYS THOUGHT WAS ABOUT LAUREN 655 00:28:50,073 --> 00:28:52,144 LEAVING HIM FOR A GUY WITH MONEY. 656 00:28:52,178 --> 00:28:54,077 BUT SHE DIDN'T LEAVE HIM. 657 00:28:54,111 --> 00:28:58,875 "YOUR FACE THAT NOW, FOR CANCEROUS GOLD IS SOLD." 658 00:28:58,909 --> 00:29:02,395 YOU KNOW, HE PUBLISHED THAT IN DECEMBER. 659 00:29:02,430 --> 00:29:05,605 BUT MAYBE JACOB WROTE IT YEARS AGO. 660 00:29:05,640 --> 00:29:07,642 - FOR A COLLEGE GIRLFRIEND WHO LEFT HIM 661 00:29:07,676 --> 00:29:10,093 FOR A GUY WITH MONEY. 662 00:29:10,127 --> 00:29:13,752 - THIS POEM IS ABOUT SANDRA. 663 00:29:18,239 --> 00:29:23,347 - "THE NIGHTS ON THE SAND UNDER GASPING ISLAND STARS... 664 00:29:23,382 --> 00:29:28,836 "THE DAWN WALKS... PALM TO PALM... 665 00:29:28,870 --> 00:29:32,287 "NIGHT'S LOVE SWEAT MELTING AWAY... 666 00:29:32,322 --> 00:29:37,914 "AND IN ITS PLACE... YOUR FACE... 667 00:29:37,948 --> 00:29:42,159 YOUR FACE." 668 00:29:55,724 --> 00:29:58,244 - OH, MY GOD. LOOK AT MY OUTFIT. 669 00:29:58,279 --> 00:30:00,281 I DON'T DO THE POETRY THING MUCH ANYMORE. 670 00:30:00,315 --> 00:30:02,835 I MEAN, BEYOND FRANNY FINDS A FARM. 671 00:30:02,870 --> 00:30:05,424 - DO YOU REMEMBER JACOB AND SANDRA? 672 00:30:05,458 --> 00:30:06,666 - HOW COULD I FORGET? 673 00:30:06,701 --> 00:30:08,185 WE WERE ALL IN AWE OF THEM. 674 00:30:08,220 --> 00:30:11,016 THEY WERE LIKE THE ZELDA AND SCOTT FITZGERALD 675 00:30:11,050 --> 00:30:12,189 OF QUEENS COLLEGE. 676 00:30:12,224 --> 00:30:14,640 - MEANING THEY WERE IN LOVE. - CRAZY LOVE. 677 00:30:14,674 --> 00:30:16,262 THEY LIVED AND BREATHED POETRY. 678 00:30:16,297 --> 00:30:18,747 - I REMEMBER SCOTT AND ZELDA 679 00:30:18,782 --> 00:30:20,508 HAD A KIND OF ROCKY RELATIONSHIP. 680 00:30:20,542 --> 00:30:21,958 DOES THAT MEAN THAT JACOB AND SARA-- 681 00:30:21,992 --> 00:30:23,649 "ROCKY" DOESN'T DO IT JUSTICE. 682 00:30:23,683 --> 00:30:25,340 IS "BOULDERY" A WORD? HA. 683 00:30:25,375 --> 00:30:27,687 THEY WOULD HAVE THESE AMAZING FIGHTS 684 00:30:27,722 --> 00:30:31,070 AND THEN THEY'D LOCK THEMSELVES IN JACOB'S BEDROOM FOR DAYS. 685 00:30:31,105 --> 00:30:32,382 - WHAT WOULD THEY FIGHT ABOUT? 686 00:30:32,416 --> 00:30:35,109 - SCOPE OR LISTERINE. BOXERS OR BRIEFS. 687 00:30:35,143 --> 00:30:36,282 SHELLEY OR KEATS. 688 00:30:36,317 --> 00:30:38,043 IT GOT REALLY CRAZY 689 00:30:38,077 --> 00:30:41,218 WHEN SANDRA CAUGHT JACOB WITH THIS VISITING POETESS 690 00:30:41,253 --> 00:30:44,083 FROM ROMANIA OR SOMEWHERE. 691 00:30:44,118 --> 00:30:46,223 SHE PICKED UP A KNIFE FROM THIS PIZZA PLATTER 692 00:30:46,258 --> 00:30:48,812 AND SHE STABBED HIM RIGHT THERE IN THE BAR. 693 00:30:56,924 --> 00:30:58,926 - DETECTIVES. 694 00:30:58,960 --> 00:31:00,341 - SORRY. 695 00:31:00,375 --> 00:31:02,205 THE DOORMAN SAID IT WOULD BE OKAY. 696 00:31:02,239 --> 00:31:04,276 THANKS. 697 00:31:04,310 --> 00:31:08,211 YOU SEEMED SO UPSET THE LAST TIME WE WERE HERE. 698 00:31:08,245 --> 00:31:10,730 - OH, THE COP WHO CARES. 699 00:31:10,765 --> 00:31:14,562 BET THERE AREN'T TOO MANY OF THOSE. 700 00:31:14,596 --> 00:31:17,565 [gentle music] 701 00:31:17,599 --> 00:31:25,159 ♪ 702 00:31:35,583 --> 00:31:38,758 - WOW. 703 00:31:38,793 --> 00:31:40,622 - I WROTE THAT WHEN MY WIFE LEFT. 704 00:31:40,657 --> 00:31:43,315 - ART. 705 00:31:43,349 --> 00:31:45,282 SO MYSTERIOUS, ISN'T IT? 706 00:31:45,317 --> 00:31:49,183 - WE'D BEEN TOGETHER SINCE WE WERE KIDS. 707 00:31:49,217 --> 00:31:52,013 SHE DIDN'T WANT ME TO BE A COP. 708 00:31:52,048 --> 00:31:55,672 - JOHN DIDN'T WANT ME TO BE A HUMAN BEING. 709 00:31:58,019 --> 00:32:00,642 I MET HIM MY SENIOR YEAR AT QUEENS COLLEGE. 710 00:32:00,677 --> 00:32:01,954 - YEAH. 711 00:32:01,989 --> 00:32:03,887 DIDN'T JACOB GO TO QUEENS COLLEGE? 712 00:32:03,922 --> 00:32:06,545 - I KNEW HIM. 713 00:32:06,579 --> 00:32:11,722 I LIKED HIM. 714 00:32:11,757 --> 00:32:13,276 I MARRIED JOHN. 715 00:32:15,312 --> 00:32:17,280 - HE WAS RICH, YOU WERE POOR. 716 00:32:17,314 --> 00:32:20,455 - AND HERE I AM, 13 YEARS LATER, 717 00:32:20,490 --> 00:32:22,906 SITTING IN THIS APARTMENT, 718 00:32:22,941 --> 00:32:25,460 WITH MY HUSBAND GOD KNOWS WHERE. 719 00:32:25,495 --> 00:32:31,466 AND I'M LOOKING AT A FANCY PIANO I CAN'T EVEN PLAY. 720 00:32:31,501 --> 00:32:34,918 A FEW MONTHS AGO I PICKED UP A COPY OF THE QUARTERLY 721 00:32:34,953 --> 00:32:37,231 AND I SAW A POEM BY JACOB. 722 00:32:37,265 --> 00:32:38,439 - HMM. 723 00:32:38,473 --> 00:32:40,096 - I DECIDED TO GET BACK IN TOUCH. 724 00:32:45,411 --> 00:32:49,760 - I WAS GONNA BE A MUSICIAN I THOUGHT. 725 00:32:49,795 --> 00:32:51,107 NOW LOOK AT ME. 726 00:32:51,141 --> 00:32:54,351 I'M A MIDDLE-AGED COP WHO CAN BANG OUT 727 00:32:54,386 --> 00:32:59,115 A TUNE OR TWO AT A PARTY. 728 00:32:59,149 --> 00:33:01,600 I SHOULD'VE LISTENED TO MY WIFE. 729 00:33:01,634 --> 00:33:04,016 I DIDN'T NEED THE PAYCHECK THAT BAD. 730 00:33:04,051 --> 00:33:09,228 - JACOB WOULD'VE STARVED BEFORE HE GAVE UP HIS POETRY 731 00:33:09,263 --> 00:33:11,644 FOR A PAYCHECK. 732 00:33:15,027 --> 00:33:17,996 [plays bluesy riff] 733 00:33:18,030 --> 00:33:24,933 ♪ 734 00:33:27,729 --> 00:33:29,179 - HOW WAS LAST NIGHT? 735 00:33:31,871 --> 00:33:33,459 - WE HAVE A LOT IN COMMON. 736 00:33:33,494 --> 00:33:34,805 UM... 737 00:33:34,840 --> 00:33:37,118 YEAH, WE BOTH THINK THAT JACOB GARRETY 738 00:33:37,153 --> 00:33:38,188 WAS A PRINCE. 739 00:33:38,223 --> 00:33:40,880 IT TURNS OUT SHE GOT BACK 740 00:33:40,915 --> 00:33:43,400 IN TOUCH WITH HIM AFTER SHE SAW THAT POEM 741 00:33:43,435 --> 00:33:44,608 IN THE DECEMBER ISSUE. 742 00:33:44,643 --> 00:33:45,747 - SO IT WAS ABOUT HER. 743 00:33:45,782 --> 00:33:47,646 - YEAH. BROUGHT IT ALL BACK. 744 00:33:47,680 --> 00:33:50,269 PASSION, POETRY, POET. 745 00:33:50,304 --> 00:33:52,547 EVERYTHING SHE LEFT BEHIND WHEN SHE HOOKED UP 746 00:33:52,582 --> 00:33:55,171 WITH THAT OVERPAID STIFF JOHN DUNBAR. 747 00:33:55,205 --> 00:33:57,759 - SHE TOLD YOU ALL THAT? 748 00:34:01,522 --> 00:34:03,972 - NO. IT WAS OBVIOUS. 749 00:34:04,007 --> 00:34:05,284 UM... 750 00:34:05,319 --> 00:34:07,976 HEY, HOW WOULD YOU LIKE TO GO TO A POETRY READING? 751 00:34:13,948 --> 00:34:16,502 - OH, THANKS SO MUCH. 752 00:34:16,537 --> 00:34:19,850 [overlapping chatter] 753 00:34:25,339 --> 00:34:29,343 - DETECTIVE. 754 00:34:29,377 --> 00:34:30,896 IF I HAD KNOWN YOU WERE COMING, 755 00:34:30,930 --> 00:34:32,691 I WOULD'VE ARRANGED FOR YOU TO PLAY. 756 00:34:32,725 --> 00:34:35,349 - OH, THANK YOU VERY MUCH. 757 00:34:35,383 --> 00:34:38,421 NO, HE'S...HE'S DOING ALL RIGHT. VERY GOOD. 758 00:34:38,455 --> 00:34:39,422 - EXCUSE ME, PLEASE. 759 00:34:39,456 --> 00:34:41,872 UH, I THINK WE ARE READY TO BEGIN. 760 00:34:41,907 --> 00:34:44,841 WE ARE HERE TO PAY TRIBUTE TO THE LIFE AND WORK 761 00:34:44,875 --> 00:34:46,705 OF JACOB GARRETY. 762 00:34:46,739 --> 00:34:48,155 THOSE OF US WHO KNEW HIM PERSONALLY 763 00:34:48,189 --> 00:34:50,122 WILL NEVER FORGET HIM. 764 00:34:50,157 --> 00:34:52,469 - NOW I KNOW THAT MANY OF YOU WISH TO SPEAK AND READ, 765 00:34:52,504 --> 00:34:55,645 SO IF YOU WILL-- 766 00:34:55,679 --> 00:34:57,060 UH, DETECTIVE. 767 00:34:57,095 --> 00:34:59,442 - I'M NOT HERE OFFICIALLY TONIGHT. 768 00:34:59,476 --> 00:35:02,824 UM, BUT I WOULD LIKE TO READ SOMETHING IF I MAY. 769 00:35:02,859 --> 00:35:03,860 - A POEM? 770 00:35:03,894 --> 00:35:05,241 - YES. 771 00:35:05,275 --> 00:35:08,899 WE'VE BEEN INVESTIGATE THE VERY TRAGIC DEATH 772 00:35:08,934 --> 00:35:11,730 OF JACOB GARRETY THESE LAST COUPLE OF DAYS. 773 00:35:11,764 --> 00:35:13,456 I'VE BEEN DOING IT ALONG WITH MY PARTNER, 774 00:35:13,490 --> 00:35:14,595 DETECTIVE WHEELER. 775 00:35:14,629 --> 00:35:18,185 I HARDLY KNEW JACOB. 776 00:35:18,219 --> 00:35:20,670 EXCUSE ME, DON. SORRY. 777 00:35:20,704 --> 00:35:22,810 UM... 778 00:35:22,844 --> 00:35:27,849 YOU KNOW, WE ONLY MET HIM ON A FEW OCCASIONS. 779 00:35:27,884 --> 00:35:29,299 WE'VE BEEN INVESTIGATING HIS DEATH 780 00:35:29,334 --> 00:35:30,404 THE LAST COUPLE OF DAYS 781 00:35:30,438 --> 00:35:32,716 AND SO WE'VE HAD AN OCCASION TO BE 782 00:35:32,751 --> 00:35:35,478 SEARCHING HIS OFFICE AT THE VILLAGE QUARTERLY. 783 00:35:35,512 --> 00:35:40,207 AND IN HIS DESK I FOUND... 784 00:35:40,241 --> 00:35:42,864 THIS. 785 00:35:42,899 --> 00:35:44,659 IT'S A POEM. 786 00:35:44,694 --> 00:35:47,041 IT'S UNFINISHED. 787 00:35:47,075 --> 00:35:48,939 AND I JUST THOUGHT THAT TONIGHT 788 00:35:48,974 --> 00:35:52,046 WAS FITTING THAT I COME HERE AND SHARE IT WITH ALL OF YOU. 789 00:35:52,080 --> 00:35:58,052 "THE GASPING STARS REGAIN THEIR LIGHT. 790 00:35:58,086 --> 00:36:03,195 "THE NIGHTS REGARD THE LOVERS' CRIES. 791 00:36:03,230 --> 00:36:06,681 "THEIR BACK, A MIRACLE. 792 00:36:06,716 --> 00:36:08,649 "ALERT THE SCRIPTURE WRITERS. 793 00:36:08,683 --> 00:36:12,239 "A LOVE THAT'S DEAD IS BORN AGAIN. 794 00:36:12,273 --> 00:36:17,899 "THE YEARS THAT FLEW RETRACE THEIR STEPS. 795 00:36:17,934 --> 00:36:21,144 "REJOICE! REJOICE! 796 00:36:21,179 --> 00:36:22,663 "YOUR FACE, 797 00:36:22,697 --> 00:36:28,220 YOUR FACE..." 798 00:36:28,255 --> 00:36:29,566 AND THAT'S ALL. 799 00:36:45,306 --> 00:36:47,826 I'M SO, SO SORRY. 800 00:36:47,860 --> 00:36:50,208 HOW MOVING. ISN'T THAT BEAUTIFUL? 801 00:36:50,242 --> 00:36:51,485 BUT HELP ME OUT. 802 00:36:51,519 --> 00:36:52,831 I DON'T QUITE UNDERSTAND IT. 803 00:36:52,865 --> 00:36:55,523 IT SEEMS TO BE ABOUT A LONG LOST LOVE 804 00:36:55,558 --> 00:36:57,836 THAT HAS COME BACK TO LIFE. 805 00:36:57,870 --> 00:37:01,633 BUT WE KNOW THAT LAUREN WAS THE GIRLFRIEND 806 00:37:01,667 --> 00:37:03,186 AND SHE WAS AROUND. 807 00:37:03,221 --> 00:37:05,361 BUT MAYBE THEY'D HAD AN ARGUMENT 808 00:37:05,395 --> 00:37:06,465 AND SHE WAS GONE FOR A WHILE. 809 00:37:06,500 --> 00:37:08,674 - IT WASN'T ABOUT HER. 810 00:37:08,709 --> 00:37:11,470 - WELL, YOU KNOW, SHE WAS THE GIRLFRIEND 811 00:37:11,505 --> 00:37:12,678 AND HE TOLD ME THE LOVE OF HIS LIFE. 812 00:37:12,713 --> 00:37:17,787 - IT WASN'T ABOUT HER! 813 00:37:17,821 --> 00:37:23,275 HE DIDN'T LOVE HER. 814 00:37:23,310 --> 00:37:26,485 - WELL, SANDRA, YOU MAY BE RIGHT. 815 00:37:26,520 --> 00:37:28,625 BECAUSE YOU SAY IT WAS A LONG LOST LOVE 816 00:37:28,660 --> 00:37:34,666 AND THIS SAYS, "THE YEARS THE FLEW RETRACE THEIR STEPS." 817 00:37:38,117 --> 00:37:40,499 OH, SANDRA. 818 00:37:40,534 --> 00:37:44,020 IS THIS ABOUT YOU? 819 00:37:45,780 --> 00:37:47,437 YOU KNEW HIM IN COLLEGE. 820 00:37:47,472 --> 00:37:50,406 YOU MARRIED JOHN DUNBAR. 821 00:37:50,440 --> 00:37:53,685 BUT THEN YOU CAME BACK. 822 00:37:53,719 --> 00:37:55,480 - I DID. 823 00:37:55,514 --> 00:37:57,378 - GOSH. 824 00:37:57,413 --> 00:37:58,931 WELL, SURE. 825 00:37:58,966 --> 00:38:00,968 THAT MAKES PERFECT SENSE. 826 00:38:01,002 --> 00:38:02,280 YOU'RE THE KIND OF WOMAN 827 00:38:02,314 --> 00:38:04,109 THAT HE WOULD'VE LOVED VERY MUCH. 828 00:38:04,143 --> 00:38:06,145 YOU HAD A HISTORY WITH EACH OTHER 829 00:38:06,180 --> 00:38:07,146 AND YOU UNDERSTOOD ART 830 00:38:07,181 --> 00:38:08,631 AND YOU UNDERSTOOD HIM AND... 831 00:38:08,665 --> 00:38:10,288 WHAT A TRAGEDY FOR YOU. 832 00:38:10,322 --> 00:38:13,463 - OH, GOD, WHY DIDN'T HE SAY SOMETHING? 833 00:38:13,498 --> 00:38:15,258 OH, THAT SON OF A BITCH! 834 00:38:15,293 --> 00:38:16,328 WHY DIDN'T HE JUST TELL ME? 835 00:38:16,363 --> 00:38:17,640 - HE DID. HE WROTE THIS POEM FOR YOU 836 00:38:17,674 --> 00:38:19,262 - NO! 837 00:38:19,297 --> 00:38:22,023 WHEN I WENT TO SEE HIM. 838 00:38:22,058 --> 00:38:25,268 - WHEN YOU WENT TO SEE HIM? 839 00:38:25,303 --> 00:38:30,791 THE NIGHT HE WAS KILLED? 840 00:38:30,825 --> 00:38:32,965 OH. 841 00:38:33,000 --> 00:38:35,727 WHAT DID HE SAY TO YOU? 842 00:38:35,761 --> 00:38:40,352 - HE SAID, "GO BACK TO YOUR HUSBAND BEFORE IT'S TOO LATE." 843 00:38:40,387 --> 00:38:43,010 "I DIDN'T WANT YOU. 844 00:38:43,044 --> 00:38:45,357 I ONLY WANTED HIS MONEY." 845 00:38:45,392 --> 00:38:51,052 - THAT'S A HORRIBLE, HORRIBLE THING TO SAY. 846 00:38:51,087 --> 00:38:54,401 SO YOU GOT... ANGRY, OF COURSE. 847 00:38:54,435 --> 00:38:57,507 YOU GOT THOSE SCISSORS, I'M SURE. 848 00:38:57,542 --> 00:38:59,578 - IT WAS THE PRESSURE. 849 00:38:59,613 --> 00:39:01,511 HE WAS AFRAID THAT HE WAS GONNA LOSE THE MAGAZINE. 850 00:39:01,546 --> 00:39:02,857 THAT'S WHY HE SAID IT. 851 00:39:02,892 --> 00:39:04,307 HE DIDN'T-- HE DIDN'T MEAN IT. 852 00:39:04,342 --> 00:39:06,482 - OH, OF COURSE HE DIDN'T. 853 00:39:06,516 --> 00:39:08,207 HE WROTE THIS. 854 00:39:08,242 --> 00:39:09,347 FOR YOU. 855 00:39:09,381 --> 00:39:10,624 OH, MY GOD. 856 00:39:10,658 --> 00:39:12,557 EVEN AFTER HE KNEW WHAT YOU'D DONE TO LAUREN. 857 00:39:12,591 --> 00:39:14,559 - NO, THAT WAS AN ACCIDENT. 858 00:39:14,593 --> 00:39:16,492 YOU KNOW, I TRIED TO REASON WITH THAT GIRL. 859 00:39:16,526 --> 00:39:19,149 I--I TOLD HER THAT I WOULD 860 00:39:19,184 --> 00:39:21,186 PAY FOR HER TO GO TO GRADUATE SCHOOL IN EUROPE 861 00:39:21,220 --> 00:39:23,050 IF SHE WOULD JUST GO AWAY, 862 00:39:23,084 --> 00:39:24,396 IF SHE WOULD JUST GET AWAY FROM HIM, 863 00:39:24,431 --> 00:39:25,639 BUT SHE WOULDN'T. 864 00:39:25,673 --> 00:39:29,539 SHE SAID THAT THEY LOVED EACH OTHER AND THAT... 865 00:39:29,574 --> 00:39:30,782 THAT I WAS OLD NEWS. 866 00:39:30,816 --> 00:39:36,063 THAT I WAS...NOTHING. 867 00:39:36,097 --> 00:39:38,445 A JOKE. 868 00:39:38,479 --> 00:39:41,206 BUT I KNEW HE DIDN'T LOVE HER. 869 00:39:41,240 --> 00:39:46,418 I KNEW THAT HE LOVED ME. 870 00:39:46,453 --> 00:39:48,386 AND I WAS RIGHT. 871 00:39:51,872 --> 00:39:54,530 I WAS RIGHT. 872 00:39:54,564 --> 00:39:56,980 HE DID LOVE ME. 873 00:39:57,015 --> 00:39:58,326 HE DID. 874 00:40:00,467 --> 00:40:02,434 HE DID. 875 00:40:02,469 --> 00:40:05,403 [sobs] 876 00:40:19,382 --> 00:40:20,625 - NOTHING LIKE A GOOD LOVE POEM 877 00:40:20,659 --> 00:40:24,007 TO, UH, GET THE EMOTIONS FLOWING. 878 00:40:24,042 --> 00:40:28,218 - SO YOU'RE NOT GONNA TELL HER YOU WROTE IT? 879 00:40:28,253 --> 00:40:29,565 - THAT'D BE CRUEL. 880 00:40:29,599 --> 00:40:31,981 [siren wails] 62596

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