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These are the user uploaded subtitles that are being translated: 1 00:00:00,931 --> 00:00:03,382 IN NEW YORK CITY'S WAR ON CRIME, 2 00:00:03,417 --> 00:00:05,384 THE WORST CRIMINAL OFFENDERS ARE PURSUED 3 00:00:05,419 --> 00:00:08,077 BY THE DETECTIVES OF THE MAJOR CASE SQUAD. 4 00:00:08,111 --> 00:00:10,113 THESE ARE THEIR STORIES. 5 00:00:15,429 --> 00:00:18,190 OUR SO-CALLED MANAGER COMES IN ALL PROUD. 6 00:00:18,225 --> 00:00:21,124 HE'S GOT US A GIG AT BROOKLYN HEIGHTS. 7 00:00:21,159 --> 00:00:22,643 THE HEIGHTS? 8 00:00:22,677 --> 00:00:24,576 WHAT'S THE GIG, A WHAM TRIBUTE? 9 00:00:24,610 --> 00:00:26,198 NO, THE GIG IS WE BRING IN 50 PEOPLE 10 00:00:26,233 --> 00:00:27,648 PAYING $10 COVERS. 11 00:00:27,682 --> 00:00:29,305 AFTER THAT WE GET HALF THE DOOR. 12 00:00:29,339 --> 00:00:31,065 UNTIL THEN, NADA. - LAME. 13 00:00:31,100 --> 00:00:33,378 THERE'S SO MUCH BOGUS GOING ON. 14 00:00:33,412 --> 00:00:35,000 YOU GOTTA HAVE FAITH, MAN. 15 00:00:35,035 --> 00:00:36,933 GOD BROUGHT YOU TO BROOKLYN FOR A REASON. 16 00:00:36,967 --> 00:00:39,073 EAH, TO TELEMARKET BALDNESS CURES. 17 00:00:39,108 --> 00:00:40,937 I JUST WANNA PLAY, MAN. 18 00:00:40,971 --> 00:00:43,974 JUST... [imitates electric guitar] 19 00:00:46,563 --> 00:00:48,910 LET'S GET INSIDE. 20 00:00:48,945 --> 00:00:51,534 THEY ARE PARASITES IN THIS COMMUNITY. 21 00:00:51,568 --> 00:00:53,260 PARASITES WITH MONEY. 22 00:00:53,294 --> 00:00:54,640 THEY ALL GOT RICH DADDIES. 23 00:00:54,675 --> 00:00:56,573 MAN, THEY DISPLACING OUR PEOPLE. 24 00:00:56,608 --> 00:00:58,092 DISPLACE WHO? 25 00:00:58,127 --> 00:01:01,130 YOU WANNA LIVE IN THE OLD SAUSAGE FACTORY? 26 00:01:01,164 --> 00:01:02,648 WHERE HE'S GOING, 27 00:01:02,683 --> 00:01:04,340 TO PLAY WITH THE WHITE BOYS AGAIN? 28 00:01:09,241 --> 00:01:11,140 HEY, DIX. 29 00:01:11,174 --> 00:01:13,107 HOW'S LIFE IN THE GHETTO? 30 00:01:13,142 --> 00:01:14,557 MUST BE GOOD, MAN. 31 00:01:14,591 --> 00:01:16,593 YOU MOVED IN. 32 00:01:21,460 --> 00:01:23,013 YO. HEY, YOU GOT THE STUFF? 33 00:01:24,049 --> 00:01:26,569 SUSAN'S AN ARTIST, NOT A COP. 34 00:01:26,603 --> 00:01:28,398 WHEN WE GONNA SEE SOME OF THAT ART? 35 00:01:28,433 --> 00:01:30,435 YOU GOT ANY NUDIES? 36 00:01:32,851 --> 00:01:34,818 $200. 37 00:01:34,853 --> 00:01:37,304 [playing electric piano] 38 00:01:37,338 --> 00:01:38,684 OH, YO, YO, YO, YO. CHECK IT. 39 00:01:38,719 --> 00:01:39,754 YEAH, LIKE THIS. 40 00:01:43,655 --> 00:01:45,760 [chuckles] THAT'S YOUR THING, DIX. 41 00:01:50,869 --> 00:01:52,353 WHAT DO YOU GOT FOR ME? 42 00:01:52,388 --> 00:01:54,217 WHAT YOU'RE PAYING? OVER THERE. 43 00:01:54,252 --> 00:01:56,633 YOU SHARE A BATHROOM, NO PISSING IN THE SINK, 44 00:01:56,668 --> 00:01:58,463 RENT'S DUE ON THE FIRST OF THE MONTH, 45 00:01:58,497 --> 00:02:00,672 AND THAT MEANS THE FIRST. 46 00:02:00,706 --> 00:02:02,398 WHAT? 47 00:02:02,432 --> 00:02:04,296 IS THIS SUPPOSED TO BE A DOOR? 48 00:02:04,331 --> 00:02:06,643 YOU CAN'T AFFORD A DOOR. 49 00:02:06,678 --> 00:02:09,301 WELCOME BACK. 50 00:02:09,336 --> 00:02:12,304 [acoustic guitar music] 51 00:02:12,339 --> 00:02:19,691 ♪ 52 00:02:19,725 --> 00:02:22,107 NICE, NICE. 53 00:02:22,142 --> 00:02:24,109 YOU MIGHT WANNA HAMMER THOSE NOTES DOWN THOUGH. 54 00:02:24,144 --> 00:02:25,697 LIKE--HERE, LET ME SHOW YOU. 55 00:02:25,731 --> 00:02:27,112 LIKE... 56 00:02:27,147 --> 00:02:30,115 [acoustic guitar music] 57 00:02:30,150 --> 00:02:34,706 ♪ 58 00:02:34,740 --> 00:02:35,810 DO YOU SEE? 59 00:02:35,845 --> 00:02:37,122 MY RECORD DEAL BLOWS UP, 60 00:02:37,157 --> 00:02:38,572 SO YOU THINK I NEED GUITAR 101? 61 00:02:38,606 --> 00:02:39,987 WHOA. 62 00:02:40,021 --> 00:02:41,437 SORRY. 63 00:02:41,471 --> 00:02:44,302 YOU KNOW, SOMETIMES WE DO HELP EACH OTHER OUT AROUND HERE. 64 00:02:44,336 --> 00:02:45,958 GENIUS, BOTH OF YOU. 65 00:02:45,993 --> 00:02:48,375 NOW CAN WE GO GET SOME BEERS? 66 00:02:48,409 --> 00:02:50,791 I'M TELLING YOU, MAN. SHE WAS HITTING ON ME. 67 00:02:50,825 --> 00:02:52,137 NO, SHE WAS HITTING ON HELEN. 68 00:02:52,172 --> 00:02:53,725 OH, WRONG NUMBER THERE. 69 00:02:53,759 --> 00:02:55,830 I'M STILL IN LOVE WITH THAT BARTENDER. 70 00:02:55,865 --> 00:02:57,660 LET'S GO. 71 00:02:57,694 --> 00:02:59,317 YOU KNOW, SOME PEOPLE DO MANAGE 72 00:02:59,351 --> 00:03:01,940 TO WALK THESE STREETS WITHOUT GETTING RAPED AND ROBBED. 73 00:03:01,974 --> 00:03:04,425 YOU GUYS GO AHEAD. I GOTTA MAKE A CALL. 74 00:03:04,460 --> 00:03:05,702 NO, WE'LL WAIT FOR YOU. 75 00:03:05,737 --> 00:03:06,565 IT'S OKAY. 76 00:03:06,600 --> 00:03:08,533 I'LL BE THERE IN 20 MINUTES. 77 00:03:08,567 --> 00:03:09,913 - C'MON SUE, LET'S GO. 78 00:03:20,234 --> 00:03:21,684 IT'S SHABBOS. WHAT ARE YOU DOING? 79 00:03:21,718 --> 00:03:23,513 - IT'S A SPECIAL CASE. - IT'S FORBIDDEN. 80 00:03:23,548 --> 00:03:25,135 FIND SOMEONE ELSE TO MAKE THE CALL. 81 00:03:25,170 --> 00:03:28,000 LOOK, THERE IS NOBODY ELSE. THE GOYIM ARE SLEEPING. 82 00:03:28,035 --> 00:03:30,106 I DON'T KNOW. 83 00:03:30,140 --> 00:03:31,418 LIFE OR DEATH. 84 00:03:31,452 --> 00:03:34,628 WE MAKE AN EXCEPTION. 85 00:03:34,662 --> 00:03:36,664 9-1-1, HELLO? 86 00:04:36,724 --> 00:04:38,864 NO WALLET. 87 00:04:38,899 --> 00:04:41,902 THERE'S A GASH HERE. LOOKS LIKE A KNIFE. 88 00:04:41,936 --> 00:04:43,766 DID ANYONE FIND A KNIFE? 89 00:04:43,800 --> 00:04:45,319 E.S.U. IS LOOKING. 90 00:04:45,354 --> 00:04:46,389 WELL, DID ANYBODY FIND A REASON 91 00:04:46,424 --> 00:04:48,149 WHY THIS IS FOR MAJOR CASE? 92 00:04:48,184 --> 00:04:50,151 BECAUSE I'M GONNA GO OUT ON A LIMB HERE AND SAY 93 00:04:50,186 --> 00:04:52,326 SOMEONE STABBED THIS GUY, STOLE HIS WALLET. 94 00:04:52,361 --> 00:04:55,087 IT'S NOT THE CRIME. IT'S THE NEIGHBORHOOD. 95 00:04:55,122 --> 00:04:56,848 WE'VE GOT WORLDS IN COLLISION HERE. 96 00:04:56,882 --> 00:04:59,885 ORTHODOX JEWS, URBAN BLACKS, 97 00:04:59,920 --> 00:05:02,060 PUNK ROCK STARS OF THE 21st CENTURY. 98 00:05:02,094 --> 00:05:03,475 NOT A LOTTA LOVE. 99 00:05:03,510 --> 00:05:05,615 THIS NEIGHBORHOOD IS AMAZING. 100 00:05:05,650 --> 00:05:08,756 A BLOCK WALK FROM MY CAR, I PICK UP GRITS WITH HAM 101 00:05:08,791 --> 00:05:10,758 AT, UM, SALLY'S SOUL KITCHEN, 102 00:05:10,793 --> 00:05:13,243 A BAGEL, GLATT KOSHER, 103 00:05:13,278 --> 00:05:16,488 AND A TANTRIC CHARM AT THIS NEW AGE BOUTIQUE. 104 00:05:16,523 --> 00:05:17,731 SO, SO INTERESTING. 105 00:05:17,765 --> 00:05:19,767 IF YOU NEED A MASSAGE BALL, I SAW A SELECT-- 106 00:05:19,802 --> 00:05:23,323 DETECTIVE ZACH NICHOLS, DETECTIVE MEGAN WHEELER. 107 00:05:23,357 --> 00:05:24,979 MY NEW PARTNER. 108 00:05:25,014 --> 00:05:25,980 IT'S A PLEASURE. 109 00:05:26,015 --> 00:05:27,016 CAN WE SHAKE HANDS LATER? 110 00:05:27,050 --> 00:05:28,120 YEAH. 111 00:05:28,155 --> 00:05:30,433 MAYBE WANNA TAKE A LOOK AT THE CRIME SCENE? 112 00:05:33,471 --> 00:05:36,059 LOOKS LIKE SOMEBODY STABBED HIM AND STOLE HIS WALLET. 113 00:05:38,441 --> 00:05:41,133 WE WERE PARTNERS BACK IN ANTI-CRIME. 114 00:05:41,168 --> 00:05:44,413 WELL, HOW DID HE DO WHEN HE WASN'T HAVING BREAKFAST? 115 00:05:44,447 --> 00:05:46,000 AMAZING. 116 00:05:46,035 --> 00:05:48,244 BRILLIANT COP. VERY PERCEPTIVE. 117 00:05:48,278 --> 00:05:49,797 BOTH HIS PARENTS WERE SHRINKS. 118 00:05:49,832 --> 00:05:51,454 OH, WELL, SHRINK'S KIDS ARE CRAZY. 119 00:05:51,489 --> 00:05:52,731 ESTABLISHED FACT. 120 00:05:52,766 --> 00:05:54,975 HE'S NOT CRAZY, EXACTLY. 121 00:05:55,009 --> 00:05:57,322 OH, THAT'S VERY REASSURING. 122 00:05:57,357 --> 00:06:00,083 WAS A LOSS TO THE DEPARTMENT WHEN HE TOOK HIS LEAVE. 123 00:06:00,118 --> 00:06:01,637 YEAH, SEVEN YEARS. 124 00:06:01,671 --> 00:06:04,502 WHERE DID HE GO? 125 00:06:04,536 --> 00:06:07,297 SENT ME A POSTCARD FROM CLEVELAND ONCE. 126 00:06:10,577 --> 00:06:12,751 HIS NAME WASN'T TEETER. 127 00:06:12,786 --> 00:06:14,235 HIS NAME WAS THEODORE. 128 00:06:14,270 --> 00:06:16,479 HIS FRIENDS CALLED HIM TEETER. 129 00:06:16,514 --> 00:06:18,723 IF THEY WERE REALLY HIS FRIENDS, 130 00:06:18,757 --> 00:06:21,001 THEY WOULD'VE TOLD HIM TO GO TO COLLEGE. 131 00:06:21,035 --> 00:06:22,761 TO MUSIC SCHOOL. 132 00:06:22,796 --> 00:06:25,868 NOT MOVE TO A SLUM AND BECOME A RAPPER. 133 00:06:25,902 --> 00:06:27,456 AN MC. 134 00:06:27,490 --> 00:06:30,838 YES, AN MC IS DIFFERENT THAN A RAPPER. 135 00:06:30,873 --> 00:06:32,806 A RAPPER RAPS THE WORDS AND MAKES THE RHYMES. 136 00:06:32,840 --> 00:06:37,742 AN MC CAN RAP BUT HE ALSO RUNS THE SHOW 137 00:06:37,776 --> 00:06:39,640 AND LEADS THE CROWD. 138 00:06:39,675 --> 00:06:42,988 HE HAS TO BE VERY CHARISMATIC AND BE SOMEONE VERY SPECIAL. 139 00:06:45,681 --> 00:06:47,648 TEDDY. 140 00:06:47,683 --> 00:06:50,030 WHEN DID YOU LAST SPEAK TO HIM? 141 00:06:50,064 --> 00:06:51,790 HE CALLED A WEEK AGO. 142 00:06:51,825 --> 00:06:54,931 HE SAID EVERYTHING WAS GREAT. 143 00:07:03,492 --> 00:07:05,494 THIS PLACE UP TO CODE? 144 00:07:05,528 --> 00:07:07,496 CERTIFIED AS AN INTRA-MULTIPLE DWELLING. 145 00:07:07,530 --> 00:07:09,601 ON SCHEDULE - FOR ARTICLE 7 - B COMPLIANCE, 146 00:07:09,636 --> 00:07:11,741 WHICH IS COSTING ME AN ARM AND A LEG. 147 00:07:11,776 --> 00:07:13,225 THIS IS IT. 148 00:07:20,509 --> 00:07:22,787 BRING A POLICE DOG IN HERE IT'D FRY HIS BRAIN. 149 00:07:22,821 --> 00:07:24,444 THEY'RE KIDS. THEY'RE ROCK AND ROLLERS. 150 00:07:24,478 --> 00:07:25,790 WHAT WERE YOU SMOKING IN YOUR 20s? 151 00:07:25,824 --> 00:07:27,239 BANANAS. 152 00:07:27,274 --> 00:07:29,483 MELLOW YELLOW TAKES ME BACK. 153 00:07:29,518 --> 00:07:31,485 I USED TO PLAY IN A BAND MYSELF. 154 00:07:31,520 --> 00:07:34,212 NOW I HELP SOME OF THE KIDS, MANAGE THEM. 155 00:07:34,246 --> 00:07:37,077 THIS IS WHERE TEETER LIVED. 156 00:07:37,111 --> 00:07:40,149 HANK, THESE ARE DETECTIVES. 157 00:07:40,183 --> 00:07:41,668 HE'S MOVING IN HERE, BUT I FIGURED, YOU KNOW, 158 00:07:41,702 --> 00:07:43,014 YOU'D LIKE TO LOOK AT IT FIRST. 159 00:07:43,048 --> 00:07:44,498 YEAH, YEAH, SURE. 160 00:07:44,533 --> 00:07:46,431 I'M RIGHT OVER THERE. THE SHACK IN THE MIDDLE. 161 00:07:46,466 --> 00:07:48,053 I'LL WAIT TILL YOU GUYS ARE DONE. 162 00:07:48,088 --> 00:07:49,745 IS THIS A BEDBUG? 163 00:07:49,779 --> 00:07:53,334 FUMIGATION CERTIFICATE IS IN MY OFFICE. 164 00:07:53,369 --> 00:07:55,267 THIS JUST REALLY SUCKS, MAN. 165 00:07:55,302 --> 00:07:58,029 WE WERE ALL WITH TEETER RIGHT BEFORE IT HAPPENED. 166 00:07:58,063 --> 00:07:59,755 WITH HIM DOING WHAT? 167 00:07:59,789 --> 00:08:02,240 [scoffs] AT A SPELLING BEE. 168 00:08:02,274 --> 00:08:03,621 SPELLING BEE? 169 00:08:03,655 --> 00:08:06,589 YEAH, A BAR ON BEDFORD HAS 'EM ON FRIDAY NIGHTS. 170 00:08:06,624 --> 00:08:08,177 KIDS TODAY, HUH? 171 00:08:08,211 --> 00:08:09,868 WHO ELSE WAS WITH YOU? 172 00:08:09,903 --> 00:08:14,632 UH, IT WAS ME, RAFE, TEETER, UH, SUE SMITH, HELEN. 173 00:08:14,666 --> 00:08:18,221 OH, THERE'S RAFE. 174 00:08:18,256 --> 00:08:22,467 HEY, HOW WAS THE, UH... SPELLING BEE? 175 00:08:22,502 --> 00:08:24,227 IT WAS NOSTALGIA AND BEER. 176 00:08:24,262 --> 00:08:25,746 WHO CAN RESIST? 177 00:08:25,781 --> 00:08:27,023 YEAH. 178 00:08:27,058 --> 00:08:28,508 UH, AND TEETER COMPETED? 179 00:08:28,542 --> 00:08:30,233 - AND LOST. - REALLY? 180 00:08:30,268 --> 00:08:31,925 ANY HARD FEELINGS ABOUT THAT? 181 00:08:31,959 --> 00:08:33,513 WELL, IT WASN'T THE SUPER BOWL. 182 00:08:33,547 --> 00:08:36,067 NOBODY BET BIG ON TEETER. 183 00:08:36,101 --> 00:08:37,827 UH, WE CAME OUTSIDE. 184 00:08:37,862 --> 00:08:39,104 HE MADE A CALL. 185 00:08:39,139 --> 00:08:40,347 HE SAID HE'D MEET US BACK HERE. 186 00:08:40,381 --> 00:08:42,314 YEAH, HIS ATM CARD WAS USED 187 00:08:42,349 --> 00:08:45,421 RIGHT AFTER HE LEFT YOU GUYS BY HIM. 188 00:08:45,455 --> 00:08:48,251 ANY IDEA WHY HE'D NEED $400 AT 2:00 A.M.? 189 00:08:48,286 --> 00:08:51,289 NO, NOT REALLY. 190 00:08:51,323 --> 00:08:53,429 REALLY? 191 00:08:53,463 --> 00:08:56,501 'CAUSE I'M GETTING STONED JUST BREATHING IN HERE. 192 00:08:56,536 --> 00:08:58,020 WE COULD GET A WARRANT. LOOK EVERYWHERE. 193 00:08:58,054 --> 00:08:59,297 IS THIS YOUR STUFF HERE? 194 00:08:59,331 --> 00:09:01,161 TEETER WAS INTO POT, ALL RIGHT? 195 00:09:01,195 --> 00:09:02,783 I FIGURED HE WENT TO GO TALK 196 00:09:02,818 --> 00:09:04,405 TO THE GUY THAT HE BOUGHT IT FROM. 197 00:09:04,440 --> 00:09:08,375 NAME? 198 00:09:08,409 --> 00:09:10,239 [chuckles] 199 00:09:10,273 --> 00:09:12,586 UM...DIX. 200 00:09:12,621 --> 00:09:14,001 I KNEW TEETER. 201 00:09:14,036 --> 00:09:15,313 HE WAS GOOD PEOPLE. 202 00:09:15,347 --> 00:09:17,487 USED TO LET ME GOOF ON HIS SYNTHESIZER. 203 00:09:17,522 --> 00:09:20,560 AND YOU'RE KINDA LIKE THE BRIDGE BETWEEN NATIONS, 204 00:09:20,594 --> 00:09:22,182 THE STREET, THE LAW? 205 00:09:22,216 --> 00:09:23,804 I AIN'T NARROW, MAN. 206 00:09:23,839 --> 00:09:25,392 I TAKE PEOPLE AS I FIND 'EM. 207 00:09:25,426 --> 00:09:27,325 HOW'D YOU TAKE TEETER LAST NIGHT? 208 00:09:27,359 --> 00:09:28,982 HE CALLED YOU WHEN HE LEFT THE BAR. 209 00:09:29,016 --> 00:09:30,570 WE GOT HIS PHONE RECORD. 210 00:09:30,604 --> 00:09:32,537 HAD $400 IN HIS POCKET. 211 00:09:32,572 --> 00:09:33,780 HE WAS MY FRIEND. 212 00:09:33,814 --> 00:09:35,575 HE WAS YOUR CUSTOMER. 213 00:09:35,609 --> 00:09:37,162 SO I MIRKED MY CUSTOMER? 214 00:09:37,197 --> 00:09:38,405 THAT MAKE ANY SENSE? 215 00:09:38,439 --> 00:09:40,752 DEPENDS HOW BADLY YOU NEEDED $400. 216 00:09:40,787 --> 00:09:42,754 THIS A NEW JACKET? NICE LEATHER. 217 00:09:42,789 --> 00:09:44,618 HEY, MAN. 218 00:09:44,653 --> 00:09:46,240 HI, WE'RE POLICE. 219 00:09:46,275 --> 00:09:47,448 WE'RE TALKING TO YOUR FRIEND DIX HERE. 220 00:09:47,483 --> 00:09:49,554 HOW ARE YOU? 221 00:09:49,589 --> 00:09:51,038 YOU GONNA DO THAT ALL DAY? 222 00:09:51,073 --> 00:09:53,075 UP TO YOU. 223 00:09:56,561 --> 00:09:57,873 HE NEVER SHOWED UP. 224 00:09:57,907 --> 00:10:00,600 HE CALLED, WANTED TO BUY A LID, 225 00:10:00,634 --> 00:10:02,256 SAID HE'D MEET ME HERE. [sniffs] 226 00:10:02,291 --> 00:10:03,603 NEVER SHOWED. 227 00:10:03,637 --> 00:10:05,915 SO WHAT DID YOU DO? YOU GO LOOK FOR HIM? 228 00:10:05,950 --> 00:10:08,987 I FIGURED I'D SEE HIM TOMORROW. 229 00:10:09,022 --> 00:10:11,990 [acoustic guitar music] 230 00:10:12,025 --> 00:10:17,513 ♪ 231 00:10:27,040 --> 00:10:28,904 IT'S OKAY, BABE. IT'S OKAY. 232 00:10:28,938 --> 00:10:31,423 SOMETIMES I JUST THINK I SHOULD GO BACK TO WISCONSIN. 233 00:10:31,458 --> 00:10:32,942 NO, YOU'RE AN ARTIST, BABY. 234 00:10:32,977 --> 00:10:34,772 THIS IS WHERE YOU BELONG. 235 00:10:34,806 --> 00:10:37,671 HEY, COURAGE, BRO. 236 00:10:42,814 --> 00:10:44,954 RAFE, WHY DON'T YOU COME BACK 237 00:10:44,989 --> 00:10:46,507 WHEN YOU HAVE A DAMN CLUE? 238 00:10:46,542 --> 00:10:48,544 EXACTLY. 239 00:10:54,619 --> 00:10:58,036 DUDE, YOU ARE DEFINITELY NOT SUCKING. 240 00:10:58,071 --> 00:10:59,417 YEAH. 241 00:10:59,451 --> 00:11:01,143 STILL NOT GETTING ANYWHERE WITH IT THOUGH. 242 00:11:01,177 --> 00:11:02,765 HEY, IT'S TOUGH OUT THERE, MAN. 243 00:11:02,800 --> 00:11:03,939 [scoffs] 244 00:11:03,973 --> 00:11:05,803 - I JUST GOT A BREAK. - YEAH? 245 00:11:05,837 --> 00:11:07,874 OUR BAND, WE JUST GOT A GIG. 246 00:11:07,908 --> 00:11:09,910 NO, I MEAN A REAL--A REAL ONE. 247 00:11:09,945 --> 00:11:11,532 WE, UM-- 248 00:11:11,567 --> 00:11:13,707 I MEAN, IT COULD BE REALLY BIG. 249 00:11:13,742 --> 00:11:15,191 RECORD DEALS, TOURS. 250 00:11:15,226 --> 00:11:17,228 YEAH, NO, I HEARD. PHILIP MENTIONED IT. 251 00:11:17,262 --> 00:11:19,644 OH, YEAH? 252 00:11:19,679 --> 00:11:22,164 UH, YOU GOT THE GOODS, MAN. 253 00:11:22,198 --> 00:11:24,753 I SHOULD KEEP YOU AWAY FROM MY PEOPLE, YOU KNOW? 254 00:11:24,787 --> 00:11:26,789 ARE YOU--YOU AFTER MY SPOT IN THE BAND? 255 00:11:26,824 --> 00:11:28,929 NO, NO, MAN. 256 00:11:28,964 --> 00:11:30,068 NO, I'M JUST--I-- 257 00:11:30,103 --> 00:11:33,002 [mumbling] 258 00:11:33,037 --> 00:11:35,004 LOOK... 259 00:11:35,039 --> 00:11:36,316 JUST HANG IN THERE, ALL RIGHT? 260 00:11:36,350 --> 00:11:38,663 YOU'RE GONNA MAKE IT. I KNOW IT. 261 00:11:38,698 --> 00:11:40,596 [mumbles] 262 00:11:40,630 --> 00:11:44,220 YEAH. 263 00:11:44,255 --> 00:11:46,257 YEAH, SO DO I. 264 00:11:53,989 --> 00:11:55,991 WHAT TOOK YOU SO LONG? 265 00:11:56,025 --> 00:11:57,924 I JUST CAN'T DO THIS TONIGHT, PHILIP. 266 00:11:57,958 --> 00:12:01,272 SUSIE, STUFF HAPPENS. 267 00:12:01,306 --> 00:12:04,689 YOU CAN'T ROLL YOURSELF UP INTO A BALL AND HIDE. 268 00:12:04,724 --> 00:12:06,656 YEAH, JUST NOT TONIGHT. 269 00:12:06,691 --> 00:12:11,696 [screaming] 270 00:12:25,020 --> 00:12:26,918 RAFE WAS DRUNK... 271 00:12:26,953 --> 00:12:28,471 CELEBRATING BECAUSE OUR BAND 272 00:12:28,506 --> 00:12:30,853 JUST GOT THIS REALLY GREAT GIG. 273 00:12:30,888 --> 00:12:34,408 AND THAT ELEVATOR IS ALWAYS BROKEN. 274 00:12:34,443 --> 00:12:36,859 THAT DAMN ELEVATOR. 275 00:12:36,894 --> 00:12:39,137 YOU WERE SAYING ABOUT BEING UP TO CODE? 276 00:12:39,172 --> 00:12:42,278 LOOK, I FEEL TERRIBLE ABOUT IT. 277 00:12:42,313 --> 00:12:44,971 BUT SOMEONE DIDN'T SHUT THE DOOR. 278 00:12:45,005 --> 00:12:49,492 IT'S A MANUAL ELEVATOR AND, WELL, THE KID WAS DRUNK. 279 00:12:49,527 --> 00:12:51,425 HE USED TO GIVE ME POINTERS. 280 00:12:51,460 --> 00:12:53,255 HE WAS A REALLY GOOD GUITARIST. 281 00:12:53,289 --> 00:12:54,981 DID HE SEEM DRUNK TO YOU? 282 00:12:55,015 --> 00:12:56,568 HE MUST HAVE BEEN. 283 00:12:56,603 --> 00:12:59,330 SAID SOME NICE THINGS ABOUT MY PLAYING. 284 00:12:59,364 --> 00:13:00,710 YOU DON'T PLAY WELL? 285 00:13:00,745 --> 00:13:02,160 I'M OKAY. 286 00:13:02,195 --> 00:13:03,817 DID YOU SEE HIM FALL? 287 00:13:03,852 --> 00:13:05,336 NO. NO. 288 00:13:05,370 --> 00:13:07,476 SUDDENLY I JUST HEARD PEOPLE SCREAMING. 289 00:13:07,510 --> 00:13:09,719 SO WHEN HE WAS TELLING YOU HOW WELL YOU PLAYED, 290 00:13:09,754 --> 00:13:11,273 THAT WAS EARLIER? 291 00:13:11,307 --> 00:13:13,344 YEAH, THAT'S RIGHT. 292 00:13:13,378 --> 00:13:17,141 OKAY, WE'RE TAKING STATEMENTS ONE BY ONE. 293 00:13:17,175 --> 00:13:19,626 EVERYBODY STICK AROUND, PLEASE. 294 00:13:19,660 --> 00:13:22,836 27 WITNESS STATEMENTS AND NO ONE SAW IT HAPPEN. 295 00:13:22,871 --> 00:13:25,183 AREN'T WE TALKING ABOUT A LOFT HERE? 296 00:13:25,218 --> 00:13:26,944 WIDE, OPEN SPACES? 297 00:13:26,978 --> 00:13:29,429 WELL, IT'S DIVIDED LIKE A RABBIT WARREN. 298 00:13:29,463 --> 00:13:32,915 THERE'S CURTAINS AND PARTITIONS AND IT'S SMOKEY. 299 00:13:32,950 --> 00:13:35,090 NO ONE WAS LOOKING THE RIGHT WAY. 300 00:13:35,124 --> 00:13:36,608 NO ONE WAS IN THE RIGHT SPOT. 301 00:13:36,643 --> 00:13:38,748 - WHAT ARE THE ODDS? - WELL, YOU JUST SAID-- 302 00:13:38,783 --> 00:13:40,060 YEAH, BUT 27 PEOPLE? 303 00:13:40,095 --> 00:13:41,751 AND WE'RE NOT TALKING ABOUT A SPACE 304 00:13:41,786 --> 00:13:45,617 THE SIZE OF WYOMING UNLESS SOMEBODY WAITED 305 00:13:45,652 --> 00:13:48,517 UNTIL EVERYBODY WAS IN THE WRONG SPOT, 306 00:13:48,551 --> 00:13:49,725 OR LOOKING THE WRONG WAY. 307 00:13:49,759 --> 00:13:51,002 SOMEBODY? SOMEBODY WHO? 308 00:13:51,037 --> 00:13:52,762 SOMEBODY WHO MURDERED THIS KID 309 00:13:52,797 --> 00:13:54,834 TO COVER UP THE MURDER OF THE OTHER KID. 310 00:13:54,868 --> 00:13:57,491 NO. 311 00:13:57,526 --> 00:13:59,355 THEN WHAT? 312 00:13:59,390 --> 00:14:02,048 I...DON'T KNOW. 313 00:14:02,082 --> 00:14:03,808 FASCINATING. 314 00:14:03,843 --> 00:14:05,120 I SUGGEST THAT WHILE YOU'RE TRYING TO FIGURE OUT 315 00:14:05,154 --> 00:14:08,157 WHAT'S ON YOUR OWN MIND, YOU RESUME INVESTIGATION 316 00:14:08,192 --> 00:14:10,228 OF THE ACTUAL MURDER ON YOUR PLATE. 317 00:14:10,263 --> 00:14:12,368 THE KID WHO GOT STABBED. 318 00:14:12,403 --> 00:14:15,061 THE M.E. HAS GIVEN ME HER REPORT. 319 00:14:15,095 --> 00:14:17,477 THE KNIFE WAS SERRATED WITH A CHIP IN THE BLADE. 320 00:14:17,511 --> 00:14:20,549 ONE DULL EDGE. 321 00:14:20,583 --> 00:14:22,585 YOU ARE THE BOSS. 322 00:14:25,623 --> 00:14:27,038 [door slams] 323 00:14:27,073 --> 00:14:29,282 WHEN DOES THE BRILLIANT PART START? 324 00:14:29,316 --> 00:14:31,042 NOT BIG ON TRUST AT THE MOMENT, ARE WE? 325 00:14:31,077 --> 00:14:32,802 I'M NOT TALKING ABOUT ME. 326 00:14:32,837 --> 00:14:34,114 ONE PARTNER QUITS ON YOU-- 327 00:14:34,149 --> 00:14:35,150 QUITS ON ME? 328 00:14:35,184 --> 00:14:36,496 I'M JUST SAYING YOUR EX-FIANCE'S 329 00:14:36,530 --> 00:14:37,807 ABOUT TO GO ON TRIAL. 330 00:14:37,842 --> 00:14:39,257 SOMEONE ELSE YOU TRUSTED. 331 00:14:39,292 --> 00:14:40,672 OKAY. 332 00:14:40,707 --> 00:14:42,709 THANK YOU, CAPTAIN FREUD. 333 00:14:44,745 --> 00:14:46,955 WELL, IT'S HIP, IT'S HAPPENING... 334 00:14:46,989 --> 00:14:47,921 WHAT ARE WE DOING HERE? 335 00:14:47,956 --> 00:14:50,234 THIS IS RAFE'S BAND'S GIG. 336 00:14:50,268 --> 00:14:51,373 THE ONE HE WAS CELEBRATING 337 00:14:51,407 --> 00:14:52,788 WHEN HE FELL DOWN THE ELEVATOR. 338 00:14:52,822 --> 00:14:53,962 RAFE'S BAND? 339 00:14:53,996 --> 00:14:55,998 WHAT DOES THAT HAVE TO DO WITH THE MURDER OF TEETER? 340 00:14:56,033 --> 00:14:57,862 THIS IS WHAT THE KIDS ARE DREAMING ABOUT. 341 00:14:57,897 --> 00:14:59,864 COMING TO NEW YORK. BEING STARS. 342 00:14:59,899 --> 00:15:01,728 YEAH, BUT THIS BAND WAS RAFE'S DREAM. 343 00:15:01,762 --> 00:15:03,005 HEY, LOOK, LOOK. HERE WE GO. 344 00:15:03,040 --> 00:15:04,317 BEFORE WE START, I WANNA SAY WE'RE DEDICATING 345 00:15:04,351 --> 00:15:06,664 THIS PERFORMANCE TO OUR LATE, GREAT GUITARIST 346 00:15:06,698 --> 00:15:09,391 RAFE SHAVER, WHO DIED WAY TOO SOON 347 00:15:09,425 --> 00:15:12,049 IN AN EXCESS OF PARTYING. 348 00:15:12,083 --> 00:15:15,500 WE KNOW HE'S WATCHING US TONIGHT WITH KURT AND SID 349 00:15:15,535 --> 00:15:17,951 AND A BAG OF BREWS, SO... 350 00:15:17,986 --> 00:15:20,091 NO ONE CAN EVER REALLY FILL THIS SPACE, 351 00:15:20,126 --> 00:15:22,473 BUT WE GOT A PRETTY COOL REPLACEMENT. 352 00:15:22,507 --> 00:15:26,270 SO, RAFE, THIS ONE'S FOR YOU. 353 00:15:26,304 --> 00:15:29,273 [rock music] 354 00:15:29,307 --> 00:15:37,212 ♪ 355 00:15:37,246 --> 00:15:40,042 RAFE WASN'T THE ONLY ONE WITH A DREAM. 356 00:16:16,527 --> 00:16:19,530 [cheers and applause] 357 00:16:24,638 --> 00:16:26,468 NICE SET. 358 00:16:26,502 --> 00:16:28,815 [scoffs] YEAH. 359 00:16:28,849 --> 00:16:29,919 WOW, THANKS. 360 00:16:29,954 --> 00:16:31,576 YEAH, THEY REALLY LIKED YOU. 361 00:16:31,611 --> 00:16:32,888 YEAH. 362 00:16:32,922 --> 00:16:36,685 HOPE IT DOESN'T BREAK YOUR HEART. 363 00:16:36,719 --> 00:16:39,964 YOU KNOW, TO GET A TASTE AND THEN... 364 00:16:39,999 --> 00:16:41,828 I MEAN, YOU WANNA MAKE IT, RIGHT? 365 00:16:41,862 --> 00:16:44,141 REALLY, REALLY MAKE IT. 366 00:16:44,175 --> 00:16:45,487 [scoffs] WELL, DOESN'T EVERYONE? 367 00:16:45,521 --> 00:16:46,902 NO, EXACTLY. 368 00:16:46,936 --> 00:16:48,869 HOW MANY PEOPLE COME TO NEW YORK EVERY WEEK 369 00:16:48,904 --> 00:16:50,181 TRYING TO BE ROCK STARS? 370 00:16:50,216 --> 00:16:52,114 - I DON'T KNOW. - WELL, 100 EASY. 371 00:16:52,149 --> 00:16:53,943 THEY'RE POURING OFF THE BUSES AT THE PORT AUTHORITY. 372 00:16:53,978 --> 00:16:55,048 YOU PROBABLY GET NEARLY THAT MANY 373 00:16:55,083 --> 00:16:56,670 AT THAT RAT'S NEST WHERE YOU LIVE. 374 00:16:56,705 --> 00:16:58,224 [scoffs] OKAY. 375 00:16:58,258 --> 00:17:01,468 SO 100 A WEEK, THAT'S 5,000 A YEAR. 376 00:17:01,503 --> 00:17:03,746 ANOTHER 5,000 GO OUT TO L.A. 377 00:17:03,781 --> 00:17:05,886 ANOTHER 5,000 STICK AROUND, YOU KNOW, 378 00:17:05,921 --> 00:17:07,647 CLEVELAND, DETROIT, CHICAGO. 379 00:17:07,681 --> 00:17:09,028 WORKING IT THERE. 380 00:17:09,062 --> 00:17:10,443 THAT'S 15,000 A YEAR. 381 00:17:10,477 --> 00:17:12,652 THAT'S CONSERVATIVE. IT'S PROBABLY MORE LIKE 50,000. 382 00:17:12,686 --> 00:17:13,929 WHAT'S YOUR POINT? 383 00:17:13,963 --> 00:17:17,001 MY POINT IS HOW MANY ARE GONNA MAKE IT? 384 00:17:17,036 --> 00:17:21,316 45,000 NEVER GET ANYWHERE. 385 00:17:21,350 --> 00:17:22,903 THEY DON'T GET A BREAK. 386 00:17:22,938 --> 00:17:24,698 THEY KNOCK UP SOME GIRL. 387 00:17:24,733 --> 00:17:26,700 TAKE A JOB DRIVING A BAKERY TRUCK. 388 00:17:26,735 --> 00:17:31,533 MAYBE 4,000 BECOME PROFESSIONAL MUSICIANS 389 00:17:31,567 --> 00:17:34,260 PLAYING THE HOTEL LOUNGE NEAR THE AIRPORT. 390 00:17:34,294 --> 00:17:36,469 THE CREAM AT THE TOP, THE TOP 1,000, 391 00:17:36,503 --> 00:17:39,368 GET TO BE IN A ZEPPELIN TRIBUTE BAND 392 00:17:39,403 --> 00:17:41,267 OR 18th RUNNER-UP ON AMERICAN IDOL. 393 00:17:41,301 --> 00:17:44,718 BUT REALLY MAKE IT, MAKE A NAME, BE A STAR, MAYBE TEN. 394 00:17:44,753 --> 00:17:47,825 TEN PEOPLE YEARLY WORLDWIDE. 395 00:17:47,859 --> 00:17:49,413 TEN OUT OF 50,000. 396 00:17:49,447 --> 00:17:53,210 SO THERE'S TEN. 397 00:17:53,244 --> 00:17:54,556 AND YOU'RE GONNA BE ONE OF 'EM? 398 00:17:54,590 --> 00:17:55,936 WHY NOT? 399 00:17:55,971 --> 00:17:58,870 I CAN PLAY. I'M WILLING TO WORK. 400 00:17:58,905 --> 00:18:00,941 YOU STILL GOTTA GET THOSE BREAKS. 401 00:18:00,976 --> 00:18:03,461 HMM, SOME PEOPLE MAKE THEIR OWN BREAKS. 402 00:18:03,496 --> 00:18:04,980 PEOPLE LIKE YOU? 403 00:18:05,014 --> 00:18:09,053 [scoffs] 404 00:18:09,088 --> 00:18:11,607 PEOPLE WILLING TO DO WHATEVER IT TAKES. 405 00:18:15,197 --> 00:18:17,199 LET ME SHOW YOU SOMETHING. 406 00:18:22,101 --> 00:18:25,069 [piano music] 407 00:18:25,104 --> 00:18:31,869 ♪ 408 00:18:59,793 --> 00:19:01,623 AND I'M A COP. 409 00:19:01,657 --> 00:19:03,003 [scoffs] 410 00:19:03,038 --> 00:19:04,004 WERE YOU, UH-- 411 00:19:04,039 --> 00:19:06,490 YOU ONE OF THE LOSERS IN THE 50,000? 412 00:19:12,496 --> 00:19:15,637 WHY ARE YOU A COP? 413 00:19:15,671 --> 00:19:20,918 BECAUSE I LIKE IT AND I'M GOOD AT IT... 414 00:19:20,952 --> 00:19:23,127 AND THAT KID IS A KILLER. 415 00:19:33,551 --> 00:19:36,865 THANK YOU. 416 00:19:36,899 --> 00:19:39,626 THAT WAS UTICA P.D. 417 00:19:39,661 --> 00:19:43,768 IT SEEMS OUR BOY HANK HAD A STEPFATHER 418 00:19:43,803 --> 00:19:46,392 THAT HE DIDN'T GET ALONG WITH. 419 00:19:46,426 --> 00:19:48,221 THERE WERE ALLEGATIONS OF ABUSE. 420 00:19:48,256 --> 00:19:51,569 SOCIAL SERVICES COULDN'T MAKE THE CASE. 421 00:19:51,604 --> 00:19:54,123 WHEN HANK WAS 16, HIS STEPFATHER 422 00:19:54,158 --> 00:19:56,919 HAD A FATAL ACCIDENT FIXING HIS ROOF. 423 00:19:56,954 --> 00:19:58,335 HANK'S PROBLEM SOLVED. 424 00:19:58,369 --> 00:20:01,648 OKAY, SO YOU'RE SAYING THAT HE PUSHED RAFE SHAVER 425 00:20:01,683 --> 00:20:04,237 DOWN AN ELEVATOR SHAFT TO GET HIS SPOT IN A BAND? 426 00:20:04,272 --> 00:20:06,239 HE'S COMPETING FOR LIMITED RESOURCES. 427 00:20:06,274 --> 00:20:07,585 THERE'S A MILLION MUSICIANS. 428 00:20:07,620 --> 00:20:08,897 HANDFUL OF WORKING BANDS. 429 00:20:08,931 --> 00:20:10,209 MAKES PERFECT SENSE. 430 00:20:10,243 --> 00:20:12,280 IF YOU'RE A HOMICIDAL MANIAC. 431 00:20:12,314 --> 00:20:14,385 IF YOU WANNA PUT A LABEL ON IT. 432 00:20:14,420 --> 00:20:17,630 HE TOLD ME THAT HE WAS WILLING TO DO WHATEVER IT TAKES. 433 00:20:17,664 --> 00:20:20,046 HIS EGO IS MASSIVE. 434 00:20:20,080 --> 00:20:23,118 PEOPLE SAY THEY'D KILL TO SUCCEED. 435 00:20:23,152 --> 00:20:26,017 THIS KID IS THE ONE IN A MILLION WHO MEANS IT. 436 00:20:26,052 --> 00:20:28,261 WHEELER? 437 00:20:28,296 --> 00:20:31,057 MAYBE, BUT WHY KILL TEETER? 438 00:20:31,091 --> 00:20:32,817 THAT DIDN'T HELP HIS CAREER. 439 00:20:32,852 --> 00:20:36,511 DIDN'T HELP HIM ACHIEVE HIS DREAM. 440 00:20:36,545 --> 00:20:38,616 GOT HIM A BETTER APARTMENT. 441 00:20:41,930 --> 00:20:44,588 YOU DON'T SEE MUCH WHITE LEATHER AROUND NOWADAYS. 442 00:20:44,622 --> 00:20:47,625 YEAH, DITTO THE ZEBRA STRIPES. 443 00:20:47,660 --> 00:20:51,422 SPECKLED STALLION? 444 00:20:51,457 --> 00:20:53,390 YOU WERE IN SPECKLED STALLION? 445 00:20:53,424 --> 00:20:54,667 RIGHT, YOU SAID YOU WERE IN A BAND. 446 00:20:54,701 --> 00:20:55,978 LONG TIME AGO. 447 00:20:56,013 --> 00:20:57,290 HEY, YOU PLAYED WOODSTOCK. 448 00:20:57,325 --> 00:20:59,741 THIRD-LONGEST SET RIGHT AFTER THE WHO. 449 00:20:59,775 --> 00:21:03,054 NO, YOU GUYS WERE-- OH, YOU WERE SOMETHING. 450 00:21:03,089 --> 00:21:05,056 ROCK AND ROLL KING. 451 00:21:05,091 --> 00:21:06,575 [hums melody] 452 00:21:06,610 --> 00:21:07,956 [chuckles] 453 00:21:07,990 --> 00:21:10,372 YEAH, UNFORTUNATELY... 454 00:21:10,407 --> 00:21:12,340 IT'S NOT ALWAYS ABOUT TALENT, IS IT? 455 00:21:12,374 --> 00:21:14,100 NO. WHAT, JUST CONNECTIONS? 456 00:21:14,134 --> 00:21:15,377 THOSE DAYS, IF YOU DIDN'T SUCK UP 457 00:21:15,412 --> 00:21:18,380 TO THE RIGHT RECORD EXECUTIVE... [mumbles] 458 00:21:18,415 --> 00:21:20,348 I HEARD YOU PLAYING THE OTHER NIGHT. 459 00:21:20,382 --> 00:21:21,763 IT'S JUST-- THAT'S A HOBBY. 460 00:21:21,797 --> 00:21:26,354 UM, LISTEN, YOU MANAGE THE BAND THAT RAFE WAS IN, YEAH? 461 00:21:26,388 --> 00:21:28,252 YES. GOT POTENTIAL. 462 00:21:28,287 --> 00:21:30,219 AND ARE YOU THE ONE THAT PUT HANK IN THE BAND 463 00:21:30,254 --> 00:21:31,531 AFTER RAFE DIED? 464 00:21:31,566 --> 00:21:32,946 YEAH, HE'S GOOD. HE'S GOOD. 465 00:21:32,981 --> 00:21:35,224 RAW, BUT I'M WORKING ON HIM. 466 00:21:35,259 --> 00:21:38,676 HE'S STILL MOPING ABOUT SOME MAKING THE BAND REALITY SHOW 467 00:21:38,711 --> 00:21:40,264 IN L.A. THAT DIDN'T PAN OUT. 468 00:21:40,299 --> 00:21:42,508 I TOLD HIM NOT TO GO. HE WASN'T READY. 469 00:21:42,542 --> 00:21:45,338 I MEAN, CAN'T TELL THESE KIDS ANYTHING. 470 00:21:45,373 --> 00:21:46,684 NO, UNLIKE US, RIGHT? 471 00:21:46,719 --> 00:21:48,824 WE DID EVERYTHING OUR ELDERS TOLD US. 472 00:21:48,859 --> 00:21:52,414 [chuckles] ABOUT HANK... 473 00:21:52,449 --> 00:21:54,692 DID HE KNOW HE WAS IN LINE TO REPLACE RAFE 474 00:21:54,727 --> 00:21:55,969 IF RAFE LEFT THE BAND? 475 00:21:56,004 --> 00:21:57,350 YEAH, YEAH, I GUESS. 476 00:21:57,385 --> 00:22:02,148 HE KNOWS I LIKED HIM. HE'S-- 477 00:22:02,182 --> 00:22:07,084 WELL, YOU DON'T THINK HANK PUSHED RAFE? 478 00:22:07,118 --> 00:22:09,051 YOU JUST SAID HE HAD A MOTIVE. 479 00:22:09,086 --> 00:22:10,743 RAFE ALIVE, HANK'S NOT IN THE BAND. 480 00:22:10,777 --> 00:22:14,160 RAFE DEAD, HE IS IN THE BAND. 481 00:22:14,194 --> 00:22:16,162 WELL. 482 00:22:20,649 --> 00:22:23,963 HOW'S THE SCIENCE PROJECT GOING? 483 00:22:23,997 --> 00:22:26,345 YOU NEED ANY CONSTRUCTION PAPER? 484 00:22:28,416 --> 00:22:30,383 HELLO? 485 00:22:32,420 --> 00:22:33,731 SORRY. 486 00:22:33,766 --> 00:22:36,147 I WAS LISTENING TO SPECKLED STALLION. 487 00:22:36,182 --> 00:22:38,218 BOY, DID THOSE GUYS SUCK. 488 00:22:38,253 --> 00:22:40,531 YOU JUST TOLD PHILIP THEY WERE GREAT. 489 00:22:40,566 --> 00:22:42,222 UH, NO. 490 00:22:42,257 --> 00:22:44,432 I THINK I SAID, "YOU GUYS ARE SOMETHING." 491 00:22:47,124 --> 00:22:49,402 IT'S THE LITTLE THINGS, ISN'T IT? 492 00:22:49,437 --> 00:22:51,266 ALWAYS. 493 00:22:51,300 --> 00:22:53,302 SHALL WE? 494 00:23:08,939 --> 00:23:10,975 HEY. 495 00:23:11,010 --> 00:23:13,081 YOU HERE TO AUDITION FOR MY BAND? 496 00:23:13,115 --> 00:23:14,841 YOU WERE SOUNDING PRETTY HOT THE OTHER NIGHT. 497 00:23:14,876 --> 00:23:16,981 NO, I THINK I'LL BE STAYING WITH THE POLICE WORK, THANKS. 498 00:23:17,016 --> 00:23:19,156 NO, WE'RE JUST HERE TO CLEAR UP SOMETHING 499 00:23:19,190 --> 00:23:20,537 ABOUT RAFE'S ACCIDENT. 500 00:23:20,571 --> 00:23:22,366 - COUPLE OF LOOSE ENDS. - SURE. 501 00:23:22,401 --> 00:23:23,678 WE GOT STATEMENTS FROM EVERYBODY 502 00:23:23,712 --> 00:23:26,301 WHO WAS HERE THAT NIGHT, AND I THINK WE FIGURED OUT 503 00:23:26,335 --> 00:23:29,994 EXACTLY WHERE EVERYBODY WAS WHEN RAFE FELL. 504 00:23:30,029 --> 00:23:31,582 HERE. 505 00:23:31,617 --> 00:23:33,204 DID YOU MAKE THAT YOURSELF? 506 00:23:33,239 --> 00:23:34,999 YEAH. 507 00:23:35,034 --> 00:23:36,415 MMM, THANKS. 508 00:23:36,449 --> 00:23:38,762 UH, OKAY, RAFE WAS THERE. 509 00:23:38,796 --> 00:23:42,421 EVERYBODY ELSE... 510 00:23:42,455 --> 00:23:44,457 WAS, UM, CENTRAL-- 511 00:23:44,492 --> 00:23:45,941 UH-OH. 512 00:23:45,976 --> 00:23:47,322 AH, I GOT IT. I GOT IT. 513 00:23:47,356 --> 00:23:49,566 [muttering] 514 00:23:49,600 --> 00:23:50,877 OKAY. 515 00:23:50,912 --> 00:23:53,155 AS I WAS SAYING, UH, 516 00:23:53,190 --> 00:23:55,572 PEOPLE WERE SCATTERED KINDA CENTRALLY 517 00:23:55,606 --> 00:23:57,953 BUT NOBODY UNFORTUNATELY NEAR THE ELEVATOR, 518 00:23:57,988 --> 00:23:59,886 SO NOBODY SAW RAFE FALL. 519 00:23:59,921 --> 00:24:03,476 BUT WHAT'S WRONG WITH THIS PICTURE? 520 00:24:03,511 --> 00:24:05,513 UH, I DON'T KNOW. 521 00:24:05,547 --> 00:24:07,169 YOU'RE NOT IN IT. 522 00:24:07,204 --> 00:24:10,069 NONE OF THESE PEOPLE SAW WHEN RAFE FELL, 523 00:24:10,103 --> 00:24:13,728 BUT NONE OF THEM SAW YOU WHEN RAFE FELL, 524 00:24:13,762 --> 00:24:19,078 SO WE WERE HOPING YOU MIGHT HAVE BEEN NEAR THE ELEVATOR, 525 00:24:19,112 --> 00:24:22,219 AND WERE AWARE OF THE ACCIDENT SOMEHOW, 526 00:24:22,253 --> 00:24:24,980 AND CAN HELP US TIE UP SOME OF THOSE LOOSE ENDS. 527 00:24:25,015 --> 00:24:27,017 YOU HAVE ANY RECOLLECTION? 528 00:24:27,051 --> 00:24:28,605 SORRY, I WAS, UH-- 529 00:24:28,639 --> 00:24:31,124 I WAS RIGHT THERE JUST TAKING A BREAK, YOU KNOW? 530 00:24:31,159 --> 00:24:32,816 THERE EXACTLY WHERE YOU POINTED YOUR FINGER? 531 00:24:32,850 --> 00:24:34,334 YEAH. YEAH, RIGHT THERE. 532 00:24:34,369 --> 00:24:35,784 OKAY. 533 00:24:35,819 --> 00:24:39,547 WOULD YOU MIND SIGNING THAT FOR OUR FILES, PLEASE? 534 00:24:43,067 --> 00:24:45,691 OKIE-DOKIE, THANKS A LOT. 535 00:24:47,486 --> 00:24:49,591 IS THAT-- 536 00:24:49,626 --> 00:24:52,629 WAIT A MINUTE. WAIT A MINUTE. 537 00:24:52,663 --> 00:24:55,597 LET ME JUST CHECK SOMETHING. ONE SECOND. 538 00:24:55,632 --> 00:24:57,219 OH, NO, NO, NO, NO. 539 00:24:57,254 --> 00:24:59,394 OH, I FORGOT. NO, THERE WERE PEOPLE THERE. 540 00:24:59,428 --> 00:25:01,396 I JUST FORGOT TO PUT ON THESE TAGS. 541 00:25:01,430 --> 00:25:02,742 I'M SORRY. 542 00:25:02,777 --> 00:25:05,504 NO, LARRY THE ACTOR FROM THE SECOND FLOOR, 543 00:25:05,538 --> 00:25:08,437 HE WAS THERE AND MAXINE WHO PAINTS CANVASES 544 00:25:08,472 --> 00:25:09,715 WITH HER OWN BODY FLUIDS-- 545 00:25:09,749 --> 00:25:11,475 I WOULDN'T SHAKE HANDS WITH HER IF I WERE YOU-- 546 00:25:11,510 --> 00:25:15,203 UM, THEY WERE RIGHT THERE, IN FACT. 547 00:25:15,237 --> 00:25:17,654 WAIT A MINUTE. 548 00:25:17,688 --> 00:25:19,310 YEAH, NONE OF THEM-- 549 00:25:19,345 --> 00:25:21,830 NEITHER OF THEM SAW YOU. 550 00:25:26,076 --> 00:25:29,389 [clears throat and sighs] 551 00:25:29,424 --> 00:25:32,565 I'M LATE FOR REHEARSAL. 552 00:25:32,600 --> 00:25:35,292 YEAH, I MUST HAVE HAD TOO MUCH TO DRINK THAT NIGHT. 553 00:25:35,326 --> 00:25:37,984 I HAVE NO IDEA WHERE I WAS. 554 00:25:38,019 --> 00:25:40,159 COULDA BEEN MARS FOR ALL I KNOW. 555 00:25:40,193 --> 00:25:42,610 GUESS I CAN'T HELP YOU GUYS. 556 00:25:42,644 --> 00:25:44,646 SORRY. 557 00:25:47,753 --> 00:25:49,824 THAT CHART OF YOURS, YOU KNOW WHO ELSE 558 00:25:49,858 --> 00:25:52,723 IS UNACCOUNTED FOR IS THAT GIRL SUE SMITH. 559 00:25:52,758 --> 00:25:54,760 YOU THINK SUE SMITH KILLED RAFE? 560 00:25:54,794 --> 00:25:56,278 WHY? WHY WOULD SHE DO THAT? 561 00:25:56,313 --> 00:25:58,315 WELL, I DON'T KNOW, BUT SHE SEEMS TO KEEP POPPING UP. 562 00:25:58,349 --> 00:26:01,249 AND WHAT YOU JUST TOLD HANK ABOUT THAT ARTIST 563 00:26:01,283 --> 00:26:03,458 AND ACTOR BEING IN THAT PART OF THE LOFT, 564 00:26:03,492 --> 00:26:04,804 THEY DIDN'T SAY THAT. 565 00:26:04,839 --> 00:26:06,461 I KNOW. DON'T TELL HANK THAT. 566 00:26:06,495 --> 00:26:07,600 HE THINKS WE CAUGHT HIM IN A LIE. 567 00:26:07,635 --> 00:26:08,808 WELL, WE DIDN'T. 568 00:26:08,843 --> 00:26:10,569 IT'S A STRESSOR. 569 00:26:10,603 --> 00:26:12,087 SHAKE HIM UP. 570 00:26:12,122 --> 00:26:15,677 KID'S BEEN THINKING HE'S TOO, UH, INVULNERABLE. 571 00:26:15,712 --> 00:26:17,472 A STRESSOR. 572 00:26:17,506 --> 00:26:19,543 SO... 573 00:26:19,578 --> 00:26:21,303 NOW HE'S GONNA MAKE ANOTHER MISTAKE? 574 00:26:21,338 --> 00:26:22,615 DO SOMETHING RASH. 575 00:26:22,650 --> 00:26:23,616 LIKE KILL SOMEONE ELSE? 576 00:26:23,651 --> 00:26:26,032 NOT MY FIRST CHOICE. 577 00:26:26,067 --> 00:26:28,414 WELL, YOU WANNA SHOW ME WHAT ELSE YOU PICKED UP 578 00:26:28,448 --> 00:26:30,554 WHEN YOU DROPPED YOUR CHART ON THE FLOOR? 579 00:26:30,589 --> 00:26:32,832 OH, YEAH, YEAH, YEAH. THE, UH-- 580 00:26:32,867 --> 00:26:34,765 I THOUGHT I MIGHT GET SOME ACTUAL EVIDENCE, 581 00:26:34,800 --> 00:26:37,250 SINCE EVERYBODY AROUND HERE SEEMS TO LIKE THAT KINDA THING. 582 00:26:37,285 --> 00:26:40,046 AND, UH, YOU KNOW, WE SAW SUE SMITH 583 00:26:40,081 --> 00:26:42,221 COMING OUT OF HANK'S NEW ROOM. 584 00:26:42,255 --> 00:26:43,429 SEE WHAT I MEAN? 585 00:26:43,463 --> 00:26:44,775 THEN I REMEMBERED THAT YOU HAD SEEN 586 00:26:44,810 --> 00:26:46,225 THAT BEDBUG IN THERE. 587 00:26:46,259 --> 00:26:48,158 VERY OBSERVANT. 588 00:26:48,192 --> 00:26:50,401 AND, UH, UGH. 589 00:26:50,436 --> 00:26:53,508 HERE, YOU DON'T SEEM TO MIND. 590 00:26:53,542 --> 00:26:54,992 THEY SUCK HUMAN BLOOD. 591 00:26:55,027 --> 00:26:57,546 THE DNA. 592 00:26:57,581 --> 00:26:59,894 THAT LOFT USED TO BE TEETER'S. NOW IT'S HANK'S. 593 00:26:59,928 --> 00:27:01,136 MM-HMM. 594 00:27:01,171 --> 00:27:04,450 LET'S FIND OUT WHO'S BEEN SLEEPING THERE. 595 00:27:04,484 --> 00:27:06,417 WE'RE IN THE MIDDLE OF A BEDBUG EPIDEMIC. 596 00:27:06,452 --> 00:27:07,626 WE ARE? 597 00:27:07,660 --> 00:27:09,489 ARE THERE ANY PRECAUTIONS YOU CAN TAKE? 598 00:27:09,524 --> 00:27:11,630 DON'T SLEEP. 599 00:27:11,664 --> 00:27:13,666 THESE GUYS HAVE A VERY SLOW DIGESTIVE SYSTEM. 600 00:27:13,701 --> 00:27:15,185 THEY CAN GO FOR A YEAR BETWEEN MEALS. 601 00:27:15,219 --> 00:27:16,496 WE CAN EXTRACT THE BLOOD THEY ATE 602 00:27:16,531 --> 00:27:17,912 FOR UP TO TWO MONTHS AFTER THEY CHOW DOWN. 603 00:27:17,946 --> 00:27:19,120 I SEE. 604 00:27:19,154 --> 00:27:20,293 WHAT'S IN THE ONES WE SENT YOU? 605 00:27:20,328 --> 00:27:22,502 SOME WERE FAT AND HAPPY. THEY JUST ATE. 606 00:27:22,537 --> 00:27:24,263 OTHERS HADN'T EATEN FOR AT LEAST A MONTH. 607 00:27:24,297 --> 00:27:26,921 IN A COUPLE OF THE OLD ONES WE FOUND THEODORE KENRIGHT'S BLOOD. 608 00:27:26,955 --> 00:27:28,474 TEETER. 609 00:27:28,508 --> 00:27:30,269 AND FROM THAT SAME PERIOD, A WOMAN'S BLOOD. 610 00:27:30,303 --> 00:27:32,892 YOU HAVE ANYTHING FOR US TO MATCH IT AGAINST? 611 00:27:32,927 --> 00:27:34,135 NOT YET. 612 00:27:34,169 --> 00:27:35,550 HOW ABOUT THE BUGS THAT JUST ATE? 613 00:27:35,584 --> 00:27:36,931 BLOOD FROM A DIFFERENT MAN. 614 00:27:36,965 --> 00:27:39,174 BUT THIS IS INTERESTING... 615 00:27:39,209 --> 00:27:40,417 THE SAME WOMAN. 616 00:27:40,451 --> 00:27:42,350 SUE SMITH. 617 00:27:42,384 --> 00:27:44,041 SLEEPING WITH HANK NOW. 618 00:27:44,076 --> 00:27:45,836 SLEPT WITH TEETER THEN. 619 00:27:45,871 --> 00:27:49,150 SO HE HAD MORE MOTIVE TO KILL THAN JUST A ROOM WITH A VIEW. 620 00:27:49,184 --> 00:27:51,221 HE GOT A PRETTY GIRL TO GO WITH IT. 621 00:27:51,255 --> 00:27:52,878 WHAT, ARE YOU COMING AROUND NOW? 622 00:27:52,912 --> 00:27:55,121 I CAN ALMOST BUY HANK KILLING RAFE. 623 00:27:55,156 --> 00:27:56,571 BUT KILLING TEETER? 624 00:27:56,605 --> 00:27:58,607 WELL, HANK WANTED TO BE IN THE BAND. 625 00:27:58,642 --> 00:27:59,850 RAFE WAS IN THE WAY. 626 00:27:59,885 --> 00:28:02,232 HANK WANTED THE GIRL. TEETER WAS IN THE WAY. 627 00:28:02,266 --> 00:28:05,856 SO I WONDER IF ANYONE'S IN HANK'S WAY NOW. 628 00:28:05,891 --> 00:28:09,757 MY FATHER WENT TO ART SCHOOL IN NEW YORK, LIKE ME. 629 00:28:09,791 --> 00:28:11,137 HE WAS GOOD. 630 00:28:11,172 --> 00:28:13,588 I SAW SOME OF HIS STUFF. 631 00:28:13,622 --> 00:28:15,417 BUT HE WENT HOME TO SAVE SOME MONEY. 632 00:28:15,452 --> 00:28:17,281 "JUST A FEW MONTHS." THAT'S WHAT HE SAID. 633 00:28:17,316 --> 00:28:21,044 [scoffs] THAT WAS 30 YEARS AGO. 634 00:28:21,078 --> 00:28:23,460 YOU KNOW WHAT HE DOES NOW? 635 00:28:23,494 --> 00:28:26,739 HE DESIGNS A CATALOGUE OF KITCHEN FIXTURES. 636 00:28:26,774 --> 00:28:29,569 FAUCETS. LOTS OF FAUCETS. 637 00:28:29,604 --> 00:28:32,055 ALL LAID OUT VERY ARTFULLY. 638 00:28:32,089 --> 00:28:33,850 HMM. 639 00:28:33,884 --> 00:28:36,818 I'D KILL MYSELF BEFORE I WENT HOME. 640 00:28:36,853 --> 00:28:39,648 ME TOO. 641 00:28:39,683 --> 00:28:45,309 SO AM I NOT GONNA SEE YOU TONIGHT? 642 00:28:45,344 --> 00:28:47,760 HE'S JUST SO CONTROLLING. 643 00:28:47,795 --> 00:28:49,728 HE ACTS LIKE I'M HIS GIRLFRIEND. 644 00:28:49,762 --> 00:28:51,488 I AM NOT HIS GIRLFRIEND. 645 00:28:51,522 --> 00:28:54,802 HE JUST PAYS MY RENT. 646 00:28:54,836 --> 00:28:57,805 I GUESS THAT MAKES ME A PROSTITUTE. 647 00:28:57,839 --> 00:29:00,083 FOR A REASON. 648 00:29:00,117 --> 00:29:04,363 FOR YOUR ART. 649 00:29:04,397 --> 00:29:09,230 DID I TELL YOU HOW GREAT YOU WERE THE OTHER NIGHT? 650 00:29:09,264 --> 00:29:14,131 I REALLY THINK THIS COULD BE SOMETHING GOOD... 651 00:29:14,166 --> 00:29:16,927 EXCEPT FOR PHILIP. 652 00:29:22,346 --> 00:29:25,280 I'M, UM, WORKING ON A NEW GIG. 653 00:29:25,315 --> 00:29:27,904 I THINK YOU GUYS ARE READY TO STEP UP A NOTCH. 654 00:29:27,938 --> 00:29:29,112 NO, MORE THAN A NOTCH, PHILIP. 655 00:29:29,146 --> 00:29:30,492 COME ON, MAN. 656 00:29:30,527 --> 00:29:31,700 LOOK, THERE'S THOSE CLUBS IN THE EAST VILLAGE-- 657 00:29:31,735 --> 00:29:34,048 I'LL TELL YOU WHEN YOU'RE READY, OKAY? 658 00:29:34,082 --> 00:29:37,914 YOU'RE NOT READY. 659 00:29:37,948 --> 00:29:41,227 I'LL LET YOU KNOW WHEN THE GIG FIRMS UP. 660 00:29:41,262 --> 00:29:43,816 OH, YOU SEEN SUE? 661 00:29:43,851 --> 00:29:45,853 YOU KNOW, I'M TRYING TO FIND-- 662 00:29:45,887 --> 00:29:47,509 NO. 663 00:29:47,544 --> 00:29:49,304 NO, I, UH-- I HAVEN'T SEEN HER. 664 00:29:49,339 --> 00:29:50,754 OH. 665 00:29:50,789 --> 00:29:52,652 OKAY. 666 00:29:52,687 --> 00:29:54,378 BYE. 667 00:29:54,413 --> 00:29:56,415 [sighs] 668 00:30:02,628 --> 00:30:05,769 SUE SMITH AND TEETER, THEN SUE SMITH AND HANK. 669 00:30:05,804 --> 00:30:09,048 SO THE GIRL SLEEPS AROUND. DON'T THEY ALL? 670 00:30:09,083 --> 00:30:10,601 ALL GIRLS SLEEP AROUND? 671 00:30:10,636 --> 00:30:14,985 NO, ALL 20-YEAR-OLDS IN AN ARTIST COMMUNE SLEEP AROUND. 672 00:30:15,020 --> 00:30:16,815 IS THERE A MOTIVE FOR MURDER THERE? 673 00:30:16,849 --> 00:30:18,678 DON'T THESE KIDS JUST HOOK UP? 674 00:30:18,713 --> 00:30:20,370 "FRIENDS WITH BENEFITS." WHATEVER IT'S CALLED. 675 00:30:20,404 --> 00:30:21,854 [chuckles] 676 00:30:21,889 --> 00:30:24,477 I SEE SOMEBODY'S BEEN READING THE LIFESTYLE SECTION AGAIN. 677 00:30:24,512 --> 00:30:26,928 BUT, UH... 678 00:30:26,963 --> 00:30:28,205 I DO WONDER. 679 00:30:28,240 --> 00:30:30,138 YOU WONDER WHAT? 680 00:30:30,173 --> 00:30:31,899 YOU TELL US THAT HANK'S A KILLER, 681 00:30:31,933 --> 00:30:34,418 WE FINALLY HAVE SOME EVIDENCE THAT SUPPORTS YOUR THEORY, 682 00:30:34,453 --> 00:30:35,937 AND YOU'RE BACKING AWAY FROM IT? 683 00:30:35,972 --> 00:30:38,388 NO, IT'S JUST THAT, YOU KNOW, 684 00:30:38,422 --> 00:30:40,183 UH, WE'RE LOOKING AT TWO MURDERS. 685 00:30:40,217 --> 00:30:42,254 ONE A MURDER. ONE MAYBE NOT A MURDER. 686 00:30:42,288 --> 00:30:44,394 AND THE ONE THAT'S A MURDER WAS EITHER A MUGGING 687 00:30:44,428 --> 00:30:46,879 OR CAREFULLY PLANNED TO LOOK LIKE A MUGGING. 688 00:30:46,914 --> 00:30:49,848 AND THE ONE THAT'S MAYBE A MURDER WAS SPONTANEOUS, 689 00:30:49,882 --> 00:30:52,678 'CAUSE I DON'T THINK ANYBODY COULD HAVE FORESEEN 690 00:30:52,712 --> 00:30:54,853 RAFE WANDERING NEAR THE OPEN ELEVATOR SHAFT 691 00:30:54,887 --> 00:30:56,371 AT EXACTLY THAT MOMENT. 692 00:30:56,406 --> 00:30:59,167 SO YOU'RE SAYING THEY DON'T FIT? 693 00:30:59,202 --> 00:31:02,584 THEY DO AND THEY DON'T. 694 00:31:02,619 --> 00:31:06,588 YOU SEE WHAT I MEAN? 695 00:31:06,623 --> 00:31:08,383 DO YOU SEE WHAT HE MEANS? 696 00:31:08,418 --> 00:31:09,695 NOT A CLUE. 697 00:31:09,729 --> 00:31:12,077 NOW AT LEAST IN THEORY, 698 00:31:12,111 --> 00:31:15,045 HANK HAD MOTIVE AND OPPORTUNITY TO KILL RAFE. 699 00:31:15,080 --> 00:31:18,255 AND NOW THANKS TO YOU, THERE'S A POSSIBLE MOTIVE 700 00:31:18,290 --> 00:31:19,463 TO KILL TEETER. 701 00:31:19,498 --> 00:31:21,707 BUT DID HE HAVE OPPORTUNITY? 702 00:31:21,741 --> 00:31:23,329 HE WAS WITH A GROUP OF PEOPLE 703 00:31:23,364 --> 00:31:24,779 RIGHT BEFORE TEETER WAS KILLED. 704 00:31:24,813 --> 00:31:28,645 DID HE STICK WITH THEM OR DID HE SLIP AWAY? 705 00:31:28,679 --> 00:31:31,027 WE LEFT THE BAR, GOT BACK TO THE BUILDING, 706 00:31:31,061 --> 00:31:32,545 AND PEOPLE SPLIT UP. 707 00:31:32,580 --> 00:31:35,307 I WENT UP TO THIS POET'S LOFT ON THE TOP FLOOR 708 00:31:35,341 --> 00:31:37,447 AND WE DID SOME POETRY. 709 00:31:37,481 --> 00:31:39,621 OH, I LIKE POETRY. 710 00:31:39,656 --> 00:31:42,693 AND THE OTHERS-- HANK, SUE, RAFE-- 711 00:31:42,728 --> 00:31:44,040 COULDA BEEN ANYWHERE? 712 00:31:44,074 --> 00:31:45,075 I GUESS. 713 00:31:45,110 --> 00:31:47,043 SUE SAID SHE HAD TO GET BACK TO PHILIP. 714 00:31:47,077 --> 00:31:49,597 SUE...AND PHILIP? 715 00:31:49,631 --> 00:31:51,771 THAT'S HOW SHE PAYS HER RENT. 716 00:31:51,806 --> 00:31:53,532 RAFE USED TO KID HER ABOUT IT, 717 00:31:53,566 --> 00:31:55,361 BUT SHE DIDN'T THINK IT WAS FUNNY. 718 00:31:55,396 --> 00:31:57,225 WHERE THE OTHERS WENT, I DON'T KNOW, 719 00:31:57,260 --> 00:32:00,435 BUT I HAVE A THEORY ABOUT WHO KILLED TEETER. 720 00:32:00,470 --> 00:32:02,472 REAL ESTATE DEVELOPERS. 721 00:32:02,506 --> 00:32:04,336 REAL ESTATE DEVELOPERS? 722 00:32:04,370 --> 00:32:05,993 SCARE US OUTTA HERE AND MAKE US THINK 723 00:32:06,027 --> 00:32:08,098 IT'S A DANGEROUS NEIGHBORHOOD SO WE'LL MOVE OUT. 724 00:32:08,133 --> 00:32:09,686 PHILIP HAS TO SELL THE BUILDING. 725 00:32:09,720 --> 00:32:11,239 THEY SWOOP IN, BUY IT CHEAP, 726 00:32:11,274 --> 00:32:13,966 PUT UP HIDEOUS CONDOS. 727 00:32:14,001 --> 00:32:15,968 PHILIP PROBABLY WOULDN'T CARE ANYWAY. 728 00:32:16,003 --> 00:32:19,730 HE'S MORE INTO MANAGING OUR BAND THAN BEING A LANDLORD. 729 00:32:19,765 --> 00:32:20,973 MM-HMM. 730 00:32:21,008 --> 00:32:22,492 YOU HAVE A THEORY ABOUT WHAT HAPPENED TO RAFE? 731 00:32:22,526 --> 00:32:25,322 HE GOT DRUNK AND FELL DOWN THE ELEVATOR. 732 00:32:25,357 --> 00:32:27,635 BUT HE WAS GREAT, MAN. 733 00:32:27,669 --> 00:32:30,465 OUR DRIVING FORCE. 734 00:32:30,500 --> 00:32:32,053 HE HAD BIG PLANS FOR THE BAND. 735 00:32:32,088 --> 00:32:33,710 ALWAYS TALKING TO RECORD COMPANIES, 736 00:32:33,744 --> 00:32:35,988 YOUTUBE, BIG-TIME MANAGERS. 737 00:32:39,543 --> 00:32:41,028 INTERESTING GIRL. 738 00:32:41,062 --> 00:32:43,547 SHE'S NO ALIBI FOR HANK. 739 00:32:43,582 --> 00:32:44,893 HE COULD HAVE LEFT THE BUILDING, 740 00:32:44,928 --> 00:32:46,447 GONE OUT, AND KILLED TEETER. 741 00:32:46,481 --> 00:32:48,000 WHAT ABOUT REAL ESTATE DEVELOPERS? 742 00:32:48,035 --> 00:32:50,554 DID WE CANVAS THE SCENE FOR DONALD TRUMP'S HAIR? 743 00:32:50,589 --> 00:32:51,555 [chuckles] 744 00:32:51,590 --> 00:32:53,316 SHE ALSO JUST GAVE SUE A MOTIVE. 745 00:32:53,350 --> 00:32:54,489 RAFE WAS GIVING HER A HARD TIME 746 00:32:54,524 --> 00:32:55,870 ABOUT HER PAY-FOR-PLAY BOYFRIEND. 747 00:32:55,904 --> 00:32:57,044 SHE GOT MAD. 748 00:32:57,078 --> 00:32:59,046 YEAH, MAYBE. 749 00:32:59,080 --> 00:33:02,014 THERE'S SOMEBODY I NEED TO CALL. 750 00:33:02,049 --> 00:33:05,017 [band playing] 751 00:33:05,052 --> 00:33:12,749 ♪ 752 00:33:15,855 --> 00:33:18,858 [cheers and applause] 753 00:33:37,567 --> 00:33:39,362 HEY, THAT WAS FANTASTIC, MAN. 754 00:33:39,396 --> 00:33:40,949 - YEAH? - YEAH. 755 00:33:40,984 --> 00:33:42,606 I BEEN FOLLOWING THIS BAND FOR A LONG TIME. 756 00:33:42,641 --> 00:33:45,471 WHEN RAFE WAS FRONTING, YOU'RE JUST AS GOOD. 757 00:33:45,506 --> 00:33:47,059 YOU THINK? 758 00:33:47,094 --> 00:33:48,681 WHAT I THINK IS YOU COULD BE PLAYING 759 00:33:48,716 --> 00:33:51,339 BETTER VENUES THAN THIS. 760 00:33:51,374 --> 00:33:53,962 MUCH BETTER. 761 00:33:53,997 --> 00:33:55,585 YOU'RE JOE LAZAR. 762 00:33:55,619 --> 00:33:57,000 - GUILTY. - YEAH, YEAH, YEAH. 763 00:33:57,035 --> 00:33:59,899 YOU MANAGE THE CHAOS JACKETS. 764 00:33:59,934 --> 00:34:03,075 LOOK, YOU KNOW WHO I AM. YOU KNOW WHAT I CAN DO. 765 00:34:03,110 --> 00:34:05,077 I WAS ALL SET TO SIGN THE GROUP WITH RAFE, 766 00:34:05,112 --> 00:34:07,114 BUT YOUR CURRENT MANAGER WOULDN'T LET YOU GO. 767 00:34:10,324 --> 00:34:13,085 SEE IF YOU CAN TALK SOME SENSE INTO HIM. 768 00:34:13,120 --> 00:34:15,260 I CAN MAKE YOU BIG. 769 00:34:31,138 --> 00:34:32,518 HOW'D IT GO? 770 00:34:32,553 --> 00:34:35,107 HOOK, LINE, AND SINKER. 771 00:34:37,834 --> 00:34:39,318 HANK? 772 00:34:39,353 --> 00:34:42,459 HE'S BARELY CAPABLE OF MAKING A MAJOR TO MINOR CHORD CHANGE. 773 00:34:42,494 --> 00:34:43,909 I DON'T KNOW. 774 00:34:43,943 --> 00:34:45,773 HE'S GOT A HELL OF AN ATTITUDE 775 00:34:45,807 --> 00:34:48,569 ABOUT THIS PLACE... 776 00:34:48,603 --> 00:34:49,984 ABOUT YOU. 777 00:34:50,018 --> 00:34:51,503 OH, LOOK AT THIS VINYL. 778 00:34:51,537 --> 00:34:52,814 OHH. 779 00:34:52,849 --> 00:34:53,850 YEAH, I KNOW. 780 00:34:53,884 --> 00:34:55,645 NOTHING MATCHES THE SOUND OF IT. 781 00:34:55,679 --> 00:34:57,267 NO, IT'S REAL. IT'S PHYSICAL. 782 00:34:57,302 --> 00:34:59,511 DIGITAL MUSIC IS WHERE? NOWHERE, NOWHERE. 783 00:34:59,545 --> 00:35:01,133 ABSOLUTELY. 784 00:35:01,168 --> 00:35:04,067 ATTITUDE? 785 00:35:04,102 --> 00:35:05,241 WHAT? 786 00:35:05,275 --> 00:35:07,588 HANK. HIS ATTITUDE? 787 00:35:07,622 --> 00:35:09,831 OH, NO. I DON'T KNOW. 788 00:35:09,866 --> 00:35:11,868 I'M INTERVIEWING HIM ABOUT A MURDER 789 00:35:11,902 --> 00:35:14,802 AND THIS KID KEEPS BRINGING THE CONVERSATION BACK AROUND 790 00:35:14,836 --> 00:35:17,425 TO THERE'S SOME HOT SHOT MANAGER THAT'S AFTER HIM. 791 00:35:17,460 --> 00:35:19,255 HE'S REALLY GOING SOMEPLACE. 792 00:35:19,289 --> 00:35:20,946 HE'S GONNA BE BIGGER THAN BROOKLYN. 793 00:35:20,980 --> 00:35:22,603 BIGGER THAN THIS PLACE HERE. 794 00:35:22,637 --> 00:35:23,811 NOTHING WRONG WITH THIS. 795 00:35:23,845 --> 00:35:26,296 NO, THIS IS GREAT. 796 00:35:26,331 --> 00:35:28,298 IT'S GREAT. 797 00:35:28,333 --> 00:35:31,129 OF COURSE, IT MUST BE TOUGH ON YOU. 798 00:35:31,163 --> 00:35:33,476 YOU KNOW, GOING FROM ROCK STAR TO LANDLORD. 799 00:35:33,510 --> 00:35:35,685 THIS ISN'T PHILIP'S BOARDING HOUSE. 800 00:35:35,719 --> 00:35:37,031 I MEAN, I HAPPEN TO LIVE HERE 801 00:35:37,065 --> 00:35:40,931 AND I TAKE IN SOME TALENTED MUSICIANS WHOM I HELP 802 00:35:40,966 --> 00:35:43,175 AS A MUSICIAN AND AS A MANAGER. 803 00:35:43,210 --> 00:35:44,452 YEAH, YEAH. 804 00:35:44,487 --> 00:35:46,420 THAT'S NOT THE WAY HANK SEES IT THOUGH. 805 00:35:46,454 --> 00:35:48,732 OH, HIS ATTITUDE. WHAT DOES HE SAY? 806 00:35:48,767 --> 00:35:52,184 "I NEED A MANAGER THAT'S NOT A FOSSIL. 807 00:35:52,219 --> 00:35:54,980 SOMEBODY FROM THE ACTUAL CURRENT CENTURY." 808 00:36:00,365 --> 00:36:03,091 LOOK, PHILIP, THIS IS THE BREAK I'VE BEEN LOOKING FOR. 809 00:36:03,126 --> 00:36:05,680 I'VE TOLD YOU A HUNDRED TIMES BEFORE YOU WENT 810 00:36:05,715 --> 00:36:07,475 ON THAT STUPID TRIP TO CALIFORNIA. 811 00:36:07,510 --> 00:36:09,339 FOR ONE, I'LL KNOW WHEN YOU'RE READY 812 00:36:09,374 --> 00:36:10,582 AND YOU'RE NOT READY. 813 00:36:10,616 --> 00:36:12,549 YEAH, WELL, JOE LAZAR THINKS I AM. 814 00:36:12,584 --> 00:36:14,758 YEAH, WELL, HE DOESN'T KNOW WHAT HE'S TALKING ABOUT. 815 00:36:14,793 --> 00:36:16,588 WE CAN BREAK OUR CONTRACT WITH YOU. 816 00:36:16,622 --> 00:36:19,211 ACTUALLY, YOU CAN'T. 817 00:36:19,246 --> 00:36:21,075 YEAH, WELL, WE CAN DAMN WELL TRY. 818 00:36:21,109 --> 00:36:22,904 LAZAR SAID HE'D PAY FOR A LAWYER. 819 00:36:22,939 --> 00:36:24,975 LUCKY HIM. 820 00:36:25,010 --> 00:36:26,701 LOOK, MAYBE WE SHOULD JUST TALK ABOUT THIS, MAN. 821 00:36:26,736 --> 00:36:27,944 WHERE ARE YOU, UPSTAIRS? 822 00:36:27,978 --> 00:36:29,325 NO, I'M ABOUT TO GO FOR MY RUN 823 00:36:29,359 --> 00:36:30,671 AT MCCARREN PARK. 824 00:36:30,705 --> 00:36:31,913 I'LL MEET YOU THERE, PATRICK. 825 00:36:31,948 --> 00:36:34,261 WE'LL SCOUT FOR THAT MUSIC VIDEO. 826 00:36:37,712 --> 00:36:40,232 PHILIP'S DEFINITELY TAKING A HARD LINE. 827 00:36:40,267 --> 00:36:42,096 HMM, YEAH. 828 00:36:42,130 --> 00:36:46,238 SOMEBODY MUST HAVE GOTTEN UNDER HIS SKIN SOMEHOW. 829 00:36:46,273 --> 00:36:49,655 MCCARREN PARK'S RIGHT NEAR WHERE TEETER WAS STABBED. 830 00:36:49,690 --> 00:36:51,519 [sighs] 831 00:36:51,554 --> 00:36:53,556 DANGEROUS NEIGHBORHOOD. 832 00:36:58,043 --> 00:37:00,528 HELLO? 833 00:37:00,563 --> 00:37:03,566 HANK? 834 00:37:09,641 --> 00:37:11,505 OH, HELLO, HANK. 835 00:37:13,817 --> 00:37:16,406 I DIDN'T SEE YOU. 836 00:37:18,822 --> 00:37:21,756 THIS JUST ISN'T WORKING OUT, IS IT, PHILIP? 837 00:37:25,346 --> 00:37:26,968 HI. 838 00:37:28,591 --> 00:37:30,178 EVERYBODY, HOLD IT. 839 00:37:30,213 --> 00:37:32,457 WHAT'S GOING ON? 840 00:37:32,491 --> 00:37:34,666 A MURDER. 841 00:37:34,700 --> 00:37:36,875 WELL, NOT ANYMORE, NOW THAT WE'RE HERE. 842 00:37:36,909 --> 00:37:38,704 WHAT ARE YOU TALKING ABOUT? 843 00:37:38,739 --> 00:37:42,225 OH, LIFE, DEATH, 844 00:37:42,260 --> 00:37:44,883 UNQUALIFIED SUCCESS, ABJECT FAILURE, 845 00:37:44,917 --> 00:37:46,712 NAKED AMBITION. 846 00:37:46,747 --> 00:37:48,369 UH, WHAT? 847 00:37:48,404 --> 00:37:52,200 PHILIP, PATHETIC HAS-BEEN, RIGHT? 848 00:37:52,235 --> 00:37:53,512 YOU WANT A REAL MANAGER. 849 00:37:53,547 --> 00:37:55,203 THIS NO-TALENT PIECE OF CRAP. 850 00:37:55,238 --> 00:37:56,895 I PLAYED WITH ALL THE VERY-- 851 00:37:56,929 --> 00:37:57,965 WHO? WITH WHO? 852 00:37:57,999 --> 00:38:00,001 BO DIDDLEY, 40 YEARS AGO? 853 00:38:00,036 --> 00:38:02,210 YOU'RE PATHETIC, MAN. 854 00:38:02,245 --> 00:38:03,211 AND YOU'RE SLEEPING WITH THE SAME WOMAN 855 00:38:03,246 --> 00:38:04,282 THAT HE'S SLEEPING WITH, 856 00:38:04,316 --> 00:38:05,421 WHICH IS ABOUT ONE FELLOW TOO MANY. 857 00:38:05,455 --> 00:38:06,732 HE'S SLEEPING WITH SUE? 858 00:38:06,767 --> 00:38:08,113 WHO ISN'T? 859 00:38:08,147 --> 00:38:09,873 POWERFUL MOTIVE. 860 00:38:09,908 --> 00:38:12,704 FOR WHAT? FOR MURDER? 861 00:38:12,738 --> 00:38:15,707 OVER SOME PIECE OF ASS? 862 00:38:15,741 --> 00:38:18,848 YOU WANT HER BACK, OLD MAN? SHE'S ALL YOURS. 863 00:38:18,882 --> 00:38:20,884 I DON'T CARE. 864 00:38:22,541 --> 00:38:25,268 WOW. YOU DON'T, DO YOU? 865 00:38:25,303 --> 00:38:27,477 NO. 866 00:38:27,512 --> 00:38:29,583 NO, I DON'T. 867 00:38:29,617 --> 00:38:31,516 OKAY. 868 00:38:31,550 --> 00:38:34,933 UH, YOU WOULDN'T KILL FOR LOVE. 869 00:38:34,967 --> 00:38:36,555 FORGET THAT MOTIVE. 870 00:38:36,590 --> 00:38:38,764 YOU WOULDN'T CROSS THE STREET FOR IT. 871 00:38:38,799 --> 00:38:42,147 BUT YOU WOULD, PHILIP. 872 00:38:42,181 --> 00:38:45,012 AND YOU ACTUALLY THINK THAT SUE IS YOUR GIRLFRIEND. 873 00:38:45,046 --> 00:38:47,014 SHE IS MY GIRLFRIEND. 874 00:38:47,048 --> 00:38:48,187 NO. 875 00:38:48,222 --> 00:38:49,948 SHE ISN'T. 876 00:38:49,982 --> 00:38:52,502 YOU'RE, UH, THE RENT. 877 00:38:53,986 --> 00:38:55,919 UH, LITTLE REALITY CHECK: 878 00:38:55,954 --> 00:38:59,302 WOMEN ACTUALLY LIKE SLEEPING 879 00:38:59,337 --> 00:39:02,754 WITH GUYS ABOUT, OH, 880 00:39:02,788 --> 00:39:05,688 30 YEARS YOUNGER. 881 00:39:05,722 --> 00:39:10,865 BUT DEEP DOWN, WAY INSIDE, 882 00:39:10,900 --> 00:39:11,970 YOU KNOW THAT. 883 00:39:12,004 --> 00:39:15,629 LOOK, THAT RULE DOESN'T APPLY 884 00:39:15,663 --> 00:39:16,975 WHEN YOU'RE FAMOUS. 885 00:39:17,009 --> 00:39:19,426 FAMOUS? 886 00:39:19,460 --> 00:39:20,979 OH, RIGHT. 887 00:39:21,013 --> 00:39:22,636 YOU PLAYED THE THIRD-LONGEST SET 888 00:39:22,670 --> 00:39:25,155 AT WOODSTOCK. 889 00:39:25,190 --> 00:39:27,503 BECAUSE YOU WOULDN'T GET OFF THE DAMN STAGE. 890 00:39:27,537 --> 00:39:32,473 SPECKLED STALLION ALWAYS LEFT ITS AUDIENCE WANTING LESS! 891 00:39:32,508 --> 00:39:34,164 I HAVE A GRAMMY. 892 00:39:34,199 --> 00:39:36,581 MILLI VANILLI HAS A GRAMMY. 893 00:39:36,615 --> 00:39:38,652 YOU'RE A HAS-BEEN. 894 00:39:38,686 --> 00:39:40,930 NOBODY REMEMBERS. 895 00:39:40,964 --> 00:39:45,452 NOBODY CARES. VIVA VIAGRA. 896 00:39:45,486 --> 00:39:49,559 SO WHEN TEETER STARTED FOOLING AROUND 897 00:39:49,594 --> 00:39:53,805 WITH YOUR IMAGINARY GIRLFRIEND, YOU WENT NUTS. 898 00:39:57,222 --> 00:40:00,398 YOU KILLED TEETER. 899 00:40:00,432 --> 00:40:03,262 YEAH, HE DID. 900 00:40:03,297 --> 00:40:05,989 THEN, RAFE CAME ALONG, WITH REAL MUSICAL TALENT. 901 00:40:06,024 --> 00:40:07,957 OH, YEAH? WHAT TALENT? 902 00:40:07,991 --> 00:40:09,959 - I CAN'T BELIEVE THIS. - LISTEN AND LEARN. 903 00:40:09,993 --> 00:40:13,445 SO WHEN RAFE, THE UNGRATEFUL EGOMANIAC, 904 00:40:13,480 --> 00:40:16,172 TOLD YOU THAT HE WAS GOING TO DUMP YOU, YOU-- 905 00:40:16,206 --> 00:40:17,967 NO. 906 00:40:18,001 --> 00:40:19,693 I WAS IN FULL VIEW OF A DOZEN PEOPLE 907 00:40:19,727 --> 00:40:22,143 WHEN RAFE FELL DOWN THAT ELEVATOR SHAFT. 908 00:40:22,178 --> 00:40:24,214 NO, I'M NOT SAYING THAT YOU PUSHED RAFE. 909 00:40:24,249 --> 00:40:26,527 YOU DID THAT. 910 00:40:26,562 --> 00:40:29,116 BECAUSE PHILIP, THE ROCK GOD, 911 00:40:29,150 --> 00:40:33,085 TOLD YOU THAT RAFE WAS STANDING IN YOUR WAY, 912 00:40:33,120 --> 00:40:35,398 DIDN'T HE? 913 00:40:35,433 --> 00:40:37,952 BECAUSE HE WANTED TO GET RID OF RAFE. 914 00:40:37,987 --> 00:40:39,229 AND HE KNEW THAT YOU'D DO IT, 915 00:40:39,264 --> 00:40:40,507 'CAUSE HE SAW IN YOU THE SAME THING 916 00:40:40,541 --> 00:40:41,577 THAT YOU TOLD ME. 917 00:40:41,611 --> 00:40:43,475 THAT YOU WOULD DO WHATEVER IT TAKES 918 00:40:43,510 --> 00:40:45,719 TO GET AHEAD. 919 00:40:45,753 --> 00:40:47,824 PHILIP SUCKERED YOU, HANK. 920 00:40:47,859 --> 00:40:52,139 RAFE WANTED TO ESCAPE, SO THAT HE COULD SUCCEED. 921 00:40:52,173 --> 00:40:57,351 BUT PHILIP'S EGO COULDN'T STAND THAT. 922 00:41:00,250 --> 00:41:01,286 HANG ON. 923 00:41:01,320 --> 00:41:04,979 DON'T MOVE. 924 00:41:05,014 --> 00:41:08,120 MM-HMM. MM-HMM. 925 00:41:12,331 --> 00:41:14,092 SERRATED. 926 00:41:14,126 --> 00:41:16,404 AND A CHIP IN THE BLADE. 927 00:41:16,439 --> 00:41:18,268 ONE DULL EDGE. 928 00:41:18,303 --> 00:41:21,858 JUST LIKE THE KNIFE THAT KILLED TEETER. 929 00:41:21,893 --> 00:41:23,515 LOOKS LIKE THAT UNKNOWN MUGGER 930 00:41:23,550 --> 00:41:25,068 WAS ABOUT TO STRIKE AGAIN. 931 00:41:28,727 --> 00:41:30,660 YOU WERE GONNA KILL ME. 932 00:41:30,695 --> 00:41:33,525 YOU SON OF A BITCH! 933 00:41:33,560 --> 00:41:34,975 YOU WORTHLESS, WASHED-UP, USED-UP-- 934 00:41:35,009 --> 00:41:37,425 I HAD GROUPIES WHO COULD PLAY BETTER THAN YOU, HANK. 935 00:41:37,460 --> 00:41:39,289 YOU TOLD ME THAT IF RAFE WAS GONE, 936 00:41:39,324 --> 00:41:41,084 YOU'D GET ME TO THE TOP. 937 00:41:41,119 --> 00:41:42,569 YOU SHOWED ME YOUR GOLD RECORD. 938 00:41:42,603 --> 00:41:44,985 THAT STUPID GOLD RECORD. 939 00:41:45,019 --> 00:41:48,471 I DID IT FOR NOTHING. FOR NOTHING. 940 00:42:00,241 --> 00:42:01,967 SO THE NEXT TIME WE GO ON A BUST, 941 00:42:02,002 --> 00:42:03,382 YOU MAYBE WANT TO TELL YOUR PARTNER 942 00:42:03,417 --> 00:42:04,591 WHO WE'RE BUSTING? 943 00:42:04,625 --> 00:42:06,938 - I WAS EXPLORING OPTIONS. - GOD ALMIGHTY. 944 00:42:06,972 --> 00:42:09,181 OH, COME ON, IT WAS GREAT. 945 00:42:09,216 --> 00:42:10,320 IT WAS A TWO-FER! 946 00:42:10,355 --> 00:42:12,115 I WOULD HAVE BEEN HAPPY TAKING 947 00:42:12,150 --> 00:42:14,393 ONE SCUMBAG SUSPECT OFF THE STREETS, 948 00:42:14,428 --> 00:42:16,188 BUT TWO FOR THE PRICE OF ONE... 949 00:42:16,223 --> 00:42:18,812 OOH, YOU KNOW, I SHOULDA COME BACK SOONER. 950 00:42:18,846 --> 00:42:20,883 THIS IS, UH... 951 00:42:20,917 --> 00:42:22,470 SWEET. 952 00:42:22,505 --> 00:42:23,989 [laughs] 64928

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