Original subtitles

( theme music playing )

IF YOU HAD BEEN HERE AT THIS TIME YESTERDAY,

YOU WOULD HAVE SEEN A MOST SPECTACULAR SIGHT.

IT HAPPENED LIKE THIS:

EDITH AND I WERE ATTEMPTING TO BLOW UP

A SAFE IN THE POLICE STATION,

USING AN EXPLODING CHRISTMAS PUDDING.

THE SAFE CONTAINED 16 BARS OF PURE GOLD,

BELONGING TO GENERAL VON KLINKERHOFFEN.

JUST AFTER WE HAD LIT THE FUSE,

THE SAFE WAS REMOVED BY CAPTAIN BERTORELLI,

WHO PLACED IT IN LIEUTENANT GRUBER'S LITTLE TANK.

TWO MINUTES LATER, THE SAFE EXPLODED,

LEAVING LIEUTENANT GRUBER'S LITTLE TANK IN 1,000 PIECES.

FORTUNATELY, YOU WILL BE PLEASED TO HEAR,

LIEUTENANT GRUBER WAS NOT IN IT AT THE TIME,

THE SOLE OCCUPANT BEING CAPTAIN BERTORELLI,

WHO LOST HIS UNIFORM,

THE FEATHERS FROM HIS HAT,

AND HIS NO CLAIMS BONUS.

GENERAL VON KLINKERHOFFEN MANAGED TO SALVAGE

HIS GOLD FROM THE WRECKAGE, BUT, FORTUNATELY,

HE DID NOT GET HIS HANDS ON THE FOUR GOLD BARS

THAT I HAD STOLEN EARLIER.

NOW, YOU WILL SEE, THAT WITH GREAT CUNNING,

I HAVE MELTED THEM DOWN IN THE KITCHEN,

AND MOLDED THEM INTO A NEW WEIGHT FOR THE CUCKOO CLOCK.

IT IS QUITE A BIT HEAVIER THAN THE OLD WEIGHT,

BUT I DO NOT EXPECT THAT WILL MAKE MUCH DIFFERENCE.

( bird chirping )

( pendulum ticking )

PLEASE, TRY NOT TO DRAW ATTENTION TO YOURSELF!

OH, RENE, LOOK!

IS IT NOT BEAUTIFUL?

I COULD NOT RESIST IT.

IT WAS THE BEST ONE

IN THE WINDOW OF MADAME LENARE.

HOW MUCH DID IT COST?

WHAT DOES IT MATTER, NOW THAT WE ARE RICH?

RENE, I HAVE BEEN THINKING,

WHY DO WE NOT BUY A NEW CAR?

WHAT USE DO WE HAVE FOR A CAR?

ANYWAY, WE HAVE AN OLD ONE, ROTTING IN THE SHED.

BUT IT DOES NOT GO,

AND I KNOW YOU HAVE BEEN THINKING OF CHANGING IT.

WHAT MAKES YOU SAY THIS?

I HEARD YOU SAYING TO YVETTE ONLY LAST WEEK,

"I CANNOT WAIT TO GET RID OF THE OLD BANGER."

YES, I DID SAY THAT. IT IS TRUE.

OH, RENE,

IF WE HAD A NEW CAR,

WE COULD DRIVE IN IT TO THE SPANISH BORDER,

BRIBE THE GUARD TO GET ACROSS,

AND THEN FIND A LITTLE CASTLE ON A HILL,

AND SPEND THE REST OF OUR LIVES

WRAPPED IN EACH OTHER'S ARMS.

WHAT ABOUT MONSIEUR ALPHONSE,

YOUR RICH UNDERTAKER FRIEND, EH?

OH, RENE,

IT WAS ALWAYS YOU THAT I LOVED.

MONEY DOES NOT COME INTO IT.

WHERE IS THE GOLD?

IT IS BETTER THAT YOU DO NOT KNOW.

( cuckoo clock chirps rapidly )

HOW QUICKLY TIME PASSES WHEN YOU ARE ENJOYING YOURSELF.

TONIGHT I AM GOING TO EMPLOY

ALL MY FEMININE WILES TO WHEEDLE IT OUT OF YOU.

( register rings )

WHAT ARE YOU UP TO?

I'M GOING TO BUY SOMETHING

TO PERSUADE YOU TO TELL ME WHERE YOU HAVE HIDDEN THE GOLD.

DO THEY SELL THUMBSCREWS IN NOUVION?

IN THE WINDOW OF MADAME LENARE

IS A SEE-THROUGH NIGHTDRESS.

MY GOD, SHE IS MORE RUTHLESS THAN THE GESTAPO.

RENE, LOOK!

OHHH!

NEW SILK STOCKINGS ON THE BLACK MARKET.

THEY COST A FORTUNE

BUT WHAT DOES IT MATTER, NOW THAT WE ARE RICH?

WE WILL NOT BE RICH VERY LONG,

IF YOU GO ON SPENDING IT LIKE THAT.

OH, AND AT THE GARAGE,

THERE IS A BEAUTIFUL MOTORCYCLE.

WE COULD BUY IT, RIDE TO SWITZERLAND,

LIVE IN A CHALET, HIGH IN THE MOUNTAINS,

WRAPPED IN EACH OTHER'S ARMS

AND OPEN A JOINT BANK ACCOUNT IN GENEVA.

WHAT A ROMANTIC THOUGHT.

RENE,

WHERE HAVE YOU HIDDEN THE GOLD?

( cuckoo clock chirps )

IT IS BETTER THAT YOU DO NOT KNOW.

TONIGHT,

I WILL BE WAITING FOR YOU IN THE AIRING CUPBOARD.

THERE IS A SEE-THROUGH NIGHTDRESS

IN THE WINDOW OF MADAME LENARE'S.

I WILL BE WEARING IT.

YOU HAD BETTER ORDER IT BY TELEPHONE.

AH, COLONEL, LIEUTENANT GRUBER, HELGA,

WELCOME TO MY HUMBLE LITTLE CAFE.

WE HAVE COME TO HAVE A VERY SERIOUS TALK WITH YOU.

SIT DOWN.

YES, COLONEL.

MAKE YOURSELVES AT HOME.

YVETTE, WINE FOR THE COLONEL.

( gasps ) WHAT DO YOU MEAN,

"SOME OLD TROUT JUST BOUGHT IT"?

YVETTE! WINE.

OOOH, YES, RENE.

I HOPE YOU ARE OVER FROM THE TRAGIC LOSS

OF YOUR LITTLE TANK, LIEUTENANT GRUBER?

I KNOW HOW VERY CLOSE YOU WERE TO IT.

IT WAS A TERRIBLE WRENCH.

I HAD SPENT MANY HAPPY MOMENTS IN IT.

FORTUNATELY, THE GENERAL

WAS SO PLEASED TO RECOVER HIS GOLD,

THAT HE ORDERED ME ANOTHER ONE.

THERE ARE, HOWEVER,

FOUR BARS OF GOLD MISSING.

RENE, I AM SORRY TO SAY

THAT THE FINGER OF SUSPICION

IS POINTING VERY DIRECTLY AT YOU.

ME?! WHY?

WHY ELSE WERE YOU IN THE POLICE STATION?

OH, WELL, I--

COME OFF IT, RENE.

WE KNOW YOU HAVE THE GOLD, AND WE KNOW YOU HAVE HIDDEN IT.

OH, COLONEL. WHAT ARE YOU SAYING?

WHERE WOULD I HIDE FOUR BARS OF GOLD?

( clock chirps frantically )

THAT IS A VERY EARLY CUCKOO.

HE HAS INSOMNIA.

RENE,

WE HAVE KNOWN YOU QUITE A LONG TIME.

WE HAVE A VERY HIGH REGARD FOR YOU.

WE HAVE DECIDED TO DO A DEAL.

WE WILL NOT INQUIRE VERY CLOSELY

INTO THE WHEREABOUTS OF THE GOLD,

IF YOU WILL HELP US.

COLONEL, I WILL HELP YOU IF I AM ABLE.

WHAT CAN I DO FOR YOU?

THE GENERAL HAS COMMANDEERED A STATUE,

IN WHICH WE HAD SECRETED THE ORIGINAL PAINTING

OF THE FALLEN MADONNA WITH THE BIG BOOBIES BY VAN CLOMP.

WE HAD ALSO HIDDEN IN IT

THE CRACKED VASE WITH THE BIG DAISIES BY VAN GOGH.

THE GENERAL HAS TAKEN THE STATUE TO HIS CHATEAU.

YOU ARE GOING TO RECOVER THE PAINTINGS FOR US.

BUT... BUT I AM JUST A SIMPLE CAFE OWNER.

I DO NOT GET INVITED TO THE CHATEAU,

AND I AM A ROTTEN BURGLAR.

HELGA HAS A PLAN.

THE GENERAL WILL GIVE AN OFFICERS' DANCE,

AND IT WILL BE ATTENDED BY THE GENERALS

WHO ARE PLANNING THE INVASION OF ENGLAND.

HE HAS BOOKED FOR THE OCCASION,

THE PALM COURT QUARTET,

FROM THE HOTEL EXCELSIOR IN DEAUVILLE.

BUT THEY WILL NOT ARRIVE.

THEY WILL BE STOPPED AT THE CHECKPOINT.

NOW, HERE'S THE CLEVER BIT.

YOU WILL TAKE THEIR PLACE.

BUT COLONEL, WE ARE NOT MUSICIANS.

HELGA HAS THOUGHT OF THIS.

IN THE CHATEAU, THERE IS A MOST UP-TO-DATE

ELECTRIC AMPLIFYING SYSTEM.

WE HAVE RECORDS OF THE QUARTET.

I WILL PLAY THEM UPON A CONCEALED TURNTABLE.

YOU WILL NOT PLAY, YOU WILL APPEAR TO PLAY.

YOU WILL SET UP YOUR ORCHESTRA

NEAR THE STATUE.

YOU HAVE BUT TO UNSCREW THE HEAD OF THE STATUE,

TAKE OUT THE PAINTINGS AND REPLACE THE HEAD.

BUT, HOW CAN I DO THIS

WITH EVERYBODY LOOKING ON?

THAT, RENE, IS YOUR PROBLEM.

THE BUS CONTAINING THE MUSICAL INSTRUMENTS

WILL COLLECT YOU AT 7:00 TOMORROW EVENING.

ON IT WILL BE THE CLOTHES, THAT WE WILL CONFISCATE

FROM THE EXCELSIOR QUARTET.

THE WAY YOU PUT IT, IT SOUNDS SO VERY SIMPLE.

IS THERE ANY OTHER BUSINESS TO DISCUSS?

I DO NOT THINK SO.

UNTIL TOMORROW, RENE.

TH-- THERE IS JUST ONE THING, COLONEL.

WHAT HAPPENS IF WE GET FOUND OUT?

WE WILL DO OUR BEST FOR YOU,

BUT YOU'LL PROBABLY GET SHOT.

AND WHAT IF I SAY THAT I DO NOT WANT

TO DO IT AT ALL, HUH?

YOU WILL CERTAINLY GET SHOT.

YOU SENT FOR ME, HERR FLICK?

YES, VON SMALLHAUSEN.

YOU ARE, OF COURSE, AWARE THAT YOU ARE

ONLY A PROVISIONAL MEMBER OF THE GESTAPO?

YES, HERR FLICK.

YOU HAVE APPLIED HERE FOR PROMOTION

TO GRADE III OFFICER.

ARE YOU PREPARED TO TAKE THE TEST?

I HAVE BEEN IN TRAINING, HERR FLICK.

IT IS MY DEAREST WISH TO MOVE UP THE LADDER.

GOOD. SIT IN THE CHAIR.

THE SUBJECT THAT YOU HAVE CHOSEN IS HITLER.

YOU HAVE 30 SECONDS TO ANSWER THE QUESTIONS,

STARTING NOW.

ONE-- WHAT WAS HERR HITLER'S OCCUPATION

BEFORE HE BECAME FUHRER?

PAINTER.

CORRECT.

WHAT IS REGARDED AS HIS BEST WORK?

THE IRON RAILINGS OUTSIDE 37 WINKLESTRASSER.

CORRECT.

WHAT WAS THE NAME OF THE BARBER

WHO CREATED HIS SILLY HAIRSTYLE?

PASS.

CORRECT.

HERR LUDWIG PASS.

YOU HAVE SCORED 10 POINTS.

STAND UP.

YOU WILL NOW PERFORM THE PHYSICAL TESTS.

ARE YOU READY?

YES, HERR FLICK.

YOU HAVE FAILED.

NOW, PAY ATTENTION.

IT HAS COME TO MY NOTICE

THAT GENERAL VON KLINKERHOFFEN

IS HOLDING A DANCE FOR THE OFFICERS AT THE CHATEAU.

IT IS MY BELIEF THAT THE PURPOSE OF THIS GATHERING

IS TO FURTHER THE PLOT TO BLOW UP HITLER.

WE WILL INFILTRATE OURSELVES INTO THIS SHINDIG.

WE WILL OBTAIN THE NAMES OF THOSE PRESENT,

AND THEIR PHOTOGRAPHS.

HERE IS THE CAMERA THAT YOU'LL CONCEAL UPON YOUR PERSON.

IT IS QUITE A BIG ONE, HERR FLICK.

WHERE DO YOU SUGGEST I HIDE IT?

IT IS UP TO YOU, VON SMALLHAUSEN.

AND IF YOU ARE UNSUCCESSFUL,

YOU WILL ALSO FAIL YOUR CONCEALING-A-CAMERA TEST.

EDITH!

YVETTE!

MIMI!

OHHHH!

WHY DO YOU LEAVE ME HERE

ALL ALONE

FOR HOURS AND HOURS

AND HOURS?!

IT IS NOT HOURS, MAMMA.

YOUR CLOCK HAS STOPPED.

EDITH, COME HERE.

IS IT TRUE THAT RENE

HAS A FORTUNE

IN GOLD BARS?

YES, MAMMA.

YOU SHOULD MARRY THIS MAN,

AS SOON AS POSSIBLE.

IT IS TIME FOR LONDON TO CALL.

WE MUST GET ON THE RADIO.

( radio buzzes )

OH, THE FLASHING KNOBS!

AARGHH!

SHUT UP, YOU OLD BAT.

DO NOT SPEAK TO MY MOTHER LIKE THAT.

NEVER MIND, EDITH.

I LIKE STRONG MEN.

Man: Hello, hello, This is London calling.

Are you receiving me? Over.

'ALLO, 'ALLO, THIS IS NIGHTHAWK.

PASS YOUR MESSAGE, OVER.

Little Boy Blue has stuck his thumb

in the curds and whey,

and the cow has jumped over the moon.

OH MY GOD. EDITH, LOOK IT UP.

Little Boy Blue has stuck his thumb--

YES, YES. ALL RIGHT!

WE ARE LOOKING IT UP. HANG ON.

WHAT DOES IT MEAN?

IT MEANS, "THE GERMANS

HAVE A NEW MACHINE

FOR ENCODING MESSAGES.

IT IS CALLED ENEMA."

WHAT LENGTHS THE GERMANS WILL GO TO

TO PASS MESSAGES.

NO, MADAME EDITH,

IT IS ENIGMA.

OH, YES, ENIGMA.

WE HAVE YOUR MESSAGE.

WHAT ARE WE SUPPOSED TO DO ABOUT IT? OVER.

Hello, Nighthawk, tell Blue Tit

to nick it from the parson's nose.

TELL BLUE TIT TO NICK IT FROM THE PARSON'S NOSE?!

WHATEVER ARE THEY TALKING ABOUT?

OH, EDITH.

MICHELLE IS BLUE TIT,

THE PARSON'S NOSE

IS THE HEADQUARTERS OF THE GENERAL.

WILL YOU NEVER LEARN YOUR CODE,

AND HELP THAT HANDSOME MAN

I KEEP TELLING YOU TO MARRY?

ALL RIGHT, WHO TOLD HER ABOUT THE GOLD?

( knocking )

RENE,

BLUE TITS, SHE IS IN THE CAFE.

SHE MUST TALK TO YOU.

WE NEED TO SEE HER.

TELL HER WE'LL COME AT ONCE.

QUICK, HIDE THE RADIO.

AARGHH!

Rene: SHUT UP.

OUR COURSE IS CLEAR.

DISGUISED AS THE EXCELSIOR QUARTET,

YOU HAVE ACCESS TONIGHT TO THE CHATEAU.

WE HAVE INFORMATION THAT THE ENIGMA MACHINE

IS IN THE ROOM NEXT TO THE SALON,

WHERE YOU WILL BE PLAYING.

( Rene sighs )

MIMI WILL BE CONCEALED

IN THE CASE OF THE DOUBLE BASS.

YOU WILL PLACE IT NEAR THE DOOR.

WHEN THE REVELRY IS AT ITS HEIGHT,

YOU WILL CLIMB OUT OF THE CASE,

SLIP INTO THE ROOM, GRAB THE MACHINE,

AND THROW IT THROUGH THE WINDOW

WHERE WE WILL BE WAITING

TO CATCH IT IN A BLANKET.

I SEE.

YOU WILL NOW FORGET EVERYTHING THAT I HAVE SAID.

I WILL SLIP UP THE BACK PASSAGE,

AND SUPERVISE THE PRACTICE

WITH THE BLANKET.

UH, MICHELLE,

COULD YOU NOT POSSIBLY FIND ME

A DESK JOB IN THE RESISTANCE?

WE ARE GOING TO PLAY OUR PART,

YOU PLAY YOURS.

- RENE... - YES?

MICHELLE'S PLAN HAS GIVEN ME AN IDEA.

WHEN WE SET UP OUR INSTRUMENTS,

WE COULD CONCEAL SOMEONE IN THE PIANO,

AND PLACE IT NEAR THE STATUE.

EDITH, EDITH, WE ARE A QUARTET.

YOU WILL PLAY THE VIOLIN,

I WILL PLAY THE PIANO.

MONSIEUR LECLERC WILL PLAY THE CELLO,

AND MIMI WILL BE PLACED IN THE CASE OF THE BASS.

WHO IS GOING TO PLAY THE DOUBLE BASS,

AND WHO IS GOING TO HIDE INSIDE THE PIANO?

I COULD HIDE INSIDE THE PIANO.

AND WHO WOULD HOLD OPEN THE LID

WHILE YOU REACHED OUT TO UNSCREW THE HEAD OF THE STATUE?

THAT STILL LEAVES SOMEBODY TO PLAY THE DOUBLE BASS.

EDITH, YOUR PLAN WILL NOT WORK

BECAUSE YOU ARE STILL SHORT OF TWO PEOPLE.

GOOD MOANING.

YOU'VE FOUND SOME EXCELLENT GIRLS

TO PARTNER THE GENERALS, COLONEL.

THE FLOWER OF GERMAN WOMANHOOD.

ARE THEY-- ( clicks tongue )

AVAILABLE?

TO A GENERAL?

EVERYONE'S AVAILABLE.

HEY, GENERAL,

NICE PARTY.

BEAUTIFUL LADIES.

ARE THEY-- HOW YOU SAY? AVAILABLE?

TO THE GENERAL, YES. TO YOU, NO.

I FLASH MY SMILE,

THEY GO WEAK AT THE KNEES.

THROUGH HERE.

A LITTLE BIT FURTHER.

GOOD, THANK YOU.

GOOD, YOU MAY GO.

EVERYTHING IN ORDER, GRUBER?

YES, COLONEL.

RENE HAS TURNED UP TRUMPS, AS USUAL.

WHAT WAS HIS PLAN?

YOU WILL NEVER GUESS.

IN THIS PIANO

ARE TWO PERSONS.

YOU WILL NOTICE THAT I HAVE PLACED IT

ADJACENT TO THE STATUE.

AT THE HEIGHT OF THE REVELRY,

THEY WILL REACH OUT,

UNSCREW THE HEAD, AND RETRIEVE THE PAINTINGS.

WELL DONE, GRUBER.

FOR THIS, I WILL RECOMMEND YOU FOR CAPTAIN.

OH, THANK YOU, COLONEL.

FROM THE EXCELSIOR HOTEL, DEAUVILLE,

THE EXCELSIOR QUARTET.

MY GOD!

HE MIGHT HAVE SHAVED OFF HIS MOUSTACHE.

LEAVE THE CUSS IN THE PISSAGEWAY.

COLONEL VON STROHM,

MY PARTY IS DYING ON IT'S FEET.

- LET THERE BE MUSIC. - VERY WELL, GENERAL.

HELGA,

GO AND POWDER YOUR NOSE.

YES, COLONEL.

( instruments tuning )

THAT WOMAN PLAYING THE PIANO,

SHE HAS A MOUSTACHE.

IT'S THE WAR, GENERAL.

THEY'RE VERY SHORT OF SHAVING SOAP.

OF COURSE.

GOOD EVENING, LADIES AND GENTLEMAN.

WE ARE DELIGHTED TO HAVE BEEN ORDERED HERE,

TO PLAY FOR YOU THIS EVENING.

AND NOW, TO START OUR LITTLE PROGRAM,

PLEASE TAKE YOUR PARTNERS

FOR A QUICKSTEP.

ONE, TWO...

AND ONE, TWO, THREE...

ER-- FOUR.

( record playing "In the Mood" )

SHALL WE DO IT NOW?

NO! TOO MANY PEOPLE ARE WATCHING.

MONSIEUR, CAN YOU KEEP OFF THE D FLAT?

ARGH!

THE HAMMER IS HITTING ME--

IN A VERY VULNERABLE-- POSITION.

ARE YOUR SAUSAGES PREPARED?

THE STICKS ARE FIRMLY THRUST INTO THEM, HERR FLICK.

HAVE YOU TESTED YOUR CAMERA?

- NOT YET. - THEN DO SO.

( camera clicks )

GOOD.

YOU HAVE 10 FEET OF FILM NESTLING

IN YOUR LEFT BOOBIE.

MAKE THE MOST OF IT.

MIMI, ARE YOU THERE?

OF COURSE I AM.

THE PASSAGE IS CLEAR.

CLIMB OUT WHILE THEY ARE DANCING.

- ( thumps ) - OOF!

- ( thumps ) - OOF!

IT IS LOCKED.

WHO HAS THE KEY?

I DO NOT KNOW. PROBABLY CRABTREE.

GIVE ME THE KEY TO THE CASE OF THE BASS.

DRIT, THERE IS A HOLE IN MY PACKET.

IT HAS FALLEN THREE.

CAN YOU DO NOTHING RIGHT?

THERE IS NO KEY.

DO NOT WORRY. I HAVE A PLAN.

( crashing )

CAN YOU SEE?

I WILL BE ABLE TO IN ONE MINUTE.

GOOD LUCK.

I AM KEEPING A RECORD

OF ALL SAUSAGES EATEN. WHAT IS YOUR NAME?

GENERAL VON FLOCKENSTOFFEN.

YOU MAY NOW EAT YOUR SAUSAGE.

( camera clicks )

OOOH!

YOU ARE A PRETTY LITTLE THING.

ARE YOU STAYING ON AFTER THE PARTY?

IT ALL DEPENDS.

( camera clicks )

OOOH!

YOU HAVE VERY SENSITIVE BOSOMS.

AS SOON AS WE START THE NEXT SONG,

GET THE PAINTINGS.

ROGER.

GRUBER?

YOU'RE A BIT OF A PHILISTINE, YOU KNOW?

YOU PLACED THE PIANO IN FRONT OF MY FAVORITE STATUE.

I WANTED MY COLLEAGUES TO ADMIRE IT.

SCHMITTELING,

MOVE THE STATUE OVER THERE.

AND NOW, LADIES AND GENTLEMEN,

BY SPECIAL REQUEST,

AN OLD FAVORITE,

"LOUISE."

A ONE, TWO, THREE,

- FOUR. - ( record plays )

STAND BY.

OH MY GOD!

YES?

THEY HAVE MOVED THE STATUE.

IT IS NOW 12 FEET TO YOUR LEFT.

LEAVE IT TO US.

WHY HAVE YOU STOPPED?

THE ELASTIC ON MY KNICKERS HAS SNAPPED.

I DO NOT WISH TO KNOW THAT.

MONSIEUR ALPHONSE, CAN YOU RAISE,

FROM MY KNEES, MY KNICKERS?

OH, HECK.

MY DICKY TICKER.

GET ON WITH IT.

( crash; shattering )

Michelle: THAT WAS

THE WRONG WINDOW.

WE HAVE THE PAINTINGS.

THE HEAD IS BACK ON.

GOOD, FOLLOW ME.

- Edith: RENE? - YES?

I KNOW THE WORDS TO THIS SONG.

DO YOU THINK I SHOULD SING IT?

EDITH, WE ARE IN ENOUGH TROUBLE.

THE GENERALS KNOW YOUR VOICE.

OH GOD! LOOK!

♪ EVERY LITTLE BRUISE ♪

♪ SEEMS TO TWITTER LOO-OS ♪

♪ THE BIRDS IN THE TROOS ♪

♪ SEEM TO TWOTTER LOO-OS ♪

♪ EACH LITTLE ROOS ♪

♪ TELLS ME HE KNOOS ♪

♪ I LIVE YOU ♪

♪ I LIVE YOU ♪

♪ EVERY LITTLE BOAT ♪

♪ THAT I FEEL... ♪

WHAT ARE YOU TWO DOING IN THERE?

NOTHING.

IT IS THE D FLAT HAMMER.

♪ EACH LITTLE SOUL ♪

♪ TELLS ME THAT I ADEAR YOU ♪

♪ YOU-OOO. ♪

( theme music playing )