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00:00:13,599 --> 00:00:15,843
Very nice, very nice!
2
00:00:19,191 --> 00:00:21,952
Please, smile girls,
3
00:00:21,987 --> 00:00:24,058
sexy, serious...
4
00:00:24,093 --> 00:00:25,646
That's it!
5
00:00:32,963 --> 00:00:40,178
♪
6
00:00:40,212 --> 00:00:47,185
♪
7
00:00:47,219 --> 00:00:54,226
♪
8
00:00:54,261 --> 00:00:58,575
♪
9
00:00:58,610 --> 00:01:04,374
♪
10
00:01:15,937 --> 00:01:22,979
♪Oooh oooh
11
00:01:23,013 --> 00:01:27,052
♪I used not to sleep
12
00:01:27,087 --> 00:01:31,850
♪Too many secrets to keep
13
00:01:31,884 --> 00:01:37,062
♪Dirty Rivers running deep
14
00:01:37,097 --> 00:01:38,270
♪I used not to sleep
15
00:01:47,383 --> 00:01:50,351
♪Too many secrets to keep
16
00:01:50,386 --> 00:01:56,288
♪Dirty rivers running deep
17
00:01:56,323 --> 00:02:03,019
♪I used not to sleep
But now I do♪
18
00:02:03,053 --> 00:02:06,195
♪Do
19
00:02:06,229 --> 00:02:10,889
♪I do
20
00:02:10,923 --> 00:02:16,032
♪I do
21
00:02:16,066 --> 00:02:21,002
♪I do
22
00:02:21,037 --> 00:02:26,387
♪I do
23
00:02:59,903 --> 00:03:02,665
- Good afternoon, Anna.
- Nice to see you home.
24
00:03:06,289 --> 00:03:07,877
Hello, how did
you know?
25
00:03:08,636 --> 00:03:09,741
How are you?
26
00:03:09,775 --> 00:03:11,674
- Good afternoon, nice to
see you.
- Nice to see you.
27
00:03:11,708 --> 00:03:13,676
I love these dresses here. Amazing!
28
00:03:13,710 --> 00:03:14,884
Thank you.
29
00:03:14,918 --> 00:03:16,057
- Hello, hello.
- Hey!
30
00:03:16,092 --> 00:03:17,783
You gonna wear one of
these on Monday?
31
00:03:17,818 --> 00:03:18,853
- Yeah.
- Which one?
32
00:03:18,888 --> 00:03:21,408
This one...
This one.
33
00:03:23,203 --> 00:03:25,135
It's great!
34
00:03:25,170 --> 00:03:28,311
So this museum in a...
What, what...
35
00:03:28,346 --> 00:03:30,210
What is the building
that you've...
36
00:03:30,244 --> 00:03:31,728
It's an incredible building.
37
00:03:31,763 --> 00:03:34,455
It actually was the
building where I had
the design studio there,
38
00:03:34,490 --> 00:03:35,939
when I was in Florence.
39
00:03:35,974 --> 00:03:38,148
- Before you moved to Rome.
- Yeah, before moving to Rome,
40
00:03:38,183 --> 00:03:43,050
and the building is
great because it's a
15th century old building.
41
00:03:43,084 --> 00:03:47,330
It's right in front of the
Palazzo Vecchio
of the Farnese family.
42
00:03:47,365 --> 00:03:49,194
So it's a very
beautiful place.
43
00:03:49,229 --> 00:03:50,506
Then we
refurbish it...
44
00:03:50,540 --> 00:03:52,680
In fact, I was very
sad when I left
Florence,
45
00:03:52,715 --> 00:03:55,096
to leave that
building
in particular,
46
00:03:55,131 --> 00:03:58,755
everything started
from this moment when
I decided to
47
00:03:58,790 --> 00:04:01,275
move the archive
from Milan to there,
48
00:04:01,310 --> 00:04:03,553
and then the idea
of the Museo came.
49
00:04:03,588 --> 00:04:10,042
♪[swing music playing]
50
00:04:10,077 --> 00:04:14,357
♪
51
00:04:14,392 --> 00:04:19,776
I'm always very fascinated by old objects and antiques things in general.
52
00:04:19,811 --> 00:04:23,987
I love history.
So that's an important point.
53
00:04:24,022 --> 00:04:28,578
When I joined Gucci in 2002,
I was really in love with the
idea of the archive,
54
00:04:28,613 --> 00:04:31,201
and working with some
pieces from the archive.
55
00:04:31,236 --> 00:04:36,655
I'm always curious to see,
when I touch very small or
very old objects,
56
00:04:36,690 --> 00:04:40,418
something antique, something
from 40's or 50's or 70's
57
00:04:40,452 --> 00:04:43,352
and immediately understand that can work on this piece,
58
00:04:43,386 --> 00:04:45,975
how I can work on this piece.
59
00:04:52,499 --> 00:04:57,124
always had this far
memory from Gucci,
with the flora scarf,
60
00:04:57,158 --> 00:05:00,679
because all the women
in my family they used to
wear this scarf,
61
00:05:00,714 --> 00:05:03,164
and to me it was such
an iconic piece,
62
00:05:03,199 --> 00:05:06,616
and I thought of that moment that was really nice for me,
63
00:05:06,651 --> 00:05:08,860
as a first step in the company.
64
00:05:08,894 --> 00:05:12,104
To work around a new pattern
that was not only
65
00:05:12,139 --> 00:05:14,797
about the logo, it was not
only about the gigi,
66
00:05:14,831 --> 00:05:18,732
about something
different it was for a
long time in the archive.
67
00:05:27,948 --> 00:05:30,537
But this pattern was so
recognizable
and so strong to me,
68
00:05:30,571 --> 00:05:32,470
that I thought it was
interesting to
69
00:05:32,504 --> 00:05:35,231
play it in a different way,
on a different pieces.
70
00:05:35,265 --> 00:05:37,992
So not only on a scarf, not only on a print of a dress,
71
00:05:38,027 --> 00:05:40,443
but especially on
a beautiful bag.
72
00:05:50,211 --> 00:05:55,044
Seven years ago I was
only focusing on the collection
today, of course,
73
00:05:55,078 --> 00:06:00,221
I'm a person that knows,
what means having a
relationship with the press,
74
00:06:00,256 --> 00:06:03,949
with the events,
with over exposure
of yourself...
75
00:06:03,984 --> 00:06:06,400
You know, at the beginning of course I felt this pressure
76
00:06:06,435 --> 00:06:09,714
every time we had an
event and I was always
suffering a lot.
77
00:06:09,748 --> 00:06:12,164
Because, of course,
I preferred to work
behind the scenes,
78
00:06:12,199 --> 00:06:14,546
I preferred to work
with my team,
in my office,
79
00:06:14,581 --> 00:06:16,410
with the fabrics,
with the colors.
80
00:06:37,431 --> 00:06:39,847
And when you have to
talk to the people,
81
00:06:39,882 --> 00:06:42,574
when you have to, you know,
like, convince the people
82
00:06:42,609 --> 00:06:47,821
what you're doing and sell
what you're thinking about,
is always challenging.
83
00:06:47,855 --> 00:06:55,138
♪[swing music playing]
84
00:06:55,173 --> 00:07:00,592
♪
85
00:07:04,631 --> 00:07:07,012
Good evening ladies
and gentlemen.
86
00:07:07,047 --> 00:07:12,224
We are here, actually,
to pay a tribute
to our founder,
87
00:07:12,259 --> 00:07:16,677
to his vision, which is
very much rooted in tradition
and craftsmanship,
88
00:07:16,712 --> 00:07:20,509
but was always looking towards of the future.
89
00:07:20,543 --> 00:07:25,237
As Creative Director
in this company,
I have always believed
90
00:07:25,272 --> 00:07:30,726
that one of my
responsibilities
was to stay true
to the vision
91
00:07:30,760 --> 00:07:33,832
of a man who
19 years ago
92
00:07:33,867 --> 00:07:36,317
as a small Florentine
art designer
93
00:07:36,352 --> 00:07:40,425
has founded this
company with
the ambition
to create something
94
00:07:40,460 --> 00:07:44,429
that will last forever.
This man was Guccio Gucci.
95
00:08:00,238 --> 00:08:02,896
In the 70's when
Gucci was only
96
00:08:02,930 --> 00:08:06,762
a Florentine brand,
not Italian, it was a
Florentine brand...
97
00:08:06,796 --> 00:08:08,971
Then with the
old artists,
98
00:08:09,005 --> 00:08:12,043
especially the actors
that were flying
for example to Rome,
99
00:08:12,077 --> 00:08:14,148
in Cinecitta,
to play in
the movies...
100
00:08:14,183 --> 00:08:17,842
I think it was probably one of the first keys of the success
101
00:08:17,876 --> 00:08:20,672
of this company,
because they were
going to the store
102
00:08:20,707 --> 00:08:24,573
in Via Condotti and they
were buying, for example,
a beauty case, or luggage,
103
00:08:24,607 --> 00:08:29,612
or a bag, in fact, our
archive Museo, is full of
pictures of celebrities,
104
00:08:29,647 --> 00:08:32,719
of actors in those years
like 60's and 70's,
105
00:08:32,753 --> 00:08:34,306
buying something in the store.
106
00:08:34,341 --> 00:08:37,240
In that moment Gucci became
an international brand,
107
00:08:37,275 --> 00:08:39,864
because they came back
with this sort of souvenir,
108
00:08:39,898 --> 00:08:41,382
Italian souvenir of Gucci.
109
00:08:41,417 --> 00:08:44,800
For example the
famous Gucci loafer
with a horse bit...
110
00:08:44,834 --> 00:08:47,596
You know,
it was something
iconic that
111
00:08:47,630 --> 00:08:51,772
everyone in the
US in that moment
has this moccasin,
112
00:08:51,807 --> 00:08:53,567
So to me it's
something that
is, like, "Wow!"
113
00:08:53,602 --> 00:08:57,502
it's like a marketing
phenomenon,
because it's not
easy to repeat,
114
00:08:57,537 --> 00:08:59,918
to replicate
successes like this.
115
00:09:01,817 --> 00:09:05,545
Then you need also to cultivate, so of course for example,
116
00:09:05,579 --> 00:09:07,926
product placement
in very important
in movies
117
00:09:07,961 --> 00:09:11,136
is something that we have
done in the past and that
we are still doing,
118
00:09:11,171 --> 00:09:14,036
but only when you see
that there is a movie,
119
00:09:14,070 --> 00:09:16,072
or there is a style,
there is a story,
120
00:09:16,107 --> 00:09:20,283
of course an actor
or an actress
that are Gucci world.
121
00:09:38,232 --> 00:09:41,477
It's difficult for an actor that has to play
122
00:09:41,511 --> 00:09:46,447
so many different characters
to define his own style,
123
00:09:46,482 --> 00:09:51,073
Because it's always
changing, or she's always
changing on the set
124
00:09:51,107 --> 00:09:52,902
for that story or
for the other story.
125
00:09:52,937 --> 00:09:57,458
Hey, good to see you.
Hey, how are you?
126
00:09:57,493 --> 00:10:00,669
All right, so,
what do we do?
127
00:10:00,703 --> 00:10:04,189
You're on the film set,
but we are shooting
sort of between takes.
128
00:10:04,224 --> 00:10:05,466
- Okay.
- Yeah.
129
00:10:05,501 --> 00:10:10,575
So it's more, like,
being yourself
between two takes or
130
00:10:10,610 --> 00:10:17,340
that kind of idea,
so we'll see, like,
lights, cranes, all
sorts of cables.
131
00:10:17,375 --> 00:10:20,136
- Wonder what the movie is...
- It's a business movie!
132
00:10:20,171 --> 00:10:22,242
- Business movie?
- Blue screen.
133
00:10:22,276 --> 00:10:23,277
Okay?
134
00:10:28,938 --> 00:10:31,872
Fashion is always
looking at movies and cinema
135
00:10:31,907 --> 00:10:34,254
because it's a
world of imagination,
136
00:10:34,288 --> 00:10:36,290
and the fashion is
about creativity,
137
00:10:36,325 --> 00:10:40,053
it's about something
that is in a dream,
138
00:10:40,087 --> 00:10:43,573
something that is in your mind, but you cannot really touch.
139
00:10:43,608 --> 00:10:46,991
So movies are always,
very often talking
about a dream,
140
00:10:47,025 --> 00:10:48,889
something very aspirational.
141
00:10:51,858 --> 00:10:55,965
How do you think I should
speak about Gucci, when
people ask me questions?
142
00:10:56,000 --> 00:10:59,693
Because, maybe when I was
younger I looked at movies and
there are certain characters
143
00:10:59,728 --> 00:11:03,870
that, you know, I'd see them
dressed and I'd think, that's
a persona I like.
144
00:11:03,904 --> 00:11:08,944
When somebody wears
a certain kind of clothes
it's a way for them to
145
00:11:08,978 --> 00:11:13,638
think about themselves in
a certain way or project
themselves in a certain way
146
00:11:13,673 --> 00:11:15,882
or what is it
that you think
147
00:11:15,916 --> 00:11:19,161
people are doing
when they put on
a certain kind of...
148
00:11:19,195 --> 00:11:23,717
I think, first of all,
people, men, women,
149
00:11:23,752 --> 00:11:26,996
they always want
to be seductive,
150
00:11:27,031 --> 00:11:31,035
for themselves,
but also to
attract someone else.
151
00:11:31,069 --> 00:11:33,865
So, of course,
talking about
Gucci the seduction,
152
00:11:33,900 --> 00:11:38,525
to me, and the
sensuality is always
an important point,
153
00:11:38,559 --> 00:11:41,355
an important
starting point
for the collection.
154
00:11:41,390 --> 00:11:44,393
The jacket looks
great, just when you
see it with the pants...
155
00:11:44,427 --> 00:11:47,396
- It's a bit too much.
- Would you have plain pants?
156
00:11:51,124 --> 00:11:54,265
This is what the
young men are
wearing in LA?
157
00:11:54,299 --> 00:11:55,576
Not in Italy.
158
00:11:57,786 --> 00:12:00,996
Not in Italy,
worldwide, but
they will be
when you...
159
00:12:01,030 --> 00:12:02,583
This is what
they're doing
when they...
160
00:12:02,618 --> 00:12:05,759
When they see
you wearing it,
they're all
gonna wear it.
161
00:12:07,727 --> 00:12:13,042
The industry of the cinema and industry of fashion was always looking for a muse.
162
00:12:13,077 --> 00:12:18,358
For someone very iconic,
for someone that really
can represent the brand,
163
00:12:18,392 --> 00:12:21,602
can represent the
image of what you're
doing everyday.
164
00:12:25,641 --> 00:12:29,024
To me a collaboration
is not only one shot,
of course.
165
00:12:29,058 --> 00:12:32,613
Of course, I would be more than happy to have big celebrities on red carpet,
166
00:12:32,648 --> 00:12:36,100
on the Oscar night,
but I much more prefer
167
00:12:36,134 --> 00:12:38,205
to establish a collaboration,
168
00:12:38,240 --> 00:12:40,138
to establish a friendship.
169
00:12:44,108 --> 00:12:46,075
The red
carpet is maybe
170
00:12:46,110 --> 00:12:50,217
more important for women because they get to wear different kinds of dresses.
171
00:12:50,252 --> 00:12:54,083
Men generally are wearing a black suit on the red carpet.
172
00:12:54,118 --> 00:12:59,019
- This is true.
- So why have men foregone
173
00:12:59,054 --> 00:13:05,370
the ability to kind of be more
flamboyant or colorful?
174
00:13:05,405 --> 00:13:08,788
Why have men,
kind of,
given that up?
175
00:13:15,691 --> 00:13:19,246
Because at one point,
like, the court of Louis
the 14th or something,
176
00:13:19,281 --> 00:13:21,490
all the men are
looking very colorful.
177
00:13:21,524 --> 00:13:24,942
Would you ever wear
a feather jacket?
178
00:13:24,976 --> 00:13:26,702
But I've been
trained that way.
179
00:13:26,736 --> 00:13:30,361
If I was in the
1700's like...
180
00:13:30,395 --> 00:13:32,846
Of course, I'd wear
ruffles on my sleeves.
181
00:14:27,004 --> 00:14:31,456
The casting to me
is a pivotal moment
in the fashion show,
182
00:14:31,491 --> 00:14:36,047
because, first of all, the guys that you select or the girls that you select,
183
00:14:36,082 --> 00:14:38,981
are in a way face of the brand.
184
00:14:43,296 --> 00:14:47,472
Guys, guys, guys...
We start to make the
queue in the corridor
185
00:14:47,507 --> 00:14:52,615
but be really,
realy quiet.
Okay? Don't talk.
186
00:14:52,650 --> 00:14:57,586
We are talking about 8 minutes
a show,so you need to have
the perfect people
187
00:14:57,620 --> 00:15:01,831
wearing your clothes, because
it could be really dangerous if
that doesn't happen.
188
00:15:01,866 --> 00:15:06,388
I don't think we need to try
anything on, he tried all the
collection on, so...
189
00:15:06,422 --> 00:15:09,287
Could we just take
a quick Polaroid
from your makeup?
190
00:15:09,322 --> 00:15:12,670
Just stand over there,
we'll take a photograph
and you can go.
191
00:15:14,706 --> 00:15:16,950
Just stand over
there, we'll take
a Polaroid.
192
00:15:19,332 --> 00:15:22,404
- Are you working on the TV,
Mark?
- Yeah.
193
00:15:22,438 --> 00:15:23,681
But, where?
194
00:15:23,715 --> 00:15:26,097
I'm shooting two weeks
in Amsterdam and two
weeks in New York.
195
00:15:26,132 --> 00:15:27,996
- Great!
- New experience.
196
00:15:28,030 --> 00:15:29,618
- Good luck.
- Thank you.
197
00:15:32,483 --> 00:15:35,003
Right, Jonas, just
stand over there,
we'll take a Polaroid.
198
00:15:35,037 --> 00:15:38,351
I'm always really
curious about the new faces.
199
00:15:38,385 --> 00:15:40,456
You really understand
immediately
200
00:15:40,491 --> 00:15:43,321
if this face is
saying something,
201
00:15:43,356 --> 00:15:46,946
if this face can
wear that suit.
202
00:15:46,980 --> 00:15:51,226
If that body can suit
that suit
or that jacket.
203
00:15:58,854 --> 00:16:01,581
Okay good. Would you
stand over there,
we'll take a Polaroid.
204
00:16:04,894 --> 00:16:08,622
And then again, of course,
the personality in how
they can walk,
205
00:16:08,657 --> 00:16:12,212
how they can make an interpretation of the clothes.
206
00:18:08,915 --> 00:18:15,922
♪
207
00:18:15,956 --> 00:18:22,929
♪
208
00:18:22,963 --> 00:18:29,901
♪
209
00:18:29,936 --> 00:18:36,908
♪
210
00:18:36,943 --> 00:18:38,910
♪
211
00:18:51,199 --> 00:18:54,926
♪
212
00:19:26,820 --> 00:19:27,821
♪
213
00:19:36,313 --> 00:19:38,418
Sorry, Christian,
this is something...
214
00:19:40,351 --> 00:19:42,595
The Ferrari Cabrio!
215
00:19:42,629 --> 00:19:44,976
They are freezing.
216
00:19:45,011 --> 00:19:46,185
♪
217
00:19:48,877 --> 00:19:50,775
Tomorrow they're all
going to be sick
218
00:19:53,399 --> 00:19:56,264
- No, for sure.
- No, they're not models.
219
00:19:56,298 --> 00:19:59,784
- No models, nothing from
a fashion show.
- They can do what ever
they want.
220
00:20:01,061 --> 00:20:02,270
They can be sick.
221
00:20:10,416 --> 00:20:17,285
♪
222
00:20:17,319 --> 00:20:20,460
♪
223
00:20:22,669 --> 00:20:28,157
Today was the
rehearsal ever,
nothing was correct.
224
00:20:28,192 --> 00:20:31,575
This chandelier
wasn't correct.
The music was
not correct.
225
00:20:31,609 --> 00:20:34,163
- And really... Two minutes.
- Yeah, there's no problem.
226
00:20:34,198 --> 00:20:35,268
Just two minutes.
227
00:20:35,303 --> 00:20:37,615
By the time
the guy comes out...
228
00:20:37,650 --> 00:20:39,617
I will breath a little bit
until they come back.
229
00:20:39,652 --> 00:20:41,170
You are allowed.
230
00:20:42,965 --> 00:20:43,966
Okay.
231
00:21:12,167 --> 00:21:13,755
Today is not a good day.
232
00:22:05,600 --> 00:22:07,429
Okay. Picture.
233
00:22:07,464 --> 00:22:09,258
You can go there
to take pictures.
234
00:22:17,715 --> 00:22:20,097
Sorry, can you walk
one more time, please.
235
00:22:25,447 --> 00:22:27,794
Are you worried
that you can slip?
236
00:22:27,829 --> 00:22:29,624
- What?
- Are you worried that
you can...
237
00:22:29,658 --> 00:22:31,971
You can slip with
your shoes?
238
00:22:32,005 --> 00:22:36,355
- Are you worried? Is it
stopping you?
- It's okay, I guess.
239
00:22:36,389 --> 00:22:38,011
- It's okay?
- Yeah.
240
00:22:38,046 --> 00:22:41,774
Cause you don't look
so comfortable...
241
00:22:41,808 --> 00:22:44,224
- When you walk.
- Yes.
242
00:22:44,259 --> 00:22:47,262
- I will, they will...
- Normally I wear sneakers.
243
00:22:47,296 --> 00:22:48,919
Hey, no!
244
00:22:48,953 --> 00:22:53,199
But if you decide to do this
job, my dear, you have to wear
also something else.
245
00:22:53,233 --> 00:22:56,754
Because not
everyone is showing
the sneakers, you know.
246
00:22:56,789 --> 00:22:58,791
- Yeah.
- So, walk again.
247
00:22:59,826 --> 00:23:02,726
Stronger and
with energy.
248
00:23:11,079 --> 00:23:13,322
You have to think
that you are a
Gucci boy.
249
00:23:13,357 --> 00:23:18,224
You need to be
very confident,
very powerful,
very sensual.
250
00:23:18,258 --> 00:23:19,432
Okay? One
more time?
251
00:23:20,640 --> 00:23:23,263
You're the most
beautiful man
in the world.
252
00:23:25,473 --> 00:23:26,819
Much better!
253
00:23:30,512 --> 00:23:33,204
Great, your head
always like that.
254
00:23:35,552 --> 00:23:37,726
Don't be shy.
255
00:23:37,761 --> 00:23:39,245
One more time.
256
00:23:49,082 --> 00:23:51,982
When you turn,
try to turn softly.
257
00:23:52,016 --> 00:23:55,364
- Not like that, because...
- Okay.
258
00:24:02,510 --> 00:24:03,925
Much better.
259
00:24:05,513 --> 00:24:06,893
Thank you.
260
00:24:06,928 --> 00:24:08,757
- Will I come back,
can I change?
- Yes, you can.
261
00:24:08,792 --> 00:24:09,965
Thank you.
262
00:24:17,145 --> 00:24:18,146
Confident.
263
00:24:25,325 --> 00:24:32,229
♪
264
00:24:32,263 --> 00:24:35,784
♪
265
00:24:35,819 --> 00:24:39,270
So, it's like it's
natural, but...
266
00:24:42,170 --> 00:24:46,001
Get that in a
natural shape,
do you understand?
267
00:24:46,036 --> 00:24:49,349
It's not an interesting
competition.
268
00:24:49,384 --> 00:24:54,631
♪
269
00:24:54,665 --> 00:24:57,392
♪
270
00:24:57,426 --> 00:25:00,982
So, that's the
side,that's the side,
that's the side.
271
00:25:01,016 --> 00:25:03,536
That's the side,
that's the side.
272
00:25:03,571 --> 00:25:04,744
♪
273
00:25:04,779 --> 00:25:08,230
Make sure they
look like man,
not like...
274
00:25:08,265 --> 00:25:11,371
Not too gay,
little more
masculine.
275
00:25:15,168 --> 00:25:17,861
♪
276
00:25:23,487 --> 00:25:24,971
I like this.
277
00:25:25,006 --> 00:25:29,010
♪
278
00:25:42,610 --> 00:25:45,889
♪
279
00:25:49,893 --> 00:25:51,377
Do you have
the socks?
280
00:25:51,411 --> 00:25:53,448
If the jeans are too...
If you're wearing
your own jeans
281
00:25:53,482 --> 00:25:56,347
and they are
too tight
just put the
boots outside.
282
00:25:56,382 --> 00:25:57,417
Justus?
283
00:25:57,452 --> 00:25:58,453
Nick?
284
00:25:59,350 --> 00:26:01,421
- Yes?
- Joannes?
285
00:26:01,456 --> 00:26:03,113
- Here.
- Mark?
286
00:26:20,682 --> 00:26:27,689
♪
287
00:26:27,724 --> 00:26:33,626
♪
288
00:26:33,661 --> 00:26:39,390
And when you turn, try
to turn all of you in the
same way, like this...
289
00:26:39,425 --> 00:26:44,016
Like this...
And then you turn
like this. Okay?
290
00:26:45,500 --> 00:26:46,812
Six...
291
00:26:46,846 --> 00:26:48,020
Five...
292
00:26:48,434 --> 00:26:49,435
Four...
293
00:26:49,884 --> 00:26:51,092
Three...
294
00:26:51,575 --> 00:26:52,541
Two...
295
00:26:52,921 --> 00:26:54,647
One.
296
00:27:00,895 --> 00:27:07,522
♪
297
00:27:07,556 --> 00:27:14,184
♪
298
00:27:14,218 --> 00:27:20,708
♪
299
00:27:33,790 --> 00:27:35,377
Guys.
300
00:27:35,412 --> 00:27:39,692
On the... You have
to go...You need to be
faster on the catwalk.
301
00:27:39,727 --> 00:27:41,729
He's very slow,
I don't know why.
302
00:27:41,763 --> 00:27:43,592
And a little bit
more energy.
303
00:29:12,647 --> 00:29:13,786
Nick!
304
00:29:16,064 --> 00:29:17,272
Nick!
305
00:29:29,664 --> 00:29:33,150
Yeah, but don't...
306
00:29:33,185 --> 00:29:34,876
You have to undo
everything first.
307
00:29:34,911 --> 00:29:38,604
Undone everything,
get the boots off,
take the trousers
off then.
308
00:29:40,848 --> 00:29:42,470
Gucci
309
00:29:42,504 --> 00:29:49,477
♪
310
00:29:49,511 --> 00:29:56,001
♪
311
00:29:56,035 --> 00:30:02,524
♪
312
00:30:02,559 --> 00:30:09,048
♪
313
00:30:11,775 --> 00:30:18,092
♪
314
00:30:18,126 --> 00:30:24,650
♪
315
00:30:24,684 --> 00:30:31,484
♪
316
00:30:31,519 --> 00:30:37,594
♪
317
00:30:37,836 --> 00:30:44,049
♪
318
00:30:44,083 --> 00:30:50,987
♪
319
00:30:51,021 --> 00:30:57,510
♪
320
00:30:57,545 --> 00:30:58,546
♪
321
00:33:33,701 --> 00:33:35,427
Yeah, it's
very superb.
322
00:33:49,579 --> 00:33:51,236
- That was lovely.
- Thank you.
323
00:33:51,270 --> 00:33:55,067
- You have a really wide
Gucci collection.
- Thanks a lot, I'm very happy.
324
00:34:51,882 --> 00:34:55,783
When we talk about
emerging countries
sometimes without
understanding,
325
00:34:55,817 --> 00:34:58,579
it's not emerging,
it's already emerged.
326
00:34:58,613 --> 00:35:01,513
At the beginning of my career, when we were talking about
327
00:35:01,547 --> 00:35:03,894
fashion or iconic women,
328
00:35:03,929 --> 00:35:06,863
you are always looking
only at US and Europe.
329
00:35:06,897 --> 00:35:11,868
Sometimes you are recalling
another part of the world.
330
00:35:23,845 --> 00:35:27,849
In a way we were all snob, no?
331
00:35:27,884 --> 00:35:29,989
♪
332
00:35:40,690 --> 00:35:45,660
Older world is changing
because it is not
any more only
Chinese in China,
333
00:35:45,695 --> 00:35:47,075
or Korean in Korea.
334
00:35:47,110 --> 00:35:49,008
They are traveling
all over the world,
335
00:35:49,043 --> 00:35:53,012
it's also in very tough
moment of economy,
like we have now in Europe,
336
00:35:53,047 --> 00:35:55,843
but we are safe because the
Chinese are traveling.
337
00:35:55,877 --> 00:35:58,984
♪
338
00:36:01,504 --> 00:36:05,818
So to me China will
represent
the future in a way.
339
00:36:05,853 --> 00:36:11,824
♪
340
00:36:11,859 --> 00:36:15,621
We'll make it close to the door. They can see us here.
341
00:36:15,656 --> 00:36:19,073
- From here?
- Frida standing here,
people see her.
342
00:36:19,107 --> 00:36:22,559
Frida and I can
stay a little bit further down,
343
00:36:22,594 --> 00:36:26,253
like here, so the model
can do like this.
344
00:36:26,287 --> 00:36:30,878
The problem is if I'm
standing here you
should be able to see me.
345
00:36:30,912 --> 00:36:32,845
So we need to
pick a point
346
00:36:32,880 --> 00:36:36,953
where this guy cannot see
what happens...
347
00:36:37,505 --> 00:36:39,162
So the line-up
348
00:36:40,094 --> 00:36:41,958
can start here.
349
00:36:41,992 --> 00:36:44,202
But someone told me that
I need to be careful
350
00:36:44,236 --> 00:36:48,413
because not everything
is so authentic
and old and so...
351
00:36:59,527 --> 00:37:01,080
♪
352
00:37:05,084 --> 00:37:06,983
It's not part of the culture.
353
00:37:22,930 --> 00:37:24,069
Okay.
354
00:37:24,103 --> 00:37:28,211
♪
355
00:37:28,246 --> 00:37:30,109
I love this T-shirt.
356
00:37:30,144 --> 00:37:34,562
♪
357
00:37:34,597 --> 00:37:38,704
♪
358
00:37:38,739 --> 00:37:41,362
I love the Mao in Italian?
359
00:37:42,260 --> 00:37:44,020
I can buy for my father.
360
00:37:44,054 --> 00:37:48,542
♪
361
00:37:48,576 --> 00:37:53,167
No, my father is
really a communist,
Italian communist.
362
00:37:53,201 --> 00:37:59,415
♪
363
00:38:00,070 --> 00:38:01,071
♪
364
00:38:12,462 --> 00:38:18,537
♪
365
00:38:18,572 --> 00:38:25,233
♪
366
00:38:28,029 --> 00:38:31,170
♪
367
00:38:33,172 --> 00:38:35,899
♪
368
00:38:35,934 --> 00:38:40,663
Because of the lining,
because of the metal inside,
it should be original.
369
00:38:40,697 --> 00:38:42,320
♪
370
00:38:48,326 --> 00:38:54,055
♪
371
00:38:54,090 --> 00:38:59,889
♪
372
00:39:01,373 --> 00:39:04,859
♪
373
00:39:04,894 --> 00:39:06,033
- Hello.
- Nice to meet you.
374
00:39:06,067 --> 00:39:07,310
- Welcome.
- Pleasure.
375
00:39:07,345 --> 00:39:08,622
Thank you very much.
376
00:39:08,656 --> 00:39:11,176
You have an
incredible architecture
here in Shanghai.
377
00:39:11,210 --> 00:39:14,006
I was really impressed
in the past two days,
378
00:39:14,041 --> 00:39:17,355
walking around, because
I really love this contrast of
379
00:39:17,389 --> 00:39:19,805
the preservation of
something that is older,
380
00:39:19,840 --> 00:39:25,190
and then all these new
buildings and the skyline I
think it's a good contrast.
381
00:39:26,364 --> 00:39:28,814
♪
382
00:39:30,126 --> 00:39:31,438
♪
383
00:39:44,451 --> 00:39:45,486
Nothing good.
384
00:39:47,971 --> 00:39:49,387
What's the funny noise?
385
00:40:09,027 --> 00:40:12,824
Benny's gonna help me
cause I don't speak
Mandarin very well.
386
00:40:12,858 --> 00:40:14,722
Does everyone
here speak English?
387
00:40:14,757 --> 00:40:17,104
- I think so.
- Okay. All right.
388
00:40:17,138 --> 00:40:20,832
Listen the objective of
the next 45 minutes
389
00:40:20,866 --> 00:40:23,041
is that everyone
understands
390
00:40:23,075 --> 00:40:25,768
what's gonna happen
tomorrow night.
391
00:40:25,802 --> 00:40:28,805
So if you don't
understand what
I'm saying
392
00:40:28,840 --> 00:40:30,669
put your hand
in the air.
393
00:40:32,291 --> 00:40:34,293
Cause he's gonna
help me. Okay?
394
00:40:34,328 --> 00:40:36,537
Can we make a
sharp route?
395
00:40:36,572 --> 00:40:38,712
Just sharp edges?
396
00:40:38,746 --> 00:40:41,404
- No sharp. No sharp.
- Why not?
397
00:40:42,163 --> 00:40:44,442
Just thicker and broader.
398
00:40:48,549 --> 00:40:50,724
Excuse me?
399
00:40:50,758 --> 00:40:56,454
I don't want a spot,
I want to make it
bigger, but sharp.
Can you hear me?
400
00:40:56,488 --> 00:41:00,665
So it doesn't matter
whether you're
representing
401
00:41:00,699 --> 00:41:04,358
Thailand, France,
events,
402
00:41:04,392 --> 00:41:06,671
Public Relations, celebrities...
403
00:41:06,705 --> 00:41:11,330
You're all part of the
same team and
you have one objective,
tomorrow night.
404
00:41:11,365 --> 00:41:15,127
Which is to have a
very successful event.
405
00:41:15,162 --> 00:41:17,233
You make it a
little bit bigger.
406
00:41:17,267 --> 00:41:21,479
♪
407
00:41:23,273 --> 00:41:25,517
♪
408
00:41:25,552 --> 00:41:30,522
never think, when
we start to design a
collection, this for
an American woman,
409
00:41:30,557 --> 00:41:33,456
or this is for a
Chinese or Japanese.
410
00:41:33,491 --> 00:41:36,424
To me this is for
the Gucci woman.
411
00:41:36,459 --> 00:41:39,117
♪
412
00:41:39,151 --> 00:41:42,258
Working for fashion today, for the fashion industry today,
413
00:41:42,292 --> 00:41:45,295
you really have to look
to the entire world.
414
00:41:45,330 --> 00:41:49,541
So it's not any more one country, it's not any more one type of woman.
415
00:41:49,576 --> 00:41:53,407
So to me it's really
more in the attitude.
416
00:41:53,441 --> 00:41:55,547
♪
417
00:41:55,582 --> 00:41:58,585
I never wanted to design something for myself.
418
00:41:58,619 --> 00:42:02,071
It's a different approach. I've always been...
419
00:42:02,105 --> 00:42:04,625
I wanted to be a designer for a big brand,
420
00:42:04,660 --> 00:42:07,801
since I was studying, since I was a teenager.
421
00:42:07,835 --> 00:42:11,770
I never had the feeling of...
422
00:42:11,805 --> 00:42:13,323
Yeah, I don't care at all.
423
00:42:13,358 --> 00:42:17,465
I've never cared, no,
because today I'm
Frida Giannini of Gucci.
424
00:42:17,500 --> 00:42:20,399
To those of you that had
done the show in Milan...
425
00:42:20,434 --> 00:42:22,678
You'll be familiar
with this space,
426
00:42:22,712 --> 00:42:27,027
cause we recreated, essentially,
the Milan show space here.
427
00:42:33,274 --> 00:42:36,174
His perfect.
He's one of my models.
428
00:42:36,588 --> 00:42:38,521
Hi, guys!
429
00:42:38,556 --> 00:42:42,698
♪
430
00:42:46,425 --> 00:42:48,117
- How are you doing?
- Good! And you?
431
00:42:48,151 --> 00:42:50,809
- You look amazing.
- No. When did you arrive?
432
00:42:50,844 --> 00:42:52,224
- This morning.
- This morning?
433
00:42:52,259 --> 00:42:54,261
- Yeah.
- Where are you coming from now?
434
00:42:54,295 --> 00:42:55,918
- Paris.
- Paris?
435
00:42:55,952 --> 00:42:58,127
- Can I have a picture with him?
- Yep.
436
00:43:00,370 --> 00:43:02,683
- Finally I have a picture
with you.
- There you go.
437
00:43:02,718 --> 00:43:04,789
Which is not at backstage.
438
00:43:06,756 --> 00:43:08,620
♪
439
00:43:08,655 --> 00:43:13,211
You look at models, girls and guys together,
440
00:43:13,245 --> 00:43:17,353
the guys look always like a little brother, so...
441
00:43:17,387 --> 00:43:19,769
No? Because the
girls are
always more mature,
442
00:43:19,804 --> 00:43:23,635
these guys look like kids,
they are kids actually.
443
00:43:23,670 --> 00:43:27,639
Because they
are all stars,
rock stars...
444
00:43:27,674 --> 00:43:28,744
♪
445
00:43:28,778 --> 00:43:32,368
What I like of this one in Shanghai is that
446
00:43:32,402 --> 00:43:35,405
We show men and women together.
447
00:43:35,440 --> 00:43:38,961
We never do usually,
because, of course,
you have to add it
to fashion week.
448
00:43:38,995 --> 00:43:40,307
♪
449
00:43:40,341 --> 00:43:43,413
It's a good exercise for me
to put the looks together.
450
00:43:46,934 --> 00:43:52,215
♪
451
00:43:52,250 --> 00:43:54,632
You know,
actually not a
good surprise for me
452
00:43:54,666 --> 00:43:58,325
was that walking in the street
and looking at the people,
453
00:43:58,359 --> 00:44:00,258
apart of the bright colors,
454
00:44:00,292 --> 00:44:02,778
I've seen
not too much logo.
455
00:44:02,812 --> 00:44:06,195
Four or five years ago
was like, I don't know,
456
00:44:06,229 --> 00:44:09,888
eighty percent logo and
twenty percent leather.
457
00:44:09,923 --> 00:44:11,441
Today it's completely different.
458
00:44:11,476 --> 00:44:13,547
What happened in China
is pretty much,
459
00:44:13,581 --> 00:44:17,137
you condense a
hundred years,
of else where...
460
00:44:17,171 --> 00:44:18,863
- Sure.
- Into ten years.
461
00:44:18,897 --> 00:44:21,279
So you feel it's like
a little bit shocking,
462
00:44:21,313 --> 00:44:26,422
but it's only natural,
someone who are
mining somewhere,
463
00:44:26,456 --> 00:44:28,493
and, you know,
farming somewhere,
464
00:44:28,527 --> 00:44:33,325
and suddenly they have this new
fortune and they want to
465
00:44:33,360 --> 00:44:39,090
get into that lifestyle
without knowing
much, and it's
not their fault.
466
00:44:39,124 --> 00:44:42,680
But how do you see yourself, as in your life?
467
00:44:42,714 --> 00:44:46,787
always loved the
challenge of a big
brand, of an
international brand,
468
00:44:46,822 --> 00:44:50,239
having this kind
of an experience,
I'm having today.
469
00:44:50,273 --> 00:44:51,758
You know I...
470
00:44:51,792 --> 00:44:55,209
I'm known that I'm
still missing
something in my life.
471
00:44:55,244 --> 00:45:00,939
I don't know if
this is a child
or if this is,
I don't know...
472
00:45:00,974 --> 00:45:02,596
A long vacation!
473
00:45:02,630 --> 00:45:05,461
- I don't know what...
- Probably at the moment,
a long vacation.
474
00:45:05,495 --> 00:45:08,567
Probably after the
long vacation
I will have a baby.
475
00:45:08,602 --> 00:45:11,294
How's your love life
now, it's good?
476
00:45:11,329 --> 00:45:12,468
It's very good!
477
00:45:12,502 --> 00:45:14,919
Yes, now it's probably
the best,
no secret.
478
00:45:14,953 --> 00:45:16,575
We are more relaxed.
479
00:45:16,610 --> 00:45:18,025
Yes yes, yes.
480
00:45:20,718 --> 00:45:22,823
You don't have to
schedule meetings.
481
00:45:22,858 --> 00:45:25,653
But it's not true,
you know, we have to.
482
00:45:25,688 --> 00:45:27,759
Yes, you still have to,
because, you know,
483
00:45:27,794 --> 00:45:30,313
you always think, okay,
we can talk.
484
00:45:30,348 --> 00:45:31,901
We can discuss this tonight.
485
00:45:31,936 --> 00:45:34,939
Then, of course, you
have other things
to discuss in life.
486
00:45:34,973 --> 00:45:36,803
Sometimes I'm more
487
00:45:36,837 --> 00:45:39,702
stiff in this way, because
after a while I need to
488
00:45:39,737 --> 00:45:43,154
have a romantic dinner
or to, I don't know, watch
a beautiful movie,
489
00:45:43,188 --> 00:45:46,916
so I don't want to talk always
about Gucci and about the job.
490
00:45:46,951 --> 00:45:49,677
Of course it's very rare,
it's very difficult between us.
491
00:45:49,712 --> 00:45:53,751
Because, we are so passionate...
But it's funny because sometimes
492
00:45:53,785 --> 00:45:58,065
we ask the assistants
to meet each other.
493
00:45:58,100 --> 00:46:02,000
So, he calls my assistant,
I call his assistant to
sit together,
494
00:46:02,035 --> 00:46:04,831
because, of course, the
two agendas
are very complicated.
495
00:46:04,865 --> 00:46:10,043
♪
496
00:46:10,077 --> 00:46:16,808
♪
497
00:46:16,843 --> 00:46:22,883
♪
498
00:46:22,918 --> 00:46:28,889
♪
499
00:46:28,924 --> 00:46:31,927
Come on in, walk
straight up.
Straight up.
500
00:46:31,961 --> 00:46:38,036
♪
501
00:46:38,071 --> 00:46:45,181
♪
502
00:46:45,216 --> 00:46:50,773
♪
503
00:46:50,808 --> 00:46:56,641
♪
504
00:46:56,883 --> 00:47:02,889
♪
505
00:47:02,923 --> 00:47:08,549
♪
506
00:47:16,350 --> 00:47:22,667
♪
507
00:47:22,701 --> 00:47:29,605
♪
508
00:47:29,639 --> 00:47:35,749
♪
509
00:47:35,783 --> 00:47:40,892
♪
510
00:47:40,927 --> 00:47:45,103
♪
511
00:47:45,138 --> 00:47:47,692
♪
512
00:47:47,726 --> 00:47:52,697
♪
513
00:47:52,731 --> 00:47:57,219
♪
514
00:47:57,253 --> 00:48:03,225
♪
515
00:48:03,259 --> 00:48:08,299
♪
516
00:48:08,333 --> 00:48:14,098
♪
517
00:48:14,132 --> 00:48:19,689
♪
518
00:48:19,724 --> 00:48:25,903
♪
519
00:48:25,937 --> 00:48:31,978
♪
520
00:48:32,012 --> 00:48:37,707
♪
521
00:48:37,742 --> 00:48:44,887
♪
522
00:48:44,922 --> 00:48:51,963
♪
523
00:48:51,998 --> 00:48:57,796
♪
524
00:48:57,831 --> 00:49:04,803
♪
525
00:49:06,909 --> 00:49:11,776
♪
526
00:49:11,810 --> 00:49:18,334
♪
527
00:49:18,369 --> 00:49:25,376
♪
528
00:49:25,410 --> 00:49:32,176
♪
529
00:49:34,695 --> 00:49:35,938
One more. One more.
530
00:49:35,973 --> 00:49:37,836
- A serious one.
- A serious one.
531
00:49:37,871 --> 00:49:41,979
♪
532
00:49:42,013 --> 00:49:46,328
♪
533
00:49:51,126 --> 00:49:55,371
We were coming from a
very dark moment
of the fall-winter.
534
00:49:55,406 --> 00:50:00,342
When I was talking
about nocturnal,
and dark romanticism
in a way,
535
00:50:00,376 --> 00:50:04,587
so this very Gothic
atmosphere,
the color card
536
00:50:04,622 --> 00:50:06,624
which I think was great, but, you know,
537
00:50:06,658 --> 00:50:11,870
going to the summer I
really wanted
to have something
colorful, fresh,
538
00:50:11,905 --> 00:50:14,459
more cleaner in the
silhouette in a way,
539
00:50:14,494 --> 00:50:17,014
because, also, the
colors on one side
540
00:50:17,048 --> 00:50:19,464
and the sharpness of the silhouette on the other hand...
541
00:50:19,499 --> 00:50:21,294
And they were the key
542
00:50:21,328 --> 00:50:24,642
to talk with my
collaborators
and to start to
make a research.
543
00:50:24,676 --> 00:50:28,094
And there was this
very strong image
of Marella Agnelli,
544
00:50:28,128 --> 00:50:32,891
with this very long neck,
super chic,
super polished and clean.
545
00:50:32,926 --> 00:50:36,895
In that moment, with
that image in front,
and the idea of the colors...
546
00:50:36,930 --> 00:50:39,829
That's the moment that I know to start doing the collection.
547
00:56:05,500 --> 00:56:08,192
Of course, everyone of us has a family and this is a job,
548
00:56:08,226 --> 00:56:10,539
but to me, when you
have to spend
549
00:56:10,574 --> 00:56:14,543
so much time with people,
because we are living
together basically.
550
00:56:14,578 --> 00:56:17,650
Because I spend much
more time with them
than with my family
551
00:56:17,684 --> 00:56:20,894
or with my dearest ones,
so we need to have
552
00:56:20,929 --> 00:56:23,656
different things that we
cannot only...
553
00:56:25,658 --> 00:56:27,211
You know? Inspired.
554
00:56:27,245 --> 00:56:29,144
Oh my God, how genius.
You know?
555
00:56:29,178 --> 00:56:33,286
All these words in the
fashion world
sometime are
really scaring me.
556
00:56:39,913 --> 00:56:43,296
I take this job very
seriously,
but at the same time
557
00:56:43,330 --> 00:56:48,266
I think that this industry
is too serious on
what everyone is doing.
558
00:56:48,301 --> 00:56:50,683
Some lightness is
really deserved.
559
00:59:05,334 --> 00:59:08,406
Most of the
collaborators,
they're working with me
560
00:59:08,441 --> 00:59:12,031
since more than ten years, which I think is huge.
561
00:59:12,065 --> 00:59:13,757
They know what I hate,
562
00:59:13,791 --> 00:59:17,795
I know when I have to push them in a different direction.
563
00:59:17,830 --> 00:59:20,039
They know how they
can convince me
564
00:59:20,073 --> 00:59:22,628
in doing something
that usually I don't
like to do,
565
00:59:22,662 --> 00:59:25,423
but I think it's good sometimes to be forced
566
00:59:25,458 --> 00:59:29,082
in doing something else
because of course
it's part of the
nature of this job.
567
01:01:25,233 --> 01:01:27,822
♪
568
01:01:27,856 --> 01:01:32,550
Sometimes, especially
when you're working
on creative field you
need to refresh
569
01:01:32,585 --> 01:01:34,414
your mind somehow.
570
01:01:34,449 --> 01:01:38,418
You need to do something else, to clean and to polish completely your mind,
571
01:01:38,453 --> 01:01:40,766
and then you come back with a different perspective,
572
01:01:40,800 --> 01:01:42,906
with different ideas,
with different energy,
573
01:01:42,940 --> 01:01:46,979
because it's like when you're on a same color all day
574
01:01:47,013 --> 01:01:49,084
and then the day after
you can understand
575
01:01:49,119 --> 01:01:52,363
that this color is probably
wrong, but the day after,
not the same day.
576
01:01:52,398 --> 01:01:54,227
♪
577
01:01:54,262 --> 01:01:58,784
You have to, because of course, you can be completely absorbed.
578
01:01:58,818 --> 01:02:01,959
Absorbed by your job,
by your day...
579
01:02:01,994 --> 01:02:04,997
Which is something
that I have done
in the beginning,
580
01:02:05,031 --> 01:02:07,171
but it's not good
for your health,
581
01:02:07,206 --> 01:02:10,381
it's not good for your mind, it's not good for your job, as well.
582
01:02:10,416 --> 01:02:17,181
♪
583
01:02:17,216 --> 01:02:23,705
♪
584
01:02:23,740 --> 01:02:27,398
♪
585
01:02:27,433 --> 01:02:31,817
♪
586
01:02:31,851 --> 01:02:35,959
Since I was a child
we've had a house
in the country side,
587
01:02:35,993 --> 01:02:38,651
I have always said,
my dream,
588
01:02:38,685 --> 01:02:44,726
getting older, would be
to have a house
on the beach, in this place.
589
01:02:44,761 --> 01:02:46,693
And I have to say that
590
01:02:46,728 --> 01:02:50,421
I'm very proud to be here today in this house,
591
01:02:50,456 --> 01:02:54,425
because it's my paradise.
592
01:02:54,460 --> 01:02:56,220
♪
593
01:03:50,792 --> 01:03:54,002
I will start in the
kitchen, cooking.
594
01:03:54,037 --> 01:03:55,417
Coming with me?
595
01:03:55,452 --> 01:03:58,835
So we can see where
you can stay.
596
01:03:58,869 --> 01:04:02,079
Because it's not that
big, the kitchen.
597
01:05:22,125 --> 01:05:24,679
No, it's not true.
It's not true.
598
01:05:24,713 --> 01:05:26,508
He was sleeping.
599
01:05:27,095 --> 01:05:28,269
It's not true.
600
01:05:28,303 --> 01:05:31,582
♪
601
01:10:18,352 --> 01:10:22,942
I've seen that the
strongest moment,
when you start to
put everything together,
602
01:10:22,977 --> 01:10:24,772
is like a week before the show.
603
01:10:24,806 --> 01:10:28,154
So when you start
to put that jacket
together with a pant,
604
01:10:28,189 --> 01:10:31,710
or that dress with those shoes...
605
01:10:31,744 --> 01:10:34,299
You start to define the
look of the show.
606
01:10:35,645 --> 01:10:39,269
Until the end you never know what is going to happen.
607
01:10:39,304 --> 01:10:40,615
♪
608
01:11:04,052 --> 01:11:10,438
♪
609
01:11:10,473 --> 01:11:15,892
♪
610
01:11:20,897 --> 01:11:23,589
♪
611
01:11:28,525 --> 01:11:29,768
- Si? - Si.
612
01:11:34,497 --> 01:11:35,946
♪
613
01:13:19,118 --> 01:13:20,879
Okay, can we see you
walk with this?
614
01:13:21,673 --> 01:13:27,886
♪
615
01:13:27,920 --> 01:13:34,962
♪
616
01:13:34,996 --> 01:13:42,038
♪
617
01:13:42,072 --> 01:13:49,114
♪
618
01:13:49,148 --> 01:13:55,707
♪
619
01:13:55,741 --> 01:14:01,954
♪
620
01:14:01,989 --> 01:14:08,305
♪
621
01:14:08,340 --> 01:14:15,140
♪
622
01:14:15,174 --> 01:14:22,112
♪
623
01:14:22,147 --> 01:14:24,598
- Shapes...
- In colors, now.
624
01:14:24,632 --> 01:14:25,771
Love...
625
01:14:25,806 --> 01:14:28,118
So there was something
here interesting,
626
01:14:28,153 --> 01:14:31,467
of course this is too literal
and too referential to the 60's.
627
01:14:31,501 --> 01:14:33,330
I don't know, some...
628
01:14:33,365 --> 01:14:37,887
Yeah, that is more
architectural to me,
the hairstyle, modern,
anything else,
629
01:14:37,921 --> 01:14:40,165
When I see the
clothes
everything is...
630
01:14:40,199 --> 01:14:42,478
It has the
architectural feeling...
631
01:14:42,512 --> 01:14:44,549
You know, it's like
the shapes...
632
01:14:44,583 --> 01:14:47,068
- It's like...
- You should try few
different things, no?
633
01:14:47,103 --> 01:14:48,311
- Yes.
- Yeah.
634
01:14:48,345 --> 01:14:51,763
♪
635
01:14:51,797 --> 01:14:56,768
♪
636
01:14:56,802 --> 01:15:00,357
Can we start with
really strong
little pouts?
637
01:15:00,392 --> 01:15:02,256
And from there...
638
01:15:02,290 --> 01:15:08,227
♪
639
01:15:08,262 --> 01:15:15,062
♪
640
01:15:15,096 --> 01:15:21,102
♪
641
01:15:21,137 --> 01:15:27,799
♪
642
01:15:27,833 --> 01:15:34,219
♪
643
01:15:34,253 --> 01:15:40,846
♪
644
01:15:40,881 --> 01:15:47,335
♪
645
01:15:47,370 --> 01:15:53,100
♪
646
01:15:53,134 --> 01:16:00,245
♪
647
01:16:17,745 --> 01:16:20,714
Did you tell...
You told your lovely secret?
648
01:16:23,579 --> 01:16:24,718
No, no...
649
01:16:34,555 --> 01:16:36,281
You didn't hear anything?
650
01:16:50,882 --> 01:16:54,886
So you wanna be sure
you show that hair,
one is back...
651
01:16:57,026 --> 01:16:58,475
Middle.
652
01:16:58,510 --> 01:17:00,029
Straight forward.
653
01:17:02,134 --> 01:17:03,653
Simple graphic.
654
01:17:06,863 --> 01:17:11,143
Very beautiful, too,
you know, it's like
structural...
655
01:17:12,213 --> 01:17:13,214
And Carmen.
656
01:17:15,631 --> 01:17:18,357
It should be this kind of shine.
657
01:17:18,392 --> 01:17:19,600
[speaking Italian]
658
01:17:22,258 --> 01:17:24,260
I like the little girl.
659
01:17:24,294 --> 01:17:25,951
The little one? Yeah.
660
01:17:25,986 --> 01:17:27,850
So, what do you think
about the make up?
661
01:17:28,298 --> 01:17:29,852
I love them all.
662
01:17:29,886 --> 01:17:32,820
So strong statement
for now.
Make up, no?
663
01:17:32,855 --> 01:17:37,376
So I would say,
Kassia hair
and your makeup.
664
01:17:37,411 --> 01:17:38,895
I'm sorry Carmen.
665
01:17:40,034 --> 01:17:41,277
All wrong.
666
01:17:42,968 --> 01:17:44,936
♪
667
01:17:46,834 --> 01:17:50,251
♪
668
01:17:50,286 --> 01:17:56,257
I don't think that
power woman needs to
be necessarily hard.
669
01:17:56,292 --> 01:18:00,814
You can still be very sweet, sensual, feminine.
670
01:18:00,848 --> 01:18:04,300
Because, I think, that's the strongest part.
671
01:18:04,334 --> 01:18:06,543
♪
672
01:18:06,578 --> 01:18:09,857
But I really see the
Gucci girl as
a self-confident girl,
673
01:18:09,892 --> 01:18:13,550
because a Gucci
woman has to have
a strong personality.
674
01:18:13,585 --> 01:18:16,519
♪
675
01:18:16,553 --> 01:18:19,142
A woman is always in evolution.
676
01:18:19,177 --> 01:18:23,353
When I was a child
I've seen myself
becoming a mother,
677
01:18:23,388 --> 01:18:24,769
with a beautiful family,
678
01:18:24,803 --> 01:18:26,149
in the house, you know...
679
01:18:26,184 --> 01:18:29,187
With beautiful flowers
in the garden,
with a dog...
680
01:18:29,221 --> 01:18:32,293
I didn't expect at all
a life like this.
681
01:18:32,328 --> 01:18:33,950
♪
682
01:18:33,985 --> 01:18:38,299
My biggest expectation
in life was
only being a designer...
683
01:18:38,334 --> 01:18:40,854
I really want to work
for fashion
and design fashion.
684
01:18:40,888 --> 01:18:47,170
So I never imagined to
be, one day, a Creative
Director of a company.
685
01:18:47,205 --> 01:18:50,518
For Gucci, of course,
first of all.
686
01:18:50,553 --> 01:18:53,073
♪
687
01:18:53,107 --> 01:18:57,111
I think it's difficult when
you're a child
to just imagine your live
688
01:18:57,146 --> 01:19:01,081
exactly how it could be,
you know, so...
689
01:19:01,115 --> 01:19:05,085
I was more thinking about, yes,
probably kids and dogs.
690
01:19:06,914 --> 01:19:12,678
♪
691
01:19:12,713 --> 01:19:15,026
Life surprised me,
but in a positive way.
692
01:19:15,060 --> 01:19:20,031
But today, of course, I'm
more than happy
and nothing is missing
in my life, but...
693
01:19:20,065 --> 01:19:21,239
♪
694
01:19:21,273 --> 01:19:25,208
There was a moment in my life, I was probably too focused,
695
01:19:25,243 --> 01:19:27,383
too much on my job.
696
01:19:27,417 --> 01:19:33,009
And sometimes you really
need to have something
else that's balancing
your life.
697
01:19:33,044 --> 01:19:34,114
♪
698
01:19:34,148 --> 01:19:37,220
A child could change
your balance
699
01:19:37,255 --> 01:19:39,188
it could give you a
different balance.
700
01:19:39,222 --> 01:19:42,674
It could be, of course, a child
or something else,
but you know,
701
01:19:42,708 --> 01:19:48,093
I think that probably on
myself I was
feeling that I was
missing this part.
702
01:19:48,128 --> 01:19:51,407
And so we'll see,
I don't know.
I'll let you know.
703
01:19:51,441 --> 01:19:56,550
♪
704
01:19:56,584 --> 01:20:01,486
♪
705
01:20:01,520 --> 01:20:07,423
♪
706
01:20:07,457 --> 01:20:14,085
♪
707
01:20:14,119 --> 01:20:20,539
♪
708
01:20:20,574 --> 01:20:26,960
♪
709
01:20:26,994 --> 01:20:33,380
♪
710
01:20:33,414 --> 01:20:40,076
♪
711
01:20:40,111 --> 01:20:46,220
♪
712
01:20:46,255 --> 01:20:52,364
♪
713
01:20:52,399 --> 01:20:58,301
♪
714
01:20:58,336 --> 01:21:05,205
♪
715
01:21:05,239 --> 01:21:11,349
♪
716
01:21:11,383 --> 01:21:18,287
♪
717
01:21:18,321 --> 01:21:24,362
♪
718
01:21:24,396 --> 01:21:31,231
♪
719
01:21:31,265 --> 01:21:37,858
♪
720
01:21:37,893 --> 01:21:44,692
♪
721
01:21:44,727 --> 01:21:51,596
♪
722
01:21:51,630 --> 01:21:58,396
♪
723
01:21:58,430 --> 01:22:04,367
♪
724
01:22:04,402 --> 01:22:11,340
♪
725
01:22:11,374 --> 01:22:17,311
♪
726
01:22:23,248 --> 01:22:24,732
♪
49609
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