All language subtitles for Flesh.for.Frankenstein.1973.REMASTERED.PROPER.720p.BluRay.x264-PiGNUS

(dramatic orchestral music)

(mice squeaking)

(suspenseful orchestral music)

(bell ringing)

(bagpipe music)

- Boy!

What kind of music is this?

I've never heard it before.

- Cavara.
- ls somebody behind you?

Come out.

I'd like to see who's sleeping

on the job instead of working.

Oh.

I see.

Carrying on inside my wagon, are you?

Let's go.

(bell ringing)

Come on.

Such trash.

Go on!

- Did you clean all the bottles

and test tubes in the laboratory?

- Yes, Baron, I did.

I worked the whole night
to clean up everything.

- And why does the studio
look in such a mess lately?

- How could it?

I fixed up all the things.

- You know I like things clean and bright.

How can I work in a mess like that?

When I was studying under
Professor Blumberg and Fringhs,

we had to wipe the floors for two years

before I could stick my
nose into the laboratory.

But Baron,

you know I believe in your work.

We worked so hard together.

We did everything in the laboratory.

And I'm so grateful to
you that I could do that.

- I know, I know, Otto.

You've been a very good assistant.

And you brought in some good parts.

That Manus was perfect.

- Thank you, Baron.

- But what We really
need now is the perfect

nasum.

- Yes.

- Something that will
represent the finest feature

of the Serbian ideals.

- What do you mean by this?

Serbian ideals?

I've never heard about it before.

- But Otto, you don't understand.

The Serbian race

comes in direct descent

of the glory from the ancient Greeks!

- Oh, I didn't know that.

But where will you find
those kind of nose?

- In town, Otto.

In town.
- Oh.

- I remember when I went to school.

Our gouvernante was taking my sister

and myself every day to school,

and I saw this creature on the road,

but we were not allowed to play with them

because we were something better.

They were peasants.

They told us.

More than once I escaped,

standing there for hours in the field

watching these creatures.

Now, our studies come finally to an end.

We got a beautiful female.

And I'm sure,

among these townspeople,

We will just find the perfect

nasum.

(bell ringing)

- Stop now.

Come on.

Let's go.

Come on, children.

Go on, go on.

Ah!

Baron.

You wouldn't believe what a day I've had.

I had to remove the children

from that rotten school in town.

- It was you who chose
that school, my dear.

- Yes, I did like the school,

but I didn't know that those

dirty little urchins --

- Tell me more about it at dinner.

- At dinner?

(sighs heavily)

Come on, let's go.

Hasn't got any time for us.

Always running off to
that stupid laboratory.

(light piano music)

What a mess in this room.

Why do you keep your room this way?

I've told you that 'I00 times.

What's the point of
having beautiful things

if you children do just not care about it.

Look at the dolls on the floor.

We shouldn't be doing this.

You know that.

Now, come on.

Take your clothes off and
put your play clothes on.

All right?

Go ahead.

Now, I must tell you something.

I'm very glad that you have
left that terrible school.

The children at this school
are not on par with you.

You are very special.

You are different.

They are jealous and tell awful tales

about your mother and you father.

(Olga!!

Some of the things they say are true.

(speaking to Olga in French)

When they talk about your mother,

sometimes they tell things that are true

and sometimes they tell lies,

because they are jealous.

People who are jealous always tell lies.

Give me the brush.

- Madame.
- Merci.

I'm going to make you beautiful.

You will always have to surround yourself

with beautiful things.

I like the way you look.

And your brother.

I've always

looked for beauty.

As a matter of fact,

I insist on it.

(light orchestral music)

- Liver and kidney are removed.

Did you put them in the storage bottle?

- Yes, I did.

- Let's get rid of this useless drunk.

- Yes, Baron.

Yes.

- [Baron Frankenstein] The
children should be sent abroad.

Their education will
progress much faster there.

- Absolutely not.

They will learn far more from us.

Besides, I don't want
them away from the house.

- [Baron Frankenstein] But it
is only in their own interest.

- Mother and Father are coming
to visit us in a fortnight,

and they, too, are against it.

You know that very well.

Hmm.

Good God.

I'm not looking forward to their visit.

All they ever do is pry into our affairs,

trying to arrange our lives.

- Erich.

You should eat some soup.

- [Katrin] What do you
pick on the boy for?

- Because he doesn't look
very strong to me, lately.

- Well, he looks very well to me.

I was just thinking
about a few years back,

on a trip I took with
mother to Saint Petersburg

to visit her brother,

when I met that beautiful
Russian ballet dancer

who journeyed

after me to Monte Carlo.

As a matter of fact, you were there.

You remember, you came with Father to the

Hotel de Paris?
- Yes, I do.

- Mmm.

What happened then?

Mother took him for herself.

- [Baron Frankenstein] Mother
is a very religious woman.

She was only acting in your own interest.

- Religious woman?

- Why must you always pick on Mother?

- I don't pick on Mother.

I think she's very selfish.

- [Baron Frankenstein] She
left you all the jewelry,

didn't she?

- Father left you all the property.

- [Baron Frankenstein]
It was always like that

in our family.

- Father didn't like me very much, either.

- Now, you have your pick on Father.

Didn't he take you to Paris?

- Oh, you have to bring that up.

Do you know what I did?

I stayed the entire trip

in my hotel suite while he
was outwith some tramp.

- I don't understand

why you have to discuss this
all in front of our children!

- The children.

What am I going to do with them now

that they're out of school?

- Why don't you take
them to picnic tomorrow?

- Picnic?

(soft woodwind music)

- They got you diggin' another
one of these damn holes.

Wonder what they put in 'em.

- I don't know.

I just dig them.

- You know, I've been
wantin' to talk to you.

- About what?

- Well, are you really serious?

About Wantin' to be a monk?

- Yeah.

lam.

I wanna live a cloistered life.

- You mean, walk around in those robes?

- Yeah.

- And pray all the time?

- I Will do it.

- I've never heard you pray.

I've never even seen you pray.

Now, all of a sudden, that's
what you wanna do for the rest

of your life.

- Monks work in the field

just like we do.

It's not a big difference.

- Yes, but --

do you know what they eat?

- Bread.

With water.

- And that doesn't bother you?

- Not too much.

It's okay.

- I don't understand this.

We've been friends all our lives.

If you really wanna be a monk now,

that's up to you,

but you know what you're giving up?

- It's okay.

- [Nicholas] You never come with me

when I go to see the girls in town.

- Because I want to join the order.

Why don't you come with me, just once?

Don't Worry.

If you don't know what
to do, just watch me.

You'll get the idea.

_ Okay-

- It's a problem with
the phallictean tube.

I have to replace it to make it stronger.

What other parts did you
take away from that man?

- These, Baron.

- Perfect specimen.

Yes.

Seminal vesicles.

But it's too long.

We have to replace part of it.

Prepare it now.

(light orchestral music)

- Wow.

What a hill to climb.

Look!

The shepherds are taking
care of the lambs.

How sweet.

Come on.

Let's put the cover over here and

we'll have something to eat.

Go on.

That's the idea.

No, no, no, no.

The other way.

Go ahead.

That's it.

Oh!

My apples!

Ohh!

They're rolling all over the place.

Come on.

Help me pick them up.

Look, there's two over there.

What's been going on around here?

Put your clothes back on.

And get out of here, you filthy whore!

It's you again.

I want to speak to you.

Go back to the barns, you!

And take your friends with you.

Come on up.

What's been going on at my property?

I want to know.

- Just watching after the sheep.

- And the girl?

- She was just passing by.

- How long have you been at our employ?

- Short time.

- And who employed you?

- The foreman.

- Hmm.

Yes.

I've seen you before.

You know I'm going to have to
speak to my husband about you.

As a matter of fact, I...

think I want to see you tomorrow morning.

At the castle.

Is that understood?

- [Nicholas] Yes.

(light orchestral music)

- Monica!

Erik!

Let's move everything away from here.

Some people don't know
how to behave themselves.

- We have to find

the right head for this torso.

It has to be of a man who
strongly craves women.

Whose overriding urges

are sensual.

If we succeed

in finding such a single-minded man,

our chances are very good

that the male we create

will fall in love with my female zombie.

They will mate,

and she will bear me the children I want.

They're going to be a true start

of a new race

entirely created by me,

responding only to my bidding.

(light keyboard glockenspiel music)

But so far,

we have not found a suitable mate for her.

I know where to find such a man.

I've been once to a house in town.

Certain kind of house.

- You mean a bordello, Baron?

- Yes.

- You, Baron?
- Yes, why?

You think I've never been to one?

- Oh.

- While I was in medical school,

most of the boys

used to go to such a place.

They always wanted me to go with them,

knowing what kind of good student I was,

never leaving my books.

Not even for one hour.

And still, I was foolish enough

to want to be accepted in their company.

Once, I left my books
and I went with them.

- What happened?

- It was terrible.

All these over-developed women

with their large breasts,

and shapeless.

And this kind of woman is
supposed to give you pleasure,

with their filthy movement

and dirty talk.

How this woman even can compare

with a beautiful creation like mine?

Or even with my sister?

To find a man who likes
to make love to anything,

we have to go to such a place.

(bell ringing)

(light piano music)

(knocking on door)

- Who's there?

It's you.

Come.

- Hi, Biba.

- Sonia!
- Yeah.

- Sonia, this is my friend, Sacha.

He's new here.

Why don't We show him a good time?

- Are you sure it is in
this part of town, Baron?

- Of course.

I remember well from my schooldays.

Just outside.

- Can we go in, Baron?

- TO go in?

To do what?

You filthy thing.

Of course not.
- Excuse me, Baron.

Excuse me.

- It's all right, Otto.

We'll wait outside.

(light piano music)

- Why have you never come here before?

- I work too much.

- You like?

(light piano music)

- It's one of those doors.

We watch

who goes in or out.

(light piano music)

(woman screaming)

- Could they be beating someone?

- They like strange things.

- [Woman] Get it out of here!

(screaming)

No!

No!

No!

(screaming)

No!

- Two girls?

One man?

He must be very powerful.

Look at his head.

(dramatic orchestral music)

That's him.

That's the man We want.

- It's okay.

Come in.

(women crying)
(dramatic orchestral music)

- Let's go and get the equipment,

and we come back

and Wait for him tonight.

- Come, Erik.

Come.

Come.

- It's good to see the
children are already in bed.

We've had quite a day at the picnic.

Olga, you've been very overworked.

And you'll be far more than that,

because now the children are
your entire responsibility,

and I think we can do something about it.

Come say goodnight to mother.

Tomorrow morning, I'm expecting a visitor.

I would like you to prepare
an especially nice breakfast.

For two.

(birds chirping)

(ominous music)

(light piano music)

(eerie ambient music)

- That's him.

There he comes.

But he's not alone.

He is with somebody.

He's helping somebody.

Somebody who looks very drunk.

You get rid of the drunk, Von Otto.

- Yes, Baron, yes.

- And leave the Serbian to me.

(ominous music)

Get down.

(man groaning)

It's just what I wanted.

It's magnificent.

I knew we would find it.

Otto!

Look at it.

Finally, we found the right
head with the perfect nasum

for my male zombie.

(rooster crowing)

(ominous music)

(woman whimpering)

(screaming)

(triumphant horn music)

Preparations for the
operation are almost complete.

I hardly can Wait for the results.

- I feel certain, Baron,

that with your meticulous
efforts we have --

you have made,

everything will be successful.

- Soon, here in Serbia in my laboratory,

perfection will become a reality.

Yes, yes.

That's right.

The true embodiment of [indecipherable]

Will find expression.

My work is a continuation

of the unfinished business

of men on earth.

A further refinement.

But this time, it must cost a life.

- Your hands are miracle workers, Baron.

- This is a threshold, Otto,

of a creation that will
replace the worn out trash

that now populates and
repopulates the planet.

Their loyalty will be to me only.

I will be the object of their allegiance.

Listen to the heart.

(grand orchestral music)

(light orchestral music)

(knocking on door)

- [Katrin] Come in.

- You wanted to see me, ma'am?

- Yes.

I'm not in the habit
of conducting business

in bed, young man.

However, this morning when I

came out of bed, I didn't feel too well,

so I went back to it.

We've been discussing
you, my husband and I.

And We think that your behavior

on our property is disgusting.

You are acting like an animal,

and we are seriously
considering dismissing you.

- I just came to say goodbye.

Collect my Pa)'-

I have to be leaving, anyway.

- Leaving?

Well, it's sort of sudden.

You seemed to be enjoying yourself

yesterday afternoon, to say the least.

What is it?

Is it that girl I saw you with?

Is that your sweetheart?

- No, she's just a nice girl.

- Well then, what is it?

Because had I known
you would be the person

to do me this kind of trouble,

I would not be here Wasting my time

and trying to

offer you a chance to better yourself.

To give you a position in this household.

- I'm sorry.

It's my friend.

- Oh, your friends.

You've been telling your
friends you were coming up here,

so that they've been running

their tasteless little stories about me.

I never thought that these
idiots could interfere

with my business.

- No, you don't understand.

It happened last night.

- I'm listening.

- Well, me and my
friend...l had been drinking

and we had been walking home.

And somebody hit me on
the back of the neck,

and dragged my friend into the
bushes and cut off his head.

- It's a nightmare.

- No, it's not a nightmare,
because I woke up this morning

and there was my friend.

He had his head cut off.

I had to bury him by the side of the road.

- Why didn't they harm you?

- I don't know.

- That's a very unusual story.

Have you told anyone
you were coming up here?

- No.
- Well then,

you're perfectly safe here.

There's no one to spy on you.

No one knows what goes on in this house.

Besides, with murderers lurking around,

I'm going to need some kind of protection.

I'm sure that if you'd been
sober last night, you would've

helped your friend.

You look strong.

(light orchestral music)

You are strong.
- Yes, ma'am.

- And very good looking.

- Yes, ma'am.

- My husband does not love me.

It's a marriage in name only.

For the children,

for the property.

- Yes, ma'am.

- From time to time, I...

I need someone up here.

Very lonely.

So happy they did not harm you.

- You want me to stop work now?

- Yes.

(light piano music)

- Beautiful.

We were very fortunate to
find such a perfect torso

in one piece.

Incision

is superb.

No sign of contusion.

Ready?

I go in to her digestive parts.

(plaintive orchestral music)

Separate.

Spleens.

(Frankenstein breathing heavily)

Kidneys.

Gallbladder.

Liver.

(Frankenstein panting heavily)

(panting continues)

(Frankenstein groaning)

(light piano music)

Remarkable.

- After what you went through last night.

(ominous music)

- What would be my other
duties while in the house?

- Well, Olga is to have
full care of the children.

So, as of tonight, you
can start serving dinner.

- All right.

_ By the way,

we have in the castle

the most modern available
plumbing facilities.

And I want you to take full use of them.

Every single day.

Do you understand?

- Yes, ma'am.

(light piano music)

- Otto!

Level the table.

Soon, I will give you life.

You like that?

Why are you looking at me?

You filthy thing.

Turn around.

(light piano music)

My male zombie

is almost created.

I only need the blood.

Maybe tonight.

Soon, you will give me the right children.

The children I want.

(Frankenstein breathing heavily)

Otto!

Otto!

Help me down.

To know death, Otto,

you have to fuck life

in the gallbladder.

- I Wonder if your father is home.

Why don't you go and look?

Do you want to go to the castle?

I'm glad I finally found you.

I've been looking for you everywhere.

- But you know that I am always here.

- Well, you're not always here.

You could be at the lab,
you could be outside.

You could be many places.

Anyway, I found you.

It's what I wanted.

I have to speak with you.

- About what?

- There will be a new person
working around the castle

and I don't want you to be alarmed.

- What do you mean?

- Well, you are very busy, the
children are out of school.

Olga is overworked.

So I took it upon myself
to hire a new servant.

- But how did you find
so quickly another girl?

- It is not a girl.

It is a manservant.

- [Frankenstein] A man?

Why not a girl?

- You know girls around here.

They're such trash.

And all they want to do is

steal my jewelry and put on my clothes.

So, I adjusted for a man.

- Katrin, I thought we had an agreement

that no man is working in the
castle, disturbing my work.

- He won't be disturbing you.

I've seen him work

and I'll keep him very busy.

- I hope so.
- You can be sure of it.

(light piano music)

- Where is your husband?

- He's busy working.

He works very hard.

He's a very intelligent man.

You can meet him tonight at dinner.

- Doesn't he mind you being with men?

I mean, he could get
me in a lot of trouble,

have me arrested.

- Why should he?

He has his work and I have my privacy.

We have two children.

You saw the children
the first time We met.

Did you find them beautiful?

- Yeah.
- It's the only reason

my husband and I are together.

To bring them up right.

(light piano music)

- No one has come as close as I.

Understanding the secret of life,

intelligently created.

My mistakes have been few,

but I learned from every one.

Let us make certain that the electrodes

are placed precise, as always,

at the critical energy point.

Apply the electricity.

- Yes, Baron.

(machine whirring)

- Now, start by hand.

I'll handle the brain area.

(electricity crackling)

They move, Otto!

Stop the electricity.

- Yes.

- And let him down.

Otto, what we're seeing in front of us

is really incredible.

- It is, Baron!

- Let's see if they can move.

Arm.

(moody orchestral music)

Arm.

Head!

Head!

Look how natural they are.

Look,

their reflex functions beautifully.

How super.

Even my own expectations
completely rewarded.

- I feel so happy for you, Baron.

- I'm fulfilled.

But not yet.

We have to Wait for the final triumph.

The breeding and then the children.

If there will be only some way to reduce

the gestation period.

How can I Wait for nine
months from tonight

'til she bears me the first child?

I must.

There is even some things

science cannot modify.

- The honor you do me to
share this incredible triumph

is more than I deserve, Baron.

- I take them to table.

(light orchestral music)

- Do you approve of my new servant, Baron?

- You are not the only
one with introductions

to make this evening, my dear.

Otto!
- Yes, Baron.

- Show my new guests to the table.

- Yes, Baron.

(light orchestral music)

- [Katrin] A very handsome pair, Baron.

- They're assisting me
in my laboratory work.

They have some interesting
medical problems.

- Quite obvious.

Had I known you were so
generous in hiring couples,

I would not have been so
modest at my own acquisition.

Thank you, Nicholas.

Are you from the town?

I see.

Could they have been in some
kind of accident, Baron?

- Not really.

No.

I don't want them to eat.

They are not ready yet to eat solid food.

Farm hen.

There is something very intriguing

about your new man, my dear.

Especially to my guests.

- What was going on down there?

Do you know these two new people?

- I didn't know that girl.

The man was my friend.

The one that was killed last night.

- Well, there, you see.

It was a nightmare.

Should've gone and spoke to him.

After all, we're not that
strict with our help.

- It wasn't...

exactly him.

- Well, now you talk nonsense.

How could it be not
exactly him if it is him?

- My friend wasn't tall.

He was about my size.

It was my friend's head,
but it wasn't his body.

You saw how tall that person was.

- Well, he was extremely tall...

What kind of work did you
say your husband does?

- He's a scholar.

Spends hours in his laboratory.

But I really don't know
what he really does,

we lead very separate lives.

- You must know what he does.

You see him every night at dinner.

Talk to 'em.

- A word or a phrase, now and then.

Something to do with electrical energy.

- But where does he work?

- In his laboratory on the
other side of the castle.

No one has access to it.

He had it built several years
ago with privacy in mind.

Only he and his assistant,

you know, that strange, little creature

that's always around him,

are able to go into it.

- I should see this laboratory.

It's the only Way I'll find
out what happened to my friend.

- Mm-mmm.

You can't go.

No way.

Forget about your friend.

- You saw him at the dinner table tonight.

I can't forget about him.

- You'll have to.

Besides, you can't go wandering

around the castle by yourself.

We have better things to do.

(muffled moaning)

(heavy breathing)

(heart beating)

(metal creaking)

(dramatic orchestral music)

(Monica screaming)

(bats squeaking)
(Monica gasping)

(suspenseful orchestral music)

- Why, Otto, do they seem so interested

in my wife's new servant?

He must have some quality
that attracts them.

- He looks familiar to me, Baron.

- Why shouldn't he?

They all look the same.

Except my Serbian.

He is a true aristocrat of his kind.

- He is unusual, Baron.

- I always look for the noble ideals

and artifacts of ancient civilizations.

My sister and I are very much alike,

but she somehow likes to keep
her nose always in the gutter.

- Ja, ja.

(soft orchestral music)

(suspenseful orchestral music)

(slurping sounds)

(lips smacking)

- You see how he was strapped up?

And they're gonna blame me for it, too.

(slurping sounds)

You really have to help
me get into the lab.

(ominous music)

(gasping)

(utensils clattering)

(gasping)

(dramatic orchestral music)

- What are you doing in
this part of the castle?

Didn't my wife tell you
never to work around here?

- No, she didn't.

- I don't want anybody in this section.

If you have the habit of
doing things on your own,

you won't have your job much longer.

- I wasn't planning on keeping it, anyway.

- Why?

Are you going back to the farm?

- Maybe.

- Perhaps that's where you belong.

- Yeah.

(dramatic orchestral music)

(gasping)
(groaning)

- Otto!

Otto!

Where are you?
- Yes, Baron.

- Come here.

What happened?

- I don't know, Baron.

- Did you drop it?

- No, Baron, no.

- It didn't fall by itself.

- I heard no one, Baron.

But I clean it for you immediately.

- I can't go that way.

He saw me and made me go back.

Is there another Way
we can go to get there?

Let's hurry.

- The medical profession
would love to claim

my achievement as part of their own,

and call it a giant stride forward

of medicine.

But they can't.

It is a giant stride forward for me!

Now, her beauty will be appreciated.

Let her down.

Let him rise, too.

The brain is controlling this
massive and powerful body.

Never since Adam and Eve

history has occurred such a moment.

Watch his eyes

when he sees her womanly perfection.

I'm sure he's never seen
anyone as beautiful as this.

Come.

Bring them close.

Kiss him.

Kiss him.

(moody orchestral music)

Kiss him!

Kiss him!

Kiss him.

What are you waiting for?

She's yours!

Touch her!

Kiss him!

Kiss him!

Can it be?

Could it be possible that we have failed?

Somebody must have tampered with them.

Somebody must have been in the laboratory.

Kiss him!

Otto,

it can't be true.

Somebody disturbed our work.

What are you waiting for?

Kiss him!

Doesn't work.

Put them back!

(dramatic orchestral music)

Get them dressed

and ready to leave.

(door thudding)

- Wake up.

Come on.

Wake up!

- What is it?

What are you doing here?

- I just had a look at
your husband's work.

- What work?

- The laboratory.

His butcher shop.

- How did you get there?

- Your children.

They showed me.

They knew the way.

- How dare you?

How dare you wake me up
in the middle of the day

when you know I have insomnia!

How dare you spy on the Baron's work!

Since when is the lower class

allowed such presumption?

- Your husband has my friend and the girl

in that laboratory of his
and does experiments on them.

The girl is unconscious and my friend

is so weak he can hardly move.

- The Baron was once a student in medicine

and perhaps those
friends of yours are sick

and in need of help.

Sometimes, when the Baron finds people

that interest him enough

and that are sick enough, he treats them.

Like his servant.

That servant owes his life to him.

_ Okay-

I just came up here to tell you

in case you didn't know
and wanted to escape.

- escape?

Escape from what?

This is my life.

This is my house.

I'm not imprisoned.

Do not interfere with the Baron's work.

Please do not interfere.

Things that seems strange to you

are very well planned by the Baron.

He knows what he's doing.

- So do I,

and I'm not gonna let it continue.

- How dare you speak to me this way.

You're not gonna let what continue?

How dare you contradict me!

Who are you?

You nothing!

You lowlife!

You scum!

- You bitch!

(Katrin sobbing)

- You filth!

You farmer!

How dare you walk out on me?

- Something went wrong.
- But what?

- Maybe the mixture of
the blood wasn't right.

You were the only one who knew about it.

But maybe someone got into the laboratory.

- But Who, Baron?

- The children?

But they wouldn't do it.

My sister?

My sister.

She always was very jealous of me.

Always!

But We failed. That
beautiful Serbian female...

everybody would have jumped.

Everyone!

But maybe that head of that
creature wasn't any good!

His perfect nose.

His perfect nose!

He had the perfect brain.

He was the king I wanted.

And we failed!

We have to try it again.

Otto, We have to try it again.

I'm going to prove that We can do it.

We waited for so long.

(dramatic orchestral music)

You must help me, Erik.

Somebody's spying on me.

Somebody gets into the laboratory,

talking to my experiments.

I don't like that.

You know anybody who could
go to the laboratory?

Take anything away from there?

- No.

- But tell me about the
new servant of mother.

Could he go in there and take things away?

- No.

- But Erik, someone must get
in there and take things away.

Things are missing.

You must help me.

Please, Erik.

Promise that you'll help me.

It's so important to me.

(suspenseful orchestral music)

- I know it's you.

But I don't know how he
could have done this.

It's all my fault.

If I hadn't taken you to
that house and gotten drunk,

I could have helped you.

He's crazy.

- My experiments are disturbed!

And you were the only one
who knew something about it.

And I thought you were
only interested in sex!

Don't think I don't know what's going on

between you and that servant.

I watched you!

- Up to father's old tricks?

- Shut up!

You're a sex maniac.

Have you been into the laboratory?

- Why should I tell you anything?

- Because I did everything for you.

I gave you everything
you ever asked me for.

I never interfered in your dirty sex life.

Or your friend, did I?

- If I should tell you something,
what will you do for me?

Now.

- What do you want?

- There is something very
interesting in your worklab.

- What?

- Your new guest.

Does he respond only to you?

- Yes.

- Would he to me?

- Only if I tell him.

- Then you tell him that
I want to see him up here.

Alone.

- Tell me what you know.

- My servant is a friend of his.

And right now,

he's probably in your laboratory.

(dramatic orchestral music)

- I know where the rest of your body is.

I buried it myself.

We'll come back here with a gun

and make them put you together.

- No.

I don't care.

It doesn't matter.

- Maybe it'll be all right.

It's still your brain.

Not really.

- I never could figure you out.

Breathing is better that not breathing.

- No.

I want to be dead.

I'm not sure about her,

but I think it's the same.

_ No!

Now let's go.

Come.

If she can leave,

you can come, too.

Come on.

(dramatic orchestral music)

- Where are you going?

- We're leaving and
you're not stopping us.

- You're not going to leave.

They're staying here.

And you, too.

Take him.

- He's not taking anybody.

He's coming with me.

- Do as I say!

(suspenseful orchestral music)

Make him unconscious.

Do something, Otto!

(suspenseful orchestral music)

Catch him!

Get up, you fool.

Go after him!

- You are not leaving here alive.

- You're crazy.

You're not gonna get away with this.

(grunting)

(groaning)

- Make him unconscious,

but don't kill him

or damage his head in any way.

I need his brain for my zombie.

I'm sure it has the
right instincts We want.

- Hmm.

I'm glad We got rid of that lowlife.

Certainly made a mistake about this one.

- You were happy with him at first.

- Learned my lesson.

Ready for a new experience.

- So soon, Katrin?

- Yes.

Is your new man available?

- Actually, he's prepared.

Come here!

- Have you instructed him to do as I say?

I'm ready to tell him what I Want.

- I hope you'll be very temperate.

- What do you mean?

- His wounds are not healed yet.

Here!

I'll show you.

Touch here.

And here.

But not here.

It's very recent.

- I'll bring him back Within two hours.

I wouldn't say untouched.

But intact.

- I hope you have some success.

You go with my sister

and you do what she demands.

- Is that all right with you?

- What you want.

- But Baron.

Our experiments are too precious

to leave the laboratory
without your supervision.

- Shut up!

Otto, my sister did help me,

and I'm very grateful to her.

You couldn't provide me with
the information I needed.

You didn't know who'd
been into the laboratory.

Yet she could.

So, what are you Whining about?

My work has been sabotaged
from the outside,

and too many things happened
today at my laboratory

that I interfere in my
own sisters amusements!

- But Baron, she will
abuse him or spoil him.

Do him harm.

- That's enough, Otto!

- You are very well aware
of my personal habits.

What is it to him?

Thank you, brother.

- Why are you standing there?

Get me some chemicals.

As long as the parts are fresh,

We have to dismember him immediately

so he can cause no problems.

What are you waiting for?

Okay, I'll do it myself, you fool.

- Come on!

I'm waiting.

- Tie him up and watch him.

Put her away.

What a day.

- Always he tells me what to do.

(light piano music)

- Will you do everything I ask?

- What do you want?

- Everything I ask is what I want.

Come to bed.

Take your shoes off
and get that thing off.

Are you going to stay just like that?

Move closer.

Touch me.

(ominous orchestral music)

Not like that.

Gentle.

There.

More.

Lower.

Lower.

Bring your hand up.

Touch me.

Hold me close to you.

Hold me.

Tighter.

Squeeze me tight.

Tighter.

Hold me close.

Ooh.

Not --

why did you -- not so close!

I've told -- stop it!

What are you doing?!

I cannot breathe!

Stop it!

Stop it!

Stop.

(bones cracking)

- The Baron rewarded his
sister for one day's loyalty

with two hours of company
with a mere creature.

For a whole life of loyalty,

I take my own reward.

I have my own rights.

I had more right to the girl

than the Baroness has to the boy!

Each day the Baron
works in his laboratory,

I work, too.

I never had pleasure.

He never finished medical school, but I,

I have everything learned in the field.

Not out of books.

And now I know exactly

how to do it.

You wanna watch me?

I show you.

You are so pretty.

You are so wonderful.

You are such a wonderful female creation.

(panting and moaning)

Now, I'll get into you.

(flesh ripping)

I have to get in.

(Woman groaning)

She...she...she's ruined.

(metal creaking)

- It's not true.

No.

It can't be true.

What are you doing to me?

You destroyed my female.

You put your dirty hands on her.

- But you went into her, Baron.

- Bastard!

I studied how to do it.

I know how to do it!

You don't,

with your filthy hand.

Everything, I cannot put it back.

All the effort and time
I put in to create her!

(Otto gagging)

All her inside is out.

What do I have to do to find a new female?

When I took her as a student,

you knew nothing of medicine.

I taught you everything!

But that happens if you take people

who don't know anything about medicine.

They are too stupid!

(soft orchestral music)

It's all your fault.

You had pleasure with my wife.

Didn't you?

I watched you.

You enjoyed yourselves.

For a peasant boy!

Oh, no.

Oh.

Oh, no.

Katrin.

My...my wife.

The mother of my children.

You killed her!

On account of him!

(Frankenstein sobbing)

My sister, my beautiful sister.

You killed her.

Kill him.

Kill him.

Kill him!

(ominous orchestral music)

Kill him!

Listen to my command.

I want you to kill him.

You understand?

He is not your friend.

I'm your friend.

I created you.

Kill him!

(ominous orchestral music)

Stop.

Stop!

Listen to my response.

Come onto the table.

Stop!

Go back!

Stop!

Go back!

Go back!

Stop!

(screaming)

(breathing heavily)

It's all your fault!

(dramatic orchestral music)

I'll make you pay for this,

you troublemaking bastard.

(intense orchestral music)

You have put an end to my experiments,

but my work will live on.

I'm not going to die

in vain.

My work has not been finished,

but I know I was

working in the right direction.

I had no one.

Just a laboratory and a dream.

The female is dead.

But he lives.

He will show the world my genius.

When they roll out the tape,

there can be riches.

Perfection.

(groaning)

I wanted...to...

(light keyboard glockenspiel music)

I...don't...regret...

anything.

I tried...

my best.

(groaning)

(somber orchestral music)

- He won't be giving you
any more orders, now.

He got what he deserved.

Let me down so we can get out of here.

- If I let you down,

what will you do?

- I'll take you out of here.

I'll take you to a real doctor.

- Then I cannot let you down.

I must die here.

- Why?

It's okay, now.

He's dead.

- I'm more like them than you.

I belong here.

That is terrible,

but there is not life for me.

- What are talking about?

I'm your best friend.

- You know me before,

but not now.

I must be dead.

(dramatic orchestral music)

(flesh ripping)
(groaning)

(heavy breathing)
(heart beating)

(crank creaking)

(dramatic orchestral music)