Original subtitles

Thanks very much for your time.

And remember, be careful who you open your door to.

Be safe.

(door banging)

(sighing)

("Elizabeth Browning" by Motor Tom)

* Won't come back around *

* My misery knows no bounds * (knocking)

[Barbara] Yeah?

[Young Cop] Metro police,

I'd like to ask you a few questions.

* Elizabeth Browning *

* Leave me alone again *

* Leave me alone *

Questions, about what?

Well I don't want to alarm you,

but it's about a homicide in the building.

A murder?

Really?

Who was it?

I can't reveal that information at this time.

Did you see anyone suspicious

in the building in the last day or so?

Come in.

You live alone ma'am?

Most of the time.

So, tell me,

how was the victim killed?

I can't discuss those details.

You must be thirsty.

No, I'm fine, thank you.

We're really not supposed to.

Surely you can tell me about the murder weapon.

It'll be our little secret. (clinking)

(sirens wailing)

Well, the murder weapon,

(dramatic chord) it's a knife.

And what did the killer do with this knife?

I want details.

It was a cut to the throat.

(dramatic chord)

Here.

Severing the carotid artery.

Kind of a run of the mill murder,

don't you think?

No.

Not your typical murderer.

It gets much more disturbing than that.

Really?

Come on now, don't be a tease.

Well, the killer is creative.

In this case using the victim's blood

for a kind of wall art. (dramatic chord)

Interesting.

Do you think the killer is somebody

who lives in the building?

(chopping)

It's possible.

Were you home all day yesterday?

There's some other detail

you've left out isn't there?

The murderer decided to scalp the victim.

Scalped?

Interesting?

Disgusting.

When did this happen?

(dramatic chord)

It hasn't happened

(dramatic chord) yet!

(screaming) (slashing)

(rock music)

(squelching)

(dramatic chords)

[Chris] Well, what the hell man?

You should've given me a call,

I would've given you a hand.

Yeah, well, it was a nightmare,

moving in this heat.

It's a good space though,

it's gonna need a lot of work.

It's right on Duncan by Queen.

Yeah, I know where you are,

you're right by the power substation

The power-- (static buzzing)

The power substation?

Yeah, no, there's nothing like that here.

[Chris] You know that shitty old building

on the corner, that's the one.

Oh yeah, I see it.

Okay, yeah it's right across the street

from my place. The crime rates,

they're higher near the substations.

You know, with that electromagnification shit,

it's in the air

and it's messing with people's wiring.

It's electromagnetic,

and I think you're full of shit.

Hey, it's true man.

I read it on a website okay? (beeping)

Hold on, I'm getting another call.

It's that smokin' hot painter

I was telling you about.

Hey Chris, didn't you say

that it's your wedding anniversary this weekend?

Hey, listen man, it's just,

you know, it's business,

I'm buying a piece off her.

Look, I'm gonna catch you later okay?

All right. (beeping)

(ominous music)

(clicking)

Or, why does Dr. Dre,

or no, why does Snoop Dog carry an umbrella?

For drizzle.

Thanks Chris, tonight was nice,

although I think you spent more on martinis

than you did on my painting.

I was just trying to sweeten the deal is all.

You got time for one more?

You can show me more of your artwork.

Subtle.

Why play around, right?

Because playing is half the fun.

(smacking)

See ya around, hotshot.

Can I text, I'll text you, okay?

Damn. (sirens blaring)

(phone chiming)

(barking)

Oh!

Play is half the fun, huh?

Okay, let's see what you got.

(honking) (sirens blaring)

I'm too uptight?

I'm not too uptight!

I just, I'm stressed out sometimes.

It's someone else, isn't it?

All right, does she have big tits?

Look, I've seen the porn you download,

they're blondes with big tits

and shockingly, they look nothing like me.

(muffled murmuring)

Yeah, well maybe you should erase

the history in your browser!

(thudding) Asshole!

(clanking)

("Elizabeth Browning" by Motor Tom)

* Leave me here with the monsters *

* In the silence of the dark *

* A sharp clasping knife *

* A life to a life and the lark *

* Won't come back around *

* My misery knows no bounds *

* So I bid thee *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

(whirring) * Leave me alone again *

* Elizabeth Browning *

* Drop your tears in the waters where I'm drowning *

(beeping) (whirring)

(beeping) (clicking)

(high pitched buzzing)

(heavy breathing) (high pitched buzzing)

(dog barking)

(traffic sounds)

Oh shit. (sirens blaring)

(laughing) Nice, very nice.

(water running)

(jazz music)

Uptight.

(dramatic chord) Oh God.

(heavy breathing)

(dramatic chord) Oh God.

Peeping Tom? (laughing)

Peep this, perv. (laughing)

(sighing)

Oh, oh thank God. (sighing)

(high pitched buzzing)

(growling) Ow!

God!

Damn it!

(high pitched buzzing)

(dialing) (beeping)

Hey, hey Chris, it's Dan,

I might just be going crazy here, but.

Could you tell me what you read

about that substation stuff?

I keep hearing this noise,

it's like this electric buzz

and it's really. (laughing)

Yeah man, I'm just kidding with ya,

I was just calling to make sure

that you're not getting yourself

in trouble again. (laughing)

All right, later. (beeping)

(laughing)

(high pitched buzzing) (grunting)

Where are you?

Huh, where are you? (high pitched buzzing)

(crackling)

There you are.

(thumping) There you are.

(high pitched buzzing)

I got you.

Ah! (thudding)

(sirens blaring)

(splattering)

Screw it.

(laughing)

("Elizabeth Browning" by Motor Tom)

* Leave me here with the shadows *

(keyboard clicking)

* And your ear pressed against my door *

* Thine Eros is nigh *

* There's no need to pry anymore *

* Leave me to my bonds *

* The love thief ever absconding *

* C'est notre vie *

* Leave me here with the monsters *

* In the silence of the dark *

* A sharp clasping knife *

* A life to a life and the lark *

* Won't come back around *

* My misery knows no bounds *

* So I bid thee *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Elizabeth Browning *

* Drop your tears in the waters where I'm drowning *

* Elizabeth Browning *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Leave me alone again *

* Elizabeth Browning *

* Drop your tears in the waters where I'm drowning *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Elizabeth Browning *

* Leave me alone again *

* Leave me alone again *

* Leave me alone again *

* Drop your tears in the waters where I'm drowning *

Okay, show's over.

(traffic sounds)

(storming)

(eerie music)

Jeanette.

(clinking)

(screaming) (splattering)

No, no, Jeanette, Jeanette!

Jeanette!

Jeanette, I'm so sorry. (sobbing)

(high pitched buzzing)

(ringing) (screaming)

(hammering)

(gasping and sighing)

(high pitched buzzing)

(screaming)

Stop it!

Stop!

(eerie music)

I got ya. (laughing)

I got ya.

(crashing) (storming)

(suspenseful music)

Pathetic.

I'll give you something worth watching.

(eerie music)

(radio chatter)

(camera clicking)

(radio chatter) (dramatic music)

(camera clicking)

(sighing)

What a wacko suicide job.

What the hell was he lookin' for in here?

Whoa, you hear that?

(buzzing)

(splattering)

("Elizabeth Browning" by Motor Tom)

* And your ear pressed against my door *

* Thine Eros is nigh there's no need to pry anymore *

(sweeping) * Leave me to my bonds *

* The love thief ever absconding *

* C'est notre vie *

* Leave me here with the monsters *

* In the silence of the dark *

* A sharp clasping knife *

* A life to a life and the lark *

* Won't come back around *