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1
00:00:05,806 --> 00:00:08,008
OH, GOD!
THERE HE IS!
2
00:00:08,776 --> 00:00:10,144
ALL RIGHT!
3
00:00:10,178 --> 00:00:11,379
WHICH ONE'S HOLDING?
4
00:00:11,412 --> 00:00:12,580
IT LOOKED TO ME
LIKE ANT MADE THE SALE
5
00:00:12,613 --> 00:00:13,681
AND BIKER
TOOK POSSESSION.
6
00:00:13,714 --> 00:00:15,216
IF ANT ISN'T HOLDING,
7
00:00:15,249 --> 00:00:16,550
THEN WHY THE HELL
IS HE RUNNING SO FAST?
8
00:00:19,220 --> 00:00:20,288
JAIMIE!
9
00:00:37,538 --> 00:00:38,706
I'LL TAKE ANT!
10
00:00:38,739 --> 00:00:41,442
YOU GO TO THE BIKER!
HE TOOK POSSESSION!
11
00:00:53,654 --> 00:00:55,189
RUN DOWN THERE!
12
00:00:55,223 --> 00:00:56,824
Jaimie: CITIZEN!
13
00:00:58,159 --> 00:01:00,394
NOWHERE ELSE
TO RUN, ANT.
14
00:01:00,428 --> 00:01:01,762
PUT YOUR HANDS
WHERE I CAN SEE 'EM.
15
00:01:01,795 --> 00:01:04,465
PUT YOUR HANDS
WHERE I CAN SEE 'EM!
16
00:01:04,498 --> 00:01:07,435
JUST RELAX, BIG GUY.
WE'LL BE STRAIGHT.
17
00:01:07,468 --> 00:01:09,303
I AIN'T DONE NOTHIN'.
18
00:01:09,337 --> 00:01:10,704
I'M NOT SAYING YOU DID.
19
00:01:10,738 --> 00:01:12,640
BUT SINCE YOU RAN,
WE NEED TO TALK.
20
00:01:12,673 --> 00:01:14,475
PUT THE DOPE
ON THE GROUND.
21
00:01:14,508 --> 00:01:16,710
PUT YOUR HANDS
BEHIND YOUR HEAD.
22
00:01:16,744 --> 00:01:18,746
THAT AIN'T MINE.
I FOUND IT.
23
00:01:18,779 --> 00:01:20,314
WE'LL FIGURE THAT OUT
LATER!
24
00:01:20,348 --> 00:01:21,482
I'M TELLING YOU THE TRUTH.
THAT AIN'T MINE!
25
00:01:21,515 --> 00:01:22,883
LISTEN, ANT!
26
00:01:22,916 --> 00:01:24,685
WHAT YOU NEED TO WORRY ABOUT
IS THIS GUN AND ME!
27
00:01:24,718 --> 00:01:27,521
NOW TURN AROUND AND PUT
YOUR DAMN HANDS ON THE RAIL!
28
00:01:30,291 --> 00:01:32,360
WHO'S WITH JAIMIE?
29
00:01:33,794 --> 00:01:35,496
Carter: COME ON.
30
00:01:43,371 --> 00:01:44,738
I AIN'T GOING BACK!
31
00:01:47,208 --> 00:01:48,342
NOW, BITCH!
32
00:02:03,891 --> 00:02:06,194
HE'S DONE.
CHECK HIM.
33
00:02:08,496 --> 00:02:09,897
Dean: CODE FOUR.
34
00:02:10,964 --> 00:02:12,833
HE'S NOT
GETTING UP.
35
00:02:48,302 --> 00:02:51,939
"TO A LONG AND PROSPEROUS
RELATIONSHIP...
36
00:02:51,972 --> 00:02:53,173
ALEX."
37
00:03:11,625 --> 00:03:13,327
OH, IT WAS YOU.
38
00:03:15,529 --> 00:03:17,265
WE THE FIRST ONES IN?
39
00:03:17,298 --> 00:03:18,266
YEAH.
40
00:03:18,299 --> 00:03:19,933
WHAT'S UP WITH YOU?
41
00:03:21,935 --> 00:03:24,838
UH, IT'S JUST, UM...
42
00:03:27,775 --> 00:03:29,377
I'VE BEEN SEEING THIS WOMAN
FROM THE VALLEY.
43
00:03:29,410 --> 00:03:32,980
AND UP TILL NOW, IT'S BEEN
PRETTY COOL AND CASUAL.
44
00:03:33,013 --> 00:03:35,616
OH, SHE'S, UH...
GOIN' "NEXT LEVEL" ON YOU, HUH?
45
00:03:35,649 --> 00:03:37,685
SHE BOUGHT ME A GIFT.
46
00:03:39,019 --> 00:03:40,888
UH-OH.
47
00:03:40,921 --> 00:03:44,258
I MEAN, AM I SUPPOSED TO
GET HER SOMETHING BACK, OR...
48
00:03:44,292 --> 00:03:46,527
I DON'T KNOW. YEAH.
YOU LIKE HER?
49
00:03:46,560 --> 00:03:48,429
YEAH. YOU GOT TO
GET HER SOMETHING.
50
00:03:50,398 --> 00:03:51,565
Alex: MORNING.
51
00:03:51,599 --> 00:03:52,833
MORNING.
52
00:03:52,866 --> 00:03:54,535
READY, GUYS?
53
00:03:54,568 --> 00:03:56,537
LET'S DO IT.
54
00:03:58,572 --> 00:04:02,343
FIRST UP, LET'S SAY
ADIOS TO LIL ANT.
55
00:04:03,611 --> 00:04:05,813
NOW, THE ONLY REASON
WE WERE AFTER ANT
56
00:04:05,846 --> 00:04:07,881
WAS IN ORDER TO GET
TO THIS GUY,
57
00:04:07,915 --> 00:04:10,484
A MID-LEVEL METH DEALER
NAMED JUNE BUG.
58
00:04:10,518 --> 00:04:11,952
Alex: THE GOAL
WAS TO BUST ANT,
59
00:04:11,985 --> 00:04:13,654
MAKE HIM ROLL OVER
AND GIVE UP JUNE BUG.
60
00:04:13,687 --> 00:04:15,323
WAIT A MINUTE.
WHAT AM I MISSING HERE?
61
00:04:15,356 --> 00:04:16,557
JUNE BUG'S
SOME HAM-AND-EGGER.
62
00:04:16,590 --> 00:04:17,858
WHY ARE WE
GOIN' AFTER HIM?
63
00:04:17,891 --> 00:04:19,660
BECAUSE HE'S THE ONLY ONE
WHO CAN HELP US
64
00:04:19,693 --> 00:04:21,429
TAKE DOWN OUR REAL TARGET --
A DUDE NAMED CAHILL.
65
00:04:21,462 --> 00:04:22,663
CAHILL AND HIS GUYS
66
00:04:22,696 --> 00:04:23,764
HAVE BEEN DRESSING UP
AS D.E.A. AGENTS
67
00:04:23,797 --> 00:04:25,366
AND KNOCKING OFF
DRUG DEALERS.
68
00:04:25,399 --> 00:04:27,067
SO FAR, THERE'S BEEN
THREE HOMICIDES --
69
00:04:27,100 --> 00:04:28,969
TWO DEALERS,
PLUS AN INNOCENT WITNESS.
70
00:04:29,002 --> 00:04:30,371
SO, CAHILL
USES JUNE BUG
71
00:04:30,404 --> 00:04:31,839
TO, WHAT,
RE
72
00:04:31,872 --> 00:04:33,541
THAT'S WHAT
OUR INFORMANT TELLS US.
73
00:04:33,574 --> 00:04:35,676
CAN OUR C.I. GET US IN
WITH JUNE BUG?
WE CAN ASK.
74
00:04:35,709 --> 00:04:38,479
WOULDN'T IT BE EASIER
TO JUST APPROACH THIS
CAHILL GUY DIRECTLY?
75
00:04:38,512 --> 00:04:40,013
DEAN AND I CAN POSE AS USERS
LOOKING TO MAKE A BUCK.
76
00:04:40,047 --> 00:04:41,782
CAHILL'S A PRO.
77
00:04:41,815 --> 00:04:43,517
I MEAN, HE'D BURN YOU AND DEAN
AS COPS IN A HEARTBEAT.
78
00:04:43,551 --> 00:04:44,818
Alex:
WHAT ABOUT ME OR JAIMIE?
79
00:04:44,852 --> 00:04:46,320
MAYBE A WOMAN
WOULDN'T MAKE HIM AS NERVOUS.
80
00:04:46,354 --> 00:04:47,655
IT MAKES SENSE.
81
00:04:47,688 --> 00:04:50,057
WELL, WE COULD USE THAT
AS A FALLBACK
82
00:04:50,090 --> 00:04:51,625
IF MY C.I. STRIKES OUT.
83
00:04:51,659 --> 00:04:52,826
WHY WAIT?
84
00:04:52,860 --> 00:04:54,362
THE BUREAU'S
TAKING THIS PERSONALLY.
85
00:04:54,395 --> 00:04:55,896
WE DON'T LIKE
WHEN CROOKS DRESS UP AS FEDS.
86
00:04:55,929 --> 00:04:57,998
I SAY
WE GO FOR BOTH ANGLES.
87
00:05:07,040 --> 00:05:08,909
YOU OKAY?
88
00:05:08,942 --> 00:05:10,611
I'M FINE.
89
00:05:10,644 --> 00:05:12,112
YOU SURE?
90
00:05:12,145 --> 00:05:14,682
WHAT ARE YOU SAYING?
91
00:05:14,715 --> 00:05:17,385
I'M NOT CRAZY
ABOUT PUTTING YOU BACK IN PLAY
92
00:05:17,418 --> 00:05:19,453
AFTER YOU
GOT YOUR CLOCK CLEANED.
93
00:05:20,988 --> 00:05:23,457
LIKE I SAID, I'M FINE.
94
00:05:23,491 --> 00:05:24,725
ALL RIGHT.
95
00:05:24,758 --> 00:05:26,460
LET'S TALK
ABOUT THE HEARING, THEN.
96
00:05:26,494 --> 00:05:27,495
RIGHT.
97
00:05:27,528 --> 00:05:29,463
THE SHOOTING BOARD.
98
00:05:29,497 --> 00:05:31,599
WHEN YOU'RE
IN FRONT OF THESE GUYS,
99
00:05:31,632 --> 00:05:33,501
I WANT YOU
TO PLAY THE VICTIM.
100
00:05:33,534 --> 00:05:35,369
TELL THEM
THAT YOU WERE SCARED.
101
00:05:35,403 --> 00:05:36,770
WHY?
102
00:05:36,804 --> 00:05:38,739
BECAUSE THEY'LL BE LOOKING
FOR JUSTIFICATION
103
00:05:38,772 --> 00:05:40,408
OF THE DEADLY FORCE
THAT WAS USED.
104
00:05:40,441 --> 00:05:42,776
YOU START OFF WITH THE FACT
THAT YOU...FELT OVERPOWERED,
105
00:05:42,810 --> 00:05:44,678
THAT YOU FEARED FOR YOUR LIFE,
STATEMENTS LIKE THAT.
106
00:05:44,712 --> 00:05:47,681
IS THAT WHAT YOU THINK,
THAT I WAS A SCARED,
HELPLESS LITTLE GIRL?
107
00:05:47,715 --> 00:05:49,617
THE GUY TURNED THE TABLES
ON ME, CARTER.
108
00:05:49,650 --> 00:05:51,084
IT COULD HAPPEN
TO ANYONE.
109
00:05:51,118 --> 00:05:52,820
WHY SHOULD I PLAY THE VICTIM?
I WASN'T EVEN THE SHOOTER.
110
00:05:52,853 --> 00:05:55,423
YOU DIDN'T PULL THE TRIGGER,
BUT YOU CAUSED THE SHOOTING.
111
00:05:55,456 --> 00:05:58,859
YOU SPLIT PARTNERS AND CHASED
AFTER LIL ANT BY YOURSELF.
112
00:05:58,892 --> 00:06:00,861
AND WHEN YOU FINALLY CAUGHT HIM
AND HAD HIM AT GUNPOINT,
113
00:06:00,894 --> 00:06:02,029
YOU DIDN'T CALL
FOR BACKUP.
114
00:06:02,062 --> 00:06:03,464
I'M NOT ARGUING
ANY OF THAT.
115
00:06:03,497 --> 00:06:04,865
THEN WHAT'S YOUR POINT?
116
00:06:04,898 --> 00:06:07,000
I'M WILLING TO ADMIT
THAT I MISJUDGED THE SITUATION.
117
00:06:07,034 --> 00:06:09,437
HELL, I-I'M WILLING TO ADMIT
THAT I SCREWED UP.
118
00:06:09,470 --> 00:06:11,772
BUT TO SAY THAT I WAS SCARED --
IT'S STRAIGHT-OUT A LIE.
119
00:06:11,805 --> 00:06:13,173
WELL, EVEN
IF THAT WERE TRUE --
120
00:06:13,206 --> 00:06:14,575
"EVEN IF THAT WERE TRUE"?
121
00:06:14,608 --> 00:06:16,410
WHAT THE HELL
IS THAT SUPPOSED TO MEAN?
122
00:06:16,444 --> 00:06:18,879
THERE'S NOTHING WRONG...
WITH BEING SCARED, JAIMIE.
123
00:06:20,714 --> 00:06:22,149
IT HAPPENS.
124
00:06:23,484 --> 00:06:25,786
I WASN'T SCARED, CARTER.
125
00:06:25,819 --> 00:06:28,188
PETEY'S
A PAID INFORMANT --
126
00:06:28,221 --> 00:06:30,858
MOSTLY
NICKEL-AND-DIME STUFF,
127
00:06:30,891 --> 00:06:35,062
BUT HE KNOWS A LOT OF PLAYERS
HERE IN FILIPINO TOWN.
128
00:06:35,095 --> 00:06:37,030
Ty: GOOD GUY?
YEAH.
129
00:06:37,064 --> 00:06:41,835
YEAH, JUST...JUST DON'T GIVE HIM
YOUR DAMN CELLPHONE NUMBER.
130
00:06:41,869 --> 00:06:43,871
THAT'S ALL.
TRUST ME.
131
00:06:43,904 --> 00:06:46,940
HEY! "21 JUMP STREET"
IN THE HOUSE!
132
00:06:46,974 --> 00:06:48,208
I LIKE THAT.
133
00:06:48,241 --> 00:06:51,579
HOW YOU DOIN'?
WHAT IS THIS PLACE, PETE?
134
00:06:51,612 --> 00:06:54,147
I'M HOSTING
KARAOKE CLUB, SON.
135
00:06:54,181 --> 00:06:56,183
I HELP OUT IN THE KITCHEN
136
00:06:56,216 --> 00:06:59,620
HERE AND THERE TOO,
BUT IT'S ALL GOOD.
137
00:06:59,653 --> 00:07:02,890
IT GIVES ME A CHANCE
TO SPEND SOME QUALITY
TIME WITH MY PEOPLES.
138
00:07:02,923 --> 00:07:04,492
YOU FILIPINO?
YEAH, DAWG.
139
00:07:04,525 --> 00:07:06,927
I PROBABLY WAS IN, LIKE,
A PAST LIFE OR SOMETHIN'.
140
00:07:06,960 --> 00:07:08,028
HEY, YOU GUYS HUNGRY?
141
00:07:08,061 --> 00:07:09,763
YEAH, YOU'RE HUNGRY.
COME ON.
142
00:07:09,797 --> 00:07:11,632
[ PETEY SPEAKING
BROKEN TAGALOG ]
143
00:07:11,665 --> 00:07:13,734
DUDE, I CAN'T UNDERSTAND
A WORD OF THAT.
144
00:07:13,767 --> 00:07:15,903
JUST TELL ME
THE NUMBER NEXT TO THE DISH.
145
00:07:15,936 --> 00:07:17,571
[ SPEAKING
BROKEN TAGALOG ]
146
00:07:18,572 --> 00:07:21,008
DUDE'S A FOOL.
WE'LL ORDER LATER. WHATEVER!
147
00:07:21,041 --> 00:07:22,776
SO, WHAT'S CRACKIN'?
148
00:07:22,810 --> 00:07:24,211
WE, UH, MEETING 'CAUSE OF
ANT GETTING WHACKED, HUH?
149
00:07:24,244 --> 00:07:25,946
YEAH, SO,
WE NEED TO KNOW THE CHANCES
150
00:07:25,979 --> 00:07:28,115
OF GETTING THESE GUYS
A FACE-TO-FACE WITH JUNE BUG.
151
00:07:28,148 --> 00:07:29,917
BUG DON'T LIKE DEALING
WITH NEW PEOPLE DIRECTLY.
152
00:07:29,950 --> 00:07:31,985
WELL, I TOLD THESE GUYS YOU'VE
DONE SOME WORK FOR ME BEFORE.
153
00:07:32,019 --> 00:07:33,587
IF ANYONE CAN
MAKE THIS HAPPEN, IT'S YOU.
154
00:07:33,621 --> 00:07:35,222
Ty: SIMPLE, MAN --
JUST TELL HIM
155
00:07:35,255 --> 00:07:36,724
WE'RE BUYERS YOU KNOW
FROM OUT OF TOWN
156
00:07:36,757 --> 00:07:37,925
YOU KNEW
BACK IN THE DAY.
157
00:07:37,958 --> 00:07:40,227
A'IGHT.
IT'S SIMPLE BUT STILL SOLID.
158
00:07:40,260 --> 00:07:41,895
GLAD YOU APPROVE.
159
00:07:41,929 --> 00:07:43,230
HEY, YO, SO,
LET ME GET THIS STRAIGHT.
160
00:07:43,263 --> 00:07:44,765
I GET PAID FOR
GOING UNDERCOVER ON BUG
161
00:07:44,798 --> 00:07:46,133
AND TAKING
THIS CAHILL DUDE DOWN?
162
00:07:46,166 --> 00:07:47,935
NO, NO, NO, NO, NO.
163
00:07:47,968 --> 00:07:50,003
THEY WILL GO UNDERCOVER
AND TAKE DOWN BUG AND CAHILL.
164
00:07:50,037 --> 00:07:52,773
YOU GET PAID
TO MAKE THE INTRODUCTION, PETEY.
165
00:07:52,806 --> 00:07:55,609
NOTHING MORE.
YOU HEAR ME? NOTHING...MORE.
166
00:07:55,643 --> 00:07:57,745
HEY. "INTRODUCTION."
GOT IT.
167
00:07:57,778 --> 00:07:59,947
JUST GET JUNE BUG
TO TAKE THE MEETING, ALL RIGHT?
168
00:07:59,980 --> 00:08:03,216
DONE AND DONE, CARTER.
AIN'T NOTHIN' TO IT
BUT TO DO IT, BABY.
169
00:08:03,250 --> 00:08:06,086
OH, YO --
LET ME CALL MY PHONE,
170
00:08:06,119 --> 00:08:07,788
LOCK YOUR NUMBER IN,
HOMIE.
171
00:08:11,692 --> 00:08:13,594
A'IGHT,
WE'RE GOOD.
172
00:08:13,627 --> 00:08:14,628
I WILL REGRET THAT.
173
00:08:14,662 --> 00:08:16,163
YOU HAVE NO IDEA.
174
00:08:20,934 --> 00:08:22,603
THERE.
175
00:08:22,636 --> 00:08:23,871
SEE?
176
00:08:23,904 --> 00:08:27,741
NOW YOU GOT
A FEW COLLAPSED VEINS...
177
00:08:27,775 --> 00:08:29,610
AND...
178
00:08:29,643 --> 00:08:32,179
GOD.
...SOME FRESH
PUNCTURE WOUNDS.
179
00:08:32,212 --> 00:08:34,014
THAT'S WHAT THE REAL DEAL
LOOKS LIKE RIGHT THERE.
180
00:08:34,047 --> 00:08:35,649
I KNOW WHAT IT
LOOKS LIKE, DEAN.
181
00:08:35,683 --> 00:08:37,851
I WORKED NORTH HOLLYWOOD
DIVISION, REMEMBER?
182
00:08:37,885 --> 00:08:40,053
I'VE DONE ARM CHARTS.
I'VE ARRESTED ADDICTS.
183
00:08:40,087 --> 00:08:42,790
BUT YOU NEVER HAD TO PASS
YOURSELF OFF AS ONE, HAVE YOU?
184
00:08:45,826 --> 00:08:47,895
YOU'RE
A REAL SEXY CHICK...
185
00:08:47,928 --> 00:08:49,597
BUT YOU'RE
HOOKED ON SMACK.
186
00:08:49,630 --> 00:08:51,999
SO IT'S NATURAL FOR YOU
TO BE SELF-CONSCIOUS ABOUT IT,
187
00:08:52,032 --> 00:08:53,867
SO ACTUALLY,
WHAT YOU HAVE TO DO...
188
00:08:53,901 --> 00:08:55,168
IS CONCEAL THIS,
189
00:08:55,202 --> 00:08:57,270
'CAUSE CAHILL'S
GONNA PICK UP ON THAT.
190
00:08:57,304 --> 00:08:59,006
AND THAT...
191
00:08:59,039 --> 00:09:01,942
IS WHAT SEALS THE DEAL.
192
00:09:01,975 --> 00:09:03,043
THANK YOU.
193
00:09:04,778 --> 00:09:06,213
YOU SURE
YOU'RE GONNA BE OKAY?
194
00:09:06,246 --> 00:09:09,149
EVERYBODY MAKES MISTAKES,
DEAN. I'M FINE.
195
00:09:09,182 --> 00:09:11,652
TAKE IT EASY.
I'M ON YOUR TEAM.
196
00:09:11,685 --> 00:09:14,554
I WANT YOU
TO CATCH THIS GUY.
197
00:09:15,689 --> 00:09:17,157
AND YOU'RE GONNA
CATCH THIS GUY.
198
00:09:23,731 --> 00:09:25,733
Ty: THINK JAIMIE'S HEAD
IS STILL SCREWED ON STRAIGHT
199
00:09:25,766 --> 00:09:27,167
AFTER WHAT HAPPENED
THE OTHER NIGHT?
200
00:09:28,702 --> 00:09:30,838
YEAH, CHICKS ARE DIFFERENT
THAN US, YOU KNOW?
201
00:09:30,871 --> 00:09:33,373
THEY TAKE THEIR LICKS...
202
00:09:33,406 --> 00:09:35,275
THEN THEY SUCK IT UP
AND MOVE ON.
203
00:09:36,810 --> 00:09:38,045
YOU'RE RIGHT.
204
00:09:38,078 --> 00:09:41,014
THEY GET EMOTIONAL AS HELL
AT FIRST.
205
00:09:41,048 --> 00:09:43,751
BUT THEN
THEY MOVE ON, FAST.
206
00:09:43,784 --> 00:09:44,918
REAL FAST.
207
00:09:44,952 --> 00:09:47,788
YOU TALKING
ABOUT MELISSA?
208
00:09:52,025 --> 00:09:53,661
WHAT'S UP, PETEY?
209
00:09:53,694 --> 00:09:55,696
OH, THAT SOUNDS
GREAT, MAN.
210
00:09:55,729 --> 00:09:58,265
YEAH, A LOT OF FUN.
THANKS FOR THE OFFER.
211
00:09:58,298 --> 00:10:00,233
LOOK, MAN, WE'RE A LITTLE BUSY
RIGHT NOW, OKAY?
212
00:10:00,267 --> 00:10:01,735
NO. NO, WE'RE NOT.
213
00:10:01,769 --> 00:10:03,170
DO I LIKE MOJITOS?
214
00:10:03,203 --> 00:10:04,738
NO, HE LOVES MOJITOS!
215
00:10:04,772 --> 00:10:06,239
UH, ACTUALLY
I'M MORE OF A COGNAC MAN.
216
00:10:06,273 --> 00:10:07,875
ALL RIGHT, MAN.
217
00:10:07,908 --> 00:10:09,109
SOMEBODY GOT A DATE
SOMEBODY GOT A DATE?
218
00:10:09,142 --> 00:10:10,711
HE WILL NOT
LEAVE ME ALONE.
219
00:10:10,744 --> 00:10:12,212
I FEEL LIKE
I'M BEING STALKED.
220
00:10:13,947 --> 00:10:16,016
Alex: SO,
ACCORDING TO YOUR INFORMANT,
221
00:10:16,049 --> 00:10:18,318
CAHILL AND HIS BOYS
RUN THIS PLACE?
222
00:10:18,351 --> 00:10:21,088
UTILITIES ARE
IN CAHILL'S NAME, SO YEAH.
223
00:10:21,121 --> 00:10:22,122
IT'S ALL GOOD.
224
00:10:22,155 --> 00:10:23,924
OKAY.
JUST MAKING SURE.
225
00:10:23,957 --> 00:10:25,425
THE BUREAU CHIEF
IS TAKING IT PERSONAL
226
00:10:25,458 --> 00:10:27,194
BECAUSE THEY'RE POSING
AS D.E.A. AGENTS.
227
00:10:27,227 --> 00:10:29,062
YEAH.
THEY ALSO WEAR SKI MASKS.
228
00:10:29,096 --> 00:10:31,732
BUT YOU DON'T SEE THE SWISS
TAKING IT PERSONAL.
229
00:10:31,765 --> 00:10:36,103
DEAN, GET OUT ON FOOT,
AND GET A BETTER EYE.
230
00:10:36,136 --> 00:10:37,771
YOU WANT HIM
THAT CLOSE?
231
00:10:37,805 --> 00:10:39,907
WELL, IT'S CALLED
"OFFICER SAFETY."
232
00:10:39,940 --> 00:10:42,175
I THINK EVEN YOU FEDS
PRACTICE THAT, RIGHT?
233
00:10:42,209 --> 00:10:43,844
IT'S CALLED
A DOUBLE STANDARD.
234
00:10:43,877 --> 00:10:45,178
WE TAKE THE RISK
OF BEING BURNED
235
00:10:45,212 --> 00:10:46,780
BECAUSE YOU'RE WORRIED
ABOUT JAIMIE.
236
00:10:46,814 --> 00:10:48,348
SHE TOOK AN ASS-BEATING
YESTERDAY, ALEX.
237
00:10:48,381 --> 00:10:49,817
I JUST...
238
00:10:49,850 --> 00:10:52,285
I JUST WANT
TO PLAY IT SAFE, THAT'S ALL.
239
00:11:07,768 --> 00:11:09,236
HOW YOU DOING, SWEETIE?
240
00:11:12,740 --> 00:11:14,341
YOU HAVIN' A GOOD DAY?
241
00:11:16,810 --> 00:11:18,311
HOW 'BOUT
YOU HELP ME OUT A LITTLE?
242
00:11:19,880 --> 00:11:22,082
YOU KNOW WHERE CAN I SCORE
SOMETHIN' TO PARTY WITH?
243
00:11:22,950 --> 00:11:24,151
HUH?
244
00:11:24,184 --> 00:11:25,786
WHAT, YOU DON'T
HAVE AN ANSWER?
245
00:11:25,819 --> 00:11:27,354
HE CAN'T HELP YOU
WITH THAT, OKAY?
246
00:11:27,387 --> 00:11:28,856
LEAVE HIM ALONE.
247
00:11:28,889 --> 00:11:30,257
OH, REALLY?
WHAT ARE YOU, HIS LAWYER?
248
00:11:31,925 --> 00:11:33,160
YOU'RE MOVING?!
249
00:11:33,193 --> 00:11:36,029
OH. SAY SOMETHING
WRONG, DID I?
250
00:11:36,063 --> 00:11:37,998
I BET IF I ASKED
YOUR FAT ASS
251
00:11:38,031 --> 00:11:39,933
WHERE THE NEAREST
BURGER JOINT WAS,
252
00:11:39,967 --> 00:11:41,802
THEN YOU'D HAVE
AN ANSWER!
253
00:11:41,835 --> 00:11:42,836
HMM?
254
00:11:45,238 --> 00:11:46,974
GOD DAMN IT.
255
00:11:59,086 --> 00:12:00,220
YOU MIND?
256
00:12:00,253 --> 00:12:02,022
I DO.
257
00:12:02,055 --> 00:12:03,757
YOU SEE, I'M THE OWNER
OF THIS PLACE,
258
00:12:03,791 --> 00:12:05,292
AND I LIKE TO KEEP IT
NICE AND CLEAN.
259
00:12:05,325 --> 00:12:07,160
THE LAST THING I NEED
IS THE TYPE OF HEAT
260
00:12:07,194 --> 00:12:08,929
A LITTLE JUNKIE LIKE YOU
BRINGS WITH HER.
261
00:12:08,962 --> 00:12:10,798
MAN,
ARE YOU A COP OR SOMETHING?
262
00:12:10,831 --> 00:12:12,332
I MEAN, IF YOU ARE,
WE CAN WORK IT OUT.
263
00:12:12,365 --> 00:12:14,835
LAST THING I NEED
IS ANOTHER CASE.
264
00:12:14,868 --> 00:12:17,470
HOW YOU WANT TO WORK IT OUT,
THERE, HONEY?
265
00:12:18,839 --> 00:12:21,374
WELL, I AIN'T A HOOKER,
SO DON'T EVEN THINK ABOUT THAT.
266
00:12:23,310 --> 00:12:24,978
YOU WANT A BUST?
267
00:12:25,012 --> 00:12:27,047
SOMEONE BIGGER THAN ME?
268
00:12:27,080 --> 00:12:28,381
YEAH, THAT'S RIGHT.
269
00:12:28,415 --> 00:12:31,018
THAT'S NO PROBLEMO.
270
00:12:31,051 --> 00:12:34,021
I GOT A FEW CONNECTS.
THEY MOVE POUNDAGE.
271
00:12:34,054 --> 00:12:36,990
GIG LIKE THAT
COULD GET A MAN PROMOTED.
272
00:12:42,930 --> 00:12:45,565
I AIN'T A COP, AND I AIN'T
LOOKING TO GET PROMOTED,
273
00:12:45,598 --> 00:12:47,000
BUT I LIKE WHAT I SEE.
274
00:12:47,034 --> 00:12:48,969
MAYBE WE CAN
WORK SOMETHING OUT.
275
00:12:49,002 --> 00:12:50,804
NOT A COP?
276
00:12:52,139 --> 00:12:54,341
SO THAT MEANS I GET
A CUT OF THE ACTION, RIGHT?
277
00:12:54,374 --> 00:12:57,077
OF COURSE.
278
00:12:57,110 --> 00:12:59,947
ALL RIGHT.
279
00:12:59,980 --> 00:13:02,182
WHY DON'T YOU
GO BACK INSIDE
280
00:13:02,215 --> 00:13:04,551
AND LET ME
FINISH UP HERE, HUH?
281
00:13:04,584 --> 00:13:08,055
I'LL COME BACK TO THE BAR,
AND WE CAN DISCUSS THE DETAILS.
282
00:13:10,223 --> 00:13:15,528
Jaimie: HE ONLY WANTS
HIGH-END MARKS --
283
00:13:15,562 --> 00:13:16,964
NO NICKEL-AND-DIME DEALERS.
284
00:13:22,269 --> 00:13:25,238
BUT HE CAN MOVE DOPE
THROUGH JUNE BUG IF HE HAS TO.
285
00:13:25,272 --> 00:13:27,574
Dean: DID HE CATCH SIGHT
OF YOUR TRACKS?
286
00:13:27,607 --> 00:13:29,076
OH, YEAH.
287
00:13:29,109 --> 00:13:30,577
I SANK THE HOOK IN
DEEP INTO THIS GUY.
288
00:13:30,610 --> 00:13:32,445
DON'T GET TOO COCKY,
JAIMIE.
289
00:13:32,479 --> 00:13:35,382
SO LET'S GIVE CAHILL
WHAT HE WANTS -- A MONEY PAD.
290
00:13:35,415 --> 00:13:37,918
WELL, HE'S GONNA WANT
A LOT OF DETAILS.
291
00:13:37,951 --> 00:13:40,053
ALL RIGHT,
TELL HIM YOU HAVE A LINE
292
00:13:40,087 --> 00:13:42,089
ON A COURIER NAMED...
FRANCISCO.
293
00:13:42,122 --> 00:13:44,424
ALEX AND I WILL POSE
AS A MARRIED COUPLE
294
00:13:44,457 --> 00:13:46,626
BRINGING CASH IN
FROM MIAMI.
295
00:13:46,659 --> 00:13:50,363
IN THE MEANTIME, STAY ON
PETEY AND SET UP THAT
MEETING WITH JUNE BUG.
296
00:13:50,397 --> 00:13:51,932
ALREADY DID IT.
297
00:13:51,965 --> 00:13:53,967
THE D-MAN AND I,
TONIGHT AT THE KARAOKE JOINT.
298
00:13:54,001 --> 00:13:55,035
LOVE THAT.
299
00:13:56,236 --> 00:13:57,537
* PARA BAILAR LA BAMBA
300
00:13:57,570 --> 00:13:59,106
* PARA BAILAR LA BAMBA
301
00:13:59,139 --> 00:14:01,174
* SE NECESITA
UNA POCA DE GRACIA *
302
00:14:01,208 --> 00:14:03,410
* UNA POCA DE GRACIA
Y OTRA COSITA *
303
00:14:03,443 --> 00:14:05,012
* AY, ARRIBA, AY, ARRIBA
304
00:14:05,045 --> 00:14:07,447
* AY, ARRIBA, AY, ARRIBA,
AY, ARRIBA IRE *
305
00:14:07,480 --> 00:14:08,916
* YO NO SOY MARINERO
306
00:14:08,949 --> 00:14:10,450
* YO NO SOY MARINERO
307
00:14:10,483 --> 00:14:12,886
* SOY CAPITAN, SOY CAPITAN,
SOY CAPIT-A-AN *
308
00:14:14,254 --> 00:14:15,989
OKAY,
CAHILL JUST BOUNCED.
309
00:14:16,023 --> 00:14:18,525
OBVIOUSLY, IT'S A GOOD TIME
TO MEET WITH BUG.
310
00:14:18,558 --> 00:14:20,093
CHILL, DAWG.
311
00:14:20,127 --> 00:14:22,195
HEY. IT'S DELICATE.
APPEARANCES IS EVERYTHING.
312
00:14:22,229 --> 00:14:24,197
LET US TAKE CARE
OF APPEARANCES.
313
00:14:24,231 --> 00:14:26,266
YOU JUST
GET US IN FRONT OF HIM.
314
00:14:26,299 --> 00:14:28,235
I KNOW WHAT I'M DOIN'.
A'IGHT?
315
00:14:31,604 --> 00:14:33,673
SEE? BUG'S CHECKING US OUT
AS WE SPEAK.
316
00:14:33,706 --> 00:14:35,642
I ALREADY TOLD HIM
'BOUT YOU GUYS.
317
00:14:35,675 --> 00:14:38,979
THIS IS JUST THE DEAL WE
HAVE TO DO TO MAKE HIM
SEE THAT YOU'RE REAL.
318
00:14:39,012 --> 00:14:40,147
YOU KNOW
WHAT I'M SAYIN'?
319
00:14:40,180 --> 00:14:42,415
[ PETEY SPEAKS
BROKEN TAGALOG ]
320
00:14:42,449 --> 00:14:44,184
ARE YOU KIDDING ME?
YOU BOUGHT A --
321
00:14:45,252 --> 00:14:46,486
THAT'S $500, MAN.
322
00:14:46,519 --> 00:14:48,288
I'M HOSTING
THE KARAOKE STAGE, SON.
323
00:14:48,321 --> 00:14:50,958
IT'S A VERY IMPORTANT POSITION
IN FILIPINO CULTURE.
324
00:14:50,991 --> 00:14:53,093
Y'ALL SEEN CHILLIN' WITH ME,
YOU GOT TO LOOK LIKE PLAYERS.
325
00:14:54,094 --> 00:14:55,929
MAN...
326
00:14:55,963 --> 00:14:57,998
OKAY.
I'M GOING TO THE BATHROOM.
327
00:14:59,532 --> 00:15:01,969
HEY. YO.
328
00:15:02,535 --> 00:15:05,372
YOU SEE THEM HONEYS
WORKIN' THE DRINK WELL?
329
00:15:05,405 --> 00:15:06,506
WHAT ABOUT THEM, PETEY?
330
00:15:06,539 --> 00:15:07,975
THEY HOOKERS, SON!
331
00:15:08,008 --> 00:15:10,043
WE COULD BUST 'EM
REAL EASY.
332
00:15:11,544 --> 00:15:13,146
OW!
333
00:15:13,180 --> 00:15:14,647
WHAT'S YOUR STORY?
334
00:15:14,681 --> 00:15:18,018
YOU WILIPINO?
YOU A SNITCH
335
00:15:18,051 --> 00:15:20,287
OR YOU JUST
SOME LYING PIECE OF GARBAGE
336
00:15:20,320 --> 00:15:23,023
TRYING TO PLAY EVERYBODY
AGAINST THE MIDDLE?
337
00:15:23,056 --> 00:15:24,691
WHAT'S WITH
THE HOSTILITY, DAWG?
338
00:15:24,724 --> 00:15:26,226
I'M FOR REAL, MAN.
339
00:15:26,259 --> 00:15:28,361
JUST ASK CARTER.
HE'LL TELL YOU I'M STRAIGHT.
340
00:15:28,395 --> 00:15:29,729
I DID.
341
00:15:29,762 --> 00:15:32,199
HE AIN'T REALLY ECSTATIC
ABOUT US WORKING WITH YOU.
342
00:15:32,232 --> 00:15:33,366
THAT'S GREAT.
343
00:15:33,400 --> 00:15:34,734
I GUESS
ALL THE CHANCES I TAKE
344
00:15:34,767 --> 00:15:36,603
DON'T AMOUNT TO NOTHIN'
IN YOUR EYES, HUH?
345
00:15:36,636 --> 00:15:38,972
I'M JUST SAYIN', MAN.
SO JUST STREET TRASH?
346
00:15:39,006 --> 00:15:40,240
DON'T PLAY ME.
347
00:15:40,273 --> 00:15:42,642
PLAY YOU?
MAN, NEVER.
348
00:15:42,675 --> 00:15:44,244
I SWEAR TO GOD.
349
00:15:44,277 --> 00:15:46,679
JUST SO YOU KNOW,
MY GRANDFATHER WAS A COP.
350
00:15:46,713 --> 00:15:48,348
IT'S IN MY BLOOD.
351
00:15:48,381 --> 00:15:51,018
MY MOM'S TOLD ME, ALWAYS FOLLOW
WHAT'S IN MY HEART.
352
00:15:51,051 --> 00:15:53,120
RIGHT NOW,
HEART BLEEDS BLUE, BABY.
353
00:15:54,454 --> 00:15:55,755
OKAY, I'LL TELL YOU WHAT.
354
00:15:55,788 --> 00:15:58,058
IF YOU MAKE IT HAPPEN
WITH JUNE BUG,
355
00:15:58,091 --> 00:15:59,692
I'LL SEE WHAT I CAN DO
356
00:15:59,726 --> 00:16:02,329
ABOUT GETTING YOU A TEST
FOR THE L.A.P.D. ENTRANCE EXAM.
357
00:16:04,031 --> 00:16:05,598
BUT IF YOU FAIL, PETEY,
358
00:16:05,632 --> 00:16:08,768
I NEVER WANT TO HEAR YOU BREATHE
ANOTHER WORD ABOUT IT AGAIN.
359
00:16:08,801 --> 00:16:09,769
YOU GOT ME?
360
00:16:09,802 --> 00:16:12,072
THAT'S STRAIGHT, DAWG!
361
00:16:12,105 --> 00:16:14,274
THAT'S STRAIGHT-UP, MAN.
362
00:16:14,307 --> 00:16:16,509
I AIN'T NEVER HAD NOBODY
DO SOMETHIN' LIKE THAT FOR ME.
363
00:16:16,543 --> 00:16:18,378
YOU'RE LIKE A BROTHER TO ME,
YOU KNOW THAT?
364
00:16:18,411 --> 00:16:20,680
Dean:
GET A ROOM.
365
00:16:26,553 --> 00:16:29,722
IT LOOKS LIKE
LOU DIAMOND PHILLIPS FINISHED.
366
00:16:29,756 --> 00:16:31,591
WISHES HE WAS LOU DIAMOND.
367
00:16:33,726 --> 00:16:35,128
DAMN. OKAY.
368
00:16:35,162 --> 00:16:38,365
BUG'S WAVIN' AT ME.
Y'ALL READY?
369
00:16:38,398 --> 00:16:40,200
DUMB QUESTION.
370
00:16:42,769 --> 00:16:44,404
OVER HERE.
371
00:16:46,639 --> 00:16:48,541
A'IGHT, TY, DEAN...
372
00:16:48,575 --> 00:16:49,709
LET'S GET UP
ON STAGE.
373
00:16:49,742 --> 00:16:51,278
WHAT THE HELL
ARE YOU DOING?
374
00:16:51,311 --> 00:16:53,446
HEY. A'IGHT. HEY.
375
00:16:53,480 --> 00:16:55,815
THANKS A LOT, LOU.
[ SLOW-TEMPO
ELECTRONIC MUSIC PLAYS ]
376
00:16:55,848 --> 00:16:57,650
THE ORIGINAL LOU.
WHY DON'T YOU SIT DOWN.
377
00:16:57,684 --> 00:16:59,786
LET M.C. PETEY AND HIS BOYS
SHOW YOU HOW IT'S DONE.
378
00:16:59,819 --> 00:17:01,388
YOU READY?
379
00:17:01,421 --> 00:17:03,590
YEAH, YOU'RE READY!
380
00:17:27,680 --> 00:17:30,150
YOU ACTUALLY MAKE MONEY
FROM THIS PLACE?
381
00:17:30,183 --> 00:17:31,818
I THOUGHT WE TALKED
ABOUT THAT.
382
00:17:31,851 --> 00:17:33,653
I TAKE MONEY.
I DON'T MAKE IT.
383
00:17:34,721 --> 00:17:36,289
YOU JUST SLAM?
384
00:17:36,323 --> 00:17:38,558
DON'T WORRY ABOUT IT.
I'M FINE.
385
00:17:38,591 --> 00:17:40,293
YOU COULD HAVE FOOLED ME.
386
00:17:41,561 --> 00:17:43,130
LISTEN --
YOU WANT TO HEAR WHAT I GOT,
387
00:17:43,163 --> 00:17:45,298
OR YOU WANT TO SIT HERE
AND DISCUSS BAD HABITS?
388
00:17:45,332 --> 00:17:47,634
'CAUSE I BET
YOURS OUTNUMBER MINE.
389
00:17:49,336 --> 00:17:52,339
AIN'T THAT THE TRUTH.
LET ME HEAR WHAT YOU GOT.
390
00:17:52,372 --> 00:17:53,740
MM.
391
00:17:53,773 --> 00:17:56,543
THERE'S A MONEY DROP
HAPPENING TOMORROW.
392
00:17:56,576 --> 00:17:59,212
GUY'S NAME
IS FRANK TAYLOR.
393
00:17:59,246 --> 00:18:01,314
HE AND HIS OLD LADY
ARE FLYIN' IN FROM MIAMI
394
00:18:01,348 --> 00:18:02,715
POSING
AS A MARRIED TOURIST.
395
00:18:02,749 --> 00:18:04,751
AND ARE YOU READY
TO HEAR THE GOOD PART?
396
00:18:06,619 --> 00:18:08,788
HE'S GONNA BE CARRYING
AT LEAST A HUNDRED GRAND.
397
00:18:08,821 --> 00:18:10,790
THAT'S A NICE NUMBER.
398
00:18:10,823 --> 00:18:14,127
YEAH, I THOUGHT
YOU'D LIKE THAT.
399
00:18:14,161 --> 00:18:15,562
I WANT AT LEAST HALF
400
00:18:15,595 --> 00:18:18,431
AND A LITTLE SOMETHING UP-FRONT
TO KEEP ME MOTIVATED.
401
00:18:18,465 --> 00:18:20,167
HALF?
402
00:18:20,200 --> 00:18:22,702
YOU GET 20%
AND BE GLAD YOU GOT IT.
403
00:18:22,735 --> 00:18:23,836
40%.
404
00:18:25,705 --> 00:18:28,475
30%.
405
00:18:28,508 --> 00:18:30,210
CONSIDER THIS
AN ADVANCE.
406
00:18:33,246 --> 00:18:34,347
ALL RIGHT...
407
00:18:34,381 --> 00:18:36,549
WHEN THEY LAND
AT A HOTEL...
408
00:18:36,583 --> 00:18:39,252
I'LL CALL YOU
WITH THE ADDRESS.
409
00:18:42,622 --> 00:18:44,424
ANSWER ME THIS.
410
00:18:44,457 --> 00:18:46,493
HOW EXACTLY
WOULD A LITTLE JUNKIE LIKE YOU
411
00:18:46,526 --> 00:18:48,528
KNOW ABOUT A HIGH-CALIBER GUY
LIKE THIS?
412
00:18:49,962 --> 00:18:51,631
MEN...
413
00:18:53,266 --> 00:18:54,767
...MOST OF THEM RICH...
414
00:18:54,801 --> 00:18:57,136
DO WHAT I WANT,
WHEN I WANT.
415
00:19:01,474 --> 00:19:04,177
I'LL BET THEY DO.
416
00:19:04,211 --> 00:19:06,613
I'LL BET THEY DO.
417
00:19:11,918 --> 00:19:13,953
Petey: YO,
DON'T EVEN SWEAT, DAWG.
418
00:19:13,986 --> 00:19:16,223
LAST NIGHT AT KARAOKE
JUST WASN'T RIGHT.
419
00:19:16,256 --> 00:19:17,957
BUT I'M-A MAKE IT HAPPEN.
I PROMISE.
420
00:19:17,990 --> 00:19:20,427
June Bug:
WHAT YOU NEED, BOY?
421
00:19:20,460 --> 00:19:21,794
HEY, WHAT UP, BUG?
422
00:19:22,862 --> 00:19:24,664
WHY YOU KEEP PRESSING ME
TO MEET THESE FOOLS?
423
00:19:24,697 --> 00:19:26,233
I'M TRYING
TO MAKE YOU MONEY, HOMIE.
424
00:19:26,266 --> 00:19:27,867
THESE ARE THE TWO CATS
I WAS TELLING YOU ABOUT.
425
00:19:27,900 --> 00:19:29,502
WE SLUNG A LITTLE CRYSTAL
BACK IN THE DAY
426
00:19:29,536 --> 00:19:31,238
BEFORE THEY SET UP SHOP
OUT OF STATE.
427
00:19:31,271 --> 00:19:33,473
SO WHAT DO THEY WANT WITH ME?
I AIN'T IN THAT GAME.
428
00:19:33,506 --> 00:19:35,542
WHY? HE TELL YOU
SOMETHING DIFFERENT?
429
00:19:35,575 --> 00:19:37,710
OH, COME ON, BUG. NO NEED
FOR THE SMOKE SCREEN, MAN.
430
00:19:37,744 --> 00:19:39,812
THEY STRAIGHT.
I PUT MY LIFE ON IT.
431
00:19:41,248 --> 00:19:42,582
WELL, EVEN IF I WAS
IN THAT GAME,
432
00:19:42,615 --> 00:19:44,384
I AIN'T LOOKING
FOR NO NEW PARTNERS.
433
00:19:44,417 --> 00:19:46,353
OH, WE DON'T
HAVE TO BE PARTNERS, BROTHER.
434
00:19:46,386 --> 00:19:47,620
WE'RE PARTNERS.
435
00:19:47,654 --> 00:19:49,222
THIS CAN BE
A STRAIGHT-UP TRANSACTION --
436
00:19:49,256 --> 00:19:50,690
WE DO
A LITTLE TASTE NOW,
437
00:19:50,723 --> 00:19:52,492
AND IF WE ALL
GET COMFY AND COZY LATER,
438
00:19:52,525 --> 00:19:54,294
THEN WE CAN STEP IT UP
TO THE NEXT LEVEL
439
00:19:54,327 --> 00:19:55,562
ON THE NEXT ORDER,
JUNE BUG.
440
00:19:55,595 --> 00:19:57,230
I'M ALREADY
ON THE NEXT LEVEL, MAN.
441
00:19:57,264 --> 00:19:58,531
AND I AIN'T
LOOKIN' TO PULL UP
442
00:19:58,565 --> 00:20:00,333
TWO BROKE-ASS PLAYERS
I DON'T EVEN KNOW.
443
00:20:00,367 --> 00:20:01,934
BESIDES, EVEN IF I WANT
TO DO BUSINESS,
444
00:20:01,968 --> 00:20:04,404
YOU KNOW I GOT OTHER PRESSING
ISSUES ON MY MIND RIGHT NOW.
445
00:20:04,437 --> 00:20:05,972
YEAH, YEAH,
BUG'S BEEN WARRING
446
00:20:06,005 --> 00:20:07,840
WITH SOME FILIPINO GANGSTERS
CALLED THE PENO RE-ALS.
447
00:20:07,874 --> 00:20:08,841
THEY JUST PUNKS.
448
00:20:08,875 --> 00:20:10,510
THEY JUST MAD
449
00:20:10,543 --> 00:20:12,312
BECAUSE PEOPLE LIKE THE QUALITY
OF PRODUCT I BE MOVIN',
450
00:20:12,345 --> 00:20:13,846
NOT THAT BATHTUB MIX
THEY BE SLINGIN'.
451
00:20:13,880 --> 00:20:15,715
WELL, ARE YOU INTERESTED
IN SOME FIREPOWER?
452
00:20:15,748 --> 00:20:16,716
WE CAN GET YOU
SOME GUNS.
453
00:20:16,749 --> 00:20:17,817
WHAT?
454
00:20:17,850 --> 00:20:19,252
LIKE THIS?
455
00:20:19,286 --> 00:20:20,720
NO, NOT LIKE THAT.
456
00:20:20,753 --> 00:20:22,555
LIKE SOMETHING A LITTLE
MORE SERIOUS THAN THAT.
457
00:20:22,589 --> 00:20:24,891
OH, YEAH?
WHAT YOU GOT?
458
00:20:24,924 --> 00:20:26,426
WE GOT
FULLY-AUTOS, MAN.
459
00:20:26,459 --> 00:20:28,261
FULLY
460
00:20:28,295 --> 00:20:30,029
EVEN SUPPRESSORS
IF YOU WANT TO PUT IN
461
00:20:30,062 --> 00:20:31,631
A LITTLE
LOW-PROFILE WORK.
462
00:20:31,664 --> 00:20:33,600
WELL, MAYBE
WE CA MAKE SOMETHING HAPPEN.
463
00:20:33,633 --> 00:20:35,668
WHAT KIND OF WEIGHT
YOU LOOKING FOR IN RETURN?
464
00:20:35,702 --> 00:20:37,270
WELL, HOW ABOUT THIS?
465
00:20:37,304 --> 00:20:38,705
HOW ABOUT WE BRING YOU
THE FIREPOWER
466
00:20:38,738 --> 00:20:40,673
AND YOU CAN TELL US
WHAT TASTE THAT'LL GET US.
467
00:20:40,707 --> 00:20:42,275
YEAH.
YEAH, I LIKE THAT.
468
00:20:42,309 --> 00:20:43,976
THAT'S A CLASSY MOVE
RIGHT THERE.
469
00:20:44,010 --> 00:20:46,446
PETEY GOT MY NUMBER.
470
00:20:46,479 --> 00:20:48,481
WHY DON'T YOU
TRY AND MAKE SOMETHING HAPPEN?
471
00:20:48,515 --> 00:20:49,582
YEAH, ALL RIGHT.
472
00:20:49,616 --> 00:20:51,318
HEY, MY MAN,
473
00:20:51,351 --> 00:20:54,287
D-DON'T MAKE THE MISTAKE OF
POINTING THAT THING AT ME AGAIN.
474
00:20:55,722 --> 00:20:57,424
Cahill:
YOU SURE THIS IS GOOD?
475
00:20:57,457 --> 00:20:59,526
YEAH, IT'S GOOD.
476
00:20:59,559 --> 00:21:02,295
IT'S A HOTEL IN VENICE.
THEY'VE USED IT BEFORE.
477
00:21:04,931 --> 00:21:06,366
WHAT'S UP?
478
00:21:07,334 --> 00:21:09,402
YOU LOOK NERVOUS.
479
00:21:09,436 --> 00:21:10,737
NERVOUS? NO.
480
00:21:10,770 --> 00:21:13,072
OH, I GUESS --
I GUESS IT'S THE WITHDRAWALS.
481
00:21:13,105 --> 00:21:15,074
I DECIDED TO CUT BACK
ON THE TAR.
482
00:21:15,107 --> 00:21:16,976
NOTHING TO WORRY ABOUT.
483
00:21:18,345 --> 00:21:21,714
WELL...
484
00:21:21,748 --> 00:21:24,484
TAKE A LITTLE BLAST OF THAT.
IT'LL TAKE THE EDGE OFF.
485
00:21:25,585 --> 00:21:26,686
I NEVER MIX.
486
00:21:26,719 --> 00:21:29,356
SPEEDBALLIN'
AIN'T MY THING.
487
00:21:30,690 --> 00:21:32,425
MM...
488
00:21:32,459 --> 00:21:35,895
LOOK AT YOU. LOOK AT YOU.
489
00:21:35,928 --> 00:21:39,065
YOU'RE
A GOOD-LOOKIN' GIRL.
490
00:21:39,098 --> 00:21:41,834
I'LL BET YOU'RE
A REAL PLEASER, HUH?
491
00:21:43,570 --> 00:21:47,039
TOO BAD YOUR...HEROIN'S
GOT SUCH A GRIP ON YOU.
492
00:21:51,811 --> 00:21:55,682
YOU NEED A PLACE TO CRASH
FOR A
493
00:21:55,715 --> 00:21:56,849
I GOT A...
494
00:21:56,883 --> 00:21:59,619
I GOT A ROOM IN THE BACK
WITH A COUCH.
495
00:22:01,454 --> 00:22:02,989
I BET YOU DO.
496
00:22:04,056 --> 00:22:05,725
NAH, I'M NOT TIRED.
497
00:22:05,758 --> 00:22:07,627
JUST MAKE SURE
I GET A TASTE OF THAT CASH
498
00:22:07,660 --> 00:22:08,895
WHEN YOU
RIP THE GUY, HUH?
499
00:22:08,928 --> 00:22:10,497
OH, YEAH.
500
00:22:10,530 --> 00:22:12,899
YOU'LL GET A TASTE...
IF THE MONEY'S THERE.
501
00:22:14,434 --> 00:22:16,903
AND I'LL CUT YOUR THROAT
IF IT'S NOT.
502
00:22:34,186 --> 00:22:35,555
HOW'D IT GO?
503
00:22:35,588 --> 00:22:36,656
GOOD.
504
00:22:36,689 --> 00:22:39,025
IS HE AS DANGEROUS
AS THEY SAY?
505
00:22:39,058 --> 00:22:40,593
HEART OF PURE GOLD.
506
00:22:40,627 --> 00:22:42,995
OFFERED TO LET ME TAKE A NAP
IN HIS BACK ROOM.
507
00:22:43,029 --> 00:22:44,464
SOUNDS ROMANTIC.
508
00:22:45,765 --> 00:22:47,767
HOW ABOUT
THE SHOOTING
509
00:22:47,800 --> 00:22:49,836
DID YOU FOLLOW
CARTER'S ADVICE?
510
00:22:49,869 --> 00:22:52,138
I TOLD THEM
THE TRUTH, DEAN.
511
00:22:52,171 --> 00:22:54,073
I SAID THAT I SCREWED UP.
512
00:22:54,106 --> 00:22:57,109
AND I TOLD THEM
I LET THE GUY GET TOO CLOSE
513
00:22:57,143 --> 00:22:59,512
AND I DIDN'T WAIT
FOR BACK-UP.
514
00:22:59,546 --> 00:23:00,680
BUT THAT'S IT.
515
00:23:00,713 --> 00:23:03,082
I DIDN'T PLAY
THE SCARED LITTLE GIRL,
516
00:23:03,115 --> 00:23:05,184
IF THAT'S
WHAT YOU'RE ASKING.
517
00:23:05,217 --> 00:23:06,553
OKAY.
518
00:23:06,586 --> 00:23:09,922
I HOPE THAT WORKS OUT
FOR YOU.
519
00:23:09,956 --> 00:23:13,159
YOU THINK I SCREWED UP FOR
NOT FOLLOWING CARTER'S ADVICE?
520
00:23:13,192 --> 00:23:15,895
LOOK, CARTER'S BEEN AROUND
THE BLOCK WITH INTERNAL AFFAIRS.
521
00:23:15,928 --> 00:23:17,597
WE BOTH KNOW THIS.
522
00:23:17,630 --> 00:23:20,099
HE KNOWS YOU GOT TO TELL THEM
WHAT THEY WANT TO HEAR.
523
00:23:20,132 --> 00:23:23,636
IF YOU'RE WILLING TO ADMIT
THAT YOU WERE SCARED,
524
00:23:23,670 --> 00:23:25,938
YOU GET A FREE PASS
FOR PRACTICALLY ANYTHING.
525
00:23:33,880 --> 00:23:36,215
I LEFT SOMETHING FOR YOU
ON THE DESK YESTERDAY.
526
00:23:36,248 --> 00:23:37,216
DID YOU GET IT?
527
00:23:37,249 --> 00:23:39,852
YEAH. YEAH.
528
00:23:39,886 --> 00:23:41,688
IT WAS NICE...
529
00:23:41,721 --> 00:23:43,189
REALLY NICE.
530
00:23:46,192 --> 00:23:48,561
YOU KNOW, I, UH,
MADE A RESERVATION
531
00:23:48,595 --> 00:23:49,762
AT THIS HOT, NEW...
532
00:23:49,796 --> 00:23:52,064
ITALIAN PLACE...
533
00:23:52,098 --> 00:23:54,033
IN HOLLYWOOD...
534
00:23:54,066 --> 00:23:56,068
SATURDAY NIGHT.
535
00:24:01,974 --> 00:24:03,743
IF YOU'RE INTERESTED.
536
00:24:15,221 --> 00:24:16,923
HEY...WE KNOW
CAHILL AND HIS BOYS
537
00:24:16,956 --> 00:24:18,625
WILL PROBABLY
GET A LITTLE ROUGH.
538
00:24:18,658 --> 00:24:20,560
TRY NOT TO MAKE A MOVE
539
00:24:20,593 --> 00:24:22,161
UNLESS IT LOOKS LIKE
WE'RE IN REAL TROUBLE.
YOU GOT IT.
540
00:24:22,194 --> 00:24:23,830
THERE ARE GONNA BE TWO UNITS
PARKED A FEW BLOCKS AWAY,
541
00:24:23,863 --> 00:24:25,197
SO AS SOON
AS THEY LEAVE THAT ROOM,
542
00:24:25,231 --> 00:24:26,599
WE'RE GONNA RUN UP ON THEM
IN THE PARKING LOT.
543
00:24:26,633 --> 00:24:27,800
ONLY IF HE
HAS THE MONEY.
544
00:24:27,834 --> 00:24:29,268
IF WE DON'T
GET HIM TO TAKE IT,
545
00:24:29,301 --> 00:24:30,803
ALL WE HAVE IS TRESPASSING
AND A SIMPLE BURGLARY.
546
00:24:30,837 --> 00:24:32,171
I WANT A SOLID
ROBBERY CASE HERE.
547
00:24:32,204 --> 00:24:33,706
IF WE PUT HIM
BACK ON THE INSIDE,
548
00:24:33,740 --> 00:24:35,107
I WANT IT FOR LIFE,
WITHOUT.
549
00:24:35,141 --> 00:24:36,843
WE'RE WITH YOU ON THAT.
550
00:24:53,626 --> 00:24:55,662
Cahill: D.E.A.!
ON THE GROUND!
551
00:24:55,695 --> 00:24:57,530
KEEP YOUR HANDS
WHERE I CAN SEE THEM!
552
00:24:57,564 --> 00:24:59,732
WHAT THE HELL IS THIS?
553
00:25:07,006 --> 00:25:08,941
LOOK FOR A PLANE TICKET
OR SOMETHING.
554
00:25:08,975 --> 00:25:10,810
THIS IS WAY TOO LIGHT.
555
00:25:10,843 --> 00:25:13,045
I THOUGHT YOU TWO
WERE SUPPOSED TO BE HIGH-END.
556
00:25:13,079 --> 00:25:15,047
WHAT YOU DOING
IN A RAT
557
00:25:47,980 --> 00:25:50,049
GET HIM UP.
558
00:25:50,082 --> 00:25:52,652
GET HIM OVER HERE.
559
00:25:52,685 --> 00:25:54,721
EASY.
560
00:25:54,754 --> 00:25:56,589
YOU,
GET OFF ME.
561
00:25:57,657 --> 00:25:59,025
GET YOUR HANDS --
562
00:26:02,128 --> 00:26:03,963
Cahill: NOW, WHAT'S THE DEAL?
WHOSE MONEY IS THAT?
563
00:26:03,996 --> 00:26:06,265
ISN'T THIS THE PART
WHERE YOU'RE SUPPOSED
TO READ ME MY RIGHTS?
564
00:26:06,298 --> 00:26:08,635
I'M NOT SAYING ANYTHING
UNLESS MY LAWYER IS PRESENT.
565
00:26:16,809 --> 00:26:19,979
IT'S OKAY, DARLING. IT'S OKAY.
I PROMISE YOU.
566
00:26:20,012 --> 00:26:24,016
TODAY'S YOUR
LUCKY DAY, FRANCISCO.
567
00:26:24,050 --> 00:26:25,351
WE DIDN'T FIND ANY DOPE,
568
00:26:25,384 --> 00:26:27,086
SO WE'RE NOT GONNA SWEAT YOU
ABOUT THE MONEY.
569
00:26:27,119 --> 00:26:29,255
BUT I DON'T WANT TO SEE YOU TWO
AROUND HERE AGAIN,
570
00:26:29,288 --> 00:26:30,256
YOU UNDERSTAND ME?
571
00:26:30,289 --> 00:26:31,758
LET'S GO, GUYS.
572
00:26:31,791 --> 00:26:33,893
OH, YOU'LL SEE ME AGAIN.
YOU CAN COUNT ON THAT.
573
00:26:33,926 --> 00:26:36,863
IN FACT, I WANT
YOUR NAME AND YOUR BADGE NUMBER,
574
00:26:36,896 --> 00:26:38,931
BECAUSE MY LAWYER LOVES
FILING COMPLAINTS
575
00:26:38,965 --> 00:26:40,266
ON HEAVY-HANDED COPS
LIKE YOU.
576
00:26:40,299 --> 00:26:41,968
SO YOU'LL DEFINITELY
SEE US AGAIN.
577
00:26:42,001 --> 00:26:44,003
OH, YEAH? YOU'RE GONNA
FILE A COMPLAINT, HUH?
578
00:26:44,036 --> 00:26:45,037
THAT'S RIGHT.
579
00:26:46,973 --> 00:26:49,208
COMPLAIN ABOUT THAT.
580
00:26:49,241 --> 00:26:51,077
LET'S GO, GUYS.
581
00:26:54,881 --> 00:26:57,216
WHERE ARE WE
ON THE JUNE BUG THING?
582
00:26:57,249 --> 00:26:58,851
WE READY TO GO, OR WHAT?
583
00:26:58,885 --> 00:27:00,987
HE'S JUST WAITING
ON OUR PHONE CALL.
584
00:27:01,020 --> 00:27:02,354
GOOD.
LET'S GET THAT THING GOING.
585
00:27:02,388 --> 00:27:04,223
THE CAHILL ANGLE'S
PROBABLY DEAD, ANYWAY, SO...
586
00:27:05,892 --> 00:27:07,393
IT'S HIM -- CAHILL.
587
00:27:08,427 --> 00:27:11,163
YO.
YOU GOT MY MONEY, OR WHAT?
588
00:27:12,264 --> 00:27:13,232
WHY?
589
00:27:15,401 --> 00:27:17,003
HUH, YOU DON'T NEED TO
GET PISSY WITH ME.
590
00:27:17,036 --> 00:27:18,404
I AIN'T THE ONE
WHO SCREWED THIS UP.
591
00:27:18,437 --> 00:27:19,939
WELL, FINE.
592
00:27:19,972 --> 00:27:21,941
I'LL COME BY TOMORROW.
WE'LL TALK IT OUT.
593
00:27:23,275 --> 00:27:26,078
WHAT DO YOU MEAN
YOU'LL COME BY TOMORROW?
594
00:27:26,112 --> 00:27:28,447
IT'S BETTER TO KEEP HIM ON
THE HOOK THAN IGNORE HIM, RIGHT?
595
00:27:28,480 --> 00:27:30,382
THIS GUY IS DANGEROUS, JAIMIE.
DO YOU UNDERSTAND THAT?
596
00:27:30,416 --> 00:27:32,084
I'M AWARE OF THAT!
597
00:27:32,118 --> 00:27:33,820
YOU NEED TO STEP BACK.
USE A LITTLE CAUTION.
598
00:27:33,853 --> 00:27:34,954
ARE YOU TELLING ME
TO SHUT THIS DOWN?
599
00:27:34,987 --> 00:27:36,723
I THINK IT'S BEST.
600
00:27:36,756 --> 00:27:38,691
YOU HAVE ALWAYS TOLD US
NEVER TO SHUT DOWN A LEAD.
601
00:27:38,725 --> 00:27:39,992
UP UNTIL NOW,
I HAVE NEVER HEARD YOU
602
00:27:40,026 --> 00:27:41,227
TELL ANYONE
TO SHUT DOWN A LEAD.
603
00:27:41,260 --> 00:27:42,228
WELL, NOW I AM.
604
00:27:42,261 --> 00:27:43,863
IS THIS ABOUT CAHILL
605
00:27:43,896 --> 00:27:45,331
OR THE INCIDENT THAT HAPPENED
WITH ANT THE OTHER DAY?
606
00:27:45,364 --> 00:27:46,465
NOBODY SAID THAT.
607
00:27:46,498 --> 00:27:48,067
NOBODY HAD TO.
608
00:27:48,100 --> 00:27:51,137
THIS ISN'T OPEN
FOR DISCUSSION.
609
00:27:51,170 --> 00:27:53,005
UM, I JUST
TALKED TO JUNE BUG.
610
00:27:53,039 --> 00:27:54,707
IT'S A GO.
611
00:27:54,741 --> 00:27:56,442
HE'S READY FOR US TO SELL HIM
10 SILENCED AR-15s.
612
00:27:57,509 --> 00:27:59,411
GOOD.
613
00:28:10,156 --> 00:28:11,758
Petey: HEY. HEY.
614
00:28:11,791 --> 00:28:13,760
YOU TWO JUST FOCUS
ON THE GAME YOU'RE RUNNING.
615
00:28:13,793 --> 00:28:16,028
IF THINGS START TO GO SOUTH,
I GOT US COVERED, A'IGHT?
616
00:28:16,062 --> 00:28:18,130
WHAT THE HELL
ARE YOU THINKING, PETEY?
617
00:28:19,031 --> 00:28:20,032
GIVE ME THE GUN.
618
00:28:20,066 --> 00:28:21,133
COME ON, MAN! I --
619
00:28:23,970 --> 00:28:25,738
GIVE ME THE GUN, PETEY.
620
00:28:26,939 --> 00:28:28,140
WALK.
621
00:28:56,035 --> 00:28:58,137
PUT THE GUN DOWN, JAIMIE.
THEY'RE GONE.
622
00:29:00,206 --> 00:29:02,141
PUT THE GUN DOWN!
623
00:29:06,545 --> 00:29:08,414
I WASN'T GONNA SHOOT,
CARTER.
624
00:29:10,149 --> 00:29:11,750
I WAS JUST RELOADING.
625
00:29:19,058 --> 00:29:20,893
JUNE BUG'S DEAD,
AND SO IS THIS CASE
626
00:29:20,927 --> 00:29:22,995
IF WE DON'T TAKE ANOTHER CRACK
AT CAHILL.
627
00:29:23,029 --> 00:29:25,164
THINK ABOUT WHAT
YOU'RE ASKING ME TO AGREE TO.
628
00:29:25,197 --> 00:29:26,498
JAIMIE THINKS
SHE CAN HANDLE HIM.
629
00:29:26,532 --> 00:29:28,801
RIGHT, SHE THINKS
SHE CAN HANDLE HIM.
630
00:29:28,835 --> 00:29:31,003
I DON'T UNDERSTAND THIS
OVERPROTECTIVE-FATHER
ACT YOU'RE PULLING.
631
00:29:31,037 --> 00:29:32,071
YOU SAW HER TODAY.
632
00:29:32,104 --> 00:29:33,239
SHE WAS
SHOOTING UP A STORM,
633
00:29:33,272 --> 00:29:35,007
PUT HERSELF
IN FRONT OF THAT CAR.
634
00:29:35,041 --> 00:29:37,043
I MEAN, SHE'S GOING THROUGH
SOME KIND OF "JANE WAYNE" STAGE,
635
00:29:37,076 --> 00:29:39,378
TRYING TO IMPRESS THE BOYS,
SHOW US HOW TOUGH SHE IS.
636
00:29:39,411 --> 00:29:42,281
BUT I'M TELLING YOU RIGHT NOW --
IF WE DON'T PUT A LEASH ON HER,
637
00:29:42,314 --> 00:29:44,316
IT'S GONNA GET HER
OR SOMEONE ELSE KILLED.
638
00:29:44,350 --> 00:29:45,852
I PROMISE YOU THAT.
639
00:29:45,885 --> 00:29:47,319
SHE WAS AGGRESSIVE.
I'LL GIVE YOU THAT.
640
00:29:47,353 --> 00:29:49,188
BUT IT WAS ACCEPTABLE,
MAYBE EVEN COMMENDABLE,
641
00:29:49,221 --> 00:29:51,090
GIVEN THE FACT
THAT HER TEAM WAS UNDER FIRE.
642
00:29:51,123 --> 00:29:52,458
FACE IT, CARTER.
643
00:29:52,491 --> 00:29:54,026
SHE'S NO MORE AGGRESSIVE
THAN YOU, DEAN, OR TY.
644
00:29:54,060 --> 00:29:55,962
SHE'S JUST A CHICK --
A BAD-ASS, BALLSY CHICK.
645
00:29:55,995 --> 00:29:59,065
UM, EXCUSE US.
I-I JUST TALKED TO PETEY.
646
00:29:59,098 --> 00:30:00,867
HE CLAIMS
HE KNOWS THE GUY
647
00:30:00,900 --> 00:30:02,935
READY TO STEP UP
AND TAKE JUNE BUG'S PLACE.
648
00:30:02,969 --> 00:30:05,905
GOOD. GET A NAME.
WE NEED ANOTHER WAY BACK IN.
649
00:30:07,139 --> 00:30:08,607
THE BEST MOVE HERE
650
00:30:08,640 --> 00:30:10,609
IS TO LET JAIMIE
TAKE ANOTHER CRACK AT CAHILL.
651
00:30:10,642 --> 00:30:12,578
I DISAGREE.
LET ME PUT IT
THIS WAY --
652
00:30:12,611 --> 00:30:16,048
THE ONLY MOVE IS TO LET JAIMIE
TAKE ANOTHER CRACK AT CAHILL.
653
00:30:21,553 --> 00:30:23,622
Petey: AH, THINGS BEEN
REAL QUIET IN F-TOWN.
654
00:30:23,655 --> 00:30:25,324
EVERYBODY'S
KEEPING A LOW PROFILE
655
00:30:25,357 --> 00:30:27,126
SINCE BUG
GOT HIS BIRTHDAY SNATCHED.
656
00:30:27,159 --> 00:30:28,861
THAT BETTER INCLUDE YOU.
657
00:30:28,895 --> 00:30:30,529
DAMN STRAIGHT, SON.
I'M THE KING OF LOW PROFILE.
658
00:30:30,562 --> 00:30:33,099
YO, PEOPLE DON'T EVEN NOTICE ME
TILL I WANT 'EM TO.
659
00:30:33,132 --> 00:30:34,366
LIKE YESTERDAY --
660
00:30:34,400 --> 00:30:35,935
I MEAN, YOU GUYS SEEN
HOW I, LIKE, LAID OUT,
661
00:30:35,968 --> 00:30:37,203
FAKED LIKE I WAS HIT.
662
00:30:37,236 --> 00:30:39,405
THAT'S CALLED
"PLAYING STREET POSSUM," SON.
663
00:30:39,438 --> 00:30:41,007
I WAS JUST
WAITING FOR THEM
664
00:30:41,040 --> 00:30:43,142
TO GET OUT ON FOOT,
WALK UP ON ME.
665
00:30:43,175 --> 00:30:45,611
I WOULD HAVE BEEN LIKE,
666
00:30:45,644 --> 00:30:48,314
NO, NO. THAT'S WHEN YOU
PISSED YOUR PANTS, RIGHT?
667
00:30:48,347 --> 00:30:49,515
IT'S A GOOD MOVE.
668
00:30:49,548 --> 00:30:52,051
PISSED MY PANTS?
Y
669
00:30:52,084 --> 00:30:54,220
HEY, IS THAT
WHAT YOU THINK, TOO?
670
00:30:54,253 --> 00:30:56,522
I LAID IN A PUDDLE,
A'IGHT?
671
00:30:56,555 --> 00:30:58,357
"PISSED MY PANTS."
MAN, PLEASE. YOU'RE COPS.
672
00:30:58,390 --> 00:31:01,093
YOU NEED TO WORK
ON YOUR POWER OF OBSERVATION.
673
00:31:01,127 --> 00:31:03,462
ON THE PHONE, YOU SAID
SOMEBODY WAS READY TO STEP UP
674
00:31:03,495 --> 00:31:05,197
AND TAKE BUG'S PLACE
WITH CAHILL.
675
00:31:05,231 --> 00:31:06,498
ME, DAWG.
676
00:31:08,134 --> 00:31:09,668
NO.
677
00:31:09,701 --> 00:31:11,337
WAIT
YEAH.
678
00:31:11,370 --> 00:31:13,672
I'M-A SLIDE UP ON CAHILL,
GET IN REAL TIGHT WITH HIM,
679
00:31:13,705 --> 00:31:15,307
BAM, GIVE Y'ALL
THE HOOK-UP.
680
00:31:15,341 --> 00:31:16,909
YOU OUT
OF YOUR DAMN MIND?
681
00:31:16,943 --> 00:31:18,644
CAHILL WILL KILL YOU.
682
00:31:19,711 --> 00:31:21,280
SO LET ME
GET THIS STRAIGHT.
683
00:31:21,313 --> 00:31:22,648
Y'ALL SAYIN'
IF, LIKE...
684
00:31:22,681 --> 00:31:24,616
EVEN IF I'M NOT SCARED --
'CAUSE I'M NOT --
685
00:31:24,650 --> 00:31:26,585
YOU KNOW, YOU'RE, LIKE,
686
00:31:26,618 --> 00:31:28,054
ORDERING ME
TO STAND DOWN, THOUGH?
687
00:31:28,087 --> 00:31:29,321
YEAH.
YEAH.
688
00:31:29,355 --> 00:31:31,457
FINE, MAN.
I DON'T NEED THE DISTRACTION.
689
00:31:31,490 --> 00:31:34,393
HEY, I CAN JUST FOCUS ON TAKING
MY L.A.P.D. ENTRANCE EXAM,
690
00:31:34,426 --> 00:31:36,228
GETTING
MY OW GOLD BADGE, SON.
691
00:31:37,329 --> 00:31:38,597
YOU KIDDING ME?
692
00:31:47,539 --> 00:31:49,341
Alex: WE ORIGINALLY SEIZED
THIS PLACE
693
00:31:49,375 --> 00:31:51,077
FROM AN ARMENIAN
MONEY LAUNDERER.
694
00:31:51,110 --> 00:31:52,411
ANY CHANCE
THAT CAHILL
695
00:31:52,444 --> 00:31:54,680
MIGHT BE FAMILIAR
WITH THE GUY WHO OWNED IT?
696
00:31:54,713 --> 00:31:56,415
NONE.
697
00:31:56,448 --> 00:31:58,284
THE GUY WAS A SHUT-IN
AND ONLY DEALT WITH ARMENIANS.
698
00:31:58,317 --> 00:32:01,053
WHEN WE SERVED THE WARRANT,
HE WAS HIDING IN HERE.
699
00:32:01,087 --> 00:32:02,488
WE ALMOST MISSED HIM,
700
00:32:02,521 --> 00:32:04,623
BUT LUCKILY THE DOG ALERTED US
ON THE BOOKCASE.
701
00:32:05,524 --> 00:32:07,126
IMPRESSIVE.
702
00:32:07,159 --> 00:32:09,095
THE GUY SPENT SOME SERIOUS
MONEY ON THIS PLACE.
703
00:32:09,128 --> 00:32:11,630
WE CAN WIRE INTO
THE EXISTING SECURITY SET-UP
704
00:32:11,663 --> 00:32:14,100
AND GET VIDEO
OF THE WHOLE TRANSACTION.
705
00:32:14,133 --> 00:32:15,467
AND...
706
00:32:15,501 --> 00:32:18,270
IT WOULD BE A GREAT PLACE
FOR A QUICKIE, HUH?
707
00:32:18,304 --> 00:32:21,507
OHH, I LIKE THE WAY YOU THINK,
YOU NAUGHTY GIRL.
708
00:32:23,109 --> 00:32:24,443
SOMETIMES.
709
00:32:24,476 --> 00:32:27,646
I GOT TO GO DOWNTOWN
AND GRAB THE FLASH MONEY...
710
00:32:27,679 --> 00:32:28,981
AGAIN.
711
00:32:29,015 --> 00:32:31,417
BE BACK IN AN HOUR.
712
00:32:31,450 --> 00:32:33,152
BIG TEASE.
713
00:32:47,033 --> 00:32:48,767
WHAT THE HELL
WAS THAT ABOUT YESTERDAY?!
714
00:32:48,800 --> 00:32:50,636
HUH!
YOU TRYING TO SET ME UP?!
715
00:32:50,669 --> 00:32:52,471
YOU WORKING
FOR SOMEONE ELSE?
716
00:32:52,504 --> 00:32:53,572
JUST RELAX.
717
00:32:53,605 --> 00:32:55,374
IF I WAS
TRYING TO SET YOU UP,
718
00:32:55,407 --> 00:32:57,276
WHY WOULD I BE HERE
RIGHT NOW?
719
00:32:57,309 --> 00:32:59,278
HUH?
720
00:33:06,085 --> 00:33:08,287
NO, ANYBODY SHOULD BE
PISSED, IT SHOULD BE ME.
721
00:33:08,320 --> 00:33:11,290
I GAVE YOU AN EASY HIT, AND
YOU JUST WALKED AWAY FROM IT.
722
00:33:11,323 --> 00:33:13,059
NO, NO, NO.
IT WASN'T RIGHT.
723
00:33:13,092 --> 00:33:14,326
IT SMELLED LIKE A SET-UP.
724
00:33:14,360 --> 00:33:16,362
SET!
THAT WAS AN EASY MARK!
725
00:33:16,395 --> 00:33:19,365
WE COULD HAVE TAKEN HIM
FOR OVER A HUNDRED GRAND.
726
00:33:19,398 --> 00:33:22,601
NOBODY'S SETTING YOU UP.
YOUR PARANOIA'S OFF THE CHART.
727
00:33:22,634 --> 00:33:24,136
YEAH, MAYBE
YOU SHOULDN'T CAPER
728
00:33:24,170 --> 00:33:25,704
WHEN YOU'RE GACKED OUT
ON COKE.
729
00:33:25,737 --> 00:33:27,239
LISTEN -- THERE WERE TWO GUYS
IN THE ADJOINING ROOM,
730
00:33:27,273 --> 00:33:28,507
AND THEY DIDN'T
LOOK LIKE OVERNIGHTERS.
731
00:33:28,540 --> 00:33:30,109
COPS?
732
00:33:30,142 --> 00:33:31,743
WELL, I AIN'T SURE.
733
00:33:34,446 --> 00:33:37,083
TWO M IN A HOTEL ROOM
IN VENICE?
734
00:33:37,116 --> 00:33:39,318
COME ON, CAHILL.
735
00:33:39,351 --> 00:33:41,587
MAYBE IF YOU HAD STAYED AROUND
AND WATCHED A LITTLE LONGER,
736
00:33:41,620 --> 00:33:43,455
YOU'D HAVE SEEN
A LITTLE MAN-ON-MAN MASSAGE.
737
00:33:43,489 --> 00:33:45,091
NO, NO, NO, NO.
738
00:33:45,124 --> 00:33:46,625
I DON'T BUY THAT.
739
00:33:46,658 --> 00:33:47,726
WELL...
740
00:33:49,495 --> 00:33:53,332
THE GOOD NEWS IS,
IT'S NOT A COMPLETE WASH.
741
00:33:53,365 --> 00:33:55,834
THE MIAMI COUPLE,
THEY DELIVERED...
742
00:33:55,867 --> 00:33:58,270
AND I KNOW
WHERE THEY DROPPED.
743
00:33:58,304 --> 00:33:59,738
NOW, HOW WOULD YOU
KNOW THAT?
744
00:33:59,771 --> 00:34:01,640
IT'S ONE OF MY
"GENTLEMEN" FRIENDS
745
00:34:01,673 --> 00:34:03,309
THAT'S COLLECTING
THE PAPER.
746
00:34:03,342 --> 00:34:06,245
YOU GIVE ME HALF,
I'LL GIVE YOU THE ADDRESS.
747
00:34:06,278 --> 00:34:07,479
FINE.
748
00:34:08,647 --> 00:34:10,249
HALF. YEAH.
749
00:34:10,282 --> 00:34:12,518
WHATEVER YOU SAY,
SWEETIE.
750
00:34:12,551 --> 00:34:15,221
BUT YOU'RE TAKING ME THERE
RIGHT NOW.
751
00:34:15,254 --> 00:34:17,356
OH, NO, NO.
NO.
752
00:34:17,389 --> 00:34:21,093
WHAT IF HE'S OUT COLLECTING
THE REST OF THE PAPER?
753
00:34:21,127 --> 00:34:23,562
NO, YOU NEED TO DO IT
WHEN I SAY IT'S RIGHT.
754
00:34:23,595 --> 00:34:24,730
WHOA, WHOA.
REALLY?
755
00:34:24,763 --> 00:34:26,432
YOU THINK
I'M GONNA LET
756
00:34:26,465 --> 00:34:28,300
A LITTLE...A LITTLE JUNKIE
LIKE YOU CALL THE SHOTS?
757
00:34:28,334 --> 00:34:29,868
NO, NO, NO.
758
00:34:29,901 --> 00:34:32,538
WE'RE DOING THIS MY WAY,
AND WE'RE DOING IT RIGHT NOW.
759
00:34:32,571 --> 00:34:35,207
I THINK THAT'S A BAD MOVE
ON YOUR PART, BUT...
760
00:34:35,241 --> 00:34:36,242
WHATEVER.
761
00:34:39,611 --> 00:34:42,281
AT LEAST LET ME CALL THE GUY
AND MAKE SURE HE'S HOME.
762
00:34:43,315 --> 00:34:44,816
FINE.
763
00:34:44,850 --> 00:34:47,819
BUT YOU DO IT IN FRONT OF ME,
AND YOU MAKE IT SHORT.
764
00:34:49,621 --> 00:34:50,789
FINE.
765
00:34:56,662 --> 00:34:58,530
YEAH?
YOU GO.
766
00:34:59,665 --> 00:35:00,632
HEY.
767
00:35:00,666 --> 00:35:02,134
Hi, baby.
768
00:35:02,168 --> 00:35:05,204
YEAH, UH, HEY.
ARE YOU
769
00:35:05,237 --> 00:35:06,472
OH. NO.
770
00:35:06,505 --> 00:35:07,639
I WAS THINKING
ABOUT, UH, COMING OVER
771
00:35:07,673 --> 00:35:08,774
AND HANGIN' OUT
FOR A WHILE.
772
00:35:08,807 --> 00:35:11,377
I DON'T KNOW.
A HALF
773
00:35:11,410 --> 00:35:12,644
OKAY. SOUNDS GOOD.
774
00:35:12,678 --> 00:35:14,646
I'LL, UH, SEE YOU
WHEN YOU GET HERE.
775
00:35:14,680 --> 00:35:16,882
ALL RIGHT. BYE.
776
00:35:18,584 --> 00:35:20,519
OH, LET'S DO IT.
777
00:35:20,552 --> 00:35:23,455
I THINK HE'S FORCING HER
TO GO THERE RIGHT NOW.
778
00:35:23,489 --> 00:35:24,690
CARTER AND ALEX
AREN'T SET UP, MAN.
779
00:35:24,723 --> 00:35:26,158
I DON'T THINK
THEY'RE READY.
780
00:35:26,192 --> 00:35:27,259
AND IF THEY GET THERE
BEFORE WE'RE SET UP,
781
00:35:27,293 --> 00:35:28,694
THEN THERE'S
NO DAMN CASE.
782
00:35:28,727 --> 00:35:30,396
YEAH, WELL, YOU'D BETTER CALL
LIEUTENANT SHAW,
783
00:35:30,429 --> 00:35:32,564
'CAUSE GUESS WHAT --
READY OR NOT, HERE THEY COME.
784
00:35:32,598 --> 00:35:34,900
WE'RE NOT GONNA GET
A THIRD SHOT AT CAHILL.
785
00:35:34,933 --> 00:35:36,835
WE GOT TO GO
TO THIS HOUSE NOW.
786
00:35:36,868 --> 00:35:38,704
THIS DOESN'T
FEEL RIGHT, MAN.
787
00:35:38,737 --> 00:35:40,906
I THINK
WE TAKE THEM DOWN NOW.
788
00:35:44,710 --> 00:35:46,645
SHE DIDN'T GIVE
THE PANIC WORD, OKAY?
789
00:35:46,678 --> 00:35:48,647
SO SHE'S GOT TO HAVE IT
UNDER CONTROL.
790
00:35:48,680 --> 00:35:49,881
I WANT TO TRUST YOU,
DEAN,
791
00:35:49,915 --> 00:35:51,517
BUT SHE HAD EVERYTHING
UNDER CONTROL
792
00:35:51,550 --> 00:35:52,951
WITH THE LIL ANT
SITUATION, RIGHT?
793
00:35:52,984 --> 00:35:55,887
UNTIL HE KNOCKED HER ASS OUT
AND THEN TOOK HER GUN.
794
00:35:57,256 --> 00:35:59,391
TY, SHE CAN HANDLE THIS,
ALL RIGHT?
795
00:35:59,425 --> 00:36:00,426
COME ON.
796
00:36:02,228 --> 00:36:03,529
SHE'S GOT THIS.
797
00:36:03,562 --> 00:36:05,564
IF YOU SAY SO, PARTNER.
798
00:36:11,670 --> 00:36:15,474
HE JUST MOVED.
I-I'M NOT SURE OF THE ADDRESS.
799
00:36:17,443 --> 00:36:19,745
Carter: ALL RIGHT, YOU
NEED TO STAY ON HER REAL TIGHT
800
00:36:19,778 --> 00:36:21,413
AND LET ME KNOW
WHEN SHE'S CLOSE.
801
00:36:21,447 --> 00:36:22,548
OKAY, ROGER THAT.
802
00:36:30,589 --> 00:36:32,258
ALEX, HEY.
803
00:36:32,291 --> 00:36:34,426
YOU NEED TO GET HERE
WITH THAT FLASH MONEY NOW.
804
00:36:42,501 --> 00:36:43,602
WHAT WAS THAT?
805
00:36:43,635 --> 00:36:45,237
IT'S AN INSIDE THING.
806
00:36:45,271 --> 00:36:47,005
SHE'S GONNA STALL CAHILL.
COME ON. LET'S GO.
807
00:36:47,038 --> 00:36:48,507
HOPE YOU'RE RIGHT, BUDDY.
808
00:36:48,540 --> 00:36:49,875
CARTER WANTS US
TO STAY TIGHT ON HER.
809
00:36:52,811 --> 00:36:55,414
WE'RE...GOOD.
810
00:37:01,820 --> 00:37:03,455
WHAT THE HELL
HAPPENED?
I DON'T KNOW.
811
00:37:03,489 --> 00:37:04,790
SHE PROMISED ME
812
00:37:04,823 --> 00:37:06,525
SHE'D JUST GET HIM THE ADDRESS
AND WALK AWAY.
813
00:37:06,558 --> 00:37:08,494
HE MUST HAVE GOT EXCITED
AND WANTED TO ACCELERATE THINGS.
814
00:37:08,527 --> 00:37:10,296
THIS THING'S MOVING
WAY TOO FAST.
815
00:37:10,329 --> 00:37:12,764
YOU'RE THE ONE WHO WANTED TO
PUT HER BACK IN PLAY RIGHT AWAY.
816
00:37:12,798 --> 00:37:14,533
I DID,
BECAUSE IT MADE SENSE
817
00:37:14,566 --> 00:37:16,602
AND BECAUSE
JAIMIE'S A HELL OF A COP.
818
00:37:16,635 --> 00:37:19,738
RIGHT BEHIND US.
LET'S GO. MAKE YOURSELF SCARCE.
819
00:37:19,771 --> 00:37:21,640
IS THIS ALL OF IT?
YEAH.
820
00:37:22,908 --> 00:37:24,876
YEAH.
GO, GO, GO, GO.
821
00:37:54,840 --> 00:37:56,074
WHOA.
822
00:37:56,107 --> 00:37:58,009
FORGOT TO LOCK
THE DOOR THERE, BUDDY.
823
00:37:58,043 --> 00:38:00,346
Y-YOU SET ME UP,
YOU DUMB LITTLE JUNKIE?!
824
00:38:00,379 --> 00:38:02,080
TAKE THE MONEY.
PUT THE GIRL ON THE COUCH.
825
00:38:02,113 --> 00:38:04,916
MAKE IT LOOK LIKE
A DRUG DEAL GONE BAD.
826
00:38:04,950 --> 00:38:06,385
YOU GUYS AREN'T COPS?
827
00:38:06,418 --> 00:38:08,520
OH, AFRAID NOT,
SPORT.
828
00:38:08,554 --> 00:38:09,955
Carter:
THIS ISN'T JUST A RIP.
829
00:38:09,988 --> 00:38:13,091
THEY'RE NOT WEARING MASKS.
THIS IS A KILL.
830
00:38:14,460 --> 00:38:16,362
L.A.P.D.!
831
00:38:16,395 --> 00:38:17,696
POLICE!
832
00:39:03,509 --> 00:39:05,777
YOU ALL RIGHT?
833
00:39:09,515 --> 00:39:11,617
Ty: AW, DON'T BE PISSED.
IT'S JUST CRUTCHES.
834
00:39:11,650 --> 00:39:12,918
A COUPLE INCHES OVER,
835
00:39:12,951 --> 00:39:14,753
YOU'D HAVE BEEN SINGING
FALSETTO, BROTHER.
836
00:39:14,786 --> 00:39:15,854
NOW GET REAL.
837
00:39:15,887 --> 00:39:17,389
Dean: INCHES?
838
00:39:17,423 --> 00:39:20,091
A COUPLE INCHES?
839
00:39:20,125 --> 00:39:22,761
COLLECTING WORKERS' COMP,
MY FRIEND...
840
00:39:22,794 --> 00:39:24,430
VACATION...
841
00:39:34,873 --> 00:39:37,743
HEY, NEXT ROUND'S ON ME,
ALL RIGHT?
842
00:39:44,049 --> 00:39:46,151
NICE MONEY CLIP.
843
00:39:46,184 --> 00:39:47,553
YEAH.
844
00:39:47,586 --> 00:39:49,054
IT'S THE ONE
THAT HEADQUARTERS SENT DOWN.
845
00:39:49,087 --> 00:39:51,022
IT'S THE CREW GIFT.
ALEX PUT IT ON YOUR DESK.
846
00:39:51,056 --> 00:39:52,791
YOU GOT YOURS, RIGHT?
WE ALL GOT ONE.
847
00:39:52,824 --> 00:39:53,792
YEAH.
848
00:39:53,825 --> 00:39:55,060
OF COURSE I DID.
849
00:39:59,865 --> 00:40:02,100
WE STILL ON
FOR DINNER TOMORROW NIGHT?
850
00:40:04,202 --> 00:40:05,471
YEAH.
851
00:40:05,504 --> 00:40:07,673
I'M LOOKING FORWARD
TO IT.
852
00:40:09,007 --> 00:40:10,842
YEAH, ME TOO.
853
00:40:13,912 --> 00:40:16,147
OOH! TIFFANY'S.
854
00:40:16,181 --> 00:40:17,616
YEAH.
855
00:40:17,649 --> 00:40:19,451
IT'S A GIFT FOR MY NIECE
FOR HER GRADUATION.
856
00:40:25,957 --> 00:40:28,494
I'LL BE BACK.
857
00:40:35,501 --> 00:40:37,603
SOMETHING
ON YOUR MIND?
858
00:40:37,636 --> 00:40:38,604
YEAH.
859
00:40:38,637 --> 00:40:39,938
AND BELIEVE IT OR NOT,
860
00:40:39,971 --> 00:40:42,140
I'M NOT SO GREAT
AT FIGURING OUT WOMEN.
861
00:40:42,173 --> 00:40:43,174
NO WAY.
862
00:40:45,677 --> 00:40:47,112
WHAT'S THIS?
863
00:40:47,145 --> 00:40:49,114
LIL ANT SHOOTING REVIEW.
864
00:40:49,147 --> 00:40:50,649
YOU'RE CLEAR.
865
00:40:50,682 --> 00:40:52,150
NOT ONLY THAT,
I PUT YOU UP FOR COMMENDATION
866
00:40:52,183 --> 00:40:54,986
ON THE WAY YOU'VE
HANDLED YOURSELF ON THIS CASE.
867
00:41:04,863 --> 00:41:07,733
HEY, WHAT UP, MY BROTHER
FROM ANOTHER MOTHER?
868
00:41:07,766 --> 00:41:08,734
HEY.
869
00:41:08,767 --> 00:41:09,968
HEY, GUESS WHAT.
870
00:41:10,001 --> 00:41:11,670
I DAMN NEAR
PASSED THAT TEST TODAY --
871
00:41:11,703 --> 00:41:13,138
ONLY MISSED IT
BY 20 QUESTIONS.
872
00:41:13,171 --> 00:41:14,806
BUT DON'T YOU WORRY, TY.
873
00:41:14,840 --> 00:41:16,975
I CAN TRY AGAIN
IN ANOTHER TWO MONTHS,
874
00:41:17,008 --> 00:41:17,976
A GUY TOLD ME.
875
00:41:18,009 --> 00:41:19,745
ALMOST, HUH?
876
00:41:19,778 --> 00:41:21,279
HEY, DON'T BE
A HATER, MAN.
877
00:41:21,312 --> 00:41:23,749
ME AND TY, WE GONNA PARTNER UP
SOON AS I PASS THAT TEST.
878
00:41:32,791 --> 00:41:34,693
HERE YOU GO.
RIGGS AND MURTAUGH.
879
00:41:34,726 --> 00:41:36,728
SMILE.
62499
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