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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:03:06,002 --> 00:03:11,007 YOU SAW THE FIGHT LAST NIGHT? I WAS READIN' ABOUT IT. 4 00:03:11,007 --> 00:03:13,593 IT SAYS IT WAS GREAT. IT WAS ROTTEN. 5 00:03:13,593 --> 00:03:16,012 WHAT WAS THE MATTER? I THOUGHT IT WAS GONNA BE A FIGHT TO THE FINISH. 6 00:03:16,012 --> 00:03:18,682 BUT IN THE 77TH ROUND, THE GUY GOT YELLOW AND QUIT. 7 00:03:18,682 --> 00:03:21,059 THAT CERTAINLY IS A BIRD OF A PICTURE. 8 00:03:21,059 --> 00:03:23,353 SO HELP ME, I NEVER SAW A WOMAN MORE BEAUTIFUL. 9 00:03:23,353 --> 00:03:26,106 IT JUST COME THIS MORNIN'. GUS DIDN'T EVEN WAIT FOR HIS BREAKFAST... 10 00:03:26,106 --> 00:03:28,317 BEFORE HE HAD IT STUCK UP THERE. 11 00:03:28,317 --> 00:03:30,443 A GUY DON'T NEED ANY BREAKFAST WHEN HE CAN LOOK AT HER. 12 00:03:30,443 --> 00:03:33,446 SHE IS BEAUTIFUL! 13 00:03:33,446 --> 00:03:35,073 I WISH SHE'D TAKE A SHINE TO ME. 14 00:03:35,073 --> 00:03:37,326 HEY, YOU BETTER NOT LET GUS JORDAN HEAR YOU SAY THAT... 15 00:03:37,326 --> 00:03:41,330 OR YOU'LL BE PICKIN' LEAD OUTTA YOUR PANTS. 16 00:03:41,955 --> 00:03:44,708 WHEN DID THAT CRAWL IN? HIT HIM ON THE BACK BEFORE HE CHOKES TO DEATH. 17 00:03:49,170 --> 00:03:51,715 THIS OUGHT TO LEARN YOU THAT FREE LUNCH IS MEANT TO BE ET AND NOT STORED FOR THE WINTER. 18 00:03:54,884 --> 00:03:59,556 HELLO, DAN. WHERE YOU BEEN? 19 00:03:59,556 --> 00:04:01,725 AIN'T SEEN YOU AROUND SINCE SWEEDIE CARLSON CROAKED YOUR GAL. 20 00:04:01,725 --> 00:04:04,644 BEEN AWAY ON BUSINESS, BUT I'LL BE AROUND A LOT FROM NOW ON. 21 00:04:04,644 --> 00:04:08,148 HOW ARE YA, BOYS? FINE, FINE. 22 00:04:08,148 --> 00:04:10,734 HI, BOYS. DRINKS ARE ON ME. 23 00:04:10,734 --> 00:04:12,736 HELLO, DAN. 24 00:04:12,736 --> 00:04:14,487 BEEN WAITIN' LONG? ABOUT 15 MINUTES. 25 00:04:14,487 --> 00:04:17,115 WHEN DID THE PAINTING GO UP THERE? THIS MORNING. 26 00:04:17,115 --> 00:04:20,577 I THINK I GOT THE DOPE ON HOW TO GET JORDAN THIS TIME AND GET HIM RIGHT. 27 00:04:20,577 --> 00:04:24,539 GUS SEEMS TO BE SITTIN' AS TIGHT AS EVER. DON'T YOU BELIEVE IT. 28 00:04:24,539 --> 00:04:28,793 JUST BECAUSE HE'S RUNNIN' FOR SHERIFF AND STANDS IN GOOD WITH THE HIGHER-UPS... 29 00:04:28,793 --> 00:04:32,047 DON'T MEAN HE CAN'T BE SHOWED UP. 30 00:04:32,047 --> 00:04:34,758 PRETTY SOON, I'LL BE STANDIN' IN HIS SHOES AS BOSS OF THIS HERE DISTRICT AND THEN-- 31 00:04:34,758 --> 00:04:39,012 AND YOU FIGURE SHE GOES ALONG WITH THAT HONOR, EH, DAN? 32 00:04:39,012 --> 00:04:43,516 I ALWAYS THOUGHT YOU WERE WARM FOR HER. 33 00:04:43,516 --> 00:04:45,852 YES, I GOT TO ADMIT IT. THIS IS MY FIRST BIG CHANCE. 34 00:04:45,852 --> 00:04:50,399 JORDAN'S PLAYIN' A CROOKED GAME. 35 00:04:50,399 --> 00:04:52,692 SO FAR, HE'S KEPT UNDERCOVER, 36 00:04:52,692 --> 00:04:54,778 BUT ONCE I GET AHOLD OF SOMETHIN' I CAN TAKE TO THE DISTRICT ATTORNEY, 37 00:04:54,778 --> 00:04:57,822 GUS WILL BE OUT AND I'LL BE IN. 38 00:04:57,822 --> 00:05:00,116 AND IT'LL ALL BE OVER BUT THE CELEBRATIN'. 39 00:05:00,116 --> 00:05:02,702 SHE AIN'T NO EASY GAL TO HANDLE, FLYNN. 40 00:05:02,702 --> 00:05:04,996 I KNOW THAT. SHE'S A PRETTY SLICK ARTICLE. 41 00:05:04,996 --> 00:05:08,166 WHEN CHICK WAS SENT UP THE RIVER, 42 00:05:08,166 --> 00:05:10,585 SHE BLOWED INTO JORDAN'S ARMS JUST FOR PROTECTION AND HE'S TOO BLIND TO SEE IT. 43 00:05:10,585 --> 00:05:13,922 OH, SURE. HE'S ALL PUFFED UP OVER HIMSELF. 44 00:05:13,922 --> 00:05:16,800 WOULD YOU BELIEVE IT? HE ACTUALLY THINKS SHE'S IN LOVE WITH HIM. 45 00:05:16,800 --> 00:05:20,512 YOU KNOW, EVER SINCE I SANG THAT SONG, IT'S BEEN HAUNTING ME. 46 00:05:20,512 --> 00:05:24,224 IT SHOULD HAUNT YOU. YOU MURDERED IT. 47 00:05:26,643 --> 00:05:30,730 YEAH, YOU PLAY THAT LIKE IT HURT YOU. IT DOES. 48 00:05:30,730 --> 00:05:34,693 NO, I'M MOODY THAT WAY, SEE? 49 00:05:34,693 --> 00:05:37,153 SAY, BOSS, I GOT A BRAND-NEW TUNE JUST OUT. YEAH? WHAT IS IT? 50 00:05:37,153 --> 00:05:42,033 IT'S CALLED "AFTER THE BALL IS OVER." WELL, PLAY IT. 51 00:05:42,033 --> 00:05:45,745 ♪♪ 52 00:05:49,082 --> 00:05:53,920 GEE, KELLY, THAT WILL BE A GREAT SONG FOR LOU. 53 00:05:53,920 --> 00:05:56,881 YOU KNOW, SHE'S GETTIN' FAMOUS. 54 00:05:56,881 --> 00:05:58,758 TONY PASTER HIMSELF OFFERED TO SIGN HER UP FOR HIS MUSIC HALL. 55 00:05:58,758 --> 00:06:01,845 YOU DON'T MEAN TONY PASTER WAY UPTOWN ON 14TH STREET? YES, THAT'S THE ONE. 56 00:06:01,845 --> 00:06:05,890 PASTER SAYS THAT LOU'S GOT IT ALL OVER DELLA FOX. 57 00:06:06,975 --> 00:06:08,643 HELLO, MRS. MIGG. 58 00:06:11,187 --> 00:06:13,231 OH, MRS. FLAHERTY, I'M DISAPPOINTED IN YOU. 59 00:06:15,900 --> 00:06:18,236 DISAPPOINTED IN ME? SURE, JUST BECAUSE I COME HERE WITH ME LITTLE CAN? 60 00:06:18,236 --> 00:06:21,948 SURE, A PINT OF BEER WILL HURT NOBODY NO TIME. 61 00:06:21,948 --> 00:06:25,785 OH, IT'S NOT ONLY THAT. I'M DISAPPOINTED AT NOT SEEING YOU AT THE MISSION. 62 00:06:25,785 --> 00:06:28,997 AT THE MISSION? SEE HERE, CUMMINGS! 63 00:06:28,997 --> 00:06:31,082 WELL, WHAT IS IT, JORDAN? 64 00:06:31,082 --> 00:06:34,794 THOUGHT YOU'D GIVEN UP TRYING TO REFORM MY PLACE. NO, I'M STILL HOPEFUL. 65 00:06:34,794 --> 00:06:39,799 HOPEFUL? WELL, I'M NOT GOING TO HAVE YOU PEOPLE INTERFERING IN MY BUSINESS. 66 00:06:39,799 --> 00:06:43,678 BEFORE YOU STARTED THAT MISSION NEXT DOOR, WE NEVER HAD ANY TROUBLE AROUND HERE. 67 00:06:43,678 --> 00:06:47,223 WELL, I'VE HEARD DIFFERENTLY. 68 00:06:47,223 --> 00:06:49,518 BUT IF WHAT YOU SAY IS TRUE, I'D ONLY BE TOO GLAD TO BE MISTAKEN. 69 00:06:49,518 --> 00:06:53,938 HEY, NOW SEE HERE, CUMMINGS. I'M TELLING YOU AGAIN. 70 00:06:53,938 --> 00:06:56,191 I'M NOT GOING TO HAVE MY CUSTOMERS DRIVEN AWAY. 71 00:06:56,191 --> 00:06:58,276 I WOULDN'T THINK OF DOING SUCH A THING. HEY, GUS! 72 00:07:06,826 --> 00:07:10,997 HOW ARE YA, GUS. 73 00:07:10,997 --> 00:07:13,666 WELL, HELLO, FLYNN. HOW ARE YA? GREAT. 74 00:07:13,666 --> 00:07:16,795 HAVE A DRINK? SURE. 75 00:07:16,795 --> 00:07:18,880 SET 'EM UP OVER THERE. ALL RIGHT, BOSS. 76 00:07:18,880 --> 00:07:20,840 HAVEN'T SEEN YOU IN MY PLACE IN MORE THAN A MONTH. WHERE HAVE YOU BEEN? 77 00:07:20,840 --> 00:07:23,885 OH, HERE, THERE AND EVERYWHERE. 78 00:07:23,885 --> 00:07:26,137 CITY'S GETTIN' SO BIG, IT TAKES TIME TO GET AROUND IT. YEAH. 79 00:07:26,137 --> 00:07:29,057 ONE OF THESE DAYS, WE'LL BE WALKIN' ACROSS A BRIDGE TO LONG ISLAND CITY. 80 00:07:29,057 --> 00:07:33,061 WALKIN'? HEY, WE'LL BE RIDIN' OVER IT IN ONE OF THEM HORSELESS BUGGIES. 81 00:07:33,061 --> 00:07:37,065 I'M THINKIN' OF BUYIN' ONE FOR ME AND LOU. 82 00:07:37,065 --> 00:07:40,193 BY THE WAY, GUS, HOW IS SHE? 83 00:07:40,193 --> 00:07:42,779 SHE'S IN DEMAND, FLYNN. WHY, THE BOWERY SAVINGS BANK AND RUPERT'S BREWERY... 84 00:07:42,779 --> 00:07:47,033 ARE FIGHTIN' TO GET TO USE HER PICTURE EXCLUSIVE ON THEIR NEW YEAR'S CALENDARS. 85 00:07:47,033 --> 00:07:50,036 SHE SURE IS A HANDSOME GIRL. YEAH. 86 00:07:50,036 --> 00:07:52,664 I WONDER YOU DON'T GET JEALOUS. 87 00:07:52,664 --> 00:07:54,791 ALL THE MEN ARE SO CRAZY ABOUT HER. 88 00:07:54,791 --> 00:07:57,627 WELL, I DO GET KIND OF MAD AT THE ATTENTION SOME OF THEM SHOW HER. 89 00:07:57,627 --> 00:08:00,964 BUT IT AIN'T BAD, HAVIN' A GIRL THAT ALL THE MEN ARE AFTER. 90 00:08:00,964 --> 00:08:04,759 SHOWS I MUST BE PRETTY GOOD, EH, FLYNN? 91 00:08:07,596 --> 00:08:10,056 HEY... TAKE A LOOK AT THAT. 92 00:08:10,056 --> 00:08:13,935 JUST BOUGHT IT FOR HER. AIN'T THAT A PIP? BIG AS A NICKEL. 93 00:08:13,935 --> 00:08:18,231 WHAT WOULD YOU DO IF SOMEBODY TRIED TO TAKE HER AWAY FROM YA? 94 00:08:19,774 --> 00:08:23,069 PROBABLY NOTHIN'... TO HER. 95 00:08:29,409 --> 00:08:33,955 SAY, THE FLIES HERE ARE TERRIBLE. 96 00:08:33,955 --> 00:08:36,791 YOU PICK OUT THE ONE YOU DON'T LIKE, AND I'LL KILL HIM FOR YA. 97 00:08:38,084 --> 00:08:40,003 SOMEONE WANTS TO TALK TO YOU IN THE OFFICE. ALL RIGHT, SPIDER. 98 00:08:43,298 --> 00:08:46,259 EXCUSE ME, DAN. SURE. 99 00:08:46,259 --> 00:08:48,428 LOU IS THE SWELLEST GIRL THAT EVER CAME DOWN THE BOWERY. 100 00:08:51,222 --> 00:08:55,226 YOU FELLAS DON'T KNOW NOTHIN' ABOUT LOU, BUT I DO. 101 00:08:55,226 --> 00:08:58,146 ♪ JUST BEFORE THE BATTLE MOTHER ♪ 102 00:08:58,354 --> 00:09:01,941 AND WHEN DID YOU GET IN, RITA? TWO DAYS AGO. 103 00:09:03,192 --> 00:09:05,654 BUT I DID NOT COME HERE DIRECT. YOU UNDERSTAND? 104 00:09:05,654 --> 00:09:08,657 GOOD GIRL, RITA. TAKE NO CHANCES. 105 00:09:08,657 --> 00:09:11,326 WE ARE VERY DISCREET, SERGE AND ME. 106 00:09:11,326 --> 00:09:14,412 GUS, YOU MUST LIKE SERGE. HE HAS BEEN A MOST VALUABLE ASSISTANT. 107 00:09:14,663 --> 00:09:19,334 SURE YOU CAN TRUST HIM? YOU KNOW RITA. 108 00:09:19,334 --> 00:09:22,128 WE GOTTA BE CAREFUL. I CAN'T TAKE CHANCES HAVING HEADQUARTERS WATCHING. 109 00:09:22,128 --> 00:09:27,091 POOH! THEY WILL FIND NOTHING. NO, NOT IF WE STAY AWAKE. 110 00:09:27,091 --> 00:09:30,762 BUT DON'T FORGET, NO TALKING TO ANYONE. 111 00:09:30,762 --> 00:09:33,806 RITA NEVER TALKS, BUT ARE YOU SURE ABOUT LOU? SHE DOESN'T KNOW A THING. 112 00:09:34,098 --> 00:09:38,978 SAY, SHE'S OUT OF THIS, UNDERSTAND? OUT OF IT. 113 00:09:38,978 --> 00:09:42,440 OF COURSE, GUS, IF YOU SAY SO. 114 00:09:42,440 --> 00:09:45,234 OH, SERGE. WE WERE TALKING ABOUT GUS' FRIEND LOU. 115 00:09:45,234 --> 00:09:48,279 OH, YES, I-- I HAVE HEARD OF HER. 116 00:09:48,279 --> 00:09:51,074 SHE'S VERY BEAUTIFUL, YES? 117 00:09:51,074 --> 00:09:53,117 MORE BEAUTIFUL THAN THESE? 118 00:09:55,078 --> 00:09:57,288 HA! SHE MAKES THEM LOOK LIKE A BUNCH OF DISHWASHERS. 119 00:10:35,744 --> 00:10:39,956 OH, HELLO, MICKEY. 120 00:10:39,956 --> 00:10:42,375 AW, LADY LOU, YOU'RE A FINE GAL, A FINE WOMAN. 121 00:10:42,375 --> 00:10:45,420 ONE OF THE FINEST WOMEN EVER WALKED THE STREETS. 122 00:10:50,299 --> 00:10:55,346 HOW ARE THE GIRLS TODAY, HUH? OH, JUST FINE, MISS LOU. 123 00:10:55,346 --> 00:10:59,308 OH, HELLO, RITA. WHY, LOU, I'M SO VERY, VERY HAPPY TO SEE YOU. 124 00:10:59,308 --> 00:11:03,354 GLAD TO SEE YA BACK. YES. LOU, THIS IS SERGE STANIEFF. 125 00:11:03,354 --> 00:11:07,358 OH, UH, PLEASED TO MEET YA. 126 00:11:07,358 --> 00:11:10,820 TAKE A LOOK AT THIS, GUS, AND LEARN SOMETHIN'. 127 00:11:10,820 --> 00:11:13,364 I AM DELIGHTED. I HAVE HEARD SO MUCH ABOUT YOU. 128 00:11:13,364 --> 00:11:15,825 YEAH, BUT YOU CAN'T PROVE IT. 129 00:11:15,825 --> 00:11:18,077 SERGE IS MY NEW ASSISTANT, LOU. 130 00:11:18,077 --> 00:11:20,413 DAY OR NIGHT WORK, RITA? HE SHOULD BE A BIG HELP. 131 00:11:20,413 --> 00:11:24,250 DID YOU GET THE PICTURES, LOU? 132 00:11:24,250 --> 00:11:26,544 OH, YEAH. I HAD THEM TAKEN WITH ALL MY ROCKS. 133 00:11:26,544 --> 00:11:29,088 WAIT 'TIL YOU TAKE A LOOK AT THESE. I KIND OF LIKE THAT ONE. 134 00:11:29,088 --> 00:11:33,009 OH, YES. THIS ONE IS BEAUTIFUL. 135 00:11:33,009 --> 00:11:35,094 AND THIS GIVES ME A LOT OF STYLE AND DIGNITY. SURE IS A PIP, LOU. 136 00:11:35,094 --> 00:11:39,098 WAIT 'TIL YOU SEE THIS. FOR THE BEDROOM. 137 00:11:39,098 --> 00:11:41,350 A LITTLE BIT SPICY BUT NOT TOO RAW, YOU KNOW WHAT I MEAN? 138 00:11:41,350 --> 00:11:45,938 OH. WANT TO SEE THE PICTURES? 139 00:11:45,938 --> 00:11:48,399 YES, I WOULD LIKE VERY MUCH TO SEE THEM. 140 00:11:48,399 --> 00:11:51,569 DON'T BE BACKWARD. I'M NOT. 141 00:11:51,569 --> 00:11:54,906 THEY ARE WONDERFUL, BUT I LIKE BEST THAT MARVELOUS PAINTING OF YOU IN THE BAR. 142 00:11:54,906 --> 00:11:59,243 OH, YEAH. I GOT TO ADMIT, THAT IS A FLASH, 143 00:11:59,243 --> 00:12:01,454 BUT I DO WISH GUS HADN'T HUNG IT UP OVER THE FREE LUNCH. 144 00:12:02,914 --> 00:12:04,874 WELL, MIKE, YOU SURE TOOK LONG ENOUGH. 145 00:12:07,585 --> 00:12:10,421 WHAT HAVE YOU BEEN DOIN' UP THERE? 146 00:12:10,421 --> 00:12:12,507 I WAS LOOKING AROUND AT ALL THE BEAUTIFUL THINGS, MA'AM. IT LOOKS LIKE HEAVEN. 147 00:12:12,507 --> 00:12:15,384 OH, THAT'S WHY YOU GOT TO CLIMB STAIRS TO GET THERE. 148 00:12:15,384 --> 00:12:17,553 IS THAT ALL, MISS LOU? YEAH, YOU CAN GO. 149 00:12:17,553 --> 00:12:19,514 MIKE AND HIS HORSES ARE AS FAMOUS AS THIS DANCE HALL. 150 00:12:19,514 --> 00:12:22,851 WELL, THE ONLY DIFFERENCE, THE HORSES ARE SOBER. 151 00:12:22,851 --> 00:12:25,144 YOU'RE SURE A PIP, LOU. 152 00:12:25,144 --> 00:12:27,647 WELL, I SUPPOSE I'LL BE SEEING YOU AROUND, RITA. OH, YES, YES. 153 00:12:27,647 --> 00:12:31,484 AND YOU, MR... 154 00:12:31,484 --> 00:12:34,987 MM-HMM. 155 00:12:45,957 --> 00:12:49,878 HMM. 156 00:12:49,878 --> 00:12:52,505 COME, RITA. LET'S GET THIS BUSINESS OVER WITH. 157 00:12:52,505 --> 00:12:55,258 SPIDER, SEE THAT I'M NOT DISTURBED BY ANYONE. 158 00:12:55,258 --> 00:12:57,677 COME, RITA. ALL RIGHT, BOSS. 159 00:12:57,677 --> 00:13:00,096 SERGE, COME! 160 00:13:00,096 --> 00:13:02,265 OH, PEARL? PEARL? 161 00:13:02,265 --> 00:13:05,560 YASSUM? COME ON, HONEY. 162 00:13:05,560 --> 00:13:08,354 ♪♪ 163 00:13:09,230 --> 00:13:10,606 I JUST LOVES TO WORK FOR YOU, MISS LOU. YEAH? 164 00:13:14,068 --> 00:13:17,613 YOU BUY SUCH PRETTY THINGS. 165 00:13:17,613 --> 00:13:20,199 AND ALL THEM DIAMONDS. YOU SO RICH. 166 00:13:20,199 --> 00:13:23,244 I WASN'T ALWAYS RICH. NO? 167 00:13:23,244 --> 00:13:26,164 NO. THERE WAS A TIME I DIDN'T KNOW WHERE MY NEXT HUSBAND WAS COMING FROM. 168 00:13:26,164 --> 00:13:29,250 YEAH, BUT WHAT I MEANS IS YOU AIN'T NEVER BEEN IN THE CIRCUMSTANCES... 169 00:13:29,250 --> 00:13:32,628 WHERE THE WOLF CAME TO YOUR DOOR. THE WOLF AT MY DOOR? 170 00:13:32,628 --> 00:13:36,048 WHY, I REMEMBER WHEN HE CAME RIGHT INTO MY ROOM AND HAD PUPS. 171 00:13:38,634 --> 00:13:39,302 WELL? THE PINT, KELLY. 172 00:13:42,972 --> 00:13:45,016 DID YOU FIX IT LIKE I TOLD YA, MRS. CASSIDY? NO. 173 00:13:47,018 --> 00:13:49,729 I ALWAYS TAKE A BIT OF BUTTER AND RUB IT IN THE BOTTOM OF THE CAN. 174 00:13:49,729 --> 00:13:53,524 THAT KILLS THE SUDS. OH, IS THAT SO? 175 00:13:53,524 --> 00:13:56,194 WELL, I NEVER THOUGHT OF THAT AT ALL. 176 00:13:56,194 --> 00:13:58,988 WHY DIDN'T YOU TELL ME THAT BEFORE? 177 00:13:58,988 --> 00:14:01,365 I DIDN'T KNOW. 178 00:14:21,802 --> 00:14:26,098 SPIDER? 179 00:14:26,098 --> 00:14:28,559 SPIDER? SPIDER! 180 00:14:28,559 --> 00:14:31,145 WHAT'S THE MATTER? WHAT'S THE MATTER? LOOK. 181 00:14:31,145 --> 00:14:33,356 OH, MY GOD. GET OUT OF THE WAY. 182 00:14:33,356 --> 00:14:37,443 GIVE HER SOME AIR, WILL YA? GET OUT OF THE WAY. 183 00:14:37,443 --> 00:14:40,446 WHAT'S THE TROUBLE DOWN THERE? 184 00:14:40,446 --> 00:14:43,282 THIS GAL TRIED TO CROAK HERSELF BUT THEY STOPPED HER BEFORE SHE COULD. 185 00:14:43,282 --> 00:14:46,202 OH, ALL RIGHT, SPIDER. BRING HER UP. OH, BILL! 186 00:14:46,202 --> 00:14:48,997 FIX UP SOMETHIN' FOR HER. RIGHT AWAY, LOU. 187 00:14:48,997 --> 00:14:51,540 THINK OF TRYING TO BUMP HERSELF OFF IN HERE OF ALL PLACES. 188 00:14:51,540 --> 00:14:55,461 AW, SHE COME TO THE RIGHT PLACE, ALL RIGHT. 189 00:14:55,461 --> 00:14:58,297 WHAT DO I DO WITH THE KID, LOU? PUT HER RIGHT OVER THERE, SPIDER. 190 00:14:58,297 --> 00:15:00,633 ALL RIGHT. WHERE'S GUS? 191 00:15:00,633 --> 00:15:03,344 HE'S DOWN IN HIS OFFICE. HE LEFT WORD NOT TO BE DISTURBED FOR ANYTHING. 192 00:15:03,344 --> 00:15:06,389 HERE YOU ARE, LOU. THANKS, BILL. 193 00:15:06,389 --> 00:15:08,391 YOU GO DOWNSTAIRS AND SHUT THAT CROWD UP, WILL YA? 194 00:15:08,391 --> 00:15:10,559 YOU CAN GO, SPIDER. I'LL LOOK AFTER HER. 195 00:15:10,559 --> 00:15:12,770 POOR KID LOOKS LIKE SHE'S ALL IN. YEAH, SHE MUST HAVE BEEN... 196 00:15:12,770 --> 00:15:15,189 UP AGAINST IT TO WANT TO CROAK HERSELF. COME ON. TAKE THIS HERE. 197 00:15:21,821 --> 00:15:26,575 COME ON, THIS WILL FIX YOU UP. 198 00:15:29,745 --> 00:15:33,624 WHAT'S THE MATTER, COMMITTED MURDER? 199 00:15:33,624 --> 00:15:35,584 NO, NOT THAT, AND I NEVER WILL. 200 00:15:35,584 --> 00:15:37,795 WELL, YOU GOT NOTHIN' TO WORRY ABOUT. AT LEAST THE GUY'S ALIVE. 201 00:15:37,795 --> 00:15:40,756 HOW DID YOU KNOW THERE WAS A MAN? 202 00:15:40,756 --> 00:15:43,509 THERE ALWAYS IS. YOU KNOW, IT TAKES TWO TO GET ONE IN TROUBLE. 203 00:15:43,509 --> 00:15:46,470 OH, YOU KNOW EVERYTHING ABOUT ME. 204 00:15:46,470 --> 00:15:48,764 WELL, I WOULDN'T SAY THAT, BUT I AMOBSERVANT. COME ON, WE'LL GO OVER HERE. 205 00:15:49,682 --> 00:15:52,685 SIT DOWN THERE. 206 00:15:53,853 --> 00:15:56,105 WHAT WAS HE, MARRIED? YES, BUT I DIDN'T KNOW. 207 00:15:58,649 --> 00:16:02,695 I DIDN'T KNOW. MAKES NO DIFFERENCE TO ME WHETHER YOU DID OR NOT. 208 00:16:02,695 --> 00:16:07,158 MEN'S ALL ALIKE, MARRIED OR SINGLE. IT'STHEIR GAME. 209 00:16:07,158 --> 00:16:10,286 I HAPPEN TO BE SMART ENOUGH TO PLAY IT THEIR WAY. 210 00:16:10,286 --> 00:16:13,497 YOU'LL COME TO IT. 211 00:16:13,497 --> 00:16:16,625 WELL, WHERE YOU BEEN? JUST WHEN I NEED YOU MOST OF ALL, YOU AIN'T AROUND. 212 00:16:16,625 --> 00:16:20,379 I AIN'T BEEN NO PLACE, MISS LOU. 213 00:16:20,379 --> 00:16:22,631 YOU AIN'T BEEN NO PLACE. YOU JUST BEEN LOST. 214 00:16:22,631 --> 00:16:25,259 COME ON AND GET MY LITTLE FRIEND HERE FIXED UP WITH SOME NEW CLOTHES. 215 00:16:25,259 --> 00:16:27,845 GET THESE RAGS OFF HER. 216 00:16:27,845 --> 00:16:30,181 WHAT'S YOUR NAME, DEAR? SALLY. 217 00:16:30,181 --> 00:16:32,475 SALLY WHAT? SALLY GLYNN. 218 00:16:32,475 --> 00:16:34,810 OH. 219 00:16:34,810 --> 00:16:37,188 ALWAYS REMEMBER TO SMILE AND YOU'LL NEVER HAVE ANYTHING TO WORRY ABOUT. 220 00:16:37,188 --> 00:16:40,608 AND FORGET ABOUT THIS GUY. SEE THAT YOU GET A GOOD ONE THE NEXT TINE. 221 00:16:40,608 --> 00:16:44,695 WHO'D WANT ME AFTER WHAT I'VE DONE? 222 00:16:44,695 --> 00:16:47,323 LISTEN, WHEN WOMEN GO WRONG, MEN GO RIGHT AFTER THEM. 223 00:16:47,323 --> 00:16:52,286 YOU WANT TO PUT MORE PETTICOATS ON HER? NO, SHE'S GOT ENOUGH ON. 224 00:16:52,286 --> 00:16:55,414 WOULDN'T NEED ANY OF THEM IF THEY DIDN'T STUFF THIS FURNITURE WITH HORSE HAIR. 225 00:16:55,706 --> 00:16:59,377 IF YOU WAS TO GO OUT AND SOMETHIN' WOULD HAPPEN, 226 00:17:00,586 --> 00:17:03,756 I WOULDN'T WANT NO POLICEMAN TO CATCH ME WITHOUT NO PETTICOAT. 227 00:17:03,756 --> 00:17:07,135 NO POLICEMAN? HOW ABOUT A NICE FIREMAN, HUH? 228 00:17:07,135 --> 00:17:10,805 THAT'S THE SPIRIT, SISTER. 229 00:17:10,805 --> 00:17:13,265 LOU, I'M JUST BRINGIN' THE FOLKS IN. ALL RIGHT. 230 00:17:13,265 --> 00:17:15,601 OH, SUCH A GORGEOUS PLACE, GUS. 231 00:17:15,601 --> 00:17:17,770 I DIDN'T THINK SUCH A ROOM EXISTED IN THIS HOUSE. 232 00:17:17,770 --> 00:17:19,855 EVERYTHING HERE IMPORTED SPECIAL FROM PARIS. 233 00:17:19,855 --> 00:17:22,566 HELLO, RITA. HELLO, LOU. 234 00:17:22,566 --> 00:17:24,693 I DIDN'T EXPECT TO SEE YA SO SOON. 235 00:17:24,693 --> 00:17:26,695 OH, YOU'RE HERE TOO. HOW NICE. 236 00:17:26,695 --> 00:17:29,490 OH, LOU, UH, WHAT BECOME OF THE GIRL THAT CAUSED ALL THE EXCITEMENT DOWNSTAIRS? 237 00:17:29,490 --> 00:17:34,203 OH, SHE'S INSIDE. PEARL'S FIXIN' HER UP. SHE'LL BE ALL RIGHT. 238 00:17:34,203 --> 00:17:36,455 YOU GOTTA DO SOMETHIN' ABOUT PEOPLE USING YOUR JOINT FOR A MORGUE. YEAH. 239 00:17:36,455 --> 00:17:40,459 - WHAT ABOUT THIS POOR CREATURE, LOU? - SOME GUY DONE HER WRONG. 240 00:17:40,459 --> 00:17:44,422 THE STORY'S SO OLD, IT SHOULD HAVE BEEN SET TO MUSIC LONG AGO. 241 00:17:44,422 --> 00:17:47,466 I WOULD LIKE TO SEE THIS GIRL, LOU. 242 00:17:47,466 --> 00:17:49,677 I THINK PERHAPS I COULD DO SOMETHING FOR HER. 243 00:17:49,677 --> 00:17:52,721 THAT WILL BE GREAT. I'LL SEND HER IN. 244 00:17:52,721 --> 00:17:55,266 YOU LOOK AFTER HER, GUS. I GOTTA DRESS. ALL RIGHT. 245 00:17:55,266 --> 00:17:58,310 I THINK SHE WILL BE VERY USEFUL TO US. SHH! DON'T MENTION IT. 246 00:18:02,022 --> 00:18:04,400 HOW CHARMING. HOW LOVELY. 247 00:18:06,444 --> 00:18:09,989 COME, SIT OVER HERE WITH US. 248 00:18:10,656 --> 00:18:12,491 THAT'S IT. 249 00:18:14,702 --> 00:18:16,704 WHAT A SWEET, INNOCENT FACE. 250 00:18:18,998 --> 00:18:21,959 CAN'T YOU DO SOMETHING FOR HER, RITA? 251 00:18:21,959 --> 00:18:24,712 CAN YOU SING AND DANCE PERHAPS? 252 00:18:24,712 --> 00:18:27,673 WELL, NOT VERY WELL, I'M AFRAID. 253 00:18:27,673 --> 00:18:30,259 WELL, UH, BUT YOU'D BE WILLING TO LEARN. 254 00:18:30,259 --> 00:18:32,720 YES, I GUESS SO. 255 00:18:32,720 --> 00:18:34,722 WELL, THEN I THINK I CAN FIND YOU A VERY NICE POSITION. 256 00:18:34,722 --> 00:18:39,518 HAVE YOU HEARD PERHAPS OF THE BARBARY COAST? 257 00:18:40,145 --> 00:18:44,440 NO, I DON'T THINK SO. 258 00:18:44,440 --> 00:18:46,567 BUT IT WOULDN'T MAKE ANY DIFFERENCE. 259 00:18:46,567 --> 00:18:48,986 WELL, YOUR PEOPLE, YOUR PARENTS? 260 00:18:48,986 --> 00:18:51,739 WELL, I DON'T WANT THEM TO KNOW ANYTHING ABOUT ME. 261 00:18:51,739 --> 00:18:54,867 I DON'T WANT THEM TO KNOW WHERE I AM. 262 00:18:54,867 --> 00:18:57,369 YOU JUST LEAVE EVERYTHING TO YOUR FRIEND RITA. 263 00:18:57,369 --> 00:19:00,873 THERE YOU ARE. COME WITH US NOW, LITTLE GIRL. WE'LL TAKE GOOD CARE OF YOU. 264 00:19:00,873 --> 00:19:04,919 OH, THANK YOU SO MUCH. 265 00:19:04,919 --> 00:19:07,379 OH, LOU, WE'RE GOING TO HELP THIS LITTLE GIRL. 266 00:19:07,379 --> 00:19:10,591 ALL RIGHT, GUS. SHE'S A NICE KID. 267 00:19:10,591 --> 00:19:12,843 OH, ARE YOU BUSY? YEAH, I'M A LITTLE LATE GETTIN' DRESSED. 268 00:19:12,843 --> 00:19:15,471 MM-HMM. COME, SERGE. 269 00:19:15,471 --> 00:19:17,598 SEE YA LATER. ALL RIGHT, LOU. 270 00:19:17,598 --> 00:19:20,268 COME UP AGAIN... ANYTIME. 271 00:19:20,268 --> 00:19:22,978 I SHALL. AND I HOPE YOU WILL BE ALONE. 272 00:19:22,978 --> 00:19:26,732 SO DO I, 273 00:19:27,733 --> 00:19:28,859 WARM, DARK AND HANDSOME. 274 00:19:32,071 --> 00:19:34,323 YOUR BATH IS READY, MISS LOU. 275 00:19:35,407 --> 00:19:37,826 YOU TAKE IT. I'M INDISPOSED. 276 00:19:37,826 --> 00:19:39,828 SERGE! COME! 277 00:19:44,416 --> 00:19:49,338 I'LL EXPLAIN IN JUST A MINUTE. OH, HERE YOU ARE. 278 00:19:49,338 --> 00:19:51,632 NOW YOU GO WITH RITA. SHE'LL TAKE GOOD CARE OF YOU. 279 00:19:51,632 --> 00:19:53,759 SALLY, YOU COME WITH ME, DEAR. I WILL TAKE VERY, VERY GOOD CARE OF YOU. 280 00:20:01,767 --> 00:20:05,813 OH, PEARL! 281 00:20:05,813 --> 00:20:08,399 PEARL! I'S COMIN'. I'S COMIN'. 282 00:20:08,399 --> 00:20:10,859 YEAH, YOU'S COMIN', YOUR HEAD IS BENDIN' LOW. 283 00:20:10,859 --> 00:20:13,362 WELL, GET HERE BEFORE WINTER. 284 00:20:13,362 --> 00:20:15,656 WELL, HERE I IS. HERE YOU IS. 285 00:20:15,656 --> 00:20:18,742 LISTEN, EIGHT BALL, WHAT ARE YOU DOIN', WORKIN' FOR ME OR SLEEPIN' FOR ME? 286 00:20:18,742 --> 00:20:22,371 I AIN'T SLEEPIN' SO MUCH THAT I DON'T SEE WHAT'S GOIN' ON AROUND HERE. 287 00:20:22,371 --> 00:20:25,624 OH? WHAT HAVE YOU BEEN SEEIN'? OH, THAT FELLA FROM THE MISSION. 288 00:20:25,624 --> 00:20:29,337 OH, UH, MR., UH-- 289 00:20:29,337 --> 00:20:31,547 WHAT'S HIS NAME? Y'ALL KNOW WHAT'S HIS NAME, MISS LOU. 290 00:20:31,547 --> 00:20:35,551 I'M SURPRISED AT YOU, WITH ALL YOUR EXPERIENCE, CASTIN' EYES ON A PREACHER. 291 00:20:35,551 --> 00:20:39,555 NOW, PEARL, YOU KNOW I'VE NEVER BEEN INTERESTED IN A MAN'S JOB. 292 00:20:39,555 --> 00:20:42,683 AND BESIDES, HE AIN'T A PREACHER. 293 00:20:42,683 --> 00:20:44,643 WELL, ANYHOW, HE AIN'T LIKE THE OTHER MEN YOU DONE MADE HISTORY OF. 294 00:20:44,643 --> 00:20:48,856 NO. THAT'S WHAT MAKES HIM KIND OF INTERESTIN'. 295 00:20:48,856 --> 00:20:51,692 WOULDN'T HURT ME ANY TO HAVE A NEW KIND OF MAN ADDED TO MY RECORD, WOULD IT? 296 00:20:51,692 --> 00:20:55,863 GOODNESS ME, MISS LOU, YOU AIN'T THINKIN' OF REFORMIN', IS YA? 297 00:20:55,863 --> 00:20:59,033 YOU KNOW, PREACHERS DON'T GIVE AWAY NO DIAMONDS. 298 00:20:59,033 --> 00:21:01,952 I TOLD YOU HE AIN'T A PREACHER. HE JUST RUNS THE MISSION NEXT DOOR. 299 00:21:01,952 --> 00:21:05,706 WELL, I HEAR HE AIN'T GONNA RUN THAT LONG. 300 00:21:05,706 --> 00:21:07,750 I HEAR THEY GONNA TAKE THE MISSION AWAY FROM HIM. 301 00:21:07,750 --> 00:21:10,502 FELLA NAMED JACOBSEN THAT OWNS THE BUILDIN'-- 302 00:21:10,502 --> 00:21:12,755 I HEAR THEY CAN'T PAY THE RENT. SEEMS TO ME YOU BEEN HEARIN' THINGS. 303 00:21:12,755 --> 00:21:16,008 WHO'S THAT? 304 00:21:16,008 --> 00:21:17,926 SPIDER KANE. OH. IN A MINUTE, SPIDER. 305 00:21:17,926 --> 00:21:21,389 OH, MISS LOU WILL BE HERE IN A MINUTE, MR. SPIDER. THANKS, PEARL. 306 00:21:21,389 --> 00:21:25,059 COME IN, SPIDER. SIT DOWN. HELLO, LOU. 307 00:21:25,059 --> 00:21:27,811 WHAT'S ON YOUR MIND? 308 00:21:27,811 --> 00:21:29,897 I KIND OF WANT TO TALK TO YOU ABOUT SOMETHIN'. NOTHIN' SERIOUS, I HOPE. 309 00:21:29,897 --> 00:21:33,692 NOT EXACTLY, LOU. WELL, YEAH, MAYBE IN A WAY IT IS. 310 00:21:34,026 --> 00:21:38,572 WELL, SPILL IT. I AIN'T AFRAID. 311 00:21:38,572 --> 00:21:40,616 MY CONSCIENCE IS CLEAR... LEASTWISE I THINK IT IS. 312 00:21:40,616 --> 00:21:44,203 WELL, WHAT I GOT TO SAY IS ABOUT CHICK CLARK. 313 00:21:44,203 --> 00:21:47,539 CHICK CLARK? 314 00:21:47,539 --> 00:21:49,875 I'M WONDERIN' IF YOU AIN'T SORT OF FORGETTIN' ABOUT HIM. 315 00:21:49,875 --> 00:21:52,544 WELL, I GOT TO ADMIT IT'S BEEN A LONG TIME SINCE I SEEN CHICK, 316 00:21:52,544 --> 00:21:56,048 BUT I AIN'T NEVER COMPLETELY FORGOT ABOUT HIM. 317 00:21:56,048 --> 00:21:59,176 WELL, HE'S BEEN IN A YEAR NOW, LOU. YEAH, I KNOW. 318 00:21:59,176 --> 00:22:02,638 YOU KNOW HOW HE TOOK HIS RAP QUIET-LIKE, SAME AS WE ALL WOULD. 319 00:22:02,638 --> 00:22:06,767 IT WAS TOUGH HE GOT CAUGHT, BUT IT WASN'T MY FAULT. 320 00:22:06,767 --> 00:22:11,522 YOU KNOW, I AIN'T THE SENTIMENTAL KIND, SPIDER. 321 00:22:11,522 --> 00:22:14,149 SURE, SURE. 322 00:22:14,149 --> 00:22:16,444 BUT REMEMBER? YOU SAID YOU'D BE WAITIN' AROUND FOR HIM WHENEVER HE GETS OUT. 323 00:22:16,444 --> 00:22:20,906 GETS OUT? THAT'S GONNA BE A LONG TIME. 324 00:22:20,906 --> 00:22:24,493 WELL, WHAT I WANT TO SAY IS SUPPOSIN' HE FOUND OUT YOU AIN'T EXACTLY BEEN WAITIN'? 325 00:22:25,035 --> 00:22:30,082 WELL, I GOT TO DO SOMETHIN' WHILE I'M WAITIN', DON'T I? 326 00:22:30,082 --> 00:22:32,793 WELL, CHICK WOULDN'T FIGURE IT THAT WAY. 327 00:22:32,793 --> 00:22:34,920 SUPPOSE HE FOUND OUT ABOUT JORDAN? 328 00:22:34,920 --> 00:22:37,172 WHAT ARE YOU TRYIN' TO TELL ME? GO UP AND SEE HIM, LOU. 329 00:22:37,172 --> 00:22:40,259 WHAT FOR? AND ANTAGONIZE GUS? 330 00:22:40,259 --> 00:22:43,679 WHY, IF I START GOIN' UP THERE, GUS WILL THINK I'M STILL CARIN' FOR CHICK. 331 00:22:43,679 --> 00:22:47,641 NOT THAT I DON'T LIKE HIM A LOT. I AIN'T GOT NO COMPLAINT. 332 00:22:47,641 --> 00:22:50,936 CHICK WAS A GOOD MAN... IN HIS WAY. 333 00:22:50,936 --> 00:22:53,772 HE'S IN LOVE WITH YA, LOU. 334 00:22:53,772 --> 00:22:58,777 AND BEING IN THE CLINK A YEAR WITHOUT THE GIRL WHAT MAKES YOU FEEL THAT WAY...AIN'T NO PICNIC. 335 00:22:58,777 --> 00:23:00,779 I WISH HE'D FORGET ME, BUT THE GUY IS A MEMORY EXPERT. 336 00:23:00,779 --> 00:23:03,991 GO UP TO PEACE-IFY HIM, LOU. MAKE HIM THINK EVERYTHING IS ALL RIGHT. 337 00:23:03,991 --> 00:23:07,619 YOU KNOW, CHICK IS PRETTY BAD WHEN HE WANTS TO BE. 338 00:23:07,619 --> 00:23:11,790 AND YOU DON'T WANT HIM FEEDIN' YA BULLETS. 339 00:23:11,790 --> 00:23:14,042 NO, I DON'T EXACTLY WANT TO BE DODGIN' AROUND IN TIN CORSETS. 340 00:23:14,042 --> 00:23:17,629 HOW'S ABOUT IT, YOU AND ME GOIN' UP TO SEE HIM TOMORROW? 341 00:23:17,629 --> 00:23:20,508 WHY TOMORROW? WELL, ME LAUNDRY WILL BE BACK THEN. 342 00:23:20,508 --> 00:23:23,761 OH. MAKE IT SUNDAY. IT WILL BE NICE AND QUIET. 343 00:23:23,761 --> 00:23:26,514 THAT'S FINE, LOU. IT WILL BE A SWELL TRIP. 344 00:23:26,514 --> 00:23:28,932 WE CAN TAKE THE BOAT UP THE HUDSON. 345 00:23:28,932 --> 00:23:31,268 I'LL TAKE THE TRAIN. WATER AND ME DON'T AGREE. ALL RIGHT. 346 00:23:34,271 --> 00:23:39,651 HEY, WAIT A MINUTE, PETE. OH, DON'T, DON'T TELL HIM I'M HERE, CAPTAIN. 347 00:23:39,651 --> 00:23:42,154 PLEASE DON'T TELL HIM I'M HERE. HELP ME, CAPTAIN. WILL YOU HELP ME? 348 00:23:42,154 --> 00:23:44,823 WHAT IS IT? WHAT'S THE MATTER, PETE? 349 00:23:44,823 --> 00:23:46,992 THERE WAS A WINDOW BROKEN DOWN IN ZEIDER'S DRUG STORE. BUT I DIDN'T MEAN TO DO IT. 350 00:23:46,992 --> 00:23:49,995 WHERE'S THAT RAT? WHICH WAY DID HE GO? 351 00:23:49,995 --> 00:23:52,247 THERE'S DOHENEY NOW. DON'T LET HIM GET ME, CAPTAIN. DON'T LET HIM GET ME. 352 00:23:52,247 --> 00:23:55,000 GO ON. GET UP THERE AND STAY QUIET. 353 00:23:57,211 --> 00:23:57,878 WELL? 354 00:24:01,173 --> 00:24:03,258 WHERE IS HE? WHO? 355 00:24:03,258 --> 00:24:05,677 AW, DON'T TRY TO FOOL ME. I KNOW YOU'RE ALWAYS TRYIN' TO HELP THESE DIRTY CROOKS. 356 00:24:05,677 --> 00:24:08,889 NOW WHERE'D HE GO? WHERE'D YOU PUT HIM? 357 00:24:08,889 --> 00:24:11,600 WHO DO YOU MEAN? AW, PETE THE DUKE. YOU KNOW WHO I MEAN. 358 00:24:11,600 --> 00:24:15,187 OH, PETE. MM-HMM. YOU MUST BE MISTAKEN. 359 00:24:15,187 --> 00:24:17,606 PETE'S BEEN HELPING ME ALL AFTERNOON. WHO SAYS SO? 360 00:24:17,606 --> 00:24:19,817 I DO. TWO AGAINST ONE, DOHENEY, SO FLAP YOUR HEELS. 361 00:24:19,817 --> 00:24:24,071 SAY, WHAT'S THE MATTER? OH, YOU'RE IN AGAIN, EH? 362 00:24:24,071 --> 00:24:26,782 NOW, LISTEN, JORDAN, I'M AFTER PETE THE DUKE. 363 00:24:26,782 --> 00:24:28,909 I SAW HIM COME IN THE DOOR. HE BROKE A WINDOW. JUST A MINUTE. 364 00:24:28,909 --> 00:24:31,870 I THOUGHT I TOLD YOU YOU WASN'T WELCOME HERE. WHAT'S THE USE OF STALLIN' ME? 365 00:24:31,870 --> 00:24:35,583 I SAW HIM COME IN THE DOOR. HE TELLS ME HE AIN'T HERE. I KNOW HE'S HIDIN' SOMEPLACE. 366 00:24:36,250 --> 00:24:38,752 THANKS. AIN'T HAVIN' MUCH LUCK, ARE YA? 367 00:24:41,004 --> 00:24:44,216 NO, BUT I'D HAVE A GREAT DEAL MORE IF DOHENEY AND THE OTHERS WOULD COOPERATE. 368 00:24:44,216 --> 00:24:48,095 AIN'T NONE OF THEM WORTH SAVIN'. 369 00:24:48,095 --> 00:24:50,055 IF YOU HANG AROUND THEM LONG ENOUGH, YOU'LL GET THAT WAY YOURSELF. 370 00:24:50,055 --> 00:24:53,016 WELL, THANKS FOR THE KIND INTEREST. 371 00:24:53,016 --> 00:24:55,143 YOU KNOW, I ALWAYS DID LIKE A MAN IN A UNIFORM... 372 00:24:55,143 --> 00:24:58,730 AND THAT ONE FITS YOU GRAND. 373 00:24:58,730 --> 00:25:01,066 WHY DON'T YOU COME UP SOMETIME AND SEE ME? 374 00:25:01,066 --> 00:25:03,861 I'M HOME EVERY EVENIN'. 375 00:25:03,861 --> 00:25:05,904 YEAH, BUT I'M BUSY EVERY EVENING. 376 00:25:05,904 --> 00:25:08,407 BUSY? SO WHAT ARE YOU TRYIN' TO DO, INSULT ME? 377 00:25:08,407 --> 00:25:11,076 WHY, NO, NO, NOT AT ALL. I'M JUST BUSY, THAT'S ALL. 378 00:25:11,076 --> 00:25:14,288 WE'RE HOLDING MEETINGS IN JACOBSEN'S HALL EVERY EVENING. 379 00:25:14,288 --> 00:25:18,250 ANYTIME YOU HAVE A MOMENT TO SPARE, I'LL BE GLAD TO HAVE YOU DROP IN. 380 00:25:18,250 --> 00:25:20,878 YOU'RE MORE THAN WELCOME. I HEARD YA, BUT YOU AIN'T KIDDIN' ME ANY. 381 00:25:20,878 --> 00:25:24,715 YOU KNOW, I MET YOUR KIND BEFORE. 382 00:25:24,715 --> 00:25:27,843 WHY DON'T YOU COME UP SOMETIME, HUH? WELL, I-- 383 00:25:27,843 --> 00:25:30,721 DON'T BE AFRAID. I WON'T TELL. 384 00:25:30,721 --> 00:25:32,973 BUT, UH-- COME UP. I'LL TELL YOUR FORTUNE. 385 00:25:32,973 --> 00:25:36,310 AW, YOU CAN BE HAD. 386 00:25:40,230 --> 00:25:45,027 REMEMBER, LOU. CHICK'S PROBABLY PRETTY SORE. 387 00:25:45,027 --> 00:25:47,946 I'LL MAKE HIM THINK HE'S ON A VACATION. YEAH, HE'LL LISTEN TO YOU. 388 00:25:47,946 --> 00:25:51,659 WHO WON'T? ONCE I GET 'EM, THEY'RE BRANDED. 389 00:25:55,329 --> 00:26:00,000 HELLO, SHORTY. WHAT ARE YOU DOIN' HERE? 390 00:26:00,000 --> 00:26:02,127 FIVE YEARS. WHAT FOR? 391 00:26:02,127 --> 00:26:04,296 I FORGOT WHAT ME MOTHER TOLD ME. 392 00:26:04,296 --> 00:26:07,299 SHOULD HAVE TIED A STRING AROUND YOUR FINGER. 393 00:26:07,299 --> 00:26:10,135 HELLO, LOU. BO-BO. I DIDN'T EXPECT TO SEE YOU HERE. 394 00:26:10,135 --> 00:26:13,681 IF YOU HADN'T TURNED ME DOWN, I'D NEVER LANDED IN HERE. 395 00:26:13,681 --> 00:26:16,099 SAY, LOU, HOW ABOUT GIVING ME ANOTHER CHANCE WHEN I GET OUT? 396 00:26:16,099 --> 00:26:19,061 WHEN DO YOU GET OUT? 15 YEARS. 397 00:26:19,061 --> 00:26:21,689 THAT'S A DATE. 398 00:26:21,689 --> 00:26:24,441 HELLO, LOU. 399 00:26:24,441 --> 00:26:26,401 CHERRY SISTERS. 400 00:26:26,401 --> 00:26:28,236 LOU, YOU GOTTA HELP ME GET OUTTA THIS. WHO ME? 401 00:26:28,236 --> 00:26:31,073 YOU GOTTA. I BEEN FRAMED. YOU GOT A LOT OF PULL. 402 00:26:31,073 --> 00:26:33,492 YOU CAN GET ME OUT. IT'S A FRAME, I TELL YA. IT'S A FRAME. 403 00:26:33,492 --> 00:26:36,078 YOU'RE THE RIGHT PICTURE FOR IT. 404 00:26:36,078 --> 00:26:38,330 ONE OF THE FASTEST GUYS IN THE BUSINESS, BUT HE'S TAKIN' HIS TIME NOW. 405 00:26:38,330 --> 00:26:41,166 HELLO, LOU. HEY, WHAT IS THIS, OLD HOME WEEK? 406 00:26:47,297 --> 00:26:51,259 CHICK. 407 00:26:51,259 --> 00:26:53,345 WHY DIDN'T YOU COME TO SEE ME SOONER? 408 00:26:53,345 --> 00:26:56,098 I SUPPOSE YOU WERE GLAD TO GET RID OF ME, HUH? CHICK. 409 00:26:56,098 --> 00:26:59,851 YOU KNOW WHAT I MEAN, AND YOU KNOW ME. 410 00:26:59,851 --> 00:27:02,354 WHAT AM I IN HERE FOR? YOU KNOW WHY I COPPED THEM STONES. 411 00:27:02,354 --> 00:27:05,733 SURE, YOU KNOW WHO'S GOT 'EM NOW. 412 00:27:05,733 --> 00:27:08,235 YOU'D SELL YOUR HEART AND LUNGS FOR A HANDFUL OF DIAMONDS. 413 00:27:08,235 --> 00:27:11,363 AND I'M DOIN' THE STRETCH WITH THE RATS AND THE BUGS SO YOU CAN HAVE 'EM. 414 00:27:11,363 --> 00:27:14,742 IT'S ALL RIGHT WITH ME AS LONG AS YOU'RE ON THE LEVEL. 415 00:27:14,742 --> 00:27:17,077 BUT IF YOU AIN'T, I CAN FIND OUT. 416 00:27:17,077 --> 00:27:19,371 NOW DON'T FORGET THAT. I CAN FIND OUT. 417 00:27:19,371 --> 00:27:22,833 AND I CAN GET OUT. 418 00:27:22,833 --> 00:27:25,127 AND IF YOU'VE BEEN DOUBLE-CROSSIN' ME, YOU'RE GONNA PAY FOR IT. 419 00:27:25,127 --> 00:27:28,005 EVERY DAY, EVERY MINUTE OF THIS STRETCH, YOU'RE GONNA PAY FOR-- 420 00:27:28,005 --> 00:27:32,760 AW, DON'T TALK LIKE THAT, CHICK. I'VE BEEN WORKIN'. 421 00:27:32,760 --> 00:27:35,929 WORKIN'? WORKIN' FOR WHO? 422 00:27:35,929 --> 00:27:39,141 I BEEN SINGIN' AT GUS JORDAN'S. 423 00:27:39,141 --> 00:27:41,184 OH. GUS JORDAN'S, HUH? 424 00:27:41,184 --> 00:27:44,062 OH, IT AIN'T WHAT YOU THINK. 425 00:27:44,062 --> 00:27:46,106 YOU AIN'T BEEN SEEIN' ANYTHING OF DAN FLYNN, HAVE YA? 426 00:27:46,106 --> 00:27:49,234 NO. WHY DO YOU ASK ABOUT HIM? 427 00:27:49,234 --> 00:27:51,903 OH, NOTHIN'. 428 00:27:51,903 --> 00:27:53,905 I JUST GOT A SCORE TO... SETTLE UP WITH HIM WHEN I GET OUT. 429 00:27:53,905 --> 00:27:58,160 BUT WHAT I WANT TO KNOW IS ARE YOU PLAYIN' ME ON THE SQUARE OR AIN'T YA? 430 00:27:58,160 --> 00:28:01,496 BECAUSE IF YA AIN'T-- THERE WILL BE A DEATH IN MY FAMILY, IS THAT IT? 431 00:28:01,496 --> 00:28:05,959 WELL, UH... THEN I'LL BE BACK IN HERE AGAIN, 432 00:28:05,959 --> 00:28:10,130 BUT YOU WON'T BE COMIN' AROUND TO SEE ME. 433 00:28:10,130 --> 00:28:13,842 WHAT'S THE USE OF MAKIN' A LOT OF TROUBLE FOR YOURSELF, CHICK? 434 00:28:13,842 --> 00:28:17,095 IF I CAN WAIT A YEAR, YOU CAN WAIT A YEAR. 435 00:28:17,095 --> 00:28:21,850 YOU MEAN THAT YOU'LL WAIT? YOU'LL WAIT FOR ME? 436 00:28:21,850 --> 00:28:24,102 WHY, THAT AIN'T NOTHIN' WHEN YOU GOT WILLPOWER LIKE ME. 437 00:28:24,102 --> 00:28:28,106 TIME'S UP. AW, HAVE A HEART. 438 00:28:28,106 --> 00:28:30,901 THEY AIN'T SEEN EACH OTHER IN A YEAR. GIVE 'EM TIME. 439 00:28:30,901 --> 00:28:33,403 WHAT FOR? READY? 440 00:28:33,403 --> 00:28:35,447 GOOD-BYE, CHICK. IT'S BEEN GOOD TO SEE YA AGAIN. 441 00:28:35,614 --> 00:28:39,951 I CAN'T LET YA GO, LOU. 442 00:28:39,951 --> 00:28:41,995 I HATE TO LEAVE YOU. 443 00:28:41,995 --> 00:28:45,123 DON'T WORRY. I'LL BE TRUE TO YA. 444 00:28:45,123 --> 00:28:47,459 I TRUST YA. I TRUST YA BECAUSE I LOVE YA. YOU'RE MINE. 445 00:28:47,459 --> 00:28:50,962 I'M TELLIN' YA AGAIN, IF YOU EVER DOUBLE-CROSS ME, 446 00:28:50,962 --> 00:28:53,465 IF YOU EVER LET ANOTHER MAN COME BETWEEN US... 447 00:28:53,465 --> 00:28:56,343 I'LL KILL YA. 448 00:28:56,343 --> 00:28:58,470 GOOD-BYE, CHICK. I'LL REMEMBER TO BE GOOD FOR YA. 449 00:29:04,059 --> 00:29:08,522 I CAN'T WAIT. I CAN'T WAIT. 450 00:29:08,522 --> 00:29:11,566 I-- I CAN'T WAIT. 451 00:29:14,945 --> 00:29:20,367 I WONDER WHAT CHICK'S GOT AGAINST DAN FLYNN. I AIN'T NEVER TOLD YA, LOU, 452 00:29:20,367 --> 00:29:24,246 BUT FLYNN IS THE MAIN GUY WHAT HELPED SEND CHICK UP HERE. 453 00:29:24,246 --> 00:29:27,124 I AIN'T NEVER HAD ANY USE FOR THAT MUG EVER SINCE. 454 00:29:27,124 --> 00:29:29,668 OH, SO FLYNN DID THAT, HUH? YEAH. 455 00:29:30,961 --> 00:29:34,214 ♪ DARLING I AM GROWING OLD ♪ 456 00:29:40,595 --> 00:29:45,267 ♪ SILVER THREADS AMONG THE GOLD ♪ 457 00:29:51,481 --> 00:29:56,027 ♪ SHINE UPON MY BROW TODAY ♪ 458 00:30:02,242 --> 00:30:06,538 ♪ LIFE IS FADING ♪ 459 00:30:07,164 --> 00:30:11,376 ♪ FAST AWAY ♪ 460 00:30:11,376 --> 00:30:13,378 NOT IN YOUR BEER, DEARIE, NOT IN YOUR BEER. 461 00:30:13,921 --> 00:30:16,256 ♪ BUT, MY DARLING ♪ 462 00:30:20,093 --> 00:30:24,472 ♪ YOU WILL ALWAYS BE ♪ 463 00:30:26,349 --> 00:30:30,979 ♪ ALWAYS YOUNG AND FAIR TO ME ♪ 464 00:30:37,986 --> 00:30:42,574 ♪ YES, MY DARLING YOU WILL BE ♪ 465 00:30:49,998 --> 00:30:54,502 ♪ ALWAYS YOUNG AND FAIR ♪ 466 00:30:59,174 --> 00:31:03,261 ♪ TO ME ♪ 467 00:31:05,722 --> 00:31:10,268 ♪ DARLING I AM GROWING OLD ♪ 468 00:31:16,775 --> 00:31:21,446 ♪ SILVER THREADS AMONG THE GOLD ♪ 469 00:31:29,037 --> 00:31:33,500 ♪ SHINE UPON MY BROW TODAY ♪ 470 00:31:41,591 --> 00:31:46,137 ♪ LIFE IS FADING FAST AWAY ♪ 471 00:31:55,272 --> 00:31:59,567 ♪ SO FAST AWAY ♪♪ 472 00:32:05,992 --> 00:32:10,745 YOU TOOK LONG ENOUGH. I COULDN'T HELP IT. 473 00:32:10,745 --> 00:32:14,291 JACOBSEN WASN'T AT THE MISSION, SO I HAD TO GO OVER TO THE HOCK SHOP. 474 00:32:14,291 --> 00:32:17,127 WELL, WHAT ABOUT IT? HE'LL BE RIGHT OVER. 475 00:32:17,127 --> 00:32:19,379 OH, WAS THAT, UH, CUMMINGS GUY THERE? 476 00:32:19,379 --> 00:32:21,840 I DIDN'T SEE HIM. SAY, LOU, YOU FALLIN' FOR THAT BLOKE? 477 00:32:21,840 --> 00:32:25,385 OH, IT AIN'T NOTHIN' SERIOUS. 478 00:32:25,385 --> 00:32:30,557 BUT THERE WAS SOMETHIN' JUST WONDERFUL ABOUT HIM. THAT'S THE WAY IT ALWAYS STARTS.HE WOULDN'T LOOK AT ME, ONLY OUT OF CURIOSITY. HE'S DIFFERENT. 479 00:32:30,557 --> 00:32:34,269 GEE, YOU'VE GOT IT BAD. 480 00:32:34,269 --> 00:32:36,271 HEY, LOU. 481 00:32:36,271 --> 00:32:38,440 DID YOU SEND FOR A GUY NAMED IKE JACOBSEN? YEAH, SEND HIM IN. 482 00:32:38,440 --> 00:32:41,151 I WANT TO SEE THIS GUY ALONE, FRANCES. 483 00:32:41,151 --> 00:32:43,194 ALL RIGHT, LOU. 484 00:32:43,194 --> 00:32:45,196 HELLO, LOU. OH, HELLO, JACOBSEN. 485 00:32:45,196 --> 00:32:47,282 WELL, WHAT CAN I DO FOR YOU? SIT DOWN. 486 00:32:47,282 --> 00:32:49,534 THANKS. 487 00:32:50,410 --> 00:32:51,536 I HEAR THE RESCUE MISSION RENTS YOUR BUILDIN'. 488 00:32:55,248 --> 00:32:58,376 RENTS. THAT'S RIGHT. 489 00:32:58,376 --> 00:33:00,462 BUT THEY AIN'T GOT NO MONEY, SO HOW CAN I KEEP 'EM THERE? 490 00:33:00,462 --> 00:33:03,882 WELL, YOU AIN'T GONNA PUT 'EM OUT. PUT THEM OUT? ME? 491 00:33:03,882 --> 00:33:07,552 OH, NO. I'LL JUST TELL THEM THEY'LL HAVE TO MOVE. 492 00:33:07,552 --> 00:33:11,348 THAT MR. CUMMINGS IS IN CHARGE, HMM? 493 00:33:11,348 --> 00:33:13,767 YEAH. NICE, SMARTEST-LOOKING FELLOW. 494 00:33:13,767 --> 00:33:16,811 BUT ACH! WHY YOU SEND FOR ME FOR, LOU, HUH? 495 00:33:16,811 --> 00:33:20,440 YOU WANT ME TO BUY SOME OF YOUR FAMOUS DIAMONDS OR-- 496 00:33:20,440 --> 00:33:23,818 NO. WHAT DO YOU WANT FOR THAT BUILDIN'? 497 00:33:23,818 --> 00:33:26,488 YOU MEAN HOW MUCH IF I'M SELLING, 498 00:33:26,488 --> 00:33:29,407 OR HOW MUCH IF I'M PAYING TAXES? 499 00:33:29,407 --> 00:33:31,826 I MEAN HOW MUCH FOR CASH? CASH, UM-- 500 00:33:31,826 --> 00:33:35,830 NOW STOP MULTIPLYIN'. I DON'T WANT TO BUY THE BOWERY. 501 00:33:35,830 --> 00:33:38,500 WELL, I WAS GOING TO ASK $25,000 FOR THAT BUILDING. 502 00:33:38,500 --> 00:33:42,462 MY OWN BROTHER COULDN'T BUY FOR 20,000. 503 00:33:42,462 --> 00:33:46,591 BUT FOR YOU, I'LL MAKE IT 15. 504 00:33:46,591 --> 00:33:49,136 WELL, I'LL GIVE YA 12. OI GEVALD! 505 00:33:49,136 --> 00:33:52,305 DID YOU HEAR? ALL RIGHT. 506 00:33:52,305 --> 00:33:54,307 12,000. NEVER. NO, NO, NEVER. GOOD-BYE. ALL RIGHT. 507 00:33:54,307 --> 00:33:57,560 GOOD-BYE. 508 00:33:57,560 --> 00:33:59,604 HUH? WAIT. 509 00:33:59,604 --> 00:34:01,773 IS THAT ALL CASH? NO MORTGAGE GOES WITH IT? 510 00:34:02,108 --> 00:34:06,361 HERE'S YOUR 12,000. 511 00:34:06,361 --> 00:34:08,613 HOW DO I KNOW IT IS? 512 00:34:08,613 --> 00:34:10,698 BECAUSE I SAY SO. YOU NEVER HEARD OF ME CHEATIN' ANYONE, DID YA? 513 00:34:10,698 --> 00:34:13,785 NO, NO, NOT ABOUT MONEY. 514 00:34:13,785 --> 00:34:16,830 HEY, LISTEN, THAT SOUNDS LIKE A SLAM. 515 00:34:16,830 --> 00:34:19,582 BUT COMIN' FROM YOU, I'LL LET IT PASS. 516 00:34:19,582 --> 00:34:22,585 HANDLE 'EM WITH CARE. THEY'RE ONLY MY HEART. 517 00:34:22,585 --> 00:34:25,422 OH, AND WHAT A HEART YOU GOT, MISS LOU. OYE, WHAT A HEART. 518 00:34:25,422 --> 00:34:29,467 I'LL TELL YOU WHAT I WANT YA TO DO. COME OUT HERE AND MAKE UP THE PAPERS. 519 00:34:29,467 --> 00:34:32,345 MAKE IT APPEAR LIKE THE MISSION BOUGHT THE BUILDING THEMSELVES. 520 00:34:32,345 --> 00:34:35,265 OH! YOU SEE, I DON'T WANT TO BE MIXED UP IN IT. 521 00:34:35,265 --> 00:34:37,517 WE WANT LOU! 522 00:34:45,442 --> 00:34:49,988 OH, LOU! LOU! COME ON, HURRY UP. 523 00:34:49,988 --> 00:34:52,365 THE PLACE IS JAMMED, A LOT OF SOCIETY FOLKS. 524 00:34:52,365 --> 00:34:54,367 I HOPE THEY TUNED THAT PIANO. 525 00:34:54,367 --> 00:34:56,494 ♪ I NEVER KNEW THAT LIPS COULD BE SO RED ♪ 526 00:34:56,494 --> 00:35:00,582 ♪ YOU'RE LIKE WINE TO ME YOU'RE GOIN' TO MY HEAD ♪ 527 00:35:00,582 --> 00:35:04,002 ♪ OH, MAIZIE MY PRETTY MAIZIE ♪ 528 00:35:04,002 --> 00:35:08,339 ♪ YOU'RE MAKING WHAT I'M SAYING PRETTY HAZY ♪ 529 00:35:08,339 --> 00:35:11,218 ♪ WHY CARE SO LONG AS I SHARE ♪ 530 00:35:11,218 --> 00:35:14,679 ♪ MY LIFE WITH MAIZIE DEAR ♪ 531 00:35:14,679 --> 00:35:18,725 ♪ HEAR US AND YOU WILL CHEER US ♪ 532 00:35:18,725 --> 00:35:22,020 ♪ OUR LADY LOU IS HERE ♪ 533 00:35:22,020 --> 00:35:25,732 ♪ OUR LADY LOU IS HERE ♪♪ 534 00:35:36,451 --> 00:35:41,581 ♪ EVER SINCE MISS SUSAN JOHNSON SHE LOST HER JOCKEY LEE ♪ 535 00:35:41,581 --> 00:35:46,336 ♪ THERE'S BEEN MUCH EXCITEMENT AND MORE TO BE ♪ 536 00:35:46,336 --> 00:35:50,882 ♪ YOU CAN HEAR HER MOANIN' FROM EARLY MORN ♪ 537 00:35:50,882 --> 00:35:55,512 ♪ I WONDER WHERE MY EASY RIDER'S GONE ♪ 538 00:35:56,763 --> 00:36:01,559 ♪ I WONDER WHERE MY EASY RIDER'S GONE ♪ 539 00:36:03,187 --> 00:36:07,982 ♪ I WONDER WHERE MY EASY RIDER'S GONE ♪ 540 00:36:07,982 --> 00:36:12,904 ♪ IF HE WAS HERE HE'D WIN THE RACE ♪ 541 00:36:12,904 --> 00:36:15,865 ♪ IF NOT FIRST HE'D GET A PLACE ♪ 542 00:36:15,865 --> 00:36:18,660 ♪ I NEVER SAW THAT JOCKEY TRAILIN' ANYONE BEFORE ♪ 543 00:36:20,119 --> 00:36:25,041 ♪ I'M LOSIN' ALL MY MONEY THAT'S WHY I'M BLUE ♪ 544 00:36:25,500 --> 00:36:30,505 ♪ IF THAT BOY WAS HERE HE'D SURE KNOW WHAT TO DO ♪ 545 00:36:31,839 --> 00:36:36,427 ♪ I'D PUT ALL MY JUNK IN PAWN ♪ 546 00:36:36,427 --> 00:36:38,888 ♪ TO BET ON ANY HORSE THAT JOCKEY'S ON ♪ 547 00:36:38,888 --> 00:36:41,599 ♪ WELL, I WONDER WHERE MY EASY RIDER'S GONE ♪ 548 00:36:43,726 --> 00:36:46,396 ♪ OH, I WONDER WHERE MY EASY RIDER'S GONE ♪ 549 00:36:51,859 --> 00:36:54,112 ♪ HE WENT AND PUT MY BRAND-NEW WATCH IN PAWN ♪ 550 00:36:58,032 --> 00:37:02,745 ♪ I SEE HIM COMIN' ROUND THAT TURN ♪ 551 00:37:02,745 --> 00:37:06,082 ♪ WHAT A TRAIL THAT MAN CAN BURN ♪ 552 00:37:06,082 --> 00:37:08,626 ♪ HE'S GOTTA WIN BECAUSE MY DOUGH IS ON THE NOSE ♪ 553 00:37:08,626 --> 00:37:12,630 ♪ JUST WATCH MY JOCKEY EASY RIDE IN STYLE ♪ 554 00:37:12,630 --> 00:37:16,968 ♪ HE'LL HIT THAT HOME STRETCH WINNER BY A MILE ♪ 555 00:37:16,968 --> 00:37:21,097 ♪ I WANT HIM TO WIN THIS SPREE ♪ 556 00:37:21,097 --> 00:37:23,391 ♪ AND KEEP A-GOIN' 'TIL HE COMES TO ME ♪ 557 00:37:23,391 --> 00:37:25,143 ♪ OH, I WONDER WHERE MY EASY RIDER'S GONE ♪ 558 00:37:25,143 --> 00:37:28,479 ♪ WELL, I WONDER WHERE ♪ 559 00:37:28,479 --> 00:37:32,817 ♪ MY EASY RIDER'S GONE ♪♪ 560 00:37:42,660 --> 00:37:46,914 YOU WERE GREAT, LOU! 561 00:37:47,624 --> 00:37:49,584 THANK YOU SO MUCH. 562 00:37:51,836 --> 00:37:53,921 I, UH, I'D LIKE TO HAVE A WORD WITH YOU WHEN IT'S CONVENIENT. 563 00:37:53,921 --> 00:37:57,425 I'VE BEEN SAVIN' A LITTLE TIME FOR YOU. 564 00:37:57,425 --> 00:38:01,179 COME UP IN A FEW MINUTES. 565 00:38:06,267 --> 00:38:10,772 WHAT ARE YOU DOIN' HERE, FLYNN? 566 00:38:10,772 --> 00:38:12,857 OH, JUST GETTIN' USED TO THE PLACE. YEAH? 567 00:38:12,857 --> 00:38:15,568 WHAT, ARE YOU THINKIN' ABOUT MOVIN' IN? YEAH, THOUGHT I MIGHT. 568 00:38:15,568 --> 00:38:19,822 WHEN? OH, WHEN GUS MOVES OUT. 569 00:38:20,657 --> 00:38:23,618 FLYNN, YOU'RE AN OPTIMIST. NO. 570 00:38:25,203 --> 00:38:28,873 YOU MAY AS WELL KNOW IT. GUS IS IN A HOLE. 571 00:38:28,873 --> 00:38:31,793 AND YOU'D BE, TOO, IF IT WASN'T FOR ME. 572 00:38:31,793 --> 00:38:35,713 YOU'RE GONNA PROTECT ME, HUH? FROM WHAT? 573 00:38:35,713 --> 00:38:39,717 THERE'S A NEW DICK IN TOWN CALLED "THE HAWK." 574 00:38:39,717 --> 00:38:43,888 HE'S BEEN TIPPED OFF TO GUS, AND HE'S GOT THE GOODS ON HIM. 575 00:38:43,888 --> 00:38:48,101 GUS AIN'T DONE ANYTHING. WHAT'S HE GOT ON HIM? 576 00:38:48,101 --> 00:38:50,645 DON'T BE SO INNOCENT, LOU. YOU'RE TALKIN' TO A MAN WHO KNOWS YOU... 577 00:38:50,645 --> 00:38:54,190 AND IS WILLING TO PROTECT YOU IF YOU'LL PLAY ALONG WITH HIM. 578 00:38:54,190 --> 00:38:56,901 I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 579 00:38:56,901 --> 00:38:59,028 YOU DON'T KNOW ANYTHING ABOUT THAT SALLY GIRL? 580 00:38:59,028 --> 00:39:02,240 WHAT SALLY? 581 00:39:02,240 --> 00:39:04,451 YOU KNOW. THE ONE YOU ROPED IN AND TURNED OVER TO GUS. 582 00:39:04,451 --> 00:39:08,496 WHY, HE ONLY GOT THE POOR KID A JOB. 583 00:39:08,496 --> 00:39:10,748 DEPENDS ON WHAT KIND OF A JOB. 584 00:39:10,748 --> 00:39:13,460 THAT'S WHERE GUS PUT HIS FOOT IN IT. 585 00:39:13,460 --> 00:39:15,712 WHERE DO YOU THINK HE GETS ALL THE MONEY TO BUY YOU THEM ROCKS? 586 00:39:15,712 --> 00:39:18,798 FROM THIS PLACE HERE? DON'T BE A FOOL. 587 00:39:18,798 --> 00:39:21,509 IF GUS GOES UP THE RIVER, YOU GO ALONG WITH HIM. 588 00:39:21,509 --> 00:39:25,221 I'M TIPPIN' YOU OFF PRIVATE. 589 00:39:25,221 --> 00:39:27,265 WHAT ARE YOU TRYIN' TO DO, SCARE ME, DAN? 590 00:39:27,265 --> 00:39:30,268 WELL, WHEN I NEED PROTECTION, I'LL WRITE YA A LETTER. 591 00:39:33,354 --> 00:39:34,605 THAT AIN'T NO WAY TO TALK TO ME, LOU. 592 00:39:38,025 --> 00:39:40,570 YOU SAID YOU LIKED ME ONCE. 593 00:39:42,155 --> 00:39:44,532 WHEN I SAID I WAS CRAZY ABOUT YOU, I DIDN'T SAY HOW CRAZY. 594 00:39:44,532 --> 00:39:48,202 I NEVER GIVE UP, AND I NEVER WILL. 595 00:39:48,202 --> 00:39:50,913 YOU CAN'T EXPECT TO GO 'ROUND GETTING MEN... 596 00:39:50,913 --> 00:39:52,874 ALL ON FIRE AND THINK THEY'RE GONNA FORGET ALL ABOUT IT. 597 00:39:52,874 --> 00:39:56,586 NOW GUS HAS HAD YOU LONG ENOUGH. 598 00:39:56,586 --> 00:39:59,046 HE'S GOIN' AWAY. I'LL SEE ABOUT THAT. 599 00:39:59,046 --> 00:40:02,258 AND YOU'RE COMIN' TO ME OR NOBODY ELSE. 600 00:40:02,258 --> 00:40:04,802 YOU LOVE ME THAT MUCH THAT YOU'D FRAME GUS TO GET ME? 601 00:40:04,802 --> 00:40:08,765 TO GET YOU, I'D EVEN FRAME MY OWN MOTHER. 602 00:40:08,765 --> 00:40:12,643 AND I BELIEVE YA. 603 00:40:12,643 --> 00:40:15,188 I'M BEGINNIN' TO UNDERSTAND YOU, FLYNN. 604 00:40:15,188 --> 00:40:18,983 TELL ME. WHO IS THIS HERE GUY THEY CALL THE HAWK? 605 00:40:18,983 --> 00:40:23,070 HE'S THE SLICKEST BIRD IN THE BUSINESS. 606 00:40:23,070 --> 00:40:25,740 EVEN THE MEN FROM HEADQUARTERS WOULDN'T KNOW HIM IF THEY FELL OVER HIM. 607 00:40:26,324 --> 00:40:30,077 YOU KNOW, I NEVER DID APPRECIATE YOU BEFORE... 608 00:40:31,162 --> 00:40:34,665 BUT I DO NOW. 609 00:40:34,665 --> 00:40:36,918 YOU MEAN THAT, LOU? WHY, OF COURSE, I DO. 610 00:40:47,094 --> 00:40:52,350 I'LL SEE YOU ABOUT THAT LITTLE MATTER ANOTHER TIME. ALL RIGHT. 611 00:40:53,100 --> 00:40:56,771 WELL, LOU, IT LOOKS LIKE CHICK'S DONE IT. DONE WHAT? 612 00:40:58,105 --> 00:41:01,025 I AIN'T SURE, BUT THE WORD'S AROUND HE BROKE JAIL. MADE A GETAWAY? 613 00:41:01,025 --> 00:41:04,362 I'M JUST TELLIN' YA. I'LL BE STANDIN' BY. OH, THANKS, SPIDER. 614 00:41:04,362 --> 00:41:08,074 KEEP YOUR EYES OPEN, AND DON'T TELL ANYONE. I WON'T, LOU. 615 00:41:11,369 --> 00:41:11,786 OH. 616 00:41:15,289 --> 00:41:17,375 OH. COME IN. 617 00:41:19,961 --> 00:41:24,591 I CAME TO INQUIRE ABOUT SALLY GLYNN. 618 00:41:24,591 --> 00:41:26,676 I'M TOLD SHE CAME HERE SHORTLY AFTER SHE LEFT THE MISSION THAT DAY. WHERE IS SHE? 619 00:41:26,676 --> 00:41:29,804 WELL, HOW SHOULD I KNOW? YOU KNOW WHERE SHE IS. I WANT YOU TO TELL ME. 620 00:41:29,804 --> 00:41:33,099 SO YOU COME TO ME TO FIND ANOTHER WOMAN. 621 00:41:37,144 --> 00:41:41,065 I DON'T KNOW, AND I WOULDN'T TELL YOU IF I DID. 622 00:41:41,065 --> 00:41:43,943 WELL, YOU SEE, HER FATHER IS OVER AT THE MISSION LOOKING FOR HER. 623 00:41:43,943 --> 00:41:46,904 SURE THAT'S THE ONLY REASON YOU WANT TO KNOW? YEAH. 624 00:41:46,904 --> 00:41:49,782 WELL, GUS AND HIS FRIENDS GOT HER A JOB. 625 00:41:49,782 --> 00:41:52,118 MM-HMM. YOU DON'T KNOW WHERE? 626 00:41:52,118 --> 00:41:54,203 NO. I GOT OTHER THINGS TO THINK ABOUT. 627 00:41:54,203 --> 00:41:57,790 WELL, WOULD YOU GIVE ME YOUR WORD THAT YOU KNOW NOTHING MORE ABOUT HER? 628 00:41:57,790 --> 00:42:00,751 WOULD YOU BELIEVE ME IF I DID? YES, OF COURSE. 629 00:42:00,751 --> 00:42:03,254 WELL, THAT'S ALL I KNOW. WELL, I'M GLAD TO HEAR THAT. 630 00:42:03,254 --> 00:42:06,173 SAY IT LIKE YA MEAN IT. 631 00:42:06,173 --> 00:42:08,259 I DO. I'M ANXIOUS NOT TO SEE YOU MIXED UP IN IT. 632 00:42:08,259 --> 00:42:11,304 OH, BUT I GUESS I'M TAKING YOUR TIME. 633 00:42:11,304 --> 00:42:13,764 WHAT DO YOU SUPPOSE MY TIME'S FOR? 634 00:42:13,764 --> 00:42:17,268 SIT DOWN. 635 00:42:21,939 --> 00:42:26,402 THAT'S IT. LOOSEN UP, UNBEND. 636 00:42:26,736 --> 00:42:30,990 YOU'LL FEEL BETTER. 637 00:42:35,745 --> 00:42:39,790 CIGARETTE? 638 00:42:39,790 --> 00:42:41,792 NO, THANKS. I DON'T SMOKE. 639 00:42:41,792 --> 00:42:44,211 YES, I GUESS SMOKINGIS GOING TO MAKE A MAN LOOK EFFEMINATE BEFORE LONG. 640 00:42:49,635 --> 00:42:51,177 SO ALL THIS IS YOUR FAMOUS COLLECTION, EH? 641 00:42:54,388 --> 00:42:57,058 NO, THIS IS JUST MY SUMMER JEWELRY. 642 00:42:57,058 --> 00:42:59,435 YOU OUGHT TO SEE MY WINTER STUFF. I SEE. 643 00:42:59,435 --> 00:43:02,313 YOU KNOW, IT WAS A TOSSUP WHETHER I GO IN FOR DIAMONDS OR SING IN THE CHOIR. 644 00:43:02,313 --> 00:43:06,359 THE CHOIR LOST. 645 00:43:06,359 --> 00:43:08,778 WELL, THEY'RE WONDERFUL, BUT THEY ALWAYS SEEM SO COLD TO ME. 646 00:43:08,778 --> 00:43:12,365 THEY HAVE NO WARMTH, NO SOUL. 647 00:43:12,365 --> 00:43:14,825 I'M SORRY YOU THINK MORE OF YOUR DIAMONDS THAN YOU DO OF YOUR SOUL. 648 00:43:14,825 --> 00:43:17,870 I'M SORRY YOU THINK MORE OF MY SOUL THAN YOU DO OF MY DIAMONDS. 649 00:43:17,870 --> 00:43:22,333 MAYBE I AIN'T GOT NO SOUL. 650 00:43:22,333 --> 00:43:25,294 AH, YES, YOU HAVE, BUT YOU KEEP IT HIDDEN UNDER A MASK. 651 00:43:25,294 --> 00:43:29,507 YOU'LL WAKE UP AND FIND IT SOMETIME. 652 00:43:29,507 --> 00:43:31,509 HAVEN'T YOU EVER MET A MAN THAT COULD MAKE YOU HAPPY? SURE. LOTS OF TIMES. 653 00:43:47,400 --> 00:43:51,779 YOU CAN'T GO OUT IN THIS. 654 00:43:51,779 --> 00:43:54,115 WELL, I GOT TO BE GETTING BACK TO THE MISSION. 655 00:43:54,115 --> 00:43:57,034 SALLY'S FATHER IS WAITING FOR ME. THAT OUGHT TO BE INTERESTING. 656 00:43:57,034 --> 00:44:01,205 YEAH, BUT IT'S ONE OF THE THINGS I HAVETO DO. 657 00:44:01,748 --> 00:44:03,874 WELL, GOOD NIGHT. 658 00:44:09,880 --> 00:44:13,968 GOOD NIGHT. 659 00:44:20,641 --> 00:44:25,021 COME UP AGAIN... ANYTIME. 660 00:44:25,021 --> 00:44:27,982 THANKS. I WILL. 661 00:44:31,861 --> 00:44:36,282 WELL, IT WON'T BE LONG NOW. 662 00:44:37,408 --> 00:44:38,576 NOW, THIS IS ALL WE HAVE ON HAND AT PRESENT. 663 00:44:42,246 --> 00:44:46,250 ONE OF THE PLATES GOT BUSTED AND IT SORT OF HELD US UP. 664 00:44:46,250 --> 00:44:49,378 THESE ARE BEAUTIFUL, GUS. 665 00:44:49,378 --> 00:44:51,547 ONE WAY TO GET RICH IS TO MAKE ONE'S OWN MONEY, ISN'T IT, JORDAN? 666 00:44:51,547 --> 00:44:55,176 NOW, YOU HAVE YOUR INSTRUCTIONS. 667 00:44:55,176 --> 00:44:57,261 I DON'T WANT TO SAY ANYTHING MORE. YOU KNOW WHAT TO DO. 668 00:44:57,261 --> 00:44:59,388 GET RID OF THEM AS QUICKLY AS YOU CAN WITH SAFETY. 669 00:44:59,388 --> 00:45:01,515 NOT A WORD, GUS. 670 00:45:01,515 --> 00:45:03,810 THEY SAY MONEY TALKS, BUT THIS CAN ONLY WHISPER. 671 00:45:03,810 --> 00:45:06,437 YEAH. STOW THESE ON YOU SOMEWHERE. I'LL TAKE CARE OF THE REST OF THEM. 672 00:45:06,437 --> 00:45:09,857 SOON WE WILL BE VERY RICH, EH, GUS? 673 00:45:09,857 --> 00:45:12,109 I HOPE SO. I NEED PLENTY OF MONEY. DON'T WE ALL? 674 00:45:12,109 --> 00:45:14,570 NOW THERE'S ONE THING MORE. 675 00:45:14,570 --> 00:45:17,448 WHO'S THERE? DOHENEY. 676 00:45:17,448 --> 00:45:19,408 JUST A MINUTE, DOHENEY. 677 00:45:21,202 --> 00:45:21,952 COME IN, DOHENEY. 678 00:45:25,414 --> 00:45:27,834 WELL, WHAT'S UP, DOHENEY? 679 00:45:27,834 --> 00:45:30,252 EXCUSE ME FOR BUTTIN' IN, MR. JORDAN, BUT-- ALL RIGHT. 680 00:45:30,252 --> 00:45:33,214 HAVE YOU SEEN ANYONE AROUND HERE? NO, WHO? 681 00:45:33,214 --> 00:45:36,217 CHICK CLARK. CHICK CLARK? YOU'LL FIND HIM UP THE RIVER. 682 00:45:36,217 --> 00:45:39,053 NO. NO, HE MADE A GETAWAY. I THOUGHT YOU KNEW. 683 00:45:39,053 --> 00:45:41,388 MULLINS HERE SAYS HE SPOTTED HIM OUT BACK. 684 00:45:41,388 --> 00:45:43,474 I'M SURE IT WAS HIM, MR. JORDAN. I THOUGHT HE WAS HEADED THIS WAY. 685 00:45:43,474 --> 00:45:46,185 WELL, WHAT WOULD HE COME HERE FOR? NO TELLIN', SIR. 686 00:45:46,185 --> 00:45:48,270 HE MAY BE LOOKIN' FOR TROUBLE. 687 00:45:48,270 --> 00:45:50,189 WELL, BETTER TAKE A LOOK. EXCUSE US, WILL YOU? WHY CERTAINLY. 688 00:45:50,189 --> 00:45:53,567 ♪ ...ON LIFE'S STORMY PATH ILL-ADVISED ♪ 689 00:45:57,029 --> 00:46:01,992 ♪ DO NOT SCORN HER WITH WORDS FIERCE AND BITTER ♪ 690 00:46:05,287 --> 00:46:09,667 ♪ DO NOT LAUGH, HA-HA ♪ 691 00:46:09,667 --> 00:46:12,253 ♪ AT HER SHAME AND DOWNFALL ♪ 692 00:46:13,212 --> 00:46:18,008 ♪ FOR A MOMENT JUST STOP AND CONSIDER ♪ 693 00:46:20,761 --> 00:46:25,015 ♪ THAT A MAN WAS ♪ 694 00:46:25,015 --> 00:46:28,644 SAY, HE MIGHT HAVE GONE THAT-- 695 00:46:28,644 --> 00:46:30,646 ♪ THE CAUSE OF IT ALL ♪♪ 696 00:46:32,606 --> 00:46:37,570 YOU CAN GO HOME NOW, PEARL. I WON'T NEED YA ANYMORE. 697 00:46:37,570 --> 00:46:40,156 YOU SURE YOU WON'T, MISS LOU? NO. YOU CAN GO. 698 00:46:40,156 --> 00:46:42,533 GOOD NIGHT. GOOD NIGHT. 699 00:46:48,289 --> 00:46:52,418 JUST A MINUTE. 700 00:46:52,418 --> 00:46:54,670 CHICK. WHAT DO YOU WANT? I WANT YOU TO PACK UP AND COME WITH ME. 701 00:46:54,670 --> 00:46:58,549 YOU DON'T SUPPOSE I'D BE FOOL ENOUGH TO GO ANYPLACE WITH YOU. 702 00:46:58,549 --> 00:47:01,385 NOW, LISTEN, I HAD TO CROAK A GUARD TO GET OUT. 703 00:47:01,385 --> 00:47:04,513 NOW YOU'RE GOIN' WITH ME. I AIN'T GOIN', CHICK. I'M STAYIN' HERE. 704 00:47:04,513 --> 00:47:08,392 DON'T YOU LOVE ME ANYMORE? ANYMORE. 705 00:47:08,392 --> 00:47:10,477 YOU NEVER LOVED ME? 706 00:47:10,477 --> 00:47:12,646 WHY, YOU-- YOU'LL WHAT? SAY, ALL I GOT TO DO IS CALL GUS, 707 00:47:12,646 --> 00:47:15,399 AND YOUR TRIP WILL BE BACK UP THE RIVER. 708 00:47:15,399 --> 00:47:17,693 YOU'LL NEVER LIVE TO SEE ME GO. NONE OF THEM CHEAP THREATS. 709 00:47:19,737 --> 00:47:22,406 YOU OUGHT TO KNOW ME BETTER THAN THAT. I TELL YOU, CHICK, YOU'RE THROUGH. GET OUT! 710 00:47:22,406 --> 00:47:25,701 YOU GOT A NERVE TO STAND THERE AND TELL ME TO GET OUT. 711 00:47:25,701 --> 00:47:30,247 ME JUMPIN' FREIGHTS AND CRAWLIN' THROUGH THE MUD TO GET TO YOU. 712 00:47:30,247 --> 00:47:33,709 WHY, YOU-- CHICK! CHICK! 713 00:47:33,709 --> 00:47:37,671 I CAN'T. 714 00:47:37,671 --> 00:47:40,090 I CAN'T DO IT. 715 00:47:40,090 --> 00:47:42,092 OH, I CAN'T. 716 00:47:42,092 --> 00:47:44,303 DON'T YOU KNOW WHAT I FEEL FOR YA? 717 00:47:44,303 --> 00:47:46,680 AIN'T YOU GOT A HEART LEFT IN YA FOR ME? 718 00:48:03,781 --> 00:48:08,285 I GOTTA HAVE YOU! 719 00:48:08,702 --> 00:48:11,205 YOU CAN'T GET AWAY WITH ANYTHING LIKE THAT. 720 00:48:13,457 --> 00:48:15,793 JUST A MINUTE. 721 00:48:17,003 --> 00:48:19,129 I'LL MEET YA TONIGHT AT CALLAHAN'S RIGHT AFTER MY TURN. 722 00:48:19,129 --> 00:48:22,091 YOU'LL COME TO ME? I SWEAR IT. 723 00:48:22,091 --> 00:48:24,134 I'LL BE WAITIN' FOR YA. 724 00:48:28,097 --> 00:48:32,518 MMM. I THOUGHT IT WAS GUS. 725 00:48:32,518 --> 00:48:35,604 I COULD NOT STAY AWAY. 726 00:48:35,604 --> 00:48:37,731 I WAS KIND OF EXPECTIN' THAT. 727 00:48:41,402 --> 00:48:45,823 HELLO, RITA. HELLO, FLYNN. 728 00:48:45,823 --> 00:48:48,158 LOOKING FOR YOUR ASSISTANT? YES. 729 00:48:48,158 --> 00:48:50,286 LAST TIME I SAW HIM, HE WAS HEADIN' THAT WAY. SO. 730 00:48:50,286 --> 00:48:53,455 THAT'S HER! SHE'S THE ONE! 731 00:48:53,455 --> 00:48:55,332 SHE'S THE WOMAN THAT DONE IT! THAT WOMAN THERE! 732 00:48:55,332 --> 00:48:58,377 SIT DOWN! THAT WAS THE ONE I TOLD YOU ABOUT. 733 00:48:58,377 --> 00:49:00,671 THE ONE I TOLD YOU ABOUT! SHE CAN'T GET AWAY WITH ANYTHING LIKE THAT AGAIN! 734 00:49:00,671 --> 00:49:04,425 LET ME ALONE! THAT WOMAN THERE-- EVERYTHING WILL BE ALL RIGHT. 735 00:49:04,425 --> 00:49:07,678 IS SHE TALKING ABOUT YOU, RITA? 736 00:49:07,678 --> 00:49:09,680 ME? I NEVER SAW THE WOMAN BEFORE. 737 00:49:09,680 --> 00:49:11,682 I HAVE NEVER BEEN SO INSULTED IN ALL MY LIFE. SHE MUST BE MAD, THAT WOMAN. 738 00:49:11,682 --> 00:49:15,686 YOU CAN'T DO THAT TO ME! LET ME ALONE! 739 00:49:15,686 --> 00:49:17,855 JUST A MOMENT. I WANT TO TALK TO HER. 740 00:49:17,855 --> 00:49:20,357 I BRING YOU A GIFT. 741 00:49:20,733 --> 00:49:22,443 DIAMONDS. I KNOW YOU LOVE THEM SO. 742 00:49:25,362 --> 00:49:28,198 AIN'T IT GRAND? 743 00:49:28,198 --> 00:49:30,701 SEE? THEY MAKE YOUR EYES SPARKLE... 744 00:49:30,701 --> 00:49:33,579 AND YOUR TEETH GLEAM LIKE PEARLS. 745 00:49:33,579 --> 00:49:36,165 OH, YOU ARE BEAUTIFUL. I LOVE YOU SO. 746 00:49:36,165 --> 00:49:39,293 THE MEN OF MY COUNTRY GO WILD ABOUT WOMEN WITH YELLOW HAIR. 747 00:49:40,669 --> 00:49:44,173 I'M GLAD YA TOLD ME 'CAUSE I WANT TO KEEP STRAIGHT ON MY GEOGRAPHY. 748 00:49:45,632 --> 00:49:47,634 I LOVE YOU. YOU WERE MADE FOR LOVE... 749 00:49:50,304 --> 00:49:52,806 AND FOR LOVE ONLY SHOULD YOU CARE. 750 00:49:52,806 --> 00:49:55,601 AND NOW SURELY YOU HAVE ENOUGH DIAMONDS. 751 00:49:55,601 --> 00:49:57,895 OH. DIAMONDS IS MY CAREER. 752 00:49:57,895 --> 00:50:01,815 I SWEAR, I SHALL MAKE YOU HAPPY. 753 00:50:01,815 --> 00:50:04,526 I SHALL DIE TO MAKE YOU HAPPY. 754 00:50:04,526 --> 00:50:06,570 BUT YOU WOULDN'T BE MUCH USE TO ME DEAD. 755 00:50:07,321 --> 00:50:10,240 SO THIS IS WHERE I FIND YOU. 756 00:50:11,742 --> 00:50:14,495 OH, HELLO, RITA. DON'T YOU HELLO ME. 757 00:50:14,495 --> 00:50:16,663 SO THE MINUTE MY BACK IS TURNED, I FIND YOU MAKING LOVE TO ANOTHER WOMAN. 758 00:50:16,663 --> 00:50:20,709 WHAT DID YOU EXPECT HE'D BE DOIN'? 759 00:50:20,709 --> 00:50:22,753 A BOY WITH A GIFT LIKE THAT SHOULD BE WORKIN' AT IT. 760 00:50:22,753 --> 00:50:24,713 WHAT HAVE YOU TO SAY FOR YOURSELF? I HAVE NOTHING TO SAY. 761 00:50:24,713 --> 00:50:27,758 YOU SAW. WHAT CAN I SAY? 762 00:50:27,758 --> 00:50:30,344 HOW DARE YOU SO INSULT ME WHEN I GAVE THE VERY CLOTHES ON YOUR BACK. 763 00:50:30,344 --> 00:50:34,181 OH, HE'S GOT TO HAVE MORE THAN CLOTHES. I'LL ATTEND TO YOU LATER. 764 00:50:34,181 --> 00:50:36,683 HAVE YOU NO APOLOGY? ARE YOU NOT SORRY? 765 00:50:36,683 --> 00:50:39,436 DO YOU NOT WISH ME TO FORGIVE YOU? 766 00:50:39,436 --> 00:50:41,939 I LOVE YOU. I SWEAR IT. YOU LOVEHER, EH? 767 00:50:44,274 --> 00:50:47,236 WELL, SHE LOVES ONLY MONEY AND DIAMONDS, 768 00:50:47,236 --> 00:50:49,696 AND LET ME TELL YOU MORE ABOUT HER. SHE-- JUST A MINUTE. 769 00:50:49,696 --> 00:50:52,699 YOU GET OUTTA HERE AND LEAVE HER TO ME. 770 00:50:53,076 --> 00:50:54,910 MY PIN. WHAT DO YOU MEAN BY TAKING MY PIN? 771 00:50:57,871 --> 00:51:00,457 I DIDN'T TAKE YOUR PIN. HE GAVE IT TO ME. 772 00:51:00,457 --> 00:51:02,418 WELL, I WANT IT BACK RIGHT NOW. 773 00:51:02,418 --> 00:51:04,628 YOU TRY AND GET IT. 774 00:51:04,628 --> 00:51:06,713 I WOULDN'T GIVE YOU THIS HERE THING NOW FOR SPITE. 775 00:51:06,713 --> 00:51:09,466 IF YOU ASKED ME FOR IT THE RIGHT WAY, YOU COULD HAVE HAD IT. 776 00:51:09,466 --> 00:51:12,302 I GOT ALL THE ROCKS I WANT, 777 00:51:12,302 --> 00:51:14,555 BUT I'LL KEEP THIS HERE THING TO REMEMBER YA BY. 778 00:51:14,555 --> 00:51:17,641 YOU'RE SO VERY CLEVER, LOU. 779 00:51:17,641 --> 00:51:19,685 SO WISE AND SO SMART, EH? 780 00:51:19,685 --> 00:51:23,272 BUT IN MY COUNTRY, WE KNOW HOW TO DEAL WITH YOU WISE ONES. 781 00:51:23,272 --> 00:51:27,651 WHY, YOU SNEAKIN', UNDERHANDED-- I FIX YOU! I'LL KILL YOU! 782 00:51:27,651 --> 00:51:29,820 I'LL KILL YOU, YOU HEAR ME? OPEN THAT HAND! 783 00:51:29,820 --> 00:51:32,281 GIVE ME THAT KNIFE! YOU THINK YOU'RE CLEVER. 784 00:51:32,281 --> 00:51:34,825 OW! 785 00:51:34,825 --> 00:51:36,910 GIVE ME THAT KNIFE. GIVE ME THAT KNIFE. 786 00:51:49,174 --> 00:51:53,260 RITA. RITA. 787 00:51:53,844 --> 00:51:56,847 RITA. 788 00:51:57,806 --> 00:51:59,933 RITA! 789 00:51:59,933 --> 00:52:02,269 HERE. HERE. I DON'T WANT YOUR PIN. 790 00:52:02,269 --> 00:52:04,855 LOU? LOU? 791 00:52:09,318 --> 00:52:13,947 HE MUST HAVE COME UP OVER THAT SHED. 792 00:52:13,947 --> 00:52:16,700 LOU, DID YOU SEE ANYONE OUT ON THAT SHED? 793 00:52:16,700 --> 00:52:19,036 WHY, NO. NO. 794 00:52:19,036 --> 00:52:22,873 NOPE, THERE'S NOBODY THERE. SORRY TO HAVE BOTHERED YA. 795 00:52:22,873 --> 00:52:25,876 ALL RIGHT, DOHENEY. 796 00:52:25,876 --> 00:52:28,378 I WANT TO HAVE A LITTLE TALK WITH YOU AFTERWARDS, LOU. 797 00:52:28,378 --> 00:52:31,965 BETTER HURRY. THEY'RE WAITIN' FOR YA DOWN THERE. I'LL BE RIGHT DOWN, GUS. 798 00:52:31,965 --> 00:52:34,843 I'M JUST DOIN' A JOB I NEVER DID BEFORE. ALL RIGHT. 799 00:52:41,267 --> 00:52:45,271 SPIDER. 800 00:52:53,862 --> 00:52:58,825 OH, LOU, I SAW-- DON'T BOTHER ME. DON'T BOTHER ME. 801 00:52:58,825 --> 00:53:01,912 ARE YOU "NOIVOUS," LOU? NO. 802 00:53:01,912 --> 00:53:04,039 YOU ARE NOIVOUS, AIN'T YA, LOU? NO, I AIN'T NOIVOUS. 803 00:53:04,039 --> 00:53:07,084 'CAUSE IF YOU'RE NOIVOUS-- I AIN'T NOIVOUS BUT IF YA KEEP ASKIN' ME, I WILL BE. 804 00:53:11,755 --> 00:53:16,677 ♪ A GUY WHAT TAKES HIS TIME I GO FOR ANYTIME ♪ 805 00:53:16,677 --> 00:53:21,682 ♪ I'M A FAST-MOVIN' GAL THAT LIKES 'EM SLOW ♪ 806 00:53:21,682 --> 00:53:26,353 ♪ GOT NO USE FOR FANCY DRIVIN' ♪ 807 00:53:26,353 --> 00:53:28,772 ♪ WANT TO SEE A GUY ARRIVIN' IN LOW ♪ 808 00:53:28,772 --> 00:53:33,026 ♪ THERE ISN'T ANY FUN IN GETTIN' SOMETHIN' DONE ♪ 809 00:53:33,402 --> 00:53:38,448 ♪ IF YOU'RE RUSHED WHEN YOU HAVE TO MAKE THE GRADE ♪ 810 00:53:38,448 --> 00:53:42,995 ♪ I CAN SPOT AN AMATEUR ♪ 811 00:53:42,995 --> 00:53:44,997 ♪ APPRECIATE A CONNOISSEUR AT HIS TRADE ♪ 812 00:53:47,499 --> 00:53:52,087 ♪ WHO WOULD QUALIFY NO ALIBI ♪ 813 00:53:52,087 --> 00:53:54,965 ♪ TO BE THE GUY WHAT TAKES HIS TIME ♪ 814 00:53:56,342 --> 00:54:00,470 ♪ OHHH ♪♪ 815 00:54:00,470 --> 00:54:05,058 SINCE I'VE BEEN IN OFFICE, I'VE NEVER HEARD ANYTHING QUITE SO APPALLING. 816 00:54:05,058 --> 00:54:09,771 AND EVERY WORD OF IT IS TRUE. IS THAT ALL? 817 00:54:09,771 --> 00:54:11,857 YES, SIR, THAT'S ALL. WHAT THIS YOUNG LADY SAYS IS A SERIOUS ACCUSATION... 818 00:54:11,857 --> 00:54:15,527 AND MEANS THE END OF THAT GANG AND COINCIDES WITH DAN FLYNN'S REPORT. 819 00:54:15,944 --> 00:54:20,449 LET ME HEAR THE NEXT WITNESS. 820 00:54:20,449 --> 00:54:22,784 THAT'S ALL, MISS. 821 00:54:22,784 --> 00:54:25,037 COME. COME, SALLY. 822 00:54:25,037 --> 00:54:27,706 NOW, SALLY, TELL THE DISTRICT ATTORNEY EXACTLY WHAT YOU TOLD ME. 823 00:54:30,208 --> 00:54:34,796 SAY, LOU, WHAT DID CUMMINGS WANT? 824 00:54:34,796 --> 00:54:38,717 I SEEN HIM GO UPSTAIRS TO YOUR ROOM. 825 00:54:38,717 --> 00:54:41,011 HE WANTED TO KNOW ABOUT THAT SALLY GIRL YOU SENT TO THE COAST. 826 00:54:41,011 --> 00:54:43,889 HE DID, EH? WONDER WHAT FOR. 827 00:54:43,889 --> 00:54:46,850 SAID HER FATHER WAS OVER AT THE MISSION AND WANTED THEM TO FIND HER. 828 00:54:46,850 --> 00:54:49,978 ALL I TOLD HIM WAS THAT YOU GOT HER A JOB. 829 00:54:49,978 --> 00:54:53,023 I'M SORRY I EVER BOTHERED WITH THAT GIRL. 830 00:54:53,023 --> 00:54:55,442 WHY YOU SO FUNNY ACTIN', GUS? FUNNY ACTIN'? 831 00:54:55,442 --> 00:54:59,154 WHAT DO YA MEAN? 832 00:54:59,154 --> 00:55:01,407 YOU ACT KIND OF FUNNY. HAVE I DONE ANYTHING YOU DON'T LIKE? 833 00:55:01,407 --> 00:55:05,702 NO. WELL, NOT EXACTLY. 834 00:55:05,702 --> 00:55:08,955 I TELL YOU, LOU, I DON'T LIKE THIS BIRD, STANIEFF, ALWAYS HANGING AROUND YOU. 835 00:55:08,955 --> 00:55:13,085 HE'S TOO SLEEK, TOO SLIPPERY, TOO POLITE TO SUIT ME. 836 00:55:13,085 --> 00:55:17,172 OH, SO THAT'S WHAT'S BITIN' YA. YEAH. 837 00:55:17,172 --> 00:55:20,634 WHY, HE DON'T MEAN NOTHIN' TO ME. 838 00:55:20,634 --> 00:55:22,678 HE'S RITA'S FRIEND, AND I WANTED TO MAKE HIM FEEL AT HOME. 839 00:55:22,678 --> 00:55:25,555 YEAH? OH, I-- 840 00:55:25,555 --> 00:55:27,891 I GUESS I'M A JEALOUS OLD FOOL, EH? 841 00:55:27,891 --> 00:55:30,852 THEYAREVALUABLE, AIN'T THEY, GUS? 842 00:55:30,852 --> 00:55:33,105 WORTH PRETTY NEAR A HALF A MILLION. 843 00:55:33,105 --> 00:55:36,817 GONNA GET YOU A LOT MORE OF THEM SOON. 844 00:55:36,817 --> 00:55:39,986 AND HE SAID THEY HAD NO SOUL. 845 00:55:39,986 --> 00:55:42,989 WHO SAID? 846 00:55:42,989 --> 00:55:46,910 OH, THAT... 847 00:55:46,910 --> 00:55:49,037 THAT GUY CUMMINGS. 848 00:55:49,037 --> 00:55:51,164 SO YOU MET A MAN WHO WOULDN'T FALL FOR YOU, EH? 849 00:55:51,457 --> 00:55:55,752 WHO WANTS HIM TO FALL? 850 00:55:55,752 --> 00:55:57,796 WHY, HE'D BE THE KIND A WOMAN WOULD HAVE TO MARRY TO GET RID OF. 851 00:55:57,796 --> 00:56:00,924 HMM. THAT SOUNDS MORE LIKE DAN FLYNN. 852 00:56:00,924 --> 00:56:04,970 GUS, YOU AIN'T HEARD ANYTHING ABOUT THIS HERE COPPER THEY CALL THE HAWK, HAVE YA? 853 00:56:04,970 --> 00:56:08,098 JUST TALK. WHY? FLYNN SAYS HE'S SPOTTIN' THE PLACE DAY AND NIGHT. 854 00:56:08,265 --> 00:56:12,853 FLYNN SAID THAT? WHAT DOES HE KNOW? 855 00:56:12,853 --> 00:56:16,773 GUS, I HOPE YOU AIN'T BEEN SENDIN' THEM GIRLS TO THE COAST... 856 00:56:16,773 --> 00:56:19,735 TO BECOME CLASSY DIPS AND BURGLARS LIKE FLYNN THINKS. 857 00:56:19,735 --> 00:56:23,155 WELL, HE CAN'T KNIFE ME AND GET AWAY WITH IT. 858 00:56:23,155 --> 00:56:25,782 OH, LOU, I WANNA TELL YA-- 859 00:56:25,782 --> 00:56:27,951 DID YA DO THAT, SPIDER? WHAT? 860 00:56:28,869 --> 00:56:31,830 OH, SOMETHIN' I HAD TO DO AND DIDN'T HAVE THE TIME TO DO IT, 861 00:56:32,622 --> 00:56:37,127 AND SPIDER DID IT FOR ME. OH. 862 00:56:37,127 --> 00:56:39,838 HEY, BOSS. THERE'S A GUY OUT HERE NAMED MCNEIL. HE WANTS TO CASH A CHECK. 863 00:56:41,965 --> 00:56:45,761 MCNEIL? I DON'T KNOW HIM. 864 00:56:45,761 --> 00:56:49,055 - OH, BY THE WAY, HAVE YOU SEEN RITA AROUND? - RITA? WHY, NO. 865 00:56:50,766 --> 00:56:55,270 I GUESS SHE'LL COME IN LATER. 866 00:56:55,270 --> 00:56:58,231 I WANT TO THANK YA, SPIDER. IT WAS GREAT. IT WAS FINE. I KNOW. 867 00:56:59,733 --> 00:57:03,945 I'D DO ANYTHING FOR YOU, BUT-- I KNOW. NOW WAIT A MINUTE. 868 00:57:03,945 --> 00:57:06,865 I WENT THROUGH ENOUGH TONIGHT. I GOT TO TELL YOU SOMETHIN'. 869 00:57:06,865 --> 00:57:09,117 CHICK CLARK'S OUT IN THE ALLEY. CHICK CLARK? 870 00:57:09,117 --> 00:57:12,162 YEAH. OH. 871 00:57:12,162 --> 00:57:15,123 WHAT DO YOU WANT ME TO DO WITH HIM, LOU? 872 00:57:15,123 --> 00:57:17,793 WHY... WHY, TAKE HIM UP THE BACK WAY TO MY ROOM. 873 00:57:17,793 --> 00:57:21,004 I DON'T WANT THE COPS TO GET HIM. ALL RIGHT, LOU. 874 00:57:21,004 --> 00:57:23,799 I'LL FIGURE SOMETHIN' OUT LATER. ALL RIGHT, LOU. 875 00:57:37,020 --> 00:57:38,605 ♪ FRANKIE AND JOHNNIE WAS SWEETHEARTS ♪ 876 00:57:41,775 --> 00:57:45,571 ♪ OH, HOW THEY COULD LOVE ♪ 877 00:57:45,571 --> 00:57:47,823 ♪ SWORE THEY'D BE TRUE TO EACH OTHER ♪ 878 00:57:47,823 --> 00:57:50,700 ♪ TRUE AS THE STARS UP ABOVE ♪ 879 00:57:50,700 --> 00:57:53,245 ♪ HE WAS HER MAN ♪ 880 00:57:53,245 --> 00:57:56,039 ♪ AND HE WAS DOIN' HER WRONG ♪ 881 00:57:56,039 --> 00:57:59,209 ♪ FRANKIE WENT 'ROUND THE CORNER ♪ 882 00:58:00,293 --> 00:58:04,756 ♪ TO GET A BUCKET OF BEER ♪ 883 00:58:04,756 --> 00:58:07,050 ♪ SAID TO THE MAN CALLED THE BARTENDER ♪ 884 00:58:07,050 --> 00:58:10,220 ♪ HAVE YOU SEEN MY JOHNNY HERE ♪ 885 00:58:10,220 --> 00:58:12,764 ♪ HE IS MY MAN ♪ 886 00:58:12,764 --> 00:58:15,725 ♪ AND HE'S DOIN' ME WRONG ♪ 887 00:58:15,725 --> 00:58:18,144 ♪ I AIN'T GONNA TELL YA NO STORIES ♪ 888 00:58:20,230 --> 00:58:22,691 ♪ AIN'T GONNA TELL YA NO LIES ♪ 889 00:58:22,691 --> 00:58:25,902 ♪ SAW YOUR MAN JOHNNIE LEAVE ABOUT AN HOUR AGO ♪ 890 00:58:25,902 --> 00:58:29,239 ♪ WITH THAT GAL NAMED NELLIE BLY ♪ 891 00:58:29,239 --> 00:58:32,868 ♪ HE'S YOUR MAN ♪ 892 00:58:32,868 --> 00:58:34,744 ♪ AND HE'S DOIN' YA WRONG ♪ 893 00:58:34,744 --> 00:58:38,748 ♪ FRANKIE WENT 'ROUND TO THAT HOT SPOT ♪ 894 00:58:38,748 --> 00:58:41,751 ♪ BROUGHT ALONG A GREAT BIG .45 ♪ 895 00:58:41,751 --> 00:58:45,213 ♪ SHE WENT INSIDE AND THEN SHE SPIED ♪ 896 00:58:45,213 --> 00:58:48,216 ♪ HER JOHNNIE ON THE FLOOR HE WAS HER MAN ♪ 897 00:58:55,682 --> 00:59:00,646 STAY BACK THERE! I'LL PLUG THE FIRST ONE THAT MOVES. 898 00:59:06,902 --> 00:59:10,947 COME ON, MEN. 899 00:59:10,947 --> 00:59:12,949 LOU, WE'VE GOT TO GET OUTTA HERE. NO TIME TO TALK. WHAT IS IT? 900 00:59:20,874 --> 00:59:25,795 RIGHT THROUGH THE TUNNEL. WAIT A MINUTE, JORDAN. 901 00:59:25,795 --> 00:59:27,839 YOU. HOLD IT. 902 00:59:27,839 --> 00:59:29,925 OH, I'VE WAITED A LONG TIME FOR THIS MOMENT, JORDAN, AND NOW I GOT YA GOOD. 903 00:59:29,925 --> 00:59:34,846 I'M BOSS OF THIS DISTRICT. YEAH, YOU'RE PRETTY SMART, JORDAN. 904 00:59:34,846 --> 00:59:36,848 BUT YOU'RE NOT SMART ENOUGH. THAT'S THE TROUBLE WITH WARD HEELERS LIKE YOU. 905 00:59:36,848 --> 00:59:39,809 YOU GET A LITTLE POLITICAL POWER AND YOU THINK YOU'RE KING. 906 00:59:39,809 --> 00:59:42,729 WITH YOUR BRIBES AND YOUR PETTY FAVORS, YOU IMAGINE YOU'RE ABOVE THE LAW. 907 00:59:42,729 --> 00:59:45,190 IT'S NOT THE MISSION TALKING. IT'S THE UNITED STATES GOVERNMENT. 908 00:59:45,190 --> 00:59:47,984 OH, SO YOU'RE THE HAWK. YEAH, THAT'S WHAT THEY CALL ME. 909 00:59:47,984 --> 00:59:51,821 MAKING AND PASSING COUNTERFEIT MONEY IS A FEDERAL OFFENSE. 910 00:59:51,821 --> 00:59:54,866 YOU AND YOUR CROWD ARE DUE FOR ABOUT 20 YEARS IN ATLANTA. 911 00:59:54,866 --> 00:59:58,787 GO ON, BOYS. TAKE HIM OUTTA HERE. 912 00:59:58,787 --> 01:00:00,830 I ALWAYS THOUGHT THERE WAS SOMETHING FUNNY ABOUT YOU. COME ON. 913 01:00:00,830 --> 01:00:03,833 NOW, WAIT A MINUTE. SAY, WHAT'S GOING TO HAPPEN TO HER? 914 01:00:05,418 --> 01:00:08,213 NEVER MIND. SHE'LL BE WELL TAKEN CARE OF. 915 01:00:08,213 --> 01:00:11,091 COME ON. COME ON. 916 01:00:11,091 --> 01:00:14,177 YOU, THE HAWK. A NIGHT BIRD WORKIN' IN THE DARK, 917 01:00:14,177 --> 01:00:18,765 STEALIN' THE CONFIDENCE OF PEOPLE, THE LOWEST KIND OF A THIEF. 918 01:00:18,765 --> 01:00:22,894 I'M SORRY YOU THINK SO. 919 01:00:22,894 --> 01:00:24,938 CHIEF, I'VE GOT THAT OTHER FELLA OUT HERE. YOU WANNA LOOK AT HIM? YEAH. 920 01:00:27,733 --> 01:00:28,274 COME HERE. 921 01:00:31,778 --> 01:00:33,863 IS THAT THE MAN? YES, THAT'S THE MAN. 922 01:00:33,863 --> 01:00:35,865 THANK YOU. 923 01:00:37,492 --> 01:00:41,538 TAKE HIM TO HEADQUARTERS. TAKE CARE OF THE YOUNG LADY 'TIL I GET BACK. SURE. 924 01:00:41,538 --> 01:00:46,167 WHERE IS SHE? WHERE DID SHE GO? 925 01:00:46,167 --> 01:00:49,295 SHE WENT OUT THAT WAY. WHAT DID YOU LET HER DO THAT FOR? 926 01:00:49,295 --> 01:00:51,131 SO, YOU DOUBLE-CROSSED ME. 927 01:00:51,131 --> 01:00:55,135 WHAT DO YOU MEAN? YOU PLANTED ME UP HERE. 928 01:00:55,135 --> 01:00:57,804 YOU GOT ME WRONG. AND YOU SENT THAT RAT, FLYNN, UP TO GET ME. 929 01:00:57,804 --> 01:00:59,806 BUT I GOT HIM FIRST. I SENT HIM UP SO YOU COULD GET HIM. 930 01:00:59,806 --> 01:01:01,933 AND NOW I'M GONNA GET YOU. NOW WAIT A MINUTE, CHICK. 931 01:01:01,933 --> 01:01:04,894 I'LL MEET YOU IN-- 932 01:01:04,894 --> 01:01:07,814 O'HARA, TRACY, COME ON, GET HIM OUTTA HERE. 933 01:01:12,778 --> 01:01:18,074 ARE THOSE ABSOLUTELY NECESSARY? YOU KNOW, I WASN'T BORN WITH 'EM. 934 01:01:18,074 --> 01:01:21,870 A LOT OF MEN WOULD HAVE BEEN SAFER IF YOU HAD. 935 01:01:21,870 --> 01:01:24,330 OH, I DON'T KNOW. HANDS AIN'T EVERYTHING. 936 01:01:24,330 --> 01:01:27,459 ALL RIGHT. COME ON. 937 01:01:27,459 --> 01:01:30,045 MY WRAP. 938 01:01:42,182 --> 01:01:46,895 IF YOU WANNA HELP ME, PICK UP MY TRAIN. 939 01:01:51,900 --> 01:01:56,362 COME ON, GET BACK. GET BACK. 940 01:01:56,362 --> 01:01:59,115 GET BACK. 941 01:01:59,115 --> 01:02:01,159 HERE SHE COMES NOW. 942 01:02:01,159 --> 01:02:03,870 GET BACK THERE. GO ON, GET BACK THERE. GET BACK. GET BACK. 943 01:02:05,663 --> 01:02:07,999 SURE, THEY GOT ME, BUT THEY GOT YOU TOO, YA-- 944 01:02:13,004 --> 01:02:15,465 OH, CHIEF, WE'VE GOT THEM ALL. 945 01:02:17,509 --> 01:02:19,636 YEAH, ALL BUT THE BRASS BAND. 946 01:02:23,348 --> 01:02:27,936 HEY, WAIT A MINUTE. YA FORGOT ME. 947 01:02:27,936 --> 01:02:30,021 A CAB, SIR? YEAH. 948 01:02:42,492 --> 01:02:47,372 I THINK I'D HAVE LIKED THE WAGON BETTER. YEAH. 949 01:02:47,372 --> 01:02:51,292 I SUPPOSE YOU'D RATHER HAVE THE COMPANY OF YOUR FRIENDS, SUCH AS THEY ARE. 950 01:02:51,292 --> 01:02:55,088 WELL, YOU AIN'T EXACTLY A PAL. 951 01:02:57,423 --> 01:03:02,345 WELL, SURELY YOU DON'T MIND MY HOLDING YOUR HAND. 952 01:03:02,345 --> 01:03:05,390 IT AIN'T HEAVY. I CAN HOLD IT MYSELF. 953 01:03:06,641 --> 01:03:08,184 YOU KNOW, THIS IS A DIRTY TRICK, 954 01:03:11,187 --> 01:03:13,356 AND I COULD GET REAL SORE IF I DIDN'T HAVE A LOT OF SELF-CONTROL. 955 01:03:13,356 --> 01:03:16,651 WELL, SO HAVE I, BUT I'M BEGINNING TO LOSE IT. 956 01:03:17,193 --> 01:03:19,946 YOU KNOW, YOU REMIND ME OF A GLITTERING PALACE OF ICE. 957 01:03:22,240 --> 01:03:25,076 I AIN'T ICE. 958 01:03:25,076 --> 01:03:27,203 I DIDN'T SAY YOU WERE. 959 01:03:27,203 --> 01:03:29,664 BUT YOUR DIAMONDS ARE ALL GOING TO THE STOREHOUSE. 960 01:03:29,664 --> 01:03:33,001 YOU SAID I HAD A SOUL. I LOOKED FOR IT, BUT I DIDN'T FIND IT. 961 01:03:33,001 --> 01:03:36,588 YOU WILL. WHERE, IN JAIL? 962 01:03:36,588 --> 01:03:39,716 NO, THAT'S NOT THE PLACE FOR YOU. WELL, YOU GOT ME, AIN'T YA? 963 01:03:39,884 --> 01:03:44,053 YEAH, I GOT YOU. 964 01:03:44,053 --> 01:03:46,181 YOU'RE MY PRISONER... 965 01:03:46,181 --> 01:03:48,433 AND I'M GONNA BE YOUR JAILER FOR A LONG, LONG TIME. 966 01:03:48,725 --> 01:03:52,938 OH, YEAH? YEAH. 967 01:03:52,938 --> 01:03:55,732 AND YOU CAN START DOING THAT STRETCH RIGHT NOW. 968 01:03:57,317 --> 01:03:59,319 WHERE'D YOU GET THAT, 969 01:04:01,613 --> 01:04:04,574 DARK AND HANDSOME? 970 01:04:04,574 --> 01:04:07,327 YOU BAD GIRL. 971 01:04:07,327 --> 01:04:10,038 HMM, YOU'LL FIND OUT. 76286

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