Original subtitles

We have no money!

What the hell was that?

Asinamali!Asinamali!

-Asinamali! -Watch it.

What's wrong, boss?

Shut up, man!

This is how we do things around here.

Check Section B5, Cell number two.

Check it now.

That all of us.

We're here now.

Asinamali.

Welcome, comrades.

-Amandla! -Awethu!

Comrades,

I've just been released from Robben Island.

Our leaders, Nelson Rolihlahla Mandela.

Woah! Woah!

Kill him!

Walter Sisulu.

Hold on!

Hold on, comrades.

Comrades.

Let this man go and help his brothers and sisters.

-Let him go free. -Kill him.

-Amandla! -Awethu!

Let him go, guys.

Let him go.

No, kill him!

Let me go.

Comrade, leave him.

Go on, get lost.

Hold it. Amandla!

Awethu!

…very few people like him in this world.

-But they want to kill our leader. -But he's Msizi Dube.

Our leaders. Our leaders…

asked me to pass this message on to you.

Boycott…

the rent increase.

Let's make this country ungovernable.

We have no money!

Onwards. Asinamali!

Asinamali!

-Asinamali! -Asinamali!

Asinamali!

Asinamali!

Good morning, Mr. Washington. I'm Sergeant Nel. Please follow me.

Thank you.

So as you can see, we try to keep them busy, Sir.

It's mostly upkeep of the prison.

How many guys do you have here?

At any given time, over 500 prisoners.

-500? -That's correct.

Oh, gee whiz!

This is the winning card.

Let's play.

Let's go, what's your pick?

Two hundred.

You put 200, I give you 400

-I'm thinking, of giving you 300. -My sister.

This is my place.

There.

Three hundred. This is the card.

Three hundred, I'll give you 600.

Ford Mustang.

And my wife.

Two thousand rand.

Sir…

Two thousand, 3000, 4000.

Five thousand.

And…

Oh, my sister.

Have you cleared the path?

I was with them at the crossing point.

Guys, don't worry. You're in safe hands here.

Okay.

Take this and get yourselves something to drink.

Thank you, Sir.

Okay.

Change is coming.

Some want hope.

It's the music that's going to bring about hope to the nation.

Music and theatre. Drama.

The arts.

That's the future of our people.

The theatre of the revolution.

Can you imagine?

The whole country singing the song of hope.

That's right.

The theatre of revolution and the song of hope.

The song of hope.

You want a song of hope?

You want a revolution, yeah?

The theatre of revolution?

A song of freedom?

Join me, Angela.

Come, baby.

I've been spending Sleepless days and nights

Thinking about when The big moment will come

I've been spending Sleepless days and nights

Thinking about when The big moment will come

Day after day my life is rolling On a freedom rollercoaster

Wondering where we are

I'm dreaming of the day When we get to freedom

Imagine all the people Dancing everywhere

Their faces full of victory

Their faces full of happiness

They'll be singing They'll be dancing everywhere

Singing the song of freedom

They'll be dancing everywhere Singing everywhere

Singing the song of freedom

Dancing everywhere

Singing everywhere

Singing the song of freedom

They're wearing the colors Of the movement of the people

Singing the songs Of liberation out loud

Freedom in our time now

Today, let's celebrate freedom

Freedom

Freedom in our time now

Today, let's celebrate freedom

Let's celebrate

The fighting has been far too long

Too long

Today let's celebrate freedom

The fighting has been far too long

Today let's celebrate freedom

Let's celebrate

So many of our people are gone

But many more will enjoy to be free

So many of our people are gone

Yes, they're gone

But many more will enjoy to be free

Come on now

Let's hold onto each other forever

'Cause our freedom is a few steps away

Let's hold onto each other forever

'Cause our freedom is a few steps away

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Come on, guys

Come sing a song of victory

Soweto! Soweto! Soweto!

Soweto! Soweto! Soweto!

Sir, I heard someone tried to mount a concert?

I have it in hand, Sir.

And what about this man we're supposed to meet?

I intend to limit his movement.

Good.

I'm not going to allow some terrorist to tell me how to run things.

You mean Mr. Washington?

He's with Amnesty International now.

Speak of the devil.

Mr. Comrade Washington.

Mr. Washington.

Colonel Du Toit.

Prison Department.

Sergeant Mgwaqaza, Head Warden.

Call me Comrade.

Comrade?

It's my Christian name, not a title.

Well, you must be exhausted after your trip.

My flight from America has been the easiest part of the journey.

Well, if there's anything we can do.

Access to your inmates. That's all I ask.

This is a maximum security facility.

It's the worst cases that benefit from my workshop, Sergeant.

What do you intend to achieve with this workshop of yours?

The process of drama…

and the power of song opens up emotions.

Ultimately you find that it improves conditions in the prison.

Why do you think we need to improve conditions in the prison?

Lunch is served at 13h00.

You can come and join me so that we can discuss this 'workshop' at more length.

-Thank you, Colonel. -Mr. Washington.

-Sergeant. -Please follow me, Sir.

You'll phone me, Sergeant, if there are any problems.

I need you to stay with me

Oh, baby

I need you to hold me

I don't want to be by myself anymore

Love is so sweet

Love is so beautiful

It shines through the spirit When that person is in love

Love is so sweet

Love is so beautiful

It shines through the spirit When that person is in love

The time is gone

I want you now and forever more

Where I am

I have no one to Share my fantasies with

But I must confess I love

You

Hey, man.

I'm sorry your trip was a waste.

But you're welcome to be an observer.

But under present circumstances…

I cannot allow you to have contact with the prisoners.

I'm not an observer, Sgt. Mgwaqaza.

The success of my work relies on interaction with prisoners

and working with them.

But Amnesty International signed an agreement with Col. Du Toit.

Col. Du Toit doesn't run this facility.

Well…

that's unfortunate.

He would be denying…

the prisoners a once in a lifetime opportunity.

You see, once I've done my work, Sgt. Mgwaqaza,

even the worst of criminals…

turn their lives around.

They change and become a new person altogether.

You must see the benefit for all your people.

My people?

Tell me, what do you need to fix your guitar?

If you could just get me a thin wire to use as a string.

If I tie it up tight, the wire should be fine.

Well…

I can get that for you.

Really?

Yes.

Don't joke.

You can't do anything here without Mgwaqaza knowing.

A prisoner always has a plan, my brother.

-Hey, Bheki. -Yes?

Did you get that thing for me?

What are you talking about?

In the kitchen.

A spoon.

What, Mickey?

You're playing with fire.

Are you asking for a spoon because you're crafting a plan?

Are you trying to escape?

Yes.

Mickey?

Mickey?

Have you forgotten what Mgwaqaza can do?

What did you just say?

Didn't you say a prisoner always has a plan?

Me too.

Bad guys always make a plan.

Come on, you bastards. Get up!

Come on, now.

Come, come, come!

Move it, move it!

Is this the correct address?

Yes, it is.

Oh, I'm sorry, but…

we were informed you'd be staying with family.

I consider Barney family.

Even though we're…

a little different.

Have a good afternoon, Sir.

Thank you, Sergeant.

Gate!

I'll be driving you tomorrow as well sir.

How can I just be an observer?

That's not what I'm here for.

Sir, were you a soldier?

Umkhonto weSizwe?

Yes, but now I'm fighting a different war.

Oh yeah.

Now I fight using music and acting.

People call it theatre and drama.

Oh, yes. Okay.

None of you in these?

Somebody's got to hold the camera.

To you, Comrade…

for choosing this path. Rebuilding your country.

And to you

for helping me find the way.

I'm still feeling the pain in my back from

your guerrilla exercises at rehearsal, you old bugger.

Was it me? Really?

Eish!

I'm sorry.

So they didn't take your spirit, those Yanks.

I'm proud of you.

-That thing you're doing in prison. -They're not letting me in.

What do you mean?

Won't let me in.

I'm just an observer.

But you had a deal.

Amnesty had a deal. They can't do that.

They do what they like.

Who was it told me that once?

Well then you play them at their own game, Comrade.

I intend to.

So, are you going to find her?

How do you feel bitch?

All tied up like that.

Do you like it?

Don't worry, baby.

I'll show you a good time.

Oh, yes.

Please, sir…

Can I just…

Good day, Sergeant.

That one.

What did he do?

Twenty-eight men.

Twenty-eight men?

White men.

He killed them all.

With a sledgehammer.

That's why they call him the Hammerman.

I tell you…

in this place…

we get real killers.

Drop your tools! Drop your tools now!

Fuck off, man! Wayne, bring the dogs.

Watch these guys.

I did nothing wrong.

Please! Please, my brother.

I did nothing wrong, I was just going to the toilet.

Corporal Khumalo.

Sir?

Time for the inspection dance. What are you waiting for?

Inspection time, prisoners!

Move, move, move!

-Come, prisoner. -Come, come, come!

Come on!

Strip, prisoners!

Inspection, prisoners!

Next, boss. Hey.

Nothing, boss. Hey.

Say it.

Nothing, Pretoria. Hey.

Nothing, my king. Hey.

Thawuza, prisoners!

Thawuza, prisoners!

I show you my arse, boss.

Nothing, Pretoria. Hey.

Open your mouth, open your mouth…

Huh, open your mouth!

Come in.

You must be realizing how different we do things back home?

Yes, I see.

He was a dangerous man.

I couldn't have him running loose out there.

If we can speak the honest, naked truth.

When a prisoner runs away, you shoot him in the back.

It's unheard of for an escapee to be shot in the chest.

In his back.

Not in the chest.

What are you saying?

This man…

didn't run away from death.

He stared his own death in the face.

You've made me an observer.

Right?

No.

I demand that you give me full access to the inmates.

Otherwise I will write a big report to Amnesty

telling them about how you murder defenseless prisoners.

I don't care about Amnesty International.

I don't work for them!

You'd better care a great deal, Sergeant! They run the whole world.

Not just the United States of America. And if I tell them…

trust me…

Pretoria will be here the very next day.

And with that body hanging out there like a trophy…

I'm telling you…

you'll be done!

What do you want?

Remove that corpse.

And also, I want to do a play…

with your inmates.

That's why I came to South Africa.

Theatre and music.

There's your stupid piece of paper.

Hey, prisoners.

Remove this coward.

Move it!

Move it.

Move it, inmates. Move it!

Move it!

And you, Bra Tony?

Don't start with your shit!

Move it, man!

Come, come!

Go, man.

Come, come!

Go on, get inside!

Bra Tony.

Comrade, where is he?

He's running a theatre workshop.

Try to get in.

Hi, gents.

Hi, sir.

Take a seat.

Thank you.

What's your name?

I'm Bheki Mqadi.

Bheki Mqadi?

-Yes. -Bhoyi Ngema.

-Bhoyi Ngema? -Yes.

-Shoe Shine. -Shoe Shine?

Thank you.

My name is Comrade Washington.

I'm here from the United States of America.

I work for an organization called Amnesty International.

Amnesty International is an organization

that advocates for prisoners' rights around the world.

Okay.

Sergeant Mgwaqaza…

gave me permission to spend some time and chat with you.

I don't know.

But…

Mister…

-Washington. -Comrade.

That's the name my parents gave me.

It's not a struggle name.

Comrade Washington.

Oh, well…

We hear you.

Yes.

You've come at a bad time.

This is our time for…

exercise.

The thing is…

we don't get much time…

to exercise.

Actually, we don't get to…

spend time outside…

relaxing.

No, I accept that, I'm not arguing with that.

All I'm asking for is your exercise time for the next three days.

Three days?

Yes, just three days. That's all.

-What will we be doing? -We'll be acting.

No, we'll be talking about our lives and what brought us to prison.

How about you?

No, don't start with me.

No, no, no…

You were a very active comrade in Lamontville with Msizi Dube.

It was nothing serious, just chasing after spies.

How would you chase after spies?

The spies?

I remember at Road one…

In 1983? That was us.

-What did you do? -We'd chase the spies.

They'd try to dodge us but we'd be right behind them

until we caught them.

Even if they'd…

During Msizi Dube's time, they'd send you to find them?

We'd catch them.

Don't tell me, show me how you did it.

-Really? -Yes.

Okay. As they were going down the street trying to dodge us,

we'd be right behind them and catch them.

Help me, help me.

Hey, hey, hey!

No. It's okay, Sergeant. Don't interrupt them.

-You don't mess with us. -You see now?

Then I'd put a tire around his neck.

-Okay, a tire. -Yes, we call it a necklace.

-A necklace? -Douse him with petrol, Bheki.

Hurry up, before we get caught!

This is the petrol.

-Just pour. -Okay, then I'd pour.

-Hold him, hold him… -Then I'd get my lighter.

Are those matches?

That's it. Beautiful! That's what I'm talking about.

Now that's drama.

You see? He's burning now.

-Him? -Yes.

Hey, hey, hey, prisoners…

Switch off the lights!

Section C4.

Lights out!

Done.

Section B5.

Lights out.

Done.

Section C1.

Lights out.

Done.

Lights out!

Shoe Shine.

Shine-o.

Tell me…

Do you wear dresses like a girl now?

What's wrong with you? You're disturbing me.

So you're wearing dresses and make-up like a girl now?

Fuck off, don't act stupid.

So this means you'll be signing autographs?

You'll be a star

and you'll find a new boyfriend, my man.

Fuck off, man. You're the faggot here.

Voetsek!

Shoe Shine…

You know where you're going to be tomorrow afternoon, don't you, boy?

No, boss.

Yeah, you do.

Sergeant Nel.

Sir?

What?

Sergeant Nel.

I'd also like to be part of the play.

I don't understand that Zulu shit you're speaking.

You…

permission…

workshop.

Me…

theatre…

please, Sir.

Why?

To…

something…

do, Sir.

Yes, alright. Permission granted. Now shut up and sleep.

Thanks, boss.

Thanks, boss.

Thank you.

Every morning

I read the newspaper

And at night

I watch the news on the television

To be a woman

To be a woman

I suddenly ask myself the question

Why so many women are taken for a ride

Every day

My love.

Is it kindness, or is it foolishness?

We need to get together and fight it

Be stronger, resist it

Is there something wrong Just to be a woman?

Sexual harassment and body molestation

It's so hard to be a woman

Don't need this humiliation

You just need someone To make you strong

To be a woman

To be a woman

You know, women are so kind

Woman is so special

Naturally she's such a pleasant person

She's so clever She's so warm, she's so nice

Every day she hopes for a better life

Taking care of her family

Looking to do better Just one more time

She's so loving, she's so caring, She's so good

Come.

Please, please. No.

-Now! -No!

-Now! -Please, please!

-Mgwaqaza! -Sing!

You fucking rapist!

Sing!

Mgwaqaza, Mgwaqaza!

Sing, you bitch.

Just leave her alone!

Leave her alone! Angel!

Come.

They have protested

Argued

Fought for our rights to be women

Sexual harassment and body molestation

It's so hard to be a woman

Voetsek!

To be a woman

Sexual harassment and body molestation

It's so hard to be a woman

To be, to be a woman

Don't need this humiliation

You just need someone To make you strong

To be a woman

To be a woman

Always complaining About not enough attention

To be a woman

Sexual harassment and body molestation

It's so hard to be a woman

Thirty-nine… One more.

Forty.

Thank you, thank you, thank you.

That's it, thank you. Yeah, take a breath.

Breathe in… Out.

In…

Out…

In… relax, completely relax.

Relax, actor.

We're going to talk about what is called a Holy Actor and an empty space.

Just like this space we're in.

Thank you, thank you.

Who's this gentleman?

-Hammerman. -Hammerman?

Hello, Hammerman.

An empty space like the one we're in

has no furniture,

no lights, nothing.

Just us actors.

We're going to talk about how an actor

and a character comes together to be one.

That's what we call a Holy Actor.

Excuse me, Comrade.

What is this Holy Actor thing?

Does it go to church?

No, we're not talking about church.

We're talking about an actor's commitment to his performance.

About the way the actor and character become one inseparable thing.

We need to believe that we want to be free.

But maybe we do it in song because we love singing.

Go…

Come to me, my prisoners

Three, four.

Go…

Go…

Come to me, my children

Let's go…

Let's hold hands

Go…

Imagine yourself leaving prison.

Go…

Come to me, my prisoners

Come to me, my prisoners

Let's go

Imagine yourself leaving prison. Let's close our eyes.

Go…

Come on, prisoners…

Yeah. Okay, go.

Where's your pass?

Oh, fuck… Yeah, okay, go.

Yes, short shit. Where's your black book? Fuck off, go. Get!

Fuck me, what have we here?

Going to work, dressed like a thug? Here we wear overalls and hard hats.

You don't even have a fucking hammer!

Oh, a passbook.

Well here, my boy, a passbook means sweet fuck all!

You see? You see?

Fuck all! You see?

Go on, kaffir. Fuck off! We don't need your kind.

Go, man. Don't come and get all worked up here.

-Go, kaffir. -Leave!

Does it turn you on?

Hey?

The hard, cold metal.

The great freedom fighter.

You know…

all the battles you've fought…

were for nothing.

It just brought you here.

Another wet pussy for me.

Nice…

and wet.

That was your death warrant.

You're dead.

I'm going to kill you.

I'm going to hang you with a rope.

You're dead, you dog!

But you know, there's someone who worries me.

Even when we're talking and laughing.

It's as if he's not here.

Thami?

Comrade?

Tell us about yourself. Where do you come from?

He's laughing.

He's laughing.

Eish, guys!

Trouble has a way of finding you.

Trouble?

Okay, listen. This is what happened.

I'm from Boss Van Niekerk's farm.

Where?

In the Orange Free State.

Oh, on a farm.

What did you do there?

I was working there.

I was working with the pigs and everything.

You fed pigs?

Yes.

Now, listen to this.

It happened that Boss Van Niekerk…

was gone for a very long time.

-And never came back? -Yes.

Just like that.

-Where was he? -He was out in Angola

busy with terrorists and things like that.

-He doesn't come home. -Did you become the man of the house?

No…

Listen, listen, listen…

So this one day…

I was working in the garden.

Busy with the flowers and stuff.

When I looked up…

there was Mrs. Van Niekerk.

Thami…

-No. -No!

Lunchtime.

No way!

The boss is on the border fighting terrorists.

He's been gone two years now.

And then what happened?

Shit happened.

I will…

-Johan! -I've been gone a few months

and you do this to me?

-You've been gone… -A few months!

You've been gone too long, Johan.

Johan… No!

Comrade.

Okay sorry, guys.

It's okay, Bhoyi. Continue.

Yes.

Msizi Dube…

was a man amongst men.

Wow, I can't believe it.

We were there together.

Comrade…

When I got there…

Where were you?

I, Bra Tony…

I was there.

Onwards. Asinamali!

Asinamali!

Msizi Dube…

died in my arms.

I tried everything I could to help him.

I'm the one who…

Bhoyi…

the scene we're rehearsing here…

where Msizi Dube is killed.

The man who gets burned in the rehearsal.

That man…

is me.

Bheki…

don't you remember me?

Don't you remember me?

In Lamontville.

It was you…

who took the tire after I killed Msizi Dube.

And put it around my neck.

And poured petrol over me.

And burned me.

My name is Moonlight Jwara.

Mgwaqaza and I…

we were inseparable.

We were working for the whites.

Today…

he…

he's turned his back on me completely.

I was the best…

at shooting.

I…

worked for the white people

and so did Mgwaqaza.

I killed.

My main function was to kill.

The people from the ANC…

The comrades…

from SWAPO.

Up yours!

Bheki, Bheki, Bheki…

Guys, guys…

Guys!

Msizi Dube said we shouldn't solve our problems like this.

Bhoyi, he's messing with us.

No, Bheki. Calm down.

Calm down, calm down…

Guys!

Please, man!

Be brave

Be brave young men

Be brave

Be brave young men

Be brave

Be brave young men

Be brave

Be brave young men

I'm telling you The shooting of these men

I'm telling you it reminds me Of Mozambique

The shooting of these men

I'm telling you it reminds me Of Mozambique

Be brave

Be brave be brave young men

Be brave

Be brave young men

Be Brave

Be brave young men

Be brave

Be brave young men

The shootings of these men

It reminds me of Mozambique

I’m telling you The shootings of these men

It reminds me of Mozambique

Be brave

Be brave young men

Be brave

Be brave young men

Be brave

Be brave young men

Be brave

Be brave young men

The shootings of these men

I'm telling you it reminds me Of Mozambique

I'm telling you

The shootings of these men

Reminds me of Mozambique

The shootings of these men

reminds me of Mozambique

Angel…

tell us about yourself.

Or you can sing a song.

Sing a song.

Just one song.

I can't sing anymore.

The sergeant…

The sergeant!

Form a circle, dogs!

Turn around.

Turn around!

So you're playing here?

Doing plays.

You're playing here, huh?

Who do you think you are?

Bra Tony.

No, man. Voetsek!

Your shoes, boss.

You're doing theatre here, hey? Theatre?

Is this a theatre?

You too?

Mr. Showbiz.

You come here with your MK bitchiness.

Remember what I did to you?

I'll do it again.

Any of these faggots move, you will all feel my hand.

Yes, Sir!

Lights out!

Angel?

Yes.

Soweto?

I'm strong.

Thami?

I'm here.

Mr. X?

Still standing.

Njandini?

It's blazing.

Ntsimbi?

Sir.

Mthandeni?

Yes, Sir.

Shoe Shine?

I'm here.

Bra Tony?

Thank you.

Hammerman?

Don't worry, he's here.

Bhoyi?

Still standing.

The power…

Is ours.

The power…

Is ours.

We shall conquer.

Together.

We shall conquer.

Together.

Strength, guys.

Power…

Is there space for me? Can I stand here?

Think of those

Who have no one to talk to

Those who have

No shoulder to cry on

Think of those

Who are languishing in jail

Those who have no hope

Nothing to dream about tomorrow

Those children

Let them go

Open the gates

Set them free

Go…

Go…

Come to me, my children

Let's go…

Go…

Go…

Come to me, my children

Let's go…

Go…

Come to me, my children

Let's go…

Let's go…

Come to me, my children

Let's go…

Let's go…

Go…

Let's go, my children

Let's go…

Come to me, my children

Come to me…

Come to me, my children

Let's go…

The time has now come

Let's free all the prisoners

Let them go

The time has now come

Let us free all the prisoners

Let them go

Set them free…

The time has now come

Let us free all the prisoners

Let them go

The time has now come

The time has now come

Let us free all the prisoners

Let them go

Let's go

Let's go

Let's go

The time has now come

Let us free all the prisoners

Let them go

The time has now come

Let us free all the prisoners

Let them go

The time has now come

Let us free all the prisoners

Let them go

Set them free

The time has now come

Let us free all the prisoners

Let them go

Set them free

The time has now come

Let us free all the prisoners

Let them go

Let's go

Let's go

Let's go

The time has now come

Let us free all the prisoners

Let them go

Let's go

The time has now come

Let us free all the prisoners

Let them go

-What the fuck are you doing?! -I was trying to show them who's boss.

Well, boss, you are screwed.

This whole prison is falling apart and you…

You are finished!

I can assure you of one thing.

In a year's time, your fat arse won't be sitting in that chair!

What do we do now?

It's only a play.

Let them do their fucking play!

In fact, give them long pants and shoes. All of them.

Male and female.

Get off your fucking fat arse!

Now!

Your punishment is over, dogs.

Washington. Prepare your artists for a performance in two days.

-Hey! -Thank you, Sir.

Cell number five?

Cell number five?

What are we going to do about the weed?

Cell number six?

Dude, what are we going to do about the weed?

What?

The weed.

Oh, right. Got you.

You know what I'm thinking?

Let's give it to Shoe Shine.

Who?

Shoe Shine.

What are we going to do about Mgwaqaza?

We'll give it to Shoe Shine…

Hey, who's that?

What rubbish is this?

What shit is this?

What's going on here?

Must I do everything around here?

What are you standing here for?

Tonight…

I want to see blood!

I want to see blood!

Blood!

General, welcome.

Welcome.

Brigadier, welcome to the Central Prison.

Thank you.

Mr. Washington?

Please come with me. Soweto wants to see you.

I come from the white man's farm.

Orange Free State.

The boss's wife and I…

Mrs. Van Niekerk did something.

Hey, I come from Lamontville.

Do you know Lamontville?

I'm a big follower of our leader, Msizi Dube.

My job was to keep the streets clean.

We had to clean thoroughly.

We finished them off. We got rid of the white people's agents.

We'd had it with these white people's agents.

Hey, we wiped them out.

Every single one of them, there were none left.

We finished off all of them.

Do you hear me? Every single one of them.

Baby.

My sweetheart.

I won't be joining the performance.

They've transferred me here…

to death row.

You won't be seeing me again.

Oh, here you are.

Your guys are great.

Come and see. Let's go. Come on.

-Go. -Washington, come on.

They're waiting for you.

Come, my sister.

Come, sister. I understand.

Let's go, my sister.

Comrade Washington.

Please…

tell the young people out there in the townships…

to protect our freedom.

It was our duty to die.

I will soon be meeting the hangman…

for South Africa to be free.

Hammerman.

Tell our young people…

some of us had to die…

for South Africa to be free.

What the fuck are you doing here?

Don't you want to perform for the prison authorities?

You know what, boy?

I will put your Black ass in a hole.

I'll tell you something

I'll tell you

What happened to this guy

A story about this guy

He ran away from prison And went into hiding

Left there and headed for Durban

Got to Durban and looked for a job

He couldn't find one

He then went to Esbhoweni

He found some gents

Did a bit of this and that

And got in deeper and deeper

He never got to where he was going

Even the kings will tell you

They're running away