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hey there guys
what's up Shanahan here
back with Academy FM
today we want to address
getting a little more analog warmth to your sound
as you guys can see here
I have a pretty basic setup here in session
I didn't want to use a full track with a lot going on
because I think it's simple and easy to see
here what we're going to try to address today
as far as getting that warmth to each stem
and what we're going to use
is the NLS plug in from waves
now before I jump into this
I think it's good to address that
we do live in a digital world
that's very apparent
but what companies are trying to do
is help us out with these type of plugins
that can give you that emulation
from using analog desks back in the day
that we all can't get our hands on
they're so expensive
it's even expensive to get into a studio
and work in one
so using plug ins like this
that I'm going to use in a moment
can help you get the most full analog warmth you can
to some of these stems
all from this one plug in
and a couple simple techniques to do that
now I'm just going to play this real quick
the samples that I'm using here
for our example
again I want to use a simple layout
so we can just see everything and hear everything
clean and clear
the big difference
all right so nice basic setup
little bass sample there that we're gonna use
now first thing I usually do
if you guys can see here I just have my percussions
so first thing I want to always do
is grab those all together
I'm linking them over now
since we don't have a lot going on
what I'm gonna do is use my stereo output as my bus
if we had a lot of other things going on
you simply would just grab all of these
and as you can see I have them linked over to bus one
so make sure you're just grouping these to a bus
everything's going into one spot
so then we can actually put
an NLS bus emulator on that actual channel
so we grab all of these
and now let's go open up the plugin
and they'll all open up at the same time here
and right down here
you're gonna open up the channel
and that'll open up 4 of them
so what you guys are gonna see here
what this is doing is opening up
if you guys were to picture a huge analog desk
it's gonna have individual channels
so you're actually controlling it
just as you would in logic's mixing board
but now it's actually controlling through
any of these 3 desks
Neve Mike Spike
these are all the different emulations of those actual
studio desks
so each is going to have a different character
now before I jump into each of these
as I said I bust them over
we're now going to go to our master channel
and we'll just solo these off
and put on the master channel
the bus one
so that's going to be just above it
and that's going to be this one right here NLS bus
so now all of these are going to be linked through this
so you can see the slight difference in the plugin
this is going to be for individual channel strip
the manipulation we're gonna do with the warmth
and now we're gonna link them all into the bus
emulator here
now how you guys use this is pretty simple
there's 8 modes or notches you guys can do here
each one basically
lets you go into 8 different faders here
meaning we can control 8 different sounds
and kind of analog warmth to each sound
if we want to put say
the kick drum through a different one
we could link the kick drum here
and let's say maybe we have our snare drum over here
or whatever it may be
maybe a hi hat
and we want to link that to a different one
you put that just on a different number here
so that's going to now link over to number 3 and so on
so very easy to use
let's just keep everything on one so we know
everything's kind of feeding through this first channel
now once I play everything here
it's not going to sound too different here
but you're going to see once I select different modes
or in other words
different desks
you're going to get that little bit of change
in the warmth
the overall sound is going to give a little more drive
and nice warm sound to it
okay let's solo this bass for example
okay so now we know that's on number one
so let's just link that over here
so that's coming through this channel
so we can control everything
we can give any drive to it
that's gonna be everything bussed together
the main thing on how to Change Everything
and I'll start playing everything together
the main thing is we're gonna switch
through the different studio modes here
and you can play with the drive
listen to everything together
how much it's gonna change
now when you guys are doing this
you want to make sure you're going back and forth
with your levels
also in the mixing console down below because
when you're going through different desk modes here
you are gonna feel the sound come a little bit hotter
in spots you know
it's gonna change suddenly
or in other words
being over driven
so make sure you're paying attention to
if you're pushing the sound too far
and you guys can see
as I'm mixing through the bottom here
the individual channels
for each individual sound
the actual plugin will change
if I select a different one here
it changes it to the spike mode
for that individual channel
so if I open up another one here
and this is the clap same thing
so if now if I go to the Nevo
it's going to change everything for me
so the cool thing is
if you have them linked like we did on number one
it changes it for you
per what you're selecting on the bus
and we're getting a little bit of muddiness
out of that kick
so let's check that out
in other words just a little bit too over driven there
and like I said we could now link the kick
let's link the kick over to number
yeah 3 for example
the kick is going to come in here
so I now can put the kick drum
through a different style desk
so listen to the main thing I want to really point out
and now this is a subtle detail
some of you guys might be saying
well I'm not hearing a drastic change
that's not really the point
when you guys are working through these type of plugins
channel strip processors just in general
you're going to get like a 2 to 5% difference
is going to be that minimal difference
that's going to add kind of a flavor an overall sound
you know it's gonna help the sound in a minimal amount
but when you sit back and hear the difference
to me it's gonna be night and day
even though it's very very minimal
so listen specifically between the mic and the Nevo
on the high end
basically that crisp spot and the frequency
listen to the difference
so if I were to solo the hi hats
guys will hear the main difference
the mic emulation gives
in my opinion a little more on the mid low warmth range
which is super important for house tunes
and kind of dance genre in general you know
having that mic mode on gives more punch in my opinion
so when you guys are messing with us
always mess around with the drive a little bit
bring it back
because again each mode
is gonna give kind of an overdriven sound to it
so for my kind of flavor and what I'm making
I like that over driven sound
now you guys can see a moment ago
I checked off the noise section
each you guys will also notice side note
like the CLA compressors have that noise mode
generally speaking you want to switch that off
which you guys can see here on each one of them
you can switch off individually
that's up to you
if you want kind of that emulated noise from the desk
you know they have that option which is kind of unique
it's cool to have
I usually flip it off
just so it's kind of clean and clear
it has as much punch as possible
so very simple
to use you know
like as I said in the beginning of the video
if you guys grab them all at once
and link them over to a bus
as you guys can see I'm doing it on the output channel
again just because we have a simple layout here
not too much going on
everything's feeding through the stereo output
so we can just throw the bus on there
but generally speaking
if you're working in your main session
with a lot going on
just simply bus them over
you know to whatever it may be
you'll open up a new channel
and you'll put the bus compressor right on there
so that everything's being fed through that plugin
so that's basically what we did there
now just to AB this to me big difference
for me how I would describe it is
it is giving almost a glued effect in a way you know
listen to how the hi hats kind of detach from the mix
they're not really sucked into the mix enough
in clean and clear
and that's also making it just feel almost unmixed
you know not getting that nice warmth sound
that we want to the entire record
so for my opinion guys switch between these 2 modes
the spikes great too
but if you're doing something in this genre
these 2 modes here are great to use
depending on how much crisp you want there
in the high end
if you want a little bit more of a brighter excited mix
the Nivo might be more kind of a fit for you
but if you guys like that more rounded
kind of clean mid low range
the mic with a little more overdrive
is really the way to go in my opinion
alright guys
so that's it for today on the video
that's a little bit of a way to apply
a nice analog warmth to your entire sound
now try this in your main session
try it while you're mixing down
and maybe you're at your finishing stages of your track
and you kind of want to polish things off
and put them through kind of a desk like this
with this plug in
it's so useful to have for us
so if you guys are new to this
please try it out
as you guys can see
we got a little bit of a night and day difference
with the on and off through these different modes
very easy to use guys
definitely try it out
as always please let us know if you have any questions
and we'll catch you guys at the next video
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