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-Within the last hour, an arrest has been made
connected to the riot which led to the death of Amjad Latif.
The arrest of Toni Gallagher.
[Cellphone rings]
-Nina? Stay There.
-Katya called me about little Anya.
-Smile. [Camera shutter clicks]
-We have to get her away from them.
-Take me, too, or we'll all end up like Daiga.
[Gunshot]
-You run away, you die.
♪
-So, this is where she lived?
The faceless woman.
-[Shivering]
♪
-[Speaks native language]
-[Speaks native language]
[Monitor beeping]
♪
-Run!
[Tires screech]
-Find and ask the first Mrs. Fried.
Suzie Hawkins.
-We were only married for six months.
Started the day we came back from our honeymoon.
[Sniffles] I always said I fell or banged into a door.
-There's a very important conference coming up.
But I'd like you to be beside me.
-World must be full of killer doors, eh?
♪
[Bells tolling]
♪
-[Speaks native language]
♪
♪
♪
[Bells tolling]
-[Speaks native language]
-[Speaks native language]
♪
-She's been fish-food for three days, guv.
Face, teeth, and fingers gone.
Like the other one.
-[Clicking tongue]
Keep this out of the press.
-For how long, guv? -Until I say so.
-Okay.
♪
-Time for one stop.
-Where?
-Home.
♪
♪
[Bird cawing]
[Dog barking in distance]
-You grew up with all of this?
It's beautiful.
-A spider's web is beautiful, too.
You're going in?
-I don't have a key.
Dad was talking about moving in with Aarne,
but he couldn't get Aarne past the door.
-Why?
-Memories.
This is the last time I'll be here.
My mother will sell it soon.
[Water dripping]
We should go. I don't want to miss the flight.
It looks sweet.
-Nothing sweet in there.
Everything I know, I learned in that room.
-Home school.
Is that why you're so weird?
[Chuckles]
And your dad was away, so I'm guessing
the teacher was your mother?
-"A"-plus for guesswork.
Back then, "A's" were the only option.
♪
You know?
12 hours a day.
Six days a week.
328 days per year.
Maths. Languages.
Chemistry.
You name it.
-She was the only teacher?
-Teacher, principal.
Prison guard.
She's a very capable woman.
Double doctorate.
Triple bitch.
-So, why didn't your dad stop it?
-He didn't know.
He was working the whole time.
He thought he was doing us a favor.
So did his partner in mine, Karl Gerber.
His two boys were the other half of the school.
[Slap]
♪
-Mari?
Mari!
♪
-The only thing she was unable to teach was how to be human.
♪
You know, my brother tried to hang himself
when he was a child?
♪
I found him.
♪
[Shouting in distance]
No one heard me.
So I held him on my shoulders.
-Mari!
-Waiting.
-Mari, Aarne!
♪
-He almost died.
♪
A-After that, he was never the same.
Oxygen starvation.
-How long did you hold him for?
-3 hours, 12 minutes.
♪
♪
[Cellphone ringing]
Hi, Paddy.
-They found a second body.
Same state as the first.
It's Nina.
-Are you sure?
-We got the autopsy report from Briggs,
and we matched it to DNA from Nina's toothbrush at Maggie's.
Briggs says that we've got a couple of days
before the police make it public.
-Oh.
Okay.
See you soon.
-You're going to tell her, right?
-Not now. We need to stay in focus.
I'll call you later.
[Cellphone beeps]
-What?
-Nothing, just work.
Let's go home.
-Yeah.
-Thank you to the imam and to Mr. Latif
for agreeing to this joint call for peace and calm.
I would like to offer Mr. Latif and his family
my deepest, deepest condolences.
Mr. Latif's son Amjad
had his life cruelly cut short
by a single stone thrown in anger,
and the violence that then ensued.
Now, I'm here because I want it to be heard loud and clear
that there's absolutely no place in our lives,
in our religions...
[Camera shutter clicking] ...or in our politics
for those who resort to violence.
Now, because of this, I have instructed my people to examine
and remove any passage in the Fair Rule manifesto
that might be seen as even slightly inflammatory
so we can move forward together in peace.
Again, I offer Mr. Latif and his family
my prayers...
and my friendship.
[Applause]
-[Clears throat]
My son was a good boy.
Our religion teaches that all will see justice
on the day of judgement.
Amjad will enter the gardens of paradise
where there is no more death
or sickness or sadness.
I do not wish any parent to feel the sadness of my heart,
of my wife's heart.
I too call for peace.
[Applause]
[Camera shutters clicking]
♪
♪
-Do you swear, Wallahi, upon your life
that you had no idea about the man paid to throw stones?
It must be spoken.
-I swear.
♪
[Horn honks]
-[Scoffs]
Unbelievable.
They are really buying it.
-Maybe he means it.
He's rewriting the manifesto.
-Fried just wants to be elected.
-And there's more votes in going mainstream.
[Cellphone chimes]
Suzie Hawkins.
-Call her.
Let's get her story out there.
Change the narrative.
-I'm asking the questions.
-Well, as long as you make me look good.
-Our best work. I promise.
-Suzie, if you want to reconsider, we could come back.
-But I-I get to say yes or no
when I see the final thing, right?
If I don't like it, it's not going out.
-Well -- -Yeah, yes.
-Of course, you can.
-We'll put it out via a charity for abused women called
Sunlight. -[Chuckles]
Sounds like a detergent.
No, but it has millions of followers,
and once the truth is out, Fried can't touch you.
-Alright.
Show time.
Used to be when he'd had a few drinks, and...
soon he didn't need an excuse, just when he felt like it.
-If it's not too upsetting,
can you tell us exactly what he did?
♪
♪
-He would knock me to the floor with the back of his hand
and then...
fists, feet.
Maybe a belt sometimes.
Anywhere no one could see the marks.
Clever.
-And did he... say anything afterwards?
Did he try to explain? -No.
[Sniffles]
You hear about that, don't you?
Men crying, and...
promising they won't do it again, and...
No, he just thought it was normal.
Actually, he thought it was myfault.
And for a while, so did I.
-Should we take a break? -Were you afraid of him?
-Oh, I was.
Terrified.
But then I realized it was never going to stop
unless we split up or he killed me.
-Finally, Suzie, can you tell us
why you decided to make this video?
-Because I don't think that Arthur Fried
was fit to be a husband, never mind a MP.
And I thought of who I was then, which was just...
a frightened little girl, really.
But I'm not that now.
I see you, Arthur Fried.
And now the country can, too.
-Suzie Hawkins, thank you.
-[Sighs]
-And cut.
[Camera beeps]
-Thank you.
-Now you need to pack a bag.
-Why? I'm not going anywhere.
-To a hotel, to keep you out of Arthur's way, and the tabloids.
-Yeah, if the press miss a story,
they have to pick it apart.
-I mean, she's right, Suzie.
This is just for a few days until we get this out there
and it all dies down.
-But how long? I-I look after my niece
and I'd have to let them know.
-Three, four days tops.
But you can't tell this to anyone.
Not even them.
Promise me.
-Mini-bar, room service,
unlimited supply of those little shampoo bottles.
You'll emerge a new woman.
-Breakfast in bed? -[Chuckles]
-So, you're ready to sign the release now.
Get it out of the way.
-Like Suzie said, she'll want to see the finished film.
And that is the deal, right, Mari?
-Yeah, I'd like to see it. -Yeah.
-Did you tell Lia?
About Nina? -No.
Nina made her choice when she ran.
We have to finish Fried.
[Horn honking in distance]
I can't believe Lia stopped Suzie from signing it.
I don't have time for this kind of games.
♪
-You need time.
To mourn your dad.
♪
♪
-Skol. -Skol.
♪
Why did Mikael go back to the mine?
-He never had the time to tell me.
Just said he...
had some water sample to test.
-I don't suppose your mother might know.
-She has had nothing to do with him for years.
Now she froze all his bank accounts
because he died without a will.
-Well...
...guess we'll have to pay for our own tea for a while then.
[Chuckles]
-I guess so.
♪
-[Speaks indistinctly]
-Skol. -Skol.
♪
-[Panting]
♪
-[Speaks native language]
[Sighs]
[Speaks native language]
♪
[Door closes, keys jingle]
-Please, d-do you speak English?
You speak English? -Of course I do.
Leave me alone.
-I followed you from the house.
-Go away!
-I know Vanags is keeping you locked up.
Nina told me everything.
-Yes?
And where is Nina now?
-She's safe. Out of the country.
With a little girl.
♪
-I'm sorry.
The girl is back with us now.
Nina...
-What?
-Where...
where is she?
-They brought the girl back.
Not Nina.
♪
[Knocking on window]
♪
-What's your name?
-Yalda.
-I have friends who can help you get away from Vanags.
All of you. -Like you helped Nina?
Leave us be.
♪
[Cash register beeping]
-Devastated about what happened to little Amjad.
We want peace, we want the community to, you know,
pull together
and try to find out exactly what happened here,
but to suggest that our party is in any way...
-You need to take a break.
...neo-Nazi -- neo-Nazi...
-Yeah.
His poll lead is increasing.
-Bullshit's the new black.
♪
♪
-[Sighs]
[Cellphone vibrating]
[Zipper slides]
[Sighs]
I'm sorry, love.
Home soon.
[Sighs]
-She should've been buried by now.
-It's not that simple, right?
This is a multiple murder inquiry.
-So, there is a second victim. A woman?
-I thought you were supposed to be helping us.
-The faceless woman is Daiga Mednis.
Murdered by a man called Vanags.
Now, is there a second woman?
-Yeah.
And how'd you know that?
Did you see him do it?
♪
[Computer beeping]
Look, stop fucking around and come in
before someone else dies.
The second woman, what's her name?
What's -- [Cellphone beeps]
[Slams phone]
-No trace.
-Still using the blocker.
[Siren wailing in distance]
♪
-Because I don't think Arthur Fried
was fit to be a husband, never mind an MP.
And I thought of who I was then, which was...
just a frightened little girl, really.
But I'm not that now.
I see you, Arthur Fried.
-Powerful, powerful.
Let's get it out there.
You have all the clearances, yes?
-Can you turn that up?
-Whoever did this went to great lengths to cover their tracks,
but the public response has been exceptional,
and with their help, we've been able to put together
this this facial reconstruction of the second victim.
-And now let's hear it from Barbara
about the tragic car accident
on the M5 earlier today, where a young mother...
[Cellphone ringing, vibrating]
♪
[Ringing stops]
♪
[Ringing, vibrating resumes]
♪
[Foghorn blows in distance]
[Siren wailing in distance]
♪
[Door opens]
-[Grunts]
-Yalda!
♪
Clean her up.
♪
[Door closes]
-[Inhales sharply]
-The monster?
-[Inhales sharply]
-I see you, Arthur Fried.
-See?
You were great. -And now the country can, too.
I'll have to sleep on it.
-Why?
What's wrong?
We can change the edit.
-No. It's not the edit.
It's...
My life's going to change.
-You knew that. -Look, it's my life.
It's not your life, is it?
[Laptop closes]
-I'll be back at 9:00.
[Door opens, closes]
-We gave Vanags all our money to get here.
He kept our passports and our phones.
♪
If we try to leave, we will end up like Daiga and Nina.
-Okay.
When we're ready, I'll send a text.
Have everyone ready to run.
Don't lose the phone.
♪
♪
[Cellphone rings]
-Yeah, Duffy?
♪
Okay.
♪
-[Breathing heavily]
♪
♪
Yes, I got away, but they saw me talking to Yalda.
-What were you thinking?
-What the fuck were you thinking?
-I had to do something.
-You shouldn't have gone in on your own!
-Okay, I shouldn't, but I kept my side of the deal
and Nina's dead.
-Like you said.
Your crusade is done.
-Freeing the rest is all I have left.
You do what you want.
Or what you're paid to.
-How many women in the house?
-Six. -Plus a girl about 12.
-When?
-Tonight.
-They know about Lia.
So we move before they move them.
-Tonight? -Yeah.
-What If this goes pear-shaped and we get nicked?
The Studio's finished, Fried wins, and for what?
-For six women and a little girl who don't have anyone else.
-And we don't get a say in it?
We're just expected to follow, is that it?
-Hmm. -I thought this was a team.
-You are all free to do whatever you want.
But I'm going.
Who wants to join?
-My date got cancelled so...
-Wouldn't miss it for the world.
-What time?
-5:00 a.m.
Okay.
♪
-So, Duffy and Vanags leave the house at about 3:00 a.m.
After that, nothing happens till about 3:00 in the afternoon,
when a goon and the girl go to the shop.
-Only one guard?
-They don't expect them to run.
They don't have anything, no passports, phones, money.
Nothing. -These lads are proper scumbags.
So, no heroics, alright?
Let's move out.
[Cellphone ringing]
-Lia, why I'm I getting a call from you?
-Yalda.
Hi.
No, but I'm a friend of her.
Okay, thank you.
Thank you, bye.
[Cellphone beeps]
Yalda's in intensive care.
She may not make it.
-You gave her our phone?
-Didn't you hear me?
They beaten her half to death.
-You gave her a Studio phone? -How else could she contact me?
-We need to get it back. -It's a fucking phone!
-Shut up!
The police will interrogate her,
and if they find the phone and they tie it back to us,
Studio's finished. -[Scoffs]
[Battering ram slams]
-Okay, let's go.
-Immigration control! Stop right there!
Get down! If you don't do it...
Get fucking down now!
-Pack your things, get ready.
Get out! Move!
-[Shouts indistinctly]
-Get down! -Get down!
-[Grunts] -Go on, go, go.
-Go outside! Go outside!
[Gunshots]
Get down on the ground!
Put your hands behind your back!
Put your hands behind your back, do you hear me?
-[Grunting]
-Stop whining. -You fucking prick!
-Fuck you, you pig.
-[Spits]
-Okay, you come with me.
-Aah!
-You should take him, make him confess.
-Leave him.
The police will be getting an anonymous phone call.
-What? -We don't have the equipment.
The street is waking up. We need to go.
♪
-Do it.
♪
[Taser crackling] Aah!
♪
♪
-Lia.
♪
Maggie's taking the women to her place.
We'll get them out of the country.
-Yalda's out of theatre.
They don't know if she'll make it.
-Take her to the hospital.
She needs to be there and don't come back
without the fucking phone.
[Siren wailing in distance]
♪
[Engine starts]
♪
[Indistinct conversation]
[Indistinct conversation]
[Monitor beeping]
[Beeping continues]
[Muffled banging]
[Footsteps approaching]
[Monitor beeping]
♪
♪
-[Muffled grunting]
♪
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