All language subtitles for 563068-02 - How to make a Classic Hooded Cape - Cape & Cloak in Marvelous Designer.en-US

In this tutorial,
I will show you

the easiest way that I found
to create a hoodie KP.

I'm going to route
a rectangular.

I will delete that I
want to keep to be.

This will be the KP, no drought,

another rectangular and this
is going to be the hood.

And I will copy that and we'll

see and symmetric PSD, none.

I'll go to my Split Line Tool,

right-click in this line and
type in 50% synchronized.

Bring up her engagement points.

Bring this to the back,
flip horizontally.

Now I want to show
this to this part.

In these two, this
part, this get tangled.

So I'll just reverse that.

Then I am going to
debt free zone.

This part, this part.

Then simulate. Now you can

see that we have a hooded
cape to close the escape.

All we have to do
is either fusel,

small part of it to decide.

Then it will pull itself

together and close
itself like dead.

Let me just follow her arms
are so it will be easier

to bring the cape
close to the friend.

And to keep it from going
through our fingers like that,

right click on the avatar of

type properties and then set
this to something like tin.

This can offset.

Six also works sometimes like
Denise is the best I think

for at least for my
kind of computer,

then doesn't go through
her fingers so much.

Now if we want there to
be more gathers here,

just to make this longer.

The longer it will be, the more

medial and more gathers will be.

I'm going to bring this
to the front a bit more.

Suppose if she doesn't have
the finger stretch that

part because then it tends to
want to get stuck on them.

I'm going to apply
pose I meet for here.

You can see the fingers
are more inwards

and then the Cape doesn't
get so stuck in them.

So you could either to close it.

So this parts together.

You could make
iconic two pieces.

You can make it felt like this.

Or you could make it very
thin to look like a string.

Then so this part's to one side.

This part will enter the site.

Then if you have some kind of
environment of some kind of

middle looking things could add

some picture into
it or replace it,

enter the program with some
other prettier kind of clots.

I'm going to make
this a bit smaller.

And Tina, the net destroys
swelling to match.

You could look at those numbers

minus 35 and just lifted
up until around 0,

and then it's gonna match.

I'm going to make it even Tina,

to look more like a string.

Now keep this from
stretching too much.

As you can see if you shrink it,

it's still sort of stretching.

You can add a fabric if Steve
one Kennedy's connector.

I usually start from cotton
cloth and the industries

that building warp and width
to something really high.

In-depth still not enough,

then you can raise
the stretch lift

two that will keep it from
stretching in this direction.

So as we see,

this hood is rather pointed

and I want it to be around her.

So I am just going to convert
this to a curve point.

Going to my car Point tool
and bring this in a bit.

Now one that will be more
material here in the back.

So I'm going to carve
it out like this a bit.

And I want these to be
tightly around her.

It's too loose right now.

You could either
add an elastic to

this line are equal so the

Kp instead of into

the hood onto another piece
of evidence which is shorter.

And then so the hood onto
that from the other side.

So let's first do
the elastic way.

As you lower the ratio is
going to tighter around.

That's good if you want it to

have this kind of gathers here,

didn't you could make
this longer ingest,

have the elastic ratio
lower to dietary it around.

And then you have more
material and more wrinkles.

To make this hood
hanging down like this.

I'm just going to
make it dollar.

If this happens where it
goes inside out itself,

you can either wait for to
finish simulation and then

sometimes it fixes itself
or just separate it a bit.

Simulate.

The longer data. I mean,

the higher the taller
it is the pattern,

the more material you
start to get hanging here.

And also depending on your
fabric, physical properties,

it's either going to be stiffer,

going to droop and hand more.

This is a basic fabric,

so I'm going to switch to
something like, let's see.

It's going to be much software.

I want some more fabric
hanging down here in the web.

We could either make
this part longer,

which will make it a bit longer,

give it some more roundness

or

left.

So let's say that
you want to add

strings coming down or ribbon.

The easiest thing to do is
to add internal line here.

Didn't meet these strips here.

And add an internal line in

the middle

in segment.

So this internal line,

this, these n's to each other.

This will be

everyone

copy

and pasted.

Savings. So debt to
the middle oven.

So it's not sticking
into the other one.

Then to add the bootstrap,

make some strips like that.

That would do the bottom.

Simulate. Then to make

that those balls ribbon
part more rounded,

Let's add another fabric.

This ribbon around it.

Drop it onto the ball, ballpark.

Then start playing with
up ending wept and

the building warp

until

you get the rounding up
like you want it to be.

If you raise it too much,

it's going to start sticking
up into the air at a stuffy.

You want to be gentle
and move it slowly

slider until you get
the desired effects.

Sometimes I do start to
tangle up into each other,

then just separated them beat.

Then simulate again.

You can also load the
particularly strings to

make them more rounded
and less spiky.

The last thing I'm going
to do this look like

I am going to make
it a bit shorter,

something like that, and change
the color of everything.

I'll shift, select them all.

Make it a nice red
riding hood color.

Then we have to go Red
Riding Hood kind of

look to close off

this cape and make it a bit
less spiky around the edges.

We can run up piping around it.

I'm going to do
this hood to show

you how it can improve
the loop already.

Double-click.

And I'm going to add a
fabric for the piping.

Actually I just copied this one.

Name it vibing.

Reduce the bending little bit.

Dear frequency that
loses the agent nicely

and it's now more rounded
and less spiky lake.

We can also reduce it a
little bit more bending,

make it with software
and a bit less stiff.

To make the hood
conclusions to the heart,

body, to her face.

We can also reduce the
skin offset a bit.

Then the very last
thing I'm going to

do is switch to tick,

tick CSRF is select
all of these fabric.

Go to back, down of symmetry or

front and make it
a darker shade.

I think the piping loop
nights around the head,

so I'm just going to add

it around the wrist
of the cape to

otherwise it looks
a bit like it's

sort of cut end of February,

but with the piping itself
loses heat off nicely.

If you have to break the piping,

best to do somewhere where it is

not too visible
lake in the back.

If you don't want
this part, do we,

steve this piping lines,

put them on a fabric like
cape and indeed going to

have the same Flu and
movement like the cape.

You who want to be stiffer then

you could put them
on stiffer fabric.

I'm just going to leave
it with the fabric.

I am going to select everything

and reduce the
particular distance.

The area gotta nice and
red riding hood cape.

If you wanted to come
more to the front,

you can either move
this point here,

which will give it
a bit more length.

Although it will be a
bit spiky like this.

Pointed, aiming
towards the bottom.

You could just increase
overall size of the cape.

And then there will be
more material everywhere.

Of course, if you want
more wrinkles on the top,

then just make the top part

wider by stretching
you on this point.

Then the bottom was t
as it is in the top,

we have a lot more material.

Hope you enjoyed the tutorial.

See you in the next one.