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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,484 --> 00:00:07,506 THANKS FOR MAKING TIME FOR YOUR MOMMA BEAR. 2 00:00:07,606 --> 00:00:10,069 WELL, YOU KNOW WE SAID WE WAS GONNA DO THIS THING MONTHLY. 3 00:00:10,169 --> 00:00:12,471 BESIDES, IT'S SPRING BREAK, 4 00:00:12,571 --> 00:00:14,573 AND MY LIFE AIN'T CRAZY FOR ONCE. 5 00:00:15,614 --> 00:00:18,177 THIS IS FEELING LIKE OLD TIMES. 6 00:00:20,539 --> 00:00:22,682 HOT CAKES FRESH OFF THE SKILLET. 7 00:00:22,782 --> 00:00:24,323 HEY. 8 00:00:24,423 --> 00:00:26,085 DID I SHOW YOU TO MIX WATER 9 00:00:26,185 --> 00:00:27,647 INSTEAD OF MILK WITH THAT BATTER? 10 00:00:27,747 --> 00:00:29,769 YES, MA'AM. LESS CALORIES AND FAT. 11 00:00:29,869 --> 00:00:31,170 AND SPENCER LOVES THEM. RIGHT, BABY? 12 00:00:31,270 --> 00:00:32,211 YEAH. 13 00:00:32,311 --> 00:00:34,313 [ALICIA CHUCKLES] 14 00:00:36,035 --> 00:00:37,536 YOU WANT SOME, MRS. GRACE? 15 00:00:37,636 --> 00:00:40,940 YOU KNOW, I AM GOING TO STICK WITH THESE BISCUITS. 16 00:00:41,040 --> 00:00:41,901 OK. 17 00:00:42,001 --> 00:00:44,003 [DOORBELL RINGS] 18 00:00:47,526 --> 00:00:48,948 HEY, GIRL. 19 00:00:49,048 --> 00:00:51,270 DENISE. YOU'RE EARLY. 20 00:00:51,370 --> 00:00:53,372 SPENCER: EARLY FOR WHAT? GRACE: UH... 21 00:00:55,975 --> 00:00:58,818 THERE'S SOMETHING THAT I'VE BEEN WANTING TO SHOW YOU. 22 00:01:03,983 --> 00:01:05,524 WHERE THE HELL IS MY BED? 23 00:01:05,624 --> 00:01:08,047 YOU KNOW HOW I ALWAYS SAID I WANTED A CRAFT ROOM? 24 00:01:08,147 --> 00:01:10,289 WELL, DENISE INSPIRED ME TO GET STARTED. 25 00:01:10,389 --> 00:01:12,091 ALICIA: I LOVE THIS IDEA. 26 00:01:12,191 --> 00:01:13,933 YOU KNOW, WE HAVE TONS OF FABRIC 27 00:01:14,033 --> 00:01:15,414 AT THE DRESS SHOP THAT YOU CAN HAVE. 28 00:01:15,514 --> 00:01:17,176 DENISE: OH, GIRL, BRING IT ON OVER! 29 00:01:17,276 --> 00:01:19,538 SHE IS OFFICIALLY HIRED TO HELP. I LIKE HER. COME ON. 30 00:01:19,638 --> 00:01:21,220 WAIT. WAIT. WAIT. WAIT. WAIT. 31 00:01:21,320 --> 00:01:22,742 WHERE AM I SUPPOSED TO SLEEP WHEN I COME HOME? 32 00:01:22,842 --> 00:01:24,303 YOUR HOME IS AT THE BEACH HOUSE, 33 00:01:24,403 --> 00:01:25,825 WHERE YOU'VE BEEN LIVING FOR THE PAST YEAR 34 00:01:25,925 --> 00:01:27,226 WITH YOUR COMFORTABLE BED. 35 00:01:27,326 --> 00:01:28,788 YOU KNOW, WHEN YOU'RE HERE, 36 00:01:28,888 --> 00:01:30,269 YOU CAN ALWAYS SLEEP ON THE BLOW UP MATTRESS. 37 00:01:30,369 --> 00:01:31,831 THIS WALL IS LARGER THAN I THOUGHT. 38 00:01:31,931 --> 00:01:33,192 WE COULD PUT A KILN OVER HERE! 39 00:01:33,292 --> 00:01:34,593 WHAT THE HELL IS A KILN? 40 00:01:34,693 --> 00:01:35,795 WE'RE NOT PUTTING A KILN IN HERE. 41 00:01:35,895 --> 00:01:37,556 I MADE THIS NECKLACE IN A KILN. 42 00:01:37,656 --> 00:01:39,759 GRACE: OH. THAT IS NICE. SPENCER: OK. I'M OUT. 43 00:01:39,859 --> 00:01:41,681 WAIT. SPENCER. 44 00:01:41,781 --> 00:01:43,322 NOPE. S'ALL GOOD. I GOT MORNING PRACTICE ANYWAYS, 45 00:01:43,422 --> 00:01:45,965 SO Y'ALL CAN JUST DO WHATEVER. 46 00:01:46,065 --> 00:01:48,067 UH... 47 00:01:48,707 --> 00:01:50,790 [DOOR OPENS] 48 00:01:52,591 --> 00:01:55,815 ARE YOU SURE YOU DON'T WANNA STAY A LITTLE LONGER? 49 00:01:55,915 --> 00:01:58,097 I COULD HAVE COFFEE AND DONUTS DELIVERED. 50 00:01:58,197 --> 00:02:00,379 I WISH. MY SCHEDULE IS SO JAMMED, 51 00:02:00,479 --> 00:02:02,541 I LITERALLY HAD TO SET REMINDERS TO TAKE MY VITAMINS. 52 00:02:02,641 --> 00:02:05,785 HOW 'BOUT, HEY, DINNER AND A MOVIE IN THE MARINA TOMORROW? 53 00:02:05,885 --> 00:02:09,028 NOPE. BACK TO BACK MEETINGS AND VITAMINS. 54 00:02:09,128 --> 00:02:13,272 OK. YOU'RE STILL COMING TO LIV'S AWARD CEREMONY, TONIGHT, THOUGH, RIGHT? 55 00:02:13,372 --> 00:02:15,274 I FEEL TERRIBLE, BUT THERE'S AN ARTIST IN TOWN FROM THE UK 56 00:02:15,374 --> 00:02:16,836 I HAVE TO SCOPE OUT. 57 00:02:16,936 --> 00:02:18,197 AND I ALREADY SPOKE TO LIV. 58 00:02:18,297 --> 00:02:19,518 SHE SAID SHE'S COOL. 59 00:02:19,618 --> 00:02:21,040 I'M JUST GONNA GET HER FLOWERS, THOUGH. 60 00:02:21,140 --> 00:02:23,162 BUT CHEER LOUDLY FOR THE BOTH OF US? 61 00:02:23,262 --> 00:02:26,285 JORDAN: SURE. LAYLA: BYE. 62 00:02:26,385 --> 00:02:27,767 [KNOCK ON DOOR] 63 00:02:27,867 --> 00:02:29,288 STUDYING? 64 00:02:29,388 --> 00:02:31,650 [CHUCKLES] NO. IT'S SPRING BREAK. 65 00:02:31,750 --> 00:02:35,054 WELL, THEN WHY DON'T YOU TAKE A BREAK LIKE EVERYBODY ELSE? 66 00:02:35,154 --> 00:02:36,936 WELL, I'M WRITING A SPEECH FOR THE AWARD CEREMONY. 67 00:02:37,036 --> 00:02:38,938 I MEAN, I KNOW WINNING IS A LONG SHOT. 68 00:02:39,038 --> 00:02:41,660 BUT IF I DO, THEN EVERYONE'S GONNA BE ASKING FOR MY NEXT STORY. 69 00:02:41,760 --> 00:02:44,023 ACTUALLY, WOULD YOU MIND LISTENING TO WHAT I'VE GOT SO FAR? 70 00:02:44,123 --> 00:02:46,105 SURE! I'M ALL EARS. 71 00:02:46,205 --> 00:02:48,427 UM... 72 00:02:48,527 --> 00:02:51,270 DO YOU NEED HELP FINDING SOMETHING? 73 00:02:51,370 --> 00:02:54,233 NO, JUST ORGANISING VERSIONS ONE THROUGH FOUR OF MY SPEECH. 74 00:02:54,333 --> 00:02:56,075 YOU'RE GOING TO READ ME FOUR VERSIONS? 75 00:02:56,175 --> 00:02:58,277 SEVEN. THE LAST THREE ARE ON MY COMPUTER. 76 00:02:58,377 --> 00:03:00,379 [OLIVIA SIGHS] 77 00:03:06,185 --> 00:03:07,686 JORDAN: HEY. LAURA: HI. 78 00:03:07,786 --> 00:03:09,568 WHAT'S UP WITH THE 911 TEXT? 79 00:03:09,668 --> 00:03:13,172 I THINK LIV IS SPIRALLING WITH THIS WHOLE AWARD CEREMONY. 80 00:03:13,272 --> 00:03:14,974 WELL, I MEAN, I'M SURE THERE'S A LOT OF PRESSURE. RIGHT? 81 00:03:15,074 --> 00:03:16,976 I MEAN, THIS IS A HUGE DEAL FOR HER. 82 00:03:17,076 --> 00:03:18,537 MAYBE JUST GIVE HER SOME SPACE? 83 00:03:18,637 --> 00:03:20,379 WELL, SHE ASKED FOR MY HELP. 84 00:03:20,479 --> 00:03:21,901 AND THEN SHE KICKED ME OUT OF HER ROOM 85 00:03:22,001 --> 00:03:23,783 AFTER MY THIRD NOTE ON DRAFT TWO. 86 00:03:23,883 --> 00:03:25,424 HOW MANY DRAFTS ARE THERE? 87 00:03:25,524 --> 00:03:27,526 DON'T ASK. 88 00:03:30,009 --> 00:03:32,111 YOU KNOW WHAT? 89 00:03:32,211 --> 00:03:34,593 THE LAST TIME THAT SHE SPOKE PUBLICLY, 90 00:03:34,693 --> 00:03:36,475 IT DIDN'T GO SO WELL. 91 00:03:36,575 --> 00:03:38,758 MAYBE SHE JUST DOESN'T WANT A REPEAT OF THE EULOGY. 92 00:03:38,858 --> 00:03:40,439 LAURA: YEAH. JORDAN: I'LL GO CHECK ON HER. 93 00:03:40,539 --> 00:03:41,961 THANK YOU. 94 00:03:42,061 --> 00:03:44,123 [KNOCK ON DOOR] 95 00:03:44,223 --> 00:03:46,525 YOU'RE NOT WORRIED YOUR FINGERS MIGHT FALL OFF? 96 00:03:46,625 --> 00:03:48,607 [SCOFFS] THAT'S THE LEAST OF MY CONCERNS. 97 00:03:48,707 --> 00:03:51,010 YEAH, YOU GOT HALF THE AMAZON FOREST ON YOUR FLOOR. 98 00:03:51,110 --> 00:03:52,451 YEAH, WELL, WHO NEEDS TREES, RIGHT? 99 00:03:52,551 --> 00:03:54,974 JORDAN: WHOA. OLIVIA: I'M KIDDING. 100 00:03:55,074 --> 00:03:57,376 WELL, AT LEAST YOU'RE STILL CRACKING JOKES. THAT'S A GOOD SIGN. 101 00:03:57,476 --> 00:03:59,859 JORDAN, WHAT IF PEOPLE THINK I'M A FRAUD WHEN THEY REALISE I'M NOT JAYDEN DAVIS? 102 00:03:59,959 --> 00:04:02,301 OK. MAYBE IT'S TIME WE, UH, STEP AWAY FROM THE KEYBOARD. 103 00:04:02,401 --> 00:04:03,783 NO. I'M IN A GROOVE. 104 00:04:03,883 --> 00:04:05,885 DRAFT EIGHT IS FEELING REALLY SOLID. 105 00:04:07,326 --> 00:04:08,707 DRAFT EIGHT, YOU SAY? 106 00:04:08,807 --> 00:04:10,669 OLIVIA: YEAH. JORDAN: WOW. THAT'S COOL. 107 00:04:10,769 --> 00:04:13,232 WHAT ARE YOU DOING? I WAS JUST IN THE MIDDLE OF A CLEVER SEGUE. 108 00:04:13,332 --> 00:04:15,034 YEAH. YOU GOT TWO HOURS TO WORK ON THAT SEGUE WHILE I'M AT PRACTICE, 109 00:04:15,134 --> 00:04:16,595 AND THEN YOU'RE GOING AWAY WITH ME. 110 00:04:16,695 --> 00:04:17,797 WHAT PART OF "I NEED TO WORK..."? 111 00:04:17,897 --> 00:04:21,080 NON-NEGOTIABLE, OLIVIA BAKER. 112 00:04:21,180 --> 00:04:22,882 TWO. 113 00:04:22,982 --> 00:04:24,984 [SIGHS] 114 00:04:26,705 --> 00:04:27,967 ♪ YEAH, WHO DAT... ♪ 115 00:04:28,067 --> 00:04:29,368 JORDAN: HERE WE GO. DOWN. SET. 116 00:04:29,468 --> 00:04:31,290 PLAYER: WATCH OUT. WATCH OUT. 117 00:04:31,390 --> 00:04:32,731 JORDAN: WIDE 16. HERE WE GO. HERE WE GO. 118 00:04:32,831 --> 00:04:34,133 HEY, CHECK 5, CHECK 5, CHECK 5. 119 00:04:34,233 --> 00:04:35,414 WIDE 16. 120 00:04:35,514 --> 00:04:36,936 SET. 121 00:04:37,036 --> 00:04:38,858 ♪ ...SO DON'T BE JEALOUS WITH IT ♪ 122 00:04:38,958 --> 00:04:40,379 ♪ WATCH ME GET IT, YEAH ♪ 123 00:04:40,479 --> 00:04:42,461 ♪ INSIDE, OUTSIDE, YEAH ♪ 124 00:04:42,561 --> 00:04:43,943 SPENCER: UH! 125 00:04:44,043 --> 00:04:45,464 [BLOWS WHISTLE] WE NEED FAST FEET, BOYS! 126 00:04:45,564 --> 00:04:47,146 [PLAYER LAUGHS] 127 00:04:47,246 --> 00:04:48,507 BOY, WHERE'D YOU GET THAT WHISTLE FROM? 128 00:04:48,607 --> 00:04:50,029 MANU: FOUND IT. KAI: YEAH? 129 00:04:50,129 --> 00:04:51,550 COME MEET THE TEAM. COME ON. 130 00:04:51,650 --> 00:04:53,112 YOU LET SAL CATCH UP TO YOU, DIDN'T YOU? 131 00:04:53,212 --> 00:04:54,713 BOOST HIS CONFIDENCE? 132 00:04:54,813 --> 00:04:57,676 NAH. JUST AIN'T GOT IT TODAY. 133 00:04:57,776 --> 00:05:01,400 HEY, DID THEY CHANGE YOUR BEDROOM WHEN YOU MOVED OUT? 134 00:05:01,500 --> 00:05:03,562 [CHUCKLES] COOP LIVES IN MY OLD ROOM. 135 00:05:03,662 --> 00:05:05,204 THAT DON'T BOTHER YOU? 136 00:05:05,304 --> 00:05:07,566 NOPE. IT STILL FEELS LIKE HOME. 137 00:05:07,666 --> 00:05:09,128 JORDAN: HEY, IS THAT, UH...? 138 00:05:09,228 --> 00:05:10,729 DR. GUTENBERG, 139 00:05:10,829 --> 00:05:12,932 SPENCER: GAU'S PRESIDENT. JORDAN: YEAH. 140 00:05:13,032 --> 00:05:14,533 SPENCER: MAN. I AIN'T SEEN HIM SINCE THE DAY I SIGNED. 141 00:05:14,633 --> 00:05:16,055 WHAT THE HELL'S HE DOING HERE? 142 00:05:16,155 --> 00:05:17,616 JORDAN: MAYBE HE'S LOOKING FOR COACH? 143 00:05:17,716 --> 00:05:19,718 SPENCER: I'LL GO FIND OUT. JORDAN: YEAH. 144 00:05:23,002 --> 00:05:26,025 DR. GUTENBERG, I DIDN'T KNOW YOU WAS A FOOTBALL FAN. 145 00:05:26,125 --> 00:05:28,467 I'M NOT, BUT I AM A BOOSTER FAN. 146 00:05:28,567 --> 00:05:30,669 AND THERE'S A RUMOUR OUR TEAM IS SIGNING EX-CONS AND HAS-BEEN PLAYERS. 147 00:05:30,769 --> 00:05:33,272 WHERE'S COACH KENNY? OR ANY COACH? 148 00:05:33,372 --> 00:05:35,714 WE RUNNING STUDENT-LED VOLUNTARY PRACTICES FOR SPRING BREAK. 149 00:05:35,814 --> 00:05:37,596 COACH KENNY IS OUT IN TENNESSEE RECRUITING. 150 00:05:37,696 --> 00:05:38,637 SO ARE THE RUMOURS TRUE? 151 00:05:38,737 --> 00:05:41,360 NO. I MEAN YES, YES. 152 00:05:41,460 --> 00:05:43,122 WE HAVE A GUY WHO MADE A MISTAKE, 153 00:05:43,222 --> 00:05:45,284 BUT HE DID HIS TIME AND NOW HE'S GETTING A SECOND CHANCE. 154 00:05:45,384 --> 00:05:47,846 GOLDEN ANGELES UNIVERSITY IS A PRESTIGIOUS PROGRAM. 155 00:05:47,946 --> 00:05:49,969 IT'S NOT A CHARITY CASE. 156 00:05:50,069 --> 00:05:51,730 THIS AIN'T CHARITY, SIR. 157 00:05:51,830 --> 00:05:54,093 ALL I KNOW IS MY ELITE D1 PROGRAM THAT 158 00:05:54,193 --> 00:05:55,935 NORMALLY SIGNS THE TOP PLAYERS IN THE COUNTRY 159 00:05:56,035 --> 00:05:57,736 NOW LOOKS LIKE LAST CHANCE U. 160 00:05:57,836 --> 00:06:00,019 AND THE BOOSTERS AREN'T HAPPY, WHICH MEANS I'M NOT HAPPY. 161 00:06:00,119 --> 00:06:01,860 THEY HAVE A LOT OF QUESTIONS. 162 00:06:01,960 --> 00:06:03,142 AND IF THEY DON'T LIKE THE ANSWERS, 163 00:06:03,242 --> 00:06:05,644 I'LL HAVE NO CHOICE BUT TO CLEAN HOUSE MYSELF. 164 00:06:09,408 --> 00:06:11,690 [PLAYERS CHEERING] 165 00:06:18,137 --> 00:06:19,598 WHAT DID HE MEAN BY "CLEAN HOUSE"? 166 00:06:19,698 --> 00:06:21,280 IS HE GONNA PULL SCHOLARSHIPS? 167 00:06:21,380 --> 00:06:24,924 YEAH, I'M NOT SURE. HE AIN'T SEEM HAPPY. 168 00:06:25,024 --> 00:06:27,646 I LEFT A MESSAGE WITH COACH KENNY TO GIVE HIM A HEADS UP. 169 00:06:27,746 --> 00:06:28,887 I HOPE HE GOT A PLAN. 170 00:06:28,987 --> 00:06:30,970 WOW! LOOK AT YOU, 171 00:06:31,070 --> 00:06:32,972 SPENCER JAMES NOT SAVING THE WORLD. 172 00:06:33,072 --> 00:06:34,773 [CHUCKLES] 173 00:06:34,873 --> 00:06:37,056 DR. SPEARS SAID I GOTTA CHILL ON ALL THAT, SO I'M TRYING. 174 00:06:37,156 --> 00:06:38,777 I SEE YOU. I SEE YOU. 175 00:06:38,877 --> 00:06:40,819 BUT, LOOK, I GOTTA RUN SOMEWHERE WITH LIV. 176 00:06:40,919 --> 00:06:43,582 BUT, UH, YOU'RE STILL COMING TO HER AWARD CEREMONY TONIGHT, RIGHT? 177 00:06:43,682 --> 00:06:45,384 OH, MY BAD. 178 00:06:45,484 --> 00:06:46,986 I THOUGHT THAT WAS JUST A FAMILY INVITE-ONLY THING. 179 00:06:47,086 --> 00:06:49,348 AND I GOT THIS DATE WITH ALICIA. 180 00:06:49,448 --> 00:06:52,111 I DON'T KNOW HOW COOL SHE'D BE IF I RESCHEDULED THAT FOR LIV. 181 00:06:52,211 --> 00:06:53,912 YEAH, DON'T DO THAT. [SPENCER CHUCKLES] 182 00:06:54,012 --> 00:06:55,274 IT'S ALL GOOD. I'LL SEE YOU LATER. 183 00:06:55,374 --> 00:06:57,376 ALL RIGHT, MAN. 184 00:06:58,177 --> 00:06:59,678 SPENCER: THAT-A BOY. SAL: WHAT'S UP, MAN? 185 00:06:59,778 --> 00:07:01,880 HOW YOU FEELING ABOUT EVERYTHING? 186 00:07:01,980 --> 00:07:03,422 SO WHO WAS THAT GRUMPY-LOOKING WHITE DUDE YOU WAS TALKING TO? 187 00:07:03,422 --> 00:07:05,364 THAT WAS GAU'S PRESIDENT. 188 00:07:05,464 --> 00:07:07,686 SAL: THE BIG MAN, HUH? SPENCER: MM-HMM. 189 00:07:07,786 --> 00:07:09,348 I'M GUESSING HE'S WONDERING WHERE HIS USUAL FIVE-STAR RECRUITS ARE. 190 00:07:09,348 --> 00:07:11,490 HEY. DON'T TRIP. HE DON'T GET FOOTBALL. 191 00:07:11,590 --> 00:07:13,692 S'ALL GOOD. 192 00:07:13,792 --> 00:07:15,394 IT AIN'T LIKE FIVE-STAR RECRUITS HAVE IT EASY THESE DAYS ANYWAY. 193 00:07:15,394 --> 00:07:17,736 I BEEN TRAINING MARCO GALVEZ. 194 00:07:17,836 --> 00:07:19,218 OH, I KNOW MARCO. 195 00:07:19,318 --> 00:07:20,739 YEAH. HE WAS ABOUT TO SIGN WITH US 196 00:07:20,839 --> 00:07:22,141 BEFORE EVERYTHING WENT DOWN. 197 00:07:22,241 --> 00:07:23,582 I THOUGHT HE WENT TO FLORIDA. 198 00:07:23,682 --> 00:07:25,384 WELL, HE'S IN TOWN ON SPRING BREAK. 199 00:07:25,484 --> 00:07:27,426 SOUND LIKE HE NOT HAVING THE BEST TIME DOWN THERE. 200 00:07:27,526 --> 00:07:29,388 SPENCER: WHY? WHAT'S UP? SAL: I DIDN'T ASK. 201 00:07:29,488 --> 00:07:31,390 I'M TRAINING HIM HERE IN AN HOUR IF YOU WANNA JOIN. 202 00:07:31,490 --> 00:07:33,592 MIGHT BE NICE FOR HIM TO SEE A FAMILIAR FACE. 203 00:07:33,692 --> 00:07:35,354 FOR SURE. I'M GONNA DEFINITELY SWING BY. GOOD LOOKING OUT. 204 00:07:35,454 --> 00:07:36,435 OF COURSE. 205 00:07:36,535 --> 00:07:38,557 LAYLA: OK, 206 00:07:38,657 --> 00:07:40,519 SO THE INTERVIEW SHOULD BE PRETTY SEAMLESS. 207 00:07:40,619 --> 00:07:42,201 HE'S JUST GONNA BE, LIKE, FISHING 208 00:07:42,301 --> 00:07:44,083 FOR WHAT FANS CAN EXPECT FROM THE "FIRE & ICE" TOUR. 209 00:07:44,183 --> 00:07:47,366 SO, YEAH, JUST KEEP IT, LIKE, VAGUE, BUT EXCITING. 210 00:07:47,466 --> 00:07:49,408 [CELL PHONE VIBRATES] PATIENCE: COOL. 211 00:07:49,508 --> 00:07:50,649 COOL, COOL. 212 00:07:50,749 --> 00:07:52,691 UH, YEAH, SO THAT RIGHT THERE WAS 213 00:07:52,791 --> 00:07:54,853 THE OPPOSITE OF EXCITING. [CELL PHONE VIBRATES] 214 00:07:54,953 --> 00:07:57,616 WELL, I WAS ACTUALLY THINKIN' ABOUT THAT QUINCEAÑERA. 215 00:07:57,716 --> 00:07:58,977 THAT WAS SO FUN, WASN'T IT? 216 00:07:59,077 --> 00:08:00,259 [CHUCKLES] YEAH. 217 00:08:00,359 --> 00:08:02,141 UM, REMEMBER HOW I TOLD YOU 218 00:08:02,241 --> 00:08:04,023 IT REMINDED ME ABOUT 219 00:08:04,123 --> 00:08:06,345 HOW MUCH I MISS MY INDIE BOHO ROOTS? 220 00:08:06,445 --> 00:08:08,027 MM-HMM. 221 00:08:08,127 --> 00:08:09,388 YEAH. WELL, I KINDA-- I DON'T KNOW. 222 00:08:09,488 --> 00:08:11,470 PATIENCE, WHATEVER IT IS, JUST SAY IT. 223 00:08:11,570 --> 00:08:13,312 I JUST, I MEAN, WE POURED SO MUCH TIME 224 00:08:13,412 --> 00:08:15,674 AND RESOURCES INTO THIS NEW IMAGE AND SOUND... 225 00:08:15,774 --> 00:08:17,556 BUT YOU KNOW WHAT? 226 00:08:17,656 --> 00:08:19,518 TALKING OUT LOUD IS THE CONFIRMATION THAT I NEED. 227 00:08:19,618 --> 00:08:21,280 SO, YEAH, LET'S JUST-- 228 00:08:21,380 --> 00:08:23,202 LET'S JUST KEEP THIS TRAIN MOVING. 229 00:08:23,302 --> 00:08:25,003 LAYLA: ARE YOU SURE? PATIENCE: YES, I AM SURE. 230 00:08:25,103 --> 00:08:26,325 LOOK, WE GOT THIS INTERVIEW, 231 00:08:26,425 --> 00:08:28,487 AND IT'S GONNA BE DOPE. YEAH. 232 00:08:28,587 --> 00:08:30,329 [CELL PHONE VIBRATING] 233 00:08:30,429 --> 00:08:31,930 BUT YOU KNOW WHAT I'M NOT SURE ABOUT 234 00:08:32,030 --> 00:08:33,772 IS YOUR PHONE STRESSING WITH THEM ALERTS. 235 00:08:33,872 --> 00:08:35,374 SORRY, IT'S MY CALENDAR. 236 00:08:35,474 --> 00:08:37,176 THERE'S, LIKE, A MILLION THINGS TO DO AND NO TIME. 237 00:08:37,276 --> 00:08:40,419 INCLUDING THIS BRUNCH WITH MY DAD WHICH I NEED TO CANCEL 238 00:08:40,519 --> 00:08:43,142 'CAUSE YOUR INTERVIEWER CHANGED THE INTERVIEW TIME. 239 00:08:43,242 --> 00:08:45,704 OH, NO, NO, NO. JUST GO BE WITH YOUR DAD. I GOT THIS. 240 00:08:45,804 --> 00:08:47,866 LAYLA: NO, I SHOULD BE HERE. PATIENCE: SKYE'S GONNA BE THERE. 241 00:08:47,966 --> 00:08:49,788 LOOK, WHY DO YOU HAVE A HIRED STAFF 242 00:08:49,888 --> 00:08:51,750 IF YOU DON'T TRUST THEM TO DO THEIR JOBS? 243 00:08:51,850 --> 00:08:54,132 OK. THANK YOU. 244 00:08:58,297 --> 00:09:00,399 WHAT'S THIS? 245 00:09:00,499 --> 00:09:01,960 JORDAN: HA HA HA! A DANCE STUDIO. 246 00:09:02,060 --> 00:09:03,482 I CAN SEE THAT, JORDAN. 247 00:09:03,582 --> 00:09:05,764 HOW HARD IS THE NOSTALGIA HITTING? 248 00:09:05,864 --> 00:09:07,646 [EXHALES] 249 00:09:07,746 --> 00:09:11,330 I MEAN, MY LAST MEMORY HERE WAS, UM, 250 00:09:11,430 --> 00:09:13,332 THROWING A TUTU IN GINA PRICE'S FACE. 251 00:09:13,432 --> 00:09:15,894 MM-HMM. DANCE WAS YOUR FIRST LANGUAGE, RIGHT? 252 00:09:15,994 --> 00:09:17,576 IT WAS HOW YOU EXPRESSED YOURSELF 253 00:09:17,676 --> 00:09:19,698 BEFORE YOU COULD EVEN TALK. 254 00:09:19,798 --> 00:09:22,741 SO, I FIGURED... WHY NOT BRING YOU BACK TO YOUR ROOTS? 255 00:09:22,841 --> 00:09:24,863 HOW IS THIS SUPPOSED TO HELP WITH MY SPEECH? 256 00:09:24,963 --> 00:09:27,666 OK. YOU KNOW BETTER THAN ANYONE THAT 257 00:09:27,766 --> 00:09:30,269 WHENEVER I AM FEELING STUCK WITH FOOTBALL OR LIFE, 258 00:09:30,369 --> 00:09:31,990 I ESCAPE TO VIDEO GAMES. 259 00:09:32,090 --> 00:09:34,353 NOW, SOME PEOPLE MAY CALL THAT LAZY, 260 00:09:34,453 --> 00:09:36,355 BUT IT'S THE OUTLET THAT I NEED. 261 00:09:36,455 --> 00:09:38,157 SO MAYBE THIS CAN BE THAT FOR YOU AGAIN. 262 00:09:38,257 --> 00:09:39,718 YEAH, WELL, I WOULD MUCH RATHER HAVE PLAYED VIDEO GAMES. 263 00:09:39,818 --> 00:09:41,440 DIDN'T KNOW THAT WAS AN OPTION. 264 00:09:41,540 --> 00:09:43,041 OLIVIA: IT'S NOT TOO LATE. JORDAN: NO, NO, NO. 265 00:09:43,141 --> 00:09:44,923 HOLD ON. YES, IT IS. YES, IT IS, OK? 266 00:09:45,023 --> 00:09:46,765 BECAUSE I'VE ALREADY PAID $30 A HEAD FOR THIS HIP HOP CLASS. 267 00:09:46,865 --> 00:09:48,727 WE'RE NOT EVEN DRESSED FOR A HIP HOP CLASS. 268 00:09:48,827 --> 00:09:51,009 HEH HEH HEH! YOU DIDN'T THINK I'D COME PREPARED? 269 00:09:51,109 --> 00:09:52,891 BUCKLE UP, SIS. 270 00:09:52,991 --> 00:09:54,413 OK. 271 00:09:54,513 --> 00:09:57,055 ♪ I'VE BEEN RUNNING ALL DAY... ♪ 272 00:09:57,155 --> 00:09:59,658 WELL, HERE IS TO LEGACY, RIGHT? 273 00:09:59,758 --> 00:10:01,700 YOU KNOW, I REALLY LOVE 274 00:10:01,800 --> 00:10:04,303 THE IDEA OF COMBINING THE FORMONICA AND KEATING NAMES. 275 00:10:04,403 --> 00:10:07,266 THANKS, DAD. I HAVEN'T EVEN ASKED. HOW IS RETIREMENT? 276 00:10:07,366 --> 00:10:09,668 ERIN AND I ARE GOING TO BE HEADING DOWN TO COSTA RICA IN TWO WEEKS. 277 00:10:09,768 --> 00:10:12,070 SHE WANTS TO LOOK AT HOUSES TO SETTLE. 278 00:10:12,170 --> 00:10:14,473 MAYBE YOU AND ERIN CAN HARVEST PINEAPPLES TOGETHER 279 00:10:14,573 --> 00:10:16,595 OR GET A FARM WITH PIGS AND GOATS. 280 00:10:16,695 --> 00:10:18,517 YEAH, I THINK I'M GOOD ON THE PIGS AND GOATS. 281 00:10:18,617 --> 00:10:20,479 [BOTH CHUCKLE, CELL PHONE VIBRATES] 282 00:10:20,579 --> 00:10:22,581 SORRY. 283 00:10:23,902 --> 00:10:26,044 WHAT ABOUT YOU, HONEY? ARE YOU GETTING EVERYTHING YOU WANTED? 284 00:10:26,144 --> 00:10:27,966 YEAH, AND MORE. 285 00:10:28,066 --> 00:10:29,368 WELL, LOOKS LIKE YOU'RE ON THE RIGHT TRACK, THEN. 286 00:10:29,468 --> 00:10:31,410 ACTUALLY, SPEAKING OF THE RIGHT TRACK, 287 00:10:31,510 --> 00:10:33,492 I HATE TO CUT THIS LUNCH SHORT, BUT I HAVE TO GET READY FOR A MEETING. 288 00:10:33,592 --> 00:10:35,894 I REMEMBER THE DAYS OF CUTTING BRUNCHES SHORT. 289 00:10:35,994 --> 00:10:38,937 YOU KNOW, I'M NOT GONNA LIE. I REALLY MISS THE HUSTLE. 290 00:10:39,037 --> 00:10:40,619 IF YOU MISS IT SO MUCH, YOU SHOULD JOIN ME TODAY. 291 00:10:40,719 --> 00:10:42,261 THERE WILL BE PLENTY OF HUSTLE. 292 00:10:42,361 --> 00:10:43,582 JP: I'M IN. LAYLA: WAIT. REALLY? 293 00:10:43,682 --> 00:10:45,304 I WAS JUST JOKING. 294 00:10:45,404 --> 00:10:46,745 I MEAN, I'D RATHER HELP YOU OUT 295 00:10:46,845 --> 00:10:48,387 THAN SHOP ONLINE FOR BOARD SHORTS. 296 00:10:48,487 --> 00:10:50,309 OK. 297 00:10:50,409 --> 00:10:52,911 OK, I'M SPLITTING Y'ALL UP INTO TWO GROUPS 298 00:10:53,011 --> 00:10:54,913 TO REVIEW THE FIRST SIX EIGHT COUNTS. 299 00:10:55,013 --> 00:10:56,355 THIS SIDE WILL GO FIRST. 300 00:10:56,455 --> 00:10:58,477 EVERYONE ELSE, GET READY FOR NEXT. 301 00:10:58,577 --> 00:11:00,319 [APPLAUSE] 302 00:11:00,419 --> 00:11:02,601 INSTRUCTOR: HIT IT. HEY. 303 00:11:02,701 --> 00:11:04,323 QUAVO AND TAKEOFF: ♪ WATER ON ME LIKE THE SAUNA ♪ 304 00:11:04,423 --> 00:11:06,485 ♪ SOME KARATS, SOME POINTERS ♪ 305 00:11:06,585 --> 00:11:08,006 ♪ ALL THESE COMMAS I WON'T FUMBLE ♪ 306 00:11:08,106 --> 00:11:09,848 ♪ MIGO GUNNERS OUT THE JUNGLE ♪ 307 00:11:09,948 --> 00:11:11,890 ♪ BUY IT ALL, FRONTER ♪ 308 00:11:11,990 --> 00:11:13,372 ♪ CAKE ON, ME NO FUNNEL ♪ 309 00:11:13,472 --> 00:11:15,934 ♪ DROP TOP FEELIN' LIKE STUNNA ♪ 310 00:11:16,034 --> 00:11:18,737 ♪ CATCH THESE PLAYS, NO RUNNER, CHROME HEART WALLET ♪ 311 00:11:18,837 --> 00:11:20,979 ♪ SMOKE MY PILOT, TAKE THREE VIBES TO THE TROPICS ♪ 312 00:11:21,079 --> 00:11:22,661 ♪ TROPICS... ♪ 313 00:11:22,761 --> 00:11:24,223 ♪ I WAS OUTSIDE JUST SERVIN' NARCOTICS ♪ 314 00:11:24,323 --> 00:11:25,984 ♪ NARCOTICS, WOO ♪ 315 00:11:26,084 --> 00:11:27,786 ♪ PASS ME THAT STICK... MAKE ONE WRONG MOVE ♪ 316 00:11:27,886 --> 00:11:29,508 ♪ JUST POP HIM ♪ 317 00:11:29,608 --> 00:11:30,709 ♪ LANVIN ON BRO WITH THE ... FLOODED OUT ♪ 318 00:11:30,809 --> 00:11:31,910 ♪ IN THE HOTEL LOBBY ♪ 319 00:11:32,010 --> 00:11:33,512 ♪ IT'S CROWDED ♪ 320 00:11:33,612 --> 00:11:34,953 ♪ DIAMONDS BE DANCING LIKE BOBBY... ♪ 321 00:11:35,053 --> 00:11:37,676 INSTRUCTOR: OK, THAT WAS, UM, INTERESTING. 322 00:11:37,776 --> 00:11:40,319 NEXT GROUP, LET'S GET IT. 323 00:11:40,419 --> 00:11:42,080 MUSIC. 324 00:11:42,180 --> 00:11:44,082 ♪ I GO IN THE JUNGLE AND AIN'T GOT A COAT ♪ 325 00:11:44,182 --> 00:11:45,524 ♪ I BET I COME OUT WITH A MINK ♪ 326 00:11:45,624 --> 00:11:47,246 ♪ DO THIS ... FOR THE FAM ♪ 327 00:11:47,346 --> 00:11:48,887 ♪ 'CAUSE THIS ... BIGGER THAN ME ♪ 328 00:11:48,987 --> 00:11:50,969 ♪ COLOR STONES IN MY INFINITY LINK ♪ 329 00:11:51,069 --> 00:11:52,771 ♪ AND IN THE FACTORY, MASTERPIECE ♪ 330 00:11:52,871 --> 00:11:54,653 ♪ I CALL HIM TWIN 'CAUSE THAT BE MY BROTHER... ♪ 331 00:11:54,753 --> 00:11:56,535 INSTRUCTOR: 5, 6, 7, 8. 332 00:11:56,635 --> 00:11:59,298 ♪ WATER ON ME LIKE THE SAUNA ♪ 333 00:11:59,398 --> 00:12:01,139 ♪ SOME KARATS, SOME POINTERS ♪ 334 00:12:01,239 --> 00:12:02,941 ♪ ALL THESE COMMAS I WON'T FUMBLE ♪ 335 00:12:03,041 --> 00:12:04,863 ♪ MIGO GUNNERS OUT THE JUNGLE ♪ 336 00:12:04,963 --> 00:12:06,865 ♪ BUY IT ALL, FRONTER ♪ 337 00:12:06,965 --> 00:12:09,027 ♪ CAKE ON, ME NO FUNNEL... ♪ 338 00:12:09,127 --> 00:12:13,272 INSTRUCTOR: NINA, WHY ARE WE HOLDING ONTO FIVE COUNTS AGO? 339 00:12:13,372 --> 00:12:15,274 YOU KNOW WE ALWAYS MOVE FORWARD NO MATTER WHAT. 340 00:12:15,374 --> 00:12:16,315 ♪ ...TAKE THREE VIBES TO THE TROPICS ♪ 341 00:12:16,415 --> 00:12:17,996 ♪ TROPICS... ♪ 342 00:12:18,096 --> 00:12:19,318 ♪ I WAS OUTSIDE JUST SERVIN' NARCOTICS ♪ 343 00:12:19,418 --> 00:12:21,079 ♪ NARCOTICS, WOO ♪ 344 00:12:21,179 --> 00:12:22,641 ♪ PASS ME THAT STICK, MAKE ONE WRONG MOVE ♪ 345 00:12:22,741 --> 00:12:25,043 ♪ JUST POP HIM... ♪ 346 00:12:25,143 --> 00:12:27,806 INSTRUCTOR: OK, LET'S ADD ON. OFF THAT EIGHT... 347 00:12:27,906 --> 00:12:29,247 OLIVIA: LET'S GO. 348 00:12:29,347 --> 00:12:30,769 WHAT? I THOUGHT WE WERE HAVING FUN. 349 00:12:30,869 --> 00:12:32,871 LIV? 350 00:12:34,793 --> 00:12:37,856 MARCO: FEELS KINDA WEIRD BEING BACK IN HERE. NOT GONNA LIE. 351 00:12:37,956 --> 00:12:39,938 DIDN'T THINK I WAS WELCOME AFTER TURNING Y'ALL DOWN. 352 00:12:40,038 --> 00:12:42,220 OH, MAN, YOU ALWAYS WELCOME. 353 00:12:42,320 --> 00:12:44,783 PLUS, I'M GLAD TO SEE YOU'RE IN GOOD HANDS HERE WITH MY GUY. 354 00:12:44,883 --> 00:12:47,105 MAN, I LOVE THAT Y'ALL BROUGHT SAL ON. 355 00:12:47,205 --> 00:12:49,508 THIS DUDE WAS A LEGEND IN HIGH SCHOOL. 356 00:12:49,608 --> 00:12:51,310 OH, HE STILL IS. 357 00:12:51,410 --> 00:12:53,111 YOU SHOULDA SEEN HIM OUT THERE TODAY ROAMING THE MIDDLE. 358 00:12:53,211 --> 00:12:54,673 OK, OK. LOOK, I'MMA GO GRAB SOME STUFF. 359 00:12:54,773 --> 00:12:56,034 WE GONNA GET THAT WORKOUT IN, A'IGHT? 360 00:12:56,134 --> 00:12:57,115 LET'S DO IT. 361 00:12:57,215 --> 00:12:58,317 ALL RIGHT, SAL. 362 00:12:58,417 --> 00:13:01,079 SO, HOW'S FLORIDA? 363 00:13:01,179 --> 00:13:03,722 I KNOW IT AIN'T ALWAYS EASY JOINING A D1 SQUAD 364 00:13:03,822 --> 00:13:05,444 ALREADY IN MOTION. 365 00:13:05,544 --> 00:13:09,047 IT'S, UH, IT'S BEEN CHILL. YOU KNOW. 366 00:13:09,147 --> 00:13:12,250 A LOT OF MOVING PARTS, BUT, UM, NOTHING I CAN'T HANDLE. 367 00:13:12,350 --> 00:13:13,732 YOU KNOW THERE AIN'T NO HARD FEELINGS 368 00:13:13,832 --> 00:13:15,574 YOU NOT SIGNING WITH US, RIGHT? 369 00:13:15,674 --> 00:13:17,856 I'D HAVE DONE THE SAME THING IF I WAS YOU. 370 00:13:17,956 --> 00:13:22,501 HELL. A YEAR AGO I WAS IN YOUR EXACT SHOES, SO... 371 00:13:22,601 --> 00:13:25,344 I'M HERE AS SOMEBODY WHO GETS IT 372 00:13:25,444 --> 00:13:27,065 IF YOU NEED TO TALK. 373 00:13:27,165 --> 00:13:29,988 [MUSIC PLAYING] 374 00:13:30,088 --> 00:13:31,430 THANK YOU. 375 00:13:31,530 --> 00:13:33,592 BUT, UM, I'M PRETTY SURE 376 00:13:33,692 --> 00:13:36,515 THOSE SHOES FIT A TAD DIFFERENTLY. 377 00:13:36,615 --> 00:13:38,357 HOW SO? 378 00:13:38,457 --> 00:13:40,118 CLEARWATER STATE FOUND OUT I'M GAY. 379 00:13:40,218 --> 00:13:42,280 AIN'T LIKE THAT WAS A SECRET. 380 00:13:42,380 --> 00:13:44,483 I MEAN, YOU WAS TALKING ABOUT YOUR BOYFRIEND WHEN YOU WERE VISITING HERE. 381 00:13:44,583 --> 00:13:48,326 YEAH, BUT, UH, THEY WANT TO DO THIS WHOLE OUT ATHLETE CAMPAIGN 382 00:13:48,426 --> 00:13:50,168 WITH ME AT THE CENTRE. 383 00:13:50,268 --> 00:13:51,730 AH. GOT IT. 384 00:13:51,830 --> 00:13:53,452 LOOK, I'M PROUD OF BEING QUEER, 385 00:13:53,552 --> 00:13:55,454 BUT I DIDN'T SIGN UP TO BE THE FACE OF IT, 386 00:13:55,554 --> 00:13:57,896 ESPECIALLY AT A UNIVERSITY THAT FIRED A TEACHER 387 00:13:57,996 --> 00:13:59,658 FOR BEING OUT JUST A FEW YEARS AGO. 388 00:13:59,758 --> 00:14:01,139 I JUST WANNA PLAY FOOTBALL. 389 00:14:01,239 --> 00:14:03,261 I FEEL YOU. DON'T NOBODY LIKE BEING USED. 390 00:14:03,361 --> 00:14:05,704 THE PUBLICITY AND GOSSIP ARE STARTING TO CAUSE PROBLEMS, 391 00:14:05,804 --> 00:14:08,667 TAKING ATTENTION AWAY FROM THE FIELD. 392 00:14:08,767 --> 00:14:11,229 SOME OF MY TEAMMATES EVEN THINK I'M GETTING SPECIAL TREATMENT. 393 00:14:11,329 --> 00:14:13,331 NOW, I JUST WANNA TRAIN IN PEACE. 394 00:14:16,815 --> 00:14:19,237 THAT'S WHY I CAME BACK FOR SPRING BREAK. 395 00:14:19,337 --> 00:14:21,640 LOOK, YOU WANNA TRAIN IN PEACE? 396 00:14:21,740 --> 00:14:23,442 THINK I CAN HELP YOU WITH THAT. 397 00:14:23,542 --> 00:14:25,123 COME RUN SOME DRILLS WITH US LATER. 398 00:14:25,223 --> 00:14:26,765 I'M PRETTY SURE YOUR COACHES ARE GONNA HAVE 399 00:14:26,865 --> 00:14:28,847 SOMETHING TO SAY ABOUT THAT. 400 00:14:28,947 --> 00:14:31,009 NAH, WE RUNNING VOLUNTARY STUDENT-LED PRACTICES FOR THE NEXT TWO DAYS. 401 00:14:31,109 --> 00:14:33,171 AND BESIDES, WE COULD USE SOME FIVE-STAR TALENT AROUND 402 00:14:33,271 --> 00:14:35,273 TO MAKE THESE DUDES SWEAT A LITTLE. 403 00:14:38,957 --> 00:14:41,139 SO SORRY I'M LATE, BUT I GOT US SOME SALADS 404 00:14:41,239 --> 00:14:43,061 SINCE WHO KNOWS HOW LONG WE'LL BE IN THIS INTERVIEW? 405 00:14:43,161 --> 00:14:44,503 AW. THANKS. 406 00:14:44,603 --> 00:14:46,505 YEAH. 407 00:14:46,605 --> 00:14:49,868 HOW'S COOP? WE BEEN LIKE SHIPS PASSING IN THE NIGHT 408 00:14:49,968 --> 00:14:51,349 WITH ALL HER LATE NIGHT LAW CLASS STUDYING. 409 00:14:51,449 --> 00:14:52,791 YOU SEE HER MORE THAN I DO. 410 00:14:52,891 --> 00:14:55,754 OH. UH-OH. 411 00:14:55,854 --> 00:14:57,516 IT'S COMPLICATED. AND THE LAST THING 412 00:14:57,616 --> 00:14:59,117 I WANNA DO IS INVOLVE HER EX. 413 00:14:59,217 --> 00:15:00,639 TRUST ME, AS THE EX, 414 00:15:00,739 --> 00:15:02,200 THE LAST THING I WANT TO DO IS GET INVOLVED. 415 00:15:02,300 --> 00:15:03,962 BUT WE'RE FRIENDS NOW, RIGHT? YOU AND ME? 416 00:15:04,062 --> 00:15:05,604 MM-HMM. 417 00:15:05,704 --> 00:15:07,486 IT'S JUST COOP AND I ARE SORT OF ON A BREAK. 418 00:15:07,586 --> 00:15:09,207 BUT THE THING IS WE HAVEN'T HAD THE TIME OR SPACE 419 00:15:09,307 --> 00:15:10,809 TO DEFINE THAT EITHER. 420 00:15:10,909 --> 00:15:12,491 BUT IT'S WHATEVER. FORGET I SAID ANYTHING. 421 00:15:12,591 --> 00:15:14,693 LET'S GET INTO THIS INTERVIEW STUFF. 422 00:15:14,793 --> 00:15:17,496 YEAH, YEAH. LET'S GET IT. 423 00:15:17,596 --> 00:15:19,858 JORDAN, JUST PLEASE LEAVE IT ALONE. 424 00:15:19,958 --> 00:15:22,260 NOPE. I LET YOU STEW THE WHOLE CAR RIDE HOME. 425 00:15:22,360 --> 00:15:24,583 OK, NOW, WILL YOU JUST TELL ME WHAT HAPPENED BACK THERE? 426 00:15:24,683 --> 00:15:26,705 I HAVE TO FINISH WRITING MY SPEECH. 427 00:15:26,805 --> 00:15:28,787 I JUST WANT TO HELP. WILL YOU TALK TO ME? 428 00:15:28,887 --> 00:15:31,870 IT WAS WHAT THAT TEACHER SAID, "MOVE FORWARD NO MATTER WHAT." 429 00:15:31,970 --> 00:15:34,012 DAD USED TO SAY THE EXACT SAME THING TO ME. 430 00:15:38,937 --> 00:15:41,239 I, UM... 431 00:15:41,339 --> 00:15:45,283 I FIGURED IT HAD TO DO WITH SOME SORT OF REMINDER OF DAD. 432 00:15:45,383 --> 00:15:48,006 HE WAS THE ONE WHO USUALLY BROUGHT YOU TO DANCE CLASS. 433 00:15:48,106 --> 00:15:50,008 BUT, LOOK, LIV, 434 00:15:50,108 --> 00:15:51,770 ALL I WANTED WAS FOR YOU TO GET OUT OF YOUR HEAD. 435 00:15:51,870 --> 00:15:53,091 ALL RIGHT? AND YOU DID. 436 00:15:53,191 --> 00:15:55,053 YEAH, UNTIL I WALKED OUT OF CLASS. 437 00:15:55,153 --> 00:15:56,615 NO, BUT YOU WERE AMAZING BEFORE THAT. 438 00:15:56,715 --> 00:15:58,256 [SCOFFS] I WAS OK. 439 00:15:58,356 --> 00:16:01,299 NO, LIV, YOU KILLED IT. ALL RIGHT? 440 00:16:01,399 --> 00:16:02,901 IT WAS LIKE... 441 00:16:03,001 --> 00:16:05,463 IT WAS LIKE WHENEVER YOU'D MAKE ME FILM YOU 442 00:16:05,563 --> 00:16:08,266 BEING A BEYONCE BACKUP DANCER BACK IN THE DAY. 443 00:16:08,366 --> 00:16:10,268 [BOTH CHUCKLE] 444 00:16:10,368 --> 00:16:12,751 SIDE NOTE, I ALWAYS APPRECIATED YOU LETTING ME JUMP IN 445 00:16:12,851 --> 00:16:14,352 DESPITE HOW MUCH I SUCKED. 446 00:16:14,452 --> 00:16:16,034 FRIENDLY REMINDER, YOU STILL SUCK. 447 00:16:16,134 --> 00:16:19,037 WHOA. COME ON! I HELD MY OWN IN THERE. 448 00:16:19,137 --> 00:16:21,920 I WAS LIKE SEAN PATRICK THOMAS IN "SAVE THE LAST DANCE." 449 00:16:22,020 --> 00:16:24,162 OH, YEAH. I DON'T EVEN THINK A JUILLIARD-BOUND, 450 00:16:24,262 --> 00:16:25,884 OFFBEAT WHITE WOMAN COULD HELP YOU. 451 00:16:25,984 --> 00:16:27,766 OK, WE ARE DONE CRUSHING 452 00:16:27,866 --> 00:16:30,008 MY NON-EXISTENT DANCE DREAMS, ALL RIGHT? PSSH. 453 00:16:30,108 --> 00:16:32,290 [SIGHS] 454 00:16:32,390 --> 00:16:34,252 ONE LAST THING... 455 00:16:34,352 --> 00:16:37,736 WATCHING YOU DURING THE FREESTYLE SEGMENT, 456 00:16:37,836 --> 00:16:40,979 IT REMINDED ME OF WHAT YOUR TRUE FIRST LANGUAGE WAS. 457 00:16:41,079 --> 00:16:42,781 LETTING GO AND SPEAKING FROM THE HEART, 458 00:16:42,881 --> 00:16:44,823 SCRIPT-FREE. 459 00:16:44,923 --> 00:16:47,425 I MEAN, THAT'S WHAT "LIV THE TRUTH" IS AFTER ALL. 460 00:16:47,525 --> 00:16:50,228 JUDITH HILL: ♪ TILL THE HURT IN ME IS GONE... ♪ 461 00:16:50,328 --> 00:16:51,469 COME ON. 462 00:16:51,569 --> 00:16:55,513 ♪ BETTER DAYS WILL COME ♪ 463 00:16:55,613 --> 00:16:57,796 MAN, THAT'S WHACK THAT THEY FORCING HIS HAND LIKE THAT. 464 00:16:57,896 --> 00:16:59,758 HE WAS THERE TO PLAY FOOTBALL. 465 00:16:59,858 --> 00:17:02,240 YEAH. THEY DON'T OWN HIS STORY. 466 00:17:02,340 --> 00:17:04,843 DON'T NOBODY CONTROL NONE OF OUR STORIES. 467 00:17:04,943 --> 00:17:07,045 THAT'S THE MAIN REASON I AIN'T COMMIT TO TEXAS NORTHERN TECH. 468 00:17:07,145 --> 00:17:08,887 THEY TRIED TO PAINT ME AS SOME GANG BANGER-- 469 00:17:08,987 --> 00:17:10,569 BAD BOY ON AND OFF THE FIELD. 470 00:17:10,669 --> 00:17:12,571 [CHUCKLES] THEY EVER MET YOU? 471 00:17:12,671 --> 00:17:15,253 NO SHADE, BUT YOU ABOUT THE LEAST BAD BOY BROTHER I KNOW, SPENCER. 472 00:17:15,353 --> 00:17:17,415 OH, MAN. CHILL. I GOT MY MOMENTS. 473 00:17:17,515 --> 00:17:19,497 SAL: HEY, YO, I KNOW WE THREE STRAIGHT DUDES 474 00:17:19,597 --> 00:17:21,019 WITH ZERO CLUE OF WHAT IT'S LIKE 475 00:17:21,119 --> 00:17:23,021 TO PUT YOUR SEXUALITY OUT IN PUBLIC, 476 00:17:23,121 --> 00:17:24,623 BUT I FEEL FOR THE KID. 477 00:17:24,723 --> 00:17:26,504 I MEAN, HIS NARRATIVE IS HIS TO CONTROL. 478 00:17:26,604 --> 00:17:28,546 I JUST WISH HE COULD FIND A WAY TO DO THAT 479 00:17:28,646 --> 00:17:30,649 AND FOCUS ON THE GAME. 480 00:17:32,490 --> 00:17:35,554 SO I'M THINKING THIS SHADE OF VIOLET 481 00:17:35,654 --> 00:17:38,637 WITH CREAM-COLOURED BASELINES WILL BE CUTE. RIGHT? 482 00:17:38,737 --> 00:17:39,918 GRACE? 483 00:17:40,018 --> 00:17:42,841 I FORGOT SPENCER TOOK KARATE. 484 00:17:42,941 --> 00:17:44,763 [CHUCKLES] FOR ABOUT A WEEK STRAIGHT, 485 00:17:44,863 --> 00:17:46,605 HE WAS ADAMANT ABOUT QUITTING FOOTBALL 486 00:17:46,705 --> 00:17:48,086 BECAUSE OF THE NINJA TURTLES. 487 00:17:48,186 --> 00:17:49,928 FOCUS. WE'RE TRYING TO IMAGINE 488 00:17:50,028 --> 00:17:52,150 WHAT COLOUR THIS WALL SHOULD BE. 489 00:17:54,512 --> 00:17:56,294 YOU OK, MRS. GRACE? 490 00:17:56,394 --> 00:17:59,738 I'M SORRY, YOU GUYS. I CAN'T DO THIS TO SPENCER. 491 00:17:59,838 --> 00:18:02,020 IT'S JUST NOT SITTING RIGHT. 492 00:18:02,120 --> 00:18:04,142 HE HAD SO MANY CHANGES IN HIS LIFE RECENTLY. 493 00:18:04,242 --> 00:18:06,144 AND I... 494 00:18:06,244 --> 00:18:09,027 I WANT TO RESPECT THE MEMORIES THAT HE'S HOLDING ONTO. 495 00:18:09,127 --> 00:18:10,789 BESIDES, I SHOULD BE GETTING READY 496 00:18:10,889 --> 00:18:13,191 FOR OLIVIA'S AWARD CEREMONY. 497 00:18:13,291 --> 00:18:14,873 YOU KNOW, I'M STILL KIND OF SALTY THAT LAURA 498 00:18:14,973 --> 00:18:16,795 CHOSE YOU AS HER PLUS ONE AND NOT ME. 499 00:18:16,895 --> 00:18:18,436 [CHUCKLES] 500 00:18:18,536 --> 00:18:19,878 WHAT TIME ARE YOU AND SPENCER GETTING THERE? 501 00:18:19,978 --> 00:18:22,240 UM...NOT SURE. 502 00:18:22,340 --> 00:18:23,722 SPENCER'S DRIVING. 503 00:18:23,822 --> 00:18:25,824 OH. 504 00:18:27,906 --> 00:18:29,808 LAYLA: SO ARE YOU ENJOYING A DAY IN THE LIFE? 505 00:18:29,908 --> 00:18:32,130 JP: OH, PLEASE. YOU'RE TAKING ME BACK TO THE OLD DAYS. 506 00:18:32,230 --> 00:18:34,092 [CHUCKLES] 507 00:18:34,192 --> 00:18:36,194 OHH... 508 00:18:39,237 --> 00:18:41,740 HEY, DID THE BOLD "PAST DUE" ON THESE ROYALTIES 509 00:18:41,840 --> 00:18:43,782 NOT GET YOUR ATTENTION? 510 00:18:43,882 --> 00:18:46,384 DAD, IT'S NO BIGGIE. MY ACCOUNTANT SAID THAT, YOU KNOW, 511 00:18:46,484 --> 00:18:48,867 AGEING A FEW DAYS PAST DUE IS JUST A SMALL FEE. 512 00:18:48,967 --> 00:18:50,228 IT AIN'T ALWAYS ABOUT THE FEE, SWEETHEART. 513 00:18:50,328 --> 00:18:52,510 SOMETIMES IT'S ABOUT PEOPLE, YOU KNOW. 514 00:18:52,610 --> 00:18:54,312 SOME OF THESE ARTISTS ARE COUNTING ON THESE ROYALTY CHECKS. 515 00:18:54,412 --> 00:18:56,074 YOU'RE RIGHT. 516 00:18:56,174 --> 00:18:58,957 IT'S LIKE THE ONE PART OF THE JOB I DON'T ENJOY. 517 00:18:59,057 --> 00:19:00,638 AND UNLIKE WHEN YOU WERE A MOGUL, 518 00:19:00,738 --> 00:19:03,401 I DON'T HAVE A WHOLE DEPARTMENT TO HANDLE THEM. 519 00:19:03,501 --> 00:19:05,363 EARLY ON, I HAD TO DO IT ON MY OWN. 520 00:19:05,463 --> 00:19:07,405 SO UNTIL YOU GET PEOPLE TO HANDLE IT, YOU'RE GONNA HAVE TO LEARN 521 00:19:07,505 --> 00:19:08,927 TO LOVE TO DO IT YOURSELF. 522 00:19:09,027 --> 00:19:11,029 YEAH. EASIER SAID THAN DONE. 523 00:19:12,951 --> 00:19:14,132 YOU KNOW WHAT? 524 00:19:14,232 --> 00:19:15,493 WHAT ARE YOU DOING? 525 00:19:15,593 --> 00:19:18,496 WELL, I'M GONNA SHOW YOU WHAT I DID. 526 00:19:18,596 --> 00:19:20,699 OK, CHECK IT OUT. YOUR MOM BUILT ME 527 00:19:20,799 --> 00:19:25,463 THIS PROGRAM WHEN KEATING RECORDS WAS JUST A TODDLER. 528 00:19:25,563 --> 00:19:27,786 LAYLA: WOW! MOM WAS AN EXCEL NINJA. 529 00:19:27,886 --> 00:19:30,668 YOUR MOM WAS, UH, EVERYTHING. 530 00:19:30,768 --> 00:19:33,391 YEAH. I MISS HER TOO, DAD. 531 00:19:33,491 --> 00:19:36,875 JP: YEAH. [CELL PHONE VIBRATES] 532 00:19:36,975 --> 00:19:38,516 SWEETHEART, 533 00:19:38,616 --> 00:19:40,839 ONE MORE PIECE OF ADVICE: 534 00:19:40,939 --> 00:19:42,320 YOUR BUSY SCHEDULE EARLIER LOOKS LIKE 535 00:19:42,420 --> 00:19:44,322 IT'S ALL CENTRED AROUND WORK. 536 00:19:44,422 --> 00:19:47,325 AND YOU KNOW BETTER THAN ANYBODY THAT I BUILT MY COMPANY 537 00:19:47,425 --> 00:19:49,427 AT A COST TO YOU AND YOUR MOM. 538 00:19:51,069 --> 00:19:52,530 TIME IS FLEETING, LAYLA. 539 00:19:52,630 --> 00:19:54,252 GOTTA FIND A WAY TO MAKE ROOM 540 00:19:54,352 --> 00:19:56,654 FOR THE THINGS THAT MATTER MOST OUTSIDE OF WORK. 541 00:19:56,754 --> 00:19:58,756 FIND THAT BALANCE. 542 00:20:03,161 --> 00:20:05,944 HEY! THOUGHT I WAS COMING TO A TEAM PRACTICE. 543 00:20:06,044 --> 00:20:07,345 THAT STARTS IN AN HOUR. 544 00:20:07,445 --> 00:20:09,027 I WANTED TO CHOP IT UP WITH YOU FIRST. 545 00:20:09,127 --> 00:20:10,668 'BOUT WHAT? 546 00:20:10,768 --> 00:20:13,792 A WISE ATHLETE HELPED ME WITH MY OWN IDENTITY CRISIS. 547 00:20:13,892 --> 00:20:16,674 HE MADE ME REALISE I NEEDED TO DEFINE SPENCER JAMES IN MY OWN TERMS. 548 00:20:16,774 --> 00:20:18,436 I KNOW WHO I AM. 549 00:20:18,536 --> 00:20:20,538 OH, I DON'T DOUBT IT. BUT SAY IT OUT LOUD. 550 00:20:21,619 --> 00:20:23,621 RECORD IT. 551 00:20:25,143 --> 00:20:27,145 THIS FOR NOBODY EXCEPT YOU... 552 00:20:28,226 --> 00:20:30,168 SO THAT WHEN YOU'RE OUT ON THE FIELD 553 00:20:30,268 --> 00:20:32,771 GETTING PULLED IN DIRECTIONS YOU DON'T WANT TO GO 554 00:20:32,871 --> 00:20:35,173 AND YOU NEED TO BE REMINDED OF WHO YOU ARE 555 00:20:35,273 --> 00:20:36,975 AND WHY YOU'RE HERE, 556 00:20:37,075 --> 00:20:38,977 YOU CAN JUST PUT YOUR HEADPHONES ON, 557 00:20:39,077 --> 00:20:42,500 LISTEN TO THIS, RECENTER, AND GET BACK TO WORK. 558 00:20:42,600 --> 00:20:44,102 SOUNDS KINDA CORNY. 559 00:20:44,202 --> 00:20:45,543 FOOL, DID YOU JUST CALL ME CORNY? 560 00:20:45,643 --> 00:20:47,425 I MEAN... 561 00:20:47,525 --> 00:20:50,108 LOOK, JUST SHUT UP AND TRY IT, OK? DELETE IT IF YOU HATE IT. 562 00:20:50,208 --> 00:20:52,350 [RECORD BUTTON BEEPS] SO... 563 00:20:52,450 --> 00:20:54,512 MARCO GALVEZ, 564 00:20:54,612 --> 00:20:57,155 DO YOU KNOW WHAT YOUR NARRATIVE IS? 565 00:20:57,255 --> 00:20:59,397 YES, 566 00:20:59,497 --> 00:21:01,920 AND IT AIN'T JUST ONE THING. 567 00:21:02,020 --> 00:21:04,022 NOBODY IS. 568 00:21:06,744 --> 00:21:10,809 I'M THE SON TO TWO WONDERFUL IMMIGRANT PARENTS. 569 00:21:10,909 --> 00:21:14,412 I'M PROUDLY OF SALVADORIAN AND HAITIAN DESCENT. 570 00:21:14,512 --> 00:21:15,934 I'M AN OVERPROTECTIVE BROTHER, 571 00:21:16,034 --> 00:21:18,817 A LOVER OF ANIME AND DANCE, 572 00:21:18,917 --> 00:21:21,059 AND I'M A FIVE-STAR RUNNING BACK 573 00:21:21,159 --> 00:21:23,161 WHO HAPPENS TO BE GAY. 574 00:21:25,043 --> 00:21:28,086 THAT IS MARCO GALVEZ. 575 00:21:35,213 --> 00:21:37,876 CRAP. WHAT TIME IS IT? 576 00:21:37,976 --> 00:21:39,317 WHAT'S THIS? 577 00:21:39,417 --> 00:21:40,758 THIS IS HELP. 578 00:21:40,858 --> 00:21:42,440 THE PLAN IS FOR YOU TO FOCUS ON YOUR WORDS, 579 00:21:42,540 --> 00:21:44,162 AND WE'RE GONNA HELP YOU GET YOUR LOOK TOGETHER. 580 00:21:44,262 --> 00:21:46,484 OLIVIA: ARE YOU SERIOUS? JORDAN: UH, 581 00:21:46,584 --> 00:21:48,566 WE GOT YOUR BACK, LIV. TEAM BAKER IN THE BUILDING. 582 00:21:48,666 --> 00:21:50,128 LAURA: HERE. 583 00:21:50,228 --> 00:21:52,330 AND YOU MIGHT BE LEARNING HOW TO CONTOUR TODAY. 584 00:21:52,430 --> 00:21:54,452 JORDAN: OOH. OLIVIA: OH, NO, HE WON'T. 585 00:21:54,552 --> 00:21:56,254 I THINK WE'VE GOT IT BETWEEN ME AND MOM. 586 00:21:56,354 --> 00:21:57,575 I THOUGHT YOU HAD PRACTICE. 587 00:21:57,675 --> 00:22:00,098 NAH, IT'S VOLUNTARY, SO I CAN STAY. 588 00:22:00,198 --> 00:22:01,499 YOU'VE DONE MORE THAN ENOUGH. 589 00:22:01,599 --> 00:22:03,721 THANK YOU FOR EVERYTHING. 590 00:22:05,723 --> 00:22:07,585 [ROLLS LIPS] 591 00:22:07,685 --> 00:22:10,468 MAN: GIRL, I GOTTA GIVE YOU YOUR FLOWERS. 592 00:22:10,568 --> 00:22:12,070 EVERYONE AND THEY MOMMA HAS BEEN 593 00:22:12,170 --> 00:22:13,751 ON THE PATIENCE 2.0 BANDWAGON RIGHT NOW. 594 00:22:13,851 --> 00:22:15,753 THANK YOU. THANK YOU SO MUCH. 595 00:22:15,853 --> 00:22:18,997 DON'T THANK ME. THE PRAISE IS OWED TO YOUR SLAYING VIKING QUEENS. 596 00:22:19,097 --> 00:22:22,760 THE MAKEUP TUTORIALS YOUR TEAM RELEASED TO REPLICATE YOUR MUSIC VIDEO LOOKS 597 00:22:22,860 --> 00:22:24,322 HAVE GOT THE PEOPLE THIRSTING FOR MORE. 598 00:22:24,422 --> 00:22:26,204 I MEAN, LOOK AT ALL THESE FOLKS 599 00:22:26,304 --> 00:22:28,486 FEELING SO MUCH MORE CONFIDENT THANKS TO YOU. 600 00:22:28,586 --> 00:22:30,168 OH, WOW. 601 00:22:30,268 --> 00:22:33,611 SO, EVERYONE IS DYING TO KNOW... 602 00:22:33,711 --> 00:22:35,253 ARE YOU PLANNING ON CREATING MORE FILTERS 603 00:22:35,353 --> 00:22:37,215 LEADING UP TO THE BIG "FIRE & ICE" TOUR? 604 00:22:37,315 --> 00:22:39,337 UM... 605 00:22:39,437 --> 00:22:41,259 YES, OF COURSE. 606 00:22:41,359 --> 00:22:42,981 YOU KNOW, WE ARE-- WE'RE GOING BIGGER AND SPLASHIER 607 00:22:43,081 --> 00:22:44,662 BECAUSE, UM, YOU KNOW, 608 00:22:44,762 --> 00:22:46,224 THAT'S WHAT PATIENCE 2.0 IS ALL ABOUT. 609 00:22:46,324 --> 00:22:47,865 CAN I QUOTE THAT? 610 00:22:47,965 --> 00:22:49,187 UM, CAN WE JUST, LIKE, MAYBE-- 611 00:22:49,287 --> 00:22:50,468 JUST TALK ABOUT THE TOUR? 612 00:22:50,568 --> 00:22:52,030 THAT'S WHAT WE'RE DOING. 613 00:22:52,130 --> 00:22:53,831 I MEAN, WHILE I CANNOT SPEAK FOR THE VORTEX, 614 00:22:53,931 --> 00:22:55,513 I WILL GO ON RECORD AS SAYING 615 00:22:55,613 --> 00:22:57,875 I AM SO GLAD "GIRL NEXT DOOR" PATIENCE IS OUT 616 00:22:57,975 --> 00:22:59,717 AND PATIENCE 2.0 IS IN. 617 00:22:59,817 --> 00:23:02,680 THE WORLD HAS BEEN WAITING FOR YOUR EDGE, BABY GIRL. 618 00:23:02,780 --> 00:23:05,843 [CHUCKLING] COOL. 619 00:23:05,943 --> 00:23:07,405 TRIBE MAFIA: ♪ YOU KNOW THE DRILL ♪ 620 00:23:07,505 --> 00:23:09,207 ♪ WE-WE-WE BE RUNNING ♪ 621 00:23:09,307 --> 00:23:10,969 ♪ ALL DAY, WE BE RUNNING, ALL DAY... ♪ 622 00:23:11,069 --> 00:23:13,171 MOTION, MOTION, MOTION! 623 00:23:13,271 --> 00:23:15,093 ♪ CARRYING THE GAME, LIKE WE FULLY SPRINTING... ♪ 624 00:23:15,193 --> 00:23:16,414 [LAUGHTER] 625 00:23:16,514 --> 00:23:18,536 COME ON. 626 00:23:18,636 --> 00:23:21,219 ♪ MAN, DOG, YOU CAN'T TELL 'EM NOTHING ♪ 627 00:23:21,319 --> 00:23:23,461 [CHEERS] SAL: YOU HEAR THAT, BABY? 628 00:23:23,561 --> 00:23:24,862 TRIBE MAFIA: ♪ ...WHO THE OPPOSITION? ♪ 629 00:23:24,962 --> 00:23:26,824 ♪ I CAN PLAY EVERY POSITION ♪ 630 00:23:26,924 --> 00:23:28,546 ♪ I GOT WHAT YOU BEEN MISSING ♪ PLAYER: COME ON, COME ON! 631 00:23:28,646 --> 00:23:31,309 GOOD JOB, GOOD JOB. GOOD JOB. THAT-A BOY. 632 00:23:31,409 --> 00:23:33,191 YO, I'M NOT GONNA LIE. 633 00:23:33,291 --> 00:23:34,512 THIS SQUAD GOT SOME HEAT ON IT. 634 00:23:34,612 --> 00:23:35,913 HEY, WE MIGHT BE SCRAPPY, 635 00:23:36,013 --> 00:23:37,515 BUT NEVER UNDERESTIMATE HUNGER 636 00:23:37,615 --> 00:23:39,157 AND THE UNDERDOG WITH SOMETHING TO PROVE. 637 00:23:39,257 --> 00:23:40,999 YEAH, Y'ALL ARE GONNA SNEAK UP ON PEOPLE FOR SURE. 638 00:23:41,099 --> 00:23:43,081 I APPRECIATE THAT, MAN, BUT WE STILL GOT WORK TO DO. 639 00:23:43,181 --> 00:23:44,482 YEAH, WELL, THE HUNGER HITS DIFFERENT. 640 00:23:44,582 --> 00:23:46,364 YOU KNOW, I KNOW SAL'S STORY, 641 00:23:46,464 --> 00:23:48,086 BUT AFTER TALKING TO KAI AND SOME OF THE OTHER GUYS, 642 00:23:48,186 --> 00:23:50,488 Y'ALL ARE LIKE SEASON FOUR OF "FRIDAY NIGHT LIGHTS." 643 00:23:50,588 --> 00:23:53,251 SPENCER: I NEVER SEEN IT. MARCO: YOU'RE KIDDING, RIGHT? 644 00:23:53,351 --> 00:23:54,532 UNFORTUNATELY, HE IS NOT KIDDING. 645 00:23:54,632 --> 00:23:55,933 SPENCER: DON'T START. 646 00:23:56,033 --> 00:23:57,255 OK? AND I'VE BEEN TRYING TO TELL HIM 647 00:23:57,355 --> 00:23:59,057 THAT HE IS MISSING OUT ON THE... 648 00:23:59,157 --> 00:24:00,818 MARCO AND JORDAN: GREATEST FOOTBALL SHOW OF ALL TIME. 649 00:24:00,918 --> 00:24:02,900 WOW. REGARDLESS, GAU ADMINISTRATION 650 00:24:03,000 --> 00:24:04,462 GOTTA BE EXCITED FOR Y'ALL NEXT SEASON. 651 00:24:04,562 --> 00:24:06,824 I DON'T KNOW. I DON'T THINK 652 00:24:06,924 --> 00:24:08,826 OUR NEW RECRUITS ARE FLASHY ENOUGH FOR THE PRESIDENT. 653 00:24:08,926 --> 00:24:10,428 YEAH, WELL, FLASHY DON'T GUARANTEE WINS. 654 00:24:10,528 --> 00:24:12,070 YEAH, WELL, TRY SELLING THAT 655 00:24:12,170 --> 00:24:13,911 TO SOMEONE WHO ONLY CARES ABOUT PRESS AND BOOSTERS. 656 00:24:14,011 --> 00:24:15,473 A'IGHT. ENOUGH CHIT CHAT. Y'ALL READY FOR ROUND TWO? 657 00:24:15,573 --> 00:24:16,754 JORDAN: YES, SIR. 658 00:24:16,854 --> 00:24:17,755 HE LOOK KINDA TIRED TO ME. 659 00:24:17,855 --> 00:24:18,836 ARE YOU SLEEPY? 660 00:24:18,936 --> 00:24:20,718 I'M GOOD. COME ON, NOW. 661 00:24:20,818 --> 00:24:23,401 I'M ONLY SEEING THREE OR FOUR STARS RIGHT NOW... 662 00:24:23,501 --> 00:24:24,762 HA HA! LET'S RUN IT. 663 00:24:24,862 --> 00:24:26,044 JORDAN: LET'S GET IT. LET'S GET IT. 664 00:24:26,144 --> 00:24:28,246 XC SHIFT, 95 DIG. HERE WE GO... 665 00:24:28,346 --> 00:24:31,009 JUST GOT WORD DEVONTE IS GONNA PUBLISH YOUR INTERVIEW 666 00:24:31,109 --> 00:24:33,091 IN A SPECIAL ARTIST EDITION NEXT WEEK. 667 00:24:33,191 --> 00:24:34,692 GREAT JOB, GIRL. 668 00:24:34,792 --> 00:24:36,054 WELL, THAT'LL BE DOPE. 669 00:24:36,154 --> 00:24:38,256 OK, I IGNORED IT DURING THE INTERVIEW, 670 00:24:38,356 --> 00:24:39,737 BUT NOW IT'S JUST YOU AND ME. 671 00:24:39,837 --> 00:24:41,839 WHAT'S GOING ON? 672 00:24:43,040 --> 00:24:45,183 YOU KNOW, UM, 673 00:24:45,283 --> 00:24:47,465 I MISS MY INDIE SOUND. 674 00:24:47,565 --> 00:24:51,509 YEAH, IT WAS ME GROUNDED IN SOMETHING REAL. 675 00:24:51,609 --> 00:24:54,312 AND THIS "FIRE & ICE" 2.0 PATIENCE, 676 00:24:54,412 --> 00:24:56,314 IT JUST ISN'T IT. 677 00:24:56,414 --> 00:24:58,956 IT JUST DOESN'T FEEL RIGHT PROJECTING THIS MESSAGE THAT 678 00:24:59,056 --> 00:25:01,559 PEOPLE NEED TO CHANGE THEMSELVES TO FEEL BETTER. 679 00:25:01,659 --> 00:25:03,921 AND I JUST WANT EVERYONE TO KNOW 680 00:25:04,021 --> 00:25:06,564 THEIR TRUE IDENTITIES ARE EQUALLY AS FIERCE. 681 00:25:06,664 --> 00:25:08,926 AND I CAN'T--I CAN'T DO THAT IF I'M NOT EVEN BEING ME. 682 00:25:09,026 --> 00:25:10,808 OK. 683 00:25:10,908 --> 00:25:13,171 HYPOTHETICALLY SPEAKING, 684 00:25:13,271 --> 00:25:15,653 IF BOHO PATIENCE WERE 685 00:25:15,753 --> 00:25:18,176 TO REMASTER "FIRE & ICE"... 686 00:25:18,276 --> 00:25:19,417 MM-HMM. 687 00:25:19,517 --> 00:25:20,938 HOW WOULD THAT SOUND? 688 00:25:21,038 --> 00:25:24,342 UM...OK. 689 00:25:24,442 --> 00:25:26,444 [PLAYING GUITAR] 690 00:25:30,248 --> 00:25:32,230 ♪ I CAN DO ANYTHING ♪ 691 00:25:32,330 --> 00:25:34,192 ♪ EVERYTHING, ALL THAT ♪ 692 00:25:34,292 --> 00:25:35,833 ♪ SAY I AIN'T THE BADDEST, BUT WE BOTH KNOW ♪ 693 00:25:35,933 --> 00:25:37,555 ♪ THAT'S ALL CAP, SEE, WE HEATING UP ♪ 694 00:25:37,655 --> 00:25:40,037 ♪ OUR POSITION, BETTER FALL BACK ♪ 695 00:25:40,137 --> 00:25:41,599 ♪ SO YOU DON'T WANT NO SMOKE ♪ 696 00:25:41,699 --> 00:25:43,321 ♪ GETTING FADED OFF THE CONTACT ♪ 697 00:25:43,421 --> 00:25:45,423 ♪ YEAH ♪ 698 00:25:47,665 --> 00:25:49,667 I HAVE AN IDEA. 699 00:25:52,550 --> 00:25:54,412 DAMN, THAT SMELLS GOOD. 700 00:25:54,512 --> 00:25:57,095 I THOUGHT WE WERE EATING IN. 701 00:25:57,195 --> 00:25:58,616 NOT ANYMORE. 702 00:25:58,716 --> 00:26:00,138 OK. PICNIC ON THE BEACH? 703 00:26:00,238 --> 00:26:01,939 WRONG AGAIN. 704 00:26:02,039 --> 00:26:04,021 OK, THEN HELP A BROTHA OUT. 705 00:26:04,121 --> 00:26:06,104 WE'RE GOING TO OLIVIA'S AWARD CEREMONY, 706 00:26:06,204 --> 00:26:07,945 THE ONE I HAD TO FIND OUT ABOUT FROM YOUR MOM. 707 00:26:08,045 --> 00:26:09,467 LOOK, THERE WAS NOTHING TO FIND OUT. 708 00:26:09,567 --> 00:26:10,988 I WASN'T HIDING NOTHING. 709 00:26:11,088 --> 00:26:12,590 I JUST WASN'T PLANNING ON GOING 710 00:26:12,690 --> 00:26:14,152 BECAUSE I THOUGHT IT WAS A FAMILY THING, 711 00:26:14,252 --> 00:26:16,994 AND I KNEW WE HAD OUR DATE NIGHT. 712 00:26:17,094 --> 00:26:19,036 BESIDES, WON'T THINGS BE AWKWARD WITH YOU AND OLIVIA TOGETHER? 713 00:26:19,136 --> 00:26:20,998 MM-MM. CONSIDERING SHE'S THE ONE 714 00:26:21,098 --> 00:26:22,800 WHO HELPED US GET BACK TOGETHER, NO, IT WON'T. 715 00:26:22,900 --> 00:26:24,562 RUN THAT BY ME AGAIN? 716 00:26:24,662 --> 00:26:26,884 WHEN YOU WERE REELING OVER LOSING COACH BAKER, 717 00:26:26,984 --> 00:26:29,687 SHE'S THE ONE WHO TOLD ME I SHOULD'VE KEPT SUPPORTING YOU, 718 00:26:29,787 --> 00:26:31,969 NO MATTER HOW HARD YOU PUSHED ME AWAY. 719 00:26:32,069 --> 00:26:33,971 SHE'S THE REASON I CAME BACK THAT NIGHT. 720 00:26:34,071 --> 00:26:35,533 SO, WE OWE HER. 721 00:26:35,633 --> 00:26:37,655 AND TONIGHT SOUNDS LIKE A BIG DEAL. 722 00:26:37,755 --> 00:26:39,657 ISN'T THE POINT OF THE VORTEX TO SUPPORT 723 00:26:39,757 --> 00:26:41,759 EACH OTHER'S WINS AND LOSSES? 724 00:26:48,286 --> 00:26:50,668 ♪ DON'T BE AFRAID... ♪ 725 00:26:50,768 --> 00:26:52,430 REMEMBER HOW NERVOUS I WAS AT THE HOUSE? 726 00:26:52,530 --> 00:26:55,793 IT'S LIKE TEN TIMES WORSE NOW. 727 00:26:55,893 --> 00:26:56,994 WHAT IF I WIN? 728 00:26:57,094 --> 00:26:58,676 OH, HOPEFULLY, I DON'T WIN. 729 00:26:58,776 --> 00:27:00,438 YOU WANT US TO ROOT FOR YOU TO LOSE? 730 00:27:00,538 --> 00:27:02,920 NO. I DON'T KNOW. 731 00:27:03,020 --> 00:27:05,283 LAURA: SWEETHEART, REMEMBER THAT WRITING THE ARTICLE 732 00:27:05,383 --> 00:27:06,844 WAS THE HARDEST PART. 733 00:27:06,944 --> 00:27:09,327 NOW JUST ENJOY BEING CELEBRATED. 734 00:27:09,427 --> 00:27:11,128 OK. [SIGHS] 735 00:27:11,228 --> 00:27:16,614 OH! YO, YO. LOOK WHO IT IS. 736 00:27:16,714 --> 00:27:18,416 SERIOUSLY? 737 00:27:18,516 --> 00:27:20,097 GREAT. LIKE, THERE WASN'T ALREADY ENOUGH PRESSURE 738 00:27:20,197 --> 00:27:21,779 WITHOUT JOHN SALLEY BEING HERE. 739 00:27:21,879 --> 00:27:23,301 WHO'S NEXT, MICHAEL JORDAN? 740 00:27:23,401 --> 00:27:26,184 UH, BETTER, HOPEFULLY. 741 00:27:26,284 --> 00:27:28,626 HEY, WHAT'S UP? HERE YOU GO, BABY. 742 00:27:28,726 --> 00:27:30,788 WE DIDN'T MISS ANYTHING, DID WE? 743 00:27:30,888 --> 00:27:33,231 NO. YOU'RE RIGHT ON TIME, ACTUALLY. 744 00:27:33,331 --> 00:27:35,713 UM, I THOUGHT YOU WEREN'T GONNA BE ABLE TO COME. 745 00:27:35,813 --> 00:27:37,355 WE COULDN'T MISS CHEERING YOU ON. 746 00:27:37,455 --> 00:27:39,036 WELL, IF I WIN. 747 00:27:39,136 --> 00:27:41,078 WHEN YOU WIN. 748 00:27:41,178 --> 00:27:43,040 SO, UH, THEY GOT DINNER? 749 00:27:43,140 --> 00:27:45,203 I THINK I ACTUALLY SAW SOME TINY, LITTLE RICE BALLS OVER THERE. 750 00:27:45,303 --> 00:27:47,805 BUT I AM GONNA WAIT UNTIL JOHN SALLEY GOES 751 00:27:47,905 --> 00:27:50,007 TO THE BUFFET, THEN I'M GONNA POUNCE. 752 00:27:50,107 --> 00:27:51,769 SPENCER: JOHN SALLEY'S HERE? JORDAN: RIGHT THERE. 753 00:27:51,869 --> 00:27:53,371 SPENCER: DAMN. NO PRESSURE, LIV. 754 00:27:53,471 --> 00:27:54,772 OLIVIA: COME ON! SPENCER, CHUCKLING: OK. 755 00:27:54,872 --> 00:27:56,774 SORRY. JORDAN: IT'S FINE. 756 00:27:56,874 --> 00:27:58,416 HEY. WHAT WAS SO IMPORTANT 757 00:27:58,516 --> 00:28:00,177 I NEEDED TO MAKE A PIT STOP? 758 00:28:00,277 --> 00:28:01,859 OH, GIRL, I'M SORRY. I DIDN'T KNOW YOU WERE GOING OUT. 759 00:28:01,959 --> 00:28:03,901 I MEAN, I WILL ALWAYS TAKE AN EMERGENCY TEXT FROM YOU 760 00:28:04,001 --> 00:28:05,503 OVER ANYTHING. 761 00:28:05,603 --> 00:28:07,225 WAS IT ABOUT THE INTERVIEW OR...? 762 00:28:07,325 --> 00:28:10,228 OK. I HAVE BEEN STRUGGLING WITH "FIRE & ICE" 763 00:28:10,328 --> 00:28:12,910 AND THE PERSONA THAT WE BUILT. 764 00:28:13,010 --> 00:28:15,353 UH, I KNOW, I CAN TELL. 765 00:28:15,453 --> 00:28:17,275 AND, UM, AFTER THE TOUR, 766 00:28:17,375 --> 00:28:18,956 WE CAN REDEFINE WHO YOU ARE. 767 00:28:19,056 --> 00:28:20,638 YEAH, BUT THAT'S THE THING. I DON'T-- 768 00:28:20,738 --> 00:28:22,320 I DON'T WANT TO REDEFINE WHO I AM. 769 00:28:22,420 --> 00:28:24,682 YOU KNOW, LIKE, I KNOW WHO I AM. 770 00:28:24,782 --> 00:28:27,445 AND I THINK I FOUND A SOLUTION TO MOVE FORWARD 771 00:28:27,545 --> 00:28:29,527 WITH JUST A SLIGHT TWEAK. 772 00:28:29,627 --> 00:28:30,928 OK. [CHUCKLES] 773 00:28:31,028 --> 00:28:32,209 PATIENCE: TAKE A SEAT. LAYLA: OK. 774 00:28:32,309 --> 00:28:33,611 UM... 775 00:28:33,711 --> 00:28:35,413 OK, IMAGINE THIS. LAYLA: MM-HMM. 776 00:28:35,513 --> 00:28:37,375 SAME ALBUM, SAME SONGS 777 00:28:37,475 --> 00:28:39,417 JUST WITH AN ACOUSTIC FLAIR. 778 00:28:39,517 --> 00:28:42,440 AND ME ON STAGE WITH MY GUITAR. 779 00:28:43,921 --> 00:28:45,583 SO... 780 00:28:45,683 --> 00:28:47,465 PATIENCE ON RECORDING: ♪ I CAN DO ANYTHING ♪ 781 00:28:47,565 --> 00:28:49,307 ♪ EVERYTHING, ALL THAT ♪ 782 00:28:49,407 --> 00:28:51,148 ♪ SAY I AIN'T THE BADDEST, BUT WE BOTH KNOW ♪ 783 00:28:51,248 --> 00:28:53,351 ♪ THAT'S ALL CAP, SEE, WE HEATING UP ♪ 784 00:28:53,451 --> 00:28:55,192 ♪ OUR POSITION, BETTER FALL BACK ♪ 785 00:28:55,292 --> 00:28:56,554 ♪ YOU DON'T WANT NO SMOKE ♪ 786 00:28:56,654 --> 00:28:58,836 ♪ GETTING FADED OFF THE CONTACT ♪ 787 00:28:58,936 --> 00:29:01,038 ♪ YEAH, I BRING THE FIRE EVERY DAY ♪ 788 00:29:01,138 --> 00:29:02,560 ♪ ICE COLD AT NIGHT ♪ 789 00:29:02,660 --> 00:29:04,362 ♪ GOT ME SWITCHING UP A LANE ♪ 790 00:29:04,462 --> 00:29:07,565 ♪ I CAN TOE THAT LINE ♪ [CLICK] 791 00:29:07,665 --> 00:29:10,488 IT'S REALLY GOOD. IT'S BETTER THAN GOOD. 792 00:29:10,588 --> 00:29:13,651 YEAH? OK, AND I KNOW--I KNOW REIMAGINING THE TOUR 793 00:29:13,751 --> 00:29:16,213 WILL UNRAVEL EVERYTHING, BUT I... 794 00:29:16,313 --> 00:29:17,895 I AM DOWN TO WORK OVERTIME. 795 00:29:17,995 --> 00:29:20,898 IT'S TRIPLE OVERTIME FOR ME. BUT WHATEVER IT TAKES. 796 00:29:20,998 --> 00:29:23,140 AND, YEAH, AND IF IT'S TOO MUCH, I GET IT. 797 00:29:23,240 --> 00:29:25,583 STOP. LOOK, I DON'T CARE HOW MUCH WORK IT'S GONNA TAKE. 798 00:29:25,683 --> 00:29:27,665 THIS IS THE REAL PATIENCE. 799 00:29:27,765 --> 00:29:30,588 AND HONESTLY, BETWEEN THE QUINCEAÑERA AND TODAY, 800 00:29:30,688 --> 00:29:32,149 THIS IS, LIKE, THE HAPPIEST I'VE HEARD YOU SOUND. 801 00:29:32,249 --> 00:29:33,871 YOUR FANS ARE GOING TO LOVE IT. 802 00:29:33,971 --> 00:29:35,673 PATIENCE: SERIOUSLY? LAYLA: YEAH. 803 00:29:35,773 --> 00:29:38,916 COOL. UM, OK, SO WE'RE REALLY DOING THIS? 804 00:29:39,016 --> 00:29:40,358 YEAH. I MEAN, GIA IS GONNA FLIP, 805 00:29:40,458 --> 00:29:41,799 BUT WE'LL GET HER ONBOARD TOMORROW. 806 00:29:41,899 --> 00:29:44,602 [CHUCKLES] OK. THANK YOU. THANK YOU. 807 00:29:44,702 --> 00:29:46,804 OH, MY GOD. 808 00:29:46,904 --> 00:29:48,245 LOOK, I JUST, I WANT YOU TO BE YOU. 809 00:29:48,345 --> 00:29:49,967 SO WE'RE GONNA FIGURE IT OUT. 810 00:29:50,067 --> 00:29:52,009 AND I GET TO CANCEL TOMORROW'S PYROTECHNICS MEETING, 811 00:29:52,109 --> 00:29:54,091 SO MORE FREE TIME FOR ME. 812 00:29:54,191 --> 00:29:55,693 GOTTA RUN. I'M REALLY PROUD OF YOU. 813 00:29:55,793 --> 00:29:57,615 PATIENCE: THANK YOU. LOVE YOU. SKYE: BYE. 814 00:29:57,715 --> 00:29:58,896 PATIENCE: YES! SKYE: GIRL! 815 00:29:58,996 --> 00:30:00,137 YES. 816 00:30:00,237 --> 00:30:02,239 [OVERLAPPING CHATTER] 817 00:30:07,204 --> 00:30:09,026 DON'T ACT LIKE YOU DON'T WANT THOSE SAMOSAS. 818 00:30:09,126 --> 00:30:11,028 GO FOR IT. 819 00:30:11,128 --> 00:30:13,130 IT'S TEMPTING. 820 00:30:14,331 --> 00:30:18,195 UM...I KNOW USING JAYDEN DAVIS 821 00:30:18,295 --> 00:30:20,758 WAS SUPPOSED TO PROTECT ALL OF US 822 00:30:20,858 --> 00:30:22,680 AND SHOWING UP HERE, CLAIMING THE NAME, 823 00:30:22,780 --> 00:30:24,241 BREAKS THAT. 824 00:30:24,341 --> 00:30:26,764 I THOUGHT ACTUALLY MAYBE THAT'S 825 00:30:26,864 --> 00:30:28,325 WHY YOU WEREN'T GONNA COME TONIGHT. 826 00:30:28,425 --> 00:30:30,287 I'M SORRY I EVEN HESITATED TO COME. 827 00:30:30,387 --> 00:30:32,450 IT WAS JUST A MISUNDERSTANDING. 828 00:30:32,550 --> 00:30:34,452 LISTEN, YOU SHOWING UP TONIGHT, 829 00:30:34,552 --> 00:30:36,454 OWNING WHO YOU ARE, THAT TAKES GUTS. 830 00:30:36,554 --> 00:30:38,976 AND J. AND I MEANT IT WHEN WE SAID WE SUPPORT YOU. 831 00:30:39,076 --> 00:30:42,540 AND IN TERMS OF PROTECTION, YOU KNOW YOU GOT THE VORTEX. 832 00:30:42,640 --> 00:30:45,743 AIN'T NOBODY MESSING WITH US. [OLIVIA CHUCKLES] 833 00:30:45,843 --> 00:30:48,506 THANKS, SPENCER. 834 00:30:48,606 --> 00:30:50,588 GRACE: HOW ARE YOUR NERVES HOLDING UP, SWEETIE? 835 00:30:50,688 --> 00:30:52,750 OLIVIA: BETTER-ISH. 836 00:30:52,850 --> 00:30:54,592 EXCUSE ME. SPENCER: MM-HMM. 837 00:30:54,692 --> 00:30:56,834 GRACE: BABY, UH, 838 00:30:56,934 --> 00:30:58,876 CAN I TALK TO YOU? 839 00:30:58,976 --> 00:31:00,438 ACTUALLY, I THINK THEY'RE ABOUT TO START. 840 00:31:00,538 --> 00:31:01,999 MAYBE AFTER THE CEREMONY? 841 00:31:02,099 --> 00:31:04,762 OK. 842 00:31:04,862 --> 00:31:07,645 LEAPS OF FAITH ARE SCARY, 843 00:31:07,745 --> 00:31:10,007 AND BRAVERY LOOKS DIFFERENT TO EVERYONE. 844 00:31:10,107 --> 00:31:12,770 TO ME, BRAVERY LOOKED LIKE THE FIRST TIME 845 00:31:12,870 --> 00:31:15,853 THAT I SAID OUT LOUD I WANTED TO ACHIEVE 846 00:31:15,953 --> 00:31:18,055 WHAT I THOUGHT WAS IMPOSSIBLE, 847 00:31:18,155 --> 00:31:19,657 A CAREER IN THE NBA. 848 00:31:19,757 --> 00:31:22,099 I GUESS MY ANCESTORS WERE WORKING OVERTIME... 849 00:31:22,199 --> 00:31:23,661 [AUDIENCE CHUCKLES] 850 00:31:23,761 --> 00:31:26,143 BECAUSE FOUR CHAMPIONSHIP RINGS LATER, 851 00:31:26,243 --> 00:31:29,867 I THINK I ACHIEVED MY DREAM, THEN SOME. 852 00:31:29,967 --> 00:31:32,309 AND I CONTINUE TO HONOUR THOSE WHO CAME BEFORE ME 853 00:31:32,409 --> 00:31:35,112 EVERY DAY OF MY LIFE BY LIVING UP 854 00:31:35,212 --> 00:31:37,034 TO THE BEST THAT THEY SAW IN ME. 855 00:31:37,134 --> 00:31:38,836 AND EACH NOMINEE HERE TONIGHT 856 00:31:38,936 --> 00:31:41,198 HAVE THEIR OWN STORY OF BRAVERY, 857 00:31:41,298 --> 00:31:44,121 LEAPS OF FAITH ON HOW THEY CHANGED LIVES, 858 00:31:44,221 --> 00:31:46,884 STORIES THAT WILL THANKFULLY LIVE ON 859 00:31:46,984 --> 00:31:48,886 IN THE ARTICLES THAT THEY HAVE WRITTEN. 860 00:31:48,986 --> 00:31:52,690 SO I AM HONORED TO PRESENT 861 00:31:52,790 --> 00:31:56,574 THE AWARD FOR EXCELLENCE IN SPORTS JOURNALISM. 862 00:31:56,674 --> 00:31:58,676 AND IT GOES TO... 863 00:32:00,638 --> 00:32:01,939 JAYDEN DAVIS. 864 00:32:02,039 --> 00:32:03,901 [APPLAUSE] 865 00:32:04,001 --> 00:32:05,903 YOU WON! YOU DID IT! 866 00:32:06,003 --> 00:32:07,465 LIV, YOU WON. 867 00:32:07,565 --> 00:32:09,186 EXCEPT I CAN'T MOVE. 868 00:32:09,286 --> 00:32:11,148 LAYLA: I THINK I CAN HELP. 869 00:32:11,248 --> 00:32:13,250 YEAH. 870 00:32:16,734 --> 00:32:18,776 [WHISPERS] Thank you. 871 00:32:27,945 --> 00:32:29,567 [APPLAUSE STOPS] 872 00:32:29,667 --> 00:32:30,608 [EXHALES] 873 00:32:30,708 --> 00:32:32,710 UM... 874 00:32:40,638 --> 00:32:43,420 UM...HI. [CHUCKLES] 875 00:32:43,520 --> 00:32:46,604 THANK YOU SO MUCH FOR THIS. 876 00:32:47,925 --> 00:32:49,987 IN THE SPIRIT OF MR. SALLEY 877 00:32:50,087 --> 00:32:52,550 AND THOSE HE CONTINUES TO HONOR, 878 00:32:52,650 --> 00:32:54,792 I'D LIKE TO TAKE THIS MOMENT TO HONOR A MAN, 879 00:32:54,892 --> 00:32:58,556 WITHOUT WHOM I'D NEVER HAVE WRITTEN THIS ARTICLE. 880 00:32:58,656 --> 00:33:00,798 MY DAD PASSED AWAY A FEW MONTHS AGO. 881 00:33:00,898 --> 00:33:03,561 I WAS SUPPOSED TO HONOUR HIM WITH THE EULOGY AT HIS FUNERAL, 882 00:33:03,661 --> 00:33:09,006 BUT I COULDN'T FIND THE AIR TO BREATHE, LET ALONE THE WORDS. 883 00:33:09,106 --> 00:33:12,930 BUT IF YOU'D INDULGE ME, I'D REALLY LIKE TO TRY AGAIN TODAY. 884 00:33:13,030 --> 00:33:16,654 MY DAD IS BILLY BAKER. 885 00:33:16,754 --> 00:33:18,656 SOME OF YOU MAY KNOW HIM 886 00:33:18,756 --> 00:33:21,498 AS FORMER NFL GREAT TURNED HIGH SCHOOL FOOTBALL COACH, 887 00:33:21,598 --> 00:33:25,783 BUT...HE WAS SO MUCH MORE. 888 00:33:25,883 --> 00:33:30,628 HE WAS A PILLAR OF HIS COMMUNITY IN SOUTH L.A., 889 00:33:30,728 --> 00:33:35,392 A MENTOR TO MANY, AND A FRIEND TO EVEN MORE, 890 00:33:35,492 --> 00:33:39,616 A HUSBAND TO THE MOST INCREDIBLE AND PATIENT WOMAN... 891 00:33:41,138 --> 00:33:44,241 AND A FATHER TO ALL, EVEN IF YOU WEREN'T HIS BLOOD. 892 00:33:44,341 --> 00:33:47,965 HE ENCOURAGED ME EARLY ON IN LIFE TO BE A CHANGE MAKER 893 00:33:48,065 --> 00:33:51,569 AND MORE RECENTLY, TO USE JOURNALISM 894 00:33:51,669 --> 00:33:53,971 AS MY WEAPON AGAINST INJUSTICE. 895 00:33:54,071 --> 00:33:56,533 HE ALSO TAUGHT ME TO BE PROUD OF MY NAME 896 00:33:56,633 --> 00:33:58,215 AND SUPPORTED ME 897 00:33:58,315 --> 00:34:00,437 EVEN WHEN I DIDN'T FEEL COMFORTABLE USING IT. 898 00:34:02,519 --> 00:34:04,582 SO TODAY, 899 00:34:04,682 --> 00:34:07,224 I'D LIKE TO RECLAIM THAT NAME 900 00:34:07,324 --> 00:34:09,346 AS OLIVIA BAKER, 901 00:34:09,446 --> 00:34:11,568 NOT JAYDEN DAVIS. 902 00:34:14,051 --> 00:34:17,394 I'D LIKE TO DEDICATE THIS AWARD TO MY DAD, 903 00:34:17,494 --> 00:34:19,957 A CHANGE MAKER HIMSELF 904 00:34:20,057 --> 00:34:23,540 AND A MAN THAT WE CAN ONLY ASPIRE TO BE. 905 00:34:25,022 --> 00:34:27,144 [CHOKES UP] I LOVE YOU, DAD. 906 00:34:28,866 --> 00:34:30,868 THANK YOU. 907 00:34:47,885 --> 00:34:50,267 [MUSIC PLAYING] 908 00:34:50,367 --> 00:34:52,630 FINALLY, SHE EATS. 909 00:34:52,730 --> 00:34:54,952 THE NERVES ARE GONE. 910 00:34:55,052 --> 00:34:57,194 APPETITE'S BACK. 911 00:34:57,294 --> 00:34:58,836 I'M PROUD OF YOU, LIV. 912 00:34:58,936 --> 00:35:01,338 THAT WAS A BEAUTIFUL TRIBUTE. 913 00:35:04,461 --> 00:35:06,483 CAN I ASK YOU SOMETHING? 914 00:35:06,583 --> 00:35:08,325 SPENCER: YEAH. OLIVIA: HOW DO YOU DO IT? 915 00:35:08,425 --> 00:35:10,167 PUT ONE FOOT IN FRONT OF THE OTHER 916 00:35:10,267 --> 00:35:13,410 AFTER LOSING BOTH COREY AND NOW MY DAD? 917 00:35:13,510 --> 00:35:16,093 I WANT TO KEEP HONOURING HIM EVERY DAY. 918 00:35:16,193 --> 00:35:19,737 BUT I JUST...HOW? 919 00:35:19,837 --> 00:35:23,020 BY LEARNING TO LIVE IN THE NOW. 920 00:35:23,120 --> 00:35:26,423 THAT'S WHAT YOUR POPS WOULD HAVE WANTED FOR US. 921 00:35:26,523 --> 00:35:28,625 LIV, YOU AND ME, 922 00:35:28,725 --> 00:35:31,909 WE HAD TO LEARN THE HARD WAY THAT WE ONLY GOT A SMALL WINDOW, 923 00:35:32,009 --> 00:35:33,871 TOMORROW AIN'T PROMISED. 924 00:35:33,971 --> 00:35:35,973 SO EMBRACE WHAT'S IN FRONT OF YOU... 925 00:35:39,216 --> 00:35:40,998 YOUR DAD WOULD'VE WANTED YOU 926 00:35:41,098 --> 00:35:43,640 TO LIVE OUT YOUR WILDEST DREAMS 927 00:35:43,740 --> 00:35:46,163 BOTH IN YOUR CAREER AND YOUR LIFE. 928 00:35:46,263 --> 00:35:47,805 YOU'RE RIGHT. 929 00:35:47,905 --> 00:35:50,647 CAN'T SAY I'VE REALLY BEEN DOING THAT. 930 00:35:50,747 --> 00:35:53,290 I'M A FRESHMAN COLLEGE STUDENT 931 00:35:53,390 --> 00:35:56,253 WHO'S BEEN SO FOCUSED ON MY JOB OFF CAMPUS, 932 00:35:56,353 --> 00:35:58,856 I DON'T EVEN KNOW WHERE THE COMMISSARY IS. 933 00:35:58,956 --> 00:36:00,337 SPENCER: DAMN. OLIVIA: YEAH. 934 00:36:00,437 --> 00:36:04,041 HA HA! WELL, LOOK, FRESHMEN YEAR AIN'T OVER. 935 00:36:05,522 --> 00:36:07,764 GO AFTER THE LIFE YOU WANT. 936 00:36:16,533 --> 00:36:18,035 SPENCER: YOU GONNA GET IT CHANGED TO "OLIVIA"? 937 00:36:18,135 --> 00:36:20,197 OLIVIA: I DO WISH IT SAID "OLIVIA BAKER." 938 00:36:20,297 --> 00:36:22,439 JORDAN: I'LL GET SOME SHARPIE ON THERE. [ALL CHUCKLE] 939 00:36:22,539 --> 00:36:24,321 GRACE: THIS IS SO NICE. JORDAN: SO? 940 00:36:24,421 --> 00:36:26,423 WE'RE GONNA BE ALL RIGHT. SPENCER: HA HA HA! 941 00:36:34,431 --> 00:36:36,293 [BOTH CHUCKLE] 942 00:36:36,393 --> 00:36:38,255 I'VE BEEN MEANING TO TELL YOU 943 00:36:38,355 --> 00:36:39,496 THAT COLOUR LOOKS GOOD ON YOU. 944 00:36:39,596 --> 00:36:41,258 OH. THANK YOU. 945 00:36:41,358 --> 00:36:44,421 [CHUCKLES] 946 00:36:44,521 --> 00:36:47,264 THERE'S SOMETHING I'VE BEEN MEANING TO TELL YOU, TOO. 947 00:36:47,364 --> 00:36:50,067 IF IT'S ABOUT THE CRAFT ROOM, LET ME GO FIRST. 948 00:36:50,167 --> 00:36:53,831 I WAS SELFISH FOR TRYING TO HOLD ONTO SOMETHING I SHOULD BE LETTING GO OF. 949 00:36:53,931 --> 00:36:55,472 I SHOULDN'T HAVE BLINDSIDED YOU LIKE THAT. 950 00:36:55,572 --> 00:36:56,794 YEAH, WELL, IT'S YOUR HOUSE. 951 00:36:56,894 --> 00:36:58,635 NO, SPENCER, IT'S OUR HOUSE. 952 00:36:58,735 --> 00:37:01,638 AND IN OUR HOUSE, YOU SACRIFICED THE WORLD 953 00:37:01,738 --> 00:37:03,841 FOR ME AND DILLON TO HAVE EVERYTHING WE NEEDED. 954 00:37:03,941 --> 00:37:06,563 I SHOULD BE HONOURING THAT BY HONOURING YOU 955 00:37:06,663 --> 00:37:08,365 AND YOUR NEEDS NOW. 956 00:37:08,465 --> 00:37:11,528 HOME AIN'T A PLACE, MA. 957 00:37:11,628 --> 00:37:13,410 IT'S WHEREVER YOU ARE. 958 00:37:13,510 --> 00:37:14,892 AND ALL THE CRAFT ROOMS IN THE WORLD 959 00:37:14,992 --> 00:37:17,014 AIN'T GONNA CHANGE THAT. 960 00:37:17,114 --> 00:37:19,116 YOU FEEL ME? [CHUCKLES] 961 00:37:20,677 --> 00:37:23,720 GRACE: THANK YOU, BABY. SPENCER: YEP. 962 00:37:25,923 --> 00:37:27,925 [CELL PHONE VIBRATES] 963 00:37:32,169 --> 00:37:34,271 JORDAN: HEY. LAYLA: HI. 964 00:37:34,371 --> 00:37:35,873 THOUGHT I WOULD FIND YOU IN HERE. 965 00:37:35,973 --> 00:37:37,354 YOU WORKING LATE? 966 00:37:37,454 --> 00:37:38,956 UH, NO. I WAS ABOUT TO JOIN YOU GUYS. 967 00:37:39,056 --> 00:37:40,998 JUST WANTED TO QUICKLY PACK UP SOME ROYALTIES 968 00:37:41,098 --> 00:37:42,679 SO I DON'T FORGET TO MAIL THEM OUT TOMORROW. 969 00:37:42,779 --> 00:37:46,283 HMM. SO WHAT EVER HAPPENED WITH THAT UK ARTIST? 970 00:37:46,383 --> 00:37:50,127 OH. I SENT THE BEST A&R CONSULTANT TO COVER FOR ME. 971 00:37:50,227 --> 00:37:51,408 REALLY? YOU HIRED SOMEONE NEW? 972 00:37:51,508 --> 00:37:53,410 HE WISHES. IT'S MY DAD. 973 00:37:53,510 --> 00:37:55,813 BUT LIV'S TOO IMPORTANT. 974 00:37:55,913 --> 00:37:57,614 I WOULD'VE HATED TO MISS TONIGHT. 975 00:37:57,714 --> 00:38:00,017 HMM. 976 00:38:00,117 --> 00:38:02,699 AND YOU'RE KIND OF IMPORTANT, TOO. 977 00:38:02,799 --> 00:38:04,101 SO, I WAS THINKING... 978 00:38:04,201 --> 00:38:05,903 MM-HMM. 979 00:38:06,003 --> 00:38:07,744 YOU'VE STILL GOT A FEW MORE DAYS LEFT OF SPRING BREAK, 980 00:38:07,844 --> 00:38:10,587 SO WHAT DO YOU THINK ABOUT A DAY TRIP TO CATALINA? 981 00:38:10,687 --> 00:38:12,269 WELL, I THOUGHT YOUR SCHEDULE WAS TOO TIGHT. 982 00:38:12,369 --> 00:38:14,391 NOW, WHERE DID THIS SUDDEN CHANGE COME FROM? 983 00:38:14,491 --> 00:38:16,473 TIME IS FLEETING. 984 00:38:16,573 --> 00:38:18,675 THAT'S THE TWEET. 985 00:38:18,775 --> 00:38:19,997 YEAH. 986 00:38:20,097 --> 00:38:22,039 YEAH. 987 00:38:22,139 --> 00:38:25,122 [SOUND OF CAMERA SHUTTER CLICKING] 988 00:38:25,222 --> 00:38:27,284 OK. OOH, YUP, YUP. THAT'S THE ONE. 989 00:38:27,384 --> 00:38:28,926 SKYE: YEAH. PATIENCE: THAT IS THE ONE. 990 00:38:29,026 --> 00:38:32,789 OK. POST THAT WITH THE HASHTAG DREAM TEAM. 991 00:38:34,071 --> 00:38:36,213 COOL. UM... 992 00:38:36,313 --> 00:38:38,015 YOU KNOW, I WANTED TO THANK YOU 993 00:38:38,115 --> 00:38:39,296 FOR YOUR ASSIST WITH LAYLA. 994 00:38:39,396 --> 00:38:41,778 LIKE, I OWE YOU. 995 00:38:41,878 --> 00:38:43,220 IT'S YOUR VOICE THAT SOLD IT. 996 00:38:43,320 --> 00:38:45,462 YOU KNOW, I FEEL LIKE, UH, MY SOUL 997 00:38:45,562 --> 00:38:47,144 WOULD'VE SLOWLY DIED EVERY DAY 998 00:38:47,244 --> 00:38:49,266 ON THE ORIGINAL TOUR, SO... 999 00:38:49,366 --> 00:38:51,148 WELL, NOW IT CAN THRIVE AND INSPIRE OTHERS 1000 00:38:51,248 --> 00:38:52,429 THE WAY IT INSPIRED ME. 1001 00:38:52,529 --> 00:38:53,510 GIRL, QUIT IT. 1002 00:38:53,610 --> 00:38:55,112 NO, I'M BEING FOR REAL. 1003 00:38:55,212 --> 00:38:56,713 AND WATCHING YOU TODAY WAS THE REMINDER I NEEDED 1004 00:38:56,813 --> 00:38:58,755 TO ALWAYS FIGHT FOR ME. 1005 00:38:58,855 --> 00:39:00,237 I'M IN AWE OF YOU, PATIENCE. 1006 00:39:00,337 --> 00:39:02,359 PATIENCE: WOW. [SKYE CHUCKLES] 1007 00:39:02,459 --> 00:39:04,461 WELL, THANKS. 1008 00:39:06,583 --> 00:39:07,925 WHOA. UM... 1009 00:39:08,025 --> 00:39:09,406 OH, MY GOD. 1010 00:39:09,506 --> 00:39:10,607 WHAT THE HELL? 1011 00:39:10,707 --> 00:39:11,969 OH, I--I'M SO SORRY. 1012 00:39:12,069 --> 00:39:13,010 I JUST--I GOT CARRIED AWAY... 1013 00:39:13,110 --> 00:39:14,811 NO. JUST--YEAH, I'MMA GO. 1014 00:39:14,911 --> 00:39:18,055 LIKE, I...GO. 1015 00:39:18,155 --> 00:39:20,217 YEAH. I GOT TO GO. 1016 00:39:20,317 --> 00:39:22,479 SKYE: I-- PATIENCE: I GOT TO-- 1017 00:39:40,897 --> 00:39:42,899 YOU WANTED TO SEE ME, SIR? 1018 00:39:44,341 --> 00:39:46,363 I GET THE SENSE YOU WEREN'T HAPPY 1019 00:39:46,463 --> 00:39:49,206 WITH OUR TALK EARLIER. 1020 00:39:49,306 --> 00:39:52,329 NO DISRESPECT, BUT OUR TEAM DOESN'T NEED ANY FIXING. 1021 00:39:52,429 --> 00:39:54,411 YEAH, WE GOT SOME GUYS WITH SOME BAGGAGE, 1022 00:39:54,511 --> 00:39:56,133 BUT THEY GOT SOMETHING BETTER THAN ANY FIVE-STAR RECRUIT 1023 00:39:56,233 --> 00:39:58,775 CAN OFFER...HEART. 1024 00:39:58,875 --> 00:40:00,457 SO I KEEP BEING TOLD. 1025 00:40:00,557 --> 00:40:01,939 I DON'T UNDERSTAND, SIR. 1026 00:40:02,039 --> 00:40:03,420 YOU COULD HAVE SIMPLY SHARED 1027 00:40:03,520 --> 00:40:05,022 THAT THE TEAM HAD RE-SIGNED MARCO GALVEZ 1028 00:40:05,122 --> 00:40:06,583 INSTEAD OF LETTING ME BELIEVE 1029 00:40:06,683 --> 00:40:08,225 IT WAS JUST ABOUT THESE SECOND CHANCE RECRUITS. 1030 00:40:08,325 --> 00:40:10,587 WELL, FIRST OF ALL, I'M NOT THE COACH. 1031 00:40:10,687 --> 00:40:12,389 THAT WOULD NEED TO BE SOMETHING COACH KENNY 1032 00:40:12,489 --> 00:40:14,751 AND A.D. BARNES WOULD SHARE WITH YOU, IF IT WAS TRUE. 1033 00:40:14,851 --> 00:40:16,233 WHICH IT'S NOT. 1034 00:40:16,333 --> 00:40:17,995 ACTUALLY IT IS. 1035 00:40:18,095 --> 00:40:20,237 LIKE I TOLD DR. GUTENBERG MYSELF, 1036 00:40:20,337 --> 00:40:22,559 THIS ROSTER IS FULL OF HEART, GRIT, 1037 00:40:22,659 --> 00:40:24,441 AND DEDICATION. 1038 00:40:24,541 --> 00:40:26,243 I'D REGRET NOT BEING A PART OF IT. 1039 00:40:26,343 --> 00:40:28,325 WAIT. ARE YOU COMING TO GAU? 1040 00:40:28,425 --> 00:40:31,208 Y'ALL ARE REWRITING YOUR NARRATIVE, JUST LIKE ME. 1041 00:40:31,308 --> 00:40:35,212 SO, YES, I'M OFFICIALLY DECOMMITTING FROM CLEARWATER STATE 1042 00:40:35,312 --> 00:40:37,574 AND JOINING GAU. 1043 00:40:37,674 --> 00:40:39,216 [CHUCKLES SOFTLY] 1044 00:40:39,316 --> 00:40:41,658 THE BOOSTERS HAD QUESTIONS. 1045 00:40:41,758 --> 00:40:45,062 AND NOW I GET TO DELIVER SOME PRETTY GREAT ANSWERS. 1046 00:40:45,162 --> 00:40:47,544 LOOKS LIKE WE GOT OURSELVES A TEAM. 1047 00:40:47,644 --> 00:40:49,386 I GUESS WE DO. [CHUCKLING] 1048 00:40:49,486 --> 00:40:51,228 BLESSING OFFOR: ♪ I KNOW THERE'S GONNA BE ♪ 1049 00:40:51,328 --> 00:40:53,350 ♪ SOME BRIGHTER DAYS... ♪ 1050 00:40:53,450 --> 00:40:55,112 HEY, SWEETIE. 1051 00:40:55,212 --> 00:40:57,794 ♪ I SWEAR THAT LOVE WILL FIND YOU IN YOUR PAIN... ♪ 1052 00:40:57,894 --> 00:41:00,357 THANKS. 1053 00:41:00,457 --> 00:41:02,039 ♪ I FEEL IT IN ME ♪ 1054 00:41:02,139 --> 00:41:05,642 ♪ LIKE THE BEATING OF LIFE IN MY VEINS ♪ 1055 00:41:05,742 --> 00:41:07,924 ♪ I KNOW THERE'S GONNA BE ♪ 1056 00:41:08,024 --> 00:41:11,368 ♪ SOME BRIGHTER DAYS ♪ 1057 00:41:11,468 --> 00:41:13,290 ♪ I KNOW THERE'S GONNA BE ♪ 1058 00:41:13,390 --> 00:41:14,811 ♪ SOME BRIGHTER DAYS ♪ 1059 00:41:14,911 --> 00:41:16,893 I THINK IT'S JUST MISSING ONE THING. 1060 00:41:16,993 --> 00:41:18,615 ♪ OH OH OH ♪ 1061 00:41:18,715 --> 00:41:22,379 ♪ IF YOUR SCREAMS DON'T MAKE A SOUND ♪ 1062 00:41:22,479 --> 00:41:24,021 ♪ OH OH OH ♪ 1063 00:41:24,121 --> 00:41:26,823 ♪ IF YOUR WALLS ARE CRASHING DOWN... ♪ 1064 00:41:26,923 --> 00:41:28,305 YEAH. 1065 00:41:28,405 --> 00:41:30,267 ♪ OH OH OH, IF YOUR HEART... ♪ 1066 00:41:30,367 --> 00:41:34,951 NOW OUR LEGACIES WILL ALWAYS BE TOGETHER, DAD. 1067 00:41:35,051 --> 00:41:37,314 AND I'LL HONOUR THAT WITH EACH STEP FORWARD... 1068 00:41:37,414 --> 00:41:39,956 ♪ I KNOW THERE'S GONNA BE SOME... ♪ 1069 00:41:40,056 --> 00:41:41,518 ONE FOOT IN FRONT OF THE OTHER. 1070 00:41:41,618 --> 00:41:43,400 ♪ BRIGHTER DAYS ♪ 1071 00:41:43,500 --> 00:41:45,402 ♪ I KNOW THERE'S GONNA BE ♪ 1072 00:41:45,502 --> 00:41:47,124 ♪ SOME BRIGHTER DAYS ♪ 1073 00:41:47,224 --> 00:41:48,845 ♪ I KNOW ♪ 1074 00:41:48,945 --> 00:41:54,471 ♪ I KNOW THERE'S GONNA BE SOME BRIGHTER DAYS ♪ 1075 00:42:16,533 --> 00:42:18,535 GREG, MOVE YOUR HEAD. 75325

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