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1
00:00:05,484 --> 00:00:07,506
THANKS FOR MAKING TIME
FOR YOUR MOMMA BEAR.
2
00:00:07,606 --> 00:00:10,069
WELL, YOU KNOW WE SAID
WE WAS GONNA DO
THIS THING MONTHLY.
3
00:00:10,169 --> 00:00:12,471
BESIDES,
IT'S SPRING BREAK,
4
00:00:12,571 --> 00:00:14,573
AND MY LIFE AIN'T CRAZY
FOR ONCE.
5
00:00:15,614 --> 00:00:18,177
THIS IS FEELING
LIKE OLD TIMES.
6
00:00:20,539 --> 00:00:22,682
HOT CAKES FRESH
OFF THE SKILLET.
7
00:00:22,782 --> 00:00:24,323
HEY.
8
00:00:24,423 --> 00:00:26,085
DID I SHOW YOU
TO MIX WATER
9
00:00:26,185 --> 00:00:27,647
INSTEAD OF MILK
WITH THAT BATTER?
10
00:00:27,747 --> 00:00:29,769
YES, MA'AM.
LESS CALORIES AND FAT.
11
00:00:29,869 --> 00:00:31,170
AND SPENCER LOVES THEM.
RIGHT, BABY?
12
00:00:31,270 --> 00:00:32,211
YEAH.
13
00:00:32,311 --> 00:00:34,313
[ALICIA CHUCKLES]
14
00:00:36,035 --> 00:00:37,536
YOU WANT SOME,
MRS. GRACE?
15
00:00:37,636 --> 00:00:40,940
YOU KNOW, I AM GOING TO
STICK WITH THESE BISCUITS.
16
00:00:41,040 --> 00:00:41,901
OK.
17
00:00:42,001 --> 00:00:44,003
[DOORBELL RINGS]
18
00:00:47,526 --> 00:00:48,948
HEY, GIRL.
19
00:00:49,048 --> 00:00:51,270
DENISE. YOU'RE EARLY.
20
00:00:51,370 --> 00:00:53,372
SPENCER: EARLY FOR WHAT?
GRACE: UH...
21
00:00:55,975 --> 00:00:58,818
THERE'S SOMETHING
THAT I'VE BEEN WANTING
TO SHOW YOU.
22
00:01:03,983 --> 00:01:05,524
WHERE THE HELL
IS MY BED?
23
00:01:05,624 --> 00:01:08,047
YOU KNOW
HOW I ALWAYS SAID I
WANTED A CRAFT ROOM?
24
00:01:08,147 --> 00:01:10,289
WELL, DENISE INSPIRED
ME TO GET STARTED.
25
00:01:10,389 --> 00:01:12,091
ALICIA: I LOVE THIS IDEA.
26
00:01:12,191 --> 00:01:13,933
YOU KNOW,
WE HAVE TONS OF FABRIC
27
00:01:14,033 --> 00:01:15,414
AT THE DRESS SHOP
THAT YOU CAN HAVE.
28
00:01:15,514 --> 00:01:17,176
DENISE: OH, GIRL,
BRING IT ON OVER!
29
00:01:17,276 --> 00:01:19,538
SHE IS OFFICIALLY
HIRED TO HELP.
I LIKE HER. COME ON.
30
00:01:19,638 --> 00:01:21,220
WAIT. WAIT. WAIT.
WAIT. WAIT.
31
00:01:21,320 --> 00:01:22,742
WHERE AM I SUPPOSED TO
SLEEP WHEN I COME HOME?
32
00:01:22,842 --> 00:01:24,303
YOUR HOME IS AT
THE BEACH HOUSE,
33
00:01:24,403 --> 00:01:25,825
WHERE YOU'VE BEEN LIVING
FOR THE PAST YEAR
34
00:01:25,925 --> 00:01:27,226
WITH YOUR COMFORTABLE BED.
35
00:01:27,326 --> 00:01:28,788
YOU KNOW, WHEN YOU'RE HERE,
36
00:01:28,888 --> 00:01:30,269
YOU CAN ALWAYS SLEEP
ON THE BLOW UP MATTRESS.
37
00:01:30,369 --> 00:01:31,831
THIS WALL IS LARGER
THAN I THOUGHT.
38
00:01:31,931 --> 00:01:33,192
WE COULD PUT
A KILN OVER HERE!
39
00:01:33,292 --> 00:01:34,593
WHAT THE HELL
IS A KILN?
40
00:01:34,693 --> 00:01:35,795
WE'RE NOT PUTTING
A KILN IN HERE.
41
00:01:35,895 --> 00:01:37,556
I MADE THIS NECKLACE
IN A KILN.
42
00:01:37,656 --> 00:01:39,759
GRACE: OH. THAT IS NICE.
SPENCER: OK. I'M OUT.
43
00:01:39,859 --> 00:01:41,681
WAIT. SPENCER.
44
00:01:41,781 --> 00:01:43,322
NOPE. S'ALL GOOD.
I GOT MORNING
PRACTICE ANYWAYS,
45
00:01:43,422 --> 00:01:45,965
SO Y'ALL CAN JUST
DO WHATEVER.
46
00:01:46,065 --> 00:01:48,067
UH...
47
00:01:48,707 --> 00:01:50,790
[DOOR OPENS]
48
00:01:52,591 --> 00:01:55,815
ARE YOU SURE YOU
DON'T WANNA STAY
A LITTLE LONGER?
49
00:01:55,915 --> 00:01:58,097
I COULD HAVE COFFEE
AND DONUTS DELIVERED.
50
00:01:58,197 --> 00:02:00,379
I WISH. MY SCHEDULE
IS SO JAMMED,
51
00:02:00,479 --> 00:02:02,541
I LITERALLY HAD
TO SET REMINDERS
TO TAKE MY VITAMINS.
52
00:02:02,641 --> 00:02:05,785
HOW 'BOUT, HEY, DINNER
AND A MOVIE IN
THE MARINA TOMORROW?
53
00:02:05,885 --> 00:02:09,028
NOPE. BACK TO BACK
MEETINGS AND VITAMINS.
54
00:02:09,128 --> 00:02:13,272
OK. YOU'RE STILL COMING
TO LIV'S AWARD CEREMONY,
TONIGHT, THOUGH, RIGHT?
55
00:02:13,372 --> 00:02:15,274
I FEEL TERRIBLE,
BUT THERE'S AN ARTIST
IN TOWN FROM THE UK
56
00:02:15,374 --> 00:02:16,836
I HAVE TO SCOPE OUT.
57
00:02:16,936 --> 00:02:18,197
AND I ALREADY SPOKE TO LIV.
58
00:02:18,297 --> 00:02:19,518
SHE SAID SHE'S COOL.
59
00:02:19,618 --> 00:02:21,040
I'M JUST GONNA GET
HER FLOWERS, THOUGH.
60
00:02:21,140 --> 00:02:23,162
BUT CHEER LOUDLY
FOR THE BOTH OF US?
61
00:02:23,262 --> 00:02:26,285
JORDAN: SURE.
LAYLA: BYE.
62
00:02:26,385 --> 00:02:27,767
[KNOCK ON DOOR]
63
00:02:27,867 --> 00:02:29,288
STUDYING?
64
00:02:29,388 --> 00:02:31,650
[CHUCKLES]
NO. IT'S SPRING BREAK.
65
00:02:31,750 --> 00:02:35,054
WELL, THEN WHY DON'T
YOU TAKE A BREAK
LIKE EVERYBODY ELSE?
66
00:02:35,154 --> 00:02:36,936
WELL, I'M WRITING A SPEECH
FOR THE AWARD CEREMONY.
67
00:02:37,036 --> 00:02:38,938
I MEAN, I KNOW
WINNING IS A LONG SHOT.
68
00:02:39,038 --> 00:02:41,660
BUT IF I DO,
THEN EVERYONE'S GONNA BE
ASKING FOR MY NEXT STORY.
69
00:02:41,760 --> 00:02:44,023
ACTUALLY, WOULD
YOU MIND LISTENING TO
WHAT I'VE GOT SO FAR?
70
00:02:44,123 --> 00:02:46,105
SURE! I'M ALL EARS.
71
00:02:46,205 --> 00:02:48,427
UM...
72
00:02:48,527 --> 00:02:51,270
DO YOU NEED HELP
FINDING SOMETHING?
73
00:02:51,370 --> 00:02:54,233
NO, JUST ORGANISING
VERSIONS ONE THROUGH
FOUR OF MY SPEECH.
74
00:02:54,333 --> 00:02:56,075
YOU'RE GOING TO READ
ME FOUR VERSIONS?
75
00:02:56,175 --> 00:02:58,277
SEVEN. THE LAST THREE
ARE ON MY COMPUTER.
76
00:02:58,377 --> 00:03:00,379
[OLIVIA SIGHS]
77
00:03:06,185 --> 00:03:07,686
JORDAN: HEY.
LAURA: HI.
78
00:03:07,786 --> 00:03:09,568
WHAT'S UP
WITH THE 911 TEXT?
79
00:03:09,668 --> 00:03:13,172
I THINK LIV IS SPIRALLING WITH
THIS WHOLE AWARD CEREMONY.
80
00:03:13,272 --> 00:03:14,974
WELL, I MEAN,
I'M SURE THERE'S A LOT
OF PRESSURE. RIGHT?
81
00:03:15,074 --> 00:03:16,976
I MEAN, THIS IS
A HUGE DEAL FOR HER.
82
00:03:17,076 --> 00:03:18,537
MAYBE JUST GIVE HER
SOME SPACE?
83
00:03:18,637 --> 00:03:20,379
WELL, SHE ASKED
FOR MY HELP.
84
00:03:20,479 --> 00:03:21,901
AND THEN SHE KICKED ME
OUT OF HER ROOM
85
00:03:22,001 --> 00:03:23,783
AFTER MY THIRD NOTE
ON DRAFT TWO.
86
00:03:23,883 --> 00:03:25,424
HOW MANY DRAFTS
ARE THERE?
87
00:03:25,524 --> 00:03:27,526
DON'T ASK.
88
00:03:30,009 --> 00:03:32,111
YOU KNOW WHAT?
89
00:03:32,211 --> 00:03:34,593
THE LAST TIME THAT
SHE SPOKE PUBLICLY,
90
00:03:34,693 --> 00:03:36,475
IT DIDN'T GO SO WELL.
91
00:03:36,575 --> 00:03:38,758
MAYBE SHE JUST DOESN'T WANT
A REPEAT OF THE EULOGY.
92
00:03:38,858 --> 00:03:40,439
LAURA: YEAH.
JORDAN: I'LL GO CHECK ON HER.
93
00:03:40,539 --> 00:03:41,961
THANK YOU.
94
00:03:42,061 --> 00:03:44,123
[KNOCK ON DOOR]
95
00:03:44,223 --> 00:03:46,525
YOU'RE NOT WORRIED YOUR
FINGERS MIGHT FALL OFF?
96
00:03:46,625 --> 00:03:48,607
[SCOFFS]
THAT'S THE LEAST
OF MY CONCERNS.
97
00:03:48,707 --> 00:03:51,010
YEAH, YOU GOT HALF
THE AMAZON FOREST
ON YOUR FLOOR.
98
00:03:51,110 --> 00:03:52,451
YEAH, WELL, WHO
NEEDS TREES, RIGHT?
99
00:03:52,551 --> 00:03:54,974
JORDAN: WHOA.
OLIVIA: I'M KIDDING.
100
00:03:55,074 --> 00:03:57,376
WELL, AT LEAST YOU'RE
STILL CRACKING JOKES.
THAT'S A GOOD SIGN.
101
00:03:57,476 --> 00:03:59,859
JORDAN, WHAT IF PEOPLE
THINK I'M A FRAUD WHEN THEY
REALISE I'M NOT JAYDEN DAVIS?
102
00:03:59,959 --> 00:04:02,301
OK. MAYBE IT'S TIME
WE, UH, STEP AWAY
FROM THE KEYBOARD.
103
00:04:02,401 --> 00:04:03,783
NO. I'M IN A GROOVE.
104
00:04:03,883 --> 00:04:05,885
DRAFT EIGHT
IS FEELING REALLY SOLID.
105
00:04:07,326 --> 00:04:08,707
DRAFT EIGHT,
YOU SAY?
106
00:04:08,807 --> 00:04:10,669
OLIVIA: YEAH.
JORDAN: WOW. THAT'S COOL.
107
00:04:10,769 --> 00:04:13,232
WHAT ARE YOU DOING?
I WAS JUST IN THE MIDDLE
OF A CLEVER SEGUE.
108
00:04:13,332 --> 00:04:15,034
YEAH. YOU GOT TWO HOURS
TO WORK ON THAT SEGUE
WHILE I'M AT PRACTICE,
109
00:04:15,134 --> 00:04:16,595
AND THEN YOU'RE
GOING AWAY WITH ME.
110
00:04:16,695 --> 00:04:17,797
WHAT PART OF
"I NEED TO WORK..."?
111
00:04:17,897 --> 00:04:21,080
NON-NEGOTIABLE,
OLIVIA BAKER.
112
00:04:21,180 --> 00:04:22,882
TWO.
113
00:04:22,982 --> 00:04:24,984
[SIGHS]
114
00:04:26,705 --> 00:04:27,967
♪ YEAH, WHO DAT... ♪
115
00:04:28,067 --> 00:04:29,368
JORDAN: HERE WE GO. DOWN. SET.
116
00:04:29,468 --> 00:04:31,290
PLAYER:
WATCH OUT. WATCH OUT.
117
00:04:31,390 --> 00:04:32,731
JORDAN: WIDE 16.
HERE WE GO. HERE WE GO.
118
00:04:32,831 --> 00:04:34,133
HEY, CHECK 5, CHECK 5,
CHECK 5.
119
00:04:34,233 --> 00:04:35,414
WIDE 16.
120
00:04:35,514 --> 00:04:36,936
SET.
121
00:04:37,036 --> 00:04:38,858
♪ ...SO DON'T BE JEALOUS
WITH IT ♪
122
00:04:38,958 --> 00:04:40,379
♪ WATCH ME GET IT, YEAH ♪
123
00:04:40,479 --> 00:04:42,461
♪ INSIDE, OUTSIDE, YEAH ♪
124
00:04:42,561 --> 00:04:43,943
SPENCER: UH!
125
00:04:44,043 --> 00:04:45,464
[BLOWS WHISTLE]
WE NEED FAST FEET, BOYS!
126
00:04:45,564 --> 00:04:47,146
[PLAYER LAUGHS]
127
00:04:47,246 --> 00:04:48,507
BOY, WHERE'D YOU GET
THAT WHISTLE FROM?
128
00:04:48,607 --> 00:04:50,029
MANU: FOUND IT.
KAI: YEAH?
129
00:04:50,129 --> 00:04:51,550
COME MEET THE TEAM.
COME ON.
130
00:04:51,650 --> 00:04:53,112
YOU LET SAL CATCH UP
TO YOU, DIDN'T YOU?
131
00:04:53,212 --> 00:04:54,713
BOOST HIS CONFIDENCE?
132
00:04:54,813 --> 00:04:57,676
NAH. JUST AIN'T
GOT IT TODAY.
133
00:04:57,776 --> 00:05:01,400
HEY, DID THEY CHANGE
YOUR BEDROOM
WHEN YOU MOVED OUT?
134
00:05:01,500 --> 00:05:03,562
[CHUCKLES]
COOP LIVES IN MY OLD ROOM.
135
00:05:03,662 --> 00:05:05,204
THAT DON'T BOTHER YOU?
136
00:05:05,304 --> 00:05:07,566
NOPE. IT STILL
FEELS LIKE HOME.
137
00:05:07,666 --> 00:05:09,128
JORDAN: HEY,
IS THAT, UH...?
138
00:05:09,228 --> 00:05:10,729
DR. GUTENBERG,
139
00:05:10,829 --> 00:05:12,932
SPENCER: GAU'S PRESIDENT.
JORDAN: YEAH.
140
00:05:13,032 --> 00:05:14,533
SPENCER: MAN.
I AIN'T SEEN HIM
SINCE THE DAY I SIGNED.
141
00:05:14,633 --> 00:05:16,055
WHAT THE HELL'S
HE DOING HERE?
142
00:05:16,155 --> 00:05:17,616
JORDAN: MAYBE HE'S
LOOKING FOR COACH?
143
00:05:17,716 --> 00:05:19,718
SPENCER: I'LL GO FIND OUT.
JORDAN: YEAH.
144
00:05:23,002 --> 00:05:26,025
DR. GUTENBERG,
I DIDN'T KNOW YOU
WAS A FOOTBALL FAN.
145
00:05:26,125 --> 00:05:28,467
I'M NOT, BUT I AM
A BOOSTER FAN.
146
00:05:28,567 --> 00:05:30,669
AND THERE'S A RUMOUR OUR
TEAM IS SIGNING EX-CONS
AND HAS-BEEN PLAYERS.
147
00:05:30,769 --> 00:05:33,272
WHERE'S COACH KENNY?
OR ANY COACH?
148
00:05:33,372 --> 00:05:35,714
WE RUNNING STUDENT-LED
VOLUNTARY PRACTICES
FOR SPRING BREAK.
149
00:05:35,814 --> 00:05:37,596
COACH KENNY IS OUT IN
TENNESSEE RECRUITING.
150
00:05:37,696 --> 00:05:38,637
SO ARE THE RUMOURS TRUE?
151
00:05:38,737 --> 00:05:41,360
NO. I MEAN YES, YES.
152
00:05:41,460 --> 00:05:43,122
WE HAVE A GUY
WHO MADE A MISTAKE,
153
00:05:43,222 --> 00:05:45,284
BUT HE DID HIS TIME AND NOW
HE'S GETTING A SECOND CHANCE.
154
00:05:45,384 --> 00:05:47,846
GOLDEN ANGELES UNIVERSITY
IS A PRESTIGIOUS PROGRAM.
155
00:05:47,946 --> 00:05:49,969
IT'S NOT A CHARITY CASE.
156
00:05:50,069 --> 00:05:51,730
THIS AIN'T CHARITY, SIR.
157
00:05:51,830 --> 00:05:54,093
ALL I KNOW IS MY
ELITE D1 PROGRAM THAT
158
00:05:54,193 --> 00:05:55,935
NORMALLY SIGNS
THE TOP PLAYERS
IN THE COUNTRY
159
00:05:56,035 --> 00:05:57,736
NOW LOOKS LIKE
LAST CHANCE U.
160
00:05:57,836 --> 00:06:00,019
AND THE BOOSTERS
AREN'T HAPPY, WHICH
MEANS I'M NOT HAPPY.
161
00:06:00,119 --> 00:06:01,860
THEY HAVE A LOT
OF QUESTIONS.
162
00:06:01,960 --> 00:06:03,142
AND IF THEY DON'T
LIKE THE ANSWERS,
163
00:06:03,242 --> 00:06:05,644
I'LL HAVE NO CHOICE BUT
TO CLEAN HOUSE MYSELF.
164
00:06:09,408 --> 00:06:11,690
[PLAYERS CHEERING]
165
00:06:18,137 --> 00:06:19,598
WHAT DID HE MEAN BY
"CLEAN HOUSE"?
166
00:06:19,698 --> 00:06:21,280
IS HE GONNA PULL
SCHOLARSHIPS?
167
00:06:21,380 --> 00:06:24,924
YEAH, I'M NOT SURE.
HE AIN'T SEEM HAPPY.
168
00:06:25,024 --> 00:06:27,646
I LEFT A MESSAGE
WITH COACH KENNY TO
GIVE HIM A HEADS UP.
169
00:06:27,746 --> 00:06:28,887
I HOPE HE GOT A PLAN.
170
00:06:28,987 --> 00:06:30,970
WOW! LOOK AT YOU,
171
00:06:31,070 --> 00:06:32,972
SPENCER JAMES NOT
SAVING THE WORLD.
172
00:06:33,072 --> 00:06:34,773
[CHUCKLES]
173
00:06:34,873 --> 00:06:37,056
DR. SPEARS SAID
I GOTTA CHILL ON ALL
THAT, SO I'M TRYING.
174
00:06:37,156 --> 00:06:38,777
I SEE YOU. I SEE YOU.
175
00:06:38,877 --> 00:06:40,819
BUT, LOOK, I GOTTA
RUN SOMEWHERE WITH LIV.
176
00:06:40,919 --> 00:06:43,582
BUT, UH, YOU'RE STILL
COMING TO HER AWARD
CEREMONY TONIGHT, RIGHT?
177
00:06:43,682 --> 00:06:45,384
OH, MY BAD.
178
00:06:45,484 --> 00:06:46,986
I THOUGHT THAT WAS JUST
A FAMILY INVITE-ONLY THING.
179
00:06:47,086 --> 00:06:49,348
AND I GOT THIS DATE
WITH ALICIA.
180
00:06:49,448 --> 00:06:52,111
I DON'T KNOW
HOW COOL SHE'D BE IF I
RESCHEDULED THAT FOR LIV.
181
00:06:52,211 --> 00:06:53,912
YEAH, DON'T DO THAT.
[SPENCER CHUCKLES]
182
00:06:54,012 --> 00:06:55,274
IT'S ALL GOOD.
I'LL SEE YOU LATER.
183
00:06:55,374 --> 00:06:57,376
ALL RIGHT, MAN.
184
00:06:58,177 --> 00:06:59,678
SPENCER: THAT-A BOY.
SAL: WHAT'S UP, MAN?
185
00:06:59,778 --> 00:07:01,880
HOW YOU FEELING ABOUT
EVERYTHING?
186
00:07:01,980 --> 00:07:03,422
SO WHO WAS THAT
GRUMPY-LOOKING WHITE DUDE
YOU WAS TALKING TO?
187
00:07:03,422 --> 00:07:05,364
THAT WAS
GAU'S PRESIDENT.
188
00:07:05,464 --> 00:07:07,686
SAL: THE BIG MAN, HUH?
SPENCER: MM-HMM.
189
00:07:07,786 --> 00:07:09,348
I'M GUESSING HE'S
WONDERING WHERE HIS USUAL
FIVE-STAR RECRUITS ARE.
190
00:07:09,348 --> 00:07:11,490
HEY. DON'T TRIP.
HE DON'T GET FOOTBALL.
191
00:07:11,590 --> 00:07:13,692
S'ALL GOOD.
192
00:07:13,792 --> 00:07:15,394
IT AIN'T LIKE FIVE-STAR
RECRUITS HAVE IT EASY
THESE DAYS ANYWAY.
193
00:07:15,394 --> 00:07:17,736
I BEEN TRAINING
MARCO GALVEZ.
194
00:07:17,836 --> 00:07:19,218
OH, I KNOW MARCO.
195
00:07:19,318 --> 00:07:20,739
YEAH. HE WAS ABOUT
TO SIGN WITH US
196
00:07:20,839 --> 00:07:22,141
BEFORE EVERYTHING
WENT DOWN.
197
00:07:22,241 --> 00:07:23,582
I THOUGHT HE WENT
TO FLORIDA.
198
00:07:23,682 --> 00:07:25,384
WELL, HE'S IN TOWN
ON SPRING BREAK.
199
00:07:25,484 --> 00:07:27,426
SOUND LIKE HE NOT HAVING
THE BEST TIME DOWN THERE.
200
00:07:27,526 --> 00:07:29,388
SPENCER: WHY? WHAT'S UP?
SAL: I DIDN'T ASK.
201
00:07:29,488 --> 00:07:31,390
I'M TRAINING HIM
HERE IN AN HOUR
IF YOU WANNA JOIN.
202
00:07:31,490 --> 00:07:33,592
MIGHT BE NICE FOR HIM
TO SEE A FAMILIAR FACE.
203
00:07:33,692 --> 00:07:35,354
FOR SURE. I'M GONNA
DEFINITELY SWING BY.
GOOD LOOKING OUT.
204
00:07:35,454 --> 00:07:36,435
OF COURSE.
205
00:07:36,535 --> 00:07:38,557
LAYLA: OK,
206
00:07:38,657 --> 00:07:40,519
SO THE INTERVIEW SHOULD
BE PRETTY SEAMLESS.
207
00:07:40,619 --> 00:07:42,201
HE'S JUST GONNA BE,
LIKE, FISHING
208
00:07:42,301 --> 00:07:44,083
FOR WHAT FANS CAN EXPECT
FROM THE "FIRE & ICE" TOUR.
209
00:07:44,183 --> 00:07:47,366
SO, YEAH, JUST KEEP IT,
LIKE, VAGUE, BUT EXCITING.
210
00:07:47,466 --> 00:07:49,408
[CELL PHONE VIBRATES]
PATIENCE: COOL.
211
00:07:49,508 --> 00:07:50,649
COOL, COOL.
212
00:07:50,749 --> 00:07:52,691
UH, YEAH, SO THAT
RIGHT THERE WAS
213
00:07:52,791 --> 00:07:54,853
THE OPPOSITE OF EXCITING.
[CELL PHONE VIBRATES]
214
00:07:54,953 --> 00:07:57,616
WELL, I WAS ACTUALLY
THINKIN' ABOUT
THAT QUINCEAÑERA.
215
00:07:57,716 --> 00:07:58,977
THAT WAS SO FUN,
WASN'T IT?
216
00:07:59,077 --> 00:08:00,259
[CHUCKLES]
YEAH.
217
00:08:00,359 --> 00:08:02,141
UM, REMEMBER
HOW I TOLD YOU
218
00:08:02,241 --> 00:08:04,023
IT REMINDED ME ABOUT
219
00:08:04,123 --> 00:08:06,345
HOW MUCH I MISS
MY INDIE BOHO ROOTS?
220
00:08:06,445 --> 00:08:08,027
MM-HMM.
221
00:08:08,127 --> 00:08:09,388
YEAH. WELL, I KINDA--
I DON'T KNOW.
222
00:08:09,488 --> 00:08:11,470
PATIENCE, WHATEVER
IT IS, JUST SAY IT.
223
00:08:11,570 --> 00:08:13,312
I JUST, I MEAN,
WE POURED SO MUCH TIME
224
00:08:13,412 --> 00:08:15,674
AND RESOURCES INTO THIS
NEW IMAGE AND SOUND...
225
00:08:15,774 --> 00:08:17,556
BUT YOU KNOW WHAT?
226
00:08:17,656 --> 00:08:19,518
TALKING OUT LOUD
IS THE CONFIRMATION
THAT I NEED.
227
00:08:19,618 --> 00:08:21,280
SO, YEAH, LET'S JUST--
228
00:08:21,380 --> 00:08:23,202
LET'S JUST KEEP
THIS TRAIN MOVING.
229
00:08:23,302 --> 00:08:25,003
LAYLA: ARE YOU SURE?
PATIENCE: YES, I AM SURE.
230
00:08:25,103 --> 00:08:26,325
LOOK, WE GOT
THIS INTERVIEW,
231
00:08:26,425 --> 00:08:28,487
AND IT'S GONNA
BE DOPE. YEAH.
232
00:08:28,587 --> 00:08:30,329
[CELL PHONE VIBRATING]
233
00:08:30,429 --> 00:08:31,930
BUT YOU KNOW WHAT
I'M NOT SURE ABOUT
234
00:08:32,030 --> 00:08:33,772
IS YOUR PHONE STRESSING
WITH THEM ALERTS.
235
00:08:33,872 --> 00:08:35,374
SORRY, IT'S MY CALENDAR.
236
00:08:35,474 --> 00:08:37,176
THERE'S, LIKE, A MILLION
THINGS TO DO AND NO TIME.
237
00:08:37,276 --> 00:08:40,419
INCLUDING
THIS BRUNCH WITH MY DAD
WHICH I NEED TO CANCEL
238
00:08:40,519 --> 00:08:43,142
'CAUSE YOUR INTERVIEWER
CHANGED THE INTERVIEW TIME.
239
00:08:43,242 --> 00:08:45,704
OH, NO, NO, NO. JUST
GO BE WITH YOUR DAD.
I GOT THIS.
240
00:08:45,804 --> 00:08:47,866
LAYLA: NO, I SHOULD BE HERE.
PATIENCE: SKYE'S GONNA BE THERE.
241
00:08:47,966 --> 00:08:49,788
LOOK, WHY DO YOU HAVE
A HIRED STAFF
242
00:08:49,888 --> 00:08:51,750
IF YOU DON'T TRUST THEM
TO DO THEIR JOBS?
243
00:08:51,850 --> 00:08:54,132
OK. THANK YOU.
244
00:08:58,297 --> 00:09:00,399
WHAT'S THIS?
245
00:09:00,499 --> 00:09:01,960
JORDAN: HA HA HA!
A DANCE STUDIO.
246
00:09:02,060 --> 00:09:03,482
I CAN SEE THAT, JORDAN.
247
00:09:03,582 --> 00:09:05,764
HOW HARD IS
THE NOSTALGIA HITTING?
248
00:09:05,864 --> 00:09:07,646
[EXHALES]
249
00:09:07,746 --> 00:09:11,330
I MEAN, MY LAST MEMORY
HERE WAS, UM,
250
00:09:11,430 --> 00:09:13,332
THROWING A TUTU IN
GINA PRICE'S FACE.
251
00:09:13,432 --> 00:09:15,894
MM-HMM. DANCE WAS YOUR
FIRST LANGUAGE, RIGHT?
252
00:09:15,994 --> 00:09:17,576
IT WAS HOW YOU
EXPRESSED YOURSELF
253
00:09:17,676 --> 00:09:19,698
BEFORE YOU COULD
EVEN TALK.
254
00:09:19,798 --> 00:09:22,741
SO, I FIGURED...
WHY NOT BRING YOU
BACK TO YOUR ROOTS?
255
00:09:22,841 --> 00:09:24,863
HOW IS THIS SUPPOSED
TO HELP WITH MY SPEECH?
256
00:09:24,963 --> 00:09:27,666
OK. YOU KNOW BETTER
THAN ANYONE THAT
257
00:09:27,766 --> 00:09:30,269
WHENEVER I AM
FEELING STUCK WITH
FOOTBALL OR LIFE,
258
00:09:30,369 --> 00:09:31,990
I ESCAPE TO VIDEO GAMES.
259
00:09:32,090 --> 00:09:34,353
NOW, SOME PEOPLE
MAY CALL THAT LAZY,
260
00:09:34,453 --> 00:09:36,355
BUT IT'S THE OUTLET
THAT I NEED.
261
00:09:36,455 --> 00:09:38,157
SO MAYBE THIS CAN BE
THAT FOR YOU AGAIN.
262
00:09:38,257 --> 00:09:39,718
YEAH, WELL, I WOULD
MUCH RATHER HAVE
PLAYED VIDEO GAMES.
263
00:09:39,818 --> 00:09:41,440
DIDN'T KNOW
THAT WAS AN OPTION.
264
00:09:41,540 --> 00:09:43,041
OLIVIA: IT'S NOT TOO LATE.
JORDAN: NO, NO, NO.
265
00:09:43,141 --> 00:09:44,923
HOLD ON. YES, IT IS.
YES, IT IS, OK?
266
00:09:45,023 --> 00:09:46,765
BECAUSE I'VE ALREADY
PAID $30 A HEAD FOR
THIS HIP HOP CLASS.
267
00:09:46,865 --> 00:09:48,727
WE'RE NOT EVEN DRESSED
FOR A HIP HOP CLASS.
268
00:09:48,827 --> 00:09:51,009
HEH HEH HEH!
YOU DIDN'T THINK
I'D COME PREPARED?
269
00:09:51,109 --> 00:09:52,891
BUCKLE UP, SIS.
270
00:09:52,991 --> 00:09:54,413
OK.
271
00:09:54,513 --> 00:09:57,055
♪ I'VE BEEN RUNNING
ALL DAY... ♪
272
00:09:57,155 --> 00:09:59,658
WELL, HERE IS
TO LEGACY, RIGHT?
273
00:09:59,758 --> 00:10:01,700
YOU KNOW,
I REALLY LOVE
274
00:10:01,800 --> 00:10:04,303
THE IDEA OF COMBINING
THE FORMONICA
AND KEATING NAMES.
275
00:10:04,403 --> 00:10:07,266
THANKS, DAD. I HAVEN'T EVEN
ASKED. HOW IS RETIREMENT?
276
00:10:07,366 --> 00:10:09,668
ERIN AND I ARE GOING
TO BE HEADING DOWN TO
COSTA RICA IN TWO WEEKS.
277
00:10:09,768 --> 00:10:12,070
SHE WANTS TO LOOK AT
HOUSES TO SETTLE.
278
00:10:12,170 --> 00:10:14,473
MAYBE YOU AND ERIN CAN
HARVEST PINEAPPLES TOGETHER
279
00:10:14,573 --> 00:10:16,595
OR GET A FARM
WITH PIGS AND GOATS.
280
00:10:16,695 --> 00:10:18,517
YEAH, I THINK I'M GOOD
ON THE PIGS AND GOATS.
281
00:10:18,617 --> 00:10:20,479
[BOTH CHUCKLE,
CELL PHONE VIBRATES]
282
00:10:20,579 --> 00:10:22,581
SORRY.
283
00:10:23,902 --> 00:10:26,044
WHAT ABOUT YOU, HONEY?
ARE YOU GETTING
EVERYTHING YOU WANTED?
284
00:10:26,144 --> 00:10:27,966
YEAH, AND MORE.
285
00:10:28,066 --> 00:10:29,368
WELL, LOOKS LIKE YOU'RE
ON THE RIGHT TRACK, THEN.
286
00:10:29,468 --> 00:10:31,410
ACTUALLY, SPEAKING
OF THE RIGHT TRACK,
287
00:10:31,510 --> 00:10:33,492
I HATE TO CUT THIS LUNCH
SHORT, BUT I HAVE TO
GET READY FOR A MEETING.
288
00:10:33,592 --> 00:10:35,894
I REMEMBER THE DAYS OF
CUTTING BRUNCHES SHORT.
289
00:10:35,994 --> 00:10:38,937
YOU KNOW,
I'M NOT GONNA LIE.
I REALLY MISS THE HUSTLE.
290
00:10:39,037 --> 00:10:40,619
IF YOU MISS IT SO MUCH,
YOU SHOULD JOIN ME TODAY.
291
00:10:40,719 --> 00:10:42,261
THERE WILL BE
PLENTY OF HUSTLE.
292
00:10:42,361 --> 00:10:43,582
JP: I'M IN.
LAYLA: WAIT. REALLY?
293
00:10:43,682 --> 00:10:45,304
I WAS JUST JOKING.
294
00:10:45,404 --> 00:10:46,745
I MEAN, I'D RATHER
HELP YOU OUT
295
00:10:46,845 --> 00:10:48,387
THAN SHOP ONLINE
FOR BOARD SHORTS.
296
00:10:48,487 --> 00:10:50,309
OK.
297
00:10:50,409 --> 00:10:52,911
OK, I'M SPLITTING
Y'ALL UP INTO TWO GROUPS
298
00:10:53,011 --> 00:10:54,913
TO REVIEW THE FIRST SIX
EIGHT COUNTS.
299
00:10:55,013 --> 00:10:56,355
THIS SIDE WILL GO FIRST.
300
00:10:56,455 --> 00:10:58,477
EVERYONE ELSE,
GET READY FOR NEXT.
301
00:10:58,577 --> 00:11:00,319
[APPLAUSE]
302
00:11:00,419 --> 00:11:02,601
INSTRUCTOR: HIT IT. HEY.
303
00:11:02,701 --> 00:11:04,323
QUAVO AND TAKEOFF: ♪ WATER ON ME
LIKE THE SAUNA ♪
304
00:11:04,423 --> 00:11:06,485
♪ SOME KARATS,
SOME POINTERS ♪
305
00:11:06,585 --> 00:11:08,006
♪ ALL THESE COMMAS
I WON'T FUMBLE ♪
306
00:11:08,106 --> 00:11:09,848
♪ MIGO GUNNERS OUT
THE JUNGLE ♪
307
00:11:09,948 --> 00:11:11,890
♪ BUY IT ALL, FRONTER ♪
308
00:11:11,990 --> 00:11:13,372
♪ CAKE ON, ME NO FUNNEL ♪
309
00:11:13,472 --> 00:11:15,934
♪ DROP TOP FEELIN' LIKE
STUNNA ♪
310
00:11:16,034 --> 00:11:18,737
♪ CATCH THESE PLAYS, NO RUNNER,
CHROME HEART WALLET ♪
311
00:11:18,837 --> 00:11:20,979
♪ SMOKE MY PILOT, TAKE
THREE VIBES TO THE TROPICS ♪
312
00:11:21,079 --> 00:11:22,661
♪ TROPICS... ♪
313
00:11:22,761 --> 00:11:24,223
♪ I WAS OUTSIDE JUST
SERVIN' NARCOTICS ♪
314
00:11:24,323 --> 00:11:25,984
♪ NARCOTICS, WOO ♪
315
00:11:26,084 --> 00:11:27,786
♪ PASS ME THAT STICK...
MAKE ONE WRONG MOVE ♪
316
00:11:27,886 --> 00:11:29,508
♪ JUST POP HIM ♪
317
00:11:29,608 --> 00:11:30,709
♪ LANVIN ON BRO
WITH THE ... FLOODED OUT ♪
318
00:11:30,809 --> 00:11:31,910
♪ IN THE HOTEL LOBBY ♪
319
00:11:32,010 --> 00:11:33,512
♪ IT'S CROWDED ♪
320
00:11:33,612 --> 00:11:34,953
♪ DIAMONDS BE DANCING
LIKE BOBBY... ♪
321
00:11:35,053 --> 00:11:37,676
INSTRUCTOR: OK,
THAT WAS, UM, INTERESTING.
322
00:11:37,776 --> 00:11:40,319
NEXT GROUP, LET'S GET IT.
323
00:11:40,419 --> 00:11:42,080
MUSIC.
324
00:11:42,180 --> 00:11:44,082
♪ I GO IN THE JUNGLE
AND AIN'T GOT A COAT ♪
325
00:11:44,182 --> 00:11:45,524
♪ I BET I COME OUT
WITH A MINK ♪
326
00:11:45,624 --> 00:11:47,246
♪ DO THIS ... FOR THE FAM ♪
327
00:11:47,346 --> 00:11:48,887
♪ 'CAUSE THIS ...
BIGGER THAN ME ♪
328
00:11:48,987 --> 00:11:50,969
♪ COLOR STONES
IN MY INFINITY LINK ♪
329
00:11:51,069 --> 00:11:52,771
♪ AND IN THE FACTORY,
MASTERPIECE ♪
330
00:11:52,871 --> 00:11:54,653
♪ I CALL HIM TWIN 'CAUSE
THAT BE MY BROTHER... ♪
331
00:11:54,753 --> 00:11:56,535
INSTRUCTOR:
5, 6, 7, 8.
332
00:11:56,635 --> 00:11:59,298
♪ WATER ON ME
LIKE THE SAUNA ♪
333
00:11:59,398 --> 00:12:01,139
♪ SOME KARATS,
SOME POINTERS ♪
334
00:12:01,239 --> 00:12:02,941
♪ ALL THESE COMMAS
I WON'T FUMBLE ♪
335
00:12:03,041 --> 00:12:04,863
♪ MIGO GUNNERS OUT
THE JUNGLE ♪
336
00:12:04,963 --> 00:12:06,865
♪ BUY IT ALL, FRONTER ♪
337
00:12:06,965 --> 00:12:09,027
♪ CAKE ON,
ME NO FUNNEL... ♪
338
00:12:09,127 --> 00:12:13,272
INSTRUCTOR: NINA,
WHY ARE WE HOLDING
ONTO FIVE COUNTS AGO?
339
00:12:13,372 --> 00:12:15,274
YOU KNOW WE ALWAYS MOVE
FORWARD NO MATTER WHAT.
340
00:12:15,374 --> 00:12:16,315
♪ ...TAKE THREE VIBES
TO THE TROPICS ♪
341
00:12:16,415 --> 00:12:17,996
♪ TROPICS... ♪
342
00:12:18,096 --> 00:12:19,318
♪ I WAS OUTSIDE JUST
SERVIN' NARCOTICS ♪
343
00:12:19,418 --> 00:12:21,079
♪ NARCOTICS, WOO ♪
344
00:12:21,179 --> 00:12:22,641
♪ PASS ME THAT STICK,
MAKE ONE WRONG MOVE ♪
345
00:12:22,741 --> 00:12:25,043
♪ JUST POP HIM... ♪
346
00:12:25,143 --> 00:12:27,806
INSTRUCTOR:
OK, LET'S ADD ON.
OFF THAT EIGHT...
347
00:12:27,906 --> 00:12:29,247
OLIVIA: LET'S GO.
348
00:12:29,347 --> 00:12:30,769
WHAT? I THOUGHT WE
WERE HAVING FUN.
349
00:12:30,869 --> 00:12:32,871
LIV?
350
00:12:34,793 --> 00:12:37,856
MARCO: FEELS KINDA
WEIRD BEING BACK IN
HERE. NOT GONNA LIE.
351
00:12:37,956 --> 00:12:39,938
DIDN'T THINK I WAS
WELCOME AFTER
TURNING Y'ALL DOWN.
352
00:12:40,038 --> 00:12:42,220
OH, MAN,
YOU ALWAYS WELCOME.
353
00:12:42,320 --> 00:12:44,783
PLUS, I'M GLAD TO SEE
YOU'RE IN GOOD HANDS
HERE WITH MY GUY.
354
00:12:44,883 --> 00:12:47,105
MAN, I LOVE THAT
Y'ALL BROUGHT SAL ON.
355
00:12:47,205 --> 00:12:49,508
THIS DUDE WAS A LEGEND
IN HIGH SCHOOL.
356
00:12:49,608 --> 00:12:51,310
OH, HE STILL IS.
357
00:12:51,410 --> 00:12:53,111
YOU SHOULDA SEEN HIM
OUT THERE TODAY
ROAMING THE MIDDLE.
358
00:12:53,211 --> 00:12:54,673
OK, OK. LOOK, I'MMA
GO GRAB SOME STUFF.
359
00:12:54,773 --> 00:12:56,034
WE GONNA GET THAT
WORKOUT IN, A'IGHT?
360
00:12:56,134 --> 00:12:57,115
LET'S DO IT.
361
00:12:57,215 --> 00:12:58,317
ALL RIGHT, SAL.
362
00:12:58,417 --> 00:13:01,079
SO, HOW'S FLORIDA?
363
00:13:01,179 --> 00:13:03,722
I KNOW IT AIN'T ALWAYS
EASY JOINING A D1 SQUAD
364
00:13:03,822 --> 00:13:05,444
ALREADY IN MOTION.
365
00:13:05,544 --> 00:13:09,047
IT'S, UH, IT'S
BEEN CHILL. YOU KNOW.
366
00:13:09,147 --> 00:13:12,250
A LOT OF MOVING PARTS,
BUT, UM, NOTHING
I CAN'T HANDLE.
367
00:13:12,350 --> 00:13:13,732
YOU KNOW THERE AIN'T
NO HARD FEELINGS
368
00:13:13,832 --> 00:13:15,574
YOU NOT SIGNING
WITH US, RIGHT?
369
00:13:15,674 --> 00:13:17,856
I'D HAVE DONE THE SAME
THING IF I WAS YOU.
370
00:13:17,956 --> 00:13:22,501
HELL. A YEAR AGO I WAS
IN YOUR EXACT SHOES, SO...
371
00:13:22,601 --> 00:13:25,344
I'M HERE AS SOMEBODY
WHO GETS IT
372
00:13:25,444 --> 00:13:27,065
IF YOU NEED TO TALK.
373
00:13:27,165 --> 00:13:29,988
[MUSIC PLAYING]
374
00:13:30,088 --> 00:13:31,430
THANK YOU.
375
00:13:31,530 --> 00:13:33,592
BUT, UM,
I'M PRETTY SURE
376
00:13:33,692 --> 00:13:36,515
THOSE SHOES FIT
A TAD DIFFERENTLY.
377
00:13:36,615 --> 00:13:38,357
HOW SO?
378
00:13:38,457 --> 00:13:40,118
CLEARWATER STATE
FOUND OUT I'M GAY.
379
00:13:40,218 --> 00:13:42,280
AIN'T LIKE THAT
WAS A SECRET.
380
00:13:42,380 --> 00:13:44,483
I MEAN, YOU WAS TALKING
ABOUT YOUR BOYFRIEND WHEN
YOU WERE VISITING HERE.
381
00:13:44,583 --> 00:13:48,326
YEAH, BUT, UH, THEY
WANT TO DO THIS WHOLE
OUT ATHLETE CAMPAIGN
382
00:13:48,426 --> 00:13:50,168
WITH ME AT THE CENTRE.
383
00:13:50,268 --> 00:13:51,730
AH. GOT IT.
384
00:13:51,830 --> 00:13:53,452
LOOK, I'M PROUD
OF BEING QUEER,
385
00:13:53,552 --> 00:13:55,454
BUT I DIDN'T SIGN UP
TO BE THE FACE OF IT,
386
00:13:55,554 --> 00:13:57,896
ESPECIALLY AT
A UNIVERSITY THAT
FIRED A TEACHER
387
00:13:57,996 --> 00:13:59,658
FOR BEING OUT
JUST A FEW YEARS AGO.
388
00:13:59,758 --> 00:14:01,139
I JUST WANNA PLAY FOOTBALL.
389
00:14:01,239 --> 00:14:03,261
I FEEL YOU. DON'T
NOBODY LIKE BEING USED.
390
00:14:03,361 --> 00:14:05,704
THE PUBLICITY AND
GOSSIP ARE STARTING
TO CAUSE PROBLEMS,
391
00:14:05,804 --> 00:14:08,667
TAKING ATTENTION AWAY
FROM THE FIELD.
392
00:14:08,767 --> 00:14:11,229
SOME OF MY TEAMMATES
EVEN THINK I'M GETTING
SPECIAL TREATMENT.
393
00:14:11,329 --> 00:14:13,331
NOW, I JUST WANNA
TRAIN IN PEACE.
394
00:14:16,815 --> 00:14:19,237
THAT'S WHY I CAME BACK
FOR SPRING BREAK.
395
00:14:19,337 --> 00:14:21,640
LOOK, YOU WANNA
TRAIN IN PEACE?
396
00:14:21,740 --> 00:14:23,442
THINK I CAN HELP
YOU WITH THAT.
397
00:14:23,542 --> 00:14:25,123
COME RUN SOME DRILLS
WITH US LATER.
398
00:14:25,223 --> 00:14:26,765
I'M PRETTY SURE YOUR
COACHES ARE GONNA HAVE
399
00:14:26,865 --> 00:14:28,847
SOMETHING TO SAY
ABOUT THAT.
400
00:14:28,947 --> 00:14:31,009
NAH, WE RUNNING VOLUNTARY
STUDENT-LED PRACTICES
FOR THE NEXT TWO DAYS.
401
00:14:31,109 --> 00:14:33,171
AND BESIDES, WE COULD USE
SOME FIVE-STAR TALENT AROUND
402
00:14:33,271 --> 00:14:35,273
TO MAKE THESE DUDES
SWEAT A LITTLE.
403
00:14:38,957 --> 00:14:41,139
SO SORRY I'M LATE, BUT
I GOT US SOME SALADS
404
00:14:41,239 --> 00:14:43,061
SINCE WHO KNOWS
HOW LONG WE'LL BE
IN THIS INTERVIEW?
405
00:14:43,161 --> 00:14:44,503
AW. THANKS.
406
00:14:44,603 --> 00:14:46,505
YEAH.
407
00:14:46,605 --> 00:14:49,868
HOW'S COOP? WE BEEN LIKE
SHIPS PASSING IN THE NIGHT
408
00:14:49,968 --> 00:14:51,349
WITH ALL HER LATE NIGHT
LAW CLASS STUDYING.
409
00:14:51,449 --> 00:14:52,791
YOU SEE HER
MORE THAN I DO.
410
00:14:52,891 --> 00:14:55,754
OH. UH-OH.
411
00:14:55,854 --> 00:14:57,516
IT'S COMPLICATED.
AND THE LAST THING
412
00:14:57,616 --> 00:14:59,117
I WANNA DO IS INVOLVE
HER EX.
413
00:14:59,217 --> 00:15:00,639
TRUST ME, AS THE EX,
414
00:15:00,739 --> 00:15:02,200
THE LAST THING I WANT
TO DO IS GET INVOLVED.
415
00:15:02,300 --> 00:15:03,962
BUT WE'RE FRIENDS NOW,
RIGHT? YOU AND ME?
416
00:15:04,062 --> 00:15:05,604
MM-HMM.
417
00:15:05,704 --> 00:15:07,486
IT'S JUST COOP AND I
ARE SORT OF ON A BREAK.
418
00:15:07,586 --> 00:15:09,207
BUT THE THING IS
WE HAVEN'T HAD
THE TIME OR SPACE
419
00:15:09,307 --> 00:15:10,809
TO DEFINE THAT EITHER.
420
00:15:10,909 --> 00:15:12,491
BUT IT'S WHATEVER.
FORGET I SAID ANYTHING.
421
00:15:12,591 --> 00:15:14,693
LET'S GET INTO
THIS INTERVIEW STUFF.
422
00:15:14,793 --> 00:15:17,496
YEAH, YEAH.
LET'S GET IT.
423
00:15:17,596 --> 00:15:19,858
JORDAN, JUST PLEASE
LEAVE IT ALONE.
424
00:15:19,958 --> 00:15:22,260
NOPE. I LET YOU STEW
THE WHOLE CAR RIDE HOME.
425
00:15:22,360 --> 00:15:24,583
OK, NOW, WILL YOU JUST
TELL ME WHAT HAPPENED
BACK THERE?
426
00:15:24,683 --> 00:15:26,705
I HAVE TO FINISH
WRITING MY SPEECH.
427
00:15:26,805 --> 00:15:28,787
I JUST WANT TO HELP.
WILL YOU TALK TO ME?
428
00:15:28,887 --> 00:15:31,870
IT WAS WHAT THAT TEACHER
SAID, "MOVE FORWARD
NO MATTER WHAT."
429
00:15:31,970 --> 00:15:34,012
DAD USED TO SAY THE EXACT
SAME THING TO ME.
430
00:15:38,937 --> 00:15:41,239
I, UM...
431
00:15:41,339 --> 00:15:45,283
I FIGURED IT HAD TO DO
WITH SOME SORT OF
REMINDER OF DAD.
432
00:15:45,383 --> 00:15:48,006
HE WAS THE ONE
WHO USUALLY BROUGHT
YOU TO DANCE CLASS.
433
00:15:48,106 --> 00:15:50,008
BUT, LOOK, LIV,
434
00:15:50,108 --> 00:15:51,770
ALL I WANTED WAS
FOR YOU TO GET OUT
OF YOUR HEAD.
435
00:15:51,870 --> 00:15:53,091
ALL RIGHT?
AND YOU DID.
436
00:15:53,191 --> 00:15:55,053
YEAH, UNTIL I
WALKED OUT OF CLASS.
437
00:15:55,153 --> 00:15:56,615
NO, BUT YOU WERE
AMAZING BEFORE THAT.
438
00:15:56,715 --> 00:15:58,256
[SCOFFS]
I WAS OK.
439
00:15:58,356 --> 00:16:01,299
NO, LIV, YOU KILLED IT.
ALL RIGHT?
440
00:16:01,399 --> 00:16:02,901
IT WAS LIKE...
441
00:16:03,001 --> 00:16:05,463
IT WAS LIKE WHENEVER
YOU'D MAKE ME FILM YOU
442
00:16:05,563 --> 00:16:08,266
BEING A BEYONCE
BACKUP DANCER
BACK IN THE DAY.
443
00:16:08,366 --> 00:16:10,268
[BOTH CHUCKLE]
444
00:16:10,368 --> 00:16:12,751
SIDE NOTE, I ALWAYS
APPRECIATED YOU
LETTING ME JUMP IN
445
00:16:12,851 --> 00:16:14,352
DESPITE
HOW MUCH I SUCKED.
446
00:16:14,452 --> 00:16:16,034
FRIENDLY REMINDER,
YOU STILL SUCK.
447
00:16:16,134 --> 00:16:19,037
WHOA. COME ON! I HELD
MY OWN IN THERE.
448
00:16:19,137 --> 00:16:21,920
I WAS LIKE
SEAN PATRICK THOMAS IN
"SAVE THE LAST DANCE."
449
00:16:22,020 --> 00:16:24,162
OH, YEAH. I DON'T EVEN
THINK A JUILLIARD-BOUND,
450
00:16:24,262 --> 00:16:25,884
OFFBEAT WHITE WOMAN
COULD HELP YOU.
451
00:16:25,984 --> 00:16:27,766
OK, WE ARE DONE CRUSHING
452
00:16:27,866 --> 00:16:30,008
MY NON-EXISTENT
DANCE DREAMS,
ALL RIGHT? PSSH.
453
00:16:30,108 --> 00:16:32,290
[SIGHS]
454
00:16:32,390 --> 00:16:34,252
ONE LAST THING...
455
00:16:34,352 --> 00:16:37,736
WATCHING YOU DURING
THE FREESTYLE SEGMENT,
456
00:16:37,836 --> 00:16:40,979
IT REMINDED ME OF
WHAT YOUR TRUE
FIRST LANGUAGE WAS.
457
00:16:41,079 --> 00:16:42,781
LETTING GO AND SPEAKING
FROM THE HEART,
458
00:16:42,881 --> 00:16:44,823
SCRIPT-FREE.
459
00:16:44,923 --> 00:16:47,425
I MEAN, THAT'S WHAT
"LIV THE TRUTH" IS
AFTER ALL.
460
00:16:47,525 --> 00:16:50,228
JUDITH HILL: ♪ TILL THE HURT
IN ME IS GONE... ♪
461
00:16:50,328 --> 00:16:51,469
COME ON.
462
00:16:51,569 --> 00:16:55,513
♪ BETTER DAYS WILL COME ♪
463
00:16:55,613 --> 00:16:57,796
MAN, THAT'S WHACK
THAT THEY FORCING
HIS HAND LIKE THAT.
464
00:16:57,896 --> 00:16:59,758
HE WAS THERE
TO PLAY FOOTBALL.
465
00:16:59,858 --> 00:17:02,240
YEAH. THEY DON'T OWN
HIS STORY.
466
00:17:02,340 --> 00:17:04,843
DON'T NOBODY CONTROL
NONE OF OUR STORIES.
467
00:17:04,943 --> 00:17:07,045
THAT'S THE MAIN REASON
I AIN'T COMMIT TO
TEXAS NORTHERN TECH.
468
00:17:07,145 --> 00:17:08,887
THEY TRIED TO PAINT ME
AS SOME GANG BANGER--
469
00:17:08,987 --> 00:17:10,569
BAD BOY
ON AND OFF THE FIELD.
470
00:17:10,669 --> 00:17:12,571
[CHUCKLES]
THEY EVER MET YOU?
471
00:17:12,671 --> 00:17:15,253
NO SHADE, BUT YOU ABOUT
THE LEAST BAD BOY
BROTHER I KNOW, SPENCER.
472
00:17:15,353 --> 00:17:17,415
OH, MAN. CHILL.
I GOT MY MOMENTS.
473
00:17:17,515 --> 00:17:19,497
SAL: HEY, YO, I KNOW WE
THREE STRAIGHT DUDES
474
00:17:19,597 --> 00:17:21,019
WITH ZERO CLUE OF
WHAT IT'S LIKE
475
00:17:21,119 --> 00:17:23,021
TO PUT YOUR SEXUALITY
OUT IN PUBLIC,
476
00:17:23,121 --> 00:17:24,623
BUT I FEEL FOR THE KID.
477
00:17:24,723 --> 00:17:26,504
I MEAN, HIS NARRATIVE
IS HIS TO CONTROL.
478
00:17:26,604 --> 00:17:28,546
I JUST WISH HE COULD
FIND A WAY TO DO THAT
479
00:17:28,646 --> 00:17:30,649
AND FOCUS ON THE GAME.
480
00:17:32,490 --> 00:17:35,554
SO I'M THINKING
THIS SHADE OF VIOLET
481
00:17:35,654 --> 00:17:38,637
WITH CREAM-COLOURED BASELINES
WILL BE CUTE. RIGHT?
482
00:17:38,737 --> 00:17:39,918
GRACE?
483
00:17:40,018 --> 00:17:42,841
I FORGOT SPENCER
TOOK KARATE.
484
00:17:42,941 --> 00:17:44,763
[CHUCKLES]
FOR ABOUT A WEEK STRAIGHT,
485
00:17:44,863 --> 00:17:46,605
HE WAS ADAMANT ABOUT
QUITTING FOOTBALL
486
00:17:46,705 --> 00:17:48,086
BECAUSE OF
THE NINJA TURTLES.
487
00:17:48,186 --> 00:17:49,928
FOCUS.
WE'RE TRYING TO IMAGINE
488
00:17:50,028 --> 00:17:52,150
WHAT COLOUR
THIS WALL SHOULD BE.
489
00:17:54,512 --> 00:17:56,294
YOU OK, MRS. GRACE?
490
00:17:56,394 --> 00:17:59,738
I'M SORRY, YOU GUYS.
I CAN'T DO THIS
TO SPENCER.
491
00:17:59,838 --> 00:18:02,020
IT'S JUST NOT
SITTING RIGHT.
492
00:18:02,120 --> 00:18:04,142
HE HAD SO MANY CHANGES
IN HIS LIFE RECENTLY.
493
00:18:04,242 --> 00:18:06,144
AND I...
494
00:18:06,244 --> 00:18:09,027
I WANT TO RESPECT
THE MEMORIES THAT
HE'S HOLDING ONTO.
495
00:18:09,127 --> 00:18:10,789
BESIDES, I SHOULD
BE GETTING READY
496
00:18:10,889 --> 00:18:13,191
FOR OLIVIA'S
AWARD CEREMONY.
497
00:18:13,291 --> 00:18:14,873
YOU KNOW, I'M STILL
KIND OF SALTY THAT LAURA
498
00:18:14,973 --> 00:18:16,795
CHOSE YOU AS HER
PLUS ONE AND NOT ME.
499
00:18:16,895 --> 00:18:18,436
[CHUCKLES]
500
00:18:18,536 --> 00:18:19,878
WHAT TIME ARE YOU
AND SPENCER GETTING THERE?
501
00:18:19,978 --> 00:18:22,240
UM...NOT SURE.
502
00:18:22,340 --> 00:18:23,722
SPENCER'S DRIVING.
503
00:18:23,822 --> 00:18:25,824
OH.
504
00:18:27,906 --> 00:18:29,808
LAYLA:
SO ARE YOU ENJOYING
A DAY IN THE LIFE?
505
00:18:29,908 --> 00:18:32,130
JP: OH, PLEASE.
YOU'RE TAKING ME BACK
TO THE OLD DAYS.
506
00:18:32,230 --> 00:18:34,092
[CHUCKLES]
507
00:18:34,192 --> 00:18:36,194
OHH...
508
00:18:39,237 --> 00:18:41,740
HEY, DID THE BOLD "PAST DUE"
ON THESE ROYALTIES
509
00:18:41,840 --> 00:18:43,782
NOT GET YOUR ATTENTION?
510
00:18:43,882 --> 00:18:46,384
DAD, IT'S NO BIGGIE.
MY ACCOUNTANT SAID
THAT, YOU KNOW,
511
00:18:46,484 --> 00:18:48,867
AGEING A FEW DAYS PAST DUE
IS JUST A SMALL FEE.
512
00:18:48,967 --> 00:18:50,228
IT AIN'T ALWAYS ABOUT
THE FEE, SWEETHEART.
513
00:18:50,328 --> 00:18:52,510
SOMETIMES IT'S
ABOUT PEOPLE, YOU KNOW.
514
00:18:52,610 --> 00:18:54,312
SOME OF THESE ARTISTS
ARE COUNTING ON
THESE ROYALTY CHECKS.
515
00:18:54,412 --> 00:18:56,074
YOU'RE RIGHT.
516
00:18:56,174 --> 00:18:58,957
IT'S LIKE THE ONE PART OF
THE JOB I DON'T ENJOY.
517
00:18:59,057 --> 00:19:00,638
AND UNLIKE WHEN YOU
WERE A MOGUL,
518
00:19:00,738 --> 00:19:03,401
I DON'T HAVE A WHOLE
DEPARTMENT TO HANDLE THEM.
519
00:19:03,501 --> 00:19:05,363
EARLY ON, I HAD TO DO
IT ON MY OWN.
520
00:19:05,463 --> 00:19:07,405
SO UNTIL YOU GET
PEOPLE TO HANDLE IT,
YOU'RE GONNA HAVE TO LEARN
521
00:19:07,505 --> 00:19:08,927
TO LOVE TO DO IT YOURSELF.
522
00:19:09,027 --> 00:19:11,029
YEAH. EASIER SAID
THAN DONE.
523
00:19:12,951 --> 00:19:14,132
YOU KNOW WHAT?
524
00:19:14,232 --> 00:19:15,493
WHAT ARE YOU DOING?
525
00:19:15,593 --> 00:19:18,496
WELL, I'M GONNA
SHOW YOU WHAT I DID.
526
00:19:18,596 --> 00:19:20,699
OK, CHECK IT OUT.
YOUR MOM BUILT ME
527
00:19:20,799 --> 00:19:25,463
THIS PROGRAM
WHEN KEATING RECORDS
WAS JUST A TODDLER.
528
00:19:25,563 --> 00:19:27,786
LAYLA: WOW! MOM WAS
AN EXCEL NINJA.
529
00:19:27,886 --> 00:19:30,668
YOUR MOM WAS,
UH, EVERYTHING.
530
00:19:30,768 --> 00:19:33,391
YEAH. I MISS
HER TOO, DAD.
531
00:19:33,491 --> 00:19:36,875
JP: YEAH.
[CELL PHONE VIBRATES]
532
00:19:36,975 --> 00:19:38,516
SWEETHEART,
533
00:19:38,616 --> 00:19:40,839
ONE MORE PIECE OF ADVICE:
534
00:19:40,939 --> 00:19:42,320
YOUR BUSY SCHEDULE EARLIER
LOOKS LIKE
535
00:19:42,420 --> 00:19:44,322
IT'S ALL CENTRED
AROUND WORK.
536
00:19:44,422 --> 00:19:47,325
AND YOU KNOW BETTER
THAN ANYBODY THAT
I BUILT MY COMPANY
537
00:19:47,425 --> 00:19:49,427
AT A COST TO YOU
AND YOUR MOM.
538
00:19:51,069 --> 00:19:52,530
TIME IS FLEETING, LAYLA.
539
00:19:52,630 --> 00:19:54,252
GOTTA FIND A WAY
TO MAKE ROOM
540
00:19:54,352 --> 00:19:56,654
FOR THE THINGS THAT
MATTER MOST
OUTSIDE OF WORK.
541
00:19:56,754 --> 00:19:58,756
FIND THAT BALANCE.
542
00:20:03,161 --> 00:20:05,944
HEY! THOUGHT
I WAS COMING TO
A TEAM PRACTICE.
543
00:20:06,044 --> 00:20:07,345
THAT STARTS IN AN HOUR.
544
00:20:07,445 --> 00:20:09,027
I WANTED TO CHOP IT
UP WITH YOU FIRST.
545
00:20:09,127 --> 00:20:10,668
'BOUT WHAT?
546
00:20:10,768 --> 00:20:13,792
A WISE ATHLETE HELPED ME
WITH MY OWN IDENTITY CRISIS.
547
00:20:13,892 --> 00:20:16,674
HE MADE ME REALISE I NEEDED
TO DEFINE SPENCER JAMES
IN MY OWN TERMS.
548
00:20:16,774 --> 00:20:18,436
I KNOW WHO I AM.
549
00:20:18,536 --> 00:20:20,538
OH, I DON'T DOUBT IT.
BUT SAY IT OUT LOUD.
550
00:20:21,619 --> 00:20:23,621
RECORD IT.
551
00:20:25,143 --> 00:20:27,145
THIS FOR NOBODY
EXCEPT YOU...
552
00:20:28,226 --> 00:20:30,168
SO THAT WHEN YOU'RE
OUT ON THE FIELD
553
00:20:30,268 --> 00:20:32,771
GETTING PULLED IN DIRECTIONS
YOU DON'T WANT TO GO
554
00:20:32,871 --> 00:20:35,173
AND YOU NEED TO BE
REMINDED OF WHO YOU ARE
555
00:20:35,273 --> 00:20:36,975
AND WHY YOU'RE HERE,
556
00:20:37,075 --> 00:20:38,977
YOU CAN JUST PUT
YOUR HEADPHONES ON,
557
00:20:39,077 --> 00:20:42,500
LISTEN TO THIS, RECENTER,
AND GET BACK TO WORK.
558
00:20:42,600 --> 00:20:44,102
SOUNDS KINDA CORNY.
559
00:20:44,202 --> 00:20:45,543
FOOL, DID YOU
JUST CALL ME CORNY?
560
00:20:45,643 --> 00:20:47,425
I MEAN...
561
00:20:47,525 --> 00:20:50,108
LOOK, JUST SHUT UP
AND TRY IT, OK?
DELETE IT IF YOU HATE IT.
562
00:20:50,208 --> 00:20:52,350
[RECORD BUTTON BEEPS]
SO...
563
00:20:52,450 --> 00:20:54,512
MARCO GALVEZ,
564
00:20:54,612 --> 00:20:57,155
DO YOU KNOW WHAT
YOUR NARRATIVE IS?
565
00:20:57,255 --> 00:20:59,397
YES,
566
00:20:59,497 --> 00:21:01,920
AND IT AIN'T
JUST ONE THING.
567
00:21:02,020 --> 00:21:04,022
NOBODY IS.
568
00:21:06,744 --> 00:21:10,809
I'M THE SON
TO TWO WONDERFUL
IMMIGRANT PARENTS.
569
00:21:10,909 --> 00:21:14,412
I'M PROUDLY
OF SALVADORIAN
AND HAITIAN DESCENT.
570
00:21:14,512 --> 00:21:15,934
I'M AN OVERPROTECTIVE BROTHER,
571
00:21:16,034 --> 00:21:18,817
A LOVER OF ANIME
AND DANCE,
572
00:21:18,917 --> 00:21:21,059
AND I'M A FIVE-STAR
RUNNING BACK
573
00:21:21,159 --> 00:21:23,161
WHO HAPPENS TO BE GAY.
574
00:21:25,043 --> 00:21:28,086
THAT IS MARCO GALVEZ.
575
00:21:35,213 --> 00:21:37,876
CRAP. WHAT TIME IS IT?
576
00:21:37,976 --> 00:21:39,317
WHAT'S THIS?
577
00:21:39,417 --> 00:21:40,758
THIS IS HELP.
578
00:21:40,858 --> 00:21:42,440
THE PLAN IS FOR YOU
TO FOCUS ON YOUR WORDS,
579
00:21:42,540 --> 00:21:44,162
AND WE'RE GONNA HELP YOU
GET YOUR LOOK TOGETHER.
580
00:21:44,262 --> 00:21:46,484
OLIVIA: ARE YOU SERIOUS?
JORDAN: UH,
581
00:21:46,584 --> 00:21:48,566
WE GOT YOUR BACK, LIV.
TEAM BAKER IN THE BUILDING.
582
00:21:48,666 --> 00:21:50,128
LAURA: HERE.
583
00:21:50,228 --> 00:21:52,330
AND YOU MIGHT BE LEARNING
HOW TO CONTOUR TODAY.
584
00:21:52,430 --> 00:21:54,452
JORDAN: OOH.
OLIVIA: OH, NO, HE WON'T.
585
00:21:54,552 --> 00:21:56,254
I THINK WE'VE GOT IT
BETWEEN ME AND MOM.
586
00:21:56,354 --> 00:21:57,575
I THOUGHT YOU HAD PRACTICE.
587
00:21:57,675 --> 00:22:00,098
NAH, IT'S VOLUNTARY,
SO I CAN STAY.
588
00:22:00,198 --> 00:22:01,499
YOU'VE DONE
MORE THAN ENOUGH.
589
00:22:01,599 --> 00:22:03,721
THANK YOU FOR EVERYTHING.
590
00:22:05,723 --> 00:22:07,585
[ROLLS LIPS]
591
00:22:07,685 --> 00:22:10,468
MAN: GIRL, I GOTTA
GIVE YOU YOUR FLOWERS.
592
00:22:10,568 --> 00:22:12,070
EVERYONE AND THEY MOMMA
HAS BEEN
593
00:22:12,170 --> 00:22:13,751
ON THE PATIENCE 2.0
BANDWAGON RIGHT NOW.
594
00:22:13,851 --> 00:22:15,753
THANK YOU.
THANK YOU SO MUCH.
595
00:22:15,853 --> 00:22:18,997
DON'T THANK ME.
THE PRAISE IS OWED TO
YOUR SLAYING VIKING QUEENS.
596
00:22:19,097 --> 00:22:22,760
THE MAKEUP TUTORIALS YOUR
TEAM RELEASED TO REPLICATE
YOUR MUSIC VIDEO LOOKS
597
00:22:22,860 --> 00:22:24,322
HAVE GOT THE PEOPLE
THIRSTING FOR MORE.
598
00:22:24,422 --> 00:22:26,204
I MEAN, LOOK AT
ALL THESE FOLKS
599
00:22:26,304 --> 00:22:28,486
FEELING SO MUCH MORE
CONFIDENT THANKS TO YOU.
600
00:22:28,586 --> 00:22:30,168
OH, WOW.
601
00:22:30,268 --> 00:22:33,611
SO, EVERYONE
IS DYING TO KNOW...
602
00:22:33,711 --> 00:22:35,253
ARE YOU PLANNING
ON CREATING MORE FILTERS
603
00:22:35,353 --> 00:22:37,215
LEADING UP TO
THE BIG "FIRE & ICE" TOUR?
604
00:22:37,315 --> 00:22:39,337
UM...
605
00:22:39,437 --> 00:22:41,259
YES, OF COURSE.
606
00:22:41,359 --> 00:22:42,981
YOU KNOW, WE ARE--
WE'RE GOING BIGGER
AND SPLASHIER
607
00:22:43,081 --> 00:22:44,662
BECAUSE,
UM, YOU KNOW,
608
00:22:44,762 --> 00:22:46,224
THAT'S WHAT
PATIENCE 2.0
IS ALL ABOUT.
609
00:22:46,324 --> 00:22:47,865
CAN I QUOTE THAT?
610
00:22:47,965 --> 00:22:49,187
UM, CAN WE JUST,
LIKE, MAYBE--
611
00:22:49,287 --> 00:22:50,468
JUST TALK ABOUT
THE TOUR?
612
00:22:50,568 --> 00:22:52,030
THAT'S
WHAT WE'RE DOING.
613
00:22:52,130 --> 00:22:53,831
I MEAN, WHILE I CANNOT
SPEAK FOR THE VORTEX,
614
00:22:53,931 --> 00:22:55,513
I WILL GO ON RECORD
AS SAYING
615
00:22:55,613 --> 00:22:57,875
I AM SO GLAD "GIRL NEXT DOOR"
PATIENCE IS OUT
616
00:22:57,975 --> 00:22:59,717
AND PATIENCE 2.0 IS IN.
617
00:22:59,817 --> 00:23:02,680
THE WORLD HAS BEEN
WAITING FOR YOUR
EDGE, BABY GIRL.
618
00:23:02,780 --> 00:23:05,843
[CHUCKLING]
COOL.
619
00:23:05,943 --> 00:23:07,405
TRIBE MAFIA:
♪ YOU KNOW THE DRILL ♪
620
00:23:07,505 --> 00:23:09,207
♪ WE-WE-WE BE RUNNING ♪
621
00:23:09,307 --> 00:23:10,969
♪ ALL DAY, WE BE
RUNNING, ALL DAY... ♪
622
00:23:11,069 --> 00:23:13,171
MOTION, MOTION,
MOTION!
623
00:23:13,271 --> 00:23:15,093
♪ CARRYING THE GAME,
LIKE WE FULLY SPRINTING... ♪
624
00:23:15,193 --> 00:23:16,414
[LAUGHTER]
625
00:23:16,514 --> 00:23:18,536
COME ON.
626
00:23:18,636 --> 00:23:21,219
♪ MAN, DOG, YOU CAN'T
TELL 'EM NOTHING ♪
627
00:23:21,319 --> 00:23:23,461
[CHEERS]
SAL: YOU HEAR THAT, BABY?
628
00:23:23,561 --> 00:23:24,862
TRIBE MAFIA:
♪ ...WHO THE OPPOSITION? ♪
629
00:23:24,962 --> 00:23:26,824
♪ I CAN PLAY EVERY POSITION ♪
630
00:23:26,924 --> 00:23:28,546
♪ I GOT WHAT YOU BEEN MISSING ♪
PLAYER: COME ON, COME ON!
631
00:23:28,646 --> 00:23:31,309
GOOD JOB, GOOD JOB.
GOOD JOB. THAT-A BOY.
632
00:23:31,409 --> 00:23:33,191
YO, I'M NOT GONNA LIE.
633
00:23:33,291 --> 00:23:34,512
THIS SQUAD GOT
SOME HEAT ON IT.
634
00:23:34,612 --> 00:23:35,913
HEY, WE MIGHT
BE SCRAPPY,
635
00:23:36,013 --> 00:23:37,515
BUT NEVER
UNDERESTIMATE HUNGER
636
00:23:37,615 --> 00:23:39,157
AND THE UNDERDOG WITH
SOMETHING TO PROVE.
637
00:23:39,257 --> 00:23:40,999
YEAH, Y'ALL ARE GONNA
SNEAK UP ON PEOPLE FOR SURE.
638
00:23:41,099 --> 00:23:43,081
I APPRECIATE THAT, MAN,
BUT WE STILL GOT WORK TO DO.
639
00:23:43,181 --> 00:23:44,482
YEAH, WELL, THE HUNGER
HITS DIFFERENT.
640
00:23:44,582 --> 00:23:46,364
YOU KNOW,
I KNOW SAL'S STORY,
641
00:23:46,464 --> 00:23:48,086
BUT AFTER TALKING TO KAI
AND SOME OF THE OTHER GUYS,
642
00:23:48,186 --> 00:23:50,488
Y'ALL ARE LIKE SEASON FOUR OF
"FRIDAY NIGHT LIGHTS."
643
00:23:50,588 --> 00:23:53,251
SPENCER: I NEVER SEEN IT.
MARCO: YOU'RE KIDDING, RIGHT?
644
00:23:53,351 --> 00:23:54,532
UNFORTUNATELY,
HE IS NOT KIDDING.
645
00:23:54,632 --> 00:23:55,933
SPENCER:
DON'T START.
646
00:23:56,033 --> 00:23:57,255
OK? AND I'VE BEEN TRYING
TO TELL HIM
647
00:23:57,355 --> 00:23:59,057
THAT HE IS MISSING OUT
ON THE...
648
00:23:59,157 --> 00:24:00,818
MARCO AND JORDAN: GREATEST
FOOTBALL SHOW OF ALL TIME.
649
00:24:00,918 --> 00:24:02,900
WOW. REGARDLESS,
GAU ADMINISTRATION
650
00:24:03,000 --> 00:24:04,462
GOTTA BE EXCITED FOR
Y'ALL NEXT SEASON.
651
00:24:04,562 --> 00:24:06,824
I DON'T KNOW.
I DON'T THINK
652
00:24:06,924 --> 00:24:08,826
OUR NEW RECRUITS
ARE FLASHY ENOUGH
FOR THE PRESIDENT.
653
00:24:08,926 --> 00:24:10,428
YEAH, WELL, FLASHY
DON'T GUARANTEE WINS.
654
00:24:10,528 --> 00:24:12,070
YEAH, WELL,
TRY SELLING THAT
655
00:24:12,170 --> 00:24:13,911
TO SOMEONE WHO ONLY CARES
ABOUT PRESS AND BOOSTERS.
656
00:24:14,011 --> 00:24:15,473
A'IGHT. ENOUGH CHIT CHAT.
Y'ALL READY FOR ROUND TWO?
657
00:24:15,573 --> 00:24:16,754
JORDAN: YES, SIR.
658
00:24:16,854 --> 00:24:17,755
HE LOOK KINDA
TIRED TO ME.
659
00:24:17,855 --> 00:24:18,836
ARE YOU SLEEPY?
660
00:24:18,936 --> 00:24:20,718
I'M GOOD. COME ON, NOW.
661
00:24:20,818 --> 00:24:23,401
I'M ONLY SEEING
THREE OR FOUR
STARS RIGHT NOW...
662
00:24:23,501 --> 00:24:24,762
HA HA! LET'S RUN IT.
663
00:24:24,862 --> 00:24:26,044
JORDAN: LET'S GET IT.
LET'S GET IT.
664
00:24:26,144 --> 00:24:28,246
XC SHIFT, 95 DIG.
HERE WE GO...
665
00:24:28,346 --> 00:24:31,009
JUST GOT WORD DEVONTE IS
GONNA PUBLISH YOUR INTERVIEW
666
00:24:31,109 --> 00:24:33,091
IN A SPECIAL ARTIST
EDITION NEXT WEEK.
667
00:24:33,191 --> 00:24:34,692
GREAT JOB, GIRL.
668
00:24:34,792 --> 00:24:36,054
WELL, THAT'LL BE DOPE.
669
00:24:36,154 --> 00:24:38,256
OK, I IGNORED IT
DURING THE INTERVIEW,
670
00:24:38,356 --> 00:24:39,737
BUT NOW IT'S JUST
YOU AND ME.
671
00:24:39,837 --> 00:24:41,839
WHAT'S GOING ON?
672
00:24:43,040 --> 00:24:45,183
YOU KNOW, UM,
673
00:24:45,283 --> 00:24:47,465
I MISS MY INDIE SOUND.
674
00:24:47,565 --> 00:24:51,509
YEAH, IT WAS ME GROUNDED
IN SOMETHING REAL.
675
00:24:51,609 --> 00:24:54,312
AND THIS "FIRE & ICE"
2.0 PATIENCE,
676
00:24:54,412 --> 00:24:56,314
IT JUST ISN'T IT.
677
00:24:56,414 --> 00:24:58,956
IT JUST DOESN'T FEEL
RIGHT PROJECTING
THIS MESSAGE THAT
678
00:24:59,056 --> 00:25:01,559
PEOPLE NEED
TO CHANGE THEMSELVES
TO FEEL BETTER.
679
00:25:01,659 --> 00:25:03,921
AND I JUST WANT
EVERYONE TO KNOW
680
00:25:04,021 --> 00:25:06,564
THEIR TRUE IDENTITIES
ARE EQUALLY AS FIERCE.
681
00:25:06,664 --> 00:25:08,926
AND I CAN'T--I CAN'T
DO THAT IF I'M NOT
EVEN BEING ME.
682
00:25:09,026 --> 00:25:10,808
OK.
683
00:25:10,908 --> 00:25:13,171
HYPOTHETICALLY SPEAKING,
684
00:25:13,271 --> 00:25:15,653
IF BOHO PATIENCE WERE
685
00:25:15,753 --> 00:25:18,176
TO REMASTER "FIRE & ICE"...
686
00:25:18,276 --> 00:25:19,417
MM-HMM.
687
00:25:19,517 --> 00:25:20,938
HOW WOULD THAT SOUND?
688
00:25:21,038 --> 00:25:24,342
UM...OK.
689
00:25:24,442 --> 00:25:26,444
[PLAYING GUITAR]
690
00:25:30,248 --> 00:25:32,230
♪ I CAN DO ANYTHING ♪
691
00:25:32,330 --> 00:25:34,192
♪ EVERYTHING, ALL THAT ♪
692
00:25:34,292 --> 00:25:35,833
♪ SAY I AIN'T THE BADDEST,
BUT WE BOTH KNOW ♪
693
00:25:35,933 --> 00:25:37,555
♪ THAT'S ALL CAP,
SEE, WE HEATING UP ♪
694
00:25:37,655 --> 00:25:40,037
♪ OUR POSITION,
BETTER FALL BACK ♪
695
00:25:40,137 --> 00:25:41,599
♪ SO YOU DON'T WANT
NO SMOKE ♪
696
00:25:41,699 --> 00:25:43,321
♪ GETTING FADED
OFF THE CONTACT ♪
697
00:25:43,421 --> 00:25:45,423
♪ YEAH ♪
698
00:25:47,665 --> 00:25:49,667
I HAVE AN IDEA.
699
00:25:52,550 --> 00:25:54,412
DAMN, THAT
SMELLS GOOD.
700
00:25:54,512 --> 00:25:57,095
I THOUGHT WE
WERE EATING IN.
701
00:25:57,195 --> 00:25:58,616
NOT ANYMORE.
702
00:25:58,716 --> 00:26:00,138
OK. PICNIC
ON THE BEACH?
703
00:26:00,238 --> 00:26:01,939
WRONG AGAIN.
704
00:26:02,039 --> 00:26:04,021
OK, THEN
HELP A BROTHA OUT.
705
00:26:04,121 --> 00:26:06,104
WE'RE GOING TO
OLIVIA'S AWARD CEREMONY,
706
00:26:06,204 --> 00:26:07,945
THE ONE I HAD TO FIND OUT
ABOUT FROM YOUR MOM.
707
00:26:08,045 --> 00:26:09,467
LOOK, THERE WAS
NOTHING TO FIND OUT.
708
00:26:09,567 --> 00:26:10,988
I WASN'T HIDING NOTHING.
709
00:26:11,088 --> 00:26:12,590
I JUST WASN'T PLANNING
ON GOING
710
00:26:12,690 --> 00:26:14,152
BECAUSE I THOUGHT
IT WAS A FAMILY THING,
711
00:26:14,252 --> 00:26:16,994
AND I KNEW
WE HAD OUR DATE NIGHT.
712
00:26:17,094 --> 00:26:19,036
BESIDES, WON'T THINGS
BE AWKWARD WITH YOU
AND OLIVIA TOGETHER?
713
00:26:19,136 --> 00:26:20,998
MM-MM. CONSIDERING
SHE'S THE ONE
714
00:26:21,098 --> 00:26:22,800
WHO HELPED US GET BACK
TOGETHER, NO, IT WON'T.
715
00:26:22,900 --> 00:26:24,562
RUN THAT BY ME AGAIN?
716
00:26:24,662 --> 00:26:26,884
WHEN YOU WERE REELING
OVER LOSING COACH BAKER,
717
00:26:26,984 --> 00:26:29,687
SHE'S THE ONE WHO
TOLD ME I SHOULD'VE
KEPT SUPPORTING YOU,
718
00:26:29,787 --> 00:26:31,969
NO MATTER HOW HARD
YOU PUSHED ME AWAY.
719
00:26:32,069 --> 00:26:33,971
SHE'S THE REASON
I CAME BACK THAT NIGHT.
720
00:26:34,071 --> 00:26:35,533
SO, WE OWE HER.
721
00:26:35,633 --> 00:26:37,655
AND TONIGHT SOUNDS LIKE
A BIG DEAL.
722
00:26:37,755 --> 00:26:39,657
ISN'T THE POINT OF
THE VORTEX TO SUPPORT
723
00:26:39,757 --> 00:26:41,759
EACH OTHER'S
WINS AND LOSSES?
724
00:26:48,286 --> 00:26:50,668
♪ DON'T BE AFRAID... ♪
725
00:26:50,768 --> 00:26:52,430
REMEMBER HOW NERVOUS
I WAS AT THE HOUSE?
726
00:26:52,530 --> 00:26:55,793
IT'S LIKE
TEN TIMES WORSE NOW.
727
00:26:55,893 --> 00:26:56,994
WHAT IF I WIN?
728
00:26:57,094 --> 00:26:58,676
OH, HOPEFULLY, I DON'T WIN.
729
00:26:58,776 --> 00:27:00,438
YOU WANT US
TO ROOT FOR
YOU TO LOSE?
730
00:27:00,538 --> 00:27:02,920
NO. I DON'T KNOW.
731
00:27:03,020 --> 00:27:05,283
LAURA: SWEETHEART, REMEMBER
THAT WRITING THE ARTICLE
732
00:27:05,383 --> 00:27:06,844
WAS THE HARDEST PART.
733
00:27:06,944 --> 00:27:09,327
NOW JUST ENJOY
BEING CELEBRATED.
734
00:27:09,427 --> 00:27:11,128
OK.
[SIGHS]
735
00:27:11,228 --> 00:27:16,614
OH! YO, YO.
LOOK WHO IT IS.
736
00:27:16,714 --> 00:27:18,416
SERIOUSLY?
737
00:27:18,516 --> 00:27:20,097
GREAT. LIKE, THERE WASN'T
ALREADY ENOUGH PRESSURE
738
00:27:20,197 --> 00:27:21,779
WITHOUT JOHN SALLEY
BEING HERE.
739
00:27:21,879 --> 00:27:23,301
WHO'S NEXT, MICHAEL JORDAN?
740
00:27:23,401 --> 00:27:26,184
UH, BETTER, HOPEFULLY.
741
00:27:26,284 --> 00:27:28,626
HEY, WHAT'S UP?
HERE YOU GO, BABY.
742
00:27:28,726 --> 00:27:30,788
WE DIDN'T MISS
ANYTHING, DID WE?
743
00:27:30,888 --> 00:27:33,231
NO. YOU'RE RIGHT
ON TIME, ACTUALLY.
744
00:27:33,331 --> 00:27:35,713
UM, I THOUGHT YOU WEREN'T
GONNA BE ABLE TO COME.
745
00:27:35,813 --> 00:27:37,355
WE COULDN'T MISS
CHEERING YOU ON.
746
00:27:37,455 --> 00:27:39,036
WELL, IF I WIN.
747
00:27:39,136 --> 00:27:41,078
WHEN YOU WIN.
748
00:27:41,178 --> 00:27:43,040
SO, UH, THEY GOT DINNER?
749
00:27:43,140 --> 00:27:45,203
I THINK I ACTUALLY SAW
SOME TINY, LITTLE
RICE BALLS OVER THERE.
750
00:27:45,303 --> 00:27:47,805
BUT I AM GONNA WAIT
UNTIL JOHN SALLEY GOES
751
00:27:47,905 --> 00:27:50,007
TO THE BUFFET,
THEN I'M GONNA POUNCE.
752
00:27:50,107 --> 00:27:51,769
SPENCER: JOHN SALLEY'S HERE?
JORDAN: RIGHT THERE.
753
00:27:51,869 --> 00:27:53,371
SPENCER: DAMN.
NO PRESSURE, LIV.
754
00:27:53,471 --> 00:27:54,772
OLIVIA: COME ON!
SPENCER, CHUCKLING: OK.
755
00:27:54,872 --> 00:27:56,774
SORRY.
JORDAN: IT'S FINE.
756
00:27:56,874 --> 00:27:58,416
HEY. WHAT WAS SO IMPORTANT
757
00:27:58,516 --> 00:28:00,177
I NEEDED TO MAKE
A PIT STOP?
758
00:28:00,277 --> 00:28:01,859
OH, GIRL, I'M SORRY.
I DIDN'T KNOW
YOU WERE GOING OUT.
759
00:28:01,959 --> 00:28:03,901
I MEAN, I WILL ALWAYS TAKE
AN EMERGENCY TEXT FROM YOU
760
00:28:04,001 --> 00:28:05,503
OVER ANYTHING.
761
00:28:05,603 --> 00:28:07,225
WAS IT ABOUT
THE INTERVIEW OR...?
762
00:28:07,325 --> 00:28:10,228
OK. I HAVE BEEN STRUGGLING
WITH "FIRE & ICE"
763
00:28:10,328 --> 00:28:12,910
AND THE PERSONA
THAT WE BUILT.
764
00:28:13,010 --> 00:28:15,353
UH, I KNOW, I CAN TELL.
765
00:28:15,453 --> 00:28:17,275
AND, UM, AFTER THE TOUR,
766
00:28:17,375 --> 00:28:18,956
WE CAN REDEFINE
WHO YOU ARE.
767
00:28:19,056 --> 00:28:20,638
YEAH, BUT THAT'S
THE THING. I DON'T--
768
00:28:20,738 --> 00:28:22,320
I DON'T WANT
TO REDEFINE WHO I AM.
769
00:28:22,420 --> 00:28:24,682
YOU KNOW, LIKE,
I KNOW WHO I AM.
770
00:28:24,782 --> 00:28:27,445
AND I THINK
I FOUND A SOLUTION
TO MOVE FORWARD
771
00:28:27,545 --> 00:28:29,527
WITH JUST
A SLIGHT TWEAK.
772
00:28:29,627 --> 00:28:30,928
OK.
[CHUCKLES]
773
00:28:31,028 --> 00:28:32,209
PATIENCE: TAKE A SEAT.
LAYLA: OK.
774
00:28:32,309 --> 00:28:33,611
UM...
775
00:28:33,711 --> 00:28:35,413
OK, IMAGINE THIS.
LAYLA: MM-HMM.
776
00:28:35,513 --> 00:28:37,375
SAME ALBUM,
SAME SONGS
777
00:28:37,475 --> 00:28:39,417
JUST WITH
AN ACOUSTIC FLAIR.
778
00:28:39,517 --> 00:28:42,440
AND ME ON STAGE
WITH MY GUITAR.
779
00:28:43,921 --> 00:28:45,583
SO...
780
00:28:45,683 --> 00:28:47,465
PATIENCE ON RECORDING:
♪ I CAN DO ANYTHING ♪
781
00:28:47,565 --> 00:28:49,307
♪ EVERYTHING, ALL THAT ♪
782
00:28:49,407 --> 00:28:51,148
♪ SAY I AIN'T THE BADDEST,
BUT WE BOTH KNOW ♪
783
00:28:51,248 --> 00:28:53,351
♪ THAT'S ALL CAP,
SEE, WE HEATING UP ♪
784
00:28:53,451 --> 00:28:55,192
♪ OUR POSITION,
BETTER FALL BACK ♪
785
00:28:55,292 --> 00:28:56,554
♪ YOU DON'T WANT NO SMOKE ♪
786
00:28:56,654 --> 00:28:58,836
♪ GETTING FADED
OFF THE CONTACT ♪
787
00:28:58,936 --> 00:29:01,038
♪ YEAH, I BRING
THE FIRE EVERY DAY ♪
788
00:29:01,138 --> 00:29:02,560
♪ ICE COLD AT NIGHT ♪
789
00:29:02,660 --> 00:29:04,362
♪ GOT ME SWITCHING UP A LANE ♪
790
00:29:04,462 --> 00:29:07,565
♪ I CAN TOE THAT LINE ♪
[CLICK]
791
00:29:07,665 --> 00:29:10,488
IT'S REALLY GOOD.
IT'S BETTER THAN GOOD.
792
00:29:10,588 --> 00:29:13,651
YEAH? OK,
AND I KNOW--I KNOW
REIMAGINING THE TOUR
793
00:29:13,751 --> 00:29:16,213
WILL UNRAVEL
EVERYTHING, BUT I...
794
00:29:16,313 --> 00:29:17,895
I AM DOWN TO WORK OVERTIME.
795
00:29:17,995 --> 00:29:20,898
IT'S TRIPLE OVERTIME FOR ME.
BUT WHATEVER IT TAKES.
796
00:29:20,998 --> 00:29:23,140
AND, YEAH, AND IF IT'S
TOO MUCH, I GET IT.
797
00:29:23,240 --> 00:29:25,583
STOP. LOOK, I DON'T CARE HOW
MUCH WORK IT'S GONNA TAKE.
798
00:29:25,683 --> 00:29:27,665
THIS IS THE REAL PATIENCE.
799
00:29:27,765 --> 00:29:30,588
AND HONESTLY, BETWEEN
THE QUINCEAÑERA AND TODAY,
800
00:29:30,688 --> 00:29:32,149
THIS IS, LIKE, THE HAPPIEST
I'VE HEARD YOU SOUND.
801
00:29:32,249 --> 00:29:33,871
YOUR FANS ARE
GOING TO LOVE IT.
802
00:29:33,971 --> 00:29:35,673
PATIENCE: SERIOUSLY?
LAYLA: YEAH.
803
00:29:35,773 --> 00:29:38,916
COOL. UM, OK,
SO WE'RE REALLY
DOING THIS?
804
00:29:39,016 --> 00:29:40,358
YEAH. I MEAN,
GIA IS GONNA FLIP,
805
00:29:40,458 --> 00:29:41,799
BUT WE'LL GET HER
ONBOARD TOMORROW.
806
00:29:41,899 --> 00:29:44,602
[CHUCKLES]
OK. THANK YOU.
THANK YOU.
807
00:29:44,702 --> 00:29:46,804
OH, MY GOD.
808
00:29:46,904 --> 00:29:48,245
LOOK, I JUST,
I WANT YOU TO BE YOU.
809
00:29:48,345 --> 00:29:49,967
SO WE'RE GONNA
FIGURE IT OUT.
810
00:29:50,067 --> 00:29:52,009
AND I GET
TO CANCEL TOMORROW'S
PYROTECHNICS MEETING,
811
00:29:52,109 --> 00:29:54,091
SO MORE FREE TIME FOR ME.
812
00:29:54,191 --> 00:29:55,693
GOTTA RUN. I'M REALLY
PROUD OF YOU.
813
00:29:55,793 --> 00:29:57,615
PATIENCE: THANK YOU. LOVE YOU.
SKYE: BYE.
814
00:29:57,715 --> 00:29:58,896
PATIENCE: YES!
SKYE: GIRL!
815
00:29:58,996 --> 00:30:00,137
YES.
816
00:30:00,237 --> 00:30:02,239
[OVERLAPPING CHATTER]
817
00:30:07,204 --> 00:30:09,026
DON'T ACT LIKE YOU DON'T
WANT THOSE SAMOSAS.
818
00:30:09,126 --> 00:30:11,028
GO FOR IT.
819
00:30:11,128 --> 00:30:13,130
IT'S TEMPTING.
820
00:30:14,331 --> 00:30:18,195
UM...I KNOW USING
JAYDEN DAVIS
821
00:30:18,295 --> 00:30:20,758
WAS SUPPOSED TO
PROTECT ALL OF US
822
00:30:20,858 --> 00:30:22,680
AND SHOWING UP HERE,
CLAIMING THE NAME,
823
00:30:22,780 --> 00:30:24,241
BREAKS THAT.
824
00:30:24,341 --> 00:30:26,764
I THOUGHT ACTUALLY
MAYBE THAT'S
825
00:30:26,864 --> 00:30:28,325
WHY YOU WEREN'T GONNA
COME TONIGHT.
826
00:30:28,425 --> 00:30:30,287
I'M SORRY
I EVEN HESITATED TO COME.
827
00:30:30,387 --> 00:30:32,450
IT WAS JUST
A MISUNDERSTANDING.
828
00:30:32,550 --> 00:30:34,452
LISTEN, YOU
SHOWING UP TONIGHT,
829
00:30:34,552 --> 00:30:36,454
OWNING WHO YOU ARE,
THAT TAKES GUTS.
830
00:30:36,554 --> 00:30:38,976
AND J. AND I MEANT IT WHEN
WE SAID WE SUPPORT YOU.
831
00:30:39,076 --> 00:30:42,540
AND IN TERMS OF PROTECTION,
YOU KNOW YOU GOT THE VORTEX.
832
00:30:42,640 --> 00:30:45,743
AIN'T NOBODY MESSING WITH US.
[OLIVIA CHUCKLES]
833
00:30:45,843 --> 00:30:48,506
THANKS, SPENCER.
834
00:30:48,606 --> 00:30:50,588
GRACE: HOW ARE YOUR NERVES
HOLDING UP, SWEETIE?
835
00:30:50,688 --> 00:30:52,750
OLIVIA: BETTER-ISH.
836
00:30:52,850 --> 00:30:54,592
EXCUSE ME.
SPENCER: MM-HMM.
837
00:30:54,692 --> 00:30:56,834
GRACE: BABY, UH,
838
00:30:56,934 --> 00:30:58,876
CAN I TALK TO YOU?
839
00:30:58,976 --> 00:31:00,438
ACTUALLY, I THINK
THEY'RE ABOUT TO START.
840
00:31:00,538 --> 00:31:01,999
MAYBE AFTER THE CEREMONY?
841
00:31:02,099 --> 00:31:04,762
OK.
842
00:31:04,862 --> 00:31:07,645
LEAPS OF FAITH ARE SCARY,
843
00:31:07,745 --> 00:31:10,007
AND BRAVERY LOOKS
DIFFERENT TO EVERYONE.
844
00:31:10,107 --> 00:31:12,770
TO ME, BRAVERY LOOKED LIKE
THE FIRST TIME
845
00:31:12,870 --> 00:31:15,853
THAT I SAID OUT LOUD
I WANTED TO ACHIEVE
846
00:31:15,953 --> 00:31:18,055
WHAT I THOUGHT WAS IMPOSSIBLE,
847
00:31:18,155 --> 00:31:19,657
A CAREER IN THE NBA.
848
00:31:19,757 --> 00:31:22,099
I GUESS MY ANCESTORS WERE
WORKING OVERTIME...
849
00:31:22,199 --> 00:31:23,661
[AUDIENCE CHUCKLES]
850
00:31:23,761 --> 00:31:26,143
BECAUSE FOUR
CHAMPIONSHIP RINGS LATER,
851
00:31:26,243 --> 00:31:29,867
I THINK I ACHIEVED
MY DREAM, THEN SOME.
852
00:31:29,967 --> 00:31:32,309
AND I CONTINUE TO HONOUR THOSE
WHO CAME BEFORE ME
853
00:31:32,409 --> 00:31:35,112
EVERY DAY OF MY LIFE
BY LIVING UP
854
00:31:35,212 --> 00:31:37,034
TO THE BEST THAT THEY
SAW IN ME.
855
00:31:37,134 --> 00:31:38,836
AND EACH NOMINEE HERE TONIGHT
856
00:31:38,936 --> 00:31:41,198
HAVE THEIR OWN STORY
OF BRAVERY,
857
00:31:41,298 --> 00:31:44,121
LEAPS OF FAITH ON
HOW THEY CHANGED LIVES,
858
00:31:44,221 --> 00:31:46,884
STORIES THAT WILL THANKFULLY
LIVE ON
859
00:31:46,984 --> 00:31:48,886
IN THE ARTICLES
THAT THEY HAVE WRITTEN.
860
00:31:48,986 --> 00:31:52,690
SO I AM HONORED TO PRESENT
861
00:31:52,790 --> 00:31:56,574
THE AWARD FOR EXCELLENCE
IN SPORTS JOURNALISM.
862
00:31:56,674 --> 00:31:58,676
AND IT GOES TO...
863
00:32:00,638 --> 00:32:01,939
JAYDEN DAVIS.
864
00:32:02,039 --> 00:32:03,901
[APPLAUSE]
865
00:32:04,001 --> 00:32:05,903
YOU WON! YOU DID IT!
866
00:32:06,003 --> 00:32:07,465
LIV, YOU WON.
867
00:32:07,565 --> 00:32:09,186
EXCEPT I CAN'T MOVE.
868
00:32:09,286 --> 00:32:11,148
LAYLA: I THINK I CAN HELP.
869
00:32:11,248 --> 00:32:13,250
YEAH.
870
00:32:16,734 --> 00:32:18,776
[WHISPERS]
Thank you.
871
00:32:27,945 --> 00:32:29,567
[APPLAUSE STOPS]
872
00:32:29,667 --> 00:32:30,608
[EXHALES]
873
00:32:30,708 --> 00:32:32,710
UM...
874
00:32:40,638 --> 00:32:43,420
UM...HI.
[CHUCKLES]
875
00:32:43,520 --> 00:32:46,604
THANK YOU SO MUCH FOR THIS.
876
00:32:47,925 --> 00:32:49,987
IN THE SPIRIT
OF MR. SALLEY
877
00:32:50,087 --> 00:32:52,550
AND THOSE HE
CONTINUES TO HONOR,
878
00:32:52,650 --> 00:32:54,792
I'D LIKE TO TAKE THIS MOMENT
TO HONOR A MAN,
879
00:32:54,892 --> 00:32:58,556
WITHOUT WHOM I'D NEVER
HAVE WRITTEN THIS ARTICLE.
880
00:32:58,656 --> 00:33:00,798
MY DAD PASSED AWAY
A FEW MONTHS AGO.
881
00:33:00,898 --> 00:33:03,561
I WAS SUPPOSED TO HONOUR HIM
WITH THE EULOGY AT HIS FUNERAL,
882
00:33:03,661 --> 00:33:09,006
BUT I COULDN'T FIND THE AIR
TO BREATHE, LET ALONE THE WORDS.
883
00:33:09,106 --> 00:33:12,930
BUT IF YOU'D INDULGE ME, I'D
REALLY LIKE TO TRY AGAIN TODAY.
884
00:33:13,030 --> 00:33:16,654
MY DAD IS BILLY BAKER.
885
00:33:16,754 --> 00:33:18,656
SOME OF YOU MAY KNOW HIM
886
00:33:18,756 --> 00:33:21,498
AS FORMER NFL GREAT TURNED
HIGH SCHOOL FOOTBALL COACH,
887
00:33:21,598 --> 00:33:25,783
BUT...HE WAS SO MUCH MORE.
888
00:33:25,883 --> 00:33:30,628
HE WAS A PILLAR OF
HIS COMMUNITY IN SOUTH L.A.,
889
00:33:30,728 --> 00:33:35,392
A MENTOR TO MANY,
AND A FRIEND TO EVEN MORE,
890
00:33:35,492 --> 00:33:39,616
A HUSBAND TO THE MOST INCREDIBLE
AND PATIENT WOMAN...
891
00:33:41,138 --> 00:33:44,241
AND A FATHER TO ALL,
EVEN IF YOU WEREN'T HIS BLOOD.
892
00:33:44,341 --> 00:33:47,965
HE ENCOURAGED ME EARLY ON
IN LIFE TO BE A CHANGE MAKER
893
00:33:48,065 --> 00:33:51,569
AND MORE RECENTLY, TO USE JOURNALISM
894
00:33:51,669 --> 00:33:53,971
AS MY WEAPON
AGAINST INJUSTICE.
895
00:33:54,071 --> 00:33:56,533
HE ALSO TAUGHT ME TO BE
PROUD OF MY NAME
896
00:33:56,633 --> 00:33:58,215
AND SUPPORTED ME
897
00:33:58,315 --> 00:34:00,437
EVEN WHEN I DIDN'T
FEEL COMFORTABLE USING IT.
898
00:34:02,519 --> 00:34:04,582
SO TODAY,
899
00:34:04,682 --> 00:34:07,224
I'D LIKE TO RECLAIM
THAT NAME
900
00:34:07,324 --> 00:34:09,346
AS OLIVIA BAKER,
901
00:34:09,446 --> 00:34:11,568
NOT JAYDEN DAVIS.
902
00:34:14,051 --> 00:34:17,394
I'D LIKE TO DEDICATE
THIS AWARD TO MY DAD,
903
00:34:17,494 --> 00:34:19,957
A CHANGE MAKER HIMSELF
904
00:34:20,057 --> 00:34:23,540
AND A MAN THAT WE CAN ONLY
ASPIRE TO BE.
905
00:34:25,022 --> 00:34:27,144
[CHOKES UP]
I LOVE YOU, DAD.
906
00:34:28,866 --> 00:34:30,868
THANK YOU.
907
00:34:47,885 --> 00:34:50,267
[MUSIC PLAYING]
908
00:34:50,367 --> 00:34:52,630
FINALLY, SHE EATS.
909
00:34:52,730 --> 00:34:54,952
THE NERVES ARE GONE.
910
00:34:55,052 --> 00:34:57,194
APPETITE'S BACK.
911
00:34:57,294 --> 00:34:58,836
I'M PROUD OF YOU, LIV.
912
00:34:58,936 --> 00:35:01,338
THAT WAS A BEAUTIFUL TRIBUTE.
913
00:35:04,461 --> 00:35:06,483
CAN I ASK YOU SOMETHING?
914
00:35:06,583 --> 00:35:08,325
SPENCER: YEAH.
OLIVIA: HOW DO YOU DO IT?
915
00:35:08,425 --> 00:35:10,167
PUT ONE FOOT IN FRONT
OF THE OTHER
916
00:35:10,267 --> 00:35:13,410
AFTER LOSING BOTH COREY
AND NOW MY DAD?
917
00:35:13,510 --> 00:35:16,093
I WANT TO KEEP
HONOURING HIM EVERY DAY.
918
00:35:16,193 --> 00:35:19,737
BUT I JUST...HOW?
919
00:35:19,837 --> 00:35:23,020
BY LEARNING
TO LIVE IN THE NOW.
920
00:35:23,120 --> 00:35:26,423
THAT'S WHAT YOUR POPS
WOULD HAVE WANTED FOR US.
921
00:35:26,523 --> 00:35:28,625
LIV, YOU AND ME,
922
00:35:28,725 --> 00:35:31,909
WE HAD TO LEARN THE HARD
WAY THAT WE ONLY GOT
A SMALL WINDOW,
923
00:35:32,009 --> 00:35:33,871
TOMORROW AIN'T PROMISED.
924
00:35:33,971 --> 00:35:35,973
SO EMBRACE WHAT'S
IN FRONT OF YOU...
925
00:35:39,216 --> 00:35:40,998
YOUR DAD WOULD'VE
WANTED YOU
926
00:35:41,098 --> 00:35:43,640
TO LIVE OUT
YOUR WILDEST DREAMS
927
00:35:43,740 --> 00:35:46,163
BOTH IN YOUR
CAREER AND YOUR LIFE.
928
00:35:46,263 --> 00:35:47,805
YOU'RE RIGHT.
929
00:35:47,905 --> 00:35:50,647
CAN'T SAY I'VE REALLY
BEEN DOING THAT.
930
00:35:50,747 --> 00:35:53,290
I'M A FRESHMAN
COLLEGE STUDENT
931
00:35:53,390 --> 00:35:56,253
WHO'S BEEN SO FOCUSED
ON MY JOB OFF CAMPUS,
932
00:35:56,353 --> 00:35:58,856
I DON'T EVEN KNOW WHERE
THE COMMISSARY IS.
933
00:35:58,956 --> 00:36:00,337
SPENCER: DAMN.
OLIVIA: YEAH.
934
00:36:00,437 --> 00:36:04,041
HA HA! WELL, LOOK,
FRESHMEN YEAR AIN'T OVER.
935
00:36:05,522 --> 00:36:07,764
GO AFTER THE LIFE
YOU WANT.
936
00:36:16,533 --> 00:36:18,035
SPENCER: YOU GONNA GET
IT CHANGED TO "OLIVIA"?
937
00:36:18,135 --> 00:36:20,197
OLIVIA: I DO WISH IT
SAID "OLIVIA BAKER."
938
00:36:20,297 --> 00:36:22,439
JORDAN: I'LL GET
SOME SHARPIE ON THERE.
[ALL CHUCKLE]
939
00:36:22,539 --> 00:36:24,321
GRACE: THIS IS SO NICE.
JORDAN: SO?
940
00:36:24,421 --> 00:36:26,423
WE'RE GONNA BE ALL RIGHT.
SPENCER: HA HA HA!
941
00:36:34,431 --> 00:36:36,293
[BOTH CHUCKLE]
942
00:36:36,393 --> 00:36:38,255
I'VE BEEN MEANING
TO TELL YOU
943
00:36:38,355 --> 00:36:39,496
THAT COLOUR
LOOKS GOOD ON YOU.
944
00:36:39,596 --> 00:36:41,258
OH. THANK YOU.
945
00:36:41,358 --> 00:36:44,421
[CHUCKLES]
946
00:36:44,521 --> 00:36:47,264
THERE'S SOMETHING
I'VE BEEN MEANING
TO TELL YOU, TOO.
947
00:36:47,364 --> 00:36:50,067
IF IT'S ABOUT
THE CRAFT ROOM,
LET ME GO FIRST.
948
00:36:50,167 --> 00:36:53,831
I WAS SELFISH FOR TRYING
TO HOLD ONTO SOMETHING
I SHOULD BE LETTING GO OF.
949
00:36:53,931 --> 00:36:55,472
I SHOULDN'T HAVE
BLINDSIDED YOU LIKE THAT.
950
00:36:55,572 --> 00:36:56,794
YEAH, WELL,
IT'S YOUR HOUSE.
951
00:36:56,894 --> 00:36:58,635
NO, SPENCER,
IT'S OUR HOUSE.
952
00:36:58,735 --> 00:37:01,638
AND IN OUR HOUSE,
YOU SACRIFICED THE WORLD
953
00:37:01,738 --> 00:37:03,841
FOR ME AND DILLON TO HAVE
EVERYTHING WE NEEDED.
954
00:37:03,941 --> 00:37:06,563
I SHOULD BE HONOURING
THAT BY HONOURING YOU
955
00:37:06,663 --> 00:37:08,365
AND YOUR NEEDS NOW.
956
00:37:08,465 --> 00:37:11,528
HOME AIN'T A PLACE, MA.
957
00:37:11,628 --> 00:37:13,410
IT'S WHEREVER
YOU ARE.
958
00:37:13,510 --> 00:37:14,892
AND ALL THE CRAFT ROOMS
IN THE WORLD
959
00:37:14,992 --> 00:37:17,014
AIN'T GONNA CHANGE THAT.
960
00:37:17,114 --> 00:37:19,116
YOU FEEL ME?
[CHUCKLES]
961
00:37:20,677 --> 00:37:23,720
GRACE: THANK YOU, BABY.
SPENCER: YEP.
962
00:37:25,923 --> 00:37:27,925
[CELL PHONE VIBRATES]
963
00:37:32,169 --> 00:37:34,271
JORDAN: HEY.
LAYLA: HI.
964
00:37:34,371 --> 00:37:35,873
THOUGHT I WOULD
FIND YOU IN HERE.
965
00:37:35,973 --> 00:37:37,354
YOU WORKING LATE?
966
00:37:37,454 --> 00:37:38,956
UH, NO. I WAS ABOUT
TO JOIN YOU GUYS.
967
00:37:39,056 --> 00:37:40,998
JUST WANTED TO QUICKLY
PACK UP SOME ROYALTIES
968
00:37:41,098 --> 00:37:42,679
SO I DON'T FORGET TO MAIL
THEM OUT TOMORROW.
969
00:37:42,779 --> 00:37:46,283
HMM. SO WHAT EVER HAPPENED
WITH THAT UK ARTIST?
970
00:37:46,383 --> 00:37:50,127
OH. I SENT THE BEST
A&R CONSULTANT
TO COVER FOR ME.
971
00:37:50,227 --> 00:37:51,408
REALLY? YOU HIRED
SOMEONE NEW?
972
00:37:51,508 --> 00:37:53,410
HE WISHES.
IT'S MY DAD.
973
00:37:53,510 --> 00:37:55,813
BUT LIV'S
TOO IMPORTANT.
974
00:37:55,913 --> 00:37:57,614
I WOULD'VE HATED
TO MISS TONIGHT.
975
00:37:57,714 --> 00:38:00,017
HMM.
976
00:38:00,117 --> 00:38:02,699
AND YOU'RE KIND OF
IMPORTANT, TOO.
977
00:38:02,799 --> 00:38:04,101
SO, I WAS THINKING...
978
00:38:04,201 --> 00:38:05,903
MM-HMM.
979
00:38:06,003 --> 00:38:07,744
YOU'VE STILL GOT A FEW MORE
DAYS LEFT OF SPRING BREAK,
980
00:38:07,844 --> 00:38:10,587
SO WHAT DO YOU THINK ABOUT
A DAY TRIP TO CATALINA?
981
00:38:10,687 --> 00:38:12,269
WELL, I THOUGHT YOUR
SCHEDULE WAS TOO TIGHT.
982
00:38:12,369 --> 00:38:14,391
NOW, WHERE DID THIS
SUDDEN CHANGE COME FROM?
983
00:38:14,491 --> 00:38:16,473
TIME IS FLEETING.
984
00:38:16,573 --> 00:38:18,675
THAT'S THE TWEET.
985
00:38:18,775 --> 00:38:19,997
YEAH.
986
00:38:20,097 --> 00:38:22,039
YEAH.
987
00:38:22,139 --> 00:38:25,122
[SOUND OF CAMERA SHUTTER
CLICKING]
988
00:38:25,222 --> 00:38:27,284
OK. OOH, YUP, YUP.
THAT'S THE ONE.
989
00:38:27,384 --> 00:38:28,926
SKYE: YEAH.
PATIENCE: THAT IS THE ONE.
990
00:38:29,026 --> 00:38:32,789
OK. POST THAT WITH
THE HASHTAG DREAM TEAM.
991
00:38:34,071 --> 00:38:36,213
COOL. UM...
992
00:38:36,313 --> 00:38:38,015
YOU KNOW, I WANTED
TO THANK YOU
993
00:38:38,115 --> 00:38:39,296
FOR YOUR ASSIST
WITH LAYLA.
994
00:38:39,396 --> 00:38:41,778
LIKE, I OWE YOU.
995
00:38:41,878 --> 00:38:43,220
IT'S YOUR
VOICE THAT SOLD IT.
996
00:38:43,320 --> 00:38:45,462
YOU KNOW, I FEEL
LIKE, UH, MY SOUL
997
00:38:45,562 --> 00:38:47,144
WOULD'VE SLOWLY DIED
EVERY DAY
998
00:38:47,244 --> 00:38:49,266
ON THE ORIGINAL
TOUR, SO...
999
00:38:49,366 --> 00:38:51,148
WELL, NOW IT CAN THRIVE
AND INSPIRE OTHERS
1000
00:38:51,248 --> 00:38:52,429
THE WAY IT INSPIRED ME.
1001
00:38:52,529 --> 00:38:53,510
GIRL, QUIT IT.
1002
00:38:53,610 --> 00:38:55,112
NO, I'M BEING FOR REAL.
1003
00:38:55,212 --> 00:38:56,713
AND WATCHING YOU TODAY
WAS THE REMINDER
I NEEDED
1004
00:38:56,813 --> 00:38:58,755
TO ALWAYS FIGHT FOR ME.
1005
00:38:58,855 --> 00:39:00,237
I'M IN AWE OF YOU, PATIENCE.
1006
00:39:00,337 --> 00:39:02,359
PATIENCE: WOW.
[SKYE CHUCKLES]
1007
00:39:02,459 --> 00:39:04,461
WELL, THANKS.
1008
00:39:06,583 --> 00:39:07,925
WHOA. UM...
1009
00:39:08,025 --> 00:39:09,406
OH, MY GOD.
1010
00:39:09,506 --> 00:39:10,607
WHAT THE HELL?
1011
00:39:10,707 --> 00:39:11,969
OH, I--I'M SO SORRY.
1012
00:39:12,069 --> 00:39:13,010
I JUST--I GOT
CARRIED AWAY...
1013
00:39:13,110 --> 00:39:14,811
NO. JUST--YEAH, I'MMA GO.
1014
00:39:14,911 --> 00:39:18,055
LIKE, I...GO.
1015
00:39:18,155 --> 00:39:20,217
YEAH. I GOT TO GO.
1016
00:39:20,317 --> 00:39:22,479
SKYE: I--
PATIENCE: I GOT TO--
1017
00:39:40,897 --> 00:39:42,899
YOU WANTED
TO SEE ME, SIR?
1018
00:39:44,341 --> 00:39:46,363
I GET THE SENSE
YOU WEREN'T HAPPY
1019
00:39:46,463 --> 00:39:49,206
WITH OUR TALK EARLIER.
1020
00:39:49,306 --> 00:39:52,329
NO DISRESPECT,
BUT OUR TEAM DOESN'T
NEED ANY FIXING.
1021
00:39:52,429 --> 00:39:54,411
YEAH, WE GOT SOME GUYS
WITH SOME BAGGAGE,
1022
00:39:54,511 --> 00:39:56,133
BUT THEY GOT SOMETHING
BETTER THAN ANY
FIVE-STAR RECRUIT
1023
00:39:56,233 --> 00:39:58,775
CAN OFFER...HEART.
1024
00:39:58,875 --> 00:40:00,457
SO I KEEP BEING TOLD.
1025
00:40:00,557 --> 00:40:01,939
I DON'T
UNDERSTAND, SIR.
1026
00:40:02,039 --> 00:40:03,420
YOU COULD
HAVE SIMPLY SHARED
1027
00:40:03,520 --> 00:40:05,022
THAT THE TEAM HAD
RE-SIGNED MARCO GALVEZ
1028
00:40:05,122 --> 00:40:06,583
INSTEAD OF
LETTING ME BELIEVE
1029
00:40:06,683 --> 00:40:08,225
IT WAS JUST ABOUT THESE
SECOND CHANCE RECRUITS.
1030
00:40:08,325 --> 00:40:10,587
WELL, FIRST OF
ALL, I'M NOT THE COACH.
1031
00:40:10,687 --> 00:40:12,389
THAT WOULD NEED TO BE
SOMETHING COACH KENNY
1032
00:40:12,489 --> 00:40:14,751
AND A.D. BARNES WOULD SHARE
WITH YOU, IF IT WAS TRUE.
1033
00:40:14,851 --> 00:40:16,233
WHICH IT'S NOT.
1034
00:40:16,333 --> 00:40:17,995
ACTUALLY IT IS.
1035
00:40:18,095 --> 00:40:20,237
LIKE I TOLD
DR. GUTENBERG MYSELF,
1036
00:40:20,337 --> 00:40:22,559
THIS ROSTER IS
FULL OF HEART, GRIT,
1037
00:40:22,659 --> 00:40:24,441
AND DEDICATION.
1038
00:40:24,541 --> 00:40:26,243
I'D REGRET NOT
BEING A PART OF IT.
1039
00:40:26,343 --> 00:40:28,325
WAIT. ARE YOU
COMING TO GAU?
1040
00:40:28,425 --> 00:40:31,208
Y'ALL ARE REWRITING
YOUR NARRATIVE,
JUST LIKE ME.
1041
00:40:31,308 --> 00:40:35,212
SO, YES, I'M OFFICIALLY DECOMMITTING
FROM CLEARWATER STATE
1042
00:40:35,312 --> 00:40:37,574
AND JOINING GAU.
1043
00:40:37,674 --> 00:40:39,216
[CHUCKLES SOFTLY]
1044
00:40:39,316 --> 00:40:41,658
THE BOOSTERS
HAD QUESTIONS.
1045
00:40:41,758 --> 00:40:45,062
AND NOW I GET TO DELIVER
SOME PRETTY GREAT ANSWERS.
1046
00:40:45,162 --> 00:40:47,544
LOOKS LIKE WE GOT
OURSELVES A TEAM.
1047
00:40:47,644 --> 00:40:49,386
I GUESS WE DO.
[CHUCKLING]
1048
00:40:49,486 --> 00:40:51,228
BLESSING OFFOR:
♪ I KNOW THERE'S GONNA BE ♪
1049
00:40:51,328 --> 00:40:53,350
♪ SOME BRIGHTER DAYS... ♪
1050
00:40:53,450 --> 00:40:55,112
HEY, SWEETIE.
1051
00:40:55,212 --> 00:40:57,794
♪ I SWEAR THAT LOVE WILL
FIND YOU IN YOUR PAIN... ♪
1052
00:40:57,894 --> 00:41:00,357
THANKS.
1053
00:41:00,457 --> 00:41:02,039
♪ I FEEL IT IN ME ♪
1054
00:41:02,139 --> 00:41:05,642
♪ LIKE THE BEATING OF LIFE
IN MY VEINS ♪
1055
00:41:05,742 --> 00:41:07,924
♪ I KNOW THERE'S GONNA BE ♪
1056
00:41:08,024 --> 00:41:11,368
♪ SOME BRIGHTER DAYS ♪
1057
00:41:11,468 --> 00:41:13,290
♪ I KNOW THERE'S GONNA BE ♪
1058
00:41:13,390 --> 00:41:14,811
♪ SOME BRIGHTER DAYS ♪
1059
00:41:14,911 --> 00:41:16,893
I THINK IT'S JUST
MISSING ONE THING.
1060
00:41:16,993 --> 00:41:18,615
♪ OH OH OH ♪
1061
00:41:18,715 --> 00:41:22,379
♪ IF YOUR SCREAMS
DON'T MAKE A SOUND ♪
1062
00:41:22,479 --> 00:41:24,021
♪ OH OH OH ♪
1063
00:41:24,121 --> 00:41:26,823
♪ IF YOUR WALLS
ARE CRASHING DOWN... ♪
1064
00:41:26,923 --> 00:41:28,305
YEAH.
1065
00:41:28,405 --> 00:41:30,267
♪ OH OH OH,
IF YOUR HEART... ♪
1066
00:41:30,367 --> 00:41:34,951
NOW OUR LEGACIES WILL
ALWAYS BE TOGETHER, DAD.
1067
00:41:35,051 --> 00:41:37,314
AND I'LL HONOUR THAT
WITH EACH STEP FORWARD...
1068
00:41:37,414 --> 00:41:39,956
♪ I KNOW THERE'S GONNA
BE SOME... ♪
1069
00:41:40,056 --> 00:41:41,518
ONE FOOT IN FRONT
OF THE OTHER.
1070
00:41:41,618 --> 00:41:43,400
♪ BRIGHTER DAYS ♪
1071
00:41:43,500 --> 00:41:45,402
♪ I KNOW THERE'S GONNA BE ♪
1072
00:41:45,502 --> 00:41:47,124
♪ SOME BRIGHTER DAYS ♪
1073
00:41:47,224 --> 00:41:48,845
♪ I KNOW ♪
1074
00:41:48,945 --> 00:41:54,471
♪ I KNOW THERE'S GONNA BE
SOME BRIGHTER DAYS ♪
1075
00:42:16,533 --> 00:42:18,535
GREG, MOVE YOUR HEAD.
75325
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