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1
00:00:01,331 --> 00:00:03,609
Three, four.
Well, Angus...
2
00:00:03,610 --> 00:00:05,889
Give me the hat.
..I'm very pleased...
3
00:00:05,890 --> 00:00:08,649
It's been a long time.
Yeah? Great.
4
00:00:08,650 --> 00:00:10,689
Now, it's been a long time
between albums.
5
00:00:10,690 --> 00:00:14,249
Yes, I know this, Moll, and
I have been working hard at it
6
00:00:14,250 --> 00:00:16,129
but I got the lads rounded up.
7
00:00:16,130 --> 00:00:18,009
One final... final question.
8
00:00:18,010 --> 00:00:20,249
What about your new single?
9
00:00:20,250 --> 00:00:21,250
I think it's marvellous.
10
00:00:21,251 --> 00:00:24,490
It's called Danger and
it's going to fly off the wall...
11
00:00:25,690 --> 00:00:27,209
on the wall.
12
00:00:27,210 --> 00:00:29,769
(MUMBLING)
13
00:00:29,770 --> 00:00:32,810
And this is a very short
Ian Meldrum saying goodbye.
14
00:00:38,450 --> 00:00:42,530
ANNOUNCER: Welcome to
Classic Countdown 1985.
15
00:00:46,250 --> 00:00:47,250
KATE: Ironically,
16
00:00:47,251 --> 00:00:50,529
the year the inaugural
Australian Grand Prix was staged,
17
00:00:50,530 --> 00:00:53,690
local police also
implemented the radar speed gun.
18
00:00:54,890 --> 00:00:58,249
But that strange fact had no
chance of dampening the excitement
19
00:00:58,250 --> 00:00:59,730
on the streets of Adelaide.
20
00:01:00,570 --> 00:01:03,689
For those who have spent up to
$120 on a gold pass
21
00:01:03,690 --> 00:01:05,449
and still have some change over
22
00:01:05,450 --> 00:01:08,529
there are plenty of souvenirs
that they can spend their money on.
23
00:01:08,530 --> 00:01:09,770
Like this beach towel.
24
00:01:12,330 --> 00:01:16,409
In 1985, Maggie was still
pushing people around
25
00:01:16,410 --> 00:01:19,170
and the name Gorbachev was
giving the world new hope.
26
00:01:21,290 --> 00:01:23,849
But in a palatial
apartment in uptown New York,
27
00:01:23,850 --> 00:01:26,769
another name was being invoked.
28
00:01:26,770 --> 00:01:29,609
Madonna had arrived as a
superstar
29
00:01:29,610 --> 00:01:31,129
and it would be Molly Meldrum
30
00:01:31,130 --> 00:01:32,849
who would bring her story
to the world.
31
00:01:32,850 --> 00:01:34,410
Alright, Molly, let's go.
32
00:01:36,730 --> 00:01:39,369
The fact that people are
interested in what I'm doing
33
00:01:39,370 --> 00:01:42,329
only pushes me more to,
you know,
34
00:01:42,330 --> 00:01:46,490
keep coming up with new and
interesting ways to express myself.
35
00:01:47,690 --> 00:01:50,409
It was Bruce Springsteen's
Australian tour that year
36
00:01:50,410 --> 00:01:52,649
and emotions were running high.
37
00:01:52,650 --> 00:01:54,489
I got a hug and four photos.
38
00:01:54,490 --> 00:01:55,809
WOMAN: How do you feel?
Great!
39
00:01:55,810 --> 00:01:57,689
ANNOUNCER: The turnout is
a record audience anywhere
40
00:01:57,690 --> 00:01:59,329
for a Springsteen concert.
41
00:01:59,330 --> 00:02:01,529
We are right at the front.
42
00:02:01,530 --> 00:02:02,729
Getting right into it.
43
00:02:02,730 --> 00:02:06,609
♪ I'm looking for a lover
who will come on in
44
00:02:06,610 --> 00:02:08,490
♪ And cover me. ♪
45
00:02:10,330 --> 00:02:14,210
Bruce may have been The Boss
but this guy was king.
46
00:02:15,370 --> 00:02:19,089
In 1985, he would wear
the crown, don the robes
47
00:02:19,090 --> 00:02:20,730
and rule over his adoring public.
48
00:02:22,370 --> 00:02:25,450
Or perhaps, like these chart
toppers, rule the world.
49
00:02:43,890 --> 00:02:48,289
♪ Welcome to your life
50
00:02:48,290 --> 00:02:52,489
♪ There's no turning back
51
00:02:52,490 --> 00:02:56,889
♪ Even while we sleep
52
00:02:56,890 --> 00:03:03,409
♪ We will find you acting
on your best behaviour
53
00:03:03,410 --> 00:03:07,409
♪ Turn your back
on mother nature
54
00:03:07,410 --> 00:03:13,850
♪ Everybody wants
to rule the world
55
00:03:22,490 --> 00:03:26,729
♪ It's my own desire
56
00:03:26,730 --> 00:03:31,209
♪ It's my own remorse
57
00:03:31,210 --> 00:03:35,369
♪ Help me to decide
58
00:03:35,370 --> 00:03:41,729
♪ Help me make the most of
freedom and of pleasure
59
00:03:41,730 --> 00:03:46,129
♪ Nothing ever lasts forever
60
00:03:46,130 --> 00:03:50,729
♪ Everybody wants to
rule the world
61
00:03:50,730 --> 00:03:55,329
♪ There's a room
where the light won't find you
62
00:03:55,330 --> 00:03:59,449
♪ Holding hands while the walls
come tumbling down
63
00:03:59,450 --> 00:04:03,729
♪ When they do,
I'll be right behind you
64
00:04:03,730 --> 00:04:08,129
♪ So glad we've almost made it
65
00:04:08,130 --> 00:04:11,769
♪ So sad they had to fade it
66
00:04:11,770 --> 00:04:17,930
♪ Everybody
wants to rule the world
67
00:05:03,530 --> 00:05:07,409
♪ I can't stand this indecision
68
00:05:07,410 --> 00:05:11,689
♪ Married with a lack of vision
69
00:05:11,690 --> 00:05:16,649
♪ Everybody wants to rule the world
70
00:05:16,650 --> 00:05:21,249
♪ Say that you'll never,
never, never, need it
71
00:05:21,250 --> 00:05:24,689
♪ One headline, why believe it?
72
00:05:24,690 --> 00:05:31,250
♪ Everybody wants to rule the world
73
00:05:37,690 --> 00:05:41,649
♪ All for freedom and for pleasure
74
00:05:41,650 --> 00:05:45,889
♪ Nothing ever lasts forever
75
00:05:45,890 --> 00:05:52,210
♪ Everybody wants to
rule the world. ♪
76
00:06:17,690 --> 00:06:21,809
In 1985, USA for Africa produced
the song We Are The World
77
00:06:21,810 --> 00:06:25,289
to help raise funds for the
famine in Ethiopia.
78
00:06:25,290 --> 00:06:27,569
It was a huge success.
79
00:06:27,570 --> 00:06:31,249
Tower Records claim it is the
biggest selling single for years
80
00:06:31,250 --> 00:06:33,449
and years and years
within a week and in fact,
81
00:06:33,450 --> 00:06:36,489
it will probably go to number 1
by 2 weeks time.
82
00:06:36,490 --> 00:06:39,209
So that is quite amazing and to
think all that money,
83
00:06:39,210 --> 00:06:42,689
like the Band-Aid money,
is going to go into Africa.
84
00:06:42,690 --> 00:06:44,409
So, well done.
85
00:06:44,410 --> 00:06:47,449
In addition, Bob Geldof and
Midge Ure
86
00:06:47,450 --> 00:06:49,689
organise the two Live Aid concerts
87
00:06:49,690 --> 00:06:52,689
that were broadcast
simultaneously around the world.
88
00:06:52,690 --> 00:06:57,489
A TV event unprecedented
in live music broadcasting.
89
00:06:57,490 --> 00:07:00,249
REPORTER: The Australian band
INXS were beamed live
90
00:07:00,250 --> 00:07:03,129
from the Sydney Entertainment
Centre into Wembley
91
00:07:03,130 --> 00:07:05,489
as part of the global satellite
link up.
92
00:07:05,490 --> 00:07:08,169
So, too, for a short
while was Molly Meldrum,
93
00:07:08,170 --> 00:07:10,129
Geraldine Doogue,
and George Negus.
94
00:07:10,130 --> 00:07:11,809
This is the ultimate that
pop music can do,
95
00:07:11,810 --> 00:07:13,409
quite literally,
it is the ultimate.
96
00:07:13,410 --> 00:07:15,409
You can't do anything more
after this
97
00:07:15,410 --> 00:07:20,489
and the commitment of pop music
need never be doubted again.
98
00:07:20,490 --> 00:07:22,489
Alarmingly for British music
at the time,
99
00:07:22,490 --> 00:07:26,129
very few young acts were invited
to play at Live Aid.
100
00:07:26,130 --> 00:07:29,409
One exception was multi-
instrumentalist Nik Kershaw.
101
00:07:29,410 --> 00:07:31,850
In 1985, Nik also
played on Countdown.
102
00:07:37,690 --> 00:07:42,249
♪ He made a record,
it made him famous
103
00:07:42,250 --> 00:07:44,330
♪ Yes, it made him a star
104
00:07:45,890 --> 00:07:48,529
♪ The life and soul of the party
105
00:07:48,530 --> 00:07:49,889
♪ He rocks, he shocks
106
00:07:49,890 --> 00:07:53,489
♪ You never know where you are
with him
107
00:07:53,490 --> 00:07:57,409
♪ He got no sense
but he got money
108
00:07:57,410 --> 00:08:01,849
♪ He got no sense but he got
overnight success
109
00:08:01,850 --> 00:08:08,250
♪ Exceed excess, exceed excess
110
00:08:10,130 --> 00:08:13,689
♪ He no big deal
he just a wide boy
111
00:08:13,690 --> 00:08:18,130
♪ He no big deal
he just an ordinary guy
112
00:08:18,370 --> 00:08:26,370
♪ Oh, me, oh, my, oh, me, oh, my
113
00:08:52,450 --> 00:08:55,569
♪ He made a movie
114
00:08:55,570 --> 00:08:59,530
♪ He played the driver
of a big yellow car
115
00:09:00,690 --> 00:09:02,809
♪ He is super fab and groovy
116
00:09:02,810 --> 00:09:05,169
♪ He struts and he crows
117
00:09:05,170 --> 00:09:07,849
♪ You never know
where you are with him
118
00:09:07,850 --> 00:09:12,129
♪ He got no sense
but he got money
119
00:09:12,130 --> 00:09:16,369
♪ He got no sense but he got
overnight success
120
00:09:16,370 --> 00:09:24,370
♪ Exceed excess, exceed excess
121
00:09:24,530 --> 00:09:27,650
♪ He no big deal
he just a wide boy
122
00:09:28,610 --> 00:09:32,889
♪ He no big deal
he just an ordinary guy
123
00:09:32,890 --> 00:09:40,649
♪ Oh, me, oh, my, oh, me, oh, my
124
00:09:40,650 --> 00:09:44,769
♪ And with your symmetry teeth
and your California tan
125
00:09:44,770 --> 00:09:48,569
♪ I'm here to tell you
that you ain't no superman
126
00:09:48,570 --> 00:09:50,770
♪ You're just a wide boy
127
00:09:56,450 --> 00:09:58,290
♪ Wide boy. ♪
128
00:10:30,370 --> 00:10:32,329
OK, Molly, you ready?
I'm ready.
129
00:10:32,330 --> 00:10:33,729
I am indeed ready.
130
00:10:33,730 --> 00:10:37,689
From 1982, British pop bands had
ridden the New Wave to America
131
00:10:37,690 --> 00:10:39,370
and dominated the US charts.
132
00:10:40,370 --> 00:10:44,329
♪ But now she never seems the same
133
00:10:44,330 --> 00:10:47,249
♪ She don't talk to me
134
00:10:47,250 --> 00:10:49,569
♪ 'Cause she can't take no sympathy
135
00:10:49,570 --> 00:10:51,569
♪ Because she's highly strung. ♪
136
00:10:51,570 --> 00:10:54,489
Some believed this was due to
them bringing colour
137
00:10:54,490 --> 00:10:56,929
and energy back to pop music.
138
00:10:56,930 --> 00:11:04,930
♪ Highly strung
Oh, highly strung, she's undone. ♪
139
00:11:05,330 --> 00:11:07,449
Others had a different theory.
140
00:11:07,450 --> 00:11:09,449
English music
becomes safe and boring.
141
00:11:09,450 --> 00:11:13,849
All the British groups
they like are absolute crap.
142
00:11:13,850 --> 00:11:16,449
People like Duran Duran and
Spandau Ballet,
143
00:11:16,450 --> 00:11:17,889
who are meaningless garbage,
144
00:11:17,890 --> 00:11:21,209
and Americans like
meaningless garbage.
145
00:11:21,210 --> 00:11:25,169
Either way, by '85 the second
British invasion had peaked
146
00:11:25,170 --> 00:11:28,409
and the new American superstars
Michael Jackson, Prince,
147
00:11:28,410 --> 00:11:31,890
and Madonna were just doing
bigger much better than the Brits.
148
00:11:33,810 --> 00:11:36,930
(SINGS INDISTINCTLY)
149
00:11:41,530 --> 00:11:45,529
Also knocking the Brits off the
pop podium were rock metal bands
150
00:11:45,530 --> 00:11:47,289
who'd mastered the music video
151
00:11:47,290 --> 00:11:50,569
and we're beginning to write
more melodic catchy singles.
152
00:11:50,570 --> 00:11:52,889
Yeah, I remember when I was back in
about third or fourth grade,
153
00:11:52,890 --> 00:11:55,889
I was about 10 years old
or 11 years old,
154
00:11:55,890 --> 00:11:57,809
we were already Beach Boys.
155
00:11:57,810 --> 00:12:00,889
What we were looking forward to
was the British invasion
156
00:12:00,890 --> 00:12:03,130
and now that the British invasion
is over...
157
00:12:04,850 --> 00:12:06,649
we have come full circle, man.
158
00:12:06,650 --> 00:12:07,769
We're right back.
159
00:12:07,770 --> 00:12:12,330
I'm getting bugged driving up
and down the same old strip.
160
00:12:13,570 --> 00:12:17,810
By 1985, it was the Americans
riding high on a new wave.
161
00:12:31,130 --> 00:12:32,370
♪ Hey, hey
162
00:12:38,530 --> 00:12:42,890
♪ She was a be-bop baby
on a hard day's night
163
00:12:45,330 --> 00:12:48,450
♪ She was hangin' on Johnny,
he was holdin' on tight
164
00:12:51,890 --> 00:12:55,450
♪ I could feel her coming
from a mile away
165
00:12:58,330 --> 00:13:01,649
♪ There was no use talking,
there was nothing to say
166
00:13:01,650 --> 00:13:05,209
♪ When the band began to play
and play
167
00:13:05,210 --> 00:13:09,370
♪ And we danced like a
wave on the ocean, romanced
168
00:13:09,890 --> 00:13:13,489
♪ We were liars in love and we
danced
169
00:13:13,490 --> 00:13:16,569
♪ Swept away for a moment by
chance
170
00:13:16,570 --> 00:13:19,329
♪ And we danced and
danced and danced
171
00:13:19,330 --> 00:13:22,490
♪ I met my be-bop baby
at the Union Hall
172
00:13:25,730 --> 00:13:29,330
♪ She could dance all night and
shake the paint off the wall
173
00:13:32,410 --> 00:13:35,650
♪ But when I saw her smile
across a crowded room
174
00:13:39,250 --> 00:13:42,409
♪ Well, I knew we'd
have to leave the party soon
175
00:13:42,410 --> 00:13:45,689
♪ As the band began
to play out of tune
176
00:13:45,690 --> 00:13:50,609
♪ And we danced like a wave
on the ocean, romanced
177
00:13:50,610 --> 00:13:53,729
♪ We were liars in love
and we danced
178
00:13:53,730 --> 00:13:57,329
♪ Swept away for a moment by
chance
179
00:13:57,330 --> 00:14:00,170
♪ And we danced and danced
and danced
180
00:14:05,770 --> 00:14:07,130
♪ And we danced
181
00:14:27,450 --> 00:14:30,489
♪ The endless beat
She's walking my way
182
00:14:30,490 --> 00:14:33,369
♪ Hear the music fade when she says
183
00:14:33,370 --> 00:14:37,289
♪ Are we getting too close,
do we dare to get closer
184
00:14:37,290 --> 00:14:39,569
♪ The room is spinning
as she whispers my name
185
00:14:39,570 --> 00:14:44,489
♪ And we danced like a wave on
the ocean, romanced
186
00:14:44,490 --> 00:14:47,569
♪ We were liars
in love and we danced
187
00:14:47,570 --> 00:14:51,169
♪ Swept away for a
moment by chance
188
00:14:51,170 --> 00:14:53,369
♪ Yeah we danced and danced
189
00:14:53,370 --> 00:14:57,529
♪ And we danced like a wave
on the ocean, romanced
190
00:14:57,530 --> 00:15:01,129
♪ We were liars in love
and we danced
191
00:15:01,130 --> 00:15:04,369
♪ Swept away for a moment by chance
192
00:15:04,370 --> 00:15:07,169
♪ And we danced and danced
and danced
193
00:15:07,170 --> 00:15:10,530
♪ And danced and danced and
danced...
194
00:15:12,650 --> 00:15:13,690
♪ And we danced
195
00:15:19,370 --> 00:15:20,570
♪ And we danced. ♪
196
00:15:37,770 --> 00:15:41,849
In mid-'80s Australia, the clubs
still held the ascension over pubs
197
00:15:41,850 --> 00:15:43,370
as the testing ground for new hits.
198
00:15:49,410 --> 00:15:51,250
♪ Saw a fire in the sky. ♪
199
00:15:53,370 --> 00:15:57,209
♪ You got me into this,
now you got to choose. ♪
200
00:15:57,210 --> 00:15:58,969
The Australian bands
emerging from the club scene
201
00:15:58,970 --> 00:16:01,409
were as accomplished
as any in the world.
202
00:16:01,410 --> 00:16:04,049
♪ You let me into your skin,
you let me in
203
00:16:04,050 --> 00:16:07,649
♪ You, you got me going again
204
00:16:07,650 --> 00:16:12,529
♪ You, you got me going again,
you got the attitude
205
00:16:12,530 --> 00:16:15,409
♪ You got me going again
206
00:16:15,410 --> 00:16:18,209
♪ You, you got me going again
207
00:16:18,210 --> 00:16:21,649
♪ You got the attitude,
you got me going again
208
00:16:21,650 --> 00:16:23,610
♪ Going again. ♪
209
00:16:24,610 --> 00:16:26,729
And Sydney band Koo De Tah
210
00:16:26,730 --> 00:16:28,449
seemed to find the perfect
combination
211
00:16:28,450 --> 00:16:31,649
of new instrumentation
for electronic dance music.
212
00:16:31,650 --> 00:16:33,490
Barely a guitar in the house.
213
00:16:42,770 --> 00:16:45,849
♪ I know, I know,
you see me as your own
214
00:16:45,850 --> 00:16:47,450
♪ And you like that
215
00:16:50,370 --> 00:16:53,529
♪ I know, I know,
you have to be alone
216
00:16:53,530 --> 00:16:55,450
♪ 'Cause you are like that
217
00:16:58,370 --> 00:17:06,370
♪ O-oceans of pa-assion,
withi-in your eye-eyes
218
00:17:06,530 --> 00:17:10,249
♪ Don't wanna be your
posse-e-ession
219
00:17:10,250 --> 00:17:13,130
♪ The first ti-i-ime
220
00:17:14,650 --> 00:17:18,489
♪ Too-oo young, don't you think
221
00:17:18,490 --> 00:17:22,409
♪ To-oo promise anything
222
00:17:22,410 --> 00:17:26,169
♪ Too-oo young, can't you see
223
00:17:26,170 --> 00:17:29,210
♪ Understand me and let me be
224
00:17:30,370 --> 00:17:34,329
♪ Too-oo young, don't you think
225
00:17:34,330 --> 00:17:38,289
♪ To-oo promise anything
226
00:17:38,290 --> 00:17:41,849
♪ Too-oo young, don't you know
227
00:17:41,850 --> 00:17:45,129
♪ Understand me and let me go
228
00:17:45,130 --> 00:17:46,849
♪ Ooh-ooh-ooh, ooh-ooh-ooh
229
00:17:46,850 --> 00:17:50,330
♪ Ah-ay, I'm too young for
promises
230
00:17:54,130 --> 00:17:57,129
♪ I know, I know,
you got to prove you're proud
231
00:17:57,130 --> 00:17:58,410
♪ 'Cause you're like that
232
00:18:01,610 --> 00:18:05,209
♪ I know, I know,
you make me speak in tongues
233
00:18:05,210 --> 00:18:06,810
♪ 'Cause you are like that
234
00:18:09,410 --> 00:18:13,050
♪ Changes of seasons
235
00:18:14,410 --> 00:18:17,410
♪ I haven't lived through-ough
236
00:18:17,690 --> 00:18:21,329
♪ Tell what you want
and have free-ee-eedom
237
00:18:21,330 --> 00:18:23,290
♪ So what do I do-oo
238
00:18:25,410 --> 00:18:29,489
♪ I'm too-oo young, don't you
think
239
00:18:29,490 --> 00:18:33,449
♪ To-oo promise anything
240
00:18:33,450 --> 00:18:37,409
♪ Too-oo young, can't you see
241
00:18:37,410 --> 00:18:40,489
♪ Understand me and let me be
242
00:18:40,490 --> 00:18:45,489
♪ Ah-ay, too-oo young,
don't you think
243
00:18:45,490 --> 00:18:49,369
♪ To-oo promise anything
244
00:18:49,370 --> 00:18:53,169
♪ Too-oo young, don't you know
245
00:18:53,170 --> 00:18:56,289
♪ Understand me and let me go
246
00:18:56,290 --> 00:18:59,489
♪ Ooh-ooh-ooh, ooh-ooh-ooh
247
00:18:59,490 --> 00:19:02,170
♪ I'm too young for promises
248
00:19:04,290 --> 00:19:06,529
♪ Ooh-ooh-ooh, ooh-ooh-ooh
249
00:19:06,530 --> 00:19:09,730
♪ Ah-ay, I'm too young
for promises
250
00:19:29,250 --> 00:19:32,769
♪ I'm too-oo young, don't you
think
251
00:19:32,770 --> 00:19:36,689
♪ To-oo promise anything
252
00:19:36,690 --> 00:19:40,449
♪ Too-oo young, can't you see
253
00:19:40,450 --> 00:19:43,329
♪ Understand me and let me be
254
00:19:43,330 --> 00:19:44,809
♪ Too young for promises
255
00:19:44,810 --> 00:19:48,729
♪ I'm too-oo young,
don't you see
256
00:19:48,730 --> 00:19:52,689
♪ To-oo promise anything
257
00:19:52,690 --> 00:19:56,129
♪ I want to go
but you won't let me go
258
00:19:56,130 --> 00:19:57,849
♪ Cause you're like that
259
00:19:57,850 --> 00:19:59,850
♪ And you are like that. ♪
260
00:20:20,810 --> 00:20:24,569
♪ Oh, Africa
261
00:20:24,570 --> 00:20:26,650
♪ Healing in the sun. ♪
262
00:20:28,250 --> 00:20:32,409
Live Aid had engaged a new
generation in world issues.
263
00:20:32,410 --> 00:20:34,529
Unrest in the political scene
in the UK
264
00:20:34,530 --> 00:20:38,529
had given rise to a new
generation of protest singers.
265
00:20:38,530 --> 00:20:40,489
Of unemployment?
MOLLY: Yeah.
266
00:20:40,490 --> 00:20:44,809
I don't see how you can ever
truly change it under capitalism,
267
00:20:44,810 --> 00:20:47,209
or under the capitalist system.
268
00:20:47,210 --> 00:20:48,210
I mean, I think the only way
269
00:20:48,211 --> 00:20:52,409
you're ever going to stop
unemployment permanently
270
00:20:52,410 --> 00:20:55,050
is by a socialist economy
and a socialist system.
271
00:21:12,370 --> 00:21:15,289
♪ You don't have to
take this crap
272
00:21:15,290 --> 00:21:17,889
♪ You don't have to
sit back and relax
273
00:21:17,890 --> 00:21:23,249
♪ You can actually
try changing it
274
00:21:23,250 --> 00:21:26,329
♪ I know we've always been
taught to rely
275
00:21:26,330 --> 00:21:29,409
♪ Upon those in authority
276
00:21:29,410 --> 00:21:32,409
♪ But you never know until you try
277
00:21:32,410 --> 00:21:35,289
♪ How things just might be
278
00:21:35,290 --> 00:21:40,369
♪ If we came together so strongly
279
00:21:40,370 --> 00:21:43,329
♪ Are you gonna try to
make this work?
280
00:21:43,330 --> 00:21:46,409
♪ Or spend your days
down in the dirt
281
00:21:46,410 --> 00:21:47,609
♪ You see things can change
282
00:21:47,610 --> 00:21:50,169
♪ Yes, and walls
can come tumbling down
283
00:21:50,170 --> 00:21:52,729
♪ Governments crack
and systems fall
284
00:21:52,730 --> 00:21:56,169
♪ 'Cause unity is powerful
285
00:21:56,170 --> 00:22:00,369
♪ Lights go out,
walls come tumbling down
286
00:22:00,370 --> 00:22:05,889
♪ Yes, they do, yes, they do,
yes, they do, yes, they do, hey
287
00:22:05,890 --> 00:22:08,809
♪ The competition is a colour TV
288
00:22:08,810 --> 00:22:12,129
♪ We're on still pause
with the video machine
289
00:22:12,130 --> 00:22:16,769
♪ Keep yourselves
to the village beat
290
00:22:16,770 --> 00:22:20,209
♪ Until the unity is threatened by
291
00:22:20,210 --> 00:22:23,209
♪ Those who have and who have not
292
00:22:23,210 --> 00:22:26,449
♪ Those who are with
and those who are without
293
00:22:26,450 --> 00:22:29,369
♪ And dangle jobs
like a donkey's carrot
294
00:22:29,370 --> 00:22:34,449
♪ Until you don't know
where you are
295
00:22:34,450 --> 00:22:37,329
♪ Are you gonna get to realise
296
00:22:37,330 --> 00:22:40,449
♪ The class war's real
and not mythologised
297
00:22:40,450 --> 00:22:44,169
♪ And like Jericho, you see
walls can come tumbling down
298
00:22:44,170 --> 00:22:46,449
♪ Governments crack
and systems fall
299
00:22:46,450 --> 00:22:49,849
♪ 'Cause unity is powerful
300
00:22:49,850 --> 00:22:53,329
♪ Lights go out, walls come
tumbling
301
00:22:53,330 --> 00:22:54,529
♪ Down
302
00:22:54,530 --> 00:22:56,209
♪ You'll be too weak to fight it
303
00:22:56,210 --> 00:22:59,409
♪ Down ♪ Oh, unless we're united
304
00:22:59,410 --> 00:23:02,449
♪ Down ♪ Oh, will you deny it?
305
00:23:02,450 --> 00:23:09,329
♪ Ooh
306
00:23:09,330 --> 00:23:15,489
♪ Are you gonna be threatened
by the public enemy number 10
307
00:23:15,490 --> 00:23:18,409
♪ Those who play the power game
308
00:23:18,410 --> 00:23:21,809
♪ They take the profits,
you take the blame
309
00:23:21,810 --> 00:23:26,569
♪ When they tell you
there's no rise in pay
310
00:23:26,570 --> 00:23:29,489
♪ Are you gonna try
and make this work
311
00:23:29,490 --> 00:23:32,449
♪ Or spend your days
down in the dirt?
312
00:23:32,450 --> 00:23:34,249
♪ You see things can change
313
00:23:34,250 --> 00:23:36,249
♪ Walls can come tumbling down
314
00:23:36,250 --> 00:23:38,449
♪ Governments crack and systems
fall
315
00:23:38,450 --> 00:23:42,209
♪ 'Cause unity is powerful
316
00:23:42,210 --> 00:23:45,449
♪ Lights go out,
walls come tumbling down
317
00:23:45,450 --> 00:23:48,289
♪ Governments crack
and systems fall
318
00:23:48,290 --> 00:23:51,409
♪ 'Cause unity is powerful
319
00:23:51,410 --> 00:23:54,769
♪ Lights go out,
walls come tumbling down
320
00:23:54,770 --> 00:23:57,729
♪ Governments crack
and systems fall
321
00:23:57,730 --> 00:24:01,169
♪ 'Cause unity is powerful
322
00:24:01,170 --> 00:24:04,409
♪ Lights go out,
walls come tumbling down
323
00:24:04,410 --> 00:24:07,369
♪ Governments crack
and systems fall
324
00:24:07,370 --> 00:24:10,410
♪ 'Cause unity is powerful. ♪
325
00:24:16,130 --> 00:24:17,409
Hello, I'm Joan Armatrading.
326
00:24:17,410 --> 00:24:19,329
If you believe this, I've
come all the way to Australia
327
00:24:19,330 --> 00:24:21,609
just to introduce this program.
328
00:24:21,610 --> 00:24:23,449
With the sheer number
of female singers
329
00:24:23,450 --> 00:24:26,729
and musicians breaking through
in the mid-80s, it was inevitable
330
00:24:26,730 --> 00:24:30,169
that gender politics would enter
the musical realm.
331
00:24:30,170 --> 00:24:33,449
♪ They wear their jeans
just a little bit too long
332
00:24:33,450 --> 00:24:40,249
♪ Slide to the side to show
that they belong
333
00:24:40,250 --> 00:24:43,449
♪ Only 16 or 17
334
00:24:43,450 --> 00:24:47,369
♪ They've been to places
I've never been
335
00:24:47,370 --> 00:24:49,770
♪ Life's too short
to enter the rush
336
00:24:50,530 --> 00:24:54,649
♪ The last fix is never enough,
enough, enough, enough
337
00:24:54,650 --> 00:24:55,889
♪ No, no! ♪
338
00:24:55,890 --> 00:24:59,649
MOLLY: Have you found it hard
to be accepted as an all-girl group?
339
00:24:59,650 --> 00:25:02,129
I mean, it's run by a very
chauvinistic, I imagine,
340
00:25:02,130 --> 00:25:04,249
recording industry.
341
00:25:04,250 --> 00:25:07,449
That's true. We ignore them.
342
00:25:07,450 --> 00:25:10,329
We do what we do
and we do the best we can,
343
00:25:10,330 --> 00:25:14,489
and we are doing well and
things are progressing for us
344
00:25:14,490 --> 00:25:20,209
so we don't let ourselves get
bogged down in male chauvinism.
345
00:25:20,210 --> 00:25:22,249
But if people end up
listening to our music
346
00:25:22,250 --> 00:25:23,449
because they are male
chauvinists
347
00:25:23,450 --> 00:25:25,529
and they like the
fact that we are girls,
348
00:25:25,530 --> 00:25:28,129
I don't care how they get to
the point where they hear the music
349
00:25:28,130 --> 00:25:29,209
if they like it.
350
00:25:29,210 --> 00:25:32,129
It was the Grammys or the AMA
awards last year
351
00:25:32,130 --> 00:25:35,049
you made an appearance and you
came out and did,
352
00:25:35,050 --> 00:25:36,889
Was it "Who's that Girl?"?
353
00:25:36,890 --> 00:25:42,169
No, Sweet Dreams and Annie came out
with sideburns and black...
354
00:25:42,170 --> 00:25:45,809
I think it took virtually the
whole song before people realised.
355
00:25:45,810 --> 00:25:46,810
I was very tired
356
00:25:46,811 --> 00:25:50,449
of being courted as the
androgynous Annie Lennox
357
00:25:50,450 --> 00:25:52,529
and so I thought
I would play a nice trick
358
00:25:52,530 --> 00:25:54,369
and just become a man for
a change
359
00:25:54,370 --> 00:25:59,249
and really bring that media
hype up to its fullest peak.
360
00:25:59,250 --> 00:26:02,649
Rock music has always been
at the seat of controversy
361
00:26:02,650 --> 00:26:05,809
and when it starts to become
part of the status quo,
362
00:26:05,810 --> 00:26:07,849
it loses that dangerous edge,
363
00:26:07,850 --> 00:26:10,449
so Dave and I were making a
stand for something
364
00:26:10,450 --> 00:26:12,609
that was a little bit more
unorthodox.
365
00:26:12,610 --> 00:26:14,170
A little bit dangerous.
366
00:26:18,050 --> 00:26:20,329
♪ I paddle in the things I love
367
00:26:20,330 --> 00:26:23,449
For some artists, plain speaking
was the best starting point.
368
00:26:23,450 --> 00:26:25,530
♪ You wallow in a swamp of
trivia
369
00:26:27,170 --> 00:26:30,689
♪ In a vase
with insincere I love yous
370
00:26:30,690 --> 00:26:32,649
♪ Next door's camellias
371
00:26:32,650 --> 00:26:36,249
♪ I'm sick and tired of this
position
372
00:26:36,250 --> 00:26:38,369
♪ Hatched underneath your arm
373
00:26:38,370 --> 00:26:40,769
♪ Crotch under stress
374
00:26:40,770 --> 00:26:43,409
♪ No matter when it's come
375
00:26:43,410 --> 00:26:46,409
♪ I'm bored staring at the ceiling
376
00:26:46,410 --> 00:26:48,809
♪ While you point out my flaws
377
00:26:48,810 --> 00:26:54,169
♪ I've watched the wallpaper
peeling from slamming doors
378
00:26:54,170 --> 00:26:56,769
♪ You talk about penis envy
379
00:26:56,770 --> 00:26:59,369
♪ Your friends applaud
380
00:26:59,370 --> 00:27:02,489
♪ What am I expected to do?
381
00:27:02,490 --> 00:27:04,969
♪ Shout "Man overboard"? ♪
382
00:27:04,970 --> 00:27:09,169
♪ Don't wanna fight,
but sometimes you got to. ♪
383
00:27:09,170 --> 00:27:11,649
In 1985, the ageless Tina Turner
384
00:27:11,650 --> 00:27:13,529
continued to be an inspiration
to us all.
385
00:27:13,530 --> 00:27:17,529
♪ And there's just one thing
you got to know
386
00:27:17,530 --> 00:27:22,449
♪ You've got ten more thousand
miles to go because you're
387
00:27:22,450 --> 00:27:26,449
♪ One of the living
388
00:27:26,450 --> 00:27:29,369
♪ And if you can't stick together
389
00:27:29,370 --> 00:27:30,649
♪ Can't stick together
390
00:27:30,650 --> 00:27:36,570
♪ You're one of the living -
who's gonna make it tonight?
391
00:27:38,370 --> 00:27:40,169
♪ Yeah, yeah, yeah, ooh! ♪
392
00:27:40,170 --> 00:27:44,329
The time was right for women
everywhere to lead the way.
393
00:27:44,330 --> 00:27:45,730
Hm. Yeah. That's a song, I reckon.
394
00:28:06,450 --> 00:28:10,409
♪ Baby, so that's your plan
395
00:28:10,410 --> 00:28:13,889
♪ You're going out into
the world to be a man
396
00:28:13,890 --> 00:28:18,249
♪ But I worry for you, baby boy
Your peace of mind
397
00:28:18,250 --> 00:28:21,769
♪ 'Cause I know the dangers out
there if you go there
398
00:28:21,770 --> 00:28:27,289
♪ So, take my hand and follow me
399
00:28:27,290 --> 00:28:31,329
♪ Through the land,
across the sea
400
00:28:31,330 --> 00:28:34,729
♪ What abilities
the ocean's wide
401
00:28:34,730 --> 00:28:36,409
♪ I lead you through the
horror there
402
00:28:36,410 --> 00:28:37,410
♪ Stay by my side
403
00:28:39,490 --> 00:28:42,409
♪ Together we can do it
404
00:28:42,410 --> 00:28:45,410
♪ But first, you gotta give
yourself to me
405
00:28:46,410 --> 00:28:50,449
♪ Baby, don't give in because
we'll get through it
406
00:28:50,450 --> 00:28:52,529
♪ Let me lead the way
407
00:28:52,530 --> 00:28:54,450
♪ Lead the way
408
00:29:02,730 --> 00:29:06,489
♪ Baby, let's do it right
409
00:29:06,490 --> 00:29:10,369
♪ I came here to join you
through the darkest night
410
00:29:10,370 --> 00:29:12,369
♪ And, baby
411
00:29:12,370 --> 00:29:14,289
♪ Just remember you're not alone
412
00:29:14,290 --> 00:29:16,329
♪ 'Cause I will always be there
413
00:29:16,330 --> 00:29:18,249
♪ I can take you home
414
00:29:18,250 --> 00:29:23,609
♪ So, take my hand and follow me
415
00:29:23,610 --> 00:29:27,689
♪ Through the land,
across the sea
416
00:29:27,690 --> 00:29:30,849
♪ Where bitter cries
fill the air
417
00:29:30,850 --> 00:29:34,329
♪ I will lead you safely
so don't despair
418
00:29:34,330 --> 00:29:38,529
♪ 'Cause together we can do it
419
00:29:38,530 --> 00:29:42,609
♪ But first, you gotta
give yourself to me
420
00:29:42,610 --> 00:29:46,529
♪ Baby, don't give in
'cause we'll get through it
421
00:29:46,530 --> 00:29:48,849
♪ Let me lead the way
422
00:29:48,850 --> 00:29:51,409
♪ Lead the way
423
00:29:51,410 --> 00:29:52,410
♪ Give, give, give yourself
424
00:29:52,411 --> 00:29:55,209
♪ Give yourself
425
00:29:55,210 --> 00:29:56,409
♪ Give, give, give yourself
426
00:29:56,410 --> 00:29:58,529
♪ Give yourself
427
00:29:58,530 --> 00:30:00,369
♪ Do it
428
00:30:00,370 --> 00:30:02,210
♪ Do it Do it
429
00:30:24,290 --> 00:30:28,329
♪ Take my hand and understand
430
00:30:28,330 --> 00:30:32,329
♪ Leave with me
We'll fall away now
431
00:30:32,330 --> 00:30:35,409
♪ Suffering will cease to be
432
00:30:35,410 --> 00:30:40,529
♪ 'Cause when you love me truly
I will set you free
433
00:30:40,530 --> 00:30:43,129
♪ Together we can do it
434
00:30:43,130 --> 00:30:47,129
♪ But first, you gotta
give yourself to me
435
00:30:47,130 --> 00:30:51,129
♪ Baby, don't give in
'cause we'll get through it
436
00:30:51,130 --> 00:30:53,449
♪ Let me lead the way
437
00:30:53,450 --> 00:30:56,169
♪ Lead the way
438
00:30:56,170 --> 00:30:58,889
♪ Together we can do it
439
00:30:58,890 --> 00:31:03,329
♪ But first,
you gotta give yourself to me
440
00:31:03,330 --> 00:31:06,689
♪ Baby, don't give in
'cause we'll get through it
441
00:31:06,690 --> 00:31:09,409
♪ Let me lead the way
442
00:31:09,410 --> 00:31:12,449
♪ Lead the way
443
00:31:12,450 --> 00:31:15,449
♪ Come on, we can do it
444
00:31:15,450 --> 00:31:18,010
♪ But first, you gotta
give yourself to me. ♪
445
00:31:23,330 --> 00:31:26,450
Hi, this is Tina Turner
on Countdown.
446
00:31:27,610 --> 00:31:30,369
Of all the artists that entered
the Countdown studio,
447
00:31:30,370 --> 00:31:32,529
there were none more memorable
than Grace Jones.
448
00:31:32,530 --> 00:31:33,530
I'm a bit confused.
449
00:31:33,531 --> 00:31:35,369
Have you come out to Australia
450
00:31:35,370 --> 00:31:37,409
because A View to a Kill
has just been released?
451
00:31:37,410 --> 00:31:38,529
No.
No.
452
00:31:38,530 --> 00:31:39,530
Or have you come out
453
00:31:39,531 --> 00:31:43,369
because a boyfriend
you met here in this country...
454
00:31:43,370 --> 00:31:45,889
Well, you know it.
You just told everybody.
455
00:31:45,890 --> 00:31:49,449
Whether it was playing the role
of guest host
456
00:31:49,450 --> 00:31:52,569
or bringing her performance art
pop to the stage.
457
00:31:52,570 --> 00:31:53,729
Which do you prefer?
458
00:31:53,730 --> 00:31:57,769
Modelling, acting, or recording?
459
00:31:57,770 --> 00:32:00,769
I like them all.
460
00:32:00,770 --> 00:32:03,129
Seriously.
I love them all.
461
00:32:03,130 --> 00:32:05,369
Yeah, but I think...
462
00:32:05,370 --> 00:32:06,809
they both complement each other
463
00:32:06,810 --> 00:32:09,329
because one I can stay up
all night long
464
00:32:09,330 --> 00:32:11,649
and the other one I have to
wake up really early.
465
00:32:11,650 --> 00:32:13,209
So, you know,
466
00:32:13,210 --> 00:32:14,729
modelling I don't
do much of anymore.
467
00:32:14,730 --> 00:32:16,849
That was just like flying
around like a butterfly
468
00:32:16,850 --> 00:32:18,169
all over the world.
469
00:32:18,170 --> 00:32:19,569
Like the bird.
Right.
470
00:32:19,570 --> 00:32:22,249
But with acting you
can incorporate everything.
471
00:32:22,250 --> 00:32:23,689
You know, you can do all of it
472
00:32:23,690 --> 00:32:27,289
so probably ultimately
I would say acting.
473
00:32:27,290 --> 00:32:30,369
But acting and singing
are so close together now
474
00:32:30,370 --> 00:32:33,490
that you can't really separate it.
475
00:32:35,410 --> 00:32:37,610
♪ Oh, baby
476
00:32:41,570 --> 00:32:43,410
♪ I'm just playing around, baby
477
00:32:44,850 --> 00:32:49,529
♪ Work all day, as men who know
478
00:32:49,530 --> 00:32:55,129
♪ Wheels must turn to keep the flow
479
00:32:55,130 --> 00:32:59,329
♪ Build on up, don't break the chain
480
00:32:59,330 --> 00:33:05,689
♪ Sparks will fly,
when the whistle blows
481
00:33:05,690 --> 00:33:09,769
♪ Never stop the action
482
00:33:09,770 --> 00:33:12,370
♪ Keep it up, keep it up
483
00:33:15,650 --> 00:33:19,409
♪ Never stop the action
484
00:33:19,410 --> 00:33:20,410
♪ Keep it up
485
00:33:24,410 --> 00:33:27,530
♪ Work to the rhythm
486
00:33:29,410 --> 00:33:32,650
♪ Live to the rhythm
487
00:33:34,370 --> 00:33:37,730
♪ Love to the rhythm
488
00:33:39,250 --> 00:33:43,970
♪ Slave to the rhythm
489
00:33:51,690 --> 00:33:59,570
♪ Axe to wood, in ancient times
490
00:34:01,330 --> 00:34:08,930
♪ Man machine, powerline
491
00:34:10,810 --> 00:34:15,769
♪ Fires burn, hearts beat strong
492
00:34:15,770 --> 00:34:20,170
♪ Sing out loud, the chain gang song
493
00:34:22,330 --> 00:34:25,649
♪ Never stop the action
494
00:34:25,650 --> 00:34:27,650
♪ Keep it up, keep it up
495
00:34:31,130 --> 00:34:35,169
♪ Never stop the action
496
00:34:35,170 --> 00:34:37,210
♪ Come on, keep it up
497
00:34:42,370 --> 00:34:43,730
♪ Breathe to the rhythm
498
00:34:45,730 --> 00:34:48,850
♪ Dance to the rhythm
499
00:34:50,330 --> 00:34:53,850
♪ Work to the rhythm
500
00:34:55,330 --> 00:34:58,650
♪ Live to the rhythm
501
00:35:00,250 --> 00:35:03,330
♪ Love to the rhythm
502
00:35:06,410 --> 00:35:09,370
♪ Slave to the rhythm
503
00:35:11,290 --> 00:35:13,250
♪ Oh, baby
504
00:35:22,810 --> 00:35:24,969
♪ Don't cry
505
00:35:24,970 --> 00:35:27,770
♪ It's only the rhythm
506
00:35:40,730 --> 00:35:44,729
♪ We live to the rhythm
507
00:35:44,730 --> 00:35:48,330
♪ And we work to the rhythm
508
00:35:50,130 --> 00:35:54,889
♪ Love to the rhythm
509
00:35:54,890 --> 00:35:59,370
♪ Slave to the rhythm!
510
00:36:01,410 --> 00:36:05,889
And now ladies and gentlemen.
511
00:36:05,890 --> 00:36:08,570
Here's Grace!
512
00:36:16,250 --> 00:36:21,290
♪ Slave to the rhythm
513
00:36:24,730 --> 00:36:26,770
♪ To the rhythm. ♪
514
00:36:35,490 --> 00:36:36,889
OK, thanks very much, Gavin.
515
00:36:36,890 --> 00:36:38,329
Gavin, you wouldn't believe
this.
516
00:36:38,330 --> 00:36:41,409
I got the 12 inch here of
the Uncanny X-Men.
517
00:36:41,410 --> 00:36:43,809
GAVIN: Yes.
And it is a wonderful cover.
518
00:36:43,810 --> 00:36:46,289
The lead singer of top pop
group Uncanny X-Men
519
00:36:46,290 --> 00:36:48,689
has been arrested
by Victorian police.
520
00:36:48,690 --> 00:36:49,690
That was in the truth.
521
00:36:49,691 --> 00:36:52,529
Well, you've been no stranger
to being arrested either, Molly.
522
00:36:52,530 --> 00:36:54,329
Just before you go.
Just before you go.
523
00:36:54,330 --> 00:36:56,449
Let's see if your bellybutton
is as big as your mouth.
524
00:36:56,450 --> 00:36:58,729
No, it's...
No, it's not quite.
525
00:36:58,730 --> 00:36:59,730
Trust Molly to do this, eh.
526
00:36:59,731 --> 00:37:00,809
Well, I'll tell you what.
527
00:37:00,810 --> 00:37:02,809
The Aussies are here.
I'm talking about the Aussies.
528
00:37:02,810 --> 00:37:04,489
Do you want to introduce the...
529
00:37:04,490 --> 00:37:08,649
Well, now we have
the Australian top five.
530
00:37:08,650 --> 00:37:11,529
ANNOUNCER: And for the first
time in television history,
531
00:37:11,530 --> 00:37:16,090
the Countdown cowboy
will ride a bareback bronco.
532
00:37:22,690 --> 00:37:24,209
Do you all watch Countdown,
do you?
533
00:37:24,210 --> 00:37:26,769
Yeah!
Well, I'll tell you what.
534
00:37:26,770 --> 00:37:28,289
You can start helping me.
535
00:37:28,290 --> 00:37:30,290
Do you want to hold them
for me, alright?
536
00:37:31,850 --> 00:37:33,769
(SPEAKS INDISTINCTLY)
537
00:37:33,770 --> 00:37:37,209
Alright. Now if we all...
Shhh, shhh, shhh.
538
00:37:37,210 --> 00:37:39,689
Now we'll all pretend now that we're
all doing Humdrum, alright?
539
00:37:39,690 --> 00:37:42,730
So, look at the camera.
(ALL CHEER)
540
00:37:44,490 --> 00:37:47,209
Thanks a lot for being on the
show and for being what you are.
541
00:37:47,210 --> 00:37:49,449
Of course, of course.
542
00:37:49,450 --> 00:37:51,809
Now I want you to do me
one favour.
543
00:37:51,810 --> 00:37:55,369
I follow a football team
here called St Kilda.
544
00:37:55,370 --> 00:37:58,769
Hey, hey, hey.
(AUDIENCE GROANS)
545
00:37:58,770 --> 00:38:01,249
And it's actually
your manager's team as well.
546
00:38:01,250 --> 00:38:03,329
They have been at the bottom of
the ladder for so long.
547
00:38:03,330 --> 00:38:04,809
I just figured
if you wear it once.
548
00:38:04,810 --> 00:38:06,449
I'll pull them up.
It might pull it up.
549
00:38:06,450 --> 00:38:08,329
Alright, alright, here it is.
550
00:38:08,330 --> 00:38:09,689
Come on,
they need a lift, you guys.
551
00:38:09,690 --> 00:38:11,249
(APPLAUSE)
552
00:38:11,250 --> 00:38:12,889
Yeah, that's nice!
553
00:38:12,890 --> 00:38:14,329
Now, listen,
I need one promise from you -
554
00:38:14,330 --> 00:38:17,289
that you will promise that you
will tour Australia some time.
555
00:38:17,290 --> 00:38:20,249
We are driving right there now.
556
00:38:20,250 --> 00:38:21,889
What do you do for relaxation?
557
00:38:21,890 --> 00:38:23,409
Relaxation?
Yeah.
558
00:38:23,410 --> 00:38:25,129
I got this sort of technique.
559
00:38:25,130 --> 00:38:26,809
Are you very tense?
Yes, I am.
560
00:38:26,810 --> 00:38:28,929
You seem like a kind of
tense kind of vibe.
561
00:38:28,930 --> 00:38:30,249
Very, very.
562
00:38:30,250 --> 00:38:31,769
What you have got to do
is put your finger...
563
00:38:31,770 --> 00:38:33,849
(AUDIENCE GROANS)
564
00:38:33,850 --> 00:38:38,489
And then breathe in
through the other nostril.
565
00:38:38,490 --> 00:38:41,729
And then like put your other
finger in the other nostril
566
00:38:41,730 --> 00:38:43,569
and you take the first one out
567
00:38:43,570 --> 00:38:46,250
and then like breathe out
through that one.
568
00:38:47,730 --> 00:38:49,369
It works.
569
00:38:49,370 --> 00:38:50,569
Have you written
a book about this?
570
00:38:50,570 --> 00:38:51,570
Completely relaxed.
571
00:38:51,571 --> 00:38:53,209
Yeah, I have.
Yeah.
572
00:38:53,210 --> 00:38:54,489
Listen I think we had better go.
573
00:38:54,490 --> 00:38:57,249
It's been really nice
to see you.
574
00:38:57,250 --> 00:38:58,529
Right.
575
00:38:58,530 --> 00:39:02,010
Would you like to throw to the
Australian top five?
576
00:39:03,770 --> 00:39:05,889
Would you like to just say,
"Here's the Australian top five"?
577
00:39:05,890 --> 00:39:08,249
What do I say?
"Here's the Australian top five."
578
00:39:08,250 --> 00:39:09,649
Just like that.
Well, use those hands.
579
00:39:09,650 --> 00:39:11,169
Um and er a bit too.
580
00:39:11,170 --> 00:39:13,529
Here's the Australian top five.
581
00:39:13,530 --> 00:39:14,850
Thanks.
582
00:39:19,370 --> 00:39:24,769
Something that brings a smile
to my face - yes, I do smile =
583
00:39:24,770 --> 00:39:28,209
is seeing good Aussie
home-grown product
584
00:39:28,210 --> 00:39:30,649
on the move doing something.
585
00:39:30,650 --> 00:39:33,769
♪ Happy people
586
00:39:33,770 --> 00:39:36,329
The great thing about the
Australian scene at the time
587
00:39:36,330 --> 00:39:38,249
was that local bands were
trying their hand at
588
00:39:38,250 --> 00:39:40,129
different styles of music.
589
00:39:40,130 --> 00:39:43,650
There was the jangly guitar pop
of Adelaide band F A B.
590
00:39:44,370 --> 00:39:51,049
♪ Happy people, happy people
591
00:39:51,050 --> 00:39:57,289
♪ Happy people just sit
by the stairs of God. ♪
592
00:39:57,290 --> 00:40:00,449
♪ Wished that guy had laughed
right in my face
593
00:40:00,450 --> 00:40:04,409
The Vitabeats blurred the lines
of art and dance music.
594
00:40:04,410 --> 00:40:06,289
♪ Pass the taxi
595
00:40:06,290 --> 00:40:08,929
♪ Can feel it, man,
when you're in the streets
596
00:40:08,930 --> 00:40:12,090
♪ Lit up to the boom box beat
597
00:40:13,330 --> 00:40:16,410
♪ Boom box - ha!
On your shoulder
598
00:40:17,730 --> 00:40:21,890
♪ Funk atomic bomb
swooped down from America
599
00:40:22,770 --> 00:40:26,569
♪ Boom box running soldier
600
00:40:26,570 --> 00:40:29,810
♪ One-eyed devil boom box
Hey! ♪
601
00:40:39,290 --> 00:40:43,369
Geisha mixed synthpop and rock
with a hint of a show tune.
602
00:40:43,370 --> 00:40:46,849
♪ Kabuki was
what I've always felt
603
00:40:46,850 --> 00:40:53,170
♪ That love was more
than any man can bear
604
00:40:54,730 --> 00:40:58,729
♪ If only you'd listen to kabuki
605
00:40:58,730 --> 00:41:01,929
♪ You'd see the love
is in your heart
606
00:41:01,930 --> 00:41:04,170
♪ Not in your head. ♪
607
00:41:06,610 --> 00:41:09,849
And the Dynamic Hepnotics kept
funk and soul alive
608
00:41:09,850 --> 00:41:11,730
and brought it to Countdown.
609
00:41:14,410 --> 00:41:19,210
♪ Gotta be the wrong way to
love, the way I love you, baby
610
00:41:22,330 --> 00:41:24,330
♪ It's gotta be the wrong
way to lo-ove
611
00:41:25,610 --> 00:41:29,410
♪ The way I love you now, oh
612
00:41:31,410 --> 00:41:34,170
♪ It's got me walkin' in the
stree-eet
613
00:41:35,370 --> 00:41:38,290
♪ It's got me cryin' in my sleep
614
00:41:39,610 --> 00:41:42,330
♪ I don't know what's goin' on
615
00:41:44,130 --> 00:41:48,410
♪ All I know is something's
wrong now, hey, yeah
616
00:41:49,450 --> 00:41:52,729
♪ Gotta be the wrong way to love
617
00:41:52,730 --> 00:41:55,530
♪ The way I love you baby, oh
618
00:41:57,330 --> 00:41:59,610
♪ It's gotta be the wrong way
to lo-ove
619
00:42:00,890 --> 00:42:03,570
♪ The way I love you now, yeah
620
00:42:06,770 --> 00:42:08,890
♪ I was gone too lo-ong
621
00:42:10,570 --> 00:42:13,370
♪ Yeah, I was hurryin' home
622
00:42:14,770 --> 00:42:18,809
♪ I couldn't wait
to see my baby's face
623
00:42:18,810 --> 00:42:23,610
♪ But I found someone
in my place now, oh, yeah
624
00:42:24,370 --> 00:42:27,769
♪ It's gotta be the wrong way
to love
625
00:42:27,770 --> 00:42:29,410
♪ The way I love you, baby
626
00:42:32,450 --> 00:42:34,850
♪ Gotta be the wrong way to
love now
627
00:42:36,250 --> 00:42:39,410
♪ The way I love you now, heee
628
00:42:42,250 --> 00:42:49,329
♪ Used to be, you and me,
endlessly, tenderly
629
00:42:49,330 --> 00:42:53,369
♪ But something's gone,
I can't go on
630
00:42:53,370 --> 00:42:57,289
♪ It's easy to see
I should set you free
631
00:42:57,290 --> 00:42:59,569
♪ But I can't help myself
632
00:42:59,570 --> 00:43:03,169
♪ Gotta be the wrong way to love
633
00:43:03,170 --> 00:43:07,529
♪ The way I love you baby, oh
634
00:43:07,530 --> 00:43:15,250
♪ It's gotta be the wrong way
to lo-ove, the way I love you
635
00:43:17,690 --> 00:43:22,410
♪ It's gotta be wrong, gotta be
wrong, it's gotta be wrong
636
00:43:25,130 --> 00:43:30,370
♪ It's wrong, baby, yeah, the
way I love you baby, don't you know?
637
00:43:32,330 --> 00:43:34,930
♪ It's gotta be the wrong way
to love
638
00:43:35,930 --> 00:43:38,850
♪ The way I love you, baby
639
00:43:40,570 --> 00:43:45,490
♪ I'm tryin' to tell you now,
just tryin' to let you know
640
00:43:47,690 --> 00:43:50,330
♪ I guess I'm just a
restless sou-oul, baby
641
00:43:52,490 --> 00:43:55,690
♪ Gotta keep on movin' on,
yeah, oh
642
00:43:57,450 --> 00:44:02,409
♪ I said baby, baby, baby, baby
643
00:44:02,410 --> 00:44:10,290
♪ Ooh, baby, baby, baby, baby
644
00:44:12,130 --> 00:44:20,130
♪ Ow! Baby, baby, baby, baby,
yeah, oooh
645
00:44:22,810 --> 00:44:27,930
♪ Baby, baby, baby, baby, oh!
646
00:44:30,250 --> 00:44:32,330
♪ Every time I think about it I know
647
00:44:34,730 --> 00:44:37,169
♪ I know it's wrong but
the feeling's too strong
648
00:44:37,170 --> 00:44:39,169
♪ I stayed too long
when I should have been gone
649
00:44:39,170 --> 00:44:43,249
♪ Every time I find someone
seems like I gotta move on
650
00:44:43,250 --> 00:44:45,450
♪ Guess I'll walk on
down the road. ♪
651
00:45:05,450 --> 00:45:07,369
Hi, this is James
and Shawn from The Models.
652
00:45:07,370 --> 00:45:10,729
And you're watching Countdown
coast-to-coast across Australia.
653
00:45:10,730 --> 00:45:14,569
The apparent she'll-be-right attitude
of the old school Oz rock band
654
00:45:14,570 --> 00:45:16,369
seemed to endure.
655
00:45:16,370 --> 00:45:19,489
♪ I walk along right next to you
656
00:45:19,490 --> 00:45:22,529
♪ You seem to know
just what to do
657
00:45:22,530 --> 00:45:27,569
♪ Your body tries to
infiltrate our privacy
658
00:45:27,570 --> 00:45:29,689
♪ It's hard to wait
659
00:45:29,690 --> 00:45:31,369
♪ Easy, darling
660
00:45:31,370 --> 00:45:35,889
♪ You can't ignore all of the
reasons that I love you for
661
00:45:35,890 --> 00:45:37,529
♪ The way we cook
662
00:45:37,530 --> 00:45:39,449
♪ The way you win
663
00:45:39,450 --> 00:45:43,489
♪ When you wanna love me
I must give in
664
00:45:43,490 --> 00:45:46,689
♪ Try not to break me, baby
665
00:45:46,690 --> 00:45:49,769
♪ You're so strong
666
00:45:49,770 --> 00:45:53,329
♪ You mightn't think so but I know
667
00:45:53,330 --> 00:45:56,449
♪ You're so strong. ♪
668
00:45:56,450 --> 00:46:00,770
♪ I'm going up to Queensland
669
00:46:01,210 --> 00:46:06,209
♪ I need somewhere to get lost
670
00:46:06,210 --> 00:46:12,810
♪ The only friends I've ever known
are somewhere up the coast
671
00:46:14,730 --> 00:46:17,810
♪ All these thoughts of you
are sailing
672
00:46:19,250 --> 00:46:21,770
♪ Around the oceans in my heart
673
00:46:24,290 --> 00:46:26,449
♪ I'm outta dope
674
00:46:26,450 --> 00:46:28,689
♪ And outta hope
675
00:46:28,690 --> 00:46:32,329
♪ I'm slowly falling apart
676
00:46:32,330 --> 00:46:36,609
♪ Say goodbye
677
00:46:36,610 --> 00:46:40,330
♪ Goodbye, Barbara Ann. ♪
678
00:46:41,450 --> 00:46:42,450
Here we are in America
679
00:46:42,451 --> 00:46:44,649
and I've got two of my closest
friends here with me
680
00:46:44,650 --> 00:46:46,369
and they've got something to
say.
681
00:46:46,370 --> 00:46:49,809
Hello, Molly.
You're watching Countdown.
682
00:46:49,810 --> 00:46:51,329
They've got it sussed, haven't they?
683
00:46:51,330 --> 00:46:53,250
Got something for you, Molly.
684
00:46:55,450 --> 00:46:58,329
And for lovable larrikins like
Brian Mannix
685
00:46:58,330 --> 00:47:01,770
life was just one long party.
686
00:47:05,370 --> 00:47:07,489
♪ What we gonna do?
687
00:47:07,490 --> 00:47:08,769
♪ Where we gonna go?
688
00:47:08,770 --> 00:47:11,769
♪ We need something to do
when the party's through
689
00:47:11,770 --> 00:47:15,169
♪ Too early to go home
too late to be alone
690
00:47:15,170 --> 00:47:18,849
♪ What we gonna do
when the party's through
691
00:47:18,850 --> 00:47:20,729
♪ Ash me through
692
00:47:20,730 --> 00:47:22,329
♪ Home in bed
693
00:47:22,330 --> 00:47:23,449
♪ I gotta be up early
694
00:47:23,450 --> 00:47:25,409
♪ But I'm out instead
695
00:47:25,410 --> 00:47:28,489
♪ I shouldn't drink
or take this drug
696
00:47:28,490 --> 00:47:31,449
♪ When the night time comes
I just can't get enough
697
00:47:31,450 --> 00:47:34,209
♪ There's a lot
more to this night
698
00:47:34,210 --> 00:47:36,769
♪ Don't let it finish here
699
00:47:36,770 --> 00:47:38,649
♪ So, what we gonna do?
700
00:47:38,650 --> 00:47:40,409
♪ Where we gonna go?
701
00:47:40,410 --> 00:47:43,369
♪ Need something to do
when the party's through
702
00:47:43,370 --> 00:47:44,889
♪ Too early to go home
703
00:47:44,890 --> 00:47:46,689
♪ Too late to be alone
704
00:47:46,690 --> 00:47:49,450
♪ What we gonna do
when the party's through
705
00:47:51,130 --> 00:47:53,889
♪ Friends, they last forever
706
00:47:53,890 --> 00:47:56,170
♪ And girls just come and go
707
00:47:57,330 --> 00:47:59,689
♪ Don't say things could be better
708
00:47:59,690 --> 00:48:03,970
♪ If they could,
we'll never know
709
00:48:17,530 --> 00:48:20,729
♪ So, every night you'll
find me round about
710
00:48:20,730 --> 00:48:24,289
♪ 'Cause the only thing
I hate in life is missing out
711
00:48:24,290 --> 00:48:27,249
♪ And I should be tucked in my bed
712
00:48:27,250 --> 00:48:30,369
♪ But I'm dancing on the table
and I'm up ahead
713
00:48:30,370 --> 00:48:35,769
♪ There's a lot more to this boy
than ever meets your eye
714
00:48:35,770 --> 00:48:37,769
♪ So, what we gonna do?
715
00:48:37,770 --> 00:48:39,369
♪ Where we gonna go?
716
00:48:39,370 --> 00:48:42,449
♪ Need something to do
when the party's through
717
00:48:42,450 --> 00:48:43,889
♪ Too early to go home
718
00:48:43,890 --> 00:48:45,529
♪ Too late to be alone
719
00:48:45,530 --> 00:48:50,129
♪ What we gonna do
when the party's through
720
00:48:50,130 --> 00:48:52,489
♪ Friends, they last forever
721
00:48:52,490 --> 00:48:56,129
♪ And girls just come and go
722
00:48:56,130 --> 00:48:58,649
♪ Don't say things could be better
723
00:48:58,650 --> 00:49:01,649
♪ If they could,
we'll never know
724
00:49:01,650 --> 00:49:03,369
♪ What we gonna do?
725
00:49:03,370 --> 00:49:04,609
♪ Where we gonna go?
726
00:49:04,610 --> 00:49:07,769
♪ Need something to do
when the party's through
727
00:49:07,770 --> 00:49:09,329
♪ Too early to go home
728
00:49:09,330 --> 00:49:11,169
♪ Too late to be alone
729
00:49:11,170 --> 00:49:14,409
♪ What we gonna do
when the party's through
730
00:49:14,410 --> 00:49:15,729
♪ What we gonna do?
731
00:49:15,730 --> 00:49:17,449
♪ Where we gonna go?
732
00:49:17,450 --> 00:49:20,329
♪ We need something to do
when the party's through
733
00:49:20,330 --> 00:49:22,249
♪ Too early too go home
734
00:49:22,250 --> 00:49:23,649
♪ Too late to be alone
735
00:49:23,650 --> 00:49:26,849
♪ What we gonna do
when the party's through
736
00:49:26,850 --> 00:49:28,489
♪ What we gonna do?
737
00:49:28,490 --> 00:49:30,289
♪ Where we gonna go?
738
00:49:30,290 --> 00:49:32,770
♪ Need something to do
when the party's through. ♪
739
00:49:48,450 --> 00:49:51,209
The Band Aid and
USA for Africa singles
740
00:49:51,210 --> 00:49:55,289
combined to hold the top spot on
the charts for three months.
741
00:49:55,290 --> 00:49:57,129
♪ Get into the groove. ♪
742
00:49:57,130 --> 00:49:58,489
For much of the rest of the year,
743
00:49:58,490 --> 00:50:01,850
it really was the Madonna show.
744
00:50:07,610 --> 00:50:10,609
A couple of old rock dogs showed
they could still give it a shake.
745
00:50:10,610 --> 00:50:14,329
MOLLY: To go out and do
Dancing in the Streets with Bowie.
746
00:50:14,330 --> 00:50:18,609
And looking like two excited
schoolboys dancing down the street
747
00:50:18,610 --> 00:50:19,610
with a film crew.
748
00:50:19,611 --> 00:50:21,409
And that was quick, wasn't it?
Very.
749
00:50:21,410 --> 00:50:24,769
That was 12 hours, the video and
the record. Another quick one.
750
00:50:24,770 --> 00:50:27,689
Ever think it was going to
be such a big single?
751
00:50:27,690 --> 00:50:29,850
No, we didn't even know if we
were going to put it out.
752
00:50:31,650 --> 00:50:35,409
With Huey Lewis joining the pack
as the chart topper.
753
00:50:35,410 --> 00:50:37,449
Hello, Australia.
I'm Mick Jagger.
754
00:50:37,450 --> 00:50:38,769
And I would like to thank you
755
00:50:38,770 --> 00:50:40,730
for making Huey Lewis's song
number one this week.
756
00:50:42,650 --> 00:50:43,650
He'll kill me.
757
00:50:43,651 --> 00:50:46,370
He will send his bodyguards
after me, for Christ's sake.
758
00:50:46,690 --> 00:50:48,649
Hi, this is Curt from
Tears for Fears.
759
00:50:48,650 --> 00:50:51,330
I'm in Tower Records in New York
and you're watching Countdown.
760
00:50:52,490 --> 00:50:55,850
Tears for Fears momentarily
pushed out the Americans.
761
00:51:00,410 --> 00:51:03,209
The only Australian band
to make the top spot,
762
00:51:03,210 --> 00:51:05,130
The Models, kept reinventing
themselves.
763
00:51:07,330 --> 00:51:10,289
♪ Looking a little bit closer now
764
00:51:10,290 --> 00:51:12,890
♪ I've got something to say to you
765
00:51:15,130 --> 00:51:17,490
♪ And if your body touches me
766
00:51:18,130 --> 00:51:20,810
♪ I just don't know what I might do
767
00:51:22,130 --> 00:51:24,329
♪ And so hold me, honey
768
00:51:24,330 --> 00:51:26,209
♪ Hit on the bed
769
00:51:26,210 --> 00:51:30,329
♪ I've got a notion in my head
770
00:51:30,330 --> 00:51:32,649
♪ Out of mind, out of sight
771
00:51:32,650 --> 00:51:34,570
♪ Gotta keep my body tight
772
00:51:36,370 --> 00:51:38,329
♪ Out of mind, out of sight
773
00:51:38,330 --> 00:51:40,410
♪ I'm gonna keep my body tight. ♪
774
00:51:46,290 --> 00:51:49,369
And it had been a while since
a Scandinavian quartet
775
00:51:49,370 --> 00:51:51,409
had topped the Australian charts.
776
00:51:51,410 --> 00:51:55,130
A-Ha sat atop the summit
for a fortnight in 1985.
777
00:52:18,490 --> 00:52:21,129
♪ We're talking away
778
00:52:21,130 --> 00:52:26,649
♪ I don't know what I'm to say
I'll say it anyway
779
00:52:26,650 --> 00:52:30,129
♪ Today's another day to find you
780
00:52:30,130 --> 00:52:32,849
♪ Shying away
781
00:52:32,850 --> 00:52:35,369
♪ I'll be coming for your love, OK?
782
00:52:35,370 --> 00:52:39,849
♪ Take on me
783
00:52:39,850 --> 00:52:41,289
♪ Take on me
784
00:52:41,290 --> 00:52:45,689
♪ Take me on
785
00:52:45,690 --> 00:52:47,129
♪ Take on me
786
00:52:47,130 --> 00:52:51,609
♪ I'll be gone
787
00:52:51,610 --> 00:52:57,530
♪ In a day or two
788
00:52:58,170 --> 00:53:01,329
♪ So, needless to say
789
00:53:01,330 --> 00:53:03,129
♪ I'm odds and ends
790
00:53:03,130 --> 00:53:06,689
♪ I'll be stumbling away
791
00:53:06,690 --> 00:53:09,889
♪ Slowly learning that life is OK
792
00:53:09,890 --> 00:53:12,809
♪ Say after me
793
00:53:12,810 --> 00:53:15,529
♪ It's no better
to be safe than sorry
794
00:53:15,530 --> 00:53:19,729
♪ Take on me
795
00:53:19,730 --> 00:53:21,369
♪ Take on me
796
00:53:21,370 --> 00:53:25,649
♪ Take me on
797
00:53:25,650 --> 00:53:27,089
♪ Take on me
798
00:53:27,090 --> 00:53:31,369
♪ I'll be gone
799
00:53:31,370 --> 00:53:37,650
♪ In a day or two
800
00:54:17,810 --> 00:54:21,129
♪ Oh, the things that you say
801
00:54:21,130 --> 00:54:22,569
♪ Is it life or
802
00:54:22,570 --> 00:54:26,489
♪ Just to play my worries away
803
00:54:26,490 --> 00:54:29,809
♪ You're all the things
I've got to remember
804
00:54:29,810 --> 00:54:32,649
♪ You're shying away
805
00:54:32,650 --> 00:54:35,289
♪ I'll be coming for you anyway
806
00:54:35,290 --> 00:54:39,689
♪ Take on me
807
00:54:39,690 --> 00:54:41,129
♪ Take on me
808
00:54:41,130 --> 00:54:45,289
♪ Take me on
809
00:54:45,290 --> 00:54:46,769
♪ Take on me
810
00:54:46,770 --> 00:54:51,449
♪ I'll be gone
811
00:54:51,450 --> 00:54:54,729
♪ In a day or two
812
00:54:54,730 --> 00:54:56,529
♪ Take on me
813
00:54:56,530 --> 00:54:58,129
♪ Take on me
814
00:54:58,130 --> 00:55:02,169
♪ Take me on
815
00:55:02,170 --> 00:55:04,169
♪ Take on me
816
00:55:04,170 --> 00:55:08,169
♪ I'll be gone
817
00:55:08,170 --> 00:55:09,170
♪ Take on me
818
00:55:09,171 --> 00:55:13,649
♪ In a day or two ♪ Take me on
819
00:55:13,650 --> 00:55:15,209
♪ Take on me. ♪
820
00:55:15,210 --> 00:55:17,170
(CHEERING, APPLAUSE)
821
00:55:32,130 --> 00:55:35,009
♪ Now, the last time
I saw Molly Meldrum
822
00:55:35,010 --> 00:55:37,450
♪ I was standing in his yard
823
00:55:40,850 --> 00:55:43,569
♪ Molly was having a very good time
824
00:55:43,570 --> 00:55:45,770
♪ But for him, that's not too hard
825
00:55:49,250 --> 00:55:51,449
♪ Because he travels
around the world
826
00:55:51,450 --> 00:55:53,649
♪ Speaking to pop stars like me
827
00:55:53,650 --> 00:55:56,249
♪ Everybody wants a job like that
828
00:55:56,250 --> 00:55:58,410
♪ I would
Me. ♪
829
00:56:06,130 --> 00:56:07,329
Sorry about that.
(LAUGHTER)
830
00:56:07,330 --> 00:56:09,769
Visit the Classic Countdown website
for more pictures,
831
00:56:09,770 --> 00:56:12,169
interviews, and
behind-the-scenes information.
63304
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