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MOLLY: OK, well, welcome back to
Countdown.
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00:00:03,200 --> 00:00:08,919
Countdown '83. I must say,
I admire you guys for a lot...
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00:00:08,920 --> 00:00:11,840
(LAUGHTER)
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ANNOUNCER: Welcome to
Classic Countdown 1983.
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00:00:23,960 --> 00:00:28,639
PAT WILSON: In 1983,
Australia was ready for change.
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We had a new PM who seemed far
more relaxed than the last bloke.
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I tell you what,
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any boss who sacks anyone for
not turning up today is a bum.
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(LAUGHTER)
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Alan Bond had morphed
from millionaire mogul
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to hero of the common people.
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And politics in the '80s would
be fought on new battlegrounds.
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Determined conservative governments
overseas seemed to foster,
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in spite of themselves, even more
determined countercultures.
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(SINGS INDISTINCTLY)
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It was the year that we'd learned
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that we could dance if we want to
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and to pass the dutchie
on the left hand side.
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00:01:08,200 --> 00:01:12,880
The McNugget was launched and
Cabbage Patch Kids were cuddled.
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New technology was putting new sounds
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at the fingertips of young musicians.
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♪ I say You say
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♪ Weren't you listening
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♪ Now it's too late
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♪ You're not listening
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♪ I say You say
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♪ Weren't you listening
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♪ Now it's too late
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♪ You're not listening... ♪
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And as viewers had always known,
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Countdown would throw
the newest and the brightest
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in front of a camera.
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I'd like to take this
opportunity
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to introduce you to
our new drummer, Paul Hester -
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and his yo-yo.
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(SMATTERING OF APPLAUSE)
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Say a few words, Paul.
Say a few words.
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Come on, talk.
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Um, cat appears to have got
Paul's tongue,
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so we'll just move right along.
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And talking about new talent,
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here's the Kids in the Kitchen
with Change of Mood.
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Come on, Paul. It's alright.
It's alright.
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♪ Look so careful
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♪ For a fault
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♪ Wait one minute
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♪ Say no more
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♪ Bewildered then
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♪ Bewildered now
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♪ Conceal forever
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♪ Is this the end
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♪ I'm waiting
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♪ I'm changing
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♪ Now my eyes are
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♪ Open wide
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♪ Fear in voice
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♪ I remember
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♪ Change in mood
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♪ I can sense it
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♪ Changing every day
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♪ I remember
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♪ Infatuation
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♪ It's a figure of
your imagination
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♪ Through young times
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♪ Wilder minds
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♪ Conceal forever
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♪ Is this the end?
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♪ Change in mood
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♪ I can sense it
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♪ Changing every day
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♪ Words meaning words of change
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♪ You look inside
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♪ There's nothing there
I can't, I can't
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♪ No, I can't
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♪ That's forever
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♪ Change in mood
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♪ I can sense it
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♪ Changing every day
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♪ Change in mood
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00:05:00,920 --> 00:05:04,279
♪ I can sense it
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♪ Changing every day
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♪ Oh
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00:05:12,960 --> 00:05:16,239
♪ Whoa oh oh
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♪ Whoa oh oh oh
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♪ Whoa oh. ♪
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Hi, this is Dennis Lillee,
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and we've got some things
tonight on Countdown
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that are going to bowl you over.
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By 1983, Molly Meldrum's
showmanship reached fever pitch.
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Oh, no. Don't.
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Molly was up for anything that
would help make Countdown more fun.
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00:05:48,480 --> 00:05:50,639
Hello, there.
Captain Sensible here.
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Let's have another look at my
fabulous, incredible,
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wonderful video called What.
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What? What?
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(LAUGHS)
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If music was the biggest show
in town, Molly was the ringmaster.
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00:06:03,520 --> 00:06:05,999
I think that China Girl
should be the second single.
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00:06:06,000 --> 00:06:07,039
(LAUGHS)
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00:06:07,040 --> 00:06:08,479
Very good.
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00:06:08,480 --> 00:06:10,359
Not only would you see him
hosting Countdown
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and interviewing the stars,
on some occasions,
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00:06:13,480 --> 00:06:15,879
Molly would also make
an unforgettable cameo
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on a musical performance
on the show. I should know.
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♪ B-O-P-G-I-R-L
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♪ Got the whole world searching
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♪ For their own bop girl
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♪ Out in the crowd
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♪ I'm in the street
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♪ Got the whole world shaking
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♪ To this big bop beat
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♪ She's a bop girl
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♪ She's a bop
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♪ She's a bop bop girl
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♪ She's a bop girl
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♪ She's a bop
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♪ She's a bop bop girl
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♪ All you follow
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♪ I'll lead the way
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♪ Oh, the bop girl's A-OK
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♪ Dig the bop girl
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♪ Start to move
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00:07:06,760 --> 00:07:10,840
♪ Down inside that microgroove
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♪ B-O-P-G-I-R-L
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♪ Got the whole world searching
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♪ For their own bop girl
127
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♪ Out in the crowd
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♪ I'm in the street
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♪ Got the whole world shaking
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♪ To my big bop beat
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♪ She's a bop girl
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♪ She's a bop
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♪ She's a bop bop girl
134
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♪ She's a bop girl
135
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♪ She's a bop
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♪ She's a bop bop girl
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♪ At the dance I'm with my man
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♪ Dig the flow
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♪ Jump with the band
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♪ I got friction
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♪ I can't stop
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♪ I'm a dancing spinning top
143
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♪ B-O-P-G-I-R-L
144
00:08:11,800 --> 00:08:13,359
♪ Got the whole world searching
145
00:08:13,360 --> 00:08:15,679
♪ For their own bop girl
146
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♪ Out in the crowd
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♪ I'm in the street
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♪ Got the whole world shaking
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♪ To my big bop beat
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♪ Now dig the bop girl
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♪ And swing that thing
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♪ Whoo
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♪ She's a bop girl
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♪ She's a bop
155
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♪ She's a bop bop girl
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♪ She's a bop girl
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♪ She's a bop
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♪ She's a bop bop girl
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00:09:04,040 --> 00:09:07,039
♪ B-O-P-G-I-R-L
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♪ Got the whole world searching
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♪ For their own bop girl
162
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♪ Out in the crowd
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♪ I'm in the street
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♪ Got the whole world shaking
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♪ To my big bop beat
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♪ B-O-P-G-I-R-L
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♪ Got the whole world searching
168
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♪ For their own bop girl
169
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♪ Out in the crowd
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♪ I'm in the street
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♪ Got the whole world shaking
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♪ To my big bop beat
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♪ B-O-P-G-I-R-L
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♪ Got the whole world searching... ♪
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The Cold War was at its height
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and many experts warned that
nuclear war was a real possibility.
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Politics found its way
into the music of the day.
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Mass media, government,
like Khartoum,
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Ron Reagan being president,
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so people don't realise that
in order to have freedom,
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they have to think about it
and fight for it every day.
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A Sinking Ship.
I mean, is there any symbolism?
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It's like Margaret Thatcher's
Britain.
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Margaret Thatcher's sort of
sinking Britain, I think.
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Destroying the place.
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In what way?
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Well, she's making it...
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turning it into a cold,
right-wing, horrible country,
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where it's the survival
of the fittest.
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And if you're poor and
unemployed and that, I mean,
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what does she care?
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And we're still torturing
people in prisons
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and things like that.
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There's plenty of things.
Punk is a protest movement.
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00:10:36,720 --> 00:10:41,159
Maybe not quite as sensational now
as it was five, six years ago,
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but it's very necessary
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because there's plenty
of things to protest about.
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Countdown featured many
politically aware bands
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prepared to make statements.
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♪ Here, now, we're dancing
in the square
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00:11:03,840 --> 00:11:08,200
♪ Victory, with foul rain
in the air
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00:11:10,480 --> 00:11:15,040
♪ Over in the Middle East it burns
203
00:11:16,880 --> 00:11:21,480
♪ Crying out tonight
for good to learn
204
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♪ I always close my eyes
205
00:11:27,000 --> 00:11:29,240
♪ To look into the sun
206
00:11:30,320 --> 00:11:33,519
♪ I always close my eyes
207
00:11:33,520 --> 00:11:35,400
♪ The same as everyone
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♪ And, again,
we hear it on the news
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00:11:43,000 --> 00:11:47,400
♪ Worldwide, local with some views
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00:11:49,400 --> 00:11:53,880
♪ Now, in the South Americas
211
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♪ Fight for life is right
to left and worse
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00:12:02,760 --> 00:12:05,679
♪ I always close my eyes
213
00:12:05,680 --> 00:12:07,680
♪ To look into the sun
214
00:12:09,400 --> 00:12:12,639
♪ I always close my eyes
215
00:12:12,640 --> 00:12:14,319
♪ The same as everyone
216
00:12:14,320 --> 00:12:16,079
♪ Same as everyone
217
00:12:16,080 --> 00:12:19,079
♪ I always close my eyes
218
00:12:19,080 --> 00:12:21,160
♪ To look into the sun
219
00:12:22,440 --> 00:12:25,519
♪ I always close my eyes
220
00:12:25,520 --> 00:12:27,760
♪ The same as everyone
221
00:12:59,840 --> 00:13:03,039
♪ I always close my eyes
222
00:13:03,040 --> 00:13:05,160
♪ To look into the sun
223
00:13:06,440 --> 00:13:09,599
♪ I always close my eyes
224
00:13:09,600 --> 00:13:11,360
♪ The same as everyone
225
00:13:13,000 --> 00:13:16,720
♪ And now they're telling us
some truth
226
00:13:19,200 --> 00:13:23,200
♪ But who can I you turn to
for the clues
227
00:13:25,600 --> 00:13:30,040
♪ How can we know
what's going on?
228
00:13:32,200 --> 00:13:36,280
♪ If our eyes are always
closed to the sun
229
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♪ I always close my eyes
230
00:13:42,160 --> 00:13:44,240
♪ To look into the sun
231
00:13:45,640 --> 00:13:48,679
♪ I always close my eyes
232
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♪ The same as everyone
233
00:13:50,440 --> 00:13:52,119
♪ Same as everyone
234
00:13:52,120 --> 00:13:55,159
♪ I always close my eyes
235
00:13:55,160 --> 00:13:57,280
♪ To look into the sun
236
00:13:58,680 --> 00:14:01,679
♪ I always close my eyes
237
00:14:01,680 --> 00:14:04,080
♪ The same as everyone
238
00:14:06,880 --> 00:14:09,080
♪ The same as everyone
239
00:14:10,160 --> 00:14:11,960
♪ The same as everyone
240
00:14:13,400 --> 00:14:18,240
♪ The same as everyone. ♪
241
00:14:20,760 --> 00:14:22,399
Hello, everybody.
I'm Donna Summer.
242
00:14:22,400 --> 00:14:25,039
And you're watching
Countdown '83, coast to coast.
243
00:14:25,040 --> 00:14:26,840
♪ Do you want to funk
244
00:14:28,720 --> 00:14:30,680
♪ Won't you tell me now
245
00:14:32,200 --> 00:14:33,719
♪ If you want to funk
246
00:14:33,720 --> 00:14:35,959
♪ Let me show you how
247
00:14:35,960 --> 00:14:38,919
♪ Do you want to funk with me? ♪
248
00:14:38,920 --> 00:14:40,879
Alongside rock and pop,
249
00:14:40,880 --> 00:14:44,719
Countdown had always supported
dance music and the club scene.
250
00:14:44,720 --> 00:14:48,199
'83 saw the rise and rise
of Michael Jackson,
251
00:14:48,200 --> 00:14:50,119
from Moonwalk to Thriller.
252
00:14:50,120 --> 00:14:51,120
On the American charts,
253
00:14:51,121 --> 00:14:54,239
this particular guy and the picture
disc is now out in Australia,
254
00:14:54,240 --> 00:14:56,479
is Michael Jackson,
and he's had four, I think,
255
00:14:56,480 --> 00:14:58,759
yeah, four singles on
the American charts
256
00:14:58,760 --> 00:15:00,239
and they just keep coming, alright?
257
00:15:00,240 --> 00:15:01,679
♪ What a feeling... ♪
258
00:15:01,680 --> 00:15:03,519
One of the biggest movies
of the year
259
00:15:03,520 --> 00:15:06,159
gave rise to one of
the biggest dance crazes -
260
00:15:06,160 --> 00:15:07,599
Flashdance.
261
00:15:07,600 --> 00:15:11,040
Countdown ran its own
Flashdance competition.
262
00:15:14,000 --> 00:15:17,679
Michael Sembello, one of the key
songwriters for the movie,
263
00:15:17,680 --> 00:15:18,999
performed on the show.
264
00:15:19,000 --> 00:15:22,919
♪ I was such a lonely, lonely boy
265
00:15:22,920 --> 00:15:26,479
♪ Automatic was my toy
266
00:15:26,480 --> 00:15:33,759
♪ Never dreamed
he would steal her away... ♪
267
00:15:33,760 --> 00:15:37,999
But the biggest Flashdance star
to appear on Countdown in '83
268
00:15:38,000 --> 00:15:40,320
was undoubtedly Laura Branigan.
269
00:15:56,040 --> 00:16:01,959
♪ Gloria, you're always
on the run now
270
00:16:01,960 --> 00:16:04,520
♪ Running after somebody
271
00:16:05,760 --> 00:16:08,200
♪ You gotta get him somehow
272
00:16:09,600 --> 00:16:11,840
♪ I think you've got to slow down
273
00:16:13,040 --> 00:16:15,360
♪ Before you start to blow it
274
00:16:16,480 --> 00:16:19,999
♪ I think you're headed
for a breakdown
275
00:16:20,000 --> 00:16:22,600
♪ So be careful not to show it
276
00:16:24,080 --> 00:16:27,119
♪ You really don't remember
277
00:16:27,120 --> 00:16:30,719
♪ Was it something that he said?
278
00:16:30,720 --> 00:16:38,720
♪ Are the voices in your head
calling, Gloria?
279
00:16:39,520 --> 00:16:41,200
♪ Gloria
280
00:16:42,320 --> 00:16:45,479
♪ Don't you think you're falling
281
00:16:45,480 --> 00:16:48,799
♪ If everybody wants you
282
00:16:48,800 --> 00:16:53,239
♪ Why isn't anybody calling
283
00:16:53,240 --> 00:16:56,079
♪ You don't have to answer
284
00:16:56,080 --> 00:16:59,039
♪ Leave them hanging on the line
285
00:16:59,040 --> 00:17:04,919
♪ Oh-oh-oh, calling Gloria
286
00:17:04,920 --> 00:17:07,519
♪ Gloria ♪ Gloria
287
00:17:07,520 --> 00:17:10,919
♪ I think they got your number
♪ Gloria
288
00:17:10,920 --> 00:17:14,559
♪ I think they got the alias
♪ Gloria
289
00:17:14,560 --> 00:17:17,999
♪ That you've been living under
♪ Gloria
290
00:17:18,000 --> 00:17:20,680
♪ But you really don't remember
291
00:17:21,680 --> 00:17:23,800
♪ Was it something that they said
292
00:17:25,080 --> 00:17:33,080
♪ Are the voices in your head
calling, Gloria
293
00:17:47,000 --> 00:17:48,319
♪ A-ha-ha, a-ha-ha
294
00:17:48,320 --> 00:17:53,240
♪ Gloria, how's it gonna go down?
295
00:17:54,520 --> 00:17:56,800
♪ Will you meet him
on the main line?
296
00:17:57,800 --> 00:18:00,320
♪ Or will you catch him
on the rebound?
297
00:18:01,480 --> 00:18:05,079
♪ Will you marry for the money?
298
00:18:05,080 --> 00:18:08,479
♪ Take a lover in the afternoon
299
00:18:08,480 --> 00:18:12,159
♪ Feel your innocence
slipping away
300
00:18:12,160 --> 00:18:15,879
♪ Don't believe it's coming
back soon
301
00:18:15,880 --> 00:18:19,159
♪ And you really don't remember
302
00:18:19,160 --> 00:18:22,839
♪ Was it something that he said
303
00:18:22,840 --> 00:18:30,840
♪ Are the voices in your head
calling, Gloria
304
00:18:31,600 --> 00:18:36,479
♪ Gloria,
I think they got your number
305
00:18:36,480 --> 00:18:38,119
♪ Gloria
306
00:18:38,120 --> 00:18:41,439
♪ I think they got the alias
♪ Gloria
307
00:18:41,440 --> 00:18:44,759
♪ That you've been living under
♪ Gloria
308
00:18:44,760 --> 00:18:48,319
♪ But you really don't remember
309
00:18:48,320 --> 00:18:51,879
♪ Was it something that they said
310
00:18:51,880 --> 00:18:59,880
♪ Are the voices in your head
calling, Gloria. ♪
311
00:19:11,560 --> 00:19:12,799
I don't know what
I'm supposed to say.
312
00:19:12,800 --> 00:19:14,359
I can't remember.
313
00:19:14,360 --> 00:19:16,559
MOLLY: You're watching Countdown.
Oh, that's right. Right.
314
00:19:16,560 --> 00:19:18,959
OK. Hi, this is Mark Holden.
315
00:19:18,960 --> 00:19:21,040
You're watching Countdown
coast to coast.
316
00:19:23,080 --> 00:19:28,239
In 1983, a bunch of '70s acts
proved they still had it.
317
00:19:28,240 --> 00:19:32,599
KC and his Sunshine Band
performed their anthemic dance hit.
318
00:19:32,600 --> 00:19:35,040
♪ Everybody wants you
319
00:19:36,040 --> 00:19:39,799
♪ Everybody wants your love
320
00:19:39,800 --> 00:19:44,560
♪ I'd just like to make you
mine, all mine
321
00:19:47,880 --> 00:19:50,439
♪ Na, na, na, na, na, na, na,
na, na, na, now
322
00:19:50,440 --> 00:19:51,759
♪ Baby, give it up
323
00:19:51,760 --> 00:19:53,119
♪ Give it up
324
00:19:53,120 --> 00:19:55,079
♪ Baby, give it up... ♪
325
00:19:55,080 --> 00:19:59,959
David Bowie dropped in to Sydney
to explain his latest incarnation.
326
00:19:59,960 --> 00:20:02,799
Uh, is there any pressure on you
when you have to come down
327
00:20:02,800 --> 00:20:05,319
and make the decision
to do a new album?
328
00:20:05,320 --> 00:20:08,879
No, I've always written
to please myself,
329
00:20:08,880 --> 00:20:11,159
so whatever seems
to be happening around me,
330
00:20:11,160 --> 00:20:15,559
it's sort of a pleasant
background, really.
331
00:20:15,560 --> 00:20:18,199
The music that I've
written for the new album,
332
00:20:18,200 --> 00:20:20,679
I've gone back to a lot of the
R&B things that I used to listen to.
333
00:20:20,680 --> 00:20:21,759
Right.
334
00:20:21,760 --> 00:20:23,559
Now, the title track is called
Let's Dance,
335
00:20:23,560 --> 00:20:24,919
which is a very danceable track.
336
00:20:24,920 --> 00:20:25,920
Yeah.
337
00:20:25,921 --> 00:20:27,839
When and where did you write
that?
338
00:20:27,840 --> 00:20:31,359
Again, in fact, lyrically,
339
00:20:31,360 --> 00:20:35,919
the thing has a lot more to do
with Heroes
340
00:20:35,920 --> 00:20:39,879
than it has to do
with disco lyrics.
341
00:20:39,880 --> 00:20:41,999
There's a desperation
behind the lyric.
342
00:20:42,000 --> 00:20:44,639
It's almost sort of a last dance.
343
00:20:44,640 --> 00:20:47,079
It was going to be called
Last Dance at one time,
344
00:20:47,080 --> 00:20:48,839
but I changed it to Let's Dance.
345
00:20:48,840 --> 00:20:52,319
Oh, that's better. Come on.
346
00:20:52,320 --> 00:20:56,159
Come all this way to get a sun
tan, it's a cloudy day.
347
00:20:56,160 --> 00:20:57,160
It is a cloudy day.
348
00:20:57,161 --> 00:20:58,839
It's been hot
earlier on, though.
349
00:20:58,840 --> 00:21:02,959
Bonnie Tyler's career
took a successful U-turn.
350
00:21:02,960 --> 00:21:05,799
I described you at one stage as
being the female Rod Stewart,
351
00:21:05,800 --> 00:21:07,519
if you remember.
Yeah.
352
00:21:07,520 --> 00:21:09,439
And that was with the
big number one...
353
00:21:09,440 --> 00:21:10,440
It's a Heartache.
354
00:21:10,441 --> 00:21:12,119
It's a Heartache, right.
355
00:21:12,120 --> 00:21:13,120
Well, it was a good song.
356
00:21:13,121 --> 00:21:15,199
I mean, it sold nearly
eight million copies worldwide,
357
00:21:15,200 --> 00:21:17,479
so it was a good song.
358
00:21:17,480 --> 00:21:20,039
I liked that and I also like
Lost in France,
359
00:21:20,040 --> 00:21:21,319
but then after that...
360
00:21:21,320 --> 00:21:22,679
Did it typecast you, you think?
361
00:21:22,680 --> 00:21:26,319
Yeah, because, you know, from
there on, I didn't progress at all.
362
00:21:26,320 --> 00:21:29,679
It was just a lot of
It's a Heartaches over again,
363
00:21:29,680 --> 00:21:31,399
which nobody was
really interested in.
364
00:21:31,400 --> 00:21:33,239
And I wasn't happy
singing them anyway.
365
00:21:33,240 --> 00:21:36,519
I wanted to do the kind of songs
that I was happy with
366
00:21:36,520 --> 00:21:40,359
and when I decided, you know,
I needed to make this change,
367
00:21:40,360 --> 00:21:43,159
I thought, "Well,
if people like it, great."
368
00:21:43,160 --> 00:21:44,160
"But if they don't like it,"
369
00:21:44,161 --> 00:21:47,039
"at least I'm doing something
that I'll be enjoying."
370
00:21:47,040 --> 00:21:49,999
And I enjoyed every minute
of making the album. It's terrific.
371
00:21:50,000 --> 00:21:52,279
And Countdown favourites Dragon
372
00:21:52,280 --> 00:21:54,559
were back with one of
the songs of the decade.
373
00:21:54,560 --> 00:21:55,999
First of all, congratulations
on Rain.
374
00:21:56,000 --> 00:21:58,199
You must be delighted.
Thank you.
375
00:21:58,200 --> 00:22:01,079
Perth has still got to start
moving a bit with this single.
376
00:22:01,080 --> 00:22:02,319
Perth is see-sawing.
377
00:22:02,320 --> 00:22:04,559
Yeah, and I'm sure it'll go back...
378
00:22:04,560 --> 00:22:06,159
As I said, it could go back
to number one.
379
00:22:06,160 --> 00:22:08,159
In fact, it's number one where?
In Melbourne this week?
380
00:22:08,160 --> 00:22:10,559
It's number one on three
stations in Melbourne.
381
00:22:10,560 --> 00:22:12,159
In Sydney, I think
it's two or three.
382
00:22:12,160 --> 00:22:13,160
Fantastic.
383
00:22:13,161 --> 00:22:17,519
When you recorded, I know you
all hoped to have a hit,
384
00:22:17,520 --> 00:22:19,759
did you think that it would be
this big, Marc?
385
00:22:19,760 --> 00:22:20,760
I didn't.
386
00:22:20,761 --> 00:22:22,919
I thought it would be great
if it got to top 20,
387
00:22:22,920 --> 00:22:25,279
but then, I can't pick any songs.
388
00:22:25,280 --> 00:22:27,519
I thought April Sun in Cuba
would get maybe in the top 20,
389
00:22:27,520 --> 00:22:29,199
I don't know.
I don't have a commercial ear.
390
00:22:29,200 --> 00:22:32,239
It's been an amazing, I think,
comeback by the group.
391
00:22:32,240 --> 00:22:33,919
Because it's not often
a group that splits up
392
00:22:33,920 --> 00:22:35,319
can do this sort of thing.
393
00:22:35,320 --> 00:22:36,880
We're quite amazed.
We're very happy.
394
00:22:50,080 --> 00:22:53,279
♪ It's a happening thing
395
00:22:53,280 --> 00:22:56,679
♪ And it's happening to you
396
00:22:56,680 --> 00:22:59,439
♪ Full moon and thunder
397
00:22:59,440 --> 00:23:02,439
♪ Ribbons of blue
398
00:23:02,440 --> 00:23:05,479
♪ Ice on the window
399
00:23:05,480 --> 00:23:08,599
♪ Ice in my heart
400
00:23:08,600 --> 00:23:11,519
♪ Fooling with thunder
401
00:23:11,520 --> 00:23:14,279
♪ Every time we start
402
00:23:14,280 --> 00:23:18,720
♪ It's been raining for so long
403
00:23:20,160 --> 00:23:24,640
♪ It's been raining for so long
404
00:23:26,680 --> 00:23:29,799
♪ Oh is it any wonder?
405
00:23:29,800 --> 00:23:32,879
♪ The streets are dark
406
00:23:32,880 --> 00:23:35,839
♪ Is it any wonder
407
00:23:35,840 --> 00:23:38,919
♪ We fall apart
408
00:23:38,920 --> 00:23:43,520
♪ Day after day
straight rain falls down
409
00:23:45,040 --> 00:23:46,920
♪ All over town
410
00:23:48,440 --> 00:23:50,519
♪ Rain come
411
00:23:50,520 --> 00:23:55,200
♪ It's been raining for so long
412
00:23:56,600 --> 00:24:00,880
♪ It's been raining for so long
413
00:24:02,920 --> 00:24:06,200
♪ Don't you go out in the rain
414
00:24:08,360 --> 00:24:13,440
♪ Don't go out in pouring rain
415
00:24:14,800 --> 00:24:18,160
♪ If you go out in the rain
416
00:24:19,960 --> 00:24:26,120
♪ We'll never have that time again
417
00:24:27,480 --> 00:24:30,519
♪ Is it any wonder
418
00:24:30,520 --> 00:24:33,599
♪ Streets are dark
419
00:24:33,600 --> 00:24:36,319
♪ Is it any wonder
420
00:24:36,320 --> 00:24:39,079
♪ We fall apart
421
00:24:39,080 --> 00:24:43,240
♪ All these feelings
that seem so wrong
422
00:24:45,400 --> 00:24:50,919
♪ Remember we were so strong
423
00:24:50,920 --> 00:24:57,079
♪ Well it's been raining
for so long
424
00:24:57,080 --> 00:25:00,039
♪ It's been raining
425
00:25:00,040 --> 00:25:03,479
♪ I can't go on
426
00:25:03,480 --> 00:25:07,480
♪ Don't you go out in the rain
427
00:25:08,800 --> 00:25:14,999
♪ Don't go out in pouring rain
428
00:25:15,000 --> 00:25:19,200
♪ If you go out in the rain
429
00:25:20,640 --> 00:25:27,719
♪ We'll never have that time again
430
00:25:27,720 --> 00:25:31,880
♪ Don't you go out in the rain... ♪
431
00:25:50,120 --> 00:25:52,439
What's happening now
in our concerts
432
00:25:52,440 --> 00:25:54,759
as opposed to a year ago,
the place was swarmed.
433
00:25:54,760 --> 00:25:56,919
It was like kindergarten with kids.
434
00:25:56,920 --> 00:25:58,959
There are more adults there, now.
435
00:25:58,960 --> 00:26:00,519
Particularly, I think,
because of the girls.
436
00:26:00,520 --> 00:26:03,999
The girls are wearing
less and less clothing.
437
00:26:04,000 --> 00:26:07,719
Although pop music has always
preferred its women underdressed,
438
00:26:07,720 --> 00:26:09,919
many female performers used
Countdown
439
00:26:09,920 --> 00:26:12,680
to help forge their own
identities.
440
00:26:13,760 --> 00:26:16,520
♪ Now's the time to assess
the state you're in
441
00:26:18,320 --> 00:26:20,079
♪ Can't afford to lose
442
00:26:20,080 --> 00:26:21,640
♪ Got to strive to win
443
00:26:23,080 --> 00:26:25,360
♪ Just remember
nothing stays the same
444
00:26:27,080 --> 00:26:29,960
♪ It just depends on
how you play the game
445
00:26:33,320 --> 00:26:35,160
♪ It's all up to you
♪ Yes, it is
446
00:26:37,440 --> 00:26:39,559
♪ It's all up to you
447
00:26:39,560 --> 00:26:41,919
♪ Ooh
448
00:26:41,920 --> 00:26:43,839
♪ It's all up to you
449
00:26:43,840 --> 00:26:45,320
♪ Uh-huh
450
00:26:46,360 --> 00:26:48,679
♪ It's all up to you
451
00:26:48,680 --> 00:26:50,399
♪ Tell 'em, boys
452
00:26:50,400 --> 00:26:52,279
♪ Everyone's a winner
453
00:26:52,280 --> 00:26:54,479
♪ Everyone's a loser
454
00:26:54,480 --> 00:26:58,320
♪ Just depends on
how you play the game... ♪
455
00:26:59,520 --> 00:27:02,999
♪ Don't ask me why... ♪
456
00:27:03,000 --> 00:27:05,560
This paved the way
for new generations...
457
00:27:08,600 --> 00:27:12,799
♪ It's just a casual encounter
458
00:27:12,800 --> 00:27:17,479
♪ It's just a casual encounter
459
00:27:17,480 --> 00:27:22,719
♪ It's just a casual encounter... ♪
460
00:27:22,720 --> 00:27:26,480
With songs of wisdom,
experience, and authenticity.
461
00:27:33,240 --> 00:27:35,960
♪ Creases in your white dress
462
00:27:37,120 --> 00:27:39,080
♪ Bruises on your bare skin
463
00:27:41,320 --> 00:27:44,080
♪ Looks like another fine mess
464
00:27:45,560 --> 00:27:50,159
♪ You've got yourself into
465
00:27:50,160 --> 00:27:52,560
♪ What's the matter with you
466
00:27:54,520 --> 00:27:56,680
♪ Has the cat got your tongue
467
00:27:59,160 --> 00:28:01,960
♪ Well, if you don't like the beat
468
00:28:03,160 --> 00:28:05,800
♪ Then don't play with the drum
469
00:28:07,720 --> 00:28:12,960
♪ Maxine, you're not the only one
470
00:28:14,440 --> 00:28:17,640
♪ To take the whole world on
471
00:28:18,920 --> 00:28:22,400
♪ But no-one's ever won
472
00:28:25,280 --> 00:28:30,760
♪ Maxine, Case 1352
473
00:28:32,120 --> 00:28:34,840
♪ A red and green tattoo
474
00:28:36,560 --> 00:28:40,200
♪ Eyes cold steel blue
475
00:28:42,880 --> 00:28:45,200
♪ On a rain-slicked avenue
476
00:28:47,160 --> 00:28:49,360
♪ Long shadows in the night
477
00:28:51,680 --> 00:28:54,080
♪ Take off your spike-heeled shoes
478
00:28:55,560 --> 00:28:58,479
♪ You've got to run for your life
479
00:28:58,480 --> 00:29:00,839
♪ Run for your life
480
00:29:00,840 --> 00:29:03,360
♪ Razor blade in your pocket
481
00:29:04,880 --> 00:29:06,680
♪ From an ex-marine
482
00:29:09,600 --> 00:29:12,280
♪ Makes you speed like a rocket
483
00:29:13,400 --> 00:29:15,440
♪ Ooh, it cuts so clean
484
00:29:17,640 --> 00:29:20,679
♪ Maxine ♪ Who's that walking
485
00:29:20,680 --> 00:29:22,719
♪ You're not the only one
♪ Walking behind you
486
00:29:22,720 --> 00:29:27,759
♪ Who's that talking
♪ To take the whole world on
487
00:29:27,760 --> 00:29:29,119
♪ Talking about you
Who's that walking
488
00:29:29,120 --> 00:29:33,800
♪ But no-one's ever won
♪ Walking to you, Maxine
489
00:29:35,680 --> 00:29:38,199
♪ Maxine ♪ Who's that walking
490
00:29:38,200 --> 00:29:40,479
♪ Case 1352 ♪ Walking behind you
491
00:29:40,480 --> 00:29:44,879
♪ Who's that talking
♪ A red and green tattoo
492
00:29:44,880 --> 00:29:46,799
♪ Talking about you
Who's that walking
493
00:29:46,800 --> 00:29:51,560
♪ Eyes cold steel blue
♪ Walking with you, Maxine
494
00:30:27,560 --> 00:30:32,199
♪ How come you're paying
for borrowed time
495
00:30:32,200 --> 00:30:34,680
♪ Staring out into space
496
00:30:37,160 --> 00:30:40,759
♪ Bad boys and cold comfort
497
00:30:40,760 --> 00:30:43,400
♪ And a smacked-up face
498
00:30:45,280 --> 00:30:47,519
♪ Maxine ♪ Who's that walking
499
00:30:47,520 --> 00:30:50,279
♪ You're not the only one
♪ Walking behind you
500
00:30:50,280 --> 00:30:54,679
♪ Who's that talking
♪ To take the whole world on
501
00:30:54,680 --> 00:31:01,880
♪ Talking about you
♪ But no-one's ever won... ♪
502
00:31:18,600 --> 00:31:21,399
Australian rock music
was by no means dead.
503
00:31:21,400 --> 00:31:24,119
Some of the stalwarts,
such as Men at Work,
504
00:31:24,120 --> 00:31:25,799
were enjoying sweeping success.
505
00:31:25,800 --> 00:31:28,079
Welcome home, little vegemites.
506
00:31:28,080 --> 00:31:30,239
On the subject of Down Under,
507
00:31:30,240 --> 00:31:33,599
it's number 14 on the charts
this week
508
00:31:33,600 --> 00:31:36,919
and Business as Usual
is number 10.
509
00:31:36,920 --> 00:31:39,359
The record that wouldn't die!
Exactly.
510
00:31:39,360 --> 00:31:41,319
We've been trying to kill it
for a while.
511
00:31:41,320 --> 00:31:45,319
But there was no doubt that Oz rock,
as played by the purists,
512
00:31:45,320 --> 00:31:47,440
was under pressure to perform.
513
00:31:56,840 --> 00:32:00,039
♪ How do you get your kicks
514
00:32:00,040 --> 00:32:03,639
♪ How do you get your fun
515
00:32:03,640 --> 00:32:07,639
♪ Where did you learn those
tricks? ♪
516
00:32:07,640 --> 00:32:10,279
Some local bands went higher.
517
00:32:10,280 --> 00:32:12,239
♪ I need you
518
00:32:12,240 --> 00:32:17,200
♪ I can see
that I need you here with me
519
00:32:18,200 --> 00:32:24,800
♪ Without you I can see
that I never would be free
520
00:32:26,160 --> 00:32:29,559
♪ I need you, I can see... ♪
521
00:32:29,560 --> 00:32:32,680
Some local bands went harder.
522
00:32:34,400 --> 00:32:38,159
♪ You don't have to give it
523
00:32:38,160 --> 00:32:42,479
♪ And you don't have to give up
524
00:32:42,480 --> 00:32:44,519
♪ But tell 'em why
525
00:32:44,520 --> 00:32:46,040
♪ We're never going to die
526
00:32:48,520 --> 00:32:50,320
♪ We're never going to die... ♪
527
00:32:53,680 --> 00:32:55,239
But the established musicians
528
00:32:55,240 --> 00:32:59,599
who learned to embrace the new
technologies and the new sounds
529
00:32:59,600 --> 00:33:01,040
rode out the changes.
530
00:33:16,000 --> 00:33:17,600
♪ I wanna see you
531
00:33:19,840 --> 00:33:22,680
♪ I wanna see you
twist it around
532
00:33:24,080 --> 00:33:26,120
♪ Yeah, you wanna change
533
00:33:28,320 --> 00:33:31,000
♪ You should be moving it around
534
00:33:33,080 --> 00:33:37,359
♪ You can take it when you want it
535
00:33:37,360 --> 00:33:41,359
♪ You can waste it
when you've got it
536
00:33:41,360 --> 00:33:46,239
♪ You can stop your baby crying
537
00:33:46,240 --> 00:33:49,919
♪ And Baby's dream is coming
538
00:33:49,920 --> 00:33:52,239
♪ Comin' true
539
00:33:52,240 --> 00:33:53,279
♪ Now let it out
540
00:33:53,280 --> 00:33:55,559
♪ Shout to the night
541
00:33:55,560 --> 00:33:59,599
♪ And so it goes, I hear motion
542
00:33:59,600 --> 00:34:01,679
♪ Just count it out
543
00:34:01,680 --> 00:34:05,639
♪ Shout in your sleep
you'll say the word
544
00:34:05,640 --> 00:34:07,799
♪ I hear motion
545
00:34:07,800 --> 00:34:10,999
♪ When it is Christmas
546
00:34:11,000 --> 00:34:14,720
♪ For everyone else
547
00:34:16,080 --> 00:34:19,239
♪ I feel like I've missed
548
00:34:19,240 --> 00:34:24,599
♪ An appointment
549
00:34:24,600 --> 00:34:28,559
♪ Sing Happy Birthday
550
00:34:28,560 --> 00:34:32,919
♪ Sing Happy New Year
551
00:34:32,920 --> 00:34:36,199
♪ Whisper the words
552
00:34:36,200 --> 00:34:41,799
♪ That we all want to hear
553
00:34:41,800 --> 00:34:49,800
♪ Or you can walk out
Or you can walk out
554
00:34:49,880 --> 00:34:52,559
♪ Now let it out
555
00:34:52,560 --> 00:34:54,639
♪ Shout to the night
556
00:34:54,640 --> 00:34:56,519
♪ And so it goes
557
00:34:56,520 --> 00:34:58,919
♪ I hear motion
558
00:34:58,920 --> 00:35:01,039
♪ Just count it out
559
00:35:01,040 --> 00:35:05,039
♪ Shout in your sleep
you'll say the word
560
00:35:05,040 --> 00:35:08,080
♪ I hear motion
561
00:35:35,840 --> 00:35:39,719
♪ And I have to tell you
562
00:35:39,720 --> 00:35:42,640
♪ I wanna see you turn it around
563
00:35:44,000 --> 00:35:46,200
♪ Yeah you gotta go
564
00:35:48,040 --> 00:35:51,760
♪ And I'm not hanging around
565
00:35:53,040 --> 00:35:57,079
♪ You can take it when you got it
566
00:35:57,080 --> 00:36:01,359
♪ You can want it
when you waste it
567
00:36:01,360 --> 00:36:06,079
♪ You can stop your baby crying
568
00:36:06,080 --> 00:36:09,799
♪ And Baby's dream is coming
569
00:36:09,800 --> 00:36:12,079
♪ Coming true
570
00:36:12,080 --> 00:36:14,520
♪ Yes, it is
571
00:36:16,000 --> 00:36:17,399
♪ Now let it out
572
00:36:17,400 --> 00:36:19,559
♪ Shout to the night
573
00:36:19,560 --> 00:36:23,679
♪ And so it goes, I hear motion
574
00:36:23,680 --> 00:36:25,719
♪ Just count it out
575
00:36:25,720 --> 00:36:27,919
♪ Shout in your sleep
576
00:36:27,920 --> 00:36:29,799
♪ You'll say the word
577
00:36:29,800 --> 00:36:32,200
♪ I hear motion
578
00:36:36,840 --> 00:36:39,080
♪ Now let it out
579
00:36:40,680 --> 00:36:42,760
♪ Shout to the night
580
00:36:44,960 --> 00:36:46,799
♪ And so it goes
581
00:36:46,800 --> 00:36:49,400
♪ I hear motion
582
00:36:51,560 --> 00:36:54,200
♪ Just count it out
583
00:36:55,640 --> 00:36:59,999
♪ Shout in your sleep
Shout in your sleep
584
00:37:00,000 --> 00:37:01,919
♪ You'll say the word
585
00:37:01,920 --> 00:37:04,360
♪ I hear motion
586
00:37:06,120 --> 00:37:08,160
♪ I hear motion
587
00:37:10,200 --> 00:37:12,040
♪ I hear motion. ♪
588
00:37:17,440 --> 00:37:21,199
MAN: Will the real
Molly Meldrum please stand up?
589
00:37:21,200 --> 00:37:23,799
It's been such a week.
I think I'm still a bit fazed.
590
00:37:23,800 --> 00:37:25,799
Parramatta winning
the grand final in Sydney.
591
00:37:25,800 --> 00:37:27,279
Hawthorn winning it in Melbourne.
592
00:37:27,280 --> 00:37:29,559
And, of course, a great victory
by Australia too
593
00:37:29,560 --> 00:37:32,439
on early Tuesday morning
with the America's Cup,
594
00:37:32,440 --> 00:37:34,879
and we've got a dreadful admission
to make, Alan Bond -
595
00:37:34,880 --> 00:37:36,879
we've nicked the cup,
we really have.
596
00:37:36,880 --> 00:37:38,479
Here it is here.
597
00:37:38,480 --> 00:37:40,640
♪ All the scratching
is making me itch. ♪
598
00:37:46,080 --> 00:37:48,159
Well, how about that, eh?
599
00:37:48,160 --> 00:37:53,839
On behalf of Michael Jackson
and Serious Records,
600
00:37:53,840 --> 00:37:58,479
I would like to present this
to you and to Countdown.
601
00:37:58,480 --> 00:38:00,159
This particular jacket,
would you believe,
602
00:38:00,160 --> 00:38:02,999
you can put a Walkman in there
and the earphones are here.
603
00:38:03,000 --> 00:38:04,999
So instead of having the
earphones cruising down the street
604
00:38:05,000 --> 00:38:07,479
or on your rollerskates
or on your bike, whatever,
605
00:38:07,480 --> 00:38:10,039
you can hear it through, would
you believe, your collar.
606
00:38:10,040 --> 00:38:11,119
It's crazy, I know.
607
00:38:11,120 --> 00:38:12,599
They're printing things
in the newspapers
608
00:38:12,600 --> 00:38:15,159
about gourmet things
with Vegemite in it.
609
00:38:15,160 --> 00:38:16,679
For all the Australians,
it's hysterical.
610
00:38:16,680 --> 00:38:18,319
But they're selling them
in quite a lot of shops.
611
00:38:18,320 --> 00:38:19,799
So what's your shop called?
612
00:38:19,800 --> 00:38:21,119
It's called Koala Blue.
613
00:38:21,120 --> 00:38:22,359
Koala Blue.
614
00:38:22,360 --> 00:38:25,599
And Koala stands for
'corner of Australia in LA'.
615
00:38:25,600 --> 00:38:27,440
Like that name?
Yeah.
616
00:38:29,040 --> 00:38:32,559
Advances in recording technology
made it more economic
617
00:38:32,560 --> 00:38:35,679
for musicians to start
building their own studios.
618
00:38:35,680 --> 00:38:38,399
Bigger was not
necessarily better.
619
00:38:38,400 --> 00:38:41,479
We invested all our money
from our record company
620
00:38:41,480 --> 00:38:43,639
and bought ourselves
an eight track studio,
621
00:38:43,640 --> 00:38:46,719
and that's where we made this album.
622
00:38:46,720 --> 00:38:49,159
And we've been working on that
album for the past nine months
623
00:38:49,160 --> 00:38:52,039
in a warehouse in Camden Town.
624
00:38:52,040 --> 00:38:54,159
Made it ourselves, wrote it
ourselves, produced it,
625
00:38:54,160 --> 00:38:57,519
arranged it, recorded it,
engineered it, everything.
626
00:38:57,520 --> 00:39:02,279
And Sweet Dreams has done
incredibly well in this country.
627
00:39:02,280 --> 00:39:04,479
Our philosophy was
after we'd had the experience
628
00:39:04,480 --> 00:39:06,879
of being in a group with
five people, same people,
629
00:39:06,880 --> 00:39:09,919
getting fed up with it,
that small was beautiful.
630
00:39:09,920 --> 00:39:11,959
And so what we did was we decided
631
00:39:11,960 --> 00:39:14,759
that we would have control
over everything that we did.
632
00:39:14,760 --> 00:39:20,159
So as a matter of fact, that
particular video was written by us,
633
00:39:20,160 --> 00:39:21,439
mainly by Dave, actually.
634
00:39:21,440 --> 00:39:23,119
He has a flair
of that kind of thing.
635
00:39:23,120 --> 00:39:25,079
And co-directed by him.
636
00:39:25,080 --> 00:39:29,519
So in this way, we're able to
kind of really have a lot of control
637
00:39:29,520 --> 00:39:30,520
over what comes out
638
00:39:30,521 --> 00:39:33,999
and I think it's the best way
for us, works very well.
639
00:39:34,000 --> 00:39:36,359
Independent bands were beginning
to challenge
640
00:39:36,360 --> 00:39:40,119
the viability of their
commercially legit counterparts.
641
00:39:40,120 --> 00:39:43,359
Yeah, we're going to have hits
and it's going to be very pure.
642
00:39:43,360 --> 00:39:45,159
Quite righteous.
643
00:39:45,160 --> 00:39:49,279
It's going to be young music
controlled by young people
644
00:39:49,280 --> 00:39:52,679
and sold to a young audience.
645
00:39:52,680 --> 00:39:55,119
And it was seen very much
as an alternative.
646
00:39:55,120 --> 00:40:00,159
We picked up on that and marketed
ourselves quite aggressively.
647
00:40:00,160 --> 00:40:04,359
And we've had hits on Polydor.
648
00:40:04,360 --> 00:40:06,559
You have talked a lot,
I'm telling you.
649
00:40:06,560 --> 00:40:07,879
(BOTH LAUGH)
650
00:40:07,880 --> 00:40:09,560
Yeah, actually,
I'd forgotten the question.
651
00:40:10,920 --> 00:40:15,959
♪ I told her that it's an ill wind
652
00:40:15,960 --> 00:40:20,639
♪ Blows no good Blows no good
653
00:40:20,640 --> 00:40:22,279
♪ Then she told me
654
00:40:22,280 --> 00:40:27,839
♪ Tojo never made it
655
00:40:27,840 --> 00:40:33,479
♪ Tojo never made it to Darwin
656
00:40:33,480 --> 00:40:36,799
♪ Tojo never made it... ♪
657
00:40:36,800 --> 00:40:41,559
Australian indie bands were also
starting to make inroads both at home
658
00:40:41,560 --> 00:40:44,559
and especially in the Old Dart.
659
00:40:44,560 --> 00:40:48,199
In Australia, we've done just
about all that we had to do
660
00:40:48,200 --> 00:40:51,799
and the offer came through
and we decided to take it
661
00:40:51,800 --> 00:40:55,079
because there's just
so much to do over here.
662
00:40:55,080 --> 00:41:01,239
Even the stage that we're at in
Australia is equivalent to here,
663
00:41:01,240 --> 00:41:04,559
but there was just
so much more work to do.
664
00:41:04,560 --> 00:41:06,839
There was more opportunity.
MOLLY: Right.
665
00:41:06,840 --> 00:41:09,359
First of all, who made the
decision to release the single?
666
00:41:09,360 --> 00:41:10,839
We did.
Right.
667
00:41:10,840 --> 00:41:13,239
And it was a song
written by Grant.
668
00:41:13,240 --> 00:41:18,639
And we just chose that single
because it was so unique.
669
00:41:18,640 --> 00:41:20,079
Everything about it was unique.
670
00:41:20,080 --> 00:41:21,959
The rhythm and the melody.
671
00:41:21,960 --> 00:41:23,719
And the lyrics, I might add, too.
672
00:41:23,720 --> 00:41:25,999
Yeah. We're in
a situation in the studio
673
00:41:26,000 --> 00:41:29,039
where we recorded 10 songs
for the album
674
00:41:29,040 --> 00:41:33,239
and all of the group felt
that it was the best single,
675
00:41:33,240 --> 00:41:35,439
and the producer thought
it was the best single,
676
00:41:35,440 --> 00:41:39,200
and we're extremely confident
about it.
677
00:41:43,600 --> 00:41:46,800
♪ I recall a schoolboy
coming home
678
00:41:47,960 --> 00:41:50,079
♪ Through fields of cane
679
00:41:50,080 --> 00:41:52,559
♪ To a house of tin and timber
680
00:41:52,560 --> 00:41:54,519
♪ And in the sky
681
00:41:54,520 --> 00:41:57,199
♪ A rain of falling cinders
682
00:41:57,200 --> 00:41:58,200
♪ From time to time
683
00:41:58,201 --> 00:42:00,560
♪ The waste memory-wastes
684
00:42:10,760 --> 00:42:15,319
♪ I recall a boy in bigger pants
685
00:42:15,320 --> 00:42:17,199
♪ Like everyone
686
00:42:17,200 --> 00:42:19,879
♪ Just waiting for a chance
687
00:42:19,880 --> 00:42:21,799
♪ His father's watch
688
00:42:21,800 --> 00:42:24,599
♪ He left it in the showers
689
00:42:24,600 --> 00:42:25,639
♪ From time to time
690
00:42:25,640 --> 00:42:28,399
♪ The waste memory-wastes
691
00:42:28,400 --> 00:42:31,400
♪ And the waste memory-wastes
692
00:42:50,640 --> 00:42:54,759
♪ I recall a bigger, brighter world
693
00:42:54,760 --> 00:42:56,959
♪ A world of books
694
00:42:56,960 --> 00:42:59,559
♪ And silent times in thought
695
00:42:59,560 --> 00:43:01,479
♪ And then the railroad
696
00:43:01,480 --> 00:43:03,879
♪ The railroad takes him home
697
00:43:03,880 --> 00:43:08,639
♪ Through fields of cattle
Through fields of cane
698
00:43:08,640 --> 00:43:09,640
♪ From time to time
699
00:43:09,641 --> 00:43:12,439
♪ The waste memory-wastes
700
00:43:12,440 --> 00:43:15,400
♪ And the waste memory-wastes
701
00:44:10,120 --> 00:44:14,079
♪ I recall the same, a reply
702
00:44:14,080 --> 00:44:16,879
♪ A plan you once had
703
00:44:16,880 --> 00:44:19,079
♪ From time down to mind
704
00:44:19,080 --> 00:44:23,239
♪ That time was bad,
so I knew where I was
705
00:44:23,240 --> 00:44:25,680
♪ Alone, and so at home
706
00:44:45,600 --> 00:44:47,680
♪ Further... ♪
707
00:45:03,280 --> 00:45:07,479
1983 was a year of experimentation.
708
00:45:07,480 --> 00:45:10,479
New instruments,
709
00:45:10,480 --> 00:45:11,719
new markets,
710
00:45:11,720 --> 00:45:14,119
new fashions, anything,
711
00:45:14,120 --> 00:45:16,799
as long as it was new and shiny.
712
00:45:16,800 --> 00:45:18,799
♪ Shout
713
00:45:18,800 --> 00:45:20,799
♪ Yell it out
714
00:45:20,800 --> 00:45:22,319
♪ We'll see
715
00:45:22,320 --> 00:45:25,119
♪ It's it for me... ♪
716
00:45:25,120 --> 00:45:29,159
We like a lot of different kinds
of music like Cajun music,
717
00:45:29,160 --> 00:45:32,359
which is from the swamps
around New Orleans,
718
00:45:32,360 --> 00:45:35,879
which black French geezers do.
719
00:45:35,880 --> 00:45:38,999
And we like high life music
720
00:45:39,000 --> 00:45:42,999
and we're sort of quite interested
in lots of African music
721
00:45:43,000 --> 00:45:48,319
and the way European music
affects Africans.
722
00:45:48,320 --> 00:45:50,799
Like, you would get African
playing an African song
723
00:45:50,800 --> 00:45:54,279
and he'll just burst into
a heavy metal guitar solo.
724
00:45:54,280 --> 00:45:56,119
Stuff like that.
725
00:45:56,120 --> 00:45:57,559
♪ I ain't lying
'cause there ain't no time
726
00:45:57,560 --> 00:46:00,359
♪ No city it's a pity
'cause I dress divine
727
00:46:00,360 --> 00:46:02,439
♪ City smokes, people choke
728
00:46:02,440 --> 00:46:04,799
♪ Big meanie he's a genie
and we ain't got a hope
729
00:46:04,800 --> 00:46:10,159
♪ No chance, no chance
730
00:46:10,160 --> 00:46:11,759
♪ Well, I feel fine,
no it ain't no crime
731
00:46:11,760 --> 00:46:14,639
♪ I was dreaming' of a demon
and I ate a dime
732
00:46:14,640 --> 00:46:16,999
♪ The dime floats,
the colonel toasts
733
00:46:17,000 --> 00:46:19,079
♪ Send 'em up the hill boys,
this ain't no joke
734
00:46:19,080 --> 00:46:21,960
♪ No chance, no chance
735
00:46:23,960 --> 00:46:27,280
♪ No chance, no chance
736
00:46:28,840 --> 00:46:31,479
♪ Shiny, shiny, shiny, shiny
737
00:46:31,480 --> 00:46:33,479
♪ Shiny shiny bad times behind me
738
00:46:33,480 --> 00:46:35,919
♪ Shiny shiny sha-na-na-na
739
00:46:35,920 --> 00:46:38,279
♪ Shiny shiny bad times behind me
740
00:46:38,280 --> 00:46:40,759
♪ Shiny shiny sha-na-na-na
741
00:46:40,760 --> 00:46:43,079
♪ Shiny shiny bad times behind me
742
00:46:43,080 --> 00:46:45,519
♪ Shiny shiny sha-na-na-na
743
00:46:45,520 --> 00:46:48,039
♪ Shiny shiny bad times behind me
744
00:46:48,040 --> 00:46:50,400
♪ Shiny shiny sha-na-na-na
745
00:46:55,440 --> 00:46:57,879
♪ You sure look fine
♪ My shoes they shine
746
00:46:57,880 --> 00:47:00,039
♪ I taste your face
your love is mine
747
00:47:00,040 --> 00:47:02,159
♪ Mercury Dan out in Vietnam
748
00:47:02,160 --> 00:47:04,919
♪ I'm a hot retard
♪ Marquis de Sade
749
00:47:04,920 --> 00:47:07,840
♪ No chance, no chance
750
00:47:09,000 --> 00:47:12,720
♪ No chance, no chance
751
00:47:56,080 --> 00:47:58,519
♪ Saw a cop on the line,
machine gun shine
752
00:47:58,520 --> 00:48:01,079
♪ I was dreaming not believing
that I was alive
753
00:48:01,080 --> 00:48:03,319
♪ My mind broke,
the cop he choked
754
00:48:03,320 --> 00:48:05,519
♪ Get out of here, boy,
or I'll use the colt
755
00:48:05,520 --> 00:48:08,920
♪ No chance, no chance
756
00:48:21,200 --> 00:48:24,440
♪ No chance, no chance
757
00:48:25,760 --> 00:48:29,240
♪ No chance, no chance
758
00:48:30,760 --> 00:48:33,119
♪ Shiny shiny bad times behind me
759
00:48:33,120 --> 00:48:35,519
♪ Shiny shiny sha-na-na-na
760
00:48:35,520 --> 00:48:37,879
♪ Shiny shiny bad times behind me
761
00:48:37,880 --> 00:48:40,479
♪ Shiny shiny sha-na-na-na
762
00:48:40,480 --> 00:48:44,999
♪ Sha-na-na-na, sha-na-na-na,
shiny shiny sha-na-na-na
763
00:48:45,000 --> 00:48:48,799
(RECORD SCRATCHES REPEATEDLY)
764
00:48:48,800 --> 00:48:50,719
♪ Shiny shiny bad times behind me
765
00:48:50,720 --> 00:48:53,159
♪ Shiny shiny sha-na-na-na
766
00:48:53,160 --> 00:48:55,559
♪ Shiny shiny bad times behind me
767
00:48:55,560 --> 00:48:57,959
♪ Shiny shiny sha-na-na-na
768
00:48:57,960 --> 00:49:00,319
♪ Shiny shiny bad times behind me
769
00:49:00,320 --> 00:49:02,719
♪ Shiny shiny sha-na-na-na
770
00:49:02,720 --> 00:49:05,039
♪ Shiny shiny bad times behind me
771
00:49:05,040 --> 00:49:07,439
♪ Shiny shiny sha-na-na-na
772
00:49:07,440 --> 00:49:09,919
♪ Shiny shiny bad times behind me
773
00:49:09,920 --> 00:49:12,319
♪ Shiny shiny sha-na-na-na
774
00:49:12,320 --> 00:49:14,719
♪ Shiny shiny bad times behind me
775
00:49:14,720 --> 00:49:17,599
♪ Shiny shiny sha-na-na-na
776
00:49:17,600 --> 00:49:19,360
♪ Shiny shiny
bad times behind me... ♪
777
00:49:36,840 --> 00:49:39,719
Gloria and the title song
of Flashdance
778
00:49:39,720 --> 00:49:45,479
spent a combined 14 weeks
at number one in 1983.
779
00:49:45,480 --> 00:49:47,159
The biggest selling
Aussie single of the year
780
00:49:47,160 --> 00:49:51,479
was a stand-up comedy piece
called Australiana.
781
00:49:51,480 --> 00:49:53,999
Hi, how are you doing?
782
00:49:54,000 --> 00:49:55,000
Remember me?
783
00:49:55,001 --> 00:49:56,319
Austen what's-his-name?
784
00:49:56,320 --> 00:50:00,039
You know, the guy with the
dingo wallaby boomerang record.
785
00:50:00,040 --> 00:50:03,319
The Aussie Crawl song, Reckless,
spent only a week at the top
786
00:50:03,320 --> 00:50:06,080
but became an instant classic.
787
00:50:09,040 --> 00:50:11,400
♪ Throw down your guns
788
00:50:12,960 --> 00:50:16,879
♪ Don't be so reckless
789
00:50:16,880 --> 00:50:18,279
♪ Throw down your guns... ♪
790
00:50:18,280 --> 00:50:21,719
But it was Bonnie Tyler who
cemented the year of reinvention
791
00:50:21,720 --> 00:50:23,559
and new pathways.
792
00:50:23,560 --> 00:50:25,559
♪ Turn around
793
00:50:25,560 --> 00:50:28,839
♪ Every now and then
I get a little bit lonely
794
00:50:28,840 --> 00:50:31,039
♪ And you're never coming 'round
795
00:50:31,040 --> 00:50:32,799
♪ Turn around
796
00:50:32,800 --> 00:50:35,919
♪ Every now and then
I get a little bit tired
797
00:50:35,920 --> 00:50:38,519
♪ Of listening to
the sound of my tears
798
00:50:38,520 --> 00:50:40,239
♪ Turn around
799
00:50:40,240 --> 00:50:43,679
♪ Every now and then
I get a little bit nervous
800
00:50:43,680 --> 00:50:45,879
♪ That the best of all the
years have gone by
801
00:50:45,880 --> 00:50:47,839
♪ Turn around
802
00:50:47,840 --> 00:50:51,399
♪ Every now and then
I get a little bit terrified
803
00:50:51,400 --> 00:50:53,559
♪ And then I see
the look in your eyes
804
00:50:53,560 --> 00:50:57,159
♪ Turn around, bright eyes
805
00:50:57,160 --> 00:50:59,039
♪ Every now and then
I fall apart
806
00:50:59,040 --> 00:51:02,599
♪ Turn around, bright eyes
807
00:51:02,600 --> 00:51:06,079
♪ Every now and then
I fall apart
808
00:51:06,080 --> 00:51:09,599
♪ Every now and then
I get a little bit restless
809
00:51:09,600 --> 00:51:12,159
♪ And I dream of something wild
810
00:51:12,160 --> 00:51:13,679
♪ Turn around
811
00:51:13,680 --> 00:51:17,359
♪ Every now and then
I get a little bit helpless
812
00:51:17,360 --> 00:51:19,519
♪ And I'm lying like a child
in your arms
813
00:51:19,520 --> 00:51:21,279
♪ Turn around
814
00:51:21,280 --> 00:51:24,439
♪ Every now and then
I get a little bit angry
815
00:51:24,440 --> 00:51:26,799
♪ And I know I've got to
get out and cry
816
00:51:26,800 --> 00:51:28,559
♪ Turn around
817
00:51:28,560 --> 00:51:31,959
♪ Every now and then
I get a little bit terrified
818
00:51:31,960 --> 00:51:34,199
♪ But then I see the look
in your eyes
819
00:51:34,200 --> 00:51:37,799
♪ Turn around, bright eyes
820
00:51:37,800 --> 00:51:39,559
♪ Every now and then I fall apart
821
00:51:39,560 --> 00:51:43,279
♪ Turn around, bright eyes
822
00:51:43,280 --> 00:51:46,359
♪ Every now and then I fall apart
823
00:51:46,360 --> 00:51:50,039
♪ And I need you now tonight
824
00:51:50,040 --> 00:51:53,759
♪ And I need you more than ever
825
00:51:53,760 --> 00:51:57,399
♪ And if you only hold me tight
826
00:51:57,400 --> 00:52:00,879
♪ We'll be holding on forever
827
00:52:00,880 --> 00:52:04,639
♪ And we'll only be
making it right
828
00:52:04,640 --> 00:52:06,839
♪ 'Cause we'll never be wrong
829
00:52:06,840 --> 00:52:10,439
♪ Together we can take it
to the end of the line
830
00:52:10,440 --> 00:52:14,239
♪ Your love is like
a shadow on me all of the time
831
00:52:14,240 --> 00:52:15,879
♪ All of the time
832
00:52:15,880 --> 00:52:19,439
♪ I don't know what to do
and I'm always in the dark
833
00:52:19,440 --> 00:52:23,679
♪ We're living in a powder keg
and giving off sparks
834
00:52:23,680 --> 00:52:26,279
♪ I really need you tonight
835
00:52:26,280 --> 00:52:32,159
♪ Forever's gonna start tonight
Forever's gonna start tonight
836
00:52:32,160 --> 00:52:35,639
♪ Once upon a time
I was falling in love
837
00:52:35,640 --> 00:52:38,800
♪ But now I'm only falling apart
838
00:52:41,400 --> 00:52:43,199
♪ There's nothing I can do
839
00:52:43,200 --> 00:52:45,720
♪ A total eclipse of the heart
840
00:52:52,440 --> 00:52:55,959
♪ Once upon a time there was
light in my life
841
00:52:55,960 --> 00:53:00,079
♪ But now there's only
love in the dark
842
00:53:00,080 --> 00:53:01,759
♪ Nothing I can say
843
00:53:01,760 --> 00:53:04,880
♪ A total eclipse of the heart
844
00:53:43,840 --> 00:53:47,319
♪ Turn around, bright eyes
845
00:53:47,320 --> 00:53:49,239
♪ Every now and then I fall apart
846
00:53:49,240 --> 00:53:52,719
♪ Turn around, bright eyes
847
00:53:52,720 --> 00:53:55,799
♪ Every now and then I fall apart
848
00:53:55,800 --> 00:53:59,439
♪ And I need you now tonight
♪ And I need you now
849
00:53:59,440 --> 00:54:02,839
♪ And I need you more than ever
850
00:54:02,840 --> 00:54:06,559
♪ And if you only hold me tight
♪ And if you only
851
00:54:06,560 --> 00:54:09,999
♪ We'll be holding on forever
852
00:54:10,000 --> 00:54:13,679
♪ And we'll only be making it right
853
00:54:13,680 --> 00:54:15,639
♪ 'Cause we'll never be wrong
854
00:54:15,640 --> 00:54:19,159
♪ Together we can take it
to the end of the line
855
00:54:19,160 --> 00:54:22,879
♪ Your love is like a shadow
on me all of the time
856
00:54:22,880 --> 00:54:24,479
♪ All of the time
857
00:54:24,480 --> 00:54:27,959
♪ I don't know what to do
and I'm always in the dark
858
00:54:27,960 --> 00:54:32,760
♪ We're living in a powder keg
and giving off sparks
859
00:54:33,880 --> 00:54:36,399
♪ I really need you tonight
860
00:54:36,400 --> 00:54:42,239
♪ Forever's gonna start tonight
Forever's gonna start tonight
861
00:54:42,240 --> 00:54:45,799
♪ Once upon a time
I was falling in love
862
00:54:45,800 --> 00:54:48,400
♪ But now I'm only falling apart
863
00:54:51,440 --> 00:54:53,279
♪ Nothing I can do
864
00:54:53,280 --> 00:54:56,640
♪ A total eclipse of the heart
865
00:55:02,680 --> 00:55:06,199
♪ Once upon a time
there was light in my life
866
00:55:06,200 --> 00:55:09,080
♪ But now there's only
love in the dark
867
00:55:10,160 --> 00:55:11,919
♪ Nothing I can say
868
00:55:11,920 --> 00:55:15,560
♪ A total eclipse of the heart... ♪
869
00:55:29,040 --> 00:55:30,199
Oh, Mark. How are you?
870
00:55:30,200 --> 00:55:33,239
I'd just like to tell you
that the album Love Over Gold
871
00:55:33,240 --> 00:55:34,559
is number one this week
872
00:55:34,560 --> 00:55:37,039
and Twisting by the Pool
is heading for the same position.
873
00:55:37,040 --> 00:55:40,080
What do you think of that?
Oh, that's fantastic! Great!
874
00:55:43,320 --> 00:55:44,919
Molly?
875
00:55:44,920 --> 00:55:46,839
Captions by Ericsson Access Services
876
00:55:46,840 --> 00:55:50,040
Copyright Australian
Broadcasting Corporation
877
00:55:51,160 --> 00:55:52,759
Oh!
878
00:55:52,760 --> 00:55:54,720
Well, it's cool, anyhow.
879
00:55:55,920 --> 00:55:57,720
(BOTH LAUGH)
880
00:55:59,320 --> 00:56:00,639
That's enough.
881
00:56:00,640 --> 00:56:02,040
You forgot your hat.
882
00:56:03,160 --> 00:56:05,160
Oh... (LAUGHS)
883
00:56:06,600 --> 00:56:09,399
Visit the Classic Countdown
website for more pictures,
884
00:56:09,400 --> 00:56:11,839
interviews, and
behind-the-scenes information.
60827
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
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