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OK, here he comes.
2
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Can I just have one comment, please?
3
00:00:07,720 --> 00:00:09,320
I'm terribly sorry.
4
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I'm sorry. I would, but I've got to
get home to watch Countdown.
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ANNOUNCER: Welcome to
Classic Countdown - 1977.
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RICHARD CLAPTON: In 1977,
Western culture was under siege.
7
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At almost every level
of Australian society,
8
00:00:36,320 --> 00:00:38,280
tradition and convention was changed.
9
00:00:40,120 --> 00:00:41,639
Flags were waved for the Royal Family
10
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as they toured here for
the Queen's Silver Jubilee year.
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SEX PISTOLS:
♪ God save the Queen... ♪
12
00:00:46,640 --> 00:00:48,679
REPORTER: The Premier,
Mr Dick Hamer, looking very happy,
13
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and he's got a new suit on, too.
14
00:00:50,200 --> 00:00:51,719
But at the same time,
15
00:00:51,720 --> 00:00:54,719
we replaced God Save the Queen
with Advance Australia Fair
16
00:00:54,720 --> 00:00:56,639
as our national anthem.
17
00:00:56,640 --> 00:00:59,319
Don Chipp stirred up politics
for the Australian democrats,
18
00:00:59,320 --> 00:01:01,839
promising to
keep the bastards honest.
19
00:01:01,840 --> 00:01:04,439
While in Queensland,
Premier Joh Bjelke-Petersen
20
00:01:04,440 --> 00:01:07,079
banned public marches
and demonstrations.
21
00:01:07,080 --> 00:01:09,839
♪ In England's dreaming... ♪
22
00:01:09,840 --> 00:01:11,959
Australia was featured
as the wholesome backdrop
23
00:01:11,960 --> 00:01:13,839
for ABBA The Movie.
24
00:01:13,840 --> 00:01:15,959
And in a galaxy far, far away,
25
00:01:15,960 --> 00:01:18,159
the Star Wars were
just getting started.
26
00:01:18,160 --> 00:01:21,759
It's sort of a combination
comic book, fairy tale,
27
00:01:21,760 --> 00:01:23,760
Wizard of Oz...
28
00:01:24,880 --> 00:01:27,479
There's so many different
elements in the movie.
29
00:01:27,480 --> 00:01:30,999
Musically, it was the year
of three vastly different groups -
30
00:01:31,000 --> 00:01:33,959
The Sex Pistols, Fleetwood Mac,
and the Bee Gees.
31
00:01:33,960 --> 00:01:35,519
MOLLY: Can you tell us a bit
about the new single
32
00:01:35,520 --> 00:01:37,519
that's just roaring up
the charts now in America?
33
00:01:37,520 --> 00:01:39,719
Yeah, it's the closing music
34
00:01:39,720 --> 00:01:42,719
for a film that's coming out
in December...
35
00:01:42,720 --> 00:01:44,679
I know, I know. (LAUGHS)
36
00:01:44,680 --> 00:01:47,799
called Saturday Night Fever,
which stars John Travolta.
37
00:01:47,800 --> 00:01:51,439
♪ Rebecca
38
00:01:51,440 --> 00:01:54,279
♪ Down, down, down, down... ♪
39
00:01:54,280 --> 00:01:58,039
Whenever popular taste looked like
heading in one direction,
40
00:01:58,040 --> 00:02:00,080
it would drift off in another.
41
00:02:01,960 --> 00:02:06,239
♪ Jamaica, land of tropical fruit
42
00:02:06,240 --> 00:02:10,400
♪ And young girls
and pineapple juice... ♪
43
00:02:11,760 --> 00:02:16,679
Rather than shy away from this
diversity, Countdown embraced it.
44
00:02:16,680 --> 00:02:18,239
♪ Well
45
00:02:18,240 --> 00:02:22,200
♪ Well, I know
our love will always be... ♪
46
00:02:23,200 --> 00:02:27,399
Boundary-pushing musicians found
themselves a home on ABC TV.
47
00:02:27,400 --> 00:02:32,079
♪ I went out to see
if I could fall in love again
48
00:02:32,080 --> 00:02:34,439
♪ That was my mistake
49
00:02:34,440 --> 00:02:37,239
♪ That was my mistake
50
00:02:37,240 --> 00:02:41,759
♪ I went out to see
if I could raise a laugh again
51
00:02:41,760 --> 00:02:44,319
♪ That was my mistake
52
00:02:44,320 --> 00:02:46,639
♪ That was my mistake
53
00:02:46,640 --> 00:02:48,919
♪ When all I needed was a friend
54
00:02:48,920 --> 00:02:51,399
♪ To make me stop and think again
55
00:02:51,400 --> 00:02:53,919
♪ Pull me up and pull me through
56
00:02:53,920 --> 00:03:01,319
♪ Tally ho, your health, my dear
57
00:03:01,320 --> 00:03:06,079
♪ I went out to see if I
could live for a couple of days
58
00:03:06,080 --> 00:03:08,479
♪ That was my mistake
59
00:03:08,480 --> 00:03:10,879
♪ That was my mistake
60
00:03:10,880 --> 00:03:15,719
♪ One by one I counted
all those happiest of days
61
00:03:15,720 --> 00:03:17,999
♪ Yeah, that was my mistake
62
00:03:18,000 --> 00:03:20,239
♪ Why, that was my mistake
63
00:03:20,240 --> 00:03:22,839
♪ What's gone is gone
Sweet memories
64
00:03:22,840 --> 00:03:25,239
♪ Don't let them get the best of me
65
00:03:25,240 --> 00:03:27,719
♪ No more lost in history
66
00:03:27,720 --> 00:03:30,519
♪ No more lost for love
67
00:03:30,520 --> 00:03:32,399
♪ When all I needed was a friend
68
00:03:32,400 --> 00:03:34,799
♪ To make me stop and think again
69
00:03:34,800 --> 00:03:37,439
♪ The call to arms is loud and clear
70
00:03:37,440 --> 00:03:44,600
♪ Tally ho, your health my dear
71
00:04:04,120 --> 00:04:08,799
♪ I went out to see if I
could fall in love again
72
00:04:08,800 --> 00:04:10,879
♪ That was my mistake
73
00:04:10,880 --> 00:04:13,559
♪ Why, that was my mistake
74
00:04:13,560 --> 00:04:18,359
♪ One by one I counted
all those happiest of days
75
00:04:18,360 --> 00:04:20,639
♪ That was my mistake
76
00:04:20,640 --> 00:04:23,079
♪ That was my mistake
77
00:04:23,080 --> 00:04:25,359
♪ That was my mistake
78
00:04:25,360 --> 00:04:27,759
♪ That was my mistake
79
00:04:27,760 --> 00:04:30,119
♪ That was my mistake
80
00:04:30,120 --> 00:04:32,680
♪ That was my mistake... ♪
81
00:04:48,840 --> 00:04:50,319
♪ Two guys in the bathroom
82
00:04:50,320 --> 00:04:52,959
♪ They've been there for an hour
83
00:04:52,960 --> 00:04:57,239
♪ Somebody said that they were
taking a shower
84
00:04:57,240 --> 00:05:01,119
♪ Jimmy couldn't wait
so he kicked down the door
85
00:05:01,120 --> 00:05:03,159
♪ Found his girlfriend and two guys
86
00:05:03,160 --> 00:05:05,399
♪ Having a party on the floor
87
00:05:05,400 --> 00:05:07,999
♪ At the party to end all parties
88
00:05:08,000 --> 00:05:10,159
♪ Wildest one in the book
89
00:05:10,160 --> 00:05:11,919
♪ Party to end all parties
90
00:05:11,920 --> 00:05:14,480
♪ Step inside and take a look
at the party... ♪
91
00:05:18,800 --> 00:05:19,919
Sadly,
92
00:05:19,920 --> 00:05:23,919
not all the weird and wonderful
moments of 1977 were preserved.
93
00:05:23,920 --> 00:05:27,839
In the late '70s, a no doubt
well-meaning ABC manager
94
00:05:27,840 --> 00:05:30,079
decided to save money
by reusing the tapes
95
00:05:30,080 --> 00:05:31,440
stored in the archives.
96
00:05:32,880 --> 00:05:35,959
Most of the 1977 episodes
of Countdown were lost,
97
00:05:35,960 --> 00:05:37,959
literally taped over.
98
00:05:37,960 --> 00:05:41,879
♪ You cast your spell on me
99
00:05:41,880 --> 00:05:45,039
♪ And it's plain to see
100
00:05:45,040 --> 00:05:49,199
♪ It's witchery
Ooh... ♪
101
00:05:49,200 --> 00:05:52,239
Fortunately, some far-sighted
ABC staff members
102
00:05:52,240 --> 00:05:53,599
took it upon themselves
103
00:05:53,600 --> 00:05:57,119
to save a selection of
live Countdown clips from '77,
104
00:05:57,120 --> 00:06:00,120
which have allowed us to piece
this tribute together.
105
00:06:01,440 --> 00:06:03,919
♪ Whichever way the wind is blowing
106
00:06:03,920 --> 00:06:07,479
♪ About the only thing I know
107
00:06:07,480 --> 00:06:09,639
♪ Is that I'm going to be
108
00:06:09,640 --> 00:06:11,839
♪ Where the action is... ♪
109
00:06:11,840 --> 00:06:13,119
Without that foresight,
110
00:06:13,120 --> 00:06:15,079
some of the great performances
of that year
111
00:06:15,080 --> 00:06:17,039
would've been lost forever.
112
00:06:17,040 --> 00:06:18,439
♪ Do do do do
113
00:06:18,440 --> 00:06:19,960
♪ Do do do do... ♪
114
00:06:25,520 --> 00:06:29,360
♪ City girls have got night life
in their eyes
115
00:06:33,200 --> 00:06:38,319
♪ Ooh, ask no questions
and get told no lies
116
00:06:38,320 --> 00:06:41,359
♪ If you get hurt
117
00:06:41,360 --> 00:06:46,279
♪ They're on the flirt again tonight
118
00:06:46,280 --> 00:06:47,840
♪ Tonight
119
00:06:50,760 --> 00:06:53,160
♪ Don't fall in love
120
00:06:58,400 --> 00:06:59,999
♪ Don't fall in love
121
00:07:00,000 --> 00:07:03,840
♪ Big cars, bright lights
with bow ties
122
00:07:07,840 --> 00:07:13,079
♪ Underneath, all there is is lies
123
00:07:13,080 --> 00:07:17,839
♪ Can't you see
they're cheating all of you
124
00:07:17,840 --> 00:07:20,719
♪ They're no good for you
125
00:07:20,720 --> 00:07:22,320
♪ No good for you
126
00:07:25,040 --> 00:07:27,560
♪ Don't fall in love
127
00:07:32,920 --> 00:07:35,560
♪ Don't fall in love
128
00:07:55,480 --> 00:07:58,239
♪ If you get hurt
129
00:07:58,240 --> 00:08:02,799
♪ They're on the flirt again tonight
130
00:08:02,800 --> 00:08:04,440
♪ Tonight
131
00:08:07,040 --> 00:08:08,839
♪ Don't fall in love
132
00:08:08,840 --> 00:08:12,240
♪ Long legs, short skirts
with no tights
133
00:08:16,320 --> 00:08:21,599
♪ Underneath all there is is lies
134
00:08:21,600 --> 00:08:26,159
♪ Can't you see
they're cheating all of you
135
00:08:26,160 --> 00:08:29,199
♪ They're no good for you
136
00:08:29,200 --> 00:08:30,720
♪ No good for you
137
00:08:33,400 --> 00:08:36,000
♪ Don't fall in love
138
00:08:41,280 --> 00:08:45,679
♪ Don't fall in love
139
00:08:45,680 --> 00:08:49,079
♪ City girls have got night life
in their eyes
140
00:08:49,080 --> 00:08:51,720
♪ Don't fall in love... ♪
141
00:09:06,640 --> 00:09:09,639
♪ First thing in the morning
142
00:09:09,640 --> 00:09:12,559
♪ Last thing at night
143
00:09:12,560 --> 00:09:18,399
♪ All is reborn
Into dark into light
144
00:09:18,400 --> 00:09:21,279
♪ First thing in the morning
145
00:09:21,280 --> 00:09:24,079
♪ Look through the sights
146
00:09:24,080 --> 00:09:27,080
♪ I aim to be there... ♪
147
00:09:28,960 --> 00:09:31,119
Although many of the rescued
Countdown clips
148
00:09:31,120 --> 00:09:33,359
featured well-known overseas artists,
149
00:09:33,360 --> 00:09:35,559
some captured fascinating local acts,
150
00:09:35,560 --> 00:09:39,119
like former Tamam Shud guitarist,
Lindsay Bjerre,
151
00:09:39,120 --> 00:09:41,359
moving away from his hippie past.
152
00:09:41,360 --> 00:09:44,199
♪ I've got the heart
And I've got the steam
153
00:09:44,200 --> 00:09:47,399
♪ Just like a dream, I'll go on
154
00:09:47,400 --> 00:09:50,599
♪ High from the ground
I never go down
155
00:09:50,600 --> 00:09:53,879
♪ Chasing the sun
I will take you higher
156
00:09:53,880 --> 00:09:57,079
♪ I've got the will
I've got the time
157
00:09:57,080 --> 00:10:00,279
♪ Fly like a rhyme on the wall
158
00:10:00,280 --> 00:10:03,279
♪ Never a trace
I'm not in my face
159
00:10:03,280 --> 00:10:07,160
♪ I'll step up the pace
And I'll take you higher
160
00:10:13,440 --> 00:10:16,399
♪ I've got the feel
And I've got the jive
161
00:10:16,400 --> 00:10:19,719
♪ And while I'm alive I'll go on
162
00:10:19,720 --> 00:10:22,799
♪ No-one can take me
Shape me or break me
163
00:10:22,800 --> 00:10:26,439
♪ I'm right at the top
And I'll take you higher
164
00:10:26,440 --> 00:10:29,319
♪ I've got the mood
And I've got the sound
165
00:10:29,320 --> 00:10:32,639
♪ While I'm around, I'll go on
166
00:10:32,640 --> 00:10:35,559
♪ Hour by hour
I build up the power
167
00:10:35,560 --> 00:10:39,320
♪ Explode like a bomb
and I'll take you higher
168
00:10:53,240 --> 00:10:55,999
♪ I've got the feel
and I've got the drive
169
00:10:56,000 --> 00:10:59,359
♪ And while I'm alive I'll go on
170
00:10:59,360 --> 00:11:02,639
♪ No-one can take me
Shape me or break me
171
00:11:02,640 --> 00:11:05,959
♪ I'm right at the top
And I'll take you higher
172
00:11:05,960 --> 00:11:08,799
♪ I've got the mood
And I've got the sound
173
00:11:08,800 --> 00:11:12,279
♪ And while I'm around
I'll go on
174
00:11:12,280 --> 00:11:15,159
♪ Hour by hour
I build up the power
175
00:11:15,160 --> 00:11:18,840
♪ Explode like a bomb
And I'll take you higher
176
00:11:20,320 --> 00:11:22,120
♪ Take you higher
177
00:11:23,680 --> 00:11:27,080
♪ Take you higher... ♪
178
00:11:38,200 --> 00:11:40,879
Hi. I'm John Paul Young,
that's Sydney,
179
00:11:40,880 --> 00:11:42,479
and this is Countdown,
180
00:11:42,480 --> 00:11:46,160
Australia's top rock-pop show
on the ABC network.
181
00:11:47,240 --> 00:11:50,919
We've released one album...
In '77, Molly chewed the fat
182
00:11:50,920 --> 00:11:54,479
with some of the brightest stars
in popular music.
183
00:11:54,480 --> 00:11:57,519
Luckily, the best of his interviews
were preserved, too.
184
00:11:57,520 --> 00:11:58,999
MOLLY: What do you think
of the album itself?
185
00:11:59,000 --> 00:12:02,479
Do you think that it's probably
the best in a long while?
186
00:12:02,480 --> 00:12:05,119
I think there's a great deal of
truth on it. Lyrically, anyway.
187
00:12:05,120 --> 00:12:06,999
I think some of the words are,
probably,
188
00:12:07,000 --> 00:12:10,519
some of the nearest to the knuckle
that I've ever written.
189
00:12:10,520 --> 00:12:11,520
A lot of them.
190
00:12:11,521 --> 00:12:14,439
I don't think they're even going to
get played, they're so filthy.
191
00:12:14,440 --> 00:12:15,959
Prior to this album coming out...
192
00:12:15,960 --> 00:12:17,519
Yeah.
..there's been, again,
193
00:12:17,520 --> 00:12:19,039
the headlines and a lot of publicity
194
00:12:19,040 --> 00:12:21,439
about you and Britt, about you
breaking up,
195
00:12:21,440 --> 00:12:22,639
and everything else like that.
196
00:12:22,640 --> 00:12:24,639
Well, there's more to it than that.
As you know.
197
00:12:24,640 --> 00:12:28,039
Probably. But what I'm
trying to say is,
198
00:12:28,040 --> 00:12:32,279
the titles on these songs
are like, sort of,
199
00:12:32,280 --> 00:12:34,399
almost as if you could
direct them at Britt.
200
00:12:34,400 --> 00:12:36,559
From the listener's point of view.
201
00:12:36,560 --> 00:12:38,959
I mean, was it that good
or was it that bad?
202
00:12:38,960 --> 00:12:40,279
You're right. You're right.
203
00:12:40,280 --> 00:12:42,319
Yeah, that's a fairly accurate
assumption.
204
00:12:42,320 --> 00:12:44,159
Some of them are aimed at her.
205
00:12:44,160 --> 00:12:47,039
Some of them are just aimed at
women, you know?
206
00:12:47,040 --> 00:12:48,920
One of them's about football.
207
00:12:50,920 --> 00:12:52,959
What more can I tell you?
208
00:12:52,960 --> 00:12:56,199
That was the reason I didn't put the
lyrics in the sleeve.
209
00:12:56,200 --> 00:12:58,399
I believe, on the last album,
I put the lyrics on the sleeve.
210
00:12:58,400 --> 00:13:03,239
This time, there's just
a cartoon, and the song,
211
00:13:03,240 --> 00:13:05,719
and it's up to the listener
to work out what it's all about.
212
00:13:05,720 --> 00:13:07,719
MOLLY: I'm going to ask you
a couple of pertinent questions.
213
00:13:07,720 --> 00:13:09,279
Oh. What are they?
214
00:13:09,280 --> 00:13:11,319
Um... the first one being,
215
00:13:11,320 --> 00:13:14,879
being one of the world's top groups
216
00:13:14,880 --> 00:13:17,079
and living in a country...
Oh, how nice.
217
00:13:17,080 --> 00:13:18,559
Well, I mean, it's true.
Yeah.
218
00:13:18,560 --> 00:13:19,999
Are you going to ask me about taxes?
219
00:13:20,000 --> 00:13:21,799
No, I'm not.
Thank God.
220
00:13:21,800 --> 00:13:23,959
Living in London,
221
00:13:23,960 --> 00:13:27,119
with the punk rock craze
coming along...
222
00:13:27,120 --> 00:13:29,319
Mm. What's that?
223
00:13:29,320 --> 00:13:30,839
Does it become a challenge?
224
00:13:30,840 --> 00:13:32,279
You know, in the sense where...
225
00:13:32,280 --> 00:13:34,639
you're finding these
amazing contrasts?
226
00:13:34,640 --> 00:13:36,519
It's always been a challenge.
227
00:13:36,520 --> 00:13:38,959
You know, I mean,
it doesn't matter what...
228
00:13:38,960 --> 00:13:41,319
Even if there is
a new movement, or...
229
00:13:41,320 --> 00:13:43,119
call it what you want,
there's always a challenge.
230
00:13:43,120 --> 00:13:46,999
I mean, look at... take,
for example, the charts today.
231
00:13:47,000 --> 00:13:50,919
I mean, at the moment, I feel
there's enormous competition
232
00:13:50,920 --> 00:13:52,639
with just the established acts.
233
00:13:52,640 --> 00:13:56,279
I mean, there's ELO, there's ABBA,
there's Rod Stewart.
234
00:13:56,280 --> 00:13:59,199
So, I mean, you know...
there's always competition,
235
00:13:59,200 --> 00:14:01,359
and we're never going to, sort of...
236
00:14:01,360 --> 00:14:03,559
I'm never one for resting
on my laurels, really.
237
00:14:03,560 --> 00:14:05,399
MOLLY: You've sprung up a bit
since I saw you last.
238
00:14:05,400 --> 00:14:06,879
(LAUGHS) Yeah.
239
00:14:06,880 --> 00:14:09,399
Everybody has, yeah.
240
00:14:09,400 --> 00:14:12,559
How have you taken it
over the last five years?
241
00:14:12,560 --> 00:14:15,760
Success?
Yeah. Has it affected you much?
242
00:14:17,280 --> 00:14:18,639
In a joyful way.
243
00:14:18,640 --> 00:14:21,679
In a rejoicing way,
because I love it.
244
00:14:21,680 --> 00:14:23,799
You have to like it
to be in it this long,
245
00:14:23,800 --> 00:14:26,359
or else you'd go crazy.
It's so much.
246
00:14:26,360 --> 00:14:29,119
We've been travelling the world, and
making records,
247
00:14:29,120 --> 00:14:30,919
and just having a great time.
248
00:14:30,920 --> 00:14:33,159
Over in Australia, we've seen
you on many of the big shows,
249
00:14:33,160 --> 00:14:36,399
like the big music awards,
and things like that.
250
00:14:36,400 --> 00:14:37,799
Oh, yeah.
251
00:14:37,800 --> 00:14:39,439
And your little sister's been
on our show as well.
252
00:14:39,440 --> 00:14:40,440
Yeah, yeah.
253
00:14:40,441 --> 00:14:42,239
She's a funky little sister,
isn't she?
254
00:14:42,240 --> 00:14:43,919
(LAUGHS)
255
00:14:43,920 --> 00:14:45,639
She is funky.
She's amazing.
256
00:14:45,640 --> 00:14:47,559
(LAUGHS)
257
00:14:47,560 --> 00:14:51,679
But, I mean, the demand on you
has been amazing,
258
00:14:51,680 --> 00:14:53,319
as far as, like,
259
00:14:53,320 --> 00:14:55,559
you've had to go into
an adult world, more or less.
260
00:14:55,560 --> 00:14:57,719
I mean, did you find that hard to
cope with, Michael?
261
00:14:57,720 --> 00:14:59,519
You mean, far as our music?
262
00:14:59,520 --> 00:15:01,799
Yeah, and demand, as far as...
263
00:15:01,800 --> 00:15:03,399
you having to go on all these shows,
264
00:15:03,400 --> 00:15:05,719
and sort of really compete
against the adults
265
00:15:05,720 --> 00:15:07,919
as far as hosting things,
and things like that.
266
00:15:07,920 --> 00:15:09,839
Oh, no, that's part of the business.
267
00:15:09,840 --> 00:15:11,639
And it comes at you all the time.
268
00:15:11,640 --> 00:15:14,959
It's up to you whether you want to
do it or not, so...
269
00:15:14,960 --> 00:15:16,719
We do whatever we can.
270
00:15:16,720 --> 00:15:19,559
Now, tell me, what do you think is
the success of the Jacksons?
271
00:15:19,560 --> 00:15:20,879
Yourself and the Jacksons?
272
00:15:20,880 --> 00:15:27,920
I'd say probably
togetherness, or, um...
273
00:15:29,520 --> 00:15:31,240
just enjoying our work a lot.
274
00:15:36,360 --> 00:15:38,559
As Molly made contacts
around the world,
275
00:15:38,560 --> 00:15:40,479
he was able to convince
many of those acts
276
00:15:40,480 --> 00:15:42,399
to appear live on the show.
277
00:15:42,400 --> 00:15:44,519
♪ Oh, I don't know why she's leaving
278
00:15:44,520 --> 00:15:46,439
♪ Or where she's gonna go
279
00:15:46,440 --> 00:15:50,159
♪ I guess she's got her reasons
But I just don't want to know
280
00:15:50,160 --> 00:15:52,079
♪ 'Cause for twenty-four years
281
00:15:52,080 --> 00:15:55,320
♪ I've been living next door
to Alice
282
00:15:58,200 --> 00:16:01,759
♪ Twenty-four years
just waiting for a chance
283
00:16:01,760 --> 00:16:05,359
♪ To tell her how I feel
And maybe get a second glance
284
00:16:05,360 --> 00:16:10,720
♪ Now I've got to get used to
Not living next door to Alice... ♪
285
00:16:12,520 --> 00:16:15,039
Soon enough, the biggest
touring acts in the world
286
00:16:15,040 --> 00:16:17,120
were gracing Studio 31.
287
00:16:18,400 --> 00:16:21,479
♪ You're as cold as ice
288
00:16:21,480 --> 00:16:25,360
♪ You're willing to sacrifice
our love
289
00:16:33,040 --> 00:16:36,159
♪ You want paradise
290
00:16:36,160 --> 00:16:40,799
♪ But someday you'll pay the price,
I know
291
00:16:40,800 --> 00:16:44,559
♪ I've seen it before
It happens all the time
292
00:16:44,560 --> 00:16:48,200
♪ Closing the door
You leave our world behind
293
00:16:50,400 --> 00:16:53,879
♪ You're throwing away
A fortune in feelings
294
00:16:53,880 --> 00:16:56,520
♪ But someday you'll pay
295
00:17:11,520 --> 00:17:15,559
♪ Cold as ice
296
00:17:15,560 --> 00:17:17,679
♪ You know that you are
297
00:17:17,680 --> 00:17:22,959
♪ Cold as ice
298
00:17:22,960 --> 00:17:25,599
♪ As cold as ice to me
299
00:17:25,600 --> 00:17:30,120
♪ Cold as ice
300
00:17:51,800 --> 00:17:55,879
♪ You're as cold as ice
301
00:17:55,880 --> 00:18:00,119
♪ Cold as ice
302
00:18:00,120 --> 00:18:02,320
♪ Oh yes, I know
303
00:18:16,200 --> 00:18:17,799
MOLLY: Well, with the...
304
00:18:17,800 --> 00:18:19,759
Nice jacket, dear.
Thank you.
305
00:18:19,760 --> 00:18:21,759
You've got one the same, actually.
Oh, yes, I know.
306
00:18:21,760 --> 00:18:23,839
I clean the car with it.
(LAUGHS)
307
00:18:23,840 --> 00:18:26,599
For all the palling about
with international stars,
308
00:18:26,600 --> 00:18:29,120
Molly stayed friends
with the local up-and-comers.
309
00:18:31,920 --> 00:18:35,799
♪ Yes, it's alright baby
310
00:18:35,800 --> 00:18:39,599
♪ You changed your life and how
311
00:18:39,600 --> 00:18:43,439
♪ You used to be a honky tonk sister
312
00:18:43,440 --> 00:18:46,760
♪ But you're a lady now... ♪
313
00:18:49,040 --> 00:18:51,959
Countdown was always ready
to give new artists a chance,
314
00:18:51,960 --> 00:18:55,879
and many would go on to long and
successful careers.
315
00:18:55,880 --> 00:18:57,199
I'm talking about really true
talent,
316
00:18:57,200 --> 00:18:59,439
and I think this is one of the best
things she's ever done
317
00:18:59,440 --> 00:19:00,679
in her life.
318
00:19:00,680 --> 00:19:04,519
The most beautiful lady I know,
and she's Hungarian, I believe.
319
00:19:04,520 --> 00:19:07,119
Speak Hungarian,
speak Hungarian.
320
00:19:07,120 --> 00:19:10,359
Here's Renee Geyer
with her beautiful single,
321
00:19:10,360 --> 00:19:12,879
Stares and Whispers.
Renee Geyer!
322
00:19:12,880 --> 00:19:17,880
(CHEERING AND APPLAUSE)
323
00:19:19,320 --> 00:19:23,400
♪ They just stare and whisper
324
00:19:37,200 --> 00:19:40,680
♪ Everybody's talking
325
00:19:44,360 --> 00:19:48,359
♪ Ooh
326
00:19:48,360 --> 00:19:50,400
♪ Everybody's talking
327
00:19:54,840 --> 00:19:59,479
♪ They just stare and whisper
328
00:19:59,480 --> 00:20:01,679
♪ Wherever I go
329
00:20:01,680 --> 00:20:06,359
♪ They just stare and whisper
330
00:20:06,360 --> 00:20:10,559
♪ Now everyone knows
331
00:20:10,560 --> 00:20:13,879
♪ That the dream
I thought I had found
332
00:20:13,880 --> 00:20:17,920
♪ Has come tumbling down
333
00:20:20,080 --> 00:20:22,519
♪ What seemed more perfect
334
00:20:22,520 --> 00:20:27,719
♪ Than the future that we planned
335
00:20:27,720 --> 00:20:31,919
♪ Walking proudly by your side
336
00:20:31,920 --> 00:20:33,719
♪ I could not see
337
00:20:33,720 --> 00:20:37,559
♪ You were deceiving me
338
00:20:37,560 --> 00:20:41,199
♪ How could I be so blind
To all the reasons why
339
00:20:41,200 --> 00:20:45,479
♪ They just stare and whisper
340
00:20:45,480 --> 00:20:47,759
♪ Wherever I go
341
00:20:47,760 --> 00:20:52,199
♪ They just stare and whisper
342
00:20:52,200 --> 00:20:56,759
♪ Now everyone knows
343
00:20:56,760 --> 00:20:59,879
♪ That the dream
I thought I had found
344
00:20:59,880 --> 00:21:04,239
♪ Has come tumbling down
345
00:21:04,240 --> 00:21:06,999
♪ I found her picture
346
00:21:07,000 --> 00:21:11,999
♪ That you safely tucked away
347
00:21:12,000 --> 00:21:15,479
♪ There was no need to explain
348
00:21:15,480 --> 00:21:17,679
♪ Or to question you
349
00:21:17,680 --> 00:21:21,679
♪ It was written clearly
on your face
350
00:21:21,680 --> 00:21:27,439
♪ That you love her more And, oh
351
00:21:27,440 --> 00:21:29,999
♪ They just stare and whisper
352
00:21:30,000 --> 00:21:31,799
♪ Wherever I go
353
00:21:31,800 --> 00:21:36,239
♪ They just stare and whisper
354
00:21:36,240 --> 00:21:39,319
♪ Now everyone knows
355
00:21:39,320 --> 00:21:41,999
♪ That the dream
I thought I had found
356
00:21:42,000 --> 00:21:46,400
♪ Has come tumbling down
357
00:22:07,280 --> 00:22:11,559
♪ They just stare and whisper
358
00:22:11,560 --> 00:22:14,599
♪ Everywhere I go
359
00:22:14,600 --> 00:22:18,359
♪ They just stare and whisper
360
00:22:18,360 --> 00:22:21,199
♪ Now everyone knows
361
00:22:21,200 --> 00:22:23,760
♪ They just stare and whisper... ♪
362
00:22:39,720 --> 00:22:42,999
In '77, The Saints,
from the 'burbs of Brisbane
363
00:22:43,000 --> 00:22:44,919
caused a stir in England.
364
00:22:44,920 --> 00:22:46,919
There was a lot of talk
about punk music.
365
00:22:46,920 --> 00:22:49,919
MOLLY: Um, as far
as the product's concerned,
366
00:22:49,920 --> 00:22:51,399
you came over here,
367
00:22:51,400 --> 00:22:55,239
you were labelled by
the Australian magazines
368
00:22:55,240 --> 00:22:58,079
as Australia's first punk rock band.
369
00:22:58,080 --> 00:22:59,519
Which is a title I don't think
370
00:22:59,520 --> 00:23:01,879
that you or the group
particularly like.
371
00:23:01,880 --> 00:23:03,679
No. Well, it was irrelevant
at the time,
372
00:23:03,680 --> 00:23:07,959
because it was, like,
a copy of English media.
373
00:23:07,960 --> 00:23:10,799
I don't think that half of them
know what they're talking about,
374
00:23:10,800 --> 00:23:12,119
that's all.
375
00:23:12,120 --> 00:23:15,239
What do you actually
class yourself as?
376
00:23:15,240 --> 00:23:16,799
You just class yourself as a...
377
00:23:16,800 --> 00:23:19,639
a rather energetic
rock and roll band, don't you?
378
00:23:19,640 --> 00:23:22,199
If you have to put
a classification to your music.
379
00:23:22,200 --> 00:23:25,639
Yeah, talented is what
the classification is.
380
00:23:25,640 --> 00:23:28,119
Our audience these days
isn't really punk,
381
00:23:28,120 --> 00:23:29,599
because punk is not...
382
00:23:29,600 --> 00:23:32,399
well, it's practically gone
at the moment.
383
00:23:32,400 --> 00:23:34,279
It doesn't really exist anymore.
384
00:23:34,280 --> 00:23:37,559
So, like, a fair cross-section
385
00:23:37,560 --> 00:23:39,679
of the people that
we used to get before,
386
00:23:39,680 --> 00:23:41,719
like, this hysteria thing, kinda.
387
00:23:41,720 --> 00:23:44,080
Because we have just
come through a boom period.
388
00:23:47,160 --> 00:23:49,719
These things are just
sorting themselves out.
389
00:23:49,720 --> 00:23:51,439
And it's not just because
you've got spiky hair,
390
00:23:51,440 --> 00:23:53,519
and look like Johnny Rotten
these days
391
00:23:53,520 --> 00:23:55,759
that you'll,
like, win over audiences.
392
00:23:55,760 --> 00:23:58,319
It's, like... back to
the way it used to be.
393
00:23:58,320 --> 00:24:01,999
This thing, today's music's
just '70s rock and roll.
394
00:24:02,000 --> 00:24:04,439
It just says what '70s is about,
395
00:24:04,440 --> 00:24:06,639
what it's like being
young today, you know?
396
00:24:06,640 --> 00:24:08,959
Just expressing our attitude.
397
00:24:08,960 --> 00:24:11,359
MOLLY: Do you feel that perhaps
recording companies,
398
00:24:11,360 --> 00:24:13,239
that, perhaps, may be signing up
a lot of the acts,
399
00:24:13,240 --> 00:24:15,759
are just trying
to cash in on a craze
400
00:24:15,760 --> 00:24:18,599
that may be just going
at the moment?
401
00:24:18,600 --> 00:24:19,759
Yeah, I mean, that always happens.
402
00:24:19,760 --> 00:24:21,639
I mean, there's loads of bands
cashing in on it.
403
00:24:21,640 --> 00:24:23,279
Most people just sling
a tie around their neck,
404
00:24:23,280 --> 00:24:24,919
reckon it's punk rock.
Yeah.
405
00:24:24,920 --> 00:24:25,920
But I don't know.
406
00:24:25,921 --> 00:24:27,319
I think there's loads
of groups like that.
407
00:24:27,320 --> 00:24:30,119
I mean, I think there's only
a couple of really true groups.
408
00:24:30,120 --> 00:24:32,519
The rest is a load of shit.
409
00:24:32,520 --> 00:24:34,839
There's a lot of talk in all the
trade papers,
410
00:24:34,840 --> 00:24:36,999
"They've sort of gone
into a new wave."
411
00:24:37,000 --> 00:24:39,079
Yeah, well they always go mad with
anything, don't they?
412
00:24:39,080 --> 00:24:40,080
They go mad with glitter,
413
00:24:40,081 --> 00:24:42,279
and they go mad
with Bowie's haircut.
414
00:24:42,280 --> 00:24:44,439
And then they go mad with punk,
you know.
415
00:24:44,440 --> 00:24:48,039
But it's good, you know?
It's good, young music at last.
416
00:24:48,040 --> 00:24:49,999
That's the thing I like about it.
417
00:24:50,000 --> 00:24:52,119
It's kids getting
their own thing on,
418
00:24:52,120 --> 00:24:54,520
instead of just copying
their daddies.
419
00:24:56,000 --> 00:24:58,679
It's very like the music everyone
else used to play.
420
00:24:58,680 --> 00:25:01,599
It's very like early Who and Doors
and stuff.
421
00:25:01,600 --> 00:25:05,119
Influences are all back there,
but I think it's good.
422
00:25:05,120 --> 00:25:07,039
I like it, you know.
I like the way they dress.
423
00:25:07,040 --> 00:25:08,960
All that funny hair.
424
00:25:10,280 --> 00:25:12,359
MOLLY: And, like, you know,
take Anarchy In The UK.
425
00:25:12,360 --> 00:25:14,239
You were saying,
just a moment ago,
426
00:25:14,240 --> 00:25:15,879
that you thought it was, perhaps...
427
00:25:15,880 --> 00:25:17,519
it came out too early.
428
00:25:17,520 --> 00:25:20,559
Yeah. Came out this time last year,
429
00:25:20,560 --> 00:25:22,559
and wasn't really big then at all,
430
00:25:22,560 --> 00:25:24,519
the punk rock movement, you know.
431
00:25:24,520 --> 00:25:25,919
Do you think it was slightly
overshadowed
432
00:25:25,920 --> 00:25:28,799
by the controversy
that was going around it?
433
00:25:28,800 --> 00:25:31,639
No-one took no notice
of the music at all.
434
00:25:31,640 --> 00:25:32,719
What they was worried about
435
00:25:32,720 --> 00:25:34,879
was the front page headlines
and everything.
436
00:25:34,880 --> 00:25:37,239
No-one even bothered
to listen to the record.
437
00:25:37,240 --> 00:25:39,879
They didn't realise how good it was.
438
00:25:39,880 --> 00:25:42,199
And God Save The Queen sort of...
was obviously something
439
00:25:42,200 --> 00:25:43,919
that was going to cause
a lot of controversy,
440
00:25:43,920 --> 00:25:46,399
as far as... whether
you liked it or not.
441
00:25:46,400 --> 00:25:50,239
Pretty Vacant, people have taken it
pretty serious,
442
00:25:50,240 --> 00:25:52,719
and to your favour.
443
00:25:52,720 --> 00:25:54,799
I mean... you must be pretty happy
444
00:25:54,800 --> 00:25:57,679
about the way Pretty Vacant
was treated.
445
00:25:57,680 --> 00:26:00,320
I don't know. I didn't
really like Pretty Vacant.
446
00:26:02,320 --> 00:26:04,279
In what respect?
You didn't like it musically?
447
00:26:04,280 --> 00:26:06,199
Or the way it was recorded,
or what?
448
00:26:06,200 --> 00:26:08,039
Well, no, I just...
449
00:26:08,040 --> 00:26:09,479
I never liked that song that much.
450
00:26:09,480 --> 00:26:11,679
I mean, everyone else likes it,
so...
451
00:26:11,680 --> 00:26:13,879
BON SCOTT: We're pulling bigger
crowds than they are, you know?
452
00:26:13,880 --> 00:26:15,399
MOLLY: Yeah?
453
00:26:15,400 --> 00:26:17,159
I mean, we've got
our following here,
454
00:26:17,160 --> 00:26:18,919
it's not new wave and it's not punk,
455
00:26:18,920 --> 00:26:23,119
it's just people that like our band,
our rock band, you know?
456
00:26:23,120 --> 00:26:24,839
And, like, we thought,
457
00:26:24,840 --> 00:26:27,399
we honestly thought that
the punk and the new wave thing
458
00:26:27,400 --> 00:26:31,559
might sort of spoil it for us,
but it hasn't at all.
459
00:26:31,560 --> 00:26:33,639
Yeah.
It was a big fad.
460
00:26:33,640 --> 00:26:35,599
Just like anything else.
Big fad for a while,
461
00:26:35,600 --> 00:26:37,959
and there's those that are still
hanging onto it,
462
00:26:37,960 --> 00:26:40,039
but the main thing about it is,
463
00:26:40,040 --> 00:26:45,239
that it gave rock music a real
kick in the guts, you know?
464
00:26:45,240 --> 00:26:47,239
And even though we started
the whole thing over here,
465
00:26:47,240 --> 00:26:48,559
like, we were the...
466
00:26:48,560 --> 00:26:53,079
we played here before the
Sex Pistols were even... thought of.
467
00:26:53,080 --> 00:26:54,599
Now, we've always been there,
468
00:26:54,600 --> 00:26:56,239
and people are beginning
to realise that now,
469
00:26:56,240 --> 00:26:58,359
they want more than just some...
470
00:26:58,360 --> 00:27:01,439
uh, someone up there screaming,
"Anarchy and rape!"
471
00:27:01,440 --> 00:27:03,479
And this sort of crap, you know?
472
00:27:03,480 --> 00:27:06,479
And we're it.
We're doing it right.
473
00:27:06,480 --> 00:27:10,239
♪ Well it's a dog eat dog
474
00:27:10,240 --> 00:27:13,759
♪ Eat cat too
475
00:27:13,760 --> 00:27:17,119
♪ Frenchy eat frog
476
00:27:17,120 --> 00:27:21,679
♪ And I eat you
477
00:27:21,680 --> 00:27:24,719
♪ Business man You make a deal
478
00:27:24,720 --> 00:27:28,639
♪ Do you know who you can trust
479
00:27:28,640 --> 00:27:31,559
♪ Do you sign your life away
480
00:27:31,560 --> 00:27:34,839
♪ Do you write your name in dust
481
00:27:34,840 --> 00:27:37,759
♪ Hey, hey, hey
482
00:27:37,760 --> 00:27:41,919
♪ Every dog has his day
483
00:27:41,920 --> 00:27:45,599
♪ It's a dog eat dog
484
00:27:45,600 --> 00:27:49,359
♪ Dog eat dog
485
00:27:49,360 --> 00:27:53,159
♪ Dog eat dog
486
00:27:53,160 --> 00:27:56,319
♪ Read the news
487
00:27:56,320 --> 00:27:59,839
♪ Someone win
488
00:27:59,840 --> 00:28:04,399
♪ Someone lose
489
00:28:04,400 --> 00:28:07,559
♪ Up's above and down's below
490
00:28:07,560 --> 00:28:11,279
♪ And limbo's in between
491
00:28:11,280 --> 00:28:13,039
♪ Up you win
492
00:28:13,040 --> 00:28:14,639
♪ Down you lose
493
00:28:14,640 --> 00:28:17,639
♪ It's anybody's game
494
00:28:17,640 --> 00:28:20,519
♪ Hey, hey, hey
495
00:28:20,520 --> 00:28:24,159
♪ Every dog has his day
496
00:28:24,160 --> 00:28:28,199
♪ It's a dog eat dog
497
00:28:28,200 --> 00:28:31,240
♪ Dog eat dog
498
00:29:01,240 --> 00:29:05,239
♪ And it's an eye for eye
499
00:29:05,240 --> 00:29:08,759
♪ Tooth for tooth
500
00:29:08,760 --> 00:29:12,479
♪ It's a lie
501
00:29:12,480 --> 00:29:16,199
♪ That's the truth
502
00:29:16,200 --> 00:29:20,399
♪ See the blind man on the street
503
00:29:20,400 --> 00:29:23,519
♪ Looking for something free
504
00:29:23,520 --> 00:29:27,079
♪ Hear the kind man ask his friend
505
00:29:27,080 --> 00:29:30,079
♪ Hey, what's in it for me
506
00:29:30,080 --> 00:29:32,839
♪ Hey, hey, hey
507
00:29:32,840 --> 00:29:36,719
♪ Every dog has his day
508
00:29:36,720 --> 00:29:40,679
♪ It's a dog eat dog
509
00:29:40,680 --> 00:29:42,720
♪ Dog eat dog... ♪
510
00:29:47,800 --> 00:29:49,799
At the other end
of the musical spectrum,
511
00:29:49,800 --> 00:29:53,159
American west coast rock
was still reeling in the hits.
512
00:29:53,160 --> 00:29:55,559
Fleetwood Mac was
a very spontaneous album.
513
00:29:55,560 --> 00:29:58,039
We'd only known each other a month.
514
00:29:58,040 --> 00:29:59,759
MOLLY: You also established a style.
515
00:29:59,760 --> 00:30:02,199
Right, and it established
a certain thing,
516
00:30:02,200 --> 00:30:05,440
so we were under a great deal
of pressure...
517
00:30:07,000 --> 00:30:09,279
to do another album.
518
00:30:09,280 --> 00:30:11,479
And we all became very critical,
519
00:30:11,480 --> 00:30:16,879
and probably very scared
and frightened, of not...
520
00:30:16,880 --> 00:30:18,199
I don't think that anybody ever
worried
521
00:30:18,200 --> 00:30:19,759
that it wouldn't be as good,
522
00:30:19,760 --> 00:30:21,599
but we worried that it would be
different.
523
00:30:21,600 --> 00:30:24,319
Because we had been playing
together,
524
00:30:24,320 --> 00:30:28,719
well... for over a year as a band,
and we were much closer,
525
00:30:28,720 --> 00:30:33,479
and much more ready
to... tear things apart.
526
00:30:33,480 --> 00:30:37,039
So from when I was
a very little girl,
527
00:30:37,040 --> 00:30:39,039
I was dancing around the house.
528
00:30:39,040 --> 00:30:41,999
So, this is nothing new for me.
This is nothing different.
529
00:30:42,000 --> 00:30:46,639
People can interpret what I do
any way they want to,
530
00:30:46,640 --> 00:30:50,439
just the way they can interpret
a song any way they want to.
531
00:30:50,440 --> 00:30:53,919
I don't... it is not important to me.
532
00:30:53,920 --> 00:30:57,120
I happen to like black.
I've always liked black.
533
00:30:58,520 --> 00:31:02,599
I happen to like very flowy
clothes,
534
00:31:02,600 --> 00:31:05,079
but I always liked
those kinds of clothes.
535
00:31:05,080 --> 00:31:07,559
Um... I'm small.
536
00:31:07,560 --> 00:31:11,839
I'm not... you know, your stately,
sexy type of a person.
537
00:31:11,840 --> 00:31:12,840
"I'm 5'1" tall.
538
00:31:12,841 --> 00:31:16,399
And if I don't wear the kind of
stuff I wear on stage,
539
00:31:16,400 --> 00:31:18,840
from a distance, you'd never see me.
540
00:31:22,680 --> 00:31:23,959
Many Australian acts
541
00:31:23,960 --> 00:31:27,879
gave us their own take
on the west coast sound.
542
00:31:27,880 --> 00:31:32,039
♪ You better look after yourself
543
00:31:32,040 --> 00:31:35,999
♪ 'Cause nothing stays the same
544
00:31:36,000 --> 00:31:39,799
♪ If you can run with the tide
545
00:31:39,800 --> 00:31:42,719
♪ You've got yourself to blame... ♪
546
00:31:42,720 --> 00:31:44,319
You could hear it in the work of
Stars,
547
00:31:44,320 --> 00:31:47,720
Cold Chisel, Paul Kelly,
and this bloke from Sydney.
548
00:31:59,120 --> 00:32:02,879
♪ We used to go down to
the beach at night
549
00:32:02,880 --> 00:32:06,719
♪ Fireflies dancing
in the promenade lights
550
00:32:06,720 --> 00:32:10,359
♪ Oh those rock 'n roll bands used
to really swing
551
00:32:10,360 --> 00:32:14,159
♪ And I'd do the foxtrot with sweet
Christine
552
00:32:14,160 --> 00:32:18,079
♪ Speaking to me with her gentle
hands
553
00:32:18,080 --> 00:32:21,760
♪ And we'd fly on down to Wonderland
554
00:32:24,200 --> 00:32:26,159
♪ Deep water
555
00:32:26,160 --> 00:32:30,639
♪ I'm caught up in its flow
556
00:32:30,640 --> 00:32:33,959
♪ If I'm in over my head
557
00:32:33,960 --> 00:32:38,160
♪ I'd be the last to know
558
00:32:39,160 --> 00:32:42,839
♪ Deep water
559
00:32:42,840 --> 00:32:45,680
♪ Deep water
560
00:32:57,400 --> 00:33:00,799
♪ They closed down the doors to the
Trocadero
561
00:33:00,800 --> 00:33:04,559
♪ And I came back looking just like
a ghost
562
00:33:04,560 --> 00:33:08,199
♪ The posters are scattered all over
the stairs
563
00:33:08,200 --> 00:33:12,199
♪ Nobody reads them so nobody cares
564
00:33:12,200 --> 00:33:15,479
♪ The kids all retired when they
reached twenty-one
565
00:33:15,480 --> 00:33:19,280
♪ But that really just ain't my idea
of fun
566
00:33:22,080 --> 00:33:24,519
♪ Deep water
567
00:33:24,520 --> 00:33:28,639
♪ I'm caught up in its flow
568
00:33:28,640 --> 00:33:31,879
♪ If I'm in over my head
569
00:33:31,880 --> 00:33:37,079
♪ I'd be the last to know
570
00:33:37,080 --> 00:33:40,799
♪ Deep water
571
00:33:40,800 --> 00:33:43,600
♪ Deep water
572
00:34:06,240 --> 00:34:09,639
♪ Sitting out on the Palm Beach Road
573
00:34:09,640 --> 00:34:13,439
♪ I'm so drunk and the car won't go
574
00:34:13,440 --> 00:34:17,840
♪ And my crazy eyes keep looking out
to sea
575
00:34:21,280 --> 00:34:24,839
♪ The Sunday drivers are cruising
round
576
00:34:24,840 --> 00:34:27,400
♪ I wish they'd all go back to town
577
00:34:29,040 --> 00:34:32,519
♪ What do they expect to find
578
00:34:32,520 --> 00:34:36,480
♪ Sure as hell ain't peace of mind
579
00:34:38,960 --> 00:34:41,119
♪ Deep water
580
00:34:41,120 --> 00:34:45,559
♪ I'm caught up in its flow
581
00:34:45,560 --> 00:34:48,879
♪ If I'm in over my head
582
00:34:48,880 --> 00:34:54,039
♪ I'd be the last to know
583
00:34:54,040 --> 00:34:57,839
♪ Deep water
584
00:34:57,840 --> 00:35:02,640
♪ Deep water... ♪
585
00:35:11,600 --> 00:35:13,399
This is Michelle Phillips.
586
00:35:13,400 --> 00:35:16,639
I'm on Countdown
right across Australia.
587
00:35:16,640 --> 00:35:17,640
MOLLY: Now, tell me,
588
00:35:17,641 --> 00:35:19,519
do you ever listen to the old
Mamas and the Papas records?
589
00:35:19,520 --> 00:35:23,399
All the time. (LAUGHS)
I'm a disgrace.
590
00:35:23,400 --> 00:35:26,359
They're blaring out of my house all
the time.
591
00:35:26,360 --> 00:35:28,519
Well, I heard one the other day on
the radio, and actually,
592
00:35:28,520 --> 00:35:32,439
the announcer said they matched up
to today's sound.
593
00:35:32,440 --> 00:35:33,920
Do you agree on that?
594
00:35:35,240 --> 00:35:36,839
Mm-hm.
595
00:35:36,840 --> 00:35:40,399
Yep. I don't think that they're just
nostalgic.
596
00:35:40,400 --> 00:35:44,799
I think that they're,
you know...
597
00:35:44,800 --> 00:35:47,239
it's really good American music.
598
00:35:47,240 --> 00:35:49,719
♪ Well I just flew in for a one
night stand
599
00:35:49,720 --> 00:35:52,079
♪ Making my business with a
travelling band
600
00:35:52,080 --> 00:35:54,439
♪ Drummer play the rhythm
Pass the wine
601
00:35:54,440 --> 00:35:56,599
♪ Everybody here gonna have a good
time
602
00:35:56,600 --> 00:35:59,079
♪ Now boogie
603
00:35:59,080 --> 00:36:01,399
♪ Well, it's going to be one of
those nights
604
00:36:01,400 --> 00:36:03,759
♪ Got to be one of those nights
605
00:36:03,760 --> 00:36:06,399
♪ People, I'm-a giving you a warning
606
00:36:06,400 --> 00:36:08,959
♪ We're all going to jail in the
morning
607
00:36:08,960 --> 00:36:10,879
♪ Grab your mama and hold on tight
608
00:36:10,880 --> 00:36:13,359
♪ Got to be one of those nights
Sing it
609
00:36:13,360 --> 00:36:16,599
♪ Do, do, do, do,
do, do, do, do... ♪
610
00:36:16,600 --> 00:36:18,919
Countdown loved ground-breaking pop.
611
00:36:18,920 --> 00:36:22,239
We always made room for local legends
and favourite sons,
612
00:36:22,240 --> 00:36:24,799
artists who just made you want
to get out of your chair
613
00:36:24,800 --> 00:36:26,640
and swing your hips.
614
00:36:37,160 --> 00:36:40,639
♪ The more I see you
615
00:36:40,640 --> 00:36:44,519
♪ The more I want you
616
00:36:44,520 --> 00:36:47,799
♪ Somehow this feeling
617
00:36:47,800 --> 00:36:51,639
♪ Just grows and grows
618
00:36:51,640 --> 00:36:54,039
♪ With every sigh
619
00:36:54,040 --> 00:36:58,879
♪ I become more mad about you
620
00:36:58,880 --> 00:37:02,359
♪ More lost without you
621
00:37:02,360 --> 00:37:05,600
♪ And so it goes
622
00:37:06,960 --> 00:37:10,119
♪ Can you imagine
623
00:37:10,120 --> 00:37:13,839
♪ How much I love you
624
00:37:13,840 --> 00:37:17,359
♪ The more I see you
625
00:37:17,360 --> 00:37:21,319
♪ As years go by
626
00:37:21,320 --> 00:37:24,879
♪ I know the only one for me
627
00:37:24,880 --> 00:37:28,519
♪ Can only be you
628
00:37:28,520 --> 00:37:31,719
♪ My arms won't free you
629
00:37:31,720 --> 00:37:34,040
♪ And my heart won't try
630
00:38:06,840 --> 00:38:09,919
♪ Can you imagine
631
00:38:09,920 --> 00:38:13,839
♪ How much I love you
632
00:38:13,840 --> 00:38:17,239
♪ The more I see you
633
00:38:17,240 --> 00:38:21,279
♪ As years go by
634
00:38:21,280 --> 00:38:25,199
♪ I know the only one for me
635
00:38:25,200 --> 00:38:28,639
♪ Can only be you
636
00:38:28,640 --> 00:38:31,759
♪ My arms won't free you
637
00:38:31,760 --> 00:38:34,080
♪ And my heart won't try
638
00:38:39,600 --> 00:38:42,719
♪ The more I see you
639
00:38:42,720 --> 00:38:46,879
♪ More that I want you
640
00:38:46,880 --> 00:38:49,839
♪ Somehow this feeling
641
00:38:49,840 --> 00:38:53,199
♪ Just grows and grows
642
00:38:53,200 --> 00:38:58,839
♪ With every sigh
I become more mad about you
643
00:38:58,840 --> 00:39:02,519
♪ More lost without you
644
00:39:02,520 --> 00:39:06,119
♪ And so it goes
645
00:39:06,120 --> 00:39:10,279
♪ Can you imagine
646
00:39:10,280 --> 00:39:13,719
♪ How much I love you
647
00:39:13,720 --> 00:39:17,119
♪ The more I see you
648
00:39:17,120 --> 00:39:20,879
♪ As years go by
649
00:39:20,880 --> 00:39:24,839
♪ I know the only one for me
650
00:39:24,840 --> 00:39:28,079
♪ Can only be you
651
00:39:28,080 --> 00:39:31,519
♪ My arms won't free you
652
00:39:31,520 --> 00:39:33,960
♪ And my heart won't try
653
00:39:39,680 --> 00:39:42,759
♪ The more that I see you
654
00:39:42,760 --> 00:39:45,040
♪ The more that I want you... ♪
655
00:39:47,000 --> 00:39:49,959
♪ Come closer, baby,
I will give you a kiss
656
00:39:49,960 --> 00:39:52,319
♪ Kiss on your mouth
On your north, on your south
657
00:39:52,320 --> 00:39:55,839
♪ On your east, on your west
What is on your chest
658
00:39:55,840 --> 00:39:58,959
♪ I'll lay my head
At night in bed
659
00:39:58,960 --> 00:40:01,839
♪ One step is treason
Two steps fear
660
00:40:01,840 --> 00:40:05,000
♪ Just another reason
to get out of here... ♪
661
00:40:06,120 --> 00:40:08,199
In its first few years on air,
662
00:40:08,200 --> 00:40:11,159
Countdown created its own
superstars.
663
00:40:11,160 --> 00:40:15,279
By 1977, Marcia Hines had become
Australia's disco queen,
664
00:40:15,280 --> 00:40:18,719
but the nation also loved her
to belt out a big love song.
665
00:40:18,720 --> 00:40:24,479
♪ Kiss today goodbye
666
00:40:24,480 --> 00:40:29,560
♪ The sweetness and the sorrow
667
00:40:31,280 --> 00:40:33,199
♪ Wish me luck
668
00:40:33,200 --> 00:40:40,999
♪ The same to you
669
00:40:41,000 --> 00:40:44,159
♪ But I can't regret
670
00:40:44,160 --> 00:40:47,039
♪ What I did for love
671
00:40:47,040 --> 00:40:53,160
♪ What I did for love
672
00:40:54,280 --> 00:40:59,080
♪ Look, my eyes are dry
673
00:41:00,480 --> 00:41:05,880
♪ The gift was ours to borrow
674
00:41:07,160 --> 00:41:15,120
♪ It's as if we always knew
675
00:41:16,640 --> 00:41:19,639
♪ And I won't forget
676
00:41:19,640 --> 00:41:22,959
♪ What I did for love
677
00:41:22,960 --> 00:41:30,960
♪ What I did for love
678
00:41:31,360 --> 00:41:35,839
♪ Gone
679
00:41:35,840 --> 00:41:42,399
♪ Love is never gone
680
00:41:42,400 --> 00:41:48,959
♪ As we travel on
681
00:41:48,960 --> 00:41:55,599
♪ Love's what we'll remember
682
00:41:55,600 --> 00:42:01,799
♪ Kiss today goodbye
683
00:42:01,800 --> 00:42:08,759
♪ And point me towards tomorrow
684
00:42:08,760 --> 00:42:16,760
♪ We did what we had to do
685
00:42:18,880 --> 00:42:22,359
♪ Won't forget, can't regret
686
00:42:22,360 --> 00:42:29,680
♪ What I did for love
687
00:42:40,880 --> 00:42:48,880
♪ We did what we had to do
688
00:42:50,960 --> 00:42:54,399
♪ Won't forget, can't regret
689
00:42:54,400 --> 00:42:58,359
♪ What I did
690
00:42:58,360 --> 00:43:06,360
♪ For love
691
00:43:08,040 --> 00:43:13,960
♪ What I did for love... ♪
692
00:43:32,280 --> 00:43:33,280
Well, from...
693
00:43:33,281 --> 00:43:34,999
AUDIENCE MEMBER:
When's your engagement, Molly?
694
00:43:35,000 --> 00:43:37,079
I got engaged yesterday.
695
00:43:37,080 --> 00:43:40,039
(CHEERING AND APPLAUSE)
No...
696
00:43:40,040 --> 00:43:42,719
Hold on. I was knocked back.
So, there you go.
697
00:43:42,720 --> 00:43:44,679
She's got the ring,
and I've been knocked back.
698
00:43:44,680 --> 00:43:46,319
I feel really cut up about that.
699
00:43:46,320 --> 00:43:48,679
Let's go down into the Countdown
audience.
700
00:43:48,680 --> 00:43:51,039
Hey!
(CHEERING)
701
00:43:51,040 --> 00:43:53,480
Right, now, listen.
No, let me step down. Come on.
702
00:43:54,800 --> 00:43:56,599
Hold on, hold on.
703
00:43:56,600 --> 00:43:58,519
Now, this is the Countdown
audience.
704
00:43:58,520 --> 00:44:00,839
This is the one I say,
"Shush, shush, shush," to.
705
00:44:00,840 --> 00:44:02,919
This is the one... where are we?
Where are we?
706
00:44:02,920 --> 00:44:04,400
Oh, here we are, Ian.
707
00:44:05,640 --> 00:44:07,679
Ian's on the zoom. Oh, my God.
708
00:44:07,680 --> 00:44:12,159
That's the... dust, dust, dust.
You see? I mean, not...
709
00:44:12,160 --> 00:44:13,359
Actually, you shouldn't do it to me,
710
00:44:13,360 --> 00:44:14,639
because no matter what she does,
711
00:44:14,640 --> 00:44:16,079
I'm going to always look the same.
712
00:44:16,080 --> 00:44:17,959
That is real dust coming off his
face, by the way.
713
00:44:17,960 --> 00:44:20,119
I beg your pardon?
714
00:44:20,120 --> 00:44:22,599
He's been lying around for so long.
715
00:44:22,600 --> 00:44:24,999
Look, I can't say enough of how much
716
00:44:25,000 --> 00:44:27,759
we're delighted
and how proud we are.
717
00:44:27,760 --> 00:44:29,559
Well, we thank you.
The Little River band has...
718
00:44:29,560 --> 00:44:31,079
have really done it, you know?
719
00:44:31,080 --> 00:44:33,359
Well, from on behalf of all the
boys...
720
00:44:33,360 --> 00:44:35,159
a special thanks
to yourself and for Countdown
721
00:44:35,160 --> 00:44:36,399
for kicking us off
in the first place.
722
00:44:36,400 --> 00:44:37,400
No, no.
Which is great.
723
00:44:37,401 --> 00:44:38,799
If you can't believe in
a group like that,
724
00:44:38,800 --> 00:44:40,159
then what can you believe in?
725
00:44:40,160 --> 00:44:43,959
And I keep reading in all the
television magazines, you know?
726
00:44:43,960 --> 00:44:45,079
You don't like Squeak.
727
00:44:45,080 --> 00:44:46,679
You 're like, "What are you
doing to Squeak?"
728
00:44:46,680 --> 00:44:47,959
And everything else like that.
729
00:44:47,960 --> 00:44:51,479
Now, Squeak, on behalf
of not only yourself,
730
00:44:51,480 --> 00:44:53,199
and all your fans...
Yeah.
731
00:44:53,200 --> 00:44:56,239
But Sherbet, you name it...
(CHEERING)
732
00:44:56,240 --> 00:44:57,639
Here it is. Punch me on in the nose.
733
00:44:57,640 --> 00:44:58,919
I'm inviting you to.
A left hook?
734
00:44:58,920 --> 00:45:01,159
A left hook. Come on.
735
00:45:01,160 --> 00:45:03,879
(LAUGHS)
(CHEERING)
736
00:45:03,880 --> 00:45:07,519
From all the ladies, I want you to
slap me in the face.
737
00:45:07,520 --> 00:45:09,559
(CHEERING)
738
00:45:09,560 --> 00:45:10,560
Right.
739
00:45:15,720 --> 00:45:17,119
Hello, everybody.
This is Jon English,
740
00:45:17,120 --> 00:45:19,760
and you're watching Countdown,
right across Australia.
741
00:45:22,320 --> 00:45:23,839
Molly had an uncanny ability
742
00:45:23,840 --> 00:45:26,559
to be in the right place
at the right time.
743
00:45:26,560 --> 00:45:28,639
Would you now make welcome to
Countdown,
744
00:45:28,640 --> 00:45:31,239
His Royal Highness,
Prince Charles.
745
00:45:31,240 --> 00:45:33,399
Your Royal Highness, it is a
pleasure to have you here
746
00:45:33,400 --> 00:45:35,999
to help us support the Queen's
Silver Jubilee Appeal
747
00:45:36,000 --> 00:45:37,479
for young Australians.
748
00:45:37,480 --> 00:45:41,559
I'm delighted to be here,
obviously, as the patron.
749
00:45:41,560 --> 00:45:45,119
And particularly grateful
750
00:45:45,120 --> 00:45:50,759
that this program should've produced
this marvellous album,
751
00:45:50,760 --> 00:45:52,799
the Countdown album,
752
00:45:52,800 --> 00:45:56,039
which I know has taken a lot of
effort and problem to produce.
753
00:45:56,040 --> 00:45:58,519
It's a lot of effort, but I'm sure
you'd be delighted to know
754
00:45:58,520 --> 00:46:00,359
that all the artists and composers
755
00:46:00,360 --> 00:46:02,039
represented on this LP
756
00:46:02,040 --> 00:46:05,119
have waived their royalties as a
donation to the appeal.
757
00:46:05,120 --> 00:46:06,439
And the recording companies involved
758
00:46:06,440 --> 00:46:08,919
have given their very generous
support.
759
00:46:08,920 --> 00:46:11,759
From princes of the realm
to lead guitarist of the band,
760
00:46:11,760 --> 00:46:13,679
Molly was our man on the spot.
761
00:46:13,680 --> 00:46:15,919
MOLLY: Les, how did the accident
happen?
762
00:46:15,920 --> 00:46:18,599
Well, we were in Maryborough
in Queensland.
763
00:46:18,600 --> 00:46:21,319
And it was kind of my fault,
764
00:46:21,320 --> 00:46:25,119
because we'd just started the show,
765
00:46:25,120 --> 00:46:27,119
and the dragons were
breathing flames,
766
00:46:27,120 --> 00:46:29,119
and we had these flash pots.
767
00:46:29,120 --> 00:46:32,479
And I kind of forgot that
the flash pots were there.
768
00:46:32,480 --> 00:46:35,319
And I started playing guitar.
769
00:46:35,320 --> 00:46:36,919
And... the guitar sounded
kind of funny,
770
00:46:36,920 --> 00:46:39,399
so I turned around
to try it fix it up,
771
00:46:39,400 --> 00:46:42,159
and this flash pot blew up.
772
00:46:42,160 --> 00:46:44,599
And... I kind of looked down and my
shirt was on fire,
773
00:46:44,600 --> 00:46:47,959
I was on fire, and then we fainted.
774
00:46:47,960 --> 00:46:50,399
Hello, Mabel!
775
00:46:50,400 --> 00:46:52,719
Countdown bottled incredible moments.
776
00:46:52,720 --> 00:46:55,999
Sometimes the interviews Molly
conducted were so outrageous
777
00:46:56,000 --> 00:46:58,959
and the live performances
he captured so rare
778
00:46:58,960 --> 00:47:01,239
they remain essential viewing
to this day.
779
00:47:01,240 --> 00:47:02,359
MOLLY: I saw on Midnight Special,
780
00:47:02,360 --> 00:47:03,839
that thing that you did
on Midnight Special,
781
00:47:03,840 --> 00:47:07,199
where you said that you really...
782
00:47:07,200 --> 00:47:09,559
got off on Beatles numbers
in the '60s,
783
00:47:09,560 --> 00:47:10,560
and you really enjoyed them.
784
00:47:10,561 --> 00:47:13,639
Now, Bedroom Window, did you...
785
00:47:13,640 --> 00:47:15,719
when you actually recorded
that number...
786
00:47:15,720 --> 00:47:16,720
(SQUAWKS)
787
00:47:16,721 --> 00:47:18,839
and finally heard
the finished product...
788
00:47:18,840 --> 00:47:19,840
Go on.
789
00:47:19,841 --> 00:47:21,399
When you finally heard
the finished product,
790
00:47:21,400 --> 00:47:24,159
did you honestly think that
it was going to be a national...
791
00:47:24,160 --> 00:47:26,399
international number one hit
right throughout the world?
792
00:47:26,400 --> 00:47:28,239
Do you realise you just said
a hundred and one words
793
00:47:28,240 --> 00:47:30,239
in less than 55 seconds?
I did.
794
00:47:30,240 --> 00:47:33,399
You know, it's just like...
(BARKS AND HOWLS)
795
00:47:33,400 --> 00:47:35,039
Oh god.
(HOWLS)
796
00:47:35,040 --> 00:47:36,999
I can handle the rocks.
797
00:47:37,000 --> 00:47:38,919
(BARKS AND HOWLS)
You can handle the dogs?
798
00:47:38,920 --> 00:47:43,839
Rocks. (LAUGHS)
(HOWLS)
799
00:47:43,840 --> 00:47:45,360
Ferrets everywhere!
800
00:47:47,120 --> 00:47:48,599
Well, that were the
Mad Dogs and Englishmen,
801
00:47:48,600 --> 00:47:50,519
and obviously they should never
go out in the midday sun.
802
00:47:50,520 --> 00:47:52,519
Nicky Hopkins, Bobby Keys
and Joe Cocker.
803
00:47:52,520 --> 00:47:53,879
But that night,
they put on a concert
804
00:47:53,880 --> 00:47:55,719
that had everyone raving about it.
805
00:47:55,720 --> 00:47:57,119
All the press that were up there,
806
00:47:57,120 --> 00:47:59,839
this is You're So Beautiful,
Joe Cocker.
807
00:47:59,840 --> 00:48:03,280
♪ You are so beautiful
808
00:48:09,200 --> 00:48:11,360
♪ To me
809
00:48:14,520 --> 00:48:19,040
♪ You are so beautiful
810
00:48:24,960 --> 00:48:28,439
♪ To me
811
00:48:28,440 --> 00:48:33,439
♪ Can't you see
812
00:48:33,440 --> 00:48:38,000
♪ You're everything I hoped for
813
00:48:41,160 --> 00:48:45,040
♪ You're everything I need
814
00:48:50,760 --> 00:48:54,800
♪ You are so beautiful
815
00:48:57,480 --> 00:48:59,080
♪ To me
816
00:49:03,040 --> 00:49:08,200
♪ Such joy and happiness
817
00:49:13,640 --> 00:49:17,040
♪ You bring
818
00:49:19,040 --> 00:49:23,080
♪ Such joy and happiness
819
00:49:29,600 --> 00:49:33,039
♪ You bring
820
00:49:33,040 --> 00:49:36,120
♪ Like a dream
821
00:49:37,880 --> 00:49:41,239
♪ A guiding light
822
00:49:41,240 --> 00:49:45,359
♪ That shines in the night
823
00:49:45,360 --> 00:49:49,280
♪ Heaven's gift to me
824
00:49:52,880 --> 00:50:00,320
♪ You are so beautiful
825
00:50:40,760 --> 00:50:43,879
♪ A guiding light
826
00:50:43,880 --> 00:50:48,239
♪ That shines in the night
827
00:50:48,240 --> 00:50:52,640
♪ Heaven's gift to me
828
00:51:00,000 --> 00:51:04,160
♪ You are so beautiful
829
00:51:06,600 --> 00:51:10,160
♪ To me. ♪
830
00:51:14,680 --> 00:51:17,559
While his older brothers were
discoing all the way to the bank,
831
00:51:17,560 --> 00:51:20,079
Andy Gibb had
his own chart topper in '77,
832
00:51:20,080 --> 00:51:22,519
with I Just Want To Be
Your Everything.
833
00:51:22,520 --> 00:51:23,879
MOLLY: Did you think the single
834
00:51:23,880 --> 00:51:26,679
was going to be such the monster
it's turned out to be?
835
00:51:26,680 --> 00:51:29,399
Well, when I very,
very first heard the song,
836
00:51:29,400 --> 00:51:30,639
you know, and Barry played it to me,
837
00:51:30,640 --> 00:51:33,159
I thought, "Oh, yeah.
That's a monster song."
838
00:51:33,160 --> 00:51:36,839
And I thought that
maybe the song's great,
839
00:51:36,840 --> 00:51:39,399
but maybe it won't be a hit
because I'm doing it, or whatever.
840
00:51:39,400 --> 00:51:41,159
I didn't really think that I could
actually, myself,
841
00:51:41,160 --> 00:51:42,999
have a hit record,
a number one record.
842
00:51:43,000 --> 00:51:44,879
And then it just kept climbing
and kept climbing.
843
00:51:44,880 --> 00:51:46,759
And when it got to the top 50,
that was enough for me.
844
00:51:46,760 --> 00:51:47,760
I screamed my head off.
845
00:51:47,761 --> 00:51:49,839
In a year famous for punk and disco,
846
00:51:49,840 --> 00:51:52,079
a folk song held the number one spot
847
00:51:52,080 --> 00:51:54,359
for 11 weeks at the end of the year.
848
00:51:54,360 --> 00:51:55,879
MOLLY: Now, with Mull of Kintyre,
849
00:51:55,880 --> 00:51:57,199
it's sort of a bit different,
850
00:51:57,200 --> 00:51:58,679
because of the bagpipes and that.
851
00:51:58,680 --> 00:52:01,199
Eh?
And a lot of people say that it's...
852
00:52:01,200 --> 00:52:04,199
it's you getting back
to ballads and that.
853
00:52:04,200 --> 00:52:05,399
Oh, yeah.
Yeah?
854
00:52:05,400 --> 00:52:07,079
Did you get away from them, dear?
855
00:52:07,080 --> 00:52:08,679
I don't... no, I've never
got away from them.
856
00:52:08,680 --> 00:52:12,279
No, but I mean a really lengthy
ballad like that.
857
00:52:12,280 --> 00:52:13,399
Oh, good. Well...
858
00:52:13,400 --> 00:52:14,599
But it is a bit different from
the...
859
00:52:14,600 --> 00:52:17,199
Yes. Well, I'll accept that,
Mr Meldrum.
860
00:52:17,200 --> 00:52:19,199
Now, can you tell us a bit about it?
861
00:52:19,200 --> 00:52:21,319
Tell him?
Actually, all it was is,
862
00:52:21,320 --> 00:52:25,399
I kind of realised that most
Scottish tunes are old tunes.
863
00:52:25,400 --> 00:52:29,399
People do, they kind of just revamp
all the old ones.
864
00:52:29,400 --> 00:52:32,079
Most of those kind of old ballads
you like.
865
00:52:32,080 --> 00:52:35,279
So I thought I'd have a go
at trying to write a new one,
866
00:52:35,280 --> 00:52:38,799
so I got together
with Dennis, here...
867
00:52:38,800 --> 00:52:40,759
Waltz time ballad.
Yes, waltz time.
868
00:52:40,760 --> 00:52:43,079
Yes, waltz time ballad,
if ever I saw one.
869
00:52:43,080 --> 00:52:46,959
So we got together and...
870
00:52:46,960 --> 00:52:50,000
saw if we could kind of write one,
and that's what came out.
871
00:52:51,480 --> 00:52:54,320
Rod Stewart made it to the top
with You're In My Heart.
872
00:52:59,160 --> 00:53:03,759
Australian number ones were more of
a rarity than they are now,
873
00:53:03,760 --> 00:53:06,880
but Little River Band cracked it
with Help Is On Its Way.
874
00:53:20,680 --> 00:53:22,879
♪ Why are you in so much hurry
875
00:53:22,880 --> 00:53:25,239
♪ Is it really worth the worry
876
00:53:25,240 --> 00:53:29,399
♪ Look around Then slow down
877
00:53:29,400 --> 00:53:31,719
♪ What's it like inside the bubble
878
00:53:31,720 --> 00:53:33,959
♪ Does your head ever give you
trouble
879
00:53:33,960 --> 00:53:38,239
♪ It's no sin Trade it in
880
00:53:38,240 --> 00:53:42,519
♪ Hang on, help is on its way
881
00:53:42,520 --> 00:53:46,999
♪ I'll be there as fast as I can
882
00:53:47,000 --> 00:53:51,199
♪ Hang on, a tiny voice did say
883
00:53:51,200 --> 00:53:56,039
♪ From somewhere deep inside the
inner man
884
00:53:56,040 --> 00:53:58,799
♪ Are you always in confusion
885
00:53:58,800 --> 00:54:00,639
♪ Surrounded by illusion
886
00:54:00,640 --> 00:54:05,119
♪ Sort it out You'll make out
887
00:54:05,120 --> 00:54:07,279
♪ Seem to make a good beginning
888
00:54:07,280 --> 00:54:09,279
♪ Someone else ends up winning
889
00:54:09,280 --> 00:54:13,759
♪ Don't seem fair Don't you care
890
00:54:13,760 --> 00:54:18,239
♪ Hang on, help is on its way
891
00:54:18,240 --> 00:54:22,679
♪ I'll be there as fast as I can
892
00:54:22,680 --> 00:54:26,919
♪ Hang on, a tiny voice did say
893
00:54:26,920 --> 00:54:31,640
♪ From somewhere deep inside the
inner man
894
00:54:40,760 --> 00:54:45,119
♪ Don't you forget
who'll take care of you
895
00:54:45,120 --> 00:54:49,639
♪ It don't matter what you do
896
00:54:49,640 --> 00:54:54,159
♪ Form a duet
Let him sing melody
897
00:54:54,160 --> 00:54:58,440
♪ You'll provide the harmony
898
00:55:21,000 --> 00:55:23,239
♪ Why are you in so much hurry
899
00:55:23,240 --> 00:55:25,199
♪ Is it really worth the worry
900
00:55:25,200 --> 00:55:29,879
♪ Look around Then slow down
901
00:55:29,880 --> 00:55:32,079
♪ What's it like inside the bubble
902
00:55:32,080 --> 00:55:34,159
♪ Does your head ever give you
trouble
903
00:55:34,160 --> 00:55:38,559
♪ It's no sin Trade it in
904
00:55:38,560 --> 00:55:42,999
♪ Hang on, help is on its way
905
00:55:43,000 --> 00:55:47,479
♪ I'll be there as fast as I can
906
00:55:47,480 --> 00:55:51,679
♪ Hang on, a tiny voice did say
907
00:55:51,680 --> 00:55:56,359
♪ From somewhere deep inside the
inner man
908
00:55:56,360 --> 00:56:00,879
♪ Hang on, help is on its way
909
00:56:00,880 --> 00:56:05,399
♪ I'll be there as fast as I can
910
00:56:05,400 --> 00:56:09,559
♪ Hang on, a tiny voice did say
911
00:56:09,560 --> 00:56:14,280
♪ From somewhere deep inside the
inner man
912
00:56:29,920 --> 00:56:32,120
♪ Help is on its way
913
00:56:38,800 --> 00:56:41,120
♪ Help is on its way... ♪
914
00:56:49,680 --> 00:56:51,359
Captions by Ericsson Access Services
915
00:56:51,360 --> 00:56:53,239
DIRECTOR: Mark it. 52, one.
916
00:56:53,240 --> 00:56:55,279
All my life, I've been into
rock and roll music,
917
00:56:55,280 --> 00:56:57,959
which was simple,
vibrant noise, right?
918
00:56:57,960 --> 00:57:00,279
Sorry. Could you start again?
OK, right.
919
00:57:00,280 --> 00:57:01,599
You ready to go?
MOLLY: Yeah.
920
00:57:01,600 --> 00:57:03,519
I thought rock and roll was just
about great music,
921
00:57:03,520 --> 00:57:05,919
so... you know, I think they're daft,
922
00:57:05,920 --> 00:57:08,999
because I haven't really heard any
great music from Chrysalis.
923
00:57:09,000 --> 00:57:12,919
I think we're going to be the first
great thing they've had.
924
00:57:12,920 --> 00:57:16,039
Well, have you sort of followed any
other form of music before?
925
00:57:16,040 --> 00:57:18,959
I mean, have you...
I've been into rock and roll.
926
00:57:18,960 --> 00:57:21,120
I mean, all my life.
927
00:57:22,200 --> 00:57:24,879
Visit the Classic Countdown
website for more pictures,
928
00:57:24,880 --> 00:57:26,879
interviews, and
behind-the-scenes information.
65866
Can't find what you're looking for?
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