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(TELEPHONE RINGS)
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Hello?
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MAN: Hello.
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00:00:05,600 --> 00:00:06,999
This is Daryl Braithwaite from
Sherbet.
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00:00:07,000 --> 00:00:11,479
Listen, I just want to remind you
that next Sunday, the 7th of March,
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00:00:11,480 --> 00:00:14,359
is the start of a
brand-new Countdown series.
7
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Oh, terrific!
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00:00:15,960 --> 00:00:20,959
And there'll be such people as
John Paul Young, Ted Mulry,
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00:00:20,960 --> 00:00:24,079
AC/DC, and
a lot of other good people.
10
00:00:24,080 --> 00:00:26,519
And it's a show
that you won't want to miss
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00:00:26,520 --> 00:00:27,879
'cause it's a
start of a brand-new year.
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00:00:27,880 --> 00:00:28,880
It's gonna be fantastic.
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Next Sunday, 7th of March, Countdown.
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I'll be watching.
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Yeah, OK. Bye.
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♪ Do the hustle! ♪
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♪ Countdown, Countdown
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♪ Countdown ♪
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NARRATOR: Welcome
to Classic Countdown, 1976.
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♪ Countdown! ♪
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(CHEERING)
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♪ There's times when I'm out,
and times when I'm down
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♪ Times when I'm loose
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♪ And times when I'm bound
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♪ It don't bother me
'cause I let it be
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♪ And just keep on smiling
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♪ Keep on smiling
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♪ There's times when I will
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♪ And times when I won't. ♪
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WILBUR: After the upheavals of 1975,
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the new year seemed to usher in a
period of stability in Australia.
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We knew who and what we liked, and we
would now stick with them,
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thank you very much.
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ALL: We want ABBA!
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We want ABBA!
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MOLLY: So, you're a little bit older
than some of the other people
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in the queue here.
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Yes, I'm a grandmother.
That's quite right.
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I'm waiting for my granddaughters.
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(CHEERING, YELLING)
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BOY: Hey, ABBA, you beauty!
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MOLLY: Well, what happens once
your granddaughters arrive?
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Are you going to see them to the
gate and then go home?
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Certainly not.
I'm going to see ABBA.
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(CHEERING)
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WILBUR: ABBA
notched up five top-20 hits.
47
00:01:58,520 --> 00:02:00,919
The local charts were still
home to trusty favourites,
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00:02:00,920 --> 00:02:03,400
Sherbet, Skyhooks,
JPY and Marcia Hines.
49
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Here is a platinum record as well.
50
00:02:06,560 --> 00:02:08,399
So, you'll be able to
wear them as earrings, Marcia.
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00:02:08,400 --> 00:02:11,319
(APPLAUSE)
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In politics, after the challenging
Whitlam years,
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the electorate returned
a coalition government.
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The US elected an avuncular
Southerner as president,
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and the Olympic Games in Montreal
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predicted a convincing
picture of world unity.
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00:02:26,920 --> 00:02:29,439
On the small screen, the public was
glued to comfortable soaps
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like The Sullivans
and The Young Doctors.
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If you switched on the TV, everything
seemed light and breezy.
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♪ You have the tango
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♪ Skip the fandango
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♪ Waltz 'round the floor
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♪ They get the folita
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♪ The Spanish monita
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♪ In old Mexico
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♪ They let themselves go
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♪ The continental
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♪ Was ever so gentle
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♪ The rumba was cool
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♪ When you kept to the rule
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♪ In came the conga
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♪ The line just got longer
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♪ Hiya, conga
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♪ Hiya, conga
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00:03:11,800 --> 00:03:13,679
♪ Do the ooh ja ja ja
76
00:03:13,680 --> 00:03:15,719
♪ Do the ooh ja ja ja
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♪ Do the ooh ja ja ja
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♪ Do the ooh ja ja ja
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00:03:22,440 --> 00:03:24,319
♪ Do the ooh ja ja ja
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♪ Do the ooh ja ja ja
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♪ Ah
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♪ Ooh ja ja ja
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♪ I want the boogie
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♪ The shadow shoo-doogie
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♪ Rock and roll jive
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♪ Kept us alive
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♪ Rock it
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♪ You taught me how to
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♪ Ooh, ya, ya
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♪ Then you told me how
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♪ With your ooh ja ja
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♪ Ooh ja ja ja ja
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♪ Ooh ja ja ja ja
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♪ Ooh ja ja ja ja
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♪ Ooh ja ja ja ja
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00:04:19,880 --> 00:04:21,879
♪ Do the ooh ja ja ja
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00:04:21,880 --> 00:04:24,159
♪ Do the ooh ja ja ja
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00:04:24,160 --> 00:04:28,239
♪ Do the ooh ja ja ja
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00:04:28,240 --> 00:04:30,399
♪ Do the ooh ja ja ja
100
00:04:30,400 --> 00:04:32,639
♪ Do the ooh ja ja ja
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00:04:32,640 --> 00:04:36,799
♪ Do the ooh ja ja ja
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00:04:36,800 --> 00:04:38,879
♪ Do the ooh ja ja ja
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00:04:38,880 --> 00:04:41,039
♪ Do the ooh ja ja ja
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♪ Do the ooh ja ja ja. ♪
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00:04:43,040 --> 00:04:45,040
(CHEERING)
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♪ Countdown! ♪
107
00:04:59,680 --> 00:05:01,839
Hi, this is Angus from AC/DC,
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00:05:01,840 --> 00:05:04,719
reminding you that you're on the top
rock show in Australia,
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00:05:04,720 --> 00:05:06,719
Countdown.
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00:05:06,720 --> 00:05:10,159
♪ Dirty deeds, done dirt cheap
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♪ Dirty deeds, done dirt cheap
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♪ Dirty deeds, done dirt cheap
113
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♪ Dirty deeds
and they're done dirt cheap
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♪ Dirty deeds and they're done
dirt cheap. ♪
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WILBUR: Australia developed its own
unique style of hard rock,
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best expressed by one band, AC/DC.
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♪ Alright
118
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♪ TNT
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♪ Oi, oi, oi
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♪ TNT, oi! ♪
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The ABC championed
AC/DC from the beginning.
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With each performance on Countdown,
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the band fuelled the
fire of its growing reputation.
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Oh, hello.
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This is Bon from AC/DC,
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and although we're
over the seas at the moment
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and dining with
the queen, of course, you know,
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00:05:53,520 --> 00:05:56,199
we haven't forgotten
about you, our Countdown fans.
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00:05:56,200 --> 00:05:59,599
And here to prove it is our
brand-new single, "Jailbreak."
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And don't forget, you
see it first on Countdown.
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00:06:03,400 --> 00:06:05,959
In '76 for AC/DC,
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00:06:05,960 --> 00:06:09,799
Countdown produced one
of its most famous film clips.
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♪ There was a friend of mine on
murder
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♪ And the judge's gavel fell
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♪ Jury found him guilty
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00:06:20,720 --> 00:06:24,479
♪ Gave him sixteen years in hell
137
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♪ He said, I ain't
spending my life here
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♪ I ain't living alone
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00:06:32,200 --> 00:06:36,199
♪ Ain't breaking
no rocks on the chain gang
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♪ I'm breakin'
out and headin' home
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♪ I'm gonna make a jailbreak
142
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♪ And I'm lookin' towards the sky
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♪ I'm gonna make a jailbreak
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♪ Oh, how I wish that I could fly
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(EXPLOSION)
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♪ All in the name of liberty
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00:07:01,400 --> 00:07:04,280
♪ All in the name of liberty
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00:07:07,040 --> 00:07:08,439
♪ Got to be free
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♪ Jailbreak
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♪ Let me out of here
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♪ Jailbreak
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♪ Sixteen years
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♪ Jailbreak
154
00:07:27,680 --> 00:07:30,199
♪ Had more than I can take
155
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♪ Jailbreak
156
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♪ Yeah
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♪ He said he'd
seen his lady being fooled with
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♪ By another man
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♪ She was down and he was up
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♪ He had a gun in his hand
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♪ Bullets started flying everywhere
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♪ And people started to scream
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♪ Big man lying on the ground
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♪ With a hole in his body
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♪ Where his life had been
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♪ But it was all
in the name of liberty
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♪ All in the name of liberty
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♪ Oh, I got to be free
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♪ Jailbreak (EXPLOSION)
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♪ Jailbreak
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♪ I got to break out
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♪ Out of here
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(GUITAR SOLO)
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(GUITAR SOLO CONTINUES)
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(EXPLOSION)
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♪ Heartbeats
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♪ They were racin'
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♪ Freedom
179
00:09:05,720 --> 00:09:07,720
♪ He was chasin'
180
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♪ Spotlights
181
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♪ Sirens
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♪ Rifles firing
183
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♪ But he made it out
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(GUNSHOTS)
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♪ With a bullet in his back
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(GUNSHOTS)
♪ Jailbreak
187
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♪ Jailbreak
188
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♪ Jailbreak
189
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♪ Jailbreak
190
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♪ Jailbreak
191
00:10:04,760 --> 00:10:06,760
♪ Jailbreak. ♪
192
00:10:10,880 --> 00:10:13,519
Hi, this is Leo Sayer.
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00:10:13,520 --> 00:10:16,279
I'm (SPEAKS GIBBERISH).
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00:10:16,280 --> 00:10:18,119
We won't use that.
Edit, edit, edit.
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00:10:18,120 --> 00:10:21,039
(SPEAKS GIBBERISH)
196
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Hello, this is Leo Sayer.
197
00:10:22,800 --> 00:10:24,239
Pleased to meet you all again.
198
00:10:24,240 --> 00:10:25,919
I'm on Countdown this week on ABC.
199
00:10:25,920 --> 00:10:26,920
Make sure you watch it.
200
00:10:26,920 --> 00:10:27,920
I'll be there.
201
00:10:27,921 --> 00:10:29,159
See you then.
202
00:10:29,160 --> 00:10:31,759
(CHEERING)
203
00:10:31,760 --> 00:10:34,039
♪ Countdown! ♪
204
00:10:34,040 --> 00:10:36,999
♪ You go to the fields on
week days... ♪
205
00:10:37,000 --> 00:10:41,999
WILBUR: In '76, the Australian charts
rewarded traditional rock and pop,
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00:10:42,000 --> 00:10:43,679
but there was no denying
207
00:10:43,680 --> 00:10:47,799
that dance music was enjoying a
huge surge in popularity in the US,
208
00:10:47,800 --> 00:10:49,759
with disco about to explode.
209
00:10:49,760 --> 00:10:53,199
♪ Whoa, Nutbush
210
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♪ They call it Nutbush
city limits. ♪
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00:10:59,800 --> 00:11:01,039
It's a clue to the future, really,
212
00:11:01,040 --> 00:11:03,119
because I've just started working on
this new album
213
00:11:03,120 --> 00:11:05,879
and the first
things that we've done
214
00:11:05,880 --> 00:11:08,359
is we've cut a
couple of old Motown songs,
215
00:11:08,360 --> 00:11:09,479
would you believe it?
216
00:11:09,480 --> 00:11:13,599
"Reflections"
and the "Tears of a Clown."
217
00:11:13,600 --> 00:11:15,559
You know, I mean,
we're kind of moving away.
218
00:11:15,560 --> 00:11:17,319
I've been working with a
lot of the black musicians.
219
00:11:17,320 --> 00:11:19,759
Ray Parker, he used to play with
Stevie Wonder,
220
00:11:19,760 --> 00:11:22,999
Willie Weeks, a black bass player.
221
00:11:23,000 --> 00:11:25,239
And we've been putting down things
that sound so black.
222
00:11:25,240 --> 00:11:27,399
I mean, they could've
been put down by, I don't know,
223
00:11:27,400 --> 00:11:29,919
Tom Dowd or somebody.
224
00:11:29,920 --> 00:11:32,840
♪ You've got a cute way of talking
225
00:11:34,840 --> 00:11:37,440
♪ You got the better of me
226
00:11:39,800 --> 00:11:43,839
♪ Just snap your
fingers and I'm walking
227
00:11:43,840 --> 00:11:47,560
♪ Like a dog hanging on your lead
228
00:11:49,880 --> 00:11:52,079
♪ I'm in a spin, you know
229
00:11:52,080 --> 00:11:54,719
♪ Shaking on a string, you know
230
00:11:54,720 --> 00:11:58,159
♪ You make me feel like dancing
231
00:11:58,160 --> 00:11:59,759
♪ I'm gonna dance the night away
232
00:11:59,760 --> 00:12:02,839
♪ You make me feel like dancing
233
00:12:02,840 --> 00:12:04,639
♪ I'm gonna dance the night away
234
00:12:04,640 --> 00:12:08,559
♪ You make feel like dancing
235
00:12:08,560 --> 00:12:10,199
♪ I feel like dancing ♪ Whoo
236
00:12:10,200 --> 00:12:11,759
♪ Dancing ♪ Whoo
237
00:12:11,760 --> 00:12:13,279
♪ Dance the night away
238
00:12:13,280 --> 00:12:15,639
♪ Yeah, I feel like dancing
♪ Whoo
239
00:12:15,640 --> 00:12:19,359
♪ Dancing, ah
240
00:12:19,360 --> 00:12:22,120
♪ Quarter to four in the morning
241
00:12:24,320 --> 00:12:29,239
♪ I ain't feeling tired,
no, no, no, no, no
242
00:12:29,240 --> 00:12:32,800
♪ Just hold me tight
and leave on the light
243
00:12:34,280 --> 00:12:39,279
♪ 'Cause I don't want to go home
244
00:12:39,280 --> 00:12:41,719
♪ You put a spell on me
245
00:12:41,720 --> 00:12:44,799
♪ I'm right where you want me to be
246
00:12:44,800 --> 00:12:47,519
♪ You make me feel like dancing
247
00:12:47,520 --> 00:12:49,279
♪ I'm gonna dance the night away
248
00:12:49,280 --> 00:12:52,399
♪ You make me feel like dancing,
249
00:12:52,400 --> 00:12:54,279
♪ I'm gonna dance the night away
250
00:12:54,280 --> 00:12:58,239
♪ You make feel like dancing
251
00:12:58,240 --> 00:13:00,159
♪ I feel like dancing ♪ Whoo
252
00:13:00,160 --> 00:13:01,559
♪ Dancing ♪ Whoo
253
00:13:01,560 --> 00:13:03,119
♪ Dance the night away
254
00:13:03,120 --> 00:13:04,999
♪ Yeah, I feel like dancing
♪ Whoo
255
00:13:05,000 --> 00:13:06,159
♪ Dancing ♪ Whoo
256
00:13:06,160 --> 00:13:07,719
♪ Dance the night away
257
00:13:07,720 --> 00:13:09,799
♪ I feel like dancing ♪ Whoo
258
00:13:09,800 --> 00:13:11,079
♪ Dancing ♪ Whoo
259
00:13:11,080 --> 00:13:12,599
♪ Dance the night away
260
00:13:12,600 --> 00:13:14,639
♪ Yeah, I feel like dancing
♪ Whoo
261
00:13:14,640 --> 00:13:15,799
♪ Dancing ♪ Whoo
262
00:13:15,800 --> 00:13:18,639
♪ Oh
263
00:13:18,640 --> 00:13:21,199
♪ Doo-doo-doo-doo-doo-doo, doo-doo
264
00:13:21,200 --> 00:13:23,639
♪ Doo-doo-doo-doo-doo-doo,
doo-doo
265
00:13:23,640 --> 00:13:26,119
♪ Doo-doo-doo-doo-doo-doo, doo-doo
266
00:13:26,120 --> 00:13:28,799
♪ Doo-doo-doo-doo-doo-doo,
doo-doo
267
00:13:28,800 --> 00:13:31,039
♪ Doo-doo-doo-doo-doo-doo, doo-doo
268
00:13:31,040 --> 00:13:33,479
♪ Doo-doo-doo-doo-doo-doo,
doo-doo
269
00:13:33,480 --> 00:13:35,959
♪ And if you'll let me stay
270
00:13:35,960 --> 00:13:38,679
♪ We'll dance our lives away
271
00:13:38,680 --> 00:13:41,479
♪ You make me feel like dancing
272
00:13:41,480 --> 00:13:43,439
♪ I want to dance my life away
273
00:13:43,440 --> 00:13:46,599
♪ You make me feel like dancing
274
00:13:46,600 --> 00:13:49,000
♪ I want to dance my life away. ♪
275
00:13:58,520 --> 00:14:01,079
(TELEPHONE RINGS)
276
00:14:01,080 --> 00:14:02,479
Hello.
277
00:14:02,480 --> 00:14:04,119
MAN: Hello, it's me again,
John Paul Young.
278
00:14:04,120 --> 00:14:06,519
I just thought I'd ring you and
remind you just one more time
279
00:14:06,520 --> 00:14:09,439
that we'll be
on Countdown tomorrow night.
280
00:14:09,440 --> 00:14:13,159
We meaning me, John Paul Young,
Sherbet, AC/DC,
281
00:14:13,160 --> 00:14:15,319
Ted Mulry, Hush,
282
00:14:15,320 --> 00:14:16,999
and they all say,
283
00:14:17,000 --> 00:14:19,719
"Look, Small, is she going
to be watching tomorrow night?"
284
00:14:19,720 --> 00:14:22,519
Yeah, for sure. Unreal.
285
00:14:22,520 --> 00:14:24,520
OK, bye.
286
00:14:28,440 --> 00:14:30,639
WILBUR: Molly was settling into
his job as a roving reporter.
287
00:14:30,640 --> 00:14:31,640
Well, here we are.
288
00:14:31,641 --> 00:14:33,519
Welcome to Countdown in London.
289
00:14:33,520 --> 00:14:36,679
Sent around the world
to get the big interviews.
290
00:14:36,680 --> 00:14:40,399
Soul music, I guess that kind of
associates me with soul music.
291
00:14:40,400 --> 00:14:44,399
And soul music is
a natural type feeling.
292
00:14:44,400 --> 00:14:46,359
It's something that's not taught.
293
00:14:46,360 --> 00:14:48,879
So anyone, any person in the world
294
00:14:48,880 --> 00:14:51,999
that sits down to a musical
instrument, to a canvas,
295
00:14:52,000 --> 00:14:56,959
to a letter, whatever they're
doing and whatever their thing is,
296
00:14:56,960 --> 00:14:59,599
and they create it naturally
without have been taught
297
00:14:59,600 --> 00:15:03,359
by books and
other things, that's soul.
298
00:15:03,360 --> 00:15:07,759
And I think that's what I am.
299
00:15:07,760 --> 00:15:09,439
I'm just a...
300
00:15:09,440 --> 00:15:10,479
I'm a natural.
301
00:15:10,480 --> 00:15:12,279
"Piano Man," I think,
302
00:15:12,280 --> 00:15:14,319
might have typecast me as some as
some people were concerned.
303
00:15:14,320 --> 00:15:15,320
"Oh, 'Piano Man'".
304
00:15:15,321 --> 00:15:17,119
"Well, it's a story song,
305
00:15:17,120 --> 00:15:18,879
and so that's the kind of songs
the guy does".
306
00:15:18,880 --> 00:15:20,559
When, in fact,
the rest of the album,
307
00:15:20,560 --> 00:15:22,719
there isn't another song like that.
308
00:15:22,720 --> 00:15:23,999
They're all different.
309
00:15:24,000 --> 00:15:28,719
And "Street Life,"
which came after "Piano Man,"
310
00:15:28,720 --> 00:15:32,079
was kind of a rebellion
against being typecast.
311
00:15:32,080 --> 00:15:34,359
It was a whole change up in form.
312
00:15:34,360 --> 00:15:38,479
And likewise, Turnstiles,
is like the title of the album,
313
00:15:38,480 --> 00:15:40,959
Turnstiles.
I mean, there's...
314
00:15:40,960 --> 00:15:43,639
eight different tracks and
eight different styles of music
315
00:15:43,640 --> 00:15:46,119
'cause we all like to
play different kinds of music.
316
00:15:46,120 --> 00:15:48,719
Some people in the music business
might have wanted me
317
00:15:48,720 --> 00:15:51,599
to do is like, "Why don't
you put out 'Piano Man Two'"?
318
00:15:51,600 --> 00:15:52,600
You know?
319
00:15:52,601 --> 00:15:54,319
And then "Piano Man Three,"
and so forth and so on,
320
00:15:54,320 --> 00:15:55,599
and I don't want to do that
321
00:15:55,600 --> 00:15:58,280
'cause once you start imitating
yourself, you're dead.
322
00:16:03,680 --> 00:16:05,119
Hey, what are you
lot doing in the pool room
323
00:16:05,120 --> 00:16:06,879
at six o'clock on a Sunday?
324
00:16:06,880 --> 00:16:08,839
You should be home watching
Countdown.
325
00:16:08,840 --> 00:16:12,599
♪ Ooh, baby, stop me
326
00:16:12,600 --> 00:16:14,439
♪ You say that you love me. ♪
327
00:16:14,440 --> 00:16:15,440
Put me up.
328
00:16:15,441 --> 00:16:18,199
(CHEERING)
329
00:16:18,200 --> 00:16:19,799
WILBUR: In '75, the Bay City Rollers
330
00:16:19,800 --> 00:16:21,999
had dropped in
for a promotional appearance.
331
00:16:22,000 --> 00:16:25,479
(FANS CHEERING)
332
00:16:25,480 --> 00:16:28,799
In 1976, the Tartan
Terrors were one of the first
333
00:16:28,800 --> 00:16:30,519
in a long line of international acts
334
00:16:30,520 --> 00:16:34,440
to realise the value
of performing live in Studio 31.
335
00:16:36,240 --> 00:16:39,799
♪ I don't know what it
is that makes me love you so
336
00:16:39,800 --> 00:16:43,359
♪ I only know
I never want to let you go
337
00:16:43,360 --> 00:16:45,399
♪ 'Cause you started something
338
00:16:45,400 --> 00:16:47,279
♪ Can't you see?
339
00:16:47,280 --> 00:16:50,719
♪ And ever since we met,
you've had a hold on me
340
00:16:50,720 --> 00:16:54,279
♪ It happens to be true
341
00:16:54,280 --> 00:16:56,480
♪ I only want to be with you
342
00:17:03,240 --> 00:17:06,639
♪ It doesn't matter
where you go or what you do
343
00:17:06,640 --> 00:17:10,439
♪ I want to spend each
moment of the day with you
344
00:17:10,440 --> 00:17:13,959
♪ Look what has
happened with just one kiss
345
00:17:13,960 --> 00:17:17,679
♪ I never knew that I
could be in love like this
346
00:17:17,680 --> 00:17:21,199
♪ It's crazy, but it's true
347
00:17:21,200 --> 00:17:23,400
♪ I only want to be with you
348
00:17:25,320 --> 00:17:28,479
♪ You stopped and smiled at me
349
00:17:28,480 --> 00:17:32,399
♪ And asked me if I cared to dance
350
00:17:32,400 --> 00:17:36,079
♪ I fell into your open arms
351
00:17:36,080 --> 00:17:38,079
♪ I didn't stand a chance
352
00:17:38,080 --> 00:17:39,279
♪ Now, listen, honey
353
00:17:39,280 --> 00:17:42,919
♪ I just want to be
beside you everywhere
354
00:17:42,920 --> 00:17:46,399
♪ As long as we're together, honey,
I don't care
355
00:17:46,400 --> 00:17:48,239
♪ 'Cause you started something
356
00:17:48,240 --> 00:17:49,999
♪ Can't you see?
357
00:17:50,000 --> 00:17:53,599
♪ And ever since we met,
you've had a hold on me
358
00:17:53,600 --> 00:17:57,159
♪ No matter what you do
359
00:17:57,160 --> 00:17:59,440
♪ I only want to be with you
360
00:18:28,120 --> 00:18:31,079
♪ You stopped and smiled at me
361
00:18:31,080 --> 00:18:35,239
♪ And asked me if I cared to dance
362
00:18:35,240 --> 00:18:38,799
♪ I fell into your open arms
363
00:18:38,800 --> 00:18:40,919
♪ I didn't stand a chance
364
00:18:40,920 --> 00:18:41,920
♪ Now, listen, honey
365
00:18:41,921 --> 00:18:45,479
♪ I just want to be
beside you everywhere
366
00:18:45,480 --> 00:18:49,039
♪ And as long as we're together,
honey, I don't care
367
00:18:49,040 --> 00:18:51,199
♪ 'Cause I started something
368
00:18:51,200 --> 00:18:52,719
♪ Can't you see?
369
00:18:52,720 --> 00:18:56,279
♪ And ever since we met,
you've had a hold on me
370
00:18:56,280 --> 00:18:59,839
♪ No matter what you do
371
00:18:59,840 --> 00:19:02,200
♪ I only want to be with you
372
00:19:05,360 --> 00:19:08,719
♪ No matter,
no matter what you do
373
00:19:08,720 --> 00:19:12,119
♪ I only want to be with you
374
00:19:12,120 --> 00:19:14,239
♪ Whoo
375
00:19:14,240 --> 00:19:18,039
♪ No matter, no matter what you do
376
00:19:18,040 --> 00:19:20,119
♪ I only want to be with you
377
00:19:20,120 --> 00:19:23,199
♪ Oh, oh, oh
378
00:19:23,200 --> 00:19:26,879
♪ Oh, oh
379
00:19:26,880 --> 00:19:29,959
♪ Oh, oh, oh. ♪
380
00:19:29,960 --> 00:19:34,199
(CROWD CHEERS)
381
00:19:34,200 --> 00:19:36,319
ANNOUNCER: Throughout the network of
ABC Television
382
00:19:36,320 --> 00:19:40,439
on 146 stations
across Australia, this is...
383
00:19:40,440 --> 00:19:42,799
CROWD: Countdown!
384
00:19:42,800 --> 00:19:44,159
WILBUR: The successful Rollers tour
385
00:19:44,160 --> 00:19:47,599
ensured that
glam rock remained strong here.
386
00:19:47,600 --> 00:19:50,639
Its stomping beats
appearing in local hits, too.
387
00:19:50,640 --> 00:19:52,599
♪ I hate the music
388
00:19:52,600 --> 00:19:55,960
♪ 'Cause every
time I hear that melody
389
00:19:58,280 --> 00:20:00,399
♪ It just reminds me of
390
00:20:00,400 --> 00:20:03,200
♪ The things we did together
391
00:20:04,640 --> 00:20:08,039
♪ The way we used to be
392
00:20:08,040 --> 00:20:10,479
♪ The way that life was better. ♪
393
00:20:10,480 --> 00:20:13,359
There's no doubt that glam
did take some unexpected twists
394
00:20:13,360 --> 00:20:15,919
and turns, raising
more than a few eyebrows.
395
00:20:15,920 --> 00:20:19,839
♪ Johnny is a guy
who can't make up his mind
396
00:20:19,840 --> 00:20:23,919
♪ He says "I like it both ways"
397
00:20:23,920 --> 00:20:27,719
♪ Johnny's world is inside out
398
00:20:27,720 --> 00:20:31,320
♪ His daddy thinks he's insane
399
00:20:36,160 --> 00:20:37,839
♪ He goes out on the town
400
00:20:37,840 --> 00:20:40,159
♪ Flashes around
401
00:20:40,160 --> 00:20:43,959
♪ Is his mind deranged?
402
00:20:43,960 --> 00:20:45,639
♪ Couples walk by
403
00:20:45,640 --> 00:20:47,599
♪ He watches them all
404
00:20:47,600 --> 00:20:50,720
♪ To him, they're all the same
405
00:20:56,200 --> 00:20:59,959
♪ I like it both ways
406
00:20:59,960 --> 00:21:03,919
♪ I like it both ways
407
00:21:03,920 --> 00:21:07,959
♪ I like it both ways
408
00:21:07,960 --> 00:21:12,040
♪ I like it both ways
409
00:21:14,120 --> 00:21:15,919
♪ When Johnny's with Julie
410
00:21:15,920 --> 00:21:18,079
♪ He tells her she's his girl
411
00:21:18,080 --> 00:21:22,279
♪ Says "I'll love you always"
412
00:21:22,280 --> 00:21:24,159
♪ She got to love to find
413
00:21:24,160 --> 00:21:26,199
♪ Within his schizophrenic mind
414
00:21:26,200 --> 00:21:29,400
♪ Because he likes it both ways
415
00:21:34,680 --> 00:21:36,399
♪ One day, it's a rose
416
00:21:36,400 --> 00:21:38,239
♪ Another day, a thorn
417
00:21:38,240 --> 00:21:42,119
♪ He just can't make the choice
418
00:21:42,120 --> 00:21:44,319
♪ Like when he seems so hard to find
419
00:21:44,320 --> 00:21:46,079
♪ He can't make up his mind
420
00:21:46,080 --> 00:21:49,440
♪ Between a
high or low-pitched voice
421
00:21:54,600 --> 00:21:57,720
♪ I like it both ways
422
00:21:58,760 --> 00:22:02,319
♪ I like it both ways
423
00:22:02,320 --> 00:22:06,239
♪ I like it both ways
424
00:22:06,240 --> 00:22:11,239
♪ I like it both ways
425
00:22:11,240 --> 00:22:16,160
(TELEPHONE RINGS)
426
00:22:17,160 --> 00:22:20,919
♪ I like it both ways
427
00:22:20,920 --> 00:22:24,599
♪ I like it both ways
428
00:22:24,600 --> 00:22:27,000
(TELEPHONE RINGS)
♪ I like it both ways
429
00:22:35,880 --> 00:22:37,759
♪ Johnny is a guy
430
00:22:37,760 --> 00:22:39,799
♪ Who can't make up his mind
431
00:22:39,800 --> 00:22:43,999
♪ He says, "I like it both ways"
432
00:22:44,000 --> 00:22:47,919
♪ Johnny's world is inside out
433
00:22:47,920 --> 00:22:51,120
♪ His daddy thinks he's insane
434
00:22:52,560 --> 00:22:54,079
♪ Insane ♪ Insane
435
00:22:54,080 --> 00:22:55,999
♪ Insane ♪ Insane
436
00:22:56,000 --> 00:22:57,439
♪ Insane ♪ Insane
437
00:22:57,440 --> 00:22:59,999
♪ Insane ♪ Insane
438
00:23:00,000 --> 00:23:03,319
♪ Oh, insane
439
00:23:03,320 --> 00:23:07,079
(GUITAR SOLO)
440
00:23:07,080 --> 00:23:09,120
♪ I like it both ways
441
00:23:10,400 --> 00:23:12,760
♪ I like it both ways
442
00:23:13,960 --> 00:23:16,560
♪ I like it both ways
443
00:23:18,280 --> 00:23:20,640
♪ I like it both ways
444
00:23:22,240 --> 00:23:24,520
♪ I like it both ways
445
00:23:26,000 --> 00:23:28,480
♪ I like it both ways
446
00:23:29,920 --> 00:23:31,920
♪ I like it both ways. ♪
447
00:23:42,840 --> 00:23:45,359
Hey, this is Phil Lynott
from Thin Lizzy,
448
00:23:45,360 --> 00:23:47,520
and you're looking at Countdown
right across Australia.
449
00:23:51,080 --> 00:23:53,920
WILBUR: Musical nostalgia
proved a force in 1976.
450
00:23:55,960 --> 00:23:59,880
♪ Has anybody seen Old Sid around?
451
00:24:03,120 --> 00:24:08,120
♪ Maybe he's
curled up on the ground
452
00:24:10,560 --> 00:24:15,560
♪ In a park or by the sea
453
00:24:16,920 --> 00:24:20,479
♪ Has anybody seen Old Sid?
454
00:24:20,480 --> 00:24:23,999
♪ Has anybody seen Old Sid?
455
00:24:24,000 --> 00:24:27,840
♪ Has anybody seen Old Sid around? ♪
456
00:24:31,080 --> 00:24:32,119
♪ Tomorrow night ♪
457
00:24:32,120 --> 00:24:35,239
♪ At the Darktown Strutter's Ball. ♪
458
00:24:35,240 --> 00:24:38,119
Even old dance hall tunes
were successfully repackaged
459
00:24:38,120 --> 00:24:40,120
and sold as pop.
460
00:24:50,520 --> 00:24:51,520
(SCREAMING)
461
00:24:51,521 --> 00:24:54,479
With TV show
Happy Days a global phenomenon,
462
00:24:54,480 --> 00:24:57,719
audiences looked back with fondness
to the music of the '50s.
463
00:24:57,720 --> 00:25:00,719
♪ At daydream junior high school
464
00:25:00,720 --> 00:25:04,359
♪ We used to harmonise
465
00:25:04,360 --> 00:25:07,639
♪ Me and Frankie and Jimmy
466
00:25:07,640 --> 00:25:11,399
♪ And some Italian guy
467
00:25:11,400 --> 00:25:14,199
♪ We were singing oldies
468
00:25:14,200 --> 00:25:17,479
♪ But they were newies then
469
00:25:17,480 --> 00:25:20,879
♪ And today when I play my old 45's
470
00:25:20,880 --> 00:25:24,599
♪ I remember when
471
00:25:24,600 --> 00:25:27,559
♪ We practised in a subway
472
00:25:27,560 --> 00:25:31,519
♪ In a lobby or a hall
473
00:25:31,520 --> 00:25:34,159
♪ Crowded in a doorway
474
00:25:34,160 --> 00:25:37,919
♪ Singing doo-wops to the wall
475
00:25:37,920 --> 00:25:40,959
♪ And if we went to a party
476
00:25:40,960 --> 00:25:44,439
♪ And they wouldn't let us sing
477
00:25:44,440 --> 00:25:47,719
♪ We'd lock ourselves in the
bathroom
478
00:25:47,720 --> 00:25:50,519
♪ And nobody could get in
479
00:25:50,520 --> 00:25:54,319
♪ 'Cause we were
looking for an echo
480
00:25:54,320 --> 00:25:57,919
♪ An answer to our sound
481
00:25:57,920 --> 00:26:01,239
♪ A place to be in harmony
482
00:26:01,240 --> 00:26:06,240
♪ A place we almost found
483
00:26:07,840 --> 00:26:11,439
♪ Ooh, ooh, ooh, ooh
484
00:26:11,440 --> 00:26:13,879
♪ And the girls
would gather 'round us
485
00:26:13,880 --> 00:26:17,719
♪ And our heads would really swell
486
00:26:17,720 --> 00:26:21,039
♪ We'd sing songs by The Moonglows
487
00:26:21,040 --> 00:26:24,039
♪ The Harptones and The Dells
488
00:26:24,040 --> 00:26:27,319
♪ And when we sang sincerely
489
00:26:27,320 --> 00:26:30,759
♪ We really sang it high
490
00:26:30,760 --> 00:26:34,399
♪ Even though it was falsetto
491
00:26:34,400 --> 00:26:39,199
♪ We almost reached the sky
492
00:26:39,200 --> 00:26:44,200
♪ We've sung a
lot of changes since 1955
493
00:26:45,880 --> 00:26:48,999
♪ Had a lot of bad arrangements
494
00:26:49,000 --> 00:26:52,159
♪ We've tried to harmonise
495
00:26:52,160 --> 00:26:55,839
♪ Now we've turned into oldies
496
00:26:55,840 --> 00:26:58,999
♪ But they were newies then
497
00:26:59,000 --> 00:27:02,119
♪ And today when I play my old 45's
498
00:27:02,120 --> 00:27:05,559
♪ I remember when
499
00:27:05,560 --> 00:27:09,039
♪ We were looking for an echo
500
00:27:09,040 --> 00:27:12,479
♪ An answer to our sound
501
00:27:12,480 --> 00:27:15,719
♪ A place to be in harmony
502
00:27:15,720 --> 00:27:20,720
♪ A place we almost found
503
00:27:22,880 --> 00:27:25,319
♪ Ooh, ooh, ooh
504
00:27:25,320 --> 00:27:28,759
♪ We were looking for an echo
505
00:27:28,760 --> 00:27:32,159
♪ An answer to our sound
506
00:27:32,160 --> 00:27:35,679
♪ A place to be in harmony
507
00:27:35,680 --> 00:27:40,680
♪ A place we almost found
508
00:27:43,280 --> 00:27:45,599
♪ Ooh, ooh
509
00:27:45,600 --> 00:27:46,600
♪ Found. ♪
510
00:27:46,601 --> 00:27:49,000
WILBUR: Nice jacket
on the saxophone player.
511
00:27:51,760 --> 00:27:53,719
(CROWD CHEERS)
512
00:27:53,720 --> 00:27:56,999
Even the youngest stars of the day
seemed content to continue
513
00:27:57,000 --> 00:27:59,439
the bloodline of
old time rock and roll.
514
00:27:59,440 --> 00:28:02,079
I was very, very influenced
by the music of the early '60s.
515
00:28:02,080 --> 00:28:05,159
I like Phil Spector and The Beatles
and The Beach Boys,
516
00:28:05,160 --> 00:28:07,480
and I think that
shows in my writing.
517
00:28:09,480 --> 00:28:12,679
And I, by rights, probably should've
been influenced
518
00:28:12,680 --> 00:28:17,399
by Elton John and David Bowie and
the artists of the '70s,
519
00:28:17,400 --> 00:28:22,079
which I was, but the '60s
and the early, real pop records
520
00:28:22,080 --> 00:28:23,439
were the biggest
influence on me of all.
521
00:28:23,440 --> 00:28:24,799
ANNOUNCER: Shaun Cassidy!
522
00:28:24,800 --> 00:28:25,800
♪ Everybody
523
00:28:25,801 --> 00:28:28,279
♪ Get down and get with it
524
00:28:28,280 --> 00:28:29,399
♪ Come on, everybody
525
00:28:29,400 --> 00:28:31,759
♪ Get down and get with it
526
00:28:31,760 --> 00:28:34,079
♪ Come on, everybody, get down
527
00:28:34,080 --> 00:28:36,080
♪ That's rock n' roll
528
00:28:38,480 --> 00:28:42,119
♪ It's when smokin' and the heat
529
00:28:42,120 --> 00:28:45,799
♪ Have got your heart
pounding right with the beat
530
00:28:45,800 --> 00:28:49,439
♪ Don't try to fight it,
just get excited
531
00:28:49,440 --> 00:28:53,279
♪ That's rock 'n' roll
532
00:28:53,280 --> 00:28:56,759
♪ Now don't you
worry 'bout being a star
533
00:28:56,760 --> 00:29:00,559
♪ It doesn't
matter who or what you are
534
00:29:00,560 --> 00:29:04,199
♪ Just get the
rhythm and let it fill you
535
00:29:04,200 --> 00:29:07,959
♪ That's rock 'n' roll
536
00:29:07,960 --> 00:29:09,759
♪ Well, come on, everybody
537
00:29:09,760 --> 00:29:11,919
♪ Get down and get with it
538
00:29:11,920 --> 00:29:13,359
♪ Come on, everybody
539
00:29:13,360 --> 00:29:15,719
♪ Get down and get with it
540
00:29:15,720 --> 00:29:16,839
♪ Come on, everybody
541
00:29:16,840 --> 00:29:18,039
♪ Get down
542
00:29:18,040 --> 00:29:20,040
♪ That's rock 'n' roll
543
00:29:22,920 --> 00:29:27,920
(FANS SCREAM, CHEER)
544
00:29:37,440 --> 00:29:39,119
♪ Well, come on, everybody
545
00:29:39,120 --> 00:29:41,279
♪ Get down and get with it
546
00:29:41,280 --> 00:29:42,799
♪ Come on, everybody
547
00:29:42,800 --> 00:29:44,959
♪ Get down and get with it
548
00:29:44,960 --> 00:29:46,319
♪ Come on, everybody
549
00:29:46,320 --> 00:29:47,320
♪ Get down
550
00:29:47,321 --> 00:29:49,320
♪ That's rock 'n' roll
551
00:29:52,040 --> 00:29:55,559
♪ And if you feel it,
clap your hands
552
00:29:55,560 --> 00:29:59,199
♪ Let's see some
sweat for the boys in the band
553
00:29:59,200 --> 00:30:01,159
♪ Now lemme hear ya
554
00:30:01,160 --> 00:30:02,919
♪ Lemme hear ya
555
00:30:02,920 --> 00:30:04,439
♪ That's rock 'n' roll
556
00:30:04,440 --> 00:30:06,919
♪ Everybody get
down and get with it
557
00:30:06,920 --> 00:30:08,319
♪ Come on, everybody
558
00:30:08,320 --> 00:30:10,679
♪ Get down and get with it
559
00:30:10,680 --> 00:30:12,119
♪ Come on, everybody
560
00:30:12,120 --> 00:30:13,120
♪ Get down
561
00:30:13,121 --> 00:30:15,719
♪ That's rock 'n' roll
562
00:30:15,720 --> 00:30:17,639
You, all of you!
563
00:30:17,640 --> 00:30:19,519
♪ Well, come on, everybody
564
00:30:19,520 --> 00:30:21,639
♪ Get down and get with it
565
00:30:21,640 --> 00:30:23,079
♪ Come on, everybody
566
00:30:23,080 --> 00:30:24,080
♪ Get down
567
00:30:24,081 --> 00:30:25,599
♪ Get with it
568
00:30:25,600 --> 00:30:27,159
♪ Come on, everybody
569
00:30:27,160 --> 00:30:28,160
♪ Get down
570
00:30:28,161 --> 00:30:32,239
♪ That's rock 'n' roll. ♪
571
00:30:32,240 --> 00:30:33,759
♪ Countdown! ♪
572
00:30:33,760 --> 00:30:35,319
You must be sort of
the most wanted artist
573
00:30:35,320 --> 00:30:37,759
we've had for a long, long time,
574
00:30:37,760 --> 00:30:39,159
and we've finally
got you in Australia.
575
00:30:39,160 --> 00:30:41,319
What's it feel like,
not to be in Australia,
576
00:30:41,320 --> 00:30:46,079
but to come such a long way with so
many hit records behind you
577
00:30:46,080 --> 00:30:47,839
and have to
perform to such a reputation?
578
00:30:47,840 --> 00:30:49,279
Well, I'd rather
talk about what it's like
579
00:30:49,280 --> 00:30:51,879
being here in Australia,
and it's been fantastic.
580
00:30:51,880 --> 00:30:54,879
We came into Brisbane
and did three shows.
581
00:30:54,880 --> 00:30:57,039
Beautiful, beautiful,
beautiful people.
582
00:30:57,040 --> 00:30:58,999
And the last three shows in Sydney.
583
00:30:59,000 --> 00:31:00,599
And now, to open
up the Moomba Festival
584
00:31:00,600 --> 00:31:03,439
is a whole other tremendous
excitement for all of us
585
00:31:03,440 --> 00:31:05,999
and it's part of an adventure,
you know, for all of us.
586
00:31:06,000 --> 00:31:08,559
So, I'm pleased to be here
and we want to do the best show
587
00:31:08,560 --> 00:31:10,279
that we can, and that's basically
why we're here.
588
00:31:10,280 --> 00:31:11,759
We're here for music.
Do you enjoy still...
589
00:31:11,760 --> 00:31:13,759
Despite what you gentlemen think.
590
00:31:13,760 --> 00:31:16,079
But do you enjoy
still performing live on stage?
591
00:31:16,080 --> 00:31:18,279
I love it.
It's my favourite thing.
592
00:31:18,280 --> 00:31:19,359
It's fantastic.
593
00:31:19,360 --> 00:31:20,360
There is nothing more to say
594
00:31:20,361 --> 00:31:22,159
because Neil Diamond's
music speaks for Australia.
595
00:31:22,160 --> 00:31:23,959
Thank you.
Thank you very much.
596
00:31:23,960 --> 00:31:24,999
I'll see you again.
597
00:31:25,000 --> 00:31:26,239
OK, gang.
598
00:31:26,240 --> 00:31:27,759
Yes? OK.
599
00:31:27,760 --> 00:31:30,399
Yes, yeah.
600
00:31:30,400 --> 00:31:33,799
(SCREAMING)
601
00:31:33,800 --> 00:31:36,439
WILBUR: The public found solace in
safe, traditional entertainers,
602
00:31:36,440 --> 00:31:40,399
but pop music would also rely
on old-fashioned teenage lust.
603
00:31:40,400 --> 00:31:43,600
♪ Gonna sit down and talk to myself
604
00:31:45,920 --> 00:31:50,760
♪ I won't let
nobody get me off my shelf
605
00:31:53,920 --> 00:31:56,399
♪ This time I understand
606
00:31:56,400 --> 00:32:00,919
♪ Gonna make it
to the promised land and
607
00:32:00,920 --> 00:32:04,399
♪ This time
608
00:32:04,400 --> 00:32:08,279
♪ This time
609
00:32:08,280 --> 00:32:12,359
♪ This time, gonna
head in the right direction
610
00:32:12,360 --> 00:32:15,199
♪ In the right direction. ♪
611
00:32:15,200 --> 00:32:16,879
Marc Hunter got pulses racing,
612
00:32:16,880 --> 00:32:19,639
but Countdown also
enjoyed plenty of success
613
00:32:19,640 --> 00:32:20,719
with Shirl 'The Curl.'
614
00:32:20,720 --> 00:32:24,279
♪ Hey
615
00:32:24,280 --> 00:32:26,959
♪ Come back to me
616
00:32:26,960 --> 00:32:29,319
♪ Darling, you see
617
00:32:29,320 --> 00:32:32,279
♪ I can give you all the things
618
00:32:32,280 --> 00:32:36,080
♪ That you've wanted before
619
00:32:38,840 --> 00:32:43,839
♪ If you will stay with me
620
00:32:43,840 --> 00:32:45,559
♪ Yeah. ♪
621
00:32:45,560 --> 00:32:46,560
♪ Baby, if your
622
00:32:46,561 --> 00:32:47,919
And, of course, Marcia.
623
00:32:47,920 --> 00:32:52,519
♪ New love ever turns you down
624
00:32:52,520 --> 00:32:53,999
♪ Come back
625
00:32:54,000 --> 00:32:56,399
♪ I will be around
626
00:32:56,400 --> 00:33:00,159
♪ Just waiting for you
627
00:33:00,160 --> 00:33:05,160
♪ I don't know what else to do. ♪
628
00:33:08,360 --> 00:33:10,719
And speaking of
old fashioned teenage lust...
629
00:33:10,720 --> 00:33:15,720
(CHEERING, SCREAMING)
630
00:33:18,960 --> 00:33:23,159
♪ If you've ever been lonely
631
00:33:23,160 --> 00:33:25,639
♪ Then you'll understand
632
00:33:25,640 --> 00:33:29,839
♪ Why I treasure
every smile you show me
633
00:33:29,840 --> 00:33:34,639
♪ And every touch of your ha-and
634
00:33:34,640 --> 00:33:38,719
♪ Well, I've
been waiting a long time
635
00:33:38,720 --> 00:33:41,519
♪ For a girl like you
636
00:33:41,520 --> 00:33:45,759
♪ Oh, and maybe
this will be the right time
637
00:33:45,760 --> 00:33:48,040
♪ For all my dreams to come true
638
00:33:50,840 --> 00:33:53,399
♪ I wanna make you my lady
639
00:33:53,400 --> 00:33:55,279
♪ Make you my lady
640
00:33:55,280 --> 00:33:58,319
♪ Love is so hard to find, girl
641
00:33:58,320 --> 00:34:00,959
♪ I wanna make you my lady
642
00:34:00,960 --> 00:34:02,959
♪ Take you, my lady
643
00:34:02,960 --> 00:34:05,840
♪ Then you'll be forever mine, girl
644
00:34:08,520 --> 00:34:12,239
♪ Do you think I'm pretending?
645
00:34:12,240 --> 00:34:15,639
♪ Do you think I'd lie, lady?
646
00:34:15,640 --> 00:34:19,439
♪ Oh, it could be never-ending
647
00:34:19,440 --> 00:34:22,120
♪ If you'll give it a try
648
00:34:24,120 --> 00:34:26,519
♪ I wanna make you my lady
649
00:34:26,520 --> 00:34:28,799
♪ Make you my lady
650
00:34:28,800 --> 00:34:31,799
♪ Love is so hard to find, girl
651
00:34:31,800 --> 00:34:34,599
♪ I wanna make you my lady
652
00:34:34,600 --> 00:34:36,479
♪ Take you, my lady
653
00:34:36,480 --> 00:34:40,040
♪ Then you'll be forever mine, girl
654
00:34:41,920 --> 00:34:45,799
♪ Gonna fly over a rainbow
655
00:34:45,800 --> 00:34:49,999
♪ Gonna find a
heaven on earth we can share
656
00:34:50,000 --> 00:34:53,119
♪ Paradise is not far away, so
657
00:34:53,120 --> 00:34:54,959
♪ Just show me you care
658
00:34:54,960 --> 00:34:58,480
♪ And I'll take you there
659
00:35:03,440 --> 00:35:05,799
♪ I wanna make you my lady
660
00:35:05,800 --> 00:35:07,719
♪ Take you my lady
661
00:35:07,720 --> 00:35:10,919
♪ Love is so hard to find, girl
662
00:35:10,920 --> 00:35:13,479
♪ I wanna make you my lady
663
00:35:13,480 --> 00:35:16,320
♪ Take you my lady
664
00:35:18,800 --> 00:35:21,439
♪ I'm gonna make you my lady
665
00:35:21,440 --> 00:35:23,399
♪ Take you my lady
666
00:35:23,400 --> 00:35:26,399
♪ Love is so hard to find, girl
667
00:35:26,400 --> 00:35:28,879
♪ I wanna make you my lady
668
00:35:28,880 --> 00:35:31,439
♪ Take you my lady
669
00:35:31,440 --> 00:35:35,719
♪ Then you'll be forever mine. ♪
670
00:35:35,720 --> 00:35:37,720
(SCREAMING, CHEERING)
671
00:35:52,080 --> 00:35:55,799
(TELEPHONE RINGS)
672
00:35:55,800 --> 00:35:56,959
Hello?
673
00:35:56,960 --> 00:35:58,279
MAN: Hello.
(BEEPS)
674
00:35:58,280 --> 00:36:00,039
Oh, sorry, I'm...
675
00:36:00,040 --> 00:36:02,039
Daryl Braithwaite from Sherbet?
676
00:36:02,040 --> 00:36:03,279
Now coming to you live from Perth.
677
00:36:03,280 --> 00:36:05,279
Listen, tonight is the night
678
00:36:05,280 --> 00:36:10,119
'cause Countdown starts back on the
airwaves again, television waves.
679
00:36:10,120 --> 00:36:12,599
Yeah, I watched it all last year.
680
00:36:12,600 --> 00:36:15,440
It's a great show with ourselves,
because we're on it.
681
00:36:17,240 --> 00:36:19,839
We've got John Paul Young,
Ted Mulry, AC/DC,
682
00:36:19,840 --> 00:36:23,719
and a host of other good people who
worked with me last year.
683
00:36:23,720 --> 00:36:27,159
About a year it was, and you're
gonna help make this year great.
684
00:36:27,160 --> 00:36:29,159
What are you doing after tonight?
685
00:36:29,160 --> 00:36:31,119
Switch the old channels
(SPEAKS INDISTINCTLY)...
686
00:36:31,120 --> 00:36:32,759
Unreal. Yeah, I will.
687
00:36:32,760 --> 00:36:34,760
OK, bye.
688
00:36:37,720 --> 00:36:40,639
WILBUR: In the US, West Coast
rock was reaching its zenith.
689
00:36:40,640 --> 00:36:43,920
In '76, Hotel California won the
Grammy for album of the year.
690
00:36:46,520 --> 00:36:49,639
Back home, Jon English had a big hit
with a very different song
691
00:36:49,640 --> 00:36:52,159
about a hotel in California.
692
00:36:52,160 --> 00:36:54,999
♪ She came in one night from Omaha
693
00:36:55,000 --> 00:36:56,479
♪ Worn out
694
00:36:56,480 --> 00:36:58,760
♪ 'Cause she never
could sleep on trains
695
00:37:03,960 --> 00:37:07,439
♪ She took the bus to Hollywood
696
00:37:07,440 --> 00:37:09,800
♪ Lookin' for a
room in the pouring rain
697
00:37:14,760 --> 00:37:17,759
♪ With her hair so
blonde and her eyes so brown
698
00:37:17,760 --> 00:37:19,599
♪ She thought she'd take this town
699
00:37:19,600 --> 00:37:22,600
♪ And turn it upside down
700
00:37:25,800 --> 00:37:29,919
♪ But I was living
in a hotel just off Sunset
701
00:37:29,920 --> 00:37:32,280
♪ She moved in across the hall
702
00:37:37,040 --> 00:37:39,799
♪ And she said
she'd be a movie star
703
00:37:39,800 --> 00:37:43,600
♪ And waited
every morning for a call
704
00:37:48,160 --> 00:37:50,839
♪ So I asked her
in to share a drink
705
00:37:50,840 --> 00:37:53,759
♪ But she hardly had the time
706
00:37:53,760 --> 00:37:56,679
♪ A call might come tomorrow
707
00:37:56,680 --> 00:37:59,359
♪ She had to learn her lines
708
00:37:59,360 --> 00:38:01,919
♪ On Hollywood Seven, rooms to rent
709
00:38:01,920 --> 00:38:04,120
♪ 'Til your name goes up in
lights
710
00:38:08,760 --> 00:38:10,519
♪ Whoa, Hollywood Seven
711
00:38:10,520 --> 00:38:11,679
♪ You can dream your dream
712
00:38:11,680 --> 00:38:13,760
♪ For seven bucks a night
713
00:38:18,680 --> 00:38:21,439
♪ Well, the
months went by without a job
714
00:38:21,440 --> 00:38:25,360
♪ The money that
she saved was nearly spent
715
00:38:29,640 --> 00:38:33,119
♪ So she started
bringing strangers home
716
00:38:33,120 --> 00:38:35,600
♪ Trying to find
a way to pay the rent
717
00:38:40,560 --> 00:38:43,599
♪ Well, she'd sit
down and drink my coffee
718
00:38:43,600 --> 00:38:46,319
♪ With nothin' much to say
719
00:38:46,320 --> 00:38:49,319
♪ Just busy
rehearsing in her mind
720
00:38:49,320 --> 00:38:52,199
♪ The scene she'd never play
721
00:38:52,200 --> 00:38:54,519
♪ On Hollywood Seven, rooms to rent
722
00:38:54,520 --> 00:38:56,640
♪ 'Til your name goes up in lights
723
00:39:01,200 --> 00:39:02,879
♪ Oh, Hollywood Seven
724
00:39:02,880 --> 00:39:04,519
♪ You can dream your dreams
725
00:39:04,520 --> 00:39:06,520
♪ For seven bucks a night
726
00:39:16,840 --> 00:39:18,399
♪ Well, I found
her there one morning
727
00:39:18,400 --> 00:39:23,400
♪ When she didn't come
for coffee when I called
728
00:39:27,440 --> 00:39:30,479
♪ She'd gone and brought
the wrong one home this time
729
00:39:30,480 --> 00:39:34,120
♪ There were crazy lipstick
marks all over the wall
730
00:39:38,280 --> 00:39:41,279
♪ Now she's goin' back to Omaha
731
00:39:41,280 --> 00:39:43,839
♪ But not the way she'd planned
732
00:39:43,840 --> 00:39:46,679
♪ There'll be no
crowd to cheer her on
733
00:39:46,680 --> 00:39:49,239
♪ No welcome home, no band
734
00:39:49,240 --> 00:39:50,879
♪ On Hollywood Seven
735
00:39:50,880 --> 00:39:51,880
♪ Rooms to rent
736
00:39:51,881 --> 00:39:54,040
♪ 'Til your name goes up in lights
737
00:39:58,440 --> 00:39:59,959
♪ Oh, Hollywood Seven
738
00:39:59,960 --> 00:40:01,519
♪ You can dream your dreams
739
00:40:01,520 --> 00:40:03,520
♪ For seven bucks a night
740
00:40:08,120 --> 00:40:09,679
♪ On Hollywood Seven
741
00:40:09,680 --> 00:40:10,680
♪ Dreams to rent
742
00:40:10,681 --> 00:40:14,599
♪ 'Til your name goes up in lights
743
00:40:14,600 --> 00:40:16,199
♪ Oh, Hollywood Seven
744
00:40:16,200 --> 00:40:17,639
♪ You can pay your dues
745
00:40:17,640 --> 00:40:20,480
♪ For seven bucks a night. ♪
746
00:40:22,920 --> 00:40:23,920
(CHEERING)
747
00:40:23,921 --> 00:40:27,239
Of course, some narrative
songs have pathos and tragedy.
748
00:40:27,240 --> 00:40:29,240
Others are just
songs about cars and girls.
749
00:40:31,080 --> 00:40:33,280
♪ Jump in my car
750
00:40:34,480 --> 00:40:36,520
♪ I want to take you home
751
00:40:38,400 --> 00:40:40,120
♪ Mm, jump in my car
752
00:40:41,720 --> 00:40:44,440
♪ It's too far to walk on your own
753
00:40:46,680 --> 00:40:48,039
♪ No, thank you, sir
754
00:40:48,040 --> 00:40:50,679
♪ Ah, come on,
I'm a trustworthy guy
755
00:40:50,680 --> 00:40:51,879
♪ No, thank you, sir
756
00:40:51,880 --> 00:40:54,519
♪ Oh, little girl,
I wouldn't tell you no lie
757
00:40:54,520 --> 00:40:55,799
♪ I know your game
758
00:40:55,800 --> 00:40:58,279
♪ How can you say that?
We only just met
759
00:40:58,280 --> 00:40:59,439
♪ You're all the same
760
00:40:59,440 --> 00:41:02,199
♪ Ooh, she's got me there,
but I'll get her yet
761
00:41:02,200 --> 00:41:03,200
♪ I got you there
762
00:41:03,201 --> 00:41:06,359
♪ No, you didn't,
I was catching my breath
763
00:41:06,360 --> 00:41:08,199
♪ And look, it's starting to rain
764
00:41:08,200 --> 00:41:09,759
♪ And baby, you'll catch your death
765
00:41:09,760 --> 00:41:10,760
♪ Well, I don't know
766
00:41:10,761 --> 00:41:13,999
♪ Ah, come on,
it costs nothing to try
767
00:41:14,000 --> 00:41:17,479
♪ And you'll
arrive home nice and dry
768
00:41:17,480 --> 00:41:18,639
♪ Mm-mm
769
00:41:18,640 --> 00:41:20,040
♪ Jump in my car
770
00:41:21,880 --> 00:41:23,840
♪ I want to take you home
771
00:41:25,320 --> 00:41:27,600
♪ Come on, jump in my car
772
00:41:29,360 --> 00:41:31,760
♪ It's too far to walk on your own
773
00:41:32,720 --> 00:41:37,720
(GUITAR SOLO)
774
00:41:52,800 --> 00:41:55,200
♪ Mm-mm, jump in my car
775
00:41:56,800 --> 00:41:58,640
♪ I want to take you home
776
00:42:00,640 --> 00:42:02,480
♪ Come on, jump in my car
777
00:42:04,200 --> 00:42:06,560
♪ It's too far
to walk on your ow-own
778
00:42:09,000 --> 00:42:10,159
♪ Well, maybe I will
779
00:42:10,160 --> 00:42:12,959
♪ Ah, that's better
Now you're talking sense
780
00:42:12,960 --> 00:42:13,960
♪ Jeepers, keep still
781
00:42:13,961 --> 00:42:16,879
♪ Well, if you like,
I'll just put up a fence
782
00:42:16,880 --> 00:42:17,999
♪ No need to get smart
783
00:42:18,000 --> 00:42:20,719
♪ Well, alright,
we'll soon be on our way
784
00:42:20,720 --> 00:42:21,879
♪ We better start
785
00:42:21,880 --> 00:42:22,880
♪ What for?
786
00:42:22,881 --> 00:42:24,599
♪ Because it's such a long way
787
00:42:24,600 --> 00:42:25,679
♪ Well, why, where do you live?
788
00:42:25,680 --> 00:42:26,680
♪ I live down south
789
00:42:26,681 --> 00:42:28,719
♪ It's roughly 84 miles
790
00:42:28,720 --> 00:42:29,839
♪ Hey, slow down
791
00:42:29,840 --> 00:42:32,199
♪ You must be joking
there behind that cute smile
792
00:42:32,200 --> 00:42:33,359
♪ Oh, no, I'm not
793
00:42:33,360 --> 00:42:36,199
♪ Well, if you're not,
there's only one thing to say
794
00:42:36,200 --> 00:42:37,319
♪ And what's that?
795
00:42:37,320 --> 00:42:38,839
♪ Get out the car
796
00:42:38,840 --> 00:42:40,679
♪ Get on your way
797
00:42:40,680 --> 00:42:42,319
♪ Get out of my car
798
00:42:42,320 --> 00:42:44,959
♪ But you just
said that you'd take me home
799
00:42:44,960 --> 00:42:45,960
♪ Well, if it's not too far
800
00:42:45,961 --> 00:42:48,639
♪ But there's no way
that I can get there alone
801
00:42:48,640 --> 00:42:50,239
♪ I couldn't care less
802
00:42:50,240 --> 00:42:52,599
♪ Well, maybe I
could see you next week
803
00:42:52,600 --> 00:42:53,919
♪ But you look a mess
804
00:42:53,920 --> 00:42:56,639
♪ Well, look who's talking
You got no right to speak
805
00:42:56,640 --> 00:42:58,359
♪ Get out of my car
806
00:42:58,360 --> 00:43:00,679
♪ You told me that
you were a really nice guy
807
00:43:00,680 --> 00:43:02,439
♪ Well, I ain't
808
00:43:02,440 --> 00:43:07,159
♪ Well, yeah,
get out of my car, yeah
809
00:43:07,160 --> 00:43:09,439
♪ Get out, get out of my car. ♪
810
00:43:09,440 --> 00:43:11,440
(CHEERING)
811
00:43:27,440 --> 00:43:28,919
♪ Countdown! ♪
812
00:43:28,920 --> 00:43:31,479
Uh, the Bay City Rollers
have had a lot of caning
813
00:43:31,480 --> 00:43:32,759
over the last two years,
814
00:43:32,760 --> 00:43:35,239
and a lot of people
are spreading it around
815
00:43:35,240 --> 00:43:36,919
that they don't play
their own instruments.
816
00:43:36,920 --> 00:43:37,999
Wrong, they do.
817
00:43:38,000 --> 00:43:39,879
They write a lot
of their own songs.
818
00:43:39,880 --> 00:43:41,079
Now, they're very young musicians.
819
00:43:41,080 --> 00:43:44,279
They aren't in the class, of course,
like Supertramp or ELO
820
00:43:44,280 --> 00:43:47,039
or Led Zeppelin or any
of the groups like that,
821
00:43:47,040 --> 00:43:49,959
but they are very young and
they've got a long way to go.
822
00:43:49,960 --> 00:43:50,960
But I tell you what,
823
00:43:50,961 --> 00:43:54,159
with the song writing
ability of both Woody and Eric,
824
00:43:54,160 --> 00:43:56,079
I think they're going
to prove a lot of people wrong
825
00:43:56,080 --> 00:43:57,999
over the next
couple of years, alright?
826
00:43:58,000 --> 00:43:59,159
OK, now, just tell us again
827
00:43:59,160 --> 00:44:01,399
what you think of "Yesterday's
Hero" by the Bay City Rollers.
828
00:44:01,400 --> 00:44:02,999
I think it's quite...
829
00:44:03,000 --> 00:44:04,559
it's quite good,
but it could've been better.
830
00:44:04,560 --> 00:44:05,560
OK.
831
00:44:05,561 --> 00:44:06,799
'Cause they've done better things.
832
00:44:06,800 --> 00:44:09,079
Well, this is a prediction
for us, at the moment.
833
00:44:09,080 --> 00:44:10,759
Alright.
Alright.
834
00:44:10,760 --> 00:44:12,319
We all know what your taste is.
(CHUCKLES)
835
00:44:12,320 --> 00:44:13,679
When can we expect...
836
00:44:13,680 --> 00:44:15,519
I know with this album selling and
selling and selling,
837
00:44:15,520 --> 00:44:16,599
why bother writing music?
838
00:44:16,600 --> 00:44:18,359
When are you going to do a new one?
839
00:44:18,360 --> 00:44:20,519
We're doing a new one in January and
February, Molly.
840
00:44:20,520 --> 00:44:22,399
It'll be out
about the 1st of April.
841
00:44:22,400 --> 00:44:23,799
It'll be called
Cruisin' for a Bruisin'.
842
00:44:23,800 --> 00:44:24,879
Cruisin' for a Bruisin'?
Yeah,
843
00:44:24,880 --> 00:44:26,639
and that's what you'll
be, too, if you don't play it.
844
00:44:26,640 --> 00:44:27,640
Oh, yes, OK.
845
00:44:27,641 --> 00:44:28,679
I'll hit you so hard in the head,
846
00:44:28,680 --> 00:44:30,519
you'll have to open your
fly to see where you're going.
847
00:44:30,520 --> 00:44:31,839
Now, Squeak.
Yes.
848
00:44:31,840 --> 00:44:33,119
Are you gonna
behave yourself today?
849
00:44:33,120 --> 00:44:34,120
No way.
850
00:44:34,121 --> 00:44:35,759
I see, alright.
We'll just look forward to that.
851
00:44:35,760 --> 00:44:39,479
No way.
Now, number 15 of the... the...
852
00:44:39,480 --> 00:44:40,480
Oh!
853
00:44:40,481 --> 00:44:41,599
See how they can do that?
854
00:44:41,600 --> 00:44:43,919
That's ridiculous, isn't it?
855
00:44:43,920 --> 00:44:45,079
I mean, look,
856
00:44:45,080 --> 00:44:48,559
I live in terror what they're liable
to do to me next week.
857
00:44:48,560 --> 00:44:49,999
(EXPLOSION)
858
00:44:50,000 --> 00:44:51,319
(GASPS)
859
00:44:51,320 --> 00:44:52,919
Heavens forbid!
860
00:44:52,920 --> 00:44:54,279
And the number one...
861
00:44:54,280 --> 00:44:55,759
What's... what's that?
862
00:44:55,760 --> 00:45:00,039
Well, this is a present for
you from the staff at the ABC.
863
00:45:00,040 --> 00:45:01,319
Thanks.
They're getting desperate.
864
00:45:01,320 --> 00:45:02,759
There's a very nice
note on there for you.
865
00:45:02,760 --> 00:45:04,879
I bet, yes.
It's a nice note.
866
00:45:04,880 --> 00:45:06,239
These were used before.
867
00:45:06,240 --> 00:45:07,240
They weren't.
868
00:45:07,241 --> 00:45:08,399
They were.
869
00:45:08,400 --> 00:45:11,639
Look, some poor
nun has gone blind making them.
870
00:45:11,640 --> 00:45:13,079
I can see Mark
Holden's sweat on there!
871
00:45:13,080 --> 00:45:14,080
(CHUCKLES)
Good heavens.
872
00:45:14,081 --> 00:45:15,479
Have you... read the note, mate.
Come on.
873
00:45:15,480 --> 00:45:18,119
I'm gonna read the note.
874
00:45:18,120 --> 00:45:20,520
"Return to props after use".
(CHUCKLES)
875
00:45:22,120 --> 00:45:24,520
A little bit of Hush, please,
sweetheart.
876
00:45:28,040 --> 00:45:29,839
Nice one, huh? Great.
877
00:45:29,840 --> 00:45:31,239
I know!
878
00:45:31,240 --> 00:45:32,240
♪ What's your dilemma?
879
00:45:32,241 --> 00:45:34,239
♪ Won't you please tell me, Emma?
880
00:45:34,240 --> 00:45:37,559
♪ I don't wanna lay you down
881
00:45:37,560 --> 00:45:42,560
♪ Sometimes it's hard to bend
882
00:45:43,640 --> 00:45:48,600
♪ Turn around,
you better start all over again
883
00:45:50,040 --> 00:45:51,159
♪ Please tell me, Emma
884
00:45:51,160 --> 00:45:53,079
♪ Please tell me, Emma
885
00:45:53,080 --> 00:45:54,159
♪ Don't get excited
886
00:45:54,160 --> 00:45:55,160
♪ You'll be invited. ♪
887
00:45:55,161 --> 00:45:57,759
WILBUR: As Aussie bands became
regular fixtures in the charts,
888
00:45:57,760 --> 00:45:59,959
we cheered for
their overseas success as well.
889
00:45:59,960 --> 00:46:01,319
You arrive in London,
890
00:46:01,320 --> 00:46:04,319
and in America, the album
sold number 73 on the chart.
891
00:46:04,320 --> 00:46:05,719
Well, America's
where we're confident.
892
00:46:05,720 --> 00:46:09,119
I don't know about here because you
know what England's like.
893
00:46:09,120 --> 00:46:10,639
They either like you
or they don't like you.
894
00:46:10,640 --> 00:46:12,159
When are you back in Australia?
December?
895
00:46:12,160 --> 00:46:13,639
DEREK: Christmas.
Early December.
896
00:46:13,640 --> 00:46:15,119
Yeah.
Christmas time.
897
00:46:15,120 --> 00:46:17,359
I found some diamonds, dear.
They're beautiful.
898
00:46:17,360 --> 00:46:18,879
See you soon.
Say goodbye.
899
00:46:18,880 --> 00:46:20,559
Bye-bye, Cathy.
Bye-bye.
900
00:46:20,560 --> 00:46:22,719
I'm gonna go now.
901
00:46:22,720 --> 00:46:23,879
Sweet little girl...
902
00:46:23,880 --> 00:46:25,079
And when a local act did succeed
903
00:46:25,080 --> 00:46:27,759
in breaking
the tyranny of distance...
904
00:46:27,760 --> 00:46:29,439
Yes.
905
00:46:29,440 --> 00:46:31,199
We felt like we'd all succeeded.
906
00:46:31,200 --> 00:46:32,200
Yeah.
907
00:46:32,201 --> 00:46:33,239
This is Air Supply with a song
908
00:46:33,240 --> 00:46:35,279
that's taken a
long time to get up there,
909
00:46:35,280 --> 00:46:36,439
but it's "Love And Other Bruises."
910
00:46:36,440 --> 00:46:38,840
Fantastic.
(CHEERING)
911
00:46:56,440 --> 00:47:01,440
♪ As the time
slips through your fingers
912
00:47:04,680 --> 00:47:09,200
♪ 'Til it's almost time to go
913
00:47:13,240 --> 00:47:18,200
♪ And the morning breaks between us
914
00:47:21,320 --> 00:47:25,920
♪ And the ice melts into snow
915
00:47:29,240 --> 00:47:34,240
♪ I'm alright loving you
916
00:47:37,440 --> 00:47:44,400
♪ I'm alright loving you
917
00:47:46,160 --> 00:47:49,999
♪ Love and other bruises
918
00:47:50,000 --> 00:47:53,240
♪ Didn't have to choose us
919
00:47:54,680 --> 00:47:58,559
♪ But it did and I'm alive
920
00:47:58,560 --> 00:48:02,479
♪ And I'm trying to survive
921
00:48:02,480 --> 00:48:06,519
♪ Love and other bruises
922
00:48:06,520 --> 00:48:10,479
♪ Makes us all good losers
923
00:48:10,480 --> 00:48:14,559
♪ I can't help it, talking loud
924
00:48:14,560 --> 00:48:18,280
♪ It's because I'm on a cloud
925
00:48:22,840 --> 00:48:27,840
♪ Won't you please take me home?
926
00:48:31,080 --> 00:48:35,040
♪ Won't you please,
please take me home?
927
00:48:39,640 --> 00:48:43,560
♪ I'm so mixed up over you
928
00:48:47,760 --> 00:48:51,760
♪ I don't want to be alone
929
00:48:55,920 --> 00:49:00,640
♪ I'm alright loving you
930
00:49:04,640 --> 00:49:09,400
♪ I'm alright loving you...
931
00:49:12,560 --> 00:49:16,439
♪ Love and other bruises
932
00:49:16,440 --> 00:49:20,519
♪ Didn't have to choose us
933
00:49:20,520 --> 00:49:24,759
♪ But it did and I'm alive
934
00:49:24,760 --> 00:49:28,879
♪ And I'm trying to survive
935
00:49:28,880 --> 00:49:33,079
♪ Love and other bruises
936
00:49:33,080 --> 00:49:37,039
♪ Makes us all good losers
937
00:49:37,040 --> 00:49:41,399
♪ I can't help it, talking loud
938
00:49:41,400 --> 00:49:45,079
♪ It's because I'm on a cloud
939
00:49:45,080 --> 00:49:48,639
♪ Love and other bruises
940
00:49:48,640 --> 00:49:53,079
♪ Makes us all good losers
941
00:49:53,080 --> 00:49:57,359
♪ I can't help it, talking loud
942
00:49:57,360 --> 00:50:01,399
♪ It's because I'm on a cloud
943
00:50:01,400 --> 00:50:04,919
♪ Love and other bruises
944
00:50:04,920 --> 00:50:09,319
♪ Makes us all good losers
945
00:50:09,320 --> 00:50:13,399
♪ I can't help it, talking loud
946
00:50:13,400 --> 00:50:15,400
♪ It's because... ♪
947
00:50:21,040 --> 00:50:23,039
♪ I want to end it
948
00:50:23,040 --> 00:50:25,319
♪ Mama
949
00:50:25,320 --> 00:50:27,279
♪ Open up
950
00:50:27,280 --> 00:50:29,239
♪ I'm coming back in
951
00:50:29,240 --> 00:50:32,759
♪ I don't like
it out here no more
952
00:50:32,760 --> 00:50:36,079
♪ Mama, open up
953
00:50:36,080 --> 00:50:38,039
♪ I'm coming back in
954
00:50:38,040 --> 00:50:42,359
♪ I don't like
it out here no more. ♪
955
00:50:42,360 --> 00:50:45,639
By the end of '76, there were more
rumblings in the music industry.
956
00:50:45,640 --> 00:50:49,799
Another explosion was about to
happen, this one in the UK.
957
00:50:49,800 --> 00:50:53,479
Australian musicians would become
trailblazers in new genres,
958
00:50:53,480 --> 00:50:55,759
such as punk and new wave.
959
00:50:55,760 --> 00:50:57,679
Rather than looking to the past,
960
00:50:57,680 --> 00:51:01,519
it looked like the year ahead would
be one for ringing the changes.
961
00:51:01,520 --> 00:51:06,159
(PHONE RINGS)
962
00:51:06,160 --> 00:51:07,839
Hello?
963
00:51:07,840 --> 00:51:09,239
MAN: Oh, hello.
964
00:51:09,240 --> 00:51:10,279
This is John Paul Young.
965
00:51:10,280 --> 00:51:12,279
I just thought I'd
ring you to let you know
966
00:51:12,280 --> 00:51:16,519
that Countdown's gonna be on next
Sunday, the 7th of March,
967
00:51:16,520 --> 00:51:21,519
and it's gonna be compering the show
with Sherbet.
968
00:51:21,520 --> 00:51:26,119
We'll have Sherbet on the
show, AC/DC, Ted Mulry, Hush,
969
00:51:26,120 --> 00:51:27,839
and lots of other people.
970
00:51:27,840 --> 00:51:30,439
So, why don't you
watch on the 7th of March?
971
00:51:30,440 --> 00:51:31,759
Countdown on the ABC.
972
00:51:31,760 --> 00:51:33,959
Unreal.
Yeah, I'll be watching.
973
00:51:33,960 --> 00:51:35,960
OK, bye.
974
00:51:40,160 --> 00:51:42,519
♪ Countdown! ♪
975
00:51:42,520 --> 00:51:45,079
♪ She's too hot
976
00:51:45,080 --> 00:51:47,800
♪ Too hot to touch
977
00:51:50,240 --> 00:51:52,399
♪ Ooh
978
00:51:52,400 --> 00:51:56,279
♪ Too hot to love. ♪
979
00:51:56,280 --> 00:51:59,279
WILBUR: Although the
singles of local acts got close,
980
00:51:59,280 --> 00:52:02,479
1976 was pretty
much a two horse race.
981
00:52:02,480 --> 00:52:03,559
At the start of the year,
982
00:52:03,560 --> 00:52:06,479
"Bohemian Rhapsody"
had the public entranced.
983
00:52:06,480 --> 00:52:10,399
MOLLY: It was "Bohemian Rhapsody,"
and A Night at the Opera.
984
00:52:10,400 --> 00:52:12,839
I mean, that was
the absolute breaker.
985
00:52:12,840 --> 00:52:14,199
It got us to a very different area.
986
00:52:14,200 --> 00:52:19,199
I mean, the cross section of the
public then were so different.
987
00:52:19,200 --> 00:52:20,959
I mean, we were... then suddenly...
988
00:52:20,960 --> 00:52:22,999
we suddenly realised we were
playing to mums and dads.
989
00:52:23,000 --> 00:52:24,879
And then there was that ABBA song.
990
00:52:24,880 --> 00:52:27,279
Oh, it's a new...
991
00:52:27,280 --> 00:52:30,360
brand-new song which
is called "Fernando."
992
00:52:31,600 --> 00:52:35,479
And I'm singing the lead
vocals together with Anna,
993
00:52:35,480 --> 00:52:38,039
and Bjorn and Ben, of course.
994
00:52:38,040 --> 00:52:42,199
Australian expat, Noosha Fox, had
the number one "S-S-S-Single Bed,"
995
00:52:42,200 --> 00:52:43,279
for three weeks.
996
00:52:43,280 --> 00:52:45,039
MOLLY: When did you really
first know about the fact
997
00:52:45,040 --> 00:52:48,439
that "Single Bed" was, in
fact, a giant hit in Australia?
998
00:52:48,440 --> 00:52:51,519
Well, first of all,
someone went to me,
999
00:52:51,520 --> 00:52:55,719
a friend of mine went to me from
Australia and said, you know,
1000
00:52:55,720 --> 00:52:58,719
"This record's really
getting airplay there."
1001
00:52:58,720 --> 00:53:00,319
"People are
starting to listen to it."
1002
00:53:00,320 --> 00:53:01,999
"We saw you on Countdown."
1003
00:53:02,000 --> 00:53:03,599
And then the next
thing I knew, you know,
1004
00:53:03,600 --> 00:53:08,120
the record company telephoned me and
said, "It's number one."
1005
00:53:09,920 --> 00:53:12,839
But the local song
for which we remember 1976
1006
00:53:12,840 --> 00:53:15,079
is Sherbet's
cricket catchphrase song,
1007
00:53:15,080 --> 00:53:17,480
number one for a month, "Howzat."
1008
00:53:18,760 --> 00:53:21,440
♪ You told me I was the one
1009
00:53:23,160 --> 00:53:27,679
♪ The only one
who got your head undone
1010
00:53:27,680 --> 00:53:33,880
♪ And for a while,
I believed the line that you spun
1011
00:53:36,800 --> 00:53:39,400
♪ But I've been looking at you
1012
00:53:41,240 --> 00:53:45,599
♪ Looking closely
at the things you do
1013
00:53:45,600 --> 00:53:51,320
♪ I didn't see you
the way you wanted me to
1014
00:53:52,280 --> 00:53:53,999
♪ How ♪ How
1015
00:53:54,000 --> 00:53:56,159
♪ Howzat
1016
00:53:56,160 --> 00:53:57,160
♪ You messed about
1017
00:53:57,161 --> 00:53:58,199
♪ I caught you out
1018
00:53:58,200 --> 00:54:00,839
♪ Howzat
1019
00:54:00,840 --> 00:54:04,319
♪ Now that I found where you're at
1020
00:54:04,320 --> 00:54:06,439
♪ It's goodbye
1021
00:54:06,440 --> 00:54:08,679
♪ Well, howzat?
1022
00:54:08,680 --> 00:54:12,040
♪ It's goodbye...
1023
00:54:16,360 --> 00:54:18,800
♪ You only came for a smile
1024
00:54:20,920 --> 00:54:25,439
♪ Even though
you're really not my style
1025
00:54:25,440 --> 00:54:28,879
♪ I didn't think
that you'd run me 'round
1026
00:54:28,880 --> 00:54:31,959
♪ Like you do
1027
00:54:31,960 --> 00:54:33,359
♪ How ♪ How
1028
00:54:33,360 --> 00:54:35,399
♪ Howzat
1029
00:54:35,400 --> 00:54:36,400
♪ You messed about
1030
00:54:36,400 --> 00:54:37,400
♪ I caught you out
1031
00:54:37,401 --> 00:54:40,159
♪ Howzat
1032
00:54:40,160 --> 00:54:43,799
♪ Now that I found where you're at
1033
00:54:43,800 --> 00:54:45,879
♪ It's goodbye
1034
00:54:45,880 --> 00:54:48,079
♪ Well, howzat?
1035
00:54:48,080 --> 00:54:52,319
♪ It's goodbye
1036
00:54:52,320 --> 00:54:54,519
♪ Oh, yeah
1037
00:54:54,520 --> 00:54:56,920
♪ Oh, yeah
1038
00:55:03,840 --> 00:55:08,840
(GUITAR SOLO)
1039
00:55:33,480 --> 00:55:35,959
♪ Well, I've been looking at you
1040
00:55:35,960 --> 00:55:38,079
♪ I'll tell you what I see
1041
00:55:38,080 --> 00:55:40,599
♪ Looking closely
at the things you do
1042
00:55:40,600 --> 00:55:42,639
♪ No, you can't fool me
1043
00:55:42,640 --> 00:55:47,600
♪ I didn't see it
the way you wanted me to
1044
00:55:48,720 --> 00:55:50,239
♪ How ♪ How
1045
00:55:50,240 --> 00:55:52,559
♪ Howzat
1046
00:55:52,560 --> 00:55:53,560
♪ You messed about
1047
00:55:53,561 --> 00:55:54,719
♪ I caught you out
1048
00:55:54,720 --> 00:55:57,079
♪ Howzat
1049
00:55:57,080 --> 00:56:00,759
♪ Now that I
found where you're at
1050
00:56:00,760 --> 00:56:05,760
♪ It's goodbye...
1051
00:56:07,400 --> 00:56:09,519
♪ Howzat
1052
00:56:09,520 --> 00:56:10,520
♪ You messed about
1053
00:56:10,521 --> 00:56:11,719
♪ I caught you out
1054
00:56:11,720 --> 00:56:14,039
♪ Howzat
1055
00:56:14,040 --> 00:56:17,599
♪ Now that I found where you're at
1056
00:56:17,600 --> 00:56:19,839
♪ It's goodbye
1057
00:56:19,840 --> 00:56:22,679
♪ Well, howzat
1058
00:56:22,680 --> 00:56:26,159
♪ Goodbye
1059
00:56:26,160 --> 00:56:28,159
♪ Oh, yeah
1060
00:56:28,160 --> 00:56:30,759
♪ Ooh, yeah
1061
00:56:30,760 --> 00:56:33,239
♪ Goodbye, goodbye, goodbye,
goodbye, goodbye
1062
00:56:33,240 --> 00:56:36,480
♪ Good...
1063
00:56:38,880 --> 00:56:40,800
♪ Bye. ♪
1064
00:56:47,640 --> 00:56:48,719
(ALL LAUGH)
1065
00:56:48,720 --> 00:56:52,879
♪ It's a long way to the top
if you want to rock and roll! ♪
1066
00:56:52,880 --> 00:56:56,079
MOLLY: This could
only happen on Countdown.
1067
00:56:56,080 --> 00:56:58,039
Come home with me!
1068
00:56:58,040 --> 00:56:59,599
WILBUR: Visit the
Classic Countdown website
1069
00:56:59,600 --> 00:57:01,879
for more pictures, interviews, and
behind the scenes information.
71522
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