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1
00:00:01,402 --> 00:00:04,105
Carla: HEY, "CHEERS"
IS FILMED BEFORE
A LIVE STUDIO AUDIENCE.
2
00:00:13,447 --> 00:00:16,617
CLIFFIE,
DON'T LOOK NOW,
3
00:00:16,650 --> 00:00:19,087
BUT THERE ARE TWO CHICKS
AT THE END OF THE BAR
4
00:00:19,120 --> 00:00:20,554
STARING AT US.
5
00:00:20,588 --> 00:00:22,656
YOU'RE CRAZY.
6
00:00:22,690 --> 00:00:24,192
I'M TELLING YOU,
THEY'VE BEEN STARING AT US
FOR AT LEAST 20 MINUTES.
7
00:00:24,225 --> 00:00:25,693
WHAT, DO WE LOOK WEIRD
OR SOMETHING?
8
00:00:25,726 --> 00:00:26,794
WELL, YOU DO.
9
00:00:26,827 --> 00:00:28,396
WHY?
10
00:00:28,429 --> 00:00:30,231
'CAUSE YOU'RE
TALKING OUT OF
THE SIDE OF YOUR MOUTH.
11
00:00:35,303 --> 00:00:38,239
I'M TELLING YOU,
THEY CAN'T TAKE
THEIR EYES OFF US.
12
00:00:38,272 --> 00:00:40,308
OHH!
13
00:00:40,341 --> 00:00:43,411
WELL, THERE'S ONLY ONE
WAY TO BE SURE NOW.
14
00:00:43,444 --> 00:00:45,613
YOU JUST TOODLE DOWN TO
THE OTHER END OF THE BAR
15
00:00:45,646 --> 00:00:47,315
AND SEE IF THEIR EYES
FOLLOW US, EH?
16
00:00:47,348 --> 00:00:48,749
ALL RIGHT.
17
00:00:48,782 --> 00:00:50,484
[CLEARS THROAT]
18
00:00:50,518 --> 00:00:52,853
SO ARE THEY LOOKING?
THEY LOOKING?
19
00:00:52,886 --> 00:00:54,822
YEP.
20
00:00:58,226 --> 00:01:01,295
I'D SAY THOSE
SUPPLE YOUNG PETUNIAS
DEFINITELY WANT US NOW.
21
00:01:01,329 --> 00:01:04,098
MM-HMM.
22
00:01:04,132 --> 00:01:05,666
SO WHAT
DO WE DO NOW?
23
00:01:05,699 --> 00:01:08,736
AAHH, JUST TAKE A WALK
OVER THERE.
24
00:01:08,769 --> 00:01:10,704
HMM. I WILL
IF YOU WILL.
25
00:01:10,738 --> 00:01:12,506
OK.
26
00:01:14,308 --> 00:01:16,544
ON SECOND THOUGHT,
WHY DON'T WE JUST
27
00:01:16,577 --> 00:01:18,379
PLAY IT COOL HERE
FOR A WHILE, HUH?
28
00:01:18,412 --> 00:01:20,448
YEAH, YEAH,
WE LET THEM
COME TO US.
29
00:01:20,481 --> 00:01:24,685
YEAH, YEAH, THOSE
BABES ARE REALLY
HOT FOR US, HUH?
30
00:01:24,718 --> 00:01:28,156
THAT'S IT, FOLKS.
CLOSING TIME. SORRY.
31
00:01:28,189 --> 00:01:29,523
WHOOP, HERE THEY COME, NORM,
MOVING IN FOR THE KILL.
32
00:01:29,557 --> 00:01:30,624
THANK YOU, GIRLS.
33
00:01:34,228 --> 00:01:35,596
EXCUSE ME.
34
00:01:36,864 --> 00:01:40,134
MY FRIEND AND I WERE
WONDERING IF YOU GUYS KNOW
35
00:01:40,168 --> 00:01:42,470
A LATE NIGHT SPOT TO GO TO.
36
00:01:42,503 --> 00:01:44,638
YOU KNOW, SOMEPLACE
A LITTLE FUN.
37
00:01:48,876 --> 00:01:50,778
UH...
38
00:01:50,811 --> 00:01:54,248
UH...
39
00:01:54,282 --> 00:01:56,917
UH...UH...
40
00:01:56,950 --> 00:01:58,252
UH...
41
00:01:58,286 --> 00:02:01,589
I, UH...
42
00:02:01,622 --> 00:02:02,823
WHAT WAS THAT?
43
00:02:02,856 --> 00:02:05,459
AHHHH...
44
00:02:05,493 --> 00:02:08,696
AHHHH.
45
00:02:08,729 --> 00:02:10,864
THESE GUYS ARE MARTIANS.
46
00:02:10,898 --> 00:02:13,267
COME ON, THEY'RE NERDS.
47
00:02:13,301 --> 00:02:16,270
THEIR LOSS.
48
00:02:16,304 --> 00:02:18,472
[GROANING]
49
00:02:27,948 --> 00:02:31,185
* MAKIN' YOUR WAY
IN THE WORLD TODAY *
50
00:02:31,219 --> 00:02:34,188
* TAKES EVERYTHING
YOU'VE GOT *
51
00:02:34,222 --> 00:02:36,557
* TAKIN' A BREAK
FROM ALL YOUR WORRIES *
52
00:02:36,590 --> 00:02:39,893
* SURE WOULD HELP A LOT
53
00:02:39,927 --> 00:02:43,564
* WOULDN'T YOU LIKE
TO GET AWAY? *
54
00:02:45,533 --> 00:02:48,636
* SOMETIMES YOU WANNA GO
55
00:02:48,669 --> 00:02:52,940
* WHERE EVERYBODY
KNOWS YOUR NAME *
56
00:02:52,973 --> 00:02:58,212
* AND THEY'RE ALWAYS
GLAD YOU CAME *
57
00:02:58,246 --> 00:03:00,614
* YOU WANNA BE
WHERE YOU CAN SEE *
58
00:03:00,648 --> 00:03:02,950
* OUR TROUBLES
ARE ALL THE SAME *
59
00:03:02,983 --> 00:03:07,988
* YOU WANNA BE WHERE
EVERYBODY KNOWS YOUR NAME *
60
00:03:08,021 --> 00:03:10,591
* YOU WANNA GO
WHERE PEOPLE KNOW *
61
00:03:10,624 --> 00:03:13,461
* PEOPLE ARE
ALL THE SAME *
62
00:03:13,494 --> 00:03:14,828
* YOU WANNA GO
63
00:03:14,862 --> 00:03:18,666
* WHERE EVERYBODY
KNOWS YOUR NAME *
64
00:03:28,809 --> 00:03:31,245
[BOTH GROANING]
65
00:03:38,519 --> 00:03:41,255
WELL, THEY'VE...
GONE NOW, CLIFF.
66
00:03:41,289 --> 00:03:43,857
YOU CAN TURN OFF
THE CHARM.
67
00:03:43,891 --> 00:03:47,861
YEAH, UH...YOU WERE REAL
SMOOTH YOURSELF THERE NOW.
68
00:03:47,895 --> 00:03:50,698
LISTEN TO CARY GRANT HERE.
THAT WAS HUMILIATING.
69
00:03:50,731 --> 00:03:53,367
YEAH, WELL,
WHAT DIFFERENCE
DOES IT MAKE?
70
00:03:53,401 --> 00:03:56,937
THEY WEREN'T THAT
GOOD-LOOKING ANYWAY.
71
00:03:56,970 --> 00:04:00,341
ABSOLUTELY.
72
00:04:00,374 --> 00:04:03,311
WE ALMOST TOOK
THE MIDNIGHT TRAIN
TO BOW-WOW CITY.
73
00:04:03,344 --> 00:04:05,012
YOU'RE RIGHT.
74
00:04:05,045 --> 00:04:08,382
HEY, I'VE SEEN BETTER LEGS
ON A POOL TABLE!
75
00:04:08,416 --> 00:04:10,284
YEAH! HEY, YOU COULD
USE THAT CHEST
FOR A STRAIGHTEDGE!
76
00:04:10,318 --> 00:04:11,552
HEY, HEY, HEY,
IF YOU EVER COME BACK,
77
00:04:11,585 --> 00:04:13,554
PUT A BAG
OVER YOUR HEAD!
78
00:04:13,587 --> 00:04:14,922
NO, A GUNNYSACK--
IT'LL COVER MORE!
79
00:04:14,955 --> 00:04:16,557
HEY!
80
00:04:32,706 --> 00:04:37,478
AHH! GREAT EATS,
DIANE. THANKS.
81
00:04:37,511 --> 00:04:42,416
HOW DID YOU ENJOY
YOUR ROGNONS DE
VEAU AU CHARTRERE?
82
00:04:42,450 --> 00:04:44,485
AH, YES! MMM...AH!
83
00:04:44,518 --> 00:04:47,020
WAS THAT THE GREEN STUFF?
84
00:04:49,757 --> 00:04:52,893
NO. THAT WAS
THE BROWN STUFF.
85
00:04:52,926 --> 00:04:56,864
GOOD. THAT GREEN STUFF
KIND OF REPEATS ON YOU.
86
00:04:56,897 --> 00:04:59,667
I'M DREADFULLY SORRY.
87
00:04:59,700 --> 00:05:00,934
QUITE ALL RIGHT,
QUITE ALL RIGHT.
88
00:05:04,638 --> 00:05:08,676
WELL, I AM GOING
TO CHECK SOME SCORES
OUT ON THE TUBE HERE,
89
00:05:08,709 --> 00:05:10,711
I THINK.
90
00:05:10,744 --> 00:05:12,079
AHH.
91
00:05:12,112 --> 00:05:14,014
YOU KNOW, SAM.
92
00:05:14,047 --> 00:05:16,750
I WENT TO A LOT
OF TROUBLE
WITH THIS MEAL.
93
00:05:16,784 --> 00:05:18,652
SO DID I.
94
00:05:20,120 --> 00:05:21,789
COME ON, COME ON,
COME ON, I'M JOKING.
95
00:05:21,822 --> 00:05:24,358
IT WAS WONDERFUL.
THANK YOU VERY MUCH.
96
00:05:24,392 --> 00:05:27,495
IT'S SUCH A PLEASURE
TO COOK FOR A GOURMAND.
97
00:05:27,528 --> 00:05:29,430
YES, I'M THAT.
98
00:05:31,765 --> 00:05:35,035
SAM, WHAT'S
HAPPENING TO US?
99
00:05:35,068 --> 00:05:36,504
YOU REPEATING, TOO?
100
00:05:40,674 --> 00:05:44,478
WELL, A LITTLE,
BUT THAT'S NOT WHAT
I'M TALKING ABOUT.
101
00:05:44,512 --> 00:05:47,581
WE'RE BECOMING
HUMDRUM, ROUTINE.
102
00:05:47,615 --> 00:05:49,617
OH, I'LL TELL YOU WHAT.
103
00:05:49,650 --> 00:05:51,852
AFTER MY MEAL SETTLES HERE,
I'LL ATTACK YOU.
104
00:05:54,054 --> 00:05:56,890
WELL, YOU MAY
BE IN THE MOOD
EARLIER THAN YOU THINK.
105
00:05:56,924 --> 00:05:59,927
YOU MAKE YOURSELF
COMFORTABLE.
106
00:05:59,960 --> 00:06:01,862
I'M GOING TO TAKE
CARE OF SOMETHING
IN THE OTHER ROOM.
107
00:06:01,895 --> 00:06:04,131
YOU GOT IT.
108
00:06:04,164 --> 00:06:05,533
[KNOCK ON DOOR]
109
00:06:05,566 --> 00:06:08,436
WHO'S THERE?
110
00:06:08,469 --> 00:06:09,903
ME. WHO'S THERE?
111
00:06:11,539 --> 00:06:13,574
COACH?
112
00:06:13,607 --> 00:06:15,476
NO, I'M COACH.
113
00:06:20,614 --> 00:06:22,082
WHAT THE HELL
YOU DOING HERE, COACH?
114
00:06:22,115 --> 00:06:24,485
WELL, AT LEAST
WE GOT THAT
STRAIGHT.
115
00:06:24,518 --> 00:06:27,555
SAM, LISTEN,
WE ALMOST HAD THE MOST
INCREDIBLE DISASTER.
116
00:06:27,588 --> 00:06:28,922
LOOK AT THIS TV GUIDE.
117
00:06:28,956 --> 00:06:31,459
WHAT...WHOA!
118
00:06:31,492 --> 00:06:32,726
"THUNDER ROAD".
119
00:06:32,760 --> 00:06:35,162
Both: MITCHUM!
120
00:06:35,195 --> 00:06:37,765
WE HAVEN'T MISSED
A MITCHUM MOVIE TOGETHER
121
00:06:37,798 --> 00:06:40,534
IN OVER 12 YEARS.
122
00:06:40,568 --> 00:06:41,769
COME ON, COME ON,
WE DON'T WANT TO MISS
THE BEGINNING.
123
00:06:41,802 --> 00:06:43,737
OH, MITCH WOULDN'T
START WITHOUT US.
124
00:06:46,206 --> 00:06:48,476
SAM, WE'RE GOING
TO NEED SOME MUNCHIES.
125
00:06:48,509 --> 00:06:50,444
YEAH,
DIANE'S GOT SOME.
126
00:06:50,478 --> 00:06:53,514
LISTEN, SAM,
WHILE YOU'RE UP,
TURN DOWN THE LIGHTS,
127
00:06:53,547 --> 00:06:56,584
WILL YOU? THERE'S
A TERRIBLE GLARE
ON THE SCREEN.
128
00:07:12,933 --> 00:07:14,535
TAKE ME, YOU BARBARIAN.
129
00:07:14,568 --> 00:07:16,136
HI, DIANE.
130
00:07:16,169 --> 00:07:18,105
AAH!
131
00:07:18,138 --> 00:07:19,540
[DOOR SLAMS]
132
00:07:19,573 --> 00:07:22,910
DIANE, YOU'RE GOING
TO MISS "THUNDER ROAD".
133
00:07:24,578 --> 00:07:26,547
WHAT HAPPENED
HERE, COACH?
134
00:07:26,580 --> 00:07:29,850
NOTHING YET, SAM.
THEY'RE JUST GOING UP THE ROAD.
135
00:07:29,883 --> 00:07:31,485
NO, I MEANT
WITH DIANE.
136
00:07:31,519 --> 00:07:32,986
HEY, DIANE.
YOU ALL RIGHT?
137
00:07:36,890 --> 00:07:39,993
WHAT IS COACH
DOING HERE?
138
00:07:40,027 --> 00:07:42,062
HE'S WATCHING
"THUNDER ROAD".
139
00:07:42,095 --> 00:07:45,165
WE ALWAYS WATCH
ROBERT MITCHUM
MOVIES TOGETHER.
140
00:07:45,198 --> 00:07:49,102
SAM, IT'S A BAD TIME
RIGHT NOW.
141
00:07:49,136 --> 00:07:51,539
WELL, I KNOW, HONEY,
142
00:07:51,572 --> 00:07:53,774
BUT IT'S KIND OF
AN TRADITION THAT
GOES BACK WITH US
143
00:07:53,807 --> 00:07:55,643
FOR YEARS. I MEAN,
HE'S OUR FAVORITE ACTOR.
144
00:07:55,676 --> 00:07:56,844
NEVER, UNDER
ANY CIRCUMSTANCES,
145
00:07:56,877 --> 00:07:58,879
DO WE MISS
ONE OF HIS MOVIES.
146
00:07:58,912 --> 00:08:01,515
BUT I CAME OUT OF THE BEDROOM
147
00:08:01,549 --> 00:08:04,117
AND I'M SO EMBARRASSED BECAUSE
OF THE WAY I WAS DRESSED.
148
00:08:04,151 --> 00:08:05,653
COME IN HERE,
I'LL SHOW YOU WHAT I MEAN.
149
00:08:05,686 --> 00:08:07,955
COME ON.
150
00:08:07,988 --> 00:08:11,224
COACH, SCRAM! OUT!
151
00:08:11,258 --> 00:08:12,926
WHAT?
152
00:08:15,295 --> 00:08:16,930
WHAT'S WRONG?
153
00:08:16,964 --> 00:08:19,066
SAM.
154
00:08:19,099 --> 00:08:21,234
A LITTLE TACT.
155
00:08:21,268 --> 00:08:23,103
I'M SORRY.
COACH, LISTEN.
156
00:08:23,136 --> 00:08:24,304
WHAT?
157
00:08:24,337 --> 00:08:28,075
DIANE AND I
HAD THIS, UH...
158
00:08:28,108 --> 00:08:30,911
SPECIAL EVENING
GOING HERE, AND...
159
00:08:30,944 --> 00:08:33,614
SHE JUST FIXED ME A MEAL
IN ALL MY FAVORITE COLORS,
160
00:08:33,647 --> 00:08:36,249
AND CHANGED INTO
SOMETHING FRILLY THERE...
161
00:08:36,283 --> 00:08:39,086
OH! AND I COME
BARGING IN ON YOU.
162
00:08:39,119 --> 00:08:41,021
GEE, SAM,
I WASN'T EVEN
THINKING.
163
00:08:41,054 --> 00:08:42,956
DIANE, PLEASE
FORGIVE ME.
164
00:08:42,990 --> 00:08:44,558
I'D NEVER WANT TO
GET IN YOUR WAY.
165
00:08:44,592 --> 00:08:45,959
I'M SORRY, HON.
166
00:08:45,993 --> 00:08:48,295
THANK YOU FOR UNDERSTANDING,
COACH.
167
00:08:48,328 --> 00:08:49,830
WHEN YOU LIVE ALONE,
168
00:08:49,863 --> 00:08:52,199
YOU TEND TO FORGET
THAT OTHER PEOPLE
HAVE LIVES.
169
00:08:58,672 --> 00:09:01,642
ARE YOU FEELING
WHAT I'M FEELING?
170
00:09:01,675 --> 00:09:04,311
YEAH. POOR COACH.
171
00:09:06,213 --> 00:09:09,316
WELL, WE HAVE SO MANY
HOURS TOGETHER,
172
00:09:09,349 --> 00:09:11,318
AND I GUESS IT'S
KIND OF SELFISH
173
00:09:11,351 --> 00:09:13,921
NOT TO SPEND
A LITTLE TIME
WITH HIM, HUH?
174
00:09:13,954 --> 00:09:16,256
YOU'RE RIGHT.
I'LL GO GET HIM.
175
00:09:16,289 --> 00:09:18,325
GOOD. I BET YOU CAN
CATCH HIM ON THE STEPS.
176
00:09:21,094 --> 00:09:23,096
COACH, WHY ARE YOU
STANDING THERE?
177
00:09:23,130 --> 00:09:26,299
MY COAT GOT CAUGHT
IN THE DOOR, SAM.
178
00:09:26,333 --> 00:09:29,670
I DIDN'T HAVE
THE HEART TO BOTHER
YOU AGAIN.
179
00:09:29,703 --> 00:09:32,039
GOOD NIGHT, DIANE.
GOOD NIGHT, SAM.
180
00:09:33,807 --> 00:09:35,976
NO, NO, COACH, COACH.
COME HERE, COME HERE.
181
00:09:36,009 --> 00:09:38,646
LISTEN, YOU'RE GOING TO WATCH
"THUNDER ROAD" WITH US TONIGHT.
182
00:09:38,679 --> 00:09:39,780
COME ON, SIT DOWN.
183
00:09:39,813 --> 00:09:41,381
REALLY,
YOU MEAN IT?
184
00:09:41,414 --> 00:09:44,317
YOU BET. COME ON OVER.
NOW I'VE NEVER SEEN THIS,
185
00:09:44,351 --> 00:09:46,754
SO YOU'RE GOING TO HAVE
TO FILL ME IN ON
WHAT'S HAPPENED.
186
00:09:46,787 --> 00:09:48,756
OH, I KNOW EVERY LINE
IN THIS PICTURE, DIANE.
187
00:09:48,789 --> 00:09:50,924
NOW HERE'S
MY FAVORITE PART.
188
00:09:58,866 --> 00:10:01,001
YOU KNOW, WHEN I'M
IN CHARGE OF THE BAR,
189
00:10:01,034 --> 00:10:03,103
I KNOW WHAT GOD FEELS LIKE.
190
00:10:03,136 --> 00:10:04,371
HOW'S THAT?
191
00:10:04,404 --> 00:10:06,306
IT'S LIKE I'M IN
COMPLETE CONTROL
192
00:10:06,339 --> 00:10:07,775
OF PEOPLE'S DESTINIES.
193
00:10:07,808 --> 00:10:09,843
YEAH, LIKE, I CAN MAKE
THEIR DRINKS TOO STRONG
194
00:10:09,877 --> 00:10:11,344
SO THEY GET SICK.
195
00:10:11,378 --> 00:10:14,047
OR I CAN WATER THEM DOWN
196
00:10:14,081 --> 00:10:16,950
SO THEY'RE PAYING
FOR NOTHING.
YEAH.
197
00:10:16,984 --> 00:10:19,352
OR IF I DON'T
LIKE THEIR ATTITUDES,
I CAN SPIT IN IT.
198
00:10:27,695 --> 00:10:30,197
CARLA, YOU'RE NOT
STILL UPSET
199
00:10:30,230 --> 00:10:32,866
ABOUT THAT LITTLE
ARGUMENT WE HAD
THE OTHER DAY?
200
00:10:32,900 --> 00:10:35,869
YOU TELL ME.
201
00:10:46,780 --> 00:10:49,783
OH, UH, HEY, CARLA,
LISTEN, I'M SORRY
ABOUT THIS MORNING
202
00:10:49,817 --> 00:10:52,119
WHEN I CALLED YOU
A SAWED OFF WITCH.
203
00:11:04,798 --> 00:11:07,801
HI THERE.
I'M SAM MALONE.
204
00:11:07,835 --> 00:11:09,469
MAYBE YOU REMEMBER ME
FROM ABOUT A MONTH AGO
205
00:11:09,502 --> 00:11:11,839
BEFORE YOU AND I
BECAME A THREESOME?
206
00:11:11,872 --> 00:11:14,141
YES, YES,
I RECOGNIZE YOU NOW.
207
00:11:14,174 --> 00:11:16,176
YOU SHAVED OFF
YOUR PANTUSO.
208
00:11:16,209 --> 00:11:17,845
THAT'S IT. THAT'S IT.
209
00:11:17,878 --> 00:11:20,213
OH, SAM.
210
00:11:20,247 --> 00:11:21,314
I KNOW.
211
00:11:21,348 --> 00:11:23,483
I CAN'T TAKE
IT ANYMORE.
212
00:11:23,516 --> 00:11:27,187
WE NEVER GO ANYPLACE
WITHOUT THE COACH.
213
00:11:27,220 --> 00:11:29,990
I DON'T EVEN INVITE HIM
ANYMORE. HE JUST SHOWS UP.
214
00:11:30,023 --> 00:11:31,258
WHAT ARE WE
GONNA DO?
215
00:11:31,291 --> 00:11:32,860
WELL, I'LL TELL YOU
WHAT WE'RE GOING TO DO.
216
00:11:32,893 --> 00:11:34,427
RIGHT NOW WE'RE GOING
TO GO SIT IN MY OFFICE
217
00:11:34,461 --> 00:11:38,165
WE'RE GOING TO LOOK
INTO EACH OTHERS'
EYES ALL ALONE.
218
00:11:38,198 --> 00:11:41,368
OH, THAT SOUNDS
SO WONDERFUL.
219
00:11:41,401 --> 00:11:44,104
SAM, DIANE.
WHERE HAVE YOU BEEN?
220
00:11:44,137 --> 00:11:46,874
COACH, I'M SORRY.
I OVERSLEPT.
221
00:11:46,907 --> 00:11:49,943
WE WERE UP KINDA LATE
LAST NIGHT WATCHING...
222
00:11:49,977 --> 00:11:52,245
"MOTHRA VERSUS GODZILLA".
223
00:11:52,279 --> 00:11:55,282
YEAH, BOY,
WAS I DISAPPOINTED
IN THAT ONE.
224
00:11:55,315 --> 00:11:57,217
SAM.
MM-HMM.
225
00:11:57,250 --> 00:11:59,820
WE'VE GOT
TO DRAW THE LINE.
226
00:11:59,853 --> 00:12:01,989
THERE'S NO WAY THAT
WE'RE GOING TO SPEND
227
00:12:02,022 --> 00:12:03,490
THE EVENING WITH COACH TONIGHT.
228
00:12:03,523 --> 00:12:06,760
YOU'RE RIGHT.
YOU'RE ABSOLUTELY RIGHT.
229
00:12:06,794 --> 00:12:08,762
WE GOING TO GET
TOGETHER TONIGHT?
230
00:12:08,796 --> 00:12:10,764
YOU BET.
231
00:12:10,798 --> 00:12:13,000
GREAT.
232
00:12:15,568 --> 00:12:17,537
ALL RIGHT, ALL RIGHT.
233
00:12:17,570 --> 00:12:20,107
NOW, THERE'S
ONLY ONE SOLUTION
TO THIS PROBLEM.
234
00:12:20,140 --> 00:12:22,209
YOU HAVE
TO TELL THE COACH
235
00:12:22,242 --> 00:12:24,878
TO STOP HANGING
AROUND WITH US.
236
00:12:24,912 --> 00:12:26,814
DIANE'S RIGHT, SAM.
237
00:12:26,847 --> 00:12:28,548
YOU DON'T WANT COACH
HANGING AROUND,
JUST TELL HIM.
238
00:12:28,581 --> 00:12:31,051
THAT'S THE HONEST,
ETHICAL WAY
TO APPROACH IT.
239
00:12:31,084 --> 00:12:32,552
MAYBE YOU'RE RIGHT.
240
00:12:32,585 --> 00:12:34,354
OF COURSE, IF YOU
WANT TO MAKE IT
EASIER ON COACH,
241
00:12:34,387 --> 00:12:37,925
WHY DON'T YOU JUST RIP
OUT HIS HEART AND DO
A TAP DANCE ON IT.
242
00:12:37,958 --> 00:12:39,226
NORMAN!
243
00:12:39,259 --> 00:12:40,393
I GOT IT, I GOT IT. HERE.
244
00:12:40,427 --> 00:12:41,494
WHAT?
245
00:12:41,528 --> 00:12:44,564
MAKE HIM THINK
YOU'VE GOT A BAD DISEASE.
246
00:12:44,597 --> 00:12:47,034
GET REAL SKINNY
247
00:12:47,067 --> 00:12:50,537
AND YOU PAINT YOUR FACES
WHITE AND PASTY.
248
00:12:50,570 --> 00:12:52,973
WALK AROUND LOOKING LIKE
YOU'RE GOING TO THROW UP.
249
00:12:53,006 --> 00:12:55,108
UH-UH. YOU BETTER
HURRY UP THERE.
250
00:12:55,142 --> 00:12:58,145
DIANE'S GOT A HEAD START.
251
00:13:02,415 --> 00:13:04,484
CLIFF.
252
00:13:04,517 --> 00:13:06,153
NORM.
253
00:13:06,186 --> 00:13:08,421
COACH LIKES YOU GUYS.
254
00:13:08,455 --> 00:13:11,892
WOULD YOU TAKE HIM
OFF OUR HANDS JUST
FOR TONIGHT, PLEASE!
255
00:13:11,925 --> 00:13:12,993
NO, NO, NO,
SORRY, SAMMY.
256
00:13:13,026 --> 00:13:14,294
WE DON'T WANT COACH
GETTING IN THE WAY
257
00:13:14,327 --> 00:13:16,864
WHEN WE'RE HUSTLING CHICKS,
ALL RIGHT?
258
00:13:16,897 --> 00:13:19,099
I'M SORRY I ASKED.
259
00:13:19,132 --> 00:13:21,568
YOU KNOW, SAMMY,
IT'S AGAINST MY BELIEF
260
00:13:21,601 --> 00:13:23,503
TO HELP YOU MAKE
THINGS GO SMOOTH
261
00:13:23,536 --> 00:13:26,306
WITH THE SQUAWK BOX
OVER THERE,
262
00:13:26,339 --> 00:13:28,275
BUT SINCE COACH IS INVOLVED,
263
00:13:28,308 --> 00:13:30,177
I'M GOING TO BEND
THE RULES A LITTLE BIT.
264
00:13:30,210 --> 00:13:32,179
I HAPPEN TO KNOW
HE HAS A CRUSH
265
00:13:32,212 --> 00:13:35,082
ON ONE OF THE TELLERS
AT HIS BANK.
266
00:13:35,115 --> 00:13:36,349
YOU'RE SURE?
267
00:13:36,383 --> 00:13:38,919
YEAH. HE TALKS
ABOUT HER A LOT.
268
00:13:38,952 --> 00:13:40,520
I DON'T KNOW HER NAME,
BUT I FIGURE IF
HE'S DATING HER,
269
00:13:40,553 --> 00:13:43,023
MAYBE SHE COULD TAKE HIM
OFF YOUR HANDS.
270
00:13:43,056 --> 00:13:45,125
OH, THAT'S GOOD.
OH, THAT'S GOOD.
271
00:13:45,158 --> 00:13:47,094
WHAT DO YOU SAY?
IT'S WORTH A TRY, HUH?
272
00:13:47,127 --> 00:13:50,297
WELL, YOU KNOW,
I THINK COACH WOULD BE
EMBARRASSED BY A BLIND DATE.
273
00:13:50,330 --> 00:13:53,166
WHY DON'T WE PRETEND
THAT SHE'S A FRIEND OF MINE?
274
00:13:53,200 --> 00:13:56,069
THAT WAY IT WILL LOOK LIKE
A CHANCE MEETING.
275
00:13:56,103 --> 00:13:57,237
AH, COACH, COACH.
276
00:13:57,270 --> 00:13:59,272
MAYBE YOU CAN
HELP ME OUT HERE.
277
00:13:59,306 --> 00:14:01,208
I'M SHOPPING AROUND
FOR A NEW BANK.
278
00:14:01,241 --> 00:14:03,043
DO YOU LIKE YOURS?
279
00:14:03,076 --> 00:14:05,178
OH, I LOVE IT.
THE BAY HARBOR
SAVINGS AND LOAN,
280
00:14:05,212 --> 00:14:06,413
RIGHT DOWN
THE STREET.
281
00:14:06,446 --> 00:14:08,181
UH-HUH. DO YOU LIKE
THE TELLERS THERE?
282
00:14:08,215 --> 00:14:10,083
OH, THEY'RE
TERRIFIC.
283
00:14:10,117 --> 00:14:12,119
IS THERE ONE YOU THINK
THAT I SHOULD TALK TO--
284
00:14:12,152 --> 00:14:13,887
FRIENDLY, NICE, CUTE?
285
00:14:13,921 --> 00:14:15,855
UH...FRANK.
286
00:14:17,590 --> 00:14:19,592
WHO'S THE ONE THAT
YOU'RE ALWAYS TALKING TO?
287
00:14:19,626 --> 00:14:21,661
OH, YOU MEAN
THE CUTE REDHEAD
WITH THE NICE SMILE
288
00:14:21,694 --> 00:14:23,263
THAT'S ALWAYS
WINKING AT ME?
289
00:14:23,296 --> 00:14:25,632
YEAH!
THAT'S FRANK.
290
00:14:25,665 --> 00:14:29,236
HEY, COACH. ISN'T THERE--
ISN'T THERE A WOMAN
291
00:14:29,269 --> 00:14:32,372
THAT YOU LIKE
AT THE BANK THERE, HUH?
292
00:14:32,405 --> 00:14:35,575
OH...EDWINA.
293
00:14:35,608 --> 00:14:39,112
EDWINA AT BAY HARBOR
SAVINGS AND LOAN?
294
00:14:39,146 --> 00:14:40,680
ISN'T THAT'S FUNNY.
SHE'S A FRIEND
OF MINE.
295
00:14:40,713 --> 00:14:42,415
WELL, IF SHE'S
A FRIEND OF YOURS,
296
00:14:42,449 --> 00:14:45,152
THEN YOU SHOULD
KNOW FRANK, 'CAUSE
THEY'RE MARRIED.
297
00:14:45,185 --> 00:14:46,419
NO, NO, COACH.
298
00:14:46,453 --> 00:14:48,621
WHO'S THE ONE
WHO YOU SAID
299
00:14:48,655 --> 00:14:51,091
WAS A NICE LADY
LAST THURSDAY?
300
00:14:51,124 --> 00:14:53,560
THURSDAY...STELLA!
STELLA!
301
00:14:53,593 --> 00:14:55,328
STELLA!
THAT'S MY FRIEND.
302
00:14:55,362 --> 00:14:56,696
NO, NOT STELLA.
NOT STELLA.
303
00:14:56,729 --> 00:14:59,366
I'M NOT TOO
CRAZY ABOUT STELLA.
304
00:14:59,399 --> 00:15:00,968
I MEANT DOROTHY.
305
00:15:01,001 --> 00:15:02,435
YES! SO DID I!
306
00:15:03,736 --> 00:15:06,073
DOROTHY IS THE ONE
YOU LIKE, RIGHT?
307
00:15:06,106 --> 00:15:08,108
OH, YES, SAM,
DOROTHY'S VERY NICE.
308
00:15:08,141 --> 00:15:09,309
EXCUSE ME.
309
00:15:12,112 --> 00:15:13,713
BUT NOT AS NICE AS JULIA.
310
00:15:13,746 --> 00:15:15,248
SAM!
311
00:15:16,749 --> 00:15:18,952
WHAT AM I THINKING OF?
312
00:15:18,986 --> 00:15:20,653
THAT'S THE GROCERY STORE.
313
00:15:20,687 --> 00:15:22,722
AT THE BANK,
NOBODY CAN BEAT SANDRA.
314
00:15:22,755 --> 00:15:24,124
SANDRA!
315
00:15:24,157 --> 00:15:26,159
THAT'S
MY FRIEND.
316
00:15:26,193 --> 00:15:28,996
AH, GEE!
317
00:15:29,029 --> 00:15:30,363
WHAT IS IT, COACH?
318
00:15:30,397 --> 00:15:32,432
NOT SANDRA.
IT'S ANITA.
319
00:15:32,465 --> 00:15:34,467
I'LL TAKE THIS.
320
00:15:37,270 --> 00:15:40,040
OHH! OHH! OHH!
321
00:15:40,073 --> 00:15:41,674
WHAT?
WRONG GIRL, COACH?
322
00:15:41,708 --> 00:15:44,177
NO, NO, NO, NO, NO.
WRONG BANK.
323
00:16:01,761 --> 00:16:03,363
AHH.
324
00:16:03,396 --> 00:16:04,764
WELL, KATHERINE...
325
00:16:04,797 --> 00:16:06,533
DIDN'T YOU
LOVE THAT MEAL?
326
00:16:06,566 --> 00:16:08,035
OH, IT WAS
VERY NICE.
327
00:16:08,068 --> 00:16:09,602
LET ME TAKE
YOUR SWEATER.
328
00:16:09,636 --> 00:16:11,704
I'M JUST GLAD
WE HAD COACH ALONG.
329
00:16:11,738 --> 00:16:13,540
NOTHING LIKE
HAVING AN ITALIAN
330
00:16:13,573 --> 00:16:15,142
WHO KNOWS JUST EXACTLY
WHAT TO ORDER
331
00:16:15,175 --> 00:16:16,643
IN AN ITALIAN RESTAURANT.
332
00:16:16,676 --> 00:16:18,311
IT WAS WONDERFUL,
COACH.
333
00:16:18,345 --> 00:16:19,646
WHAT WAS THAT DISH
CALLED AGAIN?
334
00:16:19,679 --> 00:16:22,382
SPAGHETTI FOR FOUR.
335
00:16:22,415 --> 00:16:24,651
THEY GOT A BETTER ONE, THOUGH,
IT'S SPAGHETTI FOR SIX,
336
00:16:24,684 --> 00:16:26,586
BUT YOU NEED
MORE PEOPLE.
337
00:16:28,588 --> 00:16:31,024
WELL, I'VE GOT COFFEE
ALL SET, I JUST HAVE
TO PLUG IT IN.
338
00:16:31,058 --> 00:16:32,659
GO AHEAD,
SIT DOWN AND MAKE
YOURSELVES AT HOME.
339
00:16:32,692 --> 00:16:34,394
ALL RIGHT.
HERE YOU GO.
340
00:16:34,427 --> 00:16:35,562
OOH.
341
00:16:35,595 --> 00:16:37,597
WELL.
OH, AH.
342
00:16:37,630 --> 00:16:40,467
AH. WELL.
343
00:16:40,500 --> 00:16:42,602
WELL.
344
00:16:42,635 --> 00:16:47,240
YOU KNOW SOMETHING, SAM?
I CAN'T GET OVER THE FACT
THAT DIANE KNEW KATHERINE,
345
00:16:47,274 --> 00:16:51,278
MY FAVORITE TELLER
AT FIRST FIDELITY.
346
00:16:51,311 --> 00:16:54,681
WELL, IT'S A SMALL
WORLD, I GUESS, COACH.
347
00:16:54,714 --> 00:16:57,117
YEAH, AND ANOTHER THING,
SHE SEEMS TO KNOW EVERYBODY
348
00:16:57,150 --> 00:16:59,319
IN EVERY BANK
THAT I EVER DEALT WITH.
349
00:16:59,352 --> 00:17:01,688
WELL, YOU KNOW HOW
FRIENDLY SHE IS.
350
00:17:01,721 --> 00:17:06,226
OH, DIANE, HOW DID YOU
AND KATHERINE COME TO MEET?
351
00:17:06,259 --> 00:17:09,229
[BOTH TALKING AT ONCE]
352
00:17:09,262 --> 00:17:10,397
OH, THAT'S
ALL RIGHT, HONEY.
353
00:17:10,430 --> 00:17:12,265
SOMETIMES I FORGET
THINGS, TOO.
354
00:17:12,299 --> 00:17:13,633
OR DO I?
355
00:17:13,666 --> 00:17:15,568
[LAUGHS]
356
00:17:15,602 --> 00:17:18,171
COACH, YOU TICKLE ME.
ARE YOU ALWAYS THIS FUNNY?
357
00:17:18,205 --> 00:17:19,806
OH, I DOUBT IT.
358
00:17:19,839 --> 00:17:21,708
[LAUGHS]
359
00:17:26,379 --> 00:17:28,448
SO, UM...
360
00:17:28,481 --> 00:17:30,117
KATHERINE, WHAT'S
NEW AND EXCITING
361
00:17:30,150 --> 00:17:32,319
IN THE WORLD
OF HIGH FINANCE?
362
00:17:32,352 --> 00:17:33,853
OH, NOTHING
THAT I KNOW OF.
363
00:17:33,886 --> 00:17:36,356
THE MOST EXCITING
MOMENT FOR ME
364
00:17:36,389 --> 00:17:38,225
IS TRYING TO CATCH SOMEBODY
PLAYING WITH THEIR LIPS
365
00:17:38,258 --> 00:17:40,760
ON THE CLOSED CIRCUIT TV.
366
00:17:40,793 --> 00:17:43,062
I KNEW YOU LOOKED FAMILIAR.
367
00:17:46,199 --> 00:17:47,834
SIT DOWN, DIANE.
OK.
368
00:17:49,369 --> 00:17:50,703
WELL...
369
00:17:50,737 --> 00:17:52,739
I THINK BANKING
IS FASCINATING.
370
00:17:52,772 --> 00:17:55,275
THERE ARE
SO MANY FACETS.
371
00:17:55,308 --> 00:17:57,710
SO MANY THINGS
I'VE ALWAYS
WONDERED ABOUT.
372
00:17:57,744 --> 00:17:59,746
YEAH. ME, TOO,
YOU KNOW, DIANE?
373
00:17:59,779 --> 00:18:01,214
LIKE WHAT?
374
00:18:01,248 --> 00:18:02,782
WELL, LIKE TELLERS.
YOU TAKE TELLERS.
375
00:18:02,815 --> 00:18:03,816
THEY NEVER
TELL YOU ANYTHING.
376
00:18:03,850 --> 00:18:05,618
THEY ALWAYS
ASK QUESTIONS.
377
00:18:05,652 --> 00:18:07,387
AND INTEREST.
378
00:18:07,420 --> 00:18:08,588
THERE'S NOTHING
INTERESTING
ABOUT IT AT ALL.
379
00:18:08,621 --> 00:18:10,790
IT'S BORING.
OH, AND THEN
380
00:18:10,823 --> 00:18:12,425
THE TRUST DEPARTMENT.
381
00:18:12,459 --> 00:18:13,826
THEY GOT ALL
THE PENS CHAINED
DOWN TO THE TABLES.
382
00:18:13,860 --> 00:18:16,496
WHAT KIND OF TRUST
IS THAT?
383
00:18:16,529 --> 00:18:18,665
OH, THERE HE GOES AGAIN.
YOU'RE JUST TOO MUCH.
384
00:18:18,698 --> 00:18:21,268
OH. A LITTLE GIDDY,
BUT NICE.
385
00:18:23,370 --> 00:18:26,373
OH, OH, MY GOODNESS.
LOOK AT THE TIME.
386
00:18:26,406 --> 00:18:28,241
I'VE GOT TO GET UP
AT THE CRACK OF DAWN.
387
00:18:28,275 --> 00:18:29,642
IT'S BEEN
A WONDERFUL EVENING.
388
00:18:29,676 --> 00:18:31,478
I'LL TAKE A RAIN CHECK
ON THE COFFEE, DIANE.
389
00:18:31,511 --> 00:18:33,146
OH, TOO BAD.
390
00:18:33,180 --> 00:18:34,214
YEAH, IT IS GETTING
KIND OF LATE.
391
00:18:34,247 --> 00:18:37,184
KATHERINE,
CAN I SEE YOU
GET HOME OK?
392
00:18:37,217 --> 00:18:39,419
OH, WELL,
THANKS, COACH,
I'D LIKE THAT.
393
00:18:39,452 --> 00:18:41,288
GOOD NIGHT,
DIANE.
GOOD NIGHT.
394
00:18:41,321 --> 00:18:42,789
THANK YOU.
THANK YOU.
395
00:18:42,822 --> 00:18:43,923
GOOD NIGHT, SAM.
YES, GOOD NIGHT.
396
00:18:43,956 --> 00:18:45,292
THANK YOU.
OH, YES, YOU'RE WELCOME.
397
00:18:45,325 --> 00:18:45,892
GOOD NIGHT.
WE'LL DO IT AGAIN.
398
00:18:45,925 --> 00:18:47,594
ABSOLUTELY.
BYE.
399
00:18:52,265 --> 00:18:53,766
OH, I THINK
THIS JUST GOES
TO SHOW YOU
400
00:18:53,800 --> 00:18:56,236
THAT STICKY SITUATIONS
ARE BEST HANDLED
401
00:18:56,269 --> 00:18:59,172
WITH LIES, DECEIT,
AND TRICKERY.
402
00:18:59,206 --> 00:19:01,941
AND NOW FOR
A LITTLE ROMANCE.
403
00:19:01,974 --> 00:19:03,410
HEH HEH HEH...
404
00:19:03,443 --> 00:19:05,578
OH, YEAH.
405
00:19:05,612 --> 00:19:08,215
A LITTLE HUG...
406
00:19:08,248 --> 00:19:10,783
A LITTLE KISS...
407
00:19:10,817 --> 00:19:12,585
[KNOCK ON DOOR]
408
00:19:12,619 --> 00:19:14,487
A LITTLE COACH.
409
00:19:14,521 --> 00:19:16,189
EXCUSE ME.
410
00:19:17,790 --> 00:19:20,560
I THOUGHT YOU WERE
GOING TO SHOW
KATHERINE HOME.
411
00:19:20,593 --> 00:19:21,961
I DID.
412
00:19:21,994 --> 00:19:24,697
I SHOWED HER WHERE
THE BUS STOP IS.
413
00:19:24,731 --> 00:19:27,400
YOU PROBABLY
DIDN'T NOTICE,
414
00:19:27,434 --> 00:19:29,569
BUT THAT DAME
HAD THE HOTS FOR ME.
415
00:19:29,602 --> 00:19:31,671
COACH, WHAT'S
WRONG WITH THAT?
YEAH!
416
00:19:31,704 --> 00:19:33,440
LOOK, SAM, SHE'S VERY NICE,
417
00:19:33,473 --> 00:19:35,608
BUT SHE DOESN'T FIT IN
WITH THE THREE OF US.
418
00:19:35,642 --> 00:19:37,844
SHE'S LIKE A FOURTH WHEEL.
I GOTTA SOME COOKIES.
419
00:19:43,783 --> 00:19:46,386
WELL, WHAT DO WE DO NOW?
420
00:19:46,419 --> 00:19:48,421
DIANE, I THINK
IT'S TIME TO TELL
THE TRUTH.
421
00:19:48,455 --> 00:19:49,756
GOOD.
422
00:19:49,789 --> 00:19:51,591
I'LL HANDLE THIS.
423
00:19:51,624 --> 00:19:54,294
COACH, GET OUT HERE.
424
00:19:54,327 --> 00:19:55,562
WANT ONE?
425
00:19:55,595 --> 00:19:56,829
NO.
426
00:19:56,863 --> 00:19:58,998
LISTEN, COACH. I...
427
00:19:59,031 --> 00:20:01,568
I'M GOING
TO TELL YOU SOMETHING,
428
00:20:01,601 --> 00:20:03,470
AND I DON'T CARE IF THIS
HURTS YOUR FEELINGS.
429
00:20:03,503 --> 00:20:05,872
I'M JUST GOING
TO TELL YOU OUT
STRAIGHT HERE.
430
00:20:05,905 --> 00:20:07,474
WELL, WHAT?
WHAT IS IT?
431
00:20:07,507 --> 00:20:11,644
DIANE DOESN'T WANT YOU
HANGING AROUND US ANYMORE.
432
00:20:11,678 --> 00:20:13,546
WHAT?
433
00:20:13,580 --> 00:20:15,248
THAT'S NOT TRUE AT ALL!
434
00:20:15,282 --> 00:20:16,616
SAM DOESN'T
WANT YOU AROUND.
435
00:20:16,649 --> 00:20:18,785
I LOVE
HAVING YOU AROUND.
436
00:20:18,818 --> 00:20:21,254
NO, NO, NO, I LOVE
HAVING HIM AROUND
MORE THAN YOU DO.
437
00:20:21,288 --> 00:20:24,657
AS A MATTER OF FACT,
I LOVE HAVING HIM AROUND
MORE THAN HAVING YOU AROUND.
438
00:20:24,691 --> 00:20:26,593
WELL, FINE, WHY DON'T YOU
AROUND RIGHT OUT THE DOOR...
439
00:20:26,626 --> 00:20:28,728
[ALL TALKING AT ONCE]
440
00:20:28,761 --> 00:20:31,298
SAM, PLEASE STOP.
DIANE...
441
00:20:31,331 --> 00:20:32,932
KIDS, HOLD IT, PLEASE.
442
00:20:32,965 --> 00:20:35,668
LOOK, I'M BEGINNING
TO SEE THE LIGHT
ABOUT SOMETHING HERE.
443
00:20:35,702 --> 00:20:37,570
YOU BOTH HAVE SOMETHING
TO TELL ME
444
00:20:37,604 --> 00:20:38,938
BUT YOU DON'T HAVE
THE GUTS TO TELL ME, RIGHT?
445
00:20:38,971 --> 00:20:40,507
WELL, I DO.
DIANE DOESN'T.
446
00:20:40,540 --> 00:20:42,509
WELL, THEN
WHAT IS IT? SAY IT.
447
00:20:42,542 --> 00:20:45,712
COME ON, SAM. SAY IT.
448
00:20:47,647 --> 00:20:50,016
LOOK, WHEN YOU WERE A DRUNK
AND NOBODY TOLD YOU,
449
00:20:50,049 --> 00:20:52,585
I TOLD YOU YOU WERE
A DRUNK, DIDN'T I?
I TOLD YOU.
450
00:20:52,619 --> 00:20:54,287
OVER AND OVER
AND OVER AGAIN.
451
00:20:54,321 --> 00:20:56,055
WELL, YOU REALLY
WERE A DRUNK, SAM.
452
00:20:56,088 --> 00:20:57,690
I KNOW.
453
00:20:57,724 --> 00:21:00,660
I MEAN YOU WERE
REALLY A DRUNK, SAM!
454
00:21:00,693 --> 00:21:02,629
COACH, DON'T START AGAIN.
455
00:21:02,662 --> 00:21:04,997
LOOK, WHAT KIND
OF A FRIENDSHIP
IS SO WEAK
456
00:21:05,031 --> 00:21:08,335
THAT WE JUST CAN'T
COME OUT AND TELL
EACH OTHER THE TRUTH?
457
00:21:10,002 --> 00:21:13,673
YOU'RE RIGHT.
YOU'RE RIGHT, UH...
458
00:21:13,706 --> 00:21:17,410
WE JUST DON'T WANT YOU
HANGING AROUND US SO MUCH.
459
00:21:23,616 --> 00:21:25,452
IF YOU DON'T WANT ME,
IT'S FINE, OK.
460
00:21:25,485 --> 00:21:26,753
I'M NOT MAD.
461
00:21:26,786 --> 00:21:28,355
IT'S FINE.
462
00:21:28,388 --> 00:21:31,391
I-I-I'LL SEE YOU.
463
00:21:34,761 --> 00:21:36,763
BUT, SAM,
YOU REALLY
WERE A DRUNK.
464
00:21:51,878 --> 00:21:54,080
GOOD MORNING, NORM.
465
00:21:54,113 --> 00:21:55,948
WHERE IN THE HECK
HAVE YOU BEEN?
466
00:21:55,982 --> 00:21:57,484
IS MY WATCH FAST
OR SOMETHING?
467
00:21:57,517 --> 00:22:00,720
SORRY, NORM. WE HAD
KIND OF A DIFFICULT EVENING.
468
00:22:00,753 --> 00:22:02,455
OH, BOY. WE FINALLY HAD
TO TELL THE COACH
469
00:22:02,489 --> 00:22:05,625
WE DIDN'T WANT
TO SEE HIM ANYMORE.
470
00:22:05,658 --> 00:22:06,993
IT WAS TERRIBLE.
471
00:22:07,026 --> 00:22:08,661
EVEN WORSE
THAN WE FEARED.
472
00:22:08,695 --> 00:22:11,464
SPENT HALF THE NIGHT
ARGUING ABOUT
WHO WAS TO BLAME.
473
00:22:11,498 --> 00:22:14,767
YOU SHOULD--
DIANE, UH...
474
00:22:14,801 --> 00:22:17,837
NORM!
NORM!
475
00:22:17,870 --> 00:22:19,972
NORMAN...
476
00:22:20,006 --> 00:22:22,575
GOOD MORNING, EVERYBODY.
477
00:22:22,609 --> 00:22:25,111
HOW ARE YOU
TODAY, NORMAN?
478
00:22:25,144 --> 00:22:27,647
OH, AS IF YOU CARED.
479
00:22:27,680 --> 00:22:29,081
SO COACH DIDN'T
TAKE TOO WELL
480
00:22:29,115 --> 00:22:31,618
TO GETTING
THE OLD HEAVE-HO?
481
00:22:31,651 --> 00:22:33,820
OH, HE WAS DESTROYED.
HE TRIED TO COVER,
482
00:22:33,853 --> 00:22:36,489
BUT THERE WAS NO MASKING
THE INTENSE PAIN
483
00:22:36,523 --> 00:22:39,426
THAT SAM INFLICTED
ON HIS DEEPEST BEING.
484
00:22:39,459 --> 00:22:40,693
HEY, COME ON,
DON'T START
WITH ME AGAIN.
485
00:22:40,727 --> 00:22:42,762
IF I RECALL,
YOU DID MOST
OF THE TALKING.
486
00:22:42,795 --> 00:22:44,497
SAM...
487
00:22:44,531 --> 00:22:46,999
WHAT DIFFERENCE
DOES IT MAKE WHO DID IT?
488
00:22:47,033 --> 00:22:51,404
THE POINT IS THE COACH
HAS BEEN CRUSHED.
489
00:22:51,438 --> 00:22:52,839
WE HAVE TO LIVE
WITH THAT...
490
00:22:52,872 --> 00:22:55,842
ESPECIALLY YOU.
491
00:22:55,875 --> 00:22:57,777
COME ON.
IT WAS YOUR IDEA.
492
00:22:57,810 --> 00:22:59,078
YOU INSISTED.
493
00:22:59,111 --> 00:23:00,980
I--THAT'S THE MOST--
494
00:23:01,013 --> 00:23:02,749
AHEM!
LISTEN, LISTEN.
495
00:23:02,782 --> 00:23:05,552
I WANT TO KNOW WHICH
ONE OF YOU TWO KIDS
GOT THE IDEA FIRST
496
00:23:05,585 --> 00:23:08,555
TO THROW ME OUT
ON MY BUTT LAST NIGHT?
497
00:23:08,588 --> 00:23:11,057
COME ON. I WANT
TO KNOW RIGHT NOW.
498
00:23:11,090 --> 00:23:13,460
AW, COME ON, COACH.
499
00:23:13,493 --> 00:23:14,727
WHAT DIFFERENCE
DOES IT MAKE
500
00:23:14,761 --> 00:23:15,962
WHOSE FAULT IT WAS?
501
00:23:15,995 --> 00:23:17,464
IT'S DONE.
502
00:23:17,497 --> 00:23:19,732
WE BOTH HAVE
TO SHARE THE BLAME.
503
00:23:21,734 --> 00:23:24,203
YES, THE IMPORTANT
THING IS THAT WE--
504
00:23:24,236 --> 00:23:27,707
WE SHOWED YOU
OUR FEELINGS.
505
00:23:27,740 --> 00:23:30,443
HONESTY WAS
OUR ONLY RECOURSE.
506
00:23:30,477 --> 00:23:34,080
YEAH, ABSOLUTELY.
ABSOLUTELY. IT WAS
A MUTUAL DECISION.
507
00:23:36,148 --> 00:23:38,718
WELL, LISTEN,
WHOEVER IT WAS,
508
00:23:38,751 --> 00:23:40,987
I WANT TO THANK HIM
FROM THE BOTTOM
OF MY HEART,
509
00:23:41,020 --> 00:23:42,922
BECAUSE WHAT HAPPENED WAS,
510
00:23:42,955 --> 00:23:44,991
I CAUGHT UP
WITH KATHERINE
AT THE BUS STOP
511
00:23:45,024 --> 00:23:47,159
AND I TOOK HER HOME.
512
00:23:47,193 --> 00:23:48,861
AND WE GOT TO KNOW
EACH OTHER,
513
00:23:48,895 --> 00:23:51,631
AND I THINK SHE'S
A WONDERFUL WOMAN
IN THE WORLD.
514
00:23:51,664 --> 00:23:54,567
I HAVEN'T BEEN
THIS HAPPY IN YEARS.
515
00:23:54,601 --> 00:23:55,935
OH, COACH,
THAT'S WONDERFUL NEWS!
516
00:23:55,968 --> 00:23:57,870
YOU DON'T KNOW
HOW HAPPY WE ARE.
517
00:23:57,904 --> 00:24:02,475
AND THE FACT THAT
THE TWO OF US HAD
ANYTHING TO DO WITH IT
518
00:24:02,509 --> 00:24:04,511
MAKES US FEEL
EVEN BETTER.
519
00:24:04,544 --> 00:24:05,778
OH, YEAH.
ABSOLUTELY, COACH.
520
00:24:05,812 --> 00:24:07,847
JUST THINK OF IT
AS THE TWO OF US
521
00:24:07,880 --> 00:24:09,816
HAVING BEEN ABLE
TO DO SOMETHING FOR YOU.
522
00:24:09,849 --> 00:24:11,884
OK?
523
00:24:13,720 --> 00:24:15,221
SAY, NORMIE,
524
00:24:15,254 --> 00:24:17,524
AREN'T THEY
A WONDERFUL COUPLE?
36842
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