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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,503 --> 00:00:04,905 Diane: CHEERS IS FILMED BEFORE A LIVE STUDIO AUDIENCE. 2 00:00:04,905 --> 00:00:06,474 HIYA, SAM. 3 00:00:06,474 --> 00:00:08,342 HEY, CARLA. 4 00:00:08,342 --> 00:00:10,878 DID YOU JUST GET PREGNANT IN THE LAST FIVE MINUTES? 5 00:00:10,878 --> 00:00:12,446 I COULD, BUT THIS IS JUST STUFFING. 6 00:00:12,446 --> 00:00:13,814 WHY? 7 00:00:13,814 --> 00:00:15,916 WELL, BECAUSE I'M A LITTLE SHORT, AND MY RENT IS DUE. 8 00:00:15,916 --> 00:00:19,653 AND I FOUND OUT THEY GIVE BETTER TIPS TO PREGNANT WOMEN. 9 00:00:20,954 --> 00:00:22,823 THAT'S ABSOLUTELY DISHONEST, SAM. 10 00:00:22,823 --> 00:00:24,558 I MEAN, YOU SHOULD TELL HER TO GET RID OF IT. 11 00:00:24,558 --> 00:00:27,995 I CAN'T DO THAT, COACH. SHE'S CATHOLIC. 12 00:00:27,995 --> 00:00:29,463 OH, YEAH. 13 00:00:31,465 --> 00:00:35,136 HEY, WOULD YOU WATCH IT? I'M IN A FAMILY WAY HERE. 14 00:00:44,378 --> 00:00:47,148 KID'S GOING TO BE A SWIMMER. 15 00:00:53,654 --> 00:00:56,157 * MAKING THE WAY IN THE WORLD TODAY * 16 00:00:56,157 --> 00:00:59,127 * TAKES EVERYTHING YOU'VE GOT * 17 00:00:59,127 --> 00:01:01,495 * TAKING A BREAK FROM ALL YOUR WORRIES * 18 00:01:01,495 --> 00:01:05,166 * SURE WOULD HELP A LOT * 19 00:01:05,166 --> 00:01:08,302 * WOULDN'T YOU LIKE TO GET AWAY * 20 00:01:11,172 --> 00:01:13,040 * SOMETIMES YOU WANT TO GO * 21 00:01:13,040 --> 00:01:16,677 * WHERE EVERYBODY KNOWS YOUR NAME * 22 00:01:18,446 --> 00:01:21,815 * AND THEY'RE ALWAYS GLAD YOU CAME * 23 00:01:23,184 --> 00:01:25,553 * YOU WANT TO BE WHERE YOU CAN SEE * 24 00:01:25,553 --> 00:01:28,189 * OUR TROUBLES ARE ALL THE SAME * 25 00:01:28,189 --> 00:01:29,390 * YOU WANT TO BE * 26 00:01:29,390 --> 00:01:33,361 * WHERE EVERYBODY KNOWS YOUR NAME * 27 00:01:33,361 --> 00:01:36,164 * YOU WANT TO GO WHERE PEOPLE KNOW * 28 00:01:36,164 --> 00:01:38,566 * PEOPLE ARE ALL THE SAME * 29 00:01:38,566 --> 00:01:42,836 * YOU WANT TO GO WHERE EVERYBODY KNOWS YOUR NAME * 30 00:02:04,024 --> 00:02:05,426 AH, WOULD YOU LOOK AT THAT. 31 00:02:05,426 --> 00:02:07,761 SOME IDIOT CARVED HIS INITIALS ON MY BAR. 32 00:02:07,761 --> 00:02:12,099 IT'S HIS INITIALS AND HIS GIRLFRIEND'S. 33 00:02:12,099 --> 00:02:13,767 IT'S SWEET. 34 00:02:13,767 --> 00:02:16,404 NO, IT'S NOT SWEET. IT'S DESTRUCTIVE. 35 00:02:16,404 --> 00:02:17,738 I MEAN, WHO DID-- 36 00:02:17,738 --> 00:02:19,640 WHO DID THAT? 37 00:02:19,640 --> 00:02:22,376 "S.M. PLUS D.C." 38 00:02:25,679 --> 00:02:26,947 DIANE... 39 00:02:26,947 --> 00:02:30,618 I THINK IT'S ROMANTIC. 40 00:02:30,618 --> 00:02:32,720 NO, IT'S NOT ROMANTIC. 41 00:02:32,720 --> 00:02:33,821 IT'S STUPID. 42 00:02:33,821 --> 00:02:35,489 IF YOU WANT ROMANTIC, 43 00:02:35,489 --> 00:02:38,492 WE COULD HAVE OUR BUNS TATTOOED. 44 00:02:41,929 --> 00:02:43,231 WORTH A SHOT. 45 00:02:43,231 --> 00:02:46,434 I'M JUST GOING TO RUN A TAB FOR YOU. 46 00:02:46,434 --> 00:02:47,268 BOO. 47 00:02:47,268 --> 00:02:48,836 UH-HUH? AAH! 48 00:02:48,836 --> 00:02:50,904 EXCUSE ME. 49 00:02:52,506 --> 00:02:53,674 OH, SAM? 50 00:02:54,775 --> 00:02:58,512 MAY I SPEAK WITH YOU FOR A MOMENT, PLEASE? 51 00:02:58,512 --> 00:03:00,147 MM-HMM. 52 00:03:00,147 --> 00:03:02,149 HMM? HMM. 53 00:03:02,149 --> 00:03:04,151 DON'T YOU RECOGNIZE THAT MAN? 54 00:03:04,151 --> 00:03:08,456 THE EX-CONVICT YOU PAID TO DATE ME, 55 00:03:08,456 --> 00:03:10,157 WHO MURDERED A WAITRESS 56 00:03:10,157 --> 00:03:13,026 AND FANTASIZES HIS HANDS ARE CLAWS. 57 00:03:13,026 --> 00:03:14,295 OH, YEAH. 58 00:03:14,295 --> 00:03:16,330 HOW'D YOU HAPPEN TO REMEMBER HIM? 59 00:03:16,330 --> 00:03:17,598 OF COURSE I RECOGNIZE HIM. 60 00:03:17,598 --> 00:03:20,334 HIS NAME IS, UH, ANDY SOMETHING. SO WHAT? 61 00:03:20,334 --> 00:03:22,236 SO, WHAT IS HE DOING HERE? 62 00:03:22,236 --> 00:03:23,437 I DON'T KNOW. 63 00:03:23,437 --> 00:03:24,438 PROBABLY CAME IN FOR A DRINK. 64 00:03:24,438 --> 00:03:25,806 PEOPLE DO THAT, YOU KNOW. 65 00:03:25,806 --> 00:03:27,341 AS SOON AS YOU HANG A SIGN OUT THAT SAYS "BAR," 66 00:03:27,341 --> 00:03:29,777 YOU START GETTING THAT. 67 00:03:29,777 --> 00:03:34,815 SAM, YOU HAVE TO GET RID OF THAT KILLER. 68 00:03:34,815 --> 00:03:36,250 HE'S DANGEROUS. 69 00:03:36,250 --> 00:03:37,618 AW, COME ON. LOOK AT HIM, DIANE. 70 00:03:37,618 --> 00:03:40,488 DOES HE LOOK DANGEROUS TO YOU? 71 00:03:41,655 --> 00:03:43,324 NOT AT THE MOMENT, BUT-- 72 00:03:43,324 --> 00:03:45,359 HE'S A CUSTOMER, THAT'S ALL. HE'S JUST A CUSTOMER. 73 00:03:45,359 --> 00:03:47,628 HE HAS EVERY RIGHT TO BE HERE JUST LIKE EVERYBODY ELSE. 74 00:03:47,628 --> 00:03:50,063 DON'T WORRY, IF HE STARTS ANYTHING, 75 00:03:50,063 --> 00:03:54,001 I KNOW HOW TO HANDLE IT. 76 00:03:54,001 --> 00:03:55,569 HEY. ANDY, ISN'T IT? 77 00:03:55,569 --> 00:03:58,806 THAT'S RIGHT. AND YOU'RE, UH...SAM. 78 00:03:58,806 --> 00:04:00,708 CORRECT. WHAT WILL YOU HAVE, ANDY? 79 00:04:00,708 --> 00:04:03,577 EVERYTHING IN THE CASH REGISTER, SAM. 80 00:04:03,577 --> 00:04:04,545 FREEZE! 81 00:04:04,545 --> 00:04:07,114 UH...EVERYBODY JUST TAKE IT EASY HERE. 82 00:04:07,114 --> 00:04:08,949 I'LL, UH, GET-- 83 00:04:08,949 --> 00:04:10,451 NO, NO. 84 00:04:10,451 --> 00:04:12,085 LET THE OTHER GUY GET IT. 85 00:04:12,085 --> 00:04:14,422 ERNIE PANTUSO. CALL ME COACH. 86 00:04:18,426 --> 00:04:19,893 WE GOT TO HELP SAMMY. 87 00:04:19,893 --> 00:04:21,362 WHAT CAN WE DO? 88 00:04:21,362 --> 00:04:23,063 I DON'T KNOW. MAYBE WE CAN JUMP THE GUY. 89 00:04:23,063 --> 00:04:24,932 HE'S NOT THAT BIG. 90 00:04:24,932 --> 00:04:26,066 THE GUN IS BIG. 91 00:04:26,066 --> 00:04:28,268 THE GUN'S DEFINITELY BIG. 92 00:04:28,268 --> 00:04:30,438 MAYBE DIANE COULD RUN AROUND IN CIRCLES 93 00:04:30,438 --> 00:04:33,341 FLAPPING HER ARMS AND DRAW HIS FIRE. 94 00:04:37,578 --> 00:04:39,246 UH, CARLA, YOU STAY OUT OF THIS. 95 00:04:39,246 --> 00:04:40,581 ME AND NORM WILL HANDLE THIS. 96 00:04:40,581 --> 00:04:42,316 ME? WHAT DO YOU WANT ME TO DO? 97 00:04:42,316 --> 00:04:44,585 WE'VE GOT TO DO SOMETHING. TRUST ME. 98 00:04:44,585 --> 00:04:47,220 STATISTICS SHOW THAT 33% OF THE TIME, 99 00:04:47,220 --> 00:04:48,956 A GUY CARRYING A GUN WILL NOT USE THAT GUN IF CHALLENGED. 100 00:04:48,956 --> 00:04:50,157 SO? 101 00:04:50,157 --> 00:04:51,625 WELL, SO IF HE'S ALREADY SHOT 2 PEOPLE TODAY, 102 00:04:51,625 --> 00:04:54,862 YOU'RE IN LUCK, NOW GET HIM. 103 00:04:54,862 --> 00:04:58,065 HEY, FOLKS, FOLKS. I CERTAINLY HOPE 104 00:04:58,065 --> 00:05:00,834 NO ONE'S GOING TO TRY ANYTHING SILLY HERE. 105 00:05:00,834 --> 00:05:02,235 JUST TAKE IT EASY. 106 00:05:02,235 --> 00:05:03,971 NO ONE'S GOING TO TRY TO OVERPOWER YOU OR ANYTHING. 107 00:05:03,971 --> 00:05:05,305 IT'S NOT WORTH IT. 108 00:05:05,305 --> 00:05:08,609 NOT EVEN IF I WAS A LITTLE CARELESS 109 00:05:08,609 --> 00:05:12,380 AND SORT OF LET THE GUN DROP ONTO THE BAR LIKE THAT? 110 00:05:12,380 --> 00:05:15,549 MAYBE LET MY ATTENTION 111 00:05:15,549 --> 00:05:18,586 WANDER AROUND THE ROOM A LITTLE BIT? 112 00:05:23,891 --> 00:05:25,025 NOW! 113 00:05:29,497 --> 00:05:31,765 IT'S OK. IT'S OK. 114 00:05:31,765 --> 00:05:33,401 YEAH. CARLA'S GOT HIM. 115 00:05:33,401 --> 00:05:34,868 LUCKY FOR HIM. 116 00:05:36,136 --> 00:05:37,938 OK, OK, SAM, YOU GOT ME. 117 00:05:37,938 --> 00:05:39,940 HEY, WATCH WHERE YOU'RE POINTING THAT. I'M SORRY. 118 00:05:39,940 --> 00:05:42,410 IT'S OK. IT ISN'T LOADED. 119 00:05:42,410 --> 00:05:44,011 IT ISN'T? 120 00:05:45,479 --> 00:05:47,214 OH, MY GOD. IT ISN'T. 121 00:05:47,214 --> 00:05:48,449 CLIFFIE, DO YOU SUPPOSE 122 00:05:48,449 --> 00:05:50,518 THIS LITTLE TRICKLE HERE IS NOTICEABLE? 123 00:05:52,119 --> 00:05:54,422 WOULD YOU GUYS COME DOWN HERE FOR A SECOND AND WATCH HIM? 124 00:05:54,422 --> 00:05:57,491 I'M GONNA GO SEE IF THE POLICE ARE ANSWERING THEIR PHONE TODAY. 125 00:05:57,491 --> 00:05:59,960 GOOD. I WANT TO GO BACK TO PRISON. 126 00:05:59,960 --> 00:06:01,895 I CAN'T MAKE IT ON THE OUTSIDE. 127 00:06:01,895 --> 00:06:04,465 HAVE YOU REALLY TRIED TO MAKE IT ON THE OUTSIDE? 128 00:06:04,465 --> 00:06:06,734 I'VE BEEN BEATING MY BRAINS OUT. 129 00:06:06,734 --> 00:06:08,769 NO ONE'S GONNA GIVE AN EX-CON A BREAK. 130 00:06:08,769 --> 00:06:11,104 NO ONE WILL HIRE ME, NO ONE TRUSTS ME. 131 00:06:11,104 --> 00:06:14,307 WHAT IS IT YOU WANT TO DO? WHAT ARE YOUR SKILLS? 132 00:06:14,307 --> 00:06:16,076 I HAVE NO SKILLS. 133 00:06:16,076 --> 00:06:18,446 I'M WORTHLESS. 134 00:06:18,446 --> 00:06:22,916 DON'T YOU HAVE ANY AMBITIONS, ANY DREAMS? 135 00:06:22,916 --> 00:06:25,453 YOU'D LAUGH IF I TOLD YOU. 136 00:06:25,453 --> 00:06:28,021 NO, WE WON'T. 137 00:06:29,523 --> 00:06:31,191 I'D LOVE TO BE AN ACTOR. 138 00:06:31,191 --> 00:06:32,826 [LAUGHING] 139 00:06:35,195 --> 00:06:37,465 GOD BLESS YOU, CLIFF. 140 00:06:37,465 --> 00:06:40,200 I DID A LITTLE ACTING IN HIGH SCHOOL. 141 00:06:40,200 --> 00:06:42,503 I THINK I WAS PRETTY GOOD. 142 00:06:42,503 --> 00:06:46,173 AT LEAST IT WAS AN ESCAPE FROM SO MANY THINGS. 143 00:06:46,173 --> 00:06:47,808 SO GO OUT AND BE AN ACTOR. 144 00:06:47,808 --> 00:06:49,877 WHAT ARE YOU BELLYACHING TO US FOR? 145 00:06:49,877 --> 00:06:52,513 FAT CHANCE. NOBODY WILL GIVE ME A LOOK. 146 00:06:52,513 --> 00:06:54,548 I'M GOING BACK WHERE I BELONG, 147 00:06:54,548 --> 00:06:58,018 OUT OF EVERYBODY'S WAY. PRISON IS MY HOME. 148 00:06:58,018 --> 00:07:00,888 I CALLED THE COPS. THEY'RE ON THEIR WAY. 149 00:07:00,888 --> 00:07:02,222 CALL BACK. TELL THEM NOT TO COME. 150 00:07:02,222 --> 00:07:04,291 GOT IT. 151 00:07:04,291 --> 00:07:06,794 WHY? WHY AM I DOING THAT? 152 00:07:06,794 --> 00:07:08,061 SAM... 153 00:07:08,061 --> 00:07:11,331 WHEN ANDY SHOVED THAT GUN IN YOUR FACE, 154 00:07:11,331 --> 00:07:13,567 HE WAS ASKING FOR HELP. 155 00:07:13,567 --> 00:07:16,470 OH, SILLY ME, I THOUGHT HE WAS ASKING FOR MONEY. 156 00:07:16,470 --> 00:07:18,906 HE STANDS HERE AS AN EMBODIMENT 157 00:07:18,906 --> 00:07:21,909 OF A FAILURE OF OUR PENAL SYSTEM. 158 00:07:21,909 --> 00:07:24,177 YES. THIS MAN DOESN'T BELONG IN PRISON. 159 00:07:24,177 --> 00:07:29,282 SAM, WE--MOSTLY I--CAN SAVE THIS MAN'S LIFE. 160 00:07:29,282 --> 00:07:34,354 WELL, HOW ARE WE--MOSTLY YOU-- GOING TO DO THAT? 161 00:07:34,354 --> 00:07:35,723 NEVER MIND THAT NOW. 162 00:07:35,723 --> 00:07:37,958 CALL OFF LES GENDARMES. 163 00:07:37,958 --> 00:07:39,760 TRUST ME. 164 00:07:39,760 --> 00:07:42,162 Coach: WHAT ARE YOU GONNA DO NOW, DIANE? 165 00:07:42,162 --> 00:07:47,601 WELL, I HAPPEN TO KNOW PROFESSOR SEBASTIAN DeWITT, 166 00:07:47,601 --> 00:07:50,037 ONE OF AMERICA'S FOREMOST DRAMA COACHES. 167 00:07:50,037 --> 00:07:53,273 HE CAN SPOT AN ACTOR A MILE AWAY. 168 00:07:53,273 --> 00:07:56,176 BOY, THAT COULD COME IN HANDY AT A DRIVE-IN. 169 00:08:01,615 --> 00:08:04,151 Sam: OK, I CALLED THE COPS OFF. 170 00:08:04,151 --> 00:08:05,719 EXCELLENT. 171 00:08:05,719 --> 00:08:07,788 ANDREW, LISTEN TO ME. 172 00:08:07,788 --> 00:08:10,490 NOW, YOU WANT TO BE AN ACTOR, 173 00:08:10,490 --> 00:08:12,059 AND I HAVE SOME EXPERIENCE 174 00:08:12,059 --> 00:08:13,627 AS A STUDENT DIRECTOR IN SCHOOL. 175 00:08:13,627 --> 00:08:15,095 WE'RE GOING TO DO A SCENE-- 176 00:08:15,095 --> 00:08:17,064 DIANE, WHAT-- LATER, SAM. LATER. 177 00:08:17,064 --> 00:08:19,900 NOW, IF I THINK YOU'RE GOOD ENOUGH-- 178 00:08:19,900 --> 00:08:21,334 A VERY BIG "IF," BY THE WAY-- 179 00:08:21,334 --> 00:08:25,038 BUT IF YOU ARE, I'LL ARRANGE FOR PROFESSOR DeWITT 180 00:08:25,038 --> 00:08:26,640 TO SEE YOU PERFORM. 181 00:08:26,640 --> 00:08:29,643 HE HAS CONTACTS AT EVERY THEATER ON THE CAPE. 182 00:08:29,643 --> 00:08:32,379 WOW. GEE, SAM, 183 00:08:32,379 --> 00:08:33,714 I NEVER EXPECTED ANYTHING LIKE THIS 184 00:08:33,714 --> 00:08:35,783 WHEN I CAME IN HERE TO STICK UP YOUR BAR. 185 00:08:35,783 --> 00:08:37,618 WELL, YOU KNOW THE OLD SAYING. 186 00:08:37,618 --> 00:08:40,688 USE A GUN, GO TO CAPE COD. 187 00:08:44,357 --> 00:08:46,526 DIANE... 188 00:08:46,526 --> 00:08:48,128 WHY ARE YOU DOING ALL THIS FOR ME 189 00:08:48,128 --> 00:08:50,497 AFTER OUR LAST EXPERIENCE TOGETHER? 190 00:08:50,497 --> 00:08:52,833 WELL, I UNDERSTAND 191 00:08:52,833 --> 00:08:55,969 WHAT PEOPLE IN THE ACTING WORLD GO THROUGH. 192 00:08:55,969 --> 00:08:59,072 I DID A BIT OF ACTING MYSELF IN COLLEGE. 193 00:08:59,072 --> 00:09:01,341 REALLY? MAYBE YOU COULD BE IN MY SCENE WITH ME. 194 00:09:01,341 --> 00:09:02,976 WERE YOU GOOD? 195 00:09:02,976 --> 00:09:05,846 WELL, I DON'T LIKE TO BRAG, 196 00:09:05,846 --> 00:09:07,981 BUT A LOT OF PEOPLE LOVED MY WORK. 197 00:09:07,981 --> 00:09:11,719 BENNINGTON IS STILL TALKING ABOUT MY TINY ALICE. 198 00:09:11,719 --> 00:09:14,788 WHO WANTS A GIRL WITH A BIG ALICE? 199 00:09:17,991 --> 00:09:21,962 I KNOW A BOOKSTORE THAT SPECIALIZES IN THEATRICAL BOOKS. 200 00:09:21,962 --> 00:09:25,032 LET'S GO AND PICK UP A COUPLE OF PLAYS. OK. 201 00:09:25,032 --> 00:09:27,935 GOOD. SAM, MAY I HAVE HALF AN HOUR OFF? 202 00:09:27,935 --> 00:09:29,169 NO. 203 00:09:29,169 --> 00:09:31,972 OH, YOU'RE RIGHT. I NEED AN HOUR. 204 00:09:31,972 --> 00:09:35,743 DIANE, CAN I TALK TO YOU HERE FOR A SECOND, PLEASE? 205 00:09:35,743 --> 00:09:38,178 EXCUSE ME. I'LL BE RIGHT THERE. 206 00:09:41,048 --> 00:09:42,249 A MINUTE AGO, 207 00:09:42,249 --> 00:09:44,017 YOU THOUGHT THIS GUY WAS JACK THE RIPPER. 208 00:09:44,017 --> 00:09:46,419 NOW, YOU'RE GONNA GO OUT BROWSING WITH HIM? 209 00:09:46,419 --> 00:09:49,089 NOW I KNOW HIM. 210 00:09:49,089 --> 00:09:50,223 SAM, LOOK AT HIM. 211 00:09:50,223 --> 00:09:54,194 DOES HE LOOK LIKE A DANGEROUS PERSON? 212 00:09:56,263 --> 00:09:57,998 THE GUY HAS DONE TIME. 213 00:09:57,998 --> 00:09:59,733 HE MADE ONE SMALL MISTAKE. 214 00:09:59,733 --> 00:10:00,734 NO, NO. HE MADE A BIG ONE. 215 00:10:00,734 --> 00:10:03,136 HE'S A MURDERER, DIANE. 216 00:10:03,136 --> 00:10:06,606 ONE MURDER DOES NOT A MURDERER MAKE. 217 00:10:08,942 --> 00:10:12,245 OK, WHAT I MEAN IS, HE'S NOT A MURDERER AT HEART. 218 00:10:12,245 --> 00:10:16,216 ANYONE WHO LOVES THE THEATER LOVES MANKIND. 219 00:10:16,216 --> 00:10:17,484 I JUST DON'T THINK 220 00:10:17,484 --> 00:10:20,453 THAT SOMEBODY SHOULD GO OUT WITH A CRAZY PERSON. 221 00:10:20,453 --> 00:10:22,622 I CAN TAKE CARE OF MYSELF. 222 00:10:22,622 --> 00:10:24,157 NO, I'M TALKING ABOUT ME. 223 00:10:27,360 --> 00:10:29,730 HIE THEE, ANDREW. 224 00:10:29,730 --> 00:10:31,699 LET US AWAY. 225 00:10:35,302 --> 00:10:36,704 SAM? 226 00:10:37,938 --> 00:10:40,073 I SENSE THAT YOU'RE UNEASY 227 00:10:40,073 --> 00:10:41,441 ABOUT ONE OF YOUR EMPLOYEES 228 00:10:41,441 --> 00:10:43,711 BEING IN DANGER WITH ME. 229 00:10:43,711 --> 00:10:48,515 SAM, MY CRIME OCCURRED A LONG TIME AGO. 230 00:10:48,515 --> 00:10:50,650 I WAS A DIFFERENT PERSON THEN. 231 00:10:50,650 --> 00:10:52,953 I HAD ONE TERRIBLE MOMENT 232 00:10:52,953 --> 00:10:54,955 OF TEMPORARY INSANITY, 233 00:10:54,955 --> 00:10:55,989 BUT I'M MUCH BETTER NOW. 234 00:10:55,989 --> 00:10:57,791 I'M MUCH HEALTHIER. 235 00:10:57,791 --> 00:10:59,059 I CAN'T REMEMBER 236 00:10:59,059 --> 00:11:01,461 THE LAST TIME I HEARD THOSE VOICES. 237 00:11:01,461 --> 00:11:02,830 WELL, I'M GLAD-- 238 00:11:02,830 --> 00:11:05,733 WHAT VOICES? 239 00:11:05,733 --> 00:11:07,901 THOSE SHRILL VOICES 240 00:11:07,901 --> 00:11:10,270 THAT USED TO SOUND LIKE MY-- 241 00:11:10,270 --> 00:11:11,271 MY... 242 00:11:11,271 --> 00:11:12,272 WHO? 243 00:11:12,272 --> 00:11:13,340 MOMMY. 244 00:11:13,340 --> 00:11:17,177 OH. WELL, I'M GLAD YOU GOT IT LICKED. 245 00:11:18,478 --> 00:11:20,280 SAM, PLEASE. 246 00:11:20,280 --> 00:11:21,915 RELAX. 247 00:11:21,915 --> 00:11:23,416 I'M BETTER NOW. 248 00:11:23,416 --> 00:11:24,651 Diane: COME ALONG, ANDREW! 249 00:11:24,651 --> 00:11:26,086 AAH! 250 00:11:27,420 --> 00:11:29,589 OH, YOU THOUGHT... 251 00:11:29,589 --> 00:11:31,658 THAT--NO. 252 00:11:31,658 --> 00:11:33,961 BUT IT WASN'T. 253 00:11:45,172 --> 00:11:46,940 THERE WAS A HARD LEFT FOLLOWED BY 2 QUICK JABS. 254 00:11:46,940 --> 00:11:48,141 AND ANOTHER LEFT. OH! 255 00:11:48,141 --> 00:11:50,778 HE STEPPED RIGHT INTO THAT ONE. 256 00:11:50,778 --> 00:11:52,579 A LEFT JAB BUCKLES HIM OVER. THE LEFT UPPERCUT MISSES. 257 00:11:52,579 --> 00:11:55,082 AN SCREAMING OVERHEAD RIGHT GLANCES ACROSS HIS FOREHEAD 258 00:11:55,082 --> 00:11:57,050 AS THEY GO INTO THE CORNER. 259 00:11:57,050 --> 00:11:58,618 AND THAT'S THE END OF ROUND SIX. 260 00:11:58,618 --> 00:12:00,587 IT'S BEER TIME, SAMMY. 261 00:12:00,587 --> 00:12:01,822 HEY! 262 00:12:01,822 --> 00:12:03,023 AND THEY'RE OFF! 263 00:12:03,023 --> 00:12:04,925 STEP RIGHT UP, LADIES AND GENTLEMEN. 264 00:12:04,925 --> 00:12:06,393 GOOD HANDS. GOOD HANDS THERE. 265 00:12:06,393 --> 00:12:08,862 KEEP MOVING, KEEP MOVING. HERE WE GO. 266 00:12:08,862 --> 00:12:10,397 WHOA! RIGHT. THERE WE GO. 267 00:12:10,397 --> 00:12:12,833 WE GOT 20 SECONDS TO NEXT COMMERCIAL. 268 00:12:12,833 --> 00:12:15,568 LET'S GO! COME ON! THAT'S IT. GOOD HANDS! 269 00:12:15,568 --> 00:12:20,040 HERE WE GO. GO! GOOD! GOOD! 270 00:12:20,040 --> 00:12:21,875 THERE WE GO. ALL RIGHT. 271 00:12:21,875 --> 00:12:23,877 COME ON. MOVE IT ALONG THERE. 272 00:12:23,877 --> 00:12:25,645 COME ON. WE GOT THREE LEFT. 273 00:12:25,645 --> 00:12:30,050 WE GOT TWO LEFT. ALL RIGHT. 274 00:12:30,050 --> 00:12:31,118 SAMMY, WHAT DOES A GUY HAVE TO DO 275 00:12:31,118 --> 00:12:34,955 TO GET A BEER AROUND HERE? 276 00:12:34,955 --> 00:12:36,189 I DON'T KNOW ABOUT YOU, BUT I THINK THIS IS 277 00:12:36,189 --> 00:12:37,757 THE BEST MIDDLEWEIGHT CONTEST 278 00:12:37,757 --> 00:12:39,226 WE'VE SEEN IN A LONG TIME. 279 00:12:39,226 --> 00:12:41,661 I GUESS NO FIGHT FAN WOULD WANT TO MISS THIS ONE. 280 00:12:41,661 --> 00:12:44,397 ALL RIGHT, BOYS. OFF, OFF, OFF. 281 00:12:44,397 --> 00:12:47,801 WE CAN'T EVEN HEAR OURSELVES REHEARSING BACK THERE. 282 00:12:47,801 --> 00:12:49,269 HE'S WORKED VERY HARD. 283 00:12:49,269 --> 00:12:52,439 PROFESSOR DeWITT WILL BE HERE ANY MINUTE. 284 00:12:52,439 --> 00:12:53,740 HEY! 285 00:12:53,740 --> 00:12:55,675 COME ON! 286 00:12:55,675 --> 00:12:57,444 I HOPE SHE'S SHOWING YOU 287 00:12:57,444 --> 00:12:59,079 ONE HELL OF A GOOD TIME. 288 00:13:01,348 --> 00:13:02,582 DON'T BE NERVOUS. 289 00:13:02,582 --> 00:13:04,551 YOU'RE GOING TO BE WONDERFUL. 290 00:13:04,551 --> 00:13:06,319 I'M NOT NERVOUS. 291 00:13:06,319 --> 00:13:09,122 IT'S JUST THIS WEEK HAS GONE BY SO QUICKLY. 292 00:13:09,122 --> 00:13:12,425 IT'S BEEN THE BEST WEEK OF MY LIFE. 293 00:13:12,425 --> 00:13:13,927 OH. 294 00:13:13,927 --> 00:13:15,795 MISS CHAMBERS. 295 00:13:15,795 --> 00:13:18,465 PROFESSOR DeWITT, HOW GOOD OF YOU TO COME. 296 00:13:18,465 --> 00:13:20,167 THIS IS ANDREW SCHROEDER, 297 00:13:20,167 --> 00:13:22,435 A YOUNG MAN WHO I THINK IS GOING TO SURPRISE YOU. 298 00:13:22,435 --> 00:13:24,204 I HOPE SO. 299 00:13:24,204 --> 00:13:25,572 I HOPE SO. 300 00:13:25,572 --> 00:13:28,475 YOU KNOW, WHEN THE THEATER LOSES ITS POWER TO SURPRISE, 301 00:13:28,475 --> 00:13:31,144 IT LOSES ITS VITALITY. 302 00:13:31,144 --> 00:13:32,612 WHAT ARE YOU GOING TO SHOW US FIRST? 303 00:13:32,612 --> 00:13:33,914 A SCENE FROM OTHELLO. 304 00:13:33,914 --> 00:13:35,315 CHALLENGING. 305 00:13:35,315 --> 00:13:37,184 CHALLENGING. 306 00:13:37,184 --> 00:13:41,154 IT'S CERTAINLY NICE TO SEE YOU AGAIN, DIANE. THANK YOU. 307 00:13:41,154 --> 00:13:42,455 WHEN YOU WERE A STUDENT IN THE DEPARTMENT, 308 00:13:42,455 --> 00:13:44,724 I COULD NEVER PICTURE YOU AS A WAITRESS. 309 00:13:44,724 --> 00:13:47,895 OH, PROFESSOR, YOU'RE FORGETTING THAT I PLAYED A WAITRESS 310 00:13:47,895 --> 00:13:49,997 IN YOUR PRODUCTION OF BUS STOP. 311 00:13:49,997 --> 00:13:52,065 YES, I KNOW. 312 00:13:53,633 --> 00:13:54,902 HAVE FUN. 313 00:13:54,902 --> 00:13:56,569 BREAK A LEG. 314 00:13:59,639 --> 00:14:01,374 DIANE... 315 00:14:01,374 --> 00:14:03,743 I CAN'T BELIEVE YOU'VE DONE ALL THIS FOR ME. 316 00:14:03,743 --> 00:14:06,179 WELL, YOU DESERVE IT. 317 00:14:06,179 --> 00:14:09,182 YOU'RE TALENTED AND SENSITIVE. 318 00:14:09,182 --> 00:14:10,850 YOU HAVE A LOT OF DEPTH. 319 00:14:10,850 --> 00:14:12,785 YOU KNOW ME SO WELL. 320 00:14:12,785 --> 00:14:14,187 WELL... 321 00:14:14,187 --> 00:14:15,788 I'M A PRETTY GOOD JUDGE OF PEOPLE. 322 00:14:15,788 --> 00:14:17,090 YOU ARE. 323 00:14:17,090 --> 00:14:18,959 YOU'RE WONDERFUL. 324 00:14:20,660 --> 00:14:21,929 I LOVE YOU, DIANE. 325 00:14:21,929 --> 00:14:24,831 OH, I LOVE YOU, TOO. 326 00:14:24,831 --> 00:14:26,333 YOU GUYS ABOUT READY BACK HERE? 327 00:14:26,333 --> 00:14:27,968 THE CROWD'S GETTING RESTLESS. 328 00:14:27,968 --> 00:14:29,669 IF THEY DON'T HEAR SOME ELIZABETHAN COUPLETS PRETTY SOON, 329 00:14:29,669 --> 00:14:31,304 THEY'RE GONNA TURN UGLY. 330 00:14:32,672 --> 00:14:36,109 I'D BETTER GET INTO COSTUME. 331 00:14:36,109 --> 00:14:38,478 EXCUSE ME. MM-HMM. 332 00:14:39,546 --> 00:14:41,614 ALL RIGHT. LISTEN UP. 333 00:14:41,614 --> 00:14:42,916 YOU WERE RIGHT ABOUT ANDY. 334 00:14:42,916 --> 00:14:44,617 I WAS WRONG. 335 00:14:44,617 --> 00:14:46,954 HE'S BEEN A COMPLETE ANGEL ALL WEEK. 336 00:14:46,954 --> 00:14:49,990 MY OBJECTIONS WERE STUPID. 337 00:14:49,990 --> 00:14:51,724 YOU SATISFIED? 338 00:14:51,724 --> 00:14:53,226 OF COURSE. 339 00:14:53,226 --> 00:14:56,396 PUT IT IN WRITING, AND WE'LL BE FINE. 340 00:14:56,396 --> 00:14:57,931 NOT A CHANCE. 341 00:14:57,931 --> 00:15:01,768 I'M SORRY THAT I HAVEN'T BEEN AROUND MUCH THIS WEEK, 342 00:15:01,768 --> 00:15:04,071 BUT IT WAS IMPORTANT TO HELP ANDY. 343 00:15:04,071 --> 00:15:06,439 IT'S BEEN KIND OF TOUGH. 344 00:15:06,439 --> 00:15:07,807 YEAH. 345 00:15:07,807 --> 00:15:09,442 WELL... 346 00:15:09,442 --> 00:15:12,779 LATER, WHEN WE'RE ALONE, 347 00:15:12,779 --> 00:15:14,247 WE'LL GO BACK TO MY APARTMENT 348 00:15:14,247 --> 00:15:15,515 AND I'LL MAKE IT UP TO YOU. 349 00:15:15,515 --> 00:15:17,450 WHAT TIME TONIGHT? 350 00:15:22,589 --> 00:15:24,691 AH, ANDY, HEY, OK, 351 00:15:24,691 --> 00:15:27,027 LET'S, UH, LET'S GET THE SHOW ON THE ROAD. 352 00:15:27,027 --> 00:15:28,928 GOOD LUCK. GOOD LUCK. 353 00:15:33,833 --> 00:15:35,902 ANDY, WHAT'S THE MATTER? 354 00:15:35,902 --> 00:15:38,671 YOU KISSED HIM. 355 00:15:38,671 --> 00:15:39,706 I SAW YOU. 356 00:15:39,706 --> 00:15:41,074 OH! OH, THAT'S ALL RIGHT. 357 00:15:41,074 --> 00:15:42,475 I GUESS IT'S NO SECRET AROUND HERE. 358 00:15:42,475 --> 00:15:46,146 SAM AND I HAVE SORT OF A THING GOING. 359 00:15:47,080 --> 00:15:50,617 BUT...BUT I LOVE YOU, 360 00:15:50,617 --> 00:15:53,386 AND YOU SAID YOU LOVE ME. 361 00:15:54,887 --> 00:15:56,689 OH, DEAR. 362 00:15:58,491 --> 00:16:00,960 NO, WELL, SEE... 363 00:16:00,960 --> 00:16:05,132 I WAS SPEAKING AS A FRIEND, ANDY. 364 00:16:05,132 --> 00:16:07,634 IF I GAVE YOU ANY OTHER IMPRESSION, 365 00:16:07,634 --> 00:16:09,436 I'M SORRY. 366 00:16:09,436 --> 00:16:10,637 REALLY SORRY. 367 00:16:10,637 --> 00:16:12,939 I DO LOVE YOU... 368 00:16:12,939 --> 00:16:14,474 AS A FRIEND. 369 00:16:14,474 --> 00:16:15,808 OK? 370 00:16:15,808 --> 00:16:17,710 SURE. 371 00:16:20,913 --> 00:16:22,349 YOU'RE NOT UPSET? 372 00:16:22,349 --> 00:16:23,383 NO. NO. 373 00:16:23,383 --> 00:16:25,518 YOU'RE NOT ANGRY WITH ME? 374 00:16:25,518 --> 00:16:27,187 THAT'S OK. 375 00:16:27,187 --> 00:16:29,589 I'LL USE IT IN MY PERFORMANCE. 376 00:16:35,595 --> 00:16:38,331 YET, SHE MUST DIE... 377 00:16:39,799 --> 00:16:43,703 ELSE SHE BETRAY MORE MEN. 378 00:16:43,703 --> 00:16:45,438 WONDERFUL! 379 00:16:48,641 --> 00:16:50,677 THAT WAS PERFECT. 380 00:16:54,181 --> 00:16:57,484 PUT OUT THE LIGHT, 381 00:16:57,484 --> 00:16:59,586 AND THEN... 382 00:16:59,586 --> 00:17:02,989 PUT OUT THE LIGHT. 383 00:17:02,989 --> 00:17:05,692 ANDY, PLEASE, IT'S TIME. YOU READY? 384 00:17:05,692 --> 00:17:09,129 AAH! 385 00:17:09,129 --> 00:17:11,464 SHOW FOLK. 386 00:17:13,833 --> 00:17:15,402 SHH! SHH! SHH! 387 00:17:17,170 --> 00:17:20,140 GOOD EVENING, EVERYONE, 388 00:17:20,140 --> 00:17:23,343 AND WELCOME TO TALENT NIGHT AT CHEERS. 389 00:17:27,414 --> 00:17:29,649 THIS EVENING, WE ARE GOING TO BEGIN 390 00:17:29,649 --> 00:17:32,885 WITH A SCENE FROM WILLIAM SHAKESPEARE'S OTHELLO. 391 00:17:32,885 --> 00:17:36,756 I KNOW THAT I DON'T HAVE TO EXPLAIN THE PLAY TO PROFESSOR DeWITT. 392 00:17:38,491 --> 00:17:41,628 BUT IT MIGHT BE HELPFUL TO SOME OF YOU 393 00:17:41,628 --> 00:17:44,264 IF I EXPLAIN WHAT YOU'RE ABOUT TO SEE. 394 00:17:44,264 --> 00:17:47,767 I WONDER WHO SHE'S TALKING ABOUT, NORM. 395 00:17:47,767 --> 00:17:49,402 I DON'T KNOW. 396 00:17:53,240 --> 00:17:54,874 IN THIS PLAY, 397 00:17:54,874 --> 00:17:57,043 ANDREW SCHROEDER, MY DISCOVERY, 398 00:17:57,043 --> 00:17:59,546 WILL ENACT THE ROLE OF OTHELLO. 399 00:17:59,546 --> 00:18:02,482 YO, ANDY! WHOO! 400 00:18:05,051 --> 00:18:08,155 THIS IS THE STORY OF A MAN 401 00:18:08,155 --> 00:18:10,390 DRIVEN BY INSANE JEALOUSY 402 00:18:10,390 --> 00:18:12,825 TO MURDER THE WOMAN HE LOVES 403 00:18:12,825 --> 00:18:14,194 BECAUSE HE BELIEVES 404 00:18:14,194 --> 00:18:17,664 THAT SHE IS IN LOVE WITH ANOTHER MAN. 405 00:18:22,602 --> 00:18:25,938 THE SCENE WE'RE ABOUT TO DO 406 00:18:25,938 --> 00:18:29,442 IS THE SCENE IN WHICH OTHELLO 407 00:18:29,442 --> 00:18:31,611 ACTUALLY KILLS SAID WOMAN, 408 00:18:31,611 --> 00:18:35,215 WHO WILL BE PORTRAYED BY MYSELF. 409 00:18:39,919 --> 00:18:42,422 DID I MENTION THAT I'M PLAYING DESDEMONA? 410 00:18:44,224 --> 00:18:46,159 OK, SO... 411 00:18:46,159 --> 00:18:48,228 WITHOUT FURTHER ADO, 412 00:18:48,228 --> 00:18:49,862 THE STRANG... 413 00:18:51,798 --> 00:18:55,468 THE STRANGULATION SCENE. 414 00:18:57,670 --> 00:19:00,240 BUT BEFORE WE DO... 415 00:19:00,240 --> 00:19:03,142 LET'S HAVE A LITTLE BACKGROUND. 416 00:19:03,142 --> 00:19:04,211 COME ON, DIANE. 417 00:19:04,211 --> 00:19:05,845 I HAVE A BRATWURST SANDWICH. 418 00:19:05,845 --> 00:19:08,648 NO MORE BACKGROUND. LET'S JUST HAVE THE SCENE. 419 00:19:08,648 --> 00:19:09,816 UH, SAM... 420 00:19:09,816 --> 00:19:11,284 NO, NO. YOU DON'T HAVE TO WORRY ABOUT IT. 421 00:19:11,284 --> 00:19:12,352 REALLY, YOU'RE GONNA BE TREMENDOUS. 422 00:19:12,352 --> 00:19:13,620 LET ME GIVE YOU A LITTLE KISS-- 423 00:19:13,620 --> 00:19:15,288 DON'T TOUCH ME. I BARELY KNOW YOU! 424 00:19:15,288 --> 00:19:18,291 ALL RIGHT. ALL RIGHT. LET'S GET GOING. 425 00:19:18,291 --> 00:19:20,193 ALL RIGHT. 426 00:19:20,193 --> 00:19:22,562 ON WITH THE PLAY. 427 00:19:22,562 --> 00:19:25,965 IN THIS SCENE, DESDEMONA IS IN BED 428 00:19:25,965 --> 00:19:28,235 WHEN OTHELLO COMES IN THINKING... 429 00:19:28,235 --> 00:19:30,837 VERY MISTAKENLY, I CAN ASSURE YOU. 430 00:19:30,837 --> 00:19:34,441 HE'S COMPLETELY OFF-BASE ON THIS ONE. 431 00:19:34,441 --> 00:19:36,443 HE'LL BE SICK ABOUT IT IN THE MORNING. 432 00:19:37,644 --> 00:19:42,415 THINKING THAT SHE HAS BEEN UNFAITHFUL TO HIM. 433 00:19:44,150 --> 00:19:46,919 WHICH, OF COURSE, SHE HASN'T. 434 00:20:09,676 --> 00:20:13,313 IT IS THE CAUSE, 435 00:20:13,313 --> 00:20:16,649 IT IS THE CAUSE, MY SOUL. 436 00:20:16,649 --> 00:20:19,452 LET ME NOT NAME IT TO YOU, 437 00:20:19,452 --> 00:20:22,922 YOU CHASTE STARS. 438 00:20:22,922 --> 00:20:24,957 IT IS THE CAUSE. 439 00:20:27,193 --> 00:20:31,331 YET I'LL NOT SHED HER BLOOD, 440 00:20:31,331 --> 00:20:36,068 NOR SCAR THAT WHITER SKIN OF HERS THAN SNOW. 441 00:20:36,068 --> 00:20:37,837 THERE. GOOD. 442 00:20:40,340 --> 00:20:42,709 WELL, IT'S AGREED. NO BLOOD, NO SCARRING 443 00:20:42,709 --> 00:20:44,844 AND THAT'S THE GIST OF OUR SCENE. 444 00:20:44,844 --> 00:20:46,846 OH, COME ON, DIANE. 445 00:20:49,349 --> 00:20:51,518 SAM, WHAT'S WRONG WITH DIANE TONIGHT? 446 00:20:51,518 --> 00:20:53,386 AW, SHE JUST GOT A LITTLE STAGE FRIGHT. THAT'S RIGHT. 447 00:20:53,386 --> 00:20:56,222 HEY, DIANE, THE SOONER YOU START, 448 00:20:56,222 --> 00:20:57,957 THE SOONER YOU'LL BE FINISHED. 449 00:21:16,376 --> 00:21:18,678 WHO'S THERE? 450 00:21:18,678 --> 00:21:20,380 OTHELLO? 451 00:21:22,214 --> 00:21:25,318 AYE, DESDEMONA. 452 00:21:28,254 --> 00:21:30,923 WILL YOU COME TO BED, MY LORD? 453 00:21:30,923 --> 00:21:32,492 OOH, YEAH! 454 00:21:34,694 --> 00:21:39,265 HAVE YOU PRAYED TONIGHT, DESDEMONA? 455 00:21:39,265 --> 00:21:44,771 I WOULD NOT KILL THY UNPREPARED SPIRIT. 456 00:21:47,974 --> 00:21:49,976 TALK... 457 00:21:49,976 --> 00:21:53,145 TALK YOU OF KILLING? 458 00:21:53,145 --> 00:21:56,048 AYE, I DO. 459 00:21:56,048 --> 00:21:57,450 HE'S CONVINCING. 460 00:21:57,450 --> 00:22:00,720 THERE'S A REAL MURDEROUS INTENSITY ABOUT HIM. 461 00:22:00,720 --> 00:22:04,156 THEN HEAVEN HAVE MERCY ON ME. 462 00:22:04,156 --> 00:22:07,694 THINK ON THY SINS. 463 00:22:07,694 --> 00:22:09,662 SAM, ARE YOU SURE SHE'S OK? 464 00:22:09,662 --> 00:22:11,564 YEAH, SURE. SHE'S JUST ACTING, COACH. 465 00:22:11,564 --> 00:22:14,434 WELL, SHOULDN'T YOU MAKE SURE? 466 00:22:14,434 --> 00:22:18,671 OH, CAN YOU IMAGINE WHAT SHE'D SAY IF I BUTTED IN ON HER SHAKESPEARE SCENE? 467 00:22:18,671 --> 00:22:21,207 TAKE HEED OF PERJURY. 468 00:22:21,207 --> 00:22:23,676 THOU ART ON THY DEATHBED. 469 00:22:25,912 --> 00:22:26,779 I LOVE IT! 470 00:22:26,779 --> 00:22:28,715 A DESDEMONA THAT FIGHTS BACK! 471 00:22:32,084 --> 00:22:34,887 HELP! THIS PSYCHO'S TRYING TO KILL ME! 472 00:22:34,887 --> 00:22:39,191 THAT'S THE ONLY LINE OF SHAKESPEARE I EVER UNDERSTOOD. 473 00:22:39,191 --> 00:22:41,293 I SAW YOU KISSING SAM! 474 00:22:41,293 --> 00:22:43,262 I SAW YOU KISSING SAM! 475 00:22:43,262 --> 00:22:44,564 KISSING SAM? 476 00:22:44,564 --> 00:22:46,833 IS THAT IN THE-- 477 00:22:46,833 --> 00:22:49,168 GET SOMEONE TO HELP ME, WILL YOU? 478 00:22:49,168 --> 00:22:50,503 MOMMY! 479 00:22:50,503 --> 00:22:52,972 I'LL CLEAN UP MY ROOM, MOMMY! 480 00:23:04,584 --> 00:23:06,819 WHAT TIME IS THE SECOND SHOW? 481 00:23:10,790 --> 00:23:12,191 I... 482 00:23:12,191 --> 00:23:16,195 I HOPE YOU FRY FOR THIS. 483 00:23:16,195 --> 00:23:18,765 SHH. ARE YOU GOING TO BE OK? 484 00:23:20,833 --> 00:23:21,901 I'M... 485 00:23:21,901 --> 00:23:24,236 I'M HAVING A LITTLE TROUBLE BREATHING. 486 00:23:24,236 --> 00:23:26,573 NO, NO. I MEANT FOR TONIGHT. 32947

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