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1
00:00:02,140 --> 00:00:02,930
Let's move on.
2
00:00:02,930 --> 00:00:05,500
It looks like keyboards,
Oberheim.
3
00:00:05,500 --> 00:00:08,390
We all...I think
we know what that is.
4
00:00:08,390 --> 00:00:10,530
Oh look, I've got
a Tesla on that.
5
00:00:10,530 --> 00:00:12,650
I've done
some pitch work.
6
00:00:12,650 --> 00:00:17,738
Let's hear what,
let's hear what came in the tin.
7
00:00:28,475 --> 00:00:34,799
So it's like pretty much,
a mono note with some beautiful...
8
00:00:34,799 --> 00:00:36,599
I love this sound.
9
00:00:37,589 --> 00:00:41,879
Really, the delays
are quite low in there.
10
00:00:41,879 --> 00:00:48,389
Just fading off in the background,
but they're stereo.
11
00:00:48,389 --> 00:00:51,964
So I think I might have
wanted to bring those out a bit.
12
00:00:53,459 --> 00:00:56,641
And I'm just
listening to that,
13
00:00:56,641 --> 00:01:01,629
I'm going to assume
I raised the pitch, maybe an octave.
14
00:01:03,346 --> 00:01:07,396
Yes. Because
I'm listening to that going,
15
00:01:07,396 --> 00:01:11,397
"That's going to be hard
to get over those drums."
16
00:01:13,756 --> 00:01:18,133
So, let's see
what that did.
17
00:01:24,100 --> 00:01:27,630
So there's an octave in there
and I probably would have
18
00:01:27,630 --> 00:01:29,690
brought out
some midrange.
19
00:01:33,900 --> 00:01:41,808
Again, trying to normalize between
the low sound and the high sound,
20
00:01:41,808 --> 00:01:44,833
which is what you do
with these things.
21
00:01:46,000 --> 00:01:54,958
And then, Tesla, and that is quite
a normal thing that the SRS would do.
22
00:01:54,958 --> 00:02:04,579
It really did have these low-mids
that it would bring up.
23
00:02:04,579 --> 00:02:06,119
And it's really cool
that they...
24
00:02:06,119 --> 00:02:09,639
I don't know if this was styled
after a Hughes SRS.
25
00:02:09,639 --> 00:02:11,369
I really don't...
I don't think so.
26
00:02:11,369 --> 00:02:13,779
Because it doesn't sound
exactly like it.
27
00:02:13,779 --> 00:02:21,645
But there are similarities
with the low-mids, and the dullness of it.
28
00:02:23,769 --> 00:02:25,800
Let's do
that again.
29
00:02:28,179 --> 00:02:30,200
It was so fun
the first time.
30
00:02:33,000 --> 00:02:34,432
It really
brings it out.
31
00:02:34,432 --> 00:02:37,492
I think that's going to
really help in the track.
32
00:02:37,492 --> 00:02:39,628
And then,
a bit of Plate.
33
00:02:42,182 --> 00:02:45,529
Because you always need
a little bit more of something.
34
00:02:55,086 --> 00:02:56,886
I just want
to hear what...
35
00:03:06,663 --> 00:03:12,435
To me that's the winner
in the intelligibility contest
36
00:03:12,435 --> 00:03:15,575
because once it spreads, like
when you hear that note in the middle,
37
00:03:15,575 --> 00:03:19,244
I don't know, there's something
my brain is taking in the vocal
38
00:03:19,244 --> 00:03:23,853
and the other stuff that's in the center
that are... have like frequencies.
39
00:03:23,853 --> 00:03:27,063
So I feel like I'm getting
overloaded in there.
40
00:03:27,063 --> 00:03:31,273
Even though it's got more of a lower,
sort of, mid components to it.
41
00:03:31,273 --> 00:03:34,143
But, the minute
you spread it,
42
00:03:34,143 --> 00:03:39,453
all of a sudden my brain sees that
apart from the vocal and everything else,
43
00:03:39,453 --> 00:03:43,353
and it becomes like it's out...
it's here somewhere,
44
00:03:43,353 --> 00:03:47,156
framing the vocal,
not competing with it, at all.
45
00:04:05,744 --> 00:04:07,066
That's the kind of thing...
46
00:04:07,066 --> 00:04:13,254
That's pretty major to me, in the mix,
that's... That excites me.
47
00:04:14,944 --> 00:04:16,744
Sad, but true.
48
00:04:19,554 --> 00:04:23,474
Intro looks like just
an energy ramp-up here.
49
00:04:23,474 --> 00:04:25,274
With the guitar.
50
00:04:26,800 --> 00:04:28,600
Another Tesla.
51
00:04:32,200 --> 00:04:34,531
Again that really puts it
out to the sides.
52
00:04:34,531 --> 00:04:36,331
Listen to how...
53
00:04:36,700 --> 00:04:38,739
How cool
is that thing?
54
00:04:43,200 --> 00:04:45,521
It's really soft
and warm sounding.
55
00:04:46,722 --> 00:04:49,497
The SRS
was like that.
56
00:04:51,993 --> 00:04:55,434
I've warmed it up there,
considerably.
57
00:05:04,015 --> 00:05:07,640
And then a bit of Plate
to get maybe, I don't know.
58
00:05:08,325 --> 00:05:10,125
Let's see.
59
00:05:15,300 --> 00:05:19,276
Again, maybe just trying
to bridge the gap a little bit.
60
00:05:28,553 --> 00:05:31,372
And we've got
another Oberheim here.
61
00:05:35,600 --> 00:05:37,848
A pad...
62
00:05:39,800 --> 00:05:44,223
Just pulled some of that
low end off there, but I did add the...
63
00:05:44,223 --> 00:05:46,023
Here's the new plug-in.
64
00:05:47,100 --> 00:05:54,665
I spread it more, but also,
this FX 2, this is going to my cassette.
65
00:05:54,665 --> 00:05:58,595
I used to use Line 6
Tape Eater, which I loved.
66
00:05:58,595 --> 00:06:03,610
It was really ratty and...
just wonderful thing.
67
00:06:03,610 --> 00:06:07,860
I haven't been able to use it,
I can't get Blue Cat Audio,
68
00:06:07,860 --> 00:06:15,300
the rapper that would allow me to use
a TDM or AU plug-in, in here.
69
00:06:15,300 --> 00:06:16,500
I just can't
get it to work.
70
00:06:16,500 --> 00:06:20,700
It just crashes
Pro Tools every time now.
71
00:06:20,700 --> 00:06:29,878
So I got this, and it's not at all like
the Line 6 Tape Eater thing,
72
00:06:29,878 --> 00:06:31,781
but I love it.
73
00:06:31,783 --> 00:06:37,084
The parameters it gives you
for randomness is always...
74
00:06:37,084 --> 00:06:39,551
If there's a random knob
on something, I'm going to...
75
00:06:39,551 --> 00:06:41,348
I'll probably buy it.
76
00:06:41,348 --> 00:06:43,776
Just because I like that.
77
00:06:43,776 --> 00:06:48,783
There was a pedal called The Randomizer
that was made by Heftronics.
78
00:06:48,783 --> 00:06:52,163
It's just a guy
in the Midwest, I think,
79
00:06:52,163 --> 00:06:56,457
who made this pedal
back in the 90s.
80
00:06:56,457 --> 00:06:57,549
And it looked...
81
00:06:57,549 --> 00:06:59,928
It was the same box
as a SansAmp Classic.
82
00:06:59,930 --> 00:07:02,920
That same
kind of design.
83
00:07:02,920 --> 00:07:05,920
Only he had all the...
it was a delay.
84
00:07:05,920 --> 00:07:09,795
And it basically mimicked what you
would do if you had an analog delay,
85
00:07:09,795 --> 00:07:11,154
and just
sat there.
86
00:07:11,154 --> 00:07:13,758
Which is what I used to do
on records because
87
00:07:13,758 --> 00:07:20,520
I love the sound of the randomized vibrato
pitch sleuth that you get on a delay.
88
00:07:20,520 --> 00:07:23,397
But just tiny ones,
really...
89
00:07:25,730 --> 00:07:30,090
I would just slightly move
the delay time when it was short.
90
00:07:30,090 --> 00:07:35,130
It's a short delay time, but it's just
giving you this random pitch change.
91
00:07:35,130 --> 00:07:37,620
Anyway, you can
do that on here.
92
00:07:37,620 --> 00:07:40,676
Which is really good because that is like
a cassette would have been.
93
00:07:50,100 --> 00:07:56,120
So if I go PRE
and just, you can hear...
94
00:07:59,411 --> 00:08:03,441
Well, this sound's already
got some randomized stuff on it.
95
00:08:03,441 --> 00:08:06,258
But, it is
doing that.
96
00:08:06,260 --> 00:08:08,171
It's warbling.
97
00:08:11,479 --> 00:08:15,100
And I've even got some
dropouts happening here.
98
00:08:18,000 --> 00:08:19,027
And it's great.
99
00:08:19,027 --> 00:08:21,207
You can mess with
the azimuth of the tape machine.
100
00:08:21,207 --> 00:08:23,712
It's a very cool plug-in.
101
00:08:24,487 --> 00:08:26,467
I use that
quite a bit.
102
00:08:26,467 --> 00:08:29,397
I should note also here that,
I believe, yes, it is.
103
00:08:29,397 --> 00:08:31,849
That also goes
through my...
104
00:08:31,849 --> 00:08:35,199
What I call the SRS,
which is now the Tesla.
105
00:08:35,199 --> 00:08:41,900
So the Buenas Noches and the cassette
go through the Tesla.
106
00:08:43,399 --> 00:08:45,262
Normally, when I...
107
00:08:45,800 --> 00:08:52,309
If I use the Tesla without an effect
on it, I'll just put it on the track
108
00:08:52,309 --> 00:08:54,340
like I did
with these here.
109
00:08:57,300 --> 00:09:00,487
Looks like a little
accent here, of some kind.
110
00:09:25,100 --> 00:09:27,999
Oh, actually,
I think I see.
111
00:09:32,400 --> 00:09:33,792
I think I might have
done that.
112
00:09:33,792 --> 00:09:38,582
I might have duped this
because I wanted to get an attack.
113
00:09:38,582 --> 00:09:40,303
And then,
have it...
114
00:09:40,303 --> 00:09:42,393
And it didn't work
with Level.
115
00:09:42,393 --> 00:09:47,582
So I found somewhere where it...
and then faded it out
116
00:09:47,582 --> 00:09:49,382
so instead of just...
117
00:09:52,090 --> 00:09:54,641
It actually has a...
118
00:09:57,200 --> 00:09:59,000
not so much.
119
00:10:07,300 --> 00:10:09,100
Little bit.
120
00:10:18,603 --> 00:10:20,962
That will remain
a little bit of a mystery.
121
00:10:22,100 --> 00:10:23,900
But there it is.
122
00:10:26,213 --> 00:10:28,184
Another Oberheim.
123
00:10:32,400 --> 00:10:34,200
That's nice.
124
00:10:38,300 --> 00:10:40,121
Let's see
what that's doing.
125
00:10:59,400 --> 00:11:00,620
It's the same approach.
126
00:11:00,620 --> 00:11:03,140
Put the Tesla in,
it spreads it a little bit.
127
00:11:03,140 --> 00:11:05,410
It becomes
more audible to me.
128
00:11:05,410 --> 00:11:08,920
It's a subtle part, but it's
an important rhythmic part, I think.
129
00:11:08,920 --> 00:11:13,150
And the Tesla just in this,
there's so much going on,
130
00:11:13,150 --> 00:11:16,530
and it's one of those songs
that it all needs to be there.
131
00:11:16,530 --> 00:11:23,370
So have to find ways of making
each one of those sounds have a voice
132
00:11:23,370 --> 00:11:26,710
that's slightly different from the other
so you can pick it out.
133
00:11:26,710 --> 00:11:28,170
And then,
I've got...
134
00:11:28,170 --> 00:11:33,426
This is a send to...
FX 1 is my Space Echo.
135
00:11:33,426 --> 00:11:40,186
Which, this is just a short reverb delay
setting that I've tweaked a little bit.
136
00:11:40,186 --> 00:11:43,196
I love it, and I put it on
all sorts of things.
137
00:11:43,196 --> 00:11:46,216
And then, I've got a bit of
a Cooper on it to spread it.
138
00:11:46,216 --> 00:11:49,766
Because I think the delay's
quite specific to the right.
139
00:11:49,766 --> 00:11:50,966
And you don't
always want that.
140
00:11:50,966 --> 00:11:52,766
Or I don't
anyway.
11338
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