All language subtitles for The.Rookie.S05E19.A.Hole.in.the.World.720p.AMZN.WEB-DL.DDP5.1.H.264-NTb.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�qM�t�M��S��I�fS��M��S��T�kS����O�I�f@�*ױ�B@M��libebml v1.2.3 + libmatroska v1.3.0WA�mkvmerge v5.3.0 ('I could have danced') built on Feb 9 2012 10:38:07D��AC�YDa� �a�ٕ�s���<�o�����6�4T�k���ׁsń|R)R��������S_TEXT/UTF8Sn�SDH�D!C�u@��������Previously on "The Rookie."��B������I read my sister's case file. My mom lied to me.�� N������I'm here because I have to do this.��3C�u@�������Because what happened to me was so awful�� ����� �I need to make sure it doesn't happen to anyone else.��W�����tCelina's mom had been in a car accident.��C�u@��6�����Her doctors prescribed opioids.��࠴���jOn the day that your sister was abducted,�������syour mother was buying drugs.��yC�u@��M������All these years, I mean, do you have any idea�� ɠ���� Show much I've blamed myself?��������Hey, you were just a kid. It wasn't your fault.��C�u��h�����I know.��������BIt was hers.���C�u��~ࠑ���[yawns]��������Oh, don't you look cozy!��栱����It's my day off and I intend to relax.�� �C�u@�炘Ġ����- You're going to relax? - Oh, yeah.��j������Okay, let me translate that into Bailey.�� ��¡��That means you're going to teach four capoeira classes,���C�u@�炲젬���do a 10-mile hike, run for mayor?��ࠞ���jExcuse me, governor.�� q�����eNo, I'm doing absolutely nothing.�� pC�u@���K�����- Okay. - I'm serious.��������I'm gonna read trashy magazines��V����� �and stream '90s sitcoms and do nothing.��9C�u��������I give the whole thing 20 minutes.��\������I can do anything I set my mind to,�����_even nothing.���C�u@���Ġ����You go, girl.��������It's supposed to be beautiful this weekend.�������� 1I was going to power wash the outdoor furniture.��������HOh, I can do that.��C�u@��������Oh, you're baiting me. Nice try.��%������I'm doing nothing today. - Sure you are.����¡��.Listen, if you change your mind about the governorship,���C�u��-�����I'd be honored to be your first gentleman.��������[sighs]�� �C�u@��@������Governor Nune.��d������♪ Whoa, oh, oh, oh, oh, oh, oh, oh ♪��Ҡ����JI kinda like it.��.�����♪ I'm gonna win for you ♪��:C�u��\h�����♪ Like I know you want me to do ♪�� �C�u��zW�����[yawns]�� 򠘡�� |- Hey. - Hey.��C�u���n�����When did you get in?��������Uh, depends. What day is it?�������<That bad, huh?�� C�u@���T�����Look, I'm--I'm 80% sure it's--it's Thursday.�������� +It's Tuesday. Yeah.��栴����What were you guys working on last night?��.C�u@���������Uh, murder suspect. We were there all night.��������HI stayed up anyways.�������� {Thought maybe I'd get lucky and he'd turn himself in.���C�u��Т�����Not quite. Um, he did show up, though.��Ġ���� N- Hmm? - Yeah.���������- Oh, babe. - Yeah.��C�u���������Took on five metro officers?�� p����� �You gotta love that confidence.��t������Yeah.���C�u��8�����What's all this?�� ������ �What?�� �����.I'm studying for the detective's exam.��\C�u@��L�����- Since when? - I didn't tell you?�����yI--no, I don't think so.�������� �If I'm gonna work undercover,���C�u@��2c�á��the best move is to become a detective in some division,�� N����� �like intelligence or narcotics, right?��������Right. So you got the tap.��eC�u@��KU�����Harper and Lopez are backing me.��Ҡ����\All I have to do is score in the top 12, which--��9�����Which you will.���C�u��bˠ����Mm.�� C�u��x������Well, I guess we should get used to��Ġ���� Nnot seeing each other so much.��d�����<Mm, right.���C�u��������Yeah, between detective's hours and metro hours...�� Ϡ���� YHm. It's okay.�� C�u���������We'll figure it out.��������Yeah, yeah.��jC�u���Ԡ����Hey, I'm sorry I haven't been around as much lately.�� Ϡ���� YI've been busy.���C�u���D�����I actually started working on your case.���C�u��ꑠ����Well, I--I haven't made much progress,�� v����� unless destroying my relationship with Mom counts.���C�u��Š����Look, I know you'd want me to forgive her, but I--�� ʠ���� TI--I don't-- I don't think I'm ready.��jC�u��'>�����Well, I gotta get to work.�� �C�u@��H$�����Where's Celina?��������COh, she's visiting her sister's grave.����� �Today's the anniversary of the day she was taken.��4�����yI know. That's what I have to talk to her about.��4C�u@��a[�����I found two similar kidnappings;�����yone four years after Blanca��e����� hand another seven years after that.�������In every case, the victim was six years old,���C�u@��zנ����taken while playing outside,�� ������and the parent has a history of substance abuse.��Ҡ����That sounds like a serial killer.���C�u@���G�����But why target the children of drug addicts?��������4I don't know.�������� vAnd every case happened on the same day.��H�����HToday?��VC�u���p�����I'll handle it. Thank you very much.���������Is that the sign-up list for the detective's exam?��C�u��Ä�����It is. Two weeks to go.��%������- I'll be ready. - I have no doubt.��Ҡ���� Brave move, Chen.�� �C�u@��������I don't know about that.��C������I think it's the next step for me.��3����� �Sure, but you'll never make top 12.�� �C�u@���������What is that supposed to mean?�����yOne of the detectives has it out for you.��࠷��� �So no matter how well you do on the written,���C�u��頮���they're gonna sink you on the oral.��d������What? Who?�� @������I don't know.��dC�u��'������Good luck.�� S����� �- Is he right? - Rarely.�� bC�u��>Y�����But I will ask around, see if there's any truth to it.�� ������ Thanks.��dC�u@��[������He abducted more kids?��������&Two, that we know of.�������� �And on the same day as your sister.���C�u@��o������That's today. Okay, that's creepy.��%������So there could be another one today.��e����� �Or not.���������Right.���C�u���������You know, I--I visited her grave this morning,������� and she wasn't there.�� hC�u���������I know you think that's crazy.��̠����VThat aside, why do you think she wasn't there?��KC�u@���������I don't know.��Ҡ����\But lately she's felt so, like, far away.�� �������And I don't know what's changed.�� @C�u@���&�����7-Adam-15, we have a possible 207�������� +at 9215 Detroit Street.�� ������j- It's a kidnapping. - Possible kidnapping.���C�u@���젨���7-Adam-15, show us responding.��������&I can take the lead on this. - No, I'm good.�� M������You know, when Blanca was taken,��QC�u@��Ġ����there were dozens of cops.��4������And most of them were terrifying,��d����� �but there was one that made me feel like�� �C�u��Ҡ����everything was going to be Okay.��砵��� qI want to be that person for someone else.��C�u@��;������Maybe it's Carradine.����ġ�� +I called him out for stealing my lunches from the fridge.�� p�����%Okay, and you think he's that petty?���C�u@��UQ�����Maybe. I-- [groans]��H������Who do you think it is? - I think,���������and stay with me on this one... - Mm-hmm?��~C�u@��mQ�����Maybe you shouldn't believe everything Smitty says�� ������ or anything Smitty says.��������&Yeah, but what if he is right?���C�u@���������The oral part of the exam is so subjective.�� ����� �If even one person on the panel has it out for me,��\�����xit'll tank my score.��eC�u���&�����Yeah, I never expected a police station�� ������ ?to be so much like high school. - I know.�� ,C�u��������Except, I mean, now I'm one of the cool kids.�� 1C�u@��ܰ�����It's him. It's the same guy.��������I don't--we don't know that.���������Most of the time they're playing somewhere.���C�u@���¡��We find them in minutes. - No, that's not what this is.��B������I can feel it.����� E- Did you find her? - No, ma'am.��۠�����We have to find her! She's six. She's scared.�� �C�u@�� ������We know. That's why we're here.��4������We just need a few details. - What details?��̠���� My daughter is missing. I said that on the phone!��WC�u@��!������Okay, maybe you can let us inside,��������and we can help you look. - She's not inside.��頭��� I looked. She was playing outside.��H������I--I heard a scream, and she was gone.���C�u@��;������- You heard her scream? - Yes.��������37-Adam-15.�������� YI need additional units on my location.��ڠ�����Notify search and rescue.���C�u@��S������What's he doing? Is he calling someone?�������� He's calling everyone.�������� �In ten minutes, there will be dozens��C�����_of police officers and volunteers���C�u@��i �����looking for your daughter.��j������Olivia.��������Her name's Olivia.���������That's a really pretty name.��C�u���t�����How about I help you find a photo of her?�� ����� �Yeah.���C�u@���������[sirens wailing]�� ����� �We'll do two more of those, at least by the next--��4�����e- Nolan. - Here we are.��HC�u@���렖���Any updates?��.������We turned the house upside down,�������� �checked the adjacent yards. We're widening the search.�����B- Security cameras? - We got what we can.���C�u@���a�����A lot of people aren't home.��������H- It's him, isn't it? - We don't know that.��3�����Look, we see the parallels,�� ������but you cannot leap to conclusions.���C�u���R�����I mean, it's the anniversary.���������She's six years old, taken from her front yard.��]C�u��}�����What was that?�� ������ @I checked.��ڠ�����Olivia's mother has a history of drug abuse.���C�u��~�����Just like my mom. I mean, just like the other victims.��9������[tense music]�� �C�u��.������♪ ♪�������4Well done. Just double back���C�u@��E^�����to check if anybody wasn't home.�� ������We'll interview friends and family.��Ԡ�����Okay.��������(Oversee the canvass teams and widen the perimeter.��ՠ�����Hey. How can we help?��C�u@��]������We need to comb through the other cases,��������find any connections we can between them.�������� �Any of the girls that were taken,���������did any of them survive?���C�u@��q������No, all the girls were found dead��4������less than a month after they disappeared,�� ����� hexcept Blanca, who was found near death.���������What was different about her?��sC�u@���S�����Best guess, she was the first.��̠����VHe didn't know what he was doing.��_����� ?Well, he does now.��頫����He won't make that mistake again.���C�u@���������You know your jobs. Get it done.�� ������ E- Celina. - Yeah.��۠�����Hey, look, I just wanted to say that��HC�u@��������I remember what it was like to not know what happened���á��kto someone you love. I mean, there were a bunch of times���������I thought we had a lead and nothing ever panned out.�� +C�u@���S�����So don't get my hopes up.�� ������Yeah, I guess that's what I'm trying to say.�� a������Yeah, no. Thank you. I gotta stay objective. Yeah.�� +C�u@���H�����Anything south of Hobart Street,��頨���syou take it all the way down--��s�����Hang on a sec. You got that?��C�u@�� נ����Bailey.�������� ,I know what I said this morning,����á��=but I heard you needed more bodies for the door to door.��4C�u@��!Ҡ����So here I am. - I wasn't gonna say anything.��y�����I'm just going to check in with the civilian team.��B����� �Hey, what's on your hands?��頛���BUh... wood stain.�� YC�u@��@��¡��Okay, so you went to power wash the outdoor furniture--��������It just looked so bad after all the rains��\������that I had to sand it and refinish it.���C�u��X������[sighs]��������- I tried to do nothing. - Yeah, I know.��&����� �It's important you tried. - Yeah.��C�u��n�����- You're doing great. - Okay.��\������Yeah, I'll call you back. All right, bye.�� hC�u@���ؠ����Detective Dave Delgado.��������Sergeant Wade Grey. [both laughing]�� 젦���Man, thanks for coming down.�� C�u@���p�����Have a seat. - Yeah, man.��������I heard you had a lead on the Juarez case.��������BI ran three red lights getting over here.���C�u@���젲���Well, I hope we didn't waste your time.��s������Eh, if I wasn't here,�������� �I'd be watching "Bosch" in my underwear.������- [chuckles] - Never retire.�� �C�u@��������Look, we know everything in the case file.��������&What we need is what's not in the file.�� נ�����Well, there was this one guy,�� �C�u@��쾠����Drew Heslov.��������HLived in the area, didn't have an alibi.��������And he's a Megan's Law 290 sex offender.��C�u@�� 4�����Not much to build a case around.�� ������Exactly.��.����� NBut I interviewed him. Real creep.���������Felt like he was enjoying the whole thing.��C�u@�� ������All right, we'll check him out.�������� I hear the, uh--��y����� the sister's a rookie here.�� ������She is.���C�u@�� 3e�����She'll make a good detective one day.��������4She has great instincts.�������� �Yeah, well, she came by them the hard way.�� �C�u@�� I`�����Something like that happens when you're a kid,��9������changes the way you see the world.�� ������Yeah.��kC�u�� dW�����[distorted shouts of playing children]��V������Celina, vamos! [giggles]�� �C�u�� �������Celina!��k������Celina.��~������- Officer Chambers! Hey! - [chuckles]�� @C�u@�� �I�¡��I thought I might see you at the cemetery this morning.��ࠬ���jWell, I-- I must have missed you.�������� {You know, I saw the picture of your graduation.���C�u�� �/�����But it's a whole other thing in person.�� ����� �I'm so proud of you.���������Thank you.�� C�u�� Ҁ�����There's someone I want you to meet.�� +����� �This is my TO, John Nolan.�� �C�u@�� �f�����This is Officer Joel Chambers.��������- Pleasure. - Nice to meet you.����á��KYeah, Joel's one of the cops who helped look for Blanca.�� EC�u@�� ������Joel Chambers.��������Thank you, sir.�� ����� �I don't remember seeing your name on the report.��B������Yeah, we've been going over the case file.���C�u@� ;�����I--I didn't, uh, write a Form 3.�� ������ 1In a case like this, everyone just pitches in.���������Right.��C�u@�� 1������Now, when we found her, when she was in the hospital,��W������Joel visited every day.�� �������I have something.���C�u�� K������It's a shoe print. - Excuse me.��Ҡ�����[clears throat]��QC�u@�� b;�����Can I offer a hand? - Oh, sorry.��������4I can't let anyone inside without detective approval.��%����� �I--I promise I know better than to��C�u�� v������contaminate a crime scene. [chuckles]�� נ���� a- Rules are rules. - Of course.���C�u�� ������She's a good kid.�������� |[phone ringing]�� �C�u@�� �ܠ����Smitty, what's up?�������yI don't want you to worry about the detective's exam.�� p�����sI'm on it. - Wait, what?���C�u�� �������- Leave it to Smitty. - No, Smitty.��������Please don't-- [call disconnects]��V����� �God.��C�u@�� �8�����He hung up.��e������So you won't be making detective.��&����� �But, um, there's other career paths, right?���C�u@�� 􆠯���This the guy that Delgado mentioned?��������Yeah, Drew Heslov.�������� YBack in the aughts he did five years for��۠�����lewd acts with a minor.���C�u�� ������He's been on probation ever since.��ᠷ���kWe are less than a mile from Olivia's house.�� �C�u�� /r�����- Officers. - Can we come in?���������We both know I can't stop you.�������� �Mm-hmm.��kC�u@�� IU�����Where were you between 10:00 and 11:00 this morning?��y�����Why? What happened?�������� FSir, just answer the question.��頝����[sighs] I was here.���C�u�� `A�����Alone?��e������Yeah.�� ������ Move aside.��BC�u�� v�����[groans]��HC�u�� �d�����That's a gift.��.������Really? For who?�������� �One of my nieces.��_������You don't have any nieces.���C�u@�� �Y�����I like dolls. That's not a crime.��������9Per the terms of your probation,��������Jyou're not allowed to own children's toys.�� C�u�� �M�����This is harassment!��.������I think you two should leave.��_������Sit down.�������BNow.��eC�u�� �~�����Do not move, do not touch anything,��:������or you will be in violation of your probation.�� �C�u�� 捠����7-Adam-7.��������BWe need additional units to 7858 West Cedar.�� �C�u@�� �����Detectives.�� ������You have a minute? - What's up?�������� �Earlier today, an officer dropped by.���������He worked Blanca's case back in the day.��HC�u@�� ������According to Celina, he visited constantly.��9������- A little overinvolved? - Maybe.���������And today, he tried to get inside��jC�u@�� 2������the crime scene's inner perimeter.��ᠶ���kMaybe these kinds of cases hit home for him��ࠟ����and he wants to help.���C�u@�� FҠ����Or maybe he wanted an excuse for his DNA��������to be at the scene.�������(I looked into him. He had a daughter,���C�u@�� [Q�����lost custody of her when she was six years old.��j������The same age as the missing girls.��e����� �And today was his daughter's birthday.�� MC�u@�� }������[helicopter whirring]��۠����eLook, I know it's not a slam dunk, but I think�������� �it deserves a closer look. Nolan is right.���C�u@�� �ɠ����There's something off about Officer Chambers.��������How do you want to proceed?��.����� FJoel's been on duty all morning.��������eWe want to check his shop's GPS,�� C�u@�� �ؠ����see if he went anywhere near her house.��4������He has a history with Olivia's family.������� YI can bring him in under the guise of���C�u@�� �y�����needing background intel. - Good.��%������The minute he realizes he's a suspect,��G������he'll ask for his reps and shut down.���C�u@�� �B�����Lucy and Aaron have a new suspect.�� ������I'll check in with them and report back.��y����� �All right. Keep me posted.�� C�u@�� ������Do you see that?��4������Harper and Lopez are making secret calls in their car.�� �������They'll update us when they get something concrete.�� C�u@�� ������You know what's going on.�� ������If you're keeping something from me��s����� �because you think I'm too close to the case,��ࠗ����please don't.���C�u@�� +Ġ����How well do you know Joel?��4������Yeah, we've kept in touch. Why?��j������Does he ever talk about his daughter,���C�u�� @���the one he lost custody of when she was six?��������4No.��C�u@� U������Wait. You--you don't--�� N����� �you don't think he did this?��.������Did you know today is her birthday?�� �C�u�� n������So you think--what,��H������he just takes these girls to replace her?��KC�u@�� �L�����Maybe. It's a theory.��̠����VNo, it's a coincidence.��V����� 6Maybe that's why he gets involved,�� ������because it reminds him of her.���C�u@�� �L�����Okay, I know this is hard for you to hear--��������~Hard to hear?��4�����<He's the reason I'm a cop-- because of him.�� �C�u�� �꠷���Listen, you're wrong, and he didn't do this.�� �C�u@�� �������- Find anything? - No sign of Olivia.��������%He could have built all sorts of hidden areas�� ����� �over the years. We need dogs and infrared.���������Already requested.��C�u@��𠫡��Mr. Heslov, I'm Detective Lopez.�� N����� �Does the name Olivia Vargas mean anything to you?��à����%That's what all this is about?�� ,C�u@��ˠ����You think I did something to her?��<������Answer the question.���������Have you ever met Olivia Vargas?��Ҡ����.Ah, it's hard to say. A picture might jog my memory.��C�u��<������Yes or no.��������Come on. Give me a few details.���C�u@��R������We are going to turn this house inside out.�� ������ #If we so much as find a hair that doesn't belong here,�� C�u@��io�����you're going to prison.��������4Do you need details on that,�� ����� �or do you remember what it's like��s������to be a pedophile behind bars?���C�u�����ġ��These cases are the worst, just every parent's nightmare.��������BYou have kids? - Yeah, a daughter.��4C�u@���������Losing her would destroy me.��.������So if you need any help, I'm here.�� N������He's wearing different shoes.��\C�u@���*�����Are you sure?��������I am.�������� +His other ones had a zipper on the side,��Q�����so they don't have to be tied.���C�u@���A�����Yeah, he saw that we found a shoe print at the scene.��Ҡ����\Probably threw the old ones in the LA river.��s����� YI mean, or his old ones were uncomfortable,��������kor Nolan's wrong.���C�u@���$�����Celina, I'm aware of the history.��������HBut if you can't examine the facts objectively--��W�����)Sorry. I'm--I'm good.��3C�u@�� �����Joel was called to Olivia's house��������3several times before the abduction.�������� SHe was also called to���������the second and third victims' homes.��4C�u@��������We gotta know if Blanca fits the same pattern.��������Bring Carla in.��.�����HLet's see what she remembers.�� C�u@��/������There's no record of an arrest��������or any sort of calls made to our house.��B����� �And only your mom knows for sure.��B������We'll find out.�� �C�u@��K������According to the logs,��̠����VJoel was at a premise check at a warehouse��y����� Yat the time of the abduction.��۠�����GPS on the shop says that he was there 30 minutes.�� �C�u@��i{�����How far is the warehouse from Olivia's house?��������Far enough he would have to drive.��Ҡ����mOr maybe he had a car stashed there.��Q�����HLook, I can go to the location,��QC�u@���������drive the route from Olivia's and back,��������see if it even works.��Ǡ���� �- Keep me updated. - Yeah.��Ơ����JSo according to the file,���C�u@���������you answered a 415 at Olivia's house.�� Z����� �That's right. It was about a month ago.���������The neighbor called it in.�� C�u@���������Olivia's mom was kicking out�� ������her most recent deadbeat boyfriend.�� �������Yeah, we are actually looking into him.���C�u���g�����And did you see Olivia?��������Yeah, she was hiding in a corner.��栞����Pretty badly shaken.��sC�u@���a�����She begged me not to take her mom away.��y�����- And you didn't? - No signs of abuse.�� ������CThere wasn't much I could do but refer them���C�u��������to Child Protective Services.��������:You ask me,��������Qwe're far too lenient with parents.���C�u��ɠ����You'll get no argument from me there.��Ġ���� NCPS is overwhelmed.��s�����KEven when there's abuse,��eC�u@��#�����the parents get them back half the time.�� ������ �It is maddening.��s������I mean, so many deserving parents out there���C�u@��:࠸���just struggling through the adoption process.�� ����� �Exactly.��j�á���You also participated in the search for Celina's sister?���C�u@��]������Is that right?��預���sIt is.�������� �Why? You don't think the two cases are related?�������HOh, it's just an avenue we're exploring.���C�u���\�����[exhales heavily]��e������Oh.�������� 7I really need to get home. My birds are--��~C�u@���������I know, okay, but this is important.�� 0����� �We'll get you home just as soon as we can.��̠����We just need to know���C�u���ᠼ���if you remember meeting an Officer Joel Chambers.�� ����� �Of course.����� He was very helpful.�� C�u��Ȗ�����He--he still checks in on me years later.��������9And when did you first meet him?�� TC�u��ܭ�����[sighs]��e������It was such a long time ago.��d����� �Mami, I need you to tell me everything,�� "C�u@���7�����no matter how upsetting.��Ҡ����\There were so many police officers around.�� +�����Okay, so you met him after Blanca was taken?��]C�u��/�����- I guess so. - Mami!��ڠ����dCelina.�� p�����_[soft tense music]�� �C�u��+�����Look... I get it.��Ԡ����^I--I used to think you wouldn't leave the house��C�u@��A���because you didn't have answers,��������because everyone you crossed on the street���������could be her killer, but I understand now.�� �C�u@��_ޠ����You left once and the world ended,��������so you never left again.�� ������Guilt is what's kept you locked away.�� TC�u��~������And the only way out is to tell the truth.�� g����� �♪ ♪��NC�u���������Okay.��������HAbout a month before Blanca got taken...���C�u���2�����Officer Chambers found me passed out in my car.�� ������ #I was high.��������BI had drugs on me.��kC�u���i�����I begged him not to arrest me.��(������I told him I had to get home to you and your sister.��.C�u���Ӡ����And he drove me home.�� h����� �Did he talk to your daughters at all?��������4[sniffles]�� C�u��������He waited in his car.��9������And I went and brought them outside.���C�u��)������He watched us play, and--�� +����� �and then he drove away.��Ҡ����I'll let Harper know.���C�u��M������Wait.��Ҡ���� YYou don't think he took her?�� �C�u��f������We're not sure yet.���C�u��|�����I was so grateful he didn't arrest me.��~����� I never thought--�� 1C�u���ܠ����[breathes shakily]�����yIs that the reason he took Blanca?��4C�u��������Because of me?��������[sobbing]��KC�u���������[notification chimes]�� ������ �Uh, just one more thing.��P�����_We talked to Celina's mom, Carla.���C�u���נ����She says you picked her up before the kidnapping?�� g����� �You could have arrested her and you didn't.�� �C�u@���נ����- Really? - Yeah,��.������You said you didn't meet them until�������� �after Celina's sister went missing.�� C�u��d�����Oh.��ڠ���� �Uh, I guess I forgot. - Ah.�� �C�u@��U�����You meet so many people in our line of work.��:������You remember everyone that you picked up��Q����� �when you were on patrol? - Oh, God, not a chance.���C�u@�0<�����I have two kids, so I can barely remember breakfast.��������Uh, give me a minute, will you? - Of course.���C�u��F�����Hey, am I free to go?��������)It'll just be a second.���C�u��}�����Detective Lopez. Found something.��:�����4What is it?��QC�u���%�����[dramatic music]��HC�u���������According to Tim, Joel had plenty of time�� ������ ?to drive from the premise shack to Olivia's house.���C�u@���������Just because he could have doesn't mean he did.���������I saw his face when I caught him in the lie.��9�����KHe was terrified.��������kWell, do you think you could get more��C�u@��ҵ�����if you keep questioning him?��P������No. He asked if he was free to go.��\����� �He knows he's a suspect.��3C�u���4�����He's forcing you to show your hand.��s������[phone ringing]�� �C�u@���e�����Angela, you're on speakerphone with Wesley and Nyla.�� נ���� aWe found something at Drew's house.���������It's Olivia's teddy bear.���C�u��e�����Drew's our guy. He took her.���C�u��+K�����[distorted voices echoing]�� +����� �[ringing music]�� �C�u��@v�����♪ ♪��Ҡ����\[echoing] Celina.��Ҡ�����♪ ♪���C�u@��Z|�����Celina.��頛���s- Celina. - Yes.��%����� "Lopez wants him in interview three.��Q������Yes, right.�� ?C�u��vB�����So this means Joel's innocent, right?��������:We don't know anything for sure.�� pC�u@���\�����Hey, you sure it's Olivia's teddy bear?��H������Lab's working on a DNA match now,��������and Olivia's mom IDed it as hers.���C�u@���������So where does that leave us in the Joel theory?��.������I still like Joel.��ڠ���� He has been overly involved in both cases,���������and he lied to us about his prior contact��VC�u@��������with Celina's mother.��B������Yeah, but any good defense attorney will argue��d����� �that his only crime is caring too much.�����4Both abductions happened on his daughter's birthday.��4C�u@���������Coincidence?��������BWell, that's why he got so involved.��Ǡ���� �He saw his daughter in these two girls.��H�š��eIt's shaky, but you only need one jury member to buy that.�� SC�u@���7�����The teddy bear, on the other hand,��4�ɡÁ�Drew's lawyer will have a hell of a time explaining that away.�������KYou found it in his backyard.���C�u@�� Ġ����Anyone could've gained access.��e������Look, if you are Joel,��������nyou know that they found a boot print.�� �C�u@��"������The first thing you do is throw those boots away.��4������The second thing you do is��P����� �throw suspicion on someone else.��H�����jHe knew Drew was a suspect back in the day,��kC�u@��>�����the perfect patsy. I can sell that.��y�����Okay, we're a long way from a jury.�� 1������There's a missing girl out there.���C�u@��Tޠ����She's the priority.�������� Can you press Joel, get a confession?������� �No, he knows I'm onto him.��B�����yWe could arrest. - But that starts a clock.��C�u��o������We have 72 hours to bring charges.��4������And we're not ready for that.����� 7Then we let him go.���C�u���T�����Keep working Drew.��������&On it.�� C�u@���@�����So I wanted you to be the first to know,�� h����� �we got him.�����k- Really? - I don't know if you remember���C�u���������the guy from Blanca's case, Drew Heslov?�� ������ ?Yeah, he had a prior conviction.�� ,C�u��ȱ�����Yep, that's the guy.�� M����� �They found Olivia's teddy bear in his yard.�� �C�u��ݗ�����Did you bring him in?��������%Yeah, he's in processing right now.��H������Huh.��BC�u@���Z�����- So thank you... - Oh.�� ������- For all of your help. - Of course, of course.��y����� �Listen, it's time for me to clock out,��s������but if you need anything else, you got my cell.�� �C�u��D�����- Yeah. - Okay.���C�u@��*r�����We need a surveillance team.��������That's six cops now out there looking for Olivia.��������JI told him that we found Olivia's teddy bear,���C�u@��A蠫���but he did not ask about Olivia.��~����� He doesn't need to. He knows exactly where she is.��������PI am telling you, it is Joel.���C�u��Y^�����We can't let him out of our sight.��������9Let's alert metro.��HC�u@���������[radio chirps]��P������Walking to his personal vehicle,�������� bsilver pickup truck.��\�ơ��HCalifornia plates, two, George, Adam, Tom, one, two, three.��_C�u���������[engine starts]��Ơ���� Y[engine starts]���C�u@��ţ�á��North Compass Point has him, westbound Whilshire.��Ҡ����\Number two lane, approaching a stale green.���������Two for cover.��VC�u@��������Wheatley, Bradford. - Go for Wheatley.��e������Confirm we have all six units on this,��������four compass points, two rovers.��C�u@��񺠩���- Affirm, boss. - Good.��Ҡ����\Everyone keep radios low, cover coats on,���������and be ready for crazy Ivans.��dC�u��*�����He may do a counter. We cannot let him get away.��᠟����Can you ID this item?���C�u�������Aw, it's a teddy bear.�� ������ Was it hers, that Olivia kid you were asking about?�� C�u��1Ơ����- Yes. - Oh, she must be young.�� ������ ?Eight years old?��QC�u��G6�����Younger?��࠯���jHave you ever seen this item before?��&�����No.��C�u��\�����Then how do you explain its presence in your backyard?�� �����QWhat?��yC�u@��t?�á��How did Olivia's favorite toy come into your possession?��à���� M[handcuffs clatter] - It didn't.���������I don't know.���C�u���G�����You're lying. - I'm not lying.��������:We found it in your backyard.�������� |No!���������[sighs]��yC�u@��������Look, I know what I am.�� ������ EI know what I've done.�� ������But I swear, I've never laid eyes on that kid.��_C�u@���ࠞ���[tense music]�� T����� �Bradford, this is Wheatley.��̠����4Target has landed in the parking���C�u@�ݍ�����of a home improvement store.��j�ɡÁ�I'm pulling into the other entrance to the parking lot.��HC�u@���۠����All right, Bradford copies. All units compass up.��9������Standby for roll call in three.���������Target is making contact with another subject.�� �C�u��������Male, white, blue jacket, black pants.��砼��� qTarget is handing the subject his gym bag.�� �C�u@��0y�ơ��Subject number two is walking away with the gym bag.��������All units, stay with primary.��H�����sConfirm, you don't want anyone going with��eC�u@��F۠����that secondary?��~����� No, no. He knows he's under surveillance.��������He's trying to split the team.�� C�u@�]�����Secondary is approaching a black Charger.��y����� �He'll be away in five, four, three, two--�� �C�u@��v۠����Miller, Jones, Clark, go with secondary.��������Wheatley, Smith, and I will stay with primary.�������� 7And get me six additional units ASAP.���C�u���7�̡ƁCopy that. Secondary units, work off encrypted channel 18.���C�u���������Bradford on point.���C�u���ʠ����Primary's approaching a motorcyclist.��\������They're talking.��jC�u��������Primary is taking the motorcycle.��\������I have eyes on primary.�� �C�u���I�����[tense music]�� ����� �♪ ♪���C�u@��#������Wheatley, Bradford,�����ywhat's the ETA on those additional units?��&�����)ETA nine minutes.���C�u@��; �����Copy that. We have a fresh green.��e������Looks like he's picking up speed.�� ������&He knows we're here. I just hit the lights.��yC�u��U2�����[siren wailing]�� v����� [rock music]�� C�u��lʠ����♪ ♪�� ������Control, can I get an airship assist?���C�u@���ʠ����Metro, Pico and Washington.��������Copy, Air 5 is closest. She's en route.��j�����ETA 3 minutes.��������Speeds approaching 100.�� C�u���q�����Sarge, I can stay with him.��������He's now 120, getting on the 405 North.�� C�u@���'�����- On the shoulder. - Negative, shut it down.��������%- Sarge, he took a kid! - Speed's 130.��������_Negative, shut it down.���C�u@���������It's not worth plowing into some innocent family.��ᠪ���kCopy that. Shutting down.���������[sirens wailing]���C�u��� ����Primary is gone.��������Damn it.��4C�u@���������- You let him get away? - Celina.��������- Excuse me? - Joel has her.��C�¡�� �I mean, he's probably on his way to kill her right now.��H������We're all aware of the situation, Officer Juarez.��xC�u@��������Okay, then why weren't there more units?��<������I mean, how could this happen?��.�����~My apologies, sergeants.��.����� 6Officer Juarez, Joel is a cop.�� �C�u@��&0�����He knew our techniques, and he used them against us.��������9There's nothing metro could have done.��V�����He is gone.��C�u��=렩���The only question now is where?��������_- Where could he be? - Better.�� +C�u��V������Listen up.�� ?����� �Our suspect is a cop.���C�u@��k8�����He's been meticulous and smart every step of the way.�� ����� �We need to be smarter.��̠�����No one pulls something like this off���C�u���������without leaving a trail. Find it.�� @����� �Let's go.��Ơ����[soft dramatic music]�� �C�u���렘���♪ ♪���C�u���������Uh, sorry, I just needed a minute.�� ������Oh, of course.���C�u���g�����You know, I never knew my father.�� ɠ���� SWhen I was little, I used to wish Joel--�� 1C�u@��솠����What do I tell Olivia's mom?��y�����I mean, she's so scared.�� ����� �She's counting on us to find her.��B�����e- And we will. - But what if we're too late?�� �C�u@��������What if we have to tell her that Olivia's gone,��3������and it's our fault that we-- - Okay.��砱���.Maybe you need to take a little break.���C�u@��~�����I can't. I can't do anything else until we find her.�� 젗��� vSarge?��B�����BLooks like they've got something.��C�u@��><�����We've been combing through Joel's unit history,��V������every name, address, license plate he logged��������_while on duty over the last three months.��dC�u@��S������Yeah, six weeks ago, he cleared a pair of squatters��B������out of a foreclosed home.�������� It's a low income area, mostly industrial.��������But you could easily get in and out���C�u@��jS�����without anyone noticing. - That's a slim lead.����ǡ��Yeah, except it's less than a mile away from Olivia's house,�� 0C�u@��~��ơ��and he cleared it three days after he first met the family.�������� +He was getting everything in place.���������Okay, well, then that's it. Olivia's there.��4C�u���������[soft dramatic music]�� ����� �♪ ♪���C�u@��E������All inbound units, metro unit on scene.��������Vehicle registered to our suspect is parked out front.������� No sign of our 207 victim.��BC�u@��\|�����Second team is 9-7.��������We're in the alley behind target on Sheldon.�������� "All right, we need eyes inside.��Ǡ����sLet's get a ball cam ready.���C�u@��r�����What's the play?��.������We need to get a better look inside,���������see how much firepower's in there.��yC�u���#�����Ball cam's live.��Ơ����P[soft tense music]�� 젘����♪ ♪���C�u@��˹�����Okay, I can see him. He can see us.��栱��� p- What about Olivia? - No sign of her.���������So we breach, right? I mean, we have to find her.�� �C�u@��蓠����If she's alive, that's a sure way to change that.��k������We need to get him talking.�������� Her best chance is if we can end this�� ������without firing a shot.���C�u@���Ġ����You give me some cover, I'll get a phone to Joel.�����yPhone drop.�������� �Get ready to approach.�����4♪ ♪��C�u@��*������Joel, we're just gonna throw a phone��k������on the other side of the door, all right?��9������All we want to do is talk,�� qC�u��E5�����settle this before anyone gets hurt.�� 񠘡�� {♪ ♪���C�u@��vI�����I confirm suspect has a 9 millimeter��V������in his right hand. No other weapons are visible.�������� [whirring]���C�u���Š����Wait, what was that? Turn it around.��d����� EShe's out cold. Probably drugged.���C�u@���q�����[gunshot echoes]��������CWhat was that?��V����� #He shot the camera.��۠�����[phone rings] - This is Sergeant Bradford.��%C�u@���������Did you think I wouldn't notice��=������your little eye rolling around?������� bYou know I had to take a look,��4����� assess the situation.���C�u@���砫���- Who's that? - [shushes softly]��y�����Is that Olivia?�������� FNo more cameras and get your guys back.��jC�u@���!�����I can do that for you��۠����ebut I need you to do something for me.��P����� ?I need to make sure Olivia's okay.��Q�����She's fine. I'm protecting her.���C�u@��`�����Okay, that's great.�������� But it would help if we could see her.��ՠ����No, not a chance.�������I show my face, you're gonna blow it off.��C�u@�������[line disconnects]�� ������He thinks he's protecting her.��e����� �That's gotta be a good thing, right?���������He thought he was protecting Blanca too.�� C�u@��4D�����He's probably justifying the murders,��������death being better than the life they were living.��9�����PYeah, but if he's not willing to talk,�� C�u��I*�����then we need to go in.���������[line ringing]�� �������[phone rings]�� MC�u��d������I am done talking.��y�����It's me. It's Celina.��CC�u��y������Joel?�������� �Yeah.�� �����mI'm outside.���C�u@���������Listen, I--I know that you don't understand.��\������Her parents didn't deserve her. - I know.��������You did it to keep her safe, just like the others,��HC�u���������just like--like Blanca.�� ����� �I think they remind you of your daughter.���C�u@��������I just want to be a father again.�� b����� �Why don't they understand?����ġ��4They just keep crying and begging to go back home.�� SC�u@��������I gave them a better life than they ever had,��������&and they want to go back to some loser drug addict?���C�u��<�����Tell him what he wants to hear.���C�u�� �����You're right.��������HThey needed you.��Ơ���� �They--they needed a father,���C�u��0"�����someone to-- to guide them, to--�� ������ to keep them safe.�� ?C�u@��H�����But Olivia's not safe right now, is she?��G������Not with all these guns outside.��.����� �We need to get her out of that house.�� �C�u@��m{�����We're not leaving.��������&I don't trust anyone out there.�������� ZOkay, well, then what about me?��B�����&How about I-- I come get Olivia?���C�u@���p�����Joel, it's over.��������You need to know that.��j������End it by doing what you wanted to do.��C�u���������End it by protecting her.��������4[call disconnects]��BC�u@��������Do you think he's gonna let her go?��������- I don't know. - All right, we're in position.��W����� �As soon as she's clear, we breach.�� ?C�u@�� ������Celina! - Celina, hey!��9������We're good.��������KLook alive. Move, move.��������j- [whimpers] - It's all clear.�� �C�u�� $Q�����Breach. [door slams]��9������Go, go, go.��4C�u�� :������Clear.��Ǡ����Clear.��������KClear in here.��jC�u�� PϠ����- Clear. - Clear.�������� �Good.���������There. Are you okay? Are you hurt?�� �C�u�� qN�����Clear.��B������Clear!�������� [faint rustling]�� �C�u�� �᠐���Clear.���C�u�� �������[suspenseful music]��������Drop the gun.�������� �♪ ♪���C�u�� �������Drop the gun!�� N����� �♪ ♪��B������Drop it!��_C�u�� ������[gunshot]��yC�u�� �W�����Suspect down. Send an RA.��������[sighs]��G�����Q♪ ♪�� ?C�u�� �������Hey, Harper.��H������Um...��̠����(Tim is still in with IA.�� +C�u��!k�����Look, the officer involved shooting interview��H������is very thorough.���������Tim's fine. - Right.���C�u@��!,ܠ����Hey, Chen.��.������I've got news for you.��頨��� +It's not a great time, Smitty.��������mIt's about the detective exam.�� �C�u@��!Fz�����The detective blocking you is Prim.�� ؠ���� bHe heard about your little scheme to help Bradford��Ҡ�����and was less than impressed.��BC�u@��!_�����Oh, the five player trade.�� ؠ���� bTurns out treating people like puppets��̠�����wasn't the best way to make friends.���C�u��!w'�����Thank you, Smitty.�� ������JI did warn you.��������jI know.���C�u��!�������Hey.��������Let him talk to Grey first.���C�u��!�O�����Hey, come in.��j������All done with IA?���C�u��!�]�����Uh, yeah.��H�á���I'm sure you'll be cleared to return to work in no time.��C�u��!�Ӡ����I hope so.��kC�u��"������Hey.��������You know you had to take the shot.�� +�����4I know.�� C�u��"L�����Just 'cause he wanted to die��頬���sdoesn't mean he wasn't dangerous.�� q�����nI know.���C�u��"0$�����[sighs]�������� �Is there anything I can do?��tC�u��"R������Can I get back to you on that?�� ������ Take your time.���C�u@��"p������You know, it's her first time visiting Blanca's grave.�� ?����� �I honestly never thought she'd make it here.�� �C�u��"�������How was she on the drive over?��&������Shaky. She didn't say a word.�� ?C�u��"�*�����She's still not here--�� N����� �Blanca.���������And I think I know why.��HC�u��"�堗���She moved on.��Q������She knows I don't need her anymore.�� �C�u��"ڒ�����You want to go join your mom?��:C�u��#�����I brought him into our lives.��V������No, he preyed on your illness.��ࠣ���JYou can't blame yourself.��yC�u��##a�����[voice breaking] But I do.�� ������KAnd I blame myself for all the days and weeks�� C�u��#[soft hopeful music]���C�u��#�<�����[sobs]��s������Oh, baby.�� C�u��#�Ҡ����[sobs softly] I forgive you.��%������♪ But it's over ♪�������QI'm sorry.��VC�u@��$�����Jack is asleep.��4�š���And according to my watch, I paced up and down our hallway��~������for a total of 12 miles.�� pC�u��$Ġ����[sighs]�� b����� �I thought that was impressive.�� +C�u@�$2e�����What's this?��������A mommy blogger posted top 10 ways to prevent�� b�����yyour kid from getting taken.���C�u@��$T�ơ��You know the vast majority of missing kids are taken by a--�� v����� A non-custodial parent.��4������I know.�� C�u@��$u������This was a hard case.��������B♪ Set my soul on fire ♪�� +������♪ Take me to the light ♪��C�u��$�F�����Celina's mom...�� ������ 0I don't know how you survive that.���C�u��$�Ӡ����♪ Set my soul on fire ♪�� ������ ♪ Take us to the light ♪��~C�u@��$����If you're worried about Jack's safety,��H������we could always have Charlie come back.��y������Charlie?��C�u��$�`�����Oh, the smoking hot ex-SAS bodyguard?�� 㠥���mI'm not saying I want that.��C�u��$�Z�����Just thinking about your peace of mind.��e������- Hmm, how selfless. - [laughs]�� YC�u��$�,�����You are a bad ass.��̠����VAnd I'm no slouch.�� �������Jack and the new baby are gonna be safe.�� C�u��%]�����Okay?��e������♪ You wouldn't recognize me now ♪��j����� �Yeah.��eC�u��%-/�����[crying]�� ������ �I'll get him.��4�����B[continues crying]�� �C�u��%I��š��♪ Till it's full of hope, set my soul on fire ♪�� |�����"AirTag your kids"?���C�u��%_������[scoffs] No.��������4♪ ♪��������Mm--no.��BC�u��%y�����How are you doing with everything?��&������I'll be okay.��à�����You know, maybe you should try--��eC�u@��%������Exercise before going to bed?���������Yeah, I know.�������� �It's not the first time I--�������� �No, I--I know it isn't.���C�u��%�>�����I know that. I just--��~����� I--I want to be helpful.��砑���yI know.���C�u��%������Thank you.��4����� You need help studying?��y����� There's no way I would have scored���C�u��%�}�����as well on the sergeant's exam without you.��������That's true.�� ?�����HYou owe me.�� C�u��%�[�����- I don't owe you. - You owe me.�� ����� �♪ Set my soul on fire ♪��ڠ���� Okay.���C�u��&������We saved a kid, solved a cold case,�� ?����� �and helped our friend find closure.�� aC�u@��&c�����And there's still technically three hours left��������&on my day off. - Oh, there are?���������I can finally rest.���C�u@��&.-�����Oh, I'm sorry I can't let you get any rest tonight.�� ������ I have plans for you.��۠����s- Oh, really? - Yeah, yeah.���C�u��&F������So settle in for a nice, long night of...��C�u��&^������catching up on "The Bachelor."��栭��� pOh, there's gonna be limo arrivals�� �C�u��&s6�����and rose ceremonies.�� 񠠡�� {Sadly, lots of crying.��yC�u��&�������For every dream realized, a hope will be dashed.��&C�u��&�d�����Honey?�� N����� �Baby?��s������♪ ♪��jC�u��&�-�ȡIf you don't want me to watch ahead without you, just say so.�� ������ I love you too.��yC�u��&�堧���[upbeat hip-hop music]�� 젘��� v♪ ♪���C�u��'QҠ����Damn it.���73627

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