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♪♪
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♪ IMPOSSIBLE IMPOSSIBLE
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IMPOSSIBLE
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♪
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>> I REMEMBER IT LIKE IT WAS
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YESTERDAY.
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TO BE THE FIRST WOMAN OF COLOR
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TO PLAY HERE.
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>> CINDERELLA CAN BE WHOEVER YOU
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WANT HER TO BE BECAUSE IT'S A
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FAIRY TALE AND THAT'S THE
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BEAUTY.
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>> FOR WHITNEY HOUSTON TO BE MY
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FAIRY GOD MOTHER.
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>> AS BLACK AS YOU COULD
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POSSIBLY BE.
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♪ THE PRINCE IS GIVING A BALL
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♪
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>> I HAD PEOPLE TELL ME THAT IT
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WOULDN'T WORK, THAT WE WERE
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CRAZY.
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>> AT THE TIME IT WAS AN
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EXTRAORDINARY IDEA.
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>> SUDDENLY, YOU HAVE A BLACK
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WOMAN AS A QUEEN, A WHITE MAN AS
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THE KING AND AN ASIAN MAN AS THE
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PRINCE.
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>> CARL ALEXANDER, FRANCOIS
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REGINALD.
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>> IN OUR GUT WE WERE LIKE THIS
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COULD BE REALLY SPECIAL.
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>> IF YOU CAN DREAM IT, YOU CAN
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BE IT.
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>> WHAT YOU'RE SAYING TO YOUNG
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PEOPLE THAT WERE WATCHING, THIS
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COULD BE YOU.
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♪♪
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♪ WHEN YOU WISH UPON A STAR ♪
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♪ MAKES NO DIFFERENCE WHO YOU
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ARE ♪
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♪ ANYTHING YOUR HEART DESIRES
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WILL COME TO YOU ♪
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♪
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>> "CINDERELLA," CAN YOU BELIEVE
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IT'S BEEN 25 YEARS SINCE WE SHOT
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THIS THING?
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GIRL, 25 YEARS AND I'M STILL
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WEARING THIS SAME DRESS.
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STILL GOT IT.
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ANYTHING CHANGE, THOUGH?
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MY FEET HURT.
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AIN'T THAT THE TRUTH.
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>> WHEN I WAS A LITTLE GIRL,
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CINDERELLA TO ME, WHAT I SAW WAS
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A LITTLE BLOND GIRL, YOU KNOW,
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SHE'D BE IN A GARDEN WITH
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BUTTERFLIES AND BLUEBIRDS, I
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MEAN, THAT WAS ME.
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>> THE IMAGE THAT I HAD IN MY
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HEAD OF CINDERELLA WAS DISNEY'S
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ORIGINAL ANIMATED VERSION.
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>> IT WAS A GIRL IN A BLUE BIG
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POOFY BLUE DRESS WITH BLOND
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HAIR.
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>> HER PERSONALITY WAS JUST VERY
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BRIGHT, VERY BUBBLY.
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I MEAN, SHE SANG WITH THE BIRDS
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♪ A DREAM IS A WISH YOUR HEART
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MAKES ♪
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♪
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>> CINDERELLA IS AN UNDERDOG,
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CINDERELLA HAS LOST HER FATHER,
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AND HER STEPMOTHER IS VERY MEAN
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AND KEEPS HER IN THE BASEMENT.
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>> SHE WAS A DREAMER, AND NO
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MATTER HOW SHE WAS TREATED, SHE
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STILL FOUND HER KINDNESS AND
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FOUND HER CENTER.
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THAT INSPIRED ME AS A LITTLE
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GIRL.
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>> IF YOU HAD ASKED ME BEFORE I
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SAW THIS SPECIFIC "CINDERELLA"
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WHAT A PRINCESS WAS, I WOULD
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HAVE IMMEDIATELY THOUGHT BLOND
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HAIR, BLUE EYES, NEVER WOULD I
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HAVE THOUGHT SHE WAS A BLACK
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GIRL WITH A RASPY SULTRY TONE TO
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HER VOICE WITH BRAIDS.
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>> THERE ARE NO HARD AND FAST
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RULES FOR FAIRY TALES, EXCEPT
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ONE, BELIEVE IN MAGIC.
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>> MY FAVORITE PRINCESS IS
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MOANA.
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>> MY FAVORITE PRINCESS IS ELSA.
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>> MY FAVORITE PRINCESS IS
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AURORA.
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>> MY FAVORITE PRINCESS IS
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CINDERELLA BECAUSE MY
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GRANDMOTHER'S FAVORITE COLOR IS
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BLUE.
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>> TIANA IS MY FAVORITE
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PRINCESS.
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BECAUSE, LIKE, I DON'T REALLY
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SEE THAT MANY BLACK PRINCESSES
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AROUND.
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>> SO MY DREAMS WHEN I WAS A
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YOUNG GIRL WAS TO BE A SINGER,
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HAVE MY OWN BAND, AND MEET
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WHITNEY HOUSTON.
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THAT WAS IT.
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I HAD NO IDEA THAT MY DESTINY
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WOULD TAKE ME TO A ROLE,
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CINDERELLA, BE THE FIRST WOMAN
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OF COLOR TO PLAY HER AND THEN
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FOR WHITNEY HOUSTON TO BE MY
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FAIRY GOD MOTHER, YOU GOT TO BE
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KIDDING ME.
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>> I CAME ON BOARD AS WHITNEY'S
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PRODUCING PARTNER.
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WHITNEY LOVED "CINDERELLA."
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IT WAS ONE OF THE THINGS SHE WAS
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MOST PROUD OF IN HER CAREER.
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SHE TOTALLY UNDERSTOOD THE
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VALUE, THE IMPORTANCE, THE
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SIGNIFICANCE OF HAVING A BLACK
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CINDERELLA.
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>> I THINK PEOPLE ARE SO
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FASCINATED WITH "CINDERELLA" AND
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THE REASON WHY IT'S SO TIMELESS
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IS BECAUSE IT IS ABOUT SOMEONE
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COMING FROM A PLACE OF STRUGGLE.
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>> BRANDY, AT THAT MOMENT, WAS
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SINGULARLY SPECIAL.
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SHE WAS 17.
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SHE HAD A BIG, SUCCESSFUL
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TELEVISION SERIES IN MOESHA AND
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SHE ALSO HAD PUT OUT HER FIRST
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ALBUM, SO SHE HAD IT ALL.
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>> WHITNEY CALLED ME, AND SHE
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SAID I'VE GOT THIS PROJECT,
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DEBRA AND I'VE GOT THIS PROJECT,
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AND WE WANT YOU TO DO THIS MOVIE
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CALLED "CINDERELLA," WE WANT YOU
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TO PLAY CINDERELLA.
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I WAS LIKE, I THOUGHT YOU WERE
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GOING TO BE CINDERELLA.
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I'M 33 NOW, I'M NOT QUITE
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FEELING LIKE CINDERELLA.
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I STARTED SCREAMING, RUNNING
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AROUND THE HOUSE.
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IT'S A REAL LIFE FAIRY TALE FOR
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ME AS MYSELF AND FOR THE
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CHARACTER.
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IT'S LIKE A PARALLEL, LIKE I'M
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CINDERELLA BUT MY DREAM IS ALSO
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COMING TRUE AS CINDERELLA'S
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DREAMS ARE COMING TRUE.
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IT'S ALL HAPPENING AT THE SAME
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TIME.
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>> THIS IS A VERY VERY
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HISTORICAL MOMENT.
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FOR ME.
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I'M STANDING NEXT TO YOU.
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>> I'M A FAIRY GODMOTHER, AND
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THAT'S KIND OF COOL.
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>> ISN'T THAT COOL?
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>> YOU'RE THE PERFECT
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CINDERELLA, AND I'M YOUR
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FAVORITE GODMOTHER.
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>> I HAD SEEN JULIE ANDREWS
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PERFORM "CINDERELLA," LESLIE
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ANNE WARREN BUT I WAS A HUGE FAN
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OF BRANDY, AND I WAS LIKE THIS
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IS GOING TO BE A VERSION OF
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"CINDERELLA" THAT PEOPLE WILL
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PROBABLY NEVER FORGET, AND TURNS
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OUT I WAS RIGHT.
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♪ IN MY OWN LITTLE CORNER IN MY
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OWN LITTLE CHAIR ♪
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♪ I CAN BE WHATEVER I WANT TO
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BE ♪♪
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>> WHEN SHE SANG "IN MY OWN
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LITTLE CORNER" JUST ABOUT THIS
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GIRL WHO'S LONELY AND FANTASIZES
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IN HER OWN LITTLE CORNER, THAT'S
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HER PLACE IN LIFE WHERE SHE
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FEELS SAFE, SHE BROUGHT AN
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INNOCENCE THAT'S REALLY
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BEAUTIFUL.
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>> "IN MY OWN LITTLE CORNER" IS
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WHAT'S KNOWN IN THE THEATERS,
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THE I WANT SONG, AND ALMOST
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EVERY MUSICAL HAS THAT, WHERE
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THE MAIN CHARACTER, YOU GET TO
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KNOW WHAT DO THEY WANT.
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♪ IN MY OWN LITTLE CORNER ALL
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ALONE
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♪
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>> I WISH, I WISH I COULD GO TO
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THE BALL.
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>> WHEN I GREW UP, I DIDN'T SEE
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PEOPLE WHO LOOKED LIKE ME ON THE
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SCREEN.
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BIG OR LITTLE.
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AND YOU DON'T FEEL INCLUDED.
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WELL, HOW MUCH DOES SOCIETY
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VALUE ME.
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THE STANDARD OF BEAUTY WAS
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DIFFERENT.
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LIKE, YOU KNOW, I REMEMBER
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GROWING UP, IT WAS BLONDS HAVE
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MORE FUN.
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>> I DID NOT THINK I WAS
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BEAUTIFUL.
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AND PEOPLE REMINDED ME THAT I
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WASN'T BEAUTIFUL.
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YOU KNOW, CONFIRMING WHAT I
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THOUGHT OF MYSELF.
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>> ALL OF THESE THINGS THAT ARE
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SUBTLE, BUT AROUND YOU ALL THE
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TIME, THEY MAKE YOU QUESTION WHO
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YOU ARE AND HOW FAR YOU CAN GO
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AND WHAT YOU CAN BE, AND WHAT
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YOU CAN DO.
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>> BUT THERE'S SOMETHING HIGHER
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THAT CAN DREAM BIGGER FOR YOU.
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I THOUGHT I WAS UGLY, AND THEN I
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TURNED OUT TO BE THE FIRST BLACK
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PRINCESS.
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THAT'S PRETTY MIND BLOWING.
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>> THE CASTING OF THIS WAS ONE
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OF THE HARDEST THINGS I HAVE
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EVER DONE.
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WE MADE THE DECISION THAT WE
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WERE GOING TO DO NOT COLOR BLIND
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CASTING BUT DIVERSE CASTING.
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>> THERE WAS NO SPECIFIC WE WANT
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A BLACK KING OR A WHITE, IT WAS,
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YOU KNOW, WHATEVER CAME
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TOGETHER, HOWEVER CASTING WORKS.
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>> SO THE IDEA OF HAVING
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CINDERELLA BE A YOUNG BLACK
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GIRL, AT THE TIME WAS AN
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EXTRAORDINARY IDEA.
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BUT THEN SUDDENLY YOU HAVE A
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BLACK WOMAN AS A QUEEN, A WHITE
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MAN AS THE KING, AND AN ASIAN
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MAN AS THE PRINCE, AND AT FIRST
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GLANCE YOU GO, WHAT?
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>> HONESTLY, IT DIDN'T REALLY
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OCCUR TO ME UNTIL I REALIZED,
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OH, THIS IS VERY DIVERSIFIED AND
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THEN AFTERWARDS, I THOUGHT, OH,
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THIS IS REALLY SPECIAL.
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>> YOU KNOW, PERIODICALLY, WE'RE
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SITTING AND WATCHING THINGS
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HAPPEN, AND, YOU KNOW, YOU
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WHISPER TO THE PERSON NEXT TO
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YOU, CAN YOU BELIEVE THIS.
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>> CINDERELLA WAS NEVER DONE
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00:09:00,139 --> 00:09:02,675
THAT WAY BEFORE.
262
00:09:02,675 --> 00:09:05,211
WHICH WAS SAYING TO YOUNG PEOPLE
263
00:09:05,211 --> 00:09:06,412
THAT WERE WATCHING THIS COULD BE
264
00:09:06,412 --> 00:09:06,679
YOU.
265
00:09:06,679 --> 00:09:08,214
THERE'S A PLACE FOR EVERYBODY.
266
00:09:08,214 --> 00:09:10,816
THERE'S A CHANCE FOR EVERYBODY.
267
00:09:10,816 --> 00:09:12,885
IT'S A STORY FOR EVERY LITTLE
268
00:09:12,885 --> 00:09:14,954
BOY AND GIRL OF EVERY COLOR.
269
00:09:14,954 --> 00:09:16,489
>> WHAT DID YOU SAY YOUR NAME
270
00:09:16,489 --> 00:09:16,889
WAS?
271
00:09:16,889 --> 00:09:19,325
>> CINDERELLA.
272
00:09:19,325 --> 00:09:21,427
>> PEOPLE DIDN'T WANT ME TO DO
273
00:09:21,427 --> 00:09:24,363
THIS PROJECT, AND I FELT LIKE
274
00:09:24,363 --> 00:09:25,698
THIS IS THE PROJECT THAT I AM
275
00:09:25,698 --> 00:09:27,199
GOING TO DO NO MATTER WHAT.
276
00:09:27,199 --> 00:09:31,103
>> IT WAS JUST A FANTASTIC BOLD,
277
00:09:31,103 --> 00:09:33,205
BRAVE, WONDERFUL, PROGRESSIVE
278
00:09:33,205 --> 00:09:33,306
IDEA.
279
00:09:33,306 --> 00:09:34,173
>> WHO ARE YOU?
280
00:09:34,173 --> 00:09:36,542
>> I'M YOUR FAIRY GODMOTHER,
281
00:09:36,542 --> 00:09:37,777
HONEY.
282
00:09:37,777 --> 00:09:38,344
>> YOU?
283
00:09:38,344 --> 00:09:41,280
>> YOU GOT A PROBLEM WITH THAT?
284
00:09:41,280 --> 00:09:44,717
>> SHE'S A FAIRY GODMOTHER, AS
285
00:09:44,717 --> 00:09:52,625
BLACK AS YOU COULD POSSIBLY BE.
286
00:09:57,697 --> 00:10:02,201
♪ IMPOSSIBLE FOR A PLAIN YELLOW
287
00:10:02,201 --> 00:10:04,570
PUMPKIN TO BECOME A GOLDEN
288
00:10:04,570 --> 00:10:05,705
CARRIAGE ♪
289
00:10:05,705 --> 00:10:07,907
♪ IMPOSSIBLE FOR A
290
00:10:07,907 --> 00:10:08,874
♪
291
00:10:08,874 --> 00:10:11,577
>> HOW DO I WANT TO SING
292
00:10:11,577 --> 00:10:13,245
"IMPOSSIBLE".
293
00:10:13,245 --> 00:10:14,814
♪ IMPOSSIBLE
294
00:10:14,814 --> 00:10:18,718
♪ THAT WOULD BE LIKE THE R AND
295
00:10:18,718 --> 00:10:20,886
B.
296
00:10:20,886 --> 00:10:21,020
YOU WERE NOT DOING THAT IN THE
297
00:10:21,020 --> 00:10:22,888
MOVIE.
298
00:10:22,888 --> 00:10:23,756
I DID SOMETHING COMPLETELY
299
00:10:23,756 --> 00:10:24,623
DIFFERENT, JUST KEPT IT
300
00:10:24,623 --> 00:10:25,057
STRAIGHT.
301
00:10:25,057 --> 00:10:27,360
>> BRANDY WAS AN R AND B SINGER.
302
00:10:27,360 --> 00:10:29,562
GOSPEL WAS IN HER ROOTS AS WELL,
303
00:10:29,562 --> 00:10:32,631
SO THIS KIND OF SINGING WAS NEW
304
00:10:32,631 --> 00:10:33,599
TO HER.
305
00:10:33,599 --> 00:10:35,201
BUT YOU KNOW WHAT, SHE EMBRACED
306
00:10:35,201 --> 00:10:36,602
IT LIKE A CHAMP.
307
00:10:36,602 --> 00:10:38,437
>> HONESTLY, MY ULTIMATE
308
00:10:38,437 --> 00:10:41,207
FAVORITE MOMENT WAS NEVER IN THE
309
00:10:41,207 --> 00:10:41,474
MOVIE.
310
00:10:41,474 --> 00:10:44,176
IT'S IN THE STUDIO WITH WHITNEY.
311
00:10:44,176 --> 00:10:45,945
>> THIS IS CINDERELLA.
312
00:10:45,945 --> 00:10:47,880
>> SHE DOESN'T KNOW THAT WHEN I
313
00:10:47,880 --> 00:10:49,482
FIRST RELEASED MY ALBUM, HER
314
00:10:49,482 --> 00:10:51,517
NAME WAS LIKE IN ALL OF MY
315
00:10:51,517 --> 00:10:51,650
INTERVIEWS.
316
00:10:51,650 --> 00:10:54,020
AND SHE'S STANDING NEXT TO ME.
317
00:10:54,020 --> 00:10:55,221
>> NOTHING BEATS THAT.
318
00:10:55,221 --> 00:10:57,923
NOTHING BEATS THAT MOMENT.
319
00:10:57,923 --> 00:10:59,759
>> THEIR CHEMISTRY WAS JUST OFF
320
00:10:59,759 --> 00:11:00,826
THE CHARTS.
321
00:11:00,826 --> 00:11:03,863
I THINK BRANDY ADMIRED HER SO
322
00:11:03,863 --> 00:11:04,130
MUCH.
323
00:11:04,130 --> 00:11:05,798
I THINK WHITNEY WAS SO LOVING TO
324
00:11:05,798 --> 00:11:06,632
HER, AND WHAT COULD BE MORE
325
00:11:06,632 --> 00:11:08,134
PERFECT THAN THAT, THAN HAVING
326
00:11:08,134 --> 00:11:10,336
YOUR FAIRY GODMOTHER BE SOMEONE
327
00:11:10,336 --> 00:11:12,004
THAT LOVES YOU, AND YOU LOOK UP
328
00:11:12,004 --> 00:11:12,304
TO.
329
00:11:12,304 --> 00:11:14,340
>> SHE'S A VERY SWEET AND
330
00:11:14,340 --> 00:11:15,908
INNOCENT CHILD.
331
00:11:15,908 --> 00:11:17,610
>> DO THAT NOTE AND GO ALL THE
332
00:11:17,610 --> 00:11:19,545
WAY BACK FROM THE MIC, AND I'LL
333
00:11:19,545 --> 00:11:19,812
COME FORWARD.
334
00:11:19,812 --> 00:11:21,280
>> WHO JUST REALLY NEEDS
335
00:11:21,280 --> 00:11:23,649
ENCOURAGEMENT TO GET TO THE NEXT
336
00:11:23,649 --> 00:11:24,283
STEP.
337
00:11:24,283 --> 00:11:25,651
>> I JUST WANTED TO DO IT RIGHT.
338
00:11:25,651 --> 00:11:25,918
♪♪
339
00:11:25,918 --> 00:11:28,554
>> BRANDY HAS A LIGHTER VOICE,
340
00:11:28,554 --> 00:11:30,356
AND SHE'S, YOU KNOW, THIS YOUNG
341
00:11:30,356 --> 00:11:33,025
GIRL, AND SHE HAS THIS KIND OF
342
00:11:33,025 --> 00:11:35,628
HUSKY BREATHINESS THAT'S VERY
343
00:11:35,628 --> 00:11:37,997
APPEALING AND WORKED GREAT WITH
344
00:11:37,997 --> 00:11:40,533
"IN MY OWN LITTLE CORNER" AND
345
00:11:40,533 --> 00:11:43,436
REQUEST "IMPOSSIBLE."
346
00:11:43,436 --> 00:11:44,270
>>
347
00:11:44,270 --> 00:11:48,140
♪ IT'S POSSIBLE IT'S POSSIBLE
348
00:11:48,140 --> 00:11:49,809
IT'S POSSIBLE IT'S POSSIBLE
349
00:11:49,809 --> 00:11:50,009
♪
350
00:11:50,009 --> 00:11:52,945
>> AND WHITNEY HAD THAT STRONG,
351
00:11:52,945 --> 00:11:55,915
YOU KNOW, REALLY CLEAR.
352
00:11:55,915 --> 00:11:57,016
♪ IMPOSSIBLE
353
00:11:57,016 --> 00:11:57,316
♪
354
00:11:57,316 --> 00:11:58,084
>> REAL CLEAR BELT.
355
00:11:58,084 --> 00:12:01,053
I LOVED THE MIXTURE OF THE TWO
356
00:12:01,053 --> 00:12:01,520
VOICES
357
00:12:01,520 --> 00:12:07,359
♪ IT'S POSSIBLE IT'S POSSIBLE
358
00:12:07,359 --> 00:12:09,195
IT'S POSSIBLE ♪
359
00:12:09,195 --> 00:12:13,332
♪ BUT THE WORLD IS FULL OF
360
00:12:13,332 --> 00:12:15,835
ZANIES AND FOOLS WHO DON'T
361
00:12:15,835 --> 00:12:18,237
BELIEVE IN SENSIBLE RULES ♪
362
00:12:18,237 --> 00:12:20,406
♪ AND WON'T BELIEVE WHAT
363
00:12:20,406 --> 00:12:22,174
SENSIBLE PEOPLE SAY AND BECAUSE
364
00:12:22,174 --> 00:12:24,376
THEY KEEP BUILDING UP IMPOSSIBLE
365
00:12:24,376 --> 00:12:24,610
HOPES ♪
366
00:12:24,610 --> 00:12:27,980
♪ IMPOSSIBLE THINGS ARE
367
00:12:27,980 --> 00:12:31,650
HAPPENING EVERY DAY ♪♪
368
00:12:31,650 --> 00:12:34,487
>> SHE'S GOSPEL FAIRY GODMOTHER,
369
00:12:34,487 --> 00:12:36,021
HONEY, SHE SANG THE.
370
00:12:36,021 --> 00:12:36,355
[ BLEEP ]
371
00:12:36,355 --> 00:12:37,289
OUT OF THAT.
372
00:12:37,289 --> 00:12:39,125
IMPOSSIBLE, YOU KNOW, AND BRANDY
373
00:12:39,125 --> 00:12:41,427
WAS LIKE BLACK PRINCESS AND JUST
374
00:12:41,427 --> 00:12:44,130
BECAUSE OF THE QUALITY OF HER
375
00:12:44,130 --> 00:12:46,332
VOICE, IT'S A COMPLETELY
376
00:12:46,332 --> 00:12:49,335
DIFFERENT STORY.
377
00:12:49,335 --> 00:12:53,139
♪ IMPOSSIBLE IMPOSSIBLE
378
00:12:53,139 --> 00:12:58,611
IMPOSSIBLE IMPOSSIBLE IMPOSSIBLE
379
00:12:58,611 --> 00:12:58,844
IMPOSSIBLE ♪
380
00:12:58,844 --> 00:12:59,078
♪
381
00:12:59,078 --> 00:13:00,513
>> I REMEMBER IT LIKE IT WAS
382
00:13:00,513 --> 00:13:00,779
YESTERDAY.
383
00:13:00,779 --> 00:13:03,048
AND I'M NERVOUS, BUT I'M NOT
384
00:13:03,048 --> 00:13:05,417
NERVOUS BECAUSE I FEEL SO -- I
385
00:13:05,417 --> 00:13:06,852
CAN BE MYSELF AROUND HER.
386
00:13:06,852 --> 00:13:10,256
AND THEN SHE FEELS LIKE SHE CAN
387
00:13:10,256 --> 00:13:11,657
BE HERSELF AROUND ME.
388
00:13:11,657 --> 00:13:13,492
AND SO LIKE THIS MAGIC IS
389
00:13:13,492 --> 00:13:15,060
HAPPENING, AND I'M LIKE OH, MY
390
00:13:15,060 --> 00:13:23,469
GOD, SHE REALLY SINGS LIKE THIS.
391
00:13:23,469 --> 00:13:25,771
>> WHY ARE YOU DOWN THERE.
392
00:13:25,771 --> 00:13:27,339
>> BECAUSE I CAN'T SING AS HIGH
393
00:13:27,339 --> 00:13:30,509
AS YOU GIRL.
394
00:13:30,509 --> 00:13:33,546
♪ IMPOSSIBLE
395
00:13:33,546 --> 00:13:33,746
♪
396
00:13:33,746 --> 00:13:35,014
>> CAMERA MARK.
397
00:13:35,014 --> 00:13:38,050
>> PLAY BACK.
398
00:13:38,050 --> 00:13:41,587
>> THE FEELING OF THIS WHOLE
399
00:13:41,587 --> 00:13:44,156
PROJECT IS MAGICAL.
400
00:13:44,156 --> 00:13:45,791
>> ONCE WHITNEY AND BRANDY
401
00:13:45,791 --> 00:13:47,359
BECAME INVOLVED WITH IT, IT
402
00:13:47,359 --> 00:13:48,827
SEEMED LIKE WE HAD TO CHANGE HOW
403
00:13:48,827 --> 00:13:51,864
WE WERE GOING TO PRESENT THE
404
00:13:51,864 --> 00:13:52,264
MUSICAL.
405
00:13:52,264 --> 00:13:55,734
>> SHE'S A BLACK WOMAN.
406
00:13:55,734 --> 00:13:57,336
AND SASSY, AND LIKE THIS IS A
407
00:13:57,336 --> 00:13:59,972
BLACK SHOW NOW, HONEY, AND THERE
408
00:13:59,972 --> 00:14:01,373
AIN'T NO TURNING BACK.
409
00:14:01,373 --> 00:14:02,908
>> YOU WANT TO KNOW WHAT HER
410
00:14:02,908 --> 00:14:06,645
PROBLEM IS, SHE CAN'T HANDLE HOW
411
00:14:06,645 --> 00:14:07,846
FABULOUS YOU ARE.
412
00:14:07,846 --> 00:14:09,181
>> IF THERE'S EVER ONE NIGHT,
413
00:14:09,181 --> 00:14:10,616
AND I WANT TO GO OUT TO A BALL,
414
00:14:10,616 --> 00:14:12,685
AND SOMEONE SHOWS UP IN AN OLD
415
00:14:12,685 --> 00:14:15,621
FRUMPY BLUE AND PINK DRESS AND
416
00:14:15,621 --> 00:14:20,359
SINGING BIPPITY, YOU'RE NOT IT.
417
00:14:20,359 --> 00:14:21,460
I WANT THE WHITNEY FAIRY
418
00:14:21,460 --> 00:14:22,695
GODMOTHER TO TAKE ME TO THE
419
00:14:22,695 --> 00:14:23,062
BALL.
420
00:14:23,062 --> 00:14:25,497
>> SHE WAS A TOUGH FAIRY
421
00:14:25,497 --> 00:14:26,432
GODMOTHER, SHE'S VERY SNAPPY.
422
00:14:26,432 --> 00:14:27,600
>> AND THE SMALL SUGGESTION
423
00:14:27,600 --> 00:14:29,635
UNDER IT IS YOU WANT TO MAKE
424
00:14:29,635 --> 00:14:31,503
MAGIC, YOU GOT TO WORK.
425
00:14:31,503 --> 00:14:34,173
>> AND THEN THOSE CLOTHES, GOLD
426
00:14:34,173 --> 00:14:36,342
IS REGAL.
427
00:14:36,342 --> 00:14:37,910
GOLD FEELS MAJESTIC.
428
00:14:37,910 --> 00:14:39,044
IT JUST POPS.
429
00:14:39,044 --> 00:14:42,281
>> THERE IS AN ELEMENT OF
430
00:14:42,281 --> 00:14:43,916
FANTASY THAT YOU BRING TO THE
431
00:14:43,916 --> 00:14:44,316
COSTUME.
432
00:14:44,316 --> 00:14:46,685
>> WHAT WE DID WAS ACTUALLY
433
00:14:46,685 --> 00:14:50,222
CONTINUE THE THEMES THROUGHOUT
434
00:14:50,222 --> 00:14:52,324
IN THE DESIGN OF THE FABRIC AND
435
00:14:52,324 --> 00:14:55,361
THE DESIGN OF THE APPLIQUES.
436
00:14:55,361 --> 00:14:58,264
HERE IT IS ON BERNADETTE'S COAT.
437
00:14:58,264 --> 00:15:02,768
IT'S ON BRANDY'S SPIRALS.
438
00:15:02,768 --> 00:15:04,670
WHEN YOU SIGN ON TO DO A
439
00:15:04,670 --> 00:15:07,506
PRINCESS SHOW, THERE ARE RULES.
440
00:15:07,506 --> 00:15:11,877
MANY MANY MOONS AGO, THEY DREW
441
00:15:11,877 --> 00:15:14,346
CINDERELLA IN A BLUE DRESS.
442
00:15:14,346 --> 00:15:16,982
>> OH, IT'S A BEAUTIFUL DRESS.
443
00:15:16,982 --> 00:15:19,485
>> THOSE RULES HAVE TO BE
444
00:15:19,485 --> 00:15:20,719
ADHERED TO.
445
00:15:20,719 --> 00:15:22,021
CINDERELLA WILL ALWAYS HAVE A
446
00:15:22,021 --> 00:15:22,221
BLUE DRESS.
447
00:15:22,221 --> 00:15:24,823
>> WE WANTED THE COSTUMES TO,
448
00:15:24,823 --> 00:15:27,893
LIKE, JUST TRANSPORT YOU
449
00:15:27,893 --> 00:15:29,161
IMMEDIATELY TO SOMETHING
450
00:15:29,161 --> 00:15:32,531
GORGEOUS AND SPECIAL AND
451
00:15:32,531 --> 00:15:32,731
ROMANTIC.
452
00:15:32,731 --> 00:15:34,967
>> MY CLOTHES WERE SO DIVINE
453
00:15:34,967 --> 00:15:38,170
THAT I WISH I COULD WEAR THEM
454
00:15:38,170 --> 00:15:42,841
NOW.
455
00:15:42,841 --> 00:15:43,942
HATS THAT WERE KIND OF
456
00:15:43,942 --> 00:15:44,677
ASYMMETRICAL, THE COLORS WERE
457
00:15:44,677 --> 00:15:48,914
ROYAL PURPLE, AND BALLOONS AND
458
00:15:48,914 --> 00:15:49,615
SCULPTED SKIRTS.
459
00:15:49,615 --> 00:15:51,016
>> BERNADETTE PETERS IS ONE OF
460
00:15:51,016 --> 00:15:53,285
THE SWEETEST, DEAREST, KINDEST
461
00:15:53,285 --> 00:15:56,855
PEOPLE IN THE WORLD, AND THE
462
00:15:56,855 --> 00:15:58,991
WARDROBE GAVE HER AN ADDITIONAL
463
00:15:58,991 --> 00:16:00,592
EDGE TO THE CHARACTER THAT SHE
464
00:16:00,592 --> 00:16:01,260
WAS CREATING.
465
00:16:01,260 --> 00:16:03,395
>> WELL, SHE'S NASTY AT HER
466
00:16:03,395 --> 00:16:04,330
DAUGHTER.
467
00:16:04,330 --> 00:16:08,701
>> TELL ME, CINDERELLA, WHAT
468
00:16:08,701 --> 00:16:11,904
WOULD YOU SAY TO CAPTURE THE
469
00:16:11,904 --> 00:16:13,339
PRINCE?
470
00:16:13,339 --> 00:16:14,039
>> I DON'T KNOW.
471
00:16:14,039 --> 00:16:15,674
>> OF COURSE YOU DON'T.
472
00:16:15,674 --> 00:16:17,309
>> I THOUGHT, WELL, THIS IS AN
473
00:16:17,309 --> 00:16:17,976
INTERESTING CHARACTER TO PLAY,
474
00:16:17,976 --> 00:16:19,845
YOU KNOW, TO ME IT WAS JUST FUN
475
00:16:19,845 --> 00:16:22,614
TO BE ABLE TO PLAY SOMEBODY MEAN
476
00:16:22,614 --> 00:16:24,149
LIKE THAT.
477
00:16:24,149 --> 00:16:26,251
>> DON'T CHANGE THE PATH,
478
00:16:26,251 --> 00:16:28,287
CINDERELLA, IT'S NOT VERY
479
00:16:28,287 --> 00:16:28,654
ATTRACTIVE.
480
00:16:28,654 --> 00:16:32,358
>> IT IS A RISKY CHARACTER IN
481
00:16:32,358 --> 00:16:35,394
THIS PRODUCTION BECAUSE IT IS A
482
00:16:35,394 --> 00:16:37,596
WHITE PERSON MISTREATING A YOUNG
483
00:16:37,596 --> 00:16:38,797
BLACK WOMAN.
484
00:16:38,797 --> 00:16:40,532
>> SO WE WANTED SOMEONE WHO,
485
00:16:40,532 --> 00:16:42,501
WHEN IT WAS TIME TO BE EVIL
486
00:16:42,501 --> 00:16:44,603
COULD TRULY BE EVIL, BUT COULD
487
00:16:44,603 --> 00:16:45,971
ALSO MAKE YOU LOVE HER.
488
00:16:45,971 --> 00:16:48,073
>> I'VE ALWAYS BEEN TOLD I'VE
489
00:16:48,073 --> 00:16:49,875
GOT TWO BIG A HEART.
490
00:16:49,875 --> 00:16:51,310
>> YOU'VE GOT TOO BIG A HEART,
491
00:16:51,310 --> 00:16:51,810
MOTHER.
492
00:16:51,810 --> 00:16:54,680
>> IF I HAD TO WATCH ONE SCENE
493
00:16:54,680 --> 00:16:56,582
FROM THAT MOVIE OVER AND OVER
494
00:16:56,582 --> 00:16:57,850
AGAIN, IT WOULD PROBABLY BE
495
00:16:57,850 --> 00:16:59,685
FALLING IN LOVE WITH LOVE.
496
00:16:59,685 --> 00:17:03,756
♪ FALLING IN LOVE WITH LOVE IS
497
00:17:03,756 --> 00:17:05,124
ONLY FOR MAKE BELIEVE ♪
498
00:17:05,124 --> 00:17:09,528
♪ FALLING IN LOVE WITH LOVE IS
499
00:17:09,528 --> 00:17:10,262
PLAYING THE
500
00:17:10,262 --> 00:17:10,562
♪
501
00:17:10,562 --> 00:17:12,431
>> SHE'S JUST BEING SO SNARKY
502
00:17:12,431 --> 00:17:15,567
WITH EVEN JUST THE PERFUME SHE'S
503
00:17:15,567 --> 00:17:17,035
SQUIRTING AND SHE LOOKS AT
504
00:17:17,035 --> 00:17:19,304
CINDERELLA AND GIVES HER TWO
505
00:17:19,304 --> 00:17:20,739
SQUIRTS, BECAUSE CINDERELLA IS
506
00:17:20,739 --> 00:17:22,074
NOT EVEN WORTH THE PERFUME
507
00:17:22,074 --> 00:17:22,541
SPRAY.
508
00:17:22,541 --> 00:17:25,577
>> SHE'S GOT HER DAUGHTERS, AND
509
00:17:25,577 --> 00:17:27,312
SHE'S ALL DRESSED UP AND SHE'S
510
00:17:27,312 --> 00:17:29,081
ALL GLAMOROUS, AND SHE HAS A
511
00:17:29,081 --> 00:17:30,682
FEATHER BOA, AND SHE FEELS LIKE
512
00:17:30,682 --> 00:17:33,085
HER DAUGHTERS ARE GOING TO WIN
513
00:17:33,085 --> 00:17:34,553
THE PRINCE.
514
00:17:34,553 --> 00:17:37,022
♪ I FELL IN A LOVE WITH LOVE
515
00:17:37,022 --> 00:17:41,660
LOVE EVER LASTING ♪
516
00:17:41,660 --> 00:17:45,297
♪ WHEN I FELL OUT WITH ME
517
00:17:45,297 --> 00:17:45,431
♪
518
00:17:45,431 --> 00:17:50,502
>> SHE DIDN'T HAVE A BIG, A LOT
519
00:17:50,502 --> 00:17:50,936
OF SOUL.
520
00:17:50,936 --> 00:17:54,406
DIDN'T HAVE A LOT OF SOUL.
521
00:17:54,406 --> 00:17:57,209
♪ I HEAR THE SWEET INVENTION OF
522
00:17:57,209 --> 00:17:58,710
A LOVER'S DREAM
523
00:17:58,710 --> 00:17:58,744
♪
524
00:17:58,744 --> 00:18:01,113
>> LOOKING AT THE CAST AS
525
00:18:01,113 --> 00:18:02,848
PRINCE, IT WAS LITERALLY LIKE
526
00:18:02,848 --> 00:18:03,515
CINDERELLA IN THE SLIPPER KIND
527
00:18:03,515 --> 00:18:08,687
OF IN REVERSE.
528
00:18:14,960 --> 00:18:17,830
>> I THINK A PRINCESS WOULD LIKE
529
00:18:17,830 --> 00:18:19,465
TO SING.
530
00:18:19,465 --> 00:18:22,267
>> THEY WEAR SPARKLY DRESSES.
531
00:18:22,267 --> 00:18:23,869
>> THEY LIKE TO GO TO BALLS.
532
00:18:23,869 --> 00:18:25,237
I THINK THEY WEAR A BALL DRESS
533
00:18:25,237 --> 00:18:26,505
EVERY DAY.
534
00:18:26,505 --> 00:18:29,675
>> HAS TO DRESS UP IN A GOWN.
535
00:18:29,675 --> 00:18:30,943
SHE CAN WEAR WHATEVER SHE WANTS.
536
00:18:30,943 --> 00:18:31,877
SHE'S THE BOSS.
537
00:18:31,877 --> 00:18:33,378
>> AND SOME HAVE LIKE
538
00:18:33,378 --> 00:18:34,613
ACCESSORIES ON THEIR HEAD, BUT
539
00:18:34,613 --> 00:18:35,547
SOME OF THEM DON'T.
540
00:18:35,547 --> 00:18:37,149
>> I AM ALREADY A PRINCESS.
541
00:18:37,149 --> 00:18:38,884
THAT'S WHAT I'M GOING TO SAY.
542
00:18:38,884 --> 00:18:40,152
ANY GIRL IN THE WORLD CAN BE A
543
00:18:40,152 --> 00:18:40,652
PRINCESS.
544
00:18:40,652 --> 00:18:43,222
>> CINDERELLA CAN BE WHOEVER YOU
545
00:18:43,222 --> 00:18:46,291
WANT HER TO BE BECAUSE IT'S A
546
00:18:46,291 --> 00:18:47,459
FAIRYTALE AND THAT'S THE BEAUTY.
547
00:18:47,459 --> 00:18:49,995
>> IT'S A REALLY GREAT LESSON.
548
00:18:49,995 --> 00:18:51,497
IT'S A REALLY GREAT LESSON FOR
549
00:18:51,497 --> 00:18:53,732
KIDS OF ALL AGES, YOU KNOW, THE
550
00:18:53,732 --> 00:18:55,400
SWEETEST SOUNDS I'LL EVER HEAR
551
00:18:55,400 --> 00:18:57,536
ARE STILL INSIDE MY HEAD, THE
552
00:18:57,536 --> 00:19:00,205
KINDEST WORDS I'LL EVER KNOW ARE
553
00:19:00,205 --> 00:19:00,873
WAITING TO BE SAID
554
00:19:00,873 --> 00:19:03,308
♪ AND THE DEAREST LOVE IN ALL
555
00:19:03,308 --> 00:19:07,212
THE WORLD IS WAITING SOMEWHERE
556
00:19:07,212 --> 00:19:07,646
FOR ME ♪
557
00:19:07,646 --> 00:19:11,350
♪ WAITING SOMEWHERE FOR ME
558
00:19:11,350 --> 00:19:16,822
♪ IS WAITING SOMEWHERE SOMEWHERE
559
00:19:16,822 --> 00:19:18,757
FOR ME
560
00:19:18,757 --> 00:19:20,792
♪
561
00:19:20,792 --> 00:19:22,594
>> LET'S SEE.
562
00:19:22,594 --> 00:19:27,799
HIS ROYAL HIGHNESS, CHRISTOPHER
563
00:19:27,799 --> 00:19:31,136
RUPERT, CARL ALEXANDER, HELP ME
564
00:19:31,136 --> 00:19:32,070
HERE.
565
00:19:32,070 --> 00:19:38,310
>> CHRISTOPHER RUPERT, FRANCOIS
566
00:19:38,310 --> 00:19:40,779
REGINALD, LANCELOT HERMAN.
567
00:19:40,779 --> 00:19:42,881
>> LANCELOT WAS AN INTERESTING
568
00:19:42,881 --> 00:19:44,316
INCLUSION IN HIS NAME.
569
00:19:44,316 --> 00:19:45,517
I THOUGHT THAT WAS AWFULLY
570
00:19:45,517 --> 00:19:45,684
MERRY.
571
00:19:45,684 --> 00:19:47,553
>> THERE'S MORE?
572
00:19:47,553 --> 00:19:49,555
>> I'M LIKE, Y'ALL, THAT'S TOO
573
00:19:49,555 --> 00:19:50,255
MANY NAMES.
574
00:19:50,255 --> 00:19:53,292
I'M GOING TO CALL HIM CHRIS.
575
00:19:53,292 --> 00:19:54,726
PC, PRINCE CHRIS.
576
00:19:54,726 --> 00:19:57,162
>> IT WAS REALLY CHALLENGING TO
577
00:19:57,162 --> 00:19:59,197
CAST THE ROLE OF THE PRINCE.
578
00:19:59,197 --> 00:20:01,366
>> WE SAW EVERYBODY AND ANYBODY
579
00:20:01,366 --> 00:20:04,269
WHO WAS WILDLY IN THE RIGHT AGE
580
00:20:04,269 --> 00:20:10,576
RANGE, INCLUDING WAYNE BRADY,
581
00:20:10,576 --> 00:20:15,113
TAYE DIGGS, MARK ANTHONY,
582
00:20:15,113 --> 00:20:20,786
ANTONIO SABAO, JR.
583
00:20:20,786 --> 00:20:20,953
LOOK TO GO CAST THE PRINCE.
584
00:20:20,953 --> 00:20:23,088
>> IT'S HARD TO CAST THOSE ROLES
585
00:20:23,088 --> 00:20:24,957
BECAUSE THE PRINCE HAD TO HAVE A
586
00:20:24,957 --> 00:20:26,158
PURITY AND INNOCENCE ABOUT HIM
587
00:20:26,158 --> 00:20:28,427
AS WELL TO REALLY SELL THE
588
00:20:28,427 --> 00:20:29,061
FAIRYTALE OF IT ALL.
589
00:20:29,061 --> 00:20:30,729
>> AND THE VERY LAST DAY OF OUR
590
00:20:30,729 --> 00:20:32,698
CASTING IN NEW YORK, THE VERY
591
00:20:32,698 --> 00:20:35,100
LAST PERSON TO WALK INTO THE
592
00:20:35,100 --> 00:20:36,868
ROOM THAT DAY WAS PAOLO
593
00:20:36,868 --> 00:20:37,536
MONTALBAN.
594
00:20:37,536 --> 00:20:39,137
>> I WASN'T NERVOUS ABOUT IT
595
00:20:39,137 --> 00:20:40,872
BECAUSE I DIDN'T ACTUALLY KNOW
596
00:20:40,872 --> 00:20:43,742
WHAT THE SCOPE OF THIS
597
00:20:43,742 --> 00:20:47,512
PRODUCTION WAS GOING TO BE.
598
00:20:47,512 --> 00:20:47,646
I THOUGHT IT WAS GOING TO BE A
599
00:20:47,646 --> 00:20:50,248
MADE FOR PUBLIC ACCESS CABLE
600
00:20:50,248 --> 00:20:50,482
PRODUCTION.
601
00:20:50,482 --> 00:20:53,552
>> PAOLO WAS AN UNDERSTUDY IN
602
00:20:53,552 --> 00:20:54,753
THE PRODUCTION OF "THE KING AND
603
00:20:54,753 --> 00:20:56,188
I" THAT WAS RUNNING ON BROADWAY.
604
00:20:56,188 --> 00:20:57,889
>> HE WAS LATE BECAUSE HE WAS IN
605
00:20:57,889 --> 00:21:00,158
A SHOW, HAD BEEN IN REHEARSALS,
606
00:21:00,158 --> 00:21:01,893
AND HE OPENED HIS MOUTH, AND HE
607
00:21:01,893 --> 00:21:03,462
SINGS LIKE AN ANGEL, AND WE WERE
608
00:21:03,462 --> 00:21:06,031
LIKE, OH, MY GOD, HOW
609
00:21:06,031 --> 00:21:10,235
INTERESTING TO HAVE A FILIPINO
610
00:21:10,235 --> 00:21:12,037
PRINCE WITH OUR AFRICAN-AMERICAN
611
00:21:12,037 --> 00:21:12,671
BRANDY.
612
00:21:12,671 --> 00:21:15,040
>> HE WAS THIS TALL, INCREDIBLY
613
00:21:15,040 --> 00:21:18,844
GOOD LOOKING GUY, BUT A LITTLE
614
00:21:18,844 --> 00:21:19,277
STIFF, AND WE WENT HOW IS THIS
615
00:21:19,277 --> 00:21:20,612
REALLY GOING TO WORK WITH
616
00:21:20,612 --> 00:21:22,981
BRANDY, AND SO WE PUT THEM
617
00:21:22,981 --> 00:21:25,550
TOGETHER AND SAW IN THE
618
00:21:25,550 --> 00:21:27,152
REHEARSAL ROOM THAT THE
619
00:21:27,152 --> 00:21:29,354
CHEMISTRY WAS MAGIC.
620
00:21:29,354 --> 00:21:35,661
♪ ARE YOU THE SWEET INVENTION A
621
00:21:35,661 --> 00:21:36,795
LOVER'S DREAM
622
00:21:36,795 --> 00:21:37,629
♪
623
00:21:37,629 --> 00:21:39,931
>> OH, PAOLO, HE'S JUST SO
624
00:21:39,931 --> 00:21:42,234
SWEET, SO GENUINE, AND SO
625
00:21:42,234 --> 00:21:42,534
TALENTED.
626
00:21:42,534 --> 00:21:43,769
>> WHEN I DID THE READING WITH
627
00:21:43,769 --> 00:21:45,637
BRANDY ON MONDAY, EVERYTHING WAS
628
00:21:45,637 --> 00:21:47,673
SO EASY AND SO IT WASN'T THAT
629
00:21:47,673 --> 00:21:48,774
STRESSFUL, I GUESS.
630
00:21:48,774 --> 00:21:50,175
I GUESS I DIDN'T KNOW ANY
631
00:21:50,175 --> 00:21:51,043
BETTER, RIGHT.
632
00:21:51,043 --> 00:21:54,046
>> HE WAS THE ONE THAT I WAS
633
00:21:54,046 --> 00:21:56,214
INTIMIDATED BY BECAUSE IT'S
634
00:21:56,214 --> 00:21:57,783
LIKE, HE HAS THIS BIG VOICE,
635
00:21:57,783 --> 00:22:01,920
THIS HANDSOME, THIS TALL,
636
00:22:01,920 --> 00:22:03,121
JUST -- BUT A SWEETHEART, AND I
637
00:22:03,121 --> 00:22:05,624
JUST WANTED TO JUST MATCH HIS
638
00:22:05,624 --> 00:22:06,925
ENERGY.
639
00:22:06,925 --> 00:22:08,527
I WANTED TO SING AS WELL AS HE
640
00:22:08,527 --> 00:22:12,698
WAS SINGING IN ALL THE SONGS.
641
00:22:12,698 --> 00:22:16,668
♪ DO I WANT YOU BECAUSE YOU'RE
642
00:22:16,668 --> 00:22:22,507
WONDERFUL OR ARE YOU WONDERFUL
643
00:22:22,507 --> 00:22:24,843
BECAUSE I WANT YOU ♪
644
00:22:24,843 --> 00:22:25,110
♪
645
00:22:25,110 --> 00:22:26,678
>> SO IT WAS A MAGIC THERE
646
00:22:26,678 --> 00:22:30,182
BETWEEN THE TWO OF US.
647
00:22:30,182 --> 00:22:33,985
>> PAOLO HAD THIS DEEP HONESTY,
648
00:22:33,985 --> 00:22:36,688
AND I THINK THAT QUALITY FILLED
649
00:22:36,688 --> 00:22:38,223
UP THE PRINCE.
650
00:22:38,223 --> 00:22:41,259
HE WAS THE PRINCE, BUT HE WANTED
651
00:22:41,259 --> 00:22:43,261
THINGS THAT WEREN'T JUST GIVEN
652
00:22:43,261 --> 00:22:46,932
TO HIM AS THE PRINCE.
653
00:22:46,932 --> 00:22:47,499
HE WANTED LOVE.
654
00:22:47,499 --> 00:22:49,468
>> THIS IS A COUPLE THAT YOU
655
00:22:49,468 --> 00:22:49,868
ROOT FOR.
656
00:22:49,868 --> 00:22:51,303
THIS IS A COUPLE THAT YOU WANT
657
00:22:51,303 --> 00:22:53,038
TO SEE TOGETHER.
658
00:22:53,038 --> 00:22:56,441
>> HE WAS JUST SO INCREDIBLY
659
00:22:56,441 --> 00:22:56,708
CHARMING.
660
00:22:56,708 --> 00:22:58,310
I DON'T THINK THAT I HAD EVER
661
00:22:58,310 --> 00:23:00,579
SEEN SOMEONE FILIPINO BE THE
662
00:23:00,579 --> 00:23:02,080
LOVE INTEREST IN ANYTHING I HAD
663
00:23:02,080 --> 00:23:03,148
EVER WATCHED, AND I WAS JUST ON
664
00:23:03,148 --> 00:23:03,482
BOARD.
665
00:23:03,482 --> 00:23:05,684
>> I HAD A WONDERFUL TIME TODAY,
666
00:23:05,684 --> 00:23:06,852
NO ONE TREATED ME LIKE A PRINCE.
667
00:23:06,852 --> 00:23:08,019
WHAT A RELIEF TO BE AMONG REAL
668
00:23:08,019 --> 00:23:08,420
PEOPLE.
669
00:23:08,420 --> 00:23:10,789
>> CAN I TELL YOU SOMETHING,
670
00:23:10,789 --> 00:23:12,290
REAL PEOPLE ARE NOT ALL THEY ARE
671
00:23:12,290 --> 00:23:13,158
CRACKED UP TO BE.
672
00:23:13,158 --> 00:23:15,761
>> WHEN THEY FIRST ASKED ME IF I
673
00:23:15,761 --> 00:23:17,028
WOULD BE INVOLVED WITH
674
00:23:17,028 --> 00:23:18,964
"CINDERELLA," MY FIRST REACTION
675
00:23:18,964 --> 00:23:21,566
WAS WHAT ROLE?
676
00:23:21,566 --> 00:23:23,835
>> SO THE FIRST PERSON TO SIGN
677
00:23:23,835 --> 00:23:25,971
ON WAS JASON ALEXANDER.
678
00:23:25,971 --> 00:23:27,339
THAT WAS THE CRACK THAT WE
679
00:23:27,339 --> 00:23:27,639
NEEDED.
680
00:23:27,639 --> 00:23:29,374
>> SO PEOPLE WHO ONLY KNOW ME
681
00:23:29,374 --> 00:23:34,780
SORT OF FROM MY OVERNIGHT
682
00:23:34,780 --> 00:23:37,849
SUCCESS OF GEORGE COSTANZA WHEN
683
00:23:37,849 --> 00:23:40,085
I WAS 25 YEARS INTO MY CAREER
684
00:23:40,085 --> 00:23:41,686
DON'T KNOW THAT MOST OF THE TIME
685
00:23:41,686 --> 00:23:43,355
PRIOR TO THAT I HAD SPENT ON THE
686
00:23:43,355 --> 00:23:45,157
BROADWAY STAGE.
687
00:23:45,157 --> 00:23:46,291
I HAD BEEN STUDYING DANCE SINCE
688
00:23:46,291 --> 00:23:47,559
I WAS 13 OR 14, STUDYING VOICE
689
00:23:47,559 --> 00:23:48,260
SINCE I WAS 12.
690
00:23:48,260 --> 00:23:50,562
INITIALLY I JUST THOUGHT, WHAT
691
00:23:50,562 --> 00:23:52,197
DO THEY WANT ME TO PLAY.
692
00:23:52,197 --> 00:23:53,865
I KNOW I'M NOT CINDERELLA, I'M
693
00:23:53,865 --> 00:23:55,700
NOT THE PRINCE, WHAT'S LEFT, SO
694
00:23:55,700 --> 00:23:56,935
IT WAS A MYSTERY.
695
00:23:56,935 --> 00:23:58,870
AND THEY SAID SOMETHING ABOUT
696
00:23:58,870 --> 00:24:00,472
THE PRINCE'S VALET.
697
00:24:00,472 --> 00:24:03,642
AND I WENT, I DON'T THINK THE
698
00:24:03,642 --> 00:24:04,843
PRINCE HAS A VALET.
699
00:24:04,843 --> 00:24:06,678
AND IF HE DOES, I THOUGHT THEY
700
00:24:06,678 --> 00:24:08,613
MEANT THE TOWN CRIER WHO'S SORT
701
00:24:08,613 --> 00:24:10,849
OF SAYING THE PRINCE IS HAVING A
702
00:24:10,849 --> 00:24:11,082
BALL.
703
00:24:11,082 --> 00:24:14,219
♪ THE PRINCE IS GIVING A BALL
704
00:24:14,219 --> 00:24:14,986
THE PRINCE IS GIVING A BALL ♪
705
00:24:14,986 --> 00:24:15,320
♪
706
00:24:15,320 --> 00:24:16,555
>> IT WASN'T UNTIL THE SCRIPT
707
00:24:16,555 --> 00:24:19,324
SHOWED UP AND I STARTED SEEING
708
00:24:19,324 --> 00:24:22,160
THIS HUGE PREPARATION NUMBER
709
00:24:22,160 --> 00:24:24,596
THAT I WENT, WHERE DID THIS COME
710
00:24:24,596 --> 00:24:28,433
FROM, AND OH, THIS GUY LIONEL
711
00:24:28,433 --> 00:24:30,068
SEEMS TO SHOW UP IN A LOT OF
712
00:24:30,068 --> 00:24:30,368
PLACES.
713
00:24:30,368 --> 00:24:32,037
THIS IS A VERY INTERESTING ROLE.
714
00:24:32,037 --> 00:24:33,638
>> JASON ALEXANDER WAS SO MUCH
715
00:24:33,638 --> 00:24:33,772
FUN.
716
00:24:33,772 --> 00:24:35,407
HE WAS THE ONE THAT KEPT
717
00:24:35,407 --> 00:24:36,408
INTRODUCING THE PRINCE WITH ALL
718
00:24:36,408 --> 00:24:38,844
OF THOSE NAMES.
719
00:24:38,844 --> 00:24:41,913
>> ♪ HIS ROYAL HIGHNESS,
720
00:24:41,913 --> 00:24:47,252
CHRISTOPHER RUPERT HER MAJESTY
721
00:24:47,252 --> 00:24:50,689
QUEEN CONSTANTINE MAISSEY
722
00:24:50,689 --> 00:24:50,789
♪
723
00:24:50,789 --> 00:24:52,090
>> I REMEMBER VERY LITTLE OF THE
724
00:24:52,090 --> 00:24:52,457
SONG.
725
00:24:52,457 --> 00:24:55,026
I REMEMBER "THE PRINCE IS HAVING
726
00:24:55,026 --> 00:24:57,762
A BALL, HIS ROYAL MAJESTY, AND
727
00:24:57,762 --> 00:24:59,464
NOW WE'RE IN NAME LAND, AND I
728
00:24:59,464 --> 00:25:01,299
CAN NEVER GET THROUGH THAT.
729
00:25:01,299 --> 00:25:02,000
I DON'T REMEMBER THE THING, WE
730
00:25:02,000 --> 00:25:12,944
HAVE TO HAVE A THING, AND PAS
731
00:25:12,944 --> 00:25:13,745
BED SHEET.
732
00:25:13,745 --> 00:25:17,749
I DON'T REMEMBER ANY OF THAT.
733
00:25:17,749 --> 00:25:17,983
♪♪
734
00:25:17,983 --> 00:25:18,984
♪ HE'S GETTING A BALL
735
00:25:18,984 --> 00:25:19,251
♪
736
00:25:19,251 --> 00:25:21,386
>> AT THE END THERE'S THIS
737
00:25:21,386 --> 00:25:22,988
ICONIC MOMENT AND THEY ZOOM OUT
738
00:25:22,988 --> 00:25:24,256
AND YOU SEE PEOPLE WHO ARE DOING
739
00:25:24,256 --> 00:25:25,757
THE FABRIC, PEOPLE DANCING WITH
740
00:25:25,757 --> 00:25:27,893
THE MEAT RACKS AND IT GOES SO
741
00:25:27,893 --> 00:25:29,427
WELL TOGETHER.
742
00:25:29,427 --> 00:25:31,129
>> THE PRINCE IS GIVING A BALL.
743
00:25:31,129 --> 00:25:31,630
>> GIRLS.
744
00:25:31,630 --> 00:25:35,367
>> WELL, FIRST, I FLUTTER MY
745
00:25:35,367 --> 00:25:35,700
EYELASHES.
746
00:25:35,700 --> 00:25:35,934
>> EXCELLENT.
747
00:25:35,934 --> 00:25:38,270
>> I'M GOING TO
748
00:25:38,270 --> 00:25:40,405
START WITH THE CURTSY.
749
00:25:40,405 --> 00:25:45,277
>> OH, MY GOSH, KALIAPI AND
750
00:25:45,277 --> 00:25:47,012
MANERVA WERE JUST LIKE INSANE.
751
00:25:47,012 --> 00:25:49,414
>> CINDERELLA.
752
00:25:54,019 --> 00:26:01,860
>> AND ACTION.
753
00:26:01,860 --> 00:26:05,497
>> WHAT DO YOU THINK, MOTHER?
754
00:26:05,497 --> 00:26:06,731
>> IT'S CERTAINLY NOT THE SORT
755
00:26:06,731 --> 00:26:09,100
OF THING YOU SEE EVERY DAY.
756
00:26:09,100 --> 00:26:10,235
>> I SAW IT FIRST.
757
00:26:10,235 --> 00:26:12,337
HOW DO YOU THINK IT LOOKS ON ME,
758
00:26:12,337 --> 00:26:13,004
MOTHER?
759
00:26:13,004 --> 00:26:16,975
>> CINDERELLA WAS ONE OF THOSE
760
00:26:16,975 --> 00:26:18,176
PROJECTS WHERE EVERY DAY WAS A
761
00:26:18,176 --> 00:26:19,477
DELIGHT TO COME TO WORK.
762
00:26:19,477 --> 00:26:20,745
IT WAS ALL I COULD DO HALF THE
763
00:26:20,745 --> 00:26:23,448
TIME TO STOP MYSELF LAUGHING AND
764
00:26:23,448 --> 00:26:26,318
RUIN A TAKE.
765
00:26:26,318 --> 00:26:28,119
>> OH, MY GOSH, CALLIOPE AND
766
00:26:28,119 --> 00:26:29,087
MINERVA WERE JUST INSANE.
767
00:26:29,087 --> 00:26:31,856
THE COMEDIC TIMING, IT WAS LIKE
768
00:26:31,856 --> 00:26:32,891
PEANUT BUTTER AND JELLY.
769
00:26:32,891 --> 00:26:34,826
THEY JUST WENT TOGETHER SO WELL.
770
00:26:34,826 --> 00:26:37,262
>> BOTH NATALIE AND VEANNE,
771
00:26:37,262 --> 00:26:38,196
PRETTY FUNNY, PRETTY PRETTY
772
00:26:38,196 --> 00:26:38,496
FUNNY.
773
00:26:38,496 --> 00:26:40,598
>> AS VEANNE, PLAYING CALLIOPE,
774
00:26:40,598 --> 00:26:43,335
I AM A GOOF BALL, AND I GOT VERY
775
00:26:43,335 --> 00:26:45,170
EXCITED ABOUT THE POSSIBILITY OF
776
00:26:45,170 --> 00:26:46,838
BRINGING MY GOOF BALL TO
777
00:26:46,838 --> 00:26:47,105
CALLIOPE.
778
00:26:47,105 --> 00:26:49,040
>> I'VE BEEN WORKING ON MY
779
00:26:49,040 --> 00:26:51,142
NATURALLY INFECTIOUS LAUGHTER.
780
00:26:51,142 --> 00:26:51,710
>> EXCUSE ME?
781
00:26:51,710 --> 00:26:54,546
>> THE SCRIPT WAS WRITTEN, I'M
782
00:26:54,546 --> 00:26:56,815
GOING TO LAUGH INFECTIOUSLY AT
783
00:26:56,815 --> 00:26:57,615
ALL THE PRINCE'S JOKES.
784
00:26:57,615 --> 00:26:59,851
>> TONIGHT I'M GOING TO LAUGH
785
00:26:59,851 --> 00:27:02,053
INFECTIOUSLY AT ALL THE PRINCE'S
786
00:27:02,053 --> 00:27:02,687
JOKES.
787
00:27:02,687 --> 00:27:05,657
>> I CAN TRY AND DO THE LAUGH.
788
00:27:05,657 --> 00:27:06,057
LET'S SEE.
789
00:27:06,057 --> 00:27:11,696
I'M NOT WARMED UP.
790
00:27:11,696 --> 00:27:17,669
[ LAUGHING ]
791
00:27:17,669 --> 00:27:23,942
>> CLOSE.
792
00:27:23,942 --> 00:27:25,610
>> I BEG YOU, CALLIOPE, WHATEVER
793
00:27:25,610 --> 00:27:27,712
YOU DO, TRY NOT TO SNORT.
794
00:27:27,712 --> 00:27:32,150
>> VEANNE AND NATALIE WERE
795
00:27:32,150 --> 00:27:34,619
HYSTERICAL AND WHY WOULD A FELLA
796
00:27:34,619 --> 00:27:38,323
WANT A GIRL LIKE HER, A FAIL AND
797
00:27:38,323 --> 00:27:39,357
FLUFFY BEAUTY.
798
00:27:39,357 --> 00:27:41,526
♪ WHY WOULD A FELLA WANT A GIRL
799
00:27:41,526 --> 00:27:44,229
LIKE HER A FRAIL AND FLUFFY
800
00:27:44,229 --> 00:27:46,231
BEAUTY ♪
801
00:27:46,231 --> 00:27:48,333
♪ WHY CAN'T A FELLA PREFER A
802
00:27:48,333 --> 00:27:50,402
FROTHY GIRL LIKE ME A BUBBLE
803
00:27:50,402 --> 00:27:53,171
WITH A FLIMSY KIND OF CHARM ♪
804
00:27:53,171 --> 00:27:54,739
♪ AND WITH VERY LITTLE TROUBLE I
805
00:27:54,739 --> 00:27:57,442
COULD BREAK HER LITTLE ARM ♪
806
00:27:57,442 --> 00:27:58,410
♪
807
00:27:58,410 --> 00:27:59,544
>> EVEN THOUGH THEY WERE
808
00:27:59,544 --> 00:28:02,447
SUPPOSED TO DISLIKE ME, IT
809
00:28:02,447 --> 00:28:04,549
DIDN'T PLAY THAT WAY FOR ME
810
00:28:04,549 --> 00:28:07,552
BECAUSE I JUST -- THEY WERE SO
811
00:28:07,552 --> 00:28:08,653
FUNNY AND FUN.
812
00:28:08,653 --> 00:28:11,956
♪ WHAT'S THE MATTER WITH THE MAN
813
00:28:11,956 --> 00:28:15,126
WHAT'S THE MATTER WITH THE MAN
814
00:28:15,126 --> 00:28:15,493
♪
815
00:28:15,493 --> 00:28:17,295
>> I MEAN, THIS ENDED UP BEING
816
00:28:17,295 --> 00:28:20,265
THE MOST EXPENSIVE TWO-HOUR
817
00:28:20,265 --> 00:28:22,067
TELEVISION MOVIE EVER MADE UP
818
00:28:22,067 --> 00:28:23,768
UNTIL THAT TIME.
819
00:28:23,768 --> 00:28:26,137
>> QUIET, PLEASE, REHEARSAL.
820
00:28:26,137 --> 00:28:27,906
>> WHEN WE WERE CREATING THE
821
00:28:27,906 --> 00:28:29,407
WORLD OF CINDERELLA, YOU WANTED
822
00:28:29,407 --> 00:28:33,945
TO MAKE IT REAL IN ONE SENSUOUS
823
00:28:33,945 --> 00:28:35,480
D SENSE, BUT YOU ALSO WANTED TO
824
00:28:35,480 --> 00:28:37,048
HAVE THAT SENSE OF WONDER THAT
825
00:28:37,048 --> 00:28:38,616
YOU DID AS A 5-YEAR-OLD WHEN YOU
826
00:28:38,616 --> 00:28:41,052
HEARD THE STORY OF CINDERELLA.
827
00:28:41,052 --> 00:28:42,487
>> 5, 6, 7.
828
00:28:42,487 --> 00:28:46,391
>> THE DANCING, I GOT TO
829
00:28:46,391 --> 00:28:47,292
BALLROOM DANCE, LEARNING
830
00:28:47,292 --> 00:28:48,326
SOMETHING NEW.
831
00:28:48,326 --> 00:28:49,527
THAT WAS FUN TO LEARN HOW TO
832
00:28:49,527 --> 00:28:51,963
REALLY LIKE, HOLD MY NECK THE
833
00:28:51,963 --> 00:28:54,599
RIGHT WAY, AND YOU KNOW, KEEP MY
834
00:28:54,599 --> 00:28:54,666
SHOULDERS DOWN.
835
00:28:54,666 --> 00:28:59,537
♪♪
836
00:28:59,537 --> 00:28:59,871
♪♪
837
00:28:59,871 --> 00:29:02,340
AND ONCE YOU GET IT, YOU FEEL
838
00:29:02,340 --> 00:29:03,074
LIKE YOU'RE FLYING WHEN THE
839
00:29:03,074 --> 00:29:04,943
MUSIC IS GOING, AND YOU'RE IN
840
00:29:04,943 --> 00:29:05,810
THE MOMENT.
841
00:29:05,810 --> 00:29:08,213
♪♪
842
00:29:08,213 --> 00:29:10,081
>> I JUST THOUGHT THEY WERE JUST
843
00:29:10,081 --> 00:29:11,783
A BEAUTIFUL CUP.
844
00:29:11,783 --> 00:29:14,185
THEY WERE BOTH SO INNOCENT AND
845
00:29:14,185 --> 00:29:15,954
SO LOVING AND SO SWEET.
846
00:29:15,954 --> 00:29:18,389
>> WHEN BRANDY IS CINDERELLA
847
00:29:18,389 --> 00:29:19,724
APPEARED AT THE TOP OF THE
848
00:29:19,724 --> 00:29:21,559
STAIRCASE, SHE LITERALLY LOOKED
849
00:29:21,559 --> 00:29:22,994
LIKE AN ANGEL WALKING IN.
850
00:29:22,994 --> 00:29:29,067
I LOOK UP AND FIRST I CAN'T
851
00:29:29,067 --> 00:29:30,268
BREATHE BECAUSE SHE TAKES MY
852
00:29:30,268 --> 00:29:33,371
BREATH AWAY, BUT THEN YOU LOOK
853
00:29:33,371 --> 00:29:37,809
CLOSELY, I'M BREATHING AS IF I'D
854
00:29:37,809 --> 00:29:39,277
COME HOME.
855
00:29:39,277 --> 00:29:43,781
>> I REMEMBER BEING VERY NERVOUS
856
00:29:43,781 --> 00:29:46,684
WALKING TO THE FRONT OF THE
857
00:29:46,684 --> 00:29:46,918
STAIRS.
858
00:29:46,918 --> 00:29:51,289
IT WAS JUST THE FIRST TIME I
859
00:29:51,289 --> 00:29:52,590
FELT LIKE I WAS CINDERELLA.
860
00:29:52,590 --> 00:29:54,659
>> SHE WAS THE BELLE OF THE
861
00:29:54,659 --> 00:29:55,293
BALL.
862
00:29:55,293 --> 00:29:58,396
SHE WALKS IN, AND IT -- THE ROOM
863
00:29:58,396 --> 00:29:58,796
STOPS.
864
00:29:58,796 --> 00:30:00,365
THE MOST BEAUTIFUL GIRL IN THE
865
00:30:00,365 --> 00:30:03,635
WORLD HAS COME IN.
866
00:30:03,635 --> 00:30:07,972
>> I REALLY DID FEEL LIKE A
867
00:30:07,972 --> 00:30:08,606
PRINCESS.
868
00:30:08,606 --> 00:30:11,609
I KNEW THAT THIS WAS SO GREAT
869
00:30:11,609 --> 00:30:15,113
FOR THE WORLD TO SEE, ESPECIALLY
870
00:30:15,113 --> 00:30:17,882
BLACK PEOPLE, IS THAT SHE HAD
871
00:30:17,882 --> 00:30:20,185
BRAIDS IN HER HAIR.
872
00:30:20,185 --> 00:30:22,554
SHE REPRESENTED A CULTURE THAT
873
00:30:22,554 --> 00:30:25,623
IS BEAUTIFUL, AND I JUST SO
874
00:30:25,623 --> 00:30:27,792
APPRECIATED THAT BECAUSE THAT
875
00:30:27,792 --> 00:30:28,293
WAS SO MUCH A PART OF WHAT I
876
00:30:28,293 --> 00:30:32,463
WANTED TO BRING TO "CINDERELLA."
877
00:30:32,463 --> 00:30:35,300
♪ TEN MINUTES AGO I MET YOU ♪
878
00:30:35,300 --> 00:30:37,035
♪ AND WE MURMURED A HOW DO YOU
879
00:30:37,035 --> 00:30:37,402
DO
880
00:30:37,402 --> 00:30:39,571
♪
881
00:30:39,571 --> 00:30:41,940
>> HE PUTS THEM IN THE MIDDLE OF
882
00:30:41,940 --> 00:30:43,308
ALL THE DANCERS AND HE HAS THEM
883
00:30:43,308 --> 00:30:46,211
DO A VERY SIMPLE WALTZ.
884
00:30:46,211 --> 00:30:49,013
♪ I HAVE FOUND HER I HAVE FOUND
885
00:30:49,013 --> 00:30:49,814
HIM ♪
886
00:30:49,814 --> 00:30:52,917
♪
887
00:30:52,917 --> 00:30:55,053
>> AND SO IN THIS PARTICULAR
888
00:30:55,053 --> 00:30:57,822
SONG, TEN MINUTES AGO, THEY'RE
889
00:30:57,822 --> 00:31:00,058
LITERALLY TALKING ABOUT LOVE AT
890
00:31:00,058 --> 00:31:03,795
FIRST SIGHT TEN MINUTES AGO.
891
00:31:03,795 --> 00:31:07,265
♪ UNDER MY LOVE I'M FLYING OVER
892
00:31:07,265 --> 00:31:09,167
MOUNTAIN AND NARROWING GLEN
893
00:31:09,167 --> 00:31:09,400
♪
894
00:31:09,400 --> 00:31:11,836
>> AND HE JUST KEEPS MOVING THE
895
00:31:11,836 --> 00:31:13,671
CAMERA AROUND THEM SO THE
896
00:31:13,671 --> 00:31:16,074
BACKGROUND IS SWIRLING, THE
897
00:31:16,074 --> 00:31:17,942
PRINCE AND CINDERELLA ARE
898
00:31:17,942 --> 00:31:19,844
SWIRLING AND THE CAMERA IS
899
00:31:19,844 --> 00:31:22,180
SWIRLING IN THE MIDST OF IT ALL.
900
00:31:22,180 --> 00:31:23,548
♪ I MAY NEVER COME DOWN AGAIN
901
00:31:23,548 --> 00:31:23,848
♪
902
00:31:23,848 --> 00:31:26,584
>> I THINK IT WAS ONE OF THE
903
00:31:26,584 --> 00:31:28,286
MOST AUDACIOUS BITS OF FILMING
904
00:31:28,286 --> 00:31:29,387
THAT I HAD EVER SEEN.
905
00:31:29,387 --> 00:31:32,557
I WANT TO BE IN THAT CIRCLE WITH
906
00:31:32,557 --> 00:31:33,424
THE TWO OF THEM, I WANT TO FEEL
907
00:31:33,424 --> 00:31:34,892
THE INTIMACY, I WANT TO SEE
908
00:31:34,892 --> 00:31:37,061
EVERY LOOK ON THEIR FACE, AND
909
00:31:37,061 --> 00:31:39,797
WHENEVER A PIECE OF FILM CAN PUT
910
00:31:39,797 --> 00:31:42,533
THE AUDIENCE IN THE ROOM THE WAY
911
00:31:42,533 --> 00:31:44,569
THEY EXPERIENCE THAT ON STAGE,
912
00:31:44,569 --> 00:31:51,909
THAT TO ME IS TRANSCENDENT STORY
913
00:31:51,909 --> 00:31:54,479
TELLING.
914
00:31:54,479 --> 00:32:00,818
♪♪
915
00:32:00,818 --> 00:32:02,186
>> LOOK AT HIS FACE.
916
00:32:02,186 --> 00:32:03,588
IS THAT A SMILE?
917
00:32:03,588 --> 00:32:05,556
>> IT'S A WINCE.
918
00:32:05,556 --> 00:32:07,258
>> WELL, I'M TRYING TO GET HIM
919
00:32:07,258 --> 00:32:09,560
MARRIED AND GET HIM OUT OF THE
920
00:32:09,560 --> 00:32:10,395
CASTLE, IT'S LIKE, GO MARRY
921
00:32:10,395 --> 00:32:13,131
SOMEBODY, PLEASE.
922
00:32:19,203 --> 00:32:20,805
>>> LISTEN TO ME, YOU'VE GOT TO
923
00:32:20,805 --> 00:32:22,006
CALL THIS BALL OFF IMMEDIATELY.
924
00:32:22,006 --> 00:32:23,741
>> NOT POSSIBLE.
925
00:32:23,741 --> 00:32:24,242
IT'S DIFFICULT TO CANCEL ONCE
926
00:32:24,242 --> 00:32:25,810
YOU GOT THE BALL ROLLING.
927
00:32:25,810 --> 00:32:27,278
>> WE SAT AROUND TALKING ABOUT
928
00:32:27,278 --> 00:32:28,946
WHO SHOULD WE GET FOR THE QUEEN
929
00:32:28,946 --> 00:32:30,982
AND THE TOP OF OUR WISH LIST
930
00:32:30,982 --> 00:32:34,252
WAS, WELL, WOULDN'T IT BE GREAT
931
00:32:34,252 --> 00:32:35,586
IF WHOOPI GOLDBERG DECIDED TO DO
932
00:32:35,586 --> 00:32:36,854
IT.
933
00:32:36,854 --> 00:32:37,855
>> I WAS THE QUEEN.
934
00:32:37,855 --> 00:32:39,023
I WAS MOTHER OF THE PRINCE.
935
00:32:39,023 --> 00:32:40,792
>> MAX, WHAT'S HE SAYING?
936
00:32:40,792 --> 00:32:42,226
>> HE'S SAYING HE DOESN'T WANT
937
00:32:42,226 --> 00:32:42,727
TO HAVE ANOTHER BALL.
938
00:32:42,727 --> 00:32:43,795
>> NO, HE'S NOT.
939
00:32:43,795 --> 00:32:46,764
>> I'M VICTOR GARBER, AND I
940
00:32:46,764 --> 00:32:48,299
PLAYED KING MAX MILLION, I THINK
941
00:32:48,299 --> 00:32:49,434
IS MY NAME.
942
00:32:49,434 --> 00:32:50,635
MORE IMPORTANTLY, I WAS MARRIED
943
00:32:50,635 --> 00:32:51,569
TO WHOOPI GOLDBERG.
944
00:32:51,569 --> 00:32:53,504
REALLY, THAT'S ALL YOU NEED TO
945
00:32:53,504 --> 00:32:53,838
KNOW.
946
00:32:53,838 --> 00:32:55,106
SHE WAS MY QUEEN.
947
00:32:55,106 --> 00:32:56,374
SHE STILL IS MY QUEEN.
948
00:32:56,374 --> 00:32:59,077
>> WHOOPI GOLDBERG AND VICTOR
949
00:32:59,077 --> 00:33:00,411
GARBER, AN INTERRACIAL COUPLE,
950
00:33:00,411 --> 00:33:02,080
THE WORLD NEEDED TO SEE THAT,
951
00:33:02,080 --> 00:33:02,980
AND THEY WERE WONDERFUL.
952
00:33:02,980 --> 00:33:04,449
>> AND WHO ARE YOU PLAYING?
953
00:33:04,449 --> 00:33:06,084
>> WHAT?
954
00:33:06,084 --> 00:33:07,218
>> WHO ARE YOU PLAYING NOW?
955
00:33:07,218 --> 00:33:07,919
>> ME.
956
00:33:07,919 --> 00:33:11,456
>> I WANTED HER TO BE ME IN A
957
00:33:11,456 --> 00:33:13,057
DRESS, YOU KNOW, A LITTLE SILLY,
958
00:33:13,057 --> 00:33:14,992
A LITTLE FUN.
959
00:33:14,992 --> 00:33:17,795
AND I GAVE HER A DISTINCTION.
960
00:33:17,795 --> 00:33:19,330
SHE DOESN'T FINISH SENTENCES.
961
00:33:19,330 --> 00:33:20,765
SHE MAKES SOUNDS.
962
00:33:20,765 --> 00:33:33,010
>> NO, HE'S NOT.
963
00:33:33,010 --> 00:33:35,279
>> HERE WE GO.
964
00:33:35,279 --> 00:33:39,584
[ SQUEAKY NOISES ]
965
00:33:39,584 --> 00:33:40,651
>> I CAN'T EVEN DO IT.
966
00:33:40,651 --> 00:33:45,690
>> SHE REALLY WAS KIND OF THE
967
00:33:45,690 --> 00:33:46,090
SOUL IN MANY WAYS OF THE
968
00:33:46,090 --> 00:33:46,724
PRODUCTION.
969
00:33:46,724 --> 00:33:47,959
OH, AND THE JEWELS, SHE WAS
970
00:33:47,959 --> 00:33:51,462
LIKE, WELL, IF I'M GOING TO BE A
971
00:33:51,462 --> 00:33:52,697
QUEEN, I NEED REAL JEWELS.
972
00:33:52,697 --> 00:33:54,932
>> I LOVE HARRY WINSTON, I SAID,
973
00:33:54,932 --> 00:33:56,534
LISTEN, I'M PLAYING THIS QUEEN
974
00:33:56,534 --> 00:33:58,169
AND I WOULD LIKE TO HAVE SOME
975
00:33:58,169 --> 00:34:00,104
JEWELS, WILL YOU GUYS LOAN US
976
00:34:00,104 --> 00:34:01,172
SOME JEWELS.
977
00:34:01,172 --> 00:34:02,373
THEY SAID, WE'LL PICK OUT OUR
978
00:34:02,373 --> 00:34:03,641
MOST ROYAL JEWELS, AND SO THAT'S
979
00:34:03,641 --> 00:34:05,576
WHAT THEY DID.
980
00:34:05,576 --> 00:34:07,178
>> THERE WERE ARMED GUARDS JUST
981
00:34:07,178 --> 00:34:09,614
BESIDE THE CAMERA SO THAT IF
982
00:34:09,614 --> 00:34:12,683
ANYBODY APPROACHED OR WHOOPI
983
00:34:12,683 --> 00:34:13,117
MADE A MISTAKE AND TRIED TO
984
00:34:13,117 --> 00:34:15,586
LEAVE THE SET WITH THAT JEWELRY
985
00:34:15,586 --> 00:34:16,220
ON, SOMEONE WOULD HAVE BEEN SET.
986
00:34:16,220 --> 00:34:19,290
>> THE HARRY WINSTON DIAMONDS IS
987
00:34:19,290 --> 00:34:20,391
ONE OF THE THINGS WHOOPI
988
00:34:20,391 --> 00:34:22,260
GOLDBERG SAID, THAT'S WHAT YOU
989
00:34:22,260 --> 00:34:24,595
ASK FOR ON YOUR NEXT PROJECT.
990
00:34:24,595 --> 00:34:26,063
MANAGEMENT, LET'S PUT THE HARRY
991
00:34:26,063 --> 00:34:30,902
WINSTON IN THERE.
992
00:34:30,902 --> 00:34:32,336
LET'S GO.
993
00:34:32,336 --> 00:34:32,503
IT AIN'T TOO LATE.
994
00:34:32,503 --> 00:34:34,138
>> CHRISTOPHER, DARLING, WHERE
995
00:34:34,138 --> 00:34:34,472
HAVE YOU BEEN.
996
00:34:34,472 --> 00:34:35,673
YOUR FATHER AND I WERE JUST
997
00:34:35,673 --> 00:34:36,340
TALKING ABOUT YOU.
998
00:34:36,340 --> 00:34:37,308
>> YOUR MOTHER WAS TALKING.
999
00:34:37,308 --> 00:34:38,176
I WAS LISTENING.
1000
00:34:38,176 --> 00:34:40,278
>> THE KING AND THE QUEEN WERE
1001
00:34:40,278 --> 00:34:42,013
JUST LIKE ANY OTHER MARRIED
1002
00:34:42,013 --> 00:34:43,281
COUPLE WANTING THE BEST FOR
1003
00:34:43,281 --> 00:34:45,917
THEIR SON, WANTING HIM TO BE
1004
00:34:45,917 --> 00:34:46,184
HAPPY.
1005
00:34:46,184 --> 00:34:47,852
>> WELL, I'M TRYING TO GET HIM
1006
00:34:47,852 --> 00:34:49,620
MARRIED AND GET HIM OUT OF THE
1007
00:34:49,620 --> 00:34:50,021
CASTLE.
1008
00:34:50,021 --> 00:34:52,089
IT'S LIKE GO MARRY SOMEBODY,
1009
00:34:52,089 --> 00:34:52,290
PLEASE.
1010
00:34:52,290 --> 00:34:53,991
YOU KNOW, YOUR FATHER AND I
1011
00:34:53,991 --> 00:34:55,526
RAISED YOU, YOU'RE SMART, YOU'RE
1012
00:34:55,526 --> 00:34:56,627
GOING TO BE TAKING OVER THE
1013
00:34:56,627 --> 00:35:00,298
FAMILY BUSINESS, GET OUT.
1014
00:35:00,298 --> 00:35:01,933
>> WELL, YOU KNOW, CINDERELLA
1015
00:35:01,933 --> 00:35:03,701
GOES TO THE BALL, YOU KNOW, IT'S
1016
00:35:03,701 --> 00:35:05,837
LOVE AT FIRST SIGHT WITH THE
1017
00:35:05,837 --> 00:35:05,970
PRINCE.
1018
00:35:05,970 --> 00:35:10,541
YOU KNOW, THE CLOCK STRIKES
1019
00:35:10,541 --> 00:35:11,008
MIDNIGHT.
1020
00:35:11,008 --> 00:35:11,509
>> I CAN'T STAY.
1021
00:35:11,509 --> 00:35:12,310
>> WHAT DO YOU MEAN?
1022
00:35:12,310 --> 00:35:13,778
>> I HAVE TO GO.
1023
00:35:13,778 --> 00:35:17,548
>> SHE RUNS BEFORE SHE
1024
00:35:17,548 --> 00:35:19,917
DISINTEGRATES AND LEAVES ONE OF
1025
00:35:19,917 --> 00:35:24,188
HER GLASS SLIPPERS.
1026
00:35:24,188 --> 00:35:27,358
AND THEN THE PRINCE SEARCHES THE
1027
00:35:27,358 --> 00:35:29,827
VILLAGE FOR WHO FITS THE SHOE,
1028
00:35:29,827 --> 00:35:32,497
AND HE COMES TO FIND THAT
1029
00:35:32,497 --> 00:35:34,098
CINDERELLA FITS THE SHOE, AND
1030
00:35:34,098 --> 00:35:35,833
THEY LIVE HAPPILY EVER AFTER.
1031
00:35:35,833 --> 00:35:38,970
>> VERY UNCOMFORTABLE GLASS
1032
00:35:38,970 --> 00:35:39,770
SLIPPERS, ALWAYS.
1033
00:35:39,770 --> 00:35:42,773
>> THOSE WERE NOT MY THING
1034
00:35:42,773 --> 00:35:45,343
BECAUSE I WEAR A SIZE 9 AND A 9
1035
00:35:45,343 --> 00:35:49,013
ON TELEVISION LOOKS LIKE MAYBE A
1036
00:35:49,013 --> 00:35:49,146
12.
1037
00:35:49,146 --> 00:35:53,017
THAT'S A SECRET.
1038
00:35:53,017 --> 00:35:54,986
>> AND THAT IS LITERALLY THE
1039
00:35:54,986 --> 00:35:55,987
STORY OF CINDERELLA.
1040
00:35:55,987 --> 00:35:58,289
SHE IS FACED WITH SO MUCH
1041
00:35:58,289 --> 00:36:01,292
ADVERSITY, BUT SHE STILL LOOKS
1042
00:36:01,292 --> 00:36:03,928
AT HER GLASS SLIPPER AS HALF
1043
00:36:03,928 --> 00:36:04,428
FULL
1044
00:36:04,428 --> 00:36:11,736
♪ NOW THERE'S NOTHING YOU WON'T
1045
00:36:11,736 --> 00:36:11,969
TRY
1046
00:36:11,969 --> 00:36:12,103
♪
1047
00:36:12,103 --> 00:36:15,506
>> THERE'S MUSIC IN YOU, HER
1048
00:36:15,506 --> 00:36:18,342
FINALE SONG WAS NOT PART OF THE
1049
00:36:18,342 --> 00:36:20,578
ORIGINAL RODGERS AND HAMMERSTEIN
1050
00:36:20,578 --> 00:36:21,979
SCORE, BUT WE KNEW THAT WE
1051
00:36:21,979 --> 00:36:23,581
NEEDED JUST A SENSATIONAL SONG
1052
00:36:23,581 --> 00:36:26,250
THAT USED ALL OF HER VOCAL
1053
00:36:26,250 --> 00:36:27,418
QUALITIES AND COULD REALLY, YOU
1054
00:36:27,418 --> 00:36:29,287
KNOW, END THE MOVIE WITH A HUGE
1055
00:36:29,287 --> 00:36:30,521
BANG.
1056
00:36:30,521 --> 00:36:31,489
THAT'S ONE OF MY FAVORITE
1057
00:36:31,489 --> 00:36:35,693
WHITNEY SONGS EVER
1058
00:36:35,693 --> 00:36:38,696
♪ THERE'S A SONG YOU'LL SING THE
1059
00:36:38,696 --> 00:36:41,032
WHOLE WAY THROUGH
1060
00:36:41,032 --> 00:36:41,465
♪
1061
00:36:41,465 --> 00:36:44,101
>> IT WAS SO BEAUTIFUL AND
1062
00:36:44,101 --> 00:36:46,771
FLOATING AND IT'S VERY
1063
00:36:46,771 --> 00:36:48,773
EMPOWERING, INSPIRING, AND
1064
00:36:48,773 --> 00:36:52,910
THAT'S WHITNEY.
1065
00:36:52,910 --> 00:36:56,047
♪ YOU'RE LEAVING THERE'S MUSIC
1066
00:36:56,047 --> 00:36:56,347
IN NOW
1067
00:36:56,347 --> 00:36:56,447
♪
1068
00:36:56,447 --> 00:36:58,049
>> THE POWER IS IN YOU, AND IT
1069
00:36:58,049 --> 00:36:58,549
REALLY IS.
1070
00:36:58,549 --> 00:37:00,151
FOR ALL OF US.
1071
00:37:00,151 --> 00:37:03,354
IT TAKES OUR DECISION, OUR FREE
1072
00:37:03,354 --> 00:37:04,889
WILL TO PUSH FORWARD IN ANY
1073
00:37:04,889 --> 00:37:06,123
CIRCUMSTANCE WE'RE IN.
1074
00:37:06,123 --> 00:37:07,658
>> WHITNEY KNEW HOW THIS WAS
1075
00:37:07,658 --> 00:37:08,926
GOING TO INFLUENCE A GENERATION,
1076
00:37:08,926 --> 00:37:13,564
AND SHE WAS RIGHT.
1077
00:37:13,564 --> 00:37:16,867
♪ THERE IS MUSIC IN YOU
1078
00:37:16,867 --> 00:37:17,268
♪
1079
00:37:17,268 --> 00:37:18,903
>> I THINK I'VE ALWAYS WANTED TO
1080
00:37:18,903 --> 00:37:22,106
BE CINDERELLA.
1081
00:37:22,106 --> 00:37:25,176
♪ KEEP BUILDING UP IMPOSSIBLE
1082
00:37:25,176 --> 00:37:28,980
HOPES IMPOSSIBLE THINGS ARE
1083
00:37:28,980 --> 00:37:30,247
HAPPENING EVERY DAY
1084
00:37:30,247 --> 00:37:32,783
♪
1085
00:37:37,989 --> 00:37:41,425
♪ THERE'S A GIRL I FIND A STORY
1086
00:37:41,425 --> 00:37:49,533
AND A TALE AS OLD AS TIME
1087
00:37:49,533 --> 00:37:55,740
♪ STARTING OUT NO VISION OF
1088
00:37:55,740 --> 00:37:56,907
YOURSELF
1089
00:37:56,907 --> 00:38:01,579
♪ STARTING OUT TELL THEM ALL
1090
00:38:01,579 --> 00:38:04,982
THAT YOU'RE ON YOUR WAY
1091
00:38:04,982 --> 00:38:09,253
♪ TELL THE STARS YOU'LL BE RIGHT
1092
00:38:09,253 --> 00:38:14,725
THERE GO TO THE BACK OF THE EDGE
1093
00:38:14,725 --> 00:38:15,660
STARTING OUT
1094
00:38:15,660 --> 00:38:19,096
♪ I'M STARTING OUT I'M STARTING
1095
00:38:19,096 --> 00:38:20,364
RIGHT NOW
1096
00:38:20,364 --> 00:38:23,968
♪ I'M STARTING RIGHT NOW
1097
00:38:23,968 --> 00:38:28,506
STARTING NOW STARTING NOW
1098
00:38:28,506 --> 00:38:31,509
STARTING NOW
1099
00:38:31,509 --> 00:38:39,116
♪ STARTING OUT ♪♪
1100
00:38:39,116 --> 00:38:41,152
>> THE MUSIC ITSELF WAS WRITTEN
1101
00:38:41,152 --> 00:38:43,354
SOME 40-SOME YEARS AGO, AND YET
1102
00:38:43,354 --> 00:38:45,056
WE'RE SEEING IT TODAY, AND IT
1103
00:38:45,056 --> 00:38:46,457
SOUNDS VERY FRESH AND VERY NEW.
1104
00:38:46,457 --> 00:38:47,391
I'M ENJOYING THAT.
1105
00:38:47,391 --> 00:38:48,225
I'M ENJOYING RODGERS AND
1106
00:38:48,225 --> 00:38:50,895
HAMMERSTEIN MUSIC BROUGHT BACK
1107
00:38:50,895 --> 00:38:51,729
TO LIFE.
1108
00:38:51,729 --> 00:38:53,597
>> AND WHY NOT?
1109
00:38:53,597 --> 00:38:55,833
WHY SHOULDN'T IT REFLECT THE
1110
00:38:55,833 --> 00:38:56,567
WORLD?
1111
00:38:56,567 --> 00:38:58,269
FAIRY TALES SHOULD REFLECT THE
1112
00:38:58,269 --> 00:39:00,738
WORLD.
1113
00:39:00,738 --> 00:39:02,339
>> WE WANTED CINDERELLA TO BE A
1114
00:39:02,339 --> 00:39:07,178
MODERN FAIRYTALE PRINCESS BUT BE
1115
00:39:07,178 --> 00:39:09,847
ABOUT SOMETHING, AND BE
1116
00:39:09,847 --> 00:39:10,214
CONFIDENT.
1117
00:39:10,214 --> 00:39:10,381
.
1118
00:39:10,381 --> 00:39:12,149
>> MY NAME IS JADE JONES, I WAS
1119
00:39:12,149 --> 00:39:13,551
BELLE IN BEAUTY AND THE BEAST.
1120
00:39:13,551 --> 00:39:15,386
SEEING BRANDY IN CINDERELLA WAS
1121
00:39:15,386 --> 00:39:19,523
LIKE, WOW, THAT COULD BE ME.
1122
00:39:19,523 --> 00:39:22,159
>> MY VOCALS SWEET LIKE CANDY,
1123
00:39:22,159 --> 00:39:23,694
ACTOR SING LIKE BRANDY, I
1124
00:39:23,694 --> 00:39:24,295
REPRESENT MY CITY.
1125
00:39:24,295 --> 00:39:27,798
I'M THE GREATEST LOVE LIKE
1126
00:39:27,798 --> 00:39:28,699
WHITNEY,
1127
00:39:28,699 --> 00:39:29,467
♪ IMPOSSIBLE IMPOSSIBLE
1128
00:39:29,467 --> 00:39:29,667
♪
1129
00:39:29,667 --> 00:39:31,435
>> MAGIC HAS NO GENDER.
1130
00:39:31,435 --> 00:39:32,636
IF YOU CAN DREAM IT, YOU CAN BE
1131
00:39:32,636 --> 00:39:32,903
IT.
1132
00:39:32,903 --> 00:39:34,905
>> I THINK IT JUST OPENED
1133
00:39:34,905 --> 00:39:37,441
PEOPLE'S EYES TO WHY NOT.
1134
00:39:37,441 --> 00:39:38,642
WHY CAN'T THE WORLD BE HOWEVER
1135
00:39:38,642 --> 00:39:39,710
WE WANT TO SEE IT?
1136
00:39:39,710 --> 00:39:42,213
>> I THINK I'VE ALWAYS WANTED TO
1137
00:39:42,213 --> 00:39:43,247
BE CINDERELLA.
1138
00:39:43,247 --> 00:39:47,118
I EVEN MADE A VIDEO ON MY YOU
1139
00:39:47,118 --> 00:39:50,721
TUBE CHANNEL, CINDER FELLA,
1140
00:39:50,721 --> 00:39:53,124
WHERE I HAD THIS WHOLE FANTASY
1141
00:39:53,124 --> 00:39:55,760
♪ IMPOSSIBLE THINGS ARE
1142
00:39:55,760 --> 00:39:58,429
HAPPENING EVERY DAY
1143
00:39:58,429 --> 00:39:58,662
♪
1144
00:39:58,662 --> 00:40:00,264
>> AND WE WERE ABLE TO PUT A
1145
00:40:00,264 --> 00:40:03,768
LITTLE BIT OF THE R AND B, YOU
1146
00:40:03,768 --> 00:40:06,103
KNOW, VIBE AND MIX IT WITH THE
1147
00:40:06,103 --> 00:40:07,404
BROADWAY VIBE, AND IT WAS REALLY
1148
00:40:07,404 --> 00:40:07,571
NICE.
1149
00:40:07,571 --> 00:40:09,306
>> I THINK IT'S SO COOL BECAUSE
1150
00:40:09,306 --> 00:40:16,547
IT KEEPS IT FRESH, AND RELEVANT.
1151
00:40:16,547 --> 00:40:20,785
♪ A MINUTE AGO I MET YOU AND WE
1152
00:40:20,785 --> 00:40:22,853
MURMURED OUR HOW DO YOU DOS
1153
00:40:22,853 --> 00:40:23,053
♪
1154
00:40:23,053 --> 00:40:24,488
>> IT WAS A FUN PROJECT BUT AT
1155
00:40:24,488 --> 00:40:26,056
THE END OF THE DAY, I STILL
1156
00:40:26,056 --> 00:40:28,526
THINK THE CLASSIC RODGERS AND
1157
00:40:28,526 --> 00:40:31,162
HAMMERSTEIN VERSION IS THE WAY
1158
00:40:31,162 --> 00:40:31,395
TO GO.
1159
00:40:31,395 --> 00:40:34,098
♪ AND I LIKE IT SO WELL THAT FOR
1160
00:40:34,098 --> 00:40:36,333
ALL I CAN TELL I MAY NEVER COME
1161
00:40:36,333 --> 00:40:36,834
DOWN AGAIN
1162
00:40:36,834 --> 00:40:37,067
♪
1163
00:40:37,067 --> 00:40:39,236
>> IT'S INCREDIBLY MOVING THAT
1164
00:40:39,236 --> 00:40:42,139
AFTER ALL THESE YEARS, NOT ONLY
1165
00:40:42,139 --> 00:40:44,241
HAS IT STOOD THE TEST OF TIME,
1166
00:40:44,241 --> 00:40:47,411
BUT IT KIND OF HAS BECOME SOME
1167
00:40:47,411 --> 00:40:50,714
SORT OF SYMBOL FOR A BETTER
1168
00:40:50,714 --> 00:40:50,748
WORLD.
1169
00:40:50,748 --> 00:40:53,684
>> PEOPLE ALWAYS SAY, OH,
1170
00:40:53,684 --> 00:40:54,919
CINDERELLA, THAT CHANGED MY
1171
00:40:54,919 --> 00:40:56,320
LIFE, OR THAT WAS ONE OF MY
1172
00:40:56,320 --> 00:40:57,588
FAVORITE THINGS I'VE EVER SEEN.
1173
00:40:57,588 --> 00:41:00,224
>> IT JUST GOES TO SHOW YOU HOW
1174
00:41:00,224 --> 00:41:01,759
MANY KIDS, HOW MANY LITTLE GIRLS
1175
00:41:01,759 --> 00:41:02,793
SAW THAT MOVIE.
1176
00:41:02,793 --> 00:41:05,029
>> CINDERELLA IS SAYING NO
1177
00:41:05,029 --> 00:41:08,532
MATTER WHERE YOU START, NO
1178
00:41:08,532 --> 00:41:09,400
MATTER WHAT HAPPENED, NO MATTER
1179
00:41:09,400 --> 00:41:10,868
WHAT TRAGEDIES YOU'VE HAD IN
1180
00:41:10,868 --> 00:41:12,503
YOUR LIFE, IF YOU BELIEVE IN THE
1181
00:41:12,503 --> 00:41:15,039
MAGIC IN YOURSELF, YOU CAN
1182
00:41:15,039 --> 00:41:16,674
EFFECT A CHANGE FOR YOURSELF.
1183
00:41:16,674 --> 00:41:17,875
IT'S WITHIN YOUR GRASP.
1184
00:41:17,875 --> 00:41:22,279
>> IT IS A CINDERELLA THAT
1185
00:41:22,279 --> 00:41:24,348
INVITES YOUNG GIRLS TO THINK
1186
00:41:24,348 --> 00:41:26,083
ABOUT THEMSELVES IN A MORE
1187
00:41:26,083 --> 00:41:26,183
EMPOWERED WAY.
1188
00:41:26,183 --> 00:41:28,319
>> PEOPLE WERE SO INSPIRED
1189
00:41:28,319 --> 00:41:32,022
BECAUSE IT CHANGED PEOPLE'S
1190
00:41:32,022 --> 00:41:32,156
LIVES.
1191
00:41:32,156 --> 00:41:36,327
IT CHANGED THE WAY BLACK LITTLE
1192
00:41:36,327 --> 00:41:37,361
GIRLS BELIEVED IN THEMSELVES.
1193
00:41:37,361 --> 00:41:39,230
I HEAR TO THIS DAY, I BELIEVE I
1194
00:41:39,230 --> 00:41:40,998
CAN BE A PRINCESS NOW.
1195
00:41:40,998 --> 00:41:44,702
THAT MOVIE IS THE REASON WHY
1196
00:41:44,702 --> 00:41:46,470
IT'S POSSIBLE.
1197
00:41:46,470 --> 00:41:47,204
I KNOW IT.
1198
00:41:47,204 --> 00:41:49,707
LIKE, IT'S TIMELESS.
1199
00:41:49,707 --> 00:41:51,308
>> I THINK WE'RE ALL CINDERELLA
1200
00:41:51,308 --> 00:41:51,508
FANS.
1201
00:41:51,508 --> 00:41:52,743
I THINK WHEN WE LOOK BACK AND
1202
00:41:52,743 --> 00:41:54,511
REMEMBER, WHO DIDN'T WANT TO BE
1203
00:41:54,511 --> 00:41:55,279
CINDERELLA?
1204
00:41:55,279 --> 00:41:58,482
>> CINDERELLA COULD BE ANYBODY.
1205
00:41:58,482 --> 00:42:00,484
CINDERELLA IS EVERYBODY.
1206
00:42:00,484 --> 00:42:03,187
THERE'S NO BOUNDARIES BECAUSE
1207
00:42:03,187 --> 00:42:08,359
CINDERELLA IS ABOUT A JOURNEY
1208
00:42:08,359 --> 00:42:11,362
INTO POSSIBILITY.
1209
00:42:11,362 --> 00:42:13,797
♪ IT'S POSSIBLE.
1210
00:42:13,797 --> 00:42:15,799
♪
77123
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