All language subtitles for 08 Breaking Negative Space.ENGlish

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:06,719 So now we're at a point where we have a really clean, visually appealing mesh. 2 00:00:06,722 --> 00:00:10,439 And this is why it is so important to kind of understand these different 3 00:00:10,442 --> 00:00:15,679 elements we've discussed. Detail clustering, echoing shapes, using negative 4 00:00:15,682 --> 00:00:20,759 space, all these types of things are what is going to allow you to create a good 5 00:00:20,762 --> 00:00:26,839 design, a good form, a good shape here in Blender. A lot of beginners, and I see it 6 00:00:26,842 --> 00:00:32,299 all the time, and I did it as well, trust me, I'm not off the hook here. I just 7 00:00:32,302 --> 00:00:36,999 did this when I first started, is I would just add detail all over the freaking 8 00:00:37,002 --> 00:00:40,639 place. And when you do that, you completely destroy the power of the 9 00:00:40,642 --> 00:00:44,939 elements you added before. See how, like, everything we added, now it just looks 10 00:00:44,942 --> 00:00:50,139 awful. That is why you really want to use that negative space. You can just see the 11 00:00:50,142 --> 00:00:53,739 difference. It's night and day. So now that we're on the topic of negative 12 00:00:53,742 --> 00:00:59,619 space, the question is, should I always keep the negative space completely empty? 13 00:00:59,622 --> 00:01:03,111 And the answer is no. You can definitely add small, minor details in the areas of 14 00:01:03,112 --> 00:01:04,567 Subtitled by online-courses.club We compress knowledge for you! 15 00:01:06,100 --> 00:01:10,139 negative space, but you don't want it to be overwhelming. You don't want it to 16 00:01:10,142 --> 00:01:15,459 pull attention away from the detail clusters that you have on your mesh. So 17 00:01:15,462 --> 00:01:19,019 for example, I'll show you how I could introduce some additional elements here. 18 00:01:19,022 --> 00:01:26,299 Maybe I could come in and add in a cut across, kind of like this, and you know, 19 00:01:26,302 --> 00:01:31,059 just kind of expand that a bit more. That looks kind of cool, but I kind of like 20 00:01:31,062 --> 00:01:35,699 where it was before. But what I could do is, you know, scale this down and just 21 00:01:35,702 --> 00:01:43,459 make some very, very small details, kind of on the ends here. And you can see, we 22 00:01:43,462 --> 00:01:46,860 clearly have detail on it in the negative space, but it's not really 23 00:01:46,980 --> 00:01:51,339 pulling attention away from the important stuff here in the center. So 24 00:01:51,342 --> 00:01:54,899 you can definitely add in little details like that. And in fact, I would recommend 25 00:01:54,902 --> 00:02:00,659 it, just to kind of, not necessarily break up the negative space, but to 26 00:02:00,662 --> 00:02:04,899 introduce like a little something, you know, like a little bit of seasoning on 27 00:02:04,902 --> 00:02:08,579 the top, like for food. You see what I mean? It's just very subtle, but it's not 28 00:02:08,582 --> 00:02:13,339 pulling attention away from the main form. So you can do stuff like that. It is 29 00:02:13,342 --> 00:02:17,739 totally okay, and in fact, I would recommend it. So let's keep trying to 30 00:02:17,742 --> 00:02:21,779 introduce a little bit more here, while still maintaining that empty space. 31 00:02:21,782 --> 00:02:25,539 Getting pretty close to the end of the shape. Obviously, you could detail this 32 00:02:25,542 --> 00:02:29,459 for days and weeks, and then you just have some insanely complex looking model. 33 00:02:29,462 --> 00:02:34,179 And if that's what you want to do, I mean, by all means, do it. But for me, not 34 00:02:34,182 --> 00:02:39,939 really. I kind of like this. It's very subtle, just expanding that all the way 35 00:02:39,942 --> 00:02:44,939 through, and it kind of elevates those more linear elements. So that's before, 36 00:02:44,942 --> 00:02:51,939 that's after. I think this is a bit more powerful. I like that. Yeah, it looks cool. 37 00:02:51,942 --> 00:02:56,019 So there are many different ways to kind of break the empty space, but you want to 38 00:02:56,022 --> 00:03:00,579 make sure you do it carefully. Maybe what I could do over here, is kind of 39 00:03:00,582 --> 00:03:05,259 encroach into the empty space by adding a little notch, kind of like this. We can 40 00:03:05,262 --> 00:03:12,979 add in a bevel, and just do like a very small something, kind of like that. And 41 00:03:12,982 --> 00:03:18,059 you can see it's kind of in the empty space, but it's not really pulling too 42 00:03:18,062 --> 00:03:20,899 much attention, compared to if I did something like this. You see what I mean? 43 00:03:20,902 --> 00:03:25,819 That's just a bit excessive. So you can do very small stuff. You can kind of move 44 00:03:25,822 --> 00:03:30,979 these in, see what place it might fit better. I think more towards the end here, 45 00:03:30,982 --> 00:03:36,979 kind of like 30% of the way in, could be a good option in this case. So this 46 00:03:36,982 --> 00:03:41,539 is a great way to kind of break into the empty space, without pulling too much 47 00:03:41,542 --> 00:03:45,899 attention away from the main detail. So that's a pretty good way to kind of 48 00:03:45,902 --> 00:03:49,340 enhance the design even more. 5339

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