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1
00:00:02,267 --> 00:00:05,209
["WON'T SEE ME CRY"
PLAYING]
2
00:00:05,309 --> 00:00:08,652
[BREATHING HEAVILY]
3
00:00:08,752 --> 00:00:11,435
SPENCER, VOICE-OVER:
I BEEN KINDA GOING
THROUGH SOME THINGS.
4
00:00:12,916 --> 00:00:15,878
TRYING TO OUTRUN
MY DEMONS...
5
00:00:17,440 --> 00:00:19,381
HIDE FROM THE TRUTH
OF EVERYTHING
6
00:00:19,481 --> 00:00:20,863
I BEEN FEELING...
7
00:00:20,963 --> 00:00:21,984
STEALTH: ♪ ...BROKEN,
CLOSED OFF
8
00:00:22,084 --> 00:00:27,628
♪ NOT OPEN TO TALK ♪
9
00:00:27,728 --> 00:00:29,950
♪ I'M TIRED AND I'M WASTED ♪
10
00:00:30,050 --> 00:00:33,513
♪ I KNOW YOU HATE THIS
RIGHT NOW ♪
11
00:00:33,613 --> 00:00:36,116
SPENCER, VOICE-OVER:
BUT THE DAY ALWAYS COMES
WHEN YOU HAVE TO FACE IT.
12
00:00:36,216 --> 00:00:39,118
STEALTH: ♪ BUT I'M EMPTY INSIDE,
LOTS OF ROOM ♪
13
00:00:39,218 --> 00:00:41,720
♪ FOR MY PROBLEMS TO HIDE ♪
14
00:00:41,820 --> 00:00:43,962
SPENCER, VOICE-OVER:
NO MATTER HOW UGLY IT GETS...
15
00:00:44,062 --> 00:00:45,524
STEALTH:
♪ YOU WON'T SEE ME CRY ♪
16
00:00:45,624 --> 00:00:47,966
YOU SAID YOU NEED
MORE TIME, AND THAT'S OK,
17
00:00:48,066 --> 00:00:51,669
'CAUSE YOU AND ME, WE GOT
ALL THE TIME IN THE WORLD.
18
00:00:52,950 --> 00:00:55,412
STEALTH: ♪ YOU WON'T
SEE ME CRY ♪
19
00:00:55,512 --> 00:00:58,054
SPENCER, VOICE-OVER:
TODAY IS THAT DAY.
20
00:00:58,154 --> 00:01:00,937
STEALTH: ♪ CRY ♪
21
00:01:01,037 --> 00:01:02,738
GRACE: HA HA HA HA!
DILLON: MM-HMM. MM.
22
00:01:02,838 --> 00:01:04,580
UH, WILL YOU
SLOW DOWN?
23
00:01:04,680 --> 00:01:06,381
STOP ACTING LIKE
YOU STARVING.
24
00:01:06,481 --> 00:01:08,423
HA HA HA HA!
DILLON: OH, SNAP.
IT'S NOT MY FAULT.
25
00:01:08,523 --> 00:01:10,425
THEY DIDN'T FEED ME
ON THE PLANE THIS MORNING.
26
00:01:10,525 --> 00:01:13,387
IT'S ONLY
A HOUR FLIGHT FROM
OAKLAND TO L.A.
27
00:01:13,487 --> 00:01:16,170
GRACE: HA HA HA HA!
CARTER: WHAT YOU TALKING ABOUT?
28
00:01:18,131 --> 00:01:20,473
[SILVERWARE CLINKS]
GOOD MORNING.
29
00:01:20,573 --> 00:01:22,615
SPENCER: GOOD MORNING.
CARTER: GOOD MORNING.
30
00:01:24,937 --> 00:01:28,280
SO, DILLON, WHO'S THIS ARTIST
YOU'RE EXCITED TO SEE?
31
00:01:28,380 --> 00:01:31,202
JAMAL CAMPBELL.
HE DREW THIS COMIC
CALLED "NAOMI."
32
00:01:31,302 --> 00:01:32,804
CARTER: Y'ALL DRIVING OVER
TO MELROSE TO SEE HIM?
33
00:01:32,904 --> 00:01:35,806
YEP. SPENCE IS TAKING ME.
IT'S A ART GALLERY
34
00:01:35,906 --> 00:01:38,168
INSIDE A SNEAKER STORE.
IT'S GONNA BE SICK!
35
00:01:38,268 --> 00:01:40,650
GRACE: WHOA! HEY.
SPENCER: YO! YO! YO!
WHAT YOU DOING, MAN!
36
00:01:40,750 --> 00:01:43,773
HEY, SETTLE DOWN.
IT WAS AN ACCIDENT.
I'M SURE IT'S FINE.
37
00:01:43,873 --> 00:01:45,655
IT WOULDN'T HAVE
HAPPENED IF HE WASN'T
OVER THERE TWEAKING.
38
00:01:45,755 --> 00:01:47,616
YO, YOU THE ONE TWEAKING
ABOUT THIS STUPID PHONE.
39
00:01:47,716 --> 00:01:49,658
I'M SURE COACH BAKER'S
VOICEMAIL IS FINE.
40
00:01:49,758 --> 00:01:52,300
GRACE: HEY.
SPENCER: I NEED YOU TO
MIND YOUR BUSINESS, MAN.
41
00:01:52,400 --> 00:01:54,262
YOU NEED TO GET
OVER YOURSELF.
42
00:01:54,362 --> 00:01:55,823
WHATCHU SAY TO ME?
43
00:01:55,923 --> 00:01:58,586
WHOA, WHOA, WHOA, WHOA.
44
00:01:58,686 --> 00:02:00,547
RELAX, YOU GUYS.
45
00:02:00,647 --> 00:02:03,150
SPENCER, SIT DOWN.
46
00:02:03,250 --> 00:02:05,111
SPENCER, ENOUGH.
YOUR MUM ASKED YOU
TO SIT DOWN.
47
00:02:05,211 --> 00:02:08,114
HEY, IT'S FAMILY
BUSINESS, HOMIE.
MIND YOURS!
48
00:02:08,214 --> 00:02:10,316
CARTER: EXCUSE ME?
GRACE: AW, HELL NO.
THIS HAS GONE TOO FAR.
49
00:02:10,416 --> 00:02:13,038
SPENCER. SPENCER!
LOOK AT ME!
50
00:02:13,138 --> 00:02:15,560
I HAVE BEEN PATIENT WITH YOU
WHILE I LET YOU DEAL
WITH YOUR GRIEF
51
00:02:15,660 --> 00:02:18,763
ON YOUR OWN, BUT YOU IN HERE
ACTING LIKE YOU DONE LOST
YOUR DAMN MIND!
52
00:02:18,863 --> 00:02:21,325
SPENCER: THIS AIN'T GOT NOTHING
TO DO WITH MY GRIEF, MA.
GRACE: BE QUIET!
53
00:02:21,425 --> 00:02:24,568
I HAVE REACHED OUT TO DR. SPEARS
ABOUT YOU SEEING HIM
WHEN YOU'RE READY,
54
00:02:24,668 --> 00:02:27,170
BUT YOU KNOW WHAT? FORGET THAT.
YOU'RE GONNA SEE HIM TODAY.
55
00:02:27,270 --> 00:02:29,852
I DON'T NEED TO SEE
NOBODY, ESPECIALLY NOT
NO DAMN THERAPIST.
56
00:02:29,952 --> 00:02:32,254
THIS IS NOT UP
FOR DISCUSSION, SPENCER.
57
00:02:32,354 --> 00:02:35,417
AS LONG AS YOU'RE UNDER MY ROOF,
YOU ARE GOING TO THERAPY.
58
00:02:35,517 --> 00:02:38,559
THEN MAYBE I DON'T
NEED TO BE UNDER
YOUR ROOF NO MORE.
59
00:02:49,489 --> 00:02:51,390
MAN: NICE. COME
ON. GET THROUGH,
60
00:02:51,490 --> 00:02:53,793
GET THROUGH,
GET THROUGH.
PICK UP YOUR FEET.
61
00:02:53,893 --> 00:02:56,795
JORDAN: HERE WE GO. SET, GO.
SINGERS: ♪ YEAH, YEAH, YEAH ♪
62
00:02:56,895 --> 00:02:59,317
MAN: WRONG ROUTE, EVAN.
JORDAN: GOTTA FOCUS!
LET'S GO. RUN IT BACK.
63
00:02:59,417 --> 00:03:01,759
MALE SINGER: ♪ YEAH,
BLOODSTAIN ON THE CONCRETE ♪
JORDAN: SET, GO.
64
00:03:01,859 --> 00:03:03,841
SINGER: ♪ NEVER LEARNED
HOW TO TURN THE CHEEK ♪
65
00:03:03,941 --> 00:03:06,844
♪ ENEMIES WANT THE END OF ME ♪
JORDAN: HOO! EVAN, COME ON, MAN.
66
00:03:06,944 --> 00:03:09,045
IT'S A SIMPLE
WHEEL ROUTE!
67
00:03:09,145 --> 00:03:10,447
SET, GO!
SINGER: ♪ NOTHIN GIVEN
SO I'LL TAKE THAT ♪
68
00:03:10,547 --> 00:03:12,649
♪ I'M IN LINE FOR THE PAYBACK ♪
69
00:03:12,749 --> 00:03:14,930
♪ YEAH, YEAH, YEAH, YEAH,
WHERE'S THE THRONE AT? ♪
CORNERBACK: WHOO!
70
00:03:15,030 --> 00:03:16,692
JORDAN: OH, MY GOD.
WIDE RECEIVER: WHOO!
71
00:03:16,792 --> 00:03:18,774
GOT YOU, BABY!
HERE I GO!
72
00:03:18,874 --> 00:03:20,855
AH!
JORDAN: HEY! HEY!
73
00:03:20,955 --> 00:03:23,057
HEY! EVAN!
EVAN: YEAH. HA HA HA!
74
00:03:23,157 --> 00:03:25,219
JORDAN: EVAN!
HOW ABOUT YOU PUT
AS MUCH EFFORT
75
00:03:25,319 --> 00:03:27,701
IN CATCHING THE BALL
AS YOU DO YOUR LITTLE
CELEBRATION DANCES?
76
00:03:27,801 --> 00:03:29,423
WHAT YOU SAY,
FRESHMAN?
77
00:03:29,523 --> 00:03:31,184
DON'T LET THAT QB1 POSITION
GO TO YOUR HEAD.
78
00:03:31,284 --> 00:03:32,625
THIS IS NOT ABOUT ME,
ALL RIGHT?
79
00:03:32,725 --> 00:03:34,107
THE OFFENCE
DOESN'T THRIVE
80
00:03:34,207 --> 00:03:35,668
IF YOU DON'T CATCH
THE BALL, AND THAT
81
00:03:35,768 --> 00:03:37,269
PUTS PRESSURE
ON THE DEFENCE.
82
00:03:37,369 --> 00:03:39,271
HEH! YOU TALKING A LOT
OF JUNK FOR SOMEBODY
83
00:03:39,371 --> 00:03:41,833
WHO LOST US THE BOWL GAME.
[PLAYERS MURMUR]
84
00:03:41,933 --> 00:03:44,476
ALL RIGHT. WELL,
AT LEAST I MADE IT
ON THE FIELD.
85
00:03:44,576 --> 00:03:47,198
I MEAN, WHAT IS THIS,
LIKE, YOUR FIFTH YEAR
ON THE ROSTER?
86
00:03:47,298 --> 00:03:48,919
EVAN: YOU SAY TO ME?
JORDAN: MAN, GET OUTTA MY FACE.
87
00:03:49,019 --> 00:03:50,641
- YOU SAY TO ME, BRO?
- GET OUTTA MY FACE!
88
00:03:50,741 --> 00:03:53,183
[PLAYERS SHOUTING,
WHISTLE BLOWING]
89
00:03:54,624 --> 00:03:56,486
JJ: AH.
90
00:03:56,586 --> 00:03:59,168
YO, WHO'S READY
FOR SOME SPRING BALL?
91
00:03:59,268 --> 00:04:01,170
DUDE,
WHERE'VE YOU BEEN?
92
00:04:01,270 --> 00:04:03,332
YOU'VE BEEN A GHOST
SINCE COACH BAKER'S
MEMORIAL.
93
00:04:03,432 --> 00:04:05,173
WELL, I, UH, FELT
I NEEDED TO GIVE EVERYBODY
94
00:04:05,273 --> 00:04:07,495
A LITTLE SPACE
WHILE I WORK ON MYSELF.
95
00:04:07,595 --> 00:04:10,137
OR YOU WERE JUST TRYING
TO HIDE BECAUSE OF WHAT
YOU DID AT THE REPAST.
96
00:04:10,237 --> 00:04:12,940
[SIGHS]
97
00:04:13,040 --> 00:04:15,102
EVERYBODY THINKS
I WAS DRUNK
98
00:04:15,202 --> 00:04:18,064
'CAUSE I WAS OUT PARTYING,
BUT THAT'S NOT THE CASE.
99
00:04:18,164 --> 00:04:22,328
I WAS ALONE, AND I NEEDED
SOMETHING TO NUMB THE PAIN
OF COACH BAKER BEING GONE.
100
00:04:23,569 --> 00:04:25,911
I REALISE THAT WAS
A TERRIBLE EXCUSE,
101
00:04:26,011 --> 00:04:28,513
BUT...I'M GOOD NOW.
102
00:04:28,613 --> 00:04:31,515
I'M BACK ON TRACK, READY
TO FOCUS ON FOOTBALL.
103
00:04:31,615 --> 00:04:34,298
ALL THE PARTYING STUFF'S
IN THE REAR VIEW.
104
00:04:35,779 --> 00:04:37,320
IT'S GOOD TO HEAR THAT.
105
00:04:37,420 --> 00:04:38,962
IT'S GOOD SAYING IT.
106
00:04:39,062 --> 00:04:40,883
NOW LET'S GO.
107
00:04:40,983 --> 00:04:42,605
ASHER: GO WHERE?
JJ: PRACTICE.
108
00:04:42,705 --> 00:04:44,967
DUDE, PRACTICE ISN'T
FOR ANOTHER HOUR.
IT'S EARLY.
109
00:04:45,067 --> 00:04:46,608
TO BE EARLY
110
00:04:46,708 --> 00:04:48,410
IS TO BE LATE.
111
00:04:48,510 --> 00:04:49,971
[SIGHS]
FINE.
112
00:04:50,071 --> 00:04:51,572
LET ME GET MY THINGS.
113
00:04:51,672 --> 00:04:53,174
[DOOR CLOSES]
114
00:04:53,274 --> 00:04:55,256
JJ: SPENCE.
BRO, WHAT'S UP?
115
00:04:55,356 --> 00:04:57,898
SPENCER: WHAT'S UP?
[JJ CHUCKLES, SIGHS]
116
00:04:57,998 --> 00:05:00,700
YO, UH, SPENCE,
IS IT TRUE?
117
00:05:00,800 --> 00:05:03,102
I SAW JORDAN
ON THE WAY TO
PRACTICE THIS MORNING.
118
00:05:03,202 --> 00:05:05,745
YOU'RE ENTERING
THE TRANSFER PORTAL?
SPENCER: YEAH.
119
00:05:05,845 --> 00:05:07,666
I'M ACTUALLY ON MY WAY
TO GAU RIGHT NOW TO GET
120
00:05:07,766 --> 00:05:09,588
A LETTER OF RECOMMENDATION
FROM COACH KENNY.
121
00:05:09,688 --> 00:05:12,190
JJ: DUDE, I HOPE
COASTAL'S ON YOUR LIST.
122
00:05:12,290 --> 00:05:14,472
I ALREADY KNOW
COACH MR. MONTES
IS A HUGE FAN.
123
00:05:14,572 --> 00:05:17,234
YO, YOU GOTTA PUT IN
A WORD, ASH, AND THEN ALL
124
00:05:17,334 --> 00:05:19,236
WE'D HAVE TO DO IS GET
JORDAN TO TRANSFER
125
00:05:19,336 --> 00:05:22,239
AND ALL OF COACH BAKER'S
BOYS WOULD BE ON
THE SAME ROSTER.
126
00:05:22,339 --> 00:05:24,641
HEH! WE'RE WINNING
THE NATTY.
127
00:05:24,741 --> 00:05:27,243
JJ: YO,
UNSTOPPABLE, BABY.
128
00:05:27,343 --> 00:05:29,244
YEAH, MAN,
THAT SOUNDS AWESOME.
129
00:05:29,344 --> 00:05:32,247
UH, SPEAKING
OF COASTAL, WE SHOULD
PROBABLY GET GOING.
130
00:05:32,347 --> 00:05:33,888
SPENCE, WE'LL CATCH YOU
LATER, THOUGH.
131
00:05:33,988 --> 00:05:36,871
SPENCER: ALL RIGHT.
JJ, CHUCKLING: WOW.
132
00:05:38,352 --> 00:05:40,434
MAN: MR. JAMES.
133
00:05:42,315 --> 00:05:44,297
SPENCER: DR. SPEARS?
[REFRIGERATOR DOOR CLOSES]
134
00:05:44,397 --> 00:05:46,259
YEAH, I HOPE
YOU DON'T MIND ME
DROPPING BY.
135
00:05:46,359 --> 00:05:48,301
YOUR, UH, ROOMMATES LET ME IN.
SPENCER: WHAT YOU DOING HERE?
136
00:05:48,401 --> 00:05:50,142
GOT AN URGENT CALL
FROM YOUR MUM.
137
00:05:50,242 --> 00:05:52,304
SHE'S PRETTY CONCERNED
ABOUT YOU.
138
00:05:52,404 --> 00:05:54,426
WELL, I'M SORRY
SHE WASTED YOUR TIME.
I'M ALL GOOD OVER HERE.
139
00:05:54,526 --> 00:05:56,027
WELL, BE THAT AS IT MAY,
140
00:05:56,127 --> 00:05:57,829
WE HAVEN'T TALKED IN A WHILE.
BE NICE TO CATCH UP.
141
00:05:57,929 --> 00:05:59,830
- I GOTTA GET TO CAMPUS.
- OH, THEN MAYBE WE CAN SET UP
142
00:05:59,930 --> 00:06:02,433
AN APPOINTMENT FOR LATER.
SPENCER: LOOK...
143
00:06:02,533 --> 00:06:05,555
YOU AND ME, WE AIN'T
GOT NOTHING TO TALK
ABOUT OR CATCH UP ON.
144
00:06:05,655 --> 00:06:07,557
AS A MATTER OF FACT,
YOU TRESPASSING.
145
00:06:07,657 --> 00:06:10,099
I'MMA HAVE TO ASK YOU
TO LEAVE.
146
00:06:11,981 --> 00:06:14,603
ARE YOU GON' MAKE ME
REPEAT MYSELF?
147
00:06:14,703 --> 00:06:16,605
SAY LESS.
148
00:06:16,705 --> 00:06:18,706
I'LL GO.
149
00:06:26,433 --> 00:06:28,415
WHY DIDN'T YOU TELL ME
MIKO SENT FLOWERS TO
THE HOUSE LAST NIGHT?
150
00:06:28,515 --> 00:06:30,937
HAVE YOU FREAK OUT
AT YOUR VIDEO
RELEASE PARTY?
151
00:06:31,037 --> 00:06:32,378
HOW DID SHE GET
OUR ADDRESS?
152
00:06:32,478 --> 00:06:34,220
UGH!
LIKE, I FEEL VIOLATED.
153
00:06:34,320 --> 00:06:36,061
YEAH, YOU SHOULD.
I MEAN, FIRST IT WAS
154
00:06:36,161 --> 00:06:38,023
THE CONSTANT
DM STALKING,
THEN THE "ACCIDENTAL"
155
00:06:38,123 --> 00:06:40,025
RUN-IN AT SLAUSON'S,
AND NOW THIS.
156
00:06:40,125 --> 00:06:42,106
PATIENCE, THERE IS
SOMETHING SERIOUSLY
WRONG WITH MIKO.
157
00:06:42,206 --> 00:06:43,788
YOU HAVE TO STAY AWAY FROM HER.
PATIENCE: YEAH, I KNOW.
158
00:06:43,888 --> 00:06:45,749
I KNOW.
YOU'RE RIGHT. I JUST--
159
00:06:45,849 --> 00:06:47,231
- OK. OK, OK.
- I FEEL, LIKE, WEIRD.
160
00:06:47,331 --> 00:06:48,872
LET'S FOCUS
ON SOMETHING I KNOW
161
00:06:48,972 --> 00:06:51,474
WILL MAKE YOU HAPPY.
LET'S LOOK AT THE VIEWS
162
00:06:51,574 --> 00:06:55,077
ON THE "FIRE AND ICE" VIDEO.
PATIENCE: OK.
163
00:06:55,177 --> 00:06:57,479
WAIT. THERE'S ONLY
500,000 VIEWS?
164
00:06:57,579 --> 00:07:00,922
NO, THAT CAN'T BE RIGHT.
THE TEASER GOT, LIKE,
5 MILLION IN TWO DAYS.
165
00:07:01,022 --> 00:07:02,604
AND LOOK
AT THESE COMMENTS.
166
00:07:02,704 --> 00:07:04,605
GREAT.
I HAVE A STALKER FAN,
167
00:07:04,705 --> 00:07:06,607
AND NO ONE LIKED
THE VIDEO.
168
00:07:06,707 --> 00:07:08,609
- PATIENCE.
- NO, NO, NO. THIS IS--
169
00:07:08,709 --> 00:07:11,391
THIS IS GREAT.
REALLY COOL.
170
00:07:12,872 --> 00:07:14,874
[SIGHS]
171
00:07:17,356 --> 00:07:20,659
ASHER: GENTLEMEN, WHAT IS
THE COMMON DENOMINATOR IN
ALL THOSE HIGHLIGHTS?
172
00:07:20,759 --> 00:07:22,621
THEY'RE ALL RUNNING
A 3-4 DEFENSE.
173
00:07:22,721 --> 00:07:25,023
CORRECT.
WHICH ALLOWS THEM TO--
174
00:07:25,123 --> 00:07:27,865
USE THEIR OUTSIDE
BACKERS AS ADDITIONAL
PASS-RUSHERS.
175
00:07:27,965 --> 00:07:29,867
RIGHT AGAIN.
176
00:07:29,967 --> 00:07:31,909
THIS IS A MAINSTAY
IN THE NFL,
177
00:07:32,009 --> 00:07:34,030
BUT MORE COLLEGE PROGRAMS
ARE RUNNING IT, LIKE, UH--
178
00:07:34,130 --> 00:07:36,192
ALABAMA, GEORGIA, OREGON.
179
00:07:36,292 --> 00:07:39,275
JABARI: OK, RAIN MAN.
COACH MR. MONTES:
AND AS OF THIS SPRING,
180
00:07:39,375 --> 00:07:41,277
YOU CAN ADD COASTAL
TO THAT LIST.
181
00:07:41,377 --> 00:07:43,278
TAKE A MINUTE TO LOOK
THROUGH YOUR TABLETS.
182
00:07:43,378 --> 00:07:46,121
WE'LL BE IMPLEMENTING
THESE DRILLS ON
THE FIELD LATER.
183
00:07:46,221 --> 00:07:48,122
[QUIETLY]
WHAT'D YOU DO,
184
00:07:48,222 --> 00:07:50,084
SPIKE JJ's
PROTEIN SHAKE
THIS MORNING?
185
00:07:50,184 --> 00:07:52,966
HEH! HE'S LOCKED IN.
SHOWED UP EARLY
AND PREPARED.
186
00:07:53,066 --> 00:07:56,309
OK. WE'LL SEE
IF IT LASTS.
187
00:07:57,991 --> 00:07:59,852
[KNOCK ON DOOR]
188
00:07:59,952 --> 00:08:01,854
SPENCER: I SEE YOU GOT
THAT PROMOTION.
189
00:08:01,954 --> 00:08:05,857
AND YOU CAME
ALL THIS WAY
TO CONGRATULATE ME.
190
00:08:05,957 --> 00:08:08,500
I CAME HERE
'CAUSE I NEED A LETTER
OF RECOMMENDATION
191
00:08:08,600 --> 00:08:11,262
FROM MY CURRENT COACH
FOR WHEN I ENTER
THE PORTAL.
192
00:08:11,362 --> 00:08:12,903
[CHUCKLES]
193
00:08:13,003 --> 00:08:14,865
LET--LET ME GET
THIS STRAIGHT.
194
00:08:14,965 --> 00:08:17,707
SO FIRST YOU QUIT,
AND THEN YOU LOSE
YOUR MIND,
195
00:08:17,807 --> 00:08:20,350
GETTING ALL UP IN
MY FACE, AND NOW YOU'RE
ASKING ME FOR A FAVOUR?
196
00:08:20,450 --> 00:08:22,832
IT'S NOT A FAVOUR.
IT'S YOUR JOB AS MY
CURRENT HEAD COACH.
197
00:08:22,932 --> 00:08:25,834
MY JOB. WELL,
COACHES WITH INTEREST
198
00:08:25,934 --> 00:08:27,916
WILL REACH OUT TO ME
ONCE YOU HIT THE PORTAL.
199
00:08:28,016 --> 00:08:30,558
YEAH, WELL, I LIKE
TO BE PROACTIVE
ABOUT MY FUTURE.
200
00:08:30,658 --> 00:08:33,341
SO YOU GONNA WRITE
THE LETTER OR WHAT, MAN?
201
00:08:34,902 --> 00:08:36,884
LET ME TELL YOU SOMETHING,
LITTLE HOMIE.
202
00:08:36,984 --> 00:08:39,806
I GAVE YOU A PASS
THE LAST TIME YOU CAME
AT ME SIDEWAYS,
203
00:08:39,906 --> 00:08:41,808
BUT YOU BETTER WATCH
YOUR DAMN TONE.
204
00:08:41,908 --> 00:08:44,690
I'LL GET YOU
THAT LETTER WHEN
I'M GOOD AND READY.
205
00:08:44,790 --> 00:08:48,894
NOW, THIS LOCKER ROOM
IS FOR CURRENT
GAU PLAYERS ONLY.
206
00:08:48,994 --> 00:08:51,396
YOU REMEMBER WHERE
THE EXIT IS, RIGHT?
207
00:09:00,123 --> 00:09:02,746
YO, I TOLD YOU
I AIN'T GOT NOTHING
TO SAY TO YOU, MAN.
208
00:09:02,846 --> 00:09:05,748
YOU TOLD ME I WAS
TRESPASSING, SO HERE
I AM ON PUBLIC PROPERTY
209
00:09:05,848 --> 00:09:08,070
ASKING IF YOU WANT
TO MAKE AN APPOINTMENT
NEXT WEEK.
210
00:09:08,170 --> 00:09:09,431
WHY CAN'T YOU JUST
BACK OFF, BRUH?
211
00:09:09,531 --> 00:09:11,273
BECAUSE I'M CONCERNED
ABOUT YOU.
212
00:09:11,373 --> 00:09:12,754
IT'S OBVIOUS YOU'RE
IN IMMENSE PAIN
213
00:09:12,854 --> 00:09:14,636
AND HOLDING IT IN
HAS TURNED TOXIC.
214
00:09:14,736 --> 00:09:16,157
SPENCER: DO YOU
RUN UP UNINVITED
215
00:09:16,257 --> 00:09:18,159
TO ALL YOUR CLIENTS'
HOUSES AND SCHOOLS?
216
00:09:18,259 --> 00:09:21,402
I DO, FOR THE SPECIAL ONES
WHEN I KNOW THEY NEED ME.
217
00:09:21,502 --> 00:09:24,684
AIN'T NOTHIN' SPECIAL
ABOUT ME, SO YOU AND
EVERYBODY ELSE CAN STOP
218
00:09:24,784 --> 00:09:28,007
TRYIN' TO JUMP
THROUGH HOOPS FOR ME, OK?
219
00:09:28,107 --> 00:09:30,609
TELL ME, WHAT IS IT
ABOUT THE PEOPLE
IN YOUR LIFE,
220
00:09:30,709 --> 00:09:32,771
OR MAYBE IT'S JUST
THE MEN IN YOUR LIFE,
221
00:09:32,871 --> 00:09:34,613
GOING ABOVE
AND BEYOND FOR YOU
THAT'S TRIGGERING?
222
00:09:34,713 --> 00:09:36,714
[SHOUTING]
I'M NOT TRIGGERED!
223
00:09:38,436 --> 00:09:40,338
[QUIETLY]
I'M NOT TRIGGERED.
224
00:09:40,438 --> 00:09:42,339
YOU'RE TRYING
YOUR HARDEST
225
00:09:42,439 --> 00:09:44,942
TO HIDE
FROM YOUR EMOTIONS,
226
00:09:45,042 --> 00:09:47,984
AND EVENTUALLY,
YOU WILL RUN OUTTA
HIDING PLACES.
227
00:09:48,084 --> 00:09:49,986
WHEN YOU DO,
228
00:09:50,086 --> 00:09:52,088
I'M JUST A CALL AWAY.
229
00:10:00,895 --> 00:10:02,997
HEY, COACH.
YOU WANTED TO SEE ME?
230
00:10:03,097 --> 00:10:04,999
YEAH. WHAT THE HELL
WAS THAT TODAY?
231
00:10:05,099 --> 00:10:07,200
OH, I KNOW. I MEAN,
GUYS NOT RUNNING
THEIR ROUTES,
232
00:10:07,300 --> 00:10:09,843
TOTALLY UNFOCUSED.
LOOK, WE LOST A LOT
OF GOOD TALENT
233
00:10:09,943 --> 00:10:12,125
TO THE PORTAL,
NONE MORE IMPORTANT
THAN SPENCER JAMES--
234
00:10:12,225 --> 00:10:14,487
BUT IT'S NOT YOUR JOB
TO COACH THIS TEAM,
IT'S MINE.
235
00:10:14,587 --> 00:10:17,489
OK, WELL, THEY WERE PUTTING
CELEBRATING OVER PRACTICING,
AND EVAN WAS BEING--
236
00:10:17,589 --> 00:10:20,251
WHAT PART OF
"THIS IS NOT YOUR JOB"
DON'T YOU UNDERSTAND?
237
00:10:20,351 --> 00:10:23,815
WELL, I JUST THOUGHT THAT
AS THE LEADER OF THIS TEAM,
MAYBE I SHOULD ST--
238
00:10:23,915 --> 00:10:27,057
OBVIOUSLY THEY'RE NOT
RESPONDING TO YOUR LEADERSHIP,
SO YOU NEED TO FALL BACK.
239
00:10:27,157 --> 00:10:29,800
YES, COACH.
240
00:10:33,963 --> 00:10:37,506
I'M SORRY, BUT DID I DO
SOMETHING TO OFFEND YOU?
241
00:10:37,606 --> 00:10:40,389
BECAUSE I WAS--I WAS
JUST TRYING TO STEP UP.
242
00:10:40,489 --> 00:10:42,390
[CAPS, SETS DOWN MARKER]
NAH.
243
00:10:42,490 --> 00:10:44,993
LOOK, MY BAD, MAN.
244
00:10:45,093 --> 00:10:47,435
SPENCER STOPPED BY
A LITTLE EARLIER,
245
00:10:47,535 --> 00:10:50,037
AND IT JUST HAS ME
ALL WORKED UP.
246
00:10:50,137 --> 00:10:53,119
YEAH, HE'S BEEN
HAVING AN EFFECT
ON ALL OF US LATELY.
247
00:10:53,219 --> 00:10:55,682
LOOK, COACH, SPENCER...
[SIGHS]
248
00:10:55,782 --> 00:10:59,325
HE'S THE TYPE OF PERSON
THAT PUSHES EVERYONE AWAY
WHENEVER HE'S HURTING.
249
00:10:59,425 --> 00:11:01,326
AND CONSIDERING THAT HE
ISN'T REALLY DEALING
250
00:11:01,426 --> 00:11:03,969
WITH THE REALITY
OF MY DAD BEING GONE,
251
00:11:04,069 --> 00:11:08,032
WELL, MY GUESS IS THAT
HE'S HURTING MORE THAN
ANY OF US REALLY KNOW.
252
00:11:09,393 --> 00:11:11,895
THANKS FOR
THE INSIGHT, J.
253
00:11:11,995 --> 00:11:15,979
AND I'M SORRY I
TOOK MY FRUSTRATIONS
OUT ON YOU.
254
00:11:16,079 --> 00:11:17,940
- NO PROBLEM.
- ALL RIGHT.
255
00:11:18,040 --> 00:11:21,223
- OK. [CLAPS PALMS TOGETHER]
- OH, ONE LAST THING.
256
00:11:21,323 --> 00:11:23,865
YOU ARE A LEADER,
J., BUT THEY'RE
NOT RESPONDING
257
00:11:23,965 --> 00:11:26,308
TO YOUR LEADERSHIP
BECAUSE THAT
HARD-ASS STYLE,
258
00:11:26,408 --> 00:11:28,409
THAT AIN'T YOU.
259
00:11:35,175 --> 00:11:38,438
[DOOR OPENS]
COOP: HEY, YO.
GOT A SPECIAL DELIVERY.
260
00:11:38,538 --> 00:11:41,040
[DOOR CLOSES]
SPENCER: WHAT Y'ALL DOING HERE?
261
00:11:41,140 --> 00:11:43,042
COOP: UH, DILLON ASKED ME
TO BRING HIM BY.
262
00:11:43,142 --> 00:11:45,484
APPARENTLY YOU WERE SUPPOSED
TO TAKE HIM TO MELROSE TODAY.
263
00:11:45,584 --> 00:11:47,486
DILLON: YOU WERE SO BUSY
STORMING OUT THE HOUSE
YOU FORGOT.
264
00:11:47,586 --> 00:11:49,928
IT WASN'T EVEN
LIKE THAT, MAN.
MUMS WAS TRIPPIN'--
265
00:11:50,028 --> 00:11:51,929
DILLON: NAH, MAN,
YOU WAS TRIPPIN'--
COOP: HEY, DILLON,
266
00:11:52,029 --> 00:11:54,131
WHY DON'T YOU, UH, GO AHEAD
AND TAKE YOUR STUFF UP
267
00:11:54,231 --> 00:11:57,314
TO YOUR BROTHER'S ROOM
SO ME AND HIM CAN TALK
FOR A SECOND?
268
00:12:03,879 --> 00:12:06,422
[EXHALES SHARPLY]
WHAT'S GOING ON
WITH YOU, MAN?
269
00:12:06,522 --> 00:12:08,063
I JUST GOT A LOT
GOING ON, COOP.
270
00:12:08,163 --> 00:12:09,865
MELROSE SLIPPED
MY MIND, OK?
271
00:12:09,965 --> 00:12:11,826
THIS AIN'T ABOUT YOU
FORGETTING TO TAKE DILLON
272
00:12:11,926 --> 00:12:14,148
SOMEWHERE, ALL RIGHT?
THIS IS ABOUT
273
00:12:14,248 --> 00:12:17,791
THIS SCORCHED-EARTH THING
YOU DOING TO THE PEOPLE
THAT LOVE YOU. I'M WORRIED.
274
00:12:17,891 --> 00:12:20,794
YOU DON'T GOT TO WORRY
ABOUT ME, OK?
275
00:12:20,894 --> 00:12:23,796
NEITHER DOES
MY MUM, DILLON,
276
00:12:23,896 --> 00:12:27,159
THE BAKERS, OR WHOEVER
ELSE CAN'T MIND
THEY DAMN BUSINESS.
277
00:12:27,259 --> 00:12:29,161
YO, DO YOU HEAR
YOURSELF RIGHT NOW?
278
00:12:29,261 --> 00:12:31,323
YOU ARE
OUR BUSINESS, OK?
279
00:12:31,423 --> 00:12:33,765
SO IF YOU HURTING, WE HURTING.
SPENCER: YOU HEAR ME?
280
00:12:33,865 --> 00:12:36,487
I SAID I'M GOOD!
END OF DISCUSSION!
281
00:12:36,587 --> 00:12:39,089
NAH, MAN, I'VE KNOWN YOU
WAY TOO LONG.
282
00:12:39,189 --> 00:12:41,091
AND YOU NOT GOOD,
SO ENOUGH WITH THE B.S.
283
00:12:41,191 --> 00:12:42,933
YOU NEED TO LET IT GO,
COOP, A'IGHT?
284
00:12:43,033 --> 00:12:44,574
I'M NOT LETTIN' NOTHING GO
UNTIL WE FIGURE THIS OUT.
285
00:12:44,674 --> 00:12:46,215
LOOK, I REALLY DON'T
NEED YOU ON MY BUMPER
286
00:12:46,315 --> 00:12:47,857
RIGHT NOW, MAN.
COOP: LOOK, YOU ANGRY, I GET IT.
287
00:12:47,957 --> 00:12:49,578
- COOP--
- WE ALL FEELING BILLY'S--
288
00:12:49,678 --> 00:12:51,180
LEAVE ME ALONE!
289
00:12:51,280 --> 00:12:53,061
[WOOD CRUNCHES]
290
00:12:53,161 --> 00:12:55,103
[BREATH TREMBLING]
291
00:12:55,203 --> 00:12:58,205
DILLON, QUIETLY: SPENCE,
MAN, WHAT'RE YOU DOING?
292
00:12:59,687 --> 00:13:01,228
I THINK YOUR--
YOUR BROTHER JUST--
293
00:13:01,328 --> 00:13:03,150
HE NEEDS A LITTLE SPACE
RIGHT NOW.
294
00:13:03,250 --> 00:13:05,712
LISTEN, MAN, I'VE BEEN
ROCKING WITH YOU
FOR WAY TOO LONG.
295
00:13:05,812 --> 00:13:07,714
I'VE SEEN EVERY SIDE
OF YOU--THE GOOD,
296
00:13:07,814 --> 00:13:10,356
THE BAD, THE UGLY--
BUT THIS,
297
00:13:10,456 --> 00:13:12,598
THIS SPENCER JAMES?
298
00:13:12,698 --> 00:13:16,401
I DON'T KNOW HIM,
AND THAT SCARES ME.
299
00:13:16,501 --> 00:13:18,403
DILLON, GO GET YOUR STUFF
'CAUSE I DON'T--
300
00:13:18,503 --> 00:13:20,565
I DON'T EVEN FEEL SAFE
LEAVING YOU HERE.
301
00:13:20,665 --> 00:13:23,207
HEY, DILLON--DILLON
IS MY BROTHER, OK?
302
00:13:23,307 --> 00:13:25,088
HE KNOW HE'S SAFE
WITH ME.
303
00:13:25,188 --> 00:13:27,090
I'M GOING WITH COOP.
304
00:13:27,190 --> 00:13:29,192
["DEMONS" PLAYING]
305
00:13:34,556 --> 00:13:36,598
[FOOTSTEPS ASCEND STAIRS]
306
00:13:40,161 --> 00:13:42,023
[DOOR SLAMS]
307
00:13:42,123 --> 00:13:46,467
PA THE WRITER: ♪ LA LA LA LA LA
LA LA LA LA LA ♪
308
00:13:46,567 --> 00:13:48,568
♪ FIGHT 'EM OFF FOR LIFE ♪
309
00:14:05,262 --> 00:14:07,484
HEY...
310
00:14:07,584 --> 00:14:09,586
LET'S TAKE A DRIVE.
311
00:14:15,511 --> 00:14:17,413
[INDISTINCT CHATTER]
312
00:14:17,513 --> 00:14:19,975
HEY, WHAT UP, JJ?
LONG TIME NO SEE.
313
00:14:20,075 --> 00:14:21,977
OH, WELL, WHAT'S UP?
KEITH.
314
00:14:22,077 --> 00:14:24,339
GAGE. HEY, MAN.
GAGE: HOW'S IT GOING?
315
00:14:24,439 --> 00:14:26,380
WHERE YOU BEEN?
YOU'RE M.I.A.
316
00:14:26,480 --> 00:14:29,023
AT OUR FRAT PARTIES
LATELY, M.I.A.
AT THE HOUSE.
317
00:14:29,123 --> 00:14:31,785
ME AND THE BROTHERS ARE
PRETTY DISAPPOINTED.
GAGE: YEAH.
318
00:14:31,885 --> 00:14:35,108
COME ON, GUYS.
I NEED TO LOCK
BACK IN ON FOOTBALL.
319
00:14:35,208 --> 00:14:37,070
YO, TRUST ME,
WE GET IT.
320
00:14:37,170 --> 00:14:38,951
GAGE: YEAH.
KEVIN: IT'S A GNARLY LOAD.
321
00:14:39,051 --> 00:14:41,073
THAT DOESN'T CHANGE
THE FACT THAT WE MISS YOU.
322
00:14:41,173 --> 00:14:43,275
GAGE: YEAH.
KEVIN: YOU'RE THE LIFE
OF THE PARTY.
323
00:14:43,375 --> 00:14:46,598
A PARTY AIN'T A PARTY
IF JJ PARKER ISN'T THERE.
324
00:14:46,698 --> 00:14:50,201
I--I MISS Y'ALL, TOO,
BUT PARTY JJ HAS TO RIDE
325
00:14:50,301 --> 00:14:52,723
THE BENCH FOR A WHILE,
HUH? HEH HEH!
326
00:14:52,823 --> 00:14:55,505
KEVIN: SORRY TO HEAR THAT.
JJ, QUIETLY: ALL RIGHT.
327
00:14:58,828 --> 00:15:00,730
JABARI: YOU?
MISSING PARTIES?
328
00:15:00,830 --> 00:15:02,731
HEH! MAN, YOUR TURN-UP
IS LEGENDARY.
329
00:15:02,831 --> 00:15:05,133
AH. HEH HEH!
I--I APPRECIATE THAT,
330
00:15:05,233 --> 00:15:08,336
BUT HONESTLY, IT GOT
A LITTLE OUTTA HAND.
331
00:15:08,436 --> 00:15:10,778
YEAH, I KNOW
WHAT IT'S LIKE TO BE
RUNNING FROM A LIFE
332
00:15:10,878 --> 00:15:13,420
TRYING TO SUCK YOU
BACK IN.
333
00:15:13,520 --> 00:15:15,622
BUT LUCKILY, YOU GOT
COACH ASHER BELIEVING
334
00:15:15,722 --> 00:15:18,345
IN YOU, LIKE I HAD
COACH BAKER.
335
00:15:18,445 --> 00:15:19,786
JUST KEEP DOING WHAT
YOU'RE DOING, MAN.
336
00:15:19,886 --> 00:15:22,148
YOU'RE MAKING EVERYBODY
PROUD, YOU KNOW,
337
00:15:22,248 --> 00:15:25,150
AND IT'S INSPIRING
FOR GUYS LIKE ME.
338
00:15:25,250 --> 00:15:27,312
THANKS, MAN.
339
00:15:27,412 --> 00:15:29,914
GIA'S SET UP
SOME RADIO INTERVIEWS
340
00:15:30,014 --> 00:15:31,916
TO CREATE SOME BUZZ
AND GET THOSE VIEWS UP.
341
00:15:32,016 --> 00:15:33,918
[SIGHS]
PATIENCE: IT DOESN'T MATTER.
342
00:15:34,018 --> 00:15:36,640
PEOPLE HATE THE VIDEO
AND THEY HATE ME.
343
00:15:36,740 --> 00:15:38,682
WELL, THIS "NEW" VERSION OF ME.
[CELL PHONE VIBRATES]
344
00:15:38,782 --> 00:15:40,323
OOH!
IT'S GIA.
345
00:15:40,423 --> 00:15:41,925
[SIGHS]
WAIT.
346
00:15:42,025 --> 00:15:44,086
THE VIEWS ON YOUR VIDEO
JUST REACHED TWO MILLION.
347
00:15:44,186 --> 00:15:45,688
- WHAT? HOW?
- YEAH.
348
00:15:45,788 --> 00:15:47,329
OK. UH,
349
00:15:47,429 --> 00:15:49,731
VERIFIED NUMBERS... OH.
350
00:15:49,831 --> 00:15:52,694
SHE TRACED IT BACK TO ONE
OF MIKO'S FAN PAGES.
351
00:15:52,794 --> 00:15:55,576
MIKO POSTED THE VIDEO
AND THE NUMBERS WENT
THROUGH THE ROOF.
352
00:15:55,676 --> 00:15:58,379
[CHUCKLING]
OH, MY GOD! WAIT,
THAT'S INCREDIBLE.
353
00:15:58,479 --> 00:16:00,060
- OK. NO. HOLD ON.
- LET ME SEE.
354
00:16:00,160 --> 00:16:02,102
I KNOW THAT LOOK. PATIENCE.
PATIENCE: WHAT?
355
00:16:02,202 --> 00:16:04,063
LOOK, BEFORE YOU--
356
00:16:04,163 --> 00:16:06,265
BEFORE YOU GET
ANY IDEAS ABOUT
REACHING OUT AND WANTING
357
00:16:06,365 --> 00:16:08,547
TO THANK HER, I WOULD LIKE
TO REMIND YOU THAT WE ARE
DISTANCING OURSELVES,
358
00:16:08,647 --> 00:16:10,749
RIGHT, 'CAUSE SHE'S
GIVING FULL DANGER VIBES.
359
00:16:10,849 --> 00:16:12,390
YEAH, BUT CAN'T WE JUST
CUT HER SOME SLACK?
360
00:16:12,490 --> 00:16:14,312
I MEAN, SHE WAS BULLIED
IN HIGH SCHOOL AND,
361
00:16:14,412 --> 00:16:16,474
YOU KNOW, SHE FOUND
SOMETHING IN MY MUSIC.
362
00:16:16,574 --> 00:16:18,676
MM-HMM,
AND THEN SHE FOUND
YOUR HOME ADDRESS.
363
00:16:18,776 --> 00:16:20,277
THAT IS
A HUGE VIOLATION.
364
00:16:20,377 --> 00:16:22,599
I HAVE BEEN
DOWN THIS ROAD
WITH CARRIE, OK?
365
00:16:22,699 --> 00:16:24,801
I AM TELLING YOU, MIKO IS
NOT THE KIND OF PERSON
366
00:16:24,901 --> 00:16:27,203
YOU TRY TO REASON WITH
OR SET BOUNDARIES.
367
00:16:27,303 --> 00:16:30,125
SHE'S THE KIND
YOU CUT OFF FOR GOOD.
368
00:16:30,225 --> 00:16:31,927
[SIGHS]
369
00:16:32,027 --> 00:16:33,769
SPENCER:
WHAT ARE WE DOING HERE?
370
00:16:33,869 --> 00:16:35,490
DR. SPEARS: OH, THOUGHT
IT'D BE NICE TO COME BACK
371
00:16:35,590 --> 00:16:37,532
TO A PLACE THAT FEELS
FAMILIAR AND SAFE TO YOU.
372
00:16:37,632 --> 00:16:39,573
PLUS, I COULD USE
THE FRESH AIR.
373
00:16:39,673 --> 00:16:41,575
MAN, THIS L.A.
THE AIR IS ANYTHING
BUT FRESH.
374
00:16:41,675 --> 00:16:44,177
HEH HEH!
I'LL TAKE MY CHANCES.
375
00:16:44,277 --> 00:16:46,179
BUT NOW THAT I
GOT YOU TALKING,
376
00:16:46,279 --> 00:16:48,321
WHAT MADE YOU
FINALLY CALL?
377
00:16:51,924 --> 00:16:53,966
I SCARED MY BROTHER.
378
00:16:56,127 --> 00:16:59,270
DILLON DOESN'T TRUST ME
ENOUGH TO BE LEFT ALONE
WITH ME NO MORE.
379
00:16:59,370 --> 00:17:01,912
CAN'T SAY I BLAME HIM.
380
00:17:02,012 --> 00:17:05,155
I BEEN HAVING
THIS FEELING LIKE...
381
00:17:05,255 --> 00:17:07,637
YOU KNOW
HOW PEOPLE TALK ABOUT
OUT-OF-BODY EXPERIENCES?
382
00:17:07,737 --> 00:17:09,479
THAT'S HOW MY LIFE'S
BEEN FEELING LATELY.
383
00:17:09,579 --> 00:17:11,401
DR. SPEARS: IN WHAT WAY?
384
00:17:11,501 --> 00:17:14,883
LIKE I FEEL MYSELF
DETACHING FROM EVERYTHING
INSIDE OF ME, MAN.
385
00:17:14,983 --> 00:17:17,726
IT'S LIKE I'M WATCHING
SOMEBODY ELSE SAY
AND DO THINGS
386
00:17:17,826 --> 00:17:21,749
THAT I NEVER WOULD,
ONLY THE PERSON
I'M WATCHING IS ME.
387
00:17:23,471 --> 00:17:25,132
I DON'T KNOW
WHAT'S GOING ON.
388
00:17:25,232 --> 00:17:27,774
YOU'RE IN CRISIS, SPENCER.
THAT'S WHAT'S GOING ON.
389
00:17:27,874 --> 00:17:31,017
WHEN IT'S NOT
PROPERLY ADDRESSED,
GRIEF CAN UNLOCK THINGS
390
00:17:31,117 --> 00:17:33,860
AND SEND US SPIRALLING
IN WAYS YOU WOULD
NEVER IMAGINE.
391
00:17:33,960 --> 00:17:36,302
NAH, I'VE FELT GRIEF BEFORE.
THIS IS DIFFERENT.
392
00:17:36,402 --> 00:17:39,264
YEAH, BECAUSE YOU ALLOWED
IT TO FESTER AND MUTATE.
393
00:17:39,364 --> 00:17:42,147
ONE OF THE HARDEST THINGS
FOR A BLACK MAN TO SAY IS
394
00:17:42,247 --> 00:17:44,589
"I'M NOT OK."
395
00:17:44,689 --> 00:17:48,252
YOU CALLING ME
WAS A STEP IN
THE RIGHT DIRECTION.
396
00:17:52,936 --> 00:17:54,637
MAN: PLACE IT
RIGHT HERE, OK?
397
00:17:54,737 --> 00:17:57,319
THAT'S WHERE
MY POPS TAUGHT ME HOW
TO THROW A SPIRAL.
398
00:17:57,419 --> 00:17:59,361
HE ALWAYS TOLD ME,
399
00:17:59,461 --> 00:18:01,523
"FINGERS BETWEEN
THE LACES, SON.
400
00:18:01,623 --> 00:18:05,166
"COCK THE BALL BACK,
KEEP YOUR ARM
AT 90 DEGREES,
401
00:18:05,266 --> 00:18:06,768
"STEP INTO IT,
402
00:18:06,868 --> 00:18:08,369
AND RELEASE."
403
00:18:08,469 --> 00:18:10,291
SEEMS LIKE
THOSE LESSONS PAID OFF.
404
00:18:10,391 --> 00:18:11,892
NAH, NOT REALLY.
405
00:18:11,992 --> 00:18:14,014
THAT'S WHY I PLAY
WIDE RECEIVER, NOT QB.
406
00:18:14,114 --> 00:18:16,496
- AH.
- WHO KNOWS?
407
00:18:16,596 --> 00:18:20,679
MAYBE IF HE DIDN'T WALK
OUT ON ME BACK THEN, THINGS
WOULD'VE TURNED OUT DIFFERENT.
408
00:18:27,605 --> 00:18:30,668
COOP: I'M TALKIN'
WHOLE FIST THROUGH
THE CABINET, ALL RIGHT?
409
00:18:30,768 --> 00:18:33,830
THERE'S GOTTA BE A UNDERLYING
SOMETHING THERE NOW,
LIKE A MEANNESS
410
00:18:33,930 --> 00:18:38,034
I'VE NEVER SEEN BEFORE.
HE DON'T CARE ABOUT NOTHING
OR NOBODY, INCLUDING HIMSELF.
411
00:18:38,134 --> 00:18:39,675
WELL, SO WHAT ARE WE
SUPPOSED TO DO, THEN?
412
00:18:39,775 --> 00:18:41,877
GIVE UP ON SPENCER?
ABANDON HIM?
413
00:18:41,977 --> 00:18:44,520
WELL, IT AIN'T ABANDONMENT
IF HE'S THE ONE
OPENING THE DOOR
414
00:18:44,620 --> 00:18:46,721
AND TELLING YOU
TO GET THE HELL OUT.
JORDAN: YEAH, I MEAN, I TRIED
415
00:18:46,821 --> 00:18:49,284
TO MAKE EXCUSES FOR HIM
WITH COACH KENNY EARLIER,
BUT, I MEAN,
416
00:18:49,384 --> 00:18:51,285
THE TRUTH IS, I SAW IT
IN HIS EYES LAST NIGHT
417
00:18:51,385 --> 00:18:53,687
AT HIS KICKBACK.
I MEAN, HE'S DONE WITH US.
418
00:18:53,787 --> 00:18:56,890
WELL, WHAT ABOUT ALICIA?
I MEAN, SHE'S HIS GIRLFRIEND.
MAYBE SHE KNOWS--
419
00:18:56,990 --> 00:18:59,933
GIRL, ALICIA CAN'T HELP
HIM OR US, ALL RIGHT?
SHE'S BEEN GONE.
420
00:19:00,033 --> 00:19:02,935
SHE GAVE HIM
A "DEAR SPENCER"
LETTER AND DIPPED.
421
00:19:03,035 --> 00:19:05,177
JORDAN: WAIT. SERIOUSLY? WHEN?
OLIVIA: WAIT, WAIT. I'M SORRY.
422
00:19:05,277 --> 00:19:07,579
SPENCER LOSES
THE CLOSEST THING
HE'S HAD TO A FATHER
423
00:19:07,679 --> 00:19:09,821
AND HIS GIRLFRIEND
DUMPS HIM BECAUSE WHAT,
424
00:19:09,921 --> 00:19:12,103
HE'S NOT FUN ANYMORE?
COOP: OK, EASY THERE.
425
00:19:12,203 --> 00:19:15,025
SHE TOOK A STEP BACK
BECAUSE SHE FELT LIKE
SHE WAS SMOTHERING HIM.
426
00:19:15,125 --> 00:19:17,107
AND KNOWING HIM,
HE PROBABLY FELT ABANDONED,
427
00:19:17,207 --> 00:19:19,589
AND THAT WAS
HIS FINAL STRAW IN HIS
WHOLE DOWNWARD SPIRAL.
428
00:19:19,689 --> 00:19:21,271
HE PUSHED HER AWAY, LIV!
429
00:19:21,371 --> 00:19:23,393
HOW DOES NO ONE GET
THAT SPENCER IS HURTING?
430
00:19:23,493 --> 00:19:26,195
SPACE IS THE LAST THING
THAT HE NEEDS, NO MATTER
431
00:19:26,295 --> 00:19:28,237
HOW MUCH HE TRIES TO
CONVINCE US OTHERWISE.
432
00:19:28,337 --> 00:19:30,719
I MEAN, LIV, I'M NOT
REALLY SURE WHAT ELSE
WE CAN DO FOR SPENCER.
433
00:19:30,819 --> 00:19:32,320
NOT GIVE UP ON HIM.
434
00:19:32,420 --> 00:19:35,943
NONE OF US.
THAT IS WHAT WE CAN DO.
435
00:19:44,831 --> 00:19:46,872
[ALL GIGGLING]
436
00:19:52,157 --> 00:19:53,658
YOU KNOW
HOW MANY HOURS
437
00:19:53,758 --> 00:19:55,180
ME, COOP, AND SHAWN
SPENT ON THESE THINGS?
438
00:19:55,280 --> 00:19:56,621
DR. SPEARS: SHAWN.
YOU MENTIONED HIM BEFORE.
439
00:19:56,721 --> 00:19:57,942
THAT'S YOUR CHILDHOOD FRIEND?
440
00:19:58,042 --> 00:19:59,944
THIS IS
WHERE WE FIRST MET.
441
00:20:00,044 --> 00:20:03,306
WE WERE, LIKE, 6.
[CHUCKLES]
442
00:20:03,406 --> 00:20:04,988
WE'D SWING UP
AS HIGH AS WE COULD,
443
00:20:05,088 --> 00:20:06,909
THEN JUMP OUT THE SEAT
AT THE HIGHEST POINT.
444
00:20:07,009 --> 00:20:08,871
OH, THAT SOUNDS EXHILARATING.
445
00:20:08,971 --> 00:20:12,995
IT WAS, WAS. SHAWN
HAD TO CONVINCE ME
TO DO IT, THOUGH.
446
00:20:13,095 --> 00:20:15,937
SAID, "YOU NEVER
TOUCH THE SKY IF YOU'RE
TOO AFRAID TO FALL."
447
00:20:17,659 --> 00:20:19,600
IT'S CRAZY WE LOST
ALL THAT TIME BEEFIN'
448
00:20:19,700 --> 00:20:22,202
JUST 'CAUSE WE CHOSE
DIFFERENT PATHS.
449
00:20:22,302 --> 00:20:25,165
TURNS OUT
HE WAS LOOKING OUT
FOR ME THE WHOLE TIME.
450
00:20:25,265 --> 00:20:27,407
PROTECTING ME
FROM THE STREETS
WITHOUT ME KNOWING.
451
00:20:27,507 --> 00:20:29,329
NOW THAT'S
A REAL FRIEND.
452
00:20:29,429 --> 00:20:31,430
HE WAS.
453
00:20:34,113 --> 00:20:36,094
AND THEN HE LEFT.
454
00:20:36,194 --> 00:20:39,457
BUT HE DIDN'T LEAVE, SPENCER.
455
00:20:39,557 --> 00:20:41,559
HE PASSED AWAY.
456
00:20:42,440 --> 00:20:44,301
RIGHT, RIGHT.
457
00:20:44,401 --> 00:20:46,403
THAT'S WHAT I MEANT.
458
00:20:52,088 --> 00:20:53,949
JORDAN: COACH, HEY.
459
00:20:54,049 --> 00:20:56,552
I, UH, WAS THINKING
ABOUT THIS MORNING'S
PRACTICE.
460
00:20:56,652 --> 00:20:58,954
OK, YOU TOLD ME TO STAY
IN MY LANE, RIGHT,
461
00:20:59,054 --> 00:21:02,997
AND I AM, BUT AS
A LEADER, I FORGOT
SOMETHING THIS MORNING.
462
00:21:03,097 --> 00:21:04,999
THAT THIS TEAM
IS STILL HURTING.
463
00:21:05,099 --> 00:21:07,601
OK, LOOK, WE DON'T
HAVE FINAL WORD
464
00:21:07,701 --> 00:21:10,203
ON OUR SANCTIONS YET
AND NO MATTER HOW
WE ALL ACT,
465
00:21:10,303 --> 00:21:12,885
THAT STILL WEIGHS ON ALL OF US.
COACH KENNY: WHAT ARE YOU
SAYING, BAKER?
466
00:21:12,985 --> 00:21:15,488
THIS TEAM NEEDS
SOME BONDING, RIGHT,
467
00:21:15,588 --> 00:21:18,770
BUT I THINK WE CAN
DO THAT BY RESTORING
THE FUN INTO FOOTBALL.
468
00:21:18,870 --> 00:21:21,413
[SCOFFS]
BAKER, WE DON'T
HAVE TIME FOR GAMES.
469
00:21:21,513 --> 00:21:23,575
YOU SEE WHAT WE'RE
DEALING WITH OUT HERE.
JORDAN: EXACTLY.
470
00:21:23,675 --> 00:21:25,937
WE JUST NEED
TO GET THEIR HEARTS OUT
ONTO THE FIELD, RIGHT?
471
00:21:26,037 --> 00:21:28,339
MOST OF THESE GUYS
ARE EITHER BRAND-NEW
TO THE TEAM
472
00:21:28,439 --> 00:21:30,661
OR HAVEN'T SEEN
THE FIELD AT ALL,
473
00:21:30,761 --> 00:21:33,163
AND I NEED TO BUILD
CHEMISTRY WITH
MY TEAMMATES.
474
00:21:35,044 --> 00:21:36,786
COACH KENNY: ALL RIGHT,
LISTEN UP, GENTLEMEN, LISTEN UP.
475
00:21:36,886 --> 00:21:38,828
WE'RE DOING SOMETHING
A LITTLE BIT DIFFERENT
476
00:21:38,928 --> 00:21:40,869
THIS PRACTICE,
THANKS TO YOUR QB.
477
00:21:40,969 --> 00:21:43,271
[PLAYERS GRUMBLE]
478
00:21:43,371 --> 00:21:45,273
ALL RIGHT, LISTEN. LOOK,
479
00:21:45,373 --> 00:21:48,075
WE'RE GONNA HAVE
A TOUCHDOWN CELEBRATION CONTEST.
480
00:21:48,175 --> 00:21:50,077
[PLAYERS MURMUR]
481
00:21:50,177 --> 00:21:51,959
COME HERE. EXPLAIN.
482
00:21:52,059 --> 00:21:53,320
JORDAN: HEY, OK.
483
00:21:53,420 --> 00:21:55,482
FELLAS, IT'S SIMPLE,
ALL RIGHT?
484
00:21:55,582 --> 00:21:57,643
WE JUST WANNA SEE WHO HITS
THE BEST GRIDDY.
485
00:21:57,743 --> 00:21:59,845
PLAYERS: HEY.
JORDAN: ALL RIGHT,
SO SHOW ME WHAT YOU GOT!
486
00:21:59,945 --> 00:22:02,648
LET'S GO! COME ON!
LINE IT UP.
LET'S LINE IT UP.
487
00:22:02,748 --> 00:22:04,689
COACH KENNY:
LET'S LINE UP, LINE UP.
PLAYER: YO!
488
00:22:04,789 --> 00:22:06,531
HERE WE GO. CORNER
COMING IN HOT.
489
00:22:06,631 --> 00:22:08,373
OK, GO.
490
00:22:08,473 --> 00:22:09,814
RICKY CAGE: ♪ WHOO! ♪
491
00:22:09,914 --> 00:22:11,455
[PLAYERS CHEERING]
492
00:22:11,555 --> 00:22:13,217
COACH KENNY: ALL RIGHT,
ALL RIGHT. WHAT YOU GOT?
493
00:22:13,317 --> 00:22:15,298
["GOTTA KEEP MOVIN" PLAYING]
494
00:22:15,398 --> 00:22:17,460
♪ I SAID THE WORLD
KEEPS SPINNING ♪
JORDAN: EH.
495
00:22:17,560 --> 00:22:19,342
♪ DON'T STOP FOR NOBODY ♪
COACH KENNY: NEXT, NEXT, NEXT.
496
00:22:19,442 --> 00:22:22,104
COME ON, LET'S GO, 83.
JORDAN: OK, GO.
497
00:22:22,204 --> 00:22:24,827
COACH KENNY: OH.
ALL RIGHT, ALL RIGHT.
498
00:22:24,927 --> 00:22:27,028
COME ON, J.
[PLAYERS CHEER]
499
00:22:27,128 --> 00:22:28,990
COACH KENNY:
WHAT YOU GOT, 83?
500
00:22:29,090 --> 00:22:30,752
[PLAYERS JEERING AND LAUGHING]
COACH KENNY: THERE YOU GO.
501
00:22:30,852 --> 00:22:32,593
WAKE UP!
JORDAN: AH, HA HA HA!
502
00:22:32,693 --> 00:22:34,355
EH...
COACH KENNY: OH. AH.
503
00:22:34,455 --> 00:22:37,277
CAGE: ♪ BABY, DON'T STOP NOW
NOW, NOW, NOW ♪
504
00:22:37,377 --> 00:22:39,759
JORDAN: ALL RIGHT, EVAN,
LET'S SEE WHAT YOU GOT.
505
00:22:39,859 --> 00:22:41,721
OK, GO.
CAGE: ♪ DON'T SLOW DOWN, BABY ♪
506
00:22:41,821 --> 00:22:44,723
♪ DON'T SLOW DOWN,
YOU GOTTA KEEP MOVIN ♪
507
00:22:44,823 --> 00:22:49,167
- [CHEERING]
- ♪ YOU GOTTA KEEP GOING ♪
508
00:22:49,267 --> 00:22:53,331
♪ HEY, HEY,
YOU GOTTA KEEP MOVIN ♪
509
00:22:53,431 --> 00:22:54,932
WHOO!
510
00:22:55,032 --> 00:22:57,254
[SHOUTING INDISTINCTLY]
511
00:22:57,354 --> 00:23:00,076
GO ON, COACH.
512
00:23:07,963 --> 00:23:10,145
YOU KNOW, I'M NOT ABOVE
BUYING ICE CREAM
513
00:23:10,245 --> 00:23:12,427
FOR MY CLIENTS
TO KEEP THEM TALKING.
514
00:23:12,527 --> 00:23:15,550
SPENCER: HEH HEH! WELL,
I AIN'T ABOVE BEING BRIBED.
DR. SPEARS: OK.
515
00:23:15,650 --> 00:23:18,152
YOU KNOW, SHORTLY
AFTER HE CAME BACK,
516
00:23:18,252 --> 00:23:20,154
POPS BROUGHT ME
AND DILLON HERE.
517
00:23:20,254 --> 00:23:22,395
GUESS HE WANTED TO
GET IN SOME BONDING
TIME, YOU KNOW?
518
00:23:22,495 --> 00:23:24,637
- AND HOW WAS THAT DAY?
- IT WAS GREAT.
519
00:23:24,737 --> 00:23:26,599
IT WAS HOT.
520
00:23:26,699 --> 00:23:28,601
HE BOUGHT US
ICE CREAM
TO COOL OFF,
521
00:23:28,701 --> 00:23:30,803
BUT IT STARTED
MELTING SO FAST,
HE HAD TO TURN IT
522
00:23:30,903 --> 00:23:32,844
INTO A ICE CREAM EATING CONTEST.
DR. SPEARS: HA HA!
523
00:23:32,944 --> 00:23:34,686
HE DID? WHO WON?
524
00:23:34,786 --> 00:23:37,368
NOBODY, MAN.
WE ALL GOT
BRAIN FREEZE.
525
00:23:37,468 --> 00:23:38,970
WOW.
526
00:23:39,070 --> 00:23:40,931
YOU KNOW, IT SEEMS THAT,
UH, DESPITE THE ANGER
527
00:23:41,031 --> 00:23:44,254
YOU FELT OVER COREY
LEAVING YOU WHEN YOU
WERE YOUNG,
528
00:23:44,354 --> 00:23:46,576
YOU SEEM TO HAVE BUILT UP
SOME REALLY GOOD MEMORIES
529
00:23:46,676 --> 00:23:49,619
WHEN HE CAME BACK
INTO YOUR LIFE.
530
00:23:49,719 --> 00:23:51,220
UH, YEAH.
531
00:23:51,320 --> 00:23:53,622
WASN'T ENOUGH TIME, THOUGH.
532
00:23:53,722 --> 00:23:56,164
I BLINKED AND HE
WAS GONE AGAIN.
533
00:23:58,766 --> 00:24:00,768
HOW'D YOU FEEL
ABOUT HIS PASSING?
534
00:24:04,491 --> 00:24:07,173
LEAST I GOT
TO SAY GOODBYE.
535
00:24:09,856 --> 00:24:11,757
PATIENCE:
I WANTED TO THANK YOU
536
00:24:11,857 --> 00:24:13,719
IN PERSON FOR REPOSTING
MY VIDEO.
537
00:24:13,819 --> 00:24:16,121
OH, MAN. HEH!
YOU DON'T HAVE
TO THANK ME.
538
00:24:16,221 --> 00:24:18,083
YOU KNOW I'M
YOUR NUMBER-ONE FAN.
539
00:24:18,183 --> 00:24:21,165
LATELY I'VE BEEN
WORKING ON SETTING
BOUNDARIES IN MY LIFE.
540
00:24:21,265 --> 00:24:23,167
ONE OF THOSE BOUNDARIES
IS MY HOME.
541
00:24:23,267 --> 00:24:25,889
SO YOU SENDING FLOWERS
OVER THERE WAS--
542
00:24:25,989 --> 00:24:27,851
IT WAS TOTALLY INAPPROPRIATE.
543
00:24:27,951 --> 00:24:31,774
OH, MY GOD, I...
I WASN'T EVEN THINKING.
544
00:24:31,874 --> 00:24:34,417
WELL, YOU KNOW I'D
NEVER DO ANYTHING TO
MAKE YOU UNCOMFORTABLE
545
00:24:34,517 --> 00:24:36,178
ON--ON PURPOSE.
546
00:24:36,278 --> 00:24:38,380
PATIENCE: YEAH, WELL, YOU DID.
MIKO: I'M SO SORRY.
547
00:24:38,480 --> 00:24:40,502
I--I WAS TRYING TO BE
SUPPORTIVE, BUT I--
548
00:24:40,602 --> 00:24:42,423
I TOTALLY SEE
HOW I OVERSTEPPED.
549
00:24:42,523 --> 00:24:45,586
YOU MUST HATE ME.
I'M SO, SO STUPID!
550
00:24:45,686 --> 00:24:48,028
LOOK, NO, YOU'RE NOT.
YOU'RE JUST...
551
00:24:48,128 --> 00:24:49,670
LOOK, YOU MADE
A MISTAKE.
552
00:24:49,770 --> 00:24:52,272
WE ALL DO IT
SOMETIMES. IT'S...
553
00:24:52,372 --> 00:24:54,914
IT'S FINE. IT'S FINE.
554
00:24:55,014 --> 00:24:57,036
THANK YOU
FOR SAYING THAT.
555
00:24:57,136 --> 00:24:59,238
YOU'RE A REAL ONE.
556
00:24:59,338 --> 00:25:02,080
THAT'S WHY I'LL--
I'LL ALWAYS BE A FAN.
557
00:25:02,180 --> 00:25:04,082
EXCUSE ME.
PATIENCE?
558
00:25:04,182 --> 00:25:06,284
PATIENCE: OH. YEAH?
WOMAN: CAN WE GET A PIC?
559
00:25:06,384 --> 00:25:08,205
OH, MY GOD.
YEAH, YEAH. UM,
560
00:25:08,305 --> 00:25:10,327
LET'S FIND SOMEWHERE
WITH MORE LIGHT.
561
00:25:10,427 --> 00:25:11,968
WOMAN: OK.
PATIENCE: OK? YEAH. UM,
562
00:25:12,068 --> 00:25:14,170
I'LL BE RIGHT BACK, OK?
UM, YEAH.
563
00:25:14,270 --> 00:25:16,332
MIKO: TAKE YOUR TIME.
PATIENCE: OK.
564
00:25:16,432 --> 00:25:18,614
YEAH, YEAH.
565
00:25:18,714 --> 00:25:20,616
WOMAN: DO YOU WANT TO TAKE IT?
PATIENCE: I'LL TAKE IT, YEAH.
566
00:25:20,716 --> 00:25:22,758
WOMAN, CHUCKLING: OK.
PATIENCE: OK.
567
00:25:30,524 --> 00:25:32,706
[FOOTSTEPS APPROACHING]
568
00:25:32,806 --> 00:25:34,668
HEY.
569
00:25:34,768 --> 00:25:37,110
I DIDN'T THINK
YOU WERE GONNA SHOW.
570
00:25:37,210 --> 00:25:39,752
ALICIA: WHY AM I HERE?
OLIVIA: BECAUSE SPENCER
IS DROWNING,
571
00:25:39,852 --> 00:25:43,095
AND I THINK THAT
YOU'RE THE ONLY PERSON
THAT CAN SAVE HIM.
572
00:25:49,180 --> 00:25:52,723
LOOK, I'VE SEEN HIM
DEAL WITH A LOT IN
HIS LIFE, BUT NOTHING
573
00:25:52,823 --> 00:25:55,726
HAS AFFECTED HIM
THE WAY THAT MY DAD'S
PASSING HAS, AND HE IS
574
00:25:55,826 --> 00:25:59,689
HEADED TOWARD A VERY,
VERY DARK PLACE.
575
00:25:59,789 --> 00:26:03,292
I TRIED TO HELP HIM.
I DID, BUT HE DIDN'T
WANT MY HELP.
576
00:26:03,392 --> 00:26:05,254
WHAT HAPPENED EXACTLY?
577
00:26:05,354 --> 00:26:08,176
YOU HAPPENED...
AND YOU KEEP HAPPENING.
578
00:26:08,276 --> 00:26:10,898
FORGIVE ME IF I DON'T
WANT TO SET MYSELF UP
FOR FAILURE,
579
00:26:10,998 --> 00:26:14,381
BUT IF SPENCER NEEDS
SAVING, CLEARLY, YOU ARE
THE PERSON TO DO IT.
580
00:26:14,481 --> 00:26:17,104
NO, I--I DON'T
THINK I AM.
581
00:26:17,204 --> 00:26:20,707
NOT ANYMORE.
BUT RIGHT NOW,
SPENCER NEEDS
582
00:26:20,807 --> 00:26:24,390
EVERYONE
THAT HE LOVES TO
SHOW UP FOR HIM.
583
00:26:24,490 --> 00:26:28,033
AND AS THE WOMAN
IN HIS LIFE,
I MEAN,
584
00:26:28,133 --> 00:26:30,775
THAT ESPECIALLY
MEANS YOU.
585
00:26:38,142 --> 00:26:40,584
DO WITH THAT
WHAT YOU WILL.
586
00:26:42,065 --> 00:26:44,067
[SIGHS]
587
00:26:46,629 --> 00:26:48,931
DR. SPEARS: SO--
SPENCER: I'M LIKE,
"HELL NO. I GOT PRACTICE."
588
00:26:49,031 --> 00:26:51,453
SPENCER: COOP WAS LIKE,
"I DARE YOU."
DR. SPEARS: COOP DID?
589
00:26:51,553 --> 00:26:53,495
[CELLPHONE VIBRATING]
SPENCER: YEAH, AND BACK IN
THEM DAYS, YOU DON'T TURN DOWN
590
00:26:53,595 --> 00:26:56,057
A DARE FROM COOP, OK?
DR. SPEARS: OH, WOW. HEH!
591
00:26:56,157 --> 00:26:58,199
[VIBRATING CONTINUES]
592
00:27:00,801 --> 00:27:02,802
[CLEARS THROAT]
593
00:27:06,125 --> 00:27:08,668
WHY DIDN'T YOU
SEND THAT CALL
TO VOICEMAIL?
594
00:27:08,768 --> 00:27:10,869
- WHY DOES IT MATTER?
- IT MATTERS
595
00:27:10,969 --> 00:27:14,272
BECAUSE YOU HESITATED
TO DECLINE IT AND THEN
YOU WENT SOMEWHERE ELSE.
596
00:27:14,372 --> 00:27:17,715
- LOOK, MAYBE THAT'S ENOUGH
FOR TODAY'S SESSION, OK?
- NO. NO, NO.
597
00:27:17,815 --> 00:27:19,317
NO.
598
00:27:19,417 --> 00:27:21,318
NO MORE HIDING, SPENCER.
599
00:27:21,418 --> 00:27:23,520
IT'S A DAMN CALL, DOC.
IT'S A DAMN VOICEMAIL,
A'IGHT?
600
00:27:23,620 --> 00:27:26,162
NO, NO, IT'S NOT.
THERE'S SOMETHING
MORE THERE--
601
00:27:26,262 --> 00:27:28,164
LEAVE ME ALONE, A'IGHT?
WHY CAN'T Y'ALL JUST
602
00:27:28,264 --> 00:27:31,167
LEAVE ME ALONE, A'IGHT?
603
00:27:31,267 --> 00:27:33,769
SPENCER, YOU CAN'T
RUN FROM THIS.
604
00:27:33,869 --> 00:27:36,611
DON'T RUN FROM IT.
LOOK, THIS IS WHY
WE'RE DOING THE WORK.
605
00:27:36,711 --> 00:27:39,253
MAYBE I DON'T WANNA DO
THE WORK, DOC, OK?!
606
00:27:39,353 --> 00:27:41,896
STOP, MAN! YO, YO! CHILL!
DR. SPEARS: LOOK, WAIT.
607
00:27:41,996 --> 00:27:43,697
NO.
608
00:27:43,797 --> 00:27:47,340
NOW TALK TO ME.
YOU GOTTA
LET IT OUT.
609
00:27:47,440 --> 00:27:49,542
GIVE IT A VOICE.
610
00:27:49,642 --> 00:27:52,585
WHY ARE YOU ANGRY?
SPENCER: BECAUSE I SENT
HIS CALL TO VOICEMAIL!
611
00:27:52,685 --> 00:27:56,228
[VOICE TREMBLING]
I DECLINED
COACH BAKER'S CALL!
612
00:27:56,328 --> 00:27:59,871
COACH! MY HERO!
THE MAN WHO SAVED MY LIFE!
613
00:27:59,971 --> 00:28:03,414
I DECLINED
HIS CALL, MAN.
614
00:28:06,977 --> 00:28:11,121
[VOICE CRACKING]
IT WAS MY LAST CHANCE TO
TALK TO HIM, AND I...
615
00:28:11,221 --> 00:28:13,683
MAYBE IF I HAD PICKED UP
THE DAMN PHONE,
616
00:28:13,783 --> 00:28:16,685
I COULD HAVE CHANGED THINGS,
I COULD HAVE KEPT
HIM OFF THAT BUS,
617
00:28:16,785 --> 00:28:19,688
I COULD HAVE
KEPT HIM ALIVE!
BUT INSTEAD,
618
00:28:19,788 --> 00:28:23,411
ALL I'VE GOT IS
A REMINDER
619
00:28:23,511 --> 00:28:25,493
OF HOW I
FAILED HIM, MAN.
620
00:28:25,593 --> 00:28:26,774
- YOU DID NOT FAIL HIM.
- YES, I DID!
621
00:28:26,874 --> 00:28:28,415
NO, YOU DID NOT
FAIL HIM.
622
00:28:28,515 --> 00:28:30,657
YOU CANNOT BLAME
YOURSELF FOR THIS.
623
00:28:30,757 --> 00:28:32,659
SON...
624
00:28:32,759 --> 00:28:34,620
THERE'S NOTHING YOU
625
00:28:34,720 --> 00:28:37,403
OR ANYONE ELSE
COULD'VE DONE.
626
00:28:42,127 --> 00:28:45,069
BUT I AIN'T GET A CHANCE
TO SAY GOODBYE...
627
00:28:45,169 --> 00:28:47,271
[CRYING]
628
00:28:47,371 --> 00:28:50,414
I DIDN'T GET
TO SAY GOODBYE.
629
00:28:55,018 --> 00:28:57,019
NOW HE'S GONE.
630
00:28:59,381 --> 00:29:01,483
HE LEFT ME.
[CRYING]
631
00:29:01,583 --> 00:29:05,046
WHY THEY ALWAYS
LEAVE ME, MAN?
632
00:29:05,146 --> 00:29:06,808
[SNIFFS]
633
00:29:06,908 --> 00:29:08,809
MALE SINGERS: ♪ IT'S ALL RIGHT,
IT'S ALL RIGHT ♪
634
00:29:08,909 --> 00:29:11,131
SINGERS: ♪ IT'S ALL RIGHT ♪
DR. SPEARS: IT'S OK.
635
00:29:11,231 --> 00:29:15,835
SINGERS: ♪ GOODBYE, GOODBYE
GOODBYE ♪
636
00:29:22,321 --> 00:29:23,462
JORDAN: ALL RIGHT, FELLAS.
HERE WE GO.
637
00:29:23,562 --> 00:29:26,384
BE ALIVE.
DOWN, SET. 180.
638
00:29:26,484 --> 00:29:27,866
WIDE AND SET!
639
00:29:27,966 --> 00:29:29,967
[PLAYERS SHOUTING]
640
00:29:34,251 --> 00:29:36,913
[CHEERING]
641
00:29:37,013 --> 00:29:39,876
COME ON, BABY!
HEY, HEY.
642
00:29:39,976 --> 00:29:42,798
ALL: HEY, HEY, HEY...
643
00:29:42,898 --> 00:29:44,800
[PLAYERS CLAMOURING]
644
00:29:44,900 --> 00:29:46,802
[CHUCKLES]
645
00:29:46,902 --> 00:29:48,964
I'MMA BE HONEST, MAN.
646
00:29:49,064 --> 00:29:52,286
I DIDN'T THINK YOUR WHOLE
DANCE COMPETITION THING
WAS GONNA WORK.
647
00:29:52,386 --> 00:29:54,008
WELL, WHY'D YOU
AGREE TO DO IT?
648
00:29:54,108 --> 00:29:56,570
BECAUSE YOU
BELIEVED IN IT.
649
00:29:56,670 --> 00:29:58,772
YOU KNOW,
MY SISTER REMINDED ME
OF SOMETHING TODAY,
650
00:29:58,872 --> 00:30:00,974
THAT NO MATTER
WHAT'S HAPPENING,
651
00:30:01,074 --> 00:30:03,656
QUITTING ON YOUR
PEOPLE, IT'S NEVER
AN OPTION.
652
00:30:03,756 --> 00:30:05,798
[SLAPS
COACH KENNY'S BACK]
653
00:30:07,519 --> 00:30:09,341
[OVERLAPPING CHATTER]
654
00:30:09,441 --> 00:30:11,443
SMART WOMAN.
655
00:30:18,689 --> 00:30:20,190
STILL AT IT?
656
00:30:20,290 --> 00:30:22,592
UH, YES, SIR.
JUST GOING THROUGH
657
00:30:22,692 --> 00:30:24,594
SOME GAME TAPE,
LOOKING FOR WHERE
I CAN IMPROVE.
658
00:30:24,694 --> 00:30:26,596
- IT'S GREAT. IT'S IMPRESSIVE.
- YEAH.
659
00:30:26,696 --> 00:30:28,797
YOU WERE GOOD ON
THE FIELD TODAY, TOO.
JJ: THANKS, COACH.
660
00:30:28,897 --> 00:30:30,799
IT MEANS A LOT.
COACH MR. MONTES:
I'D BE LYING IF I SAID
661
00:30:30,899 --> 00:30:33,001
I WASN'T WORRIED
AT THE TOP OF
THE OFF SEASON.
662
00:30:33,101 --> 00:30:36,964
YOU CAN THANK ASHER
FOR THE FACT THAT YOU STILL
HAVE A SPOT ON THIS TEAM.
663
00:30:37,064 --> 00:30:39,967
I'M SORRY, SIR.
THOSE DISTRACTIONS
ARE ALL GONE.
664
00:30:40,067 --> 00:30:42,769
I WON'T GIVE YOU
ANY REASON TO WORRY AGAIN.
COACH MR. MONTES: THAT'S GOOD.
665
00:30:42,869 --> 00:30:45,932
'CAUSE I DON'T USUALLY DO
SECOND CHANCES.
666
00:30:46,032 --> 00:30:48,714
YOU BLOW OFF
THIS PROGRAM AGAIN
AND YOU'RE DONE.
667
00:30:56,441 --> 00:30:58,442
[SIGHS]
668
00:31:11,053 --> 00:31:13,195
NOPE, NOPE.
[SETS DOWN CAN]
669
00:31:13,295 --> 00:31:15,197
YOU DON'T NEED IT.
[SIGHING]
670
00:31:15,297 --> 00:31:17,439
JUST FOCUS.
671
00:31:17,539 --> 00:31:19,641
[EXHALES SHARPLY]
672
00:31:19,741 --> 00:31:21,282
DR. SPEARS: CAN I
ASK YOU SOMETHING?
673
00:31:21,382 --> 00:31:23,043
WHY DO YOU THINK
YOU'RE UNWORTHY
674
00:31:23,143 --> 00:31:26,526
OF PEOPLE STAYING
IN YOUR LIFE?
675
00:31:26,626 --> 00:31:28,888
YEAH, I DON'T THINK
IT WAS A SLIP-UP
WHEN YOU REFERRED
676
00:31:28,988 --> 00:31:31,170
TO YOUR LOVED ONES'
DEATHS AS THEM
"LEAVING."
677
00:31:31,270 --> 00:31:33,492
WHEN YOU BROKE DOWN
EARLIER, YOU SAID
678
00:31:33,592 --> 00:31:35,454
THEY ALL ALWAYS
LEAVE YOU,
679
00:31:35,554 --> 00:31:37,416
AS IF IT WAS
THEIR CHOICE.
680
00:31:37,516 --> 00:31:40,018
BECAUSE PEOPLE DO
ALWAYS LEAVE.
681
00:31:40,118 --> 00:31:44,161
AND I DON'T JUST MEAN
COREY OR SHAWN, BILLY.
682
00:31:46,003 --> 00:31:48,505
DARNELL AND I WERE
LIKE BROTHERS.
683
00:31:48,605 --> 00:31:51,988
WE GOT MAD CLOSE AND THEN
HE HAD TO LEAVE TO GO
TAKE CARE OF HIS MUMS.
684
00:31:52,088 --> 00:31:54,230
MY MUM LIVES
IN OAKLAND NOW.
685
00:31:54,330 --> 00:31:56,552
EVEN MY GIRL BOUNCED
THE MINUTE THINGS
GOT TOUGH.
686
00:31:56,652 --> 00:31:59,194
AND I KNOW, I KNOW,
687
00:31:59,294 --> 00:32:01,796
UP HERE...
688
00:32:01,896 --> 00:32:05,800
THAT ALL THEIR REASONS
FOR LEAVING MAKE SENSE, BUT...
689
00:32:05,900 --> 00:32:08,842
I CAN'T STOP WHATEVER
IT IS INSIDE OF ME
690
00:32:08,942 --> 00:32:11,845
THAT KEEPS TELLING ME,
691
00:32:11,945 --> 00:32:13,807
"SEE?
692
00:32:13,907 --> 00:32:18,571
"DON'T NOBODY WANNA
STICK AROUND.
693
00:32:18,671 --> 00:32:20,332
YOU ALWAYS THE ONE
LEFT BEHIND."
694
00:32:20,432 --> 00:32:23,054
THAT VOICE IS
LITTLE SPENCER,
695
00:32:23,154 --> 00:32:25,376
WHOSE FATHER LEFT HIM
AT 8 YEARS OLD.
696
00:32:25,476 --> 00:32:28,019
YOU HAVE GOTTA STOP
LETTING THAT ONE
INCIDENT TOUCH
697
00:32:28,119 --> 00:32:30,020
EVERY RELATIONSHIP
YOU HAVE.
698
00:32:30,120 --> 00:32:32,022
THAT HAD EVERYTHING
TO DO WITH COREY
AND HIS WORTH
699
00:32:32,122 --> 00:32:34,224
AND NOTHING TO DO
WITH YOU AND YOURS.
700
00:32:34,324 --> 00:32:37,226
YOU HAVE TO LET THAT
GO, AND UNTIL YOU DO,
701
00:32:37,326 --> 00:32:39,829
WHEN THINGS GET
ROCKY, YOU'LL JUST
KEEP DEFAULTING
702
00:32:39,929 --> 00:32:42,431
TO PUSHING AWAY
THE PEOPLE THAT LOVE
YOU BECAUSE LITTLE YOU
703
00:32:42,531 --> 00:32:44,713
IS TRYING
TO PROTECT BIG YOU
704
00:32:44,813 --> 00:32:46,955
FROM ALL THE PAIN OF
ABANDONMENT HE FELT.
705
00:32:47,055 --> 00:32:48,556
HOW?
706
00:32:48,656 --> 00:32:51,198
HOW DO I
LET THAT GO?
707
00:32:51,298 --> 00:32:52,880
WE'LL GET THERE,
708
00:32:52,980 --> 00:32:55,942
TOGETHER,
NO MATTER
HOW LONG IT TAKES.
709
00:32:59,946 --> 00:33:02,448
YOU KNOW, MAN, I WISH--
710
00:33:02,548 --> 00:33:06,151
I WISH YOU COULD SEE YOU
THE WAY EVERYONE ELSE
SEES YOU.
711
00:33:07,512 --> 00:33:10,455
NO, NO, I MEAN,
THE PEOPLE WHO GET
TO BE IN YOUR LIFE,
712
00:33:10,555 --> 00:33:13,457
THEY'RE THE LUCKY ONES.
713
00:33:13,557 --> 00:33:17,180
EVEN COREY KNEW THAT.
THAT'S WHY HE CAME BACK.
714
00:33:17,280 --> 00:33:19,783
AND EVEN IN HIS DEATH,
715
00:33:19,883 --> 00:33:22,145
HE STILL HASN'T LEFT YOU.
716
00:33:22,245 --> 00:33:24,106
NONE OF THEM HAVE.
717
00:33:24,206 --> 00:33:26,308
THEY'RE STILL HERE
BECAUSE OF THE GIFTS
718
00:33:26,408 --> 00:33:28,470
THAT THEY LEFT FOR YOU.
719
00:33:28,570 --> 00:33:31,312
FOR COREY,
IT'S THE GIFT
OF DARNELL
720
00:33:31,412 --> 00:33:33,514
AND COACH KENNY,
BROTHER FIGURES
721
00:33:33,614 --> 00:33:35,796
HE BROUGHT
INTO YOUR LIFE.
722
00:33:35,896 --> 00:33:38,078
I NEVER THOUGHT
OF IT THAT WAY.
723
00:33:38,178 --> 00:33:39,679
FOR SHAWN,
724
00:33:39,779 --> 00:33:42,041
IT'S THE GIFT
OF YOUR FUTURE.
725
00:33:42,141 --> 00:33:44,884
THE ONE HE
PROTECTED RIGHT UP
UNTIL THE END.
726
00:33:44,984 --> 00:33:47,486
AND FOR BILLY--
SPENCER: IT WAS THE VOICEMAIL.
727
00:33:47,586 --> 00:33:50,048
THE CHANCE TO HEAR
HIS VOICE TELL YOU
HE LOVES YOU
728
00:33:50,148 --> 00:33:53,051
WHENEVER YOU NEED
TO HEAR IT.
729
00:33:53,151 --> 00:33:56,994
AND WHAT DO WE DO
WHEN PEOPLE
GIVE US A GIFT?
730
00:33:58,475 --> 00:34:00,717
WE SAY, "THANK YOU."
731
00:34:02,799 --> 00:34:04,901
I KNOW WHAT I
GOTTA DO.
732
00:34:05,001 --> 00:34:07,563
[TAPS COUNTER TWICE]
YEP.
733
00:34:10,165 --> 00:34:12,167
[SIGHS]
734
00:34:15,610 --> 00:34:17,512
THANK YOU.
735
00:34:17,612 --> 00:34:19,653
ANYTIME, BROTHER.
736
00:34:24,057 --> 00:34:26,939
[SIGHS]
UM...
737
00:34:28,421 --> 00:34:30,322
SAME TIME NEXT WEEK?
738
00:34:30,422 --> 00:34:32,324
NEXT WEEK IT IS.
739
00:34:32,424 --> 00:34:34,326
NOW, KEEP YOUR HEAD UP.
740
00:34:34,426 --> 00:34:36,928
YOU WILL GET
THROUGH THIS.
741
00:34:37,028 --> 00:34:39,931
["DAY BY DAY" PLAYING]
742
00:34:40,031 --> 00:34:43,854
TRVSTFALL:
♪ I'M TAKE IT DAY BY DAY ♪
743
00:34:43,954 --> 00:34:47,137
♪ BY DAY BY DAY ♪
744
00:34:47,237 --> 00:34:51,100
♪ TAKE IT DAY BY DAY ♪
745
00:34:51,200 --> 00:34:53,202
[CHUCKLES]
[DOOR CLOSES]
746
00:34:56,044 --> 00:34:58,947
[GUITAR MUSIC PLAYING SOFTLY]
747
00:34:59,047 --> 00:35:01,149
BILLY, VOICE-OVER:
HEY, THIS IS BILLY BAKER.
748
00:35:01,249 --> 00:35:04,832
LEAVE ONE.
SPENCER: HEY, COACH,
749
00:35:04,932 --> 00:35:07,154
IT'S ME.
750
00:35:07,254 --> 00:35:09,936
I'M SORRY I TOOK SO LONG
TO HIT YOU BACK.
751
00:35:11,938 --> 00:35:14,980
HEH! MAN, WHERE DO I
EVEN START? UM...
752
00:35:16,542 --> 00:35:19,444
I BEEN KINDA GOING
THROUGH SOME THINGS,
753
00:35:19,544 --> 00:35:22,407
TRYING TO OUTRUN MY DEMONS,
754
00:35:22,507 --> 00:35:25,589
HIDE FROM THE TRUTH
OF EVERYTHING I BEEN FEELING.
755
00:35:27,511 --> 00:35:31,054
BUT THE DAY ALWAYS COMES
WHEN YOU HAVE TO FACE IT,
756
00:35:31,154 --> 00:35:33,596
NO MATTER HOW UGLY
IT GETS.
757
00:35:35,197 --> 00:35:37,199
TODAY WAS THAT DAY.
758
00:35:41,203 --> 00:35:43,745
MAN, I MISS YOU.
759
00:35:43,845 --> 00:35:47,308
SO MUCH.
760
00:35:47,408 --> 00:35:51,752
THAT'S THE FEELING I'VE
BEEN RUNNING FROM THE MOST
BECAUSE I HAVE NO IDEA
761
00:35:51,852 --> 00:35:54,894
HOW TO FILL THE VOID
LEFT BY YOU.
762
00:35:57,857 --> 00:36:00,399
BUT I'M GETTING HELP.
763
00:36:00,499 --> 00:36:03,401
I'M FINALLY WORKING
THROUGH IT.
764
00:36:03,501 --> 00:36:06,004
AND I'M GONNA
MAKE SURE
765
00:36:06,104 --> 00:36:10,167
THAT I GET BACK
TO BEING OK.
766
00:36:10,267 --> 00:36:13,010
MALE SINGER: ♪ HURRY UP... ♪
'CAUSE THAT'S WHAT YOU,
767
00:36:13,110 --> 00:36:15,211
SHAWN, AND COREY WOULD
HAVE WANTED ME TO DO.
768
00:36:15,311 --> 00:36:17,173
SINGER:
♪ WE GOT PLACES TO GO ♪
769
00:36:17,273 --> 00:36:18,574
SPENCER: I'M SURE I'LL HAVE DAYS
WHERE IT FEELS LIKE
770
00:36:18,674 --> 00:36:20,256
IT'S ALL COMING TOGETHER...
771
00:36:20,356 --> 00:36:22,217
YOUR NUMBERS KEEP CLIMBING
AND THE IMPRESSIONS
772
00:36:22,317 --> 00:36:24,179
ARE OFF THE CHARTS
ACROSS ALL PLATFORMS.
773
00:36:24,279 --> 00:36:26,821
PATIENCE: MM.
LAYLA: SEE? YOUR VIDEO'S
A BONAFIDE HIT.
774
00:36:26,921 --> 00:36:28,823
PATIENCE: YEAH.
SPENCER, VOICE-OVER:
BUT I KNOW GRIEF
775
00:36:28,923 --> 00:36:31,305
IS WAITING THERE
IN THE DARKNESS,
776
00:36:31,405 --> 00:36:34,188
READY TO POUNCE.
[CLICK]
777
00:36:34,288 --> 00:36:37,190
LAYLA: AND THANK GOD
THAT MIKO MESS IS
FIRMLY BEHIND US, TOO.
778
00:36:37,290 --> 00:36:39,192
SO IT'S A DOUBLE WIN.
PATIENCE: UGH.
779
00:36:39,292 --> 00:36:41,033
YEAH, THANK GOD.
NO MORE MESS.
780
00:36:41,133 --> 00:36:43,435
[LAYLA AND PATIENCE CHUCKLE]
781
00:36:43,535 --> 00:36:45,397
SPENCER, VOICE-OVER:
LUCKILY,
782
00:36:45,497 --> 00:36:48,800
ONE OF THE MANY GIFTS YOU
AND COREY BLESSED ME WITH
783
00:36:48,900 --> 00:36:50,762
IS A FAMILY
784
00:36:50,862 --> 00:36:52,803
AND A VILLAGE
THAT KEEPS GROWING.
785
00:36:52,903 --> 00:36:54,765
COACH.
786
00:36:54,865 --> 00:36:57,007
WHAT ARE YOU
DOING HERE?
787
00:36:57,107 --> 00:37:00,009
GIVING YOU WHAT
YOU ASKED FOR,
788
00:37:00,109 --> 00:37:02,852
BUT I WANTED
TO DELIVER IT IN PERSON.
789
00:37:02,952 --> 00:37:05,894
SINGER: ♪ ...YOU SEE,
IT'S THE MEMORIES ♪
790
00:37:05,994 --> 00:37:08,377
♪ OF LIFE IN ME ♪
791
00:37:08,477 --> 00:37:10,138
I OWE YOU AN APOLOGY.
792
00:37:10,238 --> 00:37:13,061
NO. YOU NEEDED
A PUNCHING BAG,
I WAS HERE, SO--
793
00:37:13,161 --> 00:37:15,262
NO, I NEEDED SOMEONE
I COULD COUNT ON,
794
00:37:15,362 --> 00:37:18,705
AND YOU WAS THERE,
AND THAT SCARED ME.
795
00:37:18,805 --> 00:37:21,348
THERE'S SO MUCH OF YOU
THAT REMINDS ME
OF MY POPS
796
00:37:21,448 --> 00:37:23,449
AND COACH BAKER.
797
00:37:25,411 --> 00:37:28,113
YOU TURNED
INTO THE BROTHER
I NEVER KNEW I NEEDED.
798
00:37:28,213 --> 00:37:32,977
A CLOSENESS I THOUGHT I
COULDN'T AFFORD ANYMORE,
BUT I WAS WRONG.
799
00:37:36,260 --> 00:37:38,262
COME HERE, MAN.
800
00:37:44,387 --> 00:37:46,889
GLAD TO HEAR YOU
SAY THAT
801
00:37:46,989 --> 00:37:49,892
'CAUSE NO MATTER HOW HARD
YOU TRY TO PUSH ME AWAY,
802
00:37:49,992 --> 00:37:52,454
I'M NEVER
LEAVING YOU, BRUH.
803
00:37:52,554 --> 00:37:54,576
[BOTH CHUCKLE]
804
00:37:54,676 --> 00:37:56,377
AND I'M NOT
THE ONLY ONE.
805
00:37:56,477 --> 00:37:58,659
SINGER: ♪ AND JUST
A LITTLE LONGER ♪
WHAT?
806
00:37:58,759 --> 00:38:01,361
COME ON. YOU'LL SEE.
807
00:38:02,562 --> 00:38:07,046
SINGER:
♪ I'M NOT READY TO GO ♪
808
00:38:08,447 --> 00:38:10,790
♪ JUST A LITTLE LONGER... ♪
809
00:38:10,890 --> 00:38:13,632
SPENCER, VOICE-OVER:
Y'ALL MADE SURE I'D
NEVER BE ALONE.
810
00:38:13,732 --> 00:38:17,435
FOR THAT, AND FOR EVERY DAY
I HAD WITH YOU,
811
00:38:17,535 --> 00:38:19,597
EVERY DAY I GOT
TO LOVE YOU,
812
00:38:19,697 --> 00:38:21,599
I SAY THANK YOU.
813
00:38:21,699 --> 00:38:25,102
SINGER:
♪ JUST A LITTLE LONGER ♪
814
00:38:26,623 --> 00:38:28,204
SPENCER, VOICE-OVER:
THANK YOU.
815
00:38:28,304 --> 00:38:32,168
SINGER:
♪ I'M NOT READY TO GO ♪
816
00:38:32,268 --> 00:38:34,410
SPENCER, VOICE-OVER:
YOU CAN REST EASY NOW, COACH.
817
00:38:34,510 --> 00:38:37,212
SINGER:
♪ JUST A LITTLE LONGER ♪
818
00:38:37,312 --> 00:38:39,214
SPENCER, VOICE-OVER:
THEY GOT ME FROM HERE.
819
00:38:39,314 --> 00:38:43,357
SINGER: ♪ NEVER BE ALONE ♪
820
00:38:47,401 --> 00:38:49,302
[DISTANT TRAFFIC NOISE]
821
00:38:49,402 --> 00:38:51,404
[HIPHOP MUSIC PLAYING]
822
00:38:54,847 --> 00:38:56,468
[OVERLAPPING CHATTER]
823
00:38:56,568 --> 00:38:58,670
SINGER: ♪ STOP,
WHAT WERE YOU THINKIN'?♪
824
00:38:58,770 --> 00:39:00,151
♪ WHAT ARE YOU WAITIN' FOR? ♪
825
00:39:00,251 --> 00:39:01,913
I LOVE YOU.
THANK YOU.
[KISS]
826
00:39:02,013 --> 00:39:04,435
SINGER: ♪ ...ALL YOUR PROBLEMS ♪
[PHONE BUZZES]
827
00:39:04,535 --> 00:39:06,677
♪ OH, IT'S A... ♪
828
00:39:06,777 --> 00:39:08,639
SPENCER: YO.
JORDAN: HEY.
829
00:39:08,739 --> 00:39:11,681
LOOK, I KNOW SORRY
DOESN'T EVEN BEGIN
TO COVER IT.
830
00:39:11,781 --> 00:39:14,884
BUT I'MMA MAKE IT UP
TO YOU. I PROMISE.
831
00:39:14,984 --> 00:39:17,766
ASSUMING COACH KENNY
LETS ME STAY AT GAU.
832
00:39:17,866 --> 00:39:21,209
I'M FAIRLY CONFIDENT
I CAN GO AHEAD AND SAY
WELCOME BACK, BROTHER.
833
00:39:21,309 --> 00:39:23,311
COME ON.
834
00:39:24,792 --> 00:39:26,694
[SIGHS]
835
00:39:26,794 --> 00:39:28,335
SINGER: ♪ IT'S SO BAD ♪
836
00:39:28,435 --> 00:39:30,137
CARTER: HEY.
837
00:39:30,237 --> 00:39:32,379
I CANCELLED
OUR FLIGHT HOME
LATER THIS WEEK.
838
00:39:32,479 --> 00:39:34,941
OH. THANK YOU. I--
839
00:39:35,041 --> 00:39:37,543
I ALSO CALLED
THE STORAGE FACILITY
840
00:39:37,643 --> 00:39:40,266
AND YOUR BOXES
SHOULD BE DELIVERED
BACK HERE BY MONDAY.
841
00:39:40,366 --> 00:39:42,668
WAIT. BOXES?
842
00:39:42,768 --> 00:39:45,710
DILLON AND I HAVE BEEN
TALKING, AND SPENCER
NEEDS US CLOSE.
843
00:39:45,810 --> 00:39:47,472
AND WHAT ABOUT
YOUR NEEDS?
844
00:39:47,572 --> 00:39:49,473
WELL, I WILL HAPPILY
TAKE ON THE BURDEN
845
00:39:49,573 --> 00:39:51,475
OF FLYING BACK
AND FORTH TO KEEP
846
00:39:51,575 --> 00:39:54,638
OUR FAMILY TOGETHER
AND MAKE SPENCER WHOLE.
847
00:39:54,738 --> 00:39:57,540
NOTHING IS
MORE IMPORTANT.
848
00:40:01,824 --> 00:40:03,806
[HIPHOP MUSIC PLAYING]
849
00:40:03,906 --> 00:40:05,647
[SIGHS]
850
00:40:05,747 --> 00:40:07,609
MAN, THIS ONE
OF THE LAST FACES
851
00:40:07,709 --> 00:40:09,650
I EXPECTED TO SEE TODAY.
DARNELL: HEH HEH!
852
00:40:09,750 --> 00:40:11,612
MAN, THAT WAS ALL LIV.
SHE PUT OUT A CALL
853
00:40:11,712 --> 00:40:15,255
THAT MY BROTHER
WAS IN TROUBLE.
I HAD TO MAKE IT.
854
00:40:15,355 --> 00:40:17,777
OH, I JUST ASSUMED
MY MOTHER GATHERED EVERYBODY.
855
00:40:17,877 --> 00:40:19,739
[CHUCKLING]
OH, NO, YOU SHOULD
KNOW THAT LIV
856
00:40:19,839 --> 00:40:22,962
WOULDN'T LET ANYONE
GIVE UP ON YOU.
NOT FOR A SECOND.
857
00:40:26,805 --> 00:40:29,147
WELL, THANKS
FOR SHOWING UP, MAN.
858
00:40:29,247 --> 00:40:31,109
YEAH. YO...
859
00:40:31,209 --> 00:40:33,311
[SIGHS]
TALK TO ME,
LIKE, YOU GOOD?
860
00:40:33,411 --> 00:40:35,312
FOR REAL?
861
00:40:35,412 --> 00:40:36,794
NO...
862
00:40:36,894 --> 00:40:38,895
NO, I'M NOT OK.
863
00:40:40,056 --> 00:40:43,599
BUT I'M WORKING ON IT.
864
00:40:43,699 --> 00:40:46,382
DARNELL: OH. DON'T LET ME
GET IN THE WAY, MAN.
SPENCER: YEAH.
865
00:40:48,143 --> 00:40:50,165
WHAT WAS THAT ABOUT?
866
00:40:50,265 --> 00:40:52,006
HE WAS JUST TELLING
ME THAT YOU MADE
867
00:40:52,106 --> 00:40:53,648
ALL THIS HAPPEN.
868
00:40:53,748 --> 00:40:55,750
THANK YOU.
869
00:40:56,910 --> 00:40:59,012
I MEAN, IT MAY HAVE
BEEN MY IDEA, BUT
870
00:40:59,112 --> 00:41:01,955
EVERYONE HERE
WAS MORE THAN HAPPY
TO SHOW UP FOR YOU.
871
00:41:03,316 --> 00:41:05,318
WE LOVE YOU.
872
00:41:10,282 --> 00:41:13,184
YOU WANNA GO TAKE
A WALK?
873
00:41:13,284 --> 00:41:15,867
IF MEMORY SERVES,
I OWE YOU A CONVERSATION.
874
00:41:15,967 --> 00:41:18,209
ALICIA: HEY.
875
00:41:19,690 --> 00:41:21,592
I'M SORRY I'M LATE.
876
00:41:21,692 --> 00:41:23,553
UH, NO, NO. IT'S OK.
877
00:41:23,653 --> 00:41:25,555
ACTUALLY, I'M SORRY
FOR A LOT OF THINGS,
878
00:41:25,655 --> 00:41:28,197
ESPECIALLY THE NOTE
AND THE WAY I
HANDLED THINGS.
879
00:41:28,297 --> 00:41:29,879
I WAS TRYING TO GIVE
YOU SPACE, BUT
880
00:41:29,979 --> 00:41:32,281
I REALISE I
SHOULD'VE BEEN
HOLDING YOU TIGHTER.
881
00:41:32,381 --> 00:41:35,924
UH, WELL, I DIDN'T
EXACTLY MAKE IT EASY
FOR YOU, YOU KNOW?
882
00:41:36,024 --> 00:41:38,286
YOU JUST--YOU JUST DID
WHAT YOU THOUGHT WAS BEST.
883
00:41:38,386 --> 00:41:40,287
WELL, I KNOW
BETTER NOW,
884
00:41:40,387 --> 00:41:43,390
AND I WON'T MAKE
THAT MISTAKE AGAIN.
885
00:41:46,072 --> 00:41:48,114
[DOOR CLOSES]
886
00:42:15,257 --> 00:42:17,259
GREG, MOVE YOUR HEAD!
65792
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