Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:08,809 --> 00:00:11,345
"YOU ALMOST WON
$1 MILLION.
2
00:00:11,379 --> 00:00:14,382
PLEASE TRY AGAIN."
3
00:00:22,556 --> 00:00:23,591
WHAT DOES IT SAY,
TOMMY?
4
00:00:23,624 --> 00:00:25,426
I CAN'T LOOK.
5
00:00:25,459 --> 00:00:26,694
WHO CARES?
6
00:00:26,727 --> 00:00:29,463
AW, MAN, ARE YOU STILL
MOPING ABOUT ALISSA?
7
00:00:29,497 --> 00:00:30,831
WELL, WHAT AM I
SUPPOSED TO DO?
8
00:00:30,864 --> 00:00:32,066
SHE WON'T EVEN
TALK TO ME.
9
00:00:32,100 --> 00:00:33,401
EVERYTHING WAS GOING
REALLY GREAT
10
00:00:33,434 --> 00:00:34,802
RIGHT UP UNTIL
GRADUATION.
11
00:00:34,835 --> 00:00:36,337
I DON'T EVEN KNOW
WHAT I DID WRONG.
12
00:00:36,370 --> 00:00:37,971
YOU GAVE
A COMMENCEMENT SPEECH
13
00:00:38,005 --> 00:00:42,976
THAT WAS MOSTLY ABOUT
MAKING OUT WITH HER
ON HER PARENTS' BED.
14
00:00:43,010 --> 00:00:45,713
NO ONE EVER REMEMBERS
THOSE SPEECHES.
15
00:00:45,746 --> 00:00:47,448
IF IT MAKES YOU FEEL
ANY BETTER,
16
00:00:47,481 --> 00:00:50,518
I DON'T THINK YOU'LL EVER
DO ANY BETTER THAN ALISSA.
17
00:00:50,551 --> 00:00:53,321
OHH!
18
00:00:53,354 --> 00:00:54,955
IF I COULD JUST
TALK TO HER
FACE-TO-FACE,
19
00:00:54,988 --> 00:00:56,290
WE COULD WORK IT
OUT. I KNOW.
20
00:00:56,324 --> 00:00:59,527
YOU JUST NEED AN EXCUSE
TO GO OVER THERE.
21
00:00:59,560 --> 00:01:04,098
I KNOW. UM, THINK OF
SOMETHING SENTIMENTAL
THAT YOU GAVE HER,
22
00:01:04,132 --> 00:01:06,434
AND THEN JUST ASK
FOR IT BACK. YEAH.
23
00:01:06,467 --> 00:01:09,537
THAT'LL STIR UP HER EMOTIONS
AND GET YOU IN THE DOOR.
24
00:01:09,570 --> 00:01:11,939
THAT IS GOOD.
THANK YOU, SALLY.
25
00:01:13,841 --> 00:01:16,710
A BEER TAP?!
26
00:01:16,744 --> 00:01:17,511
YEAH. REMEMBER?
27
00:01:17,545 --> 00:01:19,079
WE RENTED IT
FOR THE SENIOR PARTY,
28
00:01:19,113 --> 00:01:20,781
AND WE FORGOT
TO RETURN IT.
29
00:01:20,814 --> 00:01:22,650
I'M OUT
40 BUCKS DEPOSIT.
30
00:01:22,683 --> 00:01:24,051
I NEVER WANNA
SEE YOU AGAIN.
31
00:01:24,084 --> 00:01:26,287
20 BUCKS OF IT
IS YOURS.
32
00:01:26,320 --> 00:01:27,155
OH.
33
00:01:27,188 --> 00:01:29,490
YOU SEE, THERE'S
A SPARK HERE.
34
00:01:29,523 --> 00:01:31,159
ALISSA, HONEY,
WHO IS IT?
35
00:01:31,192 --> 00:01:32,426
TOMMY SOLOMON, DADDY.
36
00:01:32,460 --> 00:01:33,927
ALL RIGHT, COME IN.
37
00:01:33,961 --> 00:01:36,630
UH, THE TAP'S
UP IN MY ROOM.
38
00:01:36,664 --> 00:01:37,765
I'LL GO GET IT.
39
00:01:37,798 --> 00:01:39,967
HELLO, THOMAS.
40
00:01:40,000 --> 00:01:41,202
HELLO, STRUDWICK.
41
00:01:41,235 --> 00:01:43,904
I THOUGHT ALISSA
HAD GIVEN YOU
YOUR WALKING PAPERS.
42
00:01:43,937 --> 00:01:45,139
I'M SORRY. MY WHAT?
43
00:01:45,173 --> 00:01:46,407
DUMPED YOU.
44
00:01:46,440 --> 00:01:48,276
GAVE YOU THE BOOT,
THE OLD HEAVE-HO.
45
00:01:48,309 --> 00:01:50,711
OH, YES. YES, SHE DID.
46
00:01:50,744 --> 00:01:52,680
BUT SHE'S A BIG GIRL.
SHE CAN CHANGE HER MIND.
47
00:01:52,713 --> 00:01:54,882
SHE CAN MAKE
HER OWN DECISIONS.
48
00:01:54,915 --> 00:01:56,650
AND WHO'S TO SAY
THAT SHE WON'T
MAKE THOSE DECISIONS
49
00:01:56,684 --> 00:01:59,387
WITH ME...
IN YOUR JACUZZI.
50
00:02:02,356 --> 00:02:03,957
YOU SHUT YOUR MOUTH!
51
00:02:03,991 --> 00:02:06,527
OK! ALL RIGHT.
BYE-BYE, DADDY.
52
00:02:06,560 --> 00:02:07,795
WHERE ARE
YOU TWO GOING?
53
00:02:07,828 --> 00:02:09,297
WHAT'S IN THAT SUITCASE?
54
00:02:09,330 --> 00:02:10,764
THOSE MUST BE
MY WALKING PAPERS.
55
00:02:13,701 --> 00:02:17,171
Strudwick:
DICK? DICK?
56
00:02:17,205 --> 00:02:18,872
IS ALISSA HERE?
57
00:02:18,906 --> 00:02:20,308
NO, SHE'S NOT,
STRUDWICK.
58
00:02:20,341 --> 00:02:21,475
WHY DON'T YOU JOIN HER
59
00:02:21,509 --> 00:02:25,813
AND NOT BE HERE
TOGETHER.
60
00:02:25,846 --> 00:02:27,881
WELL, SHE DISAPPEARED
3 HOURS AGO
61
00:02:27,915 --> 00:02:29,583
WITH YOUR
RAGAMUFFIN SON.
62
00:02:29,617 --> 00:02:32,085
"RAGAMUFFIN"?!
63
00:02:32,119 --> 00:02:32,820
SHIRLEY, THROW HIM OUT.
64
00:02:32,853 --> 00:02:36,457
HARRY, BRING ME
A DICTIONARY.
65
00:02:36,490 --> 00:02:38,859
ALL I KNOW IS, THERE WAS
A LOT OF WHISPERING,
66
00:02:38,892 --> 00:02:41,195
AND, WHEN THEY LEFT,
ALISSA WAS CARRYING
A SUITCASE.
67
00:02:41,229 --> 00:02:43,297
HARRY, DID TOMMY
SAY ANYTHING TO YOU?
68
00:02:43,331 --> 00:02:45,866
ONLY THAT HE LOVED ALISSA,
NEEDED ALISSA,
69
00:02:45,899 --> 00:02:47,935
AND WOULD SO ANYTHING
TO GET ALISSA BACK.
70
00:02:47,968 --> 00:02:49,603
YET, OVER ICE CREAM CONES,
71
00:02:49,637 --> 00:02:53,106
HE SPOKE HIGHLY OF A GIRL
NAMED...ALISHA.
72
00:02:59,847 --> 00:03:02,015
YOU KNOW, DICK,
WHEN TOMMY LEFT,
73
00:03:02,049 --> 00:03:03,484
HE DID SAY
HE HAD A PLAN
74
00:03:03,517 --> 00:03:05,853
THAT WOULD BRING
HIM AND ALISSA
BACK TOGETHER.
75
00:03:05,886 --> 00:03:06,754
AH.
76
00:03:06,787 --> 00:03:08,256
YOUNG, IMPASSIONED LOVERS
77
00:03:08,289 --> 00:03:09,857
SNEAKING OUT OF THE HOUSE
ON A SECRET MISSION
78
00:03:09,890 --> 00:03:12,393
WITH A SUITCASE...
79
00:03:12,426 --> 00:03:15,496
I'M STUMPED.
80
00:03:15,529 --> 00:03:17,398
SOUNDS TO ME LIKE
THEY'VE ELOPED.
81
00:03:17,431 --> 00:03:19,367
YES, ELOPED.
SEE, I KNEW.
82
00:03:19,400 --> 00:03:20,568
THIS IS A CATASTROPHE!
83
00:03:20,601 --> 00:03:21,935
NOW, NOW, STRUDWICK,
84
00:03:21,969 --> 00:03:24,305
AS FATHERS, WE MUST BLESS
OUR CHILDREN'S CHOICES
85
00:03:24,338 --> 00:03:26,039
AND LET THEM
FOLLOW THEIR HEARTS.
86
00:03:26,073 --> 00:03:28,476
DICK, DOES THIS MEAN
THAT YOU AND
BEARDY-FACED GUY
87
00:03:28,509 --> 00:03:31,211
ARE GONNA BE RELATED?
88
00:03:31,245 --> 00:03:34,515
NO, NOT AT ALL,
HARRY. I...
89
00:03:34,548 --> 00:03:35,148
OH, MY GOD!
90
00:03:35,182 --> 00:03:36,617
WE'VE GOTTA STOP THEM!
91
00:04:15,789 --> 00:04:17,558
SEAT BELT--ON.
92
00:04:17,591 --> 00:04:19,527
LUMBAR SUPPORT--IN.
93
00:04:19,560 --> 00:04:22,195
VANITY MIRROR...
94
00:04:22,229 --> 00:04:23,964
WHERE THE HELL IS IT?
95
00:04:23,997 --> 00:04:25,333
WE'RE IN A FANTASTIC HURRY.
96
00:04:25,366 --> 00:04:26,967
WE HAVE TO WAIT FOR MARY.
IT'S VITAL.
97
00:04:27,000 --> 00:04:27,868
Mary: DICK?
98
00:04:27,901 --> 00:04:31,071
OVER HERE, MARY.
HURRY UP!
99
00:04:32,673 --> 00:04:33,841
I GOT YOUR MESSAGE.
100
00:04:33,874 --> 00:04:36,076
WHAT'S SO IMPORTANT ABOUT
A CHARLIE DANIELS CD?
101
00:04:36,109 --> 00:04:38,178
CHASE MUSIC.
102
00:04:38,211 --> 00:04:39,547
WHAT CHASE?
WHAT'S GOING ON?
103
00:04:39,580 --> 00:04:42,583
THERE'S NO TIME TO EXPLAIN.
WE'RE IN A FANTASTIC HURRY,
104
00:04:42,616 --> 00:04:44,084
TOMMY AND ALISSA HAVE
ELOPED SOMEWHERE.
105
00:04:44,117 --> 00:04:44,785
OH, NO!
106
00:04:44,818 --> 00:04:45,886
YES.
107
00:04:45,919 --> 00:04:47,855
THEY MIGHT BE AT
THAT LITTLE CHAPEL
BY THE STATE LINE.
108
00:04:47,888 --> 00:04:49,857
GREAT IDEA. GET IN.
CHOP-CHOP.
109
00:04:52,259 --> 00:04:54,328
DICK, COULD YOU
MOVE YOUR SEAT UP
JUST A LITTLE BIT?
110
00:04:54,362 --> 00:04:55,629
I FINALLY GOT IT
HOW I LIKE IT.
111
00:04:55,663 --> 00:04:57,398
GO IN THROUGH
STRUDWICK'S SIDE.
112
00:05:02,102 --> 00:05:03,136
Tommy: HEY.
113
00:05:03,170 --> 00:05:04,605
HI, TOMMY.
HI, TOMMY.
114
00:05:04,638 --> 00:05:07,908
TOMMY, DID YOU ELOPE
WITH ALISSA?
115
00:05:07,941 --> 00:05:08,576
NAH.
116
00:05:08,609 --> 00:05:10,411
GOES TO SHOW YA.
I KNEW IT.
117
00:05:10,444 --> 00:05:12,746
BUT WE RETURNED
THAT TAP TOGETHER.
118
00:05:12,780 --> 00:05:14,748
I CONVINCED HER TO WATCH
A VIDEO WITH ME TONIGHT.
119
00:05:14,782 --> 00:05:16,550
YES!
120
00:05:16,584 --> 00:05:17,618
I JUST CAME HOME
TO CHANGE SHIRTS.
121
00:05:17,651 --> 00:05:18,786
COOL.
122
00:05:18,819 --> 00:05:20,521
SEE, I FIGURED OUT
123
00:05:20,554 --> 00:05:23,891
WHAT WAS WRONG
WITH OUR RELATIONSHIP.
124
00:05:23,924 --> 00:05:25,493
SHE WANTS A MAN.
125
00:05:25,526 --> 00:05:29,597
SHE SEES ME
AS AN IMMATURE DOOFUS.
126
00:05:29,630 --> 00:05:32,966
BUT...I ASK YOU THIS.
127
00:05:33,000 --> 00:05:36,236
WOULD AN IMMATURE DOOFUS
RENT THIS?
128
00:05:36,269 --> 00:05:42,275
"IF I WERE YOU, I'D GET
OUT OF THAT HOUSE
IN A HURRY: 3."
129
00:05:42,309 --> 00:05:43,444
WHAT GIVES?
130
00:05:43,477 --> 00:05:45,746
WE WATCH THAT,
SHE GETS REALLY SCARED--
131
00:05:45,779 --> 00:05:47,648
WANTS A BIG STRONG MAN
TO PROTECT HER.
132
00:05:47,681 --> 00:05:49,483
YEAH.
OH.
133
00:05:49,517 --> 00:05:51,452
IT'S ALL GONNA GO FINE.
I KNOW IT IS,
134
00:05:51,485 --> 00:05:53,053
OR ELSE I'LL JUST
MOVE TO PLAN "B."
135
00:05:53,086 --> 00:05:54,287
WHAT'S PLAN "B"?
136
00:05:54,321 --> 00:05:55,856
FLOWERS.
137
00:05:55,889 --> 00:05:59,292
BUT SOMETIMES, EVEN THEY
DON'T CHEER ME UP.
138
00:05:59,326 --> 00:06:01,261
OH, POOR TOMMY.
139
00:06:01,294 --> 00:06:03,431
HE'S DESPERATE.
140
00:06:03,464 --> 00:06:05,399
IF ALISSA ISN'T SCARED
INTO HIS ARMS TONIGHT,
141
00:06:05,433 --> 00:06:07,701
HE'LL SPEND THE REST
OF HIS LIFE HEARTBROKEN.
142
00:06:07,735 --> 00:06:09,403
YOU KNOW, I'M A LITTLE
WORRIED ABOUT THIS PLAN.
143
00:06:09,437 --> 00:06:11,972
WHAT IF THE SCARY MOVIE
ISN'T SCARY ENOUGH?
144
00:06:12,005 --> 00:06:13,541
YEAH. THE PROBLEM
WITH SCARY MOVIES
145
00:06:13,574 --> 00:06:15,108
IS YOU KNOW
THEY'RE NOT REAL.
146
00:06:15,142 --> 00:06:17,044
IT'S A FLAWED GENRE.
147
00:06:18,546 --> 00:06:20,781
WHAT IF WE
GO OVER THERE...
148
00:06:20,814 --> 00:06:24,618
AND MAKE IT REAL?
149
00:06:24,652 --> 00:06:25,886
YEAH.
150
00:06:25,919 --> 00:06:27,320
THEY'LL BE NAKED BY 9:30.
151
00:06:27,354 --> 00:06:28,589
THAT'S RIGHT.
152
00:06:31,792 --> 00:06:34,962
HERE WE ARE, STRUDWICK.
PULL OVER.
153
00:06:34,995 --> 00:06:35,863
ALL RIGHT, MARY.
154
00:06:35,896 --> 00:06:37,264
YOU CAN DO
YOUR BUSINESS HERE.
155
00:06:37,297 --> 00:06:39,232
I WOULD'VE PREFERRED
A REST STOP, DICK.
156
00:06:39,266 --> 00:06:42,536
AND I WANNA LIVE ON BIG ROCK
CANDY MOUNTAIN, MARY.
157
00:06:42,570 --> 00:06:43,270
AND REMEMBER...
158
00:06:43,303 --> 00:06:45,739
I KNOW--FANTASTIC HURRY.
159
00:06:48,509 --> 00:06:50,544
I DON'T BLAME ALISSA.
160
00:06:50,578 --> 00:06:53,781
HOW COULD SHE RESIST
MARRYING INTO THE SOLOMONS?
161
00:06:53,814 --> 00:06:56,149
BUT TOMMY WITH YOUR DAUGHTER?
162
00:06:56,183 --> 00:06:57,618
WAS THIS SOME KIND
OF SCIENCE EXPERIMENT
163
00:06:57,651 --> 00:06:59,887
THAT GOT OUT OF HAND?
164
00:06:59,920 --> 00:07:01,121
I ALWAYS KNEW
THAT BOY OF YOURS
165
00:07:01,154 --> 00:07:03,223
WOULD WALK OFF
WITH SOMETHING
FROM MY HOUSE.
166
00:07:03,256 --> 00:07:06,326
I FIGURED IT WOULD
BE SOMETHING FROM
MY CURIO CABINET.
167
00:07:06,359 --> 00:07:07,495
IF TOMMY REALLY WANTED
TO HURT ME,
168
00:07:07,528 --> 00:07:09,897
HE COULD'VE JUST
JUMPED OFF A BRIDGE.
169
00:07:09,930 --> 00:07:12,432
AT LEAST, THAT WOULDN'T
HAVE HURT ME.
170
00:07:12,466 --> 00:07:15,135
WHAT'S GOTTEN INTO THEM?
171
00:07:15,168 --> 00:07:18,405
ALISSA'S MOTHER AND I
DIDN'T GET MARRIED
UNTIL WE--
172
00:07:18,438 --> 00:07:23,043
UNTIL...UNTIL
WE HAD ALISSA.
173
00:07:23,076 --> 00:07:24,377
MY GOD, DICK!
I THINK SHE'S--
174
00:07:24,411 --> 00:07:25,546
PREGNANT?
YES!
175
00:07:25,579 --> 00:07:27,080
GUN IT, VINCENT!
176
00:07:27,114 --> 00:07:29,216
[TIRES SCREECHING]
177
00:07:30,984 --> 00:07:33,020
DICK?
178
00:07:33,053 --> 00:07:36,624
IS THERE AN EXTRA MAP
IN THE GLOVE COMPARTMENT?
179
00:07:36,657 --> 00:07:38,892
DICK?
180
00:07:38,926 --> 00:07:40,494
DICK!
181
00:07:50,003 --> 00:07:51,739
OK. THEY'RE ON THE COUCH,
182
00:07:51,772 --> 00:07:53,440
BUT THEY'RE NOT SITTING
VERY CLOSE.
183
00:07:53,473 --> 00:07:55,142
GET OVER HERE.
184
00:07:55,175 --> 00:07:57,511
HARRY, LISTEN AND LEARN.
185
00:07:57,545 --> 00:08:01,549
FIRST, I GOT A CHAIN
TO DRAG AGAINST THE WALL.
186
00:08:01,582 --> 00:08:03,283
THEN, I GOT A RUBBER AX.
187
00:08:03,316 --> 00:08:06,486
THEN, I GOT TOMATO JUICE,
WHICH DOUBLES FOR BLOOD.
188
00:08:06,520 --> 00:08:09,022
AND I GOT LOW-SODIUM
TOMATO JUICE,
189
00:08:09,056 --> 00:08:12,259
WHICH DOUBLES FOR BLOOD
BUT IS BETTER FOR YOU.
190
00:08:14,027 --> 00:08:15,563
BUT THIS ISN'T SCARY.
191
00:08:15,596 --> 00:08:17,798
WE GOTTA BE SUBTLE.
"SUBTLE"?
192
00:08:17,831 --> 00:08:19,867
YEAH. DID YOU
EVER SEE JAWS?
193
00:08:19,900 --> 00:08:23,436
OK. THE SCARY PART
WAS NOT THE SHARK.
194
00:08:23,470 --> 00:08:26,373
IT WAS THE HINT
OF THE SHARK.
195
00:08:26,406 --> 00:08:28,742
YEAH. THE FIN. OOH!
196
00:08:30,544 --> 00:08:32,646
SLICING THROUGH
THE WATER.
197
00:08:32,680 --> 00:08:35,082
ALL RIGHT. WELL, WHAT, SO
YOU GOT SOMETHING PLANNED?
198
00:08:35,115 --> 00:08:37,851
YES, I DO.
199
00:08:43,090 --> 00:08:45,959
HARRY, THAT'S ADORABLE,
BUT, YOU KNOW,
AS A WARRIOR,
200
00:08:45,993 --> 00:08:47,695
I THINK I KNOW
HOW TO SCARE.
201
00:08:47,728 --> 00:08:49,196
WELL, AS SOMEONE
WHO'S ALWAYS SCARED,
202
00:08:49,229 --> 00:08:50,397
I THINK YOU'RE WRONG.
203
00:08:50,430 --> 00:08:52,299
OH, REALLY?
204
00:08:57,638 --> 00:08:59,707
THIS MOVIE'S
PRETTY SCARY.
205
00:08:59,740 --> 00:09:01,374
YEAH, YEAH.
206
00:09:01,408 --> 00:09:02,876
BUT NOTICE THAT
ALL THE PEOPLE
207
00:09:02,910 --> 00:09:04,544
THAT HAVEN'T
BEEN KILLED YET
208
00:09:04,578 --> 00:09:06,246
ARE IN COMMITTED
RELATIONSHIPS--
209
00:09:06,279 --> 00:09:09,917
WITH ALL THEIR
UPS AND DOWNS.
210
00:09:09,950 --> 00:09:11,551
YOU'RE CUTE.
211
00:09:23,030 --> 00:09:24,231
OK. NOT SO TIGHT.
212
00:09:28,535 --> 00:09:30,604
BEING IN-LAWS
WAS BAD ENOUGH.
213
00:09:30,638 --> 00:09:33,206
BUT MY BLOOD,
INTERMINGLING
WITH YOURS,
214
00:09:33,240 --> 00:09:36,844
IN THE VEINS
OF THIS...SPAWN--
215
00:09:36,877 --> 00:09:38,111
IT'S UNHOLY.
216
00:09:38,145 --> 00:09:39,046
GO FASTER, DICK.
217
00:09:39,079 --> 00:09:41,081
I ONLY WANT TO JUMP
OUT OF THIS CAR ONCE.
218
00:09:41,114 --> 00:09:44,051
OH, NO. NO SWEET
EMBRACE OF DEATH
FOR YOU, VINCENT.
219
00:09:44,084 --> 00:09:45,853
LIKE IT OR NOT,
WE'RE GONNA BE
GRANDPARENTS TOGETHER.
220
00:09:45,886 --> 00:09:49,623
WELL, IF THAT'S THE CASE,
I WANNA BE CALLED "POP-POP."
221
00:09:49,657 --> 00:09:50,724
I WANTED "POP-POP."
222
00:09:50,758 --> 00:09:53,260
YOU SNOOZE, YOU LOSE, DICK.
"POP-POP"--THAT'S ME.
223
00:09:53,293 --> 00:09:54,995
WELL, THAT'S NOT FAIR.
224
00:09:55,028 --> 00:09:57,597
WELL, TAKE "GRAMPS"
OR "GEE-GAW."
225
00:09:57,631 --> 00:10:00,868
"GEE-GAW"? YOU JUST
MADE THAT UP.
226
00:10:00,901 --> 00:10:03,637
MARY, HAVE YOU EVER
HEARD OF "GEE--"
227
00:10:03,671 --> 00:10:06,106
MARY?
228
00:10:06,139 --> 00:10:08,742
WAS SHE WITH US
WHEN WE GOT THAT
PECAN ROLL?
229
00:10:08,776 --> 00:10:10,510
NO, I DON'T THINK SO.
230
00:10:10,543 --> 00:10:11,211
GOOD GOD, DICK!
231
00:10:11,244 --> 00:10:13,546
WE LEFT HER
AT MILE MARKER 20.
232
00:10:13,580 --> 00:10:15,115
SHE SHOULD'VE
SAID SOMETHING.
233
00:10:15,148 --> 00:10:17,084
SHE'S UNSTABLE--
234
00:10:17,117 --> 00:10:18,752
HAS BEEN EVER SINCE SHE
TOOK UP WITH YOU.
235
00:10:18,786 --> 00:10:21,321
YOU SOLOMONS, YOU SPECIALIZE
IN DESTROYING WOMEN.
236
00:10:21,354 --> 00:10:22,389
IT'S THE TALK
OF THE TOWN.
237
00:10:22,422 --> 00:10:24,992
[MIMICKING] IT'S
THE TALK OF THE TOWN.
238
00:10:25,025 --> 00:10:26,927
I HATE YOUR VOICE,
I HATE YOUR FACE.
239
00:10:26,960 --> 00:10:27,961
I HATE YOUR GLASSES.
240
00:10:27,995 --> 00:10:29,763
I HATE THE MAN WHO
MADE YOUR GLASSES.
241
00:10:29,797 --> 00:10:31,131
LOOK OUT FOR THAT DEER!
242
00:10:31,164 --> 00:10:32,432
LOOK OUT FOR WHAT, HONEY?
243
00:10:32,465 --> 00:10:32,565
[THUD]
244
00:10:48,816 --> 00:10:51,251
THERE WERE 2 TREASURES
IN MY LIFE, DICK.
245
00:10:51,284 --> 00:10:52,720
THE FIRST WAS MY DAUGHTER.
246
00:10:52,753 --> 00:10:56,323
THE SECOND WAS
MY ECONOMY SEDAN.
247
00:10:56,356 --> 00:10:58,959
YOU'VE TAKEN THEM BOTH.
248
00:10:58,992 --> 00:11:00,794
WELL, YOU'RE NO SAINT,
STRUDWICK.
249
00:11:00,828 --> 00:11:03,463
YOU'RE THE ONE
WHO MADE US WEAR
THESE STUPID T-SHIRTS.
250
00:11:03,496 --> 00:11:06,533
OUR OLD SHIRTS WERE
COVERED IN DEER BLOOD
AND BROKEN GLASS.
251
00:11:06,566 --> 00:11:07,735
OH...
252
00:11:07,768 --> 00:11:10,670
CALL THE FASHION POLICE.
253
00:11:10,704 --> 00:11:12,072
YOU KNOW, IT'S FUNNY.
254
00:11:12,105 --> 00:11:14,307
I USED TO BRING
THESE CREAMERS
HOME TO ALISSA.
255
00:11:14,341 --> 00:11:17,711
SHE'D HAVE LITTLE TEA PARTIES
WITH HER STUFFED ANIMALS.
256
00:11:17,745 --> 00:11:18,879
THEY GROW UP QUICK,
DON'T THEY?
257
00:11:18,912 --> 00:11:21,214
YEAH. I CAN REMEMBER
258
00:11:21,248 --> 00:11:23,851
WHEN TOMMY DIDN'T EVEN
KNOW HOW TO WIPE
HIS OWN BUTT.
259
00:11:26,486 --> 00:11:30,257
THEN HE FIGURED IT OUT
ALL ON HIS OWN...
260
00:11:30,290 --> 00:11:32,092
AND TAUGHT ME.
261
00:11:33,894 --> 00:11:36,063
MM. YOU'RE RIGHT,
STRUDWICK.
262
00:11:36,096 --> 00:11:39,532
THEY DO GROW UP
TOO FAST.
263
00:11:39,566 --> 00:11:40,868
AH, THIS ONE'S
ON YOU.
264
00:11:40,901 --> 00:11:41,568
DICK, I--
265
00:11:41,601 --> 00:11:44,604
NO, NO, NO.
I INSIST.
266
00:11:44,637 --> 00:11:46,139
DICK, I DON'T
HAVE ANY CASH.
267
00:11:46,173 --> 00:11:47,407
I PAID FOR THE MOTEL.
268
00:11:47,440 --> 00:11:48,942
WELL, THERE WAS ONLY
$20 IN MARY'S PURSE,
269
00:11:48,976 --> 00:11:51,211
AND YOU MADE ME
SPEND THAT ON
THE T-SHIRTS.
270
00:11:51,244 --> 00:11:52,746
THERE'S ONLY ONE THING
TO DO, DICK--
271
00:11:52,780 --> 00:11:53,881
DINE AND DASH.
272
00:11:53,914 --> 00:11:56,516
NOW, TIMING IS EVERYTHING.
WAIT FOR MY SIGNAL.
273
00:12:02,355 --> 00:12:04,024
THEY'RE ON TO US.
RELAX.
274
00:12:04,057 --> 00:12:04,491
ANYTHING ELSE?
275
00:12:04,524 --> 00:12:06,159
NOW!
276
00:12:14,367 --> 00:12:16,303
WELL, WE DID IT
YOUR WAY,
277
00:12:16,336 --> 00:12:19,506
AND YOU KNOW WHO
GOT TERRIFIED--ME.
278
00:12:19,539 --> 00:12:21,641
BUT TOMMY AND ALISSA
ARE FARTHER APART
THAN EVER.
279
00:12:21,674 --> 00:12:22,442
WHAT CAN I SAY?
280
00:12:22,475 --> 00:12:24,311
I WAS HOPING
YOU'D BLEED MORE.
281
00:12:26,279 --> 00:12:29,449
NOW WE'RE GONNA
TRY IT MY WAY.
282
00:12:29,482 --> 00:12:30,117
BIRD SEED?
283
00:12:30,150 --> 00:12:31,218
THAT'S NOT SCARY.
284
00:12:31,251 --> 00:12:33,653
PLUS YOU'LL ATTRACT EVERY
BIRD IN THE NEIGHBORHOOD.
285
00:12:33,686 --> 00:12:37,524
EXACTLY. WE'LL FEED
'EM A LOT AT FIRST.
286
00:12:37,557 --> 00:12:38,725
BUT THEN,
BIT BY BIT,
287
00:12:38,758 --> 00:12:40,260
WE'LL PULL BACK.
288
00:12:40,293 --> 00:12:41,661
FIRST WE'LL
GET THEM HOOKED,
289
00:12:41,694 --> 00:12:44,664
AND THEN WE'LL
GET THEM PISSED.
290
00:12:44,697 --> 00:12:48,168
YEAH, YEAH, YEAH.
AND THEN, SLOWLY,
291
00:12:48,201 --> 00:12:51,371
WE'LL START TO
REPLACE THE SEED
WITH HUMAN FLESH.
292
00:12:51,404 --> 00:12:53,473
THAT IS NOT BAD.
293
00:12:53,506 --> 00:12:55,208
ALL RIGHT.
294
00:12:55,242 --> 00:12:56,844
HOW SOON DO YOU THINK
THEY'LL COME?
295
00:12:56,877 --> 00:12:58,846
MAYBE TONIGHT.
296
00:12:58,879 --> 00:13:01,548
MAYBE 6 MONTHS.
297
00:13:01,581 --> 00:13:04,084
MAYBE NEVER.
298
00:13:04,117 --> 00:13:06,019
BUT THEY'LL COME.
299
00:13:06,053 --> 00:13:08,755
AS GOD IS MY WITNESS,
THEY'LL COME.
300
00:13:08,788 --> 00:13:10,590
YEAH, THAT'S A GREAT IDEA.
YOU KNOW WHAT?
301
00:13:10,623 --> 00:13:12,759
WHILE WE'RE WAITING
FOR YOUR BIRDS,
302
00:13:12,792 --> 00:13:13,626
I HOPE YOU DON'T MIND
303
00:13:13,660 --> 00:13:15,495
IF I GET A JUMP
ON MY NEXT SCARE TACTIC.
304
00:13:15,528 --> 00:13:17,430
NO. GO RIGHT AHEAD.
305
00:13:20,868 --> 00:13:22,102
WHY ARE YOU PUTTING
THAT ON ME?
306
00:13:22,135 --> 00:13:24,404
WELL, I DON'T WANT TO
LIGHT MY HEAD ON FIRE.
307
00:13:29,209 --> 00:13:30,477
ALISSA...
308
00:13:30,510 --> 00:13:32,079
DOES YOUR STREETLIGHT
SOMETIMES LOOK
309
00:13:32,112 --> 00:13:34,281
LIKE A FLAMING
DISEMBODIED HEAD?
310
00:13:35,815 --> 00:13:38,785
OH, TOMMY, I'VE MISSED
YOUR SENSE OF HUMOR.
311
00:13:38,818 --> 00:13:41,121
YOU KNOW, I WENT OUT
WITH SOME OTHER BOYS
AFTER WE BROKE UP,
312
00:13:41,154 --> 00:13:43,290
BUT--DON'T BE MAD.
313
00:13:43,323 --> 00:13:45,258
IT COULD BE SWAMP GAS.
ARE WE NEAR A SWAMP?
314
00:13:45,292 --> 00:13:46,659
BUT NOBODY
WAS LIKE YOU.
315
00:13:46,693 --> 00:13:48,361
I'VE DECIDED
TO FORGIVE YOU.
316
00:13:48,395 --> 00:13:50,497
[POUNDING ON DOOR]
317
00:13:50,530 --> 00:13:50,998
I'M A GUEST.
318
00:13:51,031 --> 00:13:52,499
YOU SHOULD GET THAT.
319
00:13:55,969 --> 00:13:57,170
OFFICER DON.
320
00:13:57,204 --> 00:13:58,605
HELLO, ALISSA.
321
00:13:58,638 --> 00:13:59,973
TOMMY.
322
00:14:00,007 --> 00:14:02,009
I'M HERE ON
OFFICIAL BUSINESS.
323
00:14:02,042 --> 00:14:05,512
ALISSA, WE FOUND
YOUR FATHER'S CAR
ON THE INTERSTATE--
324
00:14:05,545 --> 00:14:06,914
CRASHED AND COVERED
WITH BLOOD.
325
00:14:06,947 --> 00:14:08,048
OH, MY GOD!
326
00:14:08,081 --> 00:14:11,484
DO YOU MIND?
I'M NOT DONE YET.
327
00:14:11,518 --> 00:14:12,385
IN ADDITION,
328
00:14:12,419 --> 00:14:15,088
WE FOUND A DEAD DEER
NOT FAR FROM THE CAR.
329
00:14:15,122 --> 00:14:15,822
THIS IS HORRIBLE.
330
00:14:15,855 --> 00:14:17,224
SO MY DAD
HIT A DEER?
331
00:14:17,257 --> 00:14:20,827
SLOW DOWN, NANCY DREW.
332
00:14:20,860 --> 00:14:23,263
THAT'S ONE EXPLANATION.
333
00:14:23,296 --> 00:14:25,432
ANOTHER IS A TRI-COUNTY
MURDER SPREE
334
00:14:25,465 --> 00:14:27,134
WITH YOUR DAD
AT THE CENTER.
335
00:14:27,167 --> 00:14:29,169
WHAT DOES THAT
HAVE TO DO WITH
A DEAD DEER?
336
00:14:29,202 --> 00:14:31,638
EVEN A DEER CAN
BE A WITNESS.
337
00:14:31,671 --> 00:14:36,576
MAYBE IT SAW SOMETHING...
AND PAID THE PRICE.
338
00:14:36,609 --> 00:14:38,378
[CHATTER OVER
WALKIE-TALKIE]
339
00:14:38,411 --> 00:14:39,146
ORVILLE, GO.
340
00:14:39,179 --> 00:14:42,149
[CHATTER]
341
00:14:42,182 --> 00:14:43,383
10-4.
342
00:14:43,416 --> 00:14:46,519
YOUR FATHER WAS SPOTTED
CHECKING INTO A MOTEL
343
00:14:46,553 --> 00:14:48,956
WITH A PSYCHO WEARING
A TIGHT T-SHIRT
344
00:14:48,989 --> 00:14:51,758
AND CARRYING A PURSE.
345
00:14:51,791 --> 00:14:54,761
SO MY DAD'S OK?
HE'S ALIVE.
346
00:14:54,794 --> 00:14:57,264
YES, BUT MY COP NOSE
TELLS ME
347
00:14:57,297 --> 00:14:58,431
THAT THERE'S
AN UGLINESS
348
00:14:58,465 --> 00:15:00,667
SPREADING THROUGHOUT
THIS TOWN.
349
00:15:00,700 --> 00:15:02,469
NO ONE IS SAFE.
350
00:15:02,502 --> 00:15:04,171
SEE YA.
351
00:15:05,973 --> 00:15:08,675
OH, TOMMY,
I'M SO SCARED.
352
00:15:08,708 --> 00:15:10,110
YEAH, YOU SHOULD BE.
353
00:15:10,143 --> 00:15:12,345
[TELEPHONE RINGS]
354
00:15:12,379 --> 00:15:13,380
HELLO?
355
00:15:13,413 --> 00:15:15,615
SOLOMON! STRUDWICK!
356
00:15:15,648 --> 00:15:16,950
I'M GONNA KILL YOU!
357
00:15:16,984 --> 00:15:19,552
[BIG RIG RUMBLES BY]
358
00:15:22,089 --> 00:15:24,091
I THINK THAT'S THE PERSON
THAT'S GONNA KILL US.
359
00:15:29,396 --> 00:15:32,165
DICK, MY TOOTHBRUSH
IS WET.
360
00:15:32,199 --> 00:15:35,735
DID YOU BRUSH
YOUR TEETH WITH IT?
361
00:15:35,768 --> 00:15:36,903
NO...
362
00:15:36,936 --> 00:15:39,372
I DID NOT...
BRUSH MY TEETH
363
00:15:39,406 --> 00:15:43,010
WITH YOUR TOOTHBRUSH.
364
00:15:43,043 --> 00:15:45,678
WELL, LET'S TRY
AND GET SOME SLEEP.
365
00:15:45,712 --> 00:15:47,647
I NEVER WANT TO THINK
ABOUT THIS DAY AGAIN.
366
00:15:47,680 --> 00:15:49,849
WHICH PART DON'T YOU WANT
TO THINK ABOUT MOST--
367
00:15:49,882 --> 00:15:51,251
OUR ABANDONMENT OF MARY,
368
00:15:51,284 --> 00:15:53,286
OUR COLLISION
WITH THAT DEER,
369
00:15:53,320 --> 00:15:54,487
OR YOUR COMING EPIPHANY
370
00:15:54,521 --> 00:15:57,690
THAT I AM A NOCTURNAL
SPOONER?
371
00:15:57,724 --> 00:15:59,459
BECAUSE IT'S ALL
TOO MUCH FOR ME.
372
00:15:59,492 --> 00:16:00,627
I CAN'T TAKE IT
ANYMORE.
373
00:16:00,660 --> 00:16:02,595
DICK, STOP THINKING
ABOUT YOURSELF.
374
00:16:02,629 --> 00:16:04,031
TRY THINKING
ABOUT OUR KIDS.
375
00:16:04,064 --> 00:16:05,032
THEY'VE GOT
NO EDUCATION,
376
00:16:05,065 --> 00:16:07,134
NO JOBS, NO HOMES
TO LIVE IN.
377
00:16:07,167 --> 00:16:08,968
YOU'RE RIGHT.
THEY HAVE NOTHING.
378
00:16:09,002 --> 00:16:10,703
THEY'RE SCREWED.
379
00:16:10,737 --> 00:16:13,640
OUR ONLY CHOICE
IS TO WRITE THEM OFF.
380
00:16:13,673 --> 00:16:15,842
IT'S NOT THAT SIMPLE.
THERE'S GOING
TO BE A BABY.
381
00:16:15,875 --> 00:16:17,777
A BABY.
382
00:16:17,810 --> 00:16:20,680
SO PURE, SO SMALL,
383
00:16:20,713 --> 00:16:24,084
SO NOT-SO-SCREWED-UP YET.
384
00:16:24,117 --> 00:16:26,153
IT'S A LOT OF WORK.
IT TAKES A VILLAGE,
YOU KNOW.
385
00:16:26,186 --> 00:16:27,420
YEAH, BUT DON'T
YOU SEE?
386
00:16:27,454 --> 00:16:29,722
WE HAVE A SHOT
WITH A GRANDKID.
387
00:16:29,756 --> 00:16:33,293
IT'S THE NEXT GENERATION--
NATURE'S DO-OVER.
388
00:16:33,326 --> 00:16:34,494
I DON'T KNOW.
389
00:16:34,527 --> 00:16:36,263
JUST PICTURE IT,
390
00:16:36,296 --> 00:16:38,598
THAT FIRST MAGICAL MOMENT--
391
00:16:38,631 --> 00:16:42,035
YOU'RE HOLDING YOUR PERFECT
GRANDCHILD IN YOUR ARMS.
392
00:16:42,069 --> 00:16:44,037
HE LOOKS INTO YOUR EYES,
393
00:16:44,071 --> 00:16:46,306
REACHES UP
WITH HIS TINY FINGERS,
394
00:16:46,339 --> 00:16:49,842
TOUCHES YOUR GRIZZLY
RED STUBBLE...
395
00:16:49,876 --> 00:16:52,945
AND SAYS, "I WUB YOU,
POP-POP."
396
00:16:55,182 --> 00:16:58,585
WE CAN MAKE THIS WORK.
397
00:16:58,618 --> 00:17:00,120
I PROPOSE A TOAST.
398
00:17:00,153 --> 00:17:03,723
ALL RIGHT.
399
00:17:03,756 --> 00:17:05,092
TO OUR GRANDCHILD.
400
00:17:05,125 --> 00:17:06,126
TO OUR GRANDCHILD.
401
00:17:06,159 --> 00:17:07,727
MAY HE, OR SHE,
402
00:17:07,760 --> 00:17:11,331
INHERIT THE BEST
FROM BOTH GRANDFATHERS.
403
00:17:11,364 --> 00:17:12,732
ALL RIGHT, DIRTBAGS!
404
00:17:12,765 --> 00:17:14,434
YOU'RE GONNA GET
WHAT'S COMIN' TO YA!
405
00:17:14,467 --> 00:17:15,502
DON'T SHOOT!
406
00:17:15,535 --> 00:17:17,570
WE'RE GONNA
HAVE A BABY.
407
00:17:23,943 --> 00:17:25,178
THANKS FOR STOPPING.
408
00:17:25,212 --> 00:17:26,679
YOU GOT ENOUGH ROOM
BACK THERE?
409
00:17:26,713 --> 00:17:28,081
YEAH, WHATEVER.
410
00:17:32,685 --> 00:17:34,454
AT LEAST
YOUR NIGHT IS OVER.
411
00:17:43,330 --> 00:17:44,864
STILL NOT NAKED.
412
00:17:44,897 --> 00:17:47,534
NOTHING'S WORKING.
413
00:17:47,567 --> 00:17:51,638
HEY, WHAT IF I DO
AN EERIE DANCE
OF DEATH?
414
00:17:55,041 --> 00:17:58,111
NO. IT'S TOO ARTSY.
415
00:17:58,145 --> 00:18:00,947
I STILL SAY WE STICK
WITH THE CLASSICS, OK?
416
00:18:00,980 --> 00:18:02,649
WE HAVE 3 OPTIONS LEFT.
417
00:18:02,682 --> 00:18:05,118
WE CAN REANIMATE
A DEAD PERSON,
418
00:18:05,152 --> 00:18:06,819
POP OUT OF
ALISSA'S STOMACH,
419
00:18:06,853 --> 00:18:10,823
OR GO AFTER THEM
WITH A POWER TOOL.
420
00:18:10,857 --> 00:18:12,125
LET'S MEET HALFWAY, OK?
421
00:18:12,159 --> 00:18:14,861
'CAUSE I'M DOING
THE DANCE OF DEATH.
422
00:18:14,894 --> 00:18:15,962
NO. IT'S NOT
SCARY ENOUGH.
423
00:18:15,995 --> 00:18:18,298
BUT...
424
00:18:18,331 --> 00:18:20,032
I'LL DO IT
WITH A POWER TOOL.
425
00:18:24,504 --> 00:18:25,905
WHAT IS IT?
426
00:18:25,938 --> 00:18:27,240
I DON'T KNOW.
427
00:18:27,274 --> 00:18:30,177
[MOTOR WHIRRING]
428
00:18:38,718 --> 00:18:39,719
TOMMY,
I'M REALLY SCARED.
429
00:18:39,752 --> 00:18:40,520
YOU KNOW,
IN THESE MOVIES,
430
00:18:40,553 --> 00:18:43,089
THE MANIAC'S ALWAYS
AFTER THE GIRL.
431
00:18:43,122 --> 00:18:45,124
THAT'S TRUE.
432
00:18:48,528 --> 00:18:50,963
HE IS ALWAYS
AFTER THE GIRL.
433
00:18:52,098 --> 00:18:53,400
HERE'S THE GIRL!
434
00:18:53,433 --> 00:18:55,402
LET'S WORK
TOGETHER!
435
00:18:59,038 --> 00:19:01,140
HARRY, YOU WERE
TERRIFIC.
436
00:19:01,174 --> 00:19:04,344
WE DID IT.
THEY'RE HUGGING.
437
00:19:04,377 --> 00:19:06,145
ACTUALLY, HE'S BEING
A LITTLE ROUGH,
438
00:19:06,179 --> 00:19:08,014
BUT I GUESS
THAT'S TOMMY'S STYLE.
439
00:19:08,047 --> 00:19:09,916
AW, MAN.
440
00:19:09,949 --> 00:19:10,917
SO YOU SWEAR TO ME
441
00:19:10,950 --> 00:19:13,085
YOU NEVER SAW
THAT DEER BEFORE.
442
00:19:13,119 --> 00:19:15,121
NO.
443
00:19:15,154 --> 00:19:16,523
I'M KEEPING
THE CASE OPEN.
444
00:19:16,556 --> 00:19:18,858
Dick: OH, THERE'S
OUR HONEYMOONERS.
445
00:19:18,891 --> 00:19:20,227
CAN'T KEEP THEIR HANDS
OFF EACH OTHER.
446
00:19:20,260 --> 00:19:21,294
THANK GOD YOU'RE HERE!
447
00:19:21,328 --> 00:19:23,196
TOMMY, I KNOW
I'VE SHOWN YOU
NOTHING BUT CONTEMPT,
448
00:19:23,230 --> 00:19:24,096
BUT I LOVE YOU.
449
00:19:24,130 --> 00:19:24,797
WELCOME TO THE FAMILY.
450
00:19:24,831 --> 00:19:25,865
THERE'S SOMETHING
OUT THERE!
451
00:19:25,898 --> 00:19:27,467
I WANT TO FEEL
THE BABY KICK.
THE WHAT?!
452
00:19:27,500 --> 00:19:28,635
YOU'VE REALLY KEPT
YOUR FIGURE.
453
00:19:28,668 --> 00:19:29,569
DICK, SHE'S NOT PREGNANT!
454
00:19:29,602 --> 00:19:30,870
BUT THERE'S SOMETHING
EVIL OUTSIDE!
455
00:19:30,903 --> 00:19:32,071
NOT PREGNANT? NO.
456
00:19:32,104 --> 00:19:34,341
VINCENT, ARE YOU
AS DEVASTATED AS I AM?
457
00:19:34,374 --> 00:19:35,375
FRANKLY, DICK,
I'M KIND OF RELIEVED.
458
00:19:35,408 --> 00:19:36,843
I'M TELLING YOU,
WE'RE NOT SAFE!
459
00:19:36,876 --> 00:19:39,346
ARE YOU ABANDONING ME?
WE WERE IN THIS TOGETHER.
460
00:19:39,379 --> 00:19:41,348
WE WERE IN BED.
I WAS VULNERABLE.
461
00:19:44,451 --> 00:19:45,552
WELL, SCREW YOU,
POP-POP!
462
00:19:45,585 --> 00:19:46,619
IN YOUR EYE,
GEE-GAW!
463
00:19:46,653 --> 00:19:49,055
WILL YOU PEOPLE SHUT UP!
WE'RE IN HORRIBLE DANGER.
464
00:19:49,088 --> 00:19:50,457
WHAT'S ALL
THE COMMOTION,
EVERYBODY?
465
00:19:50,490 --> 00:19:52,158
HEY, ANYBODY
NEED ANY HELP?
466
00:19:52,191 --> 00:19:53,826
DID YOU GUYS SEE IT?
THERE'S SOMETHING
OUT THERE.
467
00:19:53,860 --> 00:19:54,627
IT'S TERRIFYING.
468
00:19:54,661 --> 00:19:56,596
UH, WHICH PART
OF THE TERROR
469
00:19:56,629 --> 00:19:58,498
DID YOU FIND
MOST ROMANTIC?
470
00:19:58,531 --> 00:19:59,466
ROMANTIC?!
471
00:19:59,499 --> 00:20:02,969
HE TRIED TO SACRIFICE ME
TO THE CREATURE.
472
00:20:03,002 --> 00:20:04,737
SHE CALLED US
"THE CREATURE."
473
00:20:04,771 --> 00:20:06,205
OUR WORK IS DONE.
474
00:20:06,239 --> 00:20:07,440
LOOK, IT'S BEEN
A LONG NIGHT
475
00:20:07,474 --> 00:20:09,609
OF DASHED DREAMS
AND CLOSE CALLS.
476
00:20:09,642 --> 00:20:12,845
THE IMPORTANT THING
IS THAT WE'RE ALL
SAFE AND SOUND
477
00:20:12,879 --> 00:20:15,315
AND NO ONE HAS
BEEN HARMED.
478
00:20:15,348 --> 00:20:17,750
WHY DID YOU
LEAVE ME!
479
00:20:17,784 --> 00:20:19,185
Tommy: IT'S HER!
480
00:20:19,218 --> 00:20:21,421
IT'S HER!
IT'S THE CREATURE!
481
00:20:21,454 --> 00:20:23,956
[EVERYONE SCREAMING]
482
00:20:29,662 --> 00:20:30,830
SO TOMMY..
483
00:20:30,863 --> 00:20:34,867
THINGS MUST BE TOTALLY
OVER WITH YOU AND
ALISSA HUH?
484
00:20:34,901 --> 00:20:37,103
NO I THINK I CAN GET HER BACK
485
00:20:37,136 --> 00:20:38,771
SHE JUST NEEDS SOME TIME
486
00:20:38,805 --> 00:20:40,807
OH AND ACCORDING TO THIS...
487
00:20:40,840 --> 00:20:42,842
500 FEET.
488
00:20:42,875 --> 00:20:43,843
WELL, I'LL BE DAMNED
489
00:20:43,876 --> 00:20:46,045
IF STRUDWICK BECOMES
A GRANDFATHER
BEFORE I DO.
490
00:20:46,078 --> 00:20:47,514
OH, TOMMY, LOOK.
491
00:20:47,547 --> 00:20:49,382
THERE'S ONE--
WAITING FOR THE BUS.
492
00:20:49,416 --> 00:20:50,617
SHE'S
THE PERFECT MATE.
493
00:20:50,650 --> 00:20:53,085
HEY, YOU! BUS GIRL!
494
00:20:53,119 --> 00:20:54,554
DICK, WHAT IS
THE ATTRACTION
495
00:20:54,587 --> 00:20:57,590
ABOUT BEING
A GRANDFATHER, ANYWAY?
496
00:20:57,624 --> 00:20:59,726
GRANDCHILDREN ARE
VESSELS OF YOUTH,
497
00:20:59,759 --> 00:21:01,894
OPTIMISM, AND HOPE.
498
00:21:01,928 --> 00:21:02,795
AND THE WONDERFUL
THING IS,
499
00:21:02,829 --> 00:21:03,930
BUT THE TIME
THEY SCREW UP
THEIR LIVES,
500
00:21:03,963 --> 00:21:07,266
YOU'RE EITHER DEAD
OR COMPLETELY
OUT OF IT.
501
00:21:07,300 --> 00:21:10,703
PEOPLE DON'T
SAY THAT ENOUGH.
502
00:21:10,737 --> 00:21:12,972
TOMMY, LOOK, THERE'S
ANOTHER PROSPECT.
503
00:21:13,005 --> 00:21:14,341
THAT'S DUBCEK.
504
00:21:14,374 --> 00:21:18,845
OH, MAN, SHE FOOLS YOU
FROM BEHIND.
505
00:21:18,878 --> 00:21:21,914
HER BOD'S GOOD.
I DON'T BELIEVE THAT.
34531
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof