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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:22,082 --> 00:01:23,849 I GOT A HUNCH SOMETHING'S GONNA HAPPEN 2 00:01:23,883 --> 00:01:25,017 I AIN'T GONNA LIKE. 3 00:01:25,051 --> 00:01:27,019 YOU WON'T MIND THIS. 4 00:01:28,988 --> 00:01:30,222 THAT'S RIGHT. 5 00:01:30,256 --> 00:01:31,423 OHH! 6 00:01:31,458 --> 00:01:33,425 CAREFUL, MAX! YOU KNOW I'M DELICATE! 7 00:01:37,630 --> 00:01:41,200 THERE'S A KIND OF MONOTONY ABOUT THIS. 8 00:01:41,234 --> 00:01:42,968 YOU'RE NOT HURT, ARE YOU? 9 00:01:43,002 --> 00:01:45,771 NO. I'M GETTING SO I ENJOY IT. 10 00:01:45,805 --> 00:01:49,108 WHAT YOU JUST SAW IS MY TRIPLE MACNASTY. 11 00:01:49,142 --> 00:01:51,677 IT SHOULD BE A MUST FOR ALL OF US DETECTIVES. 12 00:01:51,711 --> 00:01:52,911 MARTY IS A SUCKER FOR IT. 13 00:01:52,946 --> 00:01:54,346 OH, I GOT ANOTHER LITTLE ITEM 14 00:01:54,380 --> 00:01:56,315 THAT I THINK YOU COPPERS SHOULD KNOW. 15 00:01:56,349 --> 00:01:57,516 COME ON, HERMAN. 16 00:01:57,550 --> 00:01:58,817 YOU'LL PARDON ME. 17 00:01:58,852 --> 00:01:59,985 OH, IT WON'T HURT YOU. 18 00:02:00,019 --> 00:02:02,588 PETER, COME ON, LET'S TRY IT. 19 00:02:02,622 --> 00:02:05,357 LET ME HAVE YOUR GUN. 20 00:02:07,026 --> 00:02:08,794 WHAT'S THE MATTER WITH YOU, FRIDAY? 21 00:02:08,828 --> 00:02:11,830 IT'S ALL RIGHT. HE'S A MINION OF THE LAW. 22 00:02:13,500 --> 00:02:15,200 NOW, COME ON. 23 00:02:15,235 --> 00:02:18,537 HERE, PUT THE GUN IN MY BACK. 24 00:02:18,571 --> 00:02:19,938 I'M WALKING ALONG. 25 00:02:19,973 --> 00:02:22,908 I HOPE MY INSURANCE IS PAID UP. 26 00:02:26,412 --> 00:02:29,715 YOU SEE? IT'S ALL IN THE TIMING. 27 00:02:29,749 --> 00:02:31,717 HEY, WILL YOU GET THIS MALAMUTE OFF ME?! 28 00:02:31,751 --> 00:02:33,519 RELAXING, AIN'T IT? 29 00:02:33,553 --> 00:02:35,087 LET HIM UP, FRIDAY. 30 00:02:36,322 --> 00:02:38,423 EXCUSE ME, BOYS. COME ALONG, FRIDAY. 31 00:02:42,362 --> 00:02:44,563 CAN'T SEE ANYBODY TODAY, ALISTAIR. 32 00:02:44,597 --> 00:02:47,132 FRIDAY, ALISTAIR WILL ANSWER THIS TIME, IF YOU DON'T MIND. 33 00:02:47,167 --> 00:02:49,468 CAN'T YOU GET IT THROUGH YOUR HEAD - 34 00:02:49,502 --> 00:02:51,703 DOGS DON'T ANSWER DOORBELLS? 35 00:02:56,342 --> 00:02:57,442 YES, MA'AM? 36 00:02:57,477 --> 00:02:59,545 I'M MRS. LAWRY. IS CAPTAIN MACLAIN IN? 37 00:02:59,579 --> 00:03:03,015 I'M SORRY, MA'AM. CAPTAIN MACLAIN IS NOT RECEIVING TODAY. 38 00:03:03,049 --> 00:03:04,583 HE'S CONSULTING. 39 00:03:04,617 --> 00:03:09,488 OH, BUT I'M AN OLD FRIEND. I'M SURE HE'D WANT TO SEE ME. 40 00:03:09,522 --> 00:03:10,822 I'LL JUST WAIT. 41 00:03:10,857 --> 00:03:12,791 I KNOW, MA'AM, BUT, UH... 42 00:03:12,825 --> 00:03:14,226 HE SAID, "DON'T LET NOBODY IN." 43 00:03:14,260 --> 00:03:16,862 AND IF I DON'T LET THEM IN, HE SAYS, "DO LET THEM IN." 44 00:03:16,896 --> 00:03:18,163 DOG, WHERE IS YOU GOING? 45 00:03:18,198 --> 00:03:19,698 INNOCENT AS A LAMB, AIN'T YOU? 46 00:03:19,732 --> 00:03:21,700 WELL, IF YOU'RE ENTERTAINING ANY IDEAS 47 00:03:21,734 --> 00:03:23,135 ABOUT GETTING INTO MY DEPARTMENT, 48 00:03:23,169 --> 00:03:26,538 YOU'RE TREADING ON THE EDGE OF DISASTER. 49 00:03:26,573 --> 00:03:28,240 WHAT ARE YOU LOOKING AT? 50 00:03:28,274 --> 00:03:29,741 VERY CUNNING. 51 00:03:29,776 --> 00:03:32,644 NOW, WHAT IS YOU LOOKING AT? 52 00:03:35,748 --> 00:03:37,583 SO THAT'S IT! 53 00:03:40,553 --> 00:03:42,888 WHY, YOU DOUBLE-CROSSING CANINE! 54 00:03:44,857 --> 00:03:47,593 I'LL DISCONNECT YOU! 55 00:03:48,861 --> 00:03:51,630 BOSS, I'M A MAN WITH PATIENCE, 56 00:03:51,664 --> 00:03:52,998 BUT THAT DOG - 57 00:03:53,032 --> 00:03:56,134 WELL, NEVER MIND THAT. WHO WAS AT THE DOOR? 58 00:03:56,169 --> 00:03:58,337 THAT BLAMED DOG HAS EVEN GOT ME FORGETTING 59 00:03:58,371 --> 00:04:00,038 WHAT I'M SUPPOSED TO BE DOING. 60 00:04:00,073 --> 00:04:01,807 ALL RIGHT, ALL RIGHT. WHO WAS AT THE DOOR? 61 00:04:01,841 --> 00:04:03,875 THERE'S A LADY, SIR. A LADY? 62 00:04:03,910 --> 00:04:06,178 ALL RIGHT, GIVE ME THE BLUE COAT AND THE POLKA-DOT TIE. 63 00:04:06,212 --> 00:04:08,013 AND YOUR TAN SHOES? 64 00:04:08,047 --> 00:04:09,715 AND THE TAN SHOES. 65 00:04:09,749 --> 00:04:12,818 YES, SIR. 66 00:04:19,292 --> 00:04:21,193 AT IT AGAIN, RIGHT UNDER MY NOSE! 67 00:04:24,964 --> 00:04:26,898 YOU REALLY SHOULD TELL NEW SERVANTS 68 00:04:26,933 --> 00:04:28,867 ABOUT OLD FRIENDS, CAPTAIN MACLAIN. 69 00:04:28,901 --> 00:04:30,002 NORMA! 70 00:04:30,036 --> 00:04:31,069 HELLO, FRIDAY. 71 00:04:31,104 --> 00:04:33,538 I EVEN BROUGHT YOU SOME ROSES. 72 00:04:33,573 --> 00:04:36,842 AH, THEY'RE LOVELY. 73 00:04:36,876 --> 00:04:39,278 YOU KNOW, TOO FEW LADIES BRING ME ROSES THESE DAYS. 74 00:04:39,312 --> 00:04:41,680 OH, MAC, OLD FRIEND, IT'S GOOD TO SEE YOU. 75 00:04:41,714 --> 00:04:43,982 IT'S GOOD TO SEE YOU, TOO, NORMA. 76 00:04:45,885 --> 00:04:47,819 YOU'RE JUST AS BEAUTIFUL AS EVER. 77 00:04:47,854 --> 00:04:51,823 THE ONLY TIME I MIND NOT HAVING EYES IS WHEN YOU'RE AROUND. 78 00:04:51,858 --> 00:04:53,592 OHH. 79 00:04:53,626 --> 00:04:56,094 COME, LET'S SIT DOWN. 80 00:04:59,065 --> 00:05:02,634 CAN'T KEEP YOUR SNIFFER OUT OF THE ROSES, CAN YOU? 81 00:05:02,669 --> 00:05:06,772 I HAD FORGOTTEN THAT FRIDAY WAS ALLERGIC TO THEM. 82 00:05:06,806 --> 00:05:08,940 SO, YOU'VE GIVEN UP THE THEATER FOR GOOD, HUH? 83 00:05:08,975 --> 00:05:10,175 MM-HMM. 84 00:05:10,209 --> 00:05:12,377 AND DO YOU THINK LAWRY IS WORTH IT? 85 00:05:12,412 --> 00:05:13,545 BEING MARRIED TO STEPHEN 86 00:05:13,579 --> 00:05:16,915 IS THE MOST EXCITING CAREER I EVER HAD, MAC. 87 00:05:16,949 --> 00:05:18,884 HE'S A GREAT MAN. 88 00:05:18,918 --> 00:05:22,254 MM-HMM. A GREAT MAN, INDEED. 89 00:05:22,288 --> 00:05:25,657 HE'S ONE OF THE BEST SCIENTIFIC MINDS WE HAVE TODAY. 90 00:05:25,692 --> 00:05:27,659 AND HEAVEN KNOWS, WE NEED HIM. 91 00:05:36,302 --> 00:05:38,970 I'M GLAD YOU CAME TO ME, NORMA. 92 00:05:39,005 --> 00:05:43,275 I THINK YOUR FATHER WOULD HAVE EXPECTED ME TO HELP YOU. 93 00:05:43,309 --> 00:05:45,544 YOU DO NEED HELP, DON'T YOU? 94 00:05:45,578 --> 00:05:47,012 YES, BUT HOW DID YOU KNOW? 95 00:05:47,046 --> 00:05:48,347 OH, THE TONE OF YOUR VOICE, 96 00:05:48,381 --> 00:05:52,150 THE WAY YOU TAPPED YOUR CIGARETTE. 97 00:05:52,185 --> 00:05:53,685 SERIOUS TROUBLE? 98 00:05:53,720 --> 00:05:55,153 PRETTY SERIOUS. 99 00:05:55,188 --> 00:05:56,722 NEED A DETECTIVE? 100 00:05:56,756 --> 00:05:59,658 WHAT I REALLY NEED IS SOMEONE TO COMMIT A MURDER FOR ME. 101 00:05:59,692 --> 00:06:03,228 OH, I CAN DO THAT FOR YOU ANYTIME YOU WANT. 102 00:06:03,262 --> 00:06:05,397 WHO IS THE VICTIM? 103 00:06:05,431 --> 00:06:06,965 DO YOU REMEMBER PAUL GERENTE? 104 00:06:06,999 --> 00:06:07,966 YES. 105 00:06:08,000 --> 00:06:09,868 THE DREARIEST LEADING MAN YOU EVER HAD, 106 00:06:09,902 --> 00:06:12,270 AND WHEN YOU TOLD ME THAT YOU WERE ENGAGED TO HIM, 107 00:06:12,305 --> 00:06:14,272 I WANTED TO TAKE YOU OVER MY KNEE. 108 00:06:14,307 --> 00:06:17,642 WELL, HE'S BACK. HE'S BACK IN MY LIFE AGAIN. 109 00:06:17,677 --> 00:06:21,313 HE'S A LEADING MAN IN THAT SUMMER THEATER NEAR OUR HOME. 110 00:06:21,347 --> 00:06:23,648 AND HE'S MAKING LOVE TO MY STEPDAUGHTER, BARBARA. 111 00:06:23,683 --> 00:06:26,852 SHE'S 17. SHE'S VERY HEADSTRONG. 112 00:06:26,886 --> 00:06:29,955 WELL, SHE'S COMPLETELY GONE ON HIM. 113 00:06:29,989 --> 00:06:32,657 SHE'S STEPHEN'S ONLY CHILD. HE ADORES HER. 114 00:06:32,692 --> 00:06:34,993 AND FOR STEPHEN'S SAKE, AS WELL AS FOR HER OWN, 115 00:06:35,027 --> 00:06:38,764 I FELT I SIMPLY HAD TO TELL HER WHAT A ROTTER PAUL IS. 116 00:06:40,600 --> 00:06:44,936 BUT PAUL HAS POISONED HER MIND AGAINST ME ALREADY. 117 00:06:44,971 --> 00:06:47,606 HE'S MADE HER BELIEVE THAT I AM STILL IN LOVE WITH HIM, 118 00:06:47,640 --> 00:06:50,275 THAT I'M PLAYING THE ROLE OF THE DISCARDED WOMAN. 119 00:06:50,309 --> 00:06:52,444 IMAGINE, ME BURNING UP WITH JEALOUSY 120 00:06:52,478 --> 00:06:54,780 BECAUSE HE HAPPENS TO PREFER A YOUNGER WOMAN. 121 00:06:54,814 --> 00:06:56,748 WELL, THAT'S WHAT HE'S TOLD HER. 122 00:06:56,783 --> 00:06:58,950 AND WORSE THAN THAT, HE'S CONVINCED HER 123 00:06:58,985 --> 00:07:01,153 THAT I MARRIED HER FATHER FOR HIS MONEY. 124 00:07:01,187 --> 00:07:04,456 BY NOW, OF COURSE, THE CHILD HATES ME. 125 00:07:04,490 --> 00:07:07,259 I- I DON'T KNOW IF I CAN HELP YOU ON THAT. 126 00:07:07,293 --> 00:07:08,960 I'M ONLY A GUMSHOE. 127 00:07:08,995 --> 00:07:11,530 BUT OFFHAND, I WOULD SAY ONE THING, THOUGH. 128 00:07:11,564 --> 00:07:12,597 WHAT? 129 00:07:12,632 --> 00:07:15,700 YOU'VE GOT TO HAVE A TALK WITH GERENTE. 130 00:07:15,735 --> 00:07:19,004 OH, MAC, YOU DON'T SEEM TO UNDERSTAND AT ALL. 131 00:07:19,038 --> 00:07:20,605 I LOATHE THE MAN. 132 00:07:20,640 --> 00:07:23,308 MY DEAR, YOU SEEM TO BE FORGETTING ONE THING. 133 00:07:23,342 --> 00:07:24,643 YOU'RE NOT JUST ANOTHER WOMAN 134 00:07:24,677 --> 00:07:26,511 THAT'S BEEN TREATED BADLY BY GERENTE. 135 00:07:26,546 --> 00:07:27,879 YOU'RE THIS GIRL'S MOTHER NOW, 136 00:07:27,914 --> 00:07:31,149 AND YOUR HUSBAND EXPECTS YOU TO LOOK AFTER HER. 137 00:07:31,184 --> 00:07:32,684 SHE'S YOUR RESPONSIBILITY. 138 00:07:32,718 --> 00:07:34,152 WHAT WOULD I SAY TO HIM? 139 00:07:34,187 --> 00:07:36,822 GO TO HIM, TELL HIM YOU'RE GOING TO FIGHT HIM, SHOW HIM THAT YOU MEAN IT. 140 00:07:38,958 --> 00:07:40,492 WELL, TRY IT. 141 00:07:40,526 --> 00:07:43,295 IF IT DOESN'T WORK, WE'LL - WE'LL FIGURE OUT SOMETHING ELSE. 142 00:07:45,064 --> 00:07:48,567 OHH, MAC, I NEVER EVEN COME TO SEE YOU 143 00:07:48,601 --> 00:07:49,968 EXCEPT WHEN I'M IN TROUBLE. 144 00:07:50,002 --> 00:07:51,736 WHAT ARE OLD FRIENDS FOR? 145 00:07:51,771 --> 00:07:53,872 GOODBYE, DARLING, AND THANK YOU. 146 00:07:53,906 --> 00:07:55,640 I'LL GO TO SEE HIM RIGHT AWAY. 147 00:07:55,675 --> 00:07:57,909 THATAGIRL. GOODBYE, DEAR. 148 00:07:57,944 --> 00:07:59,778 FRIDAY, SHOW THE LADY TO THE DOOR. 149 00:08:17,597 --> 00:08:19,397 OH, BEG YOUR PARDON. 150 00:08:19,432 --> 00:08:20,966 OH, IT'S YOU, PAUL! 151 00:08:21,000 --> 00:08:23,101 NORMA, DARLING! 152 00:08:23,135 --> 00:08:25,704 HERE, WAIT A MINUTE WHILE I TURN ON THE LIGHT. 153 00:08:25,738 --> 00:08:29,174 I'M THE LAST ONE OUT. I WAS JUST LEAVING FOR TOWN. 154 00:08:31,978 --> 00:08:33,345 THERE. 155 00:08:33,379 --> 00:08:36,448 WITH THE FOOTLIGHTS, WE'LL BOTH FEEL AT HOME. 156 00:08:36,482 --> 00:08:39,885 OH, BUT WON'T YOU SIT DOWN? 157 00:08:41,387 --> 00:08:44,756 WELL, MY FLOWER, IT IS GOOD TO SEE YOU AGAIN. 158 00:08:44,790 --> 00:08:46,625 HOW'S MARRIED LIFE? 159 00:08:46,659 --> 00:08:48,393 BORING, I TRUST? 160 00:08:48,427 --> 00:08:49,961 I'M VERY HAPPY, PAUL. 161 00:08:49,996 --> 00:08:51,129 SPLENDID. 162 00:08:51,163 --> 00:08:53,732 DID YOU COME FOR BARBARA? SHE LEFT SOME TIME AGO. 163 00:08:53,766 --> 00:08:56,101 NO, I DIDN'T COME FOR BARBARA. 164 00:08:56,135 --> 00:08:57,669 I CAME TO SEE YOU, PAUL. 165 00:08:57,703 --> 00:09:00,105 SO? HOW VERY NICE. 166 00:09:00,139 --> 00:09:03,642 YOU KNOW, NORMA, YOU'RE STILL VERY ATTRACTIVE. 167 00:09:03,676 --> 00:09:06,144 YOU AGE MORE CHEERFULLY THAN I. 168 00:09:06,178 --> 00:09:08,580 I'M GETTING FRIGHTFULLY WORRIED ABOUT MY LOOKS. 169 00:09:08,614 --> 00:09:11,049 CIGARETTE? 170 00:09:11,083 --> 00:09:13,818 YOU SPOKE JUST NOW OF AGE. 171 00:09:13,853 --> 00:09:17,355 BARBARA'S ONLY 17. 172 00:09:17,390 --> 00:09:21,126 SURELY YOU CAN SEE THAT YOU COULD NEVER MAKE HER HAPPY. 173 00:09:23,129 --> 00:09:24,429 DON'T HURT HER, PAUL. 174 00:09:24,463 --> 00:09:26,998 I HAVE NO INTENTION OF HURTING HER. 175 00:09:27,033 --> 00:09:28,667 WHY SHOULD I HURT HER? 176 00:09:28,701 --> 00:09:31,036 BECAUSE YOU'RE A VICIOUS, SELF-CENTERED MAN 177 00:09:31,070 --> 00:09:34,940 WHO'S INCAPABLE OF A DECENT, CLEAN EMOTION BECAUSE - 178 00:09:37,076 --> 00:09:39,844 I'M SORRY I SAID THAT, PAUL. 179 00:09:39,879 --> 00:09:40,946 FORGIVE ME. 180 00:09:40,980 --> 00:09:43,048 OH, YOU'RE NOT SORRY, DARLING. 181 00:09:43,082 --> 00:09:44,616 YOU MEANT EVERY WORD. 182 00:09:44,650 --> 00:09:47,352 I LOVE BARBARA UTTERLY AND DEVOTEDLY. 183 00:09:47,386 --> 00:09:50,088 IF SHE'LL HAVE ME, I'LL MARRY HER. 184 00:09:50,122 --> 00:09:52,724 ALL MY LIFE I'VE WAITED FOR SOMEONE LIKE HER - 185 00:09:52,758 --> 00:09:57,262 BEAUTIFUL AND TALENTED, ALIVE AS A BREATH OF SPRING. 186 00:09:57,296 --> 00:09:59,331 NOW THAT I'VE FOUND HER... 187 00:09:59,365 --> 00:10:02,867 I'LL NEVER LET HER GO. 188 00:10:05,071 --> 00:10:07,839 BRAVO. 189 00:10:10,977 --> 00:10:13,979 YOU HAM. 190 00:10:18,050 --> 00:10:19,918 THANK YOU, HANSEN. 191 00:10:19,952 --> 00:10:21,586 WHERE'S MR. LAWRY? 192 00:10:21,621 --> 00:10:23,722 I THINK YOU'LL FIND HIM IN THE LABORATORY, MADAM. 193 00:10:23,756 --> 00:10:26,057 OH? 194 00:10:33,699 --> 00:10:36,101 OH, STEPHEN, I THOUGHT YOU PROMISED ME 195 00:10:36,135 --> 00:10:38,937 YOU'D BE OUT OF THIS OLD LAB BEFORE I GOT HOME. 196 00:10:38,971 --> 00:10:42,273 DARLING, YOU'RE NOT GONNA WORK ALL NIGHT AGAIN, ARE YOU? 197 00:10:42,308 --> 00:10:45,844 NO MORE NIGHT WORK. IN FACT, NO MORE WORK. 198 00:10:45,878 --> 00:10:47,579 I'VE FINISHED. 199 00:10:47,613 --> 00:10:49,414 OH, STEPHEN, YOU HAVEN'T! 200 00:10:49,448 --> 00:10:51,883 OH, YES. IT'S ALL OVER NOW. 201 00:10:51,917 --> 00:10:54,786 THAT IS, ALL EXCEPT ONE THING. 202 00:10:54,820 --> 00:10:55,987 WHAT'S THAT? 203 00:10:56,022 --> 00:10:58,289 I DON'T KNOW IF IT'LL WORK. 204 00:10:58,324 --> 00:10:59,457 A MERE NOTHING. 205 00:10:59,492 --> 00:11:00,725 TRIFLE. 206 00:11:00,760 --> 00:11:03,194 WHEN WILL YOU FIND OUT? 207 00:11:03,229 --> 00:11:05,964 RIGHT AWAY. 208 00:11:05,998 --> 00:11:08,833 HOW WOULD YOU LIKE TO COME ON A LITTLE AIRPLANE TRIP? 209 00:11:08,868 --> 00:11:10,802 I'D LOVE IT! WHERE TO? 210 00:11:10,836 --> 00:11:13,304 CAN'T TELL. BIG MYSTERY. 211 00:11:13,339 --> 00:11:15,840 WE FLY SOUTH BY PRIVATE PLANE, 212 00:11:15,875 --> 00:11:17,342 THEN, EARLY IN THE MORNING, 213 00:11:17,376 --> 00:11:19,944 I'LL LEAVE YOU AT THE HOTEL FOR A FEW HOURS, 214 00:11:19,979 --> 00:11:22,580 AND WHEN I COME BACK, I'LL EITHER BE IMMORTAL 215 00:11:22,615 --> 00:11:24,115 OR ELSE JUST ANOTHER CRACKPOT 216 00:11:24,150 --> 00:11:26,384 WHO SHOULD HAVE STOPPED AT TEACHING. 217 00:11:26,419 --> 00:11:29,154 AND WE WON'T CARE WHICH, WILL WE? 218 00:11:29,188 --> 00:11:32,157 DARLING, YOU'VE BEEN AN ANGEL THESE PAST FEW MONTHS. 219 00:11:32,191 --> 00:11:34,693 NEVER ONCE HAVE YOU ASKED ME WHAT I WAS DOING. 220 00:11:34,727 --> 00:11:36,194 NEVER EVEN COMPLAINED, 221 00:11:36,228 --> 00:11:38,129 NO MATTER HOW BADLY I NEGLECTED YOU. 222 00:11:39,331 --> 00:11:41,399 I CAN'T TELL YOU NOW WHAT I'M DOING. 223 00:11:41,434 --> 00:11:43,768 I DON'T WANT YOU TO CARRY THE RESPONSIBILITY OF KNOWING. 224 00:11:43,803 --> 00:11:46,404 BUT I CAN TELL YOU THIS - IF IT WORKS, 225 00:11:46,439 --> 00:11:49,507 IT'LL BE AN IMPORTANT CONTRIBUTION TO THE WAR. 226 00:11:49,542 --> 00:11:52,577 SO, YOU SEE, IT'S BEYOND MY PERSONAL SATISFACTION. 227 00:11:52,611 --> 00:11:56,214 IT'LL WORK. I KNOW IT WILL. 228 00:11:56,248 --> 00:11:58,817 I WISH YOU GAVE OUT NOBEL PRIZES. 229 00:11:58,851 --> 00:12:01,019 WE LEAVE TONIGHT AT 7:30. 230 00:12:01,053 --> 00:12:03,555 SO JUST PACK AN OVERNIGHT BAG. 231 00:12:03,589 --> 00:12:06,524 OH, UH, BARBARA WON'T BE ABLE TO SEE US OFF. 232 00:12:06,559 --> 00:12:10,628 SHE HAS A DATE IN TOWN WITH SOME GIRLFRIENDS. 233 00:12:19,505 --> 00:12:21,206 HELLO, BARBARA. 234 00:12:21,240 --> 00:12:22,874 HELLO. 235 00:12:22,908 --> 00:12:25,510 MY, YOUR ROSES ARE LOVELY. 236 00:12:25,544 --> 00:12:28,379 YES, PAUL SENT THEM TO ME. 237 00:12:28,414 --> 00:12:29,581 GOING OUT TONIGHT? 238 00:12:29,615 --> 00:12:30,715 I AM. 239 00:12:30,750 --> 00:12:33,585 WOULD YOU MIND TOO MUCH TELLING ME WITH WHOM? 240 00:12:33,619 --> 00:12:36,654 I WOULDN'T MIND TELLING YOU AT ALL, DEAR, 241 00:12:36,689 --> 00:12:38,823 EXCEPT THAT YOU KNOW PERFECTLY WELL. 242 00:12:40,693 --> 00:12:43,795 YOUR FATHER THINKS YOU HAVE A DATE WITH SOME GIRLS. 243 00:12:43,829 --> 00:12:45,864 IF YOU THINK THAT'S WRONG, THEN, BY ALL MEANS, 244 00:12:45,898 --> 00:12:48,299 TELL HIM THE TRUTH... MOTHER. 245 00:12:50,136 --> 00:12:52,737 YOU AND YOUR FATHER ARE SUCH WONDERFUL FRIENDS, BARBARA. 246 00:12:52,772 --> 00:12:54,706 DON'T YOU THINK YOU COULD BE HONEST WITH HIM? 247 00:12:54,740 --> 00:12:58,343 IN WHAT WAY? WELL, ABOUT PAUL, I MEAN. 248 00:12:58,377 --> 00:12:59,544 WELL, WHAT ABOUT HIM, DEAR? 249 00:12:59,578 --> 00:13:01,179 OH, BARBARA, YOU KNOW AS WELL AS I 250 00:13:01,213 --> 00:13:02,814 THAT YOU SHOULDN'T BE SEEING HIM. 251 00:13:02,848 --> 00:13:05,683 REALLY, DARLING? I DON'T SEE WHY NOT. 252 00:13:05,718 --> 00:13:09,254 BECAUSE HE'S NOT GOOD. 253 00:13:09,288 --> 00:13:12,257 HE'S HARD AND CRUEL. HE'S - 254 00:13:12,291 --> 00:13:13,858 HOW DREADFUL. 255 00:13:13,893 --> 00:13:16,461 SEEMS TO ME THAT YOUR DUTY IS PERFECTLY CLEAR, THEN. 256 00:13:16,495 --> 00:13:17,695 YOU SHOULD GO TO MY FATHER 257 00:13:17,730 --> 00:13:20,064 AND TELL HIM THAT I'M GOING OUT WITH A BAD MAN. 258 00:13:20,099 --> 00:13:23,234 AND WHEN HE ASKS YOU HOW YOU KNOW HE'S A BAD MAN, 259 00:13:23,269 --> 00:13:25,270 YOU TELL HIM. 260 00:13:25,304 --> 00:13:28,072 TELL HIM THAT YOU KNOW FROM PERSONAL EXPERIENCE. 261 00:13:28,107 --> 00:13:30,642 WON'T YOU? BARBARA! 262 00:13:30,676 --> 00:13:33,812 OH, WHY DO YOU INSIST ON MISUNDERSTANDING ME? 263 00:13:33,846 --> 00:13:36,648 I'M OLDER THAN YOU. I MADE A GREAT MISTAKE. 264 00:13:36,682 --> 00:13:41,352 AND I'M ONLY TRYING TO KEEP YOU FROM SUFFERING AS I DID. 265 00:13:42,688 --> 00:13:45,790 DARLING, DO YOU WANT TO KNOW WHAT I THINK? 266 00:13:45,825 --> 00:13:48,993 I THINK YOU'VE COME TO THE SAME CONCLUSION THAT I HAVE - 267 00:13:49,028 --> 00:13:51,496 THAT THERE ISN'T ENOUGH ROOM IN THIS HOUSE FOR BOTH OF US. 268 00:13:51,530 --> 00:13:53,898 I THINK YOU'RE TRYING TO TURN MY FATHER AGAINST ME. 269 00:13:53,933 --> 00:13:55,466 YOU'RE TRYING TO RUN MY LIFE, 270 00:13:55,501 --> 00:13:56,968 TO DOMINATE EVERY MOVEMENT I MAKE. 271 00:13:57,002 --> 00:13:58,036 OH, THAT ISN'T TRUE. 272 00:13:58,070 --> 00:14:00,004 BUT YOU HAVEN'T WON YET, MY SWEET. 273 00:14:00,039 --> 00:14:02,173 BECAUSE I'M GOING TO STAY. 274 00:14:02,208 --> 00:14:06,611 AND AS LONG AS I'M HERE, YOU'RE NOT GOING TO BE HAPPY. 275 00:14:06,645 --> 00:14:08,980 I'M GOING IN TO TOWN TONIGHT, 276 00:14:09,014 --> 00:14:12,150 AND I'M GOING TO HAVE DINNER WITH PAUL GERENTE, ALONE. 277 00:14:12,184 --> 00:14:14,385 WELL, YOU'RE NOT GOING TO HIS APARTMENT. 278 00:14:15,654 --> 00:14:18,289 APARTMENT? 279 00:14:23,429 --> 00:14:24,829 OPERATOR... 280 00:14:24,864 --> 00:14:28,800 GET ME MURRAY HILL 44598, PLEASE. 281 00:14:30,302 --> 00:14:31,436 HELLO, PAUL? 282 00:14:31,470 --> 00:14:34,405 LOOK, DARLING. I CHANGED MY MIND ABOUT DINNER. 283 00:14:34,440 --> 00:14:36,741 LET'S NOT GO TO A RESTAURANT. 284 00:14:36,775 --> 00:14:40,645 I THINK I LIKE YOUR ORIGINAL INVITATION BETTER. 285 00:14:40,679 --> 00:14:43,815 LET'S HAVE DINNER IN YOUR APARTMENT. 286 00:14:43,849 --> 00:14:46,951 WHY, OF COURSE I CARE, PAUL DEAREST. 287 00:14:46,986 --> 00:14:48,052 ALL RIGHT. 288 00:14:48,087 --> 00:14:51,723 I'LL MEET YOU AT YOUR APARTMENT AT 8:00. 289 00:14:51,757 --> 00:14:54,092 GOODBYE, SWEET. 290 00:14:55,227 --> 00:14:58,129 WELL, DARLING, WE'RE OFF ON THE BIG ADVENTURE. 291 00:14:58,163 --> 00:15:00,431 STEPHEN? YES, DEAR? 292 00:15:00,466 --> 00:15:02,901 I DON'T THINK I SHOULD GO WITH YOU. 293 00:15:02,935 --> 00:15:05,737 WHAT? I THOUGHT IT WAS ALL AGREED. 294 00:15:05,771 --> 00:15:07,639 WELL, IT'S JUST OCCURRED TO ME - 295 00:15:07,673 --> 00:15:09,407 WE SHOULDN'T BE FLYING TOGETHER. 296 00:15:09,441 --> 00:15:12,810 IF ANYTHING HAPPENED, BARBARA WOULD BE LEFT ALL ALONE. 297 00:15:12,845 --> 00:15:14,279 I NEVER THOUGHT OF THAT. 298 00:15:14,313 --> 00:15:16,447 OF COURSE, YOU WOULD. 299 00:15:16,482 --> 00:15:18,383 IT ISN'T EASY BEING A STEPMOTHER, NORMA. 300 00:15:18,417 --> 00:15:20,385 YOU'VE DONE A WONDERFUL JOB. 301 00:15:20,419 --> 00:15:22,820 I HAVEN'T HAD A WORRY ABOUT BARBARA SINCE YOU CAME. 302 00:15:22,855 --> 00:15:25,023 YOU'LL NEVER KNOW HOW GRATEFUL I AM. 303 00:15:25,057 --> 00:15:28,626 READY, MR. LAWRY. 304 00:15:28,661 --> 00:15:31,696 GOOD LUCK, DARLING. 305 00:15:32,631 --> 00:15:36,668 YOU'RE ALL THE LUCK A MAN COULD ASK FOR. 306 00:16:06,198 --> 00:16:08,399 PAUL? 307 00:16:39,932 --> 00:16:41,366 BARBARA! 308 00:17:00,652 --> 00:17:03,755 Shh, Shh! 309 00:17:03,789 --> 00:17:05,023 THERE, THERE, NOW. 310 00:17:05,057 --> 00:17:07,025 TRY TO TAKE HOLD OF YOURSELF. 311 00:17:07,059 --> 00:17:11,029 WE'LL JUST GET AWAY FROM HERE. COME ON, DARLING. 312 00:17:14,900 --> 00:17:16,434 WHY, YOU! 313 00:17:16,468 --> 00:17:17,602 BARBARA! 314 00:17:17,636 --> 00:17:19,270 YOU'RE ASKING ME TO RUN AWAY WITH YOU? 315 00:17:19,304 --> 00:17:21,939 WE'VE GOT TO GET OUT OF HERE. DON'T YOU UNDERSTAND? 316 00:17:21,974 --> 00:17:23,441 I HAVE NO REASON TO RUN. 317 00:17:23,475 --> 00:17:26,677 WHY SHOULD I RUN AWAY? I DIDN'T KILL ANYBODY. 318 00:17:26,712 --> 00:17:28,780 YOU DON'T THINK - I DON'T HAVE TO THINK. 319 00:17:28,814 --> 00:17:31,049 THAT - 320 00:17:31,083 --> 00:17:32,850 THAT UPSTAIRS PROVES EVERYTHING. 321 00:17:32,885 --> 00:17:34,419 OH, YOU DON'T KNOW WHAT YOU'RE SAYING. 322 00:17:34,453 --> 00:17:35,586 I HAD NOTHING TO DO WITH IT. 323 00:17:35,621 --> 00:17:36,921 THEN WHAT WERE YOU DOING HERE? 324 00:17:36,955 --> 00:17:40,291 I CAME TO - TO TRY TO STOP YOU, 325 00:17:40,325 --> 00:17:42,693 TO TELL PAUL - 326 00:17:42,728 --> 00:17:45,263 HE WAS LIKE THAT WHEN I CAME IN. 327 00:17:45,297 --> 00:17:49,267 YOU'RE DULL, DARLING. THAT'S SUCH A FEEBLE STORY. 328 00:17:49,301 --> 00:17:51,769 BUT IT'S TRUE! 329 00:17:51,804 --> 00:17:53,404 BARBARA! 330 00:17:53,439 --> 00:17:55,173 BARBARA, I COULDN'T. 331 00:17:55,207 --> 00:17:56,307 YOU'RE A LIAR! 332 00:17:56,341 --> 00:17:58,109 YOU KILLED HIM BECAUSE YOU WERE JEALOUS, 333 00:17:58,143 --> 00:18:00,578 AND YOU'RE GOING TO PAY FOR IT. 334 00:18:06,318 --> 00:18:08,820 IF YOU ARE INNOCENT, YOU WON'T MIND MY CALLING THE POLICEMAN. 335 00:18:08,854 --> 00:18:09,887 NO, DON'T! 336 00:18:09,922 --> 00:18:11,923 YOU'RE TERRIFIED, AREN'T YOU? 337 00:18:11,957 --> 00:18:13,524 BARBARA, THINK OF YOUR FATHER. 338 00:18:13,559 --> 00:18:15,760 THE NEWSPAPERS WILL GO MAD. HE COULDN'T BEAR IT. 339 00:18:15,794 --> 00:18:18,796 THAT PHONY NOBILITY OF YOURS REALLY MAKES ME SICK. 340 00:18:20,666 --> 00:18:23,534 ALL RIGHT. 341 00:18:23,569 --> 00:18:26,003 I WON'T CALL THE POLICEMAN. 342 00:18:26,038 --> 00:18:27,538 ALL YOU HAVE TO DO IS ONE THING. 343 00:18:27,573 --> 00:18:29,307 OH, ANYTHING. WHAT IS IT? 344 00:18:29,341 --> 00:18:32,043 LEAVE MY FATHER'S HOUSE. 345 00:18:32,077 --> 00:18:33,478 BARBARA! 346 00:18:33,512 --> 00:18:36,080 TAKE YOUR CHOICE, DARLING. 347 00:18:36,115 --> 00:18:39,684 WELL, SHALL I CALL HIM? 348 00:18:39,718 --> 00:18:41,719 VERY WELL, I'LL GO. 349 00:18:41,753 --> 00:18:43,454 BY TOMORROW MORNING. 350 00:18:43,489 --> 00:18:45,490 YES. GOOD. 351 00:18:45,524 --> 00:18:46,491 YOU UNDERSTAND, DON'T YOU, 352 00:18:46,525 --> 00:18:48,359 THAT IF YOU'RE NOT GONE BY TOMORROW MORNING, 353 00:18:48,393 --> 00:18:50,261 I CALL THE POLICE? 354 00:18:50,295 --> 00:18:51,963 YES, I UNDERSTAND. 355 00:18:53,966 --> 00:18:56,534 TAXI! 356 00:18:57,769 --> 00:18:59,804 OH, BY THE WAY, YOU MIGHT BE INTERESTED TO KNOW 357 00:18:59,838 --> 00:19:02,039 THAT I WAS NEVER REALLY INTERESTED IN PAUL GERENTE. 358 00:19:02,074 --> 00:19:04,075 OH, AT FIRST HE AMUSED ME, 359 00:19:04,109 --> 00:19:08,613 BUT THEN I REALIZED THAT HE WAS SORT OF PATHETIC. 360 00:19:08,647 --> 00:19:12,817 SO, YOU SEE, MY DEAR, YOU KILLED A MAN FOR NOTHING. 361 00:19:12,851 --> 00:19:15,086 BARBARA, LISTEN. 362 00:19:15,120 --> 00:19:16,821 NO, NORMA, I WON'T, 363 00:19:16,855 --> 00:19:19,991 BECAUSE I DON'T HAVE TO LISTEN TO YOU ANYMORE. 364 00:19:20,025 --> 00:19:22,927 GOOD NIGHT. 365 00:19:28,967 --> 00:19:31,302 NOW, LET'S SEE IF WE GOT THE FACTS STRAIGHT. 366 00:19:31,336 --> 00:19:33,571 NOW, THE BODY WAS LYING ON THE FLOOR 367 00:19:33,605 --> 00:19:35,673 IN FRONT OF THE FIREPLACE. 368 00:19:35,707 --> 00:19:38,776 THE SKULL WAS BASHED IN. 369 00:19:38,810 --> 00:19:40,178 DOOR WAS AJAR. 370 00:19:40,212 --> 00:19:43,648 THERE WAS A GOOD FIRE BURNING IN THE FIREPLACE. 371 00:19:43,682 --> 00:19:46,817 NO SIGNS OF VIOLENCE. 372 00:19:46,852 --> 00:19:49,921 DID ANYONE SEE YOU ENTER THE APARTMENT OR LEAVE IT? 373 00:19:49,955 --> 00:19:51,489 NOT THAT I KNOW OF. 374 00:19:51,523 --> 00:19:53,157 ABOUT HOW LONG AGO WERE YOU THERE? 375 00:19:53,192 --> 00:19:55,626 IT MUST HAVE BEEN AN HOUR. 376 00:19:57,829 --> 00:20:01,098 THAT MUST HAVE BEEN ABOUT 8:00. 377 00:20:01,133 --> 00:20:02,466 IS THERE ANYTHING ELSE? 378 00:20:02,501 --> 00:20:04,936 I CAN'T THINK OF ANYTHING. 379 00:20:04,970 --> 00:20:07,271 AND THEN BARBARA CAME IN, AND SHE THOUGHT YOU KILLED HIM. 380 00:20:07,306 --> 00:20:10,141 MAC, WHAT CAN I DO? I CAN'T TELL THE POLICE. 381 00:20:10,175 --> 00:20:11,776 NO, NO. 382 00:20:11,810 --> 00:20:14,212 A JURY WOULD MASSACRE YOU. 383 00:20:15,480 --> 00:20:17,081 WELL... 384 00:20:17,115 --> 00:20:19,417 GO HOME AND GET SOME SLEEP IF YOU CAN. 385 00:20:19,451 --> 00:20:21,552 FRIDAY... 386 00:20:21,587 --> 00:20:23,955 WAKE MARTY UP. 387 00:20:23,989 --> 00:20:27,458 NOW, YOU SIT TIGHT UNTIL YOU HEAR FROM ME. 388 00:20:27,492 --> 00:20:28,826 ALL RIGHT, MAC. 389 00:20:28,860 --> 00:20:30,161 UH, WAIT A MINUTE. 390 00:20:30,195 --> 00:20:32,363 IN CASE I'VE GOT TO CALL YOU, WHAT IS YOUR PHONE NUMBER? 391 00:20:32,397 --> 00:20:35,333 ROSSMORE 555. 392 00:20:35,367 --> 00:20:36,601 ALL RIGHT. 393 00:20:36,635 --> 00:20:38,669 FRIDAY AND I WILL GET ON THIS RIGHT AWAY. 394 00:20:38,704 --> 00:20:40,238 AND DON'T WORRY. 395 00:20:40,272 --> 00:20:42,406 OHH. I WON'T. 396 00:20:54,052 --> 00:20:57,288 HEY, HEY, WHAT IS THIS? 397 00:20:58,690 --> 00:21:00,124 OH, IT'S YOU. 398 00:21:00,158 --> 00:21:02,660 YOU OUGHT TO TAKE IT EASY WHEN YOU WAKE A MAN UP. 399 00:21:02,694 --> 00:21:04,662 YOU'RE LIABLE TO GIVE HIM A BAD SHOCK. 400 00:21:05,864 --> 00:21:10,167 ALL RIGHT, ALL RIGHT. DON'T RUSH ME, DON'T RUSH ME. 401 00:21:18,277 --> 00:21:20,278 IT'S LOCKED. 402 00:21:20,312 --> 00:21:23,414 WATCH THE STAIRS. 403 00:21:36,962 --> 00:21:39,630 INSIDE. 404 00:21:41,667 --> 00:21:43,634 Lock the door again. 405 00:21:45,937 --> 00:21:49,774 WELL, COME ON, LET'S GET STARTED. 406 00:21:51,710 --> 00:21:56,147 ABOUT 18x26. STUDIO TYPE. 407 00:21:56,181 --> 00:21:59,283 THERE'S A BIG SOFA ALONGSIDE OF YOU TO YOUR RIGHT. 408 00:21:59,318 --> 00:22:01,352 WALL ON YOUR RIGHT, BIG FULL-LENGTH WINDOW. 409 00:22:01,386 --> 00:22:03,988 SMALL TABLE WITH A LAMP ON IT. BIG FIREPLACE. 410 00:22:04,022 --> 00:22:06,190 WALL AHEAD OF YOU. A GLASS CABINET. 411 00:22:06,224 --> 00:22:08,392 DOOR LEADING TO A BEDROOM, I GUESS. 412 00:22:08,427 --> 00:22:10,995 BIG CHAIR. 413 00:22:11,029 --> 00:22:13,331 OVER THE CHAIR IS A PICTURE OF A... 414 00:22:13,365 --> 00:22:15,366 A RECLINING TOMATO. 415 00:22:15,400 --> 00:22:18,069 WALL TO YOUR LEFT. BABY GRAND PIANO. 416 00:22:18,103 --> 00:22:21,339 SMALL ROUND TABLE WITH A LAMP ON IT, ANOTHER CHAIR. 417 00:22:21,373 --> 00:22:23,441 WALL BEHIND YOU. WOODEN CHAIR. 418 00:22:23,475 --> 00:22:26,077 THERE'S SOME KIND OF A SCREWBALL STATUE 419 00:22:26,111 --> 00:22:28,212 SITTING IN A HOLE IN THE WALL. 420 00:22:28,246 --> 00:22:29,547 IT STINKS. 421 00:22:29,581 --> 00:22:31,048 GO ON, GO ON. 422 00:22:31,083 --> 00:22:32,516 WELL, THAT'S ABOUT ALL, I GUESS. 423 00:22:32,551 --> 00:22:34,218 I'LL TAKE A LOOK IN THE OTHER ROOM. 424 00:22:34,252 --> 00:22:36,387 HAVEN'T YOU FORGOTTEN ONE IMPORTANT ITEM? 425 00:22:36,421 --> 00:22:38,255 WHAT? THE BODY? 426 00:22:38,290 --> 00:22:40,591 NO BODY HERE. 427 00:22:40,625 --> 00:22:43,160 NO BODY! 428 00:22:43,195 --> 00:22:44,528 IT'S GONE! 429 00:22:44,563 --> 00:22:46,263 SHE SAID I IT WAS IN FRONT OF THE FIREPLACE. 430 00:22:46,298 --> 00:22:47,832 IT AIN'T HERE NOW, MAC, I ASSURE YOU. 431 00:22:47,866 --> 00:22:49,533 ANY BLOODSTAINS ON THE RUG? 432 00:22:49,568 --> 00:22:51,502 THE RUG IS LIKE THE BODY - THERE AIN'T ANY - 433 00:22:51,536 --> 00:22:55,005 NOT IN FRONT OF THE FIREPLACE. 434 00:22:55,040 --> 00:22:56,807 OKAY. 435 00:23:10,822 --> 00:23:14,225 HMM, POLISHED FLOOR. 436 00:23:14,259 --> 00:23:16,660 A LOT OF DUST. 437 00:23:16,695 --> 00:23:19,130 HMM. 438 00:23:20,332 --> 00:23:22,133 SEEMS TO FORM A CURVED LINE. 439 00:23:22,167 --> 00:23:24,335 THERE WAS A RUG HERE, AND IT WAS TAKEN AWAY, 440 00:23:24,369 --> 00:23:26,103 RECENTLY, AFTER HE WAS KILLED. 441 00:23:26,138 --> 00:23:29,640 HE AIN'T IN THERE. THEY MUST HAVE CARTED HIM AWAY. 442 00:23:29,674 --> 00:23:32,743 I DON'T GET IT ABOUT THE RUG. 443 00:23:32,778 --> 00:23:35,846 I CATCH. BLOODSTAINS. THEY'RE GONNA GET IT CLEANED. 444 00:23:35,881 --> 00:23:37,148 DID IT EVER OCCUR TO YOU 445 00:23:37,182 --> 00:23:39,417 THAT THEY MIGHT HAVE USED THE RUG TO CARRY THE BODY OUT? 446 00:23:39,451 --> 00:23:41,018 RIGHT. RIGHT! 447 00:23:41,052 --> 00:23:42,052 GET AHOLD OF THE JANITOR. 448 00:23:42,087 --> 00:23:44,054 SEE IF HE CAN GET A LINE ON GERENTE'S FRIENDS 449 00:23:44,089 --> 00:23:45,623 WHO MIGHT HAVE VISITED HIM TONIGHT. 450 00:23:45,657 --> 00:23:48,192 RIGHT! AND I'LL SEE IF A STIFF WAS TAKEN OUT IN A RUG. 451 00:23:48,226 --> 00:23:50,127 NO! DON'T MENTION ANYTHING ABOUT A STIFF! 452 00:23:50,162 --> 00:23:51,762 YOU WANT US BOTH THROWN INTO JAIL? 453 00:23:51,797 --> 00:23:53,397 DON'T YOU KNOW WHAT WE'RE DOING 454 00:23:53,432 --> 00:23:55,499 MAY BE TERMED CONSPIRING TO DEFEAT JUSTICE? 455 00:23:55,534 --> 00:23:57,201 CERTAINLY I KNOW IT. 456 00:23:57,235 --> 00:23:58,769 TURN OUT THE LIGHTS. 457 00:24:02,207 --> 00:24:05,009 COME ON, FRIDAY, THROUGH THE DOOR. 458 00:24:12,651 --> 00:24:14,418 LET'S SEE WHAT WE CAN FIND OUT 459 00:24:14,453 --> 00:24:18,456 ABOUT THE LATE, DEPARTED MR. GERENTE. 460 00:24:34,840 --> 00:24:38,008 AHH, HERE'S THE CLOTHES CLOSET. 461 00:24:47,018 --> 00:24:48,352 WHEN MARTY GETS BACK, 462 00:24:48,386 --> 00:24:51,856 WE'LL HAVE A LOOK THROUGH GERENTE'S EFFECTS. 463 00:25:11,676 --> 00:25:15,312 UNDER THE BED, FRIDAY. KEEP YOUR MOUTH SHUT. 464 00:26:01,192 --> 00:26:03,060 I WANT ROSSMORE 555. 465 00:26:03,094 --> 00:26:04,795 MY NUMBER? 466 00:26:04,829 --> 00:26:08,799 MURRAY HILL 44598. 467 00:26:08,833 --> 00:26:11,869 HELLO, ROSSMORE 555? 468 00:26:11,903 --> 00:26:14,138 THIS IS GABRIEL. THAT YOU, VERA? 469 00:26:14,172 --> 00:26:15,606 YES, I'M ALL RIGHT. 470 00:26:15,640 --> 00:26:19,143 I KNOW, BUT SOMEBODY HAS TO DO THE DIRTY WORK. 471 00:26:19,177 --> 00:26:21,378 IT'S PART OF THE JOB. 472 00:26:21,413 --> 00:26:23,847 ALL RIGHT, I'LL BE BACK SOON. 473 00:26:23,882 --> 00:26:26,116 NOW, BABY, STOP WORRYING ABOUT ME. 474 00:26:31,990 --> 00:26:34,391 JUST A MINUTE. I DON'T KNOW YET. CALL YOU BACK. 475 00:26:43,635 --> 00:26:45,803 LET GO! GET AWAY! 476 00:27:02,887 --> 00:27:06,657 FRIDAY, GET OUT OF THE WAY! 477 00:27:22,674 --> 00:27:24,975 LET GO OF MY NECK. 478 00:27:25,010 --> 00:27:29,146 NOW, YOU BETTER LAY QUIET, OR I'LL DISCONNECT IT FOR YOU. 479 00:27:30,849 --> 00:27:33,050 THANK YOU, SIR. NOW, GO GET MARTY, QUICK! 480 00:27:33,084 --> 00:27:34,218 GET UP ON YOUR FEET. 481 00:27:34,252 --> 00:27:36,153 GET UP ON YOUR FEET AND FACE THAT WALL! 482 00:27:46,398 --> 00:27:48,465 COME ON, WHO HIRED YOU? 483 00:27:49,601 --> 00:27:51,869 I BET YOU'VE BEEN QUESTIONED A LOT. 484 00:27:51,903 --> 00:27:53,771 YOU KNOW HOW TO KEEP YOUR MOUTH SHUT, DON'T YOU? 485 00:27:53,805 --> 00:27:56,073 WHAT'S THIS? MARTY. 486 00:27:56,107 --> 00:27:57,541 THIS IS GABRIEL. 487 00:27:57,575 --> 00:27:59,643 HE GOSSIPS LIKE A MAGPIE. 488 00:27:59,678 --> 00:28:01,879 OH, CHARMING! 489 00:28:01,913 --> 00:28:04,081 MAC, YOU'RE GONNA HAVE TO GIVE UP POPCORN. 490 00:28:04,115 --> 00:28:05,816 YOU GET THE DIZZIEST PRIZES. 491 00:28:05,850 --> 00:28:08,652 COME ON, GABRIEL, TELL US WHAT YOU DID WITH THE BODY. 492 00:28:08,687 --> 00:28:09,987 YOU OUGHT TO KNOW BETTER 493 00:28:10,021 --> 00:28:12,956 THAN TO GO AROUND KNOCKING PEOPLE'S BRAINS OUT, GABRIEL. 494 00:28:12,991 --> 00:28:15,793 WHAT DID HE DO TO YOU, STEAL A TIRE FROM YOU? 495 00:28:15,827 --> 00:28:18,696 ALL RIGHT, SEE IF I CAN GUESS. 496 00:28:18,730 --> 00:28:20,831 YOU PLANNED TO KILL GERENTE SOMEPLACE ELSE. 497 00:28:20,865 --> 00:28:22,066 THERE WAS A SUDDEN QUARREL, 498 00:28:22,100 --> 00:28:24,001 AND YOU HAD TO DO IT HERE TO SHUT HIM UP. 499 00:28:24,035 --> 00:28:25,936 YOU DIDN'T WANT THE BODY FOUND HERE, 500 00:28:25,970 --> 00:28:27,504 SO YOU TOOK IT AWAY IN A RUG. 501 00:28:27,539 --> 00:28:29,206 YOU RANG THE BELL THAT TIME, MAC. 502 00:28:29,240 --> 00:28:31,909 NOW MAYBE YOU'LL TELL US WHY YOU DIDN'T WANT THE BODY FOUND HERE. 503 00:28:34,279 --> 00:28:36,113 NO? ALL RIGHT. 504 00:28:36,147 --> 00:28:37,948 THAT MEANS I GOT TO MAKE A TRIP. 505 00:28:37,982 --> 00:28:40,751 FRIDAY... 506 00:28:40,785 --> 00:28:42,219 GO GET THE HARNESS. 507 00:28:43,888 --> 00:28:45,422 YOU TAKE HIM UP TO OUR HOUSE. 508 00:28:45,457 --> 00:28:48,225 ENTERTAIN HIM. MAYBE YOU CAN INFLUENCE HIM TO TALK. 509 00:28:48,259 --> 00:28:49,426 FRIDAY. 510 00:28:49,461 --> 00:28:52,463 WHERE YOU GOING? UP TO NORMA LAWRY'S HOUSE. 511 00:28:52,497 --> 00:28:54,998 GABRIEL TELEPHONED SOMEONE UP THERE. 512 00:28:55,033 --> 00:28:57,868 IF YOU FIND OUT ANYTHING, CALL ME. 513 00:28:57,902 --> 00:29:00,170 TAKE ME OUTSIDE, FRIDAY. 514 00:29:00,205 --> 00:29:04,541 YOU CAN TURN AROUND NOW, GABRIEL. 515 00:29:06,177 --> 00:29:07,644 OH, YOU GOT THE HAT, FRIDAY? 516 00:29:07,679 --> 00:29:10,380 THERE WE ARE. THANK YOU, SIR. 517 00:29:10,415 --> 00:29:12,916 IS THAT GUY BLIND? 518 00:29:12,951 --> 00:29:16,620 DEMORALIZING, AIN'T IT? 519 00:29:22,994 --> 00:29:25,829 WHY, MRS. LAWRY, I THOUGHT YOU WERE GOING WITH MR. LAWRY. 520 00:29:25,864 --> 00:29:27,731 I CHANGED MY MIND AT THE LAST MINUTE. 521 00:29:27,766 --> 00:29:28,832 IS MISS BARBARA HOME? 522 00:29:28,867 --> 00:29:29,933 NO, MADAM. 523 00:29:29,968 --> 00:29:31,835 MISS CHELI SCOTT PHONED A FEW MINUTES AGO. 524 00:29:31,870 --> 00:29:33,403 THERE'S AN EMERGENCY REHEARSAL. 525 00:29:33,438 --> 00:29:36,640 THANK YOU, HANSEN. 526 00:29:39,010 --> 00:29:41,078 THE LYRICS ARE JUST NOVELTY, BUT - 527 00:29:41,112 --> 00:29:44,515 NOVELTY? THEY'RE TRIPE! 528 00:29:44,549 --> 00:29:46,150 HERE'S MISS LAWRY, MISS SCOTT. 529 00:29:46,184 --> 00:29:48,051 OH, HELLO, BARBARA. 530 00:29:48,086 --> 00:29:49,586 I'M SORRY I'M LATE, CHELI. 531 00:29:49,621 --> 00:29:51,155 THAT'S ALL RIGHT, BARBARA. 532 00:29:51,189 --> 00:29:54,158 COME DOWN HERE A MINUTE. I HAVE SOMETHING TO TELL YOU. 533 00:29:54,192 --> 00:29:57,561 THE REST OF YOU CAN RELAX. 534 00:29:59,531 --> 00:30:02,866 COME AND SIT DOWN HERE. 535 00:30:03,902 --> 00:30:07,137 SOMETHING UNPLEASANT HAS HAPPENED, BARBARA. 536 00:30:07,172 --> 00:30:09,373 PAUL GERENTE WON'T - WHAT ABOUT HIM? 537 00:30:09,407 --> 00:30:11,074 HE'S QUIT THE SHOW. 538 00:30:11,109 --> 00:30:14,711 HE DID? WHEN? 539 00:30:14,746 --> 00:30:16,246 HE TELEPHONED AT 7:00. 540 00:30:16,281 --> 00:30:19,082 HE DIDN'T GIVE US A MOMENT'S NOTICE. 541 00:30:19,117 --> 00:30:21,718 HE SAID HE WAS GOING AWAY FOR A WHILE. 542 00:30:24,522 --> 00:30:26,890 BARBARA... 543 00:30:26,925 --> 00:30:29,126 I KNOW YOU WERE INTERESTED IN HIM. 544 00:30:29,160 --> 00:30:30,727 PERHAPS IT'S JUST AS WELL. 545 00:30:30,762 --> 00:30:33,230 HE COULDN'T BE DEPENDED ON, 546 00:30:33,264 --> 00:30:37,000 AND YOUR NEW LEADING MAN IS A MUCH BETTER ACTOR. 547 00:30:37,035 --> 00:30:39,336 YOU HAVE A BRILLIANT CAREER AHEAD OF YOU, BARBARA. 548 00:30:39,370 --> 00:30:41,572 YOU MUSTN'T LET ANYTHING 549 00:30:41,606 --> 00:30:44,408 COME BETWEEN YOU AND THE REALIZATION OF THAT CAREER. 550 00:30:44,442 --> 00:30:45,742 I'M VERY FOND OF YOU. 551 00:30:45,777 --> 00:30:48,345 I WANT YOU TO KNOW THAT WHAT HAPPENS TO YOU 552 00:30:48,379 --> 00:30:50,447 IS OF THE DEEPEST CONCERN TO ME. 553 00:30:50,481 --> 00:30:54,451 THANK YOU, CHELI. 554 00:30:54,485 --> 00:30:58,121 ALL RIGHT, EVERYBODY, WE'LL CONCENTRATE ON THE SCENES 555 00:30:58,156 --> 00:31:00,224 BETWEEN MISS LAWRY AND MR. BOYD. 556 00:31:00,258 --> 00:31:01,558 MR. ANDERSON, MR. BUSH, 557 00:31:01,593 --> 00:31:03,660 WE WON'T BE GETTING TO YOU GENTLEMEN TONIGHT. 558 00:31:03,695 --> 00:31:05,462 YOU CAN BE DISMISSED. THANK YOU, MISS SCOTT. 559 00:31:05,496 --> 00:31:07,865 ALL RIGHT, MR. BOYD, START WITH THE SCENE IN THE GARDEN. 560 00:31:07,899 --> 00:31:11,969 PICK IT UP ON "I'M AFRAID I'LL NEVER UNDERSTAND, PEGGY." 561 00:31:17,742 --> 00:31:18,942 COME IN. 562 00:31:22,080 --> 00:31:24,014 WELL, IS EVERYTHING ALL RIGHT? 563 00:31:24,048 --> 00:31:25,949 ALL SET, CAPTAIN. 564 00:31:25,984 --> 00:31:28,051 HOW DID THE LAWRY GIRL TAKE THE STORY ABOUT GERENTE? 565 00:31:28,086 --> 00:31:29,319 THERE'S NO TROUBLE. 566 00:31:29,354 --> 00:31:31,622 CHELI WILL KEEP HER REHEARSING TILL WE'RE THROUGH. 567 00:31:31,656 --> 00:31:34,558 GOOD. 568 00:31:34,592 --> 00:31:38,595 COME ON. LET'S GET STARTED. 569 00:31:56,714 --> 00:32:00,183 Shh! NO NOISE. WE'VE GOT TO WORK QUIETLY. 570 00:32:00,218 --> 00:32:01,985 WE'RE ALONE IN THE HOUSE, AREN'T WE? 571 00:32:02,020 --> 00:32:04,922 WELL, NOT QUITE. MRS. LAWRY CHANGED HER MIND. 572 00:32:04,956 --> 00:32:06,690 SHE CAME HOME AT THE LAST MOMENT. 573 00:32:06,724 --> 00:32:08,392 THAT'S NOT GOOD. 574 00:32:08,426 --> 00:32:10,494 WE ARE SUPPOSED TO HAVE THE HOUSE TO OURSELVES. 575 00:32:10,528 --> 00:32:12,629 MRS. LAWRY HAS GONE TO BED. SHE'S A SOUND SLEEPER. 576 00:32:12,664 --> 00:32:14,865 WE'LL GO AHEAD AS PLANNED. IT'S PRETTY RISKY. 577 00:32:14,899 --> 00:32:16,566 I THINK I - 578 00:32:16,601 --> 00:32:18,101 THERE'S A PAPER IN THAT SAFE 579 00:32:18,136 --> 00:32:20,103 THAT'S WORTH 10 ARMORED DIVISIONS TO US. 580 00:32:20,138 --> 00:32:23,073 WE'RE GOING TO GET IT... NOW. 581 00:32:23,107 --> 00:32:25,709 AS YOU SAY, CAPTAIN. 582 00:32:35,620 --> 00:32:39,089 VERA, WHAT ARE YOU DOING UP? 583 00:32:39,123 --> 00:32:41,124 I WANTED TO TALK TO YOU. WHAT ABOUT? 584 00:32:41,159 --> 00:32:43,660 ABOUT GABRIEL. 585 00:32:43,695 --> 00:32:45,429 HE HASN'T CALLED BACK YET LIKE HE SAID. 586 00:32:45,463 --> 00:32:47,264 NOW, DON'T WORRY ABOUT GABRIEL. 587 00:32:47,298 --> 00:32:48,565 SOMETHING'S HAPPENED TO HIM. 588 00:32:48,599 --> 00:32:50,033 HE WOULD HAVE CALLED IF HE COULD. 589 00:32:50,068 --> 00:32:51,468 I KNOW MY HUSBAND! HE'S IN TROUBLE! 590 00:32:51,502 --> 00:32:54,237 I KNOW HE'S IN TROUBLE! I'M GONNA HELP HIM! 591 00:32:54,272 --> 00:32:55,806 I DON'T LIKE THIS. WHAT IF THE POLICE CAUGHT HIM? 592 00:32:55,840 --> 00:32:56,974 IF HE TALKS, WE ARE FINISHED. 593 00:32:57,008 --> 00:33:00,677 GABRIEL WON'T TALK. HE'S A GOOD SOLDIER. 594 00:33:00,712 --> 00:33:02,112 I DON'T CARE! I WANT TO DO SOMETHING! 595 00:33:02,146 --> 00:33:03,880 I'M GONNA FIND HIM, AND YOU CAN'T STOP ME! 596 00:33:03,915 --> 00:33:06,249 VERA! 597 00:33:08,019 --> 00:33:09,753 CONTROL YOURSELF. 598 00:33:13,891 --> 00:33:15,192 THAT'S BETTER. 599 00:33:15,226 --> 00:33:17,594 GO AHEAD. 600 00:33:30,074 --> 00:33:31,341 VERA? 601 00:33:31,376 --> 00:33:32,743 YES? 602 00:33:32,777 --> 00:33:36,446 HIDE THESE TWO MEN IN YOUR ROOM. I'LL ANSWER THE DOOR. 603 00:33:52,196 --> 00:33:53,797 MRS. LAWRY LIVE HERE? 604 00:33:53,831 --> 00:33:55,098 WHY, YES, SIR, SHE DOES. 605 00:33:55,133 --> 00:33:56,533 WELL, WE MADE IT, BOY. COME ON. 606 00:33:56,567 --> 00:33:58,268 EXCUSE ME, SIR, BUT MAY I ASK WHO YOU ARE? 607 00:33:58,302 --> 00:34:00,737 WELL, WHO ARE YOU? 608 00:34:00,772 --> 00:34:02,272 I'M HANSEN, MRS. LAWRY'S BUTLER, SIR. 609 00:34:02,306 --> 00:34:04,274 WELL, I'M HER UNCLE, AND I CAME TO MAKE A CALL. 610 00:34:04,308 --> 00:34:05,909 AT THIS TIME OF NIGHT, SIR? 611 00:34:05,943 --> 00:34:08,979 DAY OR NIGHT - WHAT DIFFERENCE DOES IT MAKE TO A BLIND MAN? 612 00:34:09,013 --> 00:34:10,414 OH, YOU'RE BLIND, SIR? 613 00:34:10,448 --> 00:34:13,116 BLIND AS A BAT. 614 00:34:13,151 --> 00:34:14,684 EXCUSE ME, SIR. I'M TERRIBLY SORRY. 615 00:34:14,719 --> 00:34:16,953 WHAT IS THERE TO BE SORRY ABOUT? 616 00:34:16,988 --> 00:34:18,088 MANY GREAT MEN WERE BLIND. 617 00:34:18,122 --> 00:34:19,956 MILTON, HOMER. THEY WERE BLIND, WEREN'T THEY? 618 00:34:19,991 --> 00:34:21,725 YES, SIR, BUT THEY COMPLAINED ABOUT IT. 619 00:34:21,793 --> 00:34:22,893 OH, THEY DID? 620 00:34:22,927 --> 00:34:23,960 YES, SIR. 621 00:34:23,995 --> 00:34:26,797 "OH, LOSS OF SIGHT, OF THEE I MOST COMPLAIN! 622 00:34:26,831 --> 00:34:28,632 "BLIND AMONG ENEMIES! 623 00:34:28,666 --> 00:34:32,669 OH, WORSE THAN CHAINS, DUNGEONS, OR BEGGARY OR DECREPIT AGE." 624 00:34:32,703 --> 00:34:35,572 MILTON, HUH? 625 00:34:35,606 --> 00:34:37,407 SAY, YOU'RE QUITE A BUTLER. 626 00:34:37,442 --> 00:34:39,609 TELL MRS. LAWRY I'M HERE. 627 00:34:39,644 --> 00:34:41,578 DON'T STAND AROUND SPOUTING POETRY. 628 00:34:41,612 --> 00:34:43,046 YES, SIR. IMMEDIATELY, SIR. 629 00:34:43,081 --> 00:34:48,051 WHAT IS IT, HANSEN? MAC, DARLING! 630 00:34:48,086 --> 00:34:51,021 WHAT KIND OF A TWO-BIT RECEPTION IS THIS, ANYWAY?! 631 00:34:51,055 --> 00:34:53,256 YOUR BUTLER DIDN'T EVEN KNOW I WAS COMING! 632 00:34:53,291 --> 00:34:55,292 WHAT IS YOUR UNCLE MAC, AN OLD SHOE? 633 00:34:55,326 --> 00:34:57,527 I HEARD THE TAXI PULL UP, AND I - YES, YES, YES. 634 00:34:57,562 --> 00:34:59,763 WELL, DOES YOUR UNCLE MAC GET A KISS OR DOESN'T HE?! 635 00:34:59,797 --> 00:35:02,199 OF COURSE, UNCLE MAC. 636 00:35:02,233 --> 00:35:04,134 WHERE'S THAT EDUCATED BUTLER OF YOURS? 637 00:35:04,168 --> 00:35:05,869 HE'S RIGHT HERE. WELL, SEND HIM AWAY. 638 00:35:05,903 --> 00:35:07,370 I HAVEN'T SEEN YOU FOR TWO YEARS. 639 00:35:07,405 --> 00:35:09,906 I DON'T WANT SERVANTS SKULKING IN ON A FAMILY REUNION. 640 00:35:09,941 --> 00:35:10,974 THAT WILL BE ALL, HANSEN. 641 00:35:11,008 --> 00:35:12,943 SHALL WE GO IN THE LIVING ROOM, UNCLE MAC? 642 00:35:12,977 --> 00:35:14,444 ROOMS DON'T BOTHER ME... 643 00:35:14,479 --> 00:35:15,745 JUST SO THEY HAVE A DOOR. 644 00:35:15,780 --> 00:35:18,915 TWO STEPS DOWN HERE. 645 00:35:27,158 --> 00:35:28,525 MAC, WHAT DID YOU FIND? 646 00:35:28,559 --> 00:35:30,360 Shh! 647 00:35:30,394 --> 00:35:33,396 THERE'S A PIANO IN HERE, ISN'T THERE? 648 00:35:33,431 --> 00:35:34,865 WE HAVE AN ORGAN. 649 00:35:34,899 --> 00:35:38,068 UH-HUH. IT'S OVER HERE. 650 00:35:40,371 --> 00:35:43,406 LIE DOWN, FRIDAY. 651 00:35:53,451 --> 00:35:55,852 NOW, LISTEN CAREFULLY TO WHAT I HAVE TO SAY. 652 00:35:55,887 --> 00:35:57,854 MAC! Shh! 653 00:35:57,889 --> 00:36:00,357 WHO WAS IN THIS HOUSE A COUPLE OF HOURS AGO? 654 00:36:00,391 --> 00:36:04,394 WHY, HANSEN, MYSELF, AND THE UPSTAIRS MAID, VERA. 655 00:36:04,428 --> 00:36:05,996 WHERE DOES VERA COME FROM? 656 00:36:06,030 --> 00:36:09,232 BARBARA ENGAGED HER AND THE BUTLER ABOUT TWO MONTHS AGO. 657 00:36:09,267 --> 00:36:11,134 UH-HUH. YOU KNOW ANYTHING ABOUT THEM? 658 00:36:11,169 --> 00:36:12,802 NO, BUT I COULD FIND OUT. 659 00:36:12,837 --> 00:36:14,304 NO! NO! 660 00:36:14,338 --> 00:36:16,339 ANYBODY ELSE AT HOME NOW? 661 00:36:16,374 --> 00:36:18,942 NO, BARBARA'S AT THE THEATER, REHEARSING. 662 00:36:18,976 --> 00:36:20,911 REHEARSING? 663 00:36:20,945 --> 00:36:22,612 THIS HOUR OF THE NIGHT? 664 00:36:22,647 --> 00:36:24,414 IT WAS AN EMERGENCY REHEARSAL. 665 00:36:24,448 --> 00:36:27,417 OHH. 666 00:36:27,451 --> 00:36:28,952 OH, MAC, WHAT IS GOING ON? 667 00:36:28,986 --> 00:36:31,888 DON'T ASK ANY QUESTIONS NOW. 668 00:36:31,923 --> 00:36:34,491 KEEP YOUR EYES OPEN, YOUR MOUTH SHUT, AND TAKE ORDERS. 669 00:36:34,525 --> 00:36:36,526 HAVE THE MAID, VERA, SHOW ME UP TO MY ROOM. 670 00:36:36,561 --> 00:36:38,094 VERA'S PROBABLY ASLEEP BY NOW. 671 00:36:38,129 --> 00:36:40,096 YOU HEARD WHAT I SAID ABOUT TAKING ORDERS. 672 00:36:40,131 --> 00:36:42,399 VERA, I VERY DISTINCTLY WARNED YOU 673 00:36:42,433 --> 00:36:44,634 ABOUT TRYING TO LEAVE THIS HOUSE. 674 00:36:44,669 --> 00:36:46,836 PLEASE, I WANT TO GO LOOK FOR GABRIEL! 675 00:36:52,643 --> 00:36:55,445 I KNOW SOMETHING HAS HAPPENED! 676 00:36:57,014 --> 00:36:58,348 WATCH HER. 677 00:36:58,382 --> 00:37:02,285 VERA, REMEMBER WHAT I SAID. 678 00:37:05,223 --> 00:37:07,224 HANSEN, WILL YOU PLEASE ASK VERA 679 00:37:07,258 --> 00:37:09,326 TO SHOW MR. MACLAIN TO THE SECOND GUEST ROOM? 680 00:37:09,360 --> 00:37:11,995 EXCUSE ME, MADAM, BUT I'M QUITE SURE THAT VERA HAS RETIRED. 681 00:37:12,029 --> 00:37:13,997 MAY I SHOW THE GENTLEMAN TO HIS ROOM? 682 00:37:14,031 --> 00:37:15,799 I WANT THE MAID! 683 00:37:15,833 --> 00:37:19,035 A BUTTON CAME OFF MY SHIRT, AND I-I WANT HER TO SEW IT ON. 684 00:37:19,070 --> 00:37:20,403 WELL, IF YOU'LL PARDON ME, SIR, 685 00:37:20,438 --> 00:37:22,172 I'M RATHER GOOD AT SEWING ON BUTTONS MYSELF, 686 00:37:22,206 --> 00:37:24,841 AND, IF IT COMES TO A PINCH, CAN EVEN DARN SOCKS. 687 00:37:24,875 --> 00:37:26,543 I'D BE HAPPY TO DO THE JOB FOR YOU. 688 00:37:26,577 --> 00:37:28,712 - OH, HORSE COLLAR! - IT'S QUITE TRUE, SIR, REALLY. 689 00:37:28,746 --> 00:37:30,313 CAN YOU DO A CROW'S FOOT? 690 00:37:31,782 --> 00:37:32,816 A WHAT, SIR? 691 00:37:32,850 --> 00:37:34,317 HA! I THOUGHT SO. 692 00:37:34,352 --> 00:37:36,219 DON'T EVEN KNOW THE FUNDAMENTALS. 693 00:37:36,254 --> 00:37:38,788 IT'S A DESIGN YOU MAKE WHEN YOU SEW A BUTTON ON! 694 00:37:38,823 --> 00:37:40,824 I BET YOU CAN'T EVEN HEMSTITCH, CAN YOU?! 695 00:37:40,858 --> 00:37:42,792 OF COURSE YOU CAN'T! 696 00:37:42,827 --> 00:37:44,661 YOU'D BETTER GET HER, HANSEN. 697 00:37:44,695 --> 00:37:45,729 OF COURSE, GET HER! 698 00:37:45,763 --> 00:37:47,530 AND IF SHE'S ASLEEP, WAKE HER UP! 699 00:37:47,565 --> 00:37:48,765 SHE'LL BE GRATEFUL. 700 00:37:48,799 --> 00:37:50,767 SLEEP IS A FORM OF UNCONSCIOUSNESS, ANYWAY. 701 00:37:50,801 --> 00:37:53,536 YES, SIR. 702 00:38:05,149 --> 00:38:06,516 COME IN. 703 00:38:09,287 --> 00:38:10,887 I'M VERA, THE MAID, SIR. 704 00:38:10,921 --> 00:38:12,856 OH, WELL, VERA... 705 00:38:12,890 --> 00:38:15,258 WILL YOU TURN THE COVERINGS DOWN ON MY BED, PLEASE? 706 00:38:15,293 --> 00:38:17,794 YES, SIR. 707 00:38:17,828 --> 00:38:19,929 WHAT'S YOUR LAST NAME, VERA? 708 00:38:19,964 --> 00:38:21,398 HOFFMAN, SIR. 709 00:38:21,432 --> 00:38:24,701 MM-HMM. YOU GOT A HUSBAND, VERA? 710 00:38:39,050 --> 00:38:40,150 VERA? 711 00:38:40,184 --> 00:38:41,284 YES, SIR? 712 00:38:41,319 --> 00:38:45,722 COME HERE A MOMENT, WILL YOU, PLEASE? 713 00:38:45,756 --> 00:38:48,425 I'VE GOT A LITTLE JOB I WANT YOU TO DO. 714 00:38:48,459 --> 00:38:51,561 I WANT YOU TO SEW A BUTTON ON THAT SHIRT. 715 00:38:53,230 --> 00:38:56,232 NOW, THERE'S THE NEEDLE AND THREAD. 716 00:38:56,267 --> 00:38:58,635 IT'S ALL THREADED. DID IT MYSELF. 717 00:38:58,669 --> 00:39:01,971 PRETTY GOOD FOR A BLIND MAN, DON'T YOU THINK? 718 00:39:02,006 --> 00:39:04,607 I WARN YOU, I WANT MY BUTTONS JUST SO. 719 00:39:08,112 --> 00:39:10,113 YOU - YOU SEW LIKE A BOILERMAKER! 720 00:39:10,147 --> 00:39:12,649 I COULD DO BETTER MYSELF! GO ON! GET OUT OF HERE! 721 00:39:12,683 --> 00:39:14,184 SORRY, SIR. YOU SHOULD BE! 722 00:39:14,218 --> 00:39:15,385 GOOD NIGHT, SIR. 723 00:39:15,419 --> 00:39:18,054 GOOD NIGHT! 724 00:39:21,959 --> 00:39:27,030 WELL, MAYBE NOW WE CAN GET A FEW OF THESE PIECES TO FIT, OLD PAL. 725 00:39:50,321 --> 00:39:53,123 WELL, MRS. LAWRY SHOULD BE ASLEEP BY NOW, 726 00:39:53,157 --> 00:39:55,792 AND THE BLIND UNCLE WON'T BE AWAKE LONG. 727 00:39:55,826 --> 00:40:00,063 HE HAD TO PICK THIS NIGHT TO COME VISITING. 728 00:40:06,804 --> 00:40:09,139 IF IT'S ALL RIGHT, I THINK I'LL GO TO BED NOW. 729 00:40:09,173 --> 00:40:10,740 YOU MAY BE EXCUSED, VERA. 730 00:40:10,775 --> 00:40:14,377 GOOD NIGHT. 731 00:40:43,841 --> 00:40:45,942 WELL, FRIDAY, I GUESS THIS IS THE GREENHOUSE. 732 00:41:07,264 --> 00:41:10,567 Shh! FRIDAY, QUIET, QUIET. 733 00:41:33,524 --> 00:41:36,292 YOU CAN'T SAY YOU WEREN'T WARNED, VERA. 734 00:41:36,327 --> 00:41:38,495 I'M SORRY, VERA, 735 00:41:38,529 --> 00:41:41,064 BUT OUR JOB IS BIGGER THAN YOU OR GABRIEL OR ANYBODY ELSE. 736 00:41:41,098 --> 00:41:42,432 BUT HE'S MY HUS- 737 00:41:53,511 --> 00:41:55,111 SHE'S DEAD. 738 00:41:55,145 --> 00:41:57,313 PICK HER UP AND PUT HER IN THE CAR. 739 00:42:27,511 --> 00:42:29,646 WHO'S THERE? 740 00:42:29,680 --> 00:42:31,881 IT'S HANSEN, THE BUTLER, SIR. 741 00:42:31,916 --> 00:42:33,783 ALL RIGHT. 742 00:42:33,817 --> 00:42:36,486 WHAT ARE YOU DOING UP THIS HOUR OF THE NIGHT? 743 00:42:36,520 --> 00:42:39,289 I THOUGHT I HEARD A NOISE, SIR, AND I GOT UP TO INVESTIGATE. 744 00:42:39,323 --> 00:42:41,591 OH, I HEARD NOTHING. NOTHING BUT THE CRICKETS. 745 00:42:41,625 --> 00:42:45,094 SAY, DO YOU KNOW YOU CAN TELL THE TEMPERATURE OF THE AIR 746 00:42:45,129 --> 00:42:47,864 BY COUNTING THE NUMBER OF CRICKET CHIRPS PER MINUTE? 747 00:42:47,898 --> 00:42:49,332 OH, REALLY, SIR? 748 00:42:49,366 --> 00:42:50,466 YES. 749 00:42:50,501 --> 00:42:52,468 UH, IS THERE ANYTHING WRONG, SIR? 750 00:42:52,503 --> 00:42:54,270 I MEAN, YOUR BEING UP SO LATE? 751 00:42:54,305 --> 00:42:55,805 NO, NO. 752 00:42:55,839 --> 00:42:58,274 AND DON'T WORRY ABOUT ME MOSEYING AROUND AT NIGHT. 753 00:42:58,309 --> 00:43:01,511 I'M SOMEWHAT OF A NIGHT OWL. INSOMNIA. 754 00:43:01,545 --> 00:43:02,979 OH, I'M TERRIBLY SORRY, SIR. 755 00:43:03,013 --> 00:43:05,114 PERHAPS IF I MIGHT BE SO BOLD, SIR, 756 00:43:05,149 --> 00:43:07,383 A SIP OF BRANDY MIGHT HELP YOU SLEEP. 757 00:43:07,418 --> 00:43:10,787 NOW, MY GOOD FRIEND HANSEN, YOU'RE COOKING WITH ALCOHOL. 758 00:43:10,821 --> 00:43:12,121 WHAT, SIR? 759 00:43:12,156 --> 00:43:13,656 I MEAN, YOU'RE THE PERFECT BUTLER - 760 00:43:13,691 --> 00:43:17,193 ALWAYS CONSIDERATE, WATCHFUL, AND ATTENTIVE. 761 00:43:17,227 --> 00:43:19,629 I'LL HOUND MY NIECE UNTIL SHE GIVES YOU A RAISE. 762 00:43:19,663 --> 00:43:21,097 THANK YOU, SIR. 763 00:43:21,131 --> 00:43:23,833 OH, AND GETTING BACK TO THE BRANDY - 764 00:43:23,867 --> 00:43:26,069 ONE OF THE FEW THINGS I LIKE TO GET BACK TO. 765 00:43:26,103 --> 00:43:28,104 DO YOU SUPPOSE YOU COULD SPARE A BOTTLE 766 00:43:28,138 --> 00:43:30,673 AND PUT IT BESIDE MY BED IN CASE I GET RESTLESS LATER? 767 00:43:30,708 --> 00:43:34,344 WHY, YES, SIR, I THINK THAT COULD BE ARRANGED. 768 00:43:34,378 --> 00:43:35,878 OH, THANK YOU. 769 00:43:35,913 --> 00:43:38,047 I'LL REMEMBER YOU IN MY WILL. 770 00:43:38,082 --> 00:43:39,215 THANK YOU, SIR. 771 00:43:39,249 --> 00:43:41,150 COME ON, FRIDAY. 772 00:43:43,654 --> 00:43:45,488 WHAT'S THE MATTER WITH YOU, FRIDAY? 773 00:43:45,522 --> 00:43:49,392 ARE YOU LIVERISH OR SOMETHING? COME ON! 774 00:43:59,503 --> 00:44:01,170 FRIDAY, THAT NOSE OF YOURS 775 00:44:01,205 --> 00:44:03,139 IS GOING TO GET US BOTH INTO TROUBLE SOMEDAY. 776 00:44:03,173 --> 00:44:06,075 I KNOW HE HIT VERA. 777 00:44:06,110 --> 00:44:10,246 WHAT DO YOU WANT TO DO, DRAW A BLUEPRINT FOR HIM? 778 00:44:15,152 --> 00:44:17,220 COME IN. 779 00:44:23,127 --> 00:44:24,360 YOUR BRANDY, SIR. 780 00:44:24,395 --> 00:44:26,763 AHH, A WELCOME MESSENGER! WHERE IS IT? WHERE IS IT? 781 00:44:26,797 --> 00:44:29,565 HERE, SIR. 782 00:44:31,335 --> 00:44:35,204 DIVINE BROTH. 783 00:44:35,239 --> 00:44:39,342 OHH, HAUTE-GARONNE 1904, IF I'M NOT MISTAKEN. 784 00:44:39,376 --> 00:44:41,444 AHH, A MONUMENTAL VINTAGE. 785 00:44:45,416 --> 00:44:48,351 YOUR DOG SEEMS TO HAVE TAKEN A DISLIKE TO ME, SIR. 786 00:44:48,385 --> 00:44:50,086 OH, NO. HE'S A BIT CROTCHETY. 787 00:44:50,120 --> 00:44:52,221 HE HASN'T BEEN GETTING HIS EXERCISE. 788 00:44:52,256 --> 00:44:54,824 WELL, GOOD NIGHT, HANSEN. 789 00:44:54,858 --> 00:44:58,094 I THINK I'LL GO TO BED. 790 00:44:58,128 --> 00:45:00,296 AND, HANSEN, TURN OUT THE LIGHT, WILL YOU? 791 00:45:00,330 --> 00:45:01,764 I THINK I'LL READ AWHILE. 792 00:45:02,966 --> 00:45:04,000 WHAT, SIR? 793 00:45:04,034 --> 00:45:05,935 WHY, SURE, I READ WITH MY FINGERS. 794 00:45:05,969 --> 00:45:08,304 THAT'S THE BLIND MAN'S ADVANTAGE. 795 00:45:08,338 --> 00:45:10,506 HE CAN READ IN THE BED WITH THE LIGHTS OUT 796 00:45:10,541 --> 00:45:12,675 OR EVEN UNDER THE COVERS IF HE GETS COLD. 797 00:45:12,710 --> 00:45:16,045 OH, I - I SEE, SIR. 798 00:45:17,414 --> 00:45:18,681 GOOD NIGHT, SIR. 799 00:45:18,716 --> 00:45:20,116 GOOD NIGHT. 800 00:45:28,592 --> 00:45:30,393 He flatters me, Friday. 801 00:45:30,427 --> 00:45:32,462 There's enough sodium amytal in this 802 00:45:32,496 --> 00:45:35,398 to put three men to sleep. 803 00:45:43,073 --> 00:45:44,607 WHO'S THERE?! Shh! 804 00:45:44,641 --> 00:45:47,043 DON'T BE FRIGHTENED, BABY. IT'S YOUR UNCLE MAC. 805 00:45:47,077 --> 00:45:50,680 I WANT TO TALK TO YOU. KEEP YOUR VOICE DOWN. 806 00:45:53,283 --> 00:45:54,450 WHAT DID YOU FIND OUT? 807 00:45:54,485 --> 00:45:56,586 TURN THAT LIGHT OUT. 808 00:45:56,620 --> 00:45:59,021 WHAT IS THERE IN THIS HOUSE THAT SOMEBODY MIGHT WANT? 809 00:46:01,125 --> 00:46:02,759 NOTHING THAT I KNOW OF. 810 00:46:02,793 --> 00:46:04,827 NORMA, I DON'T THINK YOU'RE TELLING ME THE TRUTH. 811 00:46:07,164 --> 00:46:09,699 NOW, COME ON, TELL ME. 812 00:46:09,733 --> 00:46:12,368 WELL, YOU'RE FORCING ME TO TELL YOU SOME VERY UNPLEASANT NEWS. 813 00:46:12,402 --> 00:46:14,337 OH, MAC! Shh! 814 00:46:14,371 --> 00:46:16,072 SORRY, MAC. WHAT IS IT? 815 00:46:16,106 --> 00:46:17,306 VERA IS DEAD. 816 00:46:17,341 --> 00:46:20,643 SHE WAS KILLED BECAUSE SHE KNEW TOO MUCH 817 00:46:20,677 --> 00:46:23,446 ABOUT THE GERENTE MURDER AND WAS GOING TO TALK. 818 00:46:23,480 --> 00:46:25,014 TWO PEOPLE HAVE BEEN KILLED. 819 00:46:25,048 --> 00:46:27,016 THEIR DEATHS ARE LINKED UP IN SOME WAY 820 00:46:27,050 --> 00:46:29,585 WITH SOMETHING THAT IS IN THIS HOUSE. 821 00:46:29,620 --> 00:46:30,720 NOW, COME ON, TELL ME. 822 00:46:30,754 --> 00:46:36,159 IT'S IN THE SAFE IN THE LIBRARY. 823 00:46:36,193 --> 00:46:38,661 IT'S THE FORMULA OF STEPHEN'S NEW INVENTION - 824 00:46:38,695 --> 00:46:40,830 THE ONE HE'S TRYING OUT TONIGHT. 825 00:46:40,864 --> 00:46:43,299 IF IT WORKS, HE'S GOING TO TURN IT OVER TO THE GOVERNMENT. 826 00:46:43,333 --> 00:46:44,467 IT'S SO IMPORTANT, 827 00:46:44,501 --> 00:46:46,369 STEPHEN DIDN'T EVEN GIVE ME THE NEW COMBINATION. 828 00:46:46,403 --> 00:46:48,171 I'M GONNA GET THE POLICE. 829 00:46:48,205 --> 00:46:50,540 NO! THAT'S THE WORST THING YOU CAN DO RIGHT NOW. 830 00:46:50,574 --> 00:46:52,608 WELL, WHY? IF WE GO TO THE POLICE NOW, 831 00:46:52,643 --> 00:46:54,544 THEY'LL GET THE GANG DOWNSTAIRS, YES, 832 00:46:54,578 --> 00:46:57,079 BUT THERE ARE OTHERS, AND THEY'RE FOLLOWING YOUR HUSBAND. 833 00:46:57,114 --> 00:46:58,514 OH, MAC, WHAT ARE WE GOING TO DO? 834 00:46:58,549 --> 00:47:00,116 THERE'S NOTHING WE CAN DO BUT STALL - 835 00:47:00,150 --> 00:47:01,751 STALL UNTIL STEPHEN GETS HOME. 836 00:47:01,785 --> 00:47:03,419 THEN WE'LL SEND FOR SOME HELP. 837 00:47:03,453 --> 00:47:06,022 UNTIL THEN, WELL... 838 00:47:06,056 --> 00:47:09,025 THEY CAN PULL THE SWITCH ANYTIME THEY WANT TO. 839 00:47:09,059 --> 00:47:14,397 RUN IT AGAIN, BARBARA, WITH JUST A LITTLE MORE ANGER. 840 00:47:16,166 --> 00:47:18,868 I'VE BEEN TOLD THERE WERE SELFISH AND GREEDY MEN LIKE YOU 841 00:47:18,902 --> 00:47:20,236 IN THE SHOW BUSINESS, 842 00:47:20,270 --> 00:47:22,205 BUT I DIDN'T BELIEVE IT UNTIL NOW! 843 00:47:22,239 --> 00:47:25,041 I WAS ONLY REPEATING WHAT HANSEN SAID. 844 00:47:25,075 --> 00:47:26,509 HE WAS WORRIED. 845 00:47:26,543 --> 00:47:28,477 IT WASN'T COMING OFF AS WE'D PLANNED. 846 00:47:28,512 --> 00:47:30,580 IT SOUNDS AS IF YOU'D LOST YOUR HEADS. 847 00:47:30,614 --> 00:47:32,381 GET BACK TO THE HOUSE. 848 00:47:32,416 --> 00:47:34,984 TELL HANSEN WE MEET IN VERA'S ROOM IN 30 MINUTES. 849 00:47:35,018 --> 00:47:37,086 YES, MADAM. 850 00:47:37,120 --> 00:47:38,621 ...TO PUT THIS SONG OVER! 851 00:47:38,655 --> 00:47:41,490 THAT'S BETTER, BUT IT'S JUST A LITTLE BIT RAGGED. 852 00:47:41,525 --> 00:47:43,960 I DON'T KNOW ABOUT THE REST OF YOU, BUT I'M TIRED. 853 00:47:43,994 --> 00:47:46,696 LET'S CALL IT A NIGHT AND GET A FRESH START IN THE MORNING. 854 00:47:46,730 --> 00:47:49,332 OHH, THAT'S MUSIC TO MY EARS. 855 00:47:49,366 --> 00:47:51,167 GOOD NIGHT. 856 00:47:51,201 --> 00:47:54,437 BARBARA, I WONDER IF YOU'D MIND PUTTING ME UP FOR THE NIGHT. 857 00:47:54,471 --> 00:47:56,172 I'D ENJOY A LITTLE LUXURY FOR A CHANGE. 858 00:47:56,206 --> 00:47:57,607 OF COURSE. I'D LOVE TO. 859 00:47:57,641 --> 00:47:59,475 JUST A MINUTE. I'LL GET MY COAT. 860 00:47:59,509 --> 00:48:01,143 THANK YOU, DARLING. 861 00:48:01,178 --> 00:48:03,846 I ASSURE YOU, IT WAS ABSOLUTELY NECESSARY. 862 00:48:03,881 --> 00:48:05,414 SHE WAS BECOMING HYSTERICAL. 863 00:48:05,449 --> 00:48:06,782 I'M AFRAID I DON'T AGREE. 864 00:48:06,817 --> 00:48:09,218 YOU COULD HAVE KEPT VERA IN HER ROOM, GUARDED HER. 865 00:48:09,253 --> 00:48:11,988 IMPULSIVE KILLING MAKES MORE DANGER THAN IT CURES. 866 00:48:12,022 --> 00:48:13,256 AND WHAT ABOUT GERENTE? 867 00:48:13,290 --> 00:48:14,523 THAT WAS DIFFERENT. 868 00:48:14,558 --> 00:48:16,792 HE BECAME EMOTIONAL ABOUT HIS JOB - HE FELL IN LOVE. 869 00:48:16,827 --> 00:48:20,196 IF WE HADN'T ACTED, EVERYTHING WE'D ACCOMPLISHED - 870 00:48:20,230 --> 00:48:21,430 THE THEATER... 871 00:48:21,465 --> 00:48:23,766 OUR CONNECTION WITH THE LAWRY HOME THROUGH THE GIRL... 872 00:48:23,800 --> 00:48:25,468 EVERY ONE OF OUR LEGITIMATE FRONTS 873 00:48:25,502 --> 00:48:26,636 WOULD HAVE BEEN DESTROYED. 874 00:48:26,670 --> 00:48:29,272 WE DISPOSED OF GERENTE OUT OF NECESSITY. 875 00:48:29,306 --> 00:48:30,806 AND SO DID WE WITH VERA. 876 00:48:30,841 --> 00:48:32,909 SHE WAS LEFT ON THE HIGHWAY SEVERAL MILES AWAY. 877 00:48:32,943 --> 00:48:34,877 IT WILL LOOK LIKE A HIT-AND-RUN ACCIDENT. 878 00:48:34,912 --> 00:48:38,214 BRILLIANT. 879 00:48:38,248 --> 00:48:43,352 GABRIEL INVENTS A TECHNIQUE, AND YOU USE IT TO KILL HIS WIFE. 880 00:48:44,788 --> 00:48:48,024 HAVE YOU THOUGHT WHAT A DANGER HE'LL BE WHEN HE FINDS OUT? 881 00:48:48,058 --> 00:48:51,427 EXCUSE ME, MADAME, BUT I WAS IN CHARGE AT THE HOUSE HERE. 882 00:48:51,461 --> 00:48:54,130 IT WAS MY RESPONSIBILITY. THINGS WEREN'T GOING AS PLANNED. 883 00:48:54,164 --> 00:48:57,099 MRS. LAWRY RETURNED, VERA GOT OUT OF HAND, 884 00:48:57,134 --> 00:48:58,734 THE BLIND MAN ARRIVED. 885 00:48:58,769 --> 00:49:01,771 AH, YES, THE BLIND MAN. YOU CHECKED ON HIM? 886 00:49:01,805 --> 00:49:04,040 WHAT HARM CAN THERE POSSIBLY BE IN A BLIND MAN? 887 00:49:04,074 --> 00:49:06,342 ABSOLUTELY HARMLESS. I GAVE HIM A SLEEPING POTION. 888 00:49:06,376 --> 00:49:08,511 VICTOR, CALL NEW YORK. HAVE THEM CHECK ON THIS MAN. 889 00:49:08,545 --> 00:49:10,546 WHAT'S HIS NAME? WHY DO THAT? 890 00:49:10,580 --> 00:49:12,014 WHAT'S HIS NAME, HANSEN? 891 00:49:12,049 --> 00:49:14,984 MACLAIN. DUNCAN MACLAIN. 892 00:49:15,018 --> 00:49:17,186 CHECK EVERY DUNCAN MACLAIN IN THE TELEPHONE BOOK. 893 00:49:17,220 --> 00:49:20,690 YES, MADAM. 894 00:49:20,724 --> 00:49:23,426 YOU SEEM TO HAVE FORGOTTEN FUNDAMENTALS, CAPTAIN. 895 00:49:23,460 --> 00:49:24,727 I MUST REMIND YOU, MADAME, 896 00:49:24,761 --> 00:49:26,429 THAT MY RECORD ENTITLES ME TO RESPECT. 897 00:49:26,463 --> 00:49:29,265 AND I MUST REMIND YOU THAT I AM IN COMMAND 898 00:49:29,299 --> 00:49:30,499 AND YOU'LL DO AS I SAY. 899 00:49:30,534 --> 00:49:33,135 AT YOUR COMMAND, MADAM. 900 00:49:47,084 --> 00:49:50,586 GET THE DETECTOR. 901 00:50:07,070 --> 00:50:10,439 STAND WATCH IN THE HALL. 902 00:51:02,292 --> 00:51:05,728 19 LEFT, AS NEAR AS I CAN MAKE OUT. 903 00:51:05,762 --> 00:51:07,029 WHAT? 904 00:51:07,064 --> 00:51:08,998 19 LEFT. 905 00:51:09,032 --> 00:51:10,399 HURRY. 906 00:51:10,434 --> 00:51:13,235 YES, MA'AM. 907 00:51:18,942 --> 00:51:21,110 WAIT. 908 00:51:24,014 --> 00:51:26,048 NOW. 909 00:51:32,289 --> 00:51:35,024 IT'S LAWRY. 910 00:51:39,129 --> 00:51:40,763 THE EXPERIMENT IS A SUCCESS. 911 00:51:42,766 --> 00:51:45,101 WELL? 912 00:51:45,135 --> 00:51:46,302 HE'S LEAVING IMMEDIATELY. 913 00:51:46,336 --> 00:51:47,970 HE SHOULD BE HERE IN A HALF AN HOUR. 914 00:51:48,004 --> 00:51:50,639 HURRY - BY TOMORROW, THIS PLACE WILL BE SWARMING 915 00:51:50,674 --> 00:51:53,342 WITH GOVERNMENT GHOSTS. 916 00:52:24,007 --> 00:52:25,708 WHY, MR. MACLAIN, SIR. 917 00:52:25,742 --> 00:52:27,877 OH, HANSEN, MY GOOD FRIEND. 918 00:52:27,911 --> 00:52:30,079 COME OVER HERE AND LISTEN TO MY PIPES. 919 00:52:30,113 --> 00:52:31,380 IT'S TERRIBLY LATE, SIR. 920 00:52:31,414 --> 00:52:34,416 OH, HANSEN, IS IT EVER TOO LATE FOR GOOD MUSIC? 921 00:52:34,451 --> 00:52:36,785 HERE THE WHOLE WORLD IS AFLAME, 922 00:52:36,820 --> 00:52:39,755 AND YOU ASK ME TO DEPRIVE IT OF GOOD MUSIC. 923 00:52:39,789 --> 00:52:41,357 OH, NO. 924 00:52:41,391 --> 00:52:44,126 HANSEN - HERE, HERE, SIT DOWN HERE. 925 00:52:44,161 --> 00:52:47,930 NOW, YOU'RE A MAN OF CULTURE, MY DEAR FRIEND. 926 00:52:47,964 --> 00:52:50,866 PERHAPS YOU HAVE SOME FAVORITE SELECTION? 927 00:52:50,901 --> 00:52:53,002 YOU JUST NAME IT, AND I'LL PLAY IT. 928 00:52:53,036 --> 00:52:55,871 MY REPERTOIRE IS VERY EXTENSIVE. 929 00:52:55,906 --> 00:52:57,673 DON'T YOU THINK YOU'D BETTER GO TO BED, SIR? 930 00:52:57,707 --> 00:53:00,609 OH, HANSEN, YOU'RE AN OLD STICK IN THE MUD! 931 00:53:00,644 --> 00:53:01,810 HANSEN! 932 00:53:01,845 --> 00:53:04,313 YES, MISS? 933 00:53:04,347 --> 00:53:06,482 WHAT'S GOING ON HERE? 934 00:53:06,516 --> 00:53:10,052 WHAT'S IT TO YOU? 935 00:53:14,124 --> 00:53:15,090 WHO IS THIS MAN? 936 00:53:15,125 --> 00:53:16,825 IT'S MRS. LAWRY'S UNCLE, MISS. 937 00:53:16,860 --> 00:53:19,562 UNCLE? WELL, I'VE NEVER HEARD OF ANY UNCLE. 938 00:53:19,596 --> 00:53:22,431 NO? WELL, WHO ARE YOU, PRAY? 939 00:53:22,465 --> 00:53:24,500 WHY, HE'S DRUNK. 940 00:53:24,534 --> 00:53:26,435 FROM THE TONE OF YOUR VOICE, 941 00:53:26,469 --> 00:53:30,439 I TAKE IT THAT YOU ARE MY NIECE'S STEPDAUGHTER. 942 00:53:30,473 --> 00:53:31,874 UNCLE MAC! 943 00:53:31,908 --> 00:53:35,177 NORMA, MY DOVE! 944 00:53:35,212 --> 00:53:36,545 WELCOME! 945 00:53:36,580 --> 00:53:39,114 WELL, THIS PROMISES TO BE A GALA OCCASION. 946 00:53:39,149 --> 00:53:41,050 WHAT'S THIS MAN DOING IN THIS HOUSE? 947 00:53:41,084 --> 00:53:42,418 I NEVER KNEW YOU HAD AN UNCLE. 948 00:53:42,452 --> 00:53:44,386 WELL, THERE ARE A LOT OF THINGS THAT YOU DON'T KNOW, 949 00:53:44,421 --> 00:53:45,487 MY LITTLE GIRL. 950 00:53:45,522 --> 00:53:47,389 AND THE FIRST THING THAT YOU SHOULD LEARN 951 00:53:47,424 --> 00:53:48,924 IS TO RESPECT YOUR ELDERS. 952 00:53:48,959 --> 00:53:52,161 OTHERWISE, SOMEBODY'S LIABLE TO PADDLE YOUR CANOE. 953 00:53:52,195 --> 00:53:53,762 WHY, HE'S BLIND. 954 00:53:53,797 --> 00:53:57,733 OH, CLEVER GIRL TO SEE THAT I DON'T SEE. 955 00:53:57,767 --> 00:53:59,668 WHY WASN'T I TOLD THAT HE WAS COMING? 956 00:53:59,703 --> 00:54:01,937 I DIDN'T KNOW MYSELF. WELL, GET HIM TO BED! 957 00:54:01,972 --> 00:54:05,307 OH, I-I THINK I UNDERSTAND. 958 00:54:05,342 --> 00:54:06,642 WITH A RELATIVE IN THE HOUSE, 959 00:54:06,676 --> 00:54:09,044 IT WOULD BE BAD TASTE TO CARRY ON A FAMILY QUARREL. 960 00:54:09,079 --> 00:54:10,145 OH, BARBARA. 961 00:54:10,180 --> 00:54:11,981 WELL, IT WON'T WORK, NORMA. 962 00:54:12,015 --> 00:54:14,116 A DRUNKEN UNCLE. 963 00:54:14,150 --> 00:54:16,518 WHO'S DRUNK?! 964 00:54:16,553 --> 00:54:17,786 WHERE'S THE CHALK LINE?! 965 00:54:17,821 --> 00:54:20,022 SHOW ME THE CHALK LINE, THAT'S ALL. 966 00:54:20,056 --> 00:54:23,225 NOW, DON'T HOLD ONTO ME. LET ME GO! 967 00:54:23,260 --> 00:54:27,229 NOW, THERE'S THE CHALK LINE, YOU SEE? 968 00:54:30,533 --> 00:54:31,767 HA! 969 00:54:33,570 --> 00:54:36,038 THERE, YOU SEE? 970 00:54:41,478 --> 00:54:43,612 HANSEN, WHERE ARE YOU?! 971 00:54:43,647 --> 00:54:44,747 HERE, SIR. 972 00:54:44,781 --> 00:54:48,684 OH, HANSEN, WHAT HAVE YOU BEEN DOING? 973 00:54:48,718 --> 00:54:52,454 HANSEN, YOU'VE BEEN AT THE GRAPE! 974 00:54:52,489 --> 00:54:55,024 YOU OUGHT TO BE ASHAMED OF YOURSELF, HANSEN, 975 00:54:55,058 --> 00:54:57,192 STAGGERING ALL OVER THE PLACE 976 00:54:57,227 --> 00:54:59,194 AND FALLING IN EVERYBODY'S LAP. 977 00:54:59,229 --> 00:55:00,629 YES, SIR. 978 00:55:00,664 --> 00:55:02,698 UH, PERHAPS, MADAM, IF I GOT SOME COFFEE, 979 00:55:02,732 --> 00:55:03,699 IT MIGHT SOBER HIM UP. 980 00:55:03,733 --> 00:55:06,402 SOBER YOURSELF UP, YOU RUMPOT! 981 00:55:06,436 --> 00:55:08,404 YES, SIR. 982 00:55:08,438 --> 00:55:11,206 MMM, COFFEE. 983 00:55:11,241 --> 00:55:13,475 THAT'S A DAZZLING IDEA. 984 00:55:13,510 --> 00:55:15,911 WE'LL GET SOME COFFEE AND SANDWICHES, 985 00:55:15,945 --> 00:55:17,146 AND WE'LL GATHER AROUND, 986 00:55:17,180 --> 00:55:20,215 AND WE'LL - WE'LL HAVE A SUNRISE CONCERT. 987 00:55:20,250 --> 00:55:22,785 WHAT DO YOU SAY, FRIDAY, MY FRIEND? 988 00:55:24,587 --> 00:55:26,422 AH. NORMA, HOW ABOUT YOU? 989 00:55:26,456 --> 00:55:30,592 BARBARA MUST GET SOME SLEEP. SHE'S WORKED VERY HARD TONIGHT. 990 00:55:30,627 --> 00:55:32,261 OHH. WHO ARE YOU? 991 00:55:32,295 --> 00:55:35,197 THIS IS CHELI SCOTT, UNCLE MAC - A PLAYWRIGHT. 992 00:55:35,231 --> 00:55:36,398 A PLAYWRIGHT? 993 00:55:36,433 --> 00:55:40,069 OHH, YOU'RE JUST THE PERSON I WANT TO SEE! 994 00:55:40,103 --> 00:55:41,770 YOU - YOU - OOP, UH-HUH. 995 00:55:41,805 --> 00:55:43,872 COME HERE. I WANT TO TALK TO YOU. 996 00:55:43,907 --> 00:55:46,675 I GOT THE GREATEST IDEA FOR A PLAY. 997 00:55:48,945 --> 00:55:50,245 NO, I'M A LIAR. 998 00:55:50,280 --> 00:55:54,216 I GOT THREE GREAT IDEAS FOR A PLAY, ALL TREMENDOUS. 999 00:55:54,250 --> 00:55:57,252 LET ME TELL YOU ABOUT THEM. IT WON'T TAKE MORE THAN AN HOUR. 1000 00:55:57,287 --> 00:56:00,122 NOT NOW, MR. MACLAIN. SOME OTHER TIME. 1001 00:56:00,190 --> 00:56:01,790 OHH. 1002 00:56:01,825 --> 00:56:05,861 ANYTIME YOU SAY IS ALL RIGHT WITH ME. 1003 00:56:05,895 --> 00:56:08,197 WELL, HOW ABOUT AN ENCORE? 1004 00:56:10,567 --> 00:56:13,569 OH, GOOD. 1005 00:56:17,907 --> 00:56:21,977 NOW, THIS IS THE QUINTET FROM "MARTHA." 1006 00:56:25,448 --> 00:56:29,118 GORGEOUS MUSIC. 1007 00:56:29,152 --> 00:56:30,886 DON'T YOU LIKE IT, NORMA? 1008 00:56:30,920 --> 00:56:35,524 WELL, I'M GOING TO BED, AND I WANT IT QUIET. 1009 00:56:35,558 --> 00:56:39,895 COME ALONG, UNCLE MAC. LET'S GET TO BED NOW, HMM? 1010 00:56:39,929 --> 00:56:43,232 IS THERE ANYTHING I CAN DO, MRS. LAWRY? 1011 00:56:43,266 --> 00:56:45,300 YOU DON'T CARE FOR MY MUSIC. 1012 00:56:45,335 --> 00:56:46,935 OF COURSE I DO, DEAR, BUT NOT NOW. 1013 00:56:46,970 --> 00:56:48,804 WELL, THEN GO AWAY FOR ME. DON'T BOTHER ME. 1014 00:56:48,838 --> 00:56:50,372 I'M GONNA PLAY INTO SUNRISE. 1015 00:56:50,407 --> 00:56:51,974 OH, NO, YOU'RE NOT, UNCLE MAC. 1016 00:56:52,008 --> 00:56:53,842 COME ON NOW. 1017 00:56:53,877 --> 00:56:55,277 YOU INSIST? 1018 00:56:55,311 --> 00:56:57,312 I INSIST. 1019 00:56:57,347 --> 00:56:59,081 BOURGEOIS DULLARDS! 1020 00:56:59,115 --> 00:57:00,282 HERE'S YOUR CANE. 1021 00:57:00,316 --> 00:57:01,984 FRIDAY! 1022 00:57:02,018 --> 00:57:05,087 GO ALONG UPSTAIRS NOW, AND I'LL GET SOME ASPIRIN FOR YOU. 1023 00:57:05,121 --> 00:57:06,355 YEAH, BUT WITH BRANDY. 1024 00:57:06,389 --> 00:57:07,990 ASPIRIN AND BRANDY. 1025 00:57:08,024 --> 00:57:11,727 NEVER MIND THAT NOW, HANSEN. WATCH THE STAIRS. TWO UP. 1026 00:57:24,441 --> 00:57:27,142 IF HE DRANK ENOUGH BRANDY TO MAKE HIM THAT DRUNK, 1027 00:57:27,177 --> 00:57:28,811 WHAT HAPPENED TO THE SLEEPING POTION? 1028 00:57:28,845 --> 00:57:30,078 MADAME, I'M QUITE SURE - 1029 00:57:30,113 --> 00:57:32,648 CUT THE TELEPHONE WIRES. HURRY. 1030 00:57:32,682 --> 00:57:34,149 YES, MA'AM. 1031 00:57:36,853 --> 00:57:39,321 I HAD TO GET YOU AWAY TO TELL YOU THAT STEPHEN PHONED. 1032 00:57:39,355 --> 00:57:40,989 HE'S COMING HOME. GOOD. 1033 00:57:41,024 --> 00:57:44,660 WELL, NOW WE CAN SEND FOR THE POLICE. 1034 00:57:47,497 --> 00:57:49,298 IT'S DEAD. 1035 00:57:49,332 --> 00:57:50,466 OBVIOUSLY. 1036 00:57:50,500 --> 00:57:52,100 NOW, SIT TIGHT AND DON'T SAY A WORD. 1037 00:57:52,135 --> 00:57:53,936 I'VE GOT AN IDEA. IT'S A 100-TO-1 SHOT. 1038 00:57:53,970 --> 00:57:56,371 AND DON'T PAY ANY ATTENTION TO WHAT I SAY. 1039 00:57:56,406 --> 00:57:59,842 COME ON, FRIDAY. OUTSIDE. 1040 00:58:01,177 --> 00:58:03,812 ALL RIGHT, IF THAT'S THE WAY YOU FEEL ABOUT IT! 1041 00:58:03,847 --> 00:58:06,849 YOU THINK I'M DRUNK? WELL, I'M NOT, I'LL GUARANTEE YOU THAT. 1042 00:58:06,883 --> 00:58:10,052 I JUST FEEL EXHILARATED, THAT'S ALL. 1043 00:58:26,436 --> 00:58:28,203 GOT A LITTLE JOB FOR YOU TO DO. 1044 00:58:32,942 --> 00:58:34,409 LIE DOWN. 1045 00:58:54,464 --> 00:58:56,865 IT ALL DEPENDS ON YOU NOW, FRIDAY. 1046 00:58:59,869 --> 00:59:02,938 GET BEHIND THE BED. 1047 00:59:09,579 --> 00:59:12,047 OH, I DIDN'T HEAR YOU KNOCK. 1048 00:59:12,081 --> 00:59:14,383 YOUR DRUNKEN ACT DIDN'T FOOL ME OR ANYBODY ELSE, MACLAIN. 1049 00:59:14,417 --> 00:59:17,152 YOU WON'T INTERFERE AGAIN TONIGHT. 1050 00:59:17,186 --> 00:59:18,453 KEEP AN EYE ON HIM, BOYD. 1051 00:59:18,488 --> 00:59:20,622 IF HE GETS PLAYFUL, YOU KNOW WHAT TO DO. 1052 00:59:20,657 --> 00:59:22,257 RIGHT. 1053 00:59:23,893 --> 00:59:27,696 RATHER A HECTIC NIGHT, EH, BOYD? 1054 00:59:27,730 --> 00:59:30,799 DO YOU MIND IF I PLAY A LITTLE SOLITAIRE? 1055 00:59:30,833 --> 00:59:32,568 SOLITAIRE? YEAH. 1056 00:59:32,602 --> 00:59:34,536 NO, I DON'T MIND. 1057 00:59:34,571 --> 00:59:38,240 OH, THANK YOU. 1058 00:59:38,274 --> 00:59:40,008 YOU LIKE CARDS, BOYD? 1059 00:59:40,043 --> 00:59:41,376 ONCE IN A WHILE. 1060 00:59:43,446 --> 00:59:44,613 WHAT'S SO FUNNY? 1061 00:59:44,647 --> 00:59:45,981 I WAS JUST THINKING - 1062 00:59:46,015 --> 00:59:48,350 NEVER PLAY POKER WITH A BLIND MAN. 1063 00:59:48,384 --> 00:59:49,718 NOT WITH HIS CARDS, ANYWAY. 1064 00:59:49,752 --> 00:59:51,353 WHY NOT? 1065 00:59:51,387 --> 00:59:53,021 HIS CARDS ARE MARKED. 1066 00:59:53,056 --> 00:59:55,190 REALLY? OH, SURE. 1067 00:59:55,224 --> 00:59:58,560 THEY'RE MARKED IN BRAILLE SO HE CAN READ HIS CARDS. 1068 00:59:58,595 --> 01:00:01,630 'COURSE, THE HITCH COMES WHEN THE BLIND MAN IS DEALING. 1069 01:00:01,664 --> 01:00:03,031 HE KNOWS WHAT THE OTHER PERSON HAS. 1070 01:00:03,066 --> 01:00:04,566 WELL, THAT'S VERY INTERESTING. 1071 01:00:06,970 --> 01:00:08,570 COME HERE. I'LL SHOW YOU. 1072 01:00:13,209 --> 01:00:17,913 I'LL CALL THE CARDS AS I DEAL THEM OUT. 1073 01:00:20,416 --> 01:00:22,417 NOW, THERE'S A JACK OF DIAMONDS. 1074 01:00:22,452 --> 01:00:24,653 THERE'S THE 8 OF CLUBS. 1075 01:00:24,687 --> 01:00:26,989 THERE'S THE 4 OF HEARTS. 1076 01:00:27,023 --> 01:00:29,424 THERE'S THE DEUCE OF SPADES. 1077 01:00:29,459 --> 01:00:31,693 AND THE 8 OF SPADES. 1078 01:00:31,728 --> 01:00:33,495 IS THAT RIGHT? 1079 01:00:33,529 --> 01:00:34,796 THAT'S WONDERFUL! 1080 01:00:36,332 --> 01:00:40,035 COME HERE. I WANT TO SHOW YOU A TRICK. 1081 01:00:43,606 --> 01:00:46,241 NOW, I'M GOING TO DEAL OUT... 1082 01:00:46,275 --> 01:00:48,744 THREE PILES OF CARDS. 1083 01:00:53,249 --> 01:00:58,553 NOW, I WANT YOU TO LOOK AT THE TOP CARD ON THE END PILES. 1084 01:01:00,423 --> 01:01:01,623 YOU GOT IT? 1085 01:01:01,658 --> 01:01:02,658 YES, I GOT IT. 1086 01:01:02,692 --> 01:01:03,925 REMEMBER THEM, NOW. 1087 01:01:03,960 --> 01:01:06,928 NOW, PUT YOUR HANDS FLAT ON THE CARDS. 1088 01:01:06,963 --> 01:01:10,232 GO AHEAD. 1089 01:01:10,266 --> 01:01:12,134 THIS IS REALLY A GREAT TRICK. 1090 01:01:12,168 --> 01:01:14,436 NOW, LET'S SEE. 1091 01:01:14,470 --> 01:01:16,905 NOW, THE TRICK IS THIS. 1092 01:01:23,046 --> 01:01:25,247 FRIDAY, COME HERE. UP ON THE WINDOW. 1093 01:01:29,252 --> 01:01:31,186 HOME. 1094 01:01:31,220 --> 01:01:33,588 I WANT YOU TO GET MARTY, DO YOU HEAR ME? 1095 01:01:33,623 --> 01:01:36,958 GO ON HOME. 1096 01:01:36,993 --> 01:01:38,560 YOU'RE ON YOUR OWN NOW, BOY. 1097 01:01:38,594 --> 01:01:40,095 GO ON, OUT. 1098 01:02:10,159 --> 01:02:11,893 YOU MADE VERY GOOD TIME, 1099 01:02:11,928 --> 01:02:14,396 THEREBY EARNING YOURSELF AN EXTRA COUPLE OF BUCKS. 1100 01:02:14,430 --> 01:02:16,631 YOU MUST HAVE HAD SOME GOOD LUCK TONIGHT. 1101 01:02:16,666 --> 01:02:19,401 THE BEST - NOW, IF YOU'D PLAY OUT A GOOD TUNE ON THAT HORN, 1102 01:02:19,435 --> 01:02:20,936 YOU COULD MAKE ANOTHER DOLLAR. 1103 01:02:20,970 --> 01:02:22,471 IT'LL WAKE UP THE WHOLE JOINT. 1104 01:02:22,505 --> 01:02:25,974 THAT'S THE IDEA. GO AHEAD. 1105 01:02:28,511 --> 01:02:29,644 YOU'RE VERY TALENTED. 1106 01:02:29,679 --> 01:02:31,179 GOOD NIGHT. THANKS. 1107 01:02:36,619 --> 01:02:39,855 STEPHEN, DARLING! 1108 01:02:39,889 --> 01:02:41,690 STEPHEN, LISTEN - HELLO, FATHER. 1109 01:02:41,724 --> 01:02:42,891 HELLO, CHICK. 1110 01:02:42,925 --> 01:02:44,126 STEPHEN, LISTEN TO ME. 1111 01:02:44,160 --> 01:02:46,161 DARLING, YOU'RE - YOU'RE TREMBLING. 1112 01:02:46,195 --> 01:02:48,130 I CAN TELL YOU WHY SHE'S TREMBLING, FATHER. 1113 01:02:48,164 --> 01:02:50,499 STEPHEN, YOU MUST GET AWAY FROM HERE AT ONCE. 1114 01:02:50,533 --> 01:02:52,000 YOU'RE GIVING A BAD PERFORMANCE, NORMA. 1115 01:02:52,034 --> 01:02:54,002 OH, BARBARA, YOUR FATHER'S REALLY IN DANGER. 1116 01:02:54,036 --> 01:02:55,203 WE'RE ALL IN DANGER. 1117 01:02:55,238 --> 01:02:57,639 WE MUST GET OUT OF THIS HOUSE RIGHT AWAY. 1118 01:02:57,673 --> 01:03:00,542 - NORMA, WHAT'S HAPPENED? - EXCUSE ME. 1119 01:03:02,712 --> 01:03:05,113 WILL YOU PLEASE STEP INTO THE LIBRARY, MR. LAWRY? 1120 01:03:05,148 --> 01:03:07,783 NOT JUST NOW, HANSEN. 1121 01:03:07,817 --> 01:03:09,985 WHAT THE DEVIL IS GOING ON HERE? 1122 01:03:10,019 --> 01:03:13,488 IT WILL ALL BE EXPLAINED IN THE LIBRARY. 1123 01:03:13,523 --> 01:03:15,657 WILL SOMEBODY PLEASE TELL ME - MR. LAWRY! 1124 01:03:15,691 --> 01:03:17,692 NO TROUBLE, PLEASE. 1125 01:03:17,727 --> 01:03:19,961 IS THIS SOME SORT OF A JOKE, CHELI? 1126 01:03:19,996 --> 01:03:22,063 STOP GAPING AND DO AS YOU'RE TOLD. 1127 01:03:24,400 --> 01:03:28,370 DO AS THEY SAY, STEPHEN. 1128 01:03:35,278 --> 01:03:39,614 I PRESUME YOU KNOW WHAT WE'RE AFTER, MR. LAWRY. 1129 01:03:39,649 --> 01:03:41,449 I HAVE A PRETTY GOOD IDEA. 1130 01:03:41,484 --> 01:03:44,586 DAD! 1131 01:03:49,959 --> 01:03:51,893 CAUGHT THE BLIND MAN TRYING TO GET AWAY. 1132 01:03:51,928 --> 01:03:53,128 WHERE'S BOYD? 1133 01:03:53,162 --> 01:03:55,030 HE'S - I THINK HE'S UPSTAIRS 1134 01:03:55,064 --> 01:03:56,965 TRYING TO FIGURE OUT A CARD TRICK I SHOWED HIM. 1135 01:03:56,999 --> 01:03:58,867 SEE WHAT HAPPENED, QUICKLY. 1136 01:03:58,901 --> 01:04:00,802 NORMA, WHO IS THIS MAN? 1137 01:04:00,837 --> 01:04:02,971 OH, YOU MUST BE STEPHEN LAWRY. 1138 01:04:03,005 --> 01:04:05,774 WHY, I'M YOUR WIFE'S LONG-LOST UNCLE. 1139 01:04:05,808 --> 01:04:07,509 DUNCAN MACLAIN. CALL ME UNCLE MAC. 1140 01:04:07,543 --> 01:04:08,877 BUT DON'T BE DISMAYED. 1141 01:04:08,911 --> 01:04:11,246 I'M ONE OF THOSE RELATIVES DON'T STAY MORE THAN A MONTH. 1142 01:04:11,280 --> 01:04:12,948 WE'VE HEARD ENOUGH OF THIS NONSENSE. 1143 01:04:12,982 --> 01:04:14,916 WHAT DO YOU MEAN, NONSENSE? 1144 01:04:14,951 --> 01:04:16,818 I DON'T LIKE YOUR TONE, MISS SCOTT! 1145 01:04:16,853 --> 01:04:18,753 I HAVE A PERFECT RIGHT TO SHAKE HANDS WITH MY NEPHEW! 1146 01:04:18,788 --> 01:04:20,922 WHAT'S THE MATTER WITH ME? AM I A LEPER OR SOMETHING?! 1147 01:04:20,957 --> 01:04:24,793 SIT DOWN AND KEEP QUIET, MACLAIN. 1148 01:04:26,295 --> 01:04:27,596 BOYD! 1149 01:04:27,630 --> 01:04:29,297 HOW'D YOU LIKE THAT CARD TRICK I SHOWED YOU? 1150 01:04:29,332 --> 01:04:30,532 FOULED YOU, DIDN'T I, BOYD? 1151 01:04:30,566 --> 01:04:32,567 BUSCH, STAND WATCH OUTSIDE. 1152 01:04:32,602 --> 01:04:35,871 YES, MA'AM. 1153 01:04:35,905 --> 01:04:40,675 MR. LAWRY, I WANT THE COMBINATION OF THAT SAFE. 1154 01:04:43,846 --> 01:04:45,714 WELL? 1155 01:04:45,748 --> 01:04:48,183 I'LL HAVE TO LOOK FOR IT. 1156 01:04:48,217 --> 01:04:51,486 I CHANGED IT JUST BEFORE I LEFT. 1157 01:05:01,764 --> 01:05:05,667 OH, LET ME SEE. 1158 01:05:06,769 --> 01:05:10,138 FULL 14 RIGHT... 1159 01:05:10,172 --> 01:05:12,540 THREE 24 LEFT. 1160 01:05:12,575 --> 01:05:16,411 NO. NO, THAT WAS THE OLD ONE. 1161 01:05:25,588 --> 01:05:29,991 I WAS HOPING YOU'D BE REASONABLE, MR. LAWRY. 1162 01:05:30,026 --> 01:05:32,193 I HATE TO RUIN THAT NICE SAFE. 1163 01:05:32,228 --> 01:05:34,095 AND LEAVE A LOT OF MESSY EVIDENCE AROUND? 1164 01:05:34,130 --> 01:05:35,931 I CAN'T REMEMBER, I TELL YOU. I'VE FORGOTTEN IT. 1165 01:05:35,965 --> 01:05:38,133 THAT'S QUITE CONCEIVABLE, MISS SCOTT, A MAN FORGETTING. 1166 01:05:38,167 --> 01:05:39,501 START IN. 1167 01:05:57,954 --> 01:06:01,222 TAKE A LOOK AT THIS. 1168 01:06:05,628 --> 01:06:07,562 THIS IS IT. 1169 01:06:07,596 --> 01:06:10,298 YOU'RE - YOU'RE SURE, VICTOR? 1170 01:06:10,333 --> 01:06:13,768 QUITE SURE, MADAME. 1171 01:06:13,803 --> 01:06:16,004 CHECK IT THOROUGHLY. WE'VE GOT TO BE POSITIVE. 1172 01:06:16,038 --> 01:06:19,240 YES, MADAME. 1173 01:06:20,710 --> 01:06:23,044 HURRY UP, VICTOR. IT'S ALMOST DAYLIGHT. 1174 01:07:51,400 --> 01:07:52,700 WHAT'S THE MATTER? 1175 01:07:52,735 --> 01:07:54,235 THE FINAL STEP IS MISSING. 1176 01:07:54,270 --> 01:07:56,004 WE'LL BE WEEKS WORKING IT OUT, 1177 01:07:56,038 --> 01:07:58,907 AND EVEN THEN, WE MIGHT BE WRONG. 1178 01:07:58,941 --> 01:08:01,476 WE'RE NOT GOING TO FINISH IT. 1179 01:08:01,510 --> 01:08:03,011 MR. LAWRY HAS IT IN HIS HEAD, 1180 01:08:03,045 --> 01:08:05,346 AND HE'S GOING TO WRITE IT OUT FOR US. 1181 01:08:05,381 --> 01:08:08,016 I HAVE NO INTENTION OF WRITING IT DOWN, MISS SCOTT. 1182 01:08:08,050 --> 01:08:10,452 NOW YOU'RE BEING HEROIC, MR. LAWRY. 1183 01:08:10,486 --> 01:08:12,353 I INTEND TO GET THAT FORMULA. 1184 01:08:12,388 --> 01:08:14,222 THE LENGTHS TO WHICH I WILL GO 1185 01:08:14,256 --> 01:08:16,291 DEPEND ENTIRELY ON YOUR WILL TO RESIST. 1186 01:08:16,325 --> 01:08:17,459 DO YOU UNDERSTAND? 1187 01:08:17,493 --> 01:08:18,793 YOU'RE WASTING YOUR BREATH. 1188 01:08:18,828 --> 01:08:22,697 I WOULD REALLY RATHER NOT BE VIOLENT. 1189 01:08:24,500 --> 01:08:27,435 ALL RIGHT, HANSEN. 1190 01:08:29,605 --> 01:08:31,606 JUST A MOMENT, MISS SCOTT! 1191 01:08:31,640 --> 01:08:33,441 THERE'S NO NEED FOR ALL THIS, AND YOU KNOW IT. 1192 01:08:33,476 --> 01:08:35,543 ONCE YOU GET AHOLD OF THE COMPLETE FORMULA, 1193 01:08:35,578 --> 01:08:37,312 YOU WON'T LET US LIVE 10 MINUTES. 1194 01:08:37,346 --> 01:08:38,413 YOU HAVE NO INTENTION 1195 01:08:38,447 --> 01:08:40,348 OF ALLOWING WITNESSES TO STOP YOUR ACTIVITIES. 1196 01:08:40,382 --> 01:08:41,382 TAKE HIM OUT. 1197 01:08:41,417 --> 01:08:43,318 YOU'RE MIGHTY SMUG, MISS SCOTT, 1198 01:08:43,352 --> 01:08:47,255 BUT YOU MADE ONE MISTAKE IN THIS WELL-OILED SCHEME OF YOURS. 1199 01:08:47,289 --> 01:08:48,389 YES? 1200 01:08:48,424 --> 01:08:49,557 YES. 1201 01:08:49,592 --> 01:08:51,826 YOU SLIPPED UP ON THE KILLING OF PAUL GERENTE. 1202 01:08:56,732 --> 01:08:58,633 IT MAY EVEN SURPRISE YOU TO KNOW 1203 01:08:58,667 --> 01:09:04,205 THAT I HAVE POSITIVE PROOF THAT YOU ORDERED HIM TO BE KILLED. 1204 01:09:04,240 --> 01:09:07,275 WHAT POSITIVE PROOF DO YOU HAVE? 1205 01:09:07,309 --> 01:09:09,244 A MAN BY THE NAME OF GABRIEL. 1206 01:09:13,415 --> 01:09:14,349 GO ON. 1207 01:09:14,383 --> 01:09:16,618 HE'S NOW BEING HELD IN NEW YORK. 1208 01:09:16,652 --> 01:09:18,253 JUST BEFORE YOU CUT THE PHONE WIRES, 1209 01:09:18,287 --> 01:09:20,321 I GOT WORD TO HIM THAT HIS WIFE WAS MURDERED... 1210 01:09:20,356 --> 01:09:22,157 AND WHO DID IT. 1211 01:09:22,191 --> 01:09:26,361 AND GABRIEL IS OUT FOR REVENGE. 1212 01:09:26,395 --> 01:09:28,163 IF I'M NOT HOME IN TIME FOR BREAKFAST, 1213 01:09:28,197 --> 01:09:32,567 THE POLICE WILL BE NOTIFIED AND GABRIEL WILL START TALKING. 1214 01:09:32,601 --> 01:09:34,002 WHAT'S YOUR PROPOSITION? 1215 01:09:34,036 --> 01:09:38,106 LIFE IS SWEET, MISS SCOTT, EVEN TO A BLIND MAN. 1216 01:09:38,140 --> 01:09:40,575 IF YOU LET US GO, I'LL TRY AND PERSUADE MR. LAWRY 1217 01:09:40,609 --> 01:09:42,877 TO TURN OVER THE BALANCE OF THE FORMULA TO YOU. 1218 01:09:42,912 --> 01:09:44,212 BUT MIND YOU... 1219 01:09:44,246 --> 01:09:48,917 WE MUST HAVE POSITIVE PROOF THAT YOU WILL LET US GO UNHARMED. 1220 01:09:55,658 --> 01:09:58,993 BOYD, TAKE MR. MACLAIN TO THE BASEMENT. 1221 01:09:59,028 --> 01:10:01,262 GO AHEAD. DON'T BE AFRAID. 1222 01:10:01,297 --> 01:10:02,363 COME ON. 1223 01:10:02,398 --> 01:10:04,199 THERE'S NO USE OF WASTING YOUR ENERGIES. 1224 01:10:04,233 --> 01:10:07,035 YOU CAN'T INFLUENCE ME. 1225 01:10:07,069 --> 01:10:08,503 HANSEN. 1226 01:10:08,537 --> 01:10:10,405 YES, MADAM? 1227 01:10:10,439 --> 01:10:14,475 WATCH THESE PEOPLE. 1228 01:10:15,644 --> 01:10:16,878 GABRIEL'S HERE. 1229 01:10:16,912 --> 01:10:20,081 WHAT? YOU DON'T SUPPOSE HE KNOWS, DO YOU? 1230 01:10:20,115 --> 01:10:21,349 LET ME DO THE TALKING. 1231 01:10:21,383 --> 01:10:22,550 YES, MADAME. 1232 01:10:24,920 --> 01:10:26,221 ONLY GABRIEL. 1233 01:10:26,255 --> 01:10:28,823 YES, MADAME. 1234 01:10:30,559 --> 01:10:33,761 ONLY GABRIEL. THE REST OF YOU STAND WATCH. 1235 01:10:33,796 --> 01:10:35,096 I'VE BEEN THROUGH THE MILL. 1236 01:10:35,130 --> 01:10:36,898 A BLIND MAN AND ANOTHER GUY 1237 01:10:36,932 --> 01:10:41,035 CAUGHT ME IN GERENTE'S APARTMENT. 1238 01:10:41,070 --> 01:10:42,303 WHERE'S VERA? 1239 01:10:42,338 --> 01:10:45,039 SHE ISN'T HERE, GABRIEL. SHE WENT LOOKING FOR YOU. 1240 01:10:45,074 --> 01:10:46,874 SHE DID? BUT SHE DIDN'T KNOW WHERE I WAS. 1241 01:10:46,909 --> 01:10:48,610 YES, I TRIED TO TELL HER THAT. 1242 01:10:48,644 --> 01:10:51,679 BUT - BUT YOU KNOW VERA. SHE CAN BE VERY STUBBORN. 1243 01:10:51,714 --> 01:10:54,249 WE TRIED TO STOP HER, BUT SHE WALKED TO THE STATION. 1244 01:10:54,283 --> 01:10:56,584 IF IT'S ALL RIGHT, I THINK I'D BETTER GO LOOK FOR HER. 1245 01:10:56,619 --> 01:10:58,386 YES, AS SOON AS WE'RE FINISHED. 1246 01:10:58,420 --> 01:10:59,587 BUT I'M KIND OF WORRIED. 1247 01:10:59,622 --> 01:11:02,290 VERA'S ALL RIGHT! 1248 01:11:02,324 --> 01:11:05,393 WE NEED YOU HERE. 1249 01:11:05,427 --> 01:11:07,128 WELL, ALL RIGHT. 1250 01:11:07,162 --> 01:11:09,030 STAND WATCH OUTSIDE. 1251 01:11:09,064 --> 01:11:11,866 YES, MADAM. 1252 01:11:13,736 --> 01:11:17,005 THE KEY, PLEASE. 1253 01:11:17,039 --> 01:11:18,773 YOU HANDLED IT ADMIRABLY, MADAME. 1254 01:11:18,807 --> 01:11:20,908 THANK YOU, CAPTAIN. 1255 01:11:20,943 --> 01:11:23,344 IF THE BLIND MAN SHOULD GET A CHANCE TO TALK TO GABRIEL, 1256 01:11:23,379 --> 01:11:25,346 IT MIGHT BE UNPLEASANT. 1257 01:11:25,381 --> 01:11:28,683 YES, MADAME, IT MIGHT. 1258 01:12:17,499 --> 01:12:19,701 YOU HAVEN'T GOT A CHANCE, BLIND MAN. 1259 01:12:37,853 --> 01:12:40,888 THAT'S A.38-CALIBER GUN YOU GOT THERE, HANSEN. 1260 01:12:40,923 --> 01:12:44,859 IT'S A SIX-SHOOTER. AND YOU FIRED YOUR LAST SHOT. 1261 01:12:46,495 --> 01:12:47,628 WHERE ARE YOU? 1262 01:12:47,663 --> 01:12:48,830 IN THE DARK, HANSEN. 1263 01:12:48,864 --> 01:12:51,399 IN THE DARK. IN MY KINGDOM. 1264 01:13:01,510 --> 01:13:02,577 AAH! 1265 01:14:51,420 --> 01:14:56,157 THEY'RE ASKING ME IF THEY SHOULD GO ON, MR. LAWRY. 1266 01:14:59,561 --> 01:15:01,929 I'M AFRAID I'VE MADE A MISTAKE. 1267 01:15:01,964 --> 01:15:03,130 YOU'RE A BRAVE MAN, 1268 01:15:03,165 --> 01:15:07,902 AND I'M CONVINCED I'LL GET NOTHING FROM YOU. 1269 01:15:07,936 --> 01:15:12,640 SO YOU LEAVE ME NO CHOICE. 1270 01:15:12,674 --> 01:15:14,575 THEY HAVE NOTHING TO DO WITH THIS! 1271 01:15:16,345 --> 01:15:19,780 YOU BETTER TAKE A GOOD LOOK AT YOUR WIFE AS SHE LOOKS NOW. 1272 01:15:26,622 --> 01:15:29,891 WAIT! 1273 01:15:29,925 --> 01:15:33,828 I'LL GIVE IT TO YOU. 1274 01:15:36,365 --> 01:15:38,533 DON'T GIVE IN TO THEM, STEPHEN. 1275 01:15:38,567 --> 01:15:40,801 LET THEM DO ANYTHING THEY LIKE. 1276 01:15:44,606 --> 01:15:46,641 KEEP A TIGHT GRIP ON THAT DOG. 1277 01:15:46,675 --> 01:15:48,809 IF HE GETS AWAY, IT MAY TIP THEM OFF. 1278 01:15:48,844 --> 01:15:50,611 NOW, WE GRAB THOSE GUARDS OFF QUIETLY 1279 01:15:50,646 --> 01:15:52,747 SO WE CAN GET INSIDE AND SURPRISE THE OTHERS. 1280 01:15:52,781 --> 01:15:54,882 AND WE DON'T WANT ANY INNOCENT PEOPLE GETTING HURT. 1281 01:15:54,917 --> 01:15:56,083 NOW, TAKE THE EAST SIDE. 1282 01:15:56,118 --> 01:15:57,351 WHAT DO YOU WANT ME TO DO? 1283 01:15:57,386 --> 01:15:59,353 YOU BETTER STAY HERE SO YOU WON'T GET HURT. 1284 01:15:59,388 --> 01:16:02,823 WHAT DO YOU MEAN?! I CAN TAKE CARE OF MYSELF! 1285 01:16:29,685 --> 01:16:32,486 MADAM, I SAW THE DOG OUTSIDE. 1286 01:16:32,521 --> 01:16:33,588 IS THE BLIND MAN LOOSE? 1287 01:16:33,622 --> 01:16:35,723 NO, HANSEN TOOK HIM TO THE BASEMENT. 1288 01:16:35,757 --> 01:16:37,558 GET HANSEN. I WANT HIM UP HERE. 1289 01:16:37,593 --> 01:16:39,860 YES, MA'AM. 1290 01:17:22,337 --> 01:17:25,539 THE POLICE. 1291 01:17:42,357 --> 01:17:43,758 OOH! 1292 01:17:50,032 --> 01:17:51,599 MAC! IT'S YOU! 1293 01:17:54,469 --> 01:17:57,905 AHH, THIS IS GETTING KIND OF MONOTONOUS. 1294 01:17:59,141 --> 01:18:01,642 GET THE CAR, MARTY. THESE PEOPLE ARE GOING TO THE AIRPORT. 1295 01:18:01,677 --> 01:18:02,710 THEY'RE GOING TO WASHINGTON. 1296 01:18:02,744 --> 01:18:05,279 RIGHT - THE COLONEL'S JEEP, COMING UP. 1297 01:18:06,448 --> 01:18:08,849 YOU SURE YOU WON'T COME ALONG, BARBARA? UNH-UNH. 1298 01:18:08,884 --> 01:18:10,484 AREN'T YOU GOING, BARBARA? 1299 01:18:10,519 --> 01:18:11,919 NO, UNCLE MAC. 1300 01:18:11,953 --> 01:18:13,688 A NEW MAN HAS COME INTO MY LIFE, 1301 01:18:13,722 --> 01:18:15,790 AND I'M GOING TO STAY HERE IN NEW YORK 1302 01:18:15,824 --> 01:18:18,359 TO SEE WHAT IT IS ABOUT HIM THAT INTRIGUES ME SO. 1303 01:18:18,393 --> 01:18:19,994 OHH. WELL, WHAT'S HE LIKE? 1304 01:18:20,028 --> 01:18:22,697 OH, HE'S BIG AND STRONG, AND HE'S THE KIND OF A MAN 1305 01:18:22,731 --> 01:18:26,000 THAT TELLS WOMEN WHAT TO DO AND MAKES THEM LIKE IT. 1306 01:18:26,034 --> 01:18:27,868 IN FACT, HE TOLD ME THAT IF I DIDN'T BEHAVE, 1307 01:18:27,903 --> 01:18:30,871 HE'D PADDLE MY CANOE, AND HE'LL DO IT. 1308 01:18:32,340 --> 01:18:34,041 WELL, NOW YOU'RE BEING SELECTIVE. 1309 01:18:34,076 --> 01:18:37,912 COME ON, LET'S GET THESE ELDERLY PEOPLE DOWN TO THE AIRPORT. 1310 01:18:37,946 --> 01:18:38,879 HERE WE GO! 1311 01:18:38,914 --> 01:18:43,117 AFTER THAT, WE'LL DO THE TOWN. 1312 01:18:46,455 --> 01:18:49,190 NOT TONIGHT, OLD BOY. 1313 01:18:49,224 --> 01:18:51,425 YOU'RE ON YOUR OWN TONIGHT, FELLAS. 1314 01:18:51,460 --> 01:18:54,061 JUST SO ONE OF YOU STAYS HOME AND WATCH THE PLACE. 1315 01:18:54,096 --> 01:18:57,998 YES, SIR. 1316 01:19:04,573 --> 01:19:06,941 WELL, I DON'T KNOW ABOUT YOU, DOG, 1317 01:19:06,975 --> 01:19:08,642 BUT ME, PERSONALLY, 1318 01:19:08,677 --> 01:19:10,878 I'M OFF TO THE HARLEM SQUASH AND TENNIS CLUB 1319 01:19:10,912 --> 01:19:12,847 TO MEET MY DREAM GAL. 1320 01:19:12,881 --> 01:19:15,683 YOU KNOW, WHAT AM I TELLING YOU THIS FOR? 1321 01:19:15,717 --> 01:19:16,951 WHY, THAT'S ROMANCE. 1322 01:19:16,985 --> 01:19:18,519 YOU WOULDN'T KNOW NOTHING ABOUT THAT. 1323 01:19:18,553 --> 01:19:22,022 WELL, I'M OFF. YOU STAY HERE AND WATCH THE HOUSE. 1324 01:19:29,164 --> 01:19:30,865 WHY, YOU WOLF! 94793