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These are the user uploaded subtitles that are being translated: 1 00:00:11,979 --> 00:00:15,116 [helicopter rotors whirring] 2 00:00:17,451 --> 00:00:20,188 [airplane engine roaring] 3 00:00:23,657 --> 00:00:26,627 [ambient vocal music] 4 00:00:26,660 --> 00:00:34,602 * 5 00:01:13,774 --> 00:01:16,710 [thunder booming] 6 00:02:11,399 --> 00:02:13,834 [siren wailing] 7 00:03:17,698 --> 00:03:20,634 [siren wailing in distance] 8 00:03:52,600 --> 00:03:53,967 - JUAN. 9 00:03:54,001 --> 00:03:54,935 [gunshot] 10 00:04:09,817 --> 00:04:11,952 - DON'T FUCK WITH THE VEGAS. 11 00:04:27,868 --> 00:04:29,770 [sirens wailing] 12 00:04:29,803 --> 00:04:31,739 [helicopter rotors whirring] 13 00:04:31,772 --> 00:04:34,808 - LOOKS LIKE A .45 AUTOMATIC AT CLOSE RANGE. 14 00:04:36,510 --> 00:04:38,446 IT'S COCAINE. - HELL, YEAH. 15 00:04:38,479 --> 00:04:40,448 IT'S DEFINITELY AN ORGANIZED CRIME HIT. 16 00:04:40,481 --> 00:04:42,650 I MEAN, NOBODY ELSE IS GONNA LEAVE THAT MUCH POWDER BEHIND. 17 00:04:42,683 --> 00:04:43,851 - SOMEBODY'S MAKING A STATEMENT. 18 00:04:43,884 --> 00:04:45,953 [car engine rumbling] 19 00:04:52,893 --> 00:04:55,863 [dramatic music] 20 00:04:55,896 --> 00:05:03,837 * 21 00:05:16,917 --> 00:05:18,952 - THOUGHT YOU'D NEED TO SEE THIS. 22 00:06:18,779 --> 00:06:20,614 - SET. GO! 23 00:06:20,648 --> 00:06:21,982 - WHY DON'T YOU TRY SLEEPING AT NIGHT 24 00:06:22,015 --> 00:06:23,851 LIKE EVERYBODY ELSE DOES? 25 00:06:26,787 --> 00:06:28,889 - WHO THE FUCK SAYS WHEN YOU'RE SUPPOSED TO SLEEP? 26 00:06:28,922 --> 00:06:29,857 - SET. GO! 27 00:06:32,125 --> 00:06:33,861 - DAMN, DUDE IS FAST, MAN. 28 00:06:38,031 --> 00:06:39,733 - LOOK, I'M NOT GONNA SPEND ALL FUCKIN' DAY 29 00:06:39,767 --> 00:06:41,469 WATCHIN' A BUNCH OF FUCKIN' ASSHOLES. 30 00:06:41,502 --> 00:06:45,172 [intense music] 31 00:06:45,205 --> 00:06:46,607 - ALL RIGHT, GUYS, 32 00:06:46,640 --> 00:06:48,442 SUBJECT APPROACHING FROM THE WEST. 33 00:06:48,476 --> 00:06:49,610 - GOT HIM. 34 00:06:57,551 --> 00:06:58,586 [men grunt] 35 00:06:58,619 --> 00:06:59,653 - SHIT. 36 00:07:02,022 --> 00:07:03,824 - YOU OKAY, MY BROTHER? 37 00:07:09,663 --> 00:07:11,164 - BLINDSIDE ME LIKE THAT, DOG? 38 00:07:11,198 --> 00:07:12,800 [siren wailing] 39 00:07:12,833 --> 00:07:14,201 - AW, SHIT. - AW, FUCK. 40 00:07:14,234 --> 00:07:16,036 - TAKE 'EM DOWN. - SHIT. 41 00:07:16,069 --> 00:07:17,971 - TAKE THE GUYS IN THE PARK. I GOT TO DEAL WITH THE DREADS. 42 00:07:22,876 --> 00:07:23,811 - BIG ONE'S MINE. 43 00:07:28,215 --> 00:07:29,182 - ON THE GROUND. - YOU HEARD HIM. 44 00:07:29,216 --> 00:07:30,484 PUT YOUR HANDS BEHIND YOUR HEAD. 45 00:07:30,518 --> 00:07:33,053 [intense rock music] 46 00:07:33,086 --> 00:07:34,755 * 47 00:07:34,788 --> 00:07:38,025 - * AND AWAY WE GO 48 00:07:38,058 --> 00:07:39,026 - SHIT! 49 00:07:40,160 --> 00:07:43,764 - * AND AWAY, AWAY WE GO 50 00:07:45,766 --> 00:07:47,968 * AND AWAY, AWAY WE 51 00:07:48,001 --> 00:07:53,073 * WAY, AWAY WE, WAY, AWAY WE GO * 52 00:07:53,106 --> 00:07:55,709 [man rapping] 53 00:07:55,743 --> 00:08:03,684 * 54 00:08:17,998 --> 00:08:19,700 - MIKE, WHERE IS HE? 55 00:08:19,733 --> 00:08:21,735 - PIER GATE WEST, HEADIN' TOWARD THE RIVERBED. 56 00:08:23,170 --> 00:08:25,973 - * AND AWAY WE GO 57 00:08:26,006 --> 00:08:26,940 - FUCK! 58 00:08:28,141 --> 00:08:31,579 - * AND AWAY, AWAY WE GO 59 00:08:34,147 --> 00:08:36,216 * AND AWAY, AWAY WE 60 00:08:36,249 --> 00:08:41,622 * WAY, AWAY WE, WAY, AWAY WE GO * 61 00:08:41,655 --> 00:08:46,560 [man rapping] 62 00:08:46,594 --> 00:08:47,961 - [grunts] 63 00:08:50,263 --> 00:08:51,565 [loud thud] 64 00:08:51,599 --> 00:08:52,866 - [groans] 65 00:08:52,900 --> 00:08:54,001 - ALL RIGHT, MOTHERFUCKER. 66 00:08:54,034 --> 00:08:55,302 HOW YOU LIKE THAT SHIT? 67 00:08:55,335 --> 00:08:57,070 WHAT'S UP, OLD MAN? YOU ALL RIGHT? 68 00:08:57,104 --> 00:08:58,972 - THIS MOTHERFUCKER MADE ME JUMP THAT FUCKIN' FENCE. 69 00:08:59,006 --> 00:09:00,340 - GET THE FUCK OUT OF HERE. YOU DIDN'T CLEAR THAT FENCE. 70 00:09:00,373 --> 00:09:01,609 - FUCK YOU, ASSHOLE. - OH, SHIT! 71 00:09:01,642 --> 00:09:02,743 [gunshot] 72 00:09:02,776 --> 00:09:05,613 - [screaming] - MOTHERFUCK-- 73 00:09:05,646 --> 00:09:07,748 - YOU SHOT ME, YOU FUCKIN' BITCH. 74 00:09:07,781 --> 00:09:09,049 - SO WHAT, MOTHERFUCKER? 75 00:09:09,082 --> 00:09:11,184 - PICK YOUR FEET? - YOU SEE THE MOVIE? 76 00:09:11,218 --> 00:09:14,021 - WHAT FUCKIN' MOVIE, MAN? - FRENCH CONNECTION. 77 00:09:14,054 --> 00:09:17,791 - I DON'T KNOW SHIT ABOUT NO FRENCH FUCKIN' NOTHIN', MAN. 78 00:09:17,825 --> 00:09:19,359 - WHAT THE FUCK YOU GOT IN HERE? - HOLD STILL. 79 00:09:19,392 --> 00:09:21,294 - OH, FUCK. - WHERE'D YOU GET THIS SHIT? 80 00:09:21,328 --> 00:09:24,064 - I CAN'T FUCKIN' TELL YOU THAT, AND YOU FUCKIN' KNOW IT. 81 00:09:24,097 --> 00:09:26,099 BESIDES, YOU FUCKIN' SHOT ME. - SHUT THE FUCK UP. 82 00:09:26,133 --> 00:09:27,601 YOU TELL ME WHERE YOU GOT THIS SHIT, 83 00:09:27,635 --> 00:09:28,902 AND YOU GET TO WALK FUCKIN' FREE. 84 00:09:28,936 --> 00:09:30,237 - HE CAN DO THAT? 85 00:09:30,270 --> 00:09:32,072 - HE CAN DO WHATEVER THE FUCK HE WANTS. 86 00:09:32,105 --> 00:09:33,607 - YOU'RE GONNA TAKE ME TO THE FUCKIN' DOCTOR FIRST? 87 00:09:33,641 --> 00:09:35,108 - AIN'T PART OF THE FUCKIN' DEAL. 88 00:09:35,142 --> 00:09:36,677 - LISTEN TO THE FUCKIN' OLD MAN BEFORE YOU END UP 89 00:09:36,710 --> 00:09:37,845 IN THE SHOWER WITH SOME HAIRY MOTHERFUCKER 90 00:09:37,878 --> 00:09:39,079 SOAPIN' YOUR ASS. 91 00:09:39,112 --> 00:09:40,147 - LET HIM GO. 92 00:09:40,180 --> 00:09:42,082 HE FUCKING LET HIM GO. 93 00:09:42,115 --> 00:09:44,852 WE'VE BEEN TRACKING THAT FUCK FOR WEEKS, AND HE LET HIM GO. 94 00:09:44,885 --> 00:09:46,887 - CALM DOWN, BRO. - FUCKER HAD A GUN, COFFEY. 95 00:09:46,920 --> 00:09:48,989 - MARINO CAUGHT HIM, AND HE WAS SHITTIN' HIS PANTS. 96 00:09:49,022 --> 00:09:50,791 BESIDES, HE'S GOT HIS FUCKIN' PINKIE BLOWN OFF. 97 00:09:50,824 --> 00:09:52,726 - WHAT THE DOES THAT HAVE TO DO WITH ANYTHING, ANDRE? 98 00:09:52,760 --> 00:09:53,994 MARINO, WHO WERE YOU YESTERDAY, HUH? 99 00:09:54,027 --> 00:09:55,629 RAMBO, DIRTY HARRY, "POPEYE" DOYLE? 100 00:09:55,663 --> 00:09:57,130 YOU WERE THERE, RHODES. WHICH ONE WAS IT? 101 00:09:57,164 --> 00:09:58,932 - JACK, LET IT GO, MAN. - IT WAS A BAD CALL, OLD MAN. 102 00:09:58,966 --> 00:10:00,834 - JUST A MATTER OF TIME BEFORE HIS OWN PEOPLE GET TO HIM. 103 00:10:00,868 --> 00:10:02,135 SAVE THE TAXPAYERS SOME MONEY. 104 00:10:02,169 --> 00:10:03,737 - LOOK, I'M A HUNTER, NOT A FISHERMAN. 105 00:10:03,771 --> 00:10:05,005 THIS CATCH-AND-RELEASE SHIT'S GOT TO GO. 106 00:10:05,038 --> 00:10:06,306 YOU GUYS WANT TO KEEP-- - ENOUGH. 107 00:10:09,242 --> 00:10:10,844 WHAT DO WE GOT? 108 00:10:10,878 --> 00:10:12,813 - WELL, THE INITIAL LAB REPORTS SAY THIS SHIT 109 00:10:12,846 --> 00:10:14,081 MILO'S BEEN PEDDLING'S THE BEST WE'VE SEEN IN YEARS. 110 00:10:14,114 --> 00:10:15,749 IT'S COMPLETELY UNCUT. 111 00:10:15,783 --> 00:10:18,185 - MILO ALSO GAVE US A LUKE WITHOUT A LAST NAME. 112 00:10:18,218 --> 00:10:20,220 APPARENTLY, THIS GUY'S A BARTENDER 113 00:10:20,253 --> 00:10:21,722 AT SOME CLUB UP IN HOLLYWOOD. 114 00:10:21,755 --> 00:10:22,990 - IT'S CALLED ATTITUDE. 115 00:10:23,023 --> 00:10:24,692 CAT NAMED ERIC CARTER'S HALF OWNER. 116 00:10:24,725 --> 00:10:26,126 - CARTER ALSO PLAYED MIDDLE LINEBACKER 117 00:10:26,159 --> 00:10:27,695 FOR THE 49ERS BEFORE HE BLEW OUT HIS KNEE. 118 00:10:27,728 --> 00:10:29,697 - HE WAS BORN IN COMPTON IN 1967. 119 00:10:29,730 --> 00:10:31,064 GOT A COUPLE OF PRIORS AS A TEENAGER-- 120 00:10:31,098 --> 00:10:32,399 YOU KNOW, PETTY THEFT AND MARIJUANA-- 121 00:10:32,432 --> 00:10:33,934 BUT NOTHING SINCE. 122 00:10:33,967 --> 00:10:36,670 HE LIVES ON SUNSET PLAZA IN LOS ANGELES. 123 00:10:36,704 --> 00:10:38,839 HE WAS DIVORCED TWICE, WITH TWO GROWN KIDS, 124 00:10:38,872 --> 00:10:41,041 AND DMV SHOWS HE DRIVES AN '09 BLACK MERCEDES. 125 00:10:41,074 --> 00:10:43,944 - DAMN, D.P., YOU EVEN GOT HIS MATING HABITS DOWN. 126 00:10:43,977 --> 00:10:45,913 - THAT'S WHAT I DO. - I LIKE THAT. 127 00:10:45,946 --> 00:10:48,716 SO WE GOT MILO GETTING COKE FROM A GUY NAMED LUKE 128 00:10:48,749 --> 00:10:49,717 WITH NO LAST NAME? 129 00:10:49,750 --> 00:10:51,251 LET'S TALK TO LUKE. 130 00:10:51,284 --> 00:10:53,386 LIKE GINO SAID, 131 00:10:53,420 --> 00:10:55,122 BEST POWDER WE'VE SEEN IN YEARS, 132 00:10:55,155 --> 00:10:57,190 AND THE OLD MAN MADE THE RIGHT CALL. 133 00:10:57,224 --> 00:10:58,658 IMAGINE THAT. 134 00:11:04,231 --> 00:11:05,398 - YO! 135 00:11:05,432 --> 00:11:07,100 HOW YOU DOIN', MAN? 136 00:11:07,134 --> 00:11:08,235 - WHAT'S UP, HOMES? - HOW YOU DOIN', MAN? 137 00:11:08,268 --> 00:11:09,302 GOOD TO SEE YOU, B. 138 00:11:09,336 --> 00:11:11,471 - I AIN'T GOT SHIT ON ME. 139 00:11:11,504 --> 00:11:12,873 - HEY, HEY, HEY, SLOW DOWN. 140 00:11:12,906 --> 00:11:14,441 WHERE YOU GOIN'? COME BACK HERE. 141 00:11:14,474 --> 00:11:16,309 - WHAT ARE YOU GUYS DOIN'? HAVING A NICE DAY? 142 00:11:16,343 --> 00:11:18,078 - GET YOUR ASS AGAINST THE WALL. 143 00:11:18,111 --> 00:11:19,980 - HEY, MAN, I TOLD YOU I AIN'T GOT SHIT ON ME, MAN. 144 00:11:20,013 --> 00:11:21,281 I'M FUCKIN' CLEAN, DUDE. 145 00:11:21,314 --> 00:11:22,482 - OH, YOU'RE CLEAN NOW. 146 00:11:22,515 --> 00:11:24,217 YOU'RE CLEAN. ARE YOU SURE? 147 00:11:24,251 --> 00:11:25,953 - YOU GUYS CAN'T BE DOIN' THIS KIND OF SHIT. 148 00:11:25,986 --> 00:11:27,988 - ENRIQUE MARTINEZ, HUH? YOU GOT SOME I.D.? 149 00:11:28,021 --> 00:11:29,857 - NO. - NO? NO I.D.? 150 00:11:29,890 --> 00:11:31,158 THEY NEVER HAVE I.D., HUH? 151 00:11:31,191 --> 00:11:32,893 - HEY, DON'T FUCK WITH ME, OSCAR. 152 00:11:32,926 --> 00:11:36,163 - A'IGHT, A'IGHT, A'IGHT, FUCK, MAN. 153 00:11:36,196 --> 00:11:37,798 TAKE EVERYTHING SO FUCKIN' SERIOUS. 154 00:11:37,831 --> 00:11:39,166 - WELL, FUCKIN' START TALKING. 155 00:11:39,199 --> 00:11:41,301 - CARLOS, IT'S NONE OF YOUR BUSINESS. 156 00:11:41,334 --> 00:11:43,203 - IPOD? DOES THIS LOOK LIKE AN IPOD? 157 00:11:43,236 --> 00:11:45,138 NO. 158 00:11:45,172 --> 00:11:47,808 - SO WHEN I GET IT, Y'ALL BE THE FIRST TO KNOW. 159 00:11:47,841 --> 00:11:49,209 A'IGHT? 160 00:11:49,242 --> 00:11:50,377 - A'IGHT. 161 00:11:50,410 --> 00:11:51,478 COOL. 162 00:11:51,511 --> 00:11:52,880 A'IGHT, MAN. 163 00:11:52,913 --> 00:11:54,147 - MAN, YOU GUYS HAVE A GOOD DAY, MAN. 164 00:11:54,181 --> 00:11:55,515 - THANK YOU, MAN. GOOD TO SEE YOU. 165 00:11:55,548 --> 00:11:57,484 - FUCKIN' CROOKED-ASS COP. 166 00:11:57,517 --> 00:11:59,052 - YOU HEARD ABOUT MILO? - NO. 167 00:11:59,086 --> 00:12:00,453 - NO, YOU DON'T KNOW A MILO, HUH, GUYS? 168 00:12:00,487 --> 00:12:01,454 PUT YOUR HANDS ON THE CAR. 169 00:12:01,488 --> 00:12:02,455 WHERE DO YOU GET YOUR STUFF? 170 00:12:12,265 --> 00:12:15,235 [electronic dance music] 171 00:12:15,268 --> 00:12:24,077 * 172 00:12:24,111 --> 00:12:25,779 - HERE YOU GO. 173 00:12:25,813 --> 00:12:27,080 CAN I GET YOU SOMETHIN'? - I'M GOOD, THANKS. 174 00:12:27,114 --> 00:12:28,381 - YOU SURE? - YEAH. 175 00:12:28,415 --> 00:12:29,382 - HEY, MAN, LET ME ASK YOU SOMETHING. 176 00:12:29,416 --> 00:12:30,918 - WHAT'S UP? 177 00:12:30,951 --> 00:12:32,252 - MILO SAYS YOU HAVE THE HOOKUP AROUND HERE. 178 00:12:32,285 --> 00:12:33,486 - I DON'T KNOW ANYBODY NAMED MILO. 179 00:12:33,520 --> 00:12:34,988 LOOK, GUYS, YOU KNOW, 180 00:12:35,022 --> 00:12:36,289 I'M A LITTLE BUSY RIGHT NOW, SO... 181 00:12:36,323 --> 00:12:38,926 - I THINK YOU OUGHT TO STICK AROUND, MAN. 182 00:12:38,959 --> 00:12:41,294 - YOU MUST KNOW HIM. HE DESCRIBED YOU TO A "T." 183 00:12:41,328 --> 00:12:44,131 - REALLY? 184 00:12:44,164 --> 00:12:46,499 LIKE I SAID, GUYS, I'M WORKIN'. 185 00:12:52,005 --> 00:12:53,406 - HIS NAME'S ROCKSIE. 186 00:12:53,440 --> 00:12:55,142 BLOOD DRAINED OUT HIS ASS WHEN I MENTIONED 187 00:12:55,175 --> 00:12:56,209 THAT MILO PIECE OF SHIT. 188 00:12:56,243 --> 00:12:57,210 - SAID HE DIDN'T KNOW HIM. 189 00:12:57,244 --> 00:12:58,545 I SAY LET HIM SWEAT IT OUT, 190 00:12:58,578 --> 00:13:00,981 PAY HIM ANOTHER VISIT IN A COUPLE DAYS. 191 00:13:01,014 --> 00:13:03,183 - THAT'S ERIC CARTER. HE OWNS THE CLUB. 192 00:13:06,954 --> 00:13:09,389 - YOUR MONEY'S NOT GOOD HERE. I GOT THIS, BABY. I GOT THIS. 193 00:13:09,422 --> 00:13:11,391 - HE'S GOT THIS. PUT YOUR MONEY AWAY. 194 00:13:11,424 --> 00:13:13,026 - YOU MAKE THE BIG SPENDER? 195 00:13:13,060 --> 00:13:14,862 - I'VE SEEN HIM IN HERE BEFORE. 196 00:13:14,895 --> 00:13:17,230 THE LITTLE SEXY MAMA BESIDE HIM, THAT'S HIS SISTER. 197 00:13:19,066 --> 00:13:20,467 THE DUDE WITH THE CHICK IN HIS LAP, 198 00:13:20,500 --> 00:13:21,969 THAT'S THE YOUNGER BROTHER. 199 00:13:22,002 --> 00:13:24,204 BOTH OF 'EM LIVING THE HIGH LIFE. 200 00:13:24,237 --> 00:13:26,907 - HEY, THAT'S WHAT I'M TALKIN' ABOUT. 201 00:14:00,373 --> 00:14:03,276 [engine rumbling] 202 00:14:17,390 --> 00:14:20,327 [engine revving] 203 00:14:37,244 --> 00:14:40,213 [suspenseful music] 204 00:14:40,247 --> 00:14:48,188 * 205 00:14:55,495 --> 00:14:58,365 - [speaking Spanish] 206 00:14:58,398 --> 00:14:59,566 IT'S TOO MANY FOR ME. 207 00:15:02,569 --> 00:15:05,939 - [speaking Spanish] 208 00:15:05,973 --> 00:15:07,941 OYE, MAN, YOU SAVING ANY OF THOSE YOUNG LADIES FOR ME? 209 00:15:07,975 --> 00:15:08,942 - I DON'T KNOW, MAN. 210 00:15:08,976 --> 00:15:10,110 I MAY HAVE WORN THEM OUT. 211 00:15:10,143 --> 00:15:11,378 - [chuckles] 212 00:15:11,411 --> 00:15:14,381 [both speaking Spanish] 213 00:15:14,414 --> 00:15:15,448 - AND WHO IS YOUR FRIEND? 214 00:15:15,482 --> 00:15:17,384 - THIS IS JADE. - JADE? 215 00:15:17,417 --> 00:15:19,219 - YEAH, SHE HAS A LOT OF IMPORTANT FRIENDS 216 00:15:19,252 --> 00:15:22,355 FOR YOU TO MEET, SO WE HAVE SOME BUSINESS TO TAKE CARE OF. 217 00:15:22,389 --> 00:15:25,325 [boat motor revving] 218 00:16:04,397 --> 00:16:05,698 - [snorts] 219 00:16:11,504 --> 00:16:12,439 [sniffs] 220 00:16:23,716 --> 00:16:26,653 [all speaking Spanish] 221 00:16:33,493 --> 00:16:34,561 - DIDN'T I TELL YOU? 222 00:16:37,464 --> 00:16:39,432 - YUP. 223 00:16:39,466 --> 00:16:41,201 YOU FUCKIN' TOLD ME. 224 00:16:48,541 --> 00:16:49,742 - ARE WE DONE HERE, GENTLEMEN? 225 00:16:49,776 --> 00:16:51,344 - WELL, I GOT A DECK FULL OF LADIES, 226 00:16:51,378 --> 00:16:52,612 AND I'M READY TO POP SOME PIÑATAS. 227 00:16:52,645 --> 00:16:53,613 - SI, SEÑOR. 228 00:16:53,646 --> 00:16:55,215 - LADIES, 229 00:16:55,248 --> 00:16:57,217 COME ON DOWN HERE AND SAY HI TO MY FRIENDS. 230 00:16:57,250 --> 00:16:58,618 [women laughing] - YOU'RE CUTE. 231 00:16:58,651 --> 00:17:01,488 - CHICA, CHICA. - SO FUNNY. 232 00:17:08,528 --> 00:17:11,464 [siren wailing] 233 00:17:13,400 --> 00:17:15,168 - HEY, WE GOT A LOCAL RESIDENT THAT FOUND HIM. 234 00:17:15,202 --> 00:17:16,703 THEY LEFT AT 2:09. 235 00:17:16,736 --> 00:17:19,206 YEAH, BROKOWSKI AND YACONELLI WERE JUST WITH THEM. 236 00:17:23,510 --> 00:17:25,312 - HEY, HOW YOU DOIN'? - NICE TO SEE YOU AGAIN. 237 00:17:25,345 --> 00:17:26,313 - FRANKIE. 238 00:17:26,346 --> 00:17:28,115 - MIKE, IT'S NASTY. 239 00:17:28,148 --> 00:17:29,549 THIS IS MY LAST STIFF. 240 00:17:29,582 --> 00:17:30,850 I'M PUTTIN' IN MY PAPERS. 241 00:17:30,883 --> 00:17:33,120 - LET'S TAKE A LOOK. 242 00:17:33,153 --> 00:17:34,687 - HIS THROAT WAS SLIT FROM EAR TO EAR, 243 00:17:34,721 --> 00:17:36,756 AND HE HAS A .45 ROUND IN HIS FOREHEAD. 244 00:17:36,789 --> 00:17:38,791 - THAT'S LUKE ROCKSIE, ALL RIGHT. 245 00:17:38,825 --> 00:17:40,560 - HE HAD A WALLET IN HIS BACK POCKET, 246 00:17:40,593 --> 00:17:42,562 CREDIT CARDS, COUPLE HUNDRED BUCKS, 247 00:17:42,595 --> 00:17:43,796 AND A DRIVER'S LICENSE. 248 00:17:43,830 --> 00:17:45,432 THIS IS NO ROBBERY. 249 00:17:45,465 --> 00:17:47,567 - WELL, YOU GUYS FOUND THE BODY. 250 00:17:47,600 --> 00:17:49,102 YOU KNOW WHAT TO DO. 251 00:17:49,136 --> 00:17:50,203 - WE'LL HANDLE IT. 252 00:17:55,242 --> 00:17:56,643 [doorbell rings] 253 00:17:58,611 --> 00:18:00,147 [knock at door] 254 00:18:05,252 --> 00:18:06,553 - [scoffs] 255 00:18:06,586 --> 00:18:08,555 [whispering] THESE MOTHERFUCKERS. 256 00:18:11,724 --> 00:18:13,293 - ERIC CARTER. 257 00:18:13,326 --> 00:18:14,761 - YOU KNOW WHAT TIME IT IS? 258 00:18:14,794 --> 00:18:17,164 - YEAH, WE KNOW WHAT TIME IT IS. - CAN WE COME IN? 259 00:18:17,197 --> 00:18:18,698 - DO I LOOK LIKE I'M COOKIN' FUCKIN' OMELETS? 260 00:18:18,731 --> 00:18:20,467 - WHY DON'T YOU TELL US ABOUT LUKE ROCKSIE? 261 00:18:20,500 --> 00:18:21,534 - WHO? 262 00:18:21,568 --> 00:18:23,603 - YOUR BARTENDER AT THE ATTITUDE. 263 00:18:23,636 --> 00:18:24,804 - WHY YOU ASKIN' ABOUT LUKE? 264 00:18:24,837 --> 00:18:26,439 - HOW LONG HE WORK FOR YOU, MAN? 265 00:18:26,473 --> 00:18:28,708 - I DON'T KNOW. TWO YEARS. 266 00:18:28,741 --> 00:18:30,577 - TWO YEARS, THAT'S A LONG TIME. 267 00:18:30,610 --> 00:18:31,911 HE MUST'VE BEEN A GOOD EMPLOYEE. 268 00:18:31,944 --> 00:18:34,181 - YEAH, HE WAS. - WAS? 269 00:18:34,214 --> 00:18:37,317 - WAS, IS, SAME SHIT. 270 00:18:37,350 --> 00:18:39,419 - KNOW YOUR BOY WAS PUSHING POWDER ROUND TOWN, RIGHT? 271 00:18:39,452 --> 00:18:41,421 - NAH, I WASN'T AWARE. 272 00:18:41,454 --> 00:18:43,423 - OH, YOU DON'T KNOW ANYTHING ABOUT THAT, HUH? 273 00:18:43,456 --> 00:18:45,892 - NO, SEE, I'M JUST A SIMPLE BUSINESSMAN. 274 00:18:45,925 --> 00:18:48,461 - YEAH, I USED TO WATCH YOU PLAY, MAN. 275 00:18:48,495 --> 00:18:50,363 BADDEST RUNNING BACK IN THE LEAGUE. 276 00:18:50,397 --> 00:18:52,765 - YOU WANT A FUCKIN' AUTOGRAPH? - NOW, THAT'S FUNNY. 277 00:18:52,799 --> 00:18:54,334 SO WHY DON'T YOU TELL US WHERE YOUR BOY'S 278 00:18:54,367 --> 00:18:55,602 GETTIN' HIS SHIT FROM, SMART-ASS? 279 00:18:55,635 --> 00:18:57,770 - WHO? - LUKE. WHO DO YOU THINK? 280 00:18:57,804 --> 00:18:58,938 - HOW THE HELL WOULD I KNOW THAT? 281 00:18:58,971 --> 00:19:00,207 - YOU KNOW HE'S DEAD, RIGHT? 282 00:19:00,240 --> 00:19:01,208 - SHIT, WHO'S DEAD? 283 00:19:01,241 --> 00:19:02,909 - YOUR EMPLOYEE LUKE. 284 00:19:02,942 --> 00:19:05,778 - DAMN, I KNOW HE DIDN'T COME IN TO WORK A COUPLE NIGHTS. 285 00:19:05,812 --> 00:19:07,847 - EXACTLY, SO TELL ME WHERE YOUR BOY'S GETTIN' HIS POWDER FROM. 286 00:19:07,880 --> 00:19:09,349 - FUCK IF I KNOW. - THAT'S ALL RIGHT. 287 00:19:09,382 --> 00:19:10,817 HE SAID HE GOT HIS SHIT FROM YOU, MAN. 288 00:19:10,850 --> 00:19:12,419 - WELL, THEN HE'S A FUCKIN' LIAR. 289 00:19:12,452 --> 00:19:14,221 - YOU MIND IF I TAKE A LOOK AROUND IN HERE? 290 00:19:14,254 --> 00:19:16,189 - HELL FUCKIN' YES, I MIND. THAT'S MY BEDROOM. 291 00:19:16,223 --> 00:19:18,491 - CHILL THE FUCK OUT, BOY. 292 00:19:24,764 --> 00:19:27,734 [mysterious music] 293 00:19:27,767 --> 00:19:35,708 * 294 00:19:38,778 --> 00:19:40,547 - TELL ME ABOUT THE VEGA FAMILY. 295 00:20:23,656 --> 00:20:25,425 - WHAT THE FUCK ARE YOU LOOKIN' AT? 296 00:20:25,458 --> 00:20:27,327 - YOU ARE IN MY SEAT. 297 00:20:29,362 --> 00:20:30,830 YOU FUCKIN' DEAF? 298 00:20:32,565 --> 00:20:35,502 - DIEGO, GIVE ME A MOMENT WITH THIS GENTLEMAN. 299 00:20:35,535 --> 00:20:36,669 - DIEGO. 300 00:20:54,954 --> 00:20:55,888 - WOULD YOU LIKE A DRINK? 301 00:20:58,958 --> 00:21:00,627 - NO, I'M FINE. 302 00:21:00,660 --> 00:21:03,663 - HOW ABOUT YOU? ANOTHER? 303 00:21:03,696 --> 00:21:05,298 - NO, I'M GOOD, BABE. THANKS. 304 00:21:11,704 --> 00:21:13,673 - RIGHT ABOUT NOW, I GUESS YOU'RE WONDERING, 305 00:21:13,706 --> 00:21:14,941 "IS THIS GUY A COP?" 306 00:21:14,974 --> 00:21:16,876 - NO. 307 00:21:16,909 --> 00:21:18,545 I ALREADY KNOW YOU'RE A COP. 308 00:21:18,578 --> 00:21:20,780 THE QUESTION IS, DO YOU KNOW WHO I AM? 309 00:21:20,813 --> 00:21:22,549 - WELL, LET'S SAY THAT, UH, 310 00:21:22,582 --> 00:21:25,518 I'M GONNA FIND OUT EVERYTHING I NEED TO KNOW. 311 00:21:25,552 --> 00:21:27,854 - IS THAT WHAT WE'RE GONNA DO? 312 00:21:27,887 --> 00:21:29,456 PLAY THIS GAME? 313 00:21:32,024 --> 00:21:33,360 YOU KNOW, IT'S INTERESTING. 314 00:21:33,393 --> 00:21:35,862 I, UM-- I READ A DISTURBING STORY 315 00:21:35,895 --> 00:21:38,731 THE OTHER DAY ABOUT THAT CHIEF OF POLICE 316 00:21:38,765 --> 00:21:43,069 DOWN IN FLORIDA, THE ONE THAT WAS MURDERED. 317 00:21:43,102 --> 00:21:45,738 I IMAGINE IT'S NOT UNUSUAL FOR MEN IN YOUR LINE OF WORK 318 00:21:45,772 --> 00:21:46,973 TO MEET THAT TYPE OF FATE, 319 00:21:47,006 --> 00:21:49,776 BUT THE WAY THEY DISMEMBERED HIM 320 00:21:49,809 --> 00:21:51,878 AND THEN HAD THE HEAD SENT TO HIS WIFE... 321 00:21:51,911 --> 00:21:53,813 THE MESSAGE THAT THAT SENDS, 322 00:21:53,846 --> 00:21:56,716 IT'S, UH, VERY PROFOUND. 323 00:21:56,749 --> 00:21:58,117 - YOU FINISHED? 324 00:21:58,150 --> 00:22:02,622 - I JUST THOUGHT IT WAS AN INTERESTING MESSAGE. 325 00:22:04,424 --> 00:22:07,059 - SO WHAT SORT OF MESSAGE YOU TRYING TO SEND ME? 326 00:22:08,661 --> 00:22:10,697 - LIFE IS PRECIOUS, MY FRIEND. 327 00:22:11,998 --> 00:22:13,800 - ONE SLIP IS ALL IT'S GONNA TAKE. 328 00:22:17,036 --> 00:22:18,505 ONE SLIP. 329 00:22:32,184 --> 00:22:35,121 [both speaking Spanish] 330 00:22:50,670 --> 00:22:53,640 [ominous music] 331 00:22:53,673 --> 00:23:01,614 * 332 00:23:14,661 --> 00:23:17,430 - THE CONVERSATION WE'RE ABOUT TO HAVE NEVER HAPPENED. 333 00:23:17,464 --> 00:23:19,131 - DO THEY EVER? 334 00:23:19,165 --> 00:23:22,101 - WE DO NOT INVOLVE OURSELVES WITH THESE PEOPLE. 335 00:23:22,134 --> 00:23:23,470 THEY'RE ON ANOTHER LEVEL. 336 00:23:23,503 --> 00:23:24,971 - WE'RE ON ANOTHER LEVEL. 337 00:23:25,004 --> 00:23:26,673 WHAT ARE YOU SAYIN'? THEY'RE PROTECTED? 338 00:23:26,706 --> 00:23:29,576 - DIVISION 123 WAS GROUPED OUTSIDE THE FORCE, MIKE, 339 00:23:29,609 --> 00:23:30,810 SO YOU COULD BEND THE RULES. 340 00:23:30,843 --> 00:23:32,111 - EXACTLY. 341 00:23:32,144 --> 00:23:33,746 - BUT YOU DON'T BEND THE RULES, MIKE. 342 00:23:33,780 --> 00:23:35,815 YOU BREAK THEM. AND WE DON'T EXIST, REMEMBER? 343 00:23:35,848 --> 00:23:39,151 I'VE WORKED DAMN HARD TO EARN THE TITLE OF COMMANDER, 344 00:23:39,185 --> 00:23:41,688 AND I WON'T PUT THAT ON THE LINE FOR ANYBODY, MIKE, 345 00:23:41,721 --> 00:23:42,789 INCLUDING YOU. 346 00:23:42,822 --> 00:23:43,990 - DOES THIS RING OF PROTECTION 347 00:23:44,023 --> 00:23:45,925 EXTEND DOWN INTO THE DEPARTMENT? 348 00:23:45,958 --> 00:23:47,960 - I THINK I'M GONNA LET THAT ONE SLIDE. 349 00:23:47,994 --> 00:23:49,696 - WHAT ARE YOU SAYING? 350 00:23:49,729 --> 00:23:52,198 - WHAT I'M SAYING IS, I CAN TURN A BLIND EYE, 351 00:23:52,231 --> 00:23:54,467 BUT I CAN ONLY TURN SO FAR. 352 00:23:54,501 --> 00:23:56,235 HAVE YOU THOUGHT FOR ONE MOMENT 353 00:23:56,268 --> 00:23:57,804 THAT IF THIS THING GOES AWRY, 354 00:23:57,837 --> 00:24:00,473 YOU'D TAKE DOWN SEVEN GOOD COPS WITH YOU? 355 00:24:00,507 --> 00:24:03,676 WE DON'T WANT TO BE EXPOSED LIKE THAT, MIKE. 356 00:24:03,710 --> 00:24:04,644 RIGHT? 357 00:24:45,051 --> 00:24:46,786 - [sighs] 358 00:24:52,024 --> 00:24:54,994 [melancholy music] 359 00:24:55,027 --> 00:25:02,969 * 360 00:25:27,860 --> 00:25:29,829 [both speaking Spanish] 361 00:25:44,677 --> 00:25:47,179 - DO YOU HAVE TO ASK? 362 00:25:47,213 --> 00:25:50,016 - HE HAS BROUGHT US A LOT OF MONEY, CATALINA. 363 00:25:50,049 --> 00:25:53,920 - HE SOLD DRUGS TO OUR EMPLOYEES. 364 00:25:53,953 --> 00:25:56,856 NOW WE HAVE TO TAKE CARE OF BUSINESS. 365 00:25:56,889 --> 00:25:59,125 - [speaking Spanish] 366 00:25:59,158 --> 00:26:00,993 BROTHER, LET ME TAKE CARE OF HIM. 367 00:26:25,818 --> 00:26:27,720 - HI, BABY. 368 00:26:29,956 --> 00:26:31,223 - HOW MUCH DO YOU LOVE ME? 369 00:26:31,257 --> 00:26:34,160 - OH, I LOVE YOU MADLY. 370 00:26:34,193 --> 00:26:36,162 YOU KNOW I DO. 371 00:26:36,195 --> 00:26:37,864 I'LL DO ANYTHING FOR YOU. 372 00:26:37,897 --> 00:26:38,965 - ANYTHING? 373 00:26:38,998 --> 00:26:41,200 - ANYTHING. 374 00:26:42,669 --> 00:26:45,638 [intense music] 375 00:26:45,672 --> 00:26:47,339 * 376 00:26:47,373 --> 00:26:49,308 - I GOT THAT SIDE. YOU GOT THIS SIDE. 377 00:26:49,341 --> 00:26:50,677 - YOU PUT YOURSELF IN MY SHOES. 378 00:26:55,114 --> 00:26:57,316 [muffled speech] 379 00:27:02,989 --> 00:27:03,990 GIVE ME THE WEST SIDE. 380 00:27:04,023 --> 00:27:04,957 [gunshot] 381 00:27:24,777 --> 00:27:27,213 [glasses clinking] 382 00:27:29,448 --> 00:27:33,252 [smooth jazz music] 383 00:27:33,285 --> 00:27:34,854 - THESE VEGAS ARE DIRTY. 384 00:27:34,887 --> 00:27:35,855 THEY'RE ARROGANT. 385 00:27:35,888 --> 00:27:36,856 THEY'RE INVOLVED. 386 00:27:36,889 --> 00:27:37,890 - HOW DO YOU KNOW THAT? 387 00:27:37,924 --> 00:27:39,191 - THIS BROAD AND HER BROTHERS, 388 00:27:39,225 --> 00:27:41,193 THEY HAVE MORE MONEY THAN DONALD TRUMP. 389 00:27:41,227 --> 00:27:43,162 - AND YOU THINK CARTER'S INVOLVED. 390 00:27:43,195 --> 00:27:44,897 - A STRONG HUNCH. 391 00:27:44,931 --> 00:27:48,067 - I HAVE A STRONG HUNCH MY WIFE IS FUCKIN' THE POOL GUY, 392 00:27:48,100 --> 00:27:49,969 BUT I CAN'T DO SHIT WITH THAT EITHER. 393 00:27:50,002 --> 00:27:52,772 - I GOT AN EX-FOOTBALL PLAYER HOOKED UP WITH A QUEEN BEE. 394 00:27:52,805 --> 00:27:54,206 I'D CALL IT A STRONG HUNCH. 395 00:27:54,240 --> 00:27:55,307 - YOU BUY INTO THIS? 396 00:27:55,341 --> 00:27:56,776 - INFORMANTS ARE RUNNIN' SCARED. 397 00:27:56,809 --> 00:27:58,010 NOBODY'S TALKIN'. 398 00:27:58,044 --> 00:27:59,045 - WHAT DO YOU WANT? 399 00:27:59,078 --> 00:28:00,913 - A SEARCH WARRANT. 400 00:28:05,517 --> 00:28:07,754 - SINCE WHEN DO YOU NEED A SEARCH WARRANT? 401 00:28:07,787 --> 00:28:09,355 JUST BUY A DISPOSABLE CELL PHONE, 402 00:28:09,388 --> 00:28:10,757 PUNCH AN APPROPRIATE NUMBER. 403 00:28:10,790 --> 00:28:13,425 PRESTO, YOU HAVE YOUR SEARCH WARRANT. 404 00:28:13,459 --> 00:28:15,294 WOW, DID I SAY THAT? 405 00:28:19,932 --> 00:28:23,235 - YOU'VE DONE THIS BEFORE? 406 00:28:23,269 --> 00:28:26,172 - NOT THAT I EVER TOLD YOU ABOUT. 407 00:28:26,205 --> 00:28:27,406 [glass clinking] 408 00:28:27,439 --> 00:28:29,776 - TO AN EVERLASTING LIFE TOGETHER. 409 00:28:29,809 --> 00:28:34,013 TAKES ONE HEART TO KEEP YOU ALIVE, 410 00:28:34,046 --> 00:28:36,282 TWO HEARTS TO KEEP YOU LIVIN'. 411 00:28:36,315 --> 00:28:38,851 I LOVE YOU TWO FROM THE BOTTOM OF MINE. 412 00:28:38,885 --> 00:28:39,886 CHEERS. 413 00:28:41,487 --> 00:28:43,890 - THERE'S YOUR CHANGE. 414 00:28:43,923 --> 00:28:44,857 - THANKS, LADY. 415 00:28:47,326 --> 00:28:49,295 THANKS FOR COMIN' UP, CASSIDY. 416 00:28:49,328 --> 00:28:51,764 - NO PROBLEM. 417 00:28:55,101 --> 00:28:56,869 - SO BEFORE YOU, THERE WAS THIS YOUNG COP 418 00:28:56,903 --> 00:28:59,138 NAMED ERICA YAZ WHO JOINED THE DIVISION. 419 00:28:59,171 --> 00:29:00,840 SMART COP. 420 00:29:00,873 --> 00:29:02,909 SHE WORKED FOR US FOR MORE THAN FIVE YEARS. 421 00:29:02,942 --> 00:29:04,276 WE DECIDED TO INFILTRATE HER 422 00:29:04,310 --> 00:29:06,412 ON THIS BIG CASE WE WERE WORKIN' ON. 423 00:29:06,445 --> 00:29:08,547 SHE SPENT SEVERAL MONTHS GETTIN' THIS GUY TO TRUST HER. 424 00:29:08,580 --> 00:29:10,416 SHE EVEN TOLD ME THAT SHE GOT HIM 425 00:29:10,449 --> 00:29:12,151 TO FALL IN LOVE WITH HER. 426 00:29:12,184 --> 00:29:14,220 THEN ONE DAY, WE GET A PHONE CALL. 427 00:29:16,022 --> 00:29:17,556 THEY FOUND HER HANGING FROM A FLAGPOLE 428 00:29:17,589 --> 00:29:20,226 IN FRONT OF A SCHOOL. 429 00:29:23,295 --> 00:29:25,164 - IF YOU'RE THINKING ABOUT BRINGING ME IN, 430 00:29:25,197 --> 00:29:27,566 I'LL DO IT. 431 00:29:27,599 --> 00:29:29,501 - HOW DO I KNOW YOU CAN HANDLE IT? 432 00:29:31,203 --> 00:29:32,905 - I GOT NOTHING ELSE. 433 00:29:35,507 --> 00:29:38,477 [foreboding music] 434 00:29:38,510 --> 00:29:46,452 * 435 00:29:48,320 --> 00:29:51,257 [car engine revving] 436 00:30:07,106 --> 00:30:09,175 - YOU KNOW, THEY SAY THAT IF YOU WAKE UP EARLY ENOUGH, 437 00:30:09,208 --> 00:30:12,411 YOU CAN SEE THE DOLPHINS SWIMMING DOWN THE COAST. 438 00:30:12,444 --> 00:30:13,913 - REALLY? 439 00:30:13,946 --> 00:30:15,314 - REALLY. 440 00:30:15,347 --> 00:30:16,348 DO YOU LIKE DOLPHINS? 441 00:30:28,394 --> 00:30:30,829 - COME IN. 442 00:30:32,464 --> 00:30:34,000 - HOW YOU DOING? 443 00:30:34,033 --> 00:30:35,034 - FINE, THANK YOU. 444 00:30:35,067 --> 00:30:36,168 - CAPTAIN MIKE MARINO. 445 00:30:36,202 --> 00:30:37,169 - ARI SOFFER. 446 00:30:37,203 --> 00:30:38,370 - LIEUTENANT WILSON. 447 00:30:38,404 --> 00:30:39,638 - NICE TO MEET YOU TOO. 448 00:30:39,671 --> 00:30:42,241 - CATALINA VEGA. - SHE IN? 449 00:30:42,274 --> 00:30:44,010 WE'RE HERE TO SPEAK TO YOU A LITTLE BIT MORE 450 00:30:44,043 --> 00:30:45,544 ABOUT YOUR RELATIONSHIP WITH ERIC CARTER. 451 00:30:45,577 --> 00:30:47,513 - THAT'S OVER. 452 00:30:47,546 --> 00:30:49,348 I DON'T DEAL WITH PEOPLE WHO SELL DRUGS 453 00:30:49,381 --> 00:30:50,883 TO MY EMPLOYEES. 454 00:30:50,917 --> 00:30:52,351 - SO YOU TALKED TO HIM ABOUT IT? 455 00:30:52,384 --> 00:30:54,420 - I DIDN'T HAVE TO. 456 00:30:54,453 --> 00:30:56,222 I DON'T NEED ANYBODY IN MY LIFE 457 00:30:56,255 --> 00:30:59,325 HAVING ANYTHING TO DO WITH ILLEGAL ACTIVITIES, 458 00:30:59,358 --> 00:31:00,893 SO I DUMPED HIM. 459 00:31:04,263 --> 00:31:06,332 - THAT'S A PRETTY COOL BAG RIGHT THERE. 460 00:31:06,365 --> 00:31:07,566 WHAT'S SOMETHING LIKE THAT RUN? 461 00:31:07,599 --> 00:31:09,168 - 10 GRAND, 462 00:31:09,201 --> 00:31:11,203 BUT EVERYTHING'S NEGOTIABLE. 463 00:31:11,237 --> 00:31:13,172 - WHAT IS IT WITH YOU PEOPLE? 464 00:31:13,205 --> 00:31:15,507 EVERYTHING'S NEGOTIABLE? 465 00:31:15,541 --> 00:31:17,343 - IF WE'RE THROUGH HERE, GENTLEMEN, 466 00:31:17,376 --> 00:31:19,511 I NEED TO GET BACK TO WORK. 467 00:31:19,545 --> 00:31:22,014 IF YOU NEED INFORMATION, WHY DON'T YOU ASK ERIC? 468 00:31:22,048 --> 00:31:24,050 - I GOT A BETTER IDEA. 469 00:31:24,083 --> 00:31:25,484 WHY DON'T YOU TELL US WHERE HE IS? 470 00:31:30,322 --> 00:31:33,292 [seedy music] 471 00:31:33,325 --> 00:31:41,267 * 472 00:31:51,210 --> 00:31:54,146 [siren wailing] 473 00:32:01,487 --> 00:32:03,155 - REPORTED THAT FIGHTING HAS ESCALATED 474 00:32:03,189 --> 00:32:05,624 BETWEEN THE MEXICAN ARMY AND THE MEXICAN DRUG CARTELS. 475 00:32:05,657 --> 00:32:08,394 MEXICAN OFFICIALS DIEGO GARCIA AND CESAR CRUZ 476 00:32:08,427 --> 00:32:10,462 HAVE REPORTEDLY STEPPED DOWN FROM THEIR POSITIONS 477 00:32:10,496 --> 00:32:13,165 AFTER TWO AMERICAN TOURISTS WERE FOUND DECAPITATED. 478 00:32:13,199 --> 00:32:15,567 THE BEHEADINGS ARE BELIEVED TO BE CARTEL-RELATED. 479 00:32:15,601 --> 00:32:18,704 GARCIA AND CRUZ HAVE BOTH REFUSED TO COMMENT. 480 00:32:37,089 --> 00:32:40,026 [ominous music] 481 00:32:42,028 --> 00:32:43,095 - BILLIE. 482 00:32:43,129 --> 00:32:45,431 - HI. - HI, THIS IS MIKE. 483 00:32:45,464 --> 00:32:47,366 CAPTAIN MIKE MARINO. 484 00:32:47,399 --> 00:32:49,235 - OH, WELL, DO I CALL YOU CAPTAIN, 485 00:32:49,268 --> 00:32:50,536 OR DO I CALL YOU MIKE? 486 00:32:50,569 --> 00:32:52,171 - MIKE'S FINE. 487 00:32:52,204 --> 00:32:54,073 - WELL, IT'S NICE TO MEET YOU, MIKE. 488 00:32:57,509 --> 00:33:00,412 - UH, BODY WAS POSITIVELY I.D.'D AS ERIC CARTER. 489 00:33:00,446 --> 00:33:02,381 SOME FISHERMEN CAUGHT HIM IN THEIR NET. 490 00:33:02,414 --> 00:33:03,615 - SO WHERE'S THE REST OF HIM? 491 00:33:03,649 --> 00:33:05,451 - HE SPENT A LOT OF TIME IN THE WATER. 492 00:33:05,484 --> 00:33:07,286 WE'RE LUCKY WE HAVE THIS MUCH. 493 00:33:09,521 --> 00:33:10,789 YOU CAN'T BE SERIOUS. 494 00:33:10,822 --> 00:33:12,391 - I DIDN'T HAVE DINNER. 495 00:33:12,424 --> 00:33:14,093 - JUST DON'T GET THAT SHIT ON MY TABLE. 496 00:33:14,126 --> 00:33:16,162 - OKAY, OKAY. 497 00:33:16,195 --> 00:33:17,463 - SO WHAT'S THE CAUSE OF DEATH? 498 00:33:17,496 --> 00:33:20,732 - A SINGLE ROUND FROM A .357 MAGNUM 499 00:33:20,766 --> 00:33:22,201 FIRED AT CLOSE RANGE 500 00:33:22,234 --> 00:33:24,203 ENTERED THE OCCIPITAL LOBE 501 00:33:24,236 --> 00:33:26,205 AND EXITED THE TEMPORAL LOBE HERE. 502 00:33:26,238 --> 00:33:27,306 - BIT OF AN OVERKILL. 503 00:33:30,142 --> 00:33:31,377 MIKE. 504 00:33:34,213 --> 00:33:36,115 LOOK, 505 00:33:36,148 --> 00:33:37,516 JEANNIE WAS YOUR WIFE, 506 00:33:37,549 --> 00:33:39,285 BUT SHE WAS ALSO MY SISTER. 507 00:33:39,318 --> 00:33:41,820 AND SHE WAS KILLED, AND YOU GOT THE GUY THAT DID IT. 508 00:33:41,853 --> 00:33:44,356 I'M NOT TRYING TO TELL YOU HOW TO LIVE YOUR LIFE. 509 00:33:44,390 --> 00:33:46,192 MAYBE WE JUST GOT TO MOVE ON. 510 00:34:32,404 --> 00:34:34,840 - ¿QUE PASA? 511 00:34:34,873 --> 00:34:36,575 - DO I HAVE TO TELL YOU 512 00:34:36,608 --> 00:34:40,779 THAT THE COPS ARE SITTING OUTSIDE OUR HOUSE? 513 00:34:40,812 --> 00:34:44,150 - NO, THEY'VE BEEN OUT THERE FOR HOURS. 514 00:34:44,183 --> 00:34:48,254 - DO YOU THINK IT WOULD BE WISE 515 00:34:48,287 --> 00:34:51,557 TO SEND A MESSAGE TO MR. MARINO? 516 00:35:00,232 --> 00:35:02,134 [sighs] 517 00:35:24,890 --> 00:35:27,826 [cell phone ringing] 518 00:35:33,465 --> 00:35:35,334 - HELLO. 519 00:35:41,673 --> 00:35:43,675 [sighs] WHEN? 520 00:35:47,813 --> 00:35:49,181 OKAY. 521 00:35:51,917 --> 00:35:53,685 FUCK. 522 00:35:53,719 --> 00:35:56,655 [eerie music] 523 00:35:58,390 --> 00:36:00,158 - IT'S BAD, MIKE. 524 00:36:01,893 --> 00:36:04,863 [suspenseful music] 525 00:36:04,896 --> 00:36:12,838 * 526 00:36:27,586 --> 00:36:29,555 NO, NO, NO. NO, NO, NO, NO. 527 00:36:38,764 --> 00:36:40,899 - [screaming] 528 00:36:53,379 --> 00:36:56,348 [melancholy piano music] 529 00:36:56,382 --> 00:37:00,719 * 530 00:37:00,752 --> 00:37:03,689 [baby crying] 531 00:37:21,540 --> 00:37:24,443 - SEEMS LIKE EVERY TIME WE RING A DOORBELL, SOMEONE DIES. 532 00:37:24,476 --> 00:37:25,777 - WELL, SORRY ABOUT YOUR COLLEAGUE. 533 00:37:25,811 --> 00:37:27,279 - THESE FOLKS YOU'RE MESSING WITH, 534 00:37:27,313 --> 00:37:28,514 THEY DON'T PLAY GAMES. 535 00:37:28,547 --> 00:37:30,015 - NO SHIT. - NOBODY'S TALKING. 536 00:37:30,048 --> 00:37:31,750 LOOK, WE NEED SOME INFORMATION-- 537 00:37:31,783 --> 00:37:33,752 - WELL, IT'S ALL-OUT WAR WITH THESE DRUG CARTELS. 538 00:37:33,785 --> 00:37:35,621 - THERE ARE DEAD BODIES ALL OVER THE STREETS. 539 00:37:35,654 --> 00:37:37,756 - ESTIMATED THAT 50% OF THE COPS ARE ON THE TAKE. 540 00:37:37,789 --> 00:37:40,058 - WHAT WE'RE SAYING IS, WE HAVE ENOUGH SHIT ON OUR PLATE. 541 00:37:40,091 --> 00:37:42,260 WITHOUT MESSING WITH YOUR SHIT. 542 00:37:56,575 --> 00:37:59,778 - I'LL HAVE A DIET SODA, PLEASE. 543 00:37:59,811 --> 00:38:02,881 - I'LL GET YOU THAT DIET SODA, 544 00:38:02,914 --> 00:38:05,083 AND YOU LOOK LIKE YOU COULD USE A BLOODY MARY. 545 00:38:05,116 --> 00:38:07,453 - YEAH, THANK YOU. 546 00:38:10,356 --> 00:38:11,490 YOU ALONE? 547 00:38:11,523 --> 00:38:14,360 - OH, WHY WOULDN'T I BE? 548 00:38:14,393 --> 00:38:16,428 I FEEL SAFE HERE. 549 00:38:16,462 --> 00:38:19,631 THIS IS A COP HANGOUT, ISN'T IT? 550 00:38:23,669 --> 00:38:26,538 - YOU DO YOUR HOMEWORK, DON'T YOU? 551 00:38:26,572 --> 00:38:29,040 - I HAVE MY SOURCES. 552 00:38:30,642 --> 00:38:32,911 - THAT COP HAD A NAME. 553 00:38:32,944 --> 00:38:34,446 HE HAD A WIFE. 554 00:38:38,784 --> 00:38:41,620 WHO'S PROTECTING YOU? 555 00:38:41,653 --> 00:38:43,555 - I DON'T KNOW WHAT YOU MEAN. 556 00:38:43,589 --> 00:38:45,824 - YOU GOT BALLS COMING IN HERE. 557 00:38:45,857 --> 00:38:48,760 - WHAT DO YOU WANT, MICHAEL? 558 00:38:51,963 --> 00:38:55,467 - I WANT TO RID THE PLANET OF SCUM LIKE YOU. 559 00:38:55,501 --> 00:38:57,703 - YOU'RE AN IDEALIST, 560 00:38:57,736 --> 00:39:01,106 MICHAEL JOSEPH MARINO. 561 00:39:01,139 --> 00:39:03,642 I KNOW EVERYTHING ABOUT YOU. 562 00:39:03,675 --> 00:39:06,878 I ALSO KNOW THAT YOU'RE A VERY ANGRY MAN. 563 00:39:06,912 --> 00:39:09,481 WELL, TODAY'S WORLD IS NOT THE SAME WORLD 564 00:39:09,515 --> 00:39:10,916 THAT YOU ONCE KNEW. 565 00:39:10,949 --> 00:39:12,818 DEALS COULD BE MADE. 566 00:39:12,851 --> 00:39:17,889 I COULD GIVE YOU EVERYTHING 567 00:39:17,923 --> 00:39:21,593 THAT YOU COULD EVER WANT. 568 00:39:23,762 --> 00:39:25,531 - AS LONG AS IT TAKES, 569 00:39:25,564 --> 00:39:29,435 MISS VEGA, CATALINA, 570 00:39:29,468 --> 00:39:30,969 I'M GONNA TAKE YOU DOWN. 571 00:39:31,002 --> 00:39:33,071 I'M GONNA TAKE YOUR BROTHERS DOWN. 572 00:39:33,104 --> 00:39:35,006 AND I DON'T CARE HOW LONG IT TAKES ME 573 00:39:35,040 --> 00:39:38,143 UNTIL THEY PUT ME SIX FEET UNDER. 574 00:39:38,176 --> 00:39:41,112 - YOU SHOULD BE VERY CAREFUL 575 00:39:41,146 --> 00:39:42,981 FOR WHAT YOU WISH FOR. 576 00:39:52,724 --> 00:39:55,461 THIS IS FOR YOU. 577 00:39:55,494 --> 00:39:57,496 IT'S A GIFT. 578 00:39:57,529 --> 00:39:59,898 I KNOW YOU LIKED IT. 579 00:39:59,931 --> 00:40:03,602 MAYBE YOU COULD FIND SOME GOOD USE FOR IT. 580 00:40:05,103 --> 00:40:06,438 [chuckles] 581 00:40:11,142 --> 00:40:13,512 - GET THE FUCK OUT OF HERE. 582 00:40:22,153 --> 00:40:25,090 [thunder booming] 583 00:40:39,237 --> 00:40:41,172 - THEY'RE WAITING FOR YOU IN THE CONFERENCE ROOM. 584 00:40:41,206 --> 00:40:43,509 IT'S ACROSS THE HALL. 585 00:40:43,542 --> 00:40:44,510 - THANK YOU. 586 00:40:53,785 --> 00:40:55,453 - TAKE A SEAT, MIKE. 587 00:41:00,592 --> 00:41:02,093 I THINK YOU KNOW WHY YOU'RE HERE. 588 00:41:02,127 --> 00:41:04,029 - I'M SURE YOU'RE GONNA TELL ME WHY. 589 00:41:04,062 --> 00:41:06,632 - WE SEEM TO HAVE A PROBLEM DEVELOPING. 590 00:41:06,665 --> 00:41:08,734 - YOU'RE BLAMING ME? - SHOULD I? 591 00:41:08,767 --> 00:41:10,536 - YOU KNOW, WE'RE NOT TRYING TO GET IN YOUR WAY. 592 00:41:10,569 --> 00:41:12,070 - THEN DON'T. 593 00:41:12,103 --> 00:41:14,105 - LOOK, I KNOW THAT NONE OF US ARE SUPPOSED TO KNOW 594 00:41:14,139 --> 00:41:15,974 WHAT YOU AND YOUR DIVISION ARE DOING. 595 00:41:16,007 --> 00:41:17,809 HOW MANY DEAD BODIES HAVE TO KEEP TURNING UP 596 00:41:17,843 --> 00:41:19,144 BEFORE WE'RE ALLOWED TO DO OUR JOB? 597 00:41:19,177 --> 00:41:20,512 - SO WOULD YOU RATHER HAVE 598 00:41:20,546 --> 00:41:21,847 A FEW CRIMINALS KILLING EACH OTHER 599 00:41:21,880 --> 00:41:23,949 OR THOUSANDS OF KIDS HOOKED ON DRUGS, 600 00:41:23,982 --> 00:41:25,951 MURDERING LIQUOR STORE OWNERS FOR A FIX? 601 00:41:25,984 --> 00:41:27,519 - AND THE DEAD COP, 602 00:41:27,553 --> 00:41:28,787 WAS IT WORTH IT? 603 00:41:31,957 --> 00:41:34,760 - OTTO, WHAT THE HELL YOU DOIN' HERE? 604 00:41:34,793 --> 00:41:36,227 - WE INVITED HIM. 605 00:41:37,929 --> 00:41:39,264 - JUST DOIN' MY JOB, MIKE. 606 00:41:39,297 --> 00:41:40,899 - WHAT JOB'S THAT? 607 00:41:40,932 --> 00:41:42,568 - [clears throat] 608 00:41:42,601 --> 00:41:45,136 HITS WERE ALL DONE WITH LARGE-CALIBER HANDGUNS. 609 00:41:45,170 --> 00:41:46,972 ALL THE SHELL CASINGS AT THE CRIME SCENES 610 00:41:47,005 --> 00:41:49,307 MATCH THE GUN THAT WAS USED. 611 00:41:49,340 --> 00:41:50,776 - SO NOW YOU'RE ON THEIR SIDE. 612 00:41:50,809 --> 00:41:52,711 - COME ON, THIS IS NOT ABOUT SIDES. 613 00:41:52,744 --> 00:41:55,280 IT'S ABOUT US DOING OUR JOB THE WAY WE'RE SUPPOSED TO. 614 00:42:12,063 --> 00:42:13,231 - I THINK WE'RE DONE HERE. 615 00:42:24,275 --> 00:42:26,912 - HATE TO BE IN YOUR SHOES, LOGAN. 616 00:42:29,981 --> 00:42:32,050 [thunder booming] 617 00:42:32,083 --> 00:42:35,020 [rain pattering] 618 00:42:49,668 --> 00:42:52,638 [ominous music] 619 00:42:52,671 --> 00:43:00,612 * 620 00:44:05,343 --> 00:44:08,313 [enigmatic rock music] 621 00:44:08,346 --> 00:44:16,287 * 622 00:44:30,035 --> 00:44:32,971 [people screaming] 623 00:44:53,091 --> 00:45:01,032 * 624 00:46:15,907 --> 00:46:17,976 [cell phone ringing] 625 00:46:18,009 --> 00:46:19,177 - DO YOU MIND? 626 00:46:19,210 --> 00:46:20,445 - NOT A PROBLEM. 627 00:46:28,153 --> 00:46:29,988 - NO, I'M FINE. 628 00:46:30,021 --> 00:46:32,423 YES, MOTHER. 629 00:46:32,457 --> 00:46:34,525 - ARE YOU FUCKIN' CRAZY? 630 00:46:34,559 --> 00:46:37,328 - DON'T WAIT UP FOR ME. 631 00:46:37,362 --> 00:46:39,297 I MIGHT BE LATE TONIGHT. 632 00:46:39,330 --> 00:46:40,598 - THIS IS SOME BULLSHIT, CASSIDY. 633 00:46:40,631 --> 00:46:41,566 YOU KNOW IT. 634 00:46:43,201 --> 00:46:44,435 - I LOVE YOU. 635 00:46:44,469 --> 00:46:45,536 - [snorts] 636 00:46:45,570 --> 00:46:46,905 - BYE. 637 00:46:54,379 --> 00:46:56,547 - AH. 638 00:46:56,581 --> 00:46:58,449 MY SISTER, CATALINA. 639 00:47:00,485 --> 00:47:02,988 CATALINA, LET ME INTRODUCE YOU TO THIS BEAUTIFUL YOUNG LADY, 640 00:47:03,021 --> 00:47:06,391 MISS GINA HANSON. 641 00:47:06,424 --> 00:47:09,160 - SO VERY NICE TO MEET YOU, GINA. 642 00:47:09,194 --> 00:47:12,163 HA, MY BROTHER'S NOT EXAGGERATING. 643 00:47:12,197 --> 00:47:14,599 YOU ARE VERY BEAUTIFUL. 644 00:47:14,632 --> 00:47:16,534 - AND SO ARE YOU, CATALINA. 645 00:47:16,567 --> 00:47:19,470 YOU HAVE AN AMAZING HOME. 646 00:47:19,504 --> 00:47:22,107 MUST BE NICE TO LIVE IN SOMETHING LIKE THIS. 647 00:47:24,409 --> 00:47:26,411 - THANK YOU. 648 00:47:26,444 --> 00:47:28,446 WE ENJOY IT. 649 00:47:31,149 --> 00:47:34,052 VERY NICE TO MEET YOU, GINA. 650 00:47:34,085 --> 00:47:36,554 MY BROTHER HAS EXCELLENT TASTE. 651 00:47:41,592 --> 00:47:44,029 - MY SISTER LIKES YOU. 652 00:47:44,062 --> 00:47:45,463 - MM. 653 00:47:45,496 --> 00:47:48,599 - AND SO DO I... 654 00:47:48,633 --> 00:47:50,235 VERY MUCH. 655 00:48:48,059 --> 00:48:51,029 [suspenseful music] 656 00:48:51,062 --> 00:48:59,004 * 657 00:49:05,343 --> 00:49:06,377 [loud clatter] 658 00:49:56,094 --> 00:49:57,395 [floorboard creaks] 659 00:50:19,284 --> 00:50:22,253 [somber music] 660 00:50:22,287 --> 00:50:30,228 * 661 00:50:48,246 --> 00:50:49,647 - I DON'T KNOW HOW YOU AND JEANNIE DID IT 662 00:50:49,680 --> 00:50:51,782 ALL THOSE YEARS, MIKE. 663 00:50:51,816 --> 00:50:54,185 - SHE WAS MY BEST FRIEND. 664 00:50:54,219 --> 00:50:55,220 - YEAH. 665 00:50:57,122 --> 00:50:59,290 LOOK, THE GUYS UPSTAIRS ARE GETTING ANXIOUS. 666 00:50:59,324 --> 00:51:00,591 - FUCK THOSE ASSHOLES. 667 00:51:00,625 --> 00:51:02,527 - DON'T SHOOT THE MESSENGER, MIKE. 668 00:51:02,560 --> 00:51:04,562 - IT'S ABOUT DISRUPT, DISMANTLE. 669 00:51:04,595 --> 00:51:06,131 ISN'T THAT WHAT YOU'VE ALWAYS SAID? 670 00:51:06,164 --> 00:51:07,598 - LOT OF DEAD BODIES, MIKE, 671 00:51:07,632 --> 00:51:10,301 INCLUDING ONE OF OUR OWN. 672 00:51:10,335 --> 00:51:13,271 - I'VE GOT A COP ON THE INSIDE. 673 00:51:13,304 --> 00:51:14,639 HER LIFE'S AT RISK. 674 00:51:14,672 --> 00:51:17,408 I'M NOT WALKIN' AWAY FROM THIS. 675 00:51:17,442 --> 00:51:19,677 - I'VE BEEN MEANING TO TALK TO YOU ABOUT THAT. 676 00:51:19,710 --> 00:51:22,180 I MEAN, HOW IS CASSIDY? CAN SHE DO THIS? 677 00:51:22,213 --> 00:51:23,581 - LOOK, SHE LOST HER LITTLE BROTHER 678 00:51:23,614 --> 00:51:24,682 TO A DRUG OVERDOSE. 679 00:51:24,715 --> 00:51:27,418 SHE'LL DO WHAT IT TAKES. 680 00:51:27,452 --> 00:51:29,687 - SOUNDS LIKE SOMEONE ELSE I KNOW. 681 00:51:29,720 --> 00:51:32,457 - WE'RE NOT WALKIN' AWAY. 682 00:51:36,194 --> 00:51:38,596 - DID I SAY THAT? 683 00:51:40,665 --> 00:51:41,666 - HEY, LOGAN. 684 00:51:43,668 --> 00:51:46,371 ANYTHING ELSE YOU WANT TO TELL ME? 685 00:51:46,404 --> 00:51:49,207 - JUST GET IT DONE, MIKE. 686 00:51:53,244 --> 00:51:54,745 - I NEED YOU TO GATHER THAT INFORMATION. 687 00:51:54,779 --> 00:51:56,414 YOU COULD DO THAT, WE'LL BE GOOD. 688 00:51:56,447 --> 00:51:57,915 - [speaking indistinctly] 689 00:51:57,948 --> 00:51:59,850 - I DON'T KNOW. YOU GOT THE FILE ON SAN PEDRO? 690 00:51:59,884 --> 00:52:02,487 - YEAH, I FOUND ONE. - SO YOUR CONTACT, ENRIQUE. 691 00:52:02,520 --> 00:52:04,522 WE WILL CONTACT ENRIQUE. 692 00:52:04,555 --> 00:52:05,690 MAYBE HE'S GOT SOME... 693 00:52:05,723 --> 00:52:10,261 [bluesy rock music] 694 00:52:10,295 --> 00:52:11,796 - CALLED A KNIFE MAKER. 695 00:52:11,829 --> 00:52:13,864 - ROBERT LOVELESS? - YO! 696 00:52:13,898 --> 00:52:15,633 ANTONIO VEGA. 697 00:52:15,666 --> 00:52:16,734 YEAH. 698 00:52:16,767 --> 00:52:18,536 OCTOBER 2007, 699 00:52:18,569 --> 00:52:20,238 HE BOUGHT A NEW YORK SPECIAL. 700 00:52:20,271 --> 00:52:23,374 I FINALLY DELIVERED IT TO HIM AND GOT HIS MONEY. 701 00:52:23,408 --> 00:52:24,842 AND HE WANTED TO ORDER A COUPLE MORE. 702 00:52:24,875 --> 00:52:26,911 I TOLD HIM NO, I WOULDN'T TAKE ANY MORE ORDERS. 703 00:52:26,944 --> 00:52:29,880 [airplane engines roaring] 704 00:52:31,449 --> 00:52:34,419 [pulsing music] 705 00:52:34,452 --> 00:52:42,393 * 706 00:52:50,635 --> 00:52:55,406 - * I SEE MY FUTURE 707 00:52:55,440 --> 00:53:00,211 * IN THE EYES OF STRANGERS 708 00:53:00,245 --> 00:53:05,283 * AND I DON'T KNOW WHO I AM 709 00:53:05,316 --> 00:53:10,455 * WITHOUT A REFLECTION 710 00:53:10,488 --> 00:53:16,561 * OOH-OOH, OOH-OOH-OOH 711 00:53:16,594 --> 00:53:20,698 * OOH-OOH-OOH-OOH-OOH 712 00:53:20,731 --> 00:53:26,003 * OOH-OOH, OOH-OOH-OOH 713 00:53:26,036 --> 00:53:29,474 * OOH-OOH-OOH-OOH-OOH 714 00:53:29,507 --> 00:53:33,444 * 715 00:53:33,478 --> 00:53:35,946 - YOU GOT YOURSELF A WINNER THERE, TONY. 716 00:53:43,288 --> 00:53:44,789 YOU GET FINISHED WITH HER, 717 00:53:44,822 --> 00:53:46,791 I'D LIKE TO GET ME SOME OF THAT PUSSY. 718 00:53:48,359 --> 00:53:49,660 [glass clattering] 719 00:53:49,694 --> 00:53:54,765 - * I SEE MY FUTURE 720 00:53:54,799 --> 00:53:59,637 * IN THE EYES OF STRANGERS 721 00:53:59,670 --> 00:54:00,905 * AND I DON'T KNOW 722 00:54:07,812 --> 00:54:09,380 - I APOLOGIZE. 723 00:54:09,414 --> 00:54:12,650 I'M SORRY I MADE A FOOL OUT OF MYSELF IN THERE. 724 00:54:12,683 --> 00:54:14,319 - DON'T WORRY ABOUT IT. - ALL RIGHT. 725 00:54:17,021 --> 00:54:19,023 - TAKE CARE OF YOURSELF. - ALL RIGHT. 726 00:54:26,764 --> 00:54:29,300 - WHO'S THE HICK IN THE FUNNY SHIRT? 727 00:54:29,334 --> 00:54:30,568 - I DON'T KNOW, 728 00:54:30,601 --> 00:54:32,437 BUT HOMEBOY'S LOADED. 729 00:54:32,470 --> 00:54:34,071 HE WAS DROPPIN' CASH LIKE PAC-MAN JONES 730 00:54:34,104 --> 00:54:35,606 TILL HE GOT HIS NOSE BUSTED OPEN. 731 00:54:35,640 --> 00:54:36,807 - YOU GUYS TAKE ROY ROGERS. 732 00:54:36,841 --> 00:54:38,343 I'M GONNA STAY WITH CASSIDY. 733 00:54:48,353 --> 00:54:50,755 [cell phone rings] 734 00:54:53,123 --> 00:54:54,625 - YEAH, DJ. 735 00:54:54,659 --> 00:54:56,561 - HEY, WE TAILIN' THIS REDNECK HICK 736 00:54:56,594 --> 00:54:58,529 WE SAW KICKIN' IT AT THE TABLE WITH VEGA. 737 00:54:58,563 --> 00:55:00,465 LOOK LIKE THIS FOOL HEADED TO BURBANK AIRPORT, 738 00:55:00,498 --> 00:55:02,467 BUT, YO, DUDE WAS DROPPIN' A LOT OF CASH AT THE CLUB. 739 00:55:02,500 --> 00:55:03,868 CASSIDY WAS UP IN THERE TOO, 740 00:55:03,901 --> 00:55:05,770 SWAPPIN' SPIT WITH STRIPPERS AND SHIT, 741 00:55:05,803 --> 00:55:07,872 AND OUT OF NOWHERE, PRETTY BOY 742 00:55:07,905 --> 00:55:10,708 JUST KNUCKLES THE HICK LIKE DE LA HOYA IN THE FIFTH. 743 00:55:10,741 --> 00:55:12,377 MUST'VE BEEN TALKIN' SHIT 744 00:55:12,410 --> 00:55:14,078 ABOUT CASSIDY'S TIGHT ASS OR SOMETHIN'. 745 00:55:14,111 --> 00:55:16,080 BUT, YO, I WALK OUTSIDE, I SEE THE SAME TWO CATS CHILLIN', 746 00:55:16,113 --> 00:55:17,515 KICKIN' IT LIKE THEY PALS AND SHIT. 747 00:55:17,548 --> 00:55:18,916 - ANDRE STAY WITH CASSIDY? 748 00:55:18,949 --> 00:55:20,818 - MAN, NOW, YOU KNOW ANDRE STAY WITH CASSIDY. 749 00:55:20,851 --> 00:55:22,887 SHE AIN'T GOING NOWHERE WITHOUT HIM BREATHIN' UP HER ASS. 750 00:55:22,920 --> 00:55:24,755 - WELL, IF YOUR HICK GETS ON A FLIGHT, 751 00:55:24,789 --> 00:55:26,357 YOU GET YOUR ASS ON THE SAME FLIGHT, 752 00:55:26,391 --> 00:55:27,725 AND DON'T LET HIM OUT OF YOUR SIGHT. 753 00:55:27,758 --> 00:55:29,059 - ALL RIGHT. 754 00:55:34,432 --> 00:55:37,402 [both moaning] 755 00:55:37,435 --> 00:55:39,336 - FUCK. 756 00:55:59,690 --> 00:56:00,858 WHAT THE FUCK, CATALINA? 757 00:56:03,828 --> 00:56:05,496 - [laughs] 758 00:56:05,530 --> 00:56:08,633 OH, ANTONIO. 759 00:56:08,666 --> 00:56:12,169 I DON'T KNOW WHAT YOU ENJOY MORE, 760 00:56:12,202 --> 00:56:15,573 EITHER MAKING LOVE TO A BEAUTIFUL WOMAN 761 00:56:15,606 --> 00:56:19,844 OR SLASHING YOUR KNIFE INTO AN UGLY MAN. 762 00:56:23,013 --> 00:56:24,715 - I THINK WE COULD HAVE SOME PRIVACY. 763 00:56:25,983 --> 00:56:28,653 - YOU CAN HAVE WHAT YOU LIKE. 764 00:56:30,455 --> 00:56:32,690 YOU ALWAYS HAVE. 765 00:56:35,159 --> 00:56:36,527 - IS THAT RIGHT? 766 00:56:40,865 --> 00:56:42,600 I CAN HAVE WHATEVER I WANT. 767 00:56:42,633 --> 00:56:44,401 - [laughs] 768 00:56:57,114 --> 00:56:59,416 I HAVE A QUESTION, LITTLE ONE. 769 00:57:05,222 --> 00:57:07,892 DID MY BROTHER MAKE YOU HAPPY? 770 00:57:13,564 --> 00:57:14,865 - WHAT DO YOU THINK? 771 00:57:20,905 --> 00:57:23,107 - SEX WITHOUT VIOLENCE... 772 00:57:26,944 --> 00:57:28,946 IS MEDIOCRITY. 773 00:57:32,249 --> 00:57:34,552 ENJOY IT WHILE IT LASTS. 774 00:57:42,660 --> 00:57:44,895 - I WILL. 775 00:57:44,929 --> 00:57:47,865 [water pattering] 776 00:57:58,776 --> 00:58:00,911 - * YEAH, WE CAME HERE TO FIGHT FOR ONE REASON * 777 00:58:00,945 --> 00:58:02,880 * AND NOBODY IS LEAVIN' TILL ONE OF US * 778 00:58:02,913 --> 00:58:04,982 * STOPS SWINGIN' OR SOMEBODY'S NOT BREATHIN' * 779 00:58:05,015 --> 00:58:06,884 * WE'LL FIGHT JUST LIKE A COUPLE WILD LIONS * 780 00:58:06,917 --> 00:58:08,218 * IN THE JUNGLE 781 00:58:08,252 --> 00:58:10,555 * SO LET'S GET READY TO RUMBLE 782 00:58:10,588 --> 00:58:11,722 * WE'LL FIGHT FOR ONE REASON 783 00:58:11,756 --> 00:58:13,624 * AND NOBODY IS LEAVIN' 784 00:58:13,658 --> 00:58:15,560 - YO, COME ON. HICK'S ON THE MOVE. 785 00:58:15,593 --> 00:58:17,227 - * WE'LL FIGHT JUST LIKE A COUPLE WILD LIONS * 786 00:58:17,261 --> 00:58:18,596 * IN THE JUNGLE 787 00:58:18,629 --> 00:58:20,831 * SO LET'S GET READY TO RUMBLE 788 00:58:22,600 --> 00:58:25,002 - HEY, MAN, I'M LOOKIN' FOR SOMEBODY NAMED LOU. 789 00:58:25,035 --> 00:58:26,103 - WHO WANTS TO KNOW? 790 00:58:26,136 --> 00:58:27,772 - I'M COWBOY. 791 00:58:27,805 --> 00:58:29,874 I'M TOLD MAYBE YOU, UH, 792 00:58:29,907 --> 00:58:32,109 MIGHT BE ABLE TO HOOK ME UP WITH, LIKE, A-- 793 00:58:32,142 --> 00:58:33,811 A MANNEQUIN-LIKE THING. 794 00:58:35,746 --> 00:58:37,281 I'LL GIVE YOU 50 BUCKS FOR THIS ONE. 795 00:58:37,314 --> 00:58:38,783 - 50 BUCKS? 796 00:58:38,816 --> 00:58:39,984 YOU CRAZY? GO FUCK YOURSELF. 797 00:58:40,017 --> 00:58:41,619 - COME ON, LOU. HEY, HEY, ALL RIGHT. 798 00:58:41,652 --> 00:58:43,187 I'LL GIVE YOU 75 BUCKS FOR THE LITTLE ONE. 799 00:58:43,220 --> 00:58:45,122 - NO, GO FUCK YOURSELF. 800 00:58:45,155 --> 00:58:47,658 - I'LL GIVE YOU 100 BUCKS. THAT'S AS FAR AS I CAN GO. 801 00:58:47,692 --> 00:58:49,560 - * WE'LL FIGHT JUST LIKE A COUPLE WILD LIONS * 802 00:58:49,594 --> 00:58:50,728 * IN THE JUNGLE 803 00:58:50,761 --> 00:58:52,763 * SO LET'S GET READY TO RUMBLE 804 00:58:52,797 --> 00:58:54,131 * WE'LL FIGHT FOR ONE REASON 805 00:58:54,164 --> 00:58:56,033 * AND NOBODY IS LEAVIN' TILL ONE OF US * 806 00:58:56,066 --> 00:58:58,168 * STOPS SWINGIN' OR SOMEBODY'S NOT BREATHIN' * 807 00:58:58,202 --> 00:59:00,771 * WE'LL FIGHT JUST LIKE A COUPLE WILD LIONS * 808 00:59:03,040 --> 00:59:06,010 [driving rock music] 809 00:59:06,043 --> 00:59:10,748 * 810 00:59:10,781 --> 00:59:12,650 - SO I THOUGHT YOU GUYS MIGHT WANT TO KNOW 811 00:59:12,683 --> 00:59:14,318 WHAT MY GIRLS OVERHEARD LAST NIGHT. 812 00:59:14,351 --> 00:59:15,853 - I'M ALL EARS. 813 00:59:15,886 --> 00:59:17,354 - WELL, CHASTITY, 814 00:59:17,387 --> 00:59:19,657 DANCING FOR A COUPLE OF GUYS, 815 00:59:19,690 --> 00:59:21,626 COUPLE OF HEAVIES ALL JACKED UP, 816 00:59:21,659 --> 00:59:23,961 BIG DUDES, 817 00:59:23,994 --> 00:59:25,630 SHE SAYS THEY START BRAGGIN', 818 00:59:25,663 --> 00:59:28,098 TALKIN' ABOUT WHACKIN' COPS AND SHIT. 819 00:59:28,132 --> 00:59:29,299 - DID SHE SAY WHICH ONES? 820 00:59:29,333 --> 00:59:31,936 - WHY DON'T YOU ASK HER? 821 00:59:31,969 --> 00:59:34,071 SHE'S THE ONE IN THE MIDDLE, 822 00:59:34,104 --> 00:59:36,040 DOIN' SHIT SHE AIN'T SUPPOSED TO BE DOING. 823 00:59:37,975 --> 00:59:39,343 - YOU WOULDN'T HAPPEN TO HAVE ANY TAPE 824 00:59:39,376 --> 00:59:40,845 WE MIGHT WANT TO LOOK AT, WOULD YOU? 825 00:59:40,878 --> 00:59:43,247 - OOH, I THOUGHT YOU MIGHT ASK THAT. 826 00:59:43,280 --> 00:59:45,349 WELL, CHECK THIS OUT. 827 00:59:46,684 --> 00:59:48,653 RIGHT ABOUT NOW. 828 00:59:51,321 --> 00:59:53,924 - YOU MIND IF I HAVE A FEW WORDS WITH MISS CHASTITY? 829 00:59:53,958 --> 00:59:55,092 - BE MY GUEST. 830 00:59:55,125 --> 00:59:56,727 - SO THE COWBOY'S GOT A NAME. 831 00:59:56,761 --> 00:59:58,162 IT'S RANDY PRICE. HE'S FROM MEMPHIS. 832 00:59:58,195 --> 00:59:59,897 THEY CALL HIM "THE HICK." 833 00:59:59,930 --> 01:00:01,766 HE WAS PICKED UP ONCE ON SUSPICION OF ARMED ROBBERY. 834 01:00:01,799 --> 01:00:03,734 HE WAS TRYIN' TO HOLD UP A COUPLE OF DRUG DEALERS, 835 01:00:03,768 --> 01:00:06,003 BUT THEY LET HIM GO 'CAUSE HE LED 'EM TO SOME DRUG DEALS 836 01:00:06,036 --> 01:00:07,705 THEY WERE TRYIN' TO TAKE DOWN FOR MONTHS. 837 01:00:07,738 --> 01:00:09,273 - SO WHAT IS THE GOOD MAYOR ALVAREZ 838 01:00:09,306 --> 01:00:11,041 DOING IN A PHOTO WITH CATALINA VEGA? 839 01:00:11,075 --> 01:00:12,710 - WELL, HE'S GOT GOOD TASTE. 840 01:00:12,743 --> 01:00:14,144 HIS WIFE LEFT HIM 'CAUSE HE WAS FUCKIN' 841 01:00:14,178 --> 01:00:15,813 A 29-YEAR-OLD STRIPPER. 842 01:00:15,846 --> 01:00:17,414 NOW WE KNOW HE WAS FUCKIN' CATALINA VEGA. 843 01:00:17,447 --> 01:00:19,784 - SO THEN I'M WONDERIN' WHAT THE GOOD MAYOR ALVAREZ 844 01:00:19,817 --> 01:00:21,752 IS DOIN' HANGING WITH THE VEGA FAMILY. 845 01:00:21,786 --> 01:00:23,187 - WHAT ABOUT THESE TWO GENTLEMEN 846 01:00:23,220 --> 01:00:24,755 THAT WERE BRAGGIN' ABOUT KILLIN' COPS? 847 01:00:24,789 --> 01:00:26,691 - BEEN ON THE VEGA PAYROLL FOR YEARS. 848 01:00:26,724 --> 01:00:28,826 ANTONIO CALLS 'EM HIS SECURITY PEOPLE. 849 01:00:28,859 --> 01:00:31,762 - SO THAT'S WHAT YOU CALL 'EM NOW, SECURITY PEOPLE, 850 01:00:31,796 --> 01:00:34,264 'CAUSE YOU'RE, LIKE, IN WITH THE FAMILY? 851 01:00:34,298 --> 01:00:37,134 THEY'RE FUCKIN' SCUMBAGS JUST LIKE YOUR BOYFRIEND, ANTONIO. 852 01:00:37,167 --> 01:00:38,869 - YOU FUCKIN' ASSHOLE. 853 01:00:38,903 --> 01:00:40,738 WHY DON'T YOU DO YOUR JOB AND LET ME DO MINE? 854 01:00:40,771 --> 01:00:42,272 - I AM DOIN' MY JOB. 855 01:00:42,306 --> 01:00:44,074 I'M NOT GETTIN' CAUGHT UP LIKE SOME PEOPLE. 856 01:00:44,108 --> 01:00:45,375 - IS THERE A PROBLEM, ANDRE? 857 01:00:47,177 --> 01:00:48,378 IS THERE A PROBLEM? 858 01:00:50,080 --> 01:00:51,982 - THERE IS NO PROBLEM, SIR. 859 01:00:52,016 --> 01:00:53,918 - WE HAVE A GOOD GAME PLAN HERE, 860 01:00:53,951 --> 01:00:55,285 AND I DON'T NEED IT TO BE FUCKED UP 861 01:00:55,319 --> 01:00:56,987 AT THE 12TH HOUR. 862 01:00:57,021 --> 01:00:59,990 I NEED EVERYONE TO BE FOCUSED. 863 01:01:00,024 --> 01:01:01,826 ALL RIGHT, CHECK OUT TENNESSEE. 864 01:01:01,859 --> 01:01:03,861 SEE WHAT THE HELL HE'S DOIN' IN MANHATTAN. 865 01:01:07,798 --> 01:01:10,200 - ANDRE, 866 01:01:10,234 --> 01:01:13,003 MIND HANGIN' TIGHT IN MY OFFICE FOR A MINUTE? 867 01:01:13,037 --> 01:01:14,304 SO I GOT TOO MUCH RESPECT FOR YOU 868 01:01:14,338 --> 01:01:15,806 TO BEAT AROUND THE BUSH. 869 01:01:15,840 --> 01:01:17,742 - NEVER HAVE. 870 01:01:17,775 --> 01:01:19,409 - I DON'T KNOW WHAT'S GOIN' ON BETWEEN THE TWO OF YOU, 871 01:01:19,443 --> 01:01:21,411 BUT QUITE FRANKLY, I DON'T GIVE A FUCK. 872 01:01:21,445 --> 01:01:23,748 I'M NOT GONNA JEOPARDIZE YOU. I'M NOT GONNA JEOPARDIZE HER. 873 01:01:23,781 --> 01:01:25,082 I'M NOT GONNA JEOPARDIZE THIS CASE. 874 01:01:25,115 --> 01:01:27,117 SO I'M GONNA ASK YOU ONE TIME, MAN. 875 01:01:27,151 --> 01:01:28,252 CAN YOU HANDLE THIS SHIT? 876 01:01:31,055 --> 01:01:33,157 - I CAN HANDLE IT. 877 01:01:33,190 --> 01:01:35,159 I THINK YOU SHOULD BE ASKIN' HER THAT. 878 01:01:35,192 --> 01:01:37,394 - IT'S MY BUSINESS. 879 01:01:37,427 --> 01:01:39,029 - OKAY. 880 01:01:39,063 --> 01:01:40,197 I'M GOOD. 881 01:01:40,230 --> 01:01:41,698 - GOOD. 882 01:02:04,121 --> 01:02:05,422 TALK TO ME. 883 01:02:11,261 --> 01:02:13,197 - I SLEPT WITH VEGA. 884 01:02:16,066 --> 01:02:17,434 - I KNOW. 885 01:02:19,937 --> 01:02:21,438 - HOW DO YOU KNOW? 886 01:02:24,942 --> 01:02:26,811 - IT'S MY JOB. 887 01:02:32,382 --> 01:02:34,084 - AND YOU'RE OKAY WITH THAT? 888 01:02:37,421 --> 01:02:39,423 - NOW, YOU KNOW WHAT I SAY, CASSIDY. 889 01:02:39,456 --> 01:02:41,959 FUCK THE RULES AND THOSE WHO WROTE 'EM. 890 01:02:47,364 --> 01:02:50,367 - I HEARD ANTONIO TALKING TO DIEGO AND CATALINA 891 01:02:50,400 --> 01:02:54,104 LIKE YACONELLI WAS A TROPHY KILL. 892 01:02:58,575 --> 01:03:02,880 HE SAID HE SQUEALED LIKE A PIG WHEN HE CUT OFF HIS NIPPLE. 893 01:03:08,085 --> 01:03:10,320 THEN HE LAUGHED, 894 01:03:10,354 --> 01:03:13,858 AND HE SAID HE WANTED TO KEEP IT AS A SOUVENIR. 895 01:03:18,929 --> 01:03:20,831 - I'M GONNA PULL YOU OUT. 896 01:03:28,005 --> 01:03:29,239 YOU DID GOOD. 897 01:03:45,455 --> 01:03:47,191 - WE'RE HERE TO SEE MR. VEGA. 898 01:03:47,224 --> 01:03:48,893 - DO YOU HAVE AN APPOINTMENT? 899 01:03:48,926 --> 01:03:50,627 - DON'T NEED ONE. 900 01:03:50,660 --> 01:03:52,462 - MAY I POUR YOU GENTLEMEN SOMETHING SPECIAL? 901 01:03:52,496 --> 01:03:54,031 - YOU KNOW THE DRILL. 902 01:03:54,064 --> 01:03:55,465 WE'RE ON DUTY. WE CAN'T DO THAT. 903 01:03:55,499 --> 01:03:57,067 - I'LL HAVE WHAT YOU'RE HAVIN'. 904 01:04:05,943 --> 01:04:09,213 - PLEASE, MAKE YOURSELF AT HOME. 905 01:04:09,246 --> 01:04:10,647 TO WHAT DO I OWE THIS VISIT, HUH? 906 01:04:10,680 --> 01:04:12,149 - WE'RE JUST HERE TO INVITE YOU 907 01:04:12,182 --> 01:04:14,251 TO PLAY 18 HOLES OF GOLF WITH US ON SUNDAY. 908 01:04:14,284 --> 01:04:16,353 YOU AVAILABLE? 909 01:04:16,386 --> 01:04:18,188 - I'M SORRY, GENTLEMEN. I DON'T PLAY GOLF. 910 01:04:18,222 --> 01:04:19,856 - NEITHER DO WE. 911 01:04:21,258 --> 01:04:22,259 - I SEE. 912 01:04:28,632 --> 01:04:31,902 - CATALINA ISLAND. 913 01:04:31,936 --> 01:04:33,070 WHAT IS IT, GENE? 914 01:04:33,103 --> 01:04:34,538 "26 MILES ACROSS THE SEA, 915 01:04:34,571 --> 01:04:37,274 "SANTA CATALINA'S WAITING FOR ME, 916 01:04:37,307 --> 01:04:39,543 "THE ISLAND OF ROMANCE, 917 01:04:39,576 --> 01:04:41,445 ROMANCE." 918 01:04:41,478 --> 01:04:43,380 YOU LIKE TO FISH? 919 01:04:43,413 --> 01:04:44,915 - WHAT? 920 01:04:44,949 --> 01:04:47,151 - NEITHER DO I. 921 01:04:47,184 --> 01:04:48,652 I WONDER IF, UH, 922 01:04:48,685 --> 01:04:50,620 ERIC CARTER LIKED TO FISH. 923 01:04:54,058 --> 01:04:56,226 THE NAME STEVE YACONELLI RING A BELL? 924 01:04:56,260 --> 01:04:59,163 HE'S A COP THAT WORKED FOR US. 925 01:04:59,196 --> 01:05:01,431 DEAD, MISSING PART OF HIS ANATOMY. 926 01:05:01,465 --> 01:05:03,400 YOU WOULDN'T KNOW ANYTHING ABOUT THAT? 927 01:05:03,433 --> 01:05:05,169 NAH, I DIDN'T THINK SO. 928 01:05:05,202 --> 01:05:08,372 HEY, GINO, THINK STEVE LIKED TO FISH? 929 01:05:08,405 --> 01:05:12,309 YOU SEE, I GET SEASICK, THE INNER EAR THING. 930 01:05:12,342 --> 01:05:14,444 COULDN'T STAND RIDING THOSE FUCKIN' TEACUPS 931 01:05:14,478 --> 01:05:15,712 WHEN I WAS A KID. 932 01:05:15,745 --> 01:05:17,681 SAME THING WITH THE MERRY-GO-ROUNDS. 933 01:05:17,714 --> 01:05:20,084 I THINK I'D LIKE FISHIN', GENE, 934 01:05:20,117 --> 01:05:21,718 IF I DIDN'T GET SO FUCKIN' SICK. 935 01:05:21,751 --> 01:05:23,353 I HATE PUKING, 936 01:05:23,387 --> 01:05:24,688 BUT I LOVE CATCHIN' SHIT. 937 01:05:24,721 --> 01:05:27,324 - ENOUGH WITH THIS BULLSHIT, GENTLEMEN. 938 01:05:27,357 --> 01:05:29,226 I POUR YOU A SHOT OF $800 TEQUILA, 939 01:05:29,259 --> 01:05:31,495 AND YOU WANT TO COME IN HERE AND FUCK WITH ME? 940 01:05:31,528 --> 01:05:32,529 ARE YOU THAT CRAZY? 941 01:05:32,562 --> 01:05:34,298 WHAT DO YOU WANT? 942 01:05:34,331 --> 01:05:36,400 - THIS PIECE OF SHIT JUST CALL ME CRAZY? 943 01:05:39,536 --> 01:05:40,704 YOU CALL ME CRAZY? 944 01:05:45,442 --> 01:05:48,512 [both grunting] 945 01:05:53,117 --> 01:05:54,184 - BACK OFF. 946 01:05:56,420 --> 01:05:57,687 [gun cocks] 947 01:05:57,721 --> 01:05:59,689 - MAYBE YOU OUGHT TO TRY BOWLING SOMETIME. 948 01:05:59,723 --> 01:06:03,227 EVERY MAN NEEDS SOME FUCKIN' FUN IN HIS LIFE. 949 01:06:03,260 --> 01:06:04,728 - I'LL SEE YOU AGAIN, MARINO. 950 01:06:04,761 --> 01:06:05,695 - COUNT ON IT. 951 01:06:30,454 --> 01:06:32,489 YOU IDIOT. 952 01:06:32,522 --> 01:06:35,459 [siren wailing] 953 01:06:51,841 --> 01:06:54,478 - SO HOW ARE THINGS GOING WITH, UH--WITH PAM? 954 01:06:54,511 --> 01:06:56,480 - DON'T YOU EVER SHUT UP ABOUT THAT? 955 01:06:56,513 --> 01:06:57,714 YOU WANT TO TALK ABOUT WOMEN? 956 01:06:57,747 --> 01:06:59,749 LET'S TALK ABOUT SOLEIL. 957 01:06:59,783 --> 01:07:01,151 DID YOU EVER HIT THAT? - NO. 958 01:07:01,185 --> 01:07:02,619 [flashlight clicks] 959 01:07:02,652 --> 01:07:04,254 - KEEP YOUR HANDS WHERE I CAN SEE 'EM. 960 01:07:05,822 --> 01:07:07,791 - YOU'RE MAKIN' A BIG MISTAKE, PAL. 961 01:07:07,824 --> 01:07:09,259 [flashlight clicks] 962 01:07:15,832 --> 01:07:16,766 - MOVE IT. 963 01:07:18,768 --> 01:07:20,404 - YOU DRIVE. 964 01:07:20,437 --> 01:07:22,239 GET IN THE BACK. 965 01:07:28,812 --> 01:07:30,447 GET IN THE FUCKIN' CAR. 966 01:07:30,480 --> 01:07:32,616 - THAT GOES FOR YOU TOO. 967 01:07:52,336 --> 01:07:54,371 - START THE CAR. 968 01:07:58,142 --> 01:07:59,476 START THE FUCKING CAR. 969 01:08:03,780 --> 01:08:06,583 - YOU LIKE TO FISH? 970 01:08:06,616 --> 01:08:08,685 - WHAT? 971 01:08:08,718 --> 01:08:10,154 - NEITHER DO I. 972 01:08:10,187 --> 01:08:11,421 - START-- 973 01:08:11,455 --> 01:08:14,391 [grunting] 974 01:08:16,626 --> 01:08:19,463 [grunting] 975 01:08:20,697 --> 01:08:23,633 [yelling] 976 01:08:26,570 --> 01:08:29,506 [grunting] 977 01:08:38,215 --> 01:08:39,149 [glass shatters] 978 01:08:49,193 --> 01:08:50,327 [gunshot] 979 01:09:31,368 --> 01:09:33,770 - GINO. - FUCK. 980 01:09:33,803 --> 01:09:34,804 [grunts] 981 01:09:36,806 --> 01:09:38,575 FUCK. 982 01:09:38,608 --> 01:09:40,444 - GET THE FUCK OUT OF HERE, YOU PIECE OF SHIT. 983 01:09:43,012 --> 01:09:45,582 [both panting] 984 01:09:46,850 --> 01:09:50,387 - FUCKER DESERVES TO DIE. 985 01:09:50,420 --> 01:09:53,557 - HE'S FUCKIN' DEAD ALREADY. 986 01:09:53,590 --> 01:09:56,660 [siren wailing] 987 01:09:56,693 --> 01:09:58,628 [monitor beeping] 988 01:10:04,468 --> 01:10:06,002 - IT'S DONE, SURE. 989 01:10:06,035 --> 01:10:08,638 - WHAT'S THE DAMAGE? - WILSON'S GOOD. 990 01:10:08,672 --> 01:10:10,640 HIS WIFE JUST CAME AND TOOK HIM HOME. 991 01:10:10,674 --> 01:10:12,509 AND MARINO ACTUALLY DOESN'T LOOK TOO BAD 992 01:10:12,542 --> 01:10:14,778 CONSIDERING HE JUST HAD THE CRAP KICKED OUT OF HIM. 993 01:10:14,811 --> 01:10:16,713 - IS HE CONSCIOUS? - HE'S CONSCIOUS. 994 01:10:16,746 --> 01:10:18,582 LIKE ALWAYS, HE'S NOT SAYIN' SHIT. 995 01:10:18,615 --> 01:10:19,749 - HOW ABOUT WILSON? 996 01:10:19,783 --> 01:10:21,585 - HE GAVE THE NAME OF THE DECEASED 997 01:10:21,618 --> 01:10:22,652 AS FLAGMAN. 998 01:10:22,686 --> 01:10:24,688 - AND THAT'S IT? - NOPE. 999 01:10:24,721 --> 01:10:26,590 WE GOT A HELL OF A MESS AT THE CRIME SCENE, 1000 01:10:26,623 --> 01:10:28,958 AND THE PRESS IS ALREADY BREATHING DOWN OUR BACKS. 1001 01:10:28,992 --> 01:10:31,495 - KEEP THIS AIRTIGHT. 1002 01:10:31,528 --> 01:10:32,929 - YOU'RE A LUCKY BOY. EVERYTHING LOOKS GOOD. 1003 01:10:32,962 --> 01:10:34,631 NO BROKEN RIBS. 1004 01:10:34,664 --> 01:10:37,301 THE FACIAL LACERATIONS AND CONTUSIONS ARE NO BIG DEAL. 1005 01:10:37,334 --> 01:10:38,768 THE NURSE WILL HELP YOU FINISH YOUR PAPERWORK, 1006 01:10:38,802 --> 01:10:39,769 AND YOU'LL BE GOOD TO GO. 1007 01:10:39,803 --> 01:10:40,737 - THANK YOU. 1008 01:10:53,783 --> 01:10:55,419 - THIS SHIT STOPS NOW. 1009 01:11:07,096 --> 01:11:08,332 - I'LL BE RIGHT OUTSIDE. 1010 01:11:18,775 --> 01:11:22,512 - I'M NOT GONNA LET YOU END UP ON AN AUTOPSY TABLE, MIKE. 1011 01:11:22,546 --> 01:11:24,914 I CAN HAVE ANTONIO VEGA PICKED UP RIGHT NOW 1012 01:11:24,948 --> 01:11:28,017 FOR SUSPICION OF MURDER AND END THIS. 1013 01:11:31,054 --> 01:11:32,756 - I WANT 'EM ALL. 1014 01:11:37,394 --> 01:11:38,428 - BIG NICK. 1015 01:11:41,831 --> 01:11:43,600 YOU LOOK LIKE SHIT. 1016 01:11:43,633 --> 01:11:46,035 - CAN YOU CUT ME SOME SLACK HERE, JUAN? 1017 01:11:46,069 --> 01:11:48,605 - CAN'T DO IT, NICK. IT'S BUSINESS. 1018 01:11:51,007 --> 01:11:53,977 - HOW MANY TIMES HAVE I SAVED YOUR LIFE? 1019 01:11:54,010 --> 01:11:55,645 - CATALINA SAYS YOU GOT TO GO. 1020 01:11:57,414 --> 01:11:58,682 YOU LOOK HALF DEAD ANYWAYS. 1021 01:11:58,715 --> 01:12:00,850 NIGHT, NICKY. 1022 01:12:00,884 --> 01:12:01,818 [gunshot] 1023 01:12:07,757 --> 01:12:10,394 - MAN, YOU SAID 3:00. 1024 01:12:10,427 --> 01:12:11,828 I TOLD YOU GUYS I'D-- - TURN AROUND. 1025 01:12:11,861 --> 01:12:14,598 - WHAT? ARE YOU FUCKIN' SERIOUS, BRO? 1026 01:12:14,631 --> 01:12:16,433 FUCK. 1027 01:12:16,466 --> 01:12:18,502 MAN, I TOLD YOU I'D CALL YOU WHEN I GOT SOMETHIN'. 1028 01:12:18,535 --> 01:12:20,370 YOU'RE GONNA MAKE ME WAIT HERE LIKE THIS SHIT? 1029 01:12:20,404 --> 01:12:22,038 - TAKE A HIKE, SKID MARK. 1030 01:12:22,071 --> 01:12:23,740 - YO, MAN, YOU BETTER NOT BE WASTING OUR TIME. 1031 01:12:23,773 --> 01:12:25,409 - YO, WHO THE FUCK'S THIS OLD MAN? 1032 01:12:25,442 --> 01:12:27,444 SHIT AIN'T PART OF DEAL, BRO. YOU KNOW THAT. 1033 01:12:27,477 --> 01:12:28,812 - OSCAR, CUT THE SHIT. 1034 01:12:28,845 --> 01:12:30,847 TELL US WHAT WE WANT TO HEAR. 1035 01:12:30,880 --> 01:12:32,916 - WELL, LIKE I TOLD YOU ON THE PHONE, 1036 01:12:32,949 --> 01:12:36,620 YOU SHOW ME WHAT YOU GOT, AND I'LL GIVE YOU WHAT I GOT. 1037 01:12:36,653 --> 01:12:38,087 SIMPLE AS THAT, MAN. - ALL RIGHT. 1038 01:12:38,121 --> 01:12:39,623 - GIVE HIM SOME CASH, DJ. - I GOT 'EM. 1039 01:12:42,792 --> 01:12:43,860 - BAM. 1040 01:12:43,893 --> 01:12:45,729 - MAN, THAT SHIT'S FUCKED UP. 1041 01:12:45,762 --> 01:12:48,398 I GIVE YOU MY WORD, AND YOU SHOW ME ANDREW FUCKING JACKSON? 1042 01:12:48,432 --> 01:12:49,466 - NO? 1043 01:12:49,499 --> 01:12:50,834 - MAN, WHAT KIND OF SHIT IS THAT? 1044 01:12:50,867 --> 01:12:52,569 - I KNOW YOU HEARD OF BENJAMIN FRANKLIN. 1045 01:12:52,602 --> 01:12:53,837 - YO, HE AIN'T WORTH THAT KIND OF CASH. 1046 01:12:53,870 --> 01:12:55,639 - SHIT, MAN, YOU SEE, 1047 01:12:55,672 --> 01:12:58,408 THIS MAN KNOWS HOW TO SHOW AN APPRECIATION FOR WHAT I DO. 1048 01:12:58,442 --> 01:13:02,045 THE WORD IS THAT THIS SHIT'S GONNA HIT THE STREETS NEXT WEEK. 1049 01:13:02,078 --> 01:13:04,047 - WELL, DOES THIS ENCYCLOPEDIA OF INFORMATION 1050 01:13:04,080 --> 01:13:06,950 IN YOUR FUCKED-UP HEAD TELL US WHERE THE SHIT'S COMIN' FROM? 1051 01:13:06,983 --> 01:13:09,486 - FUCK, MAN, I DON'T KNOW. 1052 01:13:09,519 --> 01:13:11,455 YOU KNOW HOW THAT GOES. 1053 01:13:11,488 --> 01:13:13,457 DON'T KNOW, MAN. 1054 01:13:16,526 --> 01:13:18,695 SOMETHIN' ABOUT SOME--SOME FOUNDRY 1055 01:13:18,728 --> 01:13:21,498 IN SOUTHGATE OR SOMETHIN'. 1056 01:13:21,531 --> 01:13:23,733 YOU KNOW HOW THAT SHIT-- HEY, MAN, YOU LEGIT. 1057 01:13:23,767 --> 01:13:25,535 YOU A GOOD MAN. 1058 01:13:25,569 --> 01:13:27,103 YOU GOT TO TEACH YOUR BOYS SOME FUCKIN' MANNERS. 1059 01:13:27,136 --> 01:13:28,872 YOU'RE A GOOD COP. YOU'RE MY FAVORITE-- 1060 01:13:28,905 --> 01:13:29,873 HE'S MY FAVORITE COP, MAN. 1061 01:13:29,906 --> 01:13:30,874 - I ALREADY GOT JET LAG. 1062 01:13:30,907 --> 01:13:32,141 YOU ABOUT TO GIVE ME A HEADACHE. 1063 01:13:32,175 --> 01:13:33,777 FUCK YOU. - IS THAT A GUCCI JACKET? 1064 01:13:33,810 --> 01:13:34,911 THAT'S A NICE FUCKIN' JACKET, MAN. 1065 01:13:34,944 --> 01:13:35,879 YOU SUAVE, MAN. 1066 01:13:39,616 --> 01:13:41,084 - HI, MIKE. - HI, DI. 1067 01:13:41,117 --> 01:13:42,486 - COME ON IN. 1068 01:13:42,519 --> 01:13:43,787 - THANK YOU. 1069 01:13:47,023 --> 01:13:49,593 - MIKE'S HERE TO SEE YOU. 1070 01:13:49,626 --> 01:13:50,860 - HAVE A SEAT, MIKE. 1071 01:13:56,633 --> 01:13:58,001 - WANT A DRINK? 1072 01:13:58,034 --> 01:13:59,669 - NO, I'M FINE. 1073 01:14:09,979 --> 01:14:11,515 HOW'S THINGS? 1074 01:14:13,717 --> 01:14:16,219 - LET'S GET TO THE POINT, MIKE. 1075 01:14:16,252 --> 01:14:17,954 SUM IT UP FOR ME. 1076 01:14:17,987 --> 01:14:19,523 - WE GOT AN INFORMANT. 1077 01:14:19,556 --> 01:14:20,724 HE SAYS A WHOLE LOT OF SHIT'S 1078 01:14:20,757 --> 01:14:22,592 GONNA HIT THE STREETS NEXT WEEK, 1079 01:14:22,626 --> 01:14:24,594 AND HE EVEN COUGHED UP A LOCATION, 1080 01:14:24,628 --> 01:14:25,995 FOUNDRY IN SOUTHGATE. 1081 01:14:26,029 --> 01:14:27,964 - WHAT ABOUT THE WIRETAPS? 1082 01:14:27,997 --> 01:14:29,165 - WORTHLESS. 1083 01:14:29,198 --> 01:14:31,100 THEY'RE TOO SMART FOR THAT. 1084 01:14:31,134 --> 01:14:32,936 - IS YOUR INFORMANT RELIABLE? 1085 01:14:32,969 --> 01:14:34,203 - I BELIEVE HIM. 1086 01:14:34,237 --> 01:14:36,506 - GOOD. 1087 01:14:36,540 --> 01:14:37,874 I GOT A GIFT FOR YOU. 1088 01:14:37,907 --> 01:14:39,609 THE D.E.A. CALLED. 1089 01:14:39,643 --> 01:14:40,944 THEY INTERCEPTED A PHONE CALL 1090 01:14:40,977 --> 01:14:43,713 BETWEEN ANTONIO VEGA AND MR. JUAN CARON 1091 01:14:43,747 --> 01:14:45,715 IN TIJUANA, AND THEY JUST SO HAPPENED 1092 01:14:45,749 --> 01:14:48,084 TO MENTION THEIR TRAVEL PLANS TO SOUTHGATE. 1093 01:14:48,117 --> 01:14:49,218 - LET ME GUESS. 1094 01:14:49,252 --> 01:14:50,554 50. 1095 01:14:50,587 --> 01:14:52,055 - MM-HMM. 1096 01:14:52,088 --> 01:14:54,123 - HOW ARE THEY TRANSPORTING THE SHIT? 1097 01:14:54,157 --> 01:14:56,192 - DON'T KNOW. THEY'RE WORKIN' ON IT. 1098 01:14:56,225 --> 01:14:58,762 DO WHATEVER YOU HAVE TO DO. 1099 01:15:01,230 --> 01:15:04,200 [somber orchestral music] 1100 01:15:04,233 --> 01:15:12,175 * 1101 01:16:17,841 --> 01:16:20,810 [dramatic music] 1102 01:16:20,844 --> 01:16:28,618 * 1103 01:16:50,774 --> 01:16:52,208 [metallic grinding] 1104 01:16:52,241 --> 01:16:53,777 [machinery whirling] 1105 01:16:53,810 --> 01:16:56,780 [Latin classical guitar music] 1106 01:16:56,813 --> 01:17:04,754 * 1107 01:17:15,264 --> 01:17:18,234 [suspenseful music] 1108 01:17:18,267 --> 01:17:26,843 * 1109 01:17:26,876 --> 01:17:29,879 [engine revving] 1110 01:17:41,958 --> 01:17:49,899 * 1111 01:17:56,906 --> 01:17:59,876 [ominous music] 1112 01:17:59,909 --> 01:18:07,216 * 1113 01:18:26,002 --> 01:18:26,936 [gunshots] 1114 01:18:30,206 --> 01:18:31,240 - LET'S GO. MOVE! MOVE! 1115 01:18:35,411 --> 01:18:37,180 [gunshots] 1116 01:18:47,423 --> 01:18:50,293 [distant gunfire] 1117 01:19:17,987 --> 01:19:18,922 [gunshot] 1118 01:19:20,289 --> 01:19:22,325 [gunshots] 1119 01:19:24,060 --> 01:19:27,030 [suspenseful music] 1120 01:19:27,063 --> 01:19:35,004 * 1121 01:19:36,372 --> 01:19:37,306 [gunshots] 1122 01:19:40,243 --> 01:19:42,511 - YOU GOT IT. GO. 1123 01:19:42,545 --> 01:19:43,479 [yells] 1124 01:20:01,164 --> 01:20:03,199 [distant gunshots] 1125 01:20:07,136 --> 01:20:08,471 - PUT THE GUN DOWN. 1126 01:20:10,306 --> 01:20:11,975 [gun clatters] 1127 01:20:13,342 --> 01:20:14,477 KICK IT AWAY. 1128 01:20:22,318 --> 01:20:24,353 [both grunting] 1129 01:20:25,521 --> 01:20:27,156 [gunshots] 1130 01:20:41,370 --> 01:20:43,272 - FUCK! - HEY, STOP IT! 1131 01:20:45,441 --> 01:20:48,111 [both grunting] 1132 01:20:51,180 --> 01:20:52,515 - DROP THE FUCKIN' GUN. DROP THE GUN! 1133 01:21:06,963 --> 01:21:08,164 [gunshots] 1134 01:21:13,636 --> 01:21:16,605 [ominous music] 1135 01:21:16,639 --> 01:21:24,948 * 1136 01:21:24,981 --> 01:21:27,951 [tense music] 1137 01:21:27,984 --> 01:21:36,125 * 1138 01:22:05,321 --> 01:22:07,623 - WE'VE DONE THIS BEFORE. 1139 01:22:10,626 --> 01:22:13,196 - IT APPEARS TO BE YOUR FATE, MARINO. 1140 01:22:50,033 --> 01:22:51,400 - MAN, I LOVE YOUR LIQUOR. 1141 01:23:14,157 --> 01:23:15,691 OH, I WISH YOU WOULD. 1142 01:23:15,724 --> 01:23:18,561 - I MAY DO THAT. 1143 01:23:18,594 --> 01:23:21,397 I HAVEN'T DECIDED YET. 1144 01:23:21,430 --> 01:23:22,798 - YEAH, BEFORE YOU DO, 1145 01:23:22,831 --> 01:23:25,268 GOT A SURPRISE FOR YOU. 1146 01:23:47,723 --> 01:23:49,225 - SHE WON'T SHOOT. 1147 01:23:49,258 --> 01:23:52,195 [gunshots] 1148 01:23:58,801 --> 01:24:02,338 [shell clinking] 1149 01:24:02,371 --> 01:24:05,308 [gunshots fading] 1150 01:24:09,245 --> 01:24:12,215 [melancholy piano music] 1151 01:24:12,248 --> 01:24:20,189 * 1152 01:24:46,215 --> 01:24:49,185 [dramatic orchestral music] 1153 01:24:49,218 --> 01:24:57,160 * 1154 01:25:37,200 --> 01:25:38,601 - HE'S GOT A POEM FOR YOU. 1155 01:25:38,634 --> 01:25:40,203 - REALLY? 1156 01:25:40,236 --> 01:25:41,670 - YOU HAVE THE RIGHT TO REMAIN SILENT. 1157 01:25:41,704 --> 01:25:43,172 ANYTHING YOU SAY CAN AND WILL 1158 01:25:43,206 --> 01:25:44,607 BE USED AGAINST YOU IN A COURT OF LAW. 1159 01:25:44,640 --> 01:25:46,242 YOU HAVE THE RIGHT TO HAVE AN ATTORNEY PRESENT 1160 01:25:46,275 --> 01:25:47,543 NOW AND DURING ANY FUTURE QUESTIONING. 1161 01:25:47,576 --> 01:25:49,712 - DOES MY BROTHER KNOW ABOUT YOU? 1162 01:25:49,745 --> 01:25:51,214 - YOUR BROTHER DOESN'T KNOW SHIT ANYMORE. 1163 01:25:51,247 --> 01:25:52,915 - WHAT'S THAT SUPPOSED TO MEAN? 1164 01:25:52,948 --> 01:25:55,218 - MEANS RIGHT ABOUT NOW, HE'S IN THE FUCKIN' MORGUE 1165 01:25:55,251 --> 01:25:57,553 FREEZIN' HIS NUTS OFF. 1166 01:25:57,586 --> 01:25:59,622 - NO. 1167 01:26:06,895 --> 01:26:08,831 - GET HER THE FUCK OUT OF HERE. 1168 01:26:22,545 --> 01:26:25,514 [dramatic orchestral music] 1169 01:26:25,548 --> 01:26:33,489 * 1170 01:27:01,484 --> 01:27:02,818 - LATER YESTERDAY EVENING, 1171 01:27:02,851 --> 01:27:04,620 ANOTHER MEMBER OF THE VEGA FAMILY 1172 01:27:04,653 --> 01:27:07,256 AND THE SISTER OF THE TWO DECEASED VEGA FAMILY MEMBERS, 1173 01:27:07,290 --> 01:27:08,857 CATALINA VEGA, WAS ARRESTED 1174 01:27:08,891 --> 01:27:11,460 AT HER MULTIMILLION-DOLLAR HOME IN MALIBU. 1175 01:27:11,494 --> 01:27:12,761 A PHOTO HAS BEEN RELEASED 1176 01:27:12,795 --> 01:27:14,730 OF THE 32-YEAR-OLD FORMER BEAUTY QUEEN 1177 01:27:14,763 --> 01:27:17,032 WITH THE NOW FORMER MAYOR ALVAREZ. 1178 01:27:17,065 --> 01:27:19,568 NO ONE IS COMMENTING ON THE POSSIBLE CONNECTION 1179 01:27:19,602 --> 01:27:21,770 BETWEEN ALVAREZ AND THE DEATHS AND ARRESTS 1180 01:27:21,804 --> 01:27:23,539 INVOLVING THE VEGA FAMILY. 1181 01:27:23,572 --> 01:27:27,343 THE ONLY COMMENTS FROM NEW ACTING MAYOR STEVEN JAMES 1182 01:27:27,376 --> 01:27:29,778 ARE KUDOS TO LOS ANGELES POLICE CHIEF EARL CURTIN 1183 01:27:29,812 --> 01:27:31,547 FOR A JOB WELL DONE 1184 01:27:31,580 --> 01:27:33,782 IN THE TAKEDOWN YESTERDAY THAT OCCURRED IN SOUTHGATE. 1185 01:27:33,816 --> 01:27:35,618 - IN OTHER LATE-BREAKING NEWS, 1186 01:27:35,651 --> 01:27:37,620 WHICH MAY OR MAY NOT BE CONNECTED TO THE NEWS 1187 01:27:37,653 --> 01:27:39,455 OUT OF THE MAYOR'S OFFICE THIS MORNING, 1188 01:27:39,488 --> 01:27:41,624 TWO MEMBERS OF AN INFLUENTIAL FAMILY, 1189 01:27:41,657 --> 01:27:44,827 ANTONIO AND DIEGO VEGA, WERE FOUND KILLED 1190 01:27:44,860 --> 01:27:46,595 IN AN L.A. DEPARTMENT SHOOT-OUT. 1191 01:27:46,629 --> 01:27:48,764 - LET'S GET THE HELL OUT OF HERE. 1192 01:27:48,797 --> 01:27:49,998 - WELL, THAT'S SOME SHIT, MAN. 1193 01:27:50,032 --> 01:27:51,767 - SPECIAL COMMENDATIONS TO THE LAPD? 1194 01:27:51,800 --> 01:27:53,602 WE DO ALL THE WORK, AND THEY GET ALL THE CREDIT? 1195 01:27:53,636 --> 01:27:55,037 THAT'S FUCKED UP. - LIKE I GIVE A DAMN ABOUT THAT. 1196 01:27:55,070 --> 01:27:56,905 I GOT TO SPEND MY TIME OFF IN THERAPY. 1197 01:27:56,939 --> 01:27:59,708 EVERYBODY ELSE AROUND HERE WALKIN' FINE; I GOT TO LIMP. 1198 01:27:59,742 --> 01:28:01,610 IT'S ALL GOOD, THOUGH, BECAUSE THAT'S WHAT I GET 1199 01:28:01,644 --> 01:28:03,446 FOR LETTIN' THAT WHITE BOY PUT A HOLE IN MY LEG. 1200 01:28:05,814 --> 01:28:07,716 [tires squealing] 1201 01:28:13,856 --> 01:28:17,460 [engines turning over] 1202 01:28:27,470 --> 01:28:29,338 [tires squealing] 1203 01:28:31,940 --> 01:28:35,077 [crunchy rock music] 1204 01:28:35,110 --> 01:28:37,613 - YOU GOT TO BE SHITTIN' ME. 1205 01:28:42,718 --> 01:28:43,919 MILO, RIGHT? 1206 01:28:43,952 --> 01:28:45,020 WHAT YOU UP TO, MAN? 1207 01:28:45,053 --> 01:28:46,021 - 5-0. 1208 01:28:46,054 --> 01:28:47,356 - OH, FUCK! 1209 01:28:47,390 --> 01:28:48,524 - WHERE YOU GOIN', LITTLE MAN? 1210 01:28:48,557 --> 01:28:51,527 [intense rock music] 1211 01:28:51,560 --> 01:28:59,502 * 1212 01:29:03,406 --> 01:29:06,842 - * AND AWAY WE GO 1213 01:29:09,011 --> 01:29:12,080 * AND AWAY, AWAY WE GO 1214 01:29:14,082 --> 01:29:16,785 * AND AWAY, AWAY WE 1215 01:29:16,819 --> 01:29:22,057 * WAY, AWAY WE, WAY, AWAY WE GO * 1216 01:29:22,090 --> 01:29:25,060 [man rapping] 1217 01:29:25,093 --> 01:29:33,035 * 1218 01:29:51,820 --> 01:29:54,690 * AWAY, AWAY WE GO 1219 01:29:56,525 --> 01:29:59,495 [sober rock music] 1220 01:29:59,528 --> 01:30:07,470 * 1221 01:30:20,583 --> 01:30:23,819 - * WHERE AM I 1222 01:30:23,852 --> 01:30:26,889 * WHERE AM I 1223 01:30:26,922 --> 01:30:29,191 * I DON'T KNOW THE SPACE THAT I AM FROM * 1224 01:30:29,224 --> 01:30:32,495 * I DON'T KNOW THE REASONS I HAVE RUN * 1225 01:30:32,528 --> 01:30:39,502 * I DON'T KNOW THE PLACE I CAME UNDONE * 1226 01:30:39,535 --> 01:30:42,037 * 1227 01:30:42,070 --> 01:30:46,842 * OOH, WHO AM I 1228 01:30:46,875 --> 01:30:49,478 * I DON'T KNOW THE START WHERE I'VE BEGUN * 1229 01:30:49,512 --> 01:30:52,481 * I DON'T KNOW THE NAMES THAT I HAVE WON * 1230 01:30:52,515 --> 01:30:57,886 * I DON'T KNOW WHY I'M SO VERY YOUNG * 1231 01:30:57,920 --> 01:31:01,023 * 1232 01:31:01,056 --> 01:31:03,659 * WHAT AM I 1233 01:31:03,692 --> 01:31:06,762 * WHAT AM I 1234 01:31:06,795 --> 01:31:09,532 * I DON'T KNOW THE THINGS THAT I'VE BECOME * 1235 01:31:09,565 --> 01:31:12,568 * I DON'T KNOW THE ROPE FROM WHICH I'VE HUNG * 1236 01:31:12,601 --> 01:31:19,875 * I DON'T KNOW THE MEANING OF THIS ONE * 1237 01:31:19,908 --> 01:31:26,849 * WHERE AM I 1238 01:31:26,882 --> 01:31:29,151 * I DON'T KNOW THE SPACE THAT I AM FROM * 1239 01:31:29,184 --> 01:31:32,287 * I DON'T KNOW THE REASONS I HAVE RUN * 1240 01:31:32,320 --> 01:31:41,897 * I DON'T KNOW THE PLACE I CAME UNDONE * 1241 01:31:41,930 --> 01:31:46,902 * 1242 01:31:46,935 --> 01:31:49,304 * I DON'T KNOW THE START WHERE I'VE BEGUN * 1243 01:31:49,337 --> 01:31:56,779 * I DON'T KNOW THE NAMES THAT I HAVE WON * 1244 01:31:56,812 --> 01:32:04,753 * 1245 01:32:16,832 --> 01:32:18,701 * WHAT DO I DO, WHO DO I SEE * 1246 01:32:18,734 --> 01:32:20,669 * WHERE DO I GO, HOW DO I FEEL * 1247 01:32:20,703 --> 01:32:24,573 * WHERE CAN I FIND 1248 01:32:24,607 --> 01:32:31,680 * WHAT WAS LEFT BEHIND 1249 01:32:31,714 --> 01:32:36,785 * 1250 01:32:36,819 --> 01:32:38,754 * WHO DO I TRUST, WHERE DO I GO * 1251 01:32:38,787 --> 01:32:42,190 * WHAT DO I SAY, WHEN IS IT REAL * 1252 01:32:42,224 --> 01:32:45,193 [melancholy piano music] 1253 01:32:45,227 --> 01:32:53,168 * 80180

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