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These are the user uploaded subtitles that are being translated: 1 00:00:07,034 --> 00:00:09,586 >>> GOOD EVENING, EVERYBODY, AND WELCOME TO THE 65th ANNUAL 2 00:00:09,620 --> 00:00:10,896 GRAMMY AWARDS. 3 00:00:10,931 --> 00:00:13,000 MY NAME IS TREVOR NOAH, AND FOR THE FIRST TIME IN THREE YEARS, 4 00:00:13,034 --> 00:00:16,551 WE ARE COMING TO YOU LIVE FROM LOS ANGELES. 5 00:00:16,586 --> 00:00:19,482 THE BEST CITY IN THE WORLD IF YOU IGNORE A FEW OTHER CITIES. 6 00:00:19,517 --> 00:00:22,482 TONIGHT, YOU ARE IN FOR A SPECIAL TREAT AS SOME OF THE 7 00:00:22,517 --> 00:00:26,034 MOST PHENOMENAL ARTISTS ON EARTH ARE GOING TO BE PERFORMING IN 8 00:00:26,068 --> 00:00:27,413 THIS BUILDING RIGHT BEHIND ME. 9 00:00:27,448 --> 00:00:30,482 AND THE RECORDING ACADEMY IS GOING TO BE GIVING AWAY THE 10 00:00:30,517 --> 00:00:36,206 BIGGEST SURPRISE IN ALL OF MUSIC, THE GRAMMY AWARD. 11 00:00:36,241 --> 00:00:37,482 SO, LET'S GET STRAIGHT INTO IT. 12 00:00:37,517 --> 00:00:43,000 TO KICK THINGS OFF ON MUSE'S BIGGEST NIGHT A GRAMMY-WINNING 13 00:00:43,034 --> 00:00:45,034 GLOBAL FORCE WHO IS THE MOST STREAMED AND LISTENED TO ARTIST 14 00:00:45,068 --> 00:00:48,172 IN THE WORLD WITH THREE NOMINATIONS THIS YEAR INCLUDING 15 00:00:48,206 --> 00:00:54,275 ALBUM OF THE YEAR "BIENVENIDO," BAD BUNNY! 16 00:00:54,310 --> 00:01:08,379 ♪ ♪ 17 00:01:08,413 --> 00:01:14,896 [ SPEAKING NON-ENGLISH ] ♪ 18 00:01:14,931 --> 00:01:25,482 ♪ [ SINGING IN NON-ENGLISH ] 19 00:01:25,517 --> 00:01:36,033 ♪ ♪ 20 00:01:36,068 --> 00:01:46,068 [ SINGING IN NON-ENGLISH ] [ CHEERS AND APPLAUSE ] 21 00:01:46,103 --> 00:01:53,310 [ SINGING IN NON-ENGLISH ] [ CHEERS AND APPLAUSE ] 22 00:01:53,344 --> 00:02:04,862 ♪ ♪ 23 00:02:04,896 --> 00:02:14,862 [ SINGING IN NON-ENGLISH ] ♪ 24 00:02:14,896 --> 00:02:24,896 ♪ [ SINGING IN NON-ENGLISH ] 25 00:02:24,931 --> 00:02:31,862 ♪ [ SINGING IN NON-ENGLISH ] 26 00:02:31,896 --> 00:02:41,896 ♪ ♪ 27 00:02:41,930 --> 00:02:46,930 ♪ ♪ 28 00:02:46,965 --> 00:02:58,344 [ SINGING IN NON-ENGLISH ] [ SPEAKING NON-ENGLISH ] 29 00:02:58,379 --> 00:03:11,000 [ CHEERS AND APPLAUSE ] ♪ 30 00:03:11,034 --> 00:03:23,310 ♪ [ SINGING IN NON-ENGLISH ] 31 00:03:23,344 --> 00:03:32,827 ♪ [ SINGING IN NON-ENGLISH ] 32 00:03:32,862 --> 00:03:45,448 ♪ ♪ 33 00:03:45,482 --> 00:03:58,758 [ SINGING IN NON-ENGLISH ] ♪ 34 00:03:58,793 --> 00:04:11,482 ♪ [ SPEAKING NON-ENGLISH ] 35 00:04:11,517 --> 00:04:21,517 [ SINGING IN NON-ENGLISH ] ♪ 36 00:04:21,551 --> 00:04:31,103 [ SINGING IN NON-ENGLISH ] ♪ 37 00:04:31,137 --> 00:04:41,137 ♪ [ SINGING IN NON-ENGLISH ] 38 00:04:41,172 --> 00:04:47,448 ♪ [ SINGING IN NON-ENGLISH ] 39 00:04:47,482 --> 00:05:00,689 ♪ ♪ 40 00:05:00,724 --> 00:05:13,379 [ SINGING IN NON-ENGLISH ] ♪ 41 00:05:13,413 --> 00:05:28,137 ♪ [ APPLAUSE ] 42 00:05:28,172 --> 00:05:38,172 ♪ ♪ 43 00:05:38,206 --> 00:05:46,689 ♪ ♪ 44 00:05:48,689 --> 00:05:58,689 [ CHEERS AND APPLAUSE ] 45 00:05:58,724 --> 00:06:05,172 [ CHEERS AND APPLAUSE ] 46 00:06:08,758 --> 00:06:09,689 >> OH, HEY. 47 00:06:09,724 --> 00:06:13,655 GIVE IT UP FOR BAD BUNNY, EVERYBODY! 48 00:06:13,689 --> 00:06:14,517 WOW! 49 00:06:14,551 --> 00:06:16,655 [ APPLAUSE ] WOW, THAT WAS INCREDIBLE. 50 00:06:16,689 --> 00:06:17,965 ABSOLUTELY INCREDIBLE. 51 00:06:18,000 --> 00:06:22,482 YOU KNOW, EVERY TIME I LISTEN TO HIM, I GET HIPS I NEVER KNEW I 52 00:06:22,517 --> 00:06:23,344 HAD. 53 00:06:23,379 --> 00:06:24,586 IT MAKES TRUMP WANT TO LEARN SPANISH. 54 00:06:24,620 --> 00:06:26,068 THAT'S WHAT IT DOES. 55 00:06:26,103 --> 00:06:27,344 [ SPEAKING NON-ENGLISH ] THIS IS IT, PEOPLE! 56 00:06:27,379 --> 00:06:29,103 WELCOME TO THE GRAMMYS, EVERYBODY! 57 00:06:29,137 --> 00:06:30,586 [ CHEERS AND APPLAUSE ] WELCOME TO IT. 58 00:06:30,620 --> 00:06:32,758 WE MADE IT. 59 00:06:32,793 --> 00:06:33,896 WE'RE BACK! 60 00:06:33,931 --> 00:06:36,379 AND I'M LUCKY ENOUGH TO BE BACK AS YOUR HOST TONIGHT. 61 00:06:36,413 --> 00:06:39,413 MY JOB IS TO BE YOUR EYES, YOUR EARS. 62 00:06:39,448 --> 00:06:40,724 I'LL BE FLOATING AROUND THIS AM RADIO. 63 00:06:40,758 --> 00:06:43,448 THINK OF ME LIKE A CHINESE SPY BALLOON. 64 00:06:43,482 --> 00:06:44,896 THAT'S WHAT I'M DOING RIGHT NOW. 65 00:06:44,931 --> 00:06:46,689 [ LAUGHTER ] GATHERING ALL THE INFORMATION 66 00:06:46,724 --> 00:06:47,344 YOU WANT. 67 00:06:47,379 --> 00:06:48,655 JUST LOOK AT ALL THE FACES. 68 00:06:48,689 --> 00:06:51,965 WE GOT THE BEST MUSICIANS, THE BEST PERFORMERS, BEST PRODUCERS 69 00:06:52,000 --> 00:06:53,241 IN THE WORLD. 70 00:06:53,275 --> 00:06:57,275 EVERY SONG ON TIKTOK THAT YOU HEAR, THERE ARE PEOPLE WHO MADE 71 00:06:57,310 --> 00:06:57,689 THEM. 72 00:06:57,724 --> 00:06:58,827 THIS IS THEM. 73 00:06:58,862 --> 00:07:00,896 AND WHEN I SAY WE HAVE THE BIGGEST NAMES, I MEAN THE 74 00:07:00,931 --> 00:07:02,620 BIGGEST NAMES IN THE ROOM. 75 00:07:02,655 --> 00:07:03,551 ARE YOU KIDDING ME? 76 00:07:03,586 --> 00:07:05,965 LL COOL J, MADURO IN THE ROOM. 77 00:07:06,000 --> 00:07:07,068 LOOK AT THIS ROOM. 78 00:07:07,103 --> 00:07:08,793 IT'S INSANE! 79 00:07:08,827 --> 00:07:10,586 IT'S THE WHO'S WHO'S EVERYBODY. 80 00:07:10,620 --> 00:07:11,448 WE GOT QUEST AND THE GANG. 81 00:07:11,482 --> 00:07:12,827 ARE YOU KIDDING ME RIGHT NOW? 82 00:07:12,862 --> 00:07:15,034 WE GOT BEYONCE'S IN THE ROOM, PEOPLE. 83 00:07:15,068 --> 00:07:19,482 [ APPLAUSE ] YOU UNDERSTAND HOW AMAZING THIS 84 00:07:19,517 --> 00:07:20,724 IS RIGHT NOW? 85 00:07:20,758 --> 00:07:24,241 YOU UNDERSTAND, BEYONCE IS NOMINATED FOR HER ALBUM 86 00:07:24,275 --> 00:07:26,793 "RENAISSANCE," WHICH, BY THE WAY WAS BETTER THAN ANYTHING FROM 87 00:07:26,827 --> 00:07:29,172 THE ACTUAL RENAISSANCE, IN MY OPINION. 88 00:07:29,206 --> 00:07:31,275 THE RENAISSANCE WAS JUST PICTURES OF GRAPES AND STUFF. 89 00:07:31,310 --> 00:07:32,862 BEYONCE TOOK IT UP ANOTHER LEVEL. 90 00:07:32,896 --> 00:07:37,896 IN FACT, I WAS SO INSPIRED BY THE LYRICS OF "BREAK MY SOUL," 91 00:07:37,931 --> 00:07:39,206 THAT I ACTUALLY QUIT MY JOB. 92 00:07:39,241 --> 00:07:40,620 THAT'S HOW POWERFUL THAT WAS. 93 00:07:40,655 --> 00:07:46,862 I JUST WISH BEYONCE HAD ALSO WRITTEN TABOUT THE IMPORTANCE OF 94 00:07:46,896 --> 00:07:50,034 HAVING SAVINGS BEFORE YOU QUIT YOUR JOB. 95 00:07:50,068 --> 00:07:52,655 HARRY STYLES IS TONIGHT, EVERYBODY! 96 00:07:52,689 --> 00:07:53,793 [ APPLAUSE ] THAT'S RIGHT. 97 00:07:53,827 --> 00:07:55,931 WHAT CAN YOU SAY ABOUT THIS MAN THAT HASN'T BEEN SAID? 98 00:07:55,965 --> 00:07:59,827 INCREDIBLE ALBUM, MIND-BLOWING -- WHAT IS IT 99 00:07:59,862 --> 00:08:01,689 15-NIGHT RUN AT MSG AND THE FORUM? 100 00:08:01,724 --> 00:08:05,275 WOMEN THROW THEIR PANTIES AT THIS MAN AND THEN HE PUTS THEM 101 00:08:05,310 --> 00:08:09,344 ON AND HE LOOKS BETTER IN THEM THAN THEY DO. 102 00:08:09,379 --> 00:08:12,172 EASILY THE WORLD'S SEXIEST MAN. 103 00:08:12,206 --> 00:08:16,000 SEX SYMBOL OF THE GLOBE, ESPECIALLY NOW THAT THEY KILLED 104 00:08:16,034 --> 00:08:17,551 OFF THE GREEN M&M. 105 00:08:17,586 --> 00:08:20,172 THIS IS THE ROOM, PEOPLE. 106 00:08:20,206 --> 00:08:23,931 WE GOT L.A.'S VERY OWN KENDRICK LAMAR JOINING US IN THE 107 00:08:23,965 --> 00:08:24,793 BUILDING. 108 00:08:24,827 --> 00:08:27,448 [ APPLAUSE ] THE MAN IS SUPER TALENTED. 109 00:08:27,482 --> 00:08:29,172 HE'S GOT GRAMMYS. 110 00:08:29,206 --> 00:08:34,206 HIS ALBUM WAS A THERAPY SESSION THAT EARNED HIM MULTIPLE GRAMMY 111 00:08:34,241 --> 00:08:35,448 NOMINATIONS. 112 00:08:35,482 --> 00:08:38,724 ALL MY GOT ME WAS HELPING ME OVERCOME MY CHILDHOOD TRAUMA. 113 00:08:38,758 --> 00:08:39,586 USELESS. 114 00:08:39,620 --> 00:08:40,136 [ LAUGHTER ] FOR NOW WE'RE GOING TO BE 115 00:08:40,172 --> 00:08:41,034 TALKING ABOUT TRAUMA. 116 00:08:41,068 --> 00:08:43,344 WE'RE GOING TO BE TALKING ABOUT THERAPY. 117 00:08:43,379 --> 00:08:47,724 FROM COMPTON'S FINEST ALL THE WAY TO BROOKLYN'S FINEST. 118 00:08:47,758 --> 00:08:50,965 THAT'S RIGHT, JAY-Z'S GOING TO BE IN THE HOUSE WITH US. 119 00:08:51,000 --> 00:08:51,896 JAY-Z'S GOING TO BE PERFORMING. 120 00:08:51,931 --> 00:08:53,206 IT'S GOING TO BE SO SPECIAL. 121 00:08:53,241 --> 00:08:54,793 AND I'M OOH LOOKING FORWARD TO IT BECAUSE JAY-Z COULD'VE BEEN 122 00:08:54,827 --> 00:08:57,034 ANYWHERE IN THE WORLD TONIGHT. 123 00:08:57,068 --> 00:08:58,827 BUT HE'S HERE WITH US, AND I APPRECIATE THAT. 124 00:08:58,862 --> 00:09:01,068 LIZZO'S JOINING US. 125 00:09:01,103 --> 00:09:02,655 THAT'S LIZZO OVER THERE. 126 00:09:02,689 --> 00:09:04,931 OH, I SEE YOU, LIZZO. 127 00:09:04,965 --> 00:09:08,793 [ APPLAUSE ] LOOK AT THAT SMILE. 128 00:09:08,827 --> 00:09:11,034 CONGRATULATIONS ON EVERYTHING, THE TV SHOWS, TAKING OVER THE 129 00:09:11,068 --> 00:09:13,482 WORLD, KILLING THE HATERS ON INSTAGRAM AND TWITTER. 130 00:09:13,517 --> 00:09:14,793 I LOVE IT. 131 00:09:14,827 --> 00:09:18,241 THE MOST FAMOUS FLUTE PLAYER IN THE WORLD SINCE I'M SURE THERE 132 00:09:18,275 --> 00:09:20,103 WERE OTHERS -- BUT YOU KNOW WHAT I MEAN. 133 00:09:20,137 --> 00:09:21,724 [ LAUGHTER ] AND YOU WANT TO STICK AROUND 134 00:09:21,758 --> 00:09:30,931 BECAUSE LIZZO IS PERFORMING TONIGHT AT EXACTLY "BAD B -- 135 00:09:30,965 --> 00:09:31,724 O'CLOCK." 136 00:09:31,758 --> 00:09:34,413 I'VE NEVER SEEN A ROOM THIS STACK. 137 00:09:34,448 --> 00:09:35,206 TAYLOR SWIFT IS GOING TO BE WITH US. 138 00:09:35,241 --> 00:09:37,034 [ APPLAUSE ] OH, SHE'S RIGHT THERE! 139 00:09:37,068 --> 00:09:39,000 LOOK AT THIS. 140 00:09:39,034 --> 00:09:40,275 SHE'S RIGHT THERE. 141 00:09:40,310 --> 00:09:44,551 SOLD MORE ALBUMS THAN ANY OTHER HUMAN ON THE PLANET LAST YEAR. 142 00:09:44,586 --> 00:09:46,103 THAT'S RIGHT. 143 00:09:46,137 --> 00:09:47,413 MORE THAN ANYBODY. 144 00:09:47,448 --> 00:09:52,275 THE ONLY MUSIC WE LISTEN TO MORE THAN TAYLOR'S MUSIC WAS THE HOLD 145 00:09:52,310 --> 00:09:53,827 MUSIC FOR SOUTHWEST AIRLINES. 146 00:09:53,862 --> 00:09:55,379 THEY'VE GOT THE REAL STREAMING NUMBERS. 147 00:09:55,413 --> 00:09:58,413 AND I LOVE YOUR SONG "ANTIHERO." 148 00:09:58,448 --> 00:10:01,862 MY ANTI-IS ALSO A HERO. 149 00:10:01,896 --> 00:10:03,137 HER NAME IS BEATRICE. 150 00:10:03,172 --> 00:10:07,482 WE'VE GOT SO MANY INCREDIBLE GREATS PERFORMING TONIGHT. 151 00:10:07,517 --> 00:10:10,689 EVERYONE FROM STEVIE WONDER TO KASEY MUSGRAVES. 152 00:10:10,724 --> 00:10:13,965 WE'VE GOT FROM BONNIE RAITT TO LIL WAYNE. 153 00:10:14,000 --> 00:10:16,379 YOU DON'T WANT TO MISS ANY OF IT. 154 00:10:16,413 --> 00:10:18,000 EVERY GENERATION, EVERY GENRE. 155 00:10:18,034 --> 00:10:20,758 TONIGHT MY JOB IS JUST TO BE THE HOST, THE BEST HOST I CAN BE. 156 00:10:20,793 --> 00:10:23,241 AND TO DO THAT I TRY AND LEARN WHAT EVERYBODY'S INTO. 157 00:10:23,275 --> 00:10:25,413 I TRY AND KNOW MY GUESTS. 158 00:10:25,448 --> 00:10:30,034 FOR INSTANCE, I KNOW THAT LL COOL J REALLY LOVES BREAKFAST 159 00:10:30,068 --> 00:10:31,068 CEREALS. 160 00:10:31,103 --> 00:10:33,068 I KNOW THAT CARDI B IS OBSESSED WITH PRESIDENTS. 161 00:10:33,103 --> 00:10:34,344 THAT'S A REAL THING. 162 00:10:34,379 --> 00:10:39,379 I ALSO KNOW THAT ADELE LOVES TEA. 163 00:10:39,413 --> 00:10:40,482 HER VEGAS SHOW IS PHENOMENAL. 164 00:10:40,517 --> 00:10:42,931 AND THIS IS ONE OF THE STRANGEST THINGS I FOUND OUT. 165 00:10:42,965 --> 00:10:46,896 THE PERSON THAT ADELE HAS ALWAYS WANTED TO MEET BUT NEVER HAVE IS 166 00:10:46,931 --> 00:10:47,758 DWAYNE JOHNSON. 167 00:10:47,793 --> 00:10:49,482 YOU'VE NEVER MET HIM. 168 00:10:49,517 --> 00:10:50,655 YEAH. 169 00:10:50,689 --> 00:10:55,586 AND THEN I FOUND OUT THAT HE'S A HUGE FAN OF YOURS, TOO. 170 00:10:55,620 --> 00:10:59,517 AND I DON'T HAVE DWAYNE JOHNSON HERE TONIGHT, BUT I DO HAVE 171 00:10:59,551 --> 00:11:03,000 SOMEONE CALLED "THE ROCK." 172 00:11:03,034 --> 00:11:06,724 [ CHEERS AND APPLAUSE ] ADELE, MEET THE ROCK. 173 00:11:06,758 --> 00:11:08,965 THE ROCK, MEET ADELE. 174 00:11:09,000 --> 00:11:09,758 FIRST TIME EVER! 175 00:11:09,793 --> 00:11:12,137 [ CHEERS AND APPLAUSE ] ALL RIGHT. 176 00:11:12,172 --> 00:11:13,448 YOU TWO GET ACQUAINTED. 177 00:11:13,482 --> 00:11:15,310 WE'RE GOING TO KEEP THIS SHOW MOVING. 178 00:11:15,344 --> 00:11:19,413 NOW, BEFORE WE GET INTO OUR NEXT PERFORMANCE, I WANTED TO LET YOU 179 00:11:19,448 --> 00:11:25,586 KNOW THAT EARLIER TODAY AT THE PRE-SHOW, THE PREMIERE CEREMONY, 180 00:11:25,620 --> 00:11:31,551 BEYONCE WON TWO AWARDS WHICH PUTS HER JUST TWO WIN AS WAY 181 00:11:31,586 --> 00:11:33,517 FROM BREAKING THE ALL-TIME RECORD OF HAVING THE MOST GRAMMY 182 00:11:33,551 --> 00:11:36,034 WINS OF ANY INDIVIDUAL EVER. 183 00:11:36,068 --> 00:11:39,206 EVER, PEOPLE! 184 00:11:39,241 --> 00:11:40,896 [ APPLAUSE ] TONIGHT WE COULD ALL WITNESS 185 00:11:40,931 --> 00:11:42,172 HISTORY. 186 00:11:42,206 --> 00:11:44,827 AND EVEN IF SHE DOESN'T BREAK THE RECORD, SHE STILL GETS TO BE 187 00:11:44,862 --> 00:11:47,068 BEYONCE, SO IT'S A WIN/WIN. 188 00:11:47,103 --> 00:11:50,000 FOR THE 65th ANNUAL GRAMMY AWARDS WE DECIDED TO DO 189 00:11:50,034 --> 00:11:51,275 SOMETHING DIFFERENT. 190 00:11:51,310 --> 00:11:54,068 WE'RE GOING TO BE ASKING SOME OF THE PEOPLE WHO'VE PLAYED BIG 191 00:11:54,103 --> 00:11:56,310 PARTS IN OUR PERFORMER'S MUSICAL SUCCESS STORIES AND THEIR LIVES 192 00:11:56,344 --> 00:11:58,034 TO INTRODUCE THEM. 193 00:11:58,068 --> 00:12:03,068 THESE ARE THE PEOPLE THE ARTISTS WOULD THANK IF WE DIDN'T PLAY 194 00:12:03,103 --> 00:12:05,551 THEM ALL AFTER 25 SECONDS. 195 00:12:05,586 --> 00:12:08,413 HERE ARE THREE PEOPLE WHO ARGUABLY LOVE HER EVEN MORE THAN 196 00:12:08,448 --> 00:12:09,724 HER BIGGEST FANS. 197 00:12:09,758 --> 00:12:12,000 HER WIFE CATHERINE AND THEIR BEAUTIFUL CHILDREN ELIJAH AND 198 00:12:12,034 --> 00:12:12,896 EVANGELINE. 199 00:12:12,931 --> 00:12:18,827 [ APPLAUSE ] >> MILLIONS OF YOU WATCHING 200 00:12:18,862 --> 00:12:20,068 TONIGHT FELL IN LOVE WITH OUR NEXT PERFORMER JUST FOUR YEARS 201 00:12:20,103 --> 00:12:23,000 AGO WHEN SHE TOOK THE GRAMMY STAGE FOR THE FIRST TIME AND 202 00:12:23,034 --> 00:12:24,310 DELIVERED ONE OF THE MOST ICONIC PERFORMANCES IN GRAMMY HISTORY. 203 00:12:24,344 --> 00:12:29,000 I WAS LUCKY ENOUGH TO MARRY HER MORE THAN A DECADE AGO, SO I WAS 204 00:12:29,034 --> 00:12:30,241 WAY AHEAD OF YOU. 205 00:12:30,275 --> 00:12:33,206 IT MEANS THE WORLD TO ME TO STAND HERE TONIGHT WITH OUR TWO 206 00:12:33,241 --> 00:12:36,379 BEAUTIFUL DAUGHTERS BY MY SIDE, AND INTRODUCE, IN OUR HUMBLE 207 00:12:36,413 --> 00:12:39,034 OPINION, ONE OF THE GREATEST, MOST AUTHENTIC ARTISTS AND HUMAN 208 00:12:39,068 --> 00:12:42,172 BEINGS ON THE PLANET. 209 00:12:42,206 --> 00:12:45,862 HERE TO ROCK OUR FACES OFF WITH "BROKEN HORSES" FROM HER 210 00:12:45,896 --> 00:12:48,482 GRAMMY-NOMINATED ALBUM "IN THESE SILENT DAYS," MY WIFE, AND THEIR 211 00:12:48,517 --> 00:12:52,758 MAMA -- >> Together: BRANDI CARLILE! 212 00:12:52,793 --> 00:12:58,896 [ CHEERS AND APPLAUSE ] ♪ 213 00:12:58,931 --> 00:13:04,586 ♪ I WEAR MY FATHER'S LEATHER ON THE INSIDE OF MY SKIN 214 00:13:04,620 --> 00:13:05,689 I'M A TRIED AND ♪ ♪ WEATHERED WOMAN 215 00:13:05,724 --> 00:13:12,758 BUT I WON'T BE TRIED AGAIN I DON'T THINK THAT YOU ♪ 216 00:13:12,793 --> 00:13:16,206 ♪ CAN COME FOR ME WITHOUT YOUR SUNDAY BEST 217 00:13:16,241 --> 00:13:18,758 YOU HAD BETTER CALL ♪ ♪ YOUR PRIEST AND HOPE 218 00:13:18,793 --> 00:13:23,034 OH THE DEVIL GETS THE REST BEFORE I ♪ 219 00:13:23,068 --> 00:13:26,862 ♪ OH AND I WILL DO I HAVE WORN THE 220 00:13:26,896 --> 00:13:31,586 JESTER'S BELLS ♪ ♪ AND I HAVE BANISHED 221 00:13:31,620 --> 00:13:34,206 WITH THE FOOLS I HAVE WORSHIPED ♪ 222 00:13:34,241 --> 00:13:36,896 ♪ AT THE ALTAR OF THE PUPPET 223 00:13:36,931 --> 00:13:38,448 MASTER'S RULES ♪ ♪ I HAVE HELD MY TONGUE 224 00:13:38,482 --> 00:13:42,206 TOO MANY SCENES BEFORE THE FINAL ACT ♪ 225 00:13:42,241 --> 00:13:44,724 ♪ WITH MY CHILDREN IN THE CHEAP SEATS AND A 226 00:13:44,758 --> 00:13:54,344 ZIPPER ON MY BACK ♪ ♪ THANKS TO YOU 227 00:13:54,379 --> 00:14:00,241 OH NO THANKS TO YOU TETHERED IN WIDE ♪ 228 00:14:00,275 --> 00:14:04,000 ♪ OPEN SPACES AND FIELDS THAT 229 00:14:04,034 --> 00:14:12,793 LEAD FOR MILES ♪ ♪ RIGHT INTO THE 230 00:14:12,827 --> 00:14:21,482 BARREL OF A GUN MENDIN' UP YOUR ♪ 231 00:14:21,517 --> 00:14:28,896 ♪ FENCES WITH MY HORSES RUNNIN' WILD ♪ 232 00:14:28,931 --> 00:14:35,172 ♪ ONLY BROKEN HORSES KNOW TO RUN ♪ 233 00:14:35,206 --> 00:14:46,344 ♪ ♪ 234 00:14:46,379 --> 00:14:47,965 ♪ OH I HAVE EVER SO POLITELY TREADED SOFTLY 235 00:14:48,000 --> 00:14:52,724 FOR YOUR GRACE ♪ ♪ I HAVE WHISPERED 236 00:14:52,758 --> 00:14:53,793 THROUGH THE TEARS AND PLEADED SWEETLY ♪ 237 00:14:53,827 --> 00:14:57,482 ♪ TO YOUR FACE IT IS TIME TO SPIT YOU OUT 238 00:14:57,517 --> 00:15:00,551 LIKE LUKEWARM WATER ♪ ♪ FROM MY MOUTH 239 00:15:00,586 --> 00:15:06,034 I WILL ALWAYS TASTE THE APATHY BUT ♪ 240 00:15:06,068 --> 00:15:11,103 ♪ I WON'T PASS IT DOWN IT DIES WITH YOU 241 00:15:11,137 --> 00:15:16,689 OH WITH YOU ♪ ♪ TETHERED IN WIDE 242 00:15:16,724 --> 00:15:21,448 OPEN SPACES AND FIELDS THAT ♪ 243 00:15:21,482 --> 00:15:29,379 ♪ LEAD FOR MILES RIGHT INTO THE 244 00:15:29,413 --> 00:15:37,862 BARREL OF A GUN ♪ ♪ MENDIN' UP YOUR 245 00:15:37,896 --> 00:15:46,827 FENCES WITH MY HORSES RUNNIN' WILD ♪ 246 00:15:46,862 --> 00:15:51,620 ♪ ONLY BROKEN HORSES KNOW TO RUN ♪ 247 00:15:51,655 --> 00:16:01,724 ♪ ♪ 248 00:16:01,758 --> 00:16:09,862 ♪ ♪ 249 00:16:14,241 --> 00:16:23,241 ♪ ♪ 250 00:16:23,275 --> 00:16:29,068 ♪ ♪ I WEAR MY FATHER'S LEATHER 251 00:16:29,103 --> 00:16:34,896 ON THE INSIDE OF MY SKIN I'M A TRIED AND ♪ 252 00:16:34,931 --> 00:16:39,103 ♪ WEATHERED WOMAN BUT I WON'T BE TRIED AGAIN 253 00:16:39,137 --> 00:16:42,310 I DON'T THINK THAT YOU ♪ ♪ CAN COME FOR ME 254 00:16:42,344 --> 00:16:44,965 WITHOUT YOUR SUNDAY BEST YOU HAD BETTER CALL ♪ 255 00:16:45,000 --> 00:16:48,103 ♪ YOUR PRIEST AND HOPE OH THE DEVIL GETS THE REST 256 00:16:48,137 --> 00:16:57,689 BEFORE I ♪ ♪ OH AND I WILL DO 257 00:16:57,724 --> 00:17:01,965 TETHERED IN WIDE OPEN SPACES ♪ 258 00:17:02,000 --> 00:17:07,205 ♪ AND FIELDS THAT LEAD FOR MILES 259 00:17:07,241 --> 00:17:17,792 RIGHT INTO THE ♪ ♪ BARREL OF A GUN 260 00:17:17,827 --> 00:17:24,792 MENDIN' UP YOUR FENCES WITH MY ♪ 261 00:17:24,827 --> 00:17:30,586 ♪ HORSES RUNNIN' WILD ONLY BROKEN HORSES KNOW 262 00:17:30,620 --> 00:17:37,689 TO RUN ♪ ♪ 263 00:17:37,724 --> 00:17:47,724 [ CHEERS AND APPLAUSE ] 264 00:17:47,758 --> 00:17:54,137 [ CHEERS AND APPLAUSE ] 265 00:17:56,965 --> 00:18:00,482 >> THAT'S RIGHT, PEOPLE ARE GOING FOR BRANDI CARLILE, 266 00:18:00,517 --> 00:18:00,896 EVERYBODY. 267 00:18:00,931 --> 00:18:02,689 WHAT A VOICE. 268 00:18:02,724 --> 00:18:07,310 BY THE WAY, BRANDI HAS ALREADY WON THREE AWARDS JUST TONIGHT. 269 00:18:07,344 --> 00:18:11,275 SO CONGRATULATIONS ON THAT. 270 00:18:11,310 --> 00:18:14,241 THERE IS NO MORE DESERVING OF A PERFORMANCE. 271 00:18:14,275 --> 00:18:15,793 SHE'S ABSOLUTELY PHENOMENAL. 272 00:18:15,827 --> 00:18:19,482 NOW, HERE TO PRESENT THE FIRST GRAMMY AWARD OF THE NIGHT IS 273 00:18:19,517 --> 00:18:20,758 JENNIFER LOPEZ. 274 00:18:20,793 --> 00:18:23,965 REMEMBER, SHE'S A SINGER, SHE'S A DANCER, SHE'S A MOVIE STAR, 275 00:18:24,000 --> 00:18:25,206 SHE'S AN ICON. 276 00:18:25,241 --> 00:18:28,965 AND EVEN WITH INFLATION, HER LOVE STILL DON'T COST A THING. 277 00:18:29,000 --> 00:18:30,586 PLEASE WELCOME JENNIFER LOPEZ. 278 00:18:30,620 --> 00:18:41,000 ♪ [ APPLAUSE ] 279 00:18:41,034 --> 00:18:50,586 ♪ >> WOW, FROM BAD BUNNY TO BRANDI 280 00:18:50,620 --> 00:18:53,000 CARLILE, I LOVE MUSIC'S BIGGEST NIGHT. 281 00:18:53,034 --> 00:18:57,310 AND I AM SO EXCITED TO PRESENT OUR FIRST GRAMMY AWARD THIS 282 00:18:57,344 --> 00:18:58,620 EVENING. 283 00:18:58,655 --> 00:19:03,310 IN WHAT CAN SEEM LIKE A SINGLES WORLD, THIS CATEGORY CELEBRATES 284 00:19:03,344 --> 00:19:05,758 EXCELLENCE FOR A GREAT POP ALUM. 285 00:19:05,793 --> 00:19:12,620 A BODY OF MUSICAL WORK THAT TELLS A STORY THROUGH SONG AND 286 00:19:12,655 --> 00:19:15,000 CONNECTS WITH ALL OF US. 287 00:19:15,034 --> 00:19:18,793 AS THE LATE, GREAT PRINCE SAID ON THIS STAGE IN HIS LAST GRAMMY 288 00:19:18,827 --> 00:19:20,827 APPEARANCE EIGHT YEAR AGO, "ALBUMS STILL MATTER." 289 00:19:20,862 --> 00:19:24,034 HERE IS AN ECLECTIC GROUP OF OUTSTANDING ARTISTS WHO, EACH IN 290 00:19:24,068 --> 00:19:27,206 THEIR OWN WAY, RAISED THEIR EXPRESSIVE VOICES AND MADE A 291 00:19:27,241 --> 00:19:31,068 MUSICAL STATEMENT LOVED ALL AROUND THE WORLD. 292 00:19:31,103 --> 00:19:35,827 THESE ARE THE NOMINEES FOR BEST POP VOCAL ALBUM -- 293 00:19:35,862 --> 00:19:46,586 ♪ "VOYAGE," ABBA. 294 00:19:46,620 --> 00:19:54,827 ♪ "30," ADELE. 295 00:19:54,862 --> 00:19:57,689 ♪ "MUSIC OF THE SPHERES," 296 00:19:57,724 --> 00:20:02,448 COLDPLAY. 297 00:20:02,482 --> 00:20:04,068 "SPECIAL," LIZZO. 298 00:20:04,103 --> 00:20:15,448 ♪ "HARRY'S HOUSE," HARRY STYLES. 299 00:20:15,482 --> 00:20:25,482 ♪ >> AND THE GRAMMY GOES TO -- 300 00:20:25,517 --> 00:20:33,482 ♪ >> AND THE GRAMMY GOES TO -- 301 00:20:33,517 --> 00:20:36,724 "HARRY'S HOUSE," HARRY STYLES! 302 00:20:36,758 --> 00:20:48,379 [ CHEERS AND APPLAUSE ] ♪ 303 00:20:48,413 --> 00:20:58,413 ♪ 304 00:20:58,448 --> 00:21:04,586 ♪ 305 00:21:05,896 --> 00:21:10,413 >> THANK YOU SO MUCH. 306 00:21:10,448 --> 00:21:15,034 THIS ALBUM, FROM START TO FINISH, HAS BEEN THE GREATET 307 00:21:15,068 --> 00:21:16,310 EXPERIENCE OF MY LIFE. 308 00:21:16,344 --> 00:21:19,551 FOR MAKING IT WITH TWO OF MY BEST FRIENDS, TO PLAYING IT FOR 309 00:21:19,586 --> 00:21:22,965 PEOPLE HAS BEEN THE GREATEST JOY I COULD HAVE ASKED FOR. 310 00:21:23,000 --> 00:21:27,793 SO, I WANT TO THANK ROB, JEFFREY, TOMMY TOM TOM TYLER, 311 00:21:27,827 --> 00:21:31,275 AND EVERYONE WHO INSPIRED THIS ALBUM, EVERYONE, ALL MY FRIENDS 312 00:21:31,310 --> 00:21:34,068 WHO SUPPORTED ME THROUGH IT. 313 00:21:34,103 --> 00:21:35,413 THANK YOU SO MUCH. 314 00:21:35,448 --> 00:21:36,827 I WOULDN'T BE HERE WITHOUT YOU. 315 00:21:36,862 --> 00:21:37,896 THANK YOU SO MUCH. 316 00:21:37,931 --> 00:21:46,827 [ CHEERS AND APPLAUSE ] >> Announcer: COMING UP -- 317 00:21:46,862 --> 00:21:49,448 PERFORMANCES BY STEVIE WONDER, LIZZO, AND HARRY STYLES. 318 00:21:49,482 --> 00:21:51,482 VIOLA DAVIS AND SHANIA TWAIN PRESENT GRAMMY AWARDS. 319 00:21:54,793 --> 00:21:56,793 AND LATER, AN ALL-STAR SALUTE TO 320 00:22:10,034 --> 00:22:13,000 ♪ >>> Trevor: WELCOME BACK TO THE 321 00:22:13,034 --> 00:22:15,000 65th ANNUAL GRAMMY AWARDS, COMING TO YOU FROM THE 322 00:22:15,034 --> 00:22:17,000 CRYPTO.COM ARENA, THE ONLY ARENA WITH AN ESCAPE PLAN TO THE 323 00:22:17,034 --> 00:22:18,310 BAHAMAS. 324 00:22:18,344 --> 00:22:21,206 NOW, WE'RE GOING TO BE TAKING A CLOSER LOOK AT ONE OF THE MOST 325 00:22:21,241 --> 00:22:23,620 COMPETITIVE CATEGORIES IN GRAMMY HISTORY. 326 00:22:23,655 --> 00:22:26,034 OUR NOMINEES FOR ALBUM OF THE YEAR. 327 00:22:26,068 --> 00:22:30,137 AND WHO BETTER TO HELP US WITH THAT THAN THE FANS THEMSELVES? 328 00:22:30,172 --> 00:22:34,241 YOU SEE, THIS WEEK THEY'VE BEEN DISCUSSING WHO DESERVES TO TAKE 329 00:22:34,275 --> 00:22:35,931 HOME MUSIC'S BIGGEST PRIZE. 330 00:22:35,965 --> 00:22:39,551 AND IT TURNS OUT IT'S A LOT EASIER TO HEAR WHAT THE FANS ARE 331 00:22:39,586 --> 00:22:45,034 SAYING WHEN THERE AREN'T 20,000 OF THEM SCREAMING IN A STADIUM. 332 00:22:45,068 --> 00:22:45,965 TAKE A LOOK. 333 00:22:46,000 --> 00:22:50,655 ♪ >> OKAY, IT'S TIME TO TALK ALBUM 334 00:22:50,689 --> 00:22:53,896 OF THE YEAR. 335 00:22:53,931 --> 00:22:58,965 [ LAUGHTER ] BEYONCE'S "RENAISSANCE" GAVE US 336 00:22:59,000 --> 00:23:00,206 LOVE, JOY, DANCE. 337 00:23:00,241 --> 00:23:02,896 IT GAVE US ACKNOWLEDGMENT OF WHAT WE'VE BEEN THROUGH THESE 338 00:23:02,931 --> 00:23:03,896 PAST COUPLE YEARS. 339 00:23:03,931 --> 00:23:08,241 BUT IT ALSO GAVE US THE STRENGTH TO KEEP GOING. 340 00:23:08,275 --> 00:23:12,482 I'M ALICIA, AND YOU KNOW "RENAISSANCE" IS ALBUM OF THE 341 00:23:12,517 --> 00:23:13,068 YEAR. 342 00:23:13,103 --> 00:23:15,517 >> YOU PUT THIS SONG ON! 343 00:23:15,551 --> 00:23:16,758 YEAH! 344 00:23:16,793 --> 00:23:21,068 >> THESE PAST COUPLE OF YEARS OF MY LIFE HAVE NOT BEEN EASY. 345 00:23:21,103 --> 00:23:23,310 "RENAISSANCE" JUST GIVES ME THAT MOTIVATION TO KEEP GOING. 346 00:23:23,344 --> 00:23:27,689 I FELT LIKE BEYONCE WROTE THE SONG "CHURCH GIRL" SPECIFICALLY 347 00:23:27,724 --> 00:23:28,896 FOR ME. 348 00:23:28,931 --> 00:23:31,034 IT JUST SPEAKS TO THE DUALITY OF BEING MORE THAN ONE THING. 349 00:23:31,068 --> 00:23:33,758 YOU CAN BE SPIRITUAL, BUT YOU ALSO NEED TO TURN UP. 350 00:23:33,793 --> 00:23:36,448 SHE'S NOT TELLING US WHAT'S OUT THERE. 351 00:23:36,482 --> 00:23:38,551 SHE'S SETTING THE TRENDS AND TELLING US WHAT NEEDS TO BE OUT 352 00:23:38,586 --> 00:23:39,379 THERE. 353 00:23:39,413 --> 00:23:40,482 AND THAT IS JOY, THAT IS HAPPY AES. 354 00:23:40,517 --> 00:23:43,896 LIKE, YOU PUT THAT ALBUM ON FRONT TO BACK, NO SKIPS. 355 00:23:43,931 --> 00:23:46,620 YOU GET UP, YOU DANCE. 356 00:23:46,655 --> 00:23:50,068 COME ON -- ♪ YOU WON'T BREAK MY SOUL 357 00:23:50,103 --> 00:23:51,379 THAT'S WHAT WE NEED. 358 00:23:51,413 --> 00:23:55,551 >> I TRULY DON'T EVEN THINK THERE IS EVEN AN ARGUMENT 359 00:23:55,586 --> 00:23:59,379 BECAUSE BAD BUNNY IS THE MOST STREAMED ALBUM OF THE YEAR ON 360 00:23:59,413 --> 00:24:00,206 THE GLOBE. 361 00:24:00,241 --> 00:24:03,275 HI, I'M NATALIA. 362 00:24:03,310 --> 00:24:05,482 THE ALBUM BY BAD BUNNY IS THE ALBUM OF THE YEAR. 363 00:24:05,517 --> 00:24:11,827 ♪ LET ME TELL YOU ABOUT "BENITO." 364 00:24:11,862 --> 00:24:13,344 I LOVE THAT HE'S PLAYFUL. 365 00:24:13,379 --> 00:24:14,724 I LOVE THAT HE'S GOOFY. 366 00:24:14,758 --> 00:24:17,965 HE HAS A MOTTO THAT IS -- [ SPEAKING NON-ENGLISH ] 367 00:24:18,000 --> 00:24:21,379 WHICH MEANS, I DO WHATEVER I WANT, I DON'T CARE WHAT PEOPLE 368 00:24:21,413 --> 00:24:21,931 THINK. 369 00:24:21,965 --> 00:24:22,896 HE DRESSES UP IN DRAG. 370 00:24:22,931 --> 00:24:26,482 HE KISSES HIS BACKUP DANCERS OF ANY GENDER. 371 00:24:26,517 --> 00:24:30,689 DISMANTLING MACHISMO. 372 00:24:30,724 --> 00:24:33,620 AS A QUEER LATINO WOMAN THIS IS SO IMPORTANT TO ME BECAUSE HE IS 373 00:24:33,655 --> 00:24:35,724 STARTING CONVERSATIONS AND NORMALIZING INCLUSIVITY. 374 00:24:35,758 --> 00:24:41,034 BAD BUNNY PLAYS BY HIS OWN RULES, AND HE'S JUST OPENING UP 375 00:24:41,068 --> 00:24:43,310 THE DIALOGUE. 376 00:24:43,344 --> 00:24:46,862 THIS ALBUM IS BREAKING SO MANY RECORDS. 377 00:24:46,896 --> 00:24:51,241 AND IT'S JUST SHOWING THE WORLD JUST THE POWER OF 378 00:24:51,275 --> 00:24:53,206 SPANISH-SPEAKING MUSIC. 379 00:24:53,241 --> 00:24:56,551 HE IS BEING HIMSELF, AND SO MANY PEOPLE ARE RESONATING WITH HIM. 380 00:24:56,586 --> 00:24:59,689 HE IS THE MOST STREAMED ARTIST ON THE GLOBE. 381 00:24:59,724 --> 00:25:03,310 >> THAT'S EXACTLY WHAT HE DOES, HARRY! 382 00:25:03,344 --> 00:25:05,034 >> BUT BAD BUNNY DOES IT BETTER. 383 00:25:05,068 --> 00:25:07,275 [ LAUGHTER ] >> I LOVE BAD BUNNY ALSO. 384 00:25:07,310 --> 00:25:11,413 BUT GUESS WHERE HE WAS LAST NIGHT? 385 00:25:11,448 --> 00:25:12,724 AT HARRY STYLES' CONCERT. 386 00:25:12,758 --> 00:25:18,000 [ LAUGHTER ] ♪ 387 00:25:18,034 --> 00:25:22,827 >> MY NAME IS REINA, AND HARRY'S HOUSE BY HARRY STYLES IS THE 388 00:25:22,862 --> 00:25:25,482 ALBUM OF THE YEAR. 389 00:25:25,517 --> 00:25:28,103 SO MY 78-YEAR-OLD GRANDMOTHER HAPPENS TO BE HARRY STYLES' 390 00:25:28,137 --> 00:25:29,344 NUMBER ONE FAN. 391 00:25:29,379 --> 00:25:32,206 SO WE ARE FLYING TO LOS ANGELES TO SEE HIM IN CONCERT. 392 00:25:32,241 --> 00:25:35,482 >> LET ME TELL YOU WHY I LIKE HARRY STYLES. 393 00:25:35,517 --> 00:25:38,551 ASIDE FROM BEING GOOD-LOOKING, WE'RE NOT GOING TO TALK ABOUT 394 00:25:38,586 --> 00:25:39,206 THAT. 395 00:25:39,241 --> 00:25:40,482 I LOVE EVERYTHING ABOUT HIM. 396 00:25:40,517 --> 00:25:43,482 I LIKE HIS OUTLOOK, HIS SONGS. 397 00:25:43,517 --> 00:25:46,827 AND WITH HARRY, HE HAS THAT THING THAT DRAWS PEOPLE TO HIM. 398 00:25:46,862 --> 00:25:49,862 IF THE GRAMMYS DID THEIR JOB, HE IS GETTING THAT AWARD. 399 00:25:49,896 --> 00:25:55,793 ♪ [ APPLAUSE ] 400 00:25:55,827 --> 00:25:57,344 >> Trevor: ALL RIGHT, THIS IS IT. 401 00:25:57,379 --> 00:25:58,172 EVERYBODY'S STILL COMING IN. 402 00:25:58,206 --> 00:25:59,827 COME ON THROUGH, Y'ALL. 403 00:25:59,862 --> 00:26:01,034 LET'S GET THE PEOPLE IN. 404 00:26:01,068 --> 00:26:02,896 WE'LL GET EVERYBODY TO THEIR SEATS. 405 00:26:02,931 --> 00:26:03,517 THIS IS LIVE. 406 00:26:03,551 --> 00:26:05,758 THIS IS WHAT'S HAPPENING. 407 00:26:05,793 --> 00:26:06,827 ARTISTS ARE COMING IN. 408 00:26:06,862 --> 00:26:08,551 TRAFFIC IS HOLDING PEOPLE BACK. 409 00:26:08,586 --> 00:26:10,034 I'M HERE WITH SOME OF THE FANS. 410 00:26:10,068 --> 00:26:11,896 GIVE IT UP FOR THE FANS, EVERYBODY. 411 00:26:11,931 --> 00:26:14,793 GIVE IT UP FOR ALL THE FANS JOINING US HERE, 412 00:26:14,827 --> 00:26:17,689 [ APPLAUSE ] SUPPORTING THEIR ARTISTS FOR 413 00:26:17,724 --> 00:26:20,379 ALBUM OF THE YEAR. 414 00:26:20,413 --> 00:26:22,482 REINA, YOU MUST BE REALLY EXCITED BECAUSE HARRY JUST WON 415 00:26:22,517 --> 00:26:23,862 THE FIRST AWARD OF THE NIGHT. 416 00:26:23,896 --> 00:26:25,655 HOW ARE YOU FEELING? 417 00:26:25,689 --> 00:26:26,586 >> EXCITED. 418 00:26:26,620 --> 00:26:29,000 I'VE BEEN CRYING. 419 00:26:29,034 --> 00:26:32,862 >> Trevor: I FEEL LIKE IF YOU HAD YOUR WAY, HE WOULD WIN ALL 420 00:26:32,896 --> 00:26:33,827 THE AWARDS. 421 00:26:33,862 --> 00:26:35,413 >> EXACTLY. 422 00:26:35,448 --> 00:26:37,275 >> Trevor: EVERY SINGLE ONE? 423 00:26:37,310 --> 00:26:41,310 ON SO YOU WOULDN'T FULFILL HIM LOSING TWO OR THREE JUST FOR 424 00:26:41,344 --> 00:26:42,034 SOMEBODY ELSE? 425 00:26:42,068 --> 00:26:43,034 >> NO. 426 00:26:43,068 --> 00:26:45,448 >> Trevor: WOW, I THOUGHT GRANNIES WERE NICE. 427 00:26:45,482 --> 00:26:47,379 [ LAUGHTER ] LOOK, I KNOW THIS IS AN AMAZING 428 00:26:47,413 --> 00:26:48,586 PLACE TO BE. 429 00:26:48,620 --> 00:26:52,103 IT'S YOUR FIRST TIME THE GRAMMYS, YOU'RE HERE SUPPORTING 430 00:26:52,137 --> 00:26:54,379 YOUR ARTIST, EVERYBODY'S EXCITED. 431 00:26:54,413 --> 00:26:56,965 HARRY'S SITTING CLOSE, BUT I NEED YOU TO STAY RIGHT HERE. 432 00:26:57,000 --> 00:27:02,275 I DO NOT WANT TO HAVE TO TACKLE A DWGRANNY ON LIVE TV AGAIN. 433 00:27:02,310 --> 00:27:03,586 [ LAUGHTER ] ALL RIGHT. 434 00:27:03,620 --> 00:27:07,275 IT'S TIME FOR US TO GET BACK TO THE AWARDS TO PRESENT THE GRAMMY 435 00:27:07,310 --> 00:27:08,655 FOR BEST R&B SONG. 436 00:27:08,689 --> 00:27:13,103 AN ICON WHO WON A GRAMMY EARLIER TODAY, WHICH MEANS SHE'S 437 00:27:13,137 --> 00:27:15,206 OFFICIALLY AN EGOT. 438 00:27:15,241 --> 00:27:15,862 VIOLA DAVIS. 439 00:27:15,896 --> 00:27:30,482 [ CHEERS AND APPLAUSE ] ♪ 440 00:27:30,517 --> 00:27:31,344 >> THANK YOU! 441 00:27:31,379 --> 00:27:38,379 [ CHEERS AND APPLAUSE ] I'M GRATEFUL. 442 00:27:38,413 --> 00:27:43,310 WHAT A NIGHT. 443 00:27:43,344 --> 00:27:46,517 >> "R&B IS NOT A FAD, IT'S THE TRUTH." 444 00:27:46,551 --> 00:27:50,241 THOSE WERE THE WORDS OF A SOULFUL QUEEN WHO KNEW WHAT SHE 445 00:27:50,275 --> 00:27:53,379 WAS TALKING ABOUT -- THE GREAT ARETHA FRANKLIN. 446 00:27:53,413 --> 00:27:57,758 [ APPLAUSE ] HERE ARE FIVE ALBUMS THAT PROVE 447 00:27:57,793 --> 00:28:01,517 THOSE WORDS ARE STILL TRUE. 448 00:28:01,551 --> 00:28:09,586 THESE ARE THE NOMINEES FOR BEST R&B SONG -- 449 00:28:12,931 --> 00:28:15,758 "CUFF IT." 450 00:28:15,793 --> 00:28:24,034 ♪ "GOOD MORNING GORGEOUS." 451 00:28:24,068 --> 00:28:27,620 "HRS & HRS." 452 00:28:27,655 --> 00:28:33,689 "HURT ME SO GOOD." 453 00:28:33,724 --> 00:28:35,103 "PLEASE DON'T WALK AWAY." 454 00:28:35,137 --> 00:28:40,931 ♪ 455 00:28:45,724 --> 00:28:54,413 >> AND THE GRAMMY GOES TO -- "CUFF IT." 456 00:28:54,448 --> 00:29:04,517 ♪ [ CHEERS AND APPLAUSE ] 457 00:29:04,551 --> 00:29:12,586 ♪ [ CHEERS AND APPLAUSE ] 458 00:29:18,034 --> 00:29:22,827 >> BEYONCE, THANKS, Y'ALL. 459 00:29:22,862 --> 00:29:24,241 ALL RIGHT, ALL RIGHT, ALL RIGHT. 460 00:29:24,275 --> 00:29:26,620 SO, FOR REAL, BEYONCE IS ON HER WAY. 461 00:29:26,655 --> 00:29:31,275 BUT YOU KNOW THE UPSIDE OF HOSTING THE GRAMMYS IN L.A. IS 462 00:29:31,310 --> 00:29:32,310 THAT EVERYOE CAN BE HERE. 463 00:29:32,344 --> 00:29:35,241 THE DOWNSIDE OF HOSTING IN L.A. IS THE TRAFFIC. 464 00:29:35,275 --> 00:29:36,310 BEYONCE IS ON HER WAY. 465 00:29:36,344 --> 00:29:39,172 AND JUST FOR REFERENCE -- HOW ARE YOU? 466 00:29:39,206 --> 00:29:40,482 CONGRATULATIONS. 467 00:29:40,517 --> 00:29:44,103 JUST FOR REFERENCE, BEYONCE HAS NOW EQUALLED THE RECORD FOR MOST 468 00:29:44,137 --> 00:29:46,551 GRAMMYS OF AN INDIVIDUAL OF ALL TIME. 469 00:29:46,586 --> 00:29:49,724 [ APPLAUSE ] THIS IS IT. 470 00:29:49,758 --> 00:29:54,448 NOW THIS HAS BEEN AMAZING, CONGRATULATIONS. 471 00:29:54,482 --> 00:29:55,413 NILES, PLEASE SAY SOMETHING. 472 00:29:55,448 --> 00:30:00,241 THE LEGEND, LADIES AND GENTLEMEN. 473 00:30:00,275 --> 00:30:04,241 [ APPLAUSE ] >> UM, WHEN I GOT CALLED TO PLAY 474 00:30:04,275 --> 00:30:07,793 ON THIS SONG, IT WAS THE MOST ORGANIC THING THAT EVER HAPPENED 475 00:30:07,827 --> 00:30:09,034 TO ME. 476 00:30:09,068 --> 00:30:15,482 I HEARD THIS SONG, AND I JUST SAID, I WANT TO -- ALL RIGHT, 477 00:30:15,517 --> 00:30:20,034 ROCK -- I SAID I WANT TO PLAY ON THAT RIGHT NOW. 478 00:30:20,068 --> 00:30:21,965 AND IT WAS ONE TAKE. 479 00:30:22,000 --> 00:30:22,655 I PROMISE. 480 00:30:22,689 --> 00:30:24,586 I PLAYED IT, IT WAS ONE TAKE. 481 00:30:24,620 --> 00:30:29,896 I NEVER EVEN GOT -- WELL, NILE, MAYBE YOU SHOULD DO THIS, MAYBE 482 00:30:29,931 --> 00:30:30,793 YOU SHOULD DO THAT. 483 00:30:30,827 --> 00:30:32,551 IT WAS JUST WHAT I FELT IN MY HEART. 484 00:30:32,586 --> 00:30:37,068 AND I'M SO HAPPY TO BE WORKING WITH YOU ALL. 485 00:30:37,103 --> 00:30:43,275 I MEAN -- [ CHEERS AND APPLAUSE ] 486 00:30:43,310 --> 00:30:44,068 THANK YOU. 487 00:30:44,103 --> 00:30:45,655 ALL RIGHT. 488 00:30:45,689 --> 00:30:52,655 ♪ >> Announcer: UP NEXT -- 489 00:30:52,689 --> 00:30:55,103 BILLY CRYSTAL INTRODUCES A SPECIAL PERFORMANCE BY STEVIE 490 00:30:55,137 --> 00:30:59,000 WONDER WITH SMOKEY ROBINSON AND CHRIS STAPLETON. 491 00:30:59,034 --> 00:31:01,172 PLUS, SHANIA TWAIN PRESENTS THE AWARD FOR BEST COUNTRY ALBUM. 492 00:31:01,206 --> 00:31:01,724 THIS IS CBS. 493 00:31:10,034 --> 00:31:13,793 ♪ >>> Announcer: PLEASE WELCOME 494 00:31:13,827 --> 00:31:17,000 FIVE-TIME GRAMMY AWARD WINNER AND 18-TIME NOMINEE -- 495 00:31:17,034 --> 00:31:18,586 SHANIA TWAIN. 496 00:31:18,620 --> 00:31:25,103 [ CHEERS AND APPLAUSE ] ♪ I'M GOING OUT TONIGHT, GOING 497 00:31:25,137 --> 00:31:30,034 TO LET IT ALL HANG OUT ♪ >> COUNTRY MUSIC IS MORE POPULAR 498 00:31:30,068 --> 00:31:33,000 IN THE WORLD TODAY THAN EVER BEFORE. 499 00:31:33,034 --> 00:31:37,551 BECAUSE, AS WE SONGWRITERS KNOW, IT ALL COMES DOWN TO EXPRESSING 500 00:31:37,586 --> 00:31:40,241 UNIVERSAL TRUTHS. 501 00:31:40,275 --> 00:31:45,068 HERE IS A GIFTED GROUP OF ARTISTS WHO EACH BRING SOMETHING 502 00:31:45,103 --> 00:31:49,000 UNIQUE TO THE WORLD OF COUNTRY MUSIC TODAY. 503 00:31:49,034 --> 00:32:00,379 OUR OUTSTANDING NOMINEES FOR BEST COUNTRY ALBUM -- 504 00:32:00,413 --> 00:32:02,448 "GROWIN' UP," LUKE COMBS. 505 00:32:02,482 --> 00:32:16,482 ♪ "PALOMINO," MIRANDA LAMBERT. 506 00:32:16,517 --> 00:32:24,931 "ASHLEY McBRYDE PRESENTS: LINDEVILLE," ASHLEY MCBRYDE. 507 00:32:24,965 --> 00:32:29,448 "HUMBLE QUEST," MAREN MORRIS. 508 00:32:29,482 --> 00:32:32,586 ♪ "A BEAUTIFUL TIME," 509 00:32:32,620 --> 00:32:35,310 WILLIE NELSON. 510 00:32:35,344 --> 00:32:38,517 ♪ 511 00:32:44,000 --> 00:32:56,068 >> AND THE GRAMMY GOES TO -- "A BEAUTIFUL TIME," 512 00:32:56,103 --> 00:32:59,413 WILLIE NELSON. 513 00:32:59,448 --> 00:33:10,344 [ CHEERS AND APPLAUSE ] WOW. 514 00:33:10,379 --> 00:33:13,586 WILLIE COULD NOT BE WITH US TONIGHT. 515 00:33:13,620 --> 00:33:19,896 SO I ACCEPT THIS AWARD ON HIS BEHALF. 516 00:33:19,931 --> 00:33:22,724 LOVE YOU, WILLIE. 517 00:33:22,758 --> 00:33:27,379 ♪ >> Trevor: CONGRATULATIONS ONE 518 00:33:27,413 --> 00:33:28,517 MORE TIME TO WILLIE NELSON. 519 00:33:28,551 --> 00:33:31,172 WE KNOW YOU'RE WATCHING, AND WE WISH YOU ALL THE BEST. 520 00:33:31,206 --> 00:33:34,965 NOW, TO ANNOUNCE OUR MUSICARES PERSON OF THE YEAR. 521 00:33:35,000 --> 00:33:38,310 IS A MAN WHO, 35 YEARS AGO, HOSTED THE GRAMMY AWARDS FOR THE 522 00:33:38,344 --> 00:33:41,689 FIRST TIME, AND HE WAS THE FIRST HOST TO WIN AN EMMY FOR IT. 523 00:33:41,724 --> 00:33:47,137 PLEASE WELCOME BACK A NOMINEE EARLIER TODAY, BILLY CRYSTAL. 524 00:33:47,172 --> 00:33:49,034 >> HI, EVERYBODY! 525 00:33:49,068 --> 00:33:51,620 [ APPLAUSE ] THANK YOU SO MUCH. 526 00:33:51,655 --> 00:33:52,586 PLEASE BE SEATED. 527 00:33:52,620 --> 00:34:03,241 [ LAUGHTER ] TONIGHT IS THE 35th ANNIVERSARY 528 00:34:03,275 --> 00:34:06,655 OF THE VERY FIRST FREE ARMANI TUXEDO THAT I EVER GOT. 529 00:34:06,689 --> 00:34:08,034 SO I'M VERY EXCITED ABOUT THAT. 530 00:34:08,068 --> 00:34:11,344 [ LAUGHTER ] AND THANK YOU, TREVOR, WHO'S 531 00:34:11,379 --> 00:34:12,585 SENSATIONAL. 532 00:34:12,620 --> 00:34:15,447 AND WHEN THEY INTRODUCED YOU AS A NOMINEE EARLIER TODAY, IT 533 00:34:15,482 --> 00:34:17,000 MEANS YOU LOST. 534 00:34:17,034 --> 00:34:18,379 WHICH I DID, BUT IT'S FINE. 535 00:34:18,413 --> 00:34:19,793 I WAS THRILLED TO BE HERE. 536 00:34:19,827 --> 00:34:21,241 IT'S THE THIRD TIME THAT'S HAPPENED. 537 00:34:21,275 --> 00:34:24,310 THEY SAY THAT THREE TIME'S A CHARM. 538 00:34:24,344 --> 00:34:27,172 THERE'S NOTHING CHARMING ABOUT HAVING TO LOOK THRILLED THAT 539 00:34:27,206 --> 00:34:28,137 IT'S SOMEBODY ELSE. 540 00:34:28,172 --> 00:34:29,965 [ LAUGHTER ] NO, I'VE ALWAYS FELT CONNECTED 541 00:34:30,000 --> 00:34:33,793 TO THE GRAMMYS BECAUSE I WAS RAISED IN THE MUSIC BUSINESS. 542 00:34:33,827 --> 00:34:37,103 MY DAD PRODUCED JAZZ CONCERTS IN THE GREATS OF THE DAY WERE 543 00:34:37,137 --> 00:34:47,103 FAMILY FRIENDS AND MY UNCLE MILT GABLER PRODUCED RECORDS 544 00:34:47,137 --> 00:34:54,344 FROM "STRANGE FRUIT" TO "ROCK AROUND THE CLOCK." 545 00:34:54,379 --> 00:34:57,000 AN AMAZING GUY AND A MENTOR TO ME. 546 00:34:57,034 --> 00:34:58,931 SO I ALWAYS CHERISH MY TIME HERE. 547 00:34:58,965 --> 00:35:06,862 WHEN I WAS HERE I GOT TO THANK MYLES DAVIS FOR SKETCHES OF 548 00:35:06,896 --> 00:35:13,482 SPAIN, TO SIT WITH DIZZY GILLESPIE IN MY DRESSING ROOM. 549 00:35:13,517 --> 00:35:18,034 AND I EVEN GOT TO SHAKE THE MAN OF VLADIMIR HOROWITZ. 550 00:35:18,068 --> 00:35:21,793 [ LAUGHTER ] GOOGLE HIM. 551 00:35:21,827 --> 00:35:23,068 AND NOW, AS IF ALL THOSE GRAMMY MEMORIES WEREN'T WONDERFUL 552 00:35:23,103 --> 00:35:31,482 ENOUGH, WE'RE ABOUT TO MAKE A BRAND NEW ONE. 553 00:35:31,517 --> 00:35:33,137 ARTISTS AND LIFELONG FRIENDS WHO BROUGHT THE MIRACLE OF MOTOWN TO 554 00:35:33,172 --> 00:35:37,793 THE WORLD -- BERRY GORDY AND SMOKEY ROBINSON. 555 00:35:37,827 --> 00:35:41,586 [ APPLAUSE ] AND NOW, TO CELEBRATE THEM AND 556 00:35:41,620 --> 00:35:45,103 THE TIMELESS MAGIC OF MOTOWN, I NOW HAVE THE HONOR OF 557 00:35:45,137 --> 00:35:48,241 INTRODUCING A VERY SPECIAL PERFORMANCE BY THE NINTH WONDER 558 00:35:48,275 --> 00:35:52,965 OF THIS WORLD, A 25-TIME GRAMMY WINNER -- OOH, MAYBE YOU'LL GIVE 559 00:35:53,000 --> 00:35:55,551 ME ONE -- AND A LIFETIME ACHIEVEMENT HONNIE. 560 00:35:55,586 --> 00:36:00,758 AND HE'S STILL MAKING NEW MUSIC, FOLKS HERE HE IS, STEVIE WONDER! 561 00:36:00,793 --> 00:36:08,758 [ CHEERS AND APPLAUSE ] >> OKAY, OKAY. 562 00:36:08,793 --> 00:36:09,758 THANK YOU BUT STOP. 563 00:36:09,793 --> 00:36:11,517 THANK YOU BUT STOP. 564 00:36:11,551 --> 00:36:13,965 DON'T DO IT. 565 00:36:14,000 --> 00:36:16,586 LISTEN, I'M HAPPY TO BE HERE AND I'M SO HAPPY FOR THE WINNERS. 566 00:36:16,620 --> 00:36:18,482 AND I'M JUST SO HAPPY. 567 00:36:18,517 --> 00:36:22,896 AND I'VE GOT SOME NEW PEOPLE HERE WITH ME TO JOIN ME IN THIS 568 00:36:22,931 --> 00:36:28,241 SONG AS WE CELEBRATE SMOKEY ROBINSON. 569 00:36:28,275 --> 00:36:29,034 ARE YOU ALL READY? 570 00:36:29,068 --> 00:36:30,068 >> YEAH! 571 00:36:30,103 --> 00:36:32,000 >> ARE YOU ALL READY! 572 00:36:32,034 --> 00:36:33,275 >> YEAH! 573 00:36:33,310 --> 00:36:36,551 >> ARE YOU ALL READY, AUDIENCE! 574 00:36:36,586 --> 00:36:41,655 [ CHEERS] >> ARE YOU REALLY READY! 575 00:36:41,689 --> 00:36:42,689 LET'S HIT IT! 576 00:36:42,724 --> 00:36:45,103 >> ONE, TWO, THREE, FOUR. 577 00:36:45,137 --> 00:36:53,034 ♪ ♪ 578 00:36:53,068 --> 00:36:54,620 ♪ YOU GOT A SMILE SO BRIGHT YOU KNOW YOU COULD'VE 579 00:36:54,655 --> 00:36:58,862 BEEN A CANDLE ♪ ♪ I'M HOLDING YOU SO TIGHT 580 00:36:58,896 --> 00:37:03,137 YOU KNOW YOU COULD'VE BEEN A HANDLE ♪ 581 00:37:03,172 --> 00:37:06,827 ♪ THE WAY YOU SWEPT ME OFF MY FEET 582 00:37:06,862 --> 00:37:10,517 YOU KNOW YOU COULD'VE ♪ ♪ BEEN A BROOM 583 00:37:10,551 --> 00:37:17,551 THE WAY YOU SMELL SO SWEET YOU KNOW YOU COULD'VE ♪ 584 00:37:17,586 --> 00:37:19,482 ♪ BEEN SOME PERFUME WELL 585 00:37:19,517 --> 00:37:23,206 YOU COULD'VE BEEN ANYTHING ♪ ♪ THAT YOU WANTED TO 586 00:37:23,241 --> 00:37:26,379 AND I CAN TELL THE WAY YOU DO ♪ 587 00:37:26,413 --> 00:37:31,137 ♪ THE THINGS YOU DO AW BABY 588 00:37:31,172 --> 00:37:35,379 AS PRETTY AS YOU ARE ♪ ♪ YOU KNOW YOU COULD'VE 589 00:37:35,413 --> 00:37:41,827 BEEN A FLOWER IF GOOD LOOKS WAS A MINUTE ♪ 590 00:37:41,862 --> 00:37:48,206 ♪ YOU KNOW YOU COULD HAVE BEEN AN HOUR ♪ 591 00:37:48,241 --> 00:37:52,413 THE WAY YOU STOLE MY HEART ♪ ♪ YOU KNOW YOU COULD HAVE 592 00:37:52,448 --> 00:37:56,103 BEEN A COOL CROOK AND BABY YOU'RE SO SMART ♪ 593 00:37:56,137 --> 00:38:01,068 ♪ YOU KNOW YOU COULD HAVE BEEN A SCHOOL BOOK 594 00:38:01,103 --> 00:38:03,862 ♪ YEAH WELL ♪ 595 00:38:03,896 --> 00:38:08,586 ♪ YOU COULD'VE BEEN ANYTHING THAT YOU WANTED TO 596 00:38:08,620 --> 00:38:10,724 AND I CAN TELL ♪ ♪ THE WAY YOU DO 597 00:38:10,758 --> 00:38:16,517 THE THINGS YOU DO YOU MADE MY LIFE SO BRIGHT ♪ 598 00:38:16,551 --> 00:38:23,379 ♪ YOU MAKE ME FEEL ALRIGHT YOU MAKE ME FEEL ALRIGHT 599 00:38:23,413 --> 00:38:29,862 YOU MAKE ME FEEL ALRIGHT ♪ YOU MAKE ME DO THE THINGS YOU 600 00:38:29,896 --> 00:38:31,862 DO ♪ ♪ THE WAY YOU DO THE THINGS YOU 601 00:38:31,896 --> 00:38:37,413 DO ♪ ♪ 602 00:38:37,448 --> 00:38:47,448 ♪ [ APPLAUSE ] 603 00:38:47,482 --> 00:38:50,793 SMOKEY ROBINSON! 604 00:38:50,827 --> 00:38:53,448 ♪ OH YEAH BABY NOW IF THERE'S A SMILE 605 00:38:53,482 --> 00:38:57,172 ON MY FACE ♪ ♪ IT'S ONLY THERE TRYING 606 00:38:57,206 --> 00:38:58,965 TO FOOL THE PUBLIC BUT WHEN IT COMES DOWN ♪ 607 00:38:59,000 --> 00:39:01,275 ♪ TO FOOLING YOU NOW HONEY THAT'S QUITE 608 00:39:01,310 --> 00:39:04,965 A DIFFERENT SUBJECT ♪ ♪ BUT DON'T LET MY 609 00:39:05,000 --> 00:39:07,586 GLAD EXPRESSION GIVE YOU THE ♪ 610 00:39:07,620 --> 00:39:13,344 ♪ WRONG IMPRESSION REALLY I'M SAD 611 00:39:13,379 --> 00:39:17,586 OH I'M SADDER THAN SAD ♪ ♪ YOU'RE GONE AND I'M 612 00:39:17,620 --> 00:39:21,034 HURTING SO BAD LIKE A CLOWN ♪ 613 00:39:21,068 --> 00:39:26,034 ♪ I APPEAR TO BE GLAD NOW THEY'RE SOME SAD 614 00:39:26,068 --> 00:39:31,000 THINGS KNOWN TO MAN ♪ ♪ BUT AIN'T TOO MUCH 615 00:39:31,034 --> 00:39:34,034 SADDER THAN THE TEARS OF A CLOWN ♪ 616 00:39:34,068 --> 00:39:40,379 ♪ SAY IT, STEVE. 617 00:39:40,413 --> 00:39:43,551 ♪ JUST LIKE PAGLIACCI DID I TRY TO KEEP 618 00:39:43,586 --> 00:39:49,896 MY SURFACE HID ♪ ♪ SMILING IN THE CROWD I TRY 619 00:39:49,931 --> 00:39:53,068 BUT IN MY LONELY ROOM I CRY ♪ 620 00:39:53,103 --> 00:39:59,379 ♪ THE TEARS OF A CLOWN WHEN THERE'S NO ONE AROUND 621 00:39:59,413 --> 00:40:06,241 OH YEAH BABY ♪ ♪ NOW IF THERE'S A 622 00:40:06,275 --> 00:40:11,034 SMILE ON MY FACE DON'T LET MY ♪ 623 00:40:11,068 --> 00:40:14,965 ♪ GLAD EXPRESSION GIVE YOU THE 624 00:40:15,000 --> 00:40:19,310 WRONG IMPRESSION ♪ ♪ DON'T LET THIS 625 00:40:19,344 --> 00:40:22,931 SMILE I WEAR MAKE YOU THINK THAT ♪ 626 00:40:22,965 --> 00:40:29,620 ♪ I DON'T CARE ♪ BECAUSE I'M CRYING, CRYING, 627 00:40:29,655 --> 00:40:34,827 CRYING, CRY, CRYING ♪ ♪ TEARS OF A CLOWN 628 00:40:34,862 --> 00:40:43,275 ♪ THE TEARS OF A CLOWN ♪ 629 00:40:43,310 --> 00:40:49,241 ♪ THE TEARS OF A CLOWN [ CHEERS AND APPLAUSE ] 630 00:40:49,275 --> 00:40:59,655 ♪ CHRIS STAPLETON! 631 00:40:59,689 --> 00:41:04,000 ♪ ♪ PEOPLE 632 00:41:04,034 --> 00:41:11,344 KEEP ON LEARNIN' SOLDIERS ♪ 633 00:41:11,379 --> 00:41:18,965 ♪ KEEP ON WARRIN' WORLD 634 00:41:19,000 --> 00:41:23,448 KEEP ON TURNIN' ♪ ♪ 'CAUSE IT WON'T 635 00:41:23,482 --> 00:41:28,241 BE TOO LONG ♪ ♪ 636 00:41:28,275 --> 00:41:30,103 CHRIS! 637 00:41:30,137 --> 00:41:32,448 DO IT! 638 00:41:32,482 --> 00:41:37,724 ♪ POWERS KEEP ON LYIN' 639 00:41:37,758 --> 00:41:45,103 WHILE YOUR PEOPLE ♪ ♪ KEEP ON DYIN' 640 00:41:45,137 --> 00:41:52,000 WORLD KEEP ON TURNIN' ♪ 641 00:41:52,034 --> 00:41:56,172 ♪ 'CAUSE IT WON'T BE TOO LONG ♪ 642 00:41:56,206 --> 00:42:03,068 ♪ ♪ I'M SO DARN GLAD HE 643 00:42:03,103 --> 00:42:06,827 LET ME TRY IT AGAIN 'CAUSE MY LAST ♪ 644 00:42:06,862 --> 00:42:09,482 ♪ TIME ON EARTH I LIVED A WHOLE 645 00:42:09,517 --> 00:42:14,655 WORLD OF SIN ♪ ♪ I'M SO GLAD THAT I KNOW 646 00:42:14,689 --> 00:42:17,310 MORE THAN I KNEW THEN GONNA KEEP ON TRYIN' ♪ 647 00:42:17,344 --> 00:42:20,482 ♪ TILL I REACH MY HIGHEST GROUND ♪ 648 00:42:20,517 --> 00:42:23,206 ARE YOU ALL WITH US! 649 00:42:23,241 --> 00:42:26,931 ♪ ♪ LOVERS 650 00:42:26,965 --> 00:42:34,344 KEEP ON LOVIN' BELIEVERS ♪ 651 00:42:34,379 --> 00:42:42,931 ♪ KEEP ON BELIEVIN' SLEEPERS 652 00:42:42,965 --> 00:42:46,000 JUST STOP SLEEPIN' ♪ ♪ 'CAUSE IT WON'T 653 00:42:46,034 --> 00:42:52,034 BE TOO LONG ♪ ♪ 654 00:42:52,068 --> 00:42:55,896 ♪ OH YEAH ♪ I'M SO GLAD THAT HE 655 00:42:55,931 --> 00:42:58,482 LET ME TRY IT AGAIN 'CAUSE MY LAST ♪ 656 00:42:58,517 --> 00:43:02,275 ♪ TIME ON EARTH I LIVED A WHOLE 657 00:43:02,310 --> 00:43:03,896 WORLD OF SIN ♪ ♪ I'M SO GLAD THAT I KNOW 658 00:43:03,931 --> 00:43:06,551 MORE THAN I KNEW THEN GONNA KEEP ON TRYIN' ♪ 659 00:43:06,586 --> 00:43:12,965 ♪ TILL I REACH MY HIGHEST GROUND 660 00:43:13,000 --> 00:43:16,655 WOO ♪ ♪ TILL I REACH MY 661 00:43:16,689 --> 00:43:20,896 HIGHEST GROUND NO ♪ 662 00:43:20,931 --> 00:43:26,965 ♪ ♪ 663 00:43:27,000 --> 00:43:31,413 ♪ HIGHER ♪ HIGHER 664 00:43:31,448 --> 00:43:39,448 ♪ ♪ HIGHER 665 00:43:39,482 --> 00:43:49,482 ♪ ♪ 666 00:43:49,517 --> 00:43:55,482 ♪ ♪ 667 00:43:55,517 --> 00:44:05,586 ♪ ♪ 668 00:44:05,620 --> 00:44:15,655 ♪ ♪ 669 00:44:15,655 --> 00:44:20,931 ♪ ♪ 670 00:44:20,965 --> 00:44:30,965 ♪ 671 00:44:31,000 --> 00:44:37,034 ♪ 672 00:44:39,413 --> 00:44:49,413 ♪ 673 00:44:49,448 --> 00:44:55,517 ♪ 674 00:44:56,206 --> 00:45:06,241 ♪ [ CHEERS AND APPLAUSE ] 675 00:45:06,275 --> 00:45:20,241 ♪ [ CHEERS AND APPLAUSE ] 676 00:45:20,275 --> 00:45:22,655 >> Trevor: ARE YOU KIDDING ME RIGHT NOW? 677 00:45:22,689 --> 00:45:28,275 GIVE IT UP ONE MORE TIME, CHRIS STAPLETON, STEVIE WONDER. 678 00:45:28,310 --> 00:45:29,413 ONE MORE. 679 00:45:29,448 --> 00:45:34,310 [ CHEERS AND APPLAUSE ] I MEAN, HOW AMAZING WAS THAT, 680 00:45:34,344 --> 00:45:34,862 EVERYBODY? 681 00:45:34,896 --> 00:45:36,034 HOW AMAZING WAS THAT. 682 00:45:36,068 --> 00:45:36,827 THANK YOU SO MUCH. 683 00:45:36,862 --> 00:45:38,034 THANK YOU EVERY SINGLE ONE OF YOU. 684 00:45:38,068 --> 00:45:40,827 THAT WAS PHENOMENAL. 685 00:45:40,862 --> 00:45:43,413 CONGRATULATIONS TO BERRY GORDY AND OF COURSE TO SMOKEY ROBINSON 686 00:45:43,448 --> 00:45:44,344 ON THIS GREAT HONOR. 687 00:45:44,379 --> 00:45:45,655 WHAT AN AMAZING NIGHT. 688 00:45:45,689 --> 00:45:46,965 WHAT A PHENOMENAL MOMENT. 689 00:45:47,000 --> 00:45:48,275 THANK YOU SO MUCH FOR THAT. 690 00:45:48,310 --> 00:45:50,413 IN FACT, YOU KNOW WHAT, SMOKEY, WHY DON'T YOU DO THE HONORS AND 691 00:45:50,448 --> 00:45:51,931 PRESENT OUR NEXT AWARD. 692 00:45:51,965 --> 00:45:54,965 >> THANK YOU, TREVOR. 693 00:45:55,000 --> 00:46:03,275 THESE ARE THE NOMINEES FOR THE BEST DUO OR GROUP PERFORMANCE. 694 00:46:03,310 --> 00:46:09,827 ♪ "DON'T SHUT ME DOWN," ABBA. 695 00:46:09,862 --> 00:46:16,137 "BAM BAM," CAMILA CABELLO FEATURING ED SHEERAN. 696 00:46:16,172 --> 00:46:18,275 "MY UNIVERSE," COLDPLAY & BTS. 697 00:46:18,310 --> 00:46:23,103 ♪ "I LIKE YOU [A HAPPIER SONG]," 698 00:46:23,137 --> 00:46:25,413 POST MALONE & DOJA CAT. 699 00:46:25,448 --> 00:46:29,275 ♪ "UNHOLY," SAM SMITH & 700 00:46:29,310 --> 00:46:32,655 KIM PETRAS. 701 00:46:32,689 --> 00:46:36,241 ♪ 702 00:46:42,137 --> 00:46:55,310 >> AND THE GRAMMY GOES TO -- "UNHOLY," SAM SMITH & 703 00:46:55,344 --> 00:46:57,689 KIM PETRAS. 704 00:46:57,724 --> 00:47:07,793 ♪ [ CHEERS AND APPLAUSE ] 705 00:47:07,827 --> 00:47:15,137 ♪ [ CHEERS AND APPLAUSE ] 706 00:47:16,931 --> 00:47:26,931 ♪ >> OH, MY GOD. 707 00:47:26,965 --> 00:47:32,241 ♪ >> OH, MY GOD. 708 00:47:32,275 --> 00:47:35,172 THANK YOU SO MUCH. 709 00:47:35,206 --> 00:47:36,551 CRAZY, SAM, I LOVE YOU SO MUCH. 710 00:47:36,586 --> 00:47:40,103 AND THIS SONG HAS BEEN SUCH AN INCREDIBLE, INCREDIBLE JOURNEY 711 00:47:40,137 --> 00:47:41,172 FOR ME. 712 00:47:41,206 --> 00:47:44,724 AND SAM HAS BEEN A SUPPORTER OF MINE FOR SO LONG. 713 00:47:44,758 --> 00:47:50,655 UM, SAM GRACIOUSLY WANTED ME TO ACCEPT THIS AWARD BECAUSE I'M 714 00:47:50,689 --> 00:47:52,724 THE FIRST TRANSGENDER WOMAN TO WIN THIS AWARD. 715 00:47:52,758 --> 00:48:06,896 [ CHEERS AND APPLAUSE ] AND I'M SO -- THANK YOU. 716 00:48:06,931 --> 00:48:16,068 UM, AND I JUST WANT TO THANK ALL THE INCREDIBLE TRANSGENDER LE 717 00:48:16,103 --> 00:48:19,172 LEGENDS BEFORE ME WHO KICKED THESE DOORS OPEN BEFORE ME SO I 718 00:48:19,206 --> 00:48:21,827 COULD BE HERE TONIGHT. 719 00:48:21,862 --> 00:48:29,000 SOPHIE MY FRIEND WHO PASSED AWAY TWO YEARS AGO WHO TOLD ME THIS 720 00:48:29,034 --> 00:48:31,034 WOULD HAPPEN AND ALWAYS BELIEVED IN ME. 721 00:48:31,068 --> 00:48:33,965 THANK YOU SO MUCH FOR YOUR INSPIRATION, SOPHIE. 722 00:48:34,000 --> 00:48:38,103 I ADORE YOU, AND YOUR INSPIRATION WILL FOREVER BE IN 723 00:48:38,137 --> 00:48:39,103 MY MUSIC. 724 00:48:39,137 --> 00:48:42,586 MADONNA FOR FIGHTING FOR LGBTQ RIGHTS. 725 00:48:42,620 --> 00:48:43,586 SO MUCH. 726 00:48:43,620 --> 00:48:46,137 I DON'T THINK I COULD BE HERE WITHOUT MADONNA. 727 00:48:46,172 --> 00:48:47,551 MY MOTHER. 728 00:48:47,586 --> 00:48:51,827 I GREW UP NEXT TO A HIGHWAY IN NOWHERE, GERMANY. 729 00:48:51,862 --> 00:48:58,413 AND MY MOTHER BELIEVED ME THAT I WAS A GIRL, AND I WOULDN'T BE 730 00:48:58,448 --> 00:48:59,827 HERE WITHOUT HER. 731 00:48:59,862 --> 00:49:01,482 AND HER SUPPORT. 732 00:49:01,517 --> 00:49:05,310 [ APPLAUSE ] AND EVERYONE WHO BELIEVED IN ME 733 00:49:05,344 --> 00:49:07,172 TO THIS POINT, I LOVE YOU SO MUCH. 734 00:49:07,206 --> 00:49:08,689 THE RECORDING ACADEMY, THANK YOU. 735 00:49:08,724 --> 00:49:10,448 THIS IS A HUGE MOMENT FOR ME. 736 00:49:10,482 --> 00:49:13,137 SAM, THANK YOU, YOU'RE A TRUE ANGEL AND HERO IN MY LIFE. 737 00:49:13,172 --> 00:49:15,103 AND I LOVE YOU. 738 00:49:15,137 --> 00:49:19,758 AND EVERYONE WHO MADE THE SONG, I LOVE YOU GUYS SO MUCH. 739 00:49:19,793 --> 00:49:21,586 SORRY I DIDN'T WRITE DOWN THE NAMES. 740 00:49:21,620 --> 00:49:23,551 I LOVE YOU. 741 00:49:23,586 --> 00:49:24,482 BYE-BYE! 742 00:49:24,517 --> 00:49:28,931 [ APPLAUSE ] >> Announcer: FOR YEAR-ROUND 743 00:49:28,965 --> 00:49:30,241 ACCESS TO THE STORIES BEHIND MUSIC AND THE PEOPLE WHO SHAPE 744 00:49:30,275 --> 00:49:34,000 CULTURE, FOLLOW US ON INSTAGRAM, VISIT GRAMMY.COM, AND JOIN OUR 745 00:49:34,034 --> 00:49:36,103 GRAMMY INSIDER EMAIL. 746 00:49:36,137 --> 00:49:39,827 COMING UP -- SPECIAL PERFORMANCES BY TWO OF 747 00:49:39,862 --> 00:49:40,896 THIS GRAMMY NIGHT'S MOST NOMINATED ARTISTS -- 748 00:49:40,931 --> 00:49:42,517 FIRST, LIZZO. 749 00:49:42,551 --> 00:49:49,241 THEN HARRY STYLES TURNS THE GRAMMYS INTO "HARRY'S HOUSE." 750 00:49:49,275 --> 00:49:51,172 SZA PRESENTS THE GRAMMY. 751 00:49:51,206 --> 00:49:52,206 AND LATER, WHICH OF THIS YEAR'S STELLAR NOMINEES WILL TAKE HOME 752 00:50:17,034 --> 00:50:18,586 >> Trevor: WELCOME BACK TO THE GRAMMY AWARDS. 753 00:50:18,620 --> 00:50:21,965 TO INTRODUCE OUR NEXT AMAZING ARTIST IS SOMEONE WHOSE LIFE HAS 754 00:50:22,000 --> 00:50:24,896 BEEN CHANGED BY HER. 755 00:50:24,931 --> 00:50:26,379 LET'S WELCOME JAYLA SULLIVAN. 756 00:50:26,413 --> 00:50:30,724 [ APPLAUSE ] >> I LOVE THIS NEXT PERFORMER 757 00:50:30,758 --> 00:50:35,482 FOR WHAT SHE STANDS FOR, WHO SHE FIGHTS FOR, AND WHO SHE TRULY 758 00:50:35,517 --> 00:50:36,724 IS. 759 00:50:36,758 --> 00:50:40,827 WHEN I AUDITIONED TO BE ONE OF LIZZO'S "BIG GIRL DANCERS," 760 00:50:40,862 --> 00:50:44,758 LIZZO SAID SHE SAW A SUPER STAR IN ME. 761 00:50:44,793 --> 00:50:46,000 I CRIED. 762 00:50:46,034 --> 00:50:48,689 LIZZO SAW SOMETHING IN ME THAT I COULDN'T EVEN SEE IN MYSELF. 763 00:50:48,724 --> 00:50:54,827 I'VE BEEN DANCING WITH BAD -- ENERGY SINCE I WAS TEN. 764 00:50:54,862 --> 00:50:56,448 [ APPLAUSE ] BUT GETTING THE BIG SHOT WAS 765 00:50:56,482 --> 00:50:59,000 NEVER GOING TO BE EASY. 766 00:50:59,034 --> 00:51:03,586 I'M FOREVER THANKFUL TO THIS ONE IN A MILLION WOMAN FOR OPENING 767 00:51:03,620 --> 00:51:10,206 UP DOORS FOR WOMEN OF SIZE, WOMEN OF COLOR, AND PEOPLE WITH 768 00:51:10,241 --> 00:51:13,448 ALL DIFFERENT GENDER EXPRESSIONS. 769 00:51:13,482 --> 00:51:19,206 AND MAY I SAY, IT'S ABOUT DAMN TIME! 770 00:51:19,241 --> 00:51:21,034 [ CHEERS AND APPLAUSE ] PLEASE WELCOME LIZZO! 771 00:51:21,068 --> 00:51:28,551 [ CHEERS AND APPLAUSE ] ♪ OH I'VE BEEN SO DOWN 772 00:51:28,586 --> 00:51:33,275 AND UNDER PRESSURE I'M WAY TOO FINE 773 00:51:33,310 --> 00:51:36,448 TO BE THIS STRESSED YEAH ♪ ♪ OH I'M NOT THE GIRL I WAS 774 00:51:36,482 --> 00:51:42,310 OR USED TO BE ♪ GRAMMYS! 775 00:51:42,344 --> 00:51:46,068 [ CHEERS AND APPLAUSE ] ♪ TURN UP THE MUSIC 776 00:51:46,103 --> 00:51:48,344 TURN DOWN THE LIGHT ♪ I GOT A FEELIN' 777 00:51:48,379 --> 00:51:54,517 I'M GON' BE ALRIGHT ♪ ♪ OKAY ALRIGHT 778 00:51:54,551 --> 00:51:57,310 BECAUSE IT'S ABOUT DAMN TIME! 779 00:51:57,344 --> 00:52:01,758 ♪ COMING OUT TONIGHT. 780 00:52:01,793 --> 00:52:04,586 WE COMING OUT TONIGHT. 781 00:52:04,620 --> 00:52:11,034 ♪ TURN UP THE MUSIC ♪ TURN DOWN THE LIGHTS 782 00:52:11,068 --> 00:52:22,275 [ APPLAUSE ] >> ALL RIGHT, GRAMMYS, Y'ALL 783 00:52:22,310 --> 00:52:24,000 TRYING TO HAVE SOME CHURCH UP IN HERE. 784 00:52:24,034 --> 00:52:27,034 HOW ARE YOU ALL FEELING TONIGHT? 785 00:52:27,068 --> 00:52:33,241 [ CHEERS ] ♪ WOKE UP THIS MORNING TO 786 00:52:33,275 --> 00:52:35,655 SOMEBODY IN THE VIDEO TALKING ABOUT SOMETHING I POSTED IN THE 787 00:52:35,689 --> 00:52:39,000 VIDEO ♪ ♪ IF IT WASN'T ME THEN 788 00:52:39,034 --> 00:52:41,724 WOULD YOU EVEN GET OFFENDED OR IS IT JUST BECAUSE 789 00:52:41,758 --> 00:52:44,896 I'M BLACK AND HEAVY ♪ ♪ Y'ALL DON'T HEAR ME THOUGH 790 00:52:44,931 --> 00:52:48,000 IS IT JUST BECAUSE I'M BLACK AND HEAVY ♪ 791 00:52:48,034 --> 00:52:50,103 ♪ Y'ALL DON'T HEAR ME THOUGH Y'ALL DON'T HEAR ME 792 00:52:50,137 --> 00:52:53,724 Y'ALL DON'T HEAR ME ♪ I'VE BEEN THE SAME 793 00:52:53,758 --> 00:52:55,000 SINCE I'VE BEEN DRIVING SLOW ON BISSONNET ♪ 794 00:52:55,034 --> 00:53:01,034 ♪ CALL UP ANYBODY I KNOW AND THEY WILL TELL YOU 795 00:53:01,068 --> 00:53:04,034 THAT FAME IS PRETTY NEW ♪ ♪ BUT I'VE BEEN USED TO 796 00:53:04,068 --> 00:53:07,034 I MOVE THE WAY I MOVE AND WHY 797 00:53:07,068 --> 00:53:08,655 I'M SO IN LOVE WITH ME ♪ ♪ I'M USED TO 798 00:53:08,689 --> 00:53:11,241 FEELING ALONE OH SO I THOUGH 799 00:53:11,275 --> 00:53:21,000 THAT I'D LET YOU KNOW ♪ ♪ IN CASE 800 00:53:21,034 --> 00:53:24,000 NOBODY TOLD YOU TODAY YOU'RE SPECIAL ♪ 801 00:53:24,034 --> 00:53:26,241 ♪ IN CASE NOBODY MADE YOU BELIEVE 802 00:53:26,275 --> 00:53:30,241 YOU'RE SPECIAL ♪ ♪ WELL I WILL 803 00:53:30,275 --> 00:53:33,103 ALWAYS LOVE YOU THE SAME YOU'RE SPECIAL ♪ 804 00:53:33,137 --> 00:53:36,827 ♪ I'M SO GLAD THAT YOU'RE STILL WITH US 805 00:53:36,862 --> 00:53:39,655 BROKEN BUT DAMN YOU'RE STILL PERFECT PERFECT ♪ 806 00:53:39,689 --> 00:53:43,206 ♪ IT'S ABOUT DAMN TIME IT'S ABOUT DAMN TIME 807 00:53:43,241 --> 00:53:49,931 FOR YOU TO FEEL SPECIAL ♪ ♪ 808 00:53:49,965 --> 00:53:53,862 ♪ ♪ COULD YOU IMAGINE A WORLD 809 00:53:53,896 --> 00:53:57,034 UMM HEY YEAH WHERE EVERYBODY'S THE SAME 810 00:53:57,068 --> 00:54:00,241 UMM HEY YEAH ♪ ♪ AND YOU COULD 811 00:54:00,275 --> 00:54:02,896 CANCEL A GIRL UMM HEY YEAH ♪ 812 00:54:02,931 --> 00:54:07,586 ♪ 'CAUSE SHE JUST WANTED TO CHANGE 813 00:54:07,620 --> 00:54:08,689 UMM HEY YEAH ♪ ♪ HOW COULD YOU 814 00:54:08,724 --> 00:54:10,827 THROW -- STONES UMM HEY YEAH ♪ 815 00:54:10,862 --> 00:54:14,310 ♪ IF YOU AIN'T BEEN THROUGH HER PAIN 816 00:54:14,344 --> 00:54:16,586 UMM HEY YEAH ♪ ♪ THAT'S WHY 817 00:54:16,620 --> 00:54:20,000 WE FEEL SO ALONE THAT'S WHY 818 00:54:20,034 --> 00:54:23,344 WE FEEL SO ASHAMED ♪ ♪ HEY HEY HEY HEY YEAH 819 00:54:23,379 --> 00:54:29,000 ♪ I'M USED TO FEELING ALONE ♪ I THOUGHT THAT I'D LET YOU 820 00:54:29,034 --> 00:54:33,655 KNOW ♪ OOH ♪ 821 00:54:33,689 --> 00:54:39,965 ♪ IN CASE NOBODY TOLD YOU TODAY 822 00:54:40,000 --> 00:54:42,379 ♪ ♪ YEAH! 823 00:54:42,413 --> 00:54:45,655 YOU'RE SPECIAL ♪ ♪ IN CASE 824 00:54:45,689 --> 00:54:48,172 NOBODY MADE YOU BELIEVE YOU'RE SPECIAL ♪ 825 00:54:48,206 --> 00:54:50,793 ♪ WELL I WILL ALWAYS LOVE YOU THE SAME 826 00:54:50,827 --> 00:54:53,448 YOU'RE SPECIAL ♪ ♪ I'M SO GLAD 827 00:54:53,482 --> 00:54:56,551 THAT YOU'RE STILL WITH US BROKEN BUT DAMN YOU'RE 828 00:54:56,586 --> 00:54:57,655 STIL PERFECT PERFECT ♪ ♪ SPECIAL SPECIAL SPECIAL 829 00:54:57,689 --> 00:55:03,551 YOU ARE YOU ARE YOU ARE YOU ARE ♪ 830 00:55:03,586 --> 00:55:08,620 ♪ SPECIAL MMM MMM HEY ♪ 831 00:55:08,655 --> 00:55:18,655 [ CHEERS AND APPLAUSE ] 832 00:55:18,689 --> 00:55:25,068 [ CHEERS AND APPLAUSE ] 833 00:55:26,931 --> 00:55:29,965 >> Trevor: THAT'S RIGHT, KEEP IT GOING FOR LIZZO, EVERYBODY. 834 00:55:30,000 --> 00:55:33,206 [ CHEERS AND APPLAUSE ] YOU DON'T SEE THAT EVERY DAY. 835 00:55:33,241 --> 00:55:36,689 EVERY SINGLE TIME SHE HITS THE STAGE, IT'S PHENOMENAL. 836 00:55:36,724 --> 00:55:37,655 WOW. 837 00:55:37,689 --> 00:55:39,655 I NEED TO GET ME ONE OF THOSE GOSPEL CHOIRS. 838 00:55:39,689 --> 00:55:42,379 I LOVE HER. 839 00:55:42,413 --> 00:55:43,448 SHE'S LIKE IF DOPAMINE WAS A PERSON. 840 00:55:43,482 --> 00:55:44,655 THAT'S PERSON. 841 00:55:44,689 --> 00:55:49,448 OUR NEXT PRESENTER JUST DROPPED HER SMASH HIT ALBUM "SOS." 842 00:55:49,482 --> 00:55:52,137 IT'S BEEN NUMBER ONE ON THE CHARTS SEVEN WEEKS AND COUNTING. 843 00:55:52,172 --> 00:55:55,551 AND JUST THINK, THIS IS A WOMAN WHO ALMOST BECAME A MARINE 844 00:55:55,586 --> 00:55:56,862 BIOLOGIST. 845 00:55:56,896 --> 00:56:01,482 AND IF SHE HAD, THERE WOULD BE NO THEME SONG FOR KILLING YOUR 846 00:56:01,517 --> 00:56:02,000 EX. 847 00:56:02,034 --> 00:56:03,620 PLEASE WELCOME SZA! 848 00:56:03,655 --> 00:56:17,000 [ APPLAUSE ] ♪ 849 00:56:17,034 --> 00:56:20,034 >> HELLO, LIZZO. 850 00:56:20,068 --> 00:56:25,724 IN A WORLD WHERE SO MUCH SEEMS TO DIVIDE US, MUSIC UNITES US. 851 00:56:25,758 --> 00:56:28,103 MUSIC CROSSES ALL BOUNDARIES AND SPEAKS ALL LANGUAGES. 852 00:56:28,137 --> 00:56:29,965 AND SO I FEEL VERY HONORED TONIGHT TO PRESENT THE GRAMMY 853 00:56:30,000 --> 00:56:32,034 AWARD FOR BEST MUSICA URBANA ALBUM. 854 00:56:32,068 --> 00:56:36,379 THESE ARE THE NOMINEES. 855 00:56:51,034 --> 00:56:55,793 "TRAP CAKE, VOL. 2," RAUW ALEJANDRO. 856 00:56:55,827 --> 00:57:02,448 ♪ "UN VERANO SIN TI," BAD BUNNY. 857 00:57:02,482 --> 00:57:07,206 ♪ "LEGENDADDY," DADDY YANKEE. 858 00:57:07,241 --> 00:57:10,896 "LA 167," FARRUKO. 859 00:57:10,931 --> 00:57:13,379 "THE LOVE & SEX TAPE," MALUMA. 860 00:57:13,413 --> 00:57:15,724 ♪ 861 00:57:21,068 --> 00:57:29,827 >> AND THE GRAMMY GOES TO -- BAD BUNNY! 862 00:57:29,862 --> 00:57:39,862 [ CHEERS AND APPLAUSE ] ♪ 863 00:57:39,896 --> 00:57:48,034 [ CHEERS AND APPLAUSE ] ♪ 864 00:57:51,689 --> 00:57:53,413 >> WHOO. 865 00:57:53,448 --> 00:57:54,482 GRACIAS. 866 00:57:54,517 --> 00:58:03,724 [ APPLAUSE ] OH, WOW, THIS IS REALLY HUMBLE. 867 00:58:03,758 --> 00:58:10,793 IT'S EASY BECAUSE I JUST MADE IT THIS ALBUM WITH LOVE AND 868 00:58:10,827 --> 00:58:11,275 PASSION. 869 00:58:11,310 --> 00:58:12,517 LOVE AND PASSION. 870 00:58:12,551 --> 00:58:16,448 AND WHEN YOU DO THINGS WITH LOVE AND PASSION, EVERYTHING IS 871 00:58:16,482 --> 00:58:16,965 EASIER. 872 00:58:17,000 --> 00:58:19,413 THE LIFE IS EASIER. 873 00:58:19,448 --> 00:58:23,517 I WANT TO THANK ALL, EVERYONE WHO LISTENED TO MY MUSIC. 874 00:58:23,551 --> 00:58:35,034 [ SPEAKING NON-ENGLISH ] [ CHEERS AND APPLAUSE ] 875 00:58:35,068 --> 00:58:43,551 [ SPEAKING NON-ENGLISH ] I WANT TO DEDICATE THIS AWARD TO 876 00:58:43,586 --> 00:58:53,620 PUERTO RICO -- [ SPEAKING NON-ENGLISH ] 877 00:58:53,620 --> 00:59:02,448 PUERTO RICO -- [ SPEAKING NON-ENGLISH ] 878 00:59:02,482 --> 00:59:06,931 [ CHEERS AND APPLAUSE ] >> Announcer: COMING RIGHT UP -- 879 00:59:06,965 --> 00:59:09,758 HARRY STYLES PERFORMS, CARDI B PRESENTS THE AWARD FOR BEST RAP 880 00:59:09,793 --> 00:59:11,482 ALBUM. 881 00:59:11,517 --> 00:59:13,000 THEN KACEY MUSGRAVES, QUAVO, SHERYL CROW, BONNIE RAITT, AND 882 00:59:13,034 --> 00:59:15,655 MICK FLEETWOOD PAY TRIBUTE TO THE MUSIC LEGENDS WE LOST THIS 883 00:59:15,689 --> 00:59:16,724 PAST YEAR. 884 00:59:16,758 --> 00:59:17,758 THIS IS CBS. 885 00:59:22,724 --> 00:59:24,517 >> Announcer: EVERYONE IS GETTING READY TO SEE HARRY 886 00:59:24,551 --> 00:59:25,241 STYLES TAKE THE STAGE. 887 00:59:25,275 --> 00:59:26,275 THIS IS CBS. 888 00:59:37,724 --> 00:59:40,689 ♪ >> Trevor: WELCOME BACK TO THE 889 00:59:40,724 --> 00:59:41,931 GRAMMYS, EVERYBODY. 890 00:59:41,965 --> 00:59:45,482 YOU KNOW, WHEN YOU EQUAL A RECORD, THERE'S NO WAY YOU GET 891 00:59:45,517 --> 00:59:47,482 TO HOLD YOUR GRAMMY IN YOUR HAND AND CELEBRATE THAT. 892 00:59:47,517 --> 00:59:54,793 AND THE QUEEN IS OFFICIALLY IN LADIES AND GENTLEMEN, BEYONCE 893 00:59:54,827 --> 00:59:56,448 KNOWLES. 894 00:59:56,482 --> 00:59:57,931 [ APPLAUSE ] THANK YOU SO MUCH. 895 00:59:57,965 --> 00:59:59,931 I WAS SHOCKED TO FIND OUT THAT TRAFFIC COULD STOP YOU. 896 00:59:59,965 --> 01:00:03,068 I THOUGHT YOU TRAVELED THROUGH SPACE AND TIME, BUT I'M GLAD 897 01:00:03,103 --> 01:00:04,551 THAT YOU COULD BE WITH US RIGHT NOW. 898 01:00:04,586 --> 01:00:08,482 TO INTRODUCE OUR NEXT GRAMMY-WINNING PERFORMER JUST 899 01:00:08,517 --> 01:00:12,275 TONIGHT, PLEASE WELCOME HIS PRODUCER AND ONE OF HIS CLOSEST 900 01:00:12,310 --> 01:00:14,586 FRIENDS, KID HARPOOM. 901 01:00:14,620 --> 01:00:19,034 >> THE WHOLE WORLD KNOWS IF IT'S HARRY, BUT AS HE KNOWS, I CALL 902 01:00:19,068 --> 01:00:23,931 HIM GARY. 903 01:00:23,965 --> 01:00:28,965 I CALL HIM GARY BECAUSE HE'S ETCHED HIS NAME INTO OUR CULTURE 904 01:00:29,000 --> 01:00:32,827 THAT SOMETIMES IT'S EASY TO FORGET WE'RE HUMAN. 905 01:00:32,862 --> 01:00:38,827 THE BOY FROM A VILLAGE IN CHESHIRE, ENGLAND, WORKING IN A 906 01:00:38,862 --> 01:00:43,241 BAKERY, WHO CHASED HIS DREAM AND NOW YEARS LATER IS ABOUT TO 907 01:00:43,275 --> 01:00:46,551 PERFORM GRAMMY-NOMINATED MUSIC FOR YOU TONIGHT. 908 01:00:46,586 --> 01:00:48,689 SPENDING HOURS WITH HIM WORKING IN STUDIOS ALL AROUND THE WORLD, 909 01:00:48,724 --> 01:00:51,275 I'VE NOT ONLY WITNESSED FIRSTHAND THE DEDICATION AND 910 01:00:51,310 --> 01:00:53,724 PASSION THAT GOT HIM HERE, BUT I'VE ALSO LEARNT THAT LIKE A 911 01:00:53,758 --> 01:00:56,620 FINE BOTTLE OF TEQUILA, MUSIC IS BEST SHARED WITH FRIENDS. 912 01:00:56,655 --> 01:00:59,241 IT GIVES ME IMMENSE JOY AND PLEASURE TO INTRODUCE YOU TO MY 913 01:00:59,275 --> 01:01:02,000 FRIEND GARY. 914 01:01:02,034 --> 01:01:04,758 OR AS YOU GUYS KNOW HIM, HARRY STYLES. 915 01:01:04,793 --> 01:01:13,896 [ CHEERS AND APPLAUSE ] 916 01:01:21,206 --> 01:01:34,206 ♪ ♪ 917 01:01:34,241 --> 01:01:39,344 >> C'MON HARRY, WE WANNA SAY GOODNIGHT TO YOU. 918 01:01:39,379 --> 01:01:43,793 [ CHEERS ] ♪ 919 01:01:43,827 --> 01:01:49,689 ♪ ♪ HOLDING ME BACK 920 01:01:49,724 --> 01:01:53,931 GRAVITY'S HOLDING ME BACK ♪ ♪ I WANT YOU TO HOLD OUT 921 01:01:53,965 --> 01:01:57,689 THE PALM OF YOUR HAND WHY DON'T WE 922 01:01:57,724 --> 01:02:01,965 LEAVE IT AT THAT ♪ ♪ NOTHING TO SAY 923 01:02:02,000 --> 01:02:04,655 WHEN EVERYTHING GETS IN THE WAY ♪ 924 01:02:04,689 --> 01:02:07,793 ♪ SEEMS YOU CANNOT BE REPLACED 925 01:02:07,827 --> 01:02:15,655 AND I'M THE ONE WHO WILL STAY OH ♪ 926 01:02:15,689 --> 01:02:20,965 ♪ IN THIS WORLD IT'S JUST US YOU KNOW IT'S NOT THE SAME 927 01:02:21,000 --> 01:02:30,413 AS IT WAS ♪ ♪ IN THIS WORLD IT'S JUST US 928 01:02:30,448 --> 01:02:35,000 YOU KNOW IT'S NOT THE SAME AS IT WAS ♪ 929 01:02:35,034 --> 01:02:44,172 ♪ ♪ 930 01:02:44,206 --> 01:02:48,413 ♪ YOU KNOW IT'S NOT THE SAME ♪ ANSWER THE PHONE 931 01:02:48,448 --> 01:02:53,103 HARRY YOU'RE NO GOOD ALONE ♪ ♪ WHY ARE YOU SITTIN' AT HOME 932 01:02:53,137 --> 01:02:54,586 ON THE FLOOR WHAT KIND OF PILLS 933 01:02:54,620 --> 01:02:57,931 ARE YOU ON ♪ ♪ RINGING THE BELL 934 01:02:57,965 --> 01:03:01,034 AND NOBODY'S COMING TO HELP ♪ 935 01:03:01,068 --> 01:03:03,827 ♪ YOUR DADDY LIVES BY HIMSELF 936 01:03:03,862 --> 01:03:10,137 HE JUST WANTS TO KNOW THAT YOU'RE WELL OH ♪ 937 01:03:10,172 --> 01:03:16,000 ♪ IN THIS WORLD IT'S JUST US YOU KNOW IT'S NOT THE SAME 938 01:03:16,034 --> 01:03:25,000 AS IT WAS ♪ ♪ IN THIS WORLD IT'S JUST US 939 01:03:25,034 --> 01:03:30,034 YOU KNOW IT'S NOT THE SAME AS IT WAS ♪ 940 01:03:30,068 --> 01:03:38,758 ♪ ♪ 941 01:03:38,793 --> 01:03:42,482 ♪ YOU KNOW IT'S NOT THE SAME ♪ GO HOME GET AHEAD 942 01:03:42,517 --> 01:03:45,103 LIGHT-SPEED INTERNET I DON'T WANT TO TALK ABOUT 943 01:03:45,137 --> 01:03:47,482 THE WAY THAT IT WAS ♪ ♪ LEAVE AMERICA 944 01:03:47,517 --> 01:03:49,310 TWO KIDS FOLLOW HER I DON'T WANNA TALK ABOUT 945 01:03:49,344 --> 01:03:55,413 WHO'S DOIN' IT FIRST ♪ ♪ 946 01:03:55,448 --> 01:04:05,517 ♪ ♪ 947 01:04:05,551 --> 01:04:14,655 ♪ ♪ 948 01:04:14,689 --> 01:04:24,689 ♪ 949 01:04:24,724 --> 01:04:30,793 ♪ 950 01:04:32,827 --> 01:04:43,413 ♪ ♪ AS IT WAS 951 01:04:43,448 --> 01:04:49,344 YOU KNOW IT'S NOT THE SAME AS IT WAS 952 01:04:49,379 --> 01:04:59,103 AS IT WAS AS IT WAS ♪ ♪ 953 01:04:59,137 --> 01:05:13,172 [ CHEERS AND APPLAUSE ] >> Announcer: JOIN THE 954 01:05:13,206 --> 01:05:15,862 GRAMMY MUSEUM AND OUR COCHAIRS IN OUR CAMPAIGN FOR MUSIC 955 01:05:15,896 --> 01:05:17,172 EDUCATION. 956 01:05:17,206 --> 01:05:19,517 AND HELP PROVIDE ACCESS TO MUSIC EDUCATION ACROSS THE COUNTRY AT 957 01:05:19,551 --> 01:05:20,793 GRAMMYMUSEUM.ORG. 958 01:05:20,827 --> 01:05:23,689 COMING UP, A GRAMMY SALUTE TO THE MUSIC LEGENDS WE LOST THIS 959 01:05:23,724 --> 01:05:27,689 PAST YEAR, WITH KASEY MUSGRAVES, QUAVO, SHERYL CROW, BONNIE 960 01:05:27,724 --> 01:05:29,931 RAITT, AND MICK FLEETWOOD. 961 01:05:29,965 --> 01:05:32,551 AND LATER, A SPECIAL ALL-STAR PERFORMANCE BY DJ KHALED AND 962 01:05:32,586 --> 01:05:33,586 JAY-Z. 963 01:05:39,724 --> 01:05:44,310 >>> Announcer: TO PRESENT THE GRAMMY FOR BEST RAP ALBUM, 964 01:05:44,344 --> 01:05:46,034 GRAMMY WINNER CARDI B! 965 01:05:46,068 --> 01:05:56,137 [ CHEERS AND APPLAUSE ] ♪ 966 01:05:59,413 --> 01:06:02,241 >> HI. 967 01:06:02,275 --> 01:06:08,068 >> THIS YEAR WE'RE CELEBRATING THE FIRST 50 YEARS OF HIP-HOP. 968 01:06:08,103 --> 01:06:09,724 HERE ARE SOME ARTISTS WHO ARE GOING TO HELP KEEP THE NEXT 969 01:06:09,758 --> 01:06:11,827 50 JUST AS INTERESTING. 970 01:06:11,862 --> 01:06:16,931 THESE ARE THE EXCELLENT NOMINEES FOR BEST RAP ALBUM. 971 01:06:24,379 --> 01:06:29,689 "GOD DID," DJ KHALED. 972 01:06:29,724 --> 01:06:34,965 ♪ "I NEVER LIKED YOU," FUTURE. 973 01:06:35,000 --> 01:06:42,000 ♪ "COME HOME THE KIDS MISS YOU," 974 01:06:42,034 --> 01:06:48,344 JACK HARLOW. 975 01:06:48,379 --> 01:06:53,620 "MR. MORALE & THE BIG STEPPERS," KENDRICK LAMAR. 976 01:06:53,655 --> 01:06:55,620 "IT'S ALMOST DRY," PUSHA T. 977 01:06:55,655 --> 01:07:00,034 ♪ 978 01:07:07,310 --> 01:07:08,896 >> OH, SNAP! 979 01:07:08,931 --> 01:07:15,034 >> AND THE GRAMMY GOES TO -- I'M SCARED. 980 01:07:15,068 --> 01:07:16,862 KENDRICK LAMAR! 981 01:07:16,896 --> 01:07:26,896 [ CHEERS AND APPLAUSE ] ♪ 982 01:07:26,931 --> 01:07:35,482 [ CHEERS AND APPLAUSE ] ♪ 983 01:07:38,620 --> 01:07:48,620 ♪ 984 01:07:48,655 --> 01:07:54,724 ♪ 985 01:07:57,724 --> 01:08:00,931 THEY GOT CUTE AS HECK WITH THESE TABLES. 986 01:08:00,965 --> 01:08:04,586 GOT THE WINE. 987 01:08:04,620 --> 01:08:07,413 I LIKE IT. 988 01:08:07,448 --> 01:08:12,034 NO, FIRST AND FOREMOST, I WANT TO THANK MY FAMILY FOR GIVING ME 989 01:08:12,068 --> 01:08:16,033 THE COURAGE, YOU KNOW, AND THE VULNERABILITY TO SHARE THESE 990 01:08:16,068 --> 01:08:19,206 STORIES AND SHARE MY TRUTH WITH THIS ALBUM. 991 01:08:19,241 --> 01:08:19,965 THAT'S FIRST AND FOREMOST. 992 01:08:20,000 --> 01:08:23,758 I WANT TO THANK -- [ APPLAUSE ] 993 01:08:23,792 --> 01:08:24,965 THAT'S RIGHT. 994 01:08:25,000 --> 01:08:29,068 I WANT TO THANK MY FANS FOR TRUSTING ME WITH THESE WORDS, 995 01:08:29,103 --> 01:08:31,206 YOU KNOW? 996 01:08:31,241 --> 01:08:32,517 YEAH. 997 01:08:32,551 --> 01:08:38,724 YOU KNOW, AS ARTISTS, WE ALL SAY THINGS TO PROVOKE THOUGHTS AND 998 01:08:38,758 --> 01:08:40,482 FEELINGS AND EMOTIONS. 999 01:08:40,517 --> 01:08:43,724 SO MAKING THIS RECORD -- THIS IS ONE OF MY TOUGHEST RECORDS TO 1000 01:08:43,758 --> 01:08:44,930 MAKE. 1001 01:08:44,965 --> 01:08:47,862 AND IT ALLOWED ME TO DO THAT AND ALLOWED ME TO SHARE OTHER 1002 01:08:47,895 --> 01:08:49,206 PEOPLE'S EXPERIENCES. 1003 01:08:49,241 --> 01:08:53,586 GOING BACK AND THINKING BACK WHERE I STARTED WITH RAPPING, 1004 01:08:53,620 --> 01:08:57,068 HOW FAR I CAME, I WOULD LIKE TO THANK THE CULTURE FOR ALLOWING 1005 01:08:57,103 --> 01:09:01,310 ME TO EVOLVE IN ORDER TO MAKE A SONG. 1006 01:09:01,344 --> 01:09:03,792 [ APPLAUSE ] LIKE "MOTHER I'M SOBER." 1007 01:09:03,827 --> 01:09:05,862 THAT'S SPECIAL TO ME. 1008 01:09:05,895 --> 01:09:11,482 THE BIGGEST UNDERGROUND ARTISTS OF ALL TIME, AND I FINALLY FOUND 1009 01:09:11,517 --> 01:09:13,033 IMPERFECTION WITH THIS. 1010 01:09:13,068 --> 01:09:15,068 SO I APPRECIATE Y'ALL, I LOVE Y'ALL. 1011 01:09:15,103 --> 01:09:24,551 ♪ >> Trevor: CONGRATULATIONS TO 1012 01:09:24,586 --> 01:09:25,827 KENDRICK LAMAR. 1013 01:09:25,862 --> 01:09:31,136 YOU KNOW, WHEN YOU LOOK AT IT, MUSIC IS MADE UP OF FOUR KEY 1014 01:09:31,171 --> 01:09:31,965 ELEMENTS. 1015 01:09:32,000 --> 01:09:35,171 RHYTHM, BEATS, MELODY, AND HARMONY. 1016 01:09:35,206 --> 01:09:38,965 AND I'VE BEEN THINKING ABOUT THAT LAST ONE A LOT THIS PAST 1017 01:09:39,000 --> 01:09:40,241 YEAR, HARMONY. 1018 01:09:40,274 --> 01:09:46,551 DIFFERENT NOTES COMING TOGETHER IN A MOMENT TO MAKE SOMETHING 1019 01:09:46,586 --> 01:09:47,965 MORE BEAUTIFUL. 1020 01:09:48,000 --> 01:09:51,930 SO MUCH DIVIDES US RIGHT NOW, BUT MUSIC IS ABOUT UNITING US 1021 01:09:51,965 --> 01:09:53,206 THROUGH OUR DIFFERENCES. 1022 01:09:53,241 --> 01:09:56,551 IT'S BLACK KIDS AND WHITE KIDS REJECTING SEGREGATION IN THE 1023 01:09:56,586 --> 01:10:01,448 1950s, AND INSTEAD BLENDING R&B, COUNTRY, AND EVEN GOSPEL INTO 1024 01:10:01,482 --> 01:10:02,689 ROCK AND ROLL. 1025 01:10:02,724 --> 01:10:07,000 IN THE 1980s, A YOUNG BLACK RAPPER FROM QUEENS AND A JEWISH 1026 01:10:07,034 --> 01:10:10,758 WHITE KID IN HIS NYU DORM CAME TOGETHER TO MAKE SOME OF THE 1027 01:10:10,793 --> 01:10:13,172 GREATEST HIP-HOP OF ALL TIME. 1028 01:10:13,206 --> 01:10:17,275 THEY MADE A POWERFUL NEW SOUND TOGETHER BECAUSE THEY WERE 1029 01:10:17,310 --> 01:10:18,482 DIFFERENT. 1030 01:10:18,517 --> 01:10:21,379 YOU SEE, MUSIC ISN'T JUST THE HARMONY OF SOUND, IT'S THE 1031 01:10:21,413 --> 01:10:25,862 HARMONY OF HUMAN BEINGS, OF DIFFERENT RACES, GENDERS, 1032 01:10:25,896 --> 01:10:29,724 RELIGIONS, IDENTITIES, SEXUAL ORIENTATIONS, KNOWING WE'RE 1033 01:10:29,758 --> 01:10:34,310 DIFFERENT BUT REJECTING DIVISION TO FIND MOMENTS OF JOY AND UNITY 1034 01:10:34,344 --> 01:10:35,965 AND HARMONY. 1035 01:10:36,000 --> 01:10:37,758 AND THAT'S WHAT MUSIC IS ALL ABOUT. 1036 01:10:37,793 --> 01:10:40,172 AND THAT'S WHAT WE'RE CELEBRATING HERE TONIGHT. 1037 01:10:40,206 --> 01:10:46,068 [ APPLAUSE ] NOW, WE WOULD LIKE TO TAKE A 1038 01:10:46,103 --> 01:10:49,275 MOMENT TO REMEMBER SOME OF THE GREAT PEOPLE IN MUSIC WE LOST 1039 01:10:49,310 --> 01:10:53,586 THIS YEAR AND REFLECT ON ALL OF THE LIGHT THEY BROUGHT INTO OUR 1040 01:10:53,620 --> 01:10:53,862 LIVES. 1041 01:10:53,896 --> 01:10:59,896 ♪ ♪ 1042 01:10:59,931 --> 01:11:07,379 ♪ WELL I WAS BORN A COAL MINER'S DAUGHTER 1043 01:11:07,413 --> 01:11:14,965 IN A CABIN ON A HILL IN BUTCHER HOLLER ♪ 1044 01:11:15,000 --> 01:11:17,965 ♪ WE WERE POOR BUT WE HAD LOVE 1045 01:11:18,000 --> 01:11:22,137 THAT'S THE ONE THING THAT DADDY MADE SURE OF ♪ 1046 01:11:22,172 --> 01:11:29,034 ♪ HE SHOVELED COAL TO MAKE A POOR MAN'S DOLLAR ♪ 1047 01:11:29,068 --> 01:11:36,379 ♪ MY DADDY WORKED ALL NIGHT IN THE VAN LEAR COAL MINES 1048 01:11:36,413 --> 01:11:42,241 ALL DAY LONG IN THE FIELD A HOIN' CORN ♪ 1049 01:11:42,275 --> 01:11:47,034 ♪ MOMMA ROCKED THE BABIES AT NIGHT 1050 01:11:47,068 --> 01:11:51,172 AND READ THE BIBLE BY THE COAL OIL LIGHT ♪ 1051 01:11:51,206 --> 01:11:55,206 ♪ AND IT WOULD START ALL OVER 1052 01:11:55,241 --> 01:11:59,137 COME BREAK OF MORNIN' ♪ ♪ YEAH I'M PROUD TO BE 1053 01:11:59,172 --> 01:12:09,000 A COAL MINER'S DAUGHTER ♪ ♪ I REMEMBER WELL 1054 01:12:09,034 --> 01:12:14,000 THE WELL WHERE I DREW WATER ♪ 1055 01:12:14,034 --> 01:12:16,655 ♪ THE WORK WE DONE WAS HARD AT NIGHT WE'D SLEEP 1056 01:12:16,689 --> 01:12:20,344 'CAUSE WE WERE TIRED ♪ ♪ NEVER THOUGHT 1057 01:12:20,379 --> 01:12:26,172 OF EVER LEAVING BUTCHER HOLLER ♪ 1058 01:12:26,206 --> 01:12:33,034 ♪ WELL A LOT OF THINGS HAVE CHANGED 1059 01:12:33,068 --> 01:12:38,965 SINCE WAY BACK THEN ♪ ♪ AND IT'S SO GOOD 1060 01:12:39,000 --> 01:12:47,103 TO BE BACK HOME AGAIN ♪ ♪ THERE'S NOT MUCH LEFT 1061 01:12:47,137 --> 01:12:50,965 BUT THE FLOORS NOTHING LIVES HERE ANYMORE ♪ 1062 01:12:51,000 --> 01:12:55,034 ♪ EXCEPT THE MEMORIES OF A COAL MINER'S DAUGHTER 1063 01:12:55,068 --> 01:13:02,965 EXCEPT THE MEMORIES OF A COAL MINER'S DAUGHTER ♪ 1064 01:13:03,000 --> 01:13:10,103 [ APPLAUSE ] ♪ 1065 01:13:10,137 --> 01:13:20,137 ♪ 1066 01:13:20,172 --> 01:13:26,241 ♪ 1067 01:13:27,000 --> 01:13:41,586 ♪ ♪ 1068 01:13:41,620 --> 01:13:51,620 ♪ ♪ 1069 01:13:51,655 --> 01:14:02,965 ♪ ♪ 1070 01:14:03,000 --> 01:14:13,137 ♪ ♪ TEARS ROLLIN' DOWN MY EYES 1071 01:14:13,172 --> 01:14:16,344 UHM UHM CAN'T TELL YOU 1072 01:14:16,379 --> 01:14:21,000 HOW MANY TIMES I CRIED ♪ ♪ CAN'T TELL YOU 1073 01:14:21,034 --> 01:14:23,241 HOW MANY TIMES I CRIED DAYS AIN'T THE SAME 1074 01:14:23,275 --> 01:14:35,413 WITHOUT YOU ♪ ♪ I DON'T KNOW IF I'M THE SAME 1075 01:14:35,448 --> 01:14:38,827 WITHOUT YOU ♪ ♪ I AIN'T THE SAME 1076 01:14:38,862 --> 01:14:42,000 ♪ REMEMBER THE DAYS WE SMOKED BIG BLUNTS TOGETHER 1077 01:14:42,034 --> 01:14:44,655 REMEMBERED THEM DAYS WE ROCKED OUT COACHELLA ♪ 1078 01:14:44,689 --> 01:14:47,620 ♪ THEM DAYS REMEMBER THEM DAYS 1079 01:14:47,655 --> 01:14:49,965 WE AIN'T HAVE OUR -- TOGETHER ♪ 1080 01:14:50,000 --> 01:14:52,620 ♪ ON THE NAWFSIDES TIMES WERE HARD 1081 01:14:52,655 --> 01:14:55,793 BUT THEM DAYS WAS BETTER OOH OOH OOH ♪ 1082 01:14:55,827 --> 01:14:58,413 ♪ I WISH I HAD A TIME MACHINE 1083 01:14:58,448 --> 01:15:00,586 JUS' SO YOU CAN TAKE A RIDE WIT' ME ♪ 1084 01:15:00,620 --> 01:15:03,793 ♪ OOH OOH OOH I MUSS JUS' HOW 1085 01:15:03,827 --> 01:15:07,241 YOU SMILED AT ME ♪ ♪ UNC AND PHEW 1086 01:15:07,275 --> 01:15:09,034 UNTIL INFINITY AHHH ♪ 1087 01:15:09,068 --> 01:15:15,034 ♪ I WISH I HAD A TIME MACHINE AHHH 1088 01:15:15,068 --> 01:15:21,517 SO YOU CAN TAKE A RIDE WIT' ME ♪ ♪ WRAP MY ARMS AROUND 1089 01:15:21,551 --> 01:15:23,689 AND HOLE YOU TIGHT PHEW AHHH SO YOU CAN NEVER SAY 1090 01:15:23,724 --> 01:15:26,241 GOODBYE TO ME ♪ ♪ OUT IN THE GALAXY 1091 01:15:26,275 --> 01:15:28,379 UP IN THE STARS OVER THE UNIVERSE 1092 01:15:28,413 --> 01:15:31,586 IT'S BIGGER THAN MARS ♪ ♪ I'LL SEE YOU IN HEAVEN 1093 01:15:31,620 --> 01:15:34,206 SEE YOU IN HEAVEN WHEN I SEE YOU IN HEAVEN 1094 01:15:34,241 --> 01:15:37,413 I'MA BE WITH MY DAWG ♪ ♪ OUT IN THE GALAXY 1095 01:15:37,448 --> 01:15:39,517 UP IN THE STARS OVER THE UNIVERSE 1096 01:15:39,551 --> 01:15:42,172 IT'S BIGGER THAN MARS ♪ ♪ I'LL SEE YOU IN HEAVEN 1097 01:15:42,206 --> 01:15:44,310 SEE YOU IN HEAVEN WHEN I SEE YOU IN HEAVEN 1098 01:15:44,344 --> 01:15:46,965 I'MA BE WITH MY DAWG ♪ ♪ IT'S BEEN A LONG DAY 1099 01:15:47,000 --> 01:15:49,620 WITHOUT YOU MY FRIEND YEAH BE WITH MY DAWG ♪ 1100 01:15:49,655 --> 01:15:51,724 ♪ AND I'LL TELL YOU ALL ABOUT IT 1101 01:15:51,758 --> 01:15:56,965 WHEN I SEE YOU AGAIN ♪ ♪ WE'VE COME A LONG WAY YEAH 1102 01:15:57,000 --> 01:16:04,310 FROM WHERE WE BEGAN ♪ AND I TELL YOU ALL ABOUT IT 1103 01:16:04,344 --> 01:16:11,965 WHEN I SEE YOU AGAIN ♪ ♪ BE WITH MY DAWG YEAH YEAH 1104 01:16:12,000 --> 01:16:19,241 ♪ BE WITH MY DAWG YEAH YEAH SEE YOU AGAIN 1105 01:16:19,275 --> 01:16:27,103 BE WITH MY DAWG ♪ ♪ I KNOW I'M GOING TO SEE YOU 1106 01:16:27,137 --> 01:16:30,689 ♪ SO YOU CAN TAKE A RIDE ♪ SO YOU CAN TAKE A RIDE WITH 1107 01:16:30,724 --> 01:16:33,689 ME ♪ NO, IT DON'T WORK THAT WAY ♪ 1108 01:16:33,724 --> 01:16:40,551 ♪ I KNOW I'LL SEE YOU AGAIN SOMEDAY ♪ 1109 01:16:40,586 --> 01:16:43,206 AND I'LL SEE YOU AGAIN SOMEDAY ♪ 1110 01:16:43,241 --> 01:16:50,965 ♪ SEE YOU AGAIN SEE YOU AGAIN ♪ 1111 01:16:51,000 --> 01:16:53,965 ♪ TAAAAAAKE SEE YOU AGAIN SEE YOU AGAIN 1112 01:16:54,000 --> 01:16:57,068 TAAAAAAKE ♪ ♪ SORRY 1113 01:16:57,103 --> 01:17:02,724 SEE YOU AGAIN SEE YOU AGAIN 1114 01:17:02,758 --> 01:17:15,827 ♪ SEE YOUR FACE AGAIN [ APPLAUSE ] 1115 01:17:15,862 --> 01:17:18,586 ♪ ♪ 1116 01:17:18,620 --> 01:17:21,827 ♪ FOR YOU THERE'LL BE NO MORE CRYING 1117 01:17:21,862 --> 01:17:30,551 FOR YOU THE SUN WILL BE SHINING ♪ 1118 01:17:30,586 --> 01:17:40,586 ♪ TO THE HARBOR WHERE I LIVE ♪ ANCHORED SUCH A SHORT DAY 1119 01:17:40,620 --> 01:17:50,655 ♪ TO THE HARBOR WHERE I LIVE ♪ ANCHORED SUCH A SHORT DAY 1120 01:17:50,655 --> 01:17:55,586 ♪ TO THE HARBOR WHERE I LIVE ♪ ANCHORED SUCH A SHORT DAY 1121 01:17:56,620 --> 01:18:09,517 ♪ LIKE YOURS ♪ STREAMING OUT WHEN WE RIDE 1122 01:18:09,551 --> 01:18:19,827 WITH THE WARM WIND ♪ ♪ YESTERDAY 1123 01:18:19,862 --> 01:18:30,413 [ APPLAUSE ] ♪ 1124 01:18:30,448 --> 01:18:40,448 ♪ ♪ 1125 01:18:40,482 --> 01:18:46,620 ♪ ♪ 1126 01:18:47,482 --> 01:18:55,931 ♪ FOR YOU THERE'LL BE NO MORE CRYING 1127 01:18:55,965 --> 01:19:09,034 FOR YOU THE SUN WILL BE SHINING ♪ 1128 01:19:09,068 --> 01:19:14,448 ♪ AND I FEEL THAT WHEN I'M WITH YOU 1129 01:19:14,482 --> 01:19:27,034 IT'S ALRIGHT I KNOW IT'S ALL RIGHT ♪ 1130 01:19:27,068 --> 01:19:35,241 ♪ TO YOU I'LL GIVE THE WORLD 1131 01:19:35,275 --> 01:19:45,275 TO YOU I'LL NEVER BE COLD ♪ 1132 01:19:45,310 --> 01:19:50,379 TO YOU I'LL NEVER BE COLD ♪ 1133 01:19:50,413 --> 01:19:52,000 ♪ 'CAUSE I FEEL THAT WHEN I'M WITH YOU 1134 01:19:52,034 --> 01:20:04,172 IT'S ALRIGHT I KNOW IT'S RIGHT ♪ 1135 01:20:04,206 --> 01:20:12,241 ♪ AND THE SONGBIRDS KEEP SINGING LIKE THEY KNOW THE 1136 01:20:12,275 --> 01:20:18,655 SCORE ♪ ♪ AND I LOVE YOU 1137 01:20:18,689 --> 01:20:26,965 I LOVE YOU I LOVE YOU LIKE NEVER BEFORE ♪ 1138 01:20:27,000 --> 01:20:38,172 ♪ LIKE NEVER BEFORE LIKE NEVER BEFORE ♪ 1139 01:20:38,206 --> 01:20:47,275 ♪ 1140 01:20:51,758 --> 01:20:53,758 [ APPLAUSE ] 1141 01:21:06,793 --> 01:21:09,379 >> Announcer: UP NEXT -- SAM SMITH AND KIM PETRAS ARE 1142 01:21:09,413 --> 01:21:10,344 ABOUT TO PERFORM "UNHOLY." 1143 01:21:17,724 --> 01:21:20,758 >> Trevor: WELCOME BACK TO THE 65th ANNUAL GRAMMY AWARDS. 1144 01:21:20,793 --> 01:21:22,344 NOW, THIS IS TRULY EXCITING. 1145 01:21:22,379 --> 01:21:25,620 LATER TONIGHT RIGHT OUTSIDE THE ARENA ON THE STREETS OF L.A., DJ 1146 01:21:25,655 --> 01:21:29,724 KHALED WILL BE PERFORMING HIS GRAMMY-NOMINATED TRACK "GOD 1147 01:21:29,758 --> 01:21:31,000 DID," FOR THE FIRST TIME EVER. 1148 01:21:31,034 --> 01:21:36,655 AND, GET THIS, HE'LL BE JOINED BY RICK ROSS, FRIDAYY, LIL 1149 01:21:36,689 --> 01:21:41,172 WAYNE, JOHN LEGEND, AND THE BIG HOMIE HIMSELF, JAY-Z. 1150 01:21:41,206 --> 01:21:43,689 THEY WILL ALL BE OUT HERE TOGETHER LATER ON IN THE SHOW. 1151 01:21:43,724 --> 01:21:45,137 AND I'VE SEEN THE REHEARSAL. 1152 01:21:45,172 --> 01:21:49,379 TRUST ME, YOU DO NOT WANT TO MISS THIS. 1153 01:21:49,413 --> 01:21:51,931 NOW, TONIGHT WE'RE NOT JUST CELEBRATING MUSIC'S BIGGEST 1154 01:21:51,965 --> 01:21:52,931 STARS. 1155 01:21:52,965 --> 01:21:55,448 WE'RE ALSO CELEBRATING MUSIC'S BIGGEST FANS. 1156 01:21:55,482 --> 01:22:00,896 AND I'M NOT TALKING ABOUT THE STALKER ONES. 1157 01:22:00,931 --> 01:22:02,206 ONE LEVEL BELOW THAT. 1158 01:22:02,241 --> 01:22:04,862 SO IT'S TIME FOR THEM TO TAKE A LOOK AT SOME MORE OF THE 1159 01:22:04,896 --> 01:22:07,241 NOMINEES FOR ALBUM OF THE YEAR. 1160 01:22:07,275 --> 01:22:10,137 >> ALL RIGHT, Y'ALL, SO LIZZO DESERVES ALBUM OF THE YEAR 1161 01:22:10,172 --> 01:22:12,689 BECAUSE OF HER ALBUM "SPECIAL." 1162 01:22:12,724 --> 01:22:13,655 >> HAVE YOU TRIED HER DANCE? 1163 01:22:13,689 --> 01:22:14,241 >> I DID. 1164 01:22:14,275 --> 01:22:16,241 YOU WANNA SEE IT? 1165 01:22:16,275 --> 01:22:20,551 [ LAUGHTER ] ♪ 1166 01:22:20,586 --> 01:22:23,655 >> BODY IMAGE IN GENERAL IS YOUR BODY'S IMAGE. 1167 01:22:23,689 --> 01:22:25,068 YOU NEED TO LOVE AND ACCEPT IT. 1168 01:22:25,103 --> 01:22:29,034 AND SO SHE JUST GAVE ME LIKE THE CONFIDENCE BOOST. 1169 01:22:29,068 --> 01:22:31,862 LIKE WHEN I'M GETTING DRESSED OR READY TO GO OUT, SHE IS EXACTLY 1170 01:22:31,896 --> 01:22:33,172 WHO I TURN ON. 1171 01:22:33,206 --> 01:22:37,034 >> EVERY OTHER ARTIST TRIES TO FIGURE OUT THE ALGORITHM OF HOW 1172 01:22:37,068 --> 01:22:39,068 TO GO VIRAL ON SOCIAL MEDIA. 1173 01:22:39,103 --> 01:22:42,034 BUT LIZZO DOES IT TIME AND TIME AGAIN, AND SHE DOES IT EXACTLY 1174 01:22:42,068 --> 01:22:43,068 ON THIS ALBUM. 1175 01:22:43,103 --> 01:22:47,172 PERIOD, THAT'S WHY SHE DESERVES ALBUM OF THE YEAR. 1176 01:22:47,206 --> 01:22:51,000 >> AL I'M SAYING IS ADELE DOESN'T NEED A DANCE TO GO VIRAL 1177 01:22:51,034 --> 01:22:52,206 ON TIKTOK. 1178 01:22:52,241 --> 01:22:59,689 MY NAME'S COLYN, AND "30" DEFINITELY DESERVES ALBUM OF THE 1179 01:22:59,724 --> 01:23:00,551 YEAR. 1180 01:23:00,586 --> 01:23:01,758 I SAW HER RESIDENCY OVER WINTER BREAK. 1181 01:23:01,793 --> 01:23:03,793 IT WAS THE BEST SHOW I'VE EVER SEEN. 1182 01:23:03,827 --> 01:23:07,275 SHE'LL GO UP THERE AND BELT TO THIS SUPER SONG SAD THAT'LL HAVE 1183 01:23:07,310 --> 01:23:08,586 YOU TRY CRYING. 1184 01:23:08,620 --> 01:23:11,379 AND AS SOON AS THE SONG'S OVER, YOU'RE STILL WIPING YOUR TEARS 1185 01:23:11,413 --> 01:23:14,827 AND SHE'LL START CUSSING AND CRACKING JOKES AND HAVING YOU 1186 01:23:14,862 --> 01:23:16,103 LAUGHED. 1187 01:23:16,137 --> 01:23:19,827 SHE RANDOMLY DM'd ME AND SAID SHE LOVED THAT I WAS A FAN, SHE 1188 01:23:19,862 --> 01:23:23,344 INVITED ME OUT TO L.A. FOR HER MUSIC VIDEO PREMIERE. 1189 01:23:23,379 --> 01:23:27,413 WHEN I MET HER, IT JUST FELT LIKE WE HAD KNOWN EACH OTHER FOR 1190 01:23:27,448 --> 01:23:27,965 YEARS. 1191 01:23:28,000 --> 01:23:31,034 I WISH YOU GUYS LUCK. 1192 01:23:31,068 --> 01:23:32,758 [ LAUGHTER ] BUT ADELE HAS BEEN NOMINATED 18 1193 01:23:32,793 --> 01:23:34,517 TIMES AND WON 15 OF THOSE 18. 1194 01:23:34,551 --> 01:23:37,413 SO THAT'S HER ALBUM OF THE YEAR RIGHT THERE. 1195 01:23:37,448 --> 01:23:40,068 >> I RESPECTFULLY DISAGREE. 1196 01:23:40,103 --> 01:23:42,172 [ LAUGHTER ] >> BRANDI CARLILE'S ALBUM "IN 1197 01:23:42,206 --> 01:23:46,000 THESE SILENT DAYS" IS IN THE GENERAL CATEGORY, IT'S IN ROCK, 1198 01:23:46,034 --> 01:23:48,000 IT'S IN AMERICAN ROOTS, AND IT'S AMERICANA. 1199 01:23:48,034 --> 01:23:50,758 IT EMULATES SO MANY DIFFERENT EMOTIONS. 1200 01:23:50,793 --> 01:23:56,103 I'M ADRIANA, AND "IN THESE SILENT DAYS" BY BRANDI CARLILE 1201 01:23:56,137 --> 01:23:59,379 IS HANDS DOWN ALBUM OF THE YEAR. 1202 01:23:59,413 --> 01:24:01,965 ♪ WHEN I FIRST SAW BRANDI CARLILE, 1203 01:24:02,000 --> 01:24:05,310 I AS JUST LEAVING MORMONISM AND REALLY TRYING TO DISCOVER WHO I 1204 01:24:05,344 --> 01:24:06,551 WAS. 1205 01:24:06,586 --> 01:24:08,482 I FELT LIKE SHE UNDERSTOOD WHAT I WAS GOING THROUGH IN THAT 1206 01:24:08,517 --> 01:24:09,344 MOMENT. 1207 01:24:09,379 --> 01:24:12,172 IT REALLY JUST ENVELOPED MY SOUL. 1208 01:24:12,206 --> 01:24:15,241 I'VE SEEN HER 32 TIMES IN 15 YEARS. 1209 01:24:15,275 --> 01:24:19,758 SHE'S TAKING HER SONGWRITING UP TO THAT ICONIC LEVEL AND ALWAYS 1210 01:24:19,793 --> 01:24:20,827 REMAINS TRUE TO HERSELF. 1211 01:24:20,862 --> 01:24:25,551 AND THAT EMPOWERS US TO REMAIN TRUE TO OURSELVES. 1212 01:24:25,586 --> 01:24:29,862 WHAT SHE'S DONE FOR THE LGBTQ+ COMMUNITY HAS BEEN SO INCREDIBLY 1213 01:24:29,896 --> 01:24:30,758 IMPORTANT TO ME. 1214 01:24:30,793 --> 01:24:33,551 IT'S BROUGHT ME INTO MY AUTHENTIC SELF. 1215 01:24:33,586 --> 01:24:41,310 THE JOURNEY OF SELF-EXPRESSION AND 1216 01:24:41,344 --> 01:24:44,551 AND WHEN YOU FEEL ALONE, IT TAKES US ALL TO A PLACE THAT WE 1217 01:24:44,586 --> 01:24:49,241 NEED, ALL OF US AT THIS TABLE. 1218 01:24:49,275 --> 01:24:50,551 [ APPLAUSE ] >> Trevor: THIS NEXT PRESENTER 1219 01:24:50,586 --> 01:24:55,758 IS ONE OF THE MOST BELOVED AND ENDURING STARS IN THE HISTORY OF 1220 01:24:55,793 --> 01:24:57,034 POPULAR MUSIC. 1221 01:24:57,068 --> 01:25:00,034 AND AFTER FOUR DECADES OF HIT SONGS, SHE'S ABOUT TO HEAD OFF 1222 01:25:00,068 --> 01:25:05,724 ON HER 40th ANNIVERSARY "CELEBRATION" TOUR. 1223 01:25:05,758 --> 01:25:11,413 EVERYBODY, PLEASE WELCOME THE LONGEST-REINING QUEEN ON EARTH, 1224 01:25:11,448 --> 01:25:12,000 MADONNA! 1225 01:25:12,034 --> 01:25:13,931 [ CHEERS AND APPLAUSE ] 1226 01:25:23,827 --> 01:25:26,000 >> ARE YOU READY FOR A LITTLE CONTROVERSY? 1227 01:25:26,034 --> 01:25:30,275 [ CHEERS AND APPLAUSE ] COME ON, PEOPLE, LET'S MAKE SOME 1228 01:25:30,310 --> 01:25:31,413 NOISE! 1229 01:25:31,448 --> 01:25:40,482 [ CHEERS AND APPLAUSE ] Y'ALL ARE GOING TO SLEEP OVER 1230 01:25:40,517 --> 01:25:41,689 HERE. 1231 01:25:41,724 --> 01:25:48,931 SO, HERE'S WHAT I'VE LEARNED AFTER FOUR DECADES IN MUSIC. 1232 01:25:48,965 --> 01:25:57,586 IF THEY CALL YOU SHOCKING, SCANDALOUS, TROUBLESOME, 1233 01:25:57,620 --> 01:26:08,379 PROBLEMATIC, PROVOCATIVE, OR DANGEROUS, YOU ARE DEFINITELY 1234 01:26:08,413 --> 01:26:09,103 ONTO SOMETHING. 1235 01:26:09,137 --> 01:26:12,413 THAT'S WHERE YOU MAKE NOISE. 1236 01:26:12,448 --> 01:26:18,241 [ CHEERS AND APPLAUSE ] YEAH, THANK YOU. 1237 01:26:18,275 --> 01:26:23,206 SO, I'M HERE TO GIVE THANKS TO ALL THE REBELS OUT THERE FORGING 1238 01:26:23,241 --> 01:26:28,413 A NEW PATH AND TAKING THE HEAT FOR ALL OF IT. 1239 01:26:28,448 --> 01:26:34,137 YOU GUYS NEED TO KNOW, ALL YOU TROUBLEMAKERS OUT THERE, YOU 1240 01:26:34,172 --> 01:26:40,068 NEED TO KNOW THAT YOUR FEARLESSNESS DOES NOT GO 1241 01:26:40,103 --> 01:26:41,241 UNNOTICED. 1242 01:26:41,275 --> 01:26:46,965 YOU ARE SEEN, YOU ARE HEARD, AND, MOST OF ALL, YOU ARE 1243 01:26:47,000 --> 01:26:48,137 APPRECIATED. 1244 01:26:48,172 --> 01:26:55,551 [ CHEERS AND APPLAUSE ] SO NOW, SPEAKING OF CONTROVERSY, 1245 01:26:55,586 --> 01:27:01,655 IT GIVES ME GREAT PLEASURE TO INTRODUCE TWO INCREDIBLY 1246 01:27:01,689 --> 01:27:08,655 TALENTED ARTISTS WHO HAVE RISEN ABOVE THE NOISE, THE DOUBT, THE 1247 01:27:08,689 --> 01:27:13,793 CRITICS INTO SOMETHING BEAUTIFULLY UNHOLY. 1248 01:27:13,827 --> 01:27:18,068 [ CHEERS AND APPLAUSE ] YEAH. 1249 01:27:18,103 --> 01:27:23,551 HERE ARE TWO GRAMMY AWARD WINNERS, SAM SMITH AND KIM 1250 01:27:23,586 --> 01:27:24,724 PETRAS! 1251 01:27:24,758 --> 01:27:27,034 GIVE IT UP! 1252 01:27:27,068 --> 01:27:29,034 [ CHEERS AND APPLAUSE ] 1253 01:27:55,206 --> 01:28:05,379 ♪ ♪ MOMMY DON'T KNOW 1254 01:28:05,413 --> 01:28:08,586 DADDY'S GETTING HOT ♪ ♪ AT THE BODY SHOP 1255 01:28:08,620 --> 01:28:15,034 DOING SOMETHING UNHOLY ♪ ♪ 1256 01:28:15,068 --> 01:28:28,379 ♪ ♪ HE LUCKY LUCKY YEAH 1257 01:28:28,413 --> 01:28:31,551 SHE GOT MARRIED TO A BOY LIKE YOU ♪ 1258 01:28:31,586 --> 01:28:36,275 ♪ SHE'D KICK YOU OUT IF SHE EVER EVER KNEW ♪ 1259 01:28:36,310 --> 01:28:38,413 ♪ 'BOUT ALL THE -- YOU TELL ME THAT YOU DO ♪ 1260 01:28:38,448 --> 01:28:42,655 ♪ DIRTY DIRTY BOY YOU KNOW EVERYONE 1261 01:28:42,689 --> 01:28:45,310 IS TALKING ON THE SCENE ♪ ♪ I HEAR THEM WHISPERING 1262 01:28:45,344 --> 01:28:48,000 'BOUT THE PLACES THAT YOU'VE BEEN ♪ 1263 01:28:48,034 --> 01:28:50,068 ♪ AND HOW YOU DON'T KNOW HOW TO 1264 01:28:50,103 --> 01:28:53,793 KEEP YOUR BUSINESS CLEAN ♪ ♪ MOMMY DON'T KNOW 1265 01:28:53,827 --> 01:28:57,482 DADDY'S GETTING HOT ♪ ♪ AT THE BODY SHOP 1266 01:28:57,517 --> 01:29:02,275 DOING SOMETHING UNHOLY ♪ ♪ HE'S SAT BACK 1267 01:29:02,310 --> 01:29:06,482 WHILE SHE'S DROPPING IT SHE BE POPPING IT ♪ 1268 01:29:06,517 --> 01:29:08,068 ♪ YEAH SHE PUT IT DOWN SLOWLY ♪ 1269 01:29:08,103 --> 01:29:11,793 ♪ OH-EE-OH-EE-OH HE LEFT HIS KIDS AT ♪ 1270 01:29:11,827 --> 01:29:15,517 ♪ HO-EE-OH-EE-OME SO HE CAN GET THAT ♪ 1271 01:29:15,551 --> 01:29:18,137 ♪ MOMMY DON'T KNOW DADDY'S GETTING HOT ♪ 1272 01:29:18,172 --> 01:29:22,379 ♪ AT THE BODY SHOP DOING SOMETHING UNHOLY ♪ 1273 01:29:22,413 --> 01:29:24,482 ♪ MMM, DADDY DADDY IF YOU WANT IT 1274 01:29:24,517 --> 01:29:26,586 DROP THE ADD'Y ♪ ♪ GIVE ME LOVE 1275 01:29:26,620 --> 01:29:30,793 GIVE ME FENDI MY BALENCIAGA DADDY ♪ 1276 01:29:30,827 --> 01:29:32,931 ♪ YOU GON' NEED TO BAG IT UP ♪ 1277 01:29:32,965 --> 01:29:35,517 ♪ 'CAUSE I'M SPENDING ON RODEO ♪ 1278 01:29:35,551 --> 01:29:37,655 ♪ YOU CAN WATCH ME BACK IT UP ♪ 1279 01:29:37,689 --> 01:29:40,793 ♪ I'LL BE GONE IN THE A.M AND HE 1280 01:29:40,827 --> 01:29:42,413 HE GET ME PRADA ♪ ♪ GET ME MIU MIU 1281 01:29:42,448 --> 01:29:44,517 LIKE RIHANNA ♪ ♪ HE ALWAYS CALL ME 1282 01:29:44,551 --> 01:29:46,620 'CAUSE I NEVER CAUSE NO DRAMA ♪ 1283 01:29:46,655 --> 01:29:48,206 ♪ AND WHEN YOU WANT IT BABY, I KNOW 1284 01:29:48,241 --> 01:29:50,310 I GOT YOU COVERED ♪ ♪ AND WHEN YOU NEED IT 1285 01:29:50,344 --> 01:29:52,965 BABY JUST JUMP UNDER THE COVERS ♪ 1286 01:29:53,000 --> 01:29:55,586 ♪ MOMMY DON'T KNOW DADDY'S GETTING HOT ♪ 1287 01:29:55,620 --> 01:29:58,206 ♪ AT THE BODY SHOP DOIN' SOMETHIN' UNHOLY ♪ 1288 01:29:58,241 --> 01:30:01,931 ♪ HE'S SAT BACK WHILE SHE'S DROPPING IT ♪ 1289 01:30:01,965 --> 01:30:04,586 ♪ SHE BE POPPING IT YEAH, SHE PUT IT 1290 01:30:04,620 --> 01:30:09,000 DOWN SLOWLY ♪ ♪ OH-EE-OH-EE-OH 1291 01:30:09,034 --> 01:30:13,034 HE LEFT HIS KIDS AT ♪ ♪ HO-EE-OH-EE-OME 1292 01:30:13,068 --> 01:30:15,137 SO HE CAN GET THAT ♪ ♪ MOMMY DON'T KNOW 1293 01:30:15,172 --> 01:30:17,793 DADDY'S GETTING HOT ♪ ♪ AT THE BODY SHOP 1294 01:30:17,827 --> 01:30:22,724 DOIN' SOMETHING UNHOLY ♪ ♪ 1295 01:30:22,758 --> 01:30:24,758 ♪ [ CHEERS AND APPLAUSE ] 1296 01:30:48,931 --> 01:30:49,931 >> Announcer: THE 65th GRAMMY AWARDS IS SPONSORED BY PFIZER. 1297 01:31:05,034 --> 01:31:06,379 >> Trevor: YEAH, I GOT TO GO. 1298 01:31:06,413 --> 01:31:08,551 I GOT TO GO. 1299 01:31:08,586 --> 01:31:09,379 NO, MOM. 1300 01:31:09,413 --> 01:31:11,413 NO, MOM, IT WASN'T THE ACTUAL DEVIL. 1301 01:31:11,448 --> 01:31:14,034 NO, THEY WERE JUST DRESSED AS THE DEVIL, MOM. 1302 01:31:14,068 --> 01:31:16,000 [ LAUGHTER ] NO, I HAVE TO GO. 1303 01:31:16,034 --> 01:31:18,344 YEAH, YOU DID WARN ME ABOUT HOLLYWOOD. 1304 01:31:18,379 --> 01:31:21,172 YES, YES, YOU DID, MUM. 1305 01:31:21,206 --> 01:31:21,689 I WILL. 1306 01:31:21,724 --> 01:31:22,620 THANK YOU. 1307 01:31:22,655 --> 01:31:24,000 SHE SAID SHE'LL BE PRAYING FOR ALL OF US. 1308 01:31:24,034 --> 01:31:24,793 THANK YOU, ALL RIGHT. 1309 01:31:24,827 --> 01:31:27,034 SHE'S LOVING THE SHOW. 1310 01:31:27,068 --> 01:31:31,034 JAMES CORDEN IS A 12-TIME EMMY WINNER AND THE HOST OF "THE LATE 1311 01:31:31,068 --> 01:31:32,275 LATE SHOW." 1312 01:31:32,310 --> 01:31:36,034 HE'S ALSO LIVING PROOF THAT A MAN CAN MOVE FROM LONDON TO L.A. 1313 01:31:36,068 --> 01:31:40,206 AND NOT TELL EVERYONE ABOUT HIS FROST-BITTEN PENIS. 1314 01:31:40,241 --> 01:31:43,620 PLEASE WELCOME JAMES CORDEN! 1315 01:31:43,655 --> 01:31:55,103 ♪ [ APPLAUSE ] 1316 01:31:55,137 --> 01:31:58,379 >> THANK YOU VERY MUCH, TREVOR. 1317 01:31:58,413 --> 01:32:00,793 WHAT ABOUT A ROUND OF APPLAUSE FOR TREVOR NOAH, EVERYBODY? 1318 01:32:00,827 --> 01:32:04,586 IT'S NOT EASY TO HOST THESE NIGHTS. 1319 01:32:04,620 --> 01:32:06,482 [ CHEERS AND APPLAUSE ] HE'S DOING SO GREAT. 1320 01:32:06,517 --> 01:32:11,034 I AM HIS OR HER TO ANNOUNCE THE WINNER OF BEST DANCE AND 1321 01:32:11,068 --> 01:32:11,931 ELECTRONIC ALBUM. 1322 01:32:11,965 --> 01:32:13,241 BECAUSE OF COURSE I AM. 1323 01:32:13,275 --> 01:32:16,103 I'M THE FIRST NAME ON YOUR LIPS WHEN YOU THINK OF SUCH AN AWARD. 1324 01:32:16,137 --> 01:32:23,551 [ LAUGHTER ] HERE ARE THE NOMINEES FOR BEST 1325 01:32:23,586 --> 01:32:32,896 DANCE/ELECTRONIC MUSIC ALBUM -- "RENAISSANCE," BEYONCE. 1326 01:32:32,931 --> 01:32:38,413 ♪ "FRAGMENTS," BONOBO. 1327 01:32:38,448 --> 01:32:43,965 ♪ "DIPLO," DIPLO. 1328 01:32:44,000 --> 01:32:51,655 ♪ "THE LAST GOODBYE," ODESZA. 1329 01:32:51,689 --> 01:32:58,137 ♪ "SURRENDER," RUFUS DU SOL. 1330 01:32:58,172 --> 01:33:02,344 ♪ 1331 01:33:10,344 --> 01:33:16,379 >> OKAY. 1332 01:33:16,413 --> 01:33:20,379 WELL, THIS IS AN HONOR. 1333 01:33:20,413 --> 01:33:22,379 [ APPLAUSE ] BECAUSE WE ARE WITNESSING 1334 01:33:22,413 --> 01:33:23,551 HISTORY TONIGHT. 1335 01:33:23,586 --> 01:33:27,137 [ CHEERS AND APPLAUSE ] BREAKING THE RECORD FOR THE MOST 1336 01:33:27,172 --> 01:33:35,620 GRAMMY WINS OF ALL TIME, SHOW YOUR RESPECT. 1337 01:33:35,655 --> 01:33:37,310 IT'S "RENAISSANCE," BEYONCE. 1338 01:33:37,344 --> 01:33:48,172 [ CHEERS AND APPLAUSE ] ♪ 1339 01:33:48,206 --> 01:33:58,206 ♪ >> THANK YOU SO MUCH. 1340 01:33:58,241 --> 01:34:05,724 ♪ >> THANK YOU SO MUCH. 1341 01:34:05,758 --> 01:34:09,724 I'M TRYING NOT TO BE TOO EMOTIONAL. 1342 01:34:09,758 --> 01:34:16,620 AND I'M TRYING TO JUST RECEIVE THIS NIGHT. 1343 01:34:16,655 --> 01:34:27,655 [ CHEERS AND APPLAUSE ] I WANT TO THANK GOD FOR 1344 01:34:27,689 --> 01:34:30,000 PROTECTING ME. 1345 01:34:30,034 --> 01:34:34,068 THANK YOU, GOD. 1346 01:34:34,103 --> 01:34:43,103 I'D LIKE TO THANK MY UNCLE JOHNNY, WHO'S NOT HERE. 1347 01:34:43,137 --> 01:34:46,172 BUT HE'S HERE IN SPIRIT. 1348 01:34:46,206 --> 01:34:52,000 [ APPLAUSE ] I'D LIKE TO THANK MY PARENTS, MY 1349 01:34:52,034 --> 01:34:56,724 FATHER, MY MOTHER, FOR LOVING ME AND PUSHING ME. 1350 01:34:56,758 --> 01:35:02,448 I'D LIKE TO THANK MY BEAUTIFUL HUSBAND, MY BEAUTIFUL THREE 1351 01:35:02,482 --> 01:35:04,827 CHILDREN WHO ARE AT HOME WATCHING. 1352 01:35:04,862 --> 01:35:08,413 I'D LIKE TO THANK THE QUEER COMMUNITY FOR YOUR LOVE. 1353 01:35:08,448 --> 01:35:11,344 [ CHEERS AND APPLAUSE ] AND FOR INVENTING THIS GENRE. 1354 01:35:11,379 --> 01:35:12,655 GOD BLESS YOU. 1355 01:35:12,689 --> 01:35:14,931 THANK YOU SO MUCH TO THE GRAMMYS. 1356 01:35:14,965 --> 01:35:21,034 [ CHEERS AND APPLAUSE ] THANK YOU. 1357 01:35:21,068 --> 01:35:29,034 ♪ ♪ 1358 01:35:29,068 --> 01:35:30,724 >> Trevor: BEYONCE HAS DONE IT, EVERYBODY. 1359 01:35:30,758 --> 01:35:32,793 WE WERE ALL HERE TO SEE IT. 1360 01:35:32,827 --> 01:35:34,379 AND YOU TOO WERE PART OF THIS. 1361 01:35:34,413 --> 01:35:38,034 SHE NOW HOLDS THE ALL-TIME RECORD FOR THE MOST GRAMMY WINS. 1362 01:35:38,068 --> 01:35:40,000 SO WE CAN FINALLY END THE G.O.A.T. DEBATE. 1363 01:35:40,034 --> 01:35:41,068 WHO'S THE G.O.A.T.? 1364 01:35:41,103 --> 01:35:41,827 IT'S BEYONCE. 1365 01:35:41,862 --> 01:35:46,172 IT'S NOT LeBRON, IT'S NOT MESSI. 1366 01:35:46,206 --> 01:35:48,551 IT'S OFFICIALLY DONE! 1367 01:35:48,586 --> 01:35:51,000 [ CHEERS AND APPLAUSE ] OUR NEXT PERFORMER IS MUSIC 1368 01:35:51,034 --> 01:35:52,275 ROYALTY. 1369 01:35:52,310 --> 01:35:54,620 A NINE-TIME GRAM WINNER WHO'S EARNED SIX NEW NOMINATIONS THIS 1370 01:35:54,655 --> 01:35:58,000 YEAR, INCLUDING RECORD OF THE YEAR, AND ALBUM OF THE YEAR. 1371 01:35:58,034 --> 01:36:05,620 HERE TO PERFORM "GOOD MORNING, GORGEOUS," PLEASE WELCOME MARY 1372 01:36:05,655 --> 01:36:08,275 J. BLIGE. 1373 01:36:08,310 --> 01:36:16,034 [ APPLAUSE ] ♪ 1374 01:36:16,068 --> 01:36:29,413 ♪ ♪ OH IT'S SO HARD 1375 01:36:29,448 --> 01:36:32,620 JUST HOLDING ON ♪ ♪ AND EVEN PICKING 1376 01:36:32,655 --> 01:36:36,310 UP MY PHONE ♪ ♪ IT'S HARD ENOUGH TO BE 1377 01:36:36,344 --> 01:36:38,482 HARD ENOUGH TO SLEEP HARD ENOUGH TO BE ALONE ♪ 1378 01:36:38,517 --> 01:36:41,655 ♪ I'M JUST TRYNA MOVE ALONG ♪ 1379 01:36:41,689 --> 01:36:44,827 ♪ SOMETIMES I DO AND THEN I DON'T ♪ 1380 01:36:44,862 --> 01:36:49,034 ♪ TELL ME WHAT I'M DOING WRONG ♪ 1381 01:36:49,068 --> 01:36:51,689 ♪ TELL MYSELF THAT IT AIN'T HEALTHY ♪ 1382 01:36:51,724 --> 01:36:54,310 ♪ SECOND GUESSIN' IT DON'T HELP ME ♪ 1383 01:36:54,344 --> 01:36:56,448 ♪ I'M SO TIRED OF FEELING EMPTY ♪ 1384 01:36:56,482 --> 01:36:59,068 ♪ DRY MY EYES IT'S TIME TO FIGHT ♪ 1385 01:36:59,103 --> 01:37:01,862 ♪ IT SEEMS LIKE I'M ALWAYS AGAINST ME ♪ 1386 01:37:01,896 --> 01:37:07,103 ♪ SEEMS LIKE THIS IS NEVER ENDING ♪ 1387 01:37:07,137 --> 01:37:09,758 ♪ BUT I REFUSE TO LET IT END ME ♪ 1388 01:37:09,793 --> 01:37:12,413 ♪ MENTALLY SPIRITUALLY 1389 01:37:12,448 --> 01:37:15,068 PHYSICALLY ♪ ♪ I NEED MY PEACE, YES 1390 01:37:15,103 --> 01:37:20,379 I NEED MY PEACE ♪ ♪ I WAKE UP EVERY MORNING 1391 01:37:20,413 --> 01:37:28,000 AND TELL MYSELF GOOD MORNING GORGEOUS ♪ 1392 01:37:28,034 --> 01:37:34,000 ♪ SOMETIMES YOU GOTTA LOOK IN THE MIRROR AND SAY 1393 01:37:34,034 --> 01:37:36,137 GOOD MORNING GORGEOUS ♪ ♪ NO ONE ELSE CAN MAKE ME 1394 01:37:36,172 --> 01:37:41,758 FEEL THIS WAY ♪ ♪ GOOD MORNING, GORGEOUS 1395 01:37:41,793 --> 01:37:44,379 GOOD MORNING GOOD MORNING GORGEOUS ♪ 1396 01:37:44,413 --> 01:37:47,034 ♪ ALL THE TIMES THAT I HATED MYSELF ♪ 1397 01:37:47,068 --> 01:37:49,689 ♪ ALL THE TIMES THAT I WANTED TO BE 1398 01:37:49,724 --> 01:37:52,862 SOMEONE ELSE ♪ ♪ ALL THE TIMES 1399 01:37:52,896 --> 01:37:56,137 THAT I SHOULDA BEEN GENTLE WITH ME ♪ 1400 01:37:56,172 --> 01:37:58,172 ♪ ALL THE TIMES THAT I SHOULDA BEEN 1401 01:37:58,206 --> 01:38:00,965 CAREFUL WITH ME ♪ ♪ WHY DID I HATE MYSELF 1402 01:38:01,000 --> 01:38:05,172 SO INTENSELY LORD HELP ME ♪ 1403 01:38:05,206 --> 01:38:08,379 ♪ I WAKE UP EVERY MORNING AND TELL MYSELF 1404 01:38:08,413 --> 01:38:12,620 GOOD MORNING GORGEOUS ♪ ♪ SOMETIMES YOU GOTTA LOOK 1405 01:38:12,655 --> 01:38:16,344 IN THE MIRROR AND SAY GOOD MORNING GORGEOUS ♪ 1406 01:38:16,379 --> 01:38:19,482 ♪ NO ONE ELSE CAN MAKE ME FEEL THIS WAY 1407 01:38:19,517 --> 01:38:22,689 GOOD MORNING, GORGEOUS ♪ ♪ GOOD MORNING, GORGEOUS 1408 01:38:22,724 --> 01:38:32,172 GOOD MORNING GORGEOUS ♪ ♪ GOOD MORNING, GOOD MORNING, 1409 01:38:32,206 --> 01:38:33,413 GOOD MORNING ♪ ♪ I AIN'T TALKIN' 1410 01:38:33,448 --> 01:38:36,620 'BOUT GETTING NO HAIR N' MAKE UP ♪ 1411 01:38:36,655 --> 01:38:39,206 ♪ I'M TALKING ABOUT SOON AS I WAKE UP ♪ 1412 01:38:39,241 --> 01:38:41,310 ♪ I SAY GOOD MORNING GOOD MORNING ♪ 1413 01:38:41,344 --> 01:38:49,793 ♪ GOOD MORNING ♪ GOOD MORNING I NEED YOU, GOOD 1414 01:38:49,827 --> 01:38:56,241 MORNING I WANT YOU ♪ ♪ OH 1415 01:38:56,275 --> 01:39:06,965 ♪ WHOA, WHOA, OH, WHOA, WHOA IT TOOK ME A LONG TIME TO GET 1416 01:39:07,000 --> 01:39:10,137 HERE, Y'ALL, BUT NOW I'M HAPPY TO BE ME. 1417 01:39:10,172 --> 01:39:15,344 ♪ I'M HAPPY TO SEE ME ♪ I'M HAPPY TO GREET ME 1418 01:39:15,379 --> 01:39:26,310 ♪ OH, GOOD MORNING [ CHEERS AND APPLAUSE ] 1419 01:39:28,586 --> 01:39:31,310 >> THANK YOU. 1420 01:39:31,344 --> 01:39:38,000 >> Announcer: COMING UP, DR. DRE RECEIVES THE GLOBAL IMPACT AWARD 1421 01:39:38,034 --> 01:39:39,241 . 1422 01:39:39,275 --> 01:39:43,206 THEN LL COOL J INTRODUCES A MASSIVE ALL-STAR CELEBRATION OF 1423 01:39:43,241 --> 01:39:44,241 HIP-HOP'S 50th ANNIVERSARY. THIS IS CBS. 1424 01:39:57,034 --> 01:39:57,482 ♪ >> Trevor: WELCOME BACK TO THE 1425 01:39:57,517 --> 01:39:58,724 GRAMMYS. 1426 01:39:58,758 --> 01:40:01,689 I'M SEATED HERE WITH A FRESH GRAMMY WINNER JUST TODAY, THE 1427 01:40:01,724 --> 01:40:03,206 ONE AND ONLY TAYLOR SWIFT. 1428 01:40:03,241 --> 01:40:03,620 CONGRATULATIONS! 1429 01:40:03,655 --> 01:40:04,344 >> THANK YOU. 1430 01:40:04,379 --> 01:40:05,965 >> SUCH A WONDERFUL ACHIEVEMENT. 1431 01:40:06,000 --> 01:40:08,344 [ APPLAUSE ] I'VE GOT TO TELL YOU, TAYLOR, 1432 01:40:08,379 --> 01:40:10,620 YOU HAVE THE BEST FANS IN THE WORLD. 1433 01:40:10,655 --> 01:40:13,827 I MEAN, WHAT THEY DID WITH TICKETMASTER, WHAT THEY MIGHT DO 1434 01:40:13,862 --> 01:40:18,344 FOR ARTISTS ALL OVER THE WORLD, WHAT THEY MIGHT DO FOR FANS WHO 1435 01:40:18,379 --> 01:40:19,896 WANT TO GO TO CONCERTS IS AMAZING. 1436 01:40:19,931 --> 01:40:22,413 I'M JUST WONDERING ONCE THEY'RE DONE WITH THIS, CAN YOU GET THEM 1437 01:40:22,448 --> 01:40:24,068 TO HANDLE THE PRICE OF EGGS? 1438 01:40:24,103 --> 01:40:27,068 >> THERE'S REALLY NOTHING THAT THEY CAN'T ACCOMPLISH. 1439 01:40:27,103 --> 01:40:27,896 THEY'LL GET ON IT. 1440 01:40:27,931 --> 01:40:29,931 JUST LET THEM KNOW WHAT YOU NEED. 1441 01:40:29,965 --> 01:40:32,103 >> SWIFTIES, PRICE OF EGGS DOWN. 1442 01:40:32,137 --> 01:40:33,413 YOU GO AFTER THOSE CHICKENS. 1443 01:40:33,448 --> 01:40:35,862 YOU KNOW WHAT I LOVE ABOUT THE GRAMMYS IS EVERY YEAR YOU GET TO 1444 01:40:35,896 --> 01:40:37,689 SEE A MOMENT YOU'VE NEVER SEEN BEFORE. 1445 01:40:37,724 --> 01:40:39,586 AND YOU'LL NEVER SEEN AGAIN. 1446 01:40:39,620 --> 01:40:43,344 HERE TO INTRODUCE ONE OF THOSE MOMENTS, PLEASE MAKE SOME NOISE 1447 01:40:43,379 --> 01:40:48,103 FOR A HIP-HOP LEGEND, A BELOVED ACTOR, AND A FIVE-TIME GRAMMY 1448 01:40:48,137 --> 01:40:49,724 HOST, LL COOL J. 1449 01:40:49,758 --> 01:41:02,517 [ CHEERS AND APPLAUSE ] ♪ 1450 01:41:07,689 --> 01:41:13,724 >> IT'S GREAT, AND I MEAN TRULY GREAT TO BE BACK AT THE GRAMMY 1451 01:41:13,758 --> 01:41:14,931 AWARDS TONIGHT. 1452 01:41:14,965 --> 01:41:18,310 I'M HONORED TO BE HERE TO PRESENT A BRAND-NEW AWARD THAT 1453 01:41:18,344 --> 01:41:21,310 THE RECORDING ACADEMY IS INTRODUCING THIS YEAR IN 1454 01:41:21,344 --> 01:41:26,034 COORDINATION WITH THE BLACK COLLECTIVE. 1455 01:41:26,068 --> 01:41:27,275 APP [ APPLAUSE ] 1456 01:41:27,310 --> 01:41:28,724 THIS AWARD WILL RECOGNIZE THE CONTRIBUTIONS OF CREATORS AND 1457 01:41:28,758 --> 01:41:32,965 PROFESSIONALS WITH A PROVEN TRACK RECORD OF UPLIFTING BLACK 1458 01:41:33,000 --> 01:41:34,275 MUSIC. 1459 01:41:34,310 --> 01:41:36,000 THE RECIPIENT OF THIS INAUGURAL AWARD IS NONE OTHER THAN AN ICON 1460 01:41:36,034 --> 01:41:39,965 WHO HELPED DEFINE WEST COAST HIP-HOP AND HAS BECOME ONE OF 1461 01:41:40,000 --> 01:41:44,517 THE MOST IMPACTFUL SUCCESS STORIES OF OUR TIMES. 1462 01:41:44,551 --> 01:41:48,344 AND NOT ONLY IS HE WINNING THE AWARD TONIGHT, BUT FROM THIS DAY 1463 01:41:48,379 --> 01:41:50,482 FORWARD THIS NEW AWARD WILL BE NAMED AFTER MY FRIEND, MY 1464 01:41:50,517 --> 01:41:51,758 BROTHER. 1465 01:41:51,793 --> 01:41:54,344 AND I AM THRILLED TO ANNOUNCE THE DR. DRE GLOBAL IMPACT AWARD 1466 01:41:54,379 --> 01:41:58,517 IS GOING TO, DR. DRE. 1467 01:41:58,551 --> 01:42:02,655 [ CHEERS AND APPLAUSE ] >> HERE'S A LOOK AT THE GLOBAL 1468 01:42:02,689 --> 01:42:14,275 IMPACT OF DR. DRE. 1469 01:42:15,103 --> 01:42:20,896 ♪ >> Announcer: DR. DRE IS ONE OF 1470 01:42:20,931 --> 01:42:27,724 THE GREATEST GAME-CHANGERS IN MUSIC HISTORY. 1471 01:42:27,758 --> 01:42:30,896 FROM HIS EARLY DAYS WITH N.W.A. TO "THE CHRONIC." 1472 01:42:30,931 --> 01:42:34,034 FROM FOUNDING AFTERMATH ENTERTAINMENT AND 1473 01:42:34,068 --> 01:42:38,827 COFOUNDING BEATS, TO ENDOWING ANDRE YOUNG ACADEMY FOR ARTS, 1474 01:42:38,862 --> 01:42:43,517 TECHNOLOGY AND THE BUSINESS OF INNOVATION. 1475 01:42:43,551 --> 01:42:54,000 >> I GUESS I'M AN OFFICIAL TROJAN NOW. 1476 01:42:54,034 --> 01:42:58,896 ♪ >> Announcer: DR. DRE'S IMPACT 1477 01:42:58,931 --> 01:42:59,931 HAS BEEN GLOBAL, MASSIVE, AND AN AUTHENTIC AND POSITIVE FORCE IN 1478 01:42:59,965 --> 01:43:01,310 OUR WORLD. 1479 01:43:01,344 --> 01:43:09,551 [ APPLAUSE ] >> ALL RISE. 1480 01:43:09,586 --> 01:43:12,448 EVERYBODY STAND UP FOR THE FIRST-EVER WINNER OF THE DR. DRE 1481 01:43:12,482 --> 01:43:16,689 GLOBAL IMPACT AWARD, DR. DRE! 1482 01:43:16,724 --> 01:43:26,724 ♪ [ CHEERS AND APPLAUSE ] 1483 01:43:26,758 --> 01:43:34,758 ♪ [ CHEERS AND APPLAUSE ] 1484 01:43:34,793 --> 01:43:39,413 >> OH, WOW. 1485 01:43:39,448 --> 01:43:41,413 I DID NOT EXPECT THAT. 1486 01:43:41,448 --> 01:43:42,827 THANK YOU SO MUCH. 1487 01:43:42,862 --> 01:43:43,275 THANK YOU. 1488 01:43:43,310 --> 01:43:45,724 WHAT'S UP, BRO? 1489 01:43:45,758 --> 01:43:47,241 YEAH, YEAH. 1490 01:43:47,275 --> 01:43:49,931 I'M EXTREMELY MOVED BY THIS AWARD. 1491 01:43:49,965 --> 01:43:53,724 I WANT TO SAY THANK YOU TO THE RECORDING ACADEMY AND THE BLACK 1492 01:43:53,758 --> 01:43:56,655 MUSICIVE COLLECTIVE FOR THIS HONOR. 1493 01:43:56,689 --> 01:43:59,379 I KNOW EVERYBODY IN HERE PROBABLY KNOWS THIS ALREADY, BUT 1494 01:43:59,413 --> 01:44:03,034 THIS IS THE 50th ANNIVERSARY OF HIP-HOP. 1495 01:44:03,068 --> 01:44:04,827 [ CHEERS AND APPLAUSE ] MAKE SOME NOISE FOR HIP-HOP. 1496 01:44:04,862 --> 01:44:07,068 YEAH. 1497 01:44:07,103 --> 01:44:08,931 AND WHERE WOULD I BE WITHOUT IT? 1498 01:44:08,965 --> 01:44:13,034 WHERE WOULD A LOT OF PEOPLE IN HERE BE WITHOUT IT TO BE HONEST? 1499 01:44:13,068 --> 01:44:16,206 HIP-HOP BECAME A LIFE LINE FOR ME AS A TEENAGER GROWING UP IN 1500 01:44:16,241 --> 01:44:17,344 COMPTON. 1501 01:44:17,379 --> 01:44:21,172 AND IT STARTED WITH A SONG CALLED "THE ADVENTURES OF 1502 01:44:21,206 --> 01:44:26,206 GRANDMASTER FLASH ON THE WHEELS OF STEEL." 1503 01:44:26,241 --> 01:44:31,172 SCRATCHING AND MIXING ON THE TURN TABLES HAD ME HOOKED AND 1504 01:44:31,206 --> 01:44:35,310 BECAME THE ENTRY POINT OF A 40-YEAR CAREER OF DOING 1505 01:44:35,344 --> 01:44:36,551 SOMETHING THAT I REALLY LOVE. 1506 01:44:36,586 --> 01:44:38,482 WHAT UP, AP? 1507 01:44:38,517 --> 01:44:39,689 YEAH. 1508 01:44:39,724 --> 01:44:43,068 AND MUCH OF WHAT I LOVE IS INVOLVED WITH COLLABORATION, 1509 01:44:43,103 --> 01:44:46,275 ASSEMBLING A TEAM OF TALENTED ARTISTS, ENGINEERS AND MUSICIANS 1510 01:44:46,310 --> 01:44:49,862 WITH GIFTS DIFFERENT FROM MINE AND WHO SHINE IN WAYS THAT I 1511 01:44:49,896 --> 01:44:52,482 DON'T HAS BEEN BOTH INSPIRING AND CRUCIAL TO MY SUCCESS. 1512 01:44:52,517 --> 01:44:56,034 AND I'M EXTREMELY GRATEFUL TO ALL OF THOSE WHO HAVE COMPRISED 1513 01:44:56,068 --> 01:44:57,172 THEIR TEAM OVER THE YEARS. 1514 01:44:57,206 --> 01:45:00,896 AND I WOULD NOT BE HERE ACCEPTING THIS AWARD WITHOUT 1515 01:45:00,931 --> 01:45:02,586 THEIR CONTRIBUTION. 1516 01:45:02,620 --> 01:45:07,379 [ APPLAUSE ] YES. 1517 01:45:07,413 --> 01:45:12,620 I'M ALSO THANKFUL TO ALL THE PEOPLE WHO HAVE BEEN BY MY SIDE, 1518 01:45:12,655 --> 01:45:16,034 OFTEN THROUGH THE DIFFICULT MOMENTS IN MY LIFE THAT CAUSED 1519 01:45:16,068 --> 01:45:19,034 ME TO GET TO THIS POINT IN MY LIFE, YOU KNOW. 1520 01:45:19,068 --> 01:45:22,206 INSPIRATION IS ONE OF MY FAVORITE WORDS, AND AS A 1521 01:45:22,241 --> 01:45:25,448 CREATIVE, IT'S WHAT I'M ALWAYS IN SEARCH OF, AND I HOPE TO 1522 01:45:25,482 --> 01:45:28,310 LEAVE BEHIND LONG AFTER I'M GONE. 1523 01:45:28,344 --> 01:45:32,689 SO, WHAT I LOVE ABOUT THIS AWARD IS THAT IT USES MY NAME TO 1524 01:45:32,724 --> 01:45:36,586 INSPIRE THE NEXT GENERATION OF PRODUCERS, ARTISTS, AND 1525 01:45:36,620 --> 01:45:40,275 ENTREPRENEURS TO REACH FOR THEIR GREATNESS AND DEMAND THAT FROM 1526 01:45:40,310 --> 01:45:41,551 EVERYBODY AROUND YOU. 1527 01:45:41,586 --> 01:45:48,586 [ APPLAUSE ] AND NEVER COMPROMISE YOUR VISION 1528 01:45:48,620 --> 01:45:49,862 AT ALL. 1529 01:45:49,896 --> 01:45:52,034 PURSUE QUALITY OVER QUANTITY. 1530 01:45:52,068 --> 01:45:54,000 AND REMEMBER THAT EVERYTHING IS IMPORTANT. 1531 01:45:54,034 --> 01:45:58,103 THAT IS ONE OF MY MOTTOS, EVERYTHING IS IMPORTANT. 1532 01:45:58,137 --> 01:45:58,793 THANK YOU SO MUCH. 1533 01:45:58,827 --> 01:45:59,965 APPRECIATE IT. 1534 01:46:00,000 --> 01:46:08,827 [ CHEERS AND APPLAUSE ] ♪ 1535 01:46:08,862 --> 01:46:10,103 >> CONGRATULATIONS, DR. DRE! 1536 01:46:10,137 --> 01:46:12,827 IT IS SO FITTING THAT DR. DRE SHOULD WIN THIS AWARD IN A YEAR 1537 01:46:12,862 --> 01:46:15,586 THAT IS SO IMPORTANT FOR THE CULTURE. 1538 01:46:15,620 --> 01:46:20,758 SINCE 2023 MARKS THE 50th ANNIVERSARY OF HIP-HOP. 1539 01:46:20,793 --> 01:46:23,172 [ CHEERS AND APPLAUSE ] NOW, PARAMOUNT GLOBAL WILL BE 1540 01:46:23,206 --> 01:46:25,034 CELEBRATING THIS ANNIVERSARY ALL YEAR LONG. 1541 01:46:25,068 --> 01:46:28,689 AND WE'RE KICKING IT OFF TONIGHT ON CBS RIGHT HERE THE GRAMMYS. 1542 01:46:28,724 --> 01:46:29,896 ALL RIGHT. 1543 01:46:29,931 --> 01:46:33,172 AND I'M PROUD TO BE A PART OF THE HIP-HOP FAMILY, WHETHER 1544 01:46:33,206 --> 01:46:34,413 THEY'RE IN THE HOUSE TONIGHT OR NOT. 1545 01:46:34,448 --> 01:46:37,551 AND WE'RE GOING TO ROCK THE BELLS FOR THE 50th ANNIVERSARY 1546 01:46:37,586 --> 01:46:38,103 OF HIP-HOP. 1547 01:46:38,137 --> 01:46:39,448 YOU KNOW WHAT I MEAN? 1548 01:46:39,482 --> 01:46:41,344 [ APPLAUSE ] NOW, LOOK, WORKING CLOSELY WITH 1549 01:46:41,379 --> 01:46:44,344 ONE OF THE MOST RESPECTED AND TALENTED GROUPS IN THE WORLD, 1550 01:46:44,379 --> 01:46:48,103 THE ROOTS, QUESTLOVE HAS CURATED SOMETHING SPECTACULAR. 1551 01:46:48,137 --> 01:46:51,034 A FLASH FORWARD THROUGH A HALF-CENTURY OF ONE OF THE 1552 01:46:51,068 --> 01:46:53,655 GREATEST ONGOING MUSICAL STORIES EVER TOLD. 1553 01:46:53,689 --> 01:47:02,448 IT'S A STORY THAT ALL BEGAN ON AUGUST 11, 1973, WHEN DJ WAS AT 1554 01:47:02,482 --> 01:47:06,103 A PARTY IN THE BRONX AND PLAYED THE BREAK BEATS THAT KICKSTARTED 1555 01:47:06,137 --> 01:47:12,793 A GLOBAL MUSICAL REVOLUTION. 1556 01:47:12,827 --> 01:47:16,310 NOW, WE WISH WE COULD HAVE INCLUDED EVERY SINGLE HIP-HOP 1557 01:47:16,344 --> 01:47:18,793 ARTIST FROM 1973 TO 2023. 1558 01:47:18,827 --> 01:47:21,344 I KNOW, I KNOW, I KNOW. 1559 01:47:21,379 --> 01:47:25,413 BUT THAT'S TO BE CONTINUED AT A LATER DATE AND TIME. 1560 01:47:25,448 --> 01:47:26,620 ALL RIGHT? 1561 01:47:26,655 --> 01:47:40,137 HERE TO GET OUR STORY STARTED, MY BROTHER BLACK THOUGHT! 1562 01:47:40,172 --> 01:47:42,103 >> FIFTY YEARS AGO IN THE BRONX, NEW YORK, A STREET PRINCESS WAS 1563 01:47:42,137 --> 01:47:43,172 BORN TO BE AN ICON. 1564 01:47:43,206 --> 01:47:45,275 THE ARTFORM TOOK THE ENTIRE WORLD BY STORM. 1565 01:47:45,310 --> 01:47:46,344 HOW SHE WOULD DO IT? 1566 01:47:46,379 --> 01:47:47,413 THROUGH INFLUENCE. 1567 01:47:47,448 --> 01:47:49,517 CONSTANTLY RAISING THE STAKES EACH GENERATION. 1568 01:47:49,551 --> 01:47:51,620 DOMINATION BY WHATEVER MEANS IT TAKES. 1569 01:47:51,655 --> 01:47:55,344 SO, FROM A SPARK INTO A FLAME THAT BECAME PUBLIC DOMAIN. 1570 01:47:55,379 --> 01:47:59,758 AND SHE REFERS TO BE REFERRED TO BY HER FULL GOVERNMENT NAME. 1571 01:47:59,793 --> 01:48:08,931 ♪ ♪ 1572 01:48:08,965 --> 01:48:11,034 ♪ EVERYBODY WAS BREAKIN' THE HIGHS WERE SCREAMIN' 1573 01:48:11,068 --> 01:48:13,137 AND THE BASS WAS SHAKIN' ♪ ♪ AND IT WON'T BE LONG 1574 01:48:13,172 --> 01:48:15,862 'TIL EVERYBODY KNOWIN' THAT ♪ 1575 01:48:15,896 --> 01:48:18,000 ♪ FLASH WAS ON THE BEAT BOX GOING THAT ♪ 1576 01:48:18,034 --> 01:48:20,586 ♪ FLASH WAS ON THE BEAT BOX GOING THAT ♪ 1577 01:48:20,620 --> 01:48:24,000 ♪ FLASH WAS ON THE BEAT BOX GOING AND ♪ 1578 01:48:24,034 --> 01:48:26,275 ♪ I'M TRYING NOT TO LOSE MY HEAD ♪ 1579 01:48:26,310 --> 01:48:28,413 ♪ IT'S LIKE A JUNGLE SOMETIMES ♪ 1580 01:48:28,448 --> 01:48:30,517 ♪ IT MAKES ME WONDER HOW I KEEP 1581 01:48:30,551 --> 01:48:34,068 FROM GOING UNDER ♪ ♪ I'M THE KING OF ROCK 1582 01:48:34,103 --> 01:48:35,275 THERE IS NONE HIGHER ♪ ♪ SUCKER MC'S 1583 01:48:35,310 --> 01:48:37,379 SHOULD CALL ME SIRE ♪ ♪ TO BURN MY KINGDOM 1584 01:48:37,413 --> 01:48:39,517 YOU MUST USE FIRE ♪ ♪ I WON'T STOP ROCKIN' 1585 01:48:39,551 --> 01:48:41,689 TILL I RETIRE ♪ ♪ NOW WE ROCK THE PARTY 1586 01:48:41,724 --> 01:48:43,827 AND COME CORRECT ♪ ♪ OUR CUTS ARE ON TIME 1587 01:48:43,862 --> 01:48:45,896 AND RHYMES CONNECT ♪ ♪ GOT THE RIGHT TO VOTE 1588 01:48:45,931 --> 01:48:48,241 AND WILL ELECT ♪ ♪ AND OTHER RAPPERS 1589 01:48:48,275 --> 01:48:51,689 CAN'T STAND US BUT GIVE US RESPECT ♪ 1590 01:48:51,724 --> 01:48:53,827 I LIKE IT LOUD ♪ I'M THE MAN WITH A BOX 1591 01:48:53,862 --> 01:48:54,896 THAT CAN ROCK THE CROWD ♪ ♪ WALKIN' DOWN THE STREET 1592 01:48:54,931 --> 01:48:57,034 TO THE HARDCORE BEAT ♪ ♪ WHILE MY JVC 1593 01:48:57,068 --> 01:48:59,137 VIBRATES THE CONCRETE ♪ ♪ I'M SORRY 1594 01:48:59,172 --> 01:49:01,310 IF YOU CAN'T UNDERSTAND ♪ ♪ BUT I NEED A RADIO 1595 01:49:01,344 --> 01:49:03,448 INSIDE MY HAND ♪ ♪ DON'T MEAN TO OFFEND 1596 01:49:03,482 --> 01:49:05,068 OTHER CITIZENS ♪ ♪ BUT I KICK MY 1597 01:49:05,103 --> 01:49:10,448 VOLUME WAY PAST 10 ♪ JAY-Z JAZZY JEFF! 1598 01:49:17,448 --> 01:49:20,931 CAN YOU TELL! 1599 01:49:20,965 --> 01:49:22,379 JAZZY, HEAR ME NOW. 1600 01:49:22,413 --> 01:49:32,206 ♪ ♪ GONNA CRACK DOWN 1601 01:49:32,241 --> 01:49:34,793 ♪ MUST ROCK THE BELLS ♪ ALL THE LADIES 1602 01:49:34,827 --> 01:49:36,862 IN THE HOUSE ♪ ♪ THE LADIES, THE LADIES 1603 01:49:36,896 --> 01:49:42,034 THE LADIES IN THE HOUSE C'MON ♪ 1604 01:49:42,068 --> 01:49:44,103 >> MY MIC SOUND NICE. 1605 01:49:44,137 --> 01:49:47,103 ♪ ONE, TWO MY MIC SOUND NICE 1606 01:49:47,137 --> 01:49:48,172 CHECK ONE ♪ ♪ MY MIC SOUND NICE 1607 01:49:48,206 --> 01:49:50,275 CHECK TWO ♪ ♪ MY MIC SOUND NICE 1608 01:49:50,310 --> 01:49:52,965 CHECK THREE ♪ ♪ ARE YOU READY 1609 01:49:53,000 --> 01:49:55,034 QUEEN ON THE MIC ♪ ♪ AND IT'S TRUE 1610 01:49:55,068 --> 01:49:57,137 WHEN I SAY THAT PEPA MC IS HERE TO STAY ♪ 1611 01:49:57,172 --> 01:49:58,793 ♪ AND YOU KNOW IF I WAS A BOOK 1612 01:49:58,827 --> 01:50:00,379 I WOULD SELL ♪ ♪ 'CAUSE EVERY CURVE 1613 01:50:00,413 --> 01:50:02,517 ON MY BODY GOT A STORY TO TELL ♪ 1614 01:50:02,551 --> 01:50:04,068 ♪ 'CAUSE THIS IS THE YEAR ALL MEN FEAR ♪ 1615 01:50:04,103 --> 01:50:07,241 ♪ FEMALE MC'S IS MOVIN' UP HERE ♪ 1616 01:50:07,275 --> 01:50:09,965 ♪ SALT AND PEPA IS STRICTLY BIZ ♪ 1617 01:50:10,000 --> 01:50:12,034 ♪ YOU KNOW THE COLOR OF THIS ♪ I CAME IN THE DOOR 1618 01:50:12,068 --> 01:50:14,137 I SAID IT BEFORE ♪ ♪ I NEVER LET THE MIC 1619 01:50:14,172 --> 01:50:16,793 MAGNETIZE ME NO MORE ♪ ♪ BUT IT'S BITING ME 1620 01:50:16,827 --> 01:50:17,896 FIGHTING ME INVITING ME TO RHYME ♪ 1621 01:50:17,931 --> 01:50:20,482 ♪ I CAN'T HOLD IT BACK I'M LOOKING FOR THE LINE ♪ 1622 01:50:20,517 --> 01:50:21,655 ♪ TAKING OFF MY COAT CLEARING MY THROAT 1623 01:50:21,689 --> 01:50:23,689 THE RHYME WILL BE KICKING ♪ ♪ UNTIL I HIT MY LAST NOTE 1624 01:50:23,724 --> 01:50:26,310 MY MIND REMAINS REFINED ♪ ♪ ALL KIND OF IDEAS 1625 01:50:26,344 --> 01:50:28,448 SELF-ESTEEM MAKES IT SEEM ♪ ♪ LIKE A THOUGHT 1626 01:50:28,482 --> 01:50:30,551 TOOK YEARS TO BUILD BUT STILL SAY A RHYME ♪ 1627 01:50:30,586 --> 01:50:32,137 ♪ AFTER THE NEXT ONE PREPARED 1628 01:50:32,172 --> 01:50:34,241 NEVER SCARED ♪ ♪ I'LL JUST BLESS ONE 1629 01:50:34,275 --> 01:50:35,827 AND YOU KNOW THAT I'M THE SOLOIST ♪ 1630 01:50:35,862 --> 01:50:38,448 ♪ SO ERIC B MAKE 'EM CLAP TO THIS ♪ 1631 01:50:38,482 --> 01:50:41,103 ♪ YES, THE RHYTHM THE REBEL WITHOUT A PAUSE ♪ 1632 01:50:41,137 --> 01:50:43,793 ♪ I'M LOWERING MY LEVEL THE HARD RHYMER ♪ 1633 01:50:43,827 --> 01:50:46,172 ♪ WHERE YOU NEVER BEEN I'M IN ♪ 1634 01:50:46,206 --> 01:50:48,344 ♪ YOU WANT STYLIN' YOU KNOW IT'S TIME AGAIN ♪ 1635 01:50:48,379 --> 01:50:50,137 ♪ D, THE ENEMY TELLIN' YOU TO HEAR IT ♪ 1636 01:50:50,172 --> 01:50:52,275 ♪ THEY PRAISED THE MUSIC THIS TIME 1637 01:50:52,310 --> 01:50:54,379 THEY PLAY THE LYRICS ♪ ♪ SOME SAY NO TO THE ALBUM 1638 01:50:54,413 --> 01:50:57,034 THE SHOW ♪ ♪ BUM RUSH, THE SOUND 1639 01:50:57,068 --> 01:50:59,517 I MADE A YEAR AGO ♪ ♪ I GUESS YOU KNOW 1640 01:50:59,551 --> 01:51:01,827 YOU GUESS I'M JUST A RADICAL ♪ 1641 01:51:01,862 --> 01:51:02,965 ♪ NOT ON SABBATICAL YES, BUT MAKE IT CRITICAL ♪ 1642 01:51:03,000 --> 01:51:05,034 ♪ THE ONLY PART OF YOUR BODY SHOULD BE PARTYIN' TO ♪ 1643 01:51:05,068 --> 01:51:10,068 ♪ PANTHER POWER ON THE HOUR FROM THE REBEL TO YOU ♪ 1644 01:51:10,103 --> 01:51:14,103 [ CHEERS AND APPLAUSE ] ♪ 1645 01:51:14,137 --> 01:51:17,137 >> YO BLACK. 1646 01:51:17,172 --> 01:51:18,206 >> IT'S TIME TO ROCK THE RHYME >> WHAT KIND OF RHYME? 1647 01:51:18,241 --> 01:51:19,689 ♪ THE KINDA RHYME TO MAKE THE CROWD 1648 01:51:19,724 --> 01:51:21,448 RESPOND ON ME ♪ ♪ AND G WE THE GREATEST 1649 01:51:21,482 --> 01:51:23,551 OF ALL TIME ♪ ♪ KEEP IT A HUNDRED 1650 01:51:23,586 --> 01:51:25,103 THIS IS HOW WE RUN IT DOWN THE LINE ♪ 1651 01:51:25,137 --> 01:51:26,724 ♪ IT'S LIKE THIS Y'ALL THIS Y'ALL ♪ 1652 01:51:26,758 --> 01:51:28,827 ♪ THIS Y'ALL THIS Y'ALL 1653 01:51:28,862 --> 01:51:29,896 THIS Y'ALL ♪ ♪ IT'S LIKE THIS Y'ALL 1654 01:51:29,931 --> 01:51:31,482 THIS Y'ALL ♪ ♪ THIS Y'ALL 1655 01:51:31,517 --> 01:51:39,000 THIS Y'ALL THIS Y'ALL ♪ 1656 01:51:39,034 --> 01:51:41,068 ♪ HELLO, IT'S THE SOUL TROOPIN' IN WITH 1657 01:51:41,103 --> 01:51:43,206 THE JUNGLE PATROL ♪ ♪ AND THIS ONE'S 1658 01:51:43,241 --> 01:51:44,827 ABOUT THE KO'S ♪ ♪ THE KNOCKOUTS OUT THERE 1659 01:51:44,862 --> 01:51:46,655 WHO I CALL MY BUDDY ♪ ♪ HOLD UP 1660 01:51:46,689 --> 01:51:48,034 WAIT A MINUTE NOW JUST WAIT ♪ 1661 01:51:48,068 --> 01:51:52,206 ♪ WE'RE GONNA TALK ABOUT BUDDY 1662 01:51:52,241 --> 01:51:53,965 ON THE STAGE ♪ ♪ BUT BEFORE WE LET 1663 01:51:54,000 --> 01:51:55,551 THE HERD OUT THE GATE ♪ ♪ MAKE SURE ALL THE LEVELS 1664 01:51:55,586 --> 01:51:58,724 ARE STRAIGHT OUT ♪ ♪ AT NIGHT I CAN'T SLEEP 1665 01:51:58,758 --> 01:52:00,310 I TOSS AND TURN ♪ ♪ CANDLE STICKS IN THE DARK 1666 01:52:00,344 --> 01:52:02,413 VISIONS OF BODIES BEING BURNED ♪ 1667 01:52:02,448 --> 01:52:04,551 ♪ FOUR WALLS CLOSING IN GETTIN' BIGGER 1668 01:52:04,586 --> 01:52:06,655 I'M PARANOID ♪ ♪ SLEEPING WITH MY FINGER 1669 01:52:06,689 --> 01:52:08,793 ON THE TRIGGER ♪ ♪ MY MOTHER'S 1670 01:52:08,827 --> 01:52:10,931 ALWAYS STRESSING I AIN'T LIVING RIGHT ♪ 1671 01:52:10,965 --> 01:52:12,896 ♪ BUT I AIN'T GOING OUT WITHOUT A FIGHT ♪ 1672 01:52:12,931 --> 01:52:14,655 ♪ SEE, EVERY TIME MY EYES CLOSE 1673 01:52:14,689 --> 01:52:17,793 I START SWEATIN' ♪ ♪ AND BLOOD STARTS COMIN' 1674 01:52:17,827 --> 01:52:21,034 OUT MY NOSE ♪ ♪ HUSTLER 1675 01:52:21,068 --> 01:52:23,137 WORD, I PULL THE TRIGGER LONG GRIT MY TEETH ♪ 1676 01:52:23,172 --> 01:52:25,758 ♪ SPRAY TILL EVERY -- GONE GOT MY BLOCK SEWN ♪ 1677 01:52:25,793 --> 01:52:26,862 ♪ ARMORED DOPE SPOTS LAST THING I SWEAT'S 1678 01:52:26,896 --> 01:52:28,413 A SUCKA PUNK COP ♪ ♪ MOVE LIKE A KING 1679 01:52:28,448 --> 01:52:30,275 WHEN I ROLL, HOPS ♪ ♪ YOU TRY TO FLEX, BANG 1680 01:52:30,310 --> 01:52:32,172 ANOTHER -- DROPS ♪ ♪ YOU GOTTA DEAL WITH THIS 1681 01:52:32,206 --> 01:52:33,793 CAUSE THERE'S NO WAY OUT ♪ ♪ WHY 1682 01:52:33,827 --> 01:52:35,689 CASH MONEY AIN'T NEVER GONNA PLAY OUT ♪ 1683 01:52:35,724 --> 01:52:40,931 [ CHEERS AND APPLAUSE ] >> QUEENS. 1684 01:52:40,965 --> 01:52:43,413 ♪ OH RESPECT THE QUEENS. 1685 01:52:43,448 --> 01:52:45,517 ♪ INSTINCT LEADS ME TO ANOTHER FLOW ♪ 1686 01:52:45,551 --> 01:52:48,068 ♪ EVERY TIME I HEAR A BROTHER CALL A GIRL 1687 01:52:48,103 --> 01:52:50,344 A - OR A HO ♪ ♪ TRYNA MAKE A SISTER 1688 01:52:50,379 --> 01:52:51,896 FEEL LOW ♪ ♪ YOU KNOW ALL OF THAT 1689 01:52:51,931 --> 01:52:59,758 GOTS TO GO ♪ NOW EVERYBODY, COME ON, COME ON. 1690 01:52:59,793 --> 01:53:06,724 ♪ WHEN WE PLAYING IT COOL, BUT DON'T BE GETTIN MAD WHEN WE 1691 01:53:06,758 --> 01:53:11,620 PLAYIN' ♪ ♪ NOW DON'T BE GETTIN' MAD 1692 01:53:11,655 --> 01:53:13,172 WHEN WE PLAYIN' IT'S COOL ♪ 1693 01:53:13,206 --> 01:53:15,586 ♪ BUT DON'T YOU BE CALLING ME OUT MY NAME ♪ 1694 01:53:15,620 --> 01:53:17,413 ♪ I BRING WRATH TO THOSE WHO DISRESPECT ME 1695 01:53:17,448 --> 01:53:19,517 LIKE A DAME ♪ ♪ WHO YOU CALLING A - 1696 01:53:19,551 --> 01:53:21,655 U-N-I-T-Y YOU GOTTA LET HIM KNOW ♪ 1697 01:53:21,689 --> 01:53:24,241 ♪ U-N-I-T-Y YOU GO, COME ON 1698 01:53:24,275 --> 01:53:25,310 HERE WE GO ♪ ♪ U-N-I-T-Y 1699 01:53:25,344 --> 01:53:27,413 YOU GOTTA LET HIM KNOW ♪ ♪ YOU AIN'T A - 1700 01:53:27,448 --> 01:53:36,000 YOU'RE A HO ♪ ♪ YOU DON'T KNOW ME, GET OFF MY 1701 01:53:36,034 --> 01:53:46,413 CLOUD ♪ ♪ YOU BEST TO WEAR 1702 01:53:46,448 --> 01:53:49,172 YOUR SWEATER ♪ ♪ 'CAUSE I'M COOLER THAN 1703 01:53:49,206 --> 01:53:50,310 A POLAR BEAR'S TOENAILS ♪ ♪ OH HELL, THERE HE GO AGAIN 1704 01:53:50,344 --> 01:53:52,862 TALKIN' THAT -- ♪ ♪ BEND CORNER'S LIKE 1705 01:53:52,896 --> 01:53:54,068 I WAS A CURVE I STRUCK A NERVE ♪ 1706 01:53:54,103 --> 01:53:57,103 ♪ AND NOW YOU 'BOUT TO SEE THIS SOUTHERN PLAYER SERVE ♪ 1707 01:53:57,137 --> 01:54:00,310 ♪ I HEARD IT'S NOT WHERE YOU'RE FROM 1708 01:54:00,344 --> 01:54:01,413 BUT WHERE YOU PAY RENT ♪ ♪ THEN I HEARD IT'S NOT 1709 01:54:01,448 --> 01:54:03,000 WHAT YOU MAKE ♪ ♪ BUT HOW MUCH YOU SPENT 1710 01:54:03,034 --> 01:54:05,586 IN PRISON ♪ ♪ NOW THROW YOUR HANDS 1711 01:54:05,620 --> 01:54:07,206 IN THE AIR ♪ ♪ AND WAVE 'EM LIKE 1712 01:54:07,241 --> 01:54:10,344 YOU JUST DON'T CARE ♪ ♪ AND IF YOU LIKE FISH 1713 01:54:10,379 --> 01:54:11,965 AND GRITS AND ALL THAT PIMP -- ♪ 1714 01:54:12,000 --> 01:54:14,655 ♪ EVERYBODY LET ME HEAR YOU SAY, OH-YEAH-YER ♪ 1715 01:54:14,689 --> 01:54:16,206 ♪ HIT YOU WITH NO DELAYIN' SO WHAT YOU SAYIN YO ♪ 1716 01:54:16,241 --> 01:54:18,793 ♪ SILLY WITH MY NINE MILLI WHAT THE DEALLY YO ♪ 1717 01:54:18,827 --> 01:54:19,965 ♪ WHEN I BE ON THE MIC YES, I DO MY DUTY, YO ♪ 1718 01:54:20,000 --> 01:54:22,034 ♪ WILD UP IN THE CLUB LIKE WE WILD IN THE STUDIO ♪ 1719 01:54:22,068 --> 01:54:24,137 ♪ YOU DON'T WANNA VIOLATE REALLY AND TRULY YO ♪ 1720 01:54:24,172 --> 01:54:26,379 ♪ MY MAIN THUG -- NAMED JULIO 1721 01:54:26,413 --> 01:54:28,379 HE MOODY, YO ♪ ♪ TYPE OF -- 1722 01:54:28,413 --> 01:54:30,000 THAT'LL SLAP YOU WITH THE TOOLIO ♪ 1723 01:54:30,034 --> 01:54:34,758 ♪ - -- SCARED TO DEATH ACT FRUITY, YO ♪ 1724 01:54:34,793 --> 01:54:38,137 HOLLA HOLL APRIL YOU THINK I CAME TO PLAY WITH Y'ALL? 1725 01:54:38,172 --> 01:54:44,551 [ CHEERS AND APPLAUSE ] LET ME SHOW YOU HOWS HOW TO DO 1726 01:54:44,586 --> 01:54:47,275 THAT THING OVER THERE, HOMIE. 1727 01:54:47,310 --> 01:54:49,000 LET'S GO! 1728 01:54:49,034 --> 01:54:50,034 ♪ DO YOU REALLY WANNA PARTY WITH ME ♪ 1729 01:54:50,068 --> 01:54:51,620 ♪ LET ME SEE JUST WHAT YOU GOT FOR ME ♪ 1730 01:54:51,655 --> 01:54:54,551 ♪ PUT ALL YOUR HANDS WHERE MY EYES CAN SEE 1731 01:54:54,586 --> 01:54:55,862 PUT 'EM UP, YO ♪ ♪ STRAIGHT BUCKWHILIN' 1732 01:54:55,896 --> 01:54:57,448 ♪ MUSIC MAKE YOU LOSE CONTROL 1733 01:54:57,482 --> 01:54:59,034 MUSIC MAKE YOU LOSE CONTROL ♪ 1734 01:54:59,068 --> 01:55:01,724 ♪ I'VE GOT A CUTE FACE CHUBBY WAIST 1735 01:55:01,758 --> 01:55:08,172 THICK LEGS IN SHAPE ♪ ♪ 1736 01:55:08,206 --> 01:55:18,206 ♪ 1737 01:55:18,241 --> 01:55:24,310 ♪ 1738 01:55:25,344 --> 01:55:28,758 ♪ BANGING IN THE EAST, BANGING IN THE WEST ♪ 1739 01:55:28,793 --> 01:55:38,206 ♪ MUSIC MAKE YOU LOSE CONTROL [ CHEERS AND APPLAUSE ] 1740 01:55:38,241 --> 01:55:39,827 LOSE CONTROL MUSIC MAKE YOU 1741 01:55:39,862 --> 01:55:41,931 LOSE CONTROL ♪ ♪ I'VE GOT A CUTE FACE 1742 01:55:41,965 --> 01:55:44,034 CHUBBY WAIST THICK LEGS IN SHAPE ♪ 1743 01:55:44,068 --> 01:55:46,137 ♪ RUMP SHAKING BOTH WAYS RUMP SHAKING BOTH WAYS ♪ 1744 01:55:46,172 --> 01:55:46,931 ♪ RUMP, RUMP SHAKIN RUMP SHAKIN ♪ 1745 01:55:46,965 --> 01:55:48,827 ♪ PLANET ROCKER SHOW STOPPER ♪ 1746 01:55:48,862 --> 01:55:50,965 ♪ FLOW PROPER HEAD KNOCKER ♪ 1747 01:55:51,000 --> 01:55:54,068 ♪ BEAT SCHOLAR TAIL DROPPER 1748 01:55:54,103 --> 01:55:55,172 DO MY THANG MUTHA -- ♪ ♪ MY ROLLS ROYCE 1749 01:55:55,206 --> 01:55:56,758 LAMBORGHINI ♪ ♪ BLUE MADINA 1750 01:55:56,793 --> 01:55:58,344 ALWAYS BEAMIN' ♪ ♪ RAGTOP 1751 01:55:58,379 --> 01:55:59,965 CHROME PIPES ♪ ♪ BLUE LIGHTS 1752 01:56:00,000 --> 01:56:01,620 OUTTA SIGHT ♪ ♪ LONG WEAVE 1753 01:56:01,655 --> 01:56:04,758 SEWED IN ♪ ♪ SAY IT AGAIN 1754 01:56:04,793 --> 01:56:05,862 SEWED IN ♪ ♪ MAKE DAT MONEY 1755 01:56:05,896 --> 01:56:07,965 THO IT IN ♪ ♪ BOOTY BOUNCING 1756 01:56:08,000 --> 01:56:17,034 GONNA HIT EVERYBODY HERE ♪ ♪ BECAUSE MR. MEANER SAYS SO 1757 01:56:17,068 --> 01:56:22,137 ♪ THROW YOUR HANDS IN THE AIR [ CHEERS AND APPLAUSE ] 1758 01:56:22,172 --> 01:56:35,000 ♪ >> FROM PRINCESS TO QUEEN TO A 1759 01:56:35,034 --> 01:56:38,275 SUPREME BEING THAT SERVES AS OUR NORTH STAR. 1760 01:56:38,310 --> 01:56:40,413 SOME SAY WE'VE CREATED A MONSTER TO HAVE TAKEN IT THIS FAR. 1761 01:56:40,448 --> 01:56:43,034 IF I'M HER KING, ONE THING I'VE LEARNED FROM ALL THE YEARS WE 1762 01:56:43,068 --> 01:56:45,172 SPENT TOGETHER IS SHE KNOWS NO BOUNDS. 1763 01:56:45,206 --> 01:56:46,241 HIP HOP WILL LIVE EVERYWHERE. 1764 01:56:46,275 --> 01:56:49,172 FOREVER. 1765 01:56:49,206 --> 01:56:54,275 ♪ I NEED YOU TO GET UP UP ON THE DANCE FLOOR ♪ 1766 01:56:54,310 --> 01:56:56,586 ♪ GIVE THAT MAN WHAT HE ASKIN' FOR ♪ 1767 01:56:56,620 --> 01:56:57,655 ♪ BECAUSE I FEEL LIKE BUSTIN' LOOSE ♪ 1768 01:56:57,689 --> 01:57:00,344 ♪ AND I FEEL LIKE TOUCHIN' YOU ♪ 1769 01:57:00,379 --> 01:57:01,965 ♪ AND CAN'T NOBODY STOP THE JUICE ♪ 1770 01:57:02,000 --> 01:57:03,551 ♪ SO BABY TELL ME WHAT'S THE USE ♪ 1771 01:57:03,586 --> 01:57:06,103 ♪ I SAID IT'S GETTING HOT IN HERE ♪ 1772 01:57:06,137 --> 01:57:08,413 ♪ SO TAKE OFF ALL YOUR CLOTHES ♪ 1773 01:57:08,448 --> 01:57:10,103 LADIES! 1774 01:57:10,137 --> 01:57:11,724 ♪ I AM GETTING SO HOT I WANNA TAKE 1775 01:57:11,758 --> 01:57:15,965 MY CLOTHES OFF ♪ ♪ AND THEY BUMP 1776 01:57:16,000 --> 01:57:18,068 WHERE YOU GET YOUR BEATS ♪ ♪ I HEARD 93 RAPPERS SAY 1777 01:57:18,103 --> 01:57:19,655 - LIKE ME ♪ ♪ TWO SINGERS 1778 01:57:19,689 --> 01:57:21,827 AND TEN COMEDIANS ♪ ♪ AND I'M STILL GON' YELL IT 1779 01:57:21,862 --> 01:57:24,965 EVERY TIME YOU SEE ME IN ♪ ♪ WHAT'S MY FAVORITE WORD? 1780 01:57:25,000 --> 01:57:25,551 - ♪ ♪ WHY THEY GOTTA 1781 01:57:25,586 --> 01:57:27,655 SAY IT LIKE SHORT - ♪ 1782 01:57:27,689 --> 01:57:29,758 ♪ YOU KNOW THEY CAN'T PLAY ON MY COURT ♪ 1783 01:57:29,793 --> 01:57:31,896 ♪ CAN'T HANG WITH THE BIG DOGS 1784 01:57:31,931 --> 01:57:34,379 STAY ON THE PORCH ♪ ♪ BLOW THE WHISTLE 1785 01:57:34,413 --> 01:57:36,068 BLOW THE WHISTLE ♪ ♪ BLOW THE WHISTLE 1786 01:57:36,103 --> 01:57:41,379 BLOW THE WHISTLE ♪ ♪ -- THE FRAIL -- 1787 01:57:41,413 --> 01:57:43,448 CAUSE WHEN MY COKE COME IN ♪ ♪ THEY GOTTA USE THE SCALE 1788 01:57:43,482 --> 01:57:46,655 THAT THEY WEIGH THE WHALES WITH ♪ 1789 01:57:46,689 --> 01:57:48,241 ♪ CARLSSONS ON THE JEEP BUGATTI MADE THE PROTOTYPE ♪ 1790 01:57:48,275 --> 01:57:49,896 ♪ HOPED YOU'D GET THE PICTURE BUT YOU JUST 1791 01:57:49,931 --> 01:57:52,034 CAN'T PHOTO LIFE ♪ ♪ DETERMINED -- MAKE IT 1792 01:57:52,068 --> 01:57:54,137 KICKING DOWN THE DOOR AND WE BURNING -- NAKED ♪ 1793 01:57:54,172 --> 01:57:56,241 ♪ THE HOUSE COSTS A MILLION SITTING ON THE BEACH ♪ 1794 01:57:56,275 --> 01:58:04,000 ♪ AND THE ONLY THING I KNOW IF IT'S FURNISHED 1795 01:58:04,034 --> 01:58:08,172 I'MA TAKE IT ♪ ♪ WE GON' MAKE IT 1796 01:58:08,206 --> 01:58:12,758 WE GON' MAKE IT WE GON' MAKE IT ♪ 1797 01:58:12,793 --> 01:58:22,793 [ CHEERS AND APPLAUSE ] ♪ 1798 01:58:22,827 --> 01:58:30,448 [ CHEERS AND APPLAUSE ] ♪ 1799 01:58:34,137 --> 01:58:36,000 ♪ FIVE HUNNID RACKS IN MY SAFE ♪ 1800 01:58:36,034 --> 01:58:37,827 ♪ FIVE HUNNID RACKS TO THE PLUG ♪ 1801 01:58:37,862 --> 01:58:39,931 ♪ WHAT YOU KNOW 'BOUT SHOWIN' LOVE ♪ 1802 01:58:39,965 --> 01:58:42,034 ♪ WHAT YOU KNOW 'BOUT PULLIN' UP 1803 01:58:42,068 --> 01:58:44,137 IN BENTLEY TRUCKS ♪ ♪ MAKE THESE -- 1804 01:58:44,172 --> 01:58:58,931 FALL IN LOVE ♪ ♪ WE WON'T FALL OUT ABOUT -- 1805 01:58:58,965 --> 01:59:02,068 SPECIALLY NOT 'BOUT NO - ♪ ♪ WE AIN'T GON' FALL OUT 1806 01:59:02,103 --> 01:59:03,206 'BOUT HOES ♪ ♪ ME AND CED GET THEM LOADS 1807 01:59:03,241 --> 01:59:05,241 WE LET 'EM GO FOR THE LOW I GOT MY HOOD IN CONTROL ♪ 1808 01:59:05,275 --> 01:59:07,068 ♪ I GOT MY LEFT WRIST ON FROZE ♪ 1809 01:59:07,103 --> 01:59:14,551 [ CHEERS AND APPLAUSE ] ♪ I'M F-R-E-E -- FREE 1810 01:59:14,586 --> 01:59:15,655 THAT MEAN I AIN'T GOTTA WORRY ♪ 1811 01:59:15,689 --> 01:59:17,275 ♪ 'BOUT NO -- CHEATING AND I'M S-I-N-G-L-E AGAIN ♪ 1812 01:59:17,310 --> 01:59:19,379 ♪ OUTSIDE HANGING OUT THE WINDOW ♪ 1813 01:59:19,413 --> 01:59:23,896 ♪ WITH MY RATCHET -- FRIENDS LET'S GO ♪ 1814 01:59:23,931 --> 01:59:34,379 ♪ -- I'M G TO THE L TO THE O, BIG GLO RILLA ♪ 1815 01:59:34,413 --> 01:59:37,896 [ CHEERS AND APPLAUSE ] ♪ 1816 01:59:37,931 --> 01:59:40,310 >> COME ON! 1817 01:59:40,344 --> 01:59:44,931 THE 50th ANNIVERSARY OF HIP-HOP, BABY. 1818 01:59:44,965 --> 01:59:45,896 >> GENERATION NOW. 1819 01:59:45,931 --> 01:59:46,551 WE HERE. 1820 01:59:46,586 --> 01:59:50,206 [ CHEERS AND APPLAUSE ] ♪ 1821 01:59:50,241 --> 01:59:53,034 >> 50th ANNIVERSARY OF HIP-HOP. 1822 01:59:53,068 --> 02:00:01,206 ♪ ♪ 1823 02:00:01,241 --> 02:00:04,034 MULTIGENERATION, HANDS IN THE AIR, HANDS IN THE AIR! 1824 02:00:04,068 --> 02:00:11,827 ♪ PUT YOUR HANDS IN THE AIR! 1825 02:00:11,862 --> 02:00:19,000 ♪ MULTIGENERATIONAL, 50 YEARS, 1826 02:00:19,034 --> 02:00:23,551 FROM THE BRONX TO TIKTOK, TO THE WHOLE WORLD. 1827 02:00:23,586 --> 02:00:25,206 WE LOVE YOU, BABY. 1828 02:00:25,241 --> 02:00:34,724 IT STARTED IN THE BRONX, AND EVER SINCE IT'S GONE EVER TO THE 1829 02:00:34,758 --> 02:00:36,517 FIVE BOROUGHS, TO AFRICA TO ASIA TO TIKTOK. 1830 02:00:36,551 --> 02:00:38,931 WHAT'S NEXT? 1831 02:00:38,965 --> 02:00:41,068 HIP-HOP IS THE GLOBAL PLATFORM TODAY. 1832 02:00:41,103 --> 02:00:45,689 WE'RE CELEBRATING, HAPPY 50th ANNIVERSARY TO HIP-HOP, BABY. 1833 02:00:45,724 --> 02:00:47,310 WE LOVE YOU! 1834 02:00:47,344 --> 02:00:56,724 [ CHEERS AND APPLAUSE ] FOR THE CULTURE. 1835 02:00:56,758 --> 02:01:00,965 >> Announcer: ONLY ONE IN 1,000 MUSICMAKERS EARNS A LIVING WAGE 1836 02:01:01,000 --> 02:01:04,517 FROM MUSIC STREAMING SERVICE. 1837 02:01:04,551 --> 02:01:08,000 STILL TO COME, DJ KHALED, JOHN LEGEND, AND JAY-Z IN AN ALL-STAR 1838 02:01:08,034 --> 02:01:08,931 PERFORMANCE. 1839 02:01:08,965 --> 02:01:11,965 DWAYNE JOHNSON ROCKS IN THE PERFORMANCES. 1840 02:01:12,000 --> 02:01:12,655 THIS IS CBS. 1841 02:01:23,034 --> 02:01:26,000 ♪ >> Trevor: TO PRESENT THE GRAMMY 1842 02:01:26,034 --> 02:01:29,793 AWARD FOR BEST POP SOLO PERFORMANCE, PLEASE WELCOME 1843 02:01:29,827 --> 02:01:31,862 DWAYNE JOHNSON! 1844 02:01:31,896 --> 02:01:44,172 [ CHEERS AND APPLAUSE ] >> MY WIFE LAUREN AND I ARE 1845 02:01:44,206 --> 02:01:49,034 THRILLED TO BE HERE TONIGHT AND CELEBRATE SO MANY BRILLIANT 1846 02:01:49,068 --> 02:01:52,517 ARTISTS AND THE GIFTS THAT ALL OF YOU SHARE WITH US AND THE 1847 02:01:52,551 --> 02:01:53,827 WORLD. 1848 02:01:53,862 --> 02:01:56,137 YOU KNOW, MUSIC HAS ALWAYS BEEN A HUGE PART OF MY LIFE, FROM THE 1849 02:01:56,172 --> 02:02:01,275 GREAT SAM COOK, TO ELVIS, TO LORETTA LYNN, TO MY BOY JAY-Z, 1850 02:02:01,310 --> 02:02:05,310 TO LOUIS ARMSTRONG, TO WILLIE NELSON, WHO, BY THE WAY, GAVE ME 1851 02:02:05,344 --> 02:02:06,137 MY FIRST GUITAR. 1852 02:02:06,172 --> 02:02:08,034 PRETTY COOL STORY. 1853 02:02:08,068 --> 02:02:12,000 THESE AND MANY OTHER ARTISTS HELPED SHAPE WHO I AM AND 1854 02:02:12,034 --> 02:02:14,931 INFLUENCED MY OWN SINGING STYLE, WHICH AT TIMES INCLUDES SINGING 1855 02:02:14,965 --> 02:02:18,655 IN KEYS THAT DON'T EXIST. 1856 02:02:18,689 --> 02:02:21,586 [ LAUGHTER ] ♪ YOU'RE WELCOME 1857 02:02:21,620 --> 02:02:26,172 [ APPLAUSE ] TONIGHT, I HAVE THE 1858 02:02:26,206 --> 02:02:29,344 EXTRAORDINARY PRIVILEGE OF PRESENTING THIS NEXT GRAMMY TO 1859 02:02:29,379 --> 02:02:34,620 ANYONE OF THE AMAZING ARTISTS IN A CATEGORY THAT CELEBRATES 1860 02:02:34,655 --> 02:02:36,034 EXCELLENCE AND INDIVIDUAL PERFORMANCE. 1861 02:02:36,068 --> 02:02:40,827 THESE ARE THE OUTSTANDING NOMINEES FOR BEST POP SOLO 1862 02:02:40,862 --> 02:02:41,931 PERFORMANCE. 1863 02:02:41,965 --> 02:02:56,551 [ APPLAUSE ] "EASY ON ME." 1864 02:02:56,586 --> 02:02:57,689 ADELE. 1865 02:02:57,724 --> 02:03:06,586 "MOSCOW MULE," BAD BUNNY. 1866 02:03:06,620 --> 02:03:14,000 "WOMAN," DOJA CAT. 1867 02:03:14,034 --> 02:03:18,000 "BAD HABIT," STEVE LACY. 1868 02:03:18,034 --> 02:03:25,655 "ABOUT DAMN TIME," LIZZO. 1869 02:03:25,689 --> 02:03:27,689 "AS IT WAS," HARRY STYLES. 1870 02:03:37,689 --> 02:03:46,103 >> AND THE GRAMMY GOES TO -- "GET UP HERE, BEST FRIEND," 1871 02:03:46,137 --> 02:03:46,758 ADELE! 1872 02:03:46,793 --> 02:03:56,793 [ CHEERS AND APPLAUSE ] ♪ 1873 02:03:56,827 --> 02:04:10,793 [ CHEERS AND APPLAUSE ] ♪ 1874 02:04:15,793 --> 02:04:18,137 >> OH, THANK YOU. 1875 02:04:18,172 --> 02:04:21,000 I REALLY WAS JUST LOOKING FORWARD TO COMING TONIGHT. 1876 02:04:21,034 --> 02:04:26,862 I JUST WANT TO DEDICATE THIS TO MY SON ANGELO. 1877 02:04:26,896 --> 02:04:28,379 RICHIE SAID DON'T CRY. 1878 02:04:28,413 --> 02:04:31,172 HE SAID IF YOU WIN TONIGHT, DON'T CRY. 1879 02:04:31,206 --> 02:04:32,655 HERE I AM CRYING. 1880 02:04:32,689 --> 02:04:35,793 JUST TO MY SON, I WROTE THIS FIRST VERSE IN THE SHOWER WHEN I 1881 02:04:35,827 --> 02:04:42,206 WAS CHOOSING TO CHANGE MY SON'S LIFE, AND HE'S BEEN NOTHING BUT 1882 02:04:42,241 --> 02:04:44,793 HUMBLE AND GRACIOUS AND LOVING TO ME THE WHOLE TIME. 1883 02:04:44,827 --> 02:04:48,379 I LOVE A PIANO BALAD WITH IT. 1884 02:04:48,413 --> 02:04:50,827 LOVE YOU ALL. 1885 02:04:50,862 --> 02:04:52,275 I LOVE YOU. 1886 02:04:52,310 --> 02:04:58,931 GOOD NIGHT! 1887 02:04:58,965 --> 02:05:02,000 [ CHEERS AND APPLAUSE ] >> Announcer: COMING UP, 1888 02:05:02,034 --> 02:05:02,896 AND OLIVIA RODRIGO PRESENTS THE GRAMMY FOR BEST NEW ARTIST. 1889 02:05:08,517 --> 02:05:09,724 >>> Announcer: COMING RIGHT UP -- 1890 02:05:09,758 --> 02:05:11,758 LUKE COMBS IS ABOUT TO PERFORM ON THE GRAMMY STAGE FOR THE 1891 02:05:11,793 --> 02:05:12,275 FIRST TIME. 1892 02:05:12,310 --> 02:05:12,827 THIS IS CBS. 1893 02:05:25,103 --> 02:05:28,068 ♪ >> Trevor: WELCOME BACK TO THE 1894 02:05:28,103 --> 02:05:32,034 TO INTRODUCE COUNTRY MUSIC SUPERSTAR LUKE COMBS, PLEASE 1895 02:05:32,068 --> 02:05:37,413 WELCOME HIS BOSS FROM BACK WHEN HE WAS A BOUNCER, JUSTIN DAVIS. 1896 02:05:37,448 --> 02:05:40,517 [ APPLAUSE ] >> LONG BEFORE LUKE WAS A 1897 02:05:40,551 --> 02:05:43,482 COUNTRY MUSIC SUPERSTAR, HE WAS A PART-TIME BOUNCER FOR ME AT 1898 02:05:43,517 --> 02:05:48,379 THE TOWN TAVERN IN BOONE, NORTH CAROLINA. 1899 02:05:48,413 --> 02:05:52,137 HE WASN'T THE BEST BOUNCER BECAUE HE WAS JUST WAY TOO 1900 02:05:52,172 --> 02:05:53,034 NICE. 1901 02:05:53,068 --> 02:05:55,344 I'M SURE LUKE NEVER SPOTTED A FAKE I.D. 1902 02:05:55,379 --> 02:06:06,103 LUKE WAS A STUDENT THEN LIVING UPSTAIRS OF THE BAR. 1903 02:06:06,137 --> 02:06:08,586 NOW HE IS PLAYING THE BIGGEST STAGES IN THE WORLD INCLUDING 1904 02:06:08,620 --> 02:06:09,793 THIS ONE HERE TONIGHT. 1905 02:06:09,827 --> 02:06:15,931 I'M SO PROUD THE ENTIRE WORLD NOW GETS TO WITNESS WHAT WE 1906 02:06:15,965 --> 02:06:19,379 WITNESS NIGHT AFTER NIGHT WITH JUST A CROWD OF 75 PEOPLE AT MY 1907 02:06:19,413 --> 02:06:20,655 TAVERN. 1908 02:06:20,689 --> 02:06:22,862 LADIES AND GENTLEMEN, PLAYING THE GRAMMYS FOR ITS FIRST TIME 1909 02:06:22,896 --> 02:06:23,931 EVER, MY FRIEND LUKE COMBS! 1910 02:06:23,965 --> 02:06:33,965 [ CHEERS AND APPLAUSE ] ♪ 1911 02:06:34,000 --> 02:06:42,000 [ CHEERS AND APPLAUSE ] ♪ 1912 02:06:42,034 --> 02:06:45,413 ♪ SOME THINGS IN LIFE ARE MEANT TO FLY 1913 02:06:45,448 --> 02:06:48,310 AND OTHERS THEY WERE BORN TO RUN ♪ 1914 02:06:48,344 --> 02:06:52,034 ♪ YOU CAN'T TIE DOWN UP AND LEAVING 1915 02:06:52,068 --> 02:06:55,172 LIKE THE CHANGING OF THE SEASONS ♪ 1916 02:06:55,206 --> 02:06:59,931 ♪ GOOD THINGS THEY COME AND THEN THEY GO ♪ 1917 02:06:59,965 --> 02:07:02,655 ♪ LIKE A RUNAWAY SOUTHBOUND TRAIN 1918 02:07:02,689 --> 02:07:06,310 LIKE AN ARIZONA DESERT RAIN ♪ 1919 02:07:06,344 --> 02:07:11,689 ♪ LIKE LIGHTNING IN THE SKY LIKE FIREWORKS IN JULY 1920 02:07:11,724 --> 02:07:15,379 LIKE A LEFT FIELD HOME RUN BALL ♪ 1921 02:07:15,413 --> 02:07:19,034 ♪ LIKE A WHISKEY SHOT AT LAST CALL 1922 02:07:19,068 --> 02:07:21,172 ♪ IT'S LIKE SHE WAS MADE FOR MOVING ON 1923 02:07:21,206 --> 02:07:28,862 THAT GIRL IS GOING GOING GONE ♪ 1924 02:07:28,896 --> 02:07:32,689 ♪ ♪ I CAN SAY 1925 02:07:32,724 --> 02:07:38,413 IT WASN'T MEANT TO BE OR MAYBE MEANT TO BE'S 1926 02:07:38,448 --> 02:07:42,689 MISUNDERSTOOD ♪ ♪ CAN'T HOLD ON 1927 02:07:42,724 --> 02:07:45,862 TO LETTING GO OR CHANGE THE WAY 1928 02:07:45,896 --> 02:07:49,413 THE RIVER FLOWS ♪ ♪ LOVING HER'S LIKE 1929 02:07:49,448 --> 02:07:56,896 ROPING IN THE WIND ♪ ♪ LIKE A RUNAWAY 1930 02:07:56,931 --> 02:07:59,000 SOUTHBOUND TRAIN LIKE AN ARIZONA 1931 02:07:59,034 --> 02:08:03,275 DESERT RAIN ♪ ♪ LIKE LIGHTNING IN THE SKY 1932 02:08:03,310 --> 02:08:07,551 LIKE FIREWORKS IN JULY LIKE A LEFT FIELD 1933 02:08:07,586 --> 02:08:11,172 HOME RUN BALL ♪ ♪ LIKE A WHISKEY SHOT 1934 02:08:11,206 --> 02:08:13,862 AT LAST CALL ♪ IT'S LIKE SHE WAS MADE 1935 02:08:13,896 --> 02:08:17,379 FOR MOVING ON THAT GIRL IS GOING 1936 02:08:17,413 --> 02:08:28,068 GOING GONE ♪ ♪ SHE AIN'T GOT ONE BIT 1937 02:08:28,103 --> 02:08:31,793 OF STICK AROUND THERE'S NO SENSE 1938 02:08:31,827 --> 02:08:37,620 IN TRYING TO SLOW HER DOWN ♪ ♪ LIKE A RUNAWAY 1939 02:08:37,655 --> 02:08:41,275 SOUTHBOUND TRAIN LIKE AN ARIZONA 1940 02:08:41,310 --> 02:08:45,551 DESERT RAIN ♪ ♪ LIKE LIGHTNING IN THE SKY 1941 02:08:45,586 --> 02:08:49,413 LIKE FIREWORKS IN JULY LIKE A LEFT FIELD 1942 02:08:49,448 --> 02:08:52,310 HOME RUN BALL ♪ ♪ LIKE A WHISKEY SHOT 1943 02:08:52,344 --> 02:08:56,068 AT LAST CALL ♪ IT'S LIKE SHE WAS MADE 1944 02:08:56,103 --> 02:08:59,241 FOR MOVING ON THAT GIRL IS GOING 1945 02:08:59,275 --> 02:09:05,413 GOING GONE ♪ ♪ 1946 02:09:05,448 --> 02:09:13,724 ♪ GOING GOING GONE GOING GOING GONE ♪ 1947 02:09:13,758 --> 02:09:19,896 [ CHEERS AND APPLAUSE ] 1948 02:09:25,482 --> 02:09:27,448 >> Announcer: MUSICARES PROVIDES A SAFETY NET OF ALL CRITICAL 1949 02:09:27,482 --> 02:09:29,310 HEALTH AND WELFARE SERVICES TO ALL MUSIC PEOPLE, NOT JUST 1950 02:09:29,344 --> 02:09:31,689 ACADEMY MEMBERS. 1951 02:09:31,724 --> 02:09:33,620 LEARN MORE AND DONATE AT MUSICARES.ORG. 1952 02:09:33,655 --> 02:09:37,448 UP NEXT, THE FIRST LADY INTRODUCES A NEW AWARD, THEN 1953 02:09:37,482 --> 02:09:38,482 PRESENTS SONG OF THE YEAR. THIS IS CBS. 1954 02:09:44,034 --> 02:09:46,620 >> Announcer: THE 65th ANNUAL GRAMMY AWARDS WILL CONTINUE. 1955 02:09:46,655 --> 02:09:47,137 THIS IS CBS. 1956 02:09:59,034 --> 02:10:00,000 ♪ >> Trevor: WELCOME BACK TO 1957 02:10:00,034 --> 02:10:01,275 MUSIC'S BIGGEST NIGHT. 1958 02:10:01,310 --> 02:10:03,068 THIS NEXT PRESENTER IS THE ONLY PERSON IN THE WORLD WHO KNOWS 1959 02:10:03,103 --> 02:10:06,827 WHICH OF TONIGHT'S SONGS THE PRESIDENT SINGS IN THE SHOWER. 1960 02:10:06,862 --> 02:10:09,379 MY MONEY'S ON "ABOUT DAMN TIME." 1961 02:10:09,413 --> 02:10:13,241 LADIES AND GENTLEMEN, THE FIRST LADY OF THE UNITED STATES, 1962 02:10:13,275 --> 02:10:14,793 JILL BIDEN. 1963 02:10:14,827 --> 02:10:26,241 [ APPLAUSE ] ♪ AMERICA, AMERICA 1964 02:10:26,275 --> 02:10:36,275 ♪ >> THANK YOU. 1965 02:10:36,310 --> 02:10:41,344 ♪ >> THANK YOU. 1966 02:10:41,379 --> 02:10:44,724 THANK YOU VERY MUCH. 1967 02:10:44,758 --> 02:10:48,517 THANK YOU. 1968 02:10:48,551 --> 02:10:55,172 A SONG CAN UNITE, INSPIRE, AND ULTIMATELY CHANGE THE WORLD. 1969 02:10:55,206 --> 02:11:00,310 BEGINNING THIS YEAR, THE RECORDING ACADEMY IS PRESENTING 1970 02:11:00,344 --> 02:11:03,793 A NEW AWARD RECOGNIZING A SONG THAT RESPONDS TO THE SOCIAL 1971 02:11:03,827 --> 02:11:08,758 ISSUES OF OUR TIME, AND HAS THE POTENTIAL FOR POSITIVE GLOBAL 1972 02:11:08,793 --> 02:11:13,241 IMPACT. 1973 02:11:13,275 --> 02:11:17,275 MORE THAN 130,000 PEOPLE HAVE RESPONDED WITH SUBMISSIONS 1974 02:11:17,310 --> 02:11:22,448 OF SONGS THAT PROMOTE AWARENESS, RAISE CONSCIOUSNESS, AND INSPIRE 1975 02:11:22,482 --> 02:11:24,379 CHANGE. 1976 02:11:24,413 --> 02:11:30,758 THE WINNER OF THIS SPECIAL AWARD WAS SELECTED BY A BLUE RIBBON 1977 02:11:30,793 --> 02:11:33,103 COMMITTEE AND RATIFIED BY THE RECORDING ACADEMY BOARD OF 1978 02:11:33,137 --> 02:11:36,724 TRUSTEES. 1979 02:11:36,758 --> 02:11:41,689 TONIGHT, I AM HONORED TO ANNOUNCE THE FIRST WINNER OF THE 1980 02:11:41,724 --> 02:11:53,655 RECORDING ACADEMY'S BEST SONG FOR SOCIAL CHANGE. 1981 02:11:53,689 --> 02:12:00,482 SHERVIN HAJIPOUR, AN IRANIAN SINGER-SONGWRITER FOR HIS 1982 02:12:00,517 --> 02:12:01,724 STIRRING SONG "BARAYE." 1983 02:12:01,758 --> 02:12:07,413 THIS SONG BECAME THE ANTHEM OF THE MAHSA AMINI PROTESTS, A 1984 02:12:07,448 --> 02:12:12,310 POWERFUL AND POETIC CALL FOR FREEDOM AND WOMEN'S RIGHTS. 1985 02:12:12,344 --> 02:12:16,724 THIS VIDEO APPEARED ON SHERVEEN'S INSTAGRAM PAGE AND 1986 02:12:16,758 --> 02:12:26,379 WAS SEEN MORE THAN 40 MILLION TIMES IN LESS THAN TWO DAYS. 1987 02:12:26,413 --> 02:12:27,620 SHERVEEN WAS ARRESTED. 1988 02:12:27,655 --> 02:12:29,310 BUT THIS SONG CONTINUES TO RESONATE AROUND THE WORLD WITH 1989 02:12:29,344 --> 02:12:35,758 ITS POWERFUL THEME "WOMEN, LIFE, FREEDOM." 1990 02:12:35,793 --> 02:12:42,620 [ CHEERS AND APPLAUSE ] CONGRATULATIONS, SHERVIN, AND 1991 02:12:42,655 --> 02:12:48,586 THANK YOU FOR YOUR SONG. 1992 02:12:48,620 --> 02:12:52,241 NOW, AS A TEACHER OF WRITING, I AM HONORED TO PRESENT THE GRAMMY 1993 02:12:52,275 --> 02:12:56,620 AWARD FOR SONG OF THE YEAR, WHICH, FOR ALL OF GRAMMY 1994 02:12:56,655 --> 02:13:03,034 HISTORY, WAS HONORED EXCELLENCE IN THE ART OF SONGWRITING. 1995 02:13:03,068 --> 02:13:06,482 THESE ARE THE EXTRAORDINARY NOMINEES. 1996 02:13:06,517 --> 02:13:13,931 ♪ "ABCDEFU." 1997 02:13:13,965 --> 02:13:16,172 ♪ "ABOUT DAMN TIME." 1998 02:13:16,206 --> 02:13:19,000 ♪ "ALL TOO WELL [10 MINUTE 1999 02:13:19,034 --> 02:13:21,103 VERSION] [THE SHORT FILM]." 2000 02:13:21,137 --> 02:13:22,310 "AS IT WAS." 2001 02:13:22,344 --> 02:13:26,137 ♪ "BAD HABIT." 2002 02:13:26,172 --> 02:13:29,379 "BREAK MY SOUL." 2003 02:13:29,413 --> 02:13:32,000 "EASY ON ME." 2004 02:13:32,034 --> 02:13:33,896 "GOD DID." 2005 02:13:33,931 --> 02:13:39,172 ♪ "THE HEART PART 5." 2006 02:13:39,206 --> 02:13:39,586 "JUST LIKE THAT." 2007 02:13:39,620 --> 02:13:42,862 ♪ 2008 02:13:49,275 --> 02:13:59,931 >> AND THE GRAMMY GOES TO -- "JUST LIKE THAT." 2009 02:13:59,965 --> 02:14:10,034 ♪ [ CHEERS AND APPLAUSE ] 2010 02:14:10,068 --> 02:14:19,482 ♪ [ CHEERS AND APPLAUSE ] 2011 02:14:47,034 --> 02:14:48,413 >> OH, MY GOD. 2012 02:14:48,448 --> 02:14:57,000 [ CHEERS AND APPLAUSE ] I'M SO SURPRISED. 2013 02:14:57,034 --> 02:15:00,827 I DON'T KNOW WHAT TO SAY. 2014 02:15:00,862 --> 02:15:04,827 THIS IS JUST AN UNREAL MOMENT. 2015 02:15:04,862 --> 02:15:11,310 THANK YOU FOR HONORING ME TO ALL THE ACADEMY THAT SURROUNDS ME 2016 02:15:11,344 --> 02:15:13,965 WITH SO MUCH SUPPORT AND APPRECIATES THE ART OF 2017 02:15:14,000 --> 02:15:15,793 SONGWRITING, AS I DO. 2018 02:15:15,827 --> 02:15:21,310 I WAS SO INSPIRED FOR THIS SONG BY THE INCREDIBLE STORY OF THE 2019 02:15:21,344 --> 02:15:25,103 LOVE AND THE GRACE AND THE GENEROSITY OF SOMEONE THAT 2020 02:15:25,137 --> 02:15:29,689 DONATES THEIR BELOVED ORGANS TO HELP ANOTHER PERSON LIVE. 2021 02:15:29,724 --> 02:15:34,724 AND THIS STORY WAS SO SIMPLE AND SO BEAUTIFUL FOR THESE TIMES, 2022 02:15:34,758 --> 02:15:40,275 AND PEOPLE HAVE BEEN RESPONDING TO THIS SONG, PARTLY BECAUSE OF 2023 02:15:40,310 --> 02:15:47,241 HOW MUCH I LOVE, AND WE ALL LOVE JOHN PRINE, AND THAT WAS THE 2024 02:15:47,275 --> 02:15:50,068 INSPIRATION FOR THE MUSIC FOR THIS SONG, AND TELLING A STORY 2025 02:15:50,103 --> 02:15:51,517 FROM THE INSIDE. 2026 02:15:51,551 --> 02:15:58,137 AND I JUST -- I DON'T WRITE A LOT OF SONGS, BUT I'M SO PROUD 2027 02:15:58,172 --> 02:16:01,275 THAT YOU APPRECIATE THIS ONE AND WHAT THIS MEANS FOR ME AND FOR 2028 02:16:01,310 --> 02:16:04,103 THE REST OF THE SONGWRITERS WHO I WOULD NOT BE UP HERE TONIGHT 2029 02:16:04,137 --> 02:16:08,310 IF IT WASN'T FOR THE ART OF THE GRAT SOUL-DIGGING, HARD-WORKING 2030 02:16:08,344 --> 02:16:12,034 PEOPLE THAT PUT THESE SONGS AND IDEAS TO MUSIC. 2031 02:16:12,068 --> 02:16:17,448 SO, I THANK MY TEAM FOR HELPING ME GET THIS RECORD OUT. 2032 02:16:17,482 --> 02:16:18,517 AND THANK YOU SO MUCH. 2033 02:16:18,551 --> 02:16:20,172 I'M JUST TOTALLY HUMBLED. 2034 02:16:20,206 --> 02:16:23,000 I REALLY APPRECIATE IT. 2035 02:16:23,034 --> 02:16:23,862 THANK YOU. 2036 02:16:23,896 --> 02:16:31,241 [ APPLAUSE ] >> Announcer: COMING UP -- 2037 02:16:31,275 --> 02:16:34,206 STEVE LACY, OLIVIA RODRIGO, AND THE GRAMMY AWARD FOR THE ALBUM 2038 02:16:34,241 --> 02:16:35,655 OF THE YEAR? 2039 02:16:35,689 --> 02:16:38,000 AND LATER DJ KHALED PERFORMS "GOD DID" WITH FRIDAYY, RICK 2040 02:16:38,034 --> 02:16:40,067 ROSS, LIL WAYNE, JOHN LEGEND, AND JAY-Z. 2041 02:16:40,102 --> 02:16:41,448 THIS IS CBS. 2042 02:16:52,965 --> 02:16:55,931 ♪ >> Trevor: WELCOME BACK TO THE 2043 02:16:55,965 --> 02:16:57,931 65th ANNUAL GRAMMY AWARDS. 2044 02:16:57,965 --> 02:16:59,931 YOU KNOW, ADELE, CONGRATULATIONS, FIRST OF ALL, 2045 02:16:59,965 --> 02:17:01,965 ON ANOTHER WELL-DESERVED GRAMMY. 2046 02:17:02,000 --> 02:17:06,206 WHAT'S AMAZING IS YOU SING IN THE SHOWER, I SING IN THE 2047 02:17:06,241 --> 02:17:07,000 SHOWER, THE ONLY DIFFERENCE IS WHEN I SING IN THE SHOWER, I 2048 02:17:07,034 --> 02:17:08,343 THINK I SOUND LIKE ADELE. 2049 02:17:08,379 --> 02:17:10,965 YOU ACTUALLY SOUND LIKE ADELE. 2050 02:17:11,000 --> 02:17:13,585 PLEASE WELCOME COLDPLAY'S CHRIS MARTIN. 2051 02:17:13,620 --> 02:17:23,620 ♪ [ CHEERS AND APPLAUSE ] 2052 02:17:23,655 --> 02:17:30,034 ♪ [ CHEERS AND APPLAUSE ] 2053 02:17:30,067 --> 02:17:31,034 >> HI, EVERYBODY. 2054 02:17:31,067 --> 02:17:34,965 I'M SO HAPPY TO BE HERE AND SEE YOU ALL. 2055 02:17:35,000 --> 02:17:45,000 HERE ARE THE NOMINEES FOR RECORD OF THE YEAR. 2056 02:17:45,034 --> 02:17:47,379 "DON'T SHUT ME DOWN," ABBA. 2057 02:17:47,413 --> 02:17:50,034 "EASY ON ME," ADELE. 2058 02:17:50,067 --> 02:17:53,861 "BREAK MY SOUL," BEYONCE. 2059 02:17:53,896 --> 02:17:57,206 "GOOD MORNING GORGEOUS." 2060 02:17:57,241 --> 02:17:58,413 MARY J. BLIGE. 2061 02:17:58,448 --> 02:18:08,724 "YOU AND ME ON THE ROCK," BRANDI CARLILE, FEATURING LUCIUS. 2062 02:18:08,758 --> 02:18:11,102 "WOMAN" DOJA CAT. 2063 02:18:11,137 --> 02:18:12,206 "BAD HABIT," STEVE LACY. 2064 02:18:12,241 --> 02:18:15,482 "THE HARD PART 5," KENDRICK LAMAR. 2065 02:18:15,517 --> 02:18:18,343 "ABOUT DAMN TIME," LIZZO. 2066 02:18:18,379 --> 02:18:29,482 "AS IT WAS," HARRY STYLES. 2067 02:18:29,517 --> 02:18:30,343 >> OKAY. 2068 02:18:30,379 --> 02:18:32,413 I DON'T KNOW HOW YOU PICK ONE OF THEM. 2069 02:18:32,448 --> 02:18:37,067 BUT THE GRAMMY GOES TO LIZZO FOR "ABOUT DAMN TIME." 2070 02:18:37,102 --> 02:18:47,102 [ CHEERS AND APPLAUSE ] ♪ 2071 02:18:47,137 --> 02:18:53,896 [ CHEERS AND APPLAUSE ] ♪ 2072 02:18:56,413 --> 02:19:10,379 ♪ >> UM, HUH? 2073 02:19:10,413 --> 02:19:15,931 [ CHEERS AND APPLAUSE ] LET ME TELL YOU SOMETHING. 2074 02:19:15,965 --> 02:19:19,413 ME AND ADELE ARE HAVING A GOOD TIME JUST ENJOYING OURSELVES 2075 02:19:19,448 --> 02:19:20,655 JUST ROOTING FOR OUR FRIENDS. 2076 02:19:20,689 --> 02:19:22,550 SO THIS IS AN AMAZING NIGHT. 2077 02:19:22,585 --> 02:19:24,965 THIS IS SO UNEXPECTED. 2078 02:19:25,000 --> 02:19:26,206 OKAY. 2079 02:19:26,241 --> 02:19:30,620 NOW THAT I'M UP HERE AND I'M CALM, I WANT TO DEDICATE THIS 2080 02:19:30,655 --> 02:19:32,000 AWARD TO PRINCE. 2081 02:19:32,034 --> 02:19:37,034 [ CHEERS AND APPLAUSE ] UM, WHEN WE LOST PRINCE, I 2082 02:19:37,067 --> 02:19:44,309 DECIDED TO DEDICATE MY LIFE TO MAKING POSITIVE MUSIC. 2083 02:19:44,343 --> 02:19:49,344 AND I WAS LIKE I DON'T CARE IF MY POSITIVITY BOTHER YOU, WHAT'S 2084 02:19:49,379 --> 02:19:50,551 WRONG WITH YOU? 2085 02:19:50,586 --> 02:19:52,758 AND THIS WAS AT A TIME WHEN POSITIVE MUSIC AND FEEL-GOOD 2086 02:19:52,793 --> 02:19:54,103 MUSIC WASN'T MAINSTREAM AT THAT POINT. 2087 02:19:54,137 --> 02:19:56,655 I FELT VERY MISUNDERSTOOD. 2088 02:19:56,689 --> 02:19:59,275 I FELT ON THE OUTSIDE LOOKING IN. 2089 02:19:59,310 --> 02:20:04,620 BUT I STAYED TRUE TO MYSELF BECAUSE I WANTED TO MAKE THE 2090 02:20:04,655 --> 02:20:07,793 WORLD A BETTER PLACE SO I HAD TO BE THAT CHANGE TO MAKE THE WORLD 2091 02:20:07,827 --> 02:20:09,379 BETTER PLACE. 2092 02:20:09,413 --> 02:20:15,206 [ CHEERS AND APPLAUSE ] AND NOW I LOOK AROUND, AND 2093 02:20:15,241 --> 02:20:18,310 THERE'S ALL THESE SONGS THAT ARE ABOUT LOVING OUR BODIES AND 2094 02:20:18,344 --> 02:20:23,586 FEELING COMFORTABLE IN OUR SKIN AND FEELING GOOD! 2095 02:20:23,620 --> 02:20:27,275 [ CHEERS AND APPLAUSE ] AND I'M JUST SO PROUD TO BE A 2096 02:20:27,310 --> 02:20:28,517 PART OF IT. 2097 02:20:28,551 --> 02:20:33,310 BECAUSE IN A WORLD WHERE THERE'S A LOT OF DARKNESS AND A LOT 2098 02:20:33,344 --> 02:20:36,827 OF -- I'D LIKE TO BELIEVE THAT NOT ONLY CAN PEOPLE DO GOOD, BUT 2099 02:20:36,862 --> 02:20:40,000 WE JUST ARE GOOD. 2100 02:20:40,034 --> 02:20:41,655 WE ARE GOOD INHERENTLY. 2101 02:20:41,689 --> 02:20:46,448 AND ANYBODY AT HOME WHO FEELS MISUNDERSTOOD OR ON THE OUTSIDE 2102 02:20:46,482 --> 02:20:50,379 LOOKING IN, LIKE I DID, JUST STAY TRUE TO YOURSELF, BECAUSE I 2103 02:20:50,413 --> 02:20:54,931 PROMISE YOU, YOU WILL FIND PEOPLE, YOU WILL ATTRACT PEOPLE 2104 02:20:54,965 --> 02:20:57,448 IN YOUR LIFE WHO BELIEVE IN YOU AND SUPPORT YOU. 2105 02:20:57,482 --> 02:21:01,724 I WANT TO THANK Y'ALL FOR BELIEVING IN ME AND SUPPORTING 2106 02:21:01,758 --> 02:21:03,034 ME. 2107 02:21:03,068 --> 02:21:08,793 BLAKE AND RICKY REED, PRODUCERS OF THIS RECORD, NICE LIFE 2108 02:21:08,827 --> 02:21:13,689 ATLANTIC, FULL STOP, KEVIN ALANA, TEAM LIZZO, MY TEAM MY 2109 02:21:13,724 --> 02:21:20,379 ROCK, MY FAMILY, MY MAMA, MY SISTER, MY BROTHER, MY DADDY! 2110 02:21:20,413 --> 02:21:22,827 MY MAN. 2111 02:21:22,862 --> 02:21:30,931 AND LASTLY BECAUSE I FEEL LIKE THERE ARE SO MANY G.O.A.T.'d 2112 02:21:30,965 --> 02:21:31,344 ARTISTS. 2113 02:21:31,379 --> 02:21:32,275 BEYONCE, WHOO! 2114 02:21:32,310 --> 02:21:35,310 [ APPLAUSE ] IN THE FIFTH GRADE I SKIPPED 2115 02:21:35,344 --> 02:21:37,379 SCHOOL TO SEE YOU PERFORM. 2116 02:21:37,413 --> 02:21:39,172 [ LAUGHTER ] MY SISTER, SHE GOT ME OUT OF 2117 02:21:39,206 --> 02:21:39,827 SCHOOL. 2118 02:21:39,862 --> 02:21:41,827 IT WAS LITERATURE, I'M GOOD. 2119 02:21:41,862 --> 02:21:46,000 AND WHERE YOU AT, BEYONCE IN MY EYES ARE WET. 2120 02:21:46,034 --> 02:21:46,517 HAH! 2121 02:21:46,551 --> 02:21:48,448 YOU CHANGED MY LIFE. 2122 02:21:48,482 --> 02:21:49,862 YOU SANG THAT GOSPEL MEDLEY. 2123 02:21:49,896 --> 02:21:52,931 AND THE WAY YOU MADE ME FEEL, I WAS LIKE I WANT TO MAKE PEOPLE 2124 02:21:52,965 --> 02:21:55,103 FEEL THIS WAY WITH MY MUSIC. 2125 02:21:55,137 --> 02:21:56,000 SO THANK YOU SO MUCH. 2126 02:21:56,034 --> 02:21:59,965 YOU CLEARLY ARE THE ARTIST OF OUR LIVES! 2127 02:22:00,000 --> 02:22:05,034 [ CHEERS AND APPLAUSE ] I LOVE YOU, GOD BLESS Y'ALL. 2128 02:22:05,068 --> 02:22:08,482 [ SCREAMS ] ! 2129 02:22:08,517 --> 02:22:17,068 ♪ ♪ 2130 02:22:17,103 --> 02:22:23,758 [ LAUGHTER ] >> Trevor: YOU GO WHEREVER YOU 2131 02:22:23,793 --> 02:22:25,448 WANNA GO, LIZZO. 2132 02:22:25,482 --> 02:22:26,689 GRAMMY WINNER LIZZO, EVERYBODY! 2133 02:22:26,724 --> 02:22:30,103 [ CHEERS AND APPLAUSE ] THEY SHOULD GIVE OUT THE GRAMMY 2134 02:22:30,137 --> 02:22:31,655 FOR THE BEST SPEECH AS WELL. 2135 02:22:31,689 --> 02:22:32,827 WOW, THAT WAS AMAZING. 2136 02:22:32,862 --> 02:22:34,034 ALL RIGHT. 2137 02:22:34,068 --> 02:22:36,275 NOW I HAVE THE GREAT PLEASURE OF ACKNOWLEDGING THIS YEAR'S 2138 02:22:36,310 --> 02:22:38,793 RECIPIENT OF THE RECORDING ACADEMY AND GRAMMY MUSEUM'S 2139 02:22:38,827 --> 02:22:43,482 MUSIC EDUCATOR AWARD -- PAMELA DAWSON, DIRECTOR OF CORAL 2140 02:22:43,517 --> 02:22:47,862 STUDIES FROM DE SOTO HIGH SCHOOL IN DE SOTO, TEXAS. 2141 02:22:47,896 --> 02:22:53,103 THANK YOU SO MUCH, PAMELA, FOR BRINGING EVEN MORE HARMONY TO 2142 02:22:53,137 --> 02:22:54,000 MUSIC EDUCATION. 2143 02:22:54,034 --> 02:22:55,241 GIVE IT UP, Y'ALL. 2144 02:22:55,275 --> 02:23:02,275 IT'S EQUALLY AN HONOR TO SAY THE RECORDING ACADEMY'S INDUSTRY 2145 02:23:02,310 --> 02:23:09,310 ICON AWARD THIS YEAR GOES TO THE PHENOMENAL CHAIRMAN AND CEO OF 2146 02:23:09,344 --> 02:23:14,000 ATLANTIC MUSIC GROUP, JULIE GREENWALD, AND THE CHAIRMAN AND 2147 02:23:14,034 --> 02:23:16,000 CEO OF ATLANTIC RECORDS, CRAIG KALLMAN. 2148 02:23:16,034 --> 02:23:18,103 AND JUST WHEN YOU THOUGHT I COULD NOT FEEL ANY MORE HONORED, 2149 02:23:18,137 --> 02:23:19,758 I GET TO INTRODUCE THE BOSS WHO DOES MY PERFORMANCE REVIEW -- 2150 02:23:19,793 --> 02:23:22,586 THE CEO OF THE RECORDING ACADEMY, HARVEY MASON JR. 2151 02:23:22,620 --> 02:23:25,275 >> JUST THINK FOR A MINUTE ABOUT THE POWER OF MUSIC. 2152 02:23:25,310 --> 02:23:26,379 LET'S DREAM. 2153 02:23:26,413 --> 02:23:37,103 ♪ ♪ THERE MUST BE LIGHT BURNING 2154 02:23:37,137 --> 02:23:44,172 BRIGHTER SOMEWHERE ♪ ♪ GOT TO BE BIRDS FLYING HIGHER 2155 02:23:44,206 --> 02:23:48,241 IN THE SKY ♪ ♪ IF I CAN DREAM 2156 02:23:48,275 --> 02:23:53,034 >> MUSIC PEOPLE FROM ALL AROUND THE WORLD FROM ALL DIFFERENT 2157 02:23:53,068 --> 02:23:56,482 GENRES CAME TOGETHER ON THE SAME STAGE TO CELEBRATE THE 2158 02:23:56,517 --> 02:23:59,724 FIRST-EVER GLOBAL GRAMMYS SHOW. 2159 02:23:59,758 --> 02:24:09,827 ♪ OH, WHY CAN'T MY DREAM COME TRUE ♪ 2160 02:24:09,862 --> 02:24:22,000 ♪ OH, WHY CAN'T MY DREAM COME TRUE ♪ 2161 02:24:22,034 --> 02:24:25,172 >> AFTER THE SONG GAINED WORLDWIDE ATTENTION, GOVERNMENTS 2162 02:24:25,206 --> 02:24:32,344 ACROSS THE GLOBE CHANGED POLICIES TO SUPPORT WOMEN'S 2163 02:24:32,379 --> 02:24:35,551 RIGHTS. 2164 02:24:35,586 --> 02:24:37,689 ♪ THERE MUST BE PEACE UNDERSTANDING SOMETIMES ♪ 2165 02:24:37,724 --> 02:24:40,103 >> THOSE AREN'T REAL HEADLINES, BUT THEY COULD BE. 2166 02:24:40,137 --> 02:24:40,965 MUSIC IS POWERFUL. 2167 02:24:41,000 --> 02:24:43,034 IT MOVES THE WORLD. 2168 02:24:43,068 --> 02:24:44,172 IT HEALS AND IT UNITES. 2169 02:24:44,206 --> 02:24:44,931 I'M HARVEY MASON JR., SONGWRITER, PRODUCER, AND CEO OF 2170 02:24:44,965 --> 02:24:46,206 THE RECORDING ACADEMY. 2171 02:24:46,241 --> 02:24:49,275 AND I'M PROUD TO WORK FOR AN ORGANIZATION WHOSE SOLE PURPOSE 2172 02:24:49,310 --> 02:24:52,344 IS TO SERVE MUSIC, AND ALL THE PEOPLE WHO MAKE IT. 2173 02:24:52,379 --> 02:24:55,172 WE'RE HERE TONIGHT TO CELEBRATE OUR YEAR IN MUSIC. 2174 02:24:55,206 --> 02:24:59,586 BUT I ASK THAT YOU JOIN US THE OTHER 364 DAYS OF THE YEAR AS WE 2175 02:24:59,620 --> 02:25:03,241 SUPPORT MUSIC PEOPLE THROUGH MUSICARES AS WE HELP EDUCATE THE 2176 02:25:03,275 --> 02:25:06,206 NEXT GENERATION OF MUSICIANS THROUGH OUR GRAMMY MUSEUMS. 2177 02:25:06,241 --> 02:25:10,448 AND AS WE ADVOCATE FOR THE ISSUES THAT MATTER MOST TO OUR 2178 02:25:10,482 --> 02:25:11,241 MUSIC COMMUNITY. 2179 02:25:11,275 --> 02:25:13,068 THIS IS WHY WE EXIST. 2180 02:25:13,103 --> 02:25:18,655 IF WE CAN DREAM IT, WE CAN ACCOMPLISH IT TOGETHER, THROUGH 2181 02:25:18,689 --> 02:25:19,620 MUSIC. 2182 02:25:19,655 --> 02:25:23,482 THIS IS THE GRAMMYS, AND WE ARE THE ACADEMY. 2183 02:25:23,517 --> 02:25:27,551 ♪ OH, WHY CAN'T MY DREAM COME TRUE ♪ 2184 02:25:27,586 --> 02:25:37,206 [ APPLAUSE ] >> Trevor: THANK YOU SO MUCH FOR 2185 02:25:37,241 --> 02:25:38,068 THAT, HARVEY. 2186 02:25:38,103 --> 02:25:39,517 ALBUM OF THE YEAR IS STILL COMING UP. 2187 02:25:39,551 --> 02:25:42,172 AND, REMEMBER, NOBODY KNOWS WHO'S GOING TO WIN THIS THING. 2188 02:25:42,206 --> 02:25:45,655 BECAUSE UNLIKE THE U.S. GOVERNMENT, THE GRAMMYS KEEPS 2189 02:25:45,689 --> 02:25:47,275 ITS CLASSIFIED DOCUMENTS CLASSIFIED. 2190 02:25:47,310 --> 02:25:49,241 [ LAUGHTER ] BUT BEFORE THAT FOR THE LAST 2191 02:25:49,275 --> 02:25:56,000 TIME LET'S HEAR AGAIN FROM OUR NOMINEES BIGGEST FANS. 2192 02:25:56,034 --> 02:26:02,931 >> IN 20 YEARS SINCE A RAP ALBUM HAS WON, AND I THINK KENDRICK 2193 02:26:02,965 --> 02:26:04,827 CAN TAKE IT HOME. 2194 02:26:04,862 --> 02:26:06,551 MY NAME IS JENN. 2195 02:26:06,586 --> 02:26:10,586 I'VE BEEN A DAY ONE KENDRICK FAN. 2196 02:26:10,620 --> 02:26:15,793 I WAS AT HIS VERY FIRST CONCERT IN DALLAS IN A LITTLE BITTY 2197 02:26:15,827 --> 02:26:17,034 CLUB. 2198 02:26:17,068 --> 02:26:19,241 IN 2017 I HAD A GoFundMe SET UP TO EARN MONEY TO GET A NEW 2199 02:26:19,275 --> 02:26:20,517 ACCESSIBLE VEHICLE. 2200 02:26:20,551 --> 02:26:23,275 KENDRICK LAMAR FOUND OUT ABOUT IT AND DECIDED TO SURPRISE ME. 2201 02:26:23,310 --> 02:26:26,344 AND HE BOUGHT ME A BRAND-NEW VAN. 2202 02:26:26,379 --> 02:26:29,965 I CAN RELATE TO HIS REALNESS AND HIS SPIRITUALITY, KIND OF HIS 2203 02:26:30,000 --> 02:26:32,379 OUTLOOK ON THE WORLD. 2204 02:26:32,413 --> 02:26:33,482 AND HE'S VULNERABLE IN HIS MUSIC. 2205 02:26:33,517 --> 02:26:37,206 HIS MUSICIANSHIP IS JUST AMAZING, AND IT'S CHANGED 2206 02:26:37,241 --> 02:26:38,448 HIP-HOP. 2207 02:26:38,482 --> 02:26:40,862 WITH EVERYTHING THAT WAS GOING ON, WE WANTED SOMEBODY THAT 2208 02:26:40,896 --> 02:26:45,862 COULD COME AND LIFT OUR SPIRITS, MAKE US FEEL LIKE WE COULD KEEP 2209 02:26:45,896 --> 02:26:47,000 GOING. 2210 02:26:47,034 --> 02:26:51,379 SO I THINK THAT'S WHY IT SHOULD BE ALBUM OF THE YEAR. 2211 02:26:51,413 --> 02:26:55,862 >> SO ABBA DESERVES TO WIN ALBUM OF THE YEAR THE MOST. 2212 02:26:55,896 --> 02:26:59,689 BECAUSE AFTER 40 WHOLE YEARS OF NOT RELEASING MUSIC, THEY 2213 02:26:59,724 --> 02:27:02,758 RELEASED THEIR ALBUM "VOYAGE." 2214 02:27:02,793 --> 02:27:09,241 >> HI, MY NAME IS COLE, AND I AM 1,000 PERCENT OBSESSED WITH 2215 02:27:09,275 --> 02:27:10,206 ABBA. 2216 02:27:10,241 --> 02:27:11,793 THE CHRISTMAS OF 2018 MY HOUSE BURNT DOWN. 2217 02:27:11,827 --> 02:27:13,655 IT REALLY BROUGHT ME INTO A DEEP DEPRESSION. 2218 02:27:13,689 --> 02:27:17,034 AND I REALLY COULDN'T GET OUT OF THE DEPRESSION UNTIL AN 2219 02:27:17,068 --> 02:27:22,137 OPPORTUNITY AROSE THAT SUMMER TO PERFORM "MAMA MIA" IN SANTA 2220 02:27:22,172 --> 02:27:25,758 ROSA, CALIFORNIA, WHICH WAS THE BEST SUMMER OF MY LIFE. 2221 02:27:25,793 --> 02:27:27,379 ABBA TRANSFORMED ME. 2222 02:27:27,413 --> 02:27:29,310 ABBA EMBODIES HAPPINESS. 2223 02:27:29,344 --> 02:27:33,275 THIS ALBUM HAS A MATURITY THAT ONLY PEOPLE WHO HAVE TRULY LIVED 2224 02:27:33,310 --> 02:27:34,068 CAN CREATE. 2225 02:27:34,103 --> 02:27:36,758 >> SO YOU FEEL LIKE THIS THE ONE? 2226 02:27:36,793 --> 02:27:38,620 >> I HAVE GOOD VIBES. 2227 02:27:38,655 --> 02:27:39,965 [ LAUGHTER ] I HAVE GOOD VIBES COMING IN. 2228 02:27:40,000 --> 02:27:43,551 >> WITH MUSIC OF THE SPHERES AND WHY I THINK IT DESERVES ALBUM OF 2229 02:27:43,586 --> 02:27:48,310 THE YEAR, IT'S SO UPLIFTING AND SO POSITIVE THAT YOU WANT TO 2230 02:27:48,344 --> 02:27:49,000 CRY. 2231 02:27:49,034 --> 02:27:53,172 ♪ I'VE ALWAYS CONNECTED TO 2232 02:27:53,206 --> 02:27:55,758 COLDPLAY BECAUSE, GROWING UP IN JUST SUCH A BIG FAMILY, I DIDN'T 2233 02:27:55,793 --> 02:27:58,344 REALLY FEEL LIKE A LOT OF THINGS WERE MINE. 2234 02:27:58,379 --> 02:28:01,034 COLDPLAY FELT LIKE THE FIRST THING THAT FELT LIKE MY OWN. 2235 02:28:01,068 --> 02:28:04,275 I HAD JUST GONE THROUGH A BREAKUP, JUST FELT A LITTLE LOST 2236 02:28:04,310 --> 02:28:05,413 AND DIRECTIONLESS. 2237 02:28:05,448 --> 02:28:07,241 COLDPLAY WAS COMING TO TOWN. 2238 02:28:07,275 --> 02:28:11,827 MY SISTER JORDAN, SHE WAS, LIKE, JOEY, YOU NEED THIS FOR YOUR 2239 02:28:11,862 --> 02:28:13,172 SOUL, LET'S GO. 2240 02:28:13,206 --> 02:28:15,344 SO I WENT TO THE COLDPLAY CONCERT TONIGHT. 2241 02:28:15,379 --> 02:28:18,655 I WAS LISTENING TO THE LYRICS, AND CHRIS MARTIN BECAME MY 2242 02:28:18,689 --> 02:28:19,965 THERAPIST. 2243 02:28:20,000 --> 02:28:22,206 IT WAS JUST, LIKE, PROBABLY THE BEST CONCERT I'VE EVER BEEN TO. 2244 02:28:22,241 --> 02:28:25,862 WHEN I LISTEN TO "MUSIC OF THE SPHERES," I KIND OF IMAGINE IT 2245 02:28:25,896 --> 02:28:29,034 AS LIKE A COSMIC HUG FROM THE UNIVERSE SAYING, LIKE, IT'S 2246 02:28:29,068 --> 02:28:30,551 GOING TO BE OKAY. 2247 02:28:30,586 --> 02:28:34,482 ALSO, CHRIS MARTIN IS THIS SWEET BABY ANGEL AND HE HAS TO BE 2248 02:28:34,517 --> 02:28:36,206 PROTECTED AT ALL TIMES. 2249 02:28:36,241 --> 02:28:39,068 [ LAUGHTER ] THAT'S IT FOR, YEAH. 2250 02:28:39,103 --> 02:28:46,448 >> MARY J. BLIGE, QUEEN OF SOUL HIP-HOP AND R&B. 2251 02:28:46,482 --> 02:28:48,931 SHE HAS BEEN IN THIS JOURNEY FOR 30 YEARS. 2252 02:28:48,965 --> 02:28:53,896 AND TO NOW BE AT A PLACE WHERE WE HAVE ALL BEEN THROUGH 2253 02:28:53,931 --> 02:28:56,344 SOMETHING, WE CAN ALL STILL WAKE UP AND FEEL LIKE THE WORLD NEEDS 2254 02:28:56,379 --> 02:28:59,482 US, SO WE'VE GOT TO FIND OUR PEACE, LIKE SHE SAYS, ALBUM OF 2255 02:28:59,517 --> 02:29:02,931 THE YEAR, BRING IT HERE. 2256 02:29:02,965 --> 02:29:07,068 ♪ TELL MYSELF GOOD MORNING GORGEOUS ♪ 2257 02:29:07,103 --> 02:29:09,965 >> WHEN I WAS IN THIRD GRADE IS WHEN I BECAME A FAN OF MARY J. 2258 02:29:10,000 --> 02:29:11,000 BLIGE. 2259 02:29:11,034 --> 02:29:12,620 I RELATED SO MUCH TO HER PASSION, TO HER SOUL. 2260 02:29:12,655 --> 02:29:15,793 WE'VE BEEN THERE THROUGH IT ALL WITH HER, THE UPS, THE DOWNS, 2261 02:29:15,827 --> 02:29:17,034 THE GOOD AND THE BAD. 2262 02:29:17,068 --> 02:29:21,620 NO MATTER WHAT YOU'RE GOING THROUGH, YOU FEEL LIKE MARY GOT 2263 02:29:21,655 --> 02:29:24,689 YOUR BACK. 2264 02:29:24,724 --> 02:29:29,413 [ APPLAUSE ] >> Trevor: DON'T FORGET WE STILL 2265 02:29:29,448 --> 02:29:32,379 HAVE DJ KHALED, AND OTHER PERFORMANCES TO COME. 2266 02:29:32,413 --> 02:29:36,275 BUT FIRST STEVE LACY EARNED THREE NOMINATIONS FOR ONE OF THE 2267 02:29:36,310 --> 02:29:38,034 BIGGEST HITS OF THE YEAR FOR HIS SONG "BAD HABIT." 2268 02:29:38,068 --> 02:29:40,620 THE SONG WENT FROM NUMBER ONE AND HAS BECOME AN ANTHEM ALL 2269 02:29:40,655 --> 02:29:42,758 OVER THE WORLD. 2270 02:29:42,793 --> 02:29:44,241 JOINED BY THUNDERCAT. 2271 02:29:44,275 --> 02:29:49,034 PLEASE WELCOME A GRAMMY WINNER ALREADY TODAY, L.A.'S VERY OWN 2272 02:29:49,068 --> 02:29:50,034 STEVE LACY. 2273 02:29:50,068 --> 02:29:58,586 [ CHEERS AND APPLAUSE ] ♪ YOU CAN'T SURPRISE 2274 02:29:58,620 --> 02:30:08,620 A GEMINI YEAH OH ♪ 2275 02:30:08,655 --> 02:30:13,758 A GEMINI YEAH OH ♪ 2276 02:30:13,793 --> 02:30:16,310 HELLO, GRAMMYS. 2277 02:30:16,344 --> 02:30:16,965 I'M STEVE LACY. 2278 02:30:17,000 --> 02:30:23,586 [ CHEERS AND APPLAUSE ] ♪ 2279 02:30:23,620 --> 02:30:26,172 ♪ I WISH I KNEW I WISH I KNEW 2280 02:30:26,206 --> 02:30:29,965 YOU WANTED ME ♪ ♪ I WISH I KNEW 2281 02:30:30,000 --> 02:30:31,034 I WISH I KNEW YOU WANTED ME ♪ 2282 02:30:31,068 --> 02:30:35,551 ♪ WHAT YOU OOH UH MADE A MOVE 2283 02:30:35,586 --> 02:30:44,137 COULDA MADE A MOVE ♪ ♪ IF I KNEW I'D BE WITH YOU 2284 02:30:44,172 --> 02:30:46,344 IS IT TOO LATE TO PURSUE ♪ ♪ I BITE MY TONGUE 2285 02:30:46,379 --> 02:30:55,344 IT'S A BAD HABIT ♪ WOULD YOU MIND IF I TRIED TO 2286 02:30:55,379 --> 02:30:58,620 MAKE IT ♪ ♪ THOUGHT YOU WERE 2287 02:30:58,655 --> 02:31:00,827 TOO GOOD FOR ME MY DEAR NEVER GAVE ME TIME OF DAY 2288 02:31:00,862 --> 02:31:02,413 MY DEAR ♪ ♪ IT'S OKAY THINGS HAPPEN 2289 02:31:02,448 --> 02:31:06,620 FOR REASONS THAT I THINK ARE SURE YEAH ♪ 2290 02:31:06,655 --> 02:31:10,344 ♪ I WISH I KNEW I WISH I KNEW YOU WANTED ME 2291 02:31:10,379 --> 02:31:14,034 I WISH I KNEW I WISH I KNEW OH ♪ 2292 02:31:14,068 --> 02:31:18,724 ♪ I WISH I KNEW YOU WANTED ME ♪ 2293 02:31:18,758 --> 02:31:27,793 ♪ PLEASE SAY TO ME PLEASE JUST SAY TO ME 2294 02:31:27,827 --> 02:31:31,724 IF THIS COULD WIND UP ♪ ♪ I WISH 2295 02:31:31,758 --> 02:31:37,793 YOU WOULDN'T PLAY WITH ME SAID I WANNA KNOW 2296 02:31:37,827 --> 02:31:44,068 OH NO ♪ ♪ 2297 02:31:44,103 --> 02:31:52,586 ♪ UH CAN I BITE YOUR TONGUE LIKE MY BAD HABIT 2298 02:31:52,620 --> 02:32:00,000 ♪ TAKE A STAB AT IT ♪ NOW YOU'RE NOT TOO GOOD FOR ME 2299 02:32:00,034 --> 02:32:02,620 MY DEAR ♪ FUNNY YOU COME BACK TO ME MY 2300 02:32:02,655 --> 02:32:05,896 DEAR ♪ ♪ IT'S OKAY THINGS HAPPEN 2301 02:32:05,931 --> 02:32:08,758 FOR REASONS THAT I CAN'T IGNORE YEAH♪ 2302 02:32:08,793 --> 02:32:11,137 ♪ I WISH I KNEW OH AH I WISH I KNEW 2303 02:32:11,172 --> 02:32:13,241 YOU WANTED ME ♪ ♪ I WISH I KNEW 2304 02:32:13,275 --> 02:32:16,206 I WISH I KNEW I WISH I KNEW 2305 02:32:16,241 --> 02:32:19,034 YOU WANTED ME ♪ ♪ YOU CAN'T SURPRISE 2306 02:32:19,068 --> 02:32:20,620 A GEMINI I'M EVERYWHERE 2307 02:32:20,655 --> 02:32:22,724 I'M CROSS-EYED ♪ ♪ AND NOW THAT YOU'RE BACK 2308 02:32:22,758 --> 02:32:24,793 I CAN'T DECIDE IF I DECIDE 2309 02:32:24,827 --> 02:32:27,448 IF YOU'RE INVITED ♪ ♪ YOU ALWAYS KNEW THE WAY 2310 02:32:27,482 --> 02:32:31,655 TO WOW ME ♪ ♪ MESS AROUND 2311 02:32:31,689 --> 02:32:32,724 GET TONGUE-TIED AND I TURN IT ON 2312 02:32:32,758 --> 02:32:34,862 I MAKE IT ROWDY ♪ ♪ THEN CARRY ON 2313 02:32:34,896 --> 02:32:39,068 BUT I'M NOT HIDIN' ♪ ♪ YOU GRABBIN' ME HARD 2314 02:32:39,103 --> 02:32:48,275 'CAUSE YOU KNOW WHAT YOU FOUND 2315 02:32:48,310 --> 02:32:52,172 IS BISCUITS IS GRAVY BABE ♪ ♪ 2316 02:32:52,206 --> 02:33:02,379 ♪ ♪ YOU CAN'T SURPRISE 2317 02:33:02,413 --> 02:33:08,758 A GEMINI BUT YOU KNOW IT'S BISCUITS 2318 02:33:08,793 --> 02:33:13,034 IT'S GRAVY BABE ♪ ♪ I KNEW 2319 02:33:13,068 --> 02:33:20,482 YOU'D COME BACK AROUND 'CAUSE YOU KNOW IT'S BISCUITS 2320 02:33:20,517 --> 02:33:24,655 IT'S GRAVY BABE ♪ ♪ LET'S CUFF 2321 02:33:24,689 --> 02:33:31,000 IN THE BACK OF THE MALL LOSE CONTROL ♪ 2322 02:33:31,034 --> 02:33:36,827 ♪ GO STUPID GO CRAZY BABE I KNOW I'LL BE IN YOUR HEART 2323 02:33:36,862 --> 02:33:40,517 'TIL THE END ♪ ♪ YOU'LL MISS ME 2324 02:33:40,551 --> 02:33:48,172 DON'T BEG ME BABE ♪ [ CHEERS AND APPLAUSE ] 2325 02:33:48,206 --> 02:33:57,034 >> THANK YOU, GUYS. 2326 02:33:57,068 --> 02:34:00,310 >> Trevor: STEVE LACY, KEEP IT GO, Y'ALL! 2327 02:34:00,344 --> 02:34:02,206 ARE YOU KIDDING ME? 2328 02:34:02,241 --> 02:34:02,724 WOW! 2329 02:34:02,758 --> 02:34:04,000 THAT WAS PHENOMENAL. 2330 02:34:04,034 --> 02:34:08,482 I'M SEATED HERE NEXT TO HARRY STYLES -- IT'S HARRY STYLES? 2331 02:34:08,517 --> 02:34:09,724 YEAH. 2332 02:34:09,758 --> 02:34:10,586 [ LAUGHTER ] CONGRATULATIONS. 2333 02:34:10,620 --> 02:34:11,517 >> THANK YOU. 2334 02:34:11,551 --> 02:34:13,310 >> Trevor: ARE YOU ENJOYING THE NIGHT? 2335 02:34:13,344 --> 02:34:17,206 I FEEL LIKE NOBODY CHECKS ON YOU, AND I WAS, LIKE, HARRY, HOW 2336 02:34:17,241 --> 02:34:18,310 ARE YOU DOING, WHAT'S HAPPENING? 2337 02:34:18,344 --> 02:34:23,448 DO YOU NEED A DRINK, DO YOU NEED ANYTHING? 2338 02:34:23,482 --> 02:34:24,689 YOU'VE BEEN TOURING A LOT. 2339 02:34:24,724 --> 02:34:29,137 MAYBE YOU NEED SOMEONE TO TOUR WITH YOU LIKE MAYBE A SOUTH 2340 02:34:29,172 --> 02:34:30,655 AFRICAN COMEDIAN. 2341 02:34:30,689 --> 02:34:32,344 WE'RE LIKE THE TWO SEXIEST PEOPLE. 2342 02:34:32,379 --> 02:34:35,241 YOU DO SOME OF THE HEAVY LIFTING. 2343 02:34:35,275 --> 02:34:36,379 MAYBE WE CAN HELP. 2344 02:34:36,413 --> 02:34:38,000 OR I CAN JUST GET WATER. 2345 02:34:38,034 --> 02:34:39,689 WHICHEVER ONE YOU LIKE. 2346 02:34:39,724 --> 02:34:41,862 >> I'M OKAY. 2347 02:34:41,896 --> 02:34:43,344 [ LAUGHTER ] >> Trevor: WELL, YOU GOT TO 2348 02:34:43,379 --> 02:34:44,655 SHOOT YOUR SHOTS. 2349 02:34:44,689 --> 02:34:48,034 AND NOW LET'S WELCOME AN ARTIST WHO WON HER FIRST THREE GRAMMY 2350 02:34:48,068 --> 02:34:53,551 AWARDS LAST YEAR, INCLUDING BEST NEW ARTIST -- OLIVIA RODRIGO. 2351 02:34:53,586 --> 02:35:01,103 ♪ [ CHEERS AND APPLAUSE ] 2352 02:35:04,379 --> 02:35:07,068 >> I WILL NEVER FORGET LAST YEAR'S GRAMMY AWARDS -- 2353 02:35:07,103 --> 02:35:11,862 INCLUDING THE EXPERIENCE OF WINNING BEST NEW ARTIST -- AN 2354 02:35:11,896 --> 02:35:18,448 AWARD THAT THAT HAS GONE TO HEROES OF MINE FROM THE BEATLES 2355 02:35:18,482 --> 02:35:19,965 TO BILLIE EILISH. 2356 02:35:20,000 --> 02:35:22,310 THAT WILL ALWAYS BE A SHINING MOMENT IN MY LIFE AND I'M SO 2357 02:35:22,344 --> 02:35:26,137 HAPPY THE RECORDING ACADEMY INVITED ME BACK TO EXPERIENCE 2358 02:35:26,172 --> 02:35:29,413 SOMEONE ELSE'S UNFORGETTABLE NEW GRAMMY MOMENT. 2359 02:35:29,448 --> 02:35:31,517 THESE ARE THE TEN EXTREMELY GIFTED NOMINEES FOR BEST NEW 2360 02:35:31,551 --> 02:35:34,724 ARTIST. 2361 02:35:34,758 --> 02:35:36,344 ANITTA. 2362 02:35:36,379 --> 02:35:39,793 ♪ OMAR APOLLO. 2363 02:35:39,827 --> 02:35:44,172 DOMI & JD BECK. 2364 02:35:44,206 --> 02:35:48,275 MUNI LONG. 2365 02:35:48,310 --> 02:35:52,275 SAMARA JOY. 2366 02:35:52,310 --> 02:35:54,103 LATTO. 2367 02:35:54,137 --> 02:35:58,310 MAÃ NESKIN. 2368 02:35:58,344 --> 02:36:02,103 TOBE NWIGWE. 2369 02:36:02,137 --> 02:36:05,862 MOLLY TUTTLE. 2370 02:36:05,896 --> 02:36:11,137 WET LEG. 2371 02:36:16,034 --> 02:36:25,517 >> AND THE GRAMMY GOES TO -- SAMARA JOY. 2372 02:36:25,551 --> 02:36:35,551 [ CHEERS AND APPLAUSE ] ♪ 2373 02:36:35,586 --> 02:36:44,413 [ CHEERS AND APPLAUSE ] ♪ 2374 02:36:59,206 --> 02:37:09,275 ♪ 2375 02:37:09,310 --> 02:37:15,379 ♪ 2376 02:37:23,620 --> 02:37:26,551 >> I AM SO, SO -- OH, MY GOSH. 2377 02:37:26,586 --> 02:37:30,034 I CAN'T EVEN BELIEVE -- I'VE BEEN WATCHING YOU ALL ON TV FOR, 2378 02:37:30,068 --> 02:37:31,310 LIKE, SO LONG. 2379 02:37:31,344 --> 02:37:33,827 SO, TO BE HERE WITH YOU ALL BORN AND RAISED IN THE BRONX, NEW 2380 02:37:33,862 --> 02:37:34,862 YORK. 2381 02:37:34,896 --> 02:37:38,413 MY FAMILY'S HERE. 2382 02:37:38,448 --> 02:37:41,000 [ CHEERS AND APPLAUSE ] I'VE BEEN SINGING ALL MY LIFE. 2383 02:37:41,034 --> 02:37:44,965 MY GRANDPARENTS, MY FATHER, I'M SO SORRY. 2384 02:37:45,000 --> 02:37:47,241 THANK YOU SO MUCH FOR THIS HONOR. 2385 02:37:47,275 --> 02:37:50,482 THANK YOU SO MUCH TO EVERYONE WHO LISTENED TO ME, SO SUPPORTED 2386 02:37:50,517 --> 02:37:51,310 ME. 2387 02:37:51,344 --> 02:37:54,689 ALL OF YOU ARE SO INSPIRING TO ME. 2388 02:37:54,724 --> 02:37:57,034 SO TO BE HERE BECAUSE OF WHO I AM. 2389 02:37:57,068 --> 02:38:05,137 YOU EXPRESS YOURSELF FOR EXACTLY WHO YOU ARE AUTHENTICALLY. 2390 02:38:05,172 --> 02:38:10,034 SO TO BE HERE BY JUST BEING WHO I WAS BORN AS, I'M SO THANKFUL. 2391 02:38:10,068 --> 02:38:12,758 [ APPLAUSE ] THANK YOU TO MY TEAM. 2392 02:38:12,793 --> 02:38:18,275 THANK YOU TO BOOKING, THANK YOU TO MANAGEMENT MATT, CHRIS, 2393 02:38:18,310 --> 02:38:20,034 EVERYBODY IN RECORD LABEL. 2394 02:38:20,068 --> 02:38:22,931 MY LITTLE BROTHER'S HERE. 2395 02:38:22,965 --> 02:38:24,034 OH, MY GOSH. 2396 02:38:24,068 --> 02:38:25,724 THANK YOU ALL AND HAVE A WONDERFUL NIGHT. 2397 02:38:25,758 --> 02:38:27,310 I'M SO, SO GRATEFUL. 2398 02:38:27,344 --> 02:38:28,655 THANK YOU. 2399 02:38:28,689 --> 02:38:33,137 ♪ >> Announcer: UP NEXT -- 2400 02:38:33,172 --> 02:38:35,689 WHICH OF THESE TEN OUTSTANDING ARTISTS ARE ABOUT TO WIN THE 2401 02:38:35,724 --> 02:38:36,793 GRAMMY AWARD FOR ALBUM OF THE YEAR? 2402 02:38:36,827 --> 02:38:38,758 THIS IS CBS. 2403 02:38:50,896 --> 02:38:51,862 ♪ >> Trevor: WELCOME BACK TO THE 2404 02:38:51,896 --> 02:38:53,172 GRAMMYS, EVERYBODY. 2405 02:38:53,206 --> 02:38:55,517 NOW, TONIGHT I HAVE THE HONOR OF TELLING YOU THAT EARLIER TODAY 2406 02:38:55,551 --> 02:39:03,034 THE GRAMMY FOR PRODUCER NONCLASSICAL WENT TO JACK 2407 02:39:03,068 --> 02:39:03,931 ANTANOFF. 2408 02:39:03,965 --> 02:39:07,241 CONGRATULATIONS ON THAT, WELL DESERVED. 2409 02:39:07,275 --> 02:39:08,206 PHENOMENAL PRODUCER. 2410 02:39:08,241 --> 02:39:09,827 AND NOW IT IS TIME FOR THE BIG ONE. 2411 02:39:09,862 --> 02:39:13,172 THIS YEAR I'VE BEEN ASKED TO PRESENT THE GRAMMY AWARD FOR 2412 02:39:13,206 --> 02:39:14,000 ALBUM OF THE YEAR. 2413 02:39:14,034 --> 02:39:15,482 BECAUSE THEY DIDN'T WANT TO PAY ME. 2414 02:39:15,517 --> 02:39:18,172 BUT FIRST, I WANT TO THANK ALL THOSE SUPER FANS WE HAD ON THE 2415 02:39:18,206 --> 02:39:19,206 SHOW. 2416 02:39:19,241 --> 02:39:21,586 LET'S GIVE IT UP FOR THEM ONE MORE TIME, PLEASE. 2417 02:39:21,620 --> 02:39:24,689 THE FANS DON'T OFTEN GET TO BE HERE CELEBRATING THEIR ARTIST. 2418 02:39:24,724 --> 02:39:26,068 WE CELEBRATE YOU TONIGHT. 2419 02:39:26,103 --> 02:39:27,862 THANK YOU FOR JOINING US. 2420 02:39:27,896 --> 02:39:30,137 WHY DON'T YOU JOIN ME ON STAGE FOR THIS AWARD. 2421 02:39:30,172 --> 02:39:32,137 YEAH, YOU, COME ON UP. 2422 02:39:32,172 --> 02:39:33,241 EVERYBODY, COME ON UP. 2423 02:39:33,275 --> 02:39:36,241 YOU GIVE IT UP FOR THE FANS FOR A CHANGE, EVERYBODY. 2424 02:39:36,275 --> 02:39:39,344 I WANT YOU TO PRESENT THE AWARD FOR ALBUM OF THE YEAR. 2425 02:39:39,379 --> 02:39:40,793 COME ON UP REAL QUICK. 2426 02:39:40,827 --> 02:39:44,689 THIS IS THE FIRST TIME YOU'RE GOING TO GET ON STAGE WITHOUT 2427 02:39:44,724 --> 02:39:45,862 BEING CHASED BY SECURITY. 2428 02:39:45,896 --> 02:39:47,172 THIS IS YOUR MOMENT, THIS IS IT. 2429 02:39:47,206 --> 02:39:50,379 WHILE THE FANS TAKE THEIR PLACE ON STAGE WITH ME, LET'S TAKE ONE 2430 02:39:50,413 --> 02:39:53,413 MORE LOOK AT THE OUTSTANDING NOMINEES TONIGHT FOR ALL BUM OF 2431 02:39:53,448 --> 02:40:05,931 THE YEAR. 2432 02:40:05,965 --> 02:40:11,034 "VOYAGE," ABBA. 2433 02:40:11,068 --> 02:40:16,310 "30," ADELE. 2434 02:40:16,344 --> 02:40:20,000 "UN VERANO SIN TI," BAD BUNNY. 2435 02:40:20,034 --> 02:40:22,724 "RENAISSANCE," BEYONCE. 2436 02:40:22,758 --> 02:40:27,068 ♪ "GOOD MORNING GORGEOUS 2437 02:40:27,103 --> 02:40:32,379 [DELUXE]," MARY J. BLIGE. 2438 02:40:32,413 --> 02:40:38,172 "IN THESE SILENT DAYS," BRANDI CARLILE. 2439 02:40:38,206 --> 02:40:44,034 "MUSIC OF THE SPHERES," COLDPLAY. 2440 02:40:44,068 --> 02:40:49,310 "MR. MORALE & THE BIG STEPPERS," KENDRICK LAMAR. 2441 02:40:49,344 --> 02:40:51,344 "SPECIAL," LIZZO. 2442 02:40:51,379 --> 02:40:59,827 ♪ "HARRY'S HOUSE," HARRY STYLES. 2443 02:41:09,689 --> 02:41:18,931 >> Trevor: AND THE GRAMMY GOES TO -- 2444 02:41:18,965 --> 02:41:23,793 YOU CAN READ IT. 2445 02:41:23,827 --> 02:41:25,310 >> HARRY STYLES! 2446 02:41:25,344 --> 02:41:31,793 ♪ OH, MY GOD! 2447 02:41:31,827 --> 02:41:41,827 [ CHEERS AND APPLAUSE ] ♪ 2448 02:41:41,862 --> 02:41:51,896 [ CHEERS AND APPLAUSE ] ♪ 2449 02:41:51,896 --> 02:42:01,965 [ CHEERS AND APPLAUSE ] ♪ 2450 02:42:25,827 --> 02:42:34,620 [ CHEERS AND APPLAUSE ] >> UM, MAN. 2451 02:42:34,655 --> 02:42:39,758 I'VE BEEN SO, SO INSPIRED BY EVERY ARTIST IN THIS CATEGORY 2452 02:42:39,793 --> 02:42:42,931 WITH ME. 2453 02:42:42,965 --> 02:42:46,241 AT A LOT OF DIFFERENT TIMES IN MY LIFE, I LISTENED TO EVERYONE 2454 02:42:46,275 --> 02:42:50,793 IN THIS CATEGORY WHEN I'M ALONE. 2455 02:42:50,827 --> 02:42:53,586 AND I THINK LIKE ON NIGHTS LIKE TONIGHT, IT'S OBVIOUSLY SO 2456 02:42:53,620 --> 02:42:59,724 IMPORTANT FOR US TO REMEMBER THAT THERE IS NO SUCH THING AS 2457 02:42:59,758 --> 02:43:00,965 BESTS IN MUSIC. 2458 02:43:01,000 --> 02:43:03,862 I DON'T THINK ANY OF US SIT IN THE STUDIO THINKING MAKING 2459 02:43:03,896 --> 02:43:06,689 DECISIONS BASED ON WHAT IS GOING TO GET US ONE OF THESE. 2460 02:43:06,724 --> 02:43:09,000 THIS IS REALLY, REALLY KIND. 2461 02:43:09,034 --> 02:43:10,241 I'M SO, SO GRATEFUL. 2462 02:43:10,275 --> 02:43:17,172 I'M GOING TO PASS IT OVER TO MY COLLABORATORS WHO ARE -- I'M 2463 02:43:17,206 --> 02:43:20,241 JUST SO THIS DOESN'T HAPPEN TO PEOPLE LIKE ME VERY OFTEN. 2464 02:43:20,275 --> 02:43:21,931 AND THIS IS SO, SO NICE. 2465 02:43:21,965 --> 02:43:23,275 THANK YOU VERY, VERY MUCH. 2466 02:43:23,310 --> 02:43:32,034 [ CHEERS AND APPLAUSE ] >> LOVE YA. 2467 02:43:32,068 --> 02:43:35,344 I'M JUST GOING TO KEEP IT SHORT BECAUSE HARRY'S WAY MORE 2468 02:43:35,379 --> 02:43:38,758 HANDSOME THAN ME. 2469 02:43:38,793 --> 02:43:44,000 UM, FOR YOU IN THE CHEAP SEATS -- AND ALSO I WANT TO SAY 2470 02:43:44,034 --> 02:43:54,172 HELLO BACK HOME TO MY DAUGHTER AND MY SON, TURTLE POWER! 2471 02:43:54,206 --> 02:43:58,551 >> I FEEL SO GRATEFUL FOR THIS OPPORTUNITY. 2472 02:43:58,586 --> 02:44:01,724 AND I THINK RIGHT NOW I'M JUST GOING TO SAY THAT, YOU KNOW, 2473 02:44:01,758 --> 02:44:04,172 IT'S SO HARD TO DO ANYTHING IN LIFE WITHOUT A GOOD FAMILY. 2474 02:44:04,206 --> 02:44:08,793 I JUST WANT TO THANK MY MOM AND MY DAD AND MY BROTHER WHO ARE 2475 02:44:08,827 --> 02:44:09,517 HERE. 2476 02:44:09,551 --> 02:44:10,241 YOU CAN'T DO THIS WITHOUT THEM. 2477 02:44:10,275 --> 02:44:14,965 I WANT TO THANK MY WIFE LINDSEY. 2478 02:44:15,000 --> 02:44:16,137 AND THE WHOLE TEAM. 2479 02:44:16,172 --> 02:44:17,275 THANK YOU SO MUCH. 2480 02:44:17,310 --> 02:44:18,517 THIS IS IMPOSSIBLE WITHOUT YOU. 2481 02:44:18,551 --> 02:44:21,034 AND, OF COURSE, HARRY, YOU'RE A LEGEND. 2482 02:44:21,068 --> 02:44:22,137 SO, THANK YOU. 2483 02:44:22,172 --> 02:44:25,068 [ CHEERS AND APPLAUSE ] >> Trevor: AND THERE IT IS, 2484 02:44:25,103 --> 02:44:25,793 LADIES AND GENTLEMEN. 2485 02:44:25,827 --> 02:44:27,896 HARRY STYLES ALBUM OF THE YEAR! 2486 02:44:27,931 --> 02:44:29,103 CONGRATULATIONS, HARRY. 2487 02:44:29,137 --> 02:44:32,310 AND NOW HERE TO AT THE US HOME IN A VERY BIG WAY, PLEASE 2488 02:44:32,344 --> 02:44:34,448 WELCOME DJ KHALED! 2489 02:44:34,482 --> 02:44:41,482 [ CHEERS AND APPLAUSE ] ♪ IT BREAKS MY HEART 2490 02:44:41,517 --> 02:44:45,724 THEY AIN'T BELIEVE IN US ♪ THEY PLAYED THEMSELVES 2491 02:44:45,758 --> 02:44:46,793 WHILE YOU HATIN' AND BEING JEALOUS ♪ 2492 02:44:46,827 --> 02:44:48,965 ♪ YOU CAN BE OVER HERE EMBRACING THAT LOVE ♪ 2493 02:44:49,000 --> 02:44:51,034 ♪ MORE LOVE MORE BLESSINGS 2494 02:44:51,068 --> 02:44:55,793 MORE LIFE GOD DID ♪ 2495 02:44:55,827 --> 02:45:01,137 ♪ WIN WITH US, WATCH US WIN ♪ I'M GOING TO TAKE IT OUTSIDE, 2496 02:45:01,172 --> 02:45:06,172 I'M GOING TO TAKE IT TO THE STREETS ♪ 2497 02:45:06,206 --> 02:45:15,413 -THEY WANTED US DOWN ♪ ♪ BUT LOOK AT US NOW 2498 02:45:15,448 --> 02:45:19,517 ♪ ♪ 2499 02:45:19,551 --> 02:45:29,931 ♪ THEY DIDN'T BELIEVE IN US ♪ OH BUT I KNOW GOD OH YES HE 2500 02:45:29,965 --> 02:45:36,827 DID ♪ ♪ BUT I KNOW 2501 02:45:36,862 --> 02:45:40,241 ♪ THANK YOU FRIEND ♪ THOSE GUYS THEY DON'T WANT TO 2502 02:45:40,275 --> 02:45:45,758 SEE YOU LAST ♪ ♪ TAKE $3 MILLION AND BUY YOU 2503 02:45:45,793 --> 02:45:48,965 CHECKS ♪ ♪ TIME'S SPINNING YO FORGIVE ME 2504 02:45:49,000 --> 02:45:56,103 I'M A SINNER ♪ ♪ BETTER LISTEN WHEN I TELL 2505 02:45:56,137 --> 02:46:00,413 YOU ♪ ♪ PLEASE FORGIVE ME, GOD DID 2506 02:46:00,448 --> 02:46:07,413 ♪ WITH THE SHARKS ♪ WANT TO PLAY THIS 2507 02:46:07,448 --> 02:46:14,241 ♪ I KNOW MY MONEY'S SAFE ♪ THEY DIDN'T WANT US TO WIN 2508 02:46:14,275 --> 02:46:17,896 ♪ SO I MADE SURE I'M ON THE GRAMMY STAGE WITH THE BIGGEST 2509 02:46:17,931 --> 02:46:22,586 HANDS IN THE SKY! ♪ ♪ OH I KNOW GOD 2510 02:46:22,620 --> 02:46:29,137 ♪ THIS FOR HIP-HOP ♪ THIS FOR THE STREETS 2511 02:46:29,172 --> 02:46:31,931 ♪ THIS IS FOR ALL THE NONBELIEVERS ♪ 2512 02:46:31,965 --> 02:46:41,068 ♪ GOD DID ♪ THEY WAS TIRED OF ME WINNING 2513 02:46:41,103 --> 02:46:48,655 ♪ GOD DID HIS THING WHEN HE MADE ME ♪ 2514 02:46:48,689 --> 02:46:52,896 ♪ THEY SMELL BLOOD THEY ART ACTING FISHY ♪ 2515 02:46:52,931 --> 02:46:54,965 ♪ THEY GOING TO HAVE TO KISS ME ♪ 2516 02:46:55,000 --> 02:46:58,689 ♪ PLEASE DON'T HATE ME JUST TO HATE ME ♪ 2517 02:46:58,724 --> 02:47:02,344 ♪ BEFORE THEY OVERRATE ME THEY GO UNDERESTIMATE ME ♪ 2518 02:47:02,379 --> 02:47:07,655 ♪ BUT I'M CULTIVATING EVERYBODY REPLICATING ♪ 2519 02:47:07,689 --> 02:47:16,931 ♪ I'M THE APEX ♪ I PRAY 2520 02:47:16,965 --> 02:47:23,517 ♪ GOD DID THE REST ♪ THEY DIDN'T THINK THAT WE 2521 02:47:23,551 --> 02:47:27,655 WOULD MAKE IT ♪ ♪ IT BREAKS MY HEART 2522 02:47:27,689 --> 02:47:38,172 ♪ OH BUT I KNOW GOD DID ♪ OH YES HE DID 2523 02:47:38,206 --> 02:47:40,275 >> THEY DIDN'T BELIEVE IN US! 2524 02:47:40,310 --> 02:47:52,586 ♪ OH I KNOW GOD DID ♪ PLEASE FORGIVE ME 2525 02:47:52,620 --> 02:48:07,172 ♪ I COUNT THREE BRONZE ♪ 2526 02:48:07,206 --> 02:48:19,758 ♪ ME AND LOTTO TALK ABOUT ♪ YOU BELIEVE IT'S TIME 2527 02:48:19,793 --> 02:48:27,137 ♪ YOU CAN'T MAKE UP THIS ♪ WE GOING CORPORATE -- NO WE 2528 02:48:27,172 --> 02:48:32,103 JUST ARE THE BOYS IN THE CORNER OFFICE ♪ 2529 02:48:32,137 --> 02:48:39,724 ♪ ♪ 2530 02:48:39,758 --> 02:48:52,448 ♪ WE JUST GOT AND WENT BACK ♪ WE LET Y'ALL OG FOR THE OGs 2531 02:48:52,482 --> 02:48:56,413 ♪ YOU BARELY -- THAT'S ANOTHER TOPIC ♪ 2532 02:48:56,448 --> 02:49:00,379 ♪ IN MY POCKET ON THE RED CARPET YOU SEEN THE FACE TONIGHT I 2533 02:49:00,413 --> 02:49:03,793 MADE ♪ ♪ YEAH, IS THAT SHOCKING? 2534 02:49:03,827 --> 02:49:07,620 ♪ TRYING TO BE CRAZY BUT WE ALL SURPRISED ♪ 2535 02:49:07,655 --> 02:49:11,172 ♪ THIS IS TOO MUCH HOW WE GREW UP ♪ 2536 02:49:11,206 --> 02:49:14,034 ♪ IT DON'T EVEN FEEL REAL TO US ♪ 2537 02:49:14,068 --> 02:49:24,413 ♪ CALLED KINGPIN, DRUG LORDS ♪ HOPE IS A REAL ONCE DREAMED 2538 02:49:24,448 --> 02:49:30,551 ♪ SOMETIMES WE HATE LIFE NEVER MIND THE CONSEQUENCES OF THE WAY 2539 02:49:30,586 --> 02:49:33,896 OF LIFE ♪ ♪ THE WAY WE PLAYED WITH LIFE, 2540 02:49:33,931 --> 02:49:39,896 THE JAIL, BARS OF LIFE ♪ ♪ THE LAWS ARE DRACONIAN FOR 2541 02:49:39,931 --> 02:49:50,655 THOSE MARRIED TO THE LIFE IT'S ONLY MATRIMONIAN ♪ 2542 02:49:50,689 --> 02:49:57,068 ♪ ♪ 2543 02:49:57,103 --> 02:50:00,103 ♪ THAT THE COLD WORLD HAS CHOSE FOR THEM ♪ 2544 02:50:00,137 --> 02:50:07,896 ♪ BACK AND FORTH ON THIS TURNPIKE REALLY TOOK A TOLL ♪ 2545 02:50:07,931 --> 02:50:14,068 ♪ ALWAYS SPOKE FOR THEM ♪ PRO BONO FOR HIM THAT'S A 2546 02:50:14,103 --> 02:50:19,896 FAVOR ♪ ♪ I PRAYED NONE OF Y'ALL PEOPLE 2547 02:50:19,931 --> 02:50:25,793 WOULD DIE ♪ ♪ ALL THE PAIN FROM THE 2548 02:50:25,827 --> 02:50:28,827 OUTSIDE ♪ ♪ NEW WAYS GETTING BROKEN IN 2549 02:50:28,862 --> 02:50:39,482 ♪ THEY DON'T MESS AROUND ♪ IT'S THE NEW TESTAMENT 2550 02:50:39,517 --> 02:50:47,655 ♪ JESUS TURNED WATER TO WINE ♪ NEVER KNOW HOW THIS CAN GO 2551 02:50:47,689 --> 02:50:53,551 ♪ WE PROBABLY GOT TOO BIG A DAY, POKE THEIR NOSE UP ♪ 2552 02:50:53,586 --> 02:50:58,551 ♪ NOW WE THINK IT'S FUNNY ♪ I JUST GOT A MILLION TRYING TO 2553 02:50:58,586 --> 02:51:06,206 GET IT OUT THE SINK ♪ ♪ THEY SAY THEY DON'T KNOW ME 2554 02:51:06,241 --> 02:51:18,379 ♪ I SEE A LOT OF GIGS ♪ NEXT TIME WE HAVE A DISCUSSION 2555 02:51:18,413 --> 02:51:20,896 KNOW THIS ♪ ♪ THAT'S MY PASSION TALKING 2556 02:51:20,931 --> 02:51:28,000 ♪ SOMETIMES I FEEL LIKE I THINK Y'ALL SHOULD KEEP CRYING ♪ 2557 02:51:28,034 --> 02:51:30,241 ♪ ♪ IT BREAKS MY HEART 2558 02:51:30,275 --> 02:51:35,034 ♪ THEY WANTED US DOWN, DOWN, DOWN ♪ 2559 02:51:35,068 --> 02:51:41,896 >> LOUISIANA! 2560 02:51:41,931 --> 02:51:43,758 RICKY ROSEÉ. 2561 02:51:43,793 --> 02:51:47,551 >> LET'S GO! 2562 02:51:47,586 --> 02:51:49,482 KHALED, TAKE US HOME. 2563 02:51:49,517 --> 02:51:53,620 KHALED, TAKE US HOME! 2564 02:51:53,655 --> 02:52:01,827 ♪ BUT I KNOW GOD -- OH YES HE DID ♪ 2565 02:52:01,862 --> 02:52:07,724 ♪ WHOA ♪ GOD DID 2566 02:52:07,758 --> 02:52:19,379 ♪ WHAT, NO, GOD DID ♪ YEAH, HE DID 2567 02:52:19,413 --> 02:52:22,724 >> YOUNG MONEY, MIAMI, 305. 2568 02:52:22,758 --> 02:52:28,586 ♪ ♪ GOD DID 2569 02:52:28,620 --> 02:52:34,482 [ CHEERS AND APPLAUSE ] ♪ YEAH 2570 02:52:34,517 --> 02:52:37,068 >> YOU'RE ALL WELCOME. 2571 02:52:37,103 --> 02:52:41,931 >> BREAKS MY HEART THEY AIN'T BELIEVE IN US. 2572 02:52:41,965 --> 02:52:45,172 GOD DID SO WE DID AN EIGHT-MINUTE SONG ON THE 2573 02:52:45,206 --> 02:52:45,724 GRAMMYS. 2574 02:52:45,758 --> 02:52:46,862 SALUTE TO THE ACADEMY. 2575 02:52:46,896 --> 02:52:52,448 [ CHEERS AND APPLAUSE ] >> Trevor: THAT'S RIGHT, GOD 2576 02:52:52,482 --> 02:52:53,586 DID! 2577 02:52:53,620 --> 02:52:55,586 ONE OF THE GREATEST HIP-HOP PERFORMANCES, ONE OF THE 2578 02:52:55,620 --> 02:52:58,379 GREATEST GRAMMY PERFORMANCES OF ALL TIME. 2579 02:52:58,413 --> 02:53:00,034 I SEE WHAT YOU'VE BEEN TALKING ABOUT. 2580 02:53:00,068 --> 02:53:03,655 CONGRATULATIONS TO EVERY SINGLE ONE OF OUR WINNERS TONIGHT, ALL 2581 02:53:03,689 --> 02:53:06,482 OUR NOMINEES, AND THANK YOU TO EVERY SINGLE ONE OF YOU FOR 2582 02:53:06,517 --> 02:53:07,344 TUNING IN. 2583 02:53:07,379 --> 02:53:10,000 GOOD NIGHT, EVERYBODY. 2584 02:53:10,034 --> 02:53:12,206 TIME TO GET TO THIS MEAL. 2585 02:53:12,241 --> 02:53:14,965 >> Announcer: FROM HOSTING THE FIRST-EVER GRAMMY AWARDS TO NOW, 2586 02:53:15,000 --> 02:53:18,793 HILTON IS PROUD TO BE A PART OF MUSIC'S BIGGEST MOMENTS. 2587 02:53:18,827 --> 02:53:20,724 HILTON FOR THE STAY. 2588 02:53:20,758 --> 02:53:21,758 OFFICIAL HOTEL PARTNER OF THE GRAMMY AWARDS. 192257