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1
00:01:21,782 --> 00:01:23,884
ACROSS THE FACE
OF OUR GLOBE,
2
00:01:23,917 --> 00:01:27,321
PREVAILING WINDS
BLOW ALMOST CONSTANTLY.
3
00:01:31,859 --> 00:01:33,527
THESE ARE THE TRADE WINDS,
4
00:01:33,561 --> 00:01:35,629
AND IN THE AGE
OF SAILING SHIPS,
5
00:01:35,663 --> 00:01:39,333
THEY PUSHED MANY A PRECIOUS
CARGO OVER THE SEAS.
6
00:01:39,367 --> 00:01:41,869
AND YET NO TREASURE SHIP COULD
HOLD THE PRICELESS CARGO
7
00:01:41,902 --> 00:01:44,172
THE WINDS THEMSELVES CARRY.
8
00:01:44,205 --> 00:01:47,341
FOR THESE AIR CURRENTS BRING
CLOUDS TO THE LAND AREAS
9
00:01:47,375 --> 00:01:49,510
AND LIFE-GIVING RAINFALL.
10
00:01:49,543 --> 00:01:52,846
SOMETIMES, HOWEVER, THE WINDS
MEET WITH A NATURAL BARRIER.
11
00:01:52,880 --> 00:01:55,483
ALONG THE WESTERN EDGE
OF NORTH AMERICA,
12
00:01:55,516 --> 00:01:57,851
THE SIERRA NEVADA
AND CASCADE MOUNTAINS
13
00:01:57,885 --> 00:02:00,221
RISE LIKE
AN ENORMOUS GRANITE WALL
14
00:02:00,254 --> 00:02:02,390
AND KEEP
THE RAIN-BEARING CLOUDS
15
00:02:02,423 --> 00:02:05,393
FROM REACHING A LARGE PORTION
OF THE CONTINENT.
16
00:02:05,426 --> 00:02:07,395
THE HIGHEST POINT
IN THE UNITED STATES
17
00:02:07,428 --> 00:02:09,797
IS FOUND IN THIS RANGE --
MOUNT WHITNEY,
18
00:02:09,830 --> 00:02:13,334
TOWERING NEARLY 15,000 FEET
ABOVE SEA LEVEL.
19
00:02:15,969 --> 00:02:18,272
HERE IN THE SHADOW
OF THIS MAJESTIC PEAK,
20
00:02:18,306 --> 00:02:20,408
THE WASTELAND BEGINS.
21
00:02:24,812 --> 00:02:27,948
THIS IS DEATH VALLEY,
BITTEREST OF ALL DESERTS
22
00:02:27,981 --> 00:02:31,452
AND THE LOWEST POINT
ON THE AMERICAN CONTINENT.
23
00:02:40,561 --> 00:02:42,763
ONCE THIS VALLEY
LAY BENEATH THE SEA.
24
00:02:42,796 --> 00:02:44,965
AND AS THE ANCIENT WAVES
RECEDED,
25
00:02:44,998 --> 00:02:47,235
THEY LEFT AN OCEAN'S SKELETON,
26
00:02:47,268 --> 00:02:50,538
DEPOSITS OF SALT
THAT STILL STRETCH FOR MILES.
27
00:02:51,705 --> 00:02:53,541
BUT THIS DESOLATE BASIN
28
00:02:53,574 --> 00:02:56,510
IS ONLY THE BEGINNING
OF THE GREAT AMERICAN DESERT.
29
00:02:56,544 --> 00:02:58,546
FROM THE VICINITY
OF DEATH VALLEY,
30
00:02:58,579 --> 00:03:00,948
IT REACHES
TO THE PLAINS OF TEXAS,
31
00:03:00,981 --> 00:03:04,452
AND FROM A CORNER OF OREGON,
DEEP INTO OLD MEXICO.
32
00:03:04,485 --> 00:03:06,554
FOR THE GRANITE BLOCKADE
OF THE SIERRAS
33
00:03:06,587 --> 00:03:09,457
HAS CREATED ONE OF LARGEST
DESERTS IN THE WORLD.
34
00:03:10,458 --> 00:03:12,426
THE ETERNAL DESERT --
35
00:03:12,460 --> 00:03:16,264
INCREDIBLY UGLY YET
FANTASTICALLY BEAUTIFUL,
36
00:03:16,297 --> 00:03:18,832
SEEMINGLY WITHOUT PURPOSE,
WITHOUT MEANING,
37
00:03:18,866 --> 00:03:20,934
WITHOUT LIFE.
38
00:03:20,968 --> 00:03:23,804
IN PART,
IT'S A PLACE OF SILENCE --
39
00:03:23,837 --> 00:03:26,340
MONUMENT VALLEY.
40
00:03:33,447 --> 00:03:35,416
IN PART,
IT'S THE PAINTED DESERT,
41
00:03:35,449 --> 00:03:38,519
WHERE PETRIFIED TREES BECOME
THEIR OWN TOMBSTONES.
42
00:03:38,552 --> 00:03:42,290
IN PART, THIS
IS A REGION OF NAKED HILLS,
43
00:03:42,323 --> 00:03:45,293
A SEA OF BURNING SAND.
44
00:03:45,326 --> 00:03:47,027
IT'S A COUNTRY WHERE RIVERS
45
00:03:47,060 --> 00:03:50,798
GIVE UP THEIR HOPELESS STRUGGLE
AND SINK INTO THE EARTH.
46
00:03:50,831 --> 00:03:53,334
THIS IS THE LAND OF THE MIRAGE,
47
00:03:53,367 --> 00:03:55,536
WHERE SEEING ISN'T BELIEVING.
48
00:03:55,569 --> 00:03:57,571
THOSE MOUNTAINS
ARE REAL ENOUGH,
49
00:03:57,605 --> 00:03:59,607
BUT THE WATER
THAT REFLECTS THEM
50
00:03:59,640 --> 00:04:02,410
IS ONLY AN OPTICAL ILLUSION.
51
00:04:02,443 --> 00:04:04,612
AND HERE'S
ANOTHER PHANTOM LAKE.
52
00:04:04,645 --> 00:04:06,514
NOW YOU SEE IT...
53
00:04:06,547 --> 00:04:08,549
NOW YOU DON'T.
54
00:04:11,685 --> 00:04:13,754
THE DESERT HOLDS
MANY MYSTERIES,
55
00:04:13,787 --> 00:04:16,857
BUT NONE MORE PUZZLING THAN THE
RIDDLE OF THE ROCKS THAT MOVE.
56
00:04:18,759 --> 00:04:21,662
THESE STRANGE TRAILS, GOUGED
IN THE FLOOR OF A DRY LAKE,
57
00:04:21,695 --> 00:04:24,832
ARE MADE BY BOULDERS
WEIGHING NEARLY A TON.
58
00:04:26,467 --> 00:04:28,669
BUT WHETHER THE ROCKS
ARE PUSHED BY THE WIND,
59
00:04:28,702 --> 00:04:30,604
CARRIED BY FLOODWATERS,
60
00:04:30,638 --> 00:04:32,773
OR IMPELLED
BY SOME UNKNOWN FORCE,
61
00:04:32,806 --> 00:04:34,408
NOBODY KNOWS,
62
00:04:34,442 --> 00:04:36,910
FOR NO ONE HAS EVER SEEN
THE ROCKS IN MOTION,
63
00:04:36,944 --> 00:04:39,313
ONLY THE MARKS
OF THEIR PASSING.
64
00:04:48,756 --> 00:04:50,724
PART OF THE DESERT'S
ENDLESS PANORAMA
65
00:04:50,758 --> 00:04:52,493
IS THE SALTON SEA,
66
00:04:52,526 --> 00:04:55,329
ITSELF THE REMAINDER
OF AN ANCIENT OCEAN.
67
00:04:58,966 --> 00:05:02,403
AND HERE ARE SCENES THAT COME
FROM THE TIME OF CREATION.
68
00:05:02,436 --> 00:05:05,839
ALONG THESE SHORES,
PENT-UP GASES BUBBLE AND BOIL
69
00:05:05,873 --> 00:05:07,675
LIKE SEETHING CAULDRONS.
70
00:05:07,708 --> 00:05:11,645
NATURE'S SYMPHONY
OF THE MUD POTS.
71
00:06:27,120 --> 00:06:29,957
THIS, THEN, IS
THE GREAT AMERICAN DESERT,
72
00:06:29,990 --> 00:06:31,925
A LAND OF HEAT AND SUN,
73
00:06:31,959 --> 00:06:34,528
OF SAND AND SOUNDLESS SPACE,
74
00:06:34,562 --> 00:06:36,129
THE OMINOUS SILENCE BROKEN ONLY
75
00:06:36,163 --> 00:06:38,632
BY THE HOWLING
OF THE SANDSTORM.
76
00:07:11,932 --> 00:07:14,201
HOW ANYTHING CAN LIVE
IN THIS HARSH REGION
77
00:07:14,234 --> 00:07:16,537
REMAINS A MYSTERY
TO MOST OF US.
78
00:07:16,570 --> 00:07:20,140
AND YET WHERE WE FIND ONLY
A DEAD AND DESOLATE WASTELAND,
79
00:07:20,173 --> 00:07:22,710
NATURE FINDS LIFE.
80
00:07:29,617 --> 00:07:31,118
AND THIS "TRUE-LIFE ADVENTURE"
81
00:07:31,151 --> 00:07:34,121
IS THE STORY
OF NATURE'S LIVING DESERT.
82
00:07:41,529 --> 00:07:44,632
IT'S THE ANCIENT DRAMA
OF THE STRUGGLE FOR EXISTENCE.
83
00:07:44,665 --> 00:07:46,066
AND FOR THE MOST PART,
84
00:07:46,099 --> 00:07:48,468
LIFE HERE IS A BIT
ON THE GRIM SIDE.
85
00:08:01,915 --> 00:08:04,985
BUT OF COURSE THERE'S
ALWAYS COMEDY RELIEF.
86
00:08:05,018 --> 00:08:08,589
THIS CHARACTER, FOR INSTANCE,
IS AN ODD BIRD FOR SURE.
87
00:08:08,622 --> 00:08:10,190
HE'S THE ROADRUNNER,
88
00:08:10,223 --> 00:08:13,727
SO-CALLED BECAUSE
HE'D RATHER WALK THAN FLY.
89
00:08:13,761 --> 00:08:17,130
A NOSY FELLOW COMPLETELY
LACKING IN MANNERS,
90
00:08:17,164 --> 00:08:20,901
HE HAS A HABIT OF PECKING AT
ANYTHING LYING AROUND LOOSE,
91
00:08:20,934 --> 00:08:23,537
SUCH AS THE TAIL
OF A GARTER SNAKE.
92
00:08:31,812 --> 00:08:35,549
A CONFIRMED PRACTICAL JOKER,
HE FINDS THIS GREAT SPORT,
93
00:08:35,583 --> 00:08:38,151
MAKING LITTLE SNAKES
OUT OF BIG ONES.
94
00:08:46,727 --> 00:08:48,862
AT THE RESIDENCE
OF MRS. TARANTULA,
95
00:08:48,896 --> 00:08:50,831
IT'S ALWAYS OPEN HOUSE.
96
00:08:50,864 --> 00:08:52,800
SHE'S FOREVER
CLEANING HER PARLOR
97
00:08:52,833 --> 00:08:55,102
FOR GUESTS THAT MIGHT
DROP BY FOR DINNER.
98
00:08:55,135 --> 00:08:57,738
UH, HER DINNER, OF COURSE.
99
00:08:57,771 --> 00:09:01,174
AND HERE COMES A CALLER NOW.
100
00:09:10,183 --> 00:09:13,353
THIS LETHAL LADY IS ONE OF THE
LEADING ACTORS IN OUR DRAMA.
101
00:09:13,386 --> 00:09:17,124
SHE'LL BE RECEIVING MORE
VISITORS FROM TIME TO TIME.
102
00:09:21,194 --> 00:09:23,130
A GOURMET WHO PREFERS
A DIFFERENT DIET
103
00:09:23,163 --> 00:09:25,032
IS THE CHUCKAWALLA.
104
00:09:26,299 --> 00:09:29,069
THESE LITTLE FELLOWS
ARE STRICT VEGETARIANS,
105
00:09:29,102 --> 00:09:33,073
DIMINUTIVE DINOSAURS
WHO DINE ON DAISIES.
106
00:09:39,647 --> 00:09:41,749
TO MEET THE HARSH CHALLENGE
OF THE DESERT,
107
00:09:41,782 --> 00:09:44,618
NATURE MUST FASHION
ODD PATTERNS OF LIFE.
108
00:09:44,652 --> 00:09:46,620
AND WITH THE SPINY CACTI,
109
00:09:46,654 --> 00:09:49,823
HER CREATIONS APPROACH
THE REALM OF FANTASY.
110
00:09:57,665 --> 00:09:59,032
TREES BEING SCARCE,
111
00:09:59,066 --> 00:10:00,868
THE DESERT BIRDS
MUST BUILD THEIR NESTS
112
00:10:00,901 --> 00:10:03,170
IN THE MOST UNLIKELY PLACES.
113
00:10:03,203 --> 00:10:06,339
STILL THEY MANAGE TO TURN
THE DRAWBACK TO AN ADVANTAGE.
114
00:10:06,373 --> 00:10:09,276
HOME, SWEET HOME HERE
IS A BRISTLING FORTRESS,
115
00:10:09,309 --> 00:10:12,179
GUARDED BY 1,000 BAYONETS.
116
00:10:13,346 --> 00:10:16,116
TO EACH BIRD,
ITS OWN BRAND OF CACTUS.
117
00:10:16,149 --> 00:10:18,051
FOR THESE YOUNG THRASHERS,
118
00:10:18,085 --> 00:10:21,989
THE CHOLLA PROVIDES A NURSERY
AS NEAT AS A PIN CUSHION.
119
00:10:22,022 --> 00:10:25,325
THE PRICKLY PEAR BECOMES
SANCTUARY FOR THE DOVE,
120
00:10:25,358 --> 00:10:28,996
WHILE THE DESERT SKYSCRAPER,
THE GIANT SAGUARO,
121
00:10:29,029 --> 00:10:31,264
IS A HAVEN FOR THE WOODPECKERS.
122
00:10:38,205 --> 00:10:42,075
HERE TOO THE RED-TAILED HAWK
CHOOSES HER NESTING PLACE.
123
00:10:44,845 --> 00:10:48,882
ON THE LIVING DESERT, NATURE
DELIGHTS IN THE UNEXPECTED.
124
00:10:48,916 --> 00:10:52,285
SOMETIMES IN THE VERY HEART
OF THE WASTELAND,
125
00:10:52,319 --> 00:10:54,922
AN UNDERGROUND STREAM
WILL REAPPEAR.
126
00:11:04,464 --> 00:11:07,267
BUT THESE WATERING PLACES
ARE RARE, INDEED.
127
00:11:07,300 --> 00:11:09,136
MOST OF THE DESERT CREATURES
128
00:11:09,169 --> 00:11:11,739
MUST LEARN TO DO WITHOUT WATER
OVER LONG PERIODS.
129
00:11:11,772 --> 00:11:13,774
THE TORTOISE IS LUCKY.
130
00:11:13,807 --> 00:11:15,909
HE MANUFACTURES HIS OWN,
131
00:11:15,943 --> 00:11:19,146
USING THE SPECIAL EQUIPMENT
NATURE HAS GIVEN HIM.
132
00:11:22,950 --> 00:11:25,853
HE GATHERS HIS RAW MATERIAL
EARLY IN THE SEASON
133
00:11:25,886 --> 00:11:28,455
WHEN THERE'S STILL
GREEN FOLIAGE AVAILABLE.
134
00:11:33,293 --> 00:11:34,928
BY INTERNAL CHEMISTRY,
135
00:11:34,962 --> 00:11:36,964
HE CONVERTS THE LEAVES
INTO CLEAR LIQUID,
136
00:11:36,997 --> 00:11:39,166
WHICH HE STORES
BENEATH HIS SHELL.
137
00:11:49,242 --> 00:11:51,178
HE'S A TRAVELING CANTEEN,
138
00:11:51,211 --> 00:11:54,815
ABLE TO TIDE HIMSELF
OVER LONG PERIODS OF DROUGHT.
139
00:11:58,018 --> 00:11:59,486
ANOTHER PIECE
OF SPECIAL EQUIPMENT
140
00:11:59,519 --> 00:12:01,221
THAT MAKES LIFE A LITTLE EASIER
141
00:12:01,254 --> 00:12:03,791
IS THE SKID
UNDER THE TORTOISE'S CHIN.
142
00:12:03,824 --> 00:12:06,093
IT HELPS HIM
OVER THE ROUGH PLACES.
143
00:12:11,198 --> 00:12:14,434
A TORTOISE MUST GATHER HIS
GREENS WHILE THEY'RE AVAILABLE.
144
00:12:14,467 --> 00:12:16,336
YET THIS POSES A PROBLEM.
145
00:12:16,369 --> 00:12:18,906
FOR NOW
IT'S COURTING SEASON, TOO.
146
00:12:18,939 --> 00:12:20,207
A NICE DILEMMA --
147
00:12:20,240 --> 00:12:22,175
STAY A BACHELOR
AT THE WATERWORKS,
148
00:12:22,209 --> 00:12:25,913
OR CHASE AFTER THE WOMEN
AND MAYBE DIE OF THIRST.
149
00:12:25,946 --> 00:12:30,784
A COY GLANCE FROM THE SIDELINE
SOON SETTLES THAT QUESTION.
150
00:12:30,818 --> 00:12:34,054
THE BASHFUL MALE
BEGINS HIS COURTSHIP
151
00:12:34,087 --> 00:12:36,289
AS A NODDING ACQUAINTANCE.
152
00:12:46,399 --> 00:12:48,368
THEN WHEN HE GETS A BIT BOLDER,
153
00:12:48,401 --> 00:12:52,439
THE LADY AS USUAL
GIVES HIM THE RUNAROUND.
154
00:12:52,472 --> 00:12:55,575
AFTER ALL, EVERY FEMALE
WANTS A CHOICE IN THE MATTER.
155
00:12:55,608 --> 00:12:57,510
AT THE PROPER MOMENT,
156
00:12:57,544 --> 00:13:00,447
IN THE PROPER TRADITION,
THE RIVAL ENTERS.
157
00:13:04,617 --> 00:13:06,586
WITH A SORT
OF PONDEROUS CHIVALRY,
158
00:13:06,619 --> 00:13:08,822
THE TWO MALES SQUARE OFF.
159
00:13:13,426 --> 00:13:16,563
TWO KNIGHTS IN ARMOR READY
TO BATTLE FOR THE LADY FAIR.
160
00:13:16,596 --> 00:13:20,033
UH, BUT FIRST THEY AGREE
ON THE TOURNAMENT RULES.
161
00:13:32,445 --> 00:13:35,348
THE HANDY SKID NOW
BECOMES THE JOUSTER'S LANCE
162
00:13:35,382 --> 00:13:38,051
WITH WHICH HE TRIES
TO UPEND HIS RIVAL.
163
00:13:38,085 --> 00:13:40,520
IN FACT, THIS
IS THE OBJECT OF THE BOUT
164
00:13:40,553 --> 00:13:42,255
SINCE A TORTOISE
TURNED UPSIDE-DOWN
165
00:13:42,289 --> 00:13:44,091
IS COMPLETELY HELPLESS.
166
00:14:42,649 --> 00:14:45,618
FINALLY, IT'S TORTOISE
TURNED TURTLE.
167
00:14:45,652 --> 00:14:56,496
EIGHT, NINE, TEN, YOU'RE OUT.
HE'S NOT ONLY LOST HIS DIGNITY,
HE MAY LOSE HIS LIFE.
168
00:14:56,529 --> 00:14:58,698
VULNERABLE TO HEAT PROSTRATION,
169
00:14:58,731 --> 00:15:00,467
HE MUST RIGHT
HIMSELF IMMEDIATELY
170
00:15:00,500 --> 00:15:03,436
OR DIE OF SUNSTROKE.
171
00:15:03,470 --> 00:15:06,373
THE WINNER MEANWHILE
CLAIMS THE LADY FAIR,
172
00:15:06,406 --> 00:15:10,010
TOTALLY UNCONCERNED WITH
THE PLIGHT OF HIS OPPONENT.
173
00:15:40,207 --> 00:15:42,175
AN IMMIGRANT
FROM CENTRAL AMERICA
174
00:15:42,209 --> 00:15:43,610
IS THE COATIMUNDI,
175
00:15:43,643 --> 00:15:47,247
A TROPICAL COUSIN
OF THE AMERICAN RACCOON.
176
00:15:47,280 --> 00:15:49,682
THANKS TO A CAST-IRON
DIGESTIVE SYSTEM,
177
00:15:49,716 --> 00:15:51,284
HE'S RIGHT AT HOME HERE.
178
00:15:51,318 --> 00:15:52,519
HE'LL EAT ANYTHING.
179
00:15:52,552 --> 00:15:54,754
INSECTS, LIZARDS, FRUIT, EGGS.
180
00:15:54,787 --> 00:15:57,290
YOU NAME IT,
THE COATI WILL EAT IT.
181
00:16:01,628 --> 00:16:04,264
WHAT'S MORE, NATURE MADE HIM
ALMOST COMPLETELY IMMUNE
182
00:16:04,297 --> 00:16:06,366
TO THE DEADLY STING
OF THE SCORPION.
183
00:16:09,502 --> 00:16:14,007
AND SO HE OFTEN ADDS THIS SPICY
TIDBIT TO HIS DAILY DIET.
184
00:16:22,515 --> 00:16:24,751
FOR DESSERT,
WHAT COULD BE NICER
185
00:16:24,784 --> 00:16:27,720
THAN THE FRUIT
OF THE PRICKLY
186
00:16:44,537 --> 00:16:46,673
THE COATIS ARE BY CHOICE
TREE-DWELLERS
187
00:16:46,706 --> 00:16:49,209
AND OFTEN MAKE THEIR HOMES
IN HOLLOW LOGS
188
00:16:49,242 --> 00:16:51,678
FOUND ALONG THE DRY WASHES.
189
00:16:55,315 --> 00:16:57,384
AS SOON AS MOTHER COATI
MAKES THE BED,
190
00:16:57,417 --> 00:17:00,287
THE YOUNGSTERS COME ALONG
AND MUSS IT UP AGAIN.
191
00:17:14,467 --> 00:17:16,236
PLAYFUL, FUN-LOVING,
192
00:17:16,269 --> 00:17:19,072
THESE LITTLE RASCALS AREN'T
AS INNOCENT AS THEY LOOK
193
00:17:19,106 --> 00:17:21,074
FOR COATIS ARE BORN BANDITS,
194
00:17:21,108 --> 00:17:24,111
EVEN TO THE MASKS
ON THEIR FACES.
195
00:17:24,144 --> 00:17:27,814
SINCE EGG-STEALING
IS THEIR FAVORITE PASTIME,
196
00:17:27,847 --> 00:17:31,651
THEY'RE A CONSTANT THREAT
TO UNGUARDED NESTS.
197
00:17:35,155 --> 00:17:37,424
WORKING LIKE PROFESSIONALS,
THE SECOND-STORY MEN
198
00:17:37,457 --> 00:17:39,259
MAKE OFF WITH THE LOOT.
199
00:17:39,292 --> 00:17:42,362
AND MRS. VULTURE ARRIVES
JUST A LITTLE TOO LATE
200
00:17:42,395 --> 00:17:43,730
TO SAVE HER EGGS.
201
00:17:49,502 --> 00:17:53,806
ABOUT THIS TIME, MOTHER
LOOKS IN TO CHECK THE SWAG
202
00:17:53,840 --> 00:17:56,509
AND IS QUICK TO CUT HERSELF IN.
203
00:17:59,479 --> 00:18:01,581
MEANWHILE, THIS JUNIOR BURGLAR
204
00:18:01,614 --> 00:18:04,684
FINDS HE FORGOT TO STEAL
THE COMBINATION.
205
00:18:22,869 --> 00:18:26,306
AND THEN AFTER THE OMELET,
A QUIET NAP.
206
00:18:35,482 --> 00:18:38,351
THESE WILD PIGS
ARE CALLED BY SEVERAL NAMES --
207
00:18:38,385 --> 00:18:40,220
JABALINAS, PECCARIES --
208
00:18:40,253 --> 00:18:41,854
BUT THEIR REAL NAME IS TROUBLE,
209
00:18:41,888 --> 00:18:44,257
FOR THEY'RE ONE
OF THE MOST FEROCIOUS ANIMALS
210
00:18:44,291 --> 00:18:45,858
ON THE AMERICAN CONTINENT.
211
00:18:45,892 --> 00:18:47,494
THEY TRAVEL IN GROUPS,
212
00:18:47,527 --> 00:18:50,129
ESPECIALLY WHEN
ACCOMPANIED BY YOUNG.
213
00:18:57,704 --> 00:18:59,572
UNLIKE THEIR DOMESTIC COUSINS,
214
00:18:59,606 --> 00:19:01,774
PECCARIES WEAR
A THICK COAT OF FUR.
215
00:19:01,808 --> 00:19:03,943
AND WHEN THEY FIND
A PATCH OF DAMP SAND,
216
00:19:03,976 --> 00:19:06,313
THEY WELCOME
THE CHANCE TO COOL OFF.
217
00:19:16,323 --> 00:19:19,526
BUT NOW ANOTHER VICIOUS FIGHTER
WITH AN EQUALLY BAD REPUTATION
218
00:19:19,559 --> 00:19:21,294
COMES THEIR WAY.
219
00:19:26,933 --> 00:19:29,502
IT'S A GOOD RULE
ON THE DESERT TO KEEP CLEAR
220
00:19:29,536 --> 00:19:31,438
OF A BOBCAT ON THE PROWL,
221
00:19:31,471 --> 00:19:35,942
BUT IT'S AN EVEN BETTER RULE
NEVER TO PICK ON A PECCARY.
222
00:19:35,975 --> 00:19:37,577
LIKE ALL WILD PIGS,
223
00:19:37,610 --> 00:19:39,779
THEY HAVE LONG TUSKS
AND SHORT TEMPERS.
224
00:19:54,427 --> 00:19:57,330
THE CAT'S INSTINCTIVE REACTION
IS TO CLIMB A TREE,
225
00:19:57,364 --> 00:19:58,565
BUT NO TREE.
226
00:19:58,598 --> 00:20:00,567
WELL, IT'S NO TIME
TO BE CHOOSY.
227
00:20:00,600 --> 00:20:02,469
THIS IS AN EMERGENCY.
228
00:20:10,743 --> 00:20:12,412
WHEN IT COMES TO A CHOICE
229
00:20:12,445 --> 00:20:14,747
BETWEEN SHARP TUSKS
AND SHARP THORNS,
230
00:20:14,781 --> 00:20:16,649
THE CAT PREFERS THE LATTER.
231
00:20:29,929 --> 00:20:31,931
NOT THE MOST COMFORTABLE SPOT
IN THE WORLD,
232
00:20:31,964 --> 00:20:33,800
BUT AT LEAST HE'S SAFE.
233
00:20:55,588 --> 00:20:58,425
AND THE BOBCAT FINALLY DECIDES
THE DESERT'S NO PLACE
234
00:20:58,458 --> 00:20:59,826
FOR A TENDERFOOT.
235
00:21:15,942 --> 00:21:17,544
IN HER DESERT DRAMA,
236
00:21:17,577 --> 00:21:20,347
NATURE KNOWS
NEITHER HERO NOR VILLAIN.
237
00:21:20,380 --> 00:21:24,016
SHE'S IMPARTIAL AND PLANS
FOR THE SURVIVAL OF ALL.
238
00:21:24,050 --> 00:21:26,919
THUS THE RATTLESNAKE IS GIVEN
A SUPER-SENSITIVE TONGUE
239
00:21:26,953 --> 00:21:28,988
WITH WHICH HE TRACKS HIS PREY.
240
00:21:32,559 --> 00:21:35,462
EVEN THE FAINTEST SCENT
LEFT IN THE SAND
241
00:21:35,495 --> 00:21:38,565
WILL GUIDE HIM UNERRINGLY
ALONG THE TRAIL.
242
00:21:52,479 --> 00:21:55,615
THE POCKET MOUSE
HAS ONLY ONE DEFENSE --
HE GOES UNDERGROUND,
243
00:21:55,648 --> 00:21:58,485
AND IT'S ANY HOLE
IN AN EMERGENCY.
244
00:21:59,552 --> 00:22:02,321
OOP! ANY HOLE BUT THAT ONE.
245
00:22:11,063 --> 00:22:13,766
HOT ON THE SCENT,
THE RATTLESNAKE
STICKS TO THE TRAIL.
246
00:22:13,800 --> 00:22:16,403
WHEREVER IT LEADS, HE FOLLOWS.
247
00:22:19,005 --> 00:22:19,972
UH-OH.
248
00:22:20,006 --> 00:22:22,141
THE TARANTULA
AND THE RATTLER --
249
00:22:22,174 --> 00:22:23,943
TWO OF A KIND.
250
00:22:27,013 --> 00:22:29,416
THE SNAKE ISN'T
TO BE BLUFFED OUT OF A MEAL.
251
00:22:31,984 --> 00:22:35,522
HE'S SURE THE MOUSE
IS IN THAT HOLE.
252
00:22:35,555 --> 00:22:38,891
THE SPIDER IS SURE HE ISN'T...
253
00:22:38,925 --> 00:22:43,596
WHILE THE PARTY IN QUESTION
WOULD RATHER DIG THAN DEBATE.
254
00:22:51,471 --> 00:22:52,839
LARGEST OF ALL SPIDERS
255
00:22:52,872 --> 00:22:55,775
AND ARMED WITH
HER OWN BRAND OF POISON,
256
00:22:55,808 --> 00:22:58,010
THE TARANTULA
STANDS HER GROUND.
257
00:23:02,715 --> 00:23:06,419
AND ODDLY ENOUGH, THE
RATTLESNAKE BACKS DOWN FIRST.
258
00:23:08,120 --> 00:23:10,723
IT'S A STANDOFF,
AND NOBODY WINS...
259
00:23:10,757 --> 00:23:15,562
NOBODY, THAT IS, EXCEPT THE
LITTLE MOUSE WHO WASN'T THERE.
260
00:23:17,096 --> 00:23:18,931
THE SCENT COLD,
THE TRAIL IS LOST.
261
00:23:18,965 --> 00:23:20,667
AND THIS TIME A DESERT KILLER
262
00:23:20,700 --> 00:23:22,869
HAS BEEN OUTWITTED
BY EVERYBODY.
263
00:23:39,619 --> 00:23:42,121
EVERY AFTERNOON
ALONG ABOUT SUNDOWN,
264
00:23:42,154 --> 00:23:45,592
THE RED-TAILED HAWK FLIES
TO THIS PARTICULAR SPOT
265
00:23:45,625 --> 00:23:47,226
AND WAITS...
266
00:23:47,259 --> 00:23:50,997
FOR HERE OCCURS A PHENOMENON
THAT'S AS REGULAR AS CLOCKWORK.
267
00:23:52,899 --> 00:23:56,035
INSIDE THIS CAVE, MILLIONS
OF BATS ARE AWAKENING,
268
00:23:56,068 --> 00:23:58,805
FOR THEIR DAY BEGINS
WITH THE TWILIGHT.
269
00:24:07,647 --> 00:24:10,216
BATS ARE
THE ONLY FLYING MAMMALS.
270
00:24:10,249 --> 00:24:13,586
THIS SPECIES LIVES
EXCLUSIVELY ON INSECTS
271
00:24:13,620 --> 00:24:17,156
AND SO HELPS NATURE KEEP THE
PEST POPULATION UNDER CONTROL.
272
00:24:30,770 --> 00:24:32,672
NOW AS EVENING APPROACHES,
273
00:24:32,705 --> 00:24:35,642
THESE NIGHT FLIERS TAKE OFF
FOR THEIR HUNTING GROUNDS.
274
00:24:45,084 --> 00:24:48,287
TO NAVIGATE IN THE DARK,
BATS USE A FORM OF RADAR.
275
00:24:48,320 --> 00:24:51,791
THEIR HIGH-PITCHED SQUEAKS
BOUNCE OFF SOLID OBJECTS
276
00:24:51,824 --> 00:24:55,161
TO BECOME THE ECHOES
BY WHICH THEY GUIDE THEMSELVES.
277
00:25:05,204 --> 00:25:08,174
SOON THE SKY IS FILLED
WITH CLOUDS OF BATS.
278
00:25:12,645 --> 00:25:15,648
AND THIS IS WHAT THE HAWK
HAS BEEN WAITING FOR.
279
00:25:15,682 --> 00:25:18,150
SHE DRAWS A BEAD
ON HALF A DOZEN OR SO,
280
00:25:18,184 --> 00:25:20,787
AND DOWN SHE GOES!
281
00:25:23,890 --> 00:25:25,558
A CLEAN MISS.
282
00:25:25,592 --> 00:25:27,994
OH, WELL, MAYBE SHE FORGOT
TO ALLOW FOR THE WIND.
283
00:25:29,295 --> 00:25:33,265
THIS TIME SHE CHECKS
ELEVATION, DRIFT, DIVING ANGLE,
284
00:25:33,299 --> 00:25:34,867
AND...
285
00:25:41,641 --> 00:25:42,875
SCORED A HIT.
286
00:25:42,909 --> 00:25:44,611
BUT IT GETS AWAY.
287
00:25:44,644 --> 00:25:46,779
OLD BUTTERCLAWS.
288
00:25:59,926 --> 00:26:02,862
WAS EVER A BIRD SO FRUSTRATED?
289
00:26:07,967 --> 00:26:11,370
THIS CAN DRIVE A HAWK
TO NERVOUS PROSTRATION.
290
00:26:11,403 --> 00:26:13,740
SHE JUST CAN'T FIGURE IT OUT.
291
00:26:13,773 --> 00:26:17,744
YOU SEE, NOBODY EVER TOLD HER
ABOUT THE BATS' RADAR.
292
00:26:20,046 --> 00:26:22,014
FRANTIC NOW,
SHE'LL TRY ANYTHING,
293
00:26:22,048 --> 00:26:24,150
EVEN A COLLISION COURSE.
294
00:26:24,183 --> 00:26:26,786
TO HER SURPRISE, IT WORKS.
295
00:26:28,220 --> 00:26:32,591
AND A MIGHTY SMALL REWARD
FOR SUCH A PRODIGIOUS EFFORT.
296
00:26:34,060 --> 00:26:36,963
TO NATURE, THE LOSS OF ONE BAT,
OR EVEN 1,000,
297
00:26:36,996 --> 00:26:39,131
IS REALLY NO LOSS AT ALL.
298
00:26:39,165 --> 00:26:41,768
THIS WINGED COLUMN
STREAMS INTO THE SKY
299
00:26:41,801 --> 00:26:45,604
UNTIL LONG AFTER THE SUN
HAS GONE FROM THE SCENE.
300
00:26:48,741 --> 00:26:51,143
THE NIGHTTIME WONDERS
OF NATURE'S LIVING DESERT
301
00:26:51,177 --> 00:26:53,813
MORE THAN MATCH
THE WONDERS OF THE DAY.
302
00:26:53,846 --> 00:26:55,782
THE DESERT WATER HOLE
IN PARTICULAR
303
00:26:55,815 --> 00:26:58,117
ATTRACTS AN ODD ASSORTMENT
OF NIGHT LIFE.
304
00:26:58,150 --> 00:27:00,152
HERE THE TOADS
FIND A HUNTING GROUND
305
00:27:00,186 --> 00:27:02,021
ESPECIALLY TO THEIR LIKING.
306
00:27:15,334 --> 00:27:17,737
HERE THE CENTIPEDE
PUTS HIS BEST FOOT FORWARD
307
00:27:17,770 --> 00:27:19,906
AND STEPS OUT
FOR AN EVENING STROLL.
308
00:27:49,168 --> 00:27:52,238
SUDDENLY HE FINDS HE'S WANDERED
DOWN A DEAD-END STREET.
309
00:27:58,444 --> 00:28:00,747
IN THE REALM OF FANCY FOOTWORK,
HOWEVER,
310
00:28:00,780 --> 00:28:03,215
THE MILLIPEDE IS WITHOUT EQUAL.
311
00:28:03,249 --> 00:28:05,752
MILLIPEDE --
LITERALLY "1,000 FEET,"
312
00:28:05,785 --> 00:28:07,019
GIVE OR TAKE A FEW.
313
00:28:07,053 --> 00:28:09,055
COUNT 'EM.
314
00:28:36,215 --> 00:28:37,316
UH-OH.
315
00:28:37,349 --> 00:28:40,386
LOOKS LIKE A BAD NIGHT
FOR A PEDESTRIAN.
316
00:28:40,419 --> 00:28:42,054
BUT NOT THIS ONE.
317
00:28:42,088 --> 00:28:44,190
NATURE GIVES THE MILLIPEDE
AN UNPLEASANT ODOR
318
00:28:44,223 --> 00:28:46,826
GUARANTEED TO MAKE HIM
COMPLETELY SPIDER-PROOF.
319
00:28:54,967 --> 00:28:58,304
THIS PUNGENT DEFENSE,
HOWEVER, HAS ITS LIMITATIONS.
320
00:28:58,337 --> 00:29:01,240
THE TOAD FINDS IT
QUITE APPETIZING.
321
00:29:09,048 --> 00:29:11,918
WHENEVER THE MOON CASTS A SPELL
OVER THE LIVING DESERT,
322
00:29:11,951 --> 00:29:14,020
THE GOBLINS APPEAR.
323
00:29:14,053 --> 00:29:16,288
IN THIS CASE,
IT'S AN ELFIN OWL.
324
00:29:16,322 --> 00:29:19,191
FROM HER DOORWAY,
SHE WATCHES A STRANGE BALLET
325
00:29:19,225 --> 00:29:20,759
IN THE MOONLIGHT.
326
00:29:22,094 --> 00:29:23,930
LIKE A CREATURE BEWITCHED,
327
00:29:23,963 --> 00:29:26,765
THE BURROWING SNAKE
PERFORMS HIS SERPENTINE SOLO.
328
00:30:31,497 --> 00:30:34,066
THE OWL IS WITNESS
TO MANY UNUSUAL SCENES,
329
00:30:34,100 --> 00:30:35,434
BUT ONE OF THE STRANGEST
330
00:30:35,467 --> 00:30:37,569
IS THE COURTSHIP
OF THE TARANTULAS.
331
00:30:40,139 --> 00:30:42,474
THE MALE COMES CALLING
LIKE ANY LOVE-SICK ROMEO
332
00:30:42,508 --> 00:30:45,544
AND KNOCKS
ON THE FEMALE'S DOOR.
333
00:31:00,292 --> 00:31:03,162
IN HER OWN GOOD TIME,
JULIET APPEARS.
334
00:31:03,195 --> 00:31:06,332
HE GREETS HER WITH OPEN ARMS --
ALL EIGHT OF THEM --
335
00:31:06,365 --> 00:31:08,367
AND DRAWS HER CLOSE.
336
00:31:14,373 --> 00:31:16,575
THE LADY TAKES HER CUE
AND SWOONS.
337
00:31:16,608 --> 00:31:18,277
A BIT THEATRICAL PERHAPS,
338
00:31:18,310 --> 00:31:20,212
BUT IT'S A TECHNIQUE
THAT ALWAYS WORKS,
339
00:31:20,246 --> 00:31:22,114
EVEN WITH TARANTULAS.
340
00:31:25,551 --> 00:31:27,653
BUT THE OWL
HASN'T SEEN ANYTHING YET,
341
00:31:27,686 --> 00:31:30,522
FOR NOW BEGINS THE COURTING
DANCE OF THE SCORPION.
342
00:31:33,625 --> 00:31:36,195
OF COURSE, THE FIRST THING
HE NEEDS IS A PARTNER,
343
00:31:36,228 --> 00:31:38,297
SO HE DIGS ONE UP.
344
00:31:41,500 --> 00:31:43,369
BEING NATIVE WESTERNERS,
345
00:31:43,402 --> 00:31:47,106
THE SCORPIONS FAVOR THE LIVELY
RHYTHMS OF THE SQUARE DANCE.
346
00:31:49,108 --> 00:31:50,542
ALL RIGHT, EVERYBODY!
347
00:31:50,576 --> 00:31:52,979
CHOOSE YOUR PARTNERS
FOR THE STING-O-REE.
348
00:31:56,648 --> 00:31:58,951
* LADY AND GENT
TO THE CENTER OF THE RING *
349
00:31:58,985 --> 00:32:00,719
* LOCK THOSE CLAWS,
LIFT THAT STING *
350
00:32:00,752 --> 00:32:02,989
* THREE LEGS UP
AND FOUR LEGS DOWN *
351
00:32:03,022 --> 00:32:05,958
* WHIRL THAT SCORPION
ROUND AND ROUND *
352
00:32:08,727 --> 00:32:10,963
* CIRCLE 'ROUND,
AND AWAY WE GO *
353
00:32:10,997 --> 00:32:14,066
* SASHAY RIGHT
WITH A DO-SI-DO *
354
00:32:16,668 --> 00:32:19,005
* HALFWAY 'ROUND
AND BACKTRACK BACK *
355
00:32:19,038 --> 00:32:21,073
* SNAP YOUR CLAWS
WITH A CLICKETY-CLACK *
356
00:32:21,107 --> 00:32:23,075
* GENTS TO THE LEFT,
LADIES TO THE RIGHT *
357
00:32:23,109 --> 00:32:25,511
* NOW, AIN'T THAT GAL
A PRETTY SIGHT? *
358
00:32:28,747 --> 00:32:31,017
* SWING YOUR PARTNER,
GIVE HER A HUG *
359
00:32:31,050 --> 00:32:33,319
* GET YOUR HOOKS
ON A LADY BUG *
360
00:32:45,031 --> 00:32:47,033
* STINGERS UP
FOR THE STING-O-REE *
361
00:32:47,066 --> 00:32:49,601
* BUT WATCH OUT, GAL,
YOU DON'T STING ME *
362
00:32:53,105 --> 00:32:55,074
* ALLEMANDE LEFT
WITH YOUR INSECT FAIR *
363
00:32:55,107 --> 00:32:57,509
* AND TAKE YOUR GAL
TO YOU-KNOW-WHERE *
364
00:33:04,450 --> 00:33:07,353
THE AMOROUS MOOD OF THE EVENING
SEEMS TO BE CATCHING,
365
00:33:07,386 --> 00:33:10,756
FOR NOW THE LONG-HORNED BEETLE
IN FORMAL ATTIRE
366
00:33:10,789 --> 00:33:14,593
DECIDES TO DROP IN
ON THE LADY DOWNSTAIRS.
367
00:33:16,228 --> 00:33:18,297
WHAT A CHARMING SMILE SHE HAS.
368
00:33:18,330 --> 00:33:21,167
AND SUCH MAGNIFICENT MANDIBLES.
369
00:33:25,804 --> 00:33:29,375
HE'S THE FORCEFUL TYPE
AND WALKS IN UNANNOUNCED.
370
00:33:29,408 --> 00:33:32,644
BUT HIS WELCOME ISN'T
QUITE WHAT HE EXPECTED.
371
00:33:32,678 --> 00:33:35,381
FIRST THING HE KNOWS,
THE LADY CLAMPS A HAMMERLOCK
372
00:33:35,414 --> 00:33:37,015
ON ONE OF HIS FEELERS.
373
00:33:40,652 --> 00:33:43,455
AND THEN SHE BEGINS
TO GNAW ON HIS LEG,
374
00:33:43,489 --> 00:33:47,359
MERELY HER WAY OF HINTING THAT
SHE'S ALREADY GOING STEADY.
375
00:33:47,393 --> 00:33:51,097
AND BY THE COINCIDENCE WHICH
IS USUAL IN ROMANTIC FARCES,
376
00:33:51,130 --> 00:33:53,399
HERE COMES THE BOYFRIEND NOW.
377
00:34:11,150 --> 00:34:14,786
A DOUBLE HEADLOCK,
AND THEN A DEADLOCK.
378
00:34:14,820 --> 00:34:17,789
BUT IN THE END,
TRUE LOVE TRIUMPHS,
379
00:34:17,823 --> 00:34:20,826
AND A BATTERED BEETLE
BEATS A HASTY RETREAT.
380
00:34:35,841 --> 00:34:37,709
AFTER WHAT HE'S BEEN THROUGH,
381
00:34:37,743 --> 00:34:39,645
THIS LAD'S IN NO MOOD
FOR NONSENSE,
382
00:34:39,678 --> 00:34:41,947
NOT EVEN FROM TARANTULAS.
383
00:34:45,817 --> 00:34:47,819
NATURE'S ON HIS SIDE THIS TIME,
384
00:34:47,853 --> 00:34:50,689
FOR SHE'S ARMED HIM WITH SOME
SPECIAL ANTI-TARANTULA WEAPONS.
385
00:35:00,932 --> 00:35:02,901
AND WHEN THEY
FINALLY PART COMPANY,
386
00:35:02,934 --> 00:35:05,471
THE SPIDER'S LEFT WITH
A NEW RESPECT FOR BEETLES.
387
00:35:16,415 --> 00:35:19,551
JUST HOW LONG CAN
THIS CHARMED EXISTENCE LAST?
388
00:35:22,921 --> 00:35:26,425
IF AT FIRST YOU DON'T SUCCEED,
CALL YOUR BIG BROTHER.
389
00:35:26,458 --> 00:35:29,695
"HEY, MUGSY, TAKE CARE
OF THIS WISE GUY, WILL YA?"
390
00:35:34,900 --> 00:35:36,935
BIG TOAD BITES LITTLE BEETLE.
391
00:35:36,968 --> 00:35:39,271
LITTLE BEETLE BITES BIG TOAD...
392
00:35:39,305 --> 00:35:40,406
ON THE TONGUE.
393
00:35:40,439 --> 00:35:41,773
OUCH!
394
00:35:55,221 --> 00:35:56,788
DURING THESE MOONLIGHT HOURS,
395
00:35:56,822 --> 00:35:58,624
MOST OF THE NOCTURNAL CREATURES
396
00:35:58,657 --> 00:36:00,726
SPEND THEIR TIME
GATHERING FOOD.
397
00:36:00,759 --> 00:36:05,397
THE KANGAROO RATS IN PARTICULAR
CARRY ON A BUSY HARVEST.
398
00:36:05,431 --> 00:36:08,400
SUPPLIES ARE STUFFED
INTO THEIR LARGE CHEEK POUCHES
399
00:36:08,434 --> 00:36:10,436
FOR FUTURE CONSUMPTION.
400
00:36:17,543 --> 00:36:19,545
WHEN POUCHES
ARE FILLED TO CAPACITY,
401
00:36:19,578 --> 00:36:22,180
SOME OF THE GLEANINGS
MUST BE BURIED.
402
00:36:26,485 --> 00:36:28,454
FINDING A LIKELY SPOT
FOR A PRIVATE PANTRY
403
00:36:28,487 --> 00:36:30,789
REQUIRES SOME SCOUTING AROUND.
404
00:36:35,694 --> 00:36:38,797
IN THE PROCESS, SOME MIGHTY
ODD THINGS TURN UP...
405
00:36:38,830 --> 00:36:41,367
SUCH AS A BELLIGERENT
HORNED TOAD.
406
00:36:54,313 --> 00:36:55,681
IT NEVER FAILS.
407
00:36:55,714 --> 00:36:57,783
WHENEVER YOU WANT
A LITTLE PRIVACY,
408
00:36:57,816 --> 00:36:59,985
THERE'S ALWAYS SOMEBODY
LOOKING OVER YOUR SHOULDER.
409
00:37:00,018 --> 00:37:01,820
THE NOSY NEIGHBOR.
410
00:37:01,853 --> 00:37:04,856
HE MINDS EVERYBODY'S
BUSINESS BUT HIS OWN.
411
00:37:30,316 --> 00:37:32,418
THE NUISANCE
IS HARD TO DISCOURAGE,
412
00:37:32,451 --> 00:37:34,886
BUT HE FINALLY TAKES THE HINT.
413
00:37:37,589 --> 00:37:40,892
AND ONCE HE'S OUT OF THE WAY,
THE FOOD'S PUT INTO STORAGE.
414
00:37:51,036 --> 00:37:53,639
THESE LITTLE FELLOWS HAVE
SOME RATHER UNUSUAL HABITS.
415
00:37:53,672 --> 00:37:55,541
THEY PRACTICALLY
NEVER DRINK WATER,
416
00:37:55,574 --> 00:37:57,476
BUT, LIKE THE TORTOISE,
MANUFACTURE IT
417
00:37:57,509 --> 00:37:59,445
INSIDE THEIR BODIES.
418
00:37:59,478 --> 00:38:03,782
AND FOR A BATH, WHAT COULD BE
BETTER THAN GOOD, CLEAN SAND?
419
00:38:13,058 --> 00:38:15,894
IN THIS BUSTLING COLONY,
THERE'S NEVER AN IDLE MOMENT,
420
00:38:15,927 --> 00:38:17,896
AND MRS. RAT'S BUSIEST OF ALL,
421
00:38:17,929 --> 00:38:20,666
FOR MOTHER'S WORK
IS NEVER DONE.
422
00:38:20,699 --> 00:38:24,736
SHE'S NURSE,
HOUSEKEEPER, AND PROVIDER.
423
00:38:26,972 --> 00:38:29,908
A MOTHER WITH BABIES TO FEED
IS CONSTANTLY ON THE MOVE.
424
00:38:29,941 --> 00:38:32,644
AND SHE MUST OFTEN TRAVEL
CONSIDERABLE DISTANCES
425
00:38:32,678 --> 00:38:34,813
TO FIND SEEDS.
426
00:38:34,846 --> 00:38:36,815
WITH ALL HER RESPONSIBILITIES,
427
00:38:36,848 --> 00:38:38,650
MRS. RAT IS EXTREMELY CAUTIOUS
428
00:38:38,684 --> 00:38:42,087
AND QUICK TO HIDE
AT THE SLIGHTEST SOUND.
429
00:38:50,862 --> 00:38:52,698
THE KINGSNAKE ISN'T POISONOUS,
430
00:38:52,731 --> 00:38:55,767
BUT HE DOES HAVE
AN APPETITE FOR KANGAROO RATS.
431
00:38:58,970 --> 00:39:01,440
MRS. RAT NEEDS
NO SECOND WARNING.
432
00:39:01,473 --> 00:39:04,376
SHE HEADS FOR HOME
AND HER CHILDREN.
433
00:39:04,410 --> 00:39:06,845
NOW THE SNAKE
PICKS UP HER TRAIL.
434
00:39:16,054 --> 00:39:18,890
IN THIS CRISIS,
MOTHER RAT HAS A PLAN,
435
00:39:18,924 --> 00:39:20,692
BUT SHE MUST WORK FAST.
436
00:39:26,598 --> 00:39:28,934
FOR EMERGENCIES,
EVERY FAMILY OF KANGAROO RATS
437
00:39:28,967 --> 00:39:31,002
PREPARES AN AUXILIARY BURROW.
438
00:39:38,209 --> 00:39:41,680
ON HER SECOND TRIP,
SHE BARELY MANAGES TO
SLIP IN THE BACK DOOR,
439
00:39:41,713 --> 00:39:43,749
AS THE ENEMY ENTERS THE FRONT.
440
00:39:49,488 --> 00:39:52,624
BUT THE NURSERY'S EMPTY.
WHERE'S THE MISSING BABY?
441
00:39:54,460 --> 00:39:57,963
LOST IN THE MAZE OF TUNNELS,
TRYING TO FIND HIS MOTHER.
442
00:40:20,151 --> 00:40:23,855
STILL ON THE TRAIL, THE SNAKE
HEADS FOR THE SECOND BURROW.
443
00:40:23,889 --> 00:40:27,726
AND THEN AN INNOCENT BYSTANDER
SAVES THE DAY.
444
00:40:27,759 --> 00:40:31,129
ENTER THE GEKKO,
A POOR, DEFENSELESS LIZARD.
445
00:40:31,162 --> 00:40:32,698
WELL, NOT QUITE.
446
00:40:32,731 --> 00:40:35,066
FOR NATURE GAVE HIM
A DETACHABLE TAIL.
447
00:40:38,003 --> 00:40:40,606
AND SO NOTHING'S HURT
BUT HIS PRIDE.
448
00:40:40,639 --> 00:40:43,975
HE'LL SOON GROW ANOTHER TAIL
AND BE AS GOOD AS NEW.
449
00:40:47,879 --> 00:40:51,182
THIS ODD PATTERN IN THE SAND
IS MADE BY THE SIDEWINDER,
450
00:40:51,216 --> 00:40:53,985
OR HORNED RATTLESNAKE.
451
00:41:09,968 --> 00:41:12,638
THERE'S A REASON FOR THIS
STRANGE METHOD OF TRAVEL.
452
00:41:12,671 --> 00:41:15,140
IT GIVES THE SIDEWINDER
TRACTION IN SOFT SAND
453
00:41:15,173 --> 00:41:17,142
WHERE OTHER SNAKES WON'T GO.
454
00:41:17,175 --> 00:41:20,779
THUS NATURE PROVIDES HIM WITH
HUNTING GROUNDS ALL HIS OWN.
455
00:41:22,848 --> 00:41:24,616
A FORMIDABLE HUNTER,
456
00:41:24,650 --> 00:41:27,553
HE LEANS STRONGLY TOWARD A DIET
OF LIZARDS AND RODENTS.
457
00:41:55,747 --> 00:41:57,649
SMALL BUT EXTREMELY POISONOUS,
458
00:41:57,683 --> 00:41:59,985
HE DOESN'T
USUALLY TRACK HIS PREY,
459
00:42:00,018 --> 00:42:02,287
BUT WAITS FOR IT
TO COME TO HIM.
460
00:42:21,272 --> 00:42:22,273
YIKES!
461
00:42:26,177 --> 00:42:28,179
IN THE FACE
OF SUCH A POTENT ENEMY,
462
00:42:28,213 --> 00:42:30,649
MOST INTENDED VICTIMS
TAKE TO THE HILLS.
463
00:42:30,682 --> 00:42:33,251
BUT NOT THE RAT.
HE TAKES THE OFFENSIVE.
464
00:42:37,155 --> 00:42:40,558
AND HIS FAVORITE WEAPON
IS A HOMEMADE SANDSTORM.
465
00:42:42,293 --> 00:42:44,195
AGAINST THIS STINGING BARRAGE,
466
00:42:44,229 --> 00:42:47,098
THE RATTLER HAS PRACTICALLY
NO PROTECTION.
467
00:42:47,132 --> 00:42:49,267
HIS EYES ESPECIALLY
ARE VULNERABLE.
468
00:42:49,300 --> 00:42:51,002
THEY HAVE NO LIDS,
469
00:42:51,036 --> 00:42:53,739
ONLY A DELICATE COVERING
OVER THE PUPILS.
470
00:42:53,772 --> 00:42:55,273
HE CAN'T EVEN SQUINT.
471
00:43:29,808 --> 00:43:31,376
THE SNAKE'S AMBUSH HAS FAILED.
472
00:43:31,409 --> 00:43:33,044
ONLY ONE THING LEFT --
473
00:43:33,078 --> 00:43:36,614
START SIDEWINDING
FOR THE NEAREST EXIT.
474
00:43:40,451 --> 00:43:42,420
NOW THAT THE ENEMY'S
IN FULL RETREAT,
475
00:43:42,453 --> 00:43:45,223
EVERYBODY WANTS TO CLAIM
A SHARE IN THE VICTORY.
476
00:44:05,176 --> 00:44:07,412
NATURALLY, AFTER SUCH
A TREMENDOUS TRIUMPH,
477
00:44:07,445 --> 00:44:09,180
A CELEBRATION'S IN ORDER.
478
00:44:43,181 --> 00:44:45,250
THEN IN TYPICAL HUMAN FASHION,
479
00:44:45,283 --> 00:44:48,119
THE AFFAIR DEGENERATES
INTO A BRAWL.
480
00:44:52,457 --> 00:44:54,292
THE COMMOTION
ATTRACTS AN OUTSIDER
481
00:44:54,325 --> 00:44:56,227
WHO DECIDES TO CRASH THE PARTY.
482
00:44:56,261 --> 00:44:59,164
THIS POPEYED PROWLER
IS THE RING-TAILED CAT.
483
00:44:59,197 --> 00:45:02,500
ACTUALLY, HE'S NO MORE CAT
THAN HIS COUSIN THE RACCOON,
484
00:45:02,533 --> 00:45:05,771
BUT HE DOES HAVE A CAT'S TASTE
FOR KANGAROO RATS.
485
00:45:05,804 --> 00:45:08,439
AND HERE'S ANOTHER
BIG APPETITE ON THE LOOKOUT
486
00:45:08,473 --> 00:45:10,742
FOR REFRESHMENTS.
487
00:45:25,223 --> 00:45:27,893
THE SQUABBLING RATS
ARE ABOUT TO LEARN
488
00:45:27,926 --> 00:45:29,828
ONE OF NATURE'S OLDEST LAWS --
489
00:45:29,861 --> 00:45:32,898
A SINGLE MOMENT OFF-GUARD
CAN BE YOUR LAST.
490
00:45:36,401 --> 00:45:41,439
IT'S A LUCKY RAT WHO GETS AWAY
TO LIVE PERHAPS ANOTHER DAY.
491
00:45:55,921 --> 00:45:57,889
IN NATURE'S DESIGN
FOR THE DESERT,
492
00:45:57,923 --> 00:46:01,026
THE PATTERN CHANGES
WITH THE PASSING HOURS.
493
00:46:01,059 --> 00:46:02,460
EACH SPECIES IN TURN --
494
00:46:02,493 --> 00:46:05,263
INSECT AND BIRD,
REPTILE AND MAMMAL --
495
00:46:05,296 --> 00:46:07,298
HAS ITS PREFERRED TIME OF DAY.
496
00:46:07,332 --> 00:46:09,367
NOW IN THE COOL OF THE MORNING,
497
00:46:09,400 --> 00:46:12,337
THE GROUND SQUIRRELS APPEAR.
498
00:46:15,874 --> 00:46:17,442
THESE ARE THE ROUNDTAILS
499
00:46:17,475 --> 00:46:20,478
WHOSE FAVORITE BREAKFAST
IS THE PRICKLY-PEAR CACTUS.
500
00:46:21,880 --> 00:46:26,551
ITS JUICY PULP PROVIDES THEM
WITH BOTH FOOD AND DRINK.
501
00:46:35,560 --> 00:46:38,830
THEY'RE ALSO FOND OF LEAVES
AND SEEDPODS.
502
00:46:42,400 --> 00:46:44,535
BREAKFAST OFTEN
LASTS ALL MORNING,
503
00:46:44,569 --> 00:46:47,038
UNLESS THERE'S AN INTERRUPTION.
504
00:46:50,441 --> 00:46:52,110
IT'S OLD NOSY PARKER,
505
00:46:52,143 --> 00:46:53,879
THE ROADRUNNER.
506
00:46:58,950 --> 00:47:02,320
INCIDENTALLY, HE'S A MEMBER
OF THE CUCKOO FAMILY,
507
00:47:02,353 --> 00:47:06,257
A CHARTER MEMBER AS FAR
AS THE SQUIRRELS ARE CONCERNED.
508
00:47:08,126 --> 00:47:10,161
STILL THEY KNOW
HOW TO HANDLE THIS CLOWN.
509
00:47:10,195 --> 00:47:12,397
JUST GIVE HIM A TASTE
OF HIS OWN MEDICINE.
510
00:47:16,201 --> 00:47:17,936
BUT NO SOONER ARE THEY RID
OF ONE NUISANCE,
511
00:47:17,969 --> 00:47:19,537
THEN ANOTHER APPEARS.
512
00:47:19,570 --> 00:47:22,407
THIS TIME IT'S SWEET WILLIAM,
THE SPOTTED SKUNK.
513
00:47:22,440 --> 00:47:25,176
HE'S A NIGHT PROWLER
AND, LIKE ALL SKUNKS,
514
00:47:25,210 --> 00:47:27,478
CARRIES A GRUDGE
AGAINST EVERYBODY,
515
00:47:27,512 --> 00:47:30,248
ESPECIALLY WHEN HE'S
ON HIS WAY HOME TO BED.
516
00:47:40,391 --> 00:47:44,062
AND WHENEVER HE'S AROUND,
SOMEBODY SMELLS TROUBLE.
517
00:47:50,035 --> 00:47:53,338
WHEN WILLY GETS HIS BACK UP,
IT MEANS, "STAND ASIDE, BUSTER,
518
00:47:53,371 --> 00:47:55,306
OR I'LL LET YOU HAVE IT."
519
00:48:01,980 --> 00:48:04,082
THERE'S NOT MUCH A SQUIRREL
CAN DO ABOUT THIS.
520
00:48:04,115 --> 00:48:04,882
WOW!
521
00:48:04,916 --> 00:48:07,986
WHEN HE'S HAD IT, HE'S HAD IT.
522
00:48:15,560 --> 00:48:17,695
WHAT'S THIS?
ANOTHER INTRUDER?
523
00:48:17,728 --> 00:48:20,932
AH, IT'S ONLY SKINNY,
THE KID FROM ACROSS THE WAY,
524
00:48:20,966 --> 00:48:22,667
ALWAYS TRYING TO HORN IN.
525
00:48:22,700 --> 00:48:25,536
"HEY, HOW'S CHANCES
FOR JOINING THE GANG?"
526
00:48:29,174 --> 00:48:32,677
BUT THE GANG, IT SEEMS,
WANTS NO PART OF SKINNY.
527
00:48:44,322 --> 00:48:46,992
STILL, SKINNY'S
NOT EASILY SQUELCHED.
528
00:48:47,025 --> 00:48:49,394
"GAMES"
529
00:48:58,236 --> 00:49:00,571
THIS GUY'S GETTING
A LITTLE TIRESOME.
530
00:49:00,605 --> 00:49:03,341
BESIDES, HE'S INTERFERING
WITH BREAKFAST.
531
00:49:03,374 --> 00:49:06,211
THEY DECIDE TO PUT HIM
IN HIS PLACE.
532
00:49:16,121 --> 00:49:17,522
BUT SKINNY DOESN'T MIND.
533
00:49:17,555 --> 00:49:19,357
AT LEAST HE'S
THE CENTER OF ATTENTION.
534
00:49:19,390 --> 00:49:22,560
AND WHO KNOWS?
MAYBE THIS IS THE INITIATION.
535
00:49:44,315 --> 00:49:46,317
WELL, IF THAT
WAS THE INITIATION,
536
00:49:46,351 --> 00:49:48,686
SOMEBODY FORGOT TO GIVE HIM
THE PASSWORD.
537
00:49:53,224 --> 00:49:55,626
SUDDENLY, SKINNY AND
HIS PROBLEMS ARE FORGOTTEN,
538
00:49:55,660 --> 00:49:59,564
FOR NOW A VISITOR APPROACHES
WHO CAN'T BE IGNORED.
539
00:49:59,597 --> 00:50:01,499
THE GILA MONSTER --
540
00:50:01,532 --> 00:50:05,736
A STRANGE COMBINATION
OF UGLINESS AND BEAUTY.
541
00:50:07,672 --> 00:50:11,309
HE LOOKS LIKE A BEADED BAG,
BUT THIS IS PURE DECEPTION,
542
00:50:11,342 --> 00:50:14,045
FOR NATURE,
IN A MOMENT OF GRIM HUMOR,
543
00:50:14,079 --> 00:50:16,181
FILLED THE BAG WITH POISON.
544
00:50:28,693 --> 00:50:32,397
IN THEIR PANIC, SOME
LITERALLY GRASP AT STRAWS.
545
00:51:06,164 --> 00:51:08,299
SOMETHING MUST BE DONE
ABOUT THIS UGLY CUSTOMER,
546
00:51:08,333 --> 00:51:09,600
BUT WHO'S TO DO IT?
547
00:51:10,768 --> 00:51:13,671
THE ONLY TO TAKE ACTION
IS SKINNY.
548
00:51:16,674 --> 00:51:19,577
WELL, HE WANTED TO PLAY TAG,
549
00:51:19,610 --> 00:51:23,080
EXCEPT THIS TIME, IT'S APT
TO BE TAG FOR KEEPS.
550
00:51:28,853 --> 00:51:31,256
STILL, SKINNY HAS
TWO THINGS IN HIS FAVOR --
551
00:51:31,289 --> 00:51:34,225
HE'S FAST ON HIS FEET,
AND HE HAS A FIGHTING HEART.
552
00:51:40,431 --> 00:51:42,800
HIS METHOD OF DEALING
WITH GILA MONSTERS
553
00:51:42,833 --> 00:51:44,635
IS TO INSULT THEM.
554
00:51:48,406 --> 00:51:52,477
AS HE WARMS TO HIS WORK,
HE EVEN GETS A LITTLE COCKY.
555
00:51:57,848 --> 00:52:01,152
"HEY, SKINNY,
GET OUT OF THERE."
556
00:52:04,689 --> 00:52:08,159
ONCE HE STARTS SOMETHING,
THOUGH, SKINNY STICKS TO IT
557
00:52:08,193 --> 00:52:11,562
UNTIL EVEN THE GILA MONSTER
CAN'T TAKE ANY MORE.
558
00:52:21,439 --> 00:52:23,541
AND WHO'S THE HERO OF THE HOUR?
559
00:52:23,574 --> 00:52:25,310
WHY, SKINNY, OF COURSE.
560
00:52:25,343 --> 00:52:28,346
LET'S GIVE THE LITTLE FELLOW
A BIG HAND.
561
00:52:31,716 --> 00:52:34,752
IT'S BEEN A BUSY MORNING
FOR THE SQUIRRELS,
562
00:52:34,785 --> 00:52:36,521
BUT WHENEVER THINGS
CALM DOWN A BIT,
563
00:52:36,554 --> 00:52:38,423
IT'S BACK TO BREAKFAST.
564
00:52:43,428 --> 00:52:45,663
"HEY, WHO'S ROCKING THE ROCK?"
565
00:52:45,696 --> 00:52:48,699
WELL, IT'S THE TORTOISE.
566
00:52:54,605 --> 00:52:56,674
"MORNING, BROTHER TORTOISE.
567
00:52:56,707 --> 00:52:58,243
YOU LEAVING?"
568
00:52:58,276 --> 00:53:01,379
"OKAY, EVERYBODY,
FREE RIDE'S OVER."
569
00:53:01,412 --> 00:53:04,915
AND SO THE GANG GETS OFF,
ALL EXCEPT SKINNY.
570
00:53:04,949 --> 00:53:06,684
HE'S ONE OF THOSE CHARACTERS
571
00:53:06,717 --> 00:53:09,487
WHO JUST HAS TO RIDE
TO THE END OF THE LINE.
572
00:53:24,602 --> 00:53:26,837
ON THE LIVING DESERT,
573
00:53:26,871 --> 00:53:29,940
NATURE'S THEME IS ALWAYS THE
PRESERVATION OF THE SPECIES.
574
00:53:29,974 --> 00:53:33,944
AND SHE USES MANY METHODS
TO ACCOMPLISH HER PURPOSE.
575
00:53:33,978 --> 00:53:37,548
THIS IS THE PEPSIS WASP,
OR TARANTULA HAWK.
576
00:53:37,582 --> 00:53:39,817
IN ORDER THAT HER KIND
MAY SURVIVE,
577
00:53:39,850 --> 00:53:42,253
SHE MUST STALK
THE DEADLY TARANTULA
578
00:53:42,287 --> 00:53:45,222
AND ENGAGE IT IN MORTAL COMBAT.
579
00:53:47,292 --> 00:53:49,927
IT'S HER PERILOUS MISSION
TO STING THE GIANT SPIDER,
580
00:53:49,960 --> 00:53:54,699
PARALYZE IT, AND THUS PRESERVE
IT AS FOOD FOR HER YOUNG.
581
00:53:56,667 --> 00:53:59,537
SHE HURRIES FROM ONE LIKELY
LOOKING HOLE TO ANOTHER,
582
00:53:59,570 --> 00:54:02,340
LITERALLY ASKING FOR TROUBLE.
583
00:54:13,651 --> 00:54:15,052
AND SHE FINDS IT,
584
00:54:15,085 --> 00:54:17,588
BUT NOT THE KIND SHE EXPECTED.
585
00:54:20,525 --> 00:54:22,693
THE ANT ARMY SWARMS
TO THE ATTACK.
586
00:54:22,727 --> 00:54:25,296
THEIR ONE PURPOSE
IS TO WEIGH HER DOWN,
587
00:54:25,330 --> 00:54:27,031
KEEP HER EARTHBOUND.
588
00:54:28,799 --> 00:54:30,735
AGAINST
THIS ORGANIZED ONSLAUGHT,
589
00:54:30,768 --> 00:54:32,803
THE WASP HAS NO DEFENSE.
590
00:54:32,837 --> 00:54:35,573
SHE CAN ONLY HOPE
TO SHAKE THEM OFF.
591
00:55:01,466 --> 00:55:03,033
SHE WINS HER FREEDOM,
592
00:55:03,067 --> 00:55:06,671
BUT ONLY TO RESUME
HER SEARCH FOR SPIDERS.
593
00:55:10,107 --> 00:55:13,544
DRIVEN BY THE COMPELLING URGE
TO REPRODUCE HER SPECIES,
594
00:55:13,578 --> 00:55:15,746
SHE'LL LET NOTHING STOP HER.
595
00:55:15,780 --> 00:55:18,115
A TARANTULA IT MUST BE,
596
00:55:18,148 --> 00:55:20,651
AND A TARANTULA IT IS.
597
00:55:21,586 --> 00:55:24,522
NOW THEY ARE MET, FACE-TO-FACE.
598
00:55:24,555 --> 00:55:27,091
AND THIS IS A SIGHT
FEW HAVE EVER WITNESSED.
599
00:55:27,124 --> 00:55:30,961
IN THIS STRANGE ENCOUNTER, THE
SPIDER BATTLES FOR ITS LIFE,
600
00:55:30,995 --> 00:55:33,698
THE WASP, FOR GENERATIONS
YET TO COME,
601
00:55:33,731 --> 00:55:35,700
FOR ONLY THROUGH THE TARANTULA
602
00:55:35,733 --> 00:55:38,836
CAN SHE ENSURE
THE PROPAGATION OF HER LINE.
603
00:55:38,869 --> 00:55:41,706
IN THIS RAW
AND ELEMENTAL STRUGGLE,
604
00:55:41,739 --> 00:55:43,441
THESE ARE THE WEAPONS --
605
00:55:43,474 --> 00:55:45,410
THE PARALYZING STING
OF THE WASP
606
00:55:45,443 --> 00:55:47,412
AND THE LETHAL BITE
OF THE SPIDER,
607
00:55:47,445 --> 00:55:50,548
THE RAPIER AND THE BROADSWORD.
608
00:55:50,581 --> 00:55:53,418
IN SIZE AND BRUTE STRENGTH,
THE ODDS FAVOR THE GIANT,
609
00:55:53,451 --> 00:55:55,052
BUT THESE ARE MORE THAN MATCHED
610
00:55:55,085 --> 00:55:58,556
BY THE FRENZIED SKILL
OF ITS TINY ADVERSARY.
611
00:56:09,900 --> 00:56:12,703
THE STRICKEN WASP
GROVELS IN THE SAND,
612
00:56:12,737 --> 00:56:15,105
BUT THE SPIDER
FAILS TO FOLLOW UP.
613
00:56:15,139 --> 00:56:19,510
IT'S A MISSED OPPORTUNITY
AND A FATAL MISTAKE.
614
00:56:19,544 --> 00:56:23,448
IN THIS BRIEF RESPITE,
THE WASP RECOVERS.
615
00:56:25,483 --> 00:56:28,719
AND NOW SHE DRIVES
FOR THE ONE VULNERABLE SPOT,
616
00:56:28,753 --> 00:56:30,521
THE ABDOMEN.
617
00:56:56,246 --> 00:56:57,882
THEN THE TURNING POINT
618
00:56:57,915 --> 00:57:00,117
AS THE WASP SUDDENLY
REVERSES HER TACTICS
619
00:57:00,150 --> 00:57:04,622
AND, FLAT ON HER BACK,
THRUSTS HOME.
620
00:57:14,064 --> 00:57:16,066
SHE SCORES AGAIN AND AGAIN,
621
00:57:16,100 --> 00:57:18,636
AND HER POISON
BEGINS TO TAKE ITS TOLL.
622
00:57:23,173 --> 00:57:25,576
THE GROGGY GIANT
IS ALMOST DEFENSELESS NOW,
623
00:57:25,610 --> 00:57:28,579
BUT THE WASP
IS A CREATURE OBSESSED.
624
00:57:49,634 --> 00:57:53,070
FINALLY,
ONE LAST PARALYZING THRUST,
625
00:57:53,103 --> 00:57:55,272
AND THE BATTLE IS OVER.
626
00:57:55,305 --> 00:58:00,645
BUT NOW, IN VICTORY, THE WASP
FACES AN EVEN BIGGER TASK.
627
00:58:00,678 --> 00:58:03,681
SHE MUST DRAG THE SPIDER,
MANY TIMES HER SIZE,
628
00:58:03,714 --> 00:58:06,150
TO A SECRET HIDING PLACE.
629
00:58:08,986 --> 00:58:11,055
BUT INTO HER FRAGILE BODY,
630
00:58:11,088 --> 00:58:15,560
NATURE HAS PACKED A STRENGTH
PRODIGIOUS BEYOND BELIEF.
631
00:58:29,306 --> 00:58:32,142
WITH FANATICAL ENERGY,
SHE DIGS A HOLE,
632
00:58:32,176 --> 00:58:35,580
FOR IT'S PART OF HER RITUAL
TO BURY HER VICTIM.
633
00:58:43,888 --> 00:58:46,991
NOW AND THEN, SHE PAUSES
TO CHECK FOR MEASUREMENTS...
634
00:58:50,761 --> 00:58:52,997
THEN RETURNS TO HER TASK.
635
00:58:54,999 --> 00:58:57,034
A TREMENDOUS BOULDER
PRESENTS AN OBSTACLE,
636
00:58:57,067 --> 00:58:59,269
BUT ONLY TEMPORARILY.
637
00:59:00,805 --> 00:59:02,873
TO A HUMAN, THIS WOULD BE
LIKE TOWING A 10-TON TRUCK
638
00:59:02,907 --> 00:59:04,174
WITH YOUR TEETH.
639
00:59:24,228 --> 00:59:28,032
NOW ON THE TARANTULA'S BODY,
SHE WILL LAY A SINGLE EGG.
640
00:59:28,065 --> 00:59:32,036
SOON A NEW WASP WILL EMERGE,
FEED ON THE PARALYZED SPIDER,
641
00:59:32,069 --> 00:59:34,104
AND THEN ONE DAY VENTURE FORTH
642
00:59:34,138 --> 00:59:37,307
TO REPLAY
THIS GRIM DESERT DRAMA.
643
00:59:39,176 --> 00:59:40,945
STILL AT LARGE IN THE VICINITY,
644
00:59:40,978 --> 00:59:43,614
THE RATTLESNAKE
IS ON THE PROWL AGAIN.
645
00:59:46,250 --> 00:59:48,953
SO FAR, THIS KILLER SEEMS
TO HAVE HAD HIS OWN WAY,
646
00:59:48,986 --> 00:59:52,757
BUT THERE ARE A FEW CREATURES
WHO DARE TO CHALLENGE HIM.
647
00:59:52,790 --> 00:59:55,793
AND ONE OF THESE
IS THE RED-TAILED HAWK.
648
00:59:59,429 --> 01:00:03,167
AND SO THIS TIME, EVEN AS
THE RATTLER STALKS HIS PREY,
649
01:00:03,200 --> 01:00:06,904
SUDDEN DEATH HANGS
OVER HIS OWN HEAD.
650
01:00:13,010 --> 01:00:15,279
FLASHING TALONS
STRIKE FOR THE HEAD,
651
01:00:15,312 --> 01:00:17,782
BUT THE SNAKE
IS LIKE A STEEL SPRING.
652
01:00:17,815 --> 01:00:20,785
WHEN THE SPRING IS COILED,
IT'S DEADLY.
653
01:01:25,249 --> 01:01:28,786
THE HAWK FINDS AN OPENING,
SEIZES THE RATTLER'S HEAD,
654
01:01:28,819 --> 01:01:32,689
AND AS SUDDENLY AS IT BEGAN,
THE VIOLENT CONFLICT HAS ENDED.
655
01:01:42,199 --> 01:01:45,069
BUT IF DEATH AND DESTRUCTION
STALK THE LIVING DESERT,
656
01:01:45,102 --> 01:01:48,739
BIRTH AND REJUVENATION
INEVITABLY FOLLOW AFTER.
657
01:01:48,773 --> 01:01:51,976
NEW LIFE, HOWEVER,
DEPENDS ON RAINFALL.
658
01:01:52,009 --> 01:01:54,111
AND SO NATURE
BREWS UP A TEMPEST
659
01:01:54,144 --> 01:01:57,314
AND DRIVES HER THUNDERHEADS
OVER THE MOUNTAIN BARRIER.
660
01:02:09,226 --> 01:02:12,196
IN THIS LAND OF EXTREMES,
THERE ARE NO HALF MEASURES.
661
01:02:12,229 --> 01:02:15,432
IT'S EITHER NO RAIN AT ALL
OR ALL AT ONCE,
662
01:02:15,465 --> 01:02:18,168
AND SO THE CLOUDBURST.
663
01:03:04,014 --> 01:03:06,016
ALMOST AS SUDDENLY
AS THEY CAME,
664
01:03:06,050 --> 01:03:09,353
THE TORRENTIAL RAINS DISAPPEAR.
665
01:03:09,386 --> 01:03:14,391
AND YET MORE VIOLENT THAN THE
STORM ITSELF IS THE AFTERMATH,
666
01:03:14,424 --> 01:03:17,928
FOR NOW MILES AWAY WHERE
THE DESERT LIES SILENT,
667
01:03:17,962 --> 01:03:19,897
UNTOUCHED BY THE CLOUDBURST,
668
01:03:19,930 --> 01:03:21,932
AN OMINOUS RUMBLING IS HEARD.
669
01:03:21,966 --> 01:03:25,135
IT SEEMS TO COME FROM ALL
THE CANYONS AT ONCE.
670
01:03:28,906 --> 01:03:30,374
SUDDENLY FROM OUT OF NOWHERE...
671
01:03:33,510 --> 01:03:35,946
...A WALL OF WATER
ON THE RAMPAGE,
672
01:03:35,980 --> 01:03:37,882
THE FLASH FLOOD OF THE DESERT.
673
01:03:54,164 --> 01:03:55,933
ON THESE BARREN HILLS,
674
01:03:55,966 --> 01:03:58,068
THE RUSHING WATERS
FIND NOTHING TO HOLD THEM BACK.
675
01:03:58,102 --> 01:04:02,339
AND SO FROM ALL SIDES, THEY
CONVERGE, BECOME A TORRENT,
676
01:04:02,372 --> 01:04:06,243
A RAGING RIVER,
AND FINALLY A DESERT NIAGARA.
677
01:04:38,008 --> 01:04:40,377
IN ALL THESE ENDLESS
MILES OF SPACE,
678
01:04:40,410 --> 01:04:42,679
THE LOST RIVER
HAS NOWHERE TO GO.
679
01:04:42,712 --> 01:04:45,082
SOON IT
DISSIPATES ITS STRENGTH.
680
01:04:45,115 --> 01:04:47,451
ITS CURRENTS SPAN OUT
ON THE FLATS.
681
01:04:47,484 --> 01:04:49,553
WATER MIXES WITH EARTH
682
01:04:49,586 --> 01:04:53,523
UNTIL ONLY A RIVER
OF LIQUID MUD REMAINS.
683
01:05:00,164 --> 01:05:02,933
AND FINALLY THE ONCE RAGING
TORRENT IS SWALLOWED UP
684
01:05:02,967 --> 01:05:06,536
IN THE DESERT'S
OVERWHELMING VASTNESS.
685
01:05:06,570 --> 01:05:09,940
IT WOULD SEEM THAT NATURE HAS
BROUGHT WATER ONLY TO WASTE IT,
686
01:05:09,974 --> 01:05:14,611
FOR NOW THE SCORCHING SUN DRIES
OUT THE LAST BIT OF MOISTURE.
687
01:05:29,493 --> 01:05:31,195
YET THIS IS ONLY THE SURFACE.
688
01:05:31,228 --> 01:05:33,663
MOISTURE SEEPING
THROUGH THE DESERT FLOOR
689
01:05:33,697 --> 01:05:35,365
HAS AWAKENED DORMANT SEEDS.
690
01:05:42,506 --> 01:05:44,574
THE MIRACLE OF THE FLOWERS --
691
01:05:44,608 --> 01:05:47,377
ONE OF NATURE'S
GREATEST TRIUMPHS.
692
01:05:56,520 --> 01:05:59,189
IN THIS FLORAL GALAXY,
THE DESERT WILD FLOWERS
693
01:05:59,223 --> 01:06:02,126
DISPLAY THEIR BLOSSOMS
IN ALMOST ENDLESS VARIETY.
694
01:06:02,159 --> 01:06:03,627
POPPIES...
695
01:06:03,660 --> 01:06:05,495
LUPINE...
696
01:06:05,529 --> 01:06:07,697
THE PRIMROSE.
697
01:06:11,601 --> 01:06:13,470
AND IN EVEN THE TINIEST PLANTS,
698
01:06:13,503 --> 01:06:17,441
THE SURGE OF NEW LIFE
IS STRONG.
699
01:06:28,652 --> 01:06:30,420
THROUGHOUT THE DESERT,
700
01:06:30,454 --> 01:06:34,158
THE DRAB CACTUS PLANTS
REVEAL THEIR HIDDEN BEAUTY.
701
01:07:14,131 --> 01:07:17,167
IN DAYLIGHT AND DARKNESS,
THE PAGEANT CONTINUES.
702
01:07:17,201 --> 01:07:20,570
NOW THE NIGHT-BLOOMING CEREUS
PASSES THROUGH ITS FULL CYCLE
703
01:07:20,604 --> 01:07:22,239
IN A SINGLE NIGHT...
704
01:07:22,272 --> 01:07:26,076
FROM BURSTING BUD
TO FULL-BLOWN FLOWER.
705
01:08:00,410 --> 01:08:03,247
HERE IS ONE OF NATURE'S
INNERMOST SECRETS,
706
01:08:03,280 --> 01:08:05,582
THE HEART OF A LIVING FLOWER.
707
01:08:34,544 --> 01:08:37,514
THE FLOWER FADES
AND WITHERS AWAY.
708
01:08:37,547 --> 01:08:40,784
AND YET IN THIS
FANTASTIC WONDERLAND,
709
01:08:40,817 --> 01:08:44,388
THERE ARE NO ENDINGS,
ONLY BEGINNINGS.
710
01:08:44,421 --> 01:08:46,856
AFTER EVERY EBB, THE FULL TIDE.
711
01:08:46,890 --> 01:08:49,493
AFTER EVERY NIGHT, A NEW DAY.
712
01:08:49,526 --> 01:08:53,163
AND SO IT WILL BE
THROUGH ALL OF TIME.
713
01:08:55,265 --> 01:08:57,701
THIS, THEN,
IS THE DESERT'S STORY,
714
01:08:57,734 --> 01:09:00,370
A STORY OF THE LIFE-FORCE
ITSELF,
715
01:09:00,404 --> 01:09:02,372
CHALLENGING AND MYSTERIOUS.
716
01:09:02,406 --> 01:09:05,675
THE ETERNAL STORY
OF THE LIVING DESERT.
52668
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