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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,711 --> 00:00:05,380 Narrator: SOMEONE ONCE TOLD ME, 3 00:00:05,380 --> 00:00:08,008 A LONG LONG TIME AGO... 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:10,052 --> 00:00:13,931 IMMORTALITY COMES NOT WITHOUT SACRIFICE. 6 00:00:22,189 --> 00:00:24,191 THE FOUNTAIN OF YOUTH 7 00:00:24,191 --> 00:00:26,568 IS FED BY THE BLOOD OF THE YOUNG. 8 00:00:28,111 --> 00:00:31,490 AND LIVING FOREVER LEAVES A TRAIL OF DEATH 9 00:00:31,490 --> 00:00:35,244 THAT HAUNTS ONE'S DREAMS... 10 00:00:35,244 --> 00:00:37,371 INCLUDING MINE. 11 00:00:42,918 --> 00:00:45,170 TEMPTATION IS THE KEY. 12 00:00:48,382 --> 00:00:51,385 VANITY PLAYED IN ITS STRONGEST SUIT... 13 00:00:52,886 --> 00:00:56,306 LURES THOSE WANTING MORE. 14 00:01:05,315 --> 00:01:07,943 BEYOND THE DREAM'S SMOKY VEIL... 15 00:01:09,319 --> 00:01:12,781 NOTHING WAITS BUT TEETH AND BLOOD. 16 00:01:17,452 --> 00:01:19,663 BORN OF ALL THE WRONGS 17 00:01:19,663 --> 00:01:22,916 THAT TRANSCEND CENTURIES... 18 00:01:24,960 --> 00:01:27,045 A BEAST WALKS 19 00:01:27,045 --> 00:01:28,630 IN THE SKIN OF MAN... 20 00:01:31,216 --> 00:01:33,343 WAITING TO CROSS OVER... 21 00:01:35,637 --> 00:01:39,141 TO GIVE US NEW LIFE ONCE MORE. 22 00:01:51,695 --> 00:01:54,197 ( ghostly voice whispering ) 23 00:02:07,169 --> 00:02:09,212 ( snarling, murmuring ) 24 00:02:17,512 --> 00:02:20,515 PLEASE COME TO ME. 25 00:02:20,515 --> 00:02:23,518 - NO! - COME TO ME. 26 00:02:23,518 --> 00:02:25,854 ( sobbing ) NO! 27 00:02:45,248 --> 00:02:47,709 - COME TO ME. - ( sobbing ) No! 28 00:03:05,811 --> 00:03:07,813 ( roars ) 29 00:03:11,691 --> 00:03:13,485 - ( growls ) - ( screams ) 30 00:03:20,784 --> 00:03:22,911 Narrator: FOR SOMETHING LIVES 31 00:03:22,911 --> 00:03:25,205 WITHIN THAT DREAM. 32 00:03:43,557 --> 00:03:47,436 ( woman singing in foreign language ) 33 00:05:56,064 --> 00:05:58,441 - DAUGHTER OR, LIKE--? - ( electronic music playing ) 34 00:06:02,779 --> 00:06:04,197 - HI, LADIES. - HELLO. 35 00:06:04,197 --> 00:06:06,074 HUH, ORGY. 36 00:06:07,075 --> 00:06:08,910 - LOVE THE DRESS. - OH, THANKS. 37 00:06:08,910 --> 00:06:11,121 Woman: OHHH... 38 00:06:11,121 --> 00:06:13,039 WHO'S THAT? 39 00:06:13,039 --> 00:06:15,584 I DON'T KNOW, BUT HE'S... 40 00:06:15,584 --> 00:06:17,252 KIND OF SEXY. 41 00:06:17,252 --> 00:06:19,629 - YEAH, IN A EURO KIND OF WAY. - YEAH. 42 00:06:19,629 --> 00:06:22,299 - I MISS EURO. - ( both giggling ) 43 00:06:23,300 --> 00:06:26,469 - MM. - SAI, YOU'RE TERRIBLE. 44 00:06:28,513 --> 00:06:31,308 YEAH, WELL, I SPENT TOO LONG WAITING 45 00:06:31,308 --> 00:06:34,311 - FOR SOMEONE ELSE TO MAKE THE MOVE. - I KNOW. 46 00:06:35,353 --> 00:06:37,188 HE'S JUST SLOW ON THE UPTAKE. 47 00:06:37,188 --> 00:06:38,773 I DON'T KNOW WHAT'S TAKING HIM SO LONG. 48 00:06:38,773 --> 00:06:40,275 I'VE GIVEN HIM THE OPPORTUNITY. 49 00:06:40,275 --> 00:06:41,860 - HI, THERE. - HI. 50 00:06:41,860 --> 00:06:43,987 HI. 51 00:06:43,987 --> 00:06:45,530 HORRIBLE ART, ISN'T IT? 52 00:06:45,530 --> 00:06:47,032 I WOULDN'T GO THAT FAR. 53 00:06:48,783 --> 00:06:50,827 - Woman: DON'T WORRY ABOUT IT-- - IF YOU DON'T LIKE IT, 54 00:06:50,827 --> 00:06:53,747 - YOU'RE SUPPOSED TO SAY IT'S INTERESTING. - ( chuckles ) 55 00:06:53,747 --> 00:06:55,790 - I'M ERIC. - DEANNA. 56 00:06:55,790 --> 00:06:59,294 - VERY NICE TO MEET YOU, DEANNA. - PLEASURE'S ALL MINE. 57 00:06:59,294 --> 00:07:01,796 - LADIES. - HEY. 58 00:07:01,796 --> 00:07:03,882 - HOW'S IT GOING? - HEY, JONO. 59 00:07:03,882 --> 00:07:06,092 - LOOK WHO I FOUND. - HEY, HOW ARE YOU? 60 00:07:06,092 --> 00:07:08,803 YOUR PAINTINGS ARE BEAUTIFUL. REALLY. 61 00:07:08,803 --> 00:07:11,973 - THANK YOU. - SAI, DARLING, 62 00:07:11,973 --> 00:07:14,059 I HAVE SOMEONE YOU NEED TO MEET. 63 00:07:14,059 --> 00:07:16,102 - WHO? - HE LOVES THE DERELICT PIECE. 64 00:07:16,102 --> 00:07:17,896 REALLY? 65 00:07:17,896 --> 00:07:19,814 - WE PRICED AT $3,000. - WHAT?! 66 00:07:19,814 --> 00:07:21,900 - SHH. COME ON, COME ON, COME ON. - WHAT WHAT? 67 00:07:21,900 --> 00:07:24,736 - COME ON. - KERRA. 68 00:07:24,736 --> 00:07:26,655 ( chuckles ) 69 00:07:29,157 --> 00:07:30,742 OUR RESIDENT GENIUS. 70 00:07:30,742 --> 00:07:32,327 SHE IS. HOW ARE YOU DOING? 71 00:07:32,327 --> 00:07:33,828 HOW DO YOU LIKE THE LOFTS? 72 00:07:33,828 --> 00:07:36,414 ALL RIGHT-- THEY'RE ENOUGH FOR ME, YOU KNOW. 73 00:07:36,414 --> 00:07:39,167 I'M SO PROUD OF YOU. 74 00:07:39,167 --> 00:07:42,003 - ARE YOU? - YES. 75 00:07:42,003 --> 00:07:44,214 WITHOUT YOU, NONE OF THIS COULD'VE HAPPENED. 76 00:07:44,214 --> 00:07:45,507 SO THANK YOU. 77 00:07:45,507 --> 00:07:47,801 I GOTTA GO. CAN YOU TELL, UH, SAI, 78 00:07:47,801 --> 00:07:50,553 THAT THE ART SHOW WAS WONDERFUL? 79 00:07:50,553 --> 00:07:52,389 YEAH, MAN, NO PROBLEM. TAKE CARE. 80 00:07:52,389 --> 00:07:54,265 THANK YOU VERY MUCH. SEE YOU LATER. 81 00:07:54,265 --> 00:07:58,103 DO YOU HAVE ANY IDEA HOW MUCH YOU'VE GROWN? 82 00:07:59,771 --> 00:08:02,482 SAI, YOU'RE A STAR. 83 00:08:02,482 --> 00:08:04,150 - OH, STOP IT. - YES, YOU ARE. 84 00:08:04,150 --> 00:08:06,528 STOP IT. 85 00:08:06,528 --> 00:08:08,530 WAIT RIGHT HERE, I'LL BRING HIM BACK. 86 00:08:08,530 --> 00:08:10,156 OKAY. 87 00:08:18,415 --> 00:08:21,710 YOUR USE OF DARK, SENSUAL IMAGERY IS A DELIGHT TO THE SENSES. 88 00:08:24,879 --> 00:08:28,425 THERE YOU ARE. SAI, DARLING, 89 00:08:28,425 --> 00:08:30,427 THIS IS MR. RENFIELD LIEB. 90 00:08:30,427 --> 00:08:32,846 MR. LIEB'S FROM HAMBURG... ( chuckles ) 91 00:08:32,846 --> 00:08:34,556 GERMANY. 92 00:08:34,556 --> 00:08:37,392 AMONG OTHER PLACES. 93 00:08:37,392 --> 00:08:39,269 THE PLEASURE IS ALL MINE. 94 00:08:41,271 --> 00:08:43,857 PLEASURE TO MEET YOU, MR. LIEB. 95 00:08:43,857 --> 00:08:45,734 RENFIELD, PLEASE. 96 00:08:45,734 --> 00:08:47,318 RENFIELD. 97 00:08:48,611 --> 00:08:50,864 GET TO KNOW ONE ANOTHER. 98 00:08:50,864 --> 00:08:53,116 SAI, SHOW MR. LIEB "PHOENIX." 99 00:08:54,117 --> 00:08:55,744 ENJOY. 100 00:09:02,250 --> 00:09:04,252 YOU KNOW WHAT DRIVES ME INSANE? 101 00:09:04,252 --> 00:09:06,254 ( camera clicks ) 102 00:09:06,254 --> 00:09:08,047 LET'S HAVE IT. 103 00:09:08,047 --> 00:09:10,425 THAT THE TWO OF YOU HAVE THE PERFECT RELATIONSHIP 104 00:09:10,425 --> 00:09:12,260 THROUGH THE LENS OF THAT CAMERA. 105 00:09:12,260 --> 00:09:13,845 WHAT DO YOU MEAN? 106 00:09:13,845 --> 00:09:15,930 IMAGINE IF YOU ACTUALLY PUT THE CAMERA DOWN 107 00:09:15,930 --> 00:09:19,058 AND STOPPED WITH THE ARTIST'S INCESSANT NEED 108 00:09:19,058 --> 00:09:21,895 TO PINE FOR THAT WHICH WE CANNOT HAVE... 109 00:09:21,895 --> 00:09:24,230 OR DON'T DESERVE. 110 00:09:24,230 --> 00:09:26,608 YOU'RE HOT, ROYCE. SMARTEN UP. 111 00:09:32,197 --> 00:09:35,950 SO TELL ME ABOUT THIS PIECE. 112 00:09:42,624 --> 00:09:44,876 WELL... 113 00:09:44,876 --> 00:09:47,504 I PAINT FROM MY DREAMS. 114 00:09:49,130 --> 00:09:51,216 IN THIS ONE I WAS FROZEN INTO THE EARTH... 115 00:09:52,550 --> 00:09:55,303 AS NATURAL METALS INFECTED MY BODY. 116 00:09:57,096 --> 00:09:59,307 AS FAR AS I COULD SEE, 117 00:09:59,307 --> 00:10:00,975 TRAPPED IN THE SHELL WAS... 118 00:10:02,936 --> 00:10:05,522 DESOLATION; 119 00:10:05,522 --> 00:10:08,358 IN THE DISTANCE, BURNING ALIEN CITIES 120 00:10:08,358 --> 00:10:10,693 AND THE APOCALYPTIC SKIES. 121 00:10:13,738 --> 00:10:15,448 I FELT 122 00:10:15,448 --> 00:10:17,158 A SENSE OF PEACE... 123 00:10:19,410 --> 00:10:21,871 IN THE HOPELESS NATURE OF IT ALL. 124 00:10:24,624 --> 00:10:27,335 THE INFECTION WAS COMFORTING. 125 00:10:27,335 --> 00:10:31,673 THE METALS BECAME MY SKIN AND EVENTUALLY 126 00:10:31,673 --> 00:10:33,967 SWALLOWED ME WHOLE. 127 00:10:36,845 --> 00:10:38,555 I'LL TAKE IT. 128 00:10:45,937 --> 00:10:49,315 YOU REALLY DO CAPTURE THE PLEASURE AND CORRUPTION OF SPIRIT-- 129 00:10:50,441 --> 00:10:53,194 THE DOWNWARD SPIRAL. 130 00:10:53,194 --> 00:10:56,364 TO FALL INTO DARKNESS IS TO BE AT PEACE WITH IT. 131 00:10:58,199 --> 00:11:00,034 THAT'S WHAT IT MEANS TO ME: 132 00:11:01,452 --> 00:11:03,705 TRANSMUTATION. 133 00:11:05,081 --> 00:11:07,208 I COULDN'T AGREE MORE. 134 00:11:13,089 --> 00:11:14,591 NOW HE DIDN'T-- 135 00:11:14,591 --> 00:11:16,384 OH, YOU'RE BEING BECKONED. 136 00:11:16,384 --> 00:11:18,553 OH MY GOD, AT THE MOST INAPPROPRIATE TIME. 137 00:11:18,553 --> 00:11:20,388 HOLD ON. DON'T MOVE. 138 00:11:20,388 --> 00:11:22,265 - I'LL BE RIGHT BACK. - DON'T BE LONG. 139 00:11:22,265 --> 00:11:23,683 - OKAY. - OKAY. 140 00:11:23,683 --> 00:11:27,061 DUDE, I'M TRYING TO GET MY RENT PAID. WHAT? 141 00:11:27,061 --> 00:11:29,439 WHO'S THE CREEPSHOW? 142 00:11:30,815 --> 00:11:32,442 SO SHE DIGS THE CREEPSHOW. 143 00:11:33,943 --> 00:11:35,737 GET OVER IT, ROYCE. 144 00:11:35,737 --> 00:11:37,572 IT'S JUST JOHNNY MONEY. 145 00:11:44,537 --> 00:11:46,039 ( sighs ) 146 00:11:49,292 --> 00:11:51,210 SO... 147 00:11:52,962 --> 00:11:54,923 WHAT BRINGS YOU TO L.A.? 148 00:11:57,008 --> 00:12:00,011 - MY FASCINATION WITH URBAN DECAY. - ( laughs ) 149 00:12:00,011 --> 00:12:03,598 THEN YOU'VE COME TO THE RIGHT PLACE. 150 00:12:03,598 --> 00:12:07,268 TRUE HUMAN NATURE IS IN THE ROT OF SOCIETY... 151 00:12:08,603 --> 00:12:10,313 NOT IN ITS ACHIEVEMENTS. 152 00:12:13,566 --> 00:12:16,569 HOW LONG ARE YOU IN TOWN FOR? 153 00:12:16,569 --> 00:12:18,947 ENOUGH TO GET A TASTE 154 00:12:18,947 --> 00:12:20,990 BEFORE I NEED TO MOVE ON. 155 00:12:24,869 --> 00:12:26,788 RESTLESS SPIRIT? 156 00:12:30,041 --> 00:12:31,626 INCESSANTLY. 157 00:12:34,796 --> 00:12:36,881 ARE THESE YOUR MOST RECENT PIECES? 158 00:12:39,092 --> 00:12:41,469 NO. 159 00:12:41,469 --> 00:12:43,554 I HAVE A SERIES OF WORKS AT MY LOFT. 160 00:12:44,597 --> 00:12:46,224 I COULD SHOW YOU NOW IF YOU LIKE. 161 00:13:11,124 --> 00:13:12,834 IT BREATHES IN YOU, DOESN'T IT? 162 00:13:14,335 --> 00:13:16,254 LIVES IN YOUR HEART. 163 00:13:17,714 --> 00:13:19,924 DELIVERS YOU FROM REALITY TO A WORLD 164 00:13:19,924 --> 00:13:21,592 WHERE ALL IS POSSIBLE. 165 00:13:33,104 --> 00:13:34,856 YOU FEEL SO ISOLATED. 166 00:13:49,912 --> 00:13:51,748 ALL OF YOUR PIECES-- 167 00:13:53,624 --> 00:13:56,544 IT SEEMS TO ME TO BE A REFLECTION OF YOUR SOUL. 168 00:13:58,046 --> 00:13:59,630 BEYOND EVERYTHING YOU ARE... 169 00:14:01,424 --> 00:14:03,718 DEEP INSIDE, YOU RUN LOST IN A WORLD 170 00:14:03,718 --> 00:14:05,511 WHERE NO ONE CAN FIND YOU. 171 00:14:09,015 --> 00:14:10,725 NO ONE ELSE SEES IT... 172 00:14:12,143 --> 00:14:13,728 FOR ALL THEY SEE IS STRENGTH. 173 00:14:20,610 --> 00:14:23,321 NO PAIN. 174 00:14:23,321 --> 00:14:25,948 NO DESPERATE SENSE OF LOSS. 175 00:14:32,663 --> 00:14:34,248 I'M SORRY. 176 00:14:38,002 --> 00:14:39,670 DON'T BE. 177 00:14:43,591 --> 00:14:46,135 YOU'RE THE ONLY ONE WHO'S EVER REALLY GOT IT. 178 00:14:51,808 --> 00:14:53,434 YOU DESERVE TO DELVE 179 00:14:53,434 --> 00:14:55,561 DEEP IN THE DARKNESS OF TRUE PASSION. 180 00:14:57,605 --> 00:15:00,942 THERE IS A WELL OF UNTAPPED BEAUTY YOU HAVE YET TO CREATE. 181 00:15:04,195 --> 00:15:06,447 ALL AROUND YOU IS ANOTHER WORLD... 182 00:15:08,074 --> 00:15:10,451 THAT IS CHANNELED THROUGH YOU AND YOUR WORK. 183 00:15:12,120 --> 00:15:15,164 THAT, I ALSO KNOW. 184 00:15:23,214 --> 00:15:24,924 CAN I SHARE SOMETHING WITH YOU? 185 00:15:27,260 --> 00:15:30,638 SOMETHING TO INSPIRE AND TANTALIZE YOUR SENSES... 186 00:15:32,348 --> 00:15:34,642 TO OPEN THE GATES TO YOUR TRUE POSSIBILITIES. 187 00:15:40,815 --> 00:15:43,151 OKAY. 188 00:16:02,753 --> 00:16:05,506 WILL YOU TRUST ME, SAI? 189 00:16:06,632 --> 00:16:08,217 I BROUGHT YOU HERE, DIDN'T I? 190 00:16:09,302 --> 00:16:10,803 GOOD. 191 00:16:10,803 --> 00:16:14,223 A DARING STEP TO DISCOVER THE TRUE ART INSIDE YOU. 192 00:16:28,863 --> 00:16:30,781 WHAT IS IT? 193 00:16:30,781 --> 00:16:34,285 IT IS CALLED STREGO-E-- 194 00:16:34,285 --> 00:16:36,412 A VERY RARE BARK FROM EASTERN EUROPE. 195 00:16:41,209 --> 00:16:43,544 ITS SAP GIVES VISION TO YOUR TRUE DESIRES... 196 00:16:45,546 --> 00:16:47,590 SHAPE TO YOUR HIDDEN PASSIONS. 197 00:16:49,008 --> 00:16:51,219 IT IS VERY PRECIOUS TO ME. 198 00:16:54,013 --> 00:16:56,891 MANY GREAT ARTISTS USED IT TO CREATE THEIR MASTERPIECES. 199 00:16:58,309 --> 00:17:01,562 THE NOUVEAU MOVEMENT: 200 00:17:01,562 --> 00:17:04,440 MUCHA, KLIMT-- 201 00:17:08,069 --> 00:17:10,947 BEARDSLEY ESPECIALLY USED IT-- 202 00:17:10,947 --> 00:17:12,573 TO OPEN THEIR MINDS 203 00:17:12,573 --> 00:17:14,909 AND CREATE SUCH WONDERS OF ALTERED REALITY. 204 00:17:17,370 --> 00:17:20,081 THIS GIFT I GIVE TO YOU. 205 00:17:23,000 --> 00:17:25,419 YOU'VE PUT ME IN A GROUP OF GREATS. 206 00:17:26,462 --> 00:17:29,090 I'M NOWHERE NEAR THEM. 207 00:17:29,090 --> 00:17:32,385 I BELIEVE YOU'RE A KINDRED SOUL TO THEM, SAI. 208 00:17:34,011 --> 00:17:36,973 YOU ARE JUST MISSING THE THING THAT SETS YOU FREE. 209 00:17:39,350 --> 00:17:41,686 I DON'T OFFER THIS TO JUST ANYONE. 210 00:17:43,354 --> 00:17:45,106 THIS IS AS RARE AS THE MASTERPIECE 211 00:17:45,106 --> 00:17:47,817 YOU SEEK IN YOUR HEART TO CREATE. 212 00:17:49,777 --> 00:17:51,570 AND WHAT YOU BRING OUT 213 00:17:51,570 --> 00:17:54,198 INTO THIS WORLD... 214 00:17:55,366 --> 00:17:57,618 IS WHAT I'M MOST INTERESTED IN. 215 00:18:01,789 --> 00:18:03,541 ARE YOU SURE? 216 00:18:07,211 --> 00:18:08,796 TRUST. 217 00:18:12,300 --> 00:18:13,926 YES. 218 00:18:14,969 --> 00:18:17,138 WHAT WILL IT DO? 219 00:18:17,138 --> 00:18:19,849 THE EFFECT ON THE MIND IS LIKE A DREAM. 220 00:18:22,268 --> 00:18:24,520 WHAT YOU IMAGINE BECOMES REALITY. 221 00:18:26,063 --> 00:18:29,317 IT WILL LAST ONLY AS LONG AS YOU WANT IT TO LAST. 222 00:18:31,819 --> 00:18:33,446 I AM HERE FOR YOU, SAI. 223 00:18:35,823 --> 00:18:38,993 IF YOU BECOME UNCOMFORTABLE IN ANY WAY... 224 00:18:38,993 --> 00:18:41,245 I WILL SHAKE YOU FREE FROM ITS HOLD. 225 00:18:44,832 --> 00:18:47,168 ARE YOU GONNA DO SOME WITH ME? 226 00:18:48,377 --> 00:18:50,421 ONE GOES IN... 227 00:18:50,421 --> 00:18:52,757 ONE STAYS OUT. 228 00:18:57,845 --> 00:18:59,764 SO... 229 00:18:59,764 --> 00:19:01,349 HOW DO I DO IT? 230 00:19:02,683 --> 00:19:04,393 FIRE PURIFIES. 231 00:19:07,355 --> 00:19:09,190 LIGHT IT. 232 00:19:09,190 --> 00:19:11,525 AND YOUR SENSES WILL RACE ELSEWHERE... 233 00:19:16,030 --> 00:19:17,907 TO A WORLD WHERE LIFE... 234 00:19:20,659 --> 00:19:22,536 IS ART. 235 00:19:45,851 --> 00:19:47,561 INHALE DEEPLY. 236 00:20:10,918 --> 00:20:13,462 ( gasping ) 237 00:20:40,448 --> 00:20:42,533 ( gagging ) 238 00:20:53,252 --> 00:20:55,629 ( gasping ) 239 00:21:15,900 --> 00:21:18,277 ( woman singing in foreign language ) 240 00:21:39,256 --> 00:21:41,175 ( ghostly murmuring ) 241 00:22:01,862 --> 00:22:03,572 ( ghostly murmuring ) 242 00:23:23,444 --> 00:23:25,529 ROYCE? 243 00:23:35,039 --> 00:23:37,124 ROYCE? 244 00:23:37,124 --> 00:23:39,084 COME WITH ME. 245 00:24:00,898 --> 00:24:02,775 COME WITH ME. 246 00:24:42,731 --> 00:24:44,608 ( moaning ) 247 00:25:35,367 --> 00:25:36,994 ( snarls ) 248 00:25:51,550 --> 00:25:53,510 ROYCE HERE. 249 00:25:53,510 --> 00:25:55,053 WHO? 250 00:25:55,053 --> 00:25:57,014 YEAH, HEADSHOTS? 251 00:25:58,599 --> 00:26:00,309 YEAH, ABOUT 100 PLUS FILM. 252 00:26:00,309 --> 00:26:01,894 - IS SHE UP YET? - FINALLY. 253 00:26:01,894 --> 00:26:03,687 CONVINCE HER TO EAT SOMETHING, WOULD YA? 254 00:26:03,687 --> 00:26:05,230 - I'LL TRY. - OKAY. 255 00:26:08,525 --> 00:26:10,861 SO, YEAH, WHY DON'T YOU GIVE ME A CALL ON TUESDAY 256 00:26:10,861 --> 00:26:13,530 AND LET ME KNOW ABOUT WHAT TIME IS GOOD FOR YOU? 257 00:26:13,530 --> 00:26:16,909 OKAY. ME TOO. BYE. 258 00:26:16,909 --> 00:26:18,994 - HEY. - HEY, YOURSELF. 259 00:26:20,162 --> 00:26:22,331 HOT DATE? 260 00:26:22,331 --> 00:26:25,375 NOT UNLESS I'M CHARGING 150 BUCKS FOR IT. 261 00:26:25,375 --> 00:26:28,796 I'VE SEEN STRANGER THINGS. 262 00:26:30,047 --> 00:26:32,132 Royce: YOU'VE BEEN WORKING. WOW. 263 00:26:34,384 --> 00:26:36,804 - YOU LIKE IT? - YEAH. 264 00:26:38,514 --> 00:26:41,892 YEAH, IT'S NOT LIKE YOUR OTHER STUFF, BUT... 265 00:26:43,936 --> 00:26:46,188 IT'S GOT A REAL ENERGY TO IT. 266 00:26:47,898 --> 00:26:49,608 IT'S AMAZING, SAI. 267 00:26:53,111 --> 00:26:55,614 YOU... ARE COVERED. 268 00:26:59,576 --> 00:27:01,245 LET ME SHOWER QUICK. 269 00:27:02,996 --> 00:27:04,748 YOU WANT ME TO COME BACK? 270 00:27:06,208 --> 00:27:07,918 NO. 271 00:27:10,212 --> 00:27:12,381 JUST KEEP YOUR CAMERA IN THE BAG. 272 00:27:17,761 --> 00:27:19,638 HEY. 273 00:27:19,638 --> 00:27:22,015 MAN, I HATE THE METRO ON WEEKENDS. 274 00:27:22,015 --> 00:27:23,767 - DID YOU ORDER FOR ME? - YEAH. 275 00:27:23,767 --> 00:27:25,394 SHOULD BE UP IN A MINUTE. 276 00:27:25,394 --> 00:27:27,187 SO WHICH ONE WAS THIS? 277 00:27:29,231 --> 00:27:31,650 SHE WORKS AT GUITAR CENTER. 278 00:27:31,650 --> 00:27:33,443 DISCOUNT FOR A DEPOSIT. 279 00:27:33,443 --> 00:27:36,154 YOU ARE SUCH A WASTE OF PRIME REAL ESTATE. 280 00:27:36,154 --> 00:27:39,366 WOW. I THINK I'M GOING TO TAKE THAT AS A COMPLIMENT. 281 00:27:40,617 --> 00:27:42,828 AND I THINK WHEN I DECIDE TO GET MARRIED, 282 00:27:42,828 --> 00:27:44,454 I'LL MARRY YOU. 283 00:27:44,454 --> 00:27:47,541 - YEAH, RIGHT. - SO WHERE'S SAI? 284 00:27:47,541 --> 00:27:50,502 STILL WITH JOHNNY MONEY? 285 00:27:50,502 --> 00:27:52,462 NO, SHE'S PAINTING. YOU SHOULD SEE IT. 286 00:27:52,462 --> 00:27:54,006 IT'S UNBELIEVABLE. 287 00:27:54,006 --> 00:27:55,716 SHE BANG THE OLD GUY OR WHAT? 288 00:27:55,716 --> 00:27:57,551 - ERIC. - WHAT? 289 00:27:57,551 --> 00:27:59,261 NOT EVERYONE HAS YOUR TAKE ON LIFE. 290 00:27:59,261 --> 00:28:01,346 WELL, THEY SHOULD. 291 00:28:01,346 --> 00:28:02,890 YOU KNOW... 292 00:28:02,890 --> 00:28:04,850 THERE WAS A TIME WHEN I ACTUALLY THOUGHT 293 00:28:04,850 --> 00:28:07,144 - THAT I WAS ATTRACTED TO YOU. - REALLY? 294 00:28:07,144 --> 00:28:09,313 LIKE ONCE UPON A TIME? 295 00:28:10,314 --> 00:28:11,857 SHUT UP, ERIC. 296 00:28:15,819 --> 00:28:18,113 SO, ROYCE, CAN I ASK YOU A QUESTION? 297 00:28:18,113 --> 00:28:19,781 SHOOT. 298 00:28:19,781 --> 00:28:21,992 HOW COME WE STOPPED GOING OUT? 299 00:28:22,993 --> 00:28:26,121 - OUT? - YEAH. 300 00:28:26,121 --> 00:28:27,873 ON DATES. 301 00:28:29,750 --> 00:28:31,585 OH, THAT. 302 00:28:35,505 --> 00:28:37,925 - I DON'T KNOW. - OH, COME ON, ROYCE, JUST SAY IT. 303 00:28:37,925 --> 00:28:40,010 I DON'T-- 304 00:28:41,053 --> 00:28:43,305 I JUST-- 305 00:28:43,305 --> 00:28:45,682 I THOUGHT WE MADE BETTER FRIENDS THAN-- 306 00:28:45,682 --> 00:28:48,143 WHAT, LOVERS? 307 00:28:51,188 --> 00:28:53,148 WE WERE NEVER LOVERS, ROYCE. 308 00:28:53,148 --> 00:28:55,108 YEAH, WELL, 309 00:28:55,108 --> 00:28:56,860 SINCE WE WERE SUCH GREAT FRIENDS, 310 00:28:56,860 --> 00:28:59,529 - I JUST DIDN'T WANT TO CROSS THAT LINE. - ( laughs ) Oh! 311 00:28:59,529 --> 00:29:02,032 THAT DREADED LINE. 312 00:29:02,032 --> 00:29:04,743 YOU KNOW YOU'RE DESTRUCTIVE WITH KID GLOVES ON, ROYCE? 313 00:29:04,743 --> 00:29:06,495 AND THAT'S A BAD THING? 314 00:29:06,495 --> 00:29:09,373 NO. 315 00:29:09,373 --> 00:29:11,792 BUT ASSUMPTION IS. 316 00:29:13,710 --> 00:29:16,088 WELL, MAYBE I SHOULD'VE CROSSED THAT LINE. 317 00:29:17,339 --> 00:29:19,758 MAYBE YOU SHOULD'VE CROSSED THAT LINE. 318 00:29:26,014 --> 00:29:28,225 CRACK THAT BOTTLE OF WINE OPEN FOR US. 319 00:29:33,063 --> 00:29:34,690 IT'S OVER BY MY BED. 320 00:29:43,365 --> 00:29:45,075 SURE. 321 00:29:45,075 --> 00:29:46,785 GREAT. 322 00:29:53,458 --> 00:29:55,419 HEY, WHAT'S THIS? 323 00:29:55,419 --> 00:29:57,004 WHAT'S WHAT? 324 00:29:57,004 --> 00:30:00,799 THE BOX. I'VE NEVER SEEN IT BEFORE. 325 00:30:01,925 --> 00:30:03,802 Sai: IT WAS A GIFT. 326 00:30:06,596 --> 00:30:08,432 FROM THAT GUY? 327 00:30:09,599 --> 00:30:12,352 YEAH. THAT GUY RENFIELD. 328 00:30:14,396 --> 00:30:16,481 YOU TWO REALLY HIT IT OFF LAST NIGHT. 329 00:30:17,524 --> 00:30:19,276 HE JUST OPENED MY MIND UP... 330 00:30:20,736 --> 00:30:23,780 TO NEW POSSIBILITIES. 331 00:30:23,780 --> 00:30:25,657 THAT'S ALL. 332 00:30:27,242 --> 00:30:29,453 IS THAT WHAT THE WHOLE "LINE" THING IS ABOUT? 333 00:30:32,748 --> 00:30:34,291 WELL... 334 00:30:35,292 --> 00:30:36,877 HOW CAN WE MAKE A DECISION... 335 00:30:38,795 --> 00:30:41,757 WITHOUT EVER HAVING THE CHOICE? 336 00:30:45,427 --> 00:30:47,679 GOD, COME ON, KERRA. 337 00:30:47,679 --> 00:30:50,807 I DON'T HAVE THE MONEY, ERIC. 338 00:30:50,807 --> 00:30:53,351 JESUS. YOU ALWAYS TAKE THINGS SO SERIOUSLY. 339 00:30:54,811 --> 00:30:56,688 SO BIG DEAL. YOU KNOW I'M GOOD FOR IT. 340 00:30:56,688 --> 00:30:58,273 ( knocks ) 341 00:31:01,276 --> 00:31:02,652 COME IN. 342 00:31:02,652 --> 00:31:04,613 YOU'RE PAYING FOR THE PARKING TICKET, ERIC. 343 00:31:04,613 --> 00:31:06,990 ENOUGH ALREADY! ( chuckles ) 344 00:31:06,990 --> 00:31:08,992 THAT'S AS CLOSE AS YOU'RE EVER GONNA GET. 345 00:31:08,992 --> 00:31:11,787 CAN WE GET HIM EVICTED? 346 00:31:11,787 --> 00:31:13,413 NOT BEFORE HE PAYS ME BACK. 347 00:31:13,413 --> 00:31:16,291 Kerra: THIS ASS MADE ME DRIVE HIM TO GET MORE WINE. 348 00:31:16,291 --> 00:31:18,085 TOLD ME TO PARK ILLEGALLY AND WAIT IN THE CAR. 349 00:31:18,085 --> 00:31:20,712 THEN HE CALLED ME FROM INSIDE THE LIQUOR STORE 350 00:31:20,712 --> 00:31:23,590 AND ASKED ME TO COME IN AND GIVE HIM ANOTHER THREE BUCKS 351 00:31:23,590 --> 00:31:25,467 BECAUSE HE WAS SHORT. 352 00:31:25,467 --> 00:31:27,511 SO $88, ERIC. 353 00:31:27,511 --> 00:31:29,471 HOW ABOUT I JUST SLEEP WITH YOU 354 00:31:29,471 --> 00:31:31,348 AND WE'LL JUST CALL IT EVEN, KERRA? 355 00:31:31,348 --> 00:31:33,892 - YEAH. THAT'LL WORK OFF THE THREE BUCKS. - ( laughs ) 356 00:31:33,892 --> 00:31:35,602 I GOT THE MONEY. 357 00:31:35,602 --> 00:31:37,354 I'LL GET IT TO YOU TONIGHT, I PROMISE. 358 00:31:37,354 --> 00:31:39,731 I'D GET THAT IN WRITING. 359 00:31:39,731 --> 00:31:41,525 IT'LL HOLD MORE WATER. 360 00:31:43,026 --> 00:31:44,986 SKIRTIN' THE LUBE, SAI. 361 00:31:44,986 --> 00:31:46,696 JUST GIVE IT BACK. 362 00:31:46,696 --> 00:31:49,032 GOD, ERIC. 363 00:31:49,032 --> 00:31:51,034 WHAT DO YOU USE THIS FOR, SWEETIE? 364 00:31:58,083 --> 00:32:00,919 - WHAT THE HELL IS THAT? - ALL RIGHT, JUST CHILL OUT, OKAY? 365 00:32:03,004 --> 00:32:05,715 LOOK... 366 00:32:05,715 --> 00:32:08,510 YOU KNOW WRITERS AND ARTISTS USE ABSINTHE 367 00:32:08,510 --> 00:32:10,554 TO INSPIRE THEM TO WRITE AND PAINT. 368 00:32:10,554 --> 00:32:12,514 YEAH YEAH YEAH, GREEN FAERIE. 369 00:32:12,514 --> 00:32:14,558 SHUT UP, ERIC. 370 00:32:14,558 --> 00:32:16,768 WELL, THIS IS JUST AN ELITE FORM OF THAT. 371 00:32:18,311 --> 00:32:21,231 ALTHOUGH, THE NAME RENFIELD SAID, I'D-- 372 00:32:21,231 --> 00:32:22,858 I'D NEVER HEARD IT BEFORE. 373 00:32:24,401 --> 00:32:27,028 SO HE GOT YOU HIGH 374 00:32:27,028 --> 00:32:28,905 AND TOOK ADVANTAGE OF YOU? 375 00:32:28,905 --> 00:32:32,117 WOW, YEAH, TOTAL CREEPSHOW. 376 00:32:32,117 --> 00:32:34,744 SO WHAT DO WE DO? WE GOTTA CHEW ON IT 377 00:32:34,744 --> 00:32:37,080 LIKE SOME APACHE TRIBE? 378 00:32:37,080 --> 00:32:39,958 NO, MORON. 379 00:32:39,958 --> 00:32:41,960 YOU SMOKE THE SAP. 380 00:32:43,295 --> 00:32:44,921 AND YOU ONLY NEED A LITTLE BIT. 381 00:32:44,921 --> 00:32:48,341 IT LASTS AS LONG AS THE EFFECTS RUN THROUGH YOUR SYSTEM 382 00:32:48,341 --> 00:32:50,552 UNLESS... 383 00:32:50,552 --> 00:32:52,762 SOMEBODY SHAKES YOU LOOSE FROM IT. 384 00:32:52,762 --> 00:32:54,431 YEAH, BUT IS IT SAFE? 385 00:32:54,431 --> 00:32:56,516 YEAH! I DID IT LAST NIGHT. 386 00:32:56,516 --> 00:32:58,226 I FEEL FANTASTIC. 387 00:32:58,226 --> 00:33:00,312 THERE'S NO RESIDUAL SIDE EFFECTS. 388 00:33:02,564 --> 00:33:04,357 OTHER THAN THAT. 389 00:33:07,235 --> 00:33:10,363 - I'M IN. LET'S DO IT. - I DON'T KNOW, SAI, SOMETIMES I REALLY WORRY ABOUT YOU. 390 00:33:10,363 --> 00:33:13,617 - YOU DON'T EVEN KNOW THIS GUY. - COME ON, COME ON, COME ON. 391 00:33:13,617 --> 00:33:15,327 LET'S GO. 392 00:33:15,327 --> 00:33:18,288 ALL RIGHT, BAD BOY. 393 00:33:18,288 --> 00:33:20,457 LOOKS LIKE WE GOT OURSELVES A SAFETY CAMPAIGN. 394 00:33:21,791 --> 00:33:24,794 - ARE YOU PREPARED TO DANCE? - HIT ME. 395 00:33:47,609 --> 00:33:49,778 SO WHAT DO I DO? 396 00:33:51,780 --> 00:33:54,616 INHALE DEEPLY. 397 00:33:54,616 --> 00:33:57,160 AND ENJOY. 398 00:33:57,160 --> 00:33:59,829 ARE YOU GONNA DO IT WITH ME? 399 00:33:59,829 --> 00:34:01,998 ONE GOES IN... 400 00:34:01,998 --> 00:34:03,625 AND THE OTHER STAYS OUT. 401 00:34:05,585 --> 00:34:08,255 - ARE YOU READY? - YEAH. 402 00:34:26,564 --> 00:34:28,692 ( Eric panting ) 403 00:34:32,028 --> 00:34:33,822 ( grunting ) 404 00:35:03,059 --> 00:35:05,020 ( ghostly voices whispering ) 405 00:35:26,750 --> 00:35:28,627 ( moans ) 406 00:35:50,940 --> 00:35:52,484 ERIC! ERIC! 407 00:35:56,946 --> 00:35:58,281 ERIC! 408 00:36:00,992 --> 00:36:03,286 ERIC! 409 00:36:03,286 --> 00:36:06,164 ERIC! COME ON, ERIC! 410 00:36:09,292 --> 00:36:11,586 GET HIM OFF OF ME! 411 00:36:13,171 --> 00:36:14,756 GET OFF OF HER! 412 00:36:15,757 --> 00:36:17,884 WHAT'S YOUR PROBLEM? 413 00:36:19,636 --> 00:36:21,471 I THOUGHT SHE WAS SOMEONE ELSE. 414 00:36:36,486 --> 00:36:39,322 - Eric: THIS WAS INTENSE. - AMAZING, RIGHT? 415 00:36:39,322 --> 00:36:42,492 - IT WAS LIKE BEING IN SOME DARK REALITY, YOU KNOW? - UH-HUH. 416 00:36:42,492 --> 00:36:45,161 - Eric: DID YOU FEEL IT? - THAT WAS SO UNCOOL. 417 00:36:45,161 --> 00:36:47,622 I TOLD YOU, I THOUGHT SHE WAS SOMEONE ELSE. 418 00:36:49,249 --> 00:36:50,792 TIME TO GO, BIG GUY. 419 00:37:00,677 --> 00:37:02,762 ( keys jangling ) 420 00:37:15,859 --> 00:37:17,736 ( door closes ) 421 00:37:19,779 --> 00:37:23,032 NO AMOUNT OF GIRL TALK COULD STOP THAT FROM HAPPENING. 422 00:37:23,032 --> 00:37:25,368 - WHAT? - KERRA'S BEEN HOT ON ERIC 423 00:37:25,368 --> 00:37:28,037 SINCE SHE MOVED IN HERE. 424 00:37:28,037 --> 00:37:29,998 YOU'VE GOTTA BE KIDDING ME. 425 00:37:29,998 --> 00:37:32,375 YOU'RE SO OBLIVIOUS TO SUBTLE ADVANCES. 426 00:37:32,375 --> 00:37:34,085 SUBTLE? 427 00:37:35,712 --> 00:37:37,839 YEAH. 428 00:37:40,800 --> 00:37:42,594 OBLIVIOUS. 429 00:37:49,392 --> 00:37:51,603 ( knocks ) 430 00:37:51,603 --> 00:37:53,104 GOD. YEAH? 431 00:37:59,444 --> 00:38:01,905 Kerra: HEY. 432 00:38:01,905 --> 00:38:03,907 HEY. 433 00:38:04,908 --> 00:38:07,243 YOU OWE ME $88. 434 00:38:07,243 --> 00:38:09,245 UH, YEAH, RIGHT. 435 00:38:09,245 --> 00:38:11,164 I'M SERIOUS, ERIC. I NEED THE CASH. 436 00:38:11,164 --> 00:38:14,584 OKAY, THIS IS GONNA-- THIS IS GONNA TAKE A MINUTE. 437 00:38:14,584 --> 00:38:18,421 I NEED TO LOOK THROUGH ABOUT FIVE PAIRS OF JEANS. 438 00:38:32,143 --> 00:38:33,812 DOES SAI KNOW YOU HAVE THAT? 439 00:38:40,235 --> 00:38:42,445 NO. 440 00:38:45,907 --> 00:38:49,118 - YOU WANT TO TRY IT? - NO. 441 00:38:52,956 --> 00:38:55,041 REALLY? 442 00:38:55,041 --> 00:38:56,709 I JUST WANT THE MONEY. 443 00:39:00,922 --> 00:39:03,591 KERRA, LOOK. 444 00:39:03,591 --> 00:39:06,302 I CARE ABOUT YOU A LOT. 445 00:39:06,302 --> 00:39:08,638 ERIC, DON'T DO THIS. 446 00:39:08,638 --> 00:39:10,640 NO, I-- I WANT TO. 447 00:39:12,433 --> 00:39:14,978 I'M REALLY NOT GOOD AT SAYING HOW I FEEL. 448 00:39:16,938 --> 00:39:18,815 I JUST-- 449 00:39:18,815 --> 00:39:20,567 KERRA, I THINK YOU'RE AMAZING. 450 00:39:20,567 --> 00:39:22,819 I REALLY DO. 451 00:39:22,819 --> 00:39:25,947 I THINK YOU'RE BEAUTIFUL. 452 00:39:25,947 --> 00:39:27,532 JUST-- 453 00:39:27,532 --> 00:39:31,286 JUST COME HERE, OKAY? 454 00:39:33,955 --> 00:39:35,498 COME HERE. 455 00:39:43,339 --> 00:39:46,467 WHAT WAS IT LIKE? 456 00:39:46,467 --> 00:39:50,179 IT WAS LIKE EXCELLENT "X." 457 00:40:02,025 --> 00:40:03,526 I WANT TO TRY IT. 458 00:40:09,157 --> 00:40:10,700 - YEAH? - YEAH. 459 00:40:10,700 --> 00:40:12,869 I WANT TO TRY IT. 460 00:40:13,995 --> 00:40:16,581 OKAY. 461 00:40:16,581 --> 00:40:18,666 ALL RIGHT. 462 00:40:45,943 --> 00:40:47,654 LET'S WAIT. 463 00:40:51,908 --> 00:40:53,618 YOU WANT TO DO IT FIRST? 464 00:40:57,205 --> 00:40:58,915 OKAY. 465 00:41:04,712 --> 00:41:06,589 ALL RIGHT. 466 00:41:21,938 --> 00:41:23,648 AM I GONNA BE OKAY? 467 00:41:27,527 --> 00:41:29,404 TRUST ME. 468 00:41:51,968 --> 00:41:54,303 ( gasping ) 469 00:43:08,920 --> 00:43:10,963 ( Eric's voice echoing ) KERRA. 470 00:43:12,048 --> 00:43:13,716 ERIC. 471 00:43:22,058 --> 00:43:24,101 ( echoing ) C'MERE. 472 00:43:25,728 --> 00:43:27,396 IT'S OKAY. 473 00:43:28,397 --> 00:43:29,899 C'MERE. 474 00:43:35,238 --> 00:43:36,697 - DON'T. - IT'S OKAY. 475 00:43:36,697 --> 00:43:38,699 I'M SCARED. I WANT TO GO HOME. WAKE ME UP. 476 00:43:44,080 --> 00:43:45,998 JUST LET GO. 477 00:43:48,459 --> 00:43:50,419 ( crying ) 478 00:43:54,257 --> 00:43:56,425 I DON'T WANNA! NO! 479 00:43:59,512 --> 00:44:01,973 ( snarling ) 480 00:44:10,439 --> 00:44:12,066 ( sobbing ) 481 00:44:18,573 --> 00:44:20,116 KERRA. 482 00:44:28,124 --> 00:44:30,668 WAKE ME UP! NO NO. 483 00:44:30,668 --> 00:44:33,296 PLEASE GOD! 484 00:44:33,296 --> 00:44:35,256 WAKE ME UP! WAKE ME UP! 485 00:44:35,256 --> 00:44:37,717 WAKE ME UP! WAKE ME UP! 486 00:44:37,717 --> 00:44:40,094 NO! NO! 487 00:44:42,138 --> 00:44:45,975 WAKE ME UP! WAKE ME UP! 488 00:44:46,976 --> 00:44:50,813 - WAKE ME UP! - ( growling ) 489 00:44:50,813 --> 00:44:53,274 ( screaming ) 490 00:44:53,274 --> 00:44:55,359 WAKE ME UP! WAKE ME UP! 491 00:44:55,359 --> 00:44:56,819 KERRA? 492 00:44:56,819 --> 00:44:58,571 COME ON. 493 00:44:58,571 --> 00:45:00,031 NO! 494 00:45:00,031 --> 00:45:01,574 KERRA. 495 00:45:01,574 --> 00:45:03,659 - WAKE ME UP! - KERRA! KERRA! 496 00:45:03,659 --> 00:45:05,494 ERIC! WHAT THE HELL? 497 00:45:07,663 --> 00:45:09,749 - KERRA. - LET ME GO! 498 00:45:09,749 --> 00:45:11,334 WHAT DID YOU DO TO HER? 499 00:45:11,334 --> 00:45:13,669 SNAP OUT OF IT! WE GOTTA CALL 911. 500 00:45:13,669 --> 00:45:15,129 - Eric: NO! - Sai: SHE'LL BE OKAY. 501 00:45:15,129 --> 00:45:17,423 NOT GONNA CALL 911. IT'S GONNA BE MY THIRD STRIKE. 502 00:45:17,423 --> 00:45:21,052 - WE GOTTA CALL 911 NOW! - DUDE, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 503 00:45:21,052 --> 00:45:22,845 LISTEN TO SAI, SHE'S GONNA BE FINE. 504 00:45:22,845 --> 00:45:24,472 WAKE UP! 505 00:45:24,472 --> 00:45:26,015 ( panting ) 506 00:45:26,015 --> 00:45:29,060 - ( grunting ) - IT'S ROYCE. 507 00:45:29,060 --> 00:45:31,479 - LEAVE ME ALONE! LEAVE ME ALONE! - CALM DOWN, CALM DOWN! 508 00:45:31,479 --> 00:45:33,981 IT'S ROYCE! IT'S ROYCE. LOOK AT ME. FOCUS. 509 00:45:33,981 --> 00:45:36,192 FOCUS! IT'S ROYCE. 510 00:45:36,192 --> 00:45:39,737 FOCUS. CALM DOWN. 511 00:45:39,737 --> 00:45:41,948 - CALM DOWN. IT'S OKAY. IT'S OKAY. - ( Kerra sobbing ) 512 00:45:41,948 --> 00:45:45,660 IT'S OKAY. WHAT DID YOU GIVE HER? 513 00:45:45,660 --> 00:45:49,288 CALM DOWN. IT'S OKAY. 514 00:45:49,288 --> 00:45:51,248 I HAVE TO GO. I HAVE TO GO. 515 00:45:55,711 --> 00:45:58,047 ( door slams ) 516 00:45:58,047 --> 00:46:00,007 DID YOU GIVE HER SOME OF THAT STUFF? 517 00:46:23,239 --> 00:46:24,865 ASSHOLE. 518 00:46:27,952 --> 00:46:30,246 WHERE IS IT? 519 00:46:31,497 --> 00:46:33,249 I DON'T KNOW. 520 00:46:35,292 --> 00:46:37,795 - KERRA. - ( rattles doorknob ) 521 00:46:41,590 --> 00:46:43,884 WHERE DID YOU GET IT? 522 00:46:43,884 --> 00:46:46,262 I GOT SOME ON MY OWN. 523 00:46:48,931 --> 00:46:52,309 YOU HAVE NO IDEA WHAT YOU'RE MESSING WITH. 524 00:46:56,230 --> 00:46:58,315 I'LL TAKE MY CHANCES, SAI. 525 00:47:07,867 --> 00:47:10,286 SAI? 526 00:47:10,286 --> 00:47:12,121 ( door closes ) 527 00:47:12,121 --> 00:47:14,957 ( sighs ) 528 00:47:22,339 --> 00:47:24,967 ( sobbing ) 529 00:48:06,300 --> 00:48:08,761 - KERRA. - GO AWAY! 530 00:48:08,761 --> 00:48:11,138 GO AWAY! PLEASE. 531 00:48:18,354 --> 00:48:21,232 ( men murmuring, snarling ) 532 00:48:21,232 --> 00:48:23,526 THIS ISN'T HAPPENING. 533 00:48:26,070 --> 00:48:27,696 THIS ISN'T HAPPENING. GET AWAY. 534 00:48:28,739 --> 00:48:31,867 PLEASE GO AWAY! PLEASE GO AWAY! 535 00:48:31,867 --> 00:48:33,744 GO AWAY! 536 00:48:36,705 --> 00:48:39,041 I'M SORRY. 537 00:48:39,041 --> 00:48:42,169 ( sobbing, muttering ) 538 00:48:59,228 --> 00:49:02,398 ( woman singing in foreign language ) 539 00:49:20,082 --> 00:49:22,251 SOMETHING'S PULLING US TOGETHER. 540 00:49:24,503 --> 00:49:27,006 SOMETHING I CAN'T DENY EVEN TO MYSELF. 541 00:49:29,550 --> 00:49:31,594 BUT HERE, IT'S SO EASY. 542 00:49:32,720 --> 00:49:34,763 IT'S JUST US. 543 00:49:36,974 --> 00:49:39,059 AND WHAT LIES BETWEEN US. 544 00:49:41,437 --> 00:49:43,314 I CAN BE HERE IF YOU LET ME. 545 00:49:45,482 --> 00:49:47,067 FOREVER YOURS... 546 00:49:48,652 --> 00:49:51,030 IF YOU LET ME INSIDE. 547 00:49:53,699 --> 00:49:56,327 OPEN YOURSELF TO ME, SAI, 548 00:49:56,327 --> 00:49:59,747 AND EVERYTHING WILL FALL INTO PLACE. 549 00:50:02,291 --> 00:50:04,293 I LOVE THE WAY YOU LOOK AT ME. 550 00:50:07,004 --> 00:50:09,298 COME WITH ME. 551 00:51:10,025 --> 00:51:11,860 ( grunting ) 552 00:51:16,490 --> 00:51:19,076 ( shrieking ) 553 00:51:39,054 --> 00:51:40,556 SAI. 554 00:51:48,605 --> 00:51:50,441 YES. 555 00:51:52,401 --> 00:51:54,403 ( screams ) 556 00:52:06,915 --> 00:52:09,126 ( car horns blaring ) 557 00:52:19,928 --> 00:52:22,014 YEAH, IF I CAN GET THOSE PRINTS FOR TODAY, 558 00:52:22,014 --> 00:52:23,640 THAT'D BE GREAT. 559 00:52:25,768 --> 00:52:29,355 YEAH, SOME THEATER. YEAH, IN LONG BEACH. 560 00:52:29,355 --> 00:52:32,441 I JUST SHOT IT TODAY. 561 00:52:32,441 --> 00:52:35,069 LOOK, I'M JUST GETTING IN. CAN I CALL YOU BACK? 562 00:52:37,029 --> 00:52:38,947 COOL. THANKS. 563 00:52:44,119 --> 00:52:47,081 ( soft wheezing ) 564 00:52:49,583 --> 00:52:51,794 KERRA, IT'S ROYCE. 565 00:52:54,755 --> 00:52:56,965 KERRA, I JUST WANT TO SEE IF YOU'RE ALL RIGHT. 566 00:53:13,565 --> 00:53:15,317 ( weakly ) ROYCE... 567 00:53:20,364 --> 00:53:22,825 ( door opens ) 568 00:53:25,119 --> 00:53:26,829 Royce: ERIC? 569 00:53:29,665 --> 00:53:31,792 ARE WE NOT FRIENDS, ERIC? 570 00:53:34,086 --> 00:53:35,838 - ( knocks ) - COME IN. 571 00:53:38,340 --> 00:53:40,926 HEY. 572 00:53:40,926 --> 00:53:42,761 HEY, YOU. 573 00:53:42,761 --> 00:53:45,764 HEY, YOU HAVEN'T TALKED TO KERRA, HAVE YOU? 574 00:53:45,764 --> 00:53:47,141 WHY? 575 00:53:47,141 --> 00:53:49,017 BECAUSE SHE'S NOT PICKING UP HER PHONE 576 00:53:49,017 --> 00:53:50,644 NOR IS SHE ANSWERING THE DOOR. 577 00:53:50,644 --> 00:53:53,105 PLUS ERIC IS ACTING TOTALLY WEIRD. 578 00:53:53,105 --> 00:53:56,984 PROBABLY THE GUILT OF WHAT HE DID IS EATING HIM UP INSIDE. 579 00:53:56,984 --> 00:53:59,319 I'M SURE KERRA WILL BE FINE. 580 00:53:59,319 --> 00:54:01,238 SHE JUST NEEDS SOME SPACE. 581 00:54:04,700 --> 00:54:07,077 HEY. 582 00:54:07,077 --> 00:54:08,871 LOOK FAMILIAR? 583 00:54:10,205 --> 00:54:12,166 SHOULD IT? 584 00:54:12,166 --> 00:54:14,042 IN ESSENCE. 585 00:54:14,042 --> 00:54:16,587 ( clears throat ) 586 00:54:18,672 --> 00:54:20,924 YOU'RE WHAT I SEE WHEN I ENTER THE DREAM. 587 00:54:22,718 --> 00:54:24,511 WHAT DREAM? 588 00:54:25,637 --> 00:54:27,431 ALL I SEE IS YOU. 589 00:54:28,807 --> 00:54:31,768 LIKE WHAT YOU SEE WHEN YOU LOOK THROUGH THE LENS. 590 00:54:33,312 --> 00:54:35,564 DO YOU HAVE ANY FILM LEFT? 591 00:54:35,564 --> 00:54:38,734 YEAH. WHY? 592 00:54:38,734 --> 00:54:41,403 'CAUSE I WANT YOU TO PHOTOGRAPH ME. 593 00:54:44,406 --> 00:54:47,534 I WANT TO SEE WHAT YOU SEE... 594 00:54:49,244 --> 00:54:50,829 WHEN I'M SOMEWHERE ELSE... 595 00:54:52,080 --> 00:54:53,707 SEEING YOU. 596 00:54:56,835 --> 00:54:58,420 PULL IT OUT. 597 00:55:11,266 --> 00:55:12,976 ( lighter clicks ) 598 00:55:14,436 --> 00:55:17,231 SAI, I'M A LITTLE CONCERNED ABOUT YOU DOING THAT STUFF. 599 00:55:20,234 --> 00:55:22,027 I'VE NEVER SEEN YOU DENY THE CHANCE 600 00:55:22,027 --> 00:55:24,112 TO TAKE A PHOTOGRAPH OF ME, ROYCE. 601 00:55:46,385 --> 00:55:48,345 SO HOW MUCH ARE YOU DOING OF THAT STUFF? 602 00:55:50,681 --> 00:55:52,808 JUST ENOUGH TO GET WHAT I NEED. 603 00:55:54,893 --> 00:55:56,603 I'M IN CONTROL, ROYCE. 604 00:55:58,438 --> 00:55:59,940 TRUST ME. 605 00:56:06,613 --> 00:56:09,491 OR MAYBE YOU JUST NEED TO SEE FOR YOURSELF. 606 00:56:26,925 --> 00:56:29,845 ( gasping ) 607 00:56:43,692 --> 00:56:45,402 ( groaning ) 608 00:57:12,220 --> 00:57:14,848 ( Sai muttering ) 609 00:57:48,924 --> 00:57:50,592 COME ON, BABY. 610 00:57:50,592 --> 00:57:52,135 ( moaning ) 611 00:57:53,887 --> 00:57:55,639 SAI, SAI! 612 00:57:55,639 --> 00:57:58,475 JESUS, COME ON, SAI. 613 00:58:05,982 --> 00:58:08,652 YOU GOTTA STOP DOING THAT STUFF. 614 00:58:14,700 --> 00:58:16,493 SAI. 615 00:58:20,997 --> 00:58:23,333 - ( chuckles ) - OH, SAI. 616 00:58:28,588 --> 00:58:31,133 I'M NOT GONNA SIT AROUND WATCH YOU DESTROY YOURSELF. 617 00:58:37,973 --> 00:58:39,683 YOU HAVE NO IDEA. 618 00:58:41,101 --> 00:58:43,478 WHAT ARE YOU TALKING ABOUT? 619 00:58:43,478 --> 00:58:46,273 YOU HAVE NO IDEA WHAT THIS DRUG IS DOING TO YOU. 620 00:58:46,273 --> 00:58:47,816 ( moaning ) 621 00:58:47,816 --> 00:58:49,651 I MEAN, LOOK AT YOURSELF. 622 00:58:49,651 --> 00:58:52,988 LOOK AT YOUR NECK. 623 00:58:52,988 --> 00:58:55,407 OH MY GOD. IT'S POISONING YOU. 624 00:58:58,285 --> 00:59:00,245 IT'S SUCKING THE LIFE RIGHT OUT OF YOU. 625 00:59:07,669 --> 00:59:10,088 I LOVE YOU TOO MUCH TO STAND BY AND WATCH YOU DO THIS. 626 00:59:17,387 --> 00:59:18,972 WHAT? 627 00:59:23,351 --> 00:59:25,103 WHAT? 628 00:59:25,103 --> 00:59:26,772 WHAT DID YOU SAY? 629 00:59:30,400 --> 00:59:32,194 DID YOU MEAN IT? 630 00:59:32,194 --> 00:59:34,196 DID YOU MEAN WHAT YOU SAID? 631 00:59:39,534 --> 00:59:41,369 DID YOU? 632 00:59:44,164 --> 00:59:46,082 YES. 633 00:59:46,082 --> 00:59:47,709 YES, I DID. 634 01:00:02,098 --> 01:00:04,184 PLEASE. PLEASE. 635 01:00:05,644 --> 01:00:07,187 STAY WITH ME. 636 01:00:10,982 --> 01:00:12,526 I WON'T-- 637 01:00:13,860 --> 01:00:15,904 I WON'T DO IT AGAIN. 638 01:00:18,865 --> 01:00:20,534 TRUST ME. 639 01:00:28,416 --> 01:00:30,418 JUST STAY WITH ME. 640 01:01:05,954 --> 01:01:08,415 ( ghostly voices whispering ) 641 01:01:20,886 --> 01:01:23,138 COME TO ME. 642 01:01:26,641 --> 01:01:28,685 SAI... 643 01:01:36,985 --> 01:01:39,154 SAI... 644 01:01:39,154 --> 01:01:41,990 ANSWER ME. 645 01:01:50,290 --> 01:01:51,833 ( shivering ) 646 01:02:00,258 --> 01:02:02,302 ( woman singing in foreign language ) 647 01:02:04,846 --> 01:02:08,600 ( ghostly voice whispering ) 648 01:02:10,352 --> 01:02:12,187 ( retching ) 649 01:02:14,356 --> 01:02:16,024 ( gasping ) 650 01:02:20,111 --> 01:02:22,489 ( hissing, snarling ) 651 01:02:22,489 --> 01:02:24,741 ( whispering voice ) VAMPYRE... 652 01:02:24,741 --> 01:02:29,204 OH, SAI, YOU'RE MINE. YOU'RE VAMPYRE. 653 01:02:32,123 --> 01:02:35,961 ( snarling ) 654 01:02:43,927 --> 01:02:47,013 ( panting ) 655 01:03:39,274 --> 01:03:42,861 ( gagging, wheezing ) 656 01:03:48,783 --> 01:03:51,828 ( snarling ) 657 01:04:13,683 --> 01:04:15,894 ( whimpering ) 658 01:04:17,979 --> 01:04:20,482 ( snarling ) 659 01:04:32,994 --> 01:04:35,413 I'M SO SORRY. 660 01:04:40,335 --> 01:04:42,962 I'M SORRY. 661 01:04:56,476 --> 01:04:59,395 ( growling ) 662 01:05:04,734 --> 01:05:08,363 ( Sai snarling, panting ) 663 01:05:12,033 --> 01:05:13,910 SAI? 664 01:05:28,883 --> 01:05:30,468 DON'T GO. 665 01:05:33,471 --> 01:05:36,224 ARE YOU FEELING ANY BETTER? 666 01:05:36,224 --> 01:05:38,434 MUCH BETTER. 667 01:05:38,434 --> 01:05:41,271 ( unsnapping ) 668 01:05:42,647 --> 01:05:44,858 DON'T YOU THINK WE SHOULD THINK THIS THROUGH? 669 01:05:48,403 --> 01:05:50,738 YOU... 670 01:05:50,738 --> 01:05:52,782 THINK TOO MUCH. 671 01:06:08,798 --> 01:06:11,467 ( phone ringing ) 672 01:06:16,764 --> 01:06:20,268 HEY, BABY, IT'S ROYCE. 673 01:06:21,519 --> 01:06:23,771 I TRIED TO WAKE YOU, BUT YOU WERE... 674 01:06:25,607 --> 01:06:28,359 WELL, I HAD TO RUN SOME ERRANDS. 675 01:06:31,112 --> 01:06:32,822 HAVE YOU HEARD FROM KERRA? 676 01:06:35,116 --> 01:06:36,993 I'M A LITTLE WORRIED ABOUT HER. 677 01:06:39,662 --> 01:06:41,247 AND YOU. 678 01:06:42,874 --> 01:06:46,211 BUT WE CAN-- WE CAN TALK ABOUT THAT LATER. 679 01:06:47,795 --> 01:06:49,839 I'LL SEE YOU SOON. BYE. 680 01:09:06,893 --> 01:09:09,354 YOU REMIND ME SO MUCH OF HER. 681 01:09:12,440 --> 01:09:14,192 FROM FIRST SIGHT... 682 01:09:16,652 --> 01:09:19,989 I KNEW YOU'D RENEW ME AGAIN. 683 01:09:19,989 --> 01:09:23,159 I'M SO SORRY FOR WHAT I'VE DONE TO YOU. 684 01:09:27,705 --> 01:09:29,290 I'VE MISLED YOU... 685 01:09:32,960 --> 01:09:35,338 LIKE SO MANY OTHERS BEFORE... 686 01:09:39,300 --> 01:09:42,303 STRETCHING PAST THE LIMITS OF MY MEMORY. 687 01:09:49,936 --> 01:09:51,479 BUT... 688 01:09:55,650 --> 01:09:57,485 BLOOD IS LIFE. 689 01:10:00,822 --> 01:10:03,825 AND YOU ARE NEAR TO GIVING ME WHAT I NEED. 690 01:10:06,911 --> 01:10:09,455 TRUST ME, IT'S GOING TO BE A RIOT. 691 01:10:09,455 --> 01:10:11,332 UH, ERIC-- 692 01:10:11,332 --> 01:10:14,752 ERIC, I NEED TO GET BACK TO THE GUITAR CENTER BEFORE MIDNIGHT 693 01:10:14,752 --> 01:10:17,380 FOR INVENTORY OR MY BOSS WILL KILL ME. 694 01:10:17,380 --> 01:10:21,092 - IT'S GONNA BE OKAY. OKAY? - YOU PROMISE? 695 01:10:24,512 --> 01:10:26,681 - VERY NEAR. - ( growling ) 696 01:10:32,228 --> 01:10:35,064 ( snarling ) 697 01:10:48,369 --> 01:10:50,329 WE ARE SO CLOSE. 698 01:10:54,250 --> 01:10:56,252 YOU KNOW WHAT TO DO. 699 01:10:59,046 --> 01:11:00,548 ( snarls loudly ) 700 01:11:07,597 --> 01:11:09,599 ( knocks ) SAI? 701 01:11:13,478 --> 01:11:15,271 SAI, YOU IN HERE? 702 01:11:36,918 --> 01:11:39,295 ( pages flipping ) 703 01:11:49,055 --> 01:11:50,598 SAI? 704 01:11:53,351 --> 01:11:55,061 HOW'D YOU GET IN HERE? 705 01:11:57,230 --> 01:12:00,608 SHOULDN'T YOU BE ASKING WHY? 706 01:12:07,782 --> 01:12:09,909 SAI, ARE YOU OKAY? 707 01:12:13,079 --> 01:12:14,914 ( demonic voice ) NEVER BETTER. 708 01:12:47,613 --> 01:12:49,782 I CAN FEEL... 709 01:12:50,950 --> 01:12:53,160 HOW MUCH YOU WANT ME... 710 01:12:53,160 --> 01:12:55,538 PULSING... 711 01:12:56,956 --> 01:12:58,833 THROUGH YOUR VEINS. 712 01:13:02,003 --> 01:13:05,548 I WANT YOU JUST 713 01:13:05,548 --> 01:13:08,259 AS MUCH. 714 01:13:08,259 --> 01:13:10,386 ( panting ) 715 01:13:12,722 --> 01:13:14,765 I SEE YOU IN MY DREAMS. 716 01:13:24,984 --> 01:13:28,070 ( whimpering ) YOU'RE SO-- YOU'RE SO SWEET. 717 01:13:32,950 --> 01:13:35,286 ( woman sobbing, gasping ) 718 01:13:35,286 --> 01:13:37,538 ERIC, HELP ME, PLEASE! 719 01:13:58,893 --> 01:14:00,978 - IT'S OKAY. - NO. 720 01:14:04,941 --> 01:14:07,151 - ( snarling ) - IT'S OKAY. 721 01:14:09,403 --> 01:14:10,738 ( growls ) 722 01:14:12,406 --> 01:14:14,200 ( woman sobbing ) 723 01:14:15,534 --> 01:14:17,453 ( snarling, wheezing ) 724 01:14:36,555 --> 01:14:38,766 - WHAT THE HELL IS GOING ON HERE? - ( growling ) 725 01:15:08,379 --> 01:15:11,132 ARE YOU HERE TO FEED OUR LUST? 726 01:15:11,132 --> 01:15:13,968 OR ARE YOU JUST FEED FOR US? 727 01:15:14,969 --> 01:15:17,388 IT WAS MEANT FOR YOU, 728 01:15:18,472 --> 01:15:19,974 NOT TO BE SHARED. 729 01:15:22,977 --> 01:15:25,771 NOW YOU WILL SUFFER... 730 01:15:25,771 --> 01:15:27,314 BY LOSING HIM. 731 01:15:33,821 --> 01:15:35,990 ( growls fiercely ) NO! 732 01:15:38,284 --> 01:15:39,910 ( screams ) 733 01:15:53,883 --> 01:15:56,385 ( bones crack ) 734 01:16:04,685 --> 01:16:06,604 ( wheezing ) 735 01:16:16,864 --> 01:16:19,575 Royce: OH MY GOD. 736 01:16:27,875 --> 01:16:29,376 ( yelps ) 737 01:16:39,929 --> 01:16:41,722 FUCK. 738 01:16:42,890 --> 01:16:45,267 THAT'S THE SPIRIT. 739 01:16:47,353 --> 01:16:49,730 ( growls ) 740 01:17:04,870 --> 01:17:07,289 WHAT A NICE LOOKING YOUNG MAN. 741 01:17:13,587 --> 01:17:15,631 ( muttering ) 742 01:17:19,218 --> 01:17:22,388 WHAT DO I DO? WHAT DO I DO? WHAT DO I DO? 743 01:17:22,388 --> 01:17:24,974 WHAT DO I DO? WHAT DO I DO? PLEASE TELL ME. 744 01:17:29,436 --> 01:17:31,772 ERIC. ERIC. 745 01:17:31,772 --> 01:17:33,941 WAKE UP. WAKE UP! 746 01:17:33,941 --> 01:17:35,734 WAKE UP! 747 01:17:36,735 --> 01:17:38,571 WHO IS IT? 748 01:17:38,571 --> 01:17:41,115 - ROYCE? - WHAT DID YOU DO? 749 01:17:41,115 --> 01:17:43,200 - WHAT DID YOU DO? - I MADE A MESS OF THINGS. 750 01:17:44,451 --> 01:17:45,995 IT'S SAI. 751 01:17:45,995 --> 01:17:47,913 - WHAT? - IT'S SAI. 752 01:17:47,913 --> 01:17:49,957 WHAT ABOUT HER? 753 01:17:49,957 --> 01:17:52,626 - SHE'S THE BAIT, MAN. - WHAT? WHAT DO YOU MEAN? 754 01:17:52,626 --> 01:17:55,588 - ROYCE, IT'S-- - WHAT? 755 01:17:55,588 --> 01:17:57,173 IT'S JOHNNY MONEY. 756 01:18:09,977 --> 01:18:11,687 TIME TO BRING HIM IN, SAI. 757 01:18:20,070 --> 01:18:22,156 I DON'T THINK I CAN. 758 01:18:22,156 --> 01:18:25,075 DON'T BE AFRAID TO LOVE FOREVER. 759 01:18:49,475 --> 01:18:51,435 ENOUGH FOR TWO. 760 01:18:55,356 --> 01:18:56,857 NO. 761 01:18:56,857 --> 01:18:59,944 OKAY OKAY. YOU'RE COMING WITH. 762 01:19:01,028 --> 01:19:03,155 - GRAB ME, GRAB ME. - OKAY. 763 01:19:05,699 --> 01:19:07,868 TAKE HIM WITH YOU, SAI. 764 01:19:10,120 --> 01:19:12,039 OH, GOD, COME ON. 765 01:19:13,874 --> 01:19:16,752 NO. I WON'T. 766 01:19:19,046 --> 01:19:20,547 SAI! 767 01:19:20,547 --> 01:19:22,758 TAKE HIM WITH YOU. 768 01:19:24,635 --> 01:19:26,553 ( pounds ) 769 01:19:28,305 --> 01:19:30,182 SAI, IT'S ROYCE! OPEN THE DOOR! 770 01:19:31,892 --> 01:19:35,729 SAI, COME ON, OPEN THE DOOR! 771 01:19:35,729 --> 01:19:37,606 ( Royce grunting ) 772 01:19:41,986 --> 01:19:44,238 OPEN THE DOOR! 773 01:19:45,572 --> 01:19:47,866 OPEN THE DOOR! OPEN THE DOOR! 774 01:19:47,866 --> 01:19:49,910 COME ON, BABY! OPEN THE DOOR! 775 01:19:49,910 --> 01:19:52,788 - Renfield: WAIT FOR HIM, SAI. - IT'S ROYCE! 776 01:19:52,788 --> 01:19:55,249 - Royce: COME ON! - Renfield: WAIT FOR HIM. 777 01:19:55,249 --> 01:19:58,002 - COME ON! COME ON! - Renfield: WAIT, SAI. 778 01:19:58,002 --> 01:19:59,628 DO NOT DEFY ME! 779 01:19:59,628 --> 01:20:01,880 NO! 780 01:20:04,258 --> 01:20:06,802 Royce: OPEN THE DOOR! OPEN THE DOOR! 781 01:20:06,802 --> 01:20:09,471 COME ON, SAI! COME ON! 782 01:20:13,517 --> 01:20:15,352 ( panting ) ROYCE. 783 01:20:16,478 --> 01:20:18,564 - TAKE MY HAND. - ( groaning ) 784 01:20:19,732 --> 01:20:22,109 - I'M NOT LEAVING. - GO! 785 01:20:22,109 --> 01:20:23,444 NO. 786 01:20:26,572 --> 01:20:28,240 - I'M NOT LEAVING YOU. - GO! 787 01:20:28,240 --> 01:20:30,784 LEAVE ME. 788 01:20:30,784 --> 01:20:32,995 - GET OUT OF HERE. - I WON'T. 789 01:20:32,995 --> 01:20:35,914 ( Renfield whispers ) SAI... 790 01:20:39,668 --> 01:20:42,463 ( sobbing ) 791 01:20:51,764 --> 01:20:54,600 - ROYCE. - YOU SON OF A BITCH. 792 01:20:58,812 --> 01:21:01,065 SHE'S WAITING FOR YOU, ROYCE. 793 01:21:04,651 --> 01:21:07,154 I SHOULD KILL YOU RIGHT NOW. 794 01:21:07,154 --> 01:21:09,865 YES, YOU SHOULD. 795 01:21:12,493 --> 01:21:14,536 BUT WHAT THEN? 796 01:21:16,330 --> 01:21:19,875 SHE DID IT FOR YOU, ROYCE. 797 01:21:20,918 --> 01:21:24,505 - NO. - SHE WANTS YOU TO JOIN HER. 798 01:21:24,505 --> 01:21:26,256 NO. 799 01:21:26,256 --> 01:21:27,966 TRUST ME. 800 01:21:29,510 --> 01:21:32,054 TRUST? 801 01:21:32,054 --> 01:21:34,890 ( Sai whispers ) COME TO ME. 802 01:21:38,352 --> 01:21:40,354 DO YOU HEAR HER, ROYCE? 803 01:21:40,354 --> 01:21:43,899 I NEED YOU. 804 01:21:43,899 --> 01:21:45,692 ( panting ) 805 01:21:45,692 --> 01:21:48,278 ROYCE, DON'T GO. 806 01:21:50,572 --> 01:21:52,908 SAVE ME. 807 01:21:55,661 --> 01:21:58,413 GO TO HER, ROYCE. 808 01:21:58,413 --> 01:22:00,082 Eric: YOU WON'T COME BACK, ROYCE. 809 01:22:02,501 --> 01:22:04,461 SHE NEEDS YOU. 810 01:22:06,130 --> 01:22:08,257 ( voices murmuring ) 811 01:22:11,552 --> 01:22:13,929 Eric: LOOK AT ME, ROYCE. 812 01:22:13,929 --> 01:22:16,390 YOU WON'T COME BACK, ROYCE. 813 01:22:16,390 --> 01:22:18,559 COME TO ME. 814 01:22:18,559 --> 01:22:20,561 GO TO HER. 815 01:22:22,855 --> 01:22:24,439 WAKE ME. 816 01:22:45,586 --> 01:22:48,547 A GREATER SCHEME UNFOLDS BEFORE ME. 817 01:23:12,279 --> 01:23:13,780 SAI? 818 01:23:14,948 --> 01:23:16,658 IT'S ME. 819 01:23:24,625 --> 01:23:26,460 SAI, IT'S ROYCE. 820 01:23:26,460 --> 01:23:30,339 SAI, PLEASE. SAI, PLEASE COME WITH ME. 821 01:23:33,342 --> 01:23:35,219 ( footsteps crunching ) 822 01:23:44,478 --> 01:23:46,355 ( snarling ) 823 01:23:53,904 --> 01:23:55,530 WILL YOU COME BACK WITH ME? 824 01:23:58,534 --> 01:23:59,868 ( growling ) 825 01:23:59,868 --> 01:24:01,536 ( hissing ) 826 01:24:20,347 --> 01:24:22,557 I CAN'T HELP MYSELF. 827 01:24:30,816 --> 01:24:34,695 Renfield: FOR ME, A NEW BEGINNING, 828 01:24:35,904 --> 01:24:38,198 YEARS GAINED FROM THOSE LOST, 829 01:24:39,533 --> 01:24:41,910 THEIR BLOOD FOR MY EXTENDED LIFE, 830 01:24:43,245 --> 01:24:46,206 DRAINED FROM A BEAST NOT MEANT FOR THIS MORTAL COIL, 831 01:24:48,250 --> 01:24:51,253 AND MY WORDS WASTED ON THE DUMBEST OF EARS. 832 01:24:58,593 --> 01:25:00,512 ALL RIGHT, SHAKESPEARE. 833 01:25:00,512 --> 01:25:02,055 YOU'RE DEAD. 834 01:25:02,055 --> 01:25:04,433 ( low voice rumbling ) 835 01:25:15,485 --> 01:25:17,112 ( snarling ) 836 01:25:23,410 --> 01:25:25,579 ( roaring ) 837 01:25:46,558 --> 01:25:48,602 ROYCE. ROYCE! 838 01:26:04,284 --> 01:26:05,786 SAI? 839 01:26:13,001 --> 01:26:16,588 ( snarling ) YOU NEED TO GET OUT OF HERE, ROYCE. 840 01:26:16,588 --> 01:26:19,174 YOU NEED TO SNAP OUT OF THIS FOR ME, SAI. 841 01:26:25,472 --> 01:26:27,182 I WANT YOU... 842 01:26:27,182 --> 01:26:28,809 SO BAD. 843 01:26:32,521 --> 01:26:36,316 I'M NOT GONNA LEAVE YOU LIKE THIS, SAI. 844 01:26:36,316 --> 01:26:38,402 PLEASE. 845 01:26:42,489 --> 01:26:45,283 COME WITH ME. PLEASE. 846 01:26:45,283 --> 01:26:48,829 I KNOW WHAT HE WANTS. 847 01:26:48,829 --> 01:26:51,206 ( demonic voice ) I'M PART OF HIM NOW. 848 01:26:52,499 --> 01:26:54,251 YOU'RE PART OF ME. 849 01:26:54,251 --> 01:26:56,336 ( shrieking ) 850 01:26:56,336 --> 01:26:58,839 ROYCE, YOU GOTTA GET UP. 851 01:26:58,839 --> 01:27:01,341 ROYCE, I NEED YOU TO GET UP. 852 01:27:01,341 --> 01:27:03,009 JUST WAKE UP. 853 01:27:03,009 --> 01:27:05,053 - ( screams ) - ( snarling ) 854 01:27:08,807 --> 01:27:10,559 ( gagging ) 855 01:27:16,022 --> 01:27:18,817 HELLO, OLD FRIEND. 856 01:27:18,817 --> 01:27:21,403 ( wailing ) 857 01:27:34,666 --> 01:27:36,376 HELP ME! 858 01:27:36,376 --> 01:27:38,336 I'LL HELP YOU LIVE FOREVER. 859 01:27:41,506 --> 01:27:43,884 Royce: STAY WITH ME. STAY WITH ME. 860 01:27:43,884 --> 01:27:45,760 ( wailing ) 861 01:27:50,223 --> 01:27:52,058 IT'S OKAY. 862 01:27:53,560 --> 01:27:55,687 LET ME HELP YOU. 863 01:27:58,857 --> 01:28:00,567 ( grunting ) 864 01:28:03,445 --> 01:28:04,905 ROYCE... 865 01:28:04,905 --> 01:28:06,615 ( crying ) PLEASE... 866 01:28:06,615 --> 01:28:08,992 I NEED 867 01:28:08,992 --> 01:28:11,745 TO FREE MY SOUL. 868 01:28:13,497 --> 01:28:17,209 SAI... SAI... SAI... 869 01:28:18,251 --> 01:28:21,588 - SAY IT. - NO. 870 01:28:23,048 --> 01:28:26,384 I NEED TO HEAR IT 871 01:28:26,384 --> 01:28:28,053 ONE LAST TIME. 872 01:28:29,471 --> 01:28:31,806 ( sobbing ) SAY IT. 873 01:28:32,974 --> 01:28:34,309 PLEASE, SAI. 874 01:28:34,309 --> 01:28:37,187 TELL ME. TELL ME. 875 01:28:38,772 --> 01:28:40,607 PLEASE. 876 01:28:40,607 --> 01:28:42,150 - I LOVE YOU. - ( sobs ) 877 01:28:45,946 --> 01:28:47,489 ( Sai grunts ) 878 01:29:01,628 --> 01:29:03,380 OH, GOD. 879 01:29:05,423 --> 01:29:07,425 ( Vampyre growling ) 880 01:29:20,689 --> 01:29:23,650 ( grunts ) 881 01:29:23,650 --> 01:29:25,777 ( growling ) 882 01:29:26,861 --> 01:29:28,780 ( shrieking ) 883 01:29:28,780 --> 01:29:31,032 ( whooshing ) 884 01:29:40,000 --> 01:29:42,460 ( crying ) 885 01:30:08,069 --> 01:30:11,197 NO! 886 01:30:18,246 --> 01:30:19,748 ( gasping ) 887 01:30:23,793 --> 01:30:25,962 ( woman singing in foreign language ) 888 01:30:51,863 --> 01:30:53,406 SO ARE WHERE YOU HEADED? 889 01:30:53,406 --> 01:30:55,492 ON THE ROAD. 890 01:30:57,118 --> 01:30:58,995 WHEREVER IT TAKES ME. 891 01:31:01,081 --> 01:31:02,749 HE'S STILL HERE. 892 01:31:07,671 --> 01:31:09,089 DUDE, I'M GONE. 893 01:31:12,926 --> 01:31:14,594 TAKE CARE. 894 01:31:40,120 --> 01:31:43,373 Sai's voice: COME TO ME. 895 01:32:05,520 --> 01:32:07,647 ( choir singing in foreign language ) 53054

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