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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,229 --> 00:00:04,670 HANLEY, YOU'RE WASTING YOUR TALENTS! 2 00:00:04,671 --> 00:00:05,793 TAKE A RISK! 3 00:00:05,794 --> 00:00:08,486 YOU BETTER NOT BE LYING TO ME. WHY? 'CAUSE YOU NEVER LIE? 4 00:00:08,487 --> 00:00:09,674 YOU DON'T EVEN LIVE HERE ANYMORE. 5 00:00:09,675 --> 00:00:10,842 SHE'S AN I.T. TECH AT KARSTEN ALLIED. 6 00:00:10,843 --> 00:00:12,277 THIS GIRL COULD BE A GOLD MINE. 7 00:00:12,278 --> 00:00:14,778 WHAT ABOUT ELAINE? SOMETHING HAPPENED. 8 00:00:14,779 --> 00:00:15,888 A PERSONAL RELATIONSHIP. 9 00:00:15,889 --> 00:00:17,123 I KNOW YOU THINK I STOLE YOUR MONEY. 10 00:00:17,124 --> 00:00:18,357 I-I -- NO! I -- HEY! 11 00:00:18,358 --> 00:00:19,558 DID YOU KILL LOU TO COVER IT UP? 12 00:00:19,559 --> 00:00:20,726 I DIDN'T KILL ANYBODY! 13 00:00:20,727 --> 00:00:23,496 ARE YOU READY TO GO TO PRISON FOR KARSTEN? 14 00:00:23,497 --> 00:00:26,732 THE PERSON WHO PUT THE GUN IN T.J.'s CAR WAS JACK McALLISTER. 15 00:00:26,733 --> 00:00:29,769 JACK IS THE ONE WHO KILLED LOU MROZEK. 16 00:00:32,204 --> 00:00:33,472 JACK McALLISTER? 17 00:00:33,473 --> 00:00:34,740 YEAH. 18 00:00:34,741 --> 00:00:36,242 KILLED LOU MROZEK. THAT'S RIGHT. 19 00:00:36,243 --> 00:00:37,810 WHY? 20 00:00:37,811 --> 00:00:40,346 BECAUSE LOU WAS GONNA TURN HIM IN TO THE FBI. 21 00:00:40,347 --> 00:00:41,914 TURN HIM IN FOR WHAT? 22 00:00:41,915 --> 00:00:44,750 FOR STEALING, MR. STAFFORD. 23 00:00:44,751 --> 00:00:46,385 JACK WAS STEALING FROM ME. 24 00:00:46,386 --> 00:00:48,821 A VERY LARGE SUM OF MONEY. 25 00:00:48,822 --> 00:00:49,922 LOU FOUND OUT ABOUT IT, 26 00:00:49,923 --> 00:00:53,092 AND JACK KILLED HIM BEFORE HE COULD TALK. 27 00:00:54,226 --> 00:00:57,296 IT'S ALL IN HERE. 28 00:00:59,732 --> 00:01:03,035 T.J. WAS WITH LOU THE NIGHT HE WAS KILLED. 29 00:01:03,036 --> 00:01:06,672 THE GUN USED TO KILL LOU WAS FOUND IN YOUR SON'S CAR. 30 00:01:06,673 --> 00:01:09,508 ALL EVIDENCE POINTS TO YOUR SON, T.J. 31 00:01:09,509 --> 00:01:11,610 THAT EVIDENCE DOESN'T HOLD WATER. 32 00:01:11,611 --> 00:01:13,713 WHY WOULD T.J. KILL LOU? 33 00:01:13,714 --> 00:01:15,681 BECAUSE YOU TOLD HIM TO. 34 00:01:15,682 --> 00:01:21,053 I SENT MY BRAIN-DAMAGED SON TO KILL HIS UNCLE? 35 00:01:21,054 --> 00:01:24,623 YOU'RE NOT THINKING VERY CLEARLY, MR. STAFFORD. 36 00:01:24,624 --> 00:01:27,460 HE'S TURNED YOU UPSIDE DOWN. 37 00:01:27,461 --> 00:01:29,228 WHO? 38 00:01:29,229 --> 00:01:33,766 JACK. IT'S WHAT HE DOES. HE MANIPULATES PEOPLE. 39 00:01:33,767 --> 00:01:36,102 I'M NOT BEING MANIPULATED BY JACK McALLISTER. 40 00:01:36,103 --> 00:01:38,270 PLEASE. OF COURSE YOU ARE. 41 00:01:38,271 --> 00:01:42,408 LOOK WHAT HE'S DONE TO YOU, WHAT HE'S TAKEN FROM YOU. 42 00:01:42,409 --> 00:01:45,811 YOU LEAVE HER OUT OF THIS. 43 00:01:45,812 --> 00:01:48,147 LEAVE HER OUT OF IT? 44 00:01:48,148 --> 00:01:50,750 YOU REALLY DON'T GET IT, DO YOU? 45 00:01:50,751 --> 00:01:54,487 YOU THINK JACK SLEEPING WITH YOUR WIFE WAS AN ACCIDENT, 46 00:01:54,488 --> 00:01:55,921 THAT IT WAS A COINCIDENCE 47 00:01:55,922 --> 00:01:58,324 THAT YOU WERE ASSIGNED TO THE MROZEK CASE? 48 00:01:58,325 --> 00:02:02,795 WITH JACK McALLISTER, THERE ARE NO ACCIDENTS. 49 00:02:02,796 --> 00:02:05,164 NOTHING IS LEFT TO CHANCE. 50 00:02:05,165 --> 00:02:08,133 HE PLAYED YOU. 51 00:02:08,134 --> 00:02:12,638 HE PLAYED ME... MY DAUGHTER, YOUR WIFE. 52 00:02:12,639 --> 00:02:15,474 JACK PLAYS EVERYONE. 53 00:02:15,475 --> 00:02:19,111 HE'S A CON MAN, A THIEF... 54 00:02:21,013 --> 00:02:22,915 ...A KILLER. 55 00:02:25,684 --> 00:02:28,687 -- Captions by VITAC -- 56 00:02:39,131 --> 00:02:42,168 NICE KICKS. 57 00:02:42,169 --> 00:02:44,136 I LIKE WHEN YOU SAY "KICKS." 58 00:02:45,471 --> 00:02:48,641 YEAH, I NEED A PLUMBER. 59 00:02:48,642 --> 00:02:50,976 SO, YOU SAID YOU HAD A BIG STORY FOR ME. 60 00:02:50,977 --> 00:02:54,480 THIS ONE GETS US THE PULITZER. 61 00:02:54,481 --> 00:02:56,682 OR KILLED. POSSIBLY BOTH. 62 00:02:56,683 --> 00:02:58,684 HMM. THIS IS A ZEBRA. 63 00:02:58,685 --> 00:03:03,289 YEAH. YEAH, IT IS. SORRY. WRONG FOLDER. 64 00:03:03,290 --> 00:03:06,625 CORRUPTION, FRAUD, THREATS, 65 00:03:06,626 --> 00:03:10,663 EXTORTION, KICKBACKS... MURDER! 66 00:03:10,664 --> 00:03:13,232 YOU'RE SUPPOSED TO REACT MORE WHEN I SAY "MURDER." 67 00:03:13,233 --> 00:03:14,733 WHAT ARE WE TALKING ABOUT HERE? 68 00:03:14,734 --> 00:03:17,236 WHAT ELSE? CHICAGO REAL ESTATE, MAJOR DEVELOPERS -- 69 00:03:17,237 --> 00:03:20,606 DODSON & READ, VXG, KARSTEN ALLIED. 70 00:03:22,341 --> 00:03:25,010 WHAT? ARE YOU WORRIED ABOUT WHERE TO PUT YOUR PULITZER? 71 00:03:25,011 --> 00:03:27,179 IT'S A SMALL MEDAL. YOU CAN HANG IT ANYWHERE. 72 00:03:27,180 --> 00:03:28,681 I CAN'T DO THIS, NATE. 73 00:03:28,682 --> 00:03:31,484 IS IT BECAUSE OF McALLISTER? 74 00:03:31,485 --> 00:03:33,719 YEAH, WELL, I DON'T THINK HE'D APPRECIATE ME 75 00:03:33,720 --> 00:03:35,387 BEING INVOLVED IN THIS, NOT RIGHT NOW. 76 00:03:35,388 --> 00:03:36,489 FAIR ENOUGH. 77 00:03:36,490 --> 00:03:40,326 I GUESS IT WILL JUST BE ME AND HIM, THEN. 78 00:03:40,327 --> 00:03:41,594 YOU AND WHO? 79 00:03:41,595 --> 00:03:43,896 McALLISTER. HE ALREADY AGREED TO HELP. 80 00:03:43,897 --> 00:03:46,532 WE WERE JUST LOOKING FOR A PHOTOGRAPHER. 81 00:03:48,200 --> 00:03:51,537 YEAH, YOU'RE GONNA NEED A PLUMBER. 82 00:03:56,175 --> 00:03:58,511 HEY. HI. 83 00:04:00,713 --> 00:04:03,382 IS SHE READY? I'M TAKING HER TO LOGAN HARDWARE. 84 00:04:03,383 --> 00:04:04,383 YOU KNOW -- 85 00:04:04,384 --> 00:04:05,551 IT'S NOT A HARDWARE STORE? 86 00:04:05,552 --> 00:04:07,820 IT'S A RECORD STORE. YEAH. 87 00:04:07,821 --> 00:04:10,723 UM, VAL'S ACTUALLY NOT FEELING WELL. 88 00:04:10,724 --> 00:04:13,392 SHE HAS, LIKE, A FEVER. 89 00:04:13,393 --> 00:04:14,760 "LIKE, A FEVER." 90 00:04:14,761 --> 00:04:16,362 RIGHT. 91 00:04:16,363 --> 00:04:18,797 HEY, VIC. 92 00:04:18,798 --> 00:04:19,964 HEY. HOW'S IT GOING? 93 00:04:19,965 --> 00:04:21,466 HEY, HEY, HEY, HOLD ON A MOMENT. 94 00:04:21,467 --> 00:04:22,968 I GOT TO GO. 95 00:04:24,803 --> 00:04:27,239 IS ELAINE AROUND? 96 00:04:27,240 --> 00:04:32,178 NO, BUT SHE LEFT SOME CLOTHES FOR YOU THERE IN THAT BAG. 97 00:04:33,979 --> 00:04:37,149 IT'S A GREAT VISIT. 98 00:04:38,484 --> 00:04:40,786 I'M SORRY. JULES, HOW ARE YOU DOING? 99 00:04:40,787 --> 00:04:43,255 FINE. YEAH. 100 00:04:45,291 --> 00:04:47,893 WILL YOU TELL VAL I HOPE SHE FEELS BETTER? 101 00:04:47,894 --> 00:04:49,795 WE'LL TRY AGAIN ANOTHER DAY. 102 00:04:49,796 --> 00:04:51,297 OF COURSE. 103 00:04:51,298 --> 00:04:53,465 THANK YOU. YEAH. 104 00:05:06,011 --> 00:05:09,348 HMM. VELVETY. 105 00:05:09,349 --> 00:05:11,016 IT'S LOW ACIDITY. 106 00:05:11,017 --> 00:05:12,685 THIS WINE GIBBERISH IS WEIRDLY SEXY. 107 00:05:12,686 --> 00:05:14,019 NO, IT'S NOT GIBBERISH. 108 00:05:14,020 --> 00:05:15,187 MM-HMM. LET'S SEE. 109 00:05:15,188 --> 00:05:16,689 OH, ELEGANT. 110 00:05:16,690 --> 00:05:18,958 BUT, UH, VERY LIGHT-BODIED. 111 00:05:18,959 --> 00:05:20,693 OOH, YOU'RE SELLING IT. 112 00:05:20,694 --> 00:05:23,929 ENJOY NOW, BUT WILL CONTINUE TO AGE GRACEFULLY. 113 00:05:24,930 --> 00:05:26,865 HELLO. HI. 114 00:05:32,004 --> 00:05:33,505 YOUR RING. 115 00:05:33,506 --> 00:05:34,840 YEAH. 116 00:05:34,841 --> 00:05:37,776 YEAH, I FIGURED IT WAS ABOUT TIME. 117 00:05:37,777 --> 00:05:40,946 MAKES THINGS LESS COMPLICATED. 118 00:05:42,548 --> 00:05:45,050 UH-OH. WHAT'S THE MATTER? 119 00:05:45,051 --> 00:05:46,151 NOW THIS SCARES YOU. 120 00:05:46,152 --> 00:05:47,786 NO. 121 00:05:50,122 --> 00:05:51,323 YES. 122 00:05:51,324 --> 00:05:56,161 LOOK, I WAS THINKING YOU HAVE BEEN MARRIED 20 YEARS. 123 00:05:56,162 --> 00:05:58,797 WE'VE BEEN TOGETHER FIVE MINUTES. UH-HUH. 124 00:05:58,798 --> 00:06:02,668 AND IT COULD GET MESSY WITH THE WORK SITUATION. 125 00:06:02,669 --> 00:06:04,837 WAIT A MINUTE. 126 00:06:04,838 --> 00:06:06,238 ARE YOU BREAKING UP WITH ME? 127 00:06:06,239 --> 00:06:08,140 I THINK WE SHOULD BREAK UP. 128 00:06:08,141 --> 00:06:10,476 WHOA. OKAY. 129 00:06:10,477 --> 00:06:11,977 UH... 130 00:06:11,978 --> 00:06:13,846 WHAT EXACTLY ARE WE BREAKING UP? 131 00:06:13,847 --> 00:06:15,481 US. 132 00:06:15,482 --> 00:06:17,316 THIS. 133 00:06:18,317 --> 00:06:20,185 THERE IS NO "US." 134 00:06:20,186 --> 00:06:22,855 "THIS" IS JUST... 135 00:06:22,856 --> 00:06:24,757 IT'S JUT TWO PEOPLE HAVING FUN. 136 00:06:24,758 --> 00:06:26,925 LOOK, ELAINE, I'M NOT THE GUY YOU THINK I AM. 137 00:06:26,926 --> 00:06:29,528 I THINK THAT YOU'RE THE GUY WHO MAKES ME LAUGH 138 00:06:29,529 --> 00:06:31,897 AND MAKES ME BRUNCH AND MAKES ME FEEL GOOD 139 00:06:31,898 --> 00:06:33,332 AND WHO'S NOT COMPLICATED. 140 00:06:33,333 --> 00:06:36,669 AND BEYOND THAT, I DON'T REALLY CARE WHO YOU ARE. 141 00:06:36,670 --> 00:06:39,972 I MEAN, NO OFFENSE. 142 00:06:41,573 --> 00:06:43,942 OKAY. 143 00:06:43,943 --> 00:06:45,110 NONE TAKEN. 144 00:06:49,548 --> 00:06:52,551 IT WAS LIKE "DRIP, DRIP, DRIP" ALL MORNING, 145 00:06:52,552 --> 00:06:54,553 AND THEN "WHOOSH," AND THE PIPE BURST. 146 00:06:54,554 --> 00:06:56,221 DID YOU CALL YOUR LANDLORD? 147 00:06:56,222 --> 00:06:58,123 NO, I CALLED MY LAWYER. 148 00:06:59,625 --> 00:07:00,959 WELL, YOUR LAWYER THINKS 149 00:07:00,960 --> 00:07:03,262 YOU MIGHT NEED TO CALL YOUR LANDLORD. 150 00:07:03,263 --> 00:07:05,264 HONESTLY, I DON'T THINK I WANT TO RAISE ANY ISSUES NOW. 151 00:07:05,265 --> 00:07:06,265 THIS IS A WORK SPACE. 152 00:07:06,266 --> 00:07:08,767 I'M NOT SUPPOSED TO BE LIVING HERE. 153 00:07:12,371 --> 00:07:14,373 I TALKED TO NATE, JACK. 154 00:07:16,108 --> 00:07:18,444 I WAS GONNA TELL YOU TODAY. 155 00:07:18,445 --> 00:07:20,412 WHY ARE YOU DOING IT? 156 00:07:20,413 --> 00:07:22,948 'CAUSE I NEED TO. 157 00:07:22,949 --> 00:07:25,784 I CAN'T COOPERATE WITH A FEDERAL INVESTIGATION, 158 00:07:25,785 --> 00:07:27,119 BUT I-I HAVE TO DO SOMETHING 159 00:07:27,120 --> 00:07:30,823 TO...ACCOUNT FOR WHAT I WAS INVOLVED IN. 160 00:07:30,824 --> 00:07:34,226 WELL, THAT'S GREAT. I-I THINK IT'S GREAT. 161 00:07:34,227 --> 00:07:36,895 WELL, WE'LL SEE. 162 00:07:38,931 --> 00:07:43,102 THERE'S THINGS THAT ARE GONNA COME OUT THAT I'M NOT PROUD OF. 163 00:07:43,103 --> 00:07:45,838 WHAT THINGS? 164 00:07:45,839 --> 00:07:48,040 DIFFICULT THINGS. 165 00:07:49,842 --> 00:07:52,845 BUT IT'S NOT WHO I AM ANYMORE. YOU KNOW THAT, RIGHT? 166 00:07:54,847 --> 00:07:57,182 YEAH. YEAH, I KNOW. 167 00:07:57,183 --> 00:07:59,885 I'M REALLY READY TO MOVE ON FROM ALL THIS. 168 00:08:16,335 --> 00:08:19,671 NUMBER 16. 169 00:08:19,672 --> 00:08:22,841 NUMBER 16. 170 00:08:22,842 --> 00:08:23,976 NUMBER 16. 171 00:08:27,646 --> 00:08:29,648 SOONER OR LATER... 172 00:08:29,649 --> 00:08:33,085 EVERYBODY SITS DOWN TO A BANQUET OF CONSEQUENCES. 173 00:09:12,762 --> 00:09:13,930 HEY! 174 00:09:13,931 --> 00:09:15,431 HEY, DAD. I HAVE HOMEWORK. 175 00:09:15,432 --> 00:09:16,900 YOU'RE IN FIRST GRADE. 176 00:09:16,901 --> 00:09:18,001 HE'S IN FIRST GRADE. 177 00:09:18,002 --> 00:09:19,802 HE'LL BE STUDYING FOR HIS LSATs NEXT YEAR. 178 00:09:19,803 --> 00:09:22,772 NOT THAT I EXPECT HIM TO BE A... 179 00:09:22,773 --> 00:09:26,042 OKAY. ANYWAY, HOW ARE YOU? 180 00:09:26,043 --> 00:09:31,381 I-I OPENED THE ENVELOPE, THE DIVORCE PAPERS. 181 00:09:31,382 --> 00:09:33,216 I'M GETTING A LAWYER, DREW. 182 00:09:33,217 --> 00:09:34,217 OF COURSE. 183 00:09:34,218 --> 00:09:36,753 A GOOD LAWYER. 184 00:09:36,754 --> 00:09:39,055 Y-YOU SHOULD. 185 00:09:39,056 --> 00:09:41,324 OKAY. DOESN'T BOTHER YOU? 186 00:09:41,325 --> 00:09:43,326 IT'S A PROCESS. 187 00:09:43,327 --> 00:09:48,164 LAWYERS ARE PART OF THE PROCESS. I UNDERSTAND. 188 00:09:48,165 --> 00:09:50,433 YOU SEEM DIFFERENT. YEAH? 189 00:09:50,434 --> 00:09:51,935 I DON'T KNOW. 190 00:09:51,936 --> 00:09:55,271 BACK INTO WORK, I GUESS. 191 00:09:55,272 --> 00:09:56,472 NEW CASE? 192 00:09:56,473 --> 00:09:59,576 OLD CASE. NEW AGAIN. 193 00:10:02,412 --> 00:10:07,750 SO, YOU REMEMBER THAT SERIES FOR WICKER PARK, 194 00:10:07,751 --> 00:10:09,485 "25 RISING STARS"? 195 00:10:09,486 --> 00:10:11,321 HARD TO FORGET. 196 00:10:11,322 --> 00:10:15,091 WELL, I STILL OWE THE PHOTO. LIKE TO STILL DO IT? 197 00:10:15,092 --> 00:10:17,093 YOU COULD COME BY THE STUDIO. 198 00:10:17,094 --> 00:10:18,761 YOU'RE SERIOUS? 199 00:10:18,762 --> 00:10:19,996 YEAH, I'M SERIOUS. 200 00:10:19,997 --> 00:10:22,565 BROKEN MARRIAGE. WORKING D.U.I.s. 201 00:10:22,566 --> 00:10:24,033 NOT EXACTLY RISING. 202 00:10:24,034 --> 00:10:25,735 OH, DREW, YOU'RE A GREAT LAWYER, 203 00:10:25,736 --> 00:10:27,637 AND THEY STILL REALLY WANT YOU IN IT. 204 00:10:27,638 --> 00:10:31,541 YEAH. ALL RIGHT. LET'S DO IT. 205 00:10:31,542 --> 00:10:33,309 TOMORROW? 206 00:10:33,310 --> 00:10:34,644 TOMORROW IS GREAT. 207 00:10:34,645 --> 00:10:36,813 COOL. 208 00:10:36,814 --> 00:10:37,914 OKAY. 209 00:10:40,049 --> 00:10:41,217 BYE, BABE. 210 00:10:41,218 --> 00:10:42,719 BYE, MOM. 211 00:10:44,187 --> 00:10:46,990 APPRECIATE THE HELP. 212 00:10:46,991 --> 00:10:49,659 WE'RE NOT GOING OUT, ARE WE? 213 00:10:49,660 --> 00:10:50,660 SHARKS. 214 00:10:50,661 --> 00:10:52,695 THIS IS A LAKE. NO SHARKS. 215 00:10:52,696 --> 00:10:53,696 THERE ARE BULL SHARKS. 216 00:10:53,697 --> 00:10:55,231 THERE ARE NO BULL SHARKS. 217 00:10:55,232 --> 00:10:57,066 I'VE HEARD THERE ARE BULL SHARKS. 218 00:10:57,067 --> 00:10:58,167 WE'RE NOT GOING OUT. 219 00:10:58,168 --> 00:10:59,335 I'D PREFER THAT. 220 00:11:01,004 --> 00:11:04,574 LOOK, BEFORE WE GET STARTED, I NEED SOMETHING FROM YOU. 221 00:11:04,575 --> 00:11:07,043 A PROMISE. I PROTECT MY SOURCES. 222 00:11:07,044 --> 00:11:08,511 UNLESS I'M GOING TO JAIL, 223 00:11:08,512 --> 00:11:11,214 AND THEN I COUGH THEM UP IN A NEW YORK MINUTE. 224 00:11:11,215 --> 00:11:12,215 JOKE. 225 00:11:12,216 --> 00:11:14,817 OKAY, WHAT'S THE PROMISE? 226 00:11:16,019 --> 00:11:19,922 LOOK, PROMISE ME YOU'LL LOOK INTO THIS 227 00:11:19,923 --> 00:11:21,257 AS PART OF THE INVESTIGATION. 228 00:11:23,760 --> 00:11:26,896 CONSTRUCTION ACCIDENT 26 YEARS AGO, 2 DEATHS. 229 00:11:26,897 --> 00:11:28,031 WHAT'S THE STORY? 230 00:11:28,032 --> 00:11:29,699 WELL, THAT'S WHAT I NEED YOU TO TELL ME. 231 00:11:29,700 --> 00:11:31,534 WHO ARE THEY, THE TWO PEOPLE? 232 00:11:31,535 --> 00:11:34,270 MY PARENTS. 233 00:11:41,544 --> 00:11:43,212 VIC. 234 00:11:43,213 --> 00:11:45,081 THIS YOUR KID? 235 00:11:45,082 --> 00:11:46,582 YES, VIC McALLISTER. WHAT'S GOING ON? 236 00:11:46,583 --> 00:11:50,420 HE TOOK A STROLL ACROSS THE STREET -- 237 00:11:50,421 --> 00:11:53,356 THAT STREET. SIX LANES. 238 00:11:58,795 --> 00:12:00,797 WHAT ARE YOU THINKING? 239 00:12:00,798 --> 00:12:04,400 IT WAS MY FAULT. I DARED HIM TO DO IT. 240 00:12:04,401 --> 00:12:07,070 WELL, THAT WAS STUPID. 241 00:12:07,071 --> 00:12:09,572 AND YOU WERE STUPID TO DO IT. 242 00:12:09,573 --> 00:12:11,541 YOU SHOULD BE ASHAMED OF YOURSELF. 243 00:12:11,542 --> 00:12:13,409 I AM. YOU OKAY? 244 00:12:13,410 --> 00:12:15,645 YEAH. 245 00:12:15,646 --> 00:12:18,715 NUMBER 16. I MADE IT TO GO. 246 00:12:27,390 --> 00:12:29,559 LET'S TALK ABOUT KARSTEN ALLIED'S 247 00:12:29,560 --> 00:12:31,260 STREETERVILLE DEVELOPMENT. 248 00:12:31,261 --> 00:12:33,463 IT'S A LONG STORY. 249 00:12:33,464 --> 00:12:35,631 I'VE GOT ALL DAY. 250 00:12:35,632 --> 00:12:37,266 I HAVE NOTHING TO DO. 251 00:12:38,267 --> 00:12:40,269 HELLO? 252 00:12:40,270 --> 00:12:41,337 YEAH? 253 00:12:44,841 --> 00:12:46,109 OKAY, GREAT. UM... 254 00:12:46,110 --> 00:12:47,110 GRAND AND KINGSBURY. 255 00:12:47,111 --> 00:12:48,378 ALL RIGHT, I'LL SEE YOU IN AN HOUR. 256 00:12:49,312 --> 00:12:51,481 MAKE IT TWO. 257 00:12:51,482 --> 00:12:52,482 ALL RIGHT. 258 00:12:52,483 --> 00:12:54,450 DRUG DEALER. 259 00:12:54,451 --> 00:12:56,786 CLOSE. REAL-ESTATE AGENT. 260 00:12:56,787 --> 00:12:59,122 ALL RIGHT. 261 00:12:59,123 --> 00:13:01,124 STREETERVILLE. 262 00:13:03,159 --> 00:13:06,662 HELLO? 263 00:13:06,663 --> 00:13:08,798 ANYBODY HERE? 264 00:13:08,799 --> 00:13:10,032 RODNEY! 265 00:13:10,033 --> 00:13:14,003 BEFORE YOU STARTED SHOWING UP HERE EVERY DAY, 266 00:13:14,004 --> 00:13:15,505 I ENJOYED COMING TO WORK. 267 00:13:15,506 --> 00:13:17,673 I GENUINELY ENJOYED IT. 268 00:13:17,674 --> 00:13:20,676 HOW MANY PEOPLE CAN SAY THAT? 269 00:13:20,677 --> 00:13:23,513 YOU TOLD ME LIL' D FOUND THE GUN IN T.J.'s CAR. 270 00:13:23,514 --> 00:13:25,515 YES. 271 00:13:25,516 --> 00:13:29,018 THEN IT STRIKES ME. DIDN'T T.J. ASK ABOUT IT? 272 00:13:29,019 --> 00:13:31,387 NO. NO. 273 00:13:31,388 --> 00:13:32,555 HE DIDN'T SAY, 274 00:13:32,556 --> 00:13:34,424 "HEY, GUYS, I LEFT A MURDER WEAPON IN MY TRUNK. 275 00:13:34,425 --> 00:13:35,458 DID SOMEONE GRAB IT?" 276 00:13:35,459 --> 00:13:37,894 IT'S NOT LIKE GETTING A COUPLE QUARTERS 277 00:13:37,895 --> 00:13:40,329 SWIPED OUT OF YOUR CAR AT THE CAR WASH. 278 00:13:40,330 --> 00:13:42,665 IT'S KIND OF A BIG DEAL. 279 00:13:42,666 --> 00:13:44,333 I TOLD YOU WHAT HAPPENED. 280 00:13:44,334 --> 00:13:47,670 WELL, SEE, I FEEL LIKE YOU'RE JUST TELLING ME 281 00:13:47,671 --> 00:13:48,838 WHAT I WANT TO HEAR. 282 00:13:48,839 --> 00:13:52,175 IT'S NOT VERY HELPFUL TO ME. 283 00:13:55,845 --> 00:13:57,847 NOW, I AM DONE PLAYING AROUND WITH YOU! 284 00:13:57,848 --> 00:13:58,881 YOU UNDERSTAND ME? 285 00:13:58,882 --> 00:14:00,516 WHO DROVE THAT IMPALA IN HERE? 286 00:14:00,517 --> 00:14:02,418 T.J. 287 00:14:02,419 --> 00:14:03,519 WHERE WAS THE GUN? 288 00:14:03,520 --> 00:14:05,521 IN THE TRUNK, IN THE LID. 289 00:14:05,522 --> 00:14:06,689 WHO FOUND IT? 290 00:14:06,690 --> 00:14:08,090 I DID. 291 00:14:08,091 --> 00:14:10,526 WHAT DID T.J. SAY WHEN HE REALIZED IT WAS GONE? 292 00:14:10,527 --> 00:14:11,861 NOTHING. 293 00:14:11,862 --> 00:14:13,696 HE DIDN'T REALIZE IT WAS GONE. 294 00:14:13,697 --> 00:14:15,364 HE NEVER KNEW IT WAS THERE. 295 00:14:15,365 --> 00:14:16,766 HOW DO YOU KNOW THAT? 296 00:14:16,767 --> 00:14:18,234 BECAUSE I TOOK IT OUT. 297 00:14:18,235 --> 00:14:20,903 I SHOWED HIM THE TRUNK LID WITH THE GUN GONE. 298 00:14:20,904 --> 00:14:22,572 HE HAD NO IDEA. 299 00:14:22,573 --> 00:14:24,407 THAT IS THE TRUTH. 300 00:14:24,408 --> 00:14:29,245 WHOEVER PUT THAT GUN IN THAT CAR -- IT WAS NOT T.J. 301 00:14:29,246 --> 00:14:32,281 I'LL BE BACK. 302 00:14:32,282 --> 00:14:37,386 WE'RE A LONG WAY FROM ME OFFERING YOU A BEER. 303 00:14:44,160 --> 00:14:47,997 DUDE, WE NEED TO HAVE A SERIOUS TALK. 304 00:14:54,909 --> 00:14:56,244 WHAT DO YOU KNOW ABOUT TEENAGERS? 305 00:14:56,245 --> 00:14:59,980 THEY LIKE TO RIDE SKATEBOARDS. 306 00:14:59,981 --> 00:15:03,217 THEY HAVE A LOT OF SEX. THEY PLAY WITH THEIR PHONES. 307 00:15:03,218 --> 00:15:05,719 WE'RE TALKING ABOUT VIC, RIGHT? 308 00:15:05,720 --> 00:15:08,322 YEAH. 309 00:15:08,323 --> 00:15:09,990 DID HE SAY WHY HE DID IT? 310 00:15:09,991 --> 00:15:13,894 HE'S NOT A GREAT COMMUNICATOR RIGHT NOW. 311 00:15:13,895 --> 00:15:15,896 EVERYTHING'S GONNA BE FINE. 312 00:15:15,897 --> 00:15:19,133 HE'S A KID. KIDS HAVE PROBLEMS. 313 00:15:19,134 --> 00:15:22,970 WHAT WERE YOUR KID PROBLEMS? 314 00:15:22,971 --> 00:15:24,505 MATT McLYCHOK. 315 00:15:24,506 --> 00:15:27,174 HE TRIPPED ME WHEN I WAS ON CRUTCHES IN SEVENTH GRADE. 316 00:15:28,509 --> 00:15:30,344 THAT AND GIRLS. GIRLS WERE A PROBLEM, TOO. 317 00:15:30,345 --> 00:15:32,012 OH, YEAH? TOO MANY? YEAH. 318 00:15:32,013 --> 00:15:34,581 NO -- WELL, IT CAN GET COMPLICATED. 319 00:15:36,483 --> 00:15:39,653 WHAT THE HELL? 320 00:15:39,654 --> 00:15:40,888 LICENSE AND REGISTRATION. 321 00:15:40,889 --> 00:15:43,057 AND WHAT'S THE PROBLEM, OFFICER? 322 00:15:43,058 --> 00:15:46,026 PROBLEM RIGHT NOW IS YOU LEANING OVER AND TALKING TO ME. 323 00:15:46,027 --> 00:15:47,695 LICENSE AND REGISTRATION. 324 00:15:47,696 --> 00:15:49,430 OKAY. 325 00:15:55,736 --> 00:15:58,405 ABOUT A HALF-MILE BACK, YOU MADE AN ILLEGAL LEFT TURN. 326 00:15:58,406 --> 00:16:01,075 WHAT? NO, WE DIDN'T. 327 00:16:01,076 --> 00:16:02,543 MA'AM, THERE WAS A SIGN. 328 00:16:02,544 --> 00:16:04,611 NOW, SIT BACK IN YOUR SEAT AND STOP YELLING. 329 00:16:04,612 --> 00:16:07,014 YELLING? I WA-- I WASN'T YELLING! 330 00:16:07,015 --> 00:16:08,849 I CAN YELL IF YOU WANT ME TO! 331 00:16:08,850 --> 00:16:10,584 LET ME -- LET ME JUST -- JERK. 332 00:16:10,585 --> 00:16:11,752 SIR -- 333 00:16:11,753 --> 00:16:12,953 HEY. 334 00:16:12,954 --> 00:16:15,255 OH, MY GOD. 335 00:16:16,924 --> 00:16:19,026 DO NOT MAKE A MOVE. 336 00:16:19,027 --> 00:16:21,362 OFFICER -- AND YOU -- NOT A SOUND. 337 00:16:28,135 --> 00:16:33,507 JUST GIVE US A SECOND THERE, MA'AM. 338 00:16:51,925 --> 00:16:54,094 CAN WE GO ON A DATE? 339 00:16:54,095 --> 00:16:55,262 The two of us? 340 00:16:55,263 --> 00:16:57,364 WELL, UNLESS QUINCY THERINGER SHOWS UP, 341 00:16:57,365 --> 00:16:58,799 YES, JUST THE TWO OF US. 342 00:16:58,800 --> 00:17:00,901 I'D LIKE THAT. 343 00:17:00,902 --> 00:17:03,270 TONIGHT, 7:30, GRAND AVENUE BRIDGE. 344 00:17:03,271 --> 00:17:04,771 IT'S A DATE. 345 00:17:04,772 --> 00:17:06,640 YES, IT IS. 346 00:17:10,778 --> 00:17:12,445 I'M SORRY ABOUT YOUR GIRL. 347 00:17:12,446 --> 00:17:15,816 BUT YOU GOT TO TELL ME, BOSS, RIGHT NOW, STRAIGHT UP, 348 00:17:15,817 --> 00:17:17,518 HOW DID THAT GUN GET IN YOUR CAR? 349 00:17:17,519 --> 00:17:19,019 THAT WASN'T MY GUN, RODNEY. 350 00:17:19,020 --> 00:17:20,686 I GOT THAT. 351 00:17:20,687 --> 00:17:21,855 HOW DID IT GET IN YOUR CAR? 352 00:17:21,856 --> 00:17:23,089 I DIDN'T EVEN KNOW IT WAS IN MY CAR. 353 00:17:23,090 --> 00:17:25,759 FOR THE LOVE OF GOD, BROTHER. 354 00:17:25,760 --> 00:17:27,428 I KNOW WHO PUT IT THERE. 355 00:17:27,429 --> 00:17:30,097 OKAY. GOOD. WHO? 356 00:17:30,098 --> 00:17:31,765 IT WASN'T ME. 357 00:17:39,473 --> 00:17:43,477 WHO WAS IT? 358 00:17:43,478 --> 00:17:45,679 THE PERSON WHO KILLED LOU. 359 00:17:45,680 --> 00:17:47,147 YOU KNOW WHO THAT WAS? 360 00:17:51,151 --> 00:17:54,154 Y-YOU CALL ME OVER HERE ABOUT JAYWALKING? 361 00:17:54,155 --> 00:17:55,989 THIS IS CHICAGO. 362 00:17:55,990 --> 00:17:59,993 IT WAS THROUGH TRAFFIC. HE'S NOT HIMSELF. 363 00:17:59,994 --> 00:18:02,162 WELL, I WOULDN'T KNOW. YOU KNOW, HE DOESN'T TALK TO ME. 364 00:18:02,163 --> 00:18:03,497 NEITHER DOES VAL. 365 00:18:03,498 --> 00:18:06,567 REALLY, JACK? 366 00:18:06,568 --> 00:18:09,336 FEELING SORRY FOR YOURSELF? 367 00:18:10,904 --> 00:18:12,906 ARE YOU OKAY? I'M FINE. 368 00:18:12,907 --> 00:18:14,374 ELAINE. 369 00:18:14,375 --> 00:18:17,377 YOU KNOW, THERE'S A THING WITH AIDAN 370 00:18:17,378 --> 00:18:18,679 AT THE -- YOU KNOW, THE WINE -- 371 00:18:18,680 --> 00:18:19,980 YEAH, I KNOW WHO AIDAN IS. 372 00:18:19,981 --> 00:18:22,316 WELL, THAT MAKES ONE OF US. AND WHAT DOES THAT MEAN? 373 00:18:22,317 --> 00:18:24,818 WE HAD THIS THING WITH A COP. 374 00:18:24,819 --> 00:18:25,953 WITH A COP? 375 00:18:25,954 --> 00:18:29,556 YEAH, HE PULLED US OVER, AND HE WAS A TOTAL JERK. 376 00:18:29,557 --> 00:18:31,291 HE THREW AIDAN ON THE HOOD. 377 00:18:31,292 --> 00:18:34,027 AND THEN JUST LIKE THAT, HE WALKS AWAY SMILING. 378 00:18:34,028 --> 00:18:36,930 NO TICKET. NOTHING. I DON'T KNOW. IT WAS WEIRD. 379 00:18:36,931 --> 00:18:40,100 HMM. I'LL CHECK IT OUT. 380 00:18:40,101 --> 00:18:41,502 NO, I DON'T WANT YOU TO CHECK IT OUT. 381 00:18:41,503 --> 00:18:43,403 WHAT I WANT YOU TO DO IS TALK TO OUR SON. 382 00:18:43,404 --> 00:18:44,872 THAT'S WHAT I WANT YOU TO DO. 383 00:18:44,873 --> 00:18:46,707 I'LL TRY. 384 00:18:46,708 --> 00:18:48,709 I'M TRYING. 385 00:18:53,046 --> 00:18:55,215 I'M BUSY. 386 00:18:55,216 --> 00:18:58,085 I WANT TO TALK ABOUT THE MROZEK CASE. COINKIDINK. 387 00:18:58,086 --> 00:19:00,587 BECAUSE I DO NOT WANT TO TALK ABOUT THE MROZEK CASE. 388 00:19:00,588 --> 00:19:02,256 BECAUSE I DON'T CARE ABOUT THE MROZEK CASE. 389 00:19:02,257 --> 00:19:05,259 AND EVEN IF I DID CARE ABOUT THE MROZEK CASE, WHICH I DO NOT, 390 00:19:05,260 --> 00:19:07,261 I DON'T HAVE ANY JURISDICTION OVER THE MROZEK CASE, 391 00:19:07,262 --> 00:19:09,263 SO THERE WOULDN'T BE ANYTHING TO TALK ABOUT. 392 00:19:09,264 --> 00:19:11,431 DO YOU STILL WANT TO TALK ABOUT THE MROZEK CASE? 393 00:19:11,432 --> 00:19:12,466 YES. 394 00:19:13,634 --> 00:19:15,802 I THINK YOU MIGHT THINK I'M A THERAPIST. 395 00:19:15,803 --> 00:19:17,804 I AM NOT A THERAPIST. 396 00:19:17,805 --> 00:19:19,439 BUT THERAPY COULD BE GOOD FOR YOU. 397 00:19:19,440 --> 00:19:20,774 I NEED YOUR ADVICE. 398 00:19:20,775 --> 00:19:22,276 I HAVE A SUSPECT, SOME EVIDENCE. 399 00:19:22,277 --> 00:19:23,443 THE PERSON WHO TOLD ME ABOUT THE SUSPECT, 400 00:19:23,444 --> 00:19:25,279 THE PERSON WHO GAVE ME SAID EVIDENCE -- 401 00:19:25,280 --> 00:19:26,747 I DON'T TRUST HIM. 402 00:19:26,748 --> 00:19:28,081 HOW WOULD YOU PROCEED IF YOU WERE ME? 403 00:19:28,082 --> 00:19:29,082 I WOULDN'T. 404 00:19:29,083 --> 00:19:30,751 WELL, WHAT IF YOU REALLY WANTED TO? 405 00:19:30,752 --> 00:19:33,654 THEN I WOULD ASK MYSELF WHY I REALLY WANTED TO. 406 00:19:33,655 --> 00:19:36,223 PLEASE, JUST HELP ME OUT HERE, WILL YOU? 407 00:19:39,760 --> 00:19:44,765 HOW DO I TEST INFORMATION PROVIDED BY A KNOWN LIAR? 408 00:19:46,667 --> 00:19:50,003 HONESTLY, I'D MAKE SURE THE WITNESSES WERE GOOD, DREW. 409 00:19:50,004 --> 00:19:53,974 IT'S ALWAYS ABOUT THE WITNESSES. 410 00:19:53,975 --> 00:19:56,410 THERE ARE WITNESSES, RIGHT? 411 00:20:10,791 --> 00:20:12,459 YOU LOOK BEAUTIFUL. 412 00:20:12,460 --> 00:20:15,596 THANK YOU. SORRY I'M LATE. 413 00:20:15,597 --> 00:20:17,464 HOW'S THE STUDIO? 414 00:20:17,465 --> 00:20:20,500 SOGGY. I BROKE DOWN AND CALLED MY LANDLORD. 415 00:20:20,501 --> 00:20:21,935 AND? 416 00:20:21,936 --> 00:20:24,104 HE TOLD ME TO CALL MY LAWYER. 417 00:20:25,239 --> 00:20:28,275 I WAS THINKING WE COULD GET SOME DINNER. 418 00:20:28,276 --> 00:20:31,878 WHAT? I-IS THERE A FOOD TRUCK COMING BY? 419 00:20:31,879 --> 00:20:35,048 OVER HERE. 420 00:20:35,049 --> 00:20:36,049 TRUST ME. 421 00:20:51,865 --> 00:20:53,367 ARE WE SQUATTING? 422 00:20:53,368 --> 00:20:55,035 'CAUSE I JUST DID A STORY ON THIS, 423 00:20:55,036 --> 00:20:56,536 AND IT DOESN'T END WELL. 424 00:20:56,537 --> 00:20:58,038 WE'RE NOT SQUATTING. 425 00:21:03,510 --> 00:21:05,012 WHOSE HOUSE IS THIS? 426 00:21:06,647 --> 00:21:08,148 OURS. 427 00:21:26,739 --> 00:21:27,940 FRANK PERKINS? 428 00:21:27,941 --> 00:21:29,976 MATTHEW HENDRICKS. 429 00:21:29,977 --> 00:21:32,378 I WAS TOLD IT WAS FRANK PERKINS. 430 00:21:32,379 --> 00:21:34,046 THAT WAS A FAKE NAME. 431 00:21:34,047 --> 00:21:36,716 WE'RE NOT OFF TO A GREAT START. 432 00:21:36,717 --> 00:21:38,651 MATTHEW HENDRICKS IS MY REAL NAME. 433 00:21:38,652 --> 00:21:42,989 WELL, MY REAL NAME IS DREW STAFFORD. 434 00:21:42,990 --> 00:21:45,992 I'M AN ASSISTANT STATE'S ATTORNEY. 435 00:21:45,993 --> 00:21:48,160 THATCHER KARSTEN TELLS ME THAT YOU MAY HAVE 436 00:21:48,161 --> 00:21:51,664 SOME INFORMATION ABOUT THE MURDER OF LOU MROZEK. 437 00:21:55,434 --> 00:21:59,105 WE NEED SOME CURTAINS. 438 00:21:59,106 --> 00:22:01,908 YEAH. AND A REFRIGERATOR. 439 00:22:01,909 --> 00:22:03,643 WE DON'T HAVE A REFRIGERATOR? 440 00:22:03,644 --> 00:22:05,645 OR A TOASTER. OR HEATING. 441 00:22:05,646 --> 00:22:06,979 OR A BED. 442 00:22:06,980 --> 00:22:08,281 BUT THE PLUMBING IS AMAZING. 443 00:22:11,784 --> 00:22:13,686 I REMEMBER WHEN YOU SAID 444 00:22:13,687 --> 00:22:16,222 THAT YOU WANTED A PLACE OVERLOOKING THE RIVER. 445 00:22:18,124 --> 00:22:23,629 IT'S EXACTLY LIKE I PICTURED IT. 446 00:22:23,630 --> 00:22:25,598 WELL, YOU DID ACTUALLY SHOW ME A PICTURE. 447 00:22:28,601 --> 00:22:32,271 SARA, I KNOW THIS WAS...PRESUMPTUOUS. 448 00:22:32,272 --> 00:22:34,140 JACK. IT'S A LEASE, THOUGH. 449 00:22:34,141 --> 00:22:35,474 SO, YOU KNOW, IF YOU DON'T LIKE IT -- 450 00:22:35,475 --> 00:22:37,777 I LOVE IT. I LOVE IT. 451 00:22:37,778 --> 00:22:40,780 I LOVE THAT WE HAVE SOMETHING OF OURS. 452 00:22:58,631 --> 00:23:00,299 THANKS. 453 00:23:03,469 --> 00:23:05,471 LOU AND I WERE PARTNERS IN A COMPANY CALLED 454 00:23:05,472 --> 00:23:07,506 MULTINATIONAL BUILDERS CORP. 455 00:23:07,507 --> 00:23:09,675 IT WAS A FLYER, REALLY -- SOMETHING WE SET UP 456 00:23:09,676 --> 00:23:11,010 JUST IN CASE WE LANDED 457 00:23:11,011 --> 00:23:13,980 SOME SPIN-OFF KARSTEN ALLIED DEVELOPMENT, OKAY? 458 00:23:13,981 --> 00:23:16,315 SO, ANYWAY, ONE DAY, JACK APPROACHES ME. 459 00:23:16,316 --> 00:23:18,317 HE SAYS HE WANTS TO USE THE COMPANY 460 00:23:18,318 --> 00:23:20,987 FOR SOME "TRANSACTIONAL FUNDING" FOR A NEW PROJECT. 461 00:23:20,988 --> 00:23:23,022 LET'S CUT TO IT, FRANK. 462 00:23:23,023 --> 00:23:25,024 OR MATTHEW OR WHATEVER THE HELL YOUR NAME IS. 463 00:23:25,025 --> 00:23:27,593 MATTHEW. MATTHEW. GREAT. 464 00:23:27,594 --> 00:23:28,928 LOOK, JACK WAS EMBEZZLING. 465 00:23:28,929 --> 00:23:30,596 HE WAS ROUTING MONEY OUT OF KARSTEN ALLIED 466 00:23:30,597 --> 00:23:33,065 THROUGH YOUR COMPANY -- IS THAT RIGHT? 467 00:23:33,066 --> 00:23:38,371 I-I WAS NOT TOTALLY AWARE OF THAT AT THE TIME, BUT YES. 468 00:23:38,372 --> 00:23:41,040 OKAY, LOOK, I KEPT MY HEAD DOWN, OKAY? 469 00:23:41,041 --> 00:23:42,241 I ADMIT THAT. 470 00:23:42,242 --> 00:23:43,242 BUT I HAVE A FAMILY. 471 00:23:43,243 --> 00:23:44,577 SOMEBODY FROM KARSTEN ALLIED 472 00:23:44,578 --> 00:23:47,013 EVENTUALLY CAUGHT ON TO THE MISSING MONEY. 473 00:23:47,014 --> 00:23:48,247 JACK PINNED IT ON LOU. 474 00:23:48,248 --> 00:23:50,916 LOU'S NAME BEING ON THE COMPANY LOOKED PRETTY BAD. 475 00:23:50,917 --> 00:23:52,752 SO LOU PANICKED. HE WENT TO THE FEDS. 476 00:23:52,753 --> 00:23:54,420 JACK GOT TO HIM BEFORE HE COULD TALK AND KILLED HIM. 477 00:23:54,421 --> 00:23:57,356 AM I MISSING ANYTHING? 478 00:23:57,357 --> 00:23:59,959 YEAH, LOU'S WIFE, CONNIE. 479 00:23:59,960 --> 00:24:01,594 CONNIE MROZEK. WHAT ABOUT HER? 480 00:24:01,595 --> 00:24:03,863 JACK WANTED TO KILL HER, TOO. 481 00:24:03,864 --> 00:24:07,733 WELL, SHE KNEW ABOUT THE MONEY. SHE KNEW JACK KILLED LOU. 482 00:24:07,734 --> 00:24:09,368 I HELPED HER ESCAPE. 483 00:24:09,369 --> 00:24:11,103 DO YOU KNOW WHERE SHE IS RIGHT NOW? 484 00:24:12,938 --> 00:24:15,775 YOU HAVE A CHECKERED PAST, MR. HENDRICKS -- 485 00:24:15,776 --> 00:24:17,276 FAILED BUSINESSES, MULTIPLE ALIASES, 486 00:24:17,277 --> 00:24:18,944 QUESTIONABLE ASSOCIATIONS. 487 00:24:18,945 --> 00:24:22,448 I'M INCLINED NOT TO BELIEVE YOU ABOUT ANY OF THIS. 488 00:24:22,449 --> 00:24:25,584 WE'RE TALKING ABOUT A DEAD MAN HERE, MR. STAFFORD. 489 00:24:25,585 --> 00:24:27,053 NOW, SAY WHAT YOU WILL ABOUT ME, 490 00:24:27,054 --> 00:24:29,088 BUT I'VE NEVER COME CLOSE TO THAT KIND OF THING, 491 00:24:29,089 --> 00:24:32,324 AND I AM SCARED, MAN. I AM SCARED OF JACK. 492 00:24:32,325 --> 00:24:33,793 I'VE BEEN IN HIDING EVER SINCE 493 00:24:33,794 --> 00:24:36,095 HE CAME LOOKING FOR ME A FEW DAYS AFTER HE SHOT LOU. 494 00:24:36,096 --> 00:24:40,833 SO YOU CAN BELIEVE ME, OR I CAN DISAPPEAR AGAIN. 495 00:24:43,602 --> 00:24:47,273 THIS IS A DONUT THE SIZE OF SOUTH DAKOTA. 496 00:24:49,442 --> 00:24:51,277 OH, I WISH I COULD STAY HERE ALL DAY. 497 00:24:51,278 --> 00:24:54,080 I'M GOING TO STAY HERE ALL DAY. 498 00:24:54,081 --> 00:24:55,514 THANKS. 499 00:24:55,515 --> 00:24:59,085 HAVE YOU GIVEN ANY THOUGHT TO WHAT YOU'RE GONNA DO NOW? 500 00:24:59,086 --> 00:25:01,253 OH, NO. 501 00:25:01,254 --> 00:25:03,756 AM I ALREADY THE SLACKER GUY HANGING AROUND THE HOUSE? 502 00:25:03,757 --> 00:25:05,357 STOP. 503 00:25:05,358 --> 00:25:07,526 I'M SERIOUS. 504 00:25:07,527 --> 00:25:09,195 NATE GAVE ME SOME HOMEWORK. 505 00:25:09,196 --> 00:25:14,467 OTHER THAN THAT... I DON'T REALLY KNOW. 506 00:25:14,468 --> 00:25:18,871 YOU MUST HAVE HAD OTHER CAREER IDEAS WHEN YOU WERE YOUNG. 507 00:25:18,872 --> 00:25:20,539 WHAT DID YOU WANT TO BE? 508 00:25:20,540 --> 00:25:22,808 SPIDER-MAN. 509 00:25:22,809 --> 00:25:25,377 TRICKY. 510 00:25:25,378 --> 00:25:27,980 WE'LL NEED TO WORK ON THIS. 511 00:25:33,819 --> 00:25:37,223 YEAH. DID YOU TURN UP ANYTHING ON HIM? 512 00:25:39,792 --> 00:25:42,628 NO. NOT WHAT I EXPECTED. 513 00:25:42,629 --> 00:25:44,296 THANKS. 514 00:25:57,409 --> 00:25:58,410 HEY. 515 00:25:58,411 --> 00:25:59,578 Hey. 516 00:25:59,579 --> 00:26:00,679 DO YOU HAVE A FEW MINUTES? 517 00:26:00,680 --> 00:26:02,148 I NEED TO TALK TO YOU ABOUT SOMETHING. 518 00:26:04,817 --> 00:26:07,486 HI. 519 00:26:07,487 --> 00:26:09,488 WHAT HAPPENED? 520 00:26:09,489 --> 00:26:12,158 OH, A PIPE BURST. I THINK I MIGHT BE MOVING. 521 00:26:12,159 --> 00:26:14,827 REALLY? WHERE TO? 522 00:26:14,828 --> 00:26:16,829 OH, SOMEWHERE WITH BETTER PLUMBING. 523 00:26:16,830 --> 00:26:18,664 HERE. COME SIT DOWN. 524 00:26:18,665 --> 00:26:20,332 YEAH. 525 00:26:24,203 --> 00:26:27,173 I'M REALLY GLAD YOU CAME. 526 00:26:27,174 --> 00:26:30,009 I AM, TOO. 527 00:26:30,010 --> 00:26:31,911 ALL RIGHT. 528 00:26:33,012 --> 00:26:34,380 RIGHT HERE? MM-HMM. 529 00:26:35,781 --> 00:26:37,917 OKAY. RIGHT. 530 00:26:37,918 --> 00:26:40,085 ALL RIGHT. 531 00:26:43,355 --> 00:26:44,957 DO I LOOK LIKE I'M RISING. 532 00:26:44,958 --> 00:26:47,526 YOU ARE. 533 00:26:47,527 --> 00:26:49,929 AND OLIVER IS SO PROUD. 534 00:26:49,930 --> 00:26:53,132 HAVING HIS DAD OUT THERE, CATCHING ALL THE BAD GUYS. 535 00:26:53,133 --> 00:26:54,733 I'M RISING. 536 00:26:54,734 --> 00:26:57,203 YEAH. ALL RIGHT. 537 00:27:02,041 --> 00:27:04,877 GREAT. 538 00:27:12,051 --> 00:27:14,053 SARA... 539 00:27:15,721 --> 00:27:18,424 ...I THINK JACK MIGHT BE ONE OF THE BAD GUYS. 540 00:27:20,392 --> 00:27:22,061 DREW, NO. I'M SERIOUS. I'M WORRIED FOR YOU. 541 00:27:22,062 --> 00:27:24,630 PLEASE DON'T DO THIS. I'M WORRIED FOR YOU. 542 00:27:24,631 --> 00:27:25,965 YOU'RE WORRIED? SARA, PLEASE. 543 00:27:25,966 --> 00:27:27,433 JUST PLEASE JUST LISTEN. DREW, COME ON, NOW. 544 00:27:27,434 --> 00:27:29,501 I THINK JACK MIGHT HAVE KILLED LOU MROZEK. 545 00:27:29,502 --> 00:27:30,936 WHAT?! 546 00:27:30,937 --> 00:27:34,473 LOOK, JUST STOP FOR ONE SECOND AND LISTEN TO ME. 547 00:27:34,474 --> 00:27:36,408 THERE IS EVIDENCE. 548 00:27:36,409 --> 00:27:38,744 THE COINCIDENCE OF THIS WHOLE THING -- 549 00:27:38,745 --> 00:27:41,480 JACK MIRACULOUSLY SHOWS UP IN YOUR LIFE 550 00:27:41,481 --> 00:27:43,415 RIGHT WHEN I'M CLOSING IN ON THE KARSTENS, 551 00:27:43,416 --> 00:27:46,252 RIGHT WHEN LOU GOES TO THE FBI, 552 00:27:46,253 --> 00:27:47,786 AND RIGHT WHEN LOU GETS KILLED. 553 00:27:47,787 --> 00:27:49,288 THINK ABOUT IT. 554 00:27:49,289 --> 00:27:52,124 IT MAKES NO SENSE. 555 00:27:52,125 --> 00:27:53,525 IT NEVER HAS. 556 00:28:07,619 --> 00:28:10,288 HEY. I BOUGHT A TOASTER. 557 00:28:10,289 --> 00:28:11,723 THE POP-UP KIND, NOT THE ONE WITH A DOOR. 558 00:28:11,724 --> 00:28:13,692 I LIKE THE BREAD POPPING UP. 559 00:28:13,693 --> 00:28:16,161 HEY, CAN YOU HAND ME THAT SCREWDRIVER? 560 00:28:16,162 --> 00:28:20,031 THANK YOU. 561 00:28:27,405 --> 00:28:30,842 DID YOU SEE ME AT THAT PARTY BEFORE THE BALCONY? 562 00:28:30,843 --> 00:28:32,343 THE BALCONY? 563 00:28:32,344 --> 00:28:34,679 THE NIGHT WE MET. 564 00:28:34,680 --> 00:28:36,815 UH, YOU WERE WEARING A RED DRESS. 565 00:28:36,816 --> 00:28:39,084 BUT YOU DIDN'T SEE ME. 566 00:28:39,085 --> 00:28:42,854 UH, NO. I DON'T THINK I SAW YOU. 567 00:28:42,855 --> 00:28:43,922 WHY? 568 00:28:43,923 --> 00:28:48,026 SO IF I HADN'T COME OUT ON THE BALCONY... 569 00:28:49,127 --> 00:28:50,128 YOU OKAY? 570 00:28:51,596 --> 00:28:53,765 YOU WANTED THE TOASTER WITH THE DOOR, DIDN'T YOU? 571 00:28:57,936 --> 00:29:00,271 OH, I SAW DREW THIS MORNING. 572 00:29:00,272 --> 00:29:01,606 HE CAME BY THE STUDIO. 573 00:29:01,607 --> 00:29:03,608 REALLY? WHY? 574 00:29:03,609 --> 00:29:06,277 HE'S VERY INTO THE MROZEK CASE AGAIN. 575 00:29:06,278 --> 00:29:07,812 THE MROZEK CASE? 576 00:29:07,813 --> 00:29:09,981 HE DOESN'T THINK T.J. DID IT. 577 00:29:09,982 --> 00:29:11,483 WELL, HE DIDN'T. 578 00:29:11,484 --> 00:29:13,985 BUT WHY IS HE TALKING TO YOU ABOUT THIS? 579 00:29:13,986 --> 00:29:16,688 THAT'S TOTALLY INAPPROPRIATE. I MEAN, THE CASE IS CLOSED. 580 00:29:16,689 --> 00:29:17,889 WHO DO YOU THINK DID IT? 581 00:29:17,890 --> 00:29:19,657 WHO DO I THINK KILLED LOU MROZEK? 582 00:29:19,658 --> 00:29:21,493 I HAVE NO IDEA, SARA. 583 00:29:21,494 --> 00:29:23,328 THAT KID LIL' D, I GUESS. 584 00:29:23,329 --> 00:29:24,496 NOT T.J. 585 00:29:24,497 --> 00:29:26,197 BUT WHY ARE WE TALKING ABOUT THIS? 586 00:29:26,198 --> 00:29:27,899 I WAS JUST CURIOUS. 587 00:29:27,900 --> 00:29:29,601 ABOUT LOU MROZEK? 588 00:29:31,836 --> 00:29:35,774 YOU KNOW, I DON'T WANT TO TALK ABOUT THAT. IS THAT OKAY? 589 00:29:40,678 --> 00:29:45,016 VIC'S AGREED TO SEE ME. I SHOULD GO. 590 00:29:54,893 --> 00:29:55,894 YO. 591 00:29:55,895 --> 00:29:57,896 YO. 592 00:29:57,897 --> 00:29:59,264 THANKS FOR COMING. 593 00:29:59,265 --> 00:30:01,933 NEW MENU, HOT CHEF. I WOULDN'T MISS IT. 594 00:30:01,934 --> 00:30:05,603 SO, WHO CAN I TALK TO ABOUT GETTING -- 595 00:30:05,604 --> 00:30:07,438 OH, I DON'T KNOW -- THAT TABLE BY THE WINDOW? 596 00:30:07,439 --> 00:30:09,440 WELL, THAT IS A TABLE FOR TWO. 597 00:30:09,441 --> 00:30:11,376 AND, UH, THERE'S THREE OF US. 598 00:30:11,377 --> 00:30:12,710 THREE? MM-HMM. 599 00:30:12,711 --> 00:30:14,579 OH, IS IT THE SEAFOOD GUY? 600 00:30:14,580 --> 00:30:15,747 IT'S NOT THE SEAFOOD GUY, IS IT? 601 00:30:15,748 --> 00:30:18,049 NO. IT'S MY DAD. 602 00:30:18,050 --> 00:30:19,818 YOU, ME, AND MY DAD. 603 00:30:21,019 --> 00:30:25,390 COME ON. IT'LL BE FUN. 604 00:30:58,156 --> 00:30:59,824 SAUVIGNON BLANC -- 605 00:30:59,825 --> 00:31:02,827 ZESTY WITH HINTS OF PEACH AND WET STONE. 606 00:31:02,828 --> 00:31:05,096 STOP WITH THE GIBBERISH. 607 00:31:05,097 --> 00:31:06,998 IT'S NOT GIBBERISH. 608 00:31:06,999 --> 00:31:09,634 WET STONE? 609 00:31:09,635 --> 00:31:15,139 DAD, AIDAN WANTS TO ASK YOU SOME QUESTIONS. 610 00:31:15,140 --> 00:31:16,307 I DO? WHAT QUESTIONS? 611 00:31:16,308 --> 00:31:17,342 I THOUGHT SO. 612 00:31:17,343 --> 00:31:19,444 ABOUT WHAT? 613 00:31:19,445 --> 00:31:20,778 ABOUT YOUR BUSINESS. ABOUT HIS BUSINESS? 614 00:31:20,779 --> 00:31:22,080 WHAT ABOUT MY BUSINESS? 615 00:31:23,581 --> 00:31:24,916 YEAH, THAT'S WHY YOU'RE HERE, RIGHT? 616 00:31:24,917 --> 00:31:28,119 NO, YOU INVITED ME TO LUNCH. 617 00:31:28,120 --> 00:31:30,355 I'M ENJOYING THE WINE. THANK YOU. 618 00:31:31,356 --> 00:31:32,390 IT'S SO FUNNY, BECAUSE AIDAN'S 619 00:31:32,391 --> 00:31:35,360 JUST PRETENDING TO BE A WINE SALESMAN. 620 00:31:35,361 --> 00:31:36,694 REALLY? WHY? 621 00:31:38,329 --> 00:31:40,331 NO, SHE'S KIDDING. 622 00:31:40,332 --> 00:31:42,100 I'M NOT KIDDING. 623 00:31:46,004 --> 00:31:49,340 DO YOU COLLECT WINE, MR. KARSTEN? 624 00:31:49,341 --> 00:31:52,110 WHY ARE YOU PRETENDING TO BE A WINE SALESMAN? 625 00:31:53,711 --> 00:31:56,714 WELL, GO AHEAD. YOU CAN TELL HIM. 626 00:31:56,715 --> 00:32:00,285 YOU DON'T HAVE ANYTHING TO HIDE, DO YOU? 627 00:32:05,056 --> 00:32:08,393 OH, I'M SORRY, LAINIE. 628 00:32:08,394 --> 00:32:10,728 I'VE GOT TO GO. OKAY. 629 00:32:10,729 --> 00:32:12,997 THANKS FOR THE LUNCH. 630 00:32:12,998 --> 00:32:17,669 YOU BETTER ANSWER HER QUESTION. 631 00:32:29,580 --> 00:32:31,015 HEY. 632 00:32:31,016 --> 00:32:32,784 I'M DOING THIS FOR MOM. 633 00:32:36,321 --> 00:32:38,156 HEY. YOU FEELING BETTER? 634 00:32:38,157 --> 00:32:39,324 YEAH. 635 00:32:39,325 --> 00:32:41,025 I'M GOING OUT WITH VIC FOR A BIT. 636 00:32:41,026 --> 00:32:43,061 MAYBE WHEN I COME BACK, WE COULD CATCH UP. 637 00:32:43,062 --> 00:32:44,929 YEAH, THAT SOUNDS GREAT, DAD. 638 00:32:44,930 --> 00:32:45,930 ALL RIGHT. 639 00:32:45,931 --> 00:32:48,499 WAIT. JACK. 640 00:32:48,500 --> 00:32:49,934 HEY, CAN I TALK TO YOU FOR A SEC? 641 00:32:49,935 --> 00:32:51,402 SURE. WHEN I COME BACK. 642 00:32:51,403 --> 00:32:53,237 I GOT A CALL FROM THE FBI. 643 00:32:53,238 --> 00:32:54,372 THE FBI? 644 00:32:54,373 --> 00:32:56,941 ABOUT KARSTEN. QUINCY SOMETHING-OR-OTHER. 645 00:32:56,942 --> 00:32:57,942 OKAY. 646 00:32:57,943 --> 00:32:59,077 I DON'T KNOW WHAT TO DO. 647 00:32:59,078 --> 00:33:00,545 THAT'S OKAY. IT'S ALL RIGHT. 648 00:33:00,546 --> 00:33:03,081 DO YOU REMEMBER WHEN YOU ASKED ME TO DESTROY DOCUMENTS? 649 00:33:03,082 --> 00:33:04,682 THAT WAS A GOOD THING. TRUST ME. 650 00:33:04,683 --> 00:33:05,717 THAT'S NOT A PROBLEM. 651 00:33:05,718 --> 00:33:06,884 THERE IS A PROBLEM. 652 00:33:06,885 --> 00:33:08,119 WHAT'S THE PROBLEM? 653 00:33:08,120 --> 00:33:10,421 THE PROBLEM IS I DIDN'T DESTROY THE DOCUMENTS. 654 00:33:10,422 --> 00:33:11,923 I KEPT A COPY. 655 00:33:11,924 --> 00:33:14,058 WHERE ARE THEY? 656 00:33:14,059 --> 00:33:15,360 I THINK THEY'RE SAFE. 657 00:33:15,361 --> 00:33:17,662 DID YOU SAY ANYTHING TO HER, QUINCY THERINGER? 658 00:33:17,663 --> 00:33:18,796 NO. 659 00:33:18,797 --> 00:33:21,799 OKAY. ALL RIGHT. WE'LL TALK WHEN I GET BACK. 660 00:33:21,800 --> 00:33:23,634 YOU AND ME -- WE'LL FIGURE THIS OUT, ALL RIGHT? 661 00:33:23,635 --> 00:33:25,670 OKAY. 662 00:33:27,872 --> 00:33:31,542 WHY WOULD JACK SET UP T.J.? 663 00:33:31,543 --> 00:33:34,045 OH, THERE'S A HISTORY THERE. 664 00:33:34,046 --> 00:33:35,947 A LONG HISTORY. 665 00:33:35,948 --> 00:33:38,316 JEALOUSY, BITTERNESS. 666 00:33:38,317 --> 00:33:40,084 T.J. IS MY SON. 667 00:33:40,085 --> 00:33:42,920 JACK WAS ALWAYS ENVIOUS OF THAT. 668 00:33:42,921 --> 00:33:44,989 HE DEFENDED HIM, THOUGH. 669 00:33:44,990 --> 00:33:46,290 HE HAD NO CHOICE. 670 00:33:46,291 --> 00:33:49,560 ANYWAY, THAT'S JACK -- PLAYING ALL THE ANGLES. 671 00:33:49,561 --> 00:33:52,463 FRAME HIM, THEN GET HIM OFF. 672 00:33:52,464 --> 00:33:54,265 ACT LIKE THE HERO. 673 00:33:57,168 --> 00:33:58,336 LOOK, I'M GONNA NEED MORE. 674 00:33:58,337 --> 00:34:00,671 I'M GONNA NEED MORE RECORDS, MORE WITNESSES. 675 00:34:00,672 --> 00:34:02,507 WHATEVER YOU NEED. 676 00:34:02,508 --> 00:34:03,941 YOU MAY HAVE TO TESTIFY. 677 00:34:03,942 --> 00:34:06,044 OF COURSE. 678 00:34:07,645 --> 00:34:09,480 I'M GONNA NEED IMMUNITY. 679 00:34:09,481 --> 00:34:11,983 BROAD IMMUNITY. 680 00:34:11,984 --> 00:34:13,284 IS THAT WHAT THIS IS ALL ABOUT? 681 00:34:13,285 --> 00:34:18,121 I'M EXPOSED HERE ALREADY. I NEED SOME PROTECTION. 682 00:34:18,122 --> 00:34:19,424 YOU MUST UNDERSTAND THAT. 683 00:34:19,425 --> 00:34:21,559 I'M NOT GONNA IMMUNIZE YOUR ENTIRE LIFE FOR THIS. 684 00:34:23,127 --> 00:34:25,963 YOU NEED TO THINK VERY CAREFULLY, MR. STAFFORD, 685 00:34:25,964 --> 00:34:28,800 ABOUT HOW YOU'RE GOING TO PROCEED. 686 00:34:28,801 --> 00:34:30,467 YOU HAVE A REAL OPPORTUNITY 687 00:34:30,468 --> 00:34:33,971 TO RECLAIM YOUR LIFE, YOUR CAREER, 688 00:34:33,972 --> 00:34:35,639 TO RECOVER YOUR REPUTATION ON THE VERY CASE 689 00:34:35,640 --> 00:34:39,777 THAT BROUGHT YOU CONSIDERABLE DISREPUTE. 690 00:34:39,778 --> 00:34:43,614 VERSUS WHAT? 691 00:34:43,615 --> 00:34:46,583 A BIRD IN THE HAND, MR. STAFFORD? 692 00:35:24,021 --> 00:35:27,024 I HAVEN'T SEEN YOU FOR A WHILE, VIC. 693 00:35:27,025 --> 00:35:29,193 I WAS HOPING WE COULD TALK. 694 00:35:29,194 --> 00:35:30,995 ABOUT WHAT? 695 00:35:30,996 --> 00:35:34,832 ANYTHING. HOW'S SCHOOL? 696 00:35:34,833 --> 00:35:37,668 FINE. 697 00:35:37,669 --> 00:35:39,670 ANY MORE MEETS THIS FALL? 698 00:35:39,671 --> 00:35:41,439 I'M NOT WRESTLING. 699 00:35:41,440 --> 00:35:43,674 YOU KNOW, I COULD SEND YOU AN E-MAIL OF MY SCHEDULE, 700 00:35:43,675 --> 00:35:44,742 IF THAT'S WHAT YOU WANT. 701 00:35:44,743 --> 00:35:47,311 IT'S NOT WHAT I WANT. 702 00:35:47,312 --> 00:35:49,080 I WANT TO TALK TO YOU. 703 00:35:49,081 --> 00:35:52,683 YOU KNOW, WHEN I WAS YOUR AGE, MY DAD WAS DEAD. 704 00:35:52,684 --> 00:35:54,519 LUCKY YOU. 705 00:35:54,520 --> 00:35:56,120 THAT'S ENOUGH! 706 00:35:56,121 --> 00:35:58,689 I DON'T DESERVE THIS FROM YOU! 707 00:36:02,026 --> 00:36:05,863 VIC, I-I'M SORRY. I'M SORRY FOR THAT. 708 00:36:07,865 --> 00:36:10,201 LOOK, I'M SORRY FOR WHAT I DID TO YOUR MOM. 709 00:36:10,202 --> 00:36:14,372 I'M SORRY I'M NOT AT HOME ANYMORE. 710 00:36:14,373 --> 00:36:16,874 I'M SORRY FOR EVERYTHING. 711 00:36:16,875 --> 00:36:18,876 I JUST WANT TO BE YOUR DAD. 712 00:36:18,877 --> 00:36:20,778 PLEASE. 713 00:36:20,779 --> 00:36:24,115 JUST TELL ME WHAT'S BOTHERING YOU. 714 00:36:24,116 --> 00:36:25,216 PLEASE. 715 00:36:30,288 --> 00:36:32,957 I KNOW WHO KILLED UNCLE LOU. 716 00:36:32,958 --> 00:36:35,293 WHAT? 717 00:36:35,294 --> 00:36:38,863 AND I THINK YOU DO, TOO, DAD. 718 00:36:43,098 --> 00:36:45,601 BYE. THANKS FOR COMING. 719 00:36:53,658 --> 00:36:54,993 CAN I JUST SAY -- 720 00:36:54,994 --> 00:36:56,900 NO, NO. I'M TALKING. 721 00:36:56,901 --> 00:37:00,203 I DON'T KNOW ANYTHING ABOUT MY DAD'S BUSINESS OR JACK'S, 722 00:37:00,204 --> 00:37:03,113 SO WHATEVER TIME THAT YOU SPENT HERE OR IN MY HOUSE, 723 00:37:03,114 --> 00:37:06,617 SNIFFING AROUND LIKE A LITTLE FBI RODENT WAS ALL A WASTE. 724 00:37:06,618 --> 00:37:07,685 IT WAS MY JOB. 725 00:37:07,686 --> 00:37:10,712 YOUR JOB WAS TO HAVE SEX WITH ME? 726 00:37:10,713 --> 00:37:12,181 SO YOU'RE A PROSTITUTE. 727 00:37:12,182 --> 00:37:13,515 NO. I -- 728 00:37:13,516 --> 00:37:16,018 SO IF THAT'S NOT YOUR JOB, THEN YOU SUCK AT YOUR JOB. 729 00:37:16,019 --> 00:37:18,442 YOU SUCK AT YOUR REAL JOB AND YOUR FAKE JOB. 730 00:37:18,443 --> 00:37:19,843 YOU SUCK. 731 00:37:19,844 --> 00:37:21,345 YOU SAID YOU DIDN'T CARE WHO I WAS. 732 00:37:21,346 --> 00:37:24,014 THAT WAS BEFORE I KNEW THAT YOU WERE A TOTAL DICK, 733 00:37:24,015 --> 00:37:25,916 AND I WANT YOU TO TAKE OFFENSE AT THAT. 734 00:37:30,254 --> 00:37:33,090 I REALLY DO LIKE YOU, ELAINE. 735 00:37:33,091 --> 00:37:34,959 WELL, I DON'T LIKE YOU. 736 00:37:43,801 --> 00:37:46,704 THEY'RE LOOKING INTO THE MROZEK MURDER AGAIN. 737 00:37:46,705 --> 00:37:48,539 IT'S SOMEONE IN YOUR FAMILY. 738 00:37:48,540 --> 00:37:51,108 THOUGHT THAT YOU SHOULD KNOW. 739 00:37:56,046 --> 00:37:59,216 YOU OKAY? YEAH, I'M FINE. 740 00:37:59,217 --> 00:38:01,819 THANK YOU FOR TELLING ME ABOUT HIM. 741 00:38:01,820 --> 00:38:05,456 YOU TALKED TO THE KIDS, TOLD THEM TO REACH OUT TO ME. 742 00:38:05,457 --> 00:38:07,658 YOU'RE THEIR FATHER. 743 00:38:07,659 --> 00:38:10,194 I APPRECIATE IT. 744 00:38:10,195 --> 00:38:12,630 LOOK, I JUST LEFT VIC AT HOME. 745 00:38:12,631 --> 00:38:14,698 YOU NEED TO GO THERE NOW. 746 00:38:14,699 --> 00:38:16,133 IS EVERYTHING OKAY? 747 00:38:16,134 --> 00:38:18,402 I HAVE TO GO. I'LL EXPLAIN LATER. 748 00:38:45,162 --> 00:38:47,998 HEY. 749 00:39:04,748 --> 00:39:06,417 GOOD BOY. 750 00:39:06,418 --> 00:39:07,918 THANKS FOR MEETING ME. 751 00:39:07,919 --> 00:39:08,919 WHO ARE YOU? 752 00:39:08,920 --> 00:39:11,255 QUINCY THERINGER, FBI. 753 00:39:11,256 --> 00:39:13,424 I'M NOT MEETING YOU. 754 00:39:13,425 --> 00:39:15,092 YOU JUST SHOWED UP HERE. 755 00:39:15,093 --> 00:39:16,927 OH, YES. THAT'S RIGHT. I DID. 756 00:39:16,928 --> 00:39:19,930 ANYWAY, THIS COULD BE A PRODUCTIVE RELATIONSHIP. 757 00:39:19,931 --> 00:39:21,432 I'M IN A RELATIONSHIP. 758 00:39:21,433 --> 00:39:24,068 YOU HELP ME WITH KARSTEN, I HELP YOU WITH THE IRS. 759 00:39:24,069 --> 00:39:25,769 I DON'T HAVE ANY PROBLEMS WITH THE IRS. 760 00:39:25,770 --> 00:39:27,304 AND I CAN'T HELP YOU WITH KARSTEN. 761 00:39:27,305 --> 00:39:29,773 YOU DON'T HAVE ANYTHING INCRIMINATING AGAINST KARSTEN? 762 00:39:29,774 --> 00:39:31,108 I DON'T EVEN KNOW WHAT THAT MEANS. 763 00:39:31,109 --> 00:39:32,776 YOU'RE NOT HIDING ANYTHING. NO. 764 00:39:32,777 --> 00:39:33,777 DOCUMENTS? NO. 765 00:39:33,778 --> 00:39:35,479 WHAT IF WE SEARCHED YOUR HOUSE? 766 00:39:35,480 --> 00:39:38,549 SEARCHED MY HOUSE? NO. 767 00:39:38,550 --> 00:39:40,684 WELL, WE'LL FIND OUT IN ABOUT 20 MINUTES. 768 00:39:44,955 --> 00:39:47,791 WHAT ARE YOU SAYING, JACK? 769 00:39:47,792 --> 00:39:51,128 O-OKAY, OKAY. 770 00:39:51,129 --> 00:39:53,630 OKAY, I WILL. 771 00:39:53,631 --> 00:39:55,499 I PROMISE. 772 00:39:55,500 --> 00:39:57,501 OKAY, BYE. 773 00:39:57,502 --> 00:39:58,769 EVERYTHING ALL RIGHT, BOSS? 774 00:39:58,770 --> 00:40:00,604 CAN YOU DRIVE ME SOMEWHERE? 775 00:40:00,605 --> 00:40:02,172 I GOT A SHOP TO RUN HERE. 776 00:40:02,173 --> 00:40:05,008 THE PERSON I TOLD YOU ABOUT WHO KILLED LOU -- 777 00:40:05,009 --> 00:40:06,243 HE'S IN TROUBLE. 778 00:40:06,244 --> 00:40:08,846 PLEASE. 779 00:40:59,563 --> 00:41:02,566 DO YOU REMEMBER THAT NIGHT A FEW MONTHS AGO 780 00:41:02,567 --> 00:41:05,569 WHEN YOU CALLED ME ASKING FOR HELP TO FIND THE MAGIC BOOK? 781 00:41:05,570 --> 00:41:06,737 WHERE'S OLIVER? 782 00:41:06,738 --> 00:41:09,339 HE'S AT ETHAN'S. DO YOU REMEMBER? 783 00:41:09,340 --> 00:41:11,241 YEAH. 784 00:41:11,242 --> 00:41:13,243 THE GIRAFFE BOOK. YOU WERE AWAY. 785 00:41:13,244 --> 00:41:15,179 I WAS WITH JACK. 786 00:41:15,180 --> 00:41:18,515 YOU WANT TO TALK TO A DETECTIVE? 787 00:41:18,516 --> 00:41:19,583 YEAH. 788 00:41:19,584 --> 00:41:20,984 YOU WERE WITH JACK THAT NIGHT? 789 00:41:20,985 --> 00:41:22,352 YES. 790 00:41:22,353 --> 00:41:24,822 I WAS HERE ALONE WITH OLIVER, AND YOU WERE WITH JACK. 791 00:41:24,823 --> 00:41:26,690 YES. 792 00:41:31,195 --> 00:41:33,363 WHY ARE YOU TELLING ME THIS NOW, SARA? 793 00:41:33,364 --> 00:41:35,365 WHY ARE YOU TRYING TO HURT ME? 794 00:41:35,366 --> 00:41:37,167 I'M TRYING TO HELP YOU HERE. 795 00:41:37,168 --> 00:41:39,903 LOU MROZEK WAS KILLED THAT NIGHT. 796 00:41:39,904 --> 00:41:42,239 YOU SURE YOU KNOW WHAT YOU'RE DOING? 797 00:41:42,240 --> 00:41:43,874 DO YOU KNOW WHAT TIME? 798 00:41:43,875 --> 00:41:45,776 YES. WHY? WHAT TIME? 799 00:41:45,777 --> 00:41:48,278 WHY? HE WAS KILLED BETWEEN 8:10 AND 8:25. 800 00:41:48,279 --> 00:41:52,282 YOU CALLED ME AT 8:23 ASKING FOR HELP TO FIND THE BOOK. 801 00:41:52,283 --> 00:41:54,885 JACK WAS STANDING NEXT TO ME WHEN I TALKED TO YOU. 802 00:41:54,886 --> 00:41:57,054 WE WERE AT DUNE ACRES, 803 00:41:57,055 --> 00:42:00,524 AN HOUR AWAY FROM WHERE LOU WAS KILLED. 804 00:42:00,525 --> 00:42:04,695 JACK DIDN'T KILL LOU MROZEK. IT'S IMPOSSIBLE. 805 00:42:04,696 --> 00:42:08,699 MY NAME IS JACK McALLISTER. 806 00:42:08,700 --> 00:42:11,201 I'M HERE TO MAKE A CONFESSION. 807 00:42:14,171 --> 00:42:18,675 I KILLED LOU MROZEK. 51142

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