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These are the user uploaded subtitles that are being translated: 1 00:00:00,500 --> 00:00:02,000 www.moviesubtitles.org 2 00:00:23,801 --> 00:00:25,371 * OH * 3 00:00:25,434 --> 00:00:28,104 * HOW WE DANCED * 4 00:00:28,167 --> 00:00:30,767 * ON THE NIGHT * 5 00:00:30,834 --> 00:00:33,604 * WE WERE WED * 6 00:00:33,667 --> 00:00:35,767 * WE VOWED * 7 00:00:35,834 --> 00:00:38,274 * OUR TRUE LOVE * 8 00:00:38,334 --> 00:00:40,704 * THOUGH A WORD * 9 00:00:40,767 --> 00:00:43,767 * WASN'T SAID * 10 00:00:43,834 --> 00:00:45,804 * THE WORLD * 11 00:00:45,868 --> 00:00:48,368 * WAS IN BLOOM * 12 00:00:48,434 --> 00:00:50,874 * THERE WERE STARS * 13 00:00:50,934 --> 00:00:53,774 * IN THE SKY * 14 00:00:53,834 --> 00:00:55,834 * EXCEPT * 15 00:00:55,901 --> 00:00:58,231 * FOR THE FEW * 16 00:00:58,300 --> 00:01:00,770 * THAT WERE THERE * 17 00:01:00,834 --> 00:01:04,204 * IN YOUR EYES * 18 00:01:04,267 --> 00:01:06,527 * DEAR, AS I HELD YOU * 19 00:01:06,601 --> 00:01:09,331 * SO CLOSE IN MY ARMS * 20 00:01:09,400 --> 00:01:11,770 * ANGELS WERE SINGING * 21 00:01:11,834 --> 00:01:14,304 * A HYMN TO YOUR CHARMS * 22 00:01:14,367 --> 00:01:16,727 * TWO HEARTS GENTLY BEATING * 23 00:01:16,801 --> 00:01:19,501 * WERE MURMURING LOW * 24 00:01:19,567 --> 00:01:23,867 * DARLING, I LOVE YOU SO * 25 00:01:23,934 --> 00:01:26,034 * COULD WE * 26 00:01:26,100 --> 00:01:28,470 * BUT RECALL * 27 00:01:28,534 --> 00:01:31,474 * THAT SWEET MOMENT * 28 00:01:31,534 --> 00:01:33,834 * SUBLIME * 29 00:01:33,901 --> 00:01:35,931 * WE'D FIND * 30 00:01:36,000 --> 00:01:38,500 * THAT OUR LOVE * 31 00:01:38,567 --> 00:01:41,297 * IS UNALTERED * 32 00:01:41,367 --> 00:01:42,867 * BY TIME * 33 00:01:42,934 --> 00:01:46,404 [TRUCK HONKS] 34 00:01:46,467 --> 00:01:47,897 GET THAT BLEEDING THING OUT OF THERE. 35 00:01:47,968 --> 00:01:51,768 WHAT'S THE MATTER WITH YOU? WHO DO YOU THINK YOU ARE? 36 00:01:51,834 --> 00:01:53,774 ALL RIGHT, THEN. 37 00:02:20,734 --> 00:02:22,174 THANK YOU. 38 00:02:29,634 --> 00:02:31,904 [KNOCK AT DOOR] 39 00:02:31,968 --> 00:02:34,068 I'M LOOKING FOR MR. TAGGART. 40 00:02:34,133 --> 00:02:35,633 I'M MR. TAGGART. 41 00:02:35,701 --> 00:02:38,231 OH, YOU MUST BE... 42 00:02:38,300 --> 00:02:39,900 TERRY? NO. 43 00:02:39,968 --> 00:02:41,728 HENRY. YES. 44 00:02:41,801 --> 00:02:43,431 I'M SHIRLEY. 45 00:02:43,501 --> 00:02:44,671 HOW DO YOU DO? 46 00:02:44,734 --> 00:02:46,174 IS TOM ANYWHERE ABOUT? 47 00:02:46,234 --> 00:02:49,134 OH, YES. HE'S ON PLOT FOUR. 48 00:02:49,200 --> 00:02:50,330 THANKS. 49 00:02:50,400 --> 00:02:53,170 OH, MAY I LEAVE MY CASE HERE? YES. 50 00:03:00,767 --> 00:03:03,927 EXCUSE ME, MISS, UH, SHIRLEY. 51 00:03:04,033 --> 00:03:05,433 IS TOM EXPECTING YOU? 52 00:03:05,501 --> 00:03:07,531 OH, DIDN'T HE TELL YOU? WHAT? 53 00:03:07,601 --> 00:03:10,201 HE SHOULD HAVE TOLD YOU. 54 00:03:10,267 --> 00:03:13,367 I'M SHIRLEY BLAIRE, TOM'S FIANCEE. 55 00:03:13,434 --> 00:03:14,874 SEE YOU LATER. 56 00:03:31,834 --> 00:03:36,074 [GRUNTS] WHAT ARE YOU DOING THAT FOR? 57 00:03:36,133 --> 00:03:38,773 WELL, SOMEONE'S GOT TO DO IT. THEY'RE MOVING IN TONIGHT. 58 00:03:38,834 --> 00:03:43,734 WELL, WHERE'S GEORGE HANSON? I HAD TO SEND HIM HOME. HIS WIFE'S SICK. 59 00:03:46,267 --> 00:03:48,867 WHY DOESN'T ANYTHING FIT IN THESE ROTTEN HOUSES? 60 00:03:48,934 --> 00:03:51,904 WHAT'S THE MATTER WITH THAT MATE OF HIS-- JIMMY WHAT'S-HIS-NAME? 61 00:03:51,968 --> 00:03:54,498 I HAD TO SEND HIM OVER TO PLOT NINE. 62 00:03:54,567 --> 00:03:56,397 STAIRCASE IS COMING AWAY FROM THE WALL. 63 00:03:56,467 --> 00:03:59,497 OH. MOVING STAIRCASE. [CHUCKLES] 64 00:04:03,100 --> 00:04:05,530 HERE. DO YOU KNOW TOM'S GOT A GIRL WITH HIM? 65 00:04:05,601 --> 00:04:08,831 SHE SAYS SHE'S HIS FIANCEE. SHE SAYS WHAT? 66 00:04:08,901 --> 00:04:11,631 WELL, THAT'S WHAT SHE SAID. SHE'S GOT A SUITCASE WITH HER. 67 00:04:13,334 --> 00:04:15,604 I'LL BREAK HIS BLOODY NECK! 68 00:04:16,801 --> 00:04:17,801 TOM! 69 00:04:20,567 --> 00:04:21,497 TOM! 70 00:04:22,868 --> 00:04:24,328 TOM! TOM? 71 00:04:26,167 --> 00:04:30,027 [CAR DOOR SHUTS] WHAT ARE YOU DOING WITH THAT BIRD? TOM, GET OUT OF IT! 72 00:04:31,300 --> 00:04:33,630 TOM? 73 00:04:33,701 --> 00:04:34,871 TOM! 74 00:04:37,033 --> 00:04:41,933 THAT TWO-FACED, CONNIVING LITTLE BASTARD! 75 00:04:42,000 --> 00:04:44,070 WHERE ARE YOU GOING? I'M GOING TO WARN KAREN. 76 00:04:44,133 --> 00:04:45,773 [WHISTLE BLOWS] I'LL SEE YOU AT MUM'S. 77 00:04:45,834 --> 00:04:48,874 BUT WHAT ABOUT THE FLOORBOARDS? STUFF THE FLOORBOARDS! 78 00:04:50,434 --> 00:04:51,904 NIGHT, GUV. 79 00:04:51,968 --> 00:04:54,768 OH, WHAT ABOUT A BIT OF OVERTIME, CHARLIE? NO, NOT TONIGHT, GUV. 80 00:04:54,834 --> 00:04:56,574 FRED? I'M SORRY, MR. TAGGART. 81 00:04:56,634 --> 00:04:58,834 I'M TAKING THE OLD WOMAN TO THE DOGS. 82 00:04:58,901 --> 00:05:02,431 TELL THE BOSS LADY HAPPY BIRTHDAY. EH? 83 00:05:02,501 --> 00:05:04,801 YOUR MUM. TELL HER HAPPY BIRTHDAY FROM THE LADS. 84 00:05:04,868 --> 00:05:06,598 IT'S NOT HER BIRTHDAY. IT'S HER ANNIVERSARY. 85 00:05:06,667 --> 00:05:08,967 HAPPY ANNIVERSARY, THEN. 86 00:05:09,033 --> 00:05:10,203 [CHARLIE] NIGHT, GUV. 87 00:05:10,267 --> 00:05:11,967 SEE YOU IN THE MORNING, GUV. 88 00:05:23,234 --> 00:05:24,234 [RATTLING KNOB] 89 00:05:42,567 --> 00:05:45,067 I WAS JUST CLOSING. OH, I'M SORRY. 90 00:06:00,334 --> 00:06:02,474 THERE WE ARE. 91 00:06:04,267 --> 00:06:05,897 I DID THEM UP ALL NICE. 92 00:06:05,968 --> 00:06:08,468 THEY'RE FOR AN OCCASION, AREN'T THEY? MY MOTHER'S ANNIVERSARY. 93 00:06:08,534 --> 00:06:09,834 THANK YOU. 94 00:06:18,968 --> 00:06:22,298 WISH HER A HAPPY ANNIVERSARY FROM ME. OH, THANK YOU. 95 00:06:23,667 --> 00:06:25,097 THANK YOU. 96 00:06:45,701 --> 00:06:46,971 OH. 97 00:06:56,801 --> 00:06:59,131 [CLOCK CHIMES] 98 00:07:06,901 --> 00:07:08,671 WHAT DO YOU THINK OF THE PLACE? 99 00:07:08,734 --> 00:07:12,434 WELL, IT'S NICE. VERY NICE. 100 00:07:12,501 --> 00:07:14,201 DID YOU AND YOUR BROTHERS BUILD IT? 101 00:07:14,267 --> 00:07:16,597 COME OFF IT. WE WOULDN'T LIVE IN ANYTHING WE BUILT. 102 00:07:16,667 --> 00:07:18,497 OH, WE DID THE CONVERSIONS. 103 00:07:18,567 --> 00:07:19,897 WELL? 104 00:07:19,968 --> 00:07:22,628 WHAT DO YOU THINK OF ME? YOU LOOK GREAT. 105 00:07:31,167 --> 00:07:33,697 [QUIETLY] HOW ABOUT POPPING UPSTAIRS FOR A QUICK ONE? 106 00:07:33,767 --> 00:07:35,627 NO, WE WON'T. 107 00:07:35,701 --> 00:07:40,101 NO MORE QUICK ONES. AND NOT HERE, EITHER. 108 00:07:40,167 --> 00:07:42,927 WE'RE ENGAGED. WE'RE GOING TO BE MARRIED. 109 00:07:43,000 --> 00:07:45,100 WE CAN DO IT IN COMFORT NOW. 110 00:07:45,167 --> 00:07:48,267 YOU'LL JUST HAVE TO CONTAIN YOURSELF. 111 00:07:48,334 --> 00:07:51,134 ANYWAY, I CAME HERE TO MEET YOUR MUM. REMEMBER? 112 00:07:52,968 --> 00:07:54,998 I REMEMBER. 113 00:07:55,067 --> 00:07:57,597 HAVE YOU LEARNED YOUR PARTY PIECE, THEN? WHAT? 114 00:07:57,667 --> 00:07:59,867 A TURN. WE ALL DO A TURN. 115 00:07:59,934 --> 00:08:03,504 YOU KNOW, SING A SONG, RECITE. PLAY THE PIANO. 116 00:08:03,567 --> 00:08:06,467 WELL, I'M NOT GOING TO DO A TURN. MUM WON'T LIKE IT. 117 00:08:06,534 --> 00:08:09,204 YOUR MUM WILL HAVE TO LUMP IT, WON'T SHE? 118 00:08:09,267 --> 00:08:12,767 AND YOU'LL TELL HER, WILL YOU? SHE'LL NOT GET ME DOING ANYTHING. 119 00:08:12,834 --> 00:08:14,974 SHE'LL BE LIVID. 120 00:08:15,033 --> 00:08:19,073 SHE CAN THROW THAT POT AT ME, FOR ALL I CARE. AND SHE PROBABLY WILL. 121 00:08:19,133 --> 00:08:22,703 THEN I'LL JOLLY WELL THROW IT BACK AT HER. 122 00:08:22,767 --> 00:08:24,827 THAT'S MY GIRL. 123 00:08:27,434 --> 00:08:28,974 NO, TOM, DON'T. 124 00:08:29,033 --> 00:08:31,073 WHAT'S THE MATTER? 125 00:08:31,133 --> 00:08:32,073 WILL SHE? 126 00:08:32,133 --> 00:08:33,703 WILL SHE WHAT? 127 00:08:33,767 --> 00:08:35,467 THROW THE POT AT ME? 128 00:08:35,534 --> 00:08:37,834 WELL, SHE DOESN'T LIKE NOT GETTING HER OWN WAY. 129 00:08:37,901 --> 00:08:40,401 SEEMS TO BRING OUT THE FEMININITY IN HER. 130 00:08:40,467 --> 00:08:44,597 I ALWAYS WONDERED WHY YOU NEVER ASKED ME HOME TO MEET YOUR MUM. NOW I KNOW. 131 00:08:44,667 --> 00:08:46,927 KEPT THINKING SHE WAS SOME SORT OF CRIMINAL 132 00:08:47,000 --> 00:08:48,670 OR COULDN'T KEEP OFF THE GIN. 133 00:08:48,734 --> 00:08:51,634 I NEVER GUESSED IT WAS BECAUSE SHE MIGHT START THROWING POTS AT ME. 134 00:08:51,701 --> 00:08:54,031 I'M SURE SHE WON'T. 135 00:08:54,100 --> 00:08:55,570 HAVE YOU BEEN JOKING, THEN? 136 00:08:55,634 --> 00:08:58,334 DEPENDS WHAT YOU THINK'S FUNNY, DOESN'T IT? 137 00:08:58,400 --> 00:09:01,130 WELL, I DON'T THINK THAT IS. 138 00:09:01,200 --> 00:09:03,070 I'M FULL OF NERVES AS IT IS. 139 00:09:03,133 --> 00:09:06,103 ANYWAY, IF YOU DO SEE HER GOING FOR THAT POT, 140 00:09:06,167 --> 00:09:08,497 JUST GRAB ONE OF THESE THINGS IN HERE. 141 00:09:08,567 --> 00:09:09,867 THAT'LL MAKE HER DROP IT. 142 00:09:09,934 --> 00:09:11,434 WHY, THAT UGLY THING? 143 00:09:11,501 --> 00:09:14,371 UGLY? THAT'S A THING OF BEAUTY TO MY MUM. 144 00:09:14,434 --> 00:09:19,674 I MIGHT HAVE WON IT IN A FAIR, BUT IT'S THE EQUIVALENT OF THE CROWN JEWELS IN HERE. 145 00:09:19,734 --> 00:09:22,934 MUM'S TREASURES. 146 00:09:23,000 --> 00:09:24,630 THAT'S MY FIRST TOOTH, 147 00:09:24,701 --> 00:09:26,101 HENRY'S ONE AND ONLY CURL, 148 00:09:26,167 --> 00:09:28,697 AND TERRY'S NAPPIE, ALL BEYOND PRICE 149 00:09:28,767 --> 00:09:30,927 'CAUSE MUM'S GOT "NOSTALGIAITIS" IN BOTH LEGS. 150 00:09:31,000 --> 00:09:33,400 AW, WAS IT HIS LITTLE EGG CUP, THEN? 151 00:09:33,467 --> 00:09:36,427 THAT'S MUM'S. SHE BOUGHT IT ON HER FIFTH BIRTHDAY. 152 00:09:36,501 --> 00:09:38,371 HER VERY FIRST PURCHASE. 153 00:09:39,534 --> 00:09:41,834 OOH! YOUR DAD MUST HAVE BEEN CLEVER. 154 00:09:41,901 --> 00:09:44,371 DAD? YES. ALL THESE CERTIFICATES. 155 00:09:44,434 --> 00:09:46,134 THEY'RE MINE AND MY BROTHERS'. 156 00:09:46,200 --> 00:09:48,370 YOU'RE CLEVER. 157 00:09:48,434 --> 00:09:51,804 MASTER THOMAS, THIRD PRIZE BIBLE STUDIES. 158 00:09:51,868 --> 00:09:54,868 MASTER TERENCE, SECOND PRIZE FOR THE BEST LOSER. 159 00:09:54,934 --> 00:09:57,304 AND MASTER HENRY, FIRST PRIZE 160 00:09:57,367 --> 00:09:59,227 FOR CONSISTENT IMBECILITY. 161 00:09:59,300 --> 00:10:00,900 I GIVE YOU FAIR WARNING. 162 00:10:00,968 --> 00:10:03,168 YOU MOCK ALL THIS AT YOUR PERIL. 163 00:10:03,234 --> 00:10:05,874 I'M LOOKING FORWARD TO MEETING YOUR MUM. 164 00:10:05,934 --> 00:10:07,374 [DOOR CLOSES] 165 00:10:10,968 --> 00:10:13,528 OH, HELLO, TOM. 166 00:10:13,601 --> 00:10:15,001 SHIRLEY, YOU'VE MET HENRY, 167 00:10:15,067 --> 00:10:17,497 THE ELDEST SURVIVING MALE TAGGART. 168 00:10:17,567 --> 00:10:20,527 YOU ARE SURVIVING, AREN'T YOU, HENRY? 169 00:10:20,601 --> 00:10:22,531 YOU KNOW MUM'LL BE HERE SHORTLY. 170 00:10:22,601 --> 00:10:24,901 DOES IT MATTER? SHIRLEY'S STAYING. 171 00:10:24,968 --> 00:10:27,098 OH. IN THE GUEST ROOM. 172 00:10:27,167 --> 00:10:29,567 OH. MUM DIDN'T SAY. 173 00:10:29,634 --> 00:10:31,604 MUM DOESN'T KNOW. 174 00:10:31,667 --> 00:10:34,497 I THOUGHT YOUR MUM HAD INVITED ME. I DIDN'T SAY THAT, LOVE. 175 00:10:34,567 --> 00:10:38,867 TOM, THIS MEANS SHE'S BEING IMPOSED UPON. I DON'T SEE WHY. 176 00:10:38,934 --> 00:10:41,874 YOU CAN'T HAVE SOMEONE STAY IN YOUR OWN HOUSE AND NOT KNOW ABOUT IT. 177 00:10:41,934 --> 00:10:44,434 SHIRLEY'S RIGHT. YOU SHOULD HAVE TOLD MUM. 178 00:10:45,801 --> 00:10:49,071 DO YOU THINK I SHOULD GO? YES, I DO, REALLY. 179 00:10:49,133 --> 00:10:52,133 SHE'S NOT LEAVING. YOU'RE NOT LEAVING, SHIRLEY. 180 00:10:52,200 --> 00:10:54,800 YOU'RE ASKING TOO MUCH OF SHIRLEY. 181 00:10:54,868 --> 00:10:58,168 WELL, YOU CAN'T ASK TOO MUCH FROM SOMEONE WHO LOVES YOU. 182 00:10:58,234 --> 00:10:59,674 AH, NOW, THAT'S SWEET. 183 00:11:00,834 --> 00:11:03,104 ISN'T THAT SWEET, HENRY? 184 00:11:06,033 --> 00:11:07,803 I'M GOING TO GO AND CHANGE. 185 00:11:07,868 --> 00:11:10,898 [TOM] COME AND HAVE A LOOK AT THE KITCHEN. 186 00:11:15,567 --> 00:11:18,127 LOOK, TOM, IF THIS IS A FAMILY AFFAIR-- 187 00:11:18,200 --> 00:11:20,570 IF YOU LOVE ME LIKE YOU SAY YOU DO, 188 00:11:20,634 --> 00:11:22,634 YOU'VE GOT TO STAY AND SEE IT OUT. 189 00:11:22,701 --> 00:11:26,431 YOU MAKE IT SOUND LIKE AN ENDURANCE TEST OR SOMETHING. 190 00:11:26,501 --> 00:11:30,031 WELL, UH, WHAT DO YOU THINK OF ALL THIS, THEN? 191 00:11:30,100 --> 00:11:32,630 YOUR MUM DOES KNOW WE'RE ENGAGED, DOESN'T SHE? 192 00:11:32,701 --> 00:11:34,131 I'M TELLING HER TONIGHT. 193 00:11:34,200 --> 00:11:37,430 I SUPPOSE SHE DOESN'T KNOW ABOUT THE BABY, EITHER. 194 00:11:37,501 --> 00:11:40,131 SHE'LL KNOW IT ALL TONIGHT. 195 00:11:42,200 --> 00:11:43,800 TOM! [BLOWS] 196 00:11:48,067 --> 00:11:51,167 RIGHT. NOW GO AND SIT DOWN AT THAT TABLE, WILL YOU? 197 00:11:51,234 --> 00:11:52,634 BOTH OF YOU. 198 00:11:52,701 --> 00:11:54,471 SIT DOWN, JANE. GO ON. 199 00:11:54,534 --> 00:11:58,134 NOW THEN. YOU GO HERE. [BABY CRIES] 200 00:11:58,200 --> 00:12:01,170 PET, NOW DON'T START CRYING. 201 00:12:01,234 --> 00:12:03,674 YOU'VE BEEN SUCH A GOOD BOY. 202 00:12:03,734 --> 00:12:07,134 THERE YOU ARE. THERE YOU ARE, DARLING. 203 00:12:07,200 --> 00:12:09,930 NOW I DON'T WANT A WORD OUT OF ANY OF YOU UNTIL NANNA COMES DOWN. 204 00:12:10,000 --> 00:12:13,270 OH, HI, TOM. HELLO, LOVE. KAREN, THIS IS SHIRLEY. 205 00:12:13,334 --> 00:12:15,074 SHIRLEY, KAREN. HELLO. 206 00:12:15,133 --> 00:12:20,173 YOU'RE GOING TO BE ONE IN THE EYE FOR HER LADYSHIP. [TERRY] COME ON. IN YOU GO. 207 00:12:20,234 --> 00:12:22,504 LOOK, YOU TREACHEROUS BAS-- WHAT'S-- 208 00:12:22,567 --> 00:12:24,197 GO ON THERE. 209 00:12:24,267 --> 00:12:25,997 I WANT WORDS WITH YOU. WHAT'S THE MATTER? 210 00:12:26,067 --> 00:12:29,097 YOU KNOW WHAT'S THE MATTER. COME ON. SIT DOWN THERE, JAKE. 211 00:12:29,167 --> 00:12:32,067 GO ON! ALL RIGHT. THERE, LOVE. 212 00:12:32,133 --> 00:12:34,273 ALL RIGHT? 213 00:12:34,334 --> 00:12:36,504 HELLO. WHAT'S YOUR NAME? 214 00:12:36,567 --> 00:12:37,527 [BABY'S CRYING CONTINUES] 215 00:12:40,834 --> 00:12:42,034 OH, DARLING. 216 00:12:42,100 --> 00:12:45,670 NOW DON'T MOVE A MUSCLE, ANY OF YOU. 217 00:12:45,734 --> 00:12:47,474 KEEP HIM QUIET, DAWN, WILL YOU? 218 00:12:47,534 --> 00:12:50,004 I HAVE A GOOD MIND TO FLING YOU THROUGH THAT DOOR! 219 00:12:50,067 --> 00:12:53,327 IT WOULDN'T HURT. IT'S ONE OF YOUR DOORS, ALL GLUE AND MATCHES. 220 00:12:53,400 --> 00:12:55,470 YOU'RE NOT TELLING HER TONIGHT. I AM. 221 00:12:55,534 --> 00:12:58,034 I'M HAVING MY SAY FIRST. I'M TELLING HER ABOUT ME, FIRST, 222 00:12:58,100 --> 00:13:00,670 THEN YOU CAN DETONATE YOUR FLOOZY IN HER FACE. NO, YOU DON'T. 223 00:13:00,734 --> 00:13:03,334 I WANT TO BE HERE WHEN THAT HAPPENS. I'LL PICK MY MOMENT. 224 00:13:03,400 --> 00:13:05,470 YEAH, I'LL BET YOU WILL. 225 00:13:05,534 --> 00:13:07,174 WHERE'S HENRY? [TERRY] CHANGING. 226 00:13:07,234 --> 00:13:09,234 IT'S NEARLY TIME, ISN'T IT? 227 00:13:11,133 --> 00:13:12,403 OH, HELLO, KAREN, TERRY. 228 00:13:12,467 --> 00:13:14,367 MUM'S COMING DOWN. 229 00:13:24,634 --> 00:13:28,004 ** [ANNIVERSARY SONG] 230 00:13:38,601 --> 00:13:39,531 [DOOR CLOSES] 231 00:13:39,601 --> 00:13:41,231 * OH * 232 00:13:41,300 --> 00:13:43,600 * HOW WE DANCED * 233 00:13:43,667 --> 00:13:45,867 * ON THE NIGHT * 234 00:13:45,934 --> 00:13:48,374 * WE WERE WED * 235 00:13:48,434 --> 00:13:50,434 * WE VOWED * 236 00:13:50,501 --> 00:13:52,671 * OUR TRUE LOVE * 237 00:13:52,734 --> 00:13:54,974 * THOUGH A WORD * 238 00:13:55,033 --> 00:13:58,773 * WASN'T SAID * 239 00:13:58,834 --> 00:14:00,704 * THE WORLD * 240 00:14:00,767 --> 00:14:03,097 * WAS IN BLOOM * 241 00:14:03,167 --> 00:14:05,497 * THERE WERE STARS * 242 00:14:05,567 --> 00:14:07,967 * IN THE SKIES * 243 00:14:08,033 --> 00:14:10,403 * EXCEPT * 244 00:14:10,467 --> 00:14:12,627 * FOR THE FEW * BLOODY HELL. 245 00:14:12,701 --> 00:14:14,131 * THAT WERE THERE * 246 00:14:14,200 --> 00:14:16,370 [FAMILY] HAPPY ANNIVERSARY, MUM. THANK YOU, DARLINGS. 247 00:14:20,734 --> 00:14:22,574 OH, MY DEAR! 248 00:14:24,868 --> 00:14:27,728 THEY'RE SO LOVELY. 249 00:14:29,868 --> 00:14:31,528 WHO DIED? 250 00:14:33,868 --> 00:14:35,898 HOW DO YOU DO, MY DEAR? 251 00:14:35,968 --> 00:14:37,928 YOU'RE NOT ONE OF KAREN'S, ARE YOU? 252 00:14:38,000 --> 00:14:41,470 HOW CAN SHE BE ONE OF MINE, MUM? SHE DON'T LOOK LIKE TERRY. 253 00:14:41,534 --> 00:14:44,034 COULD HAVE HAD HER BEFORE TERRY. 254 00:14:44,100 --> 00:14:45,500 SHIRLEY, THIS IS MY MOTHER. 255 00:14:45,567 --> 00:14:48,067 HOW DO YOU DO? HAPPY ANNIVERSARY, MRS. TAGGART. 256 00:14:49,834 --> 00:14:52,404 WOULD YOU LIKE HER TO STAY, TOMMY? SHE IS STAYING. 257 00:14:52,467 --> 00:14:55,727 THAT'S JUST WHAT I SAID, DEAR. WOULD YOU LIKE HER TO STAY? 258 00:14:55,801 --> 00:14:58,071 YES, MOTHER. 259 00:15:02,834 --> 00:15:04,874 OH, THANK YOU. 260 00:15:04,934 --> 00:15:09,374 I'VE ALWAYS LIKED THIS. THAT'S WHY I GAVE IT TO YOU LAST YEAR FOR CHRISTMAS. 261 00:15:12,133 --> 00:15:15,173 WHERE ARE MY GRANDCHILDREN? THEY'RE IN THE KITCHEN, MUM. 262 00:15:15,234 --> 00:15:18,074 WELL, WHY AREN'T THE LITTLE DARLINGS IN HERE? 263 00:15:18,133 --> 00:15:21,503 'CAUSE LAST TIME YOU THUMPED HIM WHEN THEY THREW UP ALL OVER THE CARPET. 264 00:15:23,100 --> 00:15:26,370 HENRY, GO AND KEEP THEM COMPANY. THERE'S A DEAR. YES. 265 00:15:31,067 --> 00:15:34,767 DO YOU LIKE IT, MUM? YES, DEAR. IT'S JUST WHAT I WANTED! 266 00:15:37,567 --> 00:15:41,467 AT LEAST HE KNOWS HOW TO HANDLE CHILDREN. 267 00:15:41,534 --> 00:15:45,634 HOPE HE HAS SOME OF HIS OWN ONE DAY. HE DESERVES IT. I DIDN'T KNOW HE WAS MARRIED. 268 00:15:45,701 --> 00:15:49,401 YOUNGSTERS. ANYONE OVER 20, AND HE'S READY FOR BURNING. 269 00:15:49,467 --> 00:15:51,567 HENRY'S PUSHING 40, MUM. 270 00:15:51,634 --> 00:15:55,734 HE HAPPENS TO BE WAITING FOR THE RIGHT GIRL, KAREN, 271 00:15:55,801 --> 00:15:58,331 NOT LIKE SOME I KNOW WHO'LL MARRY THE FIRST TART 272 00:15:58,400 --> 00:16:01,030 WHO WINKS THEM INTO THE NEAREST BED. 273 00:16:01,100 --> 00:16:03,130 EH, TERRY? NO. 274 00:16:05,868 --> 00:16:09,098 WHAT DO YOU THINK OF HENRY, SHIRLEY? I THOUGHT HE WAS VERY NICE. 275 00:16:09,167 --> 00:16:13,427 HE'D HAVE BEEN AN AMBASSADOR BY NOW IF HE'D JOINED THE DIPLOMATIC CORPS. 276 00:16:13,501 --> 00:16:16,431 [TOM] THAT'S TRUE. TOOK HIM AGES WHEN HE LEFT SCHOOL, DECIDING BETWEEN 277 00:16:16,501 --> 00:16:18,731 THE DIPLOMATIC CORPS AND BEING A PLUMBER. 278 00:16:18,801 --> 00:16:21,831 [LAUGHS] 279 00:16:21,901 --> 00:16:25,901 WE DON'T HAVE TO ASK WHO THIS IS FROM, DO WE, TOMMY? 280 00:16:25,968 --> 00:16:28,228 LET ME SHOW YOU HOW IT WORKS. 281 00:16:31,734 --> 00:16:34,474 I LOVE IT! LET ME HAVE A GO. 282 00:16:36,067 --> 00:16:38,027 [CRASH, CLANG] [CHILDREN LAUGH] 283 00:16:40,434 --> 00:16:44,234 ARE THE CHILDREN STAYING? WHY? DO YOU WANT 'EM TO STAY, THEN, MUM? 284 00:16:44,300 --> 00:16:46,800 WHO'S GOING TO LOOK AFTER THEM? MY MOTHER. 285 00:16:46,868 --> 00:16:48,668 I SEE. 286 00:16:48,734 --> 00:16:51,974 FIVE MINUTES WITH ME AND FIVE HOURS WITH HER. 287 00:16:52,033 --> 00:16:55,303 I'D LIKE TO SEE MY GRANDCHILDREN OCCASIONALLY, TERRY. 288 00:16:55,367 --> 00:16:56,897 THEY'RE, UH, WAITING FOR YOU, MUM. 289 00:16:56,968 --> 00:16:59,028 WAITING TO SEE WHAT I BOUGHT THEM? 290 00:16:59,100 --> 00:17:01,800 WELL, WHAT HAVE YOU BOUGHT THEM, THEN, MUM? 291 00:17:01,868 --> 00:17:05,098 YOU SEE, SHIRLEY, NO SUBTLETIES WITH KAREN. 292 00:17:05,167 --> 00:17:08,197 "WHAT HAVE YOU BOUGHT THEM?" 293 00:17:08,267 --> 00:17:10,627 IF YOU WANT TO KNOW, I'M GIVING THEM MONEY. 294 00:17:10,701 --> 00:17:13,101 OH, GOOD IDEA. THEN THEY CAN BUY WHAT THEY LIKE. 295 00:17:13,167 --> 00:17:15,827 I'VE ALREADY BOUGHT IT. 296 00:17:15,901 --> 00:17:18,101 I'M PUTTING THE MONEY IN TRUST FUNDS 297 00:17:18,167 --> 00:17:20,427 SO NO ONE CAN GET THEIR HANDS ON IT. 298 00:17:20,501 --> 00:17:21,931 [CRASH] [CHILDREN LAUGH] 299 00:17:22,000 --> 00:17:26,070 THEY'RE IMPATIENT. I KNOW. 300 00:17:26,133 --> 00:17:29,703 I'VE HAD THREE CHICKS OF MY OWN. 301 00:17:29,767 --> 00:17:32,997 ONLY THREE, I GRANT YOU, KAREN, 302 00:17:33,067 --> 00:17:35,697 BUT NATURAL GOOD MANNERS TOLD ME 303 00:17:35,767 --> 00:17:37,697 WHEN TO PUT THE PLUG IN. 304 00:17:41,100 --> 00:17:42,530 [CHILDREN LAUGH] 305 00:17:44,033 --> 00:17:48,133 [EXHALES] WELCOME TO THE FAMILY. 306 00:17:50,300 --> 00:17:53,470 HOW DO YOU FIND YOUR FUTURE MOTHER-IN-LAW? 307 00:17:53,534 --> 00:17:56,034 WELL, SHE'S-- 308 00:17:56,100 --> 00:17:59,030 I ALWAYS LEAVE HERE WITH A SCREAMING HEADACHE, 309 00:17:59,100 --> 00:18:03,700 AND MY WHOLE BODY SHAKING WITH MURDER AND HATE. 310 00:18:04,734 --> 00:18:06,374 BUT... 311 00:18:06,434 --> 00:18:09,104 NOT FOR LONG NOW. 312 00:18:09,167 --> 00:18:11,767 WE'LL SOON BE OUT OF IT, WON'T WE, LOVE? OH. YEAH. 313 00:18:11,834 --> 00:18:15,474 WHERE YOU GOING, THEN? CANADA. 314 00:18:17,868 --> 00:18:19,968 WHERE WE SHOULD HAVE GONE YEARS AGO. 315 00:18:20,033 --> 00:18:23,103 YEAH, BUT MY TROUBLE IS, I DON'T LIKE HURTING HER. 316 00:18:23,167 --> 00:18:25,927 YOU'RE SCARED WITLESS OF THE OLD BAG. 317 00:18:26,000 --> 00:18:29,300 AT LEAST I'VE GOT SOME CONSIDERATION, WHICH IS MORE THAN I CAN SAY FOR YOU. 318 00:18:29,367 --> 00:18:32,327 FANCY DRAGGING YOUR FLOOZY HERE TONIGHT. TONIGHT'S MUM'S NIGHT. 319 00:18:32,400 --> 00:18:35,530 SHE'S GOING TO DO HER BLOODY NUT WHEN SHE FINDS OUT ABOUT YOU AND HER. 320 00:18:35,601 --> 00:18:37,901 SO WHEN ARE YOU GOING TO TELL HER THAT YOU'RE EMIGRATING? 321 00:18:37,968 --> 00:18:41,098 YEAH, WELL. THAT'S DIFFERENT. I'VE GOT TO GIVE HER A WEEK'S NOTICE. 322 00:18:41,167 --> 00:18:43,267 YOU COULD HAVE TOLD HER YESTERDAY OR LAST WEEK. 323 00:18:43,334 --> 00:18:45,574 NO, YOU'RE GOING TO TELL HER TONIGHT. STOP GETTING AT TERRY. 324 00:18:45,634 --> 00:18:48,334 HE'S SENSITIVE. WELL, TOM'S SENSITIVE, TOO. 325 00:18:48,400 --> 00:18:51,030 WE'RE NOT TALKING ABOUT BEING TICKLISH IN THE LONG GRASS, SHIRLEY. 326 00:18:51,100 --> 00:18:55,070 I AM SENSITIVE. I'LL NOT GOING TO STAND HERE AND SEE YOU BEING RIDICULED! 327 00:18:55,133 --> 00:18:57,003 AH, POOR TERRY. DON'T BE RUDE, TOM! 328 00:18:57,067 --> 00:19:00,097 I'M NOT BEING RUDE! AH, SHUT UP, THE LOT OF YOU! 329 00:19:00,167 --> 00:19:02,527 YOU'RE LIKE A PACK OF WOLVES, SNAPPING AWAY AT NOTHING! 330 00:19:02,601 --> 00:19:06,531 [SHOUTING] IT'S THIS BLOODY HOUSE! FIVE MINUTES INSIDE IT, AND-- 331 00:19:06,601 --> 00:19:11,231 [CALMLY] AND-AND EVERYBODY GETS A-SCREAMING-- 332 00:19:11,300 --> 00:19:13,870 HE'S RIGHT, YOU KNOW. YES, HE IS. 333 00:19:13,934 --> 00:19:17,604 IT MAKES YOU WANT TO SCRATCH AND DRAW BLOOD. 334 00:19:17,667 --> 00:19:20,867 IT OUGHT TO BE PULLED DOWN OR BURNED. 335 00:19:20,934 --> 00:19:22,934 YEAH. NOW THERE'S A THOUGHT. 336 00:19:23,000 --> 00:19:26,730 POUR PETROL OVER IT. START A BLOODY GREAT FIRE! [KAREN] WHERE'S MUM, TOM? 337 00:19:26,801 --> 00:19:28,871 SHE'S IN BED SLEEPING PEACEFULLY, 338 00:19:28,934 --> 00:19:32,274 AND THE FLAMES ARE LICKING AWAY AT HER LEGS. SHE THINKS OLD DAD'S RETURNED! 339 00:19:32,334 --> 00:19:35,204 TOM, SHE'S YOUR MUM! 340 00:19:35,267 --> 00:19:37,267 IT'S ONLY A GAME, LOVE. 341 00:19:37,334 --> 00:19:39,574 NO, IT'S NOT. 342 00:19:39,634 --> 00:19:41,074 [BABY CRIES] 343 00:19:43,400 --> 00:19:46,900 HERE YOU ARE-- DARLING. 344 00:19:53,400 --> 00:19:54,570 THANK YOU, GRAN. 345 00:19:58,334 --> 00:20:00,574 NOW...IT'S YOUR TURN. 346 00:20:19,734 --> 00:20:22,404 [BABY WHIMPERS] 347 00:20:34,133 --> 00:20:38,073 WHEN'S THE WEDDING? [BABY CRIES] 348 00:20:38,133 --> 00:20:39,573 HMM? 349 00:20:39,634 --> 00:20:42,434 LITTLE MISS BAG OF BONES. 350 00:20:42,501 --> 00:20:43,771 HOW DID YOU KNOW? 351 00:20:43,834 --> 00:20:46,504 I DIDN'T. YOU JUST TOLD ME. 352 00:20:46,567 --> 00:20:48,697 I DON'T KNOW ANYTHING ABOUT IT, MUM. 353 00:20:48,767 --> 00:20:51,767 HE JUST SAID THEY WERE ENGAGED. MMM. 354 00:20:51,834 --> 00:20:53,604 SHE SEEMS A NICE ENOUGH GIRL. 355 00:20:53,667 --> 00:20:56,997 I'M SURE SHE IS, FOR SOMEONE ELSE'S SON. 356 00:20:57,067 --> 00:20:59,327 I'M TIRED OF PLAYING NURSEMAID. [CHILDREN SHOUT AND CRY] 357 00:20:59,400 --> 00:21:01,500 LET'S GET THIS LOT OUT OF HERE. 358 00:21:03,067 --> 00:21:05,627 [HENRY] COME ON, CHILDREN. OUT TO THE CAR. 359 00:21:05,701 --> 00:21:07,601 [BOY] WE'RE GOING HOME! 360 00:21:07,667 --> 00:21:10,197 [GIRL] WE'RE GOING HOME! COME ON! 361 00:21:12,634 --> 00:21:14,434 [BOY] COME ON. HURRY UP. RUN. 362 00:21:14,501 --> 00:21:16,731 [GIRL] I CAN'T RUN ANY FASTER. 363 00:21:16,801 --> 00:21:20,831 [LITTLE GIRL] I BEAT YOU DOWN THE GARDEN. [LITTLE BOY] WAIT FOR ME, THEN! 364 00:21:20,901 --> 00:21:25,071 [BOY] I KNOW WHAT TO DO. [HONKS HORN] 365 00:21:25,133 --> 00:21:26,933 TAKE THEM HOME, KAREN, 366 00:21:27,000 --> 00:21:28,730 OR THEY'LL WRECK THE CAR. 367 00:21:28,801 --> 00:21:30,071 THEY'RE LOVELY, 368 00:21:30,133 --> 00:21:31,573 BUT QUITE EXHAUSTING. 369 00:21:31,634 --> 00:21:34,774 THE BABY'S MAKING ME FEEL QUITE FAINT. NONSENSE. 370 00:21:34,834 --> 00:21:36,474 [HONKING] OH, SHUT UP! 371 00:21:36,534 --> 00:21:37,604 I'LL TAKE THEM HOME. 372 00:21:37,667 --> 00:21:39,867 IT'S NOT CONVENIENT, TERRY. 373 00:21:39,934 --> 00:21:41,534 SHALL I TAKE THEM, THEN? 374 00:21:41,601 --> 00:21:43,901 AH. 375 00:21:43,968 --> 00:21:47,228 HENRY, THE WORLD'S A BETTER PLACE FOR HAVING YOU AROUND. OH. 376 00:21:47,300 --> 00:21:49,730 NO MESSING ABOUT. COME STRAIGHT HOME. 377 00:21:56,634 --> 00:21:57,874 MOVE UP. COME ON. 378 00:21:59,634 --> 00:22:01,534 HERE YOU ARE. HERE ARE THE KEYS. 379 00:22:06,033 --> 00:22:08,073 YOU BEHAVE YOURSELVES WITH UNCLE HENRY. 380 00:22:08,133 --> 00:22:10,673 LOOK, MUM. LOOK WHAT GRAN GAVE US. 381 00:22:10,734 --> 00:22:13,104 YEAH. LOVELY. 382 00:22:13,167 --> 00:22:15,197 THERE ARE TIMES, SHIRLEY, 383 00:22:15,267 --> 00:22:17,697 I'M SORRY WE'RE NOT ROMAN CATHOLICS. 384 00:22:17,767 --> 00:22:21,367 HENRY WOULD MAKE A LOVELY POPE. 385 00:22:21,434 --> 00:22:22,874 "HENRY THE HUMBLE." 386 00:22:27,334 --> 00:22:29,634 I WISH YOU WOULDN'T GIVE THEM POCKET MONEY. 387 00:22:29,701 --> 00:22:33,371 THEY'LL ONLY BUY ICE CREAM, AND THEY GOT THEIR RATION FOR TODAY. 388 00:22:33,434 --> 00:22:36,534 RATION? WHAT YOU PREPARING THEM FOR, 389 00:22:36,601 --> 00:22:38,201 THE NEXT WAR? 390 00:22:38,267 --> 00:22:39,997 DO THEY SLEEP IN THE UNDERGROUND 391 00:22:40,067 --> 00:22:42,527 AND WEAR GAS MASKS AROUND THE HOUSE? 392 00:22:42,601 --> 00:22:45,271 YOU'RE A HARD MOTHER, KAREN, VERY HARD. 393 00:22:45,334 --> 00:22:49,434 THAT'S HOW I WANT THEIR TEETH TO BE, MUM. GOOD AND HARD. 394 00:22:49,501 --> 00:22:53,831 NOW DON'T PUT WORDS IN MY MOUTH. I DIDN'T SAY "GOOD." 395 00:22:53,901 --> 00:22:56,131 I DON'T THINK YOU ARE A GOOD MOTHER, 396 00:22:56,200 --> 00:22:58,930 BUT IT'S NOT MY PLACE TO SAY SO. 397 00:23:00,100 --> 00:23:02,400 ICE CREAM IS VERY BAD FOR TEETH. 398 00:23:11,400 --> 00:23:12,830 COME HERE, MY DEAR. 399 00:23:29,734 --> 00:23:32,974 LET ME TAKE A GOOD LOOK AT YOU. 400 00:23:38,167 --> 00:23:39,827 TOMMY'S TASTE IS CHANGING. 401 00:23:39,901 --> 00:23:41,831 HE USED TO LIKE A LOT OF FLESH. 402 00:23:41,901 --> 00:23:44,101 YOU WOULDN'T FETCH MUCH ON THE BUTCHER'S SLAB. 403 00:23:46,567 --> 00:23:48,827 IS SHE SLEEPING IN THEGUESTROOM, TOMMY? 404 00:23:48,901 --> 00:23:50,671 THAT'S THE GENERAL IDEA, MUM. 405 00:23:52,334 --> 00:23:54,734 I'VE BEEN MEANING TO BUY A NEW BED. 406 00:23:54,801 --> 00:23:56,331 WHEN TOM HAS GUESTS, 407 00:23:56,400 --> 00:23:58,700 I NEVER GET A GOOD NIGHT'S SLEEP. 408 00:23:58,767 --> 00:24:00,527 ALL THAT CREAKING. 409 00:24:00,601 --> 00:24:02,871 BUT THEN, HE HAS SO MUCH ENERGY, 410 00:24:02,934 --> 00:24:05,374 HE HAS TO USE IT UP SOMEHOW. 411 00:24:09,033 --> 00:24:10,473 THANK YOU. 412 00:24:12,467 --> 00:24:13,897 WE'RE GOING TO BE MARRIED. 413 00:24:13,968 --> 00:24:16,168 WILL IT BE A WHITE WEDDING, MY DEAR? 414 00:24:21,133 --> 00:24:22,633 YES. YES, IT WILL. 415 00:24:23,868 --> 00:24:28,498 HOW MANY BRIDESMAIDS, TWO? ALL IN YELLOW? 416 00:24:28,567 --> 00:24:30,497 AND THEY'LL EACH CARRY A BOUQUET 417 00:24:30,567 --> 00:24:33,027 AND YOU'LL CARRY A PRAYER BOOK? 418 00:24:33,100 --> 00:24:35,100 AND THE BELLS WILL RING TING-A-LING, 419 00:24:35,167 --> 00:24:37,567 AND YOU'LL BE SO HAPPY? 420 00:24:37,634 --> 00:24:40,874 AND WE'LL ALL BE SO VERY SYMPATHETIC 421 00:24:40,934 --> 00:24:43,934 WHEN TOMMY DOESN'T TURN UP. 422 00:24:44,000 --> 00:24:46,370 ISN'T IT ABOUT TIME WE CHANGED THE SUBJECT? 423 00:24:46,434 --> 00:24:48,874 YOU HATE NOT BEING IN THE SPOTLIGHT, DON'T YOU? 424 00:24:48,934 --> 00:24:52,674 WE HAVEN'T NOTICED YOU FOR TWO MINUTES. 425 00:24:52,734 --> 00:24:55,574 NEVER SEEN SUCH A STRONG FACE. 426 00:24:55,634 --> 00:24:57,274 GRANITE. 427 00:24:57,334 --> 00:25:01,604 THE FACE OF A MAN WHO'S SUFFERED AND COME THROUGH IT ALL. AM I RIGHT, KAREN? 428 00:25:01,667 --> 00:25:04,297 I SHOULD SAY HE'S STILL SUFFERING, WOULDN'T YOU, MUM? 429 00:25:04,367 --> 00:25:08,067 YOU THINK YOU FAILED HIM, DO YOU DEAR? [TELEPHONE RINGS] 430 00:25:10,167 --> 00:25:12,567 AT LEAST YOU'RE HONEST ABOUT IT. 431 00:25:15,534 --> 00:25:17,974 [MRS. TAGGART] ELWOOD DOUBLE-FOUR-DOUBLE-NINE. 432 00:25:19,534 --> 00:25:20,474 YES. 433 00:25:25,868 --> 00:25:30,428 OH, THAT'S VERY BAD, ISN'T IT? ALMOST CRIMINAL NEGLIGENCE. 434 00:25:30,501 --> 00:25:32,131 I'LL SEND SOMEONE OVER RIGHT AWAY. 435 00:25:33,934 --> 00:25:34,974 ONE OF YOU 436 00:25:35,033 --> 00:25:37,873 FORGOT TO PUT THE KITCHEN FLOORBOARDS DOWN 437 00:25:37,934 --> 00:25:38,974 IN PLOT 10. 438 00:25:39,033 --> 00:25:40,633 THEY'RE MOVING IN. 439 00:25:40,701 --> 00:25:41,971 LOOK AFTER IT, TERRY. 440 00:25:43,701 --> 00:25:46,471 WHAT, NOW? WELL, TOMORROW WILL BE SOON ENOUGH. 441 00:25:46,534 --> 00:25:49,134 WE SEEM TO BE GETTING A LOT OF COMPLAINTS LATELY. 442 00:25:49,200 --> 00:25:53,500 I'VE TOLD YOU WHY. IT'S THAT CLAUSE YOU'VE GOT IN ALL THE CONTRACTS-- 443 00:25:53,567 --> 00:25:56,127 50 QUID OFF THE PRICE FOR EVERY DAY WE'RE BEHIND SCHEDULE. 444 00:25:56,200 --> 00:25:58,130 THAT'S KNOWN AS A GOOD SELLING POINT. 445 00:25:58,200 --> 00:26:02,100 NO, IT'S NOT. IT'S BLOODY RIDICULOUS. WE'RE FLOGGING OURSELVES TO DEATH 446 00:26:02,167 --> 00:26:05,327 JUST TRYING NOT TO BE FINED, AND YOU WON'T BRING IN EXTRA STAFF. 447 00:26:05,400 --> 00:26:08,070 BRING IN MORE STAFF AND OUR STANDARDS WILL GO DOWN. 448 00:26:08,133 --> 00:26:09,903 THATWOULD BE DIFFICULT. 449 00:26:09,968 --> 00:26:12,998 WE CAN'T KEEP UP THE PACE, MUM. IT'S CRIPPLING US. 450 00:26:15,567 --> 00:26:17,727 SHIRLEY, MY DEAR. 451 00:26:17,801 --> 00:26:19,631 WOULD YOU MIND SITTING SOMEWHERE ELSE? 452 00:26:19,701 --> 00:26:21,431 BODY ODOR OFFENDS ME. 453 00:26:23,267 --> 00:26:25,927 I HAVEN'T GOT BODY ODOR! 454 00:26:32,868 --> 00:26:35,928 TERRY, YOU WON'T FEEL THIS WAY 455 00:26:36,000 --> 00:26:37,500 ONCE YOU'VE MOVED. 456 00:26:37,567 --> 00:26:38,567 [GULPS] 457 00:26:41,367 --> 00:26:43,467 SURPRISE. I'VE BOUGHT YOU A NEW HOUSE. 458 00:26:44,901 --> 00:26:46,731 WHY? 459 00:26:46,801 --> 00:26:50,331 THERE ARE PEOPLE WHO WOULD BE GRATEFUL FOR SUCH NEWS, KAREN. 460 00:26:50,400 --> 00:26:53,230 YOU ASKED ME WHY AS IF I WERE SPITING YOU. 461 00:26:53,300 --> 00:26:56,230 YOU HAVEN'T PAID FOR IT YET, HAVE YOU, MUM? 462 00:26:56,300 --> 00:27:00,170 NEXT WEEK. �15,000. 463 00:27:00,234 --> 00:27:02,304 WHAT? 464 00:27:04,434 --> 00:27:06,204 WHERE'S THE CONTRACT, THEN, MOTHER? 465 00:27:08,033 --> 00:27:10,133 WITH THE SOLICITOR. 466 00:27:10,200 --> 00:27:12,500 WATCH HER, TERRY. SHE'S FISHING. 467 00:27:12,567 --> 00:27:14,267 SHUT UP, TOM. 468 00:27:15,701 --> 00:27:18,101 �15,000 POUNDS, EH, LOVE? 469 00:27:18,167 --> 00:27:20,897 [SHEEPISHLY[ WHAT ABOUT THAT, THEN? [CLINKING ICE CUBES] 470 00:27:25,300 --> 00:27:28,770 IT'S--IT'S VERY KIND OF YOU MUM. VERY KIND, INDEED. 471 00:27:28,834 --> 00:27:30,704 ASK TO SEE THE CONTRACT. 472 00:27:30,767 --> 00:27:32,727 I HAD YOU SUMMED UP 473 00:27:32,801 --> 00:27:34,901 THE MOMENT YOU POKED YOUR HEAD OUT. 474 00:27:34,968 --> 00:27:37,798 "THIS ONE'S A THOMAS," I SAID. 475 00:27:37,868 --> 00:27:40,398 AND I WAS RIGHT. RIGHT! 476 00:27:45,167 --> 00:27:47,797 WELL, TERRY, ARE YOU GOING TO PLEASE YOUR MOTHER 477 00:27:47,868 --> 00:27:50,768 ON HER ANNIVERSARY AND ACCEPT THE HOUSE? 478 00:27:50,834 --> 00:27:54,104 WELL, AS I SAID, MUM, IT'S VERY KIND OF YOU. 479 00:27:54,167 --> 00:27:56,697 VERY KIND, INDEED. TELL HER, TERRY. 480 00:27:56,767 --> 00:27:58,027 TELL ME WHAT? 481 00:27:58,100 --> 00:28:00,100 UH, NOTHING, MUM. NOTHING AT ALL. 482 00:28:00,167 --> 00:28:02,697 SHE WANTS TO KNOW, SO TELL HER. 483 00:28:02,767 --> 00:28:06,127 WELL, I CAN'T TELL HER NOW, NOT AFTER JUST BEING OFFERED A HOUSE. 484 00:28:06,200 --> 00:28:08,300 IS THERE SOMETHING I SHOULD KNOW? 485 00:28:08,367 --> 00:28:10,667 NO, MUM. NO, NO. IT'S JUST THAT, UH-- 486 00:28:10,734 --> 00:28:12,634 WELL, KAREN AND ME, WE WERE THINKING-- 487 00:28:12,701 --> 00:28:14,031 WE'VE ARRANGED IT! 488 00:28:14,100 --> 00:28:16,270 ARRANGED WHAT, MY PRECIOUS? 489 00:28:16,334 --> 00:28:18,804 IT COULD ALWAYS BE CANCELED, COULDN'T IT, LOVE? 490 00:28:18,868 --> 00:28:22,998 NO, IT COULDN'T, "MY PRECIOUS"! 491 00:28:23,067 --> 00:28:24,967 [DEFIANTLY] WE'RE EMIGRATING TO CANADA, MUM. 492 00:28:29,467 --> 00:28:31,297 I KNEW... 493 00:28:31,367 --> 00:28:33,797 THERE WAS SOMETHING. 494 00:28:33,868 --> 00:28:36,998 YOU'VE ALWAYS BEEN THE SAME, TERRY. 495 00:28:37,067 --> 00:28:38,897 WHENEVER YOU WERE A NAUGHTY BOY, 496 00:28:38,968 --> 00:28:41,428 STRAIGHT INTO A SHELL YOU'D GO. 497 00:28:41,501 --> 00:28:43,571 TERRY WAS NEVER A LEADER, SHIRLEY. 498 00:28:43,634 --> 00:28:44,904 HE WAS ALWAYS LED. 499 00:28:44,968 --> 00:28:48,568 AND NOW HE'S BEING LED OFF TO CANADA 500 00:28:48,634 --> 00:28:51,104 BY THAT PREGNANT COW OVER THERE! 501 00:28:57,634 --> 00:28:59,334 WHEN DO YOU THINK YOU'RE LEAVING? 502 00:29:01,100 --> 00:29:02,530 A WEEK TOMORROW. 503 00:29:03,901 --> 00:29:06,701 HAVE YOU A JOB TO GO TO? YEAH. 504 00:29:06,767 --> 00:29:10,897 DOING WHAT? WELL, MY TRADE, OF COURSE. 505 00:29:10,968 --> 00:29:12,468 TRADE? 506 00:29:12,534 --> 00:29:14,004 YOU HAVEN'T GOT A TRADE. 507 00:29:14,067 --> 00:29:16,767 WHAT DO YOU MEAN? I'M A MASTER CARPENTER. 508 00:29:16,834 --> 00:29:19,904 A CARPENTER? YOU CAN'T HAMMER A NAIL IN 509 00:29:19,968 --> 00:29:23,098 WITHOUT BEING RUSHED TO HOSPITAL WITH A BROKEN THUMB. 510 00:29:23,167 --> 00:29:26,167 WHO BUILT THAT BROOM CUPBOARD BEHIND THE DOOR 511 00:29:26,234 --> 00:29:29,004 SO YOU HAD TO WALK INTO THE KITCHEN SIDEWAYS? 512 00:29:30,300 --> 00:29:32,600 THE ONLY THING YOU'RE GOOD AT IS MAKING SHAVINGS. 513 00:29:32,667 --> 00:29:36,527 TWO WEEKS IN CANADA, AND YOU'LL BE DEPORTED FOR SABOTAGE. 514 00:29:36,601 --> 00:29:39,201 COME OFF IT, MUM. HE'S NOT AS BAD AS ALL THAT. 515 00:29:39,267 --> 00:29:42,167 OF COURSE NOT, 516 00:29:42,234 --> 00:29:44,434 COMPARED TO YOUR ELECTRICAL GENIUS. 517 00:29:46,033 --> 00:29:48,803 REMEMBER THAT HOUSE ON CHURCH AVENUE, 518 00:29:48,868 --> 00:29:52,668 WHEN THE OWNER PRESSED THE SWITCH IN THE LOUNGE AND THE LAVATORY FLUSHED? 519 00:30:01,300 --> 00:30:03,570 I THOUGHT YOU BOYS UNDERSTOOD 520 00:30:03,634 --> 00:30:04,974 I MADE YOU BOSSES 521 00:30:05,033 --> 00:30:07,573 BECAUSE YOU WEREN'T GOOD ENOUGH TO BE WORKERS. 522 00:30:07,634 --> 00:30:12,604 OH, I'VE BEEN CRITICIZED, BUT IS IT SO WRONG TO PROTECT ONE'S OWN CHICKS? 523 00:30:12,667 --> 00:30:17,567 MIND YOU, I UNDERSTAND. IT'S THE CONSTANT WORRY OF WORKING AGAINST TIME. 524 00:30:17,634 --> 00:30:19,474 BUT WHAT'S ONE TO DO, 525 00:30:19,534 --> 00:30:21,374 BUILD FEWER HOUSES? 526 00:30:21,434 --> 00:30:23,704 THAT'S UNFAIR TO THE HOMELESS, 527 00:30:23,767 --> 00:30:25,627 TO THE MILLIONS OF FAMILIES 528 00:30:25,701 --> 00:30:28,431 WHO LOOK TO US TO PUT A ROOF OVER THEIR HEADS. 529 00:30:28,501 --> 00:30:31,431 WE ARE DOING A SERVICE TO THE NATION 530 00:30:31,501 --> 00:30:34,401 BY GIVING PEOPLE DECENT HOUSES TO LIVE IN. 531 00:30:34,467 --> 00:30:36,067 GET OUT OF IT! 532 00:30:36,133 --> 00:30:37,973 OUR HOUSES AREN'T DECENT. 533 00:30:38,033 --> 00:30:40,203 THEY'RE OBSCENE! 534 00:30:40,267 --> 00:30:42,797 WE'RE THE ONLY BUILDERS PUTTING UP CONDEMNED PROPERTY. 535 00:30:42,868 --> 00:30:45,968 YOUR FATHER NEVER PUT UP A JERRY-BUILT HOUSE IN HIS LIFE. 536 00:30:46,033 --> 00:30:47,933 I'M NOT TALKING ABOUT DAD. 537 00:30:48,000 --> 00:30:50,630 THIS BUSINESS STARTED TO GO ROTTEN WHEN HE SNUFFED IT. 538 00:30:50,701 --> 00:30:55,571 THEN HOW DO YOU ACCOUNT FOR THE 250% PROFIT SINCE HE DIED? 539 00:30:55,634 --> 00:30:59,804 BECAUSE YOU GOT US TO KNOCK OUT TWO HOUSES IN THE TIME THAT IT TOOK HIM TO BUILD ONE! 540 00:30:59,868 --> 00:31:02,698 TIME AND MOTION, DEAR. 541 00:31:02,767 --> 00:31:04,267 NOW WILL YOU SHUT UP? 542 00:31:06,601 --> 00:31:08,671 A LITTLE THING TO REMEMBER, SHIRLEY. 543 00:31:08,734 --> 00:31:10,734 TOMMY DOESN'T LIKE CRITICISM. 544 00:31:10,801 --> 00:31:12,971 TELL HIM HE'S BRILLIANT, OFTEN. 545 00:31:13,033 --> 00:31:16,073 TERRY, COME AND SIT BY ME. 546 00:31:21,267 --> 00:31:22,627 HERE. 547 00:31:24,834 --> 00:31:28,834 NOW...WHY DO YOU WANT TO GO TO CANADA? 548 00:31:28,901 --> 00:31:32,071 TELL MUMMY. SHE'LL UNDERSTAND. 549 00:31:32,133 --> 00:31:35,703 WELL, IT-IT-IT'S SORT OF WANTING MY INDEPENDENCE, MUM. 550 00:31:35,767 --> 00:31:37,797 INDEPENDENCE IN A STRANGE COUNTRY, 551 00:31:37,868 --> 00:31:39,768 WITH A WIFE AND SIX CHILDREN 552 00:31:39,834 --> 00:31:41,574 AND NO MONEY. 553 00:31:41,634 --> 00:31:43,204 IT'S-IT'S MORE THAN THAT. 554 00:31:43,267 --> 00:31:45,367 IT'S BEING PART OF SOMETHING THAT'S ALL WRONG. 555 00:31:45,434 --> 00:31:48,404 WE'RE NOTHING BETTER THAN CON MEN. 556 00:31:48,467 --> 00:31:51,197 WELL, THEN WE'LL BUILD FEWER HOUSES, DETACHED HOUSES. 557 00:31:51,267 --> 00:31:53,867 THAT'S ASKING FOR IT. WHAT'S GOING TO KEEP 'EM UP? 558 00:31:56,000 --> 00:31:59,600 WE'RE-WE'RE WORKING 12 HOURS A DAY, SIX DAYS A WEEK! IT'S A KILLER! 559 00:31:59,667 --> 00:32:02,827 WELL, THEN WE'LL HAVE AN EIGHT-HOUR, FIVE-DAY WEEK. 560 00:32:02,901 --> 00:32:05,001 YOU'VE SAID ALL THIS BEFORE, 561 00:32:05,067 --> 00:32:06,727 BUT IT NEVER HAPPENS! 562 00:32:06,801 --> 00:32:09,431 WHY BE SO DESTRUCTIVE, KAREN? 563 00:32:09,501 --> 00:32:12,031 BE CONSTRUCTIVE FOR A CHANGE. 564 00:32:12,100 --> 00:32:16,170 I'LL GIVE IT TO YOU IN WRITING, WITNESSED BY THE HOUSE OF LORDS. 565 00:32:16,234 --> 00:32:18,934 IT'S NOT JUST THE WORK, MUM. THEN WHAT? 566 00:32:19,000 --> 00:32:21,530 WELL, IT'S-- 567 00:32:22,767 --> 00:32:25,297 GO ON. TELL HER! 568 00:32:27,400 --> 00:32:30,100 [YELLING] TELL HER! 569 00:32:31,167 --> 00:32:33,927 IT'S YOU! ME? 570 00:32:34,000 --> 00:32:36,300 YOU'RE INSIDE HIM ALL THE TIME, 571 00:32:36,367 --> 00:32:37,897 SCRATCHING AWAY AT HIS ULCER! 572 00:32:37,968 --> 00:32:39,398 AH! 573 00:32:39,467 --> 00:32:42,167 THAT'S MORE LIKE MY DAUGHTER-IN-LAW, 574 00:32:42,234 --> 00:32:45,734 DOWN ON ALL FOURS, SPITTING AWAY, 575 00:32:45,801 --> 00:32:47,401 WITH HER WHISKERS QUIVERING. 576 00:32:47,467 --> 00:32:50,497 OH, NO. 577 00:32:50,567 --> 00:32:53,827 YOU'RE HOPING THAT I'M GOING TO FORGET WHAT WE WERE ARGUING ABOUT, 578 00:32:53,901 --> 00:32:55,571 GET BACK TO THE MUD-SLINGING. 579 00:32:55,634 --> 00:32:57,634 WELL, I'M NOT GOING TO DO THAT. 580 00:32:57,701 --> 00:33:00,531 TERRY NEEDS ORDER IN HIS LIFE. 581 00:33:00,601 --> 00:33:03,431 ALL YOU'VE EVER GIVEN HIM IS CHAOS! 582 00:33:03,501 --> 00:33:07,401 AND I'M TAKING HIM AWAY FROM YOU. 583 00:33:08,667 --> 00:33:10,367 [TELEPHONE RINGS] 584 00:33:14,701 --> 00:33:17,771 ELWOOD DOUBLE-FOUR-DOUBLE-NINE. 585 00:33:22,734 --> 00:33:24,034 WHEN? 586 00:33:30,467 --> 00:33:31,397 GOD! 587 00:33:33,033 --> 00:33:35,973 OH, MY GOD! WHAT IS IT, MUM? 588 00:33:38,167 --> 00:33:40,567 THAT WAS THE COTTAGE HOSPITAL. 589 00:33:40,634 --> 00:33:43,734 HENRY'S BEEN IN A CRASH. THE CAR OVERTURNED. 590 00:33:46,501 --> 00:33:48,101 WHAT ABOUT THE KIDS, MUM? 591 00:33:48,167 --> 00:33:51,267 POOR HENRY! THEY'RE OPERATING ON HIM. 592 00:33:51,334 --> 00:33:53,504 BUT THE KIDS, MUM. WHAT ABOUT THE KIDS? 593 00:33:53,567 --> 00:33:56,727 I'M AFRAID THEIR CONDITION IS CRITICAL. 594 00:33:59,033 --> 00:34:02,333 OH, NO! HOW DID IT HAPPEN, MUM? 595 00:34:02,400 --> 00:34:03,600 DIDN'T SAY. 596 00:34:03,667 --> 00:34:07,667 OH, GOD, LET THEM BE ALL RIGHT. 597 00:34:07,734 --> 00:34:09,674 OH, GOD, LET THEM BE ALL RIGHT! 598 00:34:09,734 --> 00:34:12,704 WE'D BETTER GO DOWN THERE, LOVE. IT'S ALL MY FAULT, TERRY. 599 00:34:12,767 --> 00:34:15,467 I SHOULD HAVE TAKEN THEM. 600 00:34:15,534 --> 00:34:18,334 IT'S ALL MY FAULT! NO, NO, IT'S NOT. COME ON. 601 00:34:18,400 --> 00:34:20,800 I SHOULD HAVE TAKEN THEM! 602 00:34:20,868 --> 00:34:22,528 [SOBS] 603 00:34:23,734 --> 00:34:25,834 IS THERE ANYTHING I CAN DO? 604 00:34:27,968 --> 00:34:30,128 I'LL GO UP TO MY ROOM. 605 00:34:34,133 --> 00:34:35,973 HOW BAD ARE THEY, MUM? 606 00:34:37,834 --> 00:34:39,204 THE KIDS. 607 00:34:39,267 --> 00:34:42,597 WHAT DID THEY SAY ABOUT THE KIDS? 608 00:34:42,667 --> 00:34:45,197 TO LOSE ONE'S CHILDREN... 609 00:34:46,367 --> 00:34:49,527 WHOEVER WOULD WANT TO BE A MOTHER? 610 00:34:59,534 --> 00:35:01,234 [TOM] WHAT IS IT, LOVE? WHAT'S THE MATTER? 611 00:35:01,300 --> 00:35:03,170 HENRY'S HERE! WHO? 612 00:35:03,234 --> 00:35:05,334 HENRY! WHERE? 613 00:35:05,400 --> 00:35:06,830 IN MY ROOM. 614 00:35:08,167 --> 00:35:09,767 DID YOU HEAR THAT, MUM? 615 00:35:13,467 --> 00:35:15,427 ARE YOU ALL RIGHT, LOVE? 616 00:35:19,133 --> 00:35:21,933 DID YOU HEAR WHAT SHIRLEY SAID, MUM? 617 00:35:22,000 --> 00:35:23,000 WHAT, DEAR? 618 00:35:23,067 --> 00:35:25,027 SHE SAW HENRY UPSTAIRS! 619 00:35:25,100 --> 00:35:27,370 WELL, HE LIVES HERE, DOESN'T HE? 620 00:35:27,434 --> 00:35:29,204 YOU SAID HE WAS BEING OPERATED ON. 621 00:35:29,267 --> 00:35:31,527 A LITTLE FIB, I'M AFRAID. 622 00:35:31,601 --> 00:35:33,931 WHO WAS THE PHONE CALL FROM, MUM? 623 00:35:34,000 --> 00:35:37,570 THAT MAN ABOUT THE FLOORBOARDS AGAIN. 624 00:35:37,634 --> 00:35:40,934 I WANTED KAREN TO FIND OUT WHAT IT'S LIKE TO LOSE A SON. 625 00:35:41,000 --> 00:35:42,270 AN EYE FOR AN EYE. 626 00:35:42,334 --> 00:35:45,204 THAT WAS A DIABOLICAL THING TO DO, MUM. 627 00:35:45,267 --> 00:35:47,127 I DON'T AGREE. 628 00:35:47,200 --> 00:35:49,970 I HOPE IT'S TAUGHT HER A LESSON. 629 00:35:50,033 --> 00:35:53,473 THEN I WON'T HAVE TO HEAR ANY MORE ABOUT MY TERRY LEAVING. 630 00:36:00,667 --> 00:36:02,597 IT'S ALMOST TIME TO LEAVE FOR THE PARTY. 631 00:36:02,667 --> 00:36:05,127 I BOOKED THE TABLE FOR 9:00. 632 00:36:11,300 --> 00:36:13,830 SOMETHING THE MATTER, MY DEAR? 633 00:36:13,901 --> 00:36:15,371 IT'S HENRY. 634 00:36:15,434 --> 00:36:17,204 WHAT ABOUT HENRY? 635 00:36:17,267 --> 00:36:20,167 HE'S IN MY ROOM. 636 00:36:20,234 --> 00:36:23,004 HE'S DRESSED HIMSELF UP IN MY CLOTHES. 637 00:36:23,067 --> 00:36:25,097 YOU SHOULD TAKE THAT AS A COMPLIMENT. 638 00:36:25,167 --> 00:36:28,267 HE ONLY WEARS CLOTHES THAT ARE CLEAN AND PRETTY. 639 00:36:28,334 --> 00:36:30,704 VERY PARTICULAR, IS MY HENRY. 640 00:36:32,334 --> 00:36:34,634 GET THAT STUFF OFF, HENRY! 641 00:36:34,701 --> 00:36:35,971 THERE'S A DEAR! 642 00:36:36,033 --> 00:36:39,133 YOU CAN'T GO TO DINNER DRESSED LIKE THAT! 643 00:36:39,200 --> 00:36:42,630 YOU KNOW NYLON BRINGS YOU OUT IN A RASH! 644 00:36:42,701 --> 00:36:44,571 [RESTAURANT CHATTER] 645 00:37:01,868 --> 00:37:05,198 I WAS A BIT LIKE YOU AT THE TIME, SHIRLEY, 646 00:37:05,267 --> 00:37:07,267 WANTING TO FALL THROUGH THE FLOOR 647 00:37:07,334 --> 00:37:08,674 WHEN SOMEONE LOOKED AT ME, 648 00:37:08,734 --> 00:37:10,204 FUMBLING WITH WORDS, 649 00:37:10,267 --> 00:37:14,267 NOT VERY PRETTY, EITHER, BUT MY HUSBAND, BLESS HIM, 650 00:37:14,334 --> 00:37:15,634 HE COULD SEE. 651 00:37:15,701 --> 00:37:18,271 UNLIKE YOU, I HAD ONE MAGICAL QUALITY-- 652 00:37:18,334 --> 00:37:19,704 A SENSE OF HUMOR. 653 00:37:19,767 --> 00:37:22,027 "DELICIOUS," HE CALLED IT. 654 00:37:22,100 --> 00:37:24,200 "A DELICIOUS SENSE OF HUMOR." 655 00:37:24,267 --> 00:37:25,867 I'VE STILL GOT IT, OF COURSE. 656 00:37:25,934 --> 00:37:29,074 I CAN FEEL IT WAFTING OVER US, LIKE POISON GAS. 657 00:37:29,133 --> 00:37:34,003 IT'S NOT FUNNY, MUM. SHE WAS CRYING HER EYES OUT WHEN I LEFT HER AT HOME. 658 00:37:34,067 --> 00:37:35,897 WANTING YOUR SYMPATHY, I SUPPOSE. 659 00:37:35,968 --> 00:37:38,268 YOU'RE NOT EATING, DEAR. 660 00:37:38,334 --> 00:37:40,474 YOU'RE UPSET. 661 00:37:40,534 --> 00:37:42,374 KAREN SHOULD BE HERE. 662 00:37:44,033 --> 00:37:45,473 SORRY I'M LATE. 663 00:37:47,334 --> 00:37:49,334 YOU SHOULDN'T HAVE COME. CHANGED MY MIND. 664 00:37:49,400 --> 00:37:52,000 DON'T WANT TO LEAVE YOU ALONE FOR HER TO GET AT YOU. 665 00:37:52,067 --> 00:37:55,797 IN FIVE MINUTES YOU'D BE BEGGING NOT TO BE SENT TO CANADA. 666 00:37:57,267 --> 00:37:58,497 I'M NOT HUNGRY. 667 00:37:58,567 --> 00:38:01,367 THE CHILDREN ARE ALL RIGHT. 668 00:38:01,434 --> 00:38:04,434 YOU SHOULD BE THRILLED THERE'S NOTHING WRONG WITH THEM. 669 00:38:04,501 --> 00:38:08,671 A GLASS OF WINE WILL PUT YOU TO RIGHTS. TERRY, POUR HER A GLASS OF WINE. 670 00:38:08,734 --> 00:38:11,704 HERE WE ALL ARE TOGETHER. 671 00:38:11,767 --> 00:38:14,697 YOUR FATHER WOULD BE SO HAPPY TO SEE US LIKE THIS, 672 00:38:14,767 --> 00:38:19,697 A FAMILY UNITED BY BONDS OF LOVE SO STRONG. 673 00:38:19,767 --> 00:38:21,827 WHICH ONE OF YOU IS TAGGART? 674 00:38:21,901 --> 00:38:24,171 THERE ARE THREE OF THEM. TAKE YOUR PICK. 675 00:38:24,234 --> 00:38:27,834 OH, WELL, WHICH ONE OF YOU DIDN'T PUT MY FLOORBOARDS DOWN? 676 00:38:27,901 --> 00:38:30,401 I'VE GOT THE WHOLE FAMILY WITH ME, I'VE DRIVEN ALL THE WAY FROM SCOTLAND, 677 00:38:30,467 --> 00:38:31,927 AND THERE ARE NO FLOORBOARDS IN MY KITCHEN! 678 00:38:32,000 --> 00:38:34,500 [TERRY] THEY'RE HALF-DOWN. WAS YOU, WAS IT? 679 00:38:34,567 --> 00:38:36,167 WELL, HALF ISN'T GOOD ENOUGH. 680 00:38:36,234 --> 00:38:39,374 I DIDN'T HAVE TIME TO FINISH THEM. GET OVER THERE. FINISH THEM NOW. 681 00:38:39,434 --> 00:38:42,074 I'M HAVING MY DINNER. WHAT ABOUT MY DINNER? 682 00:38:42,133 --> 00:38:44,303 MY WIFE AND KIDS CAN'T EVEN GET INTO THE KITCHEN! 683 00:38:44,367 --> 00:38:46,327 WELL, I'LL FIX THEM TOMORROW. 684 00:38:46,400 --> 00:38:48,830 I WANT THEM FIXED TONIGHT. 685 00:38:48,901 --> 00:38:51,071 GO ON, TERRY. GO FIX HIS FLOORBOARDS. 686 00:38:51,133 --> 00:38:55,203 IF YOU HADN'T SCREWED UP THE WIRING, WE WOULDN'T HAVE HAD TO PULL THE BLOODY THINGS UP! 687 00:38:55,267 --> 00:38:58,027 THE WIRING'S ALL RIGHT. IT'S THE FLOORBOARDS HE'S COMPLAINING ABOUT. 688 00:38:58,100 --> 00:39:01,270 YEAH. I'M NOT FIXING ANY FLOORBOARDS TONIGHT! 689 00:39:01,334 --> 00:39:04,534 BUZZ OFF, OR I'LL PUNCH YOU IN THE FACE. THE DIPLOMATIC TOUCH. 690 00:39:04,601 --> 00:39:06,071 YOU KEEP OUT OF THIS! 691 00:39:06,133 --> 00:39:08,403 ARE YOU GOING TO BUZZ OFF? YOU GONNA MAKE ME? 692 00:39:08,467 --> 00:39:10,697 YEAH. I'M GONNA MAKE YOU. JUST YOU TRY IT. 693 00:39:10,767 --> 00:39:13,367 ALL RIGHT. YOU JUST TRY. 694 00:39:13,434 --> 00:39:15,974 I'M NOT AFRAID OF A CHAP YOUR SIZE! WATCH IT, MATEY. 695 00:39:16,033 --> 00:39:21,173 I DON'T WANT TO HURT YOU. THE FLOORBOARDS IN THE KITCHEN! I WANT THEM FIXED! 696 00:39:21,234 --> 00:39:24,434 LOOK, I'VE DONE 12 HOURS WORK TODAY! 697 00:39:24,501 --> 00:39:26,831 I DON'T CARE ABOUT YOUR FLOORBOARDS! 698 00:39:31,901 --> 00:39:34,901 ** [ANNIVERSARY SONG] 699 00:39:52,801 --> 00:39:55,401 HAPPY ANNIVERSARY, MADAM. THANK YOU, CARLO. 700 00:39:55,467 --> 00:39:56,667 THANK YOU. 701 00:40:00,968 --> 00:40:02,628 THANK YOU. 702 00:40:02,701 --> 00:40:03,631 MR. BIRD. 703 00:40:05,734 --> 00:40:09,504 I'M AFRAID MY SON IS A LITTLE DISTRAUGHT THIS EVENING. I TELL YOU WHAT WE'LL DO. 704 00:40:09,567 --> 00:40:11,867 GO COLLECT YOUR FAMILY AND BRING THEM HERE FOR DINNER-- 705 00:40:11,934 --> 00:40:15,174 AS MY GUESTS, OF COURSE, AND WHILE YOU'RE HERE, 706 00:40:15,234 --> 00:40:19,004 I'LL HAVE YOUR FLOORBOARDS PUT DOWN. HOW DOES THAT SOUND TO YOU? 707 00:40:19,067 --> 00:40:21,267 YOU'RE GOING TO PUT THEM DOWN TONIGHT? 708 00:40:21,334 --> 00:40:23,434 NOT PERSONALLY, OF COURSE. 709 00:40:23,501 --> 00:40:25,331 OH, NO. SO... 710 00:40:25,400 --> 00:40:28,530 I BRING ALL MY FAMILY HERE, AND-AND YOU PAY? 711 00:40:28,601 --> 00:40:32,331 EXACTLY. I'LL RESERVE A TABLE FOR YOU. HOW MANY ARE YOU? 712 00:40:32,400 --> 00:40:34,130 NINE. 713 00:40:35,667 --> 00:40:39,727 OH, WELL, OFF YOU GO, MR. BIRD, AND PICK THEM ALL UP. 714 00:40:39,801 --> 00:40:43,101 OH, THANK YOU, MA'AM. THINK NOTHING OF IT. 715 00:40:46,367 --> 00:40:50,297 IT'S A GREAT PITY YOU HAVEN'T INHERITED SOME OF YOUR MOTHER'S KINDNESS. 716 00:40:52,868 --> 00:40:57,928 NINE. WHO WOULD HAVE THOUGHT A LITTLE SQUIRT LIKE THAT WOULD HAVE SEVEN CHILDREN? 717 00:40:58,000 --> 00:41:00,430 DO YOU KNOW WHAT THIS LOT'S GOING TO COST ME? 718 00:41:00,501 --> 00:41:03,931 YEAH. WELL, I'M STILL NOT LAYING ANY FLOORBOARDS TONIGHT. 719 00:41:06,200 --> 00:41:07,630 HENRY... 720 00:41:07,701 --> 00:41:09,531 GO AND FIX THE FLOORBOARDS. 721 00:41:09,601 --> 00:41:11,701 I WANT THEM ALL TO CREAK. 722 00:41:11,767 --> 00:41:13,327 HOW WILL I DO THAT? 723 00:41:15,167 --> 00:41:18,697 JUST DO YOUR USUAL JOB. THEY'LL CREAK. 724 00:41:21,133 --> 00:41:22,303 NOW... 725 00:41:26,834 --> 00:41:28,674 [KAREN] YOU'VE FORGOTTEN SOMETHING, MUM. 726 00:41:31,234 --> 00:41:33,274 I MADE MY WISH. 727 00:41:43,367 --> 00:41:45,597 [FOOTSTEPS] 728 00:41:48,367 --> 00:41:49,997 [GASPS] 729 00:41:50,067 --> 00:41:52,127 [DOOR CREAKS] OH. 730 00:41:53,534 --> 00:41:56,134 I BEG YOUR PARDON. 731 00:41:56,200 --> 00:41:59,830 I JUST WANTED TO BRING THESE BACK BEFORE I WENT OUT. 732 00:41:59,901 --> 00:42:01,371 THANK YOU. 733 00:42:04,868 --> 00:42:08,268 WHERE SHALL I PUT THEM? UH... 734 00:42:08,334 --> 00:42:10,634 WELL, ANYWHERE. ON-ON THE BED. 735 00:42:15,734 --> 00:42:17,334 I'D LIKE TO APOLOGIZE. 736 00:42:18,767 --> 00:42:20,367 I WOULD HAVE SAID SOMETHING BEFORE, 737 00:42:20,434 --> 00:42:24,204 BUT THE RESTAURANT DIDN'T SEEM QUITE THE RIGHT PLACE. 738 00:42:24,267 --> 00:42:26,767 [SOFTLY] IT'S ALL RIGHT. 739 00:42:26,834 --> 00:42:29,934 ANYWAY, WE'VE ALL GOT OUR LITTLE... 740 00:42:30,000 --> 00:42:32,430 IDIOSYNCRASIES. 741 00:42:32,501 --> 00:42:34,131 THAT THE RIGHT WORD? 742 00:42:36,901 --> 00:42:41,371 IT'S A VERY NICE WORD, SHIRLEY. AND IT'S VERY KIND OF YOU TO LOOK AT IT LIKE THAT. 743 00:42:43,834 --> 00:42:47,604 I MUST HAVE GIVEN YOU QUITE A TURN, COMING IN ON YOU LIKE I DID. 744 00:42:47,667 --> 00:42:49,867 WELL, YOU'RE RIGHT THERE, SHIRLEY. 745 00:42:49,934 --> 00:42:54,404 I MEAN, YOU CAN'T HELP FEELING A BIT GUILTY, BEING FOUND WITH SOMEONE ELSE'S CLOTHES ON. 746 00:42:56,400 --> 00:42:58,230 NO, I'M SURE YOU CAN'T. 747 00:42:58,300 --> 00:42:59,770 I APOLOGIZE. 748 00:42:59,834 --> 00:43:04,374 GOOD LORD. IT'S NOT YOU WHO SHOULD BE APOLOGIZING. IT'S ME. 749 00:43:07,400 --> 00:43:11,170 THE FACT IS, ONCE I GET THE URGE, I JUST CAN'T STOP MY... 750 00:43:11,234 --> 00:43:12,174 IDIOSYNCRASY. 751 00:43:16,033 --> 00:43:17,973 I KNOW IT'S NONE OF MY BUSINESS, 752 00:43:18,033 --> 00:43:20,433 BUT HAVE YOU EVER THOUGHT OF GOING TO SEE A PSYCHIATRIST? 753 00:43:23,067 --> 00:43:25,227 I DON'T REALLY SEE THE POINT. 754 00:43:25,300 --> 00:43:27,900 IT'S NOT AS THOUGH I DO ANYONE ANY HARM, IS IT? 755 00:43:27,968 --> 00:43:29,598 EXCEPT YOURSELF. 756 00:43:31,234 --> 00:43:33,504 WELL, I LOOK AT IT LIKE THIS, SHIRLEY. 757 00:43:33,567 --> 00:43:35,397 IF I DIDN'T... 758 00:43:35,467 --> 00:43:38,497 DO...WHAT I DO... 759 00:43:38,567 --> 00:43:42,567 WELL, THERE'S NO SAYING WHAT I MIGHT...DO. 760 00:43:42,634 --> 00:43:45,074 YOU SEE WHAT I MEAN? 761 00:43:45,133 --> 00:43:46,673 I SUPPOSE SO. 762 00:43:48,667 --> 00:43:49,897 I LIKED YOUR SLIP. 763 00:43:51,234 --> 00:43:53,874 IT CAME FROM MARKS & SPENCERS, DIDN'T IT? YES. 764 00:43:53,934 --> 00:43:56,374 I'VE GOT A LOT OF MARKS & SPENCERS. 765 00:43:56,434 --> 00:43:58,704 YES. THEY'RE VERY NICE. 766 00:43:58,767 --> 00:44:00,427 GOOD VALUE FOR MONEY. 767 00:44:09,534 --> 00:44:12,104 YOU'VE GOT SOME NICE CLOTHES, SHIRLEY. 768 00:44:12,167 --> 00:44:14,127 YOU'VE GOT GOOD TASTE. 769 00:44:24,834 --> 00:44:27,674 HELLO, KAREN. I'VE GOT TO GO AND LAY T HOSE FLOORBOARDS. 770 00:44:27,734 --> 00:44:31,504 MAKE THE MOST OF IT, MATE. THAT'S ALL YOU'LL EVER LAY. 771 00:44:33,367 --> 00:44:34,427 OH... 772 00:44:40,934 --> 00:44:42,304 YOU STILL HERE? 773 00:44:42,367 --> 00:44:45,267 I'D HAVE ESCAPED AFTER DINNER. I DON'T WANT TO. 774 00:44:45,334 --> 00:44:48,004 YOU'RE BARMY. YOU'RE STILL HERE. 775 00:44:48,067 --> 00:44:51,167 I WOULDN'T HAVE GONE TO DINNER AFTER WHAT SHE DID TO YOU AND TERRY. 776 00:44:51,234 --> 00:44:54,474 YOU'RE NOT USED TO HER LITTLE WAYS. 777 00:44:54,534 --> 00:44:56,674 IS SHE ALWAYS LIKE THIS? 778 00:44:56,734 --> 00:45:02,504 TOM SAYS THAT, WHEN SHE'S GOT HER SONS TO HERSELF, SHE'S ALMOST HUMAN, 779 00:45:02,567 --> 00:45:05,297 BUT AT THE FIRST WHIFF OF PERFUME, SHE TAKES TO HER BROOMSTICK. 780 00:45:05,367 --> 00:45:07,697 I'VE BEEN LET OFF RATHER LIGHTLY, HAVEN'T I? 781 00:45:07,767 --> 00:45:12,327 WHAT? SHE HASN'T EVEN STARTED ON YOU YET. 782 00:45:12,400 --> 00:45:13,800 SHE WILL. 783 00:45:13,868 --> 00:45:15,368 SHE'LL FIND YOUR WEAKNESS, 784 00:45:15,434 --> 00:45:18,804 AND SHE'LL DRAG IT ROUND THE ROOM IN TRIUMPH. 785 00:45:20,701 --> 00:45:24,831 TWO CAN PLAY AT THAT GAME. I CAN BE PRETTY NASTY IF I PUT MY MIND TO IT. 786 00:45:24,901 --> 00:45:30,001 REALLY? WELL, IT'LL BE A CHANGE FOR ME TO HAVE A RINGSIDE SEAT. 787 00:45:30,067 --> 00:45:32,027 I'M USUALLY INSIDE THE RING ON THE ROPES. 788 00:45:32,100 --> 00:45:36,130 SHE'S GOT TO BE SHOWN THAT, AS FAR AS TOM IS CONCERNED, 789 00:45:36,200 --> 00:45:38,170 I'M THE BOSS NOW. 790 00:45:38,234 --> 00:45:39,534 THE BOSS? 791 00:45:39,601 --> 00:45:41,701 WELL, I MEAN, IF WE'RE GOING TO BE MARRIED. 792 00:45:41,767 --> 00:45:44,997 OH. DOES TOM KNOW THIS? 793 00:45:45,067 --> 00:45:46,297 WHAT? 794 00:45:46,367 --> 00:45:49,067 THAT YOU'RE GONNA BE THE BOSS? 795 00:45:49,133 --> 00:45:50,733 WE'RE GETTING MARRIED, AREN'T WE? 796 00:45:52,868 --> 00:45:55,098 INTO THE FRYING PAN. INTO THE FRYING PAN. 797 00:45:55,167 --> 00:45:57,297 I DON'T KNOW WHAT YOU MEAN. 798 00:45:58,868 --> 00:46:01,498 NO. I DON'T SUPPOSE YOU DO. 799 00:46:01,567 --> 00:46:03,897 POOR OLD TOM. 800 00:46:06,601 --> 00:46:09,731 ONE THING'S FOR SURE. YOU WON'T BE GOING TO CANADA. 801 00:46:09,801 --> 00:46:10,931 I WILL. YOU WON'T! 802 00:46:11,000 --> 00:46:12,770 I WILL! YOU WON'T! 803 00:46:12,834 --> 00:46:14,234 TWO CAN PLAY THIS PREDICTION GAME. 804 00:46:14,300 --> 00:46:16,030 YOU'VE HAD YOUR TURN, I'LL HAVE MINE. 805 00:46:16,100 --> 00:46:19,370 YOU WON'T BE MARRYING SHIRLEY. YEAH? WHO WILL STOP ME? 806 00:46:19,434 --> 00:46:22,074 SHE WILL, IF SHE'S GOT ANY SENSE, WHICH I DOUBT, 807 00:46:22,133 --> 00:46:27,133 AND SHE'S LIKE ALL THE REST THE BIRDS YOU'VE-- [CLEARS THROAT] 808 00:46:27,200 --> 00:46:29,230 WELL, I KNOW WHAT'S WRONG WITH THIS HOUSE. 809 00:46:29,300 --> 00:46:32,670 IT NEEDS SOME LOVE PUMPING INTO IT. 810 00:46:32,734 --> 00:46:34,034 WHAT THIS HOUSE NEEDS 811 00:46:34,100 --> 00:46:37,200 IS A HEAVY LEAD BALL CRASHING AGAINST THE WALLS. 812 00:46:37,267 --> 00:46:39,927 YEAH, AND WHERE'S MUM, TOM? WHERE'S MUM? 813 00:46:40,000 --> 00:46:41,630 SHE'S STANDING UP THERE. YEAH. 814 00:46:41,701 --> 00:46:44,831 SHE SEES THE BALL. "STOP!" SHE SAYS. "STOP! THIS IS MY HOUSE!" 815 00:46:44,901 --> 00:46:46,831 YES, BUT THE BALL DOESN'T STOP. NO! 816 00:46:46,901 --> 00:46:48,431 BIFF! RIGHT ON HER HEAD! 817 00:46:48,501 --> 00:46:50,331 HER HEAD GOES DANCING DOWN THE STAIRS. 818 00:46:50,400 --> 00:46:53,770 AND SHE'S LEFT WITHOUT A HEAD, STANDING UP THERE. YEAH! 819 00:46:55,701 --> 00:46:57,501 HELLO, MY DEARS. 820 00:46:58,801 --> 00:47:02,731 WELL, 40 YEARS AGO, 821 00:47:02,801 --> 00:47:05,871 THE BEGINNING OF A WONDERFUL MARRIAGE. 822 00:47:05,934 --> 00:47:09,734 THIS IS THE DAY WE THINK ONLY OF KINDNESS AND LOVE, 823 00:47:09,801 --> 00:47:13,131 AND WE CAN BEST DO THAT BY THINKING OF YOUR FATHER. 824 00:47:20,234 --> 00:47:23,304 HIS LAST WORDS TO ME WERE-- 825 00:47:23,367 --> 00:47:27,167 AND THERE WERE TEARS IN HIS EYES WHEN HE SAID THEM-- 826 00:47:27,234 --> 00:47:29,434 "I DID TRY, MUM. 827 00:47:29,501 --> 00:47:30,771 I DID TRY." 828 00:47:30,834 --> 00:47:33,404 AND THEN HE LOOKED UP AT THE CEILING, 829 00:47:33,467 --> 00:47:35,967 SIGHED, AND SAID HOARSELY BUT CLEARLY, 830 00:47:36,033 --> 00:47:38,103 "NOW, I CAN GET A BIT OF BLOODY PEACE." 831 00:47:38,167 --> 00:47:40,727 DON'T TALK LIKE THAT IN FRONT OF YOUR FATHER. 832 00:47:40,801 --> 00:47:43,531 IF YOU TWO ARE STARTING, I'M GOING. 833 00:47:43,601 --> 00:47:45,201 SIT DOWN. 834 00:47:46,634 --> 00:47:49,134 THIS IS MY DAY, ISN'T IT, LOVE? 835 00:47:49,200 --> 00:47:51,370 I'M NOT YOUR LOVE. 836 00:47:51,434 --> 00:47:53,034 YES, YOU ARE. 837 00:47:53,100 --> 00:47:54,530 YOU BELONG TO ME. 838 00:47:54,601 --> 00:47:57,731 IF I COULD STUFF YOU, 839 00:47:57,801 --> 00:47:59,831 I'D PUT YOU IN THAT CABINET THERE, 840 00:47:59,901 --> 00:48:02,871 ALONG WITH MY OTHER BEAUTIFUL POSSESSIONS. 841 00:48:02,934 --> 00:48:05,604 AND THAT'S LOVE. IS IT? 842 00:48:07,200 --> 00:48:11,170 NONE OF US CAN WAIT TO GET CLEAR OF YOU. 843 00:48:11,234 --> 00:48:14,174 HENRY'S ALREADY GONE. HE WENT THE QUICK WAY: 'ROUND THE BEND. 844 00:48:14,234 --> 00:48:15,774 TERRY THERE, HE'S OFF TO CANADA. 845 00:48:15,834 --> 00:48:18,774 HE'S NOT GOING. [KAREN] HE IS. 846 00:48:18,834 --> 00:48:22,474 HE PROMISED FAITHFULLY HE WOULDN'T. 847 00:48:22,534 --> 00:48:25,004 WHEN DID I DO THAT, MUM? YOU DIDN'T, TERRY. 848 00:48:25,067 --> 00:48:26,427 TAKE NO NOTICE OF HER. 849 00:48:26,501 --> 00:48:29,701 BUT YOU'RE GOING TO TAKE NOTICE, AREN'T YOU, DEAR? 850 00:48:29,767 --> 00:48:32,127 NO. I DON'T THINK SO, MUM. 851 00:48:32,200 --> 00:48:34,270 I THINK SO... 852 00:48:34,334 --> 00:48:37,634 'CAUSE WE HAVE A LITTLE SECRET, HAVEN'T WE? 853 00:48:37,701 --> 00:48:39,971 AND WE WOULDN'T WANT IT TO COME OUT, WOULD WE? 854 00:48:40,067 --> 00:48:41,867 NOT IN FRONT OF KAREN. 855 00:48:41,934 --> 00:48:44,834 SHE'D NEVER TRUST YOU AGAIN. LEAVE IT ALONE, MUM. 856 00:48:44,901 --> 00:48:47,671 ONLY IF YOU SAY YOU'RE NOT GOING TO CANADA. 857 00:48:47,734 --> 00:48:52,034 STOP IT, MUM. WHAT ABOUT THE MONEY, THEN? 858 00:48:52,100 --> 00:48:56,500 THE 5,000 QUID? �1,000 IN FIVERS, 859 00:48:56,567 --> 00:48:59,127 EVERY TIME YOU TELL ME KAREN IS PREGNANT. 860 00:49:02,167 --> 00:49:04,567 YOU SWORE YOU'D NEVER LET ON ABOUT IT. 861 00:49:04,634 --> 00:49:08,234 SHE GIVES YOU 1,000 QUID EVERY TIME KAREN'S GOT A BUN IN THE OVEN? 862 00:49:08,300 --> 00:49:12,730 I MAKE ONLY ONE CONDITION-- TERRY IS THE FATHER. 863 00:49:12,801 --> 00:49:16,501 WELL, YOU KEPT QUIET ABOUT THIS ONE, THEN, DIDN'T YOU? [INAUDIBLE DIALOGUE] 864 00:49:17,634 --> 00:49:18,734 YEAH, BUT WHY? 865 00:49:18,801 --> 00:49:20,831 TO SAVE THE MARRIAGE. 866 00:49:20,901 --> 00:49:23,071 A HOUSE FULL OF CHILDREN, A PREGNANT WIFE, 867 00:49:23,133 --> 00:49:24,733 HE NEEDS AN OUTLET. 868 00:49:24,801 --> 00:49:27,931 CARDS, ROULETTE, DOGS, HORSES-- 869 00:49:28,000 --> 00:49:30,100 THAT TAKES MONEY. CODSWALLOP! 870 00:49:30,167 --> 00:49:34,897 YOU'RE RIGHT, TOM. IT IS CODSWALLOP. 871 00:49:34,968 --> 00:49:37,498 WHEN MY MOTHER HEARD 872 00:49:37,567 --> 00:49:39,797 THAT MY SECOND BABY WAS ON THE WAY, 873 00:49:39,868 --> 00:49:41,628 SHE STARTED ON AT ME 874 00:49:41,701 --> 00:49:45,231 ABOUT NOT ALLOWING A DECENT INTERVAL IN-BETWEEN. 875 00:49:45,300 --> 00:49:47,830 SHE STARTED GOING ON ABOUT MY HEART. 876 00:49:47,901 --> 00:49:50,571 YOU'VE GOT A DICKEY HEART? NO. 877 00:49:50,634 --> 00:49:53,134 BESIDES, KIDS COME OUT OF ME LIKE BULLETS, 878 00:49:53,200 --> 00:49:56,430 BUT YOU KNOW MOTHERS. I WAS SUPPOSED TO HAVE HAD PLEURISY WHEN I WAS A KID. 879 00:49:56,501 --> 00:49:59,431 EVER SINCE THEN, SHE'S MAINTAINED I'M DELICATE. 880 00:49:59,501 --> 00:50:01,271 [CHORTLES] ME, DELICATE. 881 00:50:02,534 --> 00:50:04,734 WELL, MY MOTHER 882 00:50:04,801 --> 00:50:08,001 HAD A QUIET WORD WITH TERRY'S MUM 883 00:50:08,067 --> 00:50:09,967 ABOUT MY POOR OLD HEART, 884 00:50:10,033 --> 00:50:12,803 AND WHAT DID TERRY'S MUM DO ABOUT IT? 885 00:50:12,868 --> 00:50:17,168 SHE GAVE TERRY 1,000 QUID AND SAID, 886 00:50:17,234 --> 00:50:21,874 "HOW QUICKLY CAN YOU GET THE NEXT ONE ON THE WAY?" 887 00:50:21,934 --> 00:50:25,504 FOR YEARS, SHE'S BEEN WAITING FOR ME TO DROP DOWN DEAD. 888 00:50:25,567 --> 00:50:28,597 SHE THOUGHT SHE WAS GONNA COMMIT THE PERFECT MURDER, 889 00:50:28,667 --> 00:50:31,967 BUT ALL SHE'S BEEN DOING 890 00:50:32,033 --> 00:50:36,633 IS PAYING US TO HAVE KIDS THAT WE WANTED ANYWAY! 891 00:50:38,067 --> 00:50:39,467 BUT WHERE'S THE MONEY NOW? 892 00:50:39,534 --> 00:50:42,334 I'VE GOT IT STOWED AWAY. 893 00:50:42,400 --> 00:50:44,670 CANADA, HERE WE COME! 894 00:50:46,400 --> 00:50:50,100 YOU TRY HIDING A WAD OF FIVERS AWAY FROM YOUR WIFE, MUM. 895 00:50:50,167 --> 00:50:53,067 IT CAN'T BE DONE. BUT YOU HAVEN'T HEARD THE LAST OF IT, TOMMY. 896 00:50:53,133 --> 00:50:57,673 SHE GAVE TERRY 1,000 QUID BECAUSE OF THE LATEST ONE THAT'S ON THE WAY, 897 00:50:57,734 --> 00:51:00,404 ONLY THERE ISN'T ONE! 898 00:51:04,467 --> 00:51:06,627 THERE ISN'T ONE? NO. I'M NOT PREGNANT, LOVE. 899 00:51:10,067 --> 00:51:13,527 I THOUGHT SHE WAS, MUM. IT'S WHAT SHE TOLD ME. 900 00:51:13,601 --> 00:51:16,401 WELL, WE NEEDED THAT EXTRA 1,000. 901 00:51:16,467 --> 00:51:20,467 WELL, YOU BOOBED BRINGING THIS ONE OUT IN THE OPEN, DIDN'T YOU, DARLING? 902 00:51:31,567 --> 00:51:34,327 CLOBBERED INTO SILENCE, AT LAST. 903 00:51:34,400 --> 00:51:37,170 NO. SHE'S UP TO SOMETHING. 904 00:51:39,434 --> 00:51:42,604 [DOOR OPENS] 905 00:51:42,667 --> 00:51:44,097 CLOSE THE DOOR. 906 00:51:44,167 --> 00:51:46,567 I DON'T WANT TO LOSE THE HEAT. 907 00:51:51,300 --> 00:51:54,370 I DISLIKE DOING IT, CHILDREN, 908 00:51:54,434 --> 00:51:57,334 BUT I DON'T SEE ANY WAY OUT. 909 00:51:57,400 --> 00:51:58,570 DOING WHAT? 910 00:51:58,634 --> 00:52:01,804 HAND HENRY OVER TO THE POLICE. 911 00:52:03,234 --> 00:52:05,904 HAND HENRY OVER TO THE POLICE? 912 00:52:05,968 --> 00:52:08,828 I CAN'T POSSIBLY 913 00:52:08,901 --> 00:52:11,301 COPE WITH HIM ON MY OWN. 914 00:52:11,367 --> 00:52:16,097 YEAH, BUT-- BUT YOU CAN'T DO THAT TO HIM, MUM. 915 00:52:16,167 --> 00:52:18,067 HE'S GETTING WORSE. 916 00:52:18,133 --> 00:52:20,733 I CAN'T GET INSIDE HIS ROOM FOR UNDIES. 917 00:52:20,801 --> 00:52:24,671 HE HAS TO BE WATCHED MORNING, NOON, AND NIGHT. 918 00:52:24,734 --> 00:52:28,004 WITHOUT YOU, I JUST HAVEN'T GOT THE TIME. 919 00:52:28,067 --> 00:52:32,397 SO LET HIM GO FOR TREATMENT OR SOMETHING. HE'LL GET TREATMENT IN PRISON. 920 00:52:32,467 --> 00:52:35,027 I'M SORRY... 921 00:52:35,100 --> 00:52:38,800 BUT I CAN'T THINK OF ANY ALTERNATIVE. 922 00:52:38,868 --> 00:52:41,528 UNLESS TERRY STAYS. 923 00:52:41,601 --> 00:52:43,831 UNLESS, AS YOU SAID, 924 00:52:43,901 --> 00:52:45,871 TERRY STAYS. [CLICKS OFF LIGHT] 925 00:52:49,300 --> 00:52:51,500 YEAH, BUT-BUT THAT'S BLACKMAIL. 926 00:52:51,567 --> 00:52:54,197 SHE'D NEVER DO IT, NOT TO HENRY. 927 00:52:54,267 --> 00:52:55,697 [TOM] YOU WANNA BET? 928 00:53:02,601 --> 00:53:04,231 MUM, YOU WOULDN'T SEND HENRY TO PRISON. 929 00:53:04,300 --> 00:53:07,570 ONLY ON HUMANITARIAN GROUNDS, DEAR. 930 00:53:07,634 --> 00:53:09,604 MY ELDEST NEEDS HELP. 931 00:53:09,667 --> 00:53:13,327 WHAT KIND OF A MOTHER WOULD I BE IF I DIDN'T GIVE IT TO HIM? 932 00:53:13,400 --> 00:53:17,700 THAT'S JUST THE KIND OF HELP YOU WOULD GIVE. SLING SOMEONE IN THE NICK FOR SIX MONTHS. 933 00:53:17,767 --> 00:53:21,227 I'M NOT "SLINGING HIM IN THE NICK," 934 00:53:21,300 --> 00:53:23,030 AS YOU PUT IT, TERRY IS. 935 00:53:25,067 --> 00:53:30,567 DARLING, COULD YOU TURN YOUR BACK ON YOUR BIG BROTHER? 936 00:53:30,634 --> 00:53:35,234 HE WAS THE ONE WHO GRABBED YOU OUT OF THE POND WHEN YOU WERE FOUR YEARS OLD. 937 00:53:35,300 --> 00:53:38,570 HE WAS THE ONE WHO LET YOU PLAY WITH HIS CLOCKWORK TRAIN. 938 00:53:38,634 --> 00:53:41,074 HE WAS THE ONE WHO WENT OUT ONE MORNING 939 00:53:41,133 --> 00:53:44,803 AND BOUGHT 72 MARBLES AND GAVE THEM ALL TO YOU. 940 00:53:44,868 --> 00:53:49,328 HE WAS THE ONE WHO TOOK YOUR CHAIR AWAY THAT TIME AND NEARLY BROKE YOUR BACK. 941 00:53:49,400 --> 00:53:54,300 HE NEVER DID. HENRY'S NEVER DONE ANYTHING ROTTEN TO ME IN HIS LIFE. 942 00:53:54,367 --> 00:53:56,397 I KNOW HE HASN'T, IDIOT. 943 00:53:56,467 --> 00:53:58,797 IT'S JUST THAT I FIND MUM'S SENTIMENTAL RUBBISH NAUSEATING. 944 00:53:58,868 --> 00:54:02,628 I KNOW ALL THAT, BUT I STILL DON'T WANT HENRY TO LAND UP IN THE NICK! 945 00:54:02,701 --> 00:54:05,401 [KAREN] I THINK MUM'S RIGHT. 946 00:54:05,467 --> 00:54:06,997 HENRY SHOULD BE LOCKED UP. 947 00:54:07,067 --> 00:54:08,827 IT'S FOR HIS OWN GOOD. 948 00:54:08,901 --> 00:54:10,031 IT'S HUMANITARIAN. 949 00:54:10,100 --> 00:54:12,600 MY GOD, SHE'S QUICK! 950 00:54:12,667 --> 00:54:15,367 NOTICE HOW SHE'S PINCHED MY ARGUMENT. 951 00:54:17,234 --> 00:54:19,634 WELL, IT WON'T WASH, DEAR. 952 00:54:19,701 --> 00:54:22,431 IF YOU'RE REALLY A HUMANITARIAN, 953 00:54:22,501 --> 00:54:25,871 YOU'LL SEE TO IT THAT HENRY DOES NOT GO TO JAIL. 954 00:54:25,934 --> 00:54:29,504 I DON'T THINK HE OUGHT TO GO TO JAIL, EITHER. YOU DON'T? 955 00:54:29,567 --> 00:54:31,467 NO, I DON'T. 956 00:54:31,534 --> 00:54:34,334 EDUCATION IS A WONDERFUL THING, KAREN. 957 00:54:34,400 --> 00:54:36,070 WE HAVE AN EDUCATED WOMAN HERE. 958 00:54:36,133 --> 00:54:38,533 SHE SAYS HENRY SHOULD NOT GO TO JAIL. 959 00:54:38,601 --> 00:54:41,871 WE CAN'T ARGUE WITH AN EDUCATED WOMAN, CAN WE? 960 00:54:41,934 --> 00:54:44,674 HE'D ONLY BE RIDICULED IN PRISON, WOULDN'T HE? 961 00:54:44,734 --> 00:54:47,704 NO ONE WANTS HIM RIDICULED, SURELY. 962 00:54:47,767 --> 00:54:50,427 WELL, LET'S ASK THEM, MY DEAR. TERRY? 963 00:54:50,501 --> 00:54:54,171 DO YOU WANT HENRY RIDICULED? [SHIRLEY] IT WOULDN'T HELP HIS ILLNESS. 964 00:54:54,234 --> 00:54:57,504 HE'D ONLY COME OUT, DO IT AGAIN, AND BE GIVEN A LONGER SENTENCE. 965 00:54:57,567 --> 00:55:01,097 THEN ONE DAY HE'D GO IN AND NEVER COME OUT AT ALL, 966 00:55:01,167 --> 00:55:04,397 JUST BECAUSE OF TERRY'S SELFISHNESS. 967 00:55:04,467 --> 00:55:07,867 OH, I THINK TERRY SHOULD GO TO CANADA. 968 00:55:09,868 --> 00:55:12,398 YOU DO? YES. DEFINITELY. 969 00:55:12,467 --> 00:55:16,497 YOU'RE A BIT OF A CRETIN ON THE QUIET, AREN'T YOU? 970 00:55:17,968 --> 00:55:19,868 I THOUGHT SHE WAS AN EDUCATED WOMAN! 971 00:55:19,934 --> 00:55:23,574 ONLY A FACADE, OBVIOUSLY. 972 00:55:23,634 --> 00:55:25,474 LET'S TAKE A CLOSER LOOK. 973 00:55:26,934 --> 00:55:30,004 WHAT ELSE IS FALSE ABOUT YOU, MY DEAR? 974 00:55:31,434 --> 00:55:33,004 NOT YOUR LASHES... 975 00:55:35,434 --> 00:55:37,634 NOT YOUR NAILS... 976 00:55:39,234 --> 00:55:41,834 YOU'RE NOT WEARING A WIG, ARE YOU? 977 00:55:44,200 --> 00:55:48,670 WHY ARE YOU HIDING YOUR EARS? LET ME SEE YOUR EARS. NO. 978 00:55:48,734 --> 00:55:50,504 LET ME SEE THEM. 979 00:55:55,334 --> 00:55:58,574 HA! HAVE YOU EVER SEEN EARS LIKE THAT, KAREN? 980 00:56:00,501 --> 00:56:03,401 COME AND LOOK. THEY'RE BOXER'S EARS, ALL MOTTLED. 981 00:56:03,467 --> 00:56:06,167 SHUT HER UP, TOM...PLEASE? 982 00:56:06,234 --> 00:56:10,304 WAVE GOODBYE, TOM. SHE'S FOUND HER WEAK SPOT. 983 00:56:10,367 --> 00:56:12,897 I'M MARRYING HER, MUM. 984 00:56:12,968 --> 00:56:15,228 HAVE YOU SEEN HER EARS? 985 00:56:15,300 --> 00:56:17,330 THEY'RE REPULSIVE. 986 00:56:17,400 --> 00:56:20,570 AREN'T THEY REPULSIVE, MY DEAR? 987 00:56:20,634 --> 00:56:22,474 YES. YOU SEE? SHE AGREES WITH ME. 988 00:56:22,534 --> 00:56:24,834 [TOM] BECAUSE SHE'S GOT A THING ABOUT THEM, THAT'S ALL. 989 00:56:24,901 --> 00:56:27,831 I HAVE AN AVERSION TO ANYTHING THAT'S REPULSIVE. 990 00:56:27,901 --> 00:56:29,801 COULD YOU LIVE WITH THOSE EARS? 991 00:56:29,868 --> 00:56:32,468 OH, COME ON. LEAVE HER ALONE. 992 00:56:32,534 --> 00:56:33,934 SHE CAN'T HELP HER EARS. 993 00:56:34,000 --> 00:56:35,730 THERE'S NOTHING WRONG WITH HER EARS! 994 00:56:38,901 --> 00:56:41,971 DO THEY LET IN MUCH OF A DRAFT, MY DEAR? 995 00:56:43,267 --> 00:56:44,527 COME, CHILDREN. 996 00:56:44,601 --> 00:56:46,701 THE TOAST. 997 00:56:48,601 --> 00:56:51,071 LET US NOT FORGET YOUR FATHER. 998 00:56:53,667 --> 00:56:55,967 I EXPECT HE'S LISTENING IN. 999 00:56:56,868 --> 00:56:58,028 OH, DAD... 1000 00:56:58,100 --> 00:57:02,030 WHY'D YOU LEAVE ME WITH ALL THIS RESPONSIBILITY? 1001 00:57:02,100 --> 00:57:06,730 WOULD YOU FORGIVE ME IF I GAVE IT ALL UP AND RETIRED... 1002 00:57:06,801 --> 00:57:09,731 MAYBE TO CANADA? [POP] 1003 00:57:11,701 --> 00:57:13,701 IF YOU'RE HERE, DAD, GIVE US A SIGN. 1004 00:57:13,767 --> 00:57:16,427 CAREFUL. HE MIGHT HAVE THE HOUSE DOWN ON TOP OF US. 1005 00:57:16,501 --> 00:57:20,101 DO SOMETHING USEFUL, DAD. GET THE GOVERNOR TO TURN HER INTO A PILLAR OF SALT. 1006 00:57:21,834 --> 00:57:24,804 I'M SURE YOUR FATHER IS THINKING, 1007 00:57:24,868 --> 00:57:26,528 "THEY HAVEN'T CHANGED, HAVE THEY? 1008 00:57:26,601 --> 00:57:31,201 THERE'S MUM, IN THE MIDST OF ALL THIS TREACHERY... 1009 00:57:31,267 --> 00:57:33,667 STILL LOVING. 1010 00:57:33,734 --> 00:57:35,304 ALWAYS LOVING. 1011 00:57:37,367 --> 00:57:40,567 AH, WHOSE IS THAT NEW FACE I SEE? 1012 00:57:40,634 --> 00:57:42,074 MUST BE A GIRLFRIEND OF TOMMY'S. 1013 00:57:42,133 --> 00:57:45,103 STRANGE WHAT MEN FIND ATTRACTIVE." MUM... 1014 00:57:45,167 --> 00:57:49,427 I WAS JUST TELLING YOU WHAT YOUR FATHER WAS SAYING. HE'S DEAD. 1015 00:57:49,501 --> 00:57:52,401 HE STILL HAS A RIGHT TO BE HEARD. 1016 00:57:52,467 --> 00:57:53,767 WELL... 1017 00:57:55,067 --> 00:57:58,727 HERE WE ARE, DAD, PAYING OUR RESPECTS TO YOU, 1018 00:57:58,801 --> 00:58:02,301 THE SAME AS LAST YEAR, THE SAME AS IT WILL BE NEXT YEAR. 1019 00:58:03,434 --> 00:58:05,134 YOU ARE OUR FATHER, 1020 00:58:05,200 --> 00:58:06,970 THE ROCK UPON WHICH WE STAND. 1021 00:58:07,067 --> 00:58:09,867 NO ONE WILL EVER LEAVE. 1022 00:58:09,934 --> 00:58:11,734 THEY ARE OUR CHILDREN 1023 00:58:11,801 --> 00:58:16,401 AND HAVE IT NOT IN THEIR HEARTS TO DESTROY US, 1024 00:58:16,467 --> 00:58:19,927 BECAUSE IT IS US WHO WILL BE MORTALLY WOUNDED 1025 00:58:20,000 --> 00:58:23,100 AND THE PAIN, THE AWFUL PAIN, 1026 00:58:23,167 --> 00:58:27,027 WILL BE SUCH AS NO PERSON HAS EVER BORNE BEFORE. 1027 00:58:27,100 --> 00:58:28,500 THAT'S IT. I'VE HAD IT. 1028 00:58:28,567 --> 00:58:29,897 TO DAD. 1029 00:58:31,534 --> 00:58:33,374 [TOM, TERRY] TO DAD. 1030 00:58:33,434 --> 00:58:34,374 DAD. 1031 00:58:38,868 --> 00:58:41,198 * ROCK OF AGES * 1032 00:58:41,267 --> 00:58:43,667 * CLEFT FOR ME * 1033 00:58:43,734 --> 00:58:46,804 * LET ME HIDE MYSELF IN THEE * 1034 00:58:46,868 --> 00:58:51,428 * LET THE LA DEE AND THE BLOOD * 1035 00:58:51,501 --> 00:58:55,531 * FROM THE DEE DAH AND, UH, FLOWED * 1036 00:58:55,601 --> 00:58:57,801 * ROCK OF AGES * 1037 00:58:57,868 --> 00:58:59,468 * CLEFT FOR ME * 1038 00:58:59,534 --> 00:59:01,804 * LET ME HIDE 1039 00:59:01,868 --> 00:59:04,628 * MYSELF IN THEE * 1040 00:59:06,534 --> 00:59:10,204 THAT WAS MY HUSBAND'S FAVORITE HYMN, SHIRLEY. 1041 00:59:10,267 --> 00:59:13,127 HE KNEW ALL THE WORDS, TOO. 1042 00:59:13,200 --> 00:59:16,570 WELL, I'VE DONE MY SOLO BIT. 1043 00:59:16,634 --> 00:59:18,774 IT'S YOUR TURN, TERRY. 1044 00:59:18,834 --> 00:59:20,804 HEY, HEY. COME ON, MAESTRO. 1045 00:59:20,868 --> 00:59:23,398 COME ON, LOVE. GET IT OVER WITH. 1046 00:59:43,567 --> 00:59:45,197 ** [F�R ELISE] 1047 00:59:54,467 --> 00:59:57,367 [CHANGES TUNES] 1048 01:00:20,067 --> 01:00:23,027 [PLAYS F�R ELISE OFF-KEY] 1049 01:00:31,801 --> 01:00:34,871 YOU WEREN'T EXPECTING THAT, WERE YOU, SHIRLEY? 1050 01:00:34,934 --> 01:00:38,734 THAT'S WHY I KEEP THE PIANO, IN THE HOPES THAT TERRY WILL TAKE IT UP AGAIN. 1051 01:00:38,801 --> 01:00:41,071 TAKE IT UP AGAIN, TERRY. 1052 01:00:41,133 --> 01:00:42,903 YOU OWE IT TO CULTURE. 1053 01:00:48,334 --> 01:00:52,434 [MRS. TAGGART] NOW, WHAT YOU GOING TO DO FOR US, LITTLE TOMMY TUCKER? 1054 01:00:52,501 --> 01:00:55,201 I'M GOING TO RECITE A POEM. 1055 01:00:55,267 --> 01:00:57,967 WE WON'T FIND IT IN THE GOLDEN TREASURY, WILL WE? 1056 01:01:01,934 --> 01:01:05,504 "THERE WAS A YOUNG LADY OF BOW WHO SLEPT WITH 10 MEN IN A ROW, 1057 01:01:05,567 --> 01:01:07,797 'BECAUSE,' AS SHE SAID, 'WHEN I GET INTO BED, 1058 01:01:07,868 --> 01:01:10,428 I FORGET WHAT THE WORD IS FOR NO.'" 1059 01:01:10,501 --> 01:01:14,301 VERY GOOD, VERY RIBALD. 1060 01:01:14,367 --> 01:01:16,227 FETCH ME SOME CHAMPAGNE. 1061 01:01:17,534 --> 01:01:20,074 NOW, IT'S YOUR TURN, SHIRLEY. 1062 01:01:20,133 --> 01:01:22,273 ME? YES. 1063 01:01:22,334 --> 01:01:24,934 NO. I'D BE TOO EMBARRASSED. 1064 01:01:25,000 --> 01:01:27,000 [MRS. TAGGART] I WANT YOU TO ENTERTAIN ME. 1065 01:01:27,067 --> 01:01:29,597 GET UP AND DO SOMETHING. 1066 01:01:29,667 --> 01:01:31,997 YOU CAN'T MAKE ME DO A THING. 1067 01:01:32,067 --> 01:01:34,527 I CAN STOP YOU FROM MARRYING HIM. 1068 01:01:34,601 --> 01:01:38,931 NO, YOU CAN'T, BECAUSE I SHAN'T BE LIKE KAREN. 1069 01:01:39,000 --> 01:01:40,770 I DON'T NEED ANYTHING FROM YOU. 1070 01:01:40,834 --> 01:01:45,004 YOU'LL NEED A SEDATIVE WHEN I TELL YOU TOMMY'S ALREADY MARRIED. 1071 01:01:45,067 --> 01:01:48,727 THAT'S NOT TRUE, SHIRLEY. 1072 01:01:48,801 --> 01:01:52,631 WELL, AT LEAST IT SHUT HER UP. GAVE US A BIT OF RESPITE. 1073 01:01:52,701 --> 01:01:56,601 PERSONALLY, I PREFERRED LAST YEAR'S EXHIBIT. 1074 01:01:56,667 --> 01:01:58,897 WHAT WAS HER NAME? HEATHER. 1075 01:01:58,968 --> 01:02:03,298 SO THERE WAS A GIRL HERE LAST YEAR. 1076 01:02:03,367 --> 01:02:04,867 YES, THERE WAS, SHIRLEY. 1077 01:02:04,934 --> 01:02:07,604 YOU DIDN'T THINK YOU WERE THE FIRST, DID YOU? 1078 01:02:07,667 --> 01:02:09,897 YOU'RE THE THIRD-- AND ALWAYS ON THIS DAY. 1079 01:02:09,968 --> 01:02:12,668 I WONDER WHO IT WILL BE NEXT YEAR. 1080 01:02:12,734 --> 01:02:15,904 YOU'VE BEEN ENGAGED TWICE BEFORE? 1081 01:02:15,968 --> 01:02:19,628 SHE WAS ALWAYS ABLE TO BREAK THEM INTO LITTLE PIECES. 1082 01:02:19,701 --> 01:02:23,931 SHE THINKS SHE CAN DO THE SAME WITH ANYONE I BRING HERE. WHY DIDN'T YOU TELL ME? 1083 01:02:24,000 --> 01:02:28,470 I HAD TO SEE IF SHE COULD BREAK YOU, TOO. AS I SAID, YOU'RE NOT THE FIRST. 1084 01:02:28,534 --> 01:02:31,704 BUT I'M GOING TO BE THE LAST. 1085 01:02:31,767 --> 01:02:34,967 EVEN IF I TELL YOU TOMMY GETS ENGAGED EACH YEAR 1086 01:02:35,033 --> 01:02:37,603 TO SPIT IN MY EYE? 1087 01:02:37,667 --> 01:02:39,927 I'D SPIT IN THE OTHER ONE IF YOU HAD IT. 1088 01:02:40,000 --> 01:02:44,100 I DON'T KNOW WHY THEY DON'T CALL YOU OLD ONE-EYE! SHUT HER UP, TOM! 1089 01:02:46,467 --> 01:02:51,067 I'M ONLY GIVING HER WHAT SHE GAVE ME! STUPID LITTLE BITCH. 1090 01:02:51,133 --> 01:02:55,533 SHH. YES. YOU SHOULDN'T HAVE BROUGHT THAT UP, MY DEAR. 1091 01:02:58,734 --> 01:02:59,674 WHY? 1092 01:03:03,767 --> 01:03:06,297 YOU'RE RIGHT, OF COURSE. I HAVE ONLY ONE EYE. 1093 01:03:06,367 --> 01:03:08,927 MUM, PLEASE. 1094 01:03:09,000 --> 01:03:11,600 ONE, HOT DAY IN AUGUST WHEN TERRY WAS A LITTLE BOY, 1095 01:03:11,667 --> 01:03:15,527 HE CREPT INTO HENRY'S BEDROOM AND TOOK HENRY'S AIR PISTOL. 1096 01:03:15,601 --> 01:03:19,801 HE RAN UP TO ME IN THE GARDEN. HE WAS SO EXCITED. 1097 01:03:19,868 --> 01:03:22,168 AND AS HE PRESSED THE TRIGGER 1098 01:03:22,234 --> 01:03:24,904 WITH BOTH OF HIS LITTLE HANDS, HE SHOUTED, 1099 01:03:24,968 --> 01:03:27,128 "BANG! YOU'RE DEAD, MUMMY." 1100 01:03:29,167 --> 01:03:31,597 AND HE LAUGHED AND LAUGHED, 1101 01:03:31,667 --> 01:03:33,727 UNTIL HE SAW THE BLOOD SPURTING OUT. 1102 01:03:35,701 --> 01:03:38,171 HE HAD NIGHTMARES FOR TWO YEARS. 1103 01:03:38,234 --> 01:03:41,734 HE'S NEVER LOOKED ME IN THE FACE SINCE. 1104 01:03:42,901 --> 01:03:43,831 SO... 1105 01:03:43,901 --> 01:03:47,231 INSTEAD OF BEING CRUEL TO ME, MY DEAR, 1106 01:03:47,300 --> 01:03:49,230 YOU'RE BEING CRUEL TO TERRY, 1107 01:03:49,300 --> 01:03:51,970 BY REMINDING HIM OF THAT HOT DAY IN AUGUST 1108 01:03:52,033 --> 01:03:54,703 WHEN HE STUNG THE LIFE OUT OF HIS MUMMY'S EYE. 1109 01:03:56,868 --> 01:03:58,868 BUT MUMMY FORGAVE, DIDN'T SHE, DARLING? 1110 01:03:58,934 --> 01:04:00,934 YOU'VE NEVER FORGIVEN. 1111 01:04:01,000 --> 01:04:03,670 WELL, I CAN'T EXACTLY STOP LOOKING AT HIM. 1112 01:04:03,734 --> 01:04:07,004 IT WAS NOBODY'S FAULT. IT WAS AN ACCIDENT. 1113 01:04:07,067 --> 01:04:11,467 TERRY DOESN'T THINK SO. AS FAR AS HE KNOWS, HE BLINDED HIS MOTHER IN ONE EYE. 1114 01:04:11,534 --> 01:04:13,374 AND HOW IS HE REPAYING HER? 1115 01:04:13,434 --> 01:04:16,674 BY GOING OFF TO CANADA AND SHOOTING OUT THE OTHER. 1116 01:04:16,734 --> 01:04:20,034 WHY DIDN'T YOU WARN THE LITTLE FOOL ABOUT IT? IT-- 1117 01:04:20,100 --> 01:04:22,870 I'VE DONE NOTHING I'M ASHAMED OF. 1118 01:04:22,934 --> 01:04:25,204 I'M NOT HAVING HER DICTATE TO ME! 1119 01:04:25,267 --> 01:04:28,267 WHY? WHAT'S SO SPECIAL ABOUT YOU? 1120 01:04:28,334 --> 01:04:32,304 I WANTED TO RAM IT HOME TO HER THAT I'M NO CLAY PIGEON FOR A SHOOTOUT 1121 01:04:32,367 --> 01:04:34,127 WHENEVER IT TAKES HER FANCY! 1122 01:04:34,200 --> 01:04:38,500 AND WHILE WE'RE ABOUT IT, WE MIGHT AS WELL GET MORE FACTS SORTED OUT. 1123 01:04:38,567 --> 01:04:40,167 FROM NOW ON, 1124 01:04:40,234 --> 01:04:42,204 I COME FIRST WHERE TOM'S CONCERNED. 1125 01:04:42,267 --> 01:04:44,597 HE ANSWERS TO ME! 1126 01:04:44,667 --> 01:04:47,797 I'VE MADE UP MY MIND WHERE WE'RE GOING TO LIVE AND IT'S NOT NEAR HERE! 1127 01:04:47,868 --> 01:04:52,368 AND I KNOW THE SORT OF JOB HE'LL BE DOING. IT WON'T BE WORKING FOR YOU. 1128 01:04:52,434 --> 01:04:56,634 AND I KNOW HOW MANY KIDS I'M GONNA HAVE, AND I'LL TELL YOU THIS. 1129 01:04:56,701 --> 01:05:00,431 NOT ONE OF THOSE KIDS WILL BE SEEING ANYTHING OF OLD ONE-EYE! 1130 01:05:00,501 --> 01:05:05,101 AND I'M STAYING THE WEEKEND, BECAUSE I'M NOT TO BE GOT RID OF! 1131 01:05:05,167 --> 01:05:06,767 WHAT DO YOU SAY TO THAT? 1132 01:05:06,834 --> 01:05:10,304 NOTHING, MY DEAR. 1133 01:05:10,367 --> 01:05:14,467 YOU'VE FOUND SOMEONE WHO CAN STAND UP TO YOU, AND YOU DON'T LIKE IT, DO YOU? 1134 01:05:14,534 --> 01:05:17,874 TOM AND I ARE GOING FOR A WALK AND WHEN WE COME BACK 1135 01:05:17,934 --> 01:05:20,734 I DON'T WANT TO HEAR ANY MORE TALK ABOUT THE WEDDING. 1136 01:05:20,801 --> 01:05:23,171 IT'S BEEN SETTLED. I'VESETTLED IT. 1137 01:05:23,234 --> 01:05:25,604 TOM AND I ARE GETTING MARRIED. 1138 01:05:25,667 --> 01:05:27,997 AND IF YOU START UP AGAIN, 1139 01:05:28,067 --> 01:05:29,127 I'LL-- 1140 01:05:30,400 --> 01:05:33,770 I'LL POKE OUT YOUR OTHER EYE! NOW, COME ON, TOM! 1141 01:05:37,567 --> 01:05:38,867 GO ON, TOM. 1142 01:05:40,567 --> 01:05:42,367 YES. 1143 01:05:42,434 --> 01:05:44,234 WELL... [SHIRLEY] TOM? 1144 01:05:50,434 --> 01:05:51,704 [SHIRLEY] TOM! 1145 01:05:53,934 --> 01:05:56,704 AND JUST YOU REMEMBER WHAT SHE SAID. 1146 01:06:02,601 --> 01:06:05,731 [WHISTLES A DOG CALL] 1147 01:06:13,667 --> 01:06:15,127 WELL... 1148 01:06:15,200 --> 01:06:18,200 NOW LET'S LIGHT THE BONFIRE. 1149 01:06:20,634 --> 01:06:23,134 COME, CHILDREN. 1150 01:06:23,200 --> 01:06:25,300 FIREWORKS TIME. 1151 01:07:28,734 --> 01:07:31,604 [VOICES FROM INSIDE HOUSE] 1152 01:07:36,467 --> 01:07:38,697 [MAN] HERE! THERE'S SOMEBODY AT YOUR WASHING. 1153 01:07:38,767 --> 01:07:40,527 SOMEBODY HAS STOLE SOME THINGS. 1154 01:07:40,601 --> 01:07:43,671 [WOMAN] GO ON, AFTER HIM. [GASPS] 1155 01:07:43,734 --> 01:07:47,804 [MAN] AFTER HIM? IN MY PAJAMAS? [WINDOW SLIDES OPEN] 1156 01:07:47,868 --> 01:07:50,068 [MAN] HERE, COME BACK, YOU THIEVING PERISHER! 1157 01:07:50,133 --> 01:07:52,073 FETCH THOSE THINGS BACK! 1158 01:07:52,133 --> 01:07:54,073 I'LL CALL THE POLICE! [TRASH CAN CRASHES] 1159 01:07:54,133 --> 01:07:57,603 [CAT SCREECHES, DOG BARKS] 1160 01:08:12,968 --> 01:08:14,568 [GASPS] 1161 01:08:37,100 --> 01:08:39,500 OH! 1162 01:08:45,133 --> 01:08:46,573 [WHIMPERS] 1163 01:09:10,000 --> 01:09:12,630 [TRAIN WHISTLE] 1164 01:10:16,100 --> 01:10:17,730 WHAT'S THE MATTER? 1165 01:10:17,801 --> 01:10:20,501 NOTHING. YES, THERE IS. WHAT IS IT? 1166 01:10:20,567 --> 01:10:23,597 YOU'RE EVEN BEGINNING TO LOOK LIKE MUM. 1167 01:10:25,133 --> 01:10:26,803 WHAT A TERRIBLE THING TO SAY. 1168 01:10:26,868 --> 01:10:30,798 IT'S BEEN WORRYING ME EVER SINCE YOU WENT FOR HER BACK THERE. 1169 01:10:30,868 --> 01:10:34,628 YOU TOOK OVER, DIDN'T LET ME GET A LOOK IN, YOU KEPT ME OUT. 1170 01:10:34,701 --> 01:10:37,071 I WANTED TO PROVE THAT I LOVE YOU. 1171 01:10:37,133 --> 01:10:40,133 THAT'S THE SORT OF REPLY I'D OF GOT FROM MUM. 1172 01:10:40,200 --> 01:10:43,000 WILL YOU STOP COMPARING ME WITH YOUR MUM? 1173 01:10:50,067 --> 01:10:51,627 I LOVE YOU. 1174 01:11:01,534 --> 01:11:04,374 WHATEVER YOU WANT TO DO, 1175 01:11:04,434 --> 01:11:06,234 IT'S ALL RIGHT WITH ME. 1176 01:11:08,033 --> 01:11:09,603 SUCH AS? 1177 01:11:15,400 --> 01:11:16,870 YOU'LL THINK OF SOMETHING. 1178 01:11:31,534 --> 01:11:32,934 WE COULD-- 1179 01:11:35,167 --> 01:11:38,127 YES, THAT'S IT. THE TWO OF US 1180 01:11:38,200 --> 01:11:40,370 WILL SPEND THE NIGHT IN MUM'S BED. 1181 01:11:45,601 --> 01:11:47,631 I-I DON'T THINK I'D ENJOY THAT, TOM. 1182 01:11:47,701 --> 01:11:50,671 YOU'RE THINKING OF YOURSELF AGAIN. NO. IT'S NOT THAT. 1183 01:11:53,133 --> 01:11:54,073 WELL, I-- 1184 01:11:54,133 --> 01:11:56,303 IT JUST WOULDN'T BE ANY GOOD. 1185 01:11:56,367 --> 01:11:59,767 IT DOESN'T MATTER. IT'S ENOUGH TO BE JUST LYING THERE, 1186 01:11:59,834 --> 01:12:01,904 HEARING HER THUMPING AWAY ON THE LOCKED DOOR, 1187 01:12:01,968 --> 01:12:04,428 AND SCREAMING THROUGH THE KEYHOLE. 1188 01:12:06,200 --> 01:12:07,970 LET'S GO BACK TO MY PLACE. 1189 01:12:09,801 --> 01:12:13,701 AND WHAT WOULD THE OTHERS THINK IF I LEFT NOW? I'D BE FINISHED IN THEIR EYES. 1190 01:12:13,767 --> 01:12:16,197 A HEN-PECKED WRITE-OFF. 1191 01:12:16,267 --> 01:12:19,697 NO. I CAN'T LEAVE UNTIL MUM'S BEATEN AND I'M BACK ON TOP AGAIN. 1192 01:12:19,767 --> 01:12:22,797 LISTEN, YOU DON'T KNOW WHAT YOU'RE ASKING, TOM. 1193 01:12:22,868 --> 01:12:24,228 I FEEL UNCLEAN. 1194 01:12:24,300 --> 01:12:26,670 YOU NEEDN'T. THE SHEETS ARE CHANGED ONCE A WEEK. 1195 01:12:26,734 --> 01:12:28,734 THAT WASN'T WHAT I MEANT. 1196 01:12:28,801 --> 01:12:30,601 THERE YOU GO AGAIN. 1197 01:12:32,033 --> 01:12:34,233 I'M NOT INTERESTED IN WHAT YOU MEAN. 1198 01:12:34,300 --> 01:12:37,330 IT'S WHAT I MEAN, I FEEL, I WANT! 1199 01:12:37,400 --> 01:12:40,000 SO MAKE UP YOUR MIND, LOVE. WHAT'S IT TO BE? 1200 01:13:20,400 --> 01:13:23,900 SORRY YOU MISSED THE FIREWORKS, DEAR. 1201 01:13:23,968 --> 01:13:25,868 WHAT'S THE MATTER? 1202 01:13:25,934 --> 01:13:27,934 YOU GET LOST IN AN UNDIE FACTORY? 1203 01:13:29,467 --> 01:13:32,497 OH, NO. IT WAS THE POLICE. 1204 01:13:32,567 --> 01:13:35,667 THEY NEARLY CAUGHT ME. 1205 01:13:35,734 --> 01:13:37,734 I'D GOT HOLD OF A GARMENT 1206 01:13:37,801 --> 01:13:40,071 AND WAS JUST PINNING THE 10-BOB NOTE TO THE CLOTHESLINE. 1207 01:13:40,133 --> 01:13:43,433 SOMEBODY STARTED SHOUTING, I'VE BEEN RUNNING EVER SINCE. 1208 01:13:43,501 --> 01:13:45,401 IT'S A GREAT PITY YOU WEREN'T CAUGHT. 1209 01:13:45,467 --> 01:13:47,997 A SCANDAL LIKE THAT MIGHT BRING YOU TO YOUR SENSES. 1210 01:13:48,067 --> 01:13:50,027 WHAT ABOUT THE CAR? 1211 01:13:51,901 --> 01:13:55,001 OH, MY GOD. FORGOT ABOUT THE CAR. 1212 01:13:55,067 --> 01:13:57,797 THE POLICE ARE SURE TO FIND IT. 1213 01:13:57,868 --> 01:14:02,068 AND IT'S GOT A SARI, SUSPENDER BELT AND A COUPLE OF PAIRS OF PANTIES ON THE FRONT SEAT! 1214 01:14:02,133 --> 01:14:05,603 GOOD. HEADLINES ACROSS THE FRONT PAGE WILL SERVE YOU RIGHT. 1215 01:14:05,667 --> 01:14:07,997 I'M SORRY BUT I'VE GOT NO SYMPATHY WITH YOU. 1216 01:14:08,067 --> 01:14:12,897 BUT IT'S NOT MY CAR, KAREN. I WAS STILL USING YOURS. 1217 01:14:12,968 --> 01:14:14,868 TERRY'S CAR? 1218 01:14:14,934 --> 01:14:17,904 THE--THE POLICE WILL THINK IT'S ME! 1219 01:14:17,968 --> 01:14:21,668 TALK YOUR WAY OUT OF THAT ONE, TERRY! BUT...MUM? 1220 01:14:25,834 --> 01:14:29,474 HENRY'S ROOM NEEDS A SPRING CLEANING. 1221 01:14:29,534 --> 01:14:32,374 MAKE SURE THE BONFIRE'S STILL BURNING, TOMMY. 1222 01:14:34,934 --> 01:14:36,574 [TERRY] MUM. 1223 01:14:36,634 --> 01:14:40,434 IF THE POLICE COME, YOU'LL TELL THEM, WON'T YOU? WHAT, DEAR? 1224 01:14:40,501 --> 01:14:43,971 THAT IT WASN'T ME. IT'S YOUR CAR. 1225 01:14:48,601 --> 01:14:50,001 MUM, LOOK. I MEAN-- 1226 01:14:51,901 --> 01:14:55,031 SURELY YOUR MUM WON'T LET TERRY TAKE THE BLAME. 1227 01:14:55,100 --> 01:14:59,400 GIVE HER HALF A CHANCE, SHE'LL DRIVE THE WAGON HERSELF. 1228 01:14:59,467 --> 01:15:02,727 YOU SEE IT FROM YOUR POINT OF VIEW, TERRY. 1229 01:15:02,801 --> 01:15:04,831 THAT'S UNDERSTANDABLE. 1230 01:15:04,901 --> 01:15:07,971 I SEE IT FROM THE POLICE'S POINT OF VIEW, 1231 01:15:08,033 --> 01:15:10,173 SIMPLY AS A GOOD CITIZEN. 1232 01:15:10,234 --> 01:15:12,974 LOOK, MUM. YOU MIGHT BE SENDING ME TO PRISON. 1233 01:15:13,033 --> 01:15:16,633 DISHONESTY SHOULD NOT GO UNPUNISHED, SON. 1234 01:15:16,701 --> 01:15:18,831 BUT I HAVEN'T DONE ANYTHING! 1235 01:15:18,901 --> 01:15:21,201 BUT THE CAR GIVES YOU AWAY. 1236 01:15:21,267 --> 01:15:25,297 EVEN A MOTHER CAN'T BE BLIND TO THAT EVIDENCE. LOOK, MUM. 1237 01:15:25,367 --> 01:15:28,667 LOOK, HENRY, YOU CAN'T LET YOUR BROTHER TAKE THE BLAME FOR WHAT YOU DID. 1238 01:15:28,734 --> 01:15:31,634 IT'S NOT AS SIMPLE AS THAT, KAREN. 1239 01:15:31,701 --> 01:15:34,971 IT COULDN'T BE MORE SIMPLE! YOU DID IT, AND YOU'VE GOT TO PAY. 1240 01:15:35,033 --> 01:15:37,233 I'LL GET CLAUSTROPHOBIA, IF I'M SHUT UP IN THERE. 1241 01:15:37,300 --> 01:15:39,400 YOU SHOULD'VE THOUGHT OF THAT BEFORE! 1242 01:15:39,467 --> 01:15:42,897 OH, PLEASE, KAREN, I'VE GOT TO PUT THESE ON THE BONFIRE. 1243 01:15:42,968 --> 01:15:44,568 I'M SURPRISED AT YOU, TERRY, 1244 01:15:44,634 --> 01:15:46,504 TRYING TO PUT THE BLAME ON YOUR BROTHER, 1245 01:15:46,567 --> 01:15:49,367 KNOWING WHAT AN ADVERSE AFFECT IT WOULD HAVE ON HIM. 1246 01:15:49,434 --> 01:15:52,974 YOU WERE THE ONE, EARLIER, THAT WAS ALL FOR TELLING THE POLICE ABOUT HENRY! 1247 01:15:53,033 --> 01:15:56,233 GOD! SOME PEOPLE WILL STOP AT NOTHING, 1248 01:15:56,300 --> 01:15:59,470 EVEN TRYING TO TURN A MOTHER AGAINST HER ELDEST SON. 1249 01:15:59,534 --> 01:16:00,804 NOW, GO ON. 1250 01:16:10,067 --> 01:16:11,397 OH, WELL... 1251 01:16:11,467 --> 01:16:14,267 IN FOR A PENNY, IN FOR A POUND. 1252 01:16:20,434 --> 01:16:23,974 I THINK IT'S TIME FOR BED. WHAT DO YOU THINK IT'S TIME FOR? 1253 01:16:24,033 --> 01:16:27,673 YOU ARE NOT GOING ANYWHERE UNTIL THE POLICE ARRIVE AND YOU TELL THEM IT WAS HENRY. 1254 01:16:27,734 --> 01:16:30,034 [TOM] LOOK, MATE, WE'VE ALL GOT OUR PROBLEMS. 1255 01:16:30,100 --> 01:16:31,930 ANYWAY, IT'S YOUR FIRST OFFENSE. 1256 01:16:32,000 --> 01:16:34,070 IT'S NOT EVEN MY FIRST OFFENSE! 1257 01:16:34,133 --> 01:16:36,303 YOU'LL PROBABLY ONLY GET PROBATION. 1258 01:16:36,367 --> 01:16:38,667 BUT LOOK, IF YOU-- TERRY. 1259 01:16:38,734 --> 01:16:40,174 YEAH? 1260 01:16:40,234 --> 01:16:43,234 I'D BE AWFULLY GRATEFUL IF YOU'D ASKED FOR 62 OTHER OFFENSES 1261 01:16:43,300 --> 01:16:45,600 TO BE TAKEN INTO CONSIDERATION. 1262 01:16:45,667 --> 01:16:47,097 LOOK, HENRY. 1263 01:16:47,167 --> 01:16:50,497 IF YOU WERE A MAN LIKE TERRY, YOU'D GIVE YOURSELF UP. 1264 01:16:50,567 --> 01:16:54,567 IF I WAS A MAN LIKE TERRY, NONE OF THIS WOULD'VE HAPPENED. WHAT ARE YOU, THEN? 1265 01:16:54,634 --> 01:16:57,004 I'M GOING BY WHAT YOU'VE ALWAYS CALLED ME: A PERVERT. 1266 01:16:57,067 --> 01:17:00,697 WELL, NOW'S YOUR CHANCE TO REFORM. BUT I LIKE BEING ONE. 1267 01:17:00,767 --> 01:17:03,827 MMM. SORRY, I DIDN'T KNOW. 1268 01:17:03,901 --> 01:17:07,331 THAT'S GOING TO BE A COMFORT TO YOU, TERRY, WHILE YOU'RE SEWING YOUR MAILBAGS. 1269 01:17:07,400 --> 01:17:09,500 KAREN, AS TOM SAYS-- GET OUT. 1270 01:17:09,567 --> 01:17:12,127 AS TOM SAYS, IT'LL ONLY BE PROBATION. 1271 01:17:12,200 --> 01:17:15,770 HENRY, I AM NOT GONNA HAVE MY MATES THINKING I GO CREEPING OFF 1272 01:17:15,834 --> 01:17:19,034 GETTING MY SATISFACTION FROM A CLOTHESLINE! 1273 01:17:19,100 --> 01:17:22,600 NEXT THEY'LL SAY I CAN'T BE THE FATHER OF ME OWN KIDS! 1274 01:17:22,667 --> 01:17:24,267 LOOK, HENRY. 1275 01:17:24,334 --> 01:17:26,774 TERRY, TRY AND SEE IT FROM MY VIEW. 1276 01:17:26,834 --> 01:17:30,334 THIS TIME I'LL GET PROBATION, BUT NEXT TIME, PRISON. 1277 01:17:30,400 --> 01:17:33,370 WHEREAS, IF I KEEP QUIET, NEXT TIME WILL BE MY FIRST TIME, 1278 01:17:33,434 --> 01:17:35,674 SO I'LL ONLY GET PROBATION. 1279 01:17:35,734 --> 01:17:40,234 DON'T YOU SEE? IT GIVES ME A BIT OF BREATHING SPACE. 1280 01:17:40,300 --> 01:17:42,730 FOR GOD'S SAKE, TERRY, DO HIM IN. 1281 01:17:42,801 --> 01:17:45,131 [KAREN] CHOKE A CONFESSION OUT OF HIM! 1282 01:17:45,200 --> 01:17:47,800 DO SOMETHING TO THE FAT CREEP BEFORE I MURDER HIM! 1283 01:17:47,868 --> 01:17:52,628 THERE IS ONE THING I WILL NOT TOLERATE IN MY HOUSE. 1284 01:17:52,701 --> 01:17:55,471 THAT IS THE SHOUTING OF ABUSE. 1285 01:17:55,534 --> 01:17:58,434 WHERE ARE YOU GOING, TOMMY? BED. 1286 01:17:58,501 --> 01:17:59,631 I SEE. 1287 01:17:59,701 --> 01:18:02,301 SHIRLEY, IF THE POLICE COME, KEEP OUT OF THE WAY. 1288 01:18:02,367 --> 01:18:06,727 I DON'T WANT THEM TO THINK I'M RUNNING A HOUSE OF ILL REPUTE. 1289 01:18:06,801 --> 01:18:08,471 GOOD NIGHT, ALL. 1290 01:18:08,534 --> 01:18:10,734 A KISS FOR YOUR MUM ON HER ANNIVERSARY? 1291 01:18:20,801 --> 01:18:23,431 FOLLOW THAT, IF YOU CAN. 1292 01:18:23,501 --> 01:18:25,171 GOD, YOU'RE DISGUSTING! 1293 01:18:27,868 --> 01:18:30,228 WELL, I FEEL BETTER FOR THAT, 1294 01:18:30,300 --> 01:18:33,500 GIVEN ME A BIT OF THE OLD SPARKLE. 1295 01:18:33,567 --> 01:18:35,097 NOW... 1296 01:18:35,167 --> 01:18:38,597 LET'S ALL START TALKING LIKE MAD 1297 01:18:38,667 --> 01:18:42,997 SO THAT SHIRLEY WILL HAVE A CHANCE TO SLIP UPSTAIRS. 1298 01:18:43,067 --> 01:18:45,197 TAKE YOUR TIME, MY DEAR. 1299 01:18:45,267 --> 01:18:49,227 JUST KEEP WALKING, SHIRLEY, OUT THE FRONT DOOR. 1300 01:18:49,300 --> 01:18:51,530 [QUIETLY] BUT I NEED HIM. 1301 01:18:51,601 --> 01:18:53,501 I LOVE HIM. I'VE GOT HIS BABY. 1302 01:18:53,567 --> 01:18:56,467 NOT VERY ORIGINAL, ARE YOU? 1303 01:18:56,534 --> 01:18:59,504 WELL, I KNOW IT DOESN'T SHOW, BUT-- 1304 01:18:59,567 --> 01:19:01,767 OH, NO. 1305 01:19:01,834 --> 01:19:04,274 HE'S NEVER GONE THIS FAR BEFORE. 1306 01:19:04,334 --> 01:19:06,174 WE OUGHT TO MAKE HER LEAVE. 1307 01:19:06,234 --> 01:19:11,334 HENRY, IT'S ABOUT TIME YOU HAD TREATMENT FOR YOUR COMPLAINT. 1308 01:19:11,400 --> 01:19:12,970 IT'S AFFECTING YOUR MIND. 1309 01:19:13,033 --> 01:19:15,803 YOU'RE THE ONE THAT OUGHT TO WALK OUT, HENRY. 1310 01:19:15,868 --> 01:19:18,098 I HAVE NOWHERE TO GO. 1311 01:19:18,167 --> 01:19:20,897 NEITHER HAVE I WHEN MY PARENTS FIND OUT ABOUT THE BABY. 1312 01:19:20,968 --> 01:19:24,068 THANK GOD THERE ARE SOME OF US 1313 01:19:24,133 --> 01:19:25,733 WHO STILL HAVE CHRISTIAN VALUES, 1314 01:19:25,801 --> 01:19:27,771 NOT MANY, BUT A FEW. 1315 01:19:29,133 --> 01:19:31,873 YOU DON'T CARE ABOUT THE BABY, THEN, MRS. TAGGART? 1316 01:19:31,934 --> 01:19:35,304 NO. I KEEP SEEING IT WITH YOUR EARS. 1317 01:20:00,868 --> 01:20:03,868 WELL, WALKED OUT DIFFERENTLY THIS TIME, DIDN'T SHE? 1318 01:20:06,334 --> 01:20:07,934 GOING SOMEWHERE, HENRY? 1319 01:20:09,334 --> 01:20:12,074 I'M JUST GOING TO LOOK AT THE BONFIRE. 1320 01:20:16,534 --> 01:20:19,934 MUM, DID YOU MEAN WHAT YOU SAID JUST NOW ABOUT HENRY NEEDING TREATMENT? 1321 01:20:20,000 --> 01:20:22,830 WHY? THAT'S WHAT HE'LL GET IF HE'LL GIVE HIMSELF UP. 1322 01:20:22,901 --> 01:20:27,431 WELL, THAT'S NOTHING TO WHAT YOU'LL GET IF THE POLICE FIND YOUR CAR. 1323 01:20:27,501 --> 01:20:31,001 OF COURSE, YOU DON'T HAVE TO APPEAR IN FRONT OF ANY MAGISTRATE 1324 01:20:31,067 --> 01:20:32,667 IF YOU FORGET ABOUT CANADA. 1325 01:20:41,634 --> 01:20:44,104 ALL RIGHT, LOVE. NO! 1326 01:20:44,167 --> 01:20:48,697 BUT I'M NEVER GONNA GET INTO CANADA WITH A PERVERT LABEL STUCK ALL OVER ME! 1327 01:20:48,767 --> 01:20:51,727 WHAT IS IT, TERRY? 1328 01:20:51,801 --> 01:20:53,871 YOU LOOKING FOR AN EXCUSE TO STAY? 1329 01:20:55,400 --> 01:20:57,000 DON'T YOU WANT TO GO? 1330 01:20:57,067 --> 01:20:59,567 WOULD YOU RATHER WAIT FOR HER TO FORGIVE YOU 1331 01:20:59,634 --> 01:21:03,274 FOR SOMETHING YOU DID 20 ODD YEARS AGO, 1332 01:21:03,334 --> 01:21:07,174 AND TO HELL WITH ME AND THE CHILDREN, IS THAT IT? 1333 01:21:07,234 --> 01:21:10,934 HAVE YOU JUST BEEN KIDDING ME ALONG ABOUT CANADA? 1334 01:21:15,400 --> 01:21:18,370 COME ON, LOVE. 1335 01:21:18,434 --> 01:21:19,874 I DON'T WANT TO. 1336 01:21:59,200 --> 01:22:01,600 ALL RIGHT, MUM. 1337 01:22:01,667 --> 01:22:03,127 WE WON'T GO. 1338 01:22:05,467 --> 01:22:07,927 GOD! YOU'VE HAD A GOOD ANNIVERSARY. 1339 01:22:08,000 --> 01:22:11,200 HAVEN'T YOU? IT'S NOT OVER YET. 1340 01:22:11,267 --> 01:22:14,897 I WANT AN I.O.U. FOR �5,000. 1341 01:22:14,968 --> 01:22:16,568 BUT THAT'S TERRY'S MONEY. 1342 01:22:16,634 --> 01:22:20,134 YOU GAVE IT TO HIM. YOU TOLD HIM TO BLOW THE LOT. 1343 01:22:20,200 --> 01:22:23,830 NO DOUBT HE'S SORRY HE DIDN'T TAKE MY ADVICE. 1344 01:22:26,067 --> 01:22:27,327 ALL RIGHT. 1345 01:22:27,400 --> 01:22:30,030 I'LL SIGN IT. 1346 01:22:30,100 --> 01:22:32,900 I PREFER IT FROM KAREN. 1347 01:22:32,968 --> 01:22:35,698 SHE'S GOT IT STOWED AWAY. 1348 01:22:39,434 --> 01:22:42,404 WILL INK DO, OR WOULD YOU LIKE IT IN BLOOD? 1349 01:22:42,467 --> 01:22:44,667 INK WILL BE FINE, DEAR. 1350 01:23:20,634 --> 01:23:21,774 [SCREAMS] 1351 01:23:21,834 --> 01:23:25,304 [SCREAMING CONTINUES] THERE SHE GOES AGAIN. 1352 01:23:25,367 --> 01:23:29,427 PROBABLY DISCOVERED MY GLASS EYE. I LEFT IT ON THE PILLOW. 1353 01:23:29,501 --> 01:23:32,971 HAVE YOU SIGNED IT, DEAR? [SHIRLEY SOBS] 1354 01:23:33,033 --> 01:23:36,003 THEY REALLY SHOULD NOT BE IN MY BEDROOM, YOU KNOW. 1355 01:23:37,968 --> 01:23:39,528 THANK YOU, DEAR. 1356 01:23:39,601 --> 01:23:41,431 VERY SWEET OF YOU. 1357 01:23:46,701 --> 01:23:48,801 [SOBBING CONTINUES] 1358 01:23:53,567 --> 01:23:55,427 [DOOR SLAMS] 1359 01:23:55,501 --> 01:23:57,731 IS SHE STILL LOOKING AT MY GLASS EYE? 1360 01:23:57,801 --> 01:24:00,571 I THINK IT'S GIVEN HER A MISCARRIAGE. 1361 01:24:02,367 --> 01:24:04,227 POLICE, PLEASE. 1362 01:24:05,968 --> 01:24:07,498 GOOD EVENING. 1363 01:24:07,567 --> 01:24:11,597 I WANT TO REPORT A STOLEN CAR, MY SON'S, ACTUALLY. 1364 01:24:11,667 --> 01:24:14,067 WE'D BEEN HAVING A PARTY. 1365 01:24:14,133 --> 01:24:17,633 WHEN HE WENT TO LOOK FOR HIS CAR, IT WASN'T WHERE HE PARKED IT. 1366 01:24:19,367 --> 01:24:21,527 HOLD ON, PLEASE. 1367 01:24:21,601 --> 01:24:23,431 YOU SEE... 1368 01:24:23,501 --> 01:24:27,131 WHOEVER PINCHED THE CAR, PINCHED THE UNDIES. 1369 01:24:27,200 --> 01:24:29,200 SIMPLE? 1370 01:24:29,267 --> 01:24:31,667 USE THE PHONE IN THE STUDY. 1371 01:24:31,734 --> 01:24:35,104 THEY WANT YOUR NAME, ADDRESS, REGISTRATION NUMBER. 1372 01:24:36,767 --> 01:24:38,927 WHERE ARE YOU GOING, KAREN? TO SHIRLEY. 1373 01:24:39,000 --> 01:24:40,570 SOMEBODY SHOULD BE SITTING WITH HER. 1374 01:24:43,234 --> 01:24:45,034 SHE'LL BE ALL RIGHT, MUM, WON'T SHE? 1375 01:24:45,100 --> 01:24:49,400 SHE SEEMED TO BE IN A LOT OF PAIN. NOT PAIN, DEAR, JUST DISCOMFORT. 1376 01:24:49,467 --> 01:24:52,027 LIKE, HAY FEVER. 1377 01:24:52,100 --> 01:24:56,630 OH, TERRY, IF YOU'RE GOING TO PICK ME UP AT SIX IN THE MORNING, 1378 01:24:56,701 --> 01:24:58,271 YOU'D BETTER BE ON YOUR WAY HOME. 1379 01:24:58,334 --> 01:25:01,034 YOU CAN USE HENRY'S CAR. 6:00? 1380 01:25:01,100 --> 01:25:04,330 I WANT TO START WORK ON THAT NEW OFFICE BLOCK AS SOON AS POSSIBLE. 1381 01:25:04,400 --> 01:25:05,970 WHAT OFFICE BLOCK? 1382 01:25:06,033 --> 01:25:09,203 REMEMBER THAT PLOT I BOUGHT NEAR THE STATION A FEW YEARS AGO? 1383 01:25:09,267 --> 01:25:13,227 THEY WANT AN OFFICE BLOCK THERE. DIDN'T I TELL YOU? 1384 01:25:13,300 --> 01:25:17,770 THE LAST THING YOU SAID ABOUT THE BUSINESS WAS THAT WE WOULDN'T BE WORKING SO HARD. 1385 01:25:17,834 --> 01:25:22,534 AH, THAT WAS BEFORE YOU ALL UPSET ME. 1386 01:25:22,601 --> 01:25:24,971 SHE'S NOT LOSING IT. 1387 01:25:25,033 --> 01:25:26,733 IT'S A FALSE ALARM. 1388 01:25:26,801 --> 01:25:27,901 THAT GIRL. 1389 01:25:27,968 --> 01:25:30,068 BEEN WORRYING MYSELF SICK ABOUT HER. 1390 01:25:30,133 --> 01:25:32,833 YOU COULD HAVE MURDERED THAT BABY. 1391 01:25:32,901 --> 01:25:34,971 YEAH, YOU OUGHTN'T TO HAVE DONE THAT. 1392 01:25:35,033 --> 01:25:36,673 YOU WENT TOO FAR THIS TIME, MUM! 1393 01:25:38,601 --> 01:25:42,531 LISTENTO THEM! JUST LISTEN TO THEM! 1394 01:25:42,601 --> 01:25:45,001 SO RIGHTEOUS! 1395 01:25:45,067 --> 01:25:46,427 ACCORDING TO YOU LOT, 1396 01:25:46,501 --> 01:25:48,701 I'VE BEEN PLAYING WITH SHIRLEY, 1397 01:25:48,767 --> 01:25:51,327 LIKE A PUPPET ON A STRING. 1398 01:25:51,400 --> 01:25:55,000 WHY DIDN'T ANY OF YOU FACE UP TO ME, TELL ME TO PACK IT IN? 1399 01:25:56,968 --> 01:26:00,568 NO, MY DEARS, THE FINGER'S NOT POINTING AT ME! 1400 01:26:00,634 --> 01:26:02,274 IT'S CROOKED! 1401 01:26:02,334 --> 01:26:04,534 IT'S POINTING BACK TO ALL OF YOU! 1402 01:26:04,601 --> 01:26:05,531 NOW... 1403 01:26:07,200 --> 01:26:10,470 WHAT DID YOU SAY? I SAID, "NUTS." 1404 01:26:10,534 --> 01:26:13,074 YOU WERE HOPING SHE'D LOSE THAT BABY. 1405 01:26:13,133 --> 01:26:16,433 GOD! WHAT KIND OF A WOMAN DO YOU THINK I AM? 1406 01:26:16,501 --> 01:26:18,771 I'LL TELL YOU. 1407 01:26:18,834 --> 01:26:22,374 YOU WOULDN'T HAVE BEEN CONTENT JUST KNITTING AWAY DURING THE FRENCH REVOLUTION, 1408 01:26:22,434 --> 01:26:24,004 LIKE THE OTHER HAGS, OH, NO! 1409 01:26:24,067 --> 01:26:27,467 YOU'D HAVE BEEN UP THERE, WORKING THE GUILLOTINE YOURSELF! 1410 01:26:27,534 --> 01:26:31,704 THEN YOU'D HAVE GONE ROUND WITH A BASKET, SELLING THE HEADS FOR DOORSTOPS! 1411 01:26:33,701 --> 01:26:37,001 SHE MUSTN'T GET AWAY WITH THIS, TOM. 1412 01:26:37,067 --> 01:26:38,797 YEAH? WHAT DO YOU SUGGEST, KAREN? 1413 01:26:38,868 --> 01:26:41,928 PUT HER ON A BONFIRE? TIE HER TO A STAKE? 1414 01:26:42,000 --> 01:26:44,270 YOU LOVE YOUR MUM! 1415 01:26:46,868 --> 01:26:50,128 FLAMES ARE CREEPING UP ROUND HER LEGS AND SHE THINKS OLD DAD'S RETURNED! 1416 01:26:50,200 --> 01:26:53,970 [KAREN] NO, TOM! NO MORE GAMES! 1417 01:26:54,033 --> 01:26:57,333 THIS TIME, WE REALLY KILL HER. 1418 01:26:58,968 --> 01:27:02,698 JUST CLEAR OUT! 1419 01:27:02,767 --> 01:27:06,967 WITHOUT ALL OF YOU LOT TO FEED ON, SHE'D STARVE! 1420 01:27:07,033 --> 01:27:11,173 OOH, AND I WANNA SEE HER STARVE. 1421 01:27:11,234 --> 01:27:13,434 I WANNA SEE HER BODY SHRIVEL. 1422 01:27:13,501 --> 01:27:16,031 I WANT TO SEE THE CRACKS APPEAR. 1423 01:27:16,100 --> 01:27:19,430 I WANNA SEE THE MAGGOTS GET AT HER! LEAVE HER! 1424 01:27:19,501 --> 01:27:23,401 MY, GOD, SHE'S SCUMMY! 1425 01:27:23,467 --> 01:27:25,097 GREEN WITH ENVY! 1426 01:27:28,000 --> 01:27:30,330 GO ON, TOM. GET OUT! 1427 01:27:30,400 --> 01:27:34,000 GO TO SHIRLEY. SHE WON'T HAVE ANYTHING MORE TO DO WITH ME. 1428 01:27:34,067 --> 01:27:37,397 SHE'S WAITING FOR YOU IN THE CAR. 1429 01:27:38,534 --> 01:27:40,004 SHE STILL WANTS ME? 1430 01:27:40,067 --> 01:27:43,767 YEAH. SHE'S A REGULAR LITTLE NUTCASE. 1431 01:27:43,834 --> 01:27:45,934 GO ON, TOM. 1432 01:27:46,000 --> 01:27:47,900 SHE'S GOT YOUR THINGS. 1433 01:27:51,400 --> 01:27:55,000 I'M LEAVING YOU, DEAR. DON'T FORGET TO MENTION ME IN YOUR WILL. 1434 01:27:55,067 --> 01:27:56,867 YOU'LL NEVER LEAVE ME. 1435 01:27:56,934 --> 01:27:59,134 I'M LEAVING WITH SHIRLEY, 1436 01:27:59,200 --> 01:28:01,870 AND I'M GETTING A SPECIAL LICENSE IN THE MORNING. 1437 01:28:01,934 --> 01:28:03,834 CAN I BE YOUR BEST MAN, TOM? 1438 01:28:03,901 --> 01:28:06,971 YOU CAN BE MY BEST MAN WITH PLEASURE! 1439 01:28:07,033 --> 01:28:10,903 IN FACT, IF YOU LIKE, YOU CAN EVEN BE ONE OF THE BRIDESMAIDS. 1440 01:28:23,634 --> 01:28:26,274 [DOOR CLOSES] YOU GOADED HIM INTO LEAVING! 1441 01:28:26,334 --> 01:28:28,874 YOU'RE LIKE A CANCER! [CAR DRIVES AWAY] 1442 01:28:28,934 --> 01:28:32,674 FROM THE MOMENT YOU CAME INTO THIS HOUSE, THE DISEASE SPREAD. 1443 01:28:32,734 --> 01:28:36,734 LOOK, MUM, I KNOW YOU'RE UPSET ABOUT-- AND YOU BROUGHT HER! 1444 01:28:36,801 --> 01:28:39,631 I PROMISE YOU, I'LL HAVE YOUR SKIN FOR RAGS 1445 01:28:39,701 --> 01:28:42,171 AND WIPE THE FACES OF YOUR CHILDREN WITH THEM! 1446 01:28:42,234 --> 01:28:45,234 GOD, HE'S YOUR SON! 1447 01:28:45,300 --> 01:28:47,530 HE'S NOT A SON. 1448 01:28:47,601 --> 01:28:49,931 HE GIVES ME THE SHUDDERS, ALWAYS HAS DONE. 1449 01:28:58,200 --> 01:29:00,530 YOU'VE NEVER FELT ANYTHING FOR ME? 1450 01:29:00,601 --> 01:29:03,231 IS THAT WHAT YOU SAID? 1451 01:29:05,434 --> 01:29:07,434 [YELLING] IS THAT WHAT YOU SAID? 1452 01:29:09,801 --> 01:29:12,601 YOU MEAN, IT WASN'T THE ACCIDENT THAT TURNED YOU AGAINST ME? 1453 01:29:12,667 --> 01:29:16,167 NO, NO, NO! 1454 01:29:16,234 --> 01:29:19,734 SHE'S NEVER GIVEN A DAMN! 1455 01:29:19,801 --> 01:29:22,771 YOU'VE GOT TO GET THAT INTO YOUR THICK SKULL, TERRY. 1456 01:29:22,834 --> 01:29:26,034 TO HER, YOU'VE ALWAYS BEEN JUST A WET SPANIEL WITH THE SLOBBERS. 1457 01:29:26,100 --> 01:29:29,100 LISTEN, TERRY. 1458 01:29:29,167 --> 01:29:30,727 FOR YEARS, 1459 01:29:30,801 --> 01:29:33,731 YOU'VE BEEN WAITING FOR HER TO SHOW THAT SHE CARES FOR YOU. 1460 01:29:35,634 --> 01:29:39,074 BUT, LOVE, I KNOW HOW YOU FEEL, 1461 01:29:39,133 --> 01:29:42,533 BECAUSE I'VE BEEN WAITING FOR SOMETHING LIKE THAT FROM YOU. 1462 01:29:42,601 --> 01:29:46,031 JUST SOME LITTLE SIGN 1463 01:29:46,100 --> 01:29:48,500 TO SHOW THAT I'M NOT JUST... 1464 01:29:48,567 --> 01:29:50,997 SECOND BEST. 1465 01:29:53,067 --> 01:29:56,467 WELL, SURELY MY LOVE'S BETTER THAN NOTHING, 1466 01:29:56,534 --> 01:29:58,904 AND THAT'S ALL YOU'RE GOING TO GET FROM HER: 1467 01:29:58,968 --> 01:30:01,828 A BIG FAT NOTHING! 1468 01:30:08,567 --> 01:30:12,797 WELL, WE BETTER BE PUSHING OFF, KAREN, 1469 01:30:12,868 --> 01:30:14,798 PICK UP THE KIDS. 1470 01:30:14,868 --> 01:30:17,998 WE DON'T WANT YOUR MOM TO START WORRYING. YOU KNOW WHAT SHE'S LIKE. 1471 01:30:18,067 --> 01:30:20,227 DON'T FORGET. 6:00. 1472 01:30:23,834 --> 01:30:27,504 I'LL BE TOO BUSY, MUM. 1473 01:30:27,567 --> 01:30:31,767 I'VE GOT A LOT TO SORT OUT BEFORE WE LEAVE FOR CANADA. 1474 01:30:31,834 --> 01:30:33,234 [MRS. TAGGART] CANADA, HE SAYS, 1475 01:30:33,300 --> 01:30:37,930 AS IF IT WERE JUST OUTSIDE WIMBLEDON. WHAT I WANT-- 1476 01:30:38,000 --> 01:30:41,170 [YELLING] LOOK, IT'S FINISHED, MUM! SO FORGET IT! 1477 01:30:43,467 --> 01:30:44,997 COME ON, KAREN. TERRY! 1478 01:30:48,634 --> 01:30:52,834 [SNIFFS] HE'S NOT MUCH TO WRITE HOME ABOUT, IS HE? 1479 01:30:52,901 --> 01:30:56,271 BUT HE'S BEAUTIFUL, REALLY. 1480 01:30:56,334 --> 01:30:59,274 [CRYING] OH, GOD! HE'S BEAUTIFUL! 1481 01:31:04,934 --> 01:31:06,734 [KAREN, SHOUTING] WHOOPEE! 1482 01:31:14,734 --> 01:31:16,574 [CAR DRIVES AWAY] 1483 01:31:23,701 --> 01:31:26,731 HE'S JUST LIKE HIS FATHER, 1484 01:31:26,801 --> 01:31:29,101 ANOTHER WET SPANIEL WITH THE SLOBBERS. 1485 01:31:29,167 --> 01:31:32,427 OH, NOW, NOW, MUM. YOU WERE VERY FOND OF DAD. 1486 01:31:32,501 --> 01:31:35,071 OF COURSE I WAS, 1487 01:31:35,133 --> 01:31:36,673 AFTER HE'D BEEN LAID OUT. 1488 01:31:36,734 --> 01:31:39,274 YOU CAN'T MEAN THAT, MUM. 1489 01:31:39,334 --> 01:31:41,574 OTHERWISE WE WOULDN'T HAVE BEEN REMEMBERING HIM TONIGHT. 1490 01:31:43,767 --> 01:31:44,897 WELL, I-- 1491 01:31:44,968 --> 01:31:47,868 I THINK I'LL GO UPSTAIRS, HAVE MY BATH. 1492 01:31:49,200 --> 01:31:50,730 OH, HENRY? 1493 01:31:50,801 --> 01:31:53,531 WHO WAS THAT MUCKY FRENCH ARTIST 1494 01:31:53,601 --> 01:31:56,731 WHO USED TO PAINT FAT WOMEN GETTING IN AND OUT OF BATHS? 1495 01:31:58,267 --> 01:31:59,867 I DON'T KNOW, MUM. WHY? 1496 01:32:01,868 --> 01:32:03,498 OH, NEVER MIND. 1497 01:32:03,567 --> 01:32:05,167 GOOD NIGHT, HENRY. 1498 01:32:10,734 --> 01:32:12,374 GOOD NIGHT, MUM. 1499 01:32:23,467 --> 01:32:27,427 CARTER, THIS IS MRS. TAGGART. 1500 01:32:27,501 --> 01:32:31,571 I KNOW WHAT TIME IT IS. ARE YOU MY SOLICITOR, OR AREN'T YOU? 1501 01:32:32,934 --> 01:32:34,704 VERY WELL. LISTEN. 1502 01:32:34,767 --> 01:32:36,397 FIRST THING IN THE MORNING, 1503 01:32:36,467 --> 01:32:38,627 I WANT YOU TO START LEGAL PROCEEDINGS 1504 01:32:38,701 --> 01:32:43,631 FOR THE COLLECTION OF AN I.O.U. FOR �5,000, THEN I WANT YOU TO GET ON TO 1505 01:32:43,701 --> 01:32:45,971 [MRS. TAGGART, VOICEOVER] THE CANADIAN IMMIGRATION PEOPLE 1506 01:32:46,033 --> 01:32:48,433 AND TELL THEM LEGAL PROCEEDINGS ARE BEING TAKEN 1507 01:32:48,501 --> 01:32:53,171 AGAINST ONE OF THEIR PROSPECTIVE IMMIGRANTS: TERRENCE OLIVER TAGGART. 1508 01:32:54,501 --> 01:32:56,871 NO, I HAVENOT FINISHED. 1509 01:32:56,934 --> 01:32:59,874 I WANT YOU TO TEAR UP TOM'S SERVICE AGREEMENT. 1510 01:32:59,934 --> 01:33:01,574 SACK HIM. 1511 01:33:01,634 --> 01:33:05,874 HE'S MARRYING A-- A SHIRLEY SOMETHING OR OTHER. 1512 01:33:05,934 --> 01:33:09,134 QUITE SWEET, REALLY. SHE REMINDS ME OF MYSELF. 1513 01:33:10,801 --> 01:33:13,571 I WANT TO GIVE HER A WEDDING PRESENT. 1514 01:33:13,634 --> 01:33:17,134 �5,000 SHOULD DO IT. 1515 01:33:17,200 --> 01:33:20,830 WE'LL SEE HOW LONG THE MARRIAGE LASTS WITH HER HANDS ON THE PURSE STRINGS. 1516 01:33:23,067 --> 01:33:24,797 YES, THAT'S ALL. 1517 01:33:24,868 --> 01:33:26,468 I'LL BE AROUND IN THE MORNING, 1518 01:33:26,534 --> 01:33:29,404 SIGN WHATEVER'S NECESSARY. 1519 01:33:29,467 --> 01:33:30,897 GOOD NIGHT. 1520 01:33:40,067 --> 01:33:43,797 IT'S BEEN A LOVELY ANNIVERSARY, DAD. 1521 01:33:44,868 --> 01:33:46,298 TILL NEXT YEAR. 1522 01:33:55,501 --> 01:33:58,401 ** [ANNIVERSARY SONGPLAYS] 1523 01:34:10,100 --> 01:34:13,970 * DARLING, I LOVE * [LAUGHS] 1524 01:34:14,033 --> 01:34:16,373 * YOU SO * 1525 01:34:17,734 --> 01:34:20,174 * COULD WE * 1526 01:34:20,234 --> 01:34:22,234 * BUT RECALL * 1527 01:34:22,300 --> 01:34:27,600 * THAT SWEET MOMENT SUBLIME * [LAUGHTER CONTINUES] 1528 01:34:27,667 --> 01:34:29,697 * WE'D FIND * 1529 01:34:29,767 --> 01:34:32,067 * THAT OUR LOVE * 1530 01:34:32,133 --> 01:34:36,333 * IS UNALTERED * 1531 01:34:36,400 --> 01:34:39,930 * BY TIME * 114394

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