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Hello, and welcome to Elton John Live,
Farewell from Dodger Stadium.
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I'm Kirsten Watson,
and I'm so happy you have joined us
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for what will be,
a historic and emotional night
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as Elton John plays his last show
of his last ever American tour.
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And what better place
to end it all than right here
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at Dodger Stadium
in Los Angeles.
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A venue with such rich history for Elton.
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Forty-seven years ago, back in 1975,
he played two sold-out shows here
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that are still remembered today
with legendary status.
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It was a defining moment for Elton.
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And in just under 20 minutes,
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Elton John will be back
on that stage right here.
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And he has a magical night
planned for us all.
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Along with his legendary band,
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his longtime collaborator, Bernie Taupin,
will be making an appearance
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and Elton will be joined
by some phenomenal musical guests.
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We're going to see performances
by Dua Lipa, Brandi Carlile
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and Kiki Dee who sang the chart-topping
duet, "Don't Go Breaking My Heart."
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We caught up
with these incredibly special guests
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and Elton himself
in rehearsals earlier today.
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When you duet with people,
you get something from it.
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When you record with someone
you haven't met before or worked with before,
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you learn something because it's so much fun,
you bounce off each other.
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♪ Don't go breaking my heart ♪
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Kiki Dee was at Dodger Stadium
the first time
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and"Don't Go Breaking My Heart"
was a huge hit for us.
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I wanted her to be there
for the last show.
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I'm so excited to be back here.
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It was such a magical time.
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I was in my mid-20s,
getting to play these amazing places.
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And working with one
of the funniest people I've ever met,
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Elton John.
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Elton John means everything to me.
He's my greatest hero of all time
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since I was 11 years old.
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He was my gateway drug to rock 'n roll,
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my gateway to doing music, writing songs.
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He's everything to me.
He's my favorite of all time.
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Elton John is...
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is my musical hero.
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And when I get up on stage
and I get to sing the song that we…
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we did together, it really is…
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you know, a massive moment for me.
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♪ When are you gonna come down? ♪
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Bernie Taupin and Elton John,
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I think, are one of the most miraculous
partnerships of all time.
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and they're the only ones like them
that ever existed,
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and I think they're the only ones
like them that ever will exist.
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Bernie's lyrics are so cinematic.
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You see them, you taste them,
you feel them.
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He's the greatest lyricist of all time.
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♪ Singin' the blues ♪
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The last time we played
Dodger Stadium in 1975,
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it was certainly ground-breaking
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because people weren't playing
stadiums back then, you know.
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But there's much more
significance to it now, I think.
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So it's really…
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a huge, huge situation
to be back here again.
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I think it's going to be
quite an emotional show.
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Elton has left such a mark,
musically, on the world.
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And to get to see it come to life
for, you know, the last time
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here at Dodger Stadium in LA,
it's going to be emotional.
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It's going to be emotional.
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I try and record with younger artists
because I'm 76,
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and I'm still feeling
I have so much more to learn.
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Not just through music,
but through every facet of my life.
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And I love that. It keeps me going.
It's just wonderful.
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It gives me energy,
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and it really, really makes me feel happy.
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My dear friend and eternal brother Elton,
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as you celebrate
this historic milestone in your life,
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I just wanted to give you a huge shout-out
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for all that you've achieved and all the gifts
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that you've given us
over the past 50 years, man.
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There will never be
another one like you, Elton,
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and I know the next 50
will be just as impactful as the last.
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So keep on keeping on, my brother.
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I love you. Forever.
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We just wanted to send you a message because
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as you head into your last show
in the US,
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what an incredible, incredible career.
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And to have performed at the highest level
like you have for so long
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and still have the passion
that you do is really incredible.
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We are so proud
that we can call you our friend,
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the godfather of our children, as well.
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And you have inspired us in so many ways.
We've known you for so many years.
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And we love you so, so much.
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And so many amazing memories of summers
that we spent together,
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shows that we've been to.
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I mean, it's quite incredible.
We are so proud of you,
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and I'm sure tonight
is gonna be a super
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emotional night, but I'm also sure that you are so excited
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at the prospect of spending more time
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with your incredible husband
and your amazing children.
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It's amazing what you've given
to the world and given to us.
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I hope you're okay.
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I don't really believe
that it's your last concert, but...
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congratulations, if it is. And...
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I hope you feel as great
as you make everybody else feel.
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Bye.
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If anyone can take us to Mars,
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it's the rocket man yourself.
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Thank you so much for all the magic
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you have given to the world,
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for all the light and love
that you have spread
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through your music,
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through your authenticity.
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I love you so much.
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All right, Elton, congratulations
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and good luck
with your final show tonight.
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I've made this video a couple of times.
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I've known you for many, many decades,
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and the first time we met
was in Los Angeles at the Forum.
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And you were wearing
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a Minnie Mouse dress.
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And you looked gorgeous, as you still do.
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I love you, my friend. Congratulations.
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Elton John,
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you cannot say
farewell to anybody,
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but congratulations on your farewell tour.
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Oh, my God, I can't believe
this is your farewell tour.
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Thank you so much for all you've done
for so many people, including myself.
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Much love. Love you.
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Do you remember in the early '70s
when you and Cher and I
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did her first television special
all by herself
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and we played old people in a rest home?
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I never thought the day would come.
Sometimes, I do feel like that.
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Oh, my goodness, what a career you've had.
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Full of laughter,
full of fun, full of music,
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full of great costumes. What a…
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And full of generosity.
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In fact, I am wearing
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a necklace that you gave me over 50 years ago.
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You are the bomb, baby.
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So, Elton, tonight,
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tonight, of all nights,
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sit back,
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relax, enjoy this ride,
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because...
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I can't believe I'm going to say this.
I mean, you say this
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is the last show of the touring, but...
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all I can say to you is,
I love you, man, enjoy this night.
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I'm sorry I can't be there with you, but...
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kill it!
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We are getting ready for Elton walking
on that stage in just a few minutes.
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And you can feel the excitement in here.
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But it's not just a big night for Elton.
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We'll be making some television history
of our own.
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As you are joining us
for the first-ever global live stream
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on Disney Plus.
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Well, let me tell you,
this atmosphere has been building
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in the stadium all week.
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We got a chance to catch up
with some of Elton's most loyal fans.
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We drove from Utah for 12 hours.
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I flew from Switzerland.
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All the way from New York tonight.
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The fact he loves Elton John so much
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really just kind of hypes me up even more.
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As somebody that's in the LGBTQ community,
he is everything to me.
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This was a momentous occasion for me
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but also to close out the place
that made him a legend.
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He's such a huge part of our lives.
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And that 1975 photograph
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of him playing at Dodger Stadium,
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I want to revisit that.
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ALL: Cheers, Elton!
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The bees is back!
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(hooting)
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Last time I was here at Dodger Stadium
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was October 25, 1975,
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where I was a backup singer
for Elton John,
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when we did the two dates
at Dodger Stadium.
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It was absolutely other-worldly.
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It was like everybody was in that moment
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at the same time.
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And, uh, I get chills
just thinking about it,
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and I got chills that night.
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I was 13 when I came to see Elton John,
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my first ever rock concert.
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And I just fell in love with him.
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And to know that this is the last time
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and to be at the place
where I first saw him
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is like so special.
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It's like, it's a dream. It's a dream.
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It's my first concert
and Elton's last concert,
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so I'm really excited.
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When Elton John takes the stage tonight,
I'm going to be real excited.
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I'm going to come up and start singing.
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I've been a fan of Elton John
for a couple years,
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since I was eight or nine.
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My favorite Elton John song
is"Tiny Dancer."
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"Rocket Man." I love that song.
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I really, really hope
he plays "Crocodile Rock."
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♪ B-b-b-Bennie and the jets ♪
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(mumbling)
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I've learned a lot from Elton
being a piano player myself.
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I'm glued to his hands most of the show.
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And when they show his hands
on the screen, I'm just glued to that,
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'cause I want to see what he's doing.
For me, that's…
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It's like having a piano
lesson in a stadium full of 55,000 people.
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I'm going to cry. I know I'm going to cry.
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I got my bubble head T-shirt,
my VIP pass, my glasses.
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Cheers to Elton. (smooches)
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I love you!
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We're both originally from Mexico.
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So this is a bucket list. (chuckles)
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Like, he's one of those people
that's lasted generations.
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We could not miss this concert
for the life of us,
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I actually went last week in Phoenix
and saw him in concert.
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And saw him back now
because I'm such an Elton John fan.
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Love it.
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I love Elton John because he is the best.
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We're just super excited.
Like the circle of life, right?
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This is his final show.
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This is a religious experience
in many ways.
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And as such, we need to wear Sunday best.
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Every one of his hits is a hit.
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To be back here tonight is an honor,
a privilege
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and I think I'm probably going to cry.
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Elton, congratulations
on this very special moment in your life.
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We are all so grateful for your music.
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Thank you for being
the soundtrack to our lives.
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00:11:02,410 --> 00:11:07,110
Thank you for doing all the work
you've done to fight AIDS
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00:11:07,150 --> 00:11:09,270
and to make so many lives better.
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We appreciate you.
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Your music will be part
of American life for eons to come
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and everywhere else in the world,
of course.
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May this show be as formidable
as the thousands that preceded it.
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I know it will.
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Corny sentence alert.
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I know you will feel the love tonight.
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Sir Elton John, this is H.E.R.
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I just want to say thank you so much
for inspiring artists like me
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with your fashion and your music,
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your playing, your performing.
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We love you and we appreciate you so much.
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00:11:43,420 --> 00:11:44,840
Thank you. (smooches)
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Elton, we wanted to say congratulations,
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and we love you so, so much.
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We feel so lucky to know you
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00:11:52,880 --> 00:11:55,010
and just like every audience member
at these shows,
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what a privilege that you're doing
these live shows for us one last time.
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Congrats. (smooches)
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Elton, it is your final night
in the United States of America
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00:12:04,470 --> 00:12:06,390
performing for the American people.
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00:12:06,420 --> 00:12:08,580
It is a long way from the troubadour.
246
00:12:09,460 --> 00:12:10,630
I can't believe it's true.
247
00:12:11,000 --> 00:12:13,430
I can't believe that I'm here.
I refuse to believe it.
248
00:12:13,980 --> 00:12:16,920
We know it's gonna be magical
because your songs are so good.
249
00:12:16,950 --> 00:12:17,890
You got so many of them.
250
00:12:17,920 --> 00:12:19,770
It's really not fair to the rest of us,
251
00:12:19,800 --> 00:12:21,570
but we do hope that you have
a great show tonight
252
00:12:21,610 --> 00:12:22,720
and we love you so much.
253
00:12:23,320 --> 00:12:24,160
Knock 'em dead.
254
00:12:24,780 --> 00:12:28,260
I cannot believe
that tonight is your final show.
255
00:12:28,300 --> 00:12:30,530
I want to wish you the best of luck.
256
00:12:30,560 --> 00:12:32,500
It's going to be the best one ever.
257
00:12:32,530 --> 00:12:36,820
You have changed the world,
the music industry forever.
258
00:12:36,850 --> 00:12:38,070
You are a legend.
259
00:12:38,440 --> 00:12:40,810
Thank you for sharing your gift
with everyone,
260
00:12:40,840 --> 00:12:42,130
and have the best show.
261
00:12:42,160 --> 00:12:42,990
We all love you.
262
00:12:43,030 --> 00:12:46,600
Thank you so, so, so much
for your beautiful music
263
00:12:46,630 --> 00:12:50,080
and for bringing my family together
through your wonderful songs.
264
00:12:50,400 --> 00:12:53,490
It was my extraordinary privilege
265
00:12:54,410 --> 00:12:56,810
to portray you in the movie of your life.
266
00:12:57,240 --> 00:13:01,050
And for one final time
267
00:13:02,230 --> 00:13:05,430
at Dodger Stadium,
I would like to say to you,
268
00:13:07,380 --> 00:13:08,720
knock 'em dead, rocket man.
269
00:13:10,620 --> 00:13:12,270
Thank you for being on this earth
270
00:13:12,810 --> 00:13:15,430
and blessing us with your gifts
271
00:13:16,490 --> 00:13:19,060
as a musician and as a human being.
272
00:13:19,680 --> 00:13:21,880
You have been there almost
every single stage of my career
273
00:13:21,920 --> 00:13:24,650
and all the ups and downs
of my personal life as well,
274
00:13:24,690 --> 00:13:26,840
and I'm so happy to you know as a person.
275
00:13:26,870 --> 00:13:30,690
You are like a mentor, a friend
and also my musical hero.
276
00:13:30,720 --> 00:13:34,230
And I'm just very, very proud
to be your friend
277
00:13:34,260 --> 00:13:36,310
and, yeah, hope you have a great gig.
278
00:13:36,350 --> 00:13:37,750
And good luck.
279
00:13:37,780 --> 00:13:43,250
I know it's time for you to retire,
so you say,
280
00:13:44,860 --> 00:13:46,610
but I miss you already. I love you.
281
00:13:46,640 --> 00:13:50,230
You are one of the greatest people
I've ever met. (smooches)
282
00:13:50,260 --> 00:13:51,610
Happy retirement.
283
00:13:52,100 --> 00:13:54,050
You going to have some spare
time on your hands?
284
00:13:54,080 --> 00:13:57,550
Maybe you can come join us
and jam at the house here.
285
00:13:58,220 --> 00:14:00,450
(chuckles) That would be fun. Love you!
286
00:14:01,960 --> 00:14:02,790
(audience cheering)
287
00:14:03,640 --> 00:14:06,010
All right. Well, it's not long
until we see Elton
288
00:14:06,040 --> 00:14:07,590
right up there behind me.
289
00:14:07,810 --> 00:14:12,220
But before that, we wanted to tell you
about another Disney-Elton collaboration
290
00:14:12,250 --> 00:14:14,640
coming soon
from Disney Original Documentary
291
00:14:14,670 --> 00:14:18,360
is a new film from directors
RJ Cutler and David Furnish,
292
00:14:18,610 --> 00:14:19,860
Goodbye Yellow Brick Road:
293
00:14:19,890 --> 00:14:24,230
The Final Elton John Performances
and the Years that Made his Legend.
294
00:14:24,500 --> 00:14:26,500
But now, let's hear from the man himself.
295
00:14:26,730 --> 00:14:29,480
After more than 50 years touring
around the world,
296
00:14:29,520 --> 00:14:33,520
tonight we will witness his last ever
US show on his farewell tour.
297
00:14:34,070 --> 00:14:37,410
So of course, we had to ask Elton
why he felt now was the time
298
00:14:37,440 --> 00:14:39,430
for his touring days to come to an end.
299
00:14:40,640 --> 00:14:41,650
(piano music playing)
300
00:14:42,430 --> 00:14:45,400
Well, I started in Los Angeles,
The Troubadour Club.
301
00:14:46,300 --> 00:14:48,070
That's the first place
I played in America.
302
00:14:48,290 --> 00:14:50,390
It was vital I finish in Los Angeles.
303
00:14:50,420 --> 00:14:52,270
Dodger Stadium has history.
304
00:14:52,770 --> 00:14:53,720
And I have history.
305
00:14:53,960 --> 00:14:59,000
And I want to go out inside of a place
that has atmosphere and aura to it.
306
00:15:00,380 --> 00:15:03,600
I'm revisiting the past
in hopefully a glorious kind of way.
307
00:15:04,070 --> 00:15:07,810
We sat down and conceived
this tour so many years ago,
308
00:15:07,840 --> 00:15:09,640
seven years ago we started this journey,
309
00:15:09,970 --> 00:15:12,040
he said, "I want to go out on a high."
(chuckles)
310
00:15:12,080 --> 00:15:14,830
"I want to go out on a high
and I want to go out in a big way."
311
00:15:15,150 --> 00:15:16,500
And, um, this is bigger
312
00:15:16,530 --> 00:15:19,280
and more all-encompassing
than we ever could have imagined.
313
00:15:19,550 --> 00:15:22,840
And to be doing the last three shows
at Dodger Stadium
314
00:15:23,090 --> 00:15:26,720
with all of that history behind us
is a… is a truly magical thing.
315
00:15:27,090 --> 00:15:33,200
The first, um, Dodger Stadium show
was in 1975 were… hard for me
316
00:15:33,230 --> 00:15:36,730
because I wasn't in a very good place
mentally and physically.
317
00:15:36,770 --> 00:15:39,400
The difference now
is that I have a husband
318
00:15:39,440 --> 00:15:41,410
and someone I've been with for 29 years,
319
00:15:41,770 --> 00:15:43,770
two sons, Zachary and Elijah.
320
00:15:43,810 --> 00:15:45,010
My life is completely different.
321
00:15:45,040 --> 00:15:47,460
I'm sober.
I've been sober and clean for 32 years.
322
00:15:47,960 --> 00:15:50,400
I'm ending
in the happiest time of my life.
323
00:15:50,430 --> 00:15:51,380
I've never been happier.
324
00:15:51,780 --> 00:15:55,340
So compare that to 1975
when I wasn't happy.
325
00:15:55,570 --> 00:15:56,400
It's wonderful.
326
00:15:56,650 --> 00:16:00,090
He's back on top of the charts,
uh, with, you know, hit singles
327
00:16:00,120 --> 00:16:02,060
with Dua Lipa and Britney Spears
328
00:16:02,780 --> 00:16:04,440
which is where he was in '75,
329
00:16:04,810 --> 00:16:05,750
but I think, most importantly,
330
00:16:05,780 --> 00:16:08,900
he's really happy
as a father and as a family person
331
00:16:08,930 --> 00:16:12,240
because our relationship is wonderful
332
00:16:12,270 --> 00:16:14,440
and we have two
of the most beautiful sons.
333
00:16:14,470 --> 00:16:16,670
I always explain to the audience
why I'm stopping.
334
00:16:17,020 --> 00:16:18,780
And so I may bring the kids on.
335
00:16:18,810 --> 00:16:19,830
I haven't decided yet
336
00:16:20,110 --> 00:16:21,630
because I want them
to see why I'm stopping,
337
00:16:21,660 --> 00:16:22,830
see how much I love them.
338
00:16:22,860 --> 00:16:25,250
That is what Elton is most excited about
339
00:16:25,280 --> 00:16:27,350
and we're most excited about as a family
340
00:16:27,380 --> 00:16:30,050
is the opportunity to spend time together,
341
00:16:30,400 --> 00:16:33,460
um, off the road
because Elton is always touring.
342
00:16:33,770 --> 00:16:35,340
INTERVIEWER:
What are you going to miss about touring?
343
00:16:35,710 --> 00:16:36,540
Nothing.
344
00:16:37,740 --> 00:16:38,580
Nothing.
345
00:16:39,010 --> 00:16:42,430
I've done it since I was 17
in the back of a van with my first band.
346
00:16:42,470 --> 00:16:45,050
I can't imagine
how many miles I've covered in that time
347
00:16:45,090 --> 00:16:46,300
between then and now.
348
00:16:46,920 --> 00:16:49,890
I love music. I like playing live,
but I've played enough concerts,
349
00:16:49,920 --> 00:16:52,610
and I can't really do a better concert
than I'm doing now
350
00:16:52,640 --> 00:16:54,530
with a better stage
or a better production.
351
00:16:54,560 --> 00:16:59,180
I'll certainly miss the joy
that doing live shows brings Elton.
352
00:16:59,680 --> 00:17:02,100
Selfishly, I'll miss seeing him
perform live myself.
353
00:17:02,140 --> 00:17:03,520
I love going to an Elton show.
354
00:17:03,790 --> 00:17:07,390
He's a brilliant entertainer
and playing and singing better than ever.
355
00:17:07,810 --> 00:17:08,660
But…
356
00:17:09,180 --> 00:17:12,500
As he says on stage, he says,
"I've had more than enough applause
357
00:17:12,780 --> 00:17:15,170
and more than enough love
from an audience in my life."
358
00:17:15,570 --> 00:17:18,590
And he's really looking forward
to the stage where he can, you know,
359
00:17:18,620 --> 00:17:21,090
put that beautiful chapter
of his life behind him
360
00:17:21,120 --> 00:17:22,340
and move on to the next one.
361
00:17:22,370 --> 00:17:25,130
The audiences on this tour
have been so loving and so kind
362
00:17:25,160 --> 00:17:29,530
they're dressed up and they're wearing
glittery glasses and outfits
363
00:17:29,560 --> 00:17:31,110
from so many different albums,
364
00:17:31,150 --> 00:17:33,050
uh, Dodger Stadium outfits.
365
00:17:33,080 --> 00:17:36,440
It's just astonishing holding up placards
to say how many shows they've been to.
366
00:17:36,470 --> 00:17:37,750
It's like, "Wow."
367
00:17:37,790 --> 00:17:40,410
It's like, "You are spending
all your money just to see me."
368
00:17:40,610 --> 00:17:42,030
And it makes me feel good.
369
00:17:42,060 --> 00:17:44,680
There was a time in my life
when I didn't think about that so much,
370
00:17:44,710 --> 00:17:45,950
but I certainly do now.
371
00:17:46,360 --> 00:17:49,220
And especially on this tour.
It's the most gratifying thing.
372
00:17:49,250 --> 00:17:51,450
You want your music to be heard
by every generation.
373
00:17:51,720 --> 00:17:55,170
They are as old as me
and seven or eight kids in the front rows
374
00:17:55,210 --> 00:17:57,710
little boys, little girls singing
all the words to all the songs.
375
00:17:57,740 --> 00:18:00,010
I'll be going,
"How the hell do you know the words?"
376
00:18:00,040 --> 00:18:03,560
When you see an eight-year-old kid singing
your song, you are just like, yeah.
377
00:18:03,600 --> 00:18:07,180
He's created music that he hopes
will survive and stand the test of time.
378
00:18:07,680 --> 00:18:11,660
And I know, for him, personally,
he can't think of a better compliment
379
00:18:12,020 --> 00:18:15,280
than the fact his music still resonates
as strongly today
380
00:18:15,310 --> 00:18:17,110
as it did in the day that it was created.
381
00:18:17,140 --> 00:18:21,030
It's really hit home how lucky I've been,
how great my fans are.
382
00:18:21,060 --> 00:18:23,250
It's a lovefest between me
and them and them and me,
383
00:18:23,280 --> 00:18:24,550
and it's just so exciting.
384
00:18:25,220 --> 00:18:26,200
Thank you, everyone.
385
00:18:29,210 --> 00:18:31,410
Elton, we love you.
386
00:18:31,860 --> 00:18:33,280
-Hi, Elton.
-Hi, Elton.
387
00:18:33,310 --> 00:18:36,230
-We just want to say congratulations.
-Congratulations.
388
00:18:36,260 --> 00:18:38,500
And that we are just so proud of you.
389
00:18:38,530 --> 00:18:42,240
We're so grateful that we were able
to see you on your farewell tour also.
390
00:18:42,550 --> 00:18:44,140
Um, and thank you for…
391
00:18:44,960 --> 00:18:47,760
Thank you for entertaining everybody
for so many decades.
392
00:18:47,790 --> 00:18:50,310
Thank you for being the friend
that you were for my mom.
393
00:18:50,590 --> 00:18:53,060
Thank you for being our friend,
thank you for being friends with our kids,
394
00:18:53,100 --> 00:18:56,700
and thank you for entertaining people
right around the world.
395
00:18:56,730 --> 00:18:59,050
Um, even though this is officially
your retirement,
396
00:18:59,420 --> 00:19:01,570
uh, this will not be your last gig,
we know that.
397
00:19:01,610 --> 00:19:03,070
Um, but we love you.
398
00:19:03,420 --> 00:19:05,730
And congratulations
on an incredible career.
399
00:19:07,160 --> 00:19:09,280
You are simply
one of the greatest of all times.
400
00:19:09,480 --> 00:19:13,130
Not because your iconic song
but because your absolute courage.
401
00:19:13,320 --> 00:19:14,820
You turn pain into purpose
402
00:19:15,170 --> 00:19:18,270
and your advocacy
has literally saved millions of lives.
403
00:19:18,810 --> 00:19:21,610
Elton, as you close this chapter
of our story,
404
00:19:22,080 --> 00:19:25,160
I hope you know
that your legacy has no end.
405
00:19:25,500 --> 00:19:28,070
From the timeless songs
that have given voice
406
00:19:28,100 --> 00:19:30,070
to our joys and sorrows,
407
00:19:30,450 --> 00:19:33,350
to how you've inspired countless people
408
00:19:33,390 --> 00:19:35,370
to stand up and speak out,
409
00:19:35,860 --> 00:19:40,240
you will always be here on our playlists
and in our hearts.
410
00:19:40,610 --> 00:19:41,950
On behalf of the American people,
411
00:19:41,980 --> 00:19:44,250
thank you for moving the soul
of our nation.
412
00:19:44,650 --> 00:19:45,680
Thank you. Thank you.
413
00:19:48,220 --> 00:19:49,470
(audience cheering)
414
00:19:50,190 --> 00:19:52,620
Honestly,
I don't know how I can follow that,
415
00:19:52,660 --> 00:19:54,340
so let's get on with it.
416
00:19:54,740 --> 00:19:59,930
The time has come
for Elton John's last ever American show
417
00:19:59,960 --> 00:20:01,230
on his farewell tour.
418
00:20:01,430 --> 00:20:04,130
On the stage that made him a legend.
419
00:20:04,620 --> 00:20:07,800
Live from Dodger Stadium in Los Angeles,
420
00:20:08,220 --> 00:20:10,860
please welcome Elton John.
421
00:20:11,710 --> 00:20:12,730
(audience cheering)
422
00:20:18,050 --> 00:20:19,550
(muffled upbeat music playing)
423
00:20:41,660 --> 00:20:42,660
(cheering continues)
424
00:20:57,120 --> 00:20:58,120
(cheering continues)
425
00:21:13,470 --> 00:21:14,470
(cheering continues)
426
00:21:31,320 --> 00:21:32,320
("Bennie And The Jets" playing)
427
00:21:33,660 --> 00:21:34,660
(cheering continues)
428
00:22:01,230 --> 00:22:04,200
♪ Hey, kids, shake it loose together ♪
429
00:22:04,440 --> 00:22:06,140
♪ The spotlight's hitting something ♪
430
00:22:06,170 --> 00:22:07,820
♪ That's been known
to change the weather ♪
431
00:22:08,290 --> 00:22:12,050
♪ We'll kill the fatted calf tonight
so stick around ♪
432
00:22:14,560 --> 00:22:20,590
♪ You're gonna hear electric music
solid walls of sound ♪
433
00:22:21,520 --> 00:22:24,260
♪ Say, Candy and Ronnie
have you seen them yet? ♪
434
00:22:24,980 --> 00:22:27,060
♪ Oh, but they're so spaced out ♪
435
00:22:27,090 --> 00:22:31,280
♪ B-B-B-Bennie and the jets ♪
436
00:22:31,980 --> 00:22:34,350
♪ Oh, but they're weird
and they're wonderful ♪
437
00:22:35,320 --> 00:22:37,190
♪ Oh, Bennie she's really keen ♪
438
00:22:38,260 --> 00:22:40,490
♪ She's got electric boots ♪
439
00:22:40,520 --> 00:22:41,410
♪ A mohair suit ♪
440
00:22:42,090 --> 00:22:46,930
♪ I read it in a magazine, oh-oh ♪
441
00:22:48,330 --> 00:22:49,880
♪ Bennie and the jets ♪
442
00:22:50,220 --> 00:22:51,450
(audience cheering)
443
00:23:03,360 --> 00:23:06,570
♪ Hey, kids
why don't you plug into the faithless? ♪
444
00:23:06,820 --> 00:23:10,040
♪ Maybe they're blinded
but Bennie makes them ageless ♪
445
00:23:10,620 --> 00:23:14,040
♪ We shall survive
let us take ourselves along ♪
446
00:23:16,460 --> 00:23:18,730
♪ Where we fight our parents out
in the streets ♪
447
00:23:19,080 --> 00:23:22,850
♪ To find who's right and who's wrong ♪
448
00:23:23,830 --> 00:23:26,690
♪ Candy and Ronnie
have you seen them yet? ♪
449
00:23:27,270 --> 00:23:29,370
♪ Oh, but they're so spaced out ♪
450
00:23:29,410 --> 00:23:33,510
♪ B-B-B-Bennie and the jets ♪
451
00:23:34,260 --> 00:23:36,680
♪ Oh, but they're weird
and they're wonderful ♪
452
00:23:37,580 --> 00:23:39,530
♪ Oh, Bennie, she's really keen ♪
453
00:23:40,550 --> 00:23:42,670
♪ She's got electric boots ♪
454
00:23:42,700 --> 00:23:43,750
♪ A mohair suit ♪
455
00:23:44,420 --> 00:23:49,580
♪ I read it in a magazine, oh ♪
456
00:23:50,680 --> 00:23:51,910
♪ Bennie and the jets ♪
457
00:23:52,480 --> 00:23:53,480
(instrumental)
458
00:24:25,650 --> 00:24:28,280
♪ Say, Candy and Ronnie
have you seen them yet? ♪
459
00:24:28,520 --> 00:24:31,170
♪ Oh, but they're so spaced out ♪
460
00:24:32,670 --> 00:24:34,770
♪ Bennie and the jets ♪
461
00:24:36,240 --> 00:24:38,610
♪ Oh, but they're weird
and they're wonderful ♪
462
00:24:39,560 --> 00:24:41,530
♪ Oh, Bennie, she's a really keen ♪
463
00:24:42,510 --> 00:24:44,700
♪ She's got electric boots ♪
464
00:24:44,730 --> 00:24:45,720
♪ A mohair suit ♪
465
00:24:46,430 --> 00:24:51,520
♪ I read it in a magazine, oh ♪
466
00:24:52,620 --> 00:24:54,110
♪ Bennie and the jets ♪
467
00:25:07,470 --> 00:25:11,560
♪ Bennie, Bennie, Bennie ♪
468
00:25:12,690 --> 00:25:15,280
♪ Bennie and the jets ♪
469
00:25:21,200 --> 00:25:25,370
♪ Bennie, Bennie, Bennie ♪
470
00:25:26,420 --> 00:25:27,990
♪ Bennie and the jets ♪
471
00:25:34,860 --> 00:25:38,900
♪ Bennie, Bennie, Bennie ♪
472
00:25:40,050 --> 00:25:41,740
♪ Bennie and the jets ♪
473
00:25:41,770 --> 00:25:42,770
(instrumental)
474
00:26:11,380 --> 00:26:12,300
♪ Ooh, yeah ♪
475
00:26:23,000 --> 00:26:25,520
♪ Bennie and the jets ♪
476
00:26:33,470 --> 00:26:34,640
(audience cheering)
477
00:26:48,720 --> 00:26:49,720
(cheering continues)
478
00:26:53,430 --> 00:26:54,860
("Philadelphia Freedom" playing)
479
00:27:08,070 --> 00:27:10,830
♪ I used to be a rolling stone, you know ♪
480
00:27:11,930 --> 00:27:13,760
♪ If the cause was right ♪
481
00:27:14,830 --> 00:27:19,050
♪ I'd leave to find the answers
on the road ♪
482
00:27:22,310 --> 00:27:25,480
♪ I used to be a heartbeat for somebody ♪
483
00:27:25,730 --> 00:27:28,380
♪ Oh, but the times have changed ♪
484
00:27:29,830 --> 00:27:33,270
♪ The less I say
the more my work gets done ♪
485
00:27:36,770 --> 00:27:41,170
♪ I live and breathe
this Philadelphia freedom, yeah ♪
486
00:27:43,240 --> 00:27:47,850
♪ From the day that I was born
I've waved the flag ♪
487
00:27:50,650 --> 00:27:54,570
♪ Philadelphia freedom
took me knee-high to a man ♪
488
00:27:55,460 --> 00:27:56,290
♪ Oh, yeah ♪
489
00:27:57,460 --> 00:28:01,860
♪ Gave me peace of mind
my daddy never had ♪
490
00:28:05,380 --> 00:28:08,690
♪ Philadelphia freedom, shine on me ♪
491
00:28:09,600 --> 00:28:12,040
♪ I love you, shine a light ♪
492
00:28:13,190 --> 00:28:16,680
♪ Through the eyes
of the ones left behind ♪
493
00:28:19,430 --> 00:28:22,000
♪ Shine a light, shine that light ♪
494
00:28:22,030 --> 00:28:26,620
♪ Oh, yeah, shine a light shine a light ♪
495
00:28:27,970 --> 00:28:30,070
♪ Philadelphia freedom ♪
496
00:28:31,370 --> 00:28:33,560
♪ I love you ♪
497
00:28:35,860 --> 00:28:36,880
♪ Yes, I do ♪
498
00:28:43,590 --> 00:28:44,440
♪ Yeah ♪
499
00:28:50,940 --> 00:28:54,380
♪ If you choose to
you can live your life alone ♪
500
00:28:54,410 --> 00:28:57,450
-♪ Some people choose the city ♪
-♪ Some people choose the city ♪
501
00:28:57,480 --> 00:29:01,770
♪ Some others choose
the good old family home ♪
502
00:29:01,990 --> 00:29:04,840
♪ Some others choose
the good old family home ♪
503
00:29:04,870 --> 00:29:08,880
♪ I like living easy without family ties ♪
504
00:29:08,910 --> 00:29:12,720
♪ 'Til the whippoorwill of freedom
zapped me ♪
505
00:29:13,600 --> 00:29:16,520
♪ Right between the eyes ♪
506
00:29:19,610 --> 00:29:23,310
♪ I live and breathe
this Philadelphia freedom ♪
507
00:29:26,310 --> 00:29:30,630
♪ From the day that I was born
I've waved the flag ♪
508
00:29:33,600 --> 00:29:37,390
♪ Philadelphia freedom
took me knee-high to a man ♪
509
00:29:38,360 --> 00:29:39,190
♪ Oh, yeah ♪
510
00:29:40,310 --> 00:29:44,580
♪ Gave me piece of mind
my daddy never had ♪
511
00:29:48,170 --> 00:29:51,300
♪ Philadelphia freedom, shine on me ♪
512
00:29:52,460 --> 00:29:54,970
♪ I love you, shine a light ♪
513
00:29:56,080 --> 00:29:59,780
♪ Through the eyes
of the ones left behind ♪
514
00:30:02,180 --> 00:30:04,950
♪ Shine a light, shine that light ♪
515
00:30:04,980 --> 00:30:09,640
♪ Oh, yeah, shine a light
shine the light ♪
516
00:30:10,940 --> 00:30:13,090
♪ Philadelphia freedom ♪
517
00:30:14,390 --> 00:30:16,610
♪ I love you ♪
518
00:30:18,830 --> 00:30:19,900
♪ Yes, I do ♪
519
00:30:25,420 --> 00:30:27,290
♪ Oh, yes, I do, yeah ♪
520
00:30:34,300 --> 00:30:37,800
♪ Philadelphia freedom, shine on me ♪
521
00:30:38,800 --> 00:30:40,670
♪ I love you, yeah ♪
522
00:30:40,700 --> 00:30:41,540
♪ Shine a light ♪
523
00:30:42,410 --> 00:30:45,740
♪ Through the eyes
of the ones left behind ♪
524
00:30:48,730 --> 00:30:51,380
♪ Shine a light, shine that light ♪
525
00:30:51,410 --> 00:30:55,840
♪ Oh, yeah, shine a light
shine the light ♪
526
00:30:57,390 --> 00:30:59,560
♪ Philadelphia freedom ♪
527
00:31:00,720 --> 00:31:03,830
♪ I love, love you, yeah ♪
528
00:31:05,240 --> 00:31:08,460
♪ Don't you know I love you? ♪
529
00:31:10,670 --> 00:31:13,920
♪ Don't you know I love, love, love you? ♪
530
00:31:15,760 --> 00:31:17,260
♪ Yes, I do ♪
531
00:31:20,480 --> 00:31:24,460
♪ I love you, love you, love you
yes, I do ♪
532
00:31:24,750 --> 00:31:26,780
♪ Philadelphia freedom ♪
533
00:31:27,800 --> 00:31:31,770
♪ I love you, love you, love you
yes I do ♪
534
00:31:31,800 --> 00:31:34,140
♪ Philadelphia freedom ♪
535
00:31:34,790 --> 00:31:38,710
♪ I love you, love you, love you
yes, I do ♪
536
00:31:39,060 --> 00:31:41,110
♪ Philadelphia freedom ♪
537
00:31:46,940 --> 00:31:48,070
(audience cheering)
538
00:32:08,170 --> 00:32:10,290
ELTON: Tonight is a very special night.
539
00:32:10,330 --> 00:32:11,880
We are creating history tonight.
540
00:32:12,310 --> 00:32:16,120
This is the first ever global stream
on Disney Plus.
541
00:32:16,150 --> 00:32:19,020
And I'm so glad to see you,
Dodger Stadium!
542
00:32:19,350 --> 00:32:20,490
(audience cheering)
543
00:32:24,020 --> 00:32:25,470
ELTON: All right. Let's get on with it.
544
00:32:26,060 --> 00:32:28,910
("I Guess That's Why
They Call It The Blues" playing)
545
00:32:35,500 --> 00:32:36,800
♪ Don't wish it away ♪
546
00:32:37,320 --> 00:32:41,040
♪ Don't look at it like it's forever ♪
547
00:32:44,260 --> 00:32:46,110
♪ Between you and me ♪
548
00:32:47,180 --> 00:32:51,220
♪ I could honestly say
things can only get better ♪
549
00:32:54,650 --> 00:32:56,870
♪ And while I'm away ♪
550
00:32:58,840 --> 00:33:01,960
♪ Dust out the demons inside ♪
551
00:33:03,060 --> 00:33:07,720
♪ And it won't be long
before you and me run ♪
552
00:33:07,750 --> 00:33:12,390
♪ To the place in our hearts
where we hide ♪
553
00:33:17,040 --> 00:33:20,680
♪ And I guess that's why
they call it the blues ♪
554
00:33:21,480 --> 00:33:25,750
♪ Time on my hands
could be time spent with you ♪
555
00:33:26,800 --> 00:33:31,710
♪ Laughing like children
living like lovers ♪
556
00:33:32,120 --> 00:33:36,960
♪ Rolling like thunder under the covers ♪
557
00:33:38,830 --> 00:33:42,320
♪ I guess that's why
they call it the blues ♪
558
00:33:47,360 --> 00:33:48,660
♪ Just stare into space ♪
559
00:33:50,040 --> 00:33:52,760
♪ Picture my face in your hands ♪
560
00:33:55,970 --> 00:34:00,650
♪ Pray for each second
without hesitation ♪
561
00:34:01,300 --> 00:34:03,290
♪ And never forget I'm your man ♪
562
00:34:06,790 --> 00:34:08,640
♪ Wait on me, girl ♪
563
00:34:10,760 --> 00:34:13,750
♪ Cry in the night if it helps ♪
564
00:34:15,270 --> 00:34:18,870
♪ But more than ever I simply love you ♪
565
00:34:20,210 --> 00:34:24,480
♪ More than I love life itself ♪
566
00:34:29,050 --> 00:34:32,990
♪ And I guess that's why
they call it the blues ♪
567
00:34:33,490 --> 00:34:37,820
♪ Time on my hands
could be time spent with you ♪
568
00:34:38,920 --> 00:34:43,830
♪ Laughing like children
living like lovers ♪
569
00:34:44,060 --> 00:34:49,450
♪ Rolling like thunder under the covers ♪
570
00:34:50,870 --> 00:34:54,560
♪ I guess that's why
they call it the blues ♪
571
00:34:56,440 --> 00:34:57,530
(instrumental)
572
00:35:19,130 --> 00:35:20,900
♪ Wait on me, girl ♪
573
00:35:23,100 --> 00:35:26,370
♪ Cry in the night if it helps ♪
574
00:35:27,610 --> 00:35:31,690
♪ But more than ever I simply love you ♪
575
00:35:32,560 --> 00:35:36,930
♪ More than I love life itself ♪
576
00:35:41,590 --> 00:35:45,960
♪ And I guess that's why
they call it the blues ♪
577
00:35:45,990 --> 00:35:50,330
♪ Time on my hands
could be time spent with you ♪
578
00:35:51,450 --> 00:35:56,350
♪ Laughing like children
living like lovers ♪
579
00:35:56,720 --> 00:36:01,860
♪ Rolling like thunder under the covers ♪
580
00:36:03,510 --> 00:36:07,100
♪ I guess that's why
they call it the blues ♪
581
00:36:07,130 --> 00:36:11,730
♪ Laughing like children
living like lovers ♪
582
00:36:11,770 --> 00:36:15,150
♪ I guess that's why
they call it the blues ♪
583
00:36:15,190 --> 00:36:19,810
♪ Laughing like children
living like lovers ♪
584
00:36:19,840 --> 00:36:23,860
♪ I guess that's why
they call it the blues ♪
585
00:36:27,880 --> 00:36:31,740
♪ Guess that's why they call it ♪
586
00:36:31,770 --> 00:36:36,940
♪ That's why they call it the blues ♪
587
00:36:36,980 --> 00:36:37,810
♪ Oh, yeah ♪
588
00:36:40,910 --> 00:36:42,080
(audience cheering)
589
00:36:53,110 --> 00:36:54,260
(cheering continues)
590
00:37:05,270 --> 00:37:08,720
All right.
This is a very special night for me.
591
00:37:08,760 --> 00:37:10,210
A very emotional night for me.
592
00:37:10,710 --> 00:37:11,790
And, uh… (clears throat)
593
00:37:14,500 --> 00:37:16,670
it's been a long journey and, uh…
594
00:37:18,170 --> 00:37:19,200
(audience cheering)
595
00:37:24,320 --> 00:37:27,680
I first came here to America in 1970
596
00:37:27,710 --> 00:37:30,730
to the City of Angels, Los Angeles.
597
00:37:32,480 --> 00:37:34,620
And I played at a club called
The Troubadour Club,
598
00:37:36,190 --> 00:37:38,000
which thankfully is still there.
599
00:37:39,640 --> 00:37:41,570
And it helped me.
600
00:37:42,440 --> 00:37:45,590
It accelerated my career in America
with a review I got
601
00:37:45,630 --> 00:37:47,580
from Robert Hilburn from the LA Times.
602
00:37:48,000 --> 00:37:49,850
And I'm so… I'll never forget that.
603
00:37:50,550 --> 00:37:53,590
And I had an album out at the time
called Elton John.
604
00:37:54,350 --> 00:37:57,170
My first single from that album
was called "Border Song."
605
00:37:58,770 --> 00:38:00,860
When we put our single out,
606
00:38:01,530 --> 00:38:04,330
Aretha Franklin covered the song
and put her version out.
607
00:38:05,200 --> 00:38:08,200
And so, Bernie and I,
being young English kids
608
00:38:08,220 --> 00:38:09,390
and young songwriters,
609
00:38:10,200 --> 00:38:12,020
we're so knocked out,
610
00:38:12,050 --> 00:38:16,660
so flabbergasted that the Queen of Soul
had recorded one of our songs,
611
00:38:17,080 --> 00:38:19,090
that it was probably one
of the most exciting things
612
00:38:19,130 --> 00:38:21,660
that had happened to us
up to that point in our career.
613
00:38:22,400 --> 00:38:27,270
And in the years that followed,
I got to meet her and thank her for it.
614
00:38:28,000 --> 00:38:31,010
And I sang with her and I recorded
with her and I played with her.
615
00:38:31,460 --> 00:38:32,440
And I hung with her.
616
00:38:33,330 --> 00:38:38,250
And it was just a surreal experience
to be in the company of such genius.
617
00:38:38,700 --> 00:38:41,030
And her last ever show
was in New York City,
618
00:38:41,330 --> 00:38:44,950
at St. John the Divine Cathedral
for the Elton John AIDS Foundation.
619
00:38:45,640 --> 00:38:49,160
And she was really, really sick.
It was six months before she passed away.
620
00:38:49,440 --> 00:38:50,330
She was this thin.
621
00:38:50,860 --> 00:38:53,430
And before the show began,
I went backstage and said,
622
00:38:53,460 --> 00:38:57,800
"Aretha, let me do it. You're so frail.
I'll do it, it's not a problem."
623
00:38:58,030 --> 00:39:00,900
And she said, "Honey, two years ago,
I was supposed to be here,
624
00:39:00,940 --> 00:39:02,090
and I let you down.
625
00:39:02,120 --> 00:39:03,720
I'm not letting you down again."
626
00:39:04,290 --> 00:39:08,390
And she came out and sat at a piano
like this one with an incredible band.
627
00:39:08,830 --> 00:39:12,250
And for an hour and 20 minutes
she blew the roof off the cathedral.
628
00:39:12,950 --> 00:39:16,170
And those of us that were lucky
enough to be there, 1500 people,
629
00:39:16,620 --> 00:39:19,640
were in tears
because it was an incredible performance
630
00:39:19,670 --> 00:39:21,240
under the circumstances.
631
00:39:21,540 --> 00:39:24,010
And I think she was inspired
by her surroundings,
632
00:39:24,510 --> 00:39:25,910
but it was phenomenal.
633
00:39:26,510 --> 00:39:28,500
And so I want to dedicate this song
634
00:39:29,180 --> 00:39:32,970
to the lasting genius
and legacy of Aretha Franklin.
635
00:39:33,290 --> 00:39:34,500
("Border Song" playing)
636
00:39:41,210 --> 00:39:46,030
♪ Holy Moses, I've been removed ♪
637
00:39:47,520 --> 00:39:52,940
♪ I've seen the specter
he has been here, too ♪
638
00:39:53,810 --> 00:39:56,560
♪ Distant calling from down the line ♪
639
00:39:57,110 --> 00:39:59,850
♪ Ran with people who ain't my kind ♪
640
00:40:02,330 --> 00:40:08,070
♪ Holy Moses, I've been removed ♪
641
00:40:14,160 --> 00:40:19,060
♪ Holy Moses, I have been deceived ♪
642
00:40:20,300 --> 00:40:25,520
♪ Now the wind has changed direction
I think I have to leave ♪
643
00:40:26,720 --> 00:40:32,180
♪ Won't you please excuse my frankness
but it's not my cup of tea ♪
644
00:40:35,160 --> 00:40:40,870
♪ Holy Moses, I have been deceived ♪
645
00:40:45,160 --> 00:40:48,840
♪ I'm going back to the border
where my affairs ♪
646
00:40:48,880 --> 00:40:51,030
♪ My affairs ain't abused ♪
647
00:40:52,010 --> 00:40:54,850
♪ I can't take any more bad water ♪
648
00:40:54,880 --> 00:40:59,460
♪ Been poisoned from my head
down to my shoes ♪
649
00:41:00,870 --> 00:41:04,410
♪ Oh ♪
650
00:41:08,230 --> 00:41:09,310
(instrumental)
651
00:41:29,700 --> 00:41:35,960
♪ Holy Moses, I have been deceived ♪
652
00:41:41,400 --> 00:41:46,030
♪ Holy Moses, let us live in peace ♪
653
00:41:47,400 --> 00:41:49,720
♪ Let us strive to find a way ♪
654
00:41:50,040 --> 00:41:52,730
♪ To make our hatred cease ♪
655
00:41:53,890 --> 00:41:56,380
♪ Never mind over there ♪
656
00:41:57,050 --> 00:41:59,880
♪ What's his color, I don't care ♪
657
00:42:02,350 --> 00:42:06,710
♪ He's my brother let us live in peace ♪
658
00:42:08,540 --> 00:42:13,060
♪ He's my brother let us live in peace ♪
659
00:42:14,530 --> 00:42:17,570
♪ He's my brother, I said let us ♪
660
00:42:18,600 --> 00:42:22,620
♪ Let us live in peace ♪
661
00:42:28,930 --> 00:42:30,430
(audience cheering)
662
00:42:44,410 --> 00:42:45,740
("Tiny Dancer" playing)
663
00:43:26,150 --> 00:43:30,720
♪ Blue jean baby, LA lady ♪
664
00:43:33,430 --> 00:43:36,080
♪ Seamstress for the band ♪
665
00:43:38,900 --> 00:43:44,120
♪ Pretty eyed, pirate smile ♪
666
00:43:46,100 --> 00:43:48,510
♪ You'll marry a music man ♪
667
00:43:52,040 --> 00:43:56,430
♪ Ballerina, you must have seen her ♪
668
00:43:58,970 --> 00:44:01,670
♪ Dancing in the sand ♪
669
00:44:04,470 --> 00:44:09,310
♪ And now she's in me always with me ♪
670
00:44:10,780 --> 00:44:14,680
♪ Tiny dancer in my hand ♪
671
00:44:23,580 --> 00:44:28,060
♪ Jesus freaks out on the street ♪
672
00:44:30,070 --> 00:44:33,500
♪ Handing tickets out for God ♪
673
00:44:36,570 --> 00:44:41,440
♪ Turning back, she just laughs ♪
674
00:44:43,200 --> 00:44:46,160
♪ The boulevard is not that bad ♪
675
00:44:49,900 --> 00:44:54,410
♪ Piano man, he makes his stand ♪
676
00:44:56,710 --> 00:44:59,180
♪ In the auditorium ♪
677
00:45:02,750 --> 00:45:07,750
♪ Looking on, she sings the songs ♪
678
00:45:09,200 --> 00:45:13,390
♪ The words, she knows
the tune, she hums ♪
679
00:45:22,330 --> 00:45:27,720
♪ But oh, how real it feels
lying here, with no one near ♪
680
00:45:28,020 --> 00:45:32,580
♪ Only you and you can hear me ♪
681
00:45:33,800 --> 00:45:39,400
♪ When I say softly, slowly ♪
682
00:45:42,140 --> 00:45:45,370
♪ Hold me closer, tiny dancer ♪
683
00:45:48,590 --> 00:45:52,400
♪ And count the headlights
on the highway ♪
684
00:45:55,130 --> 00:45:58,750
♪ Lay me down in sheets of linen ♪
685
00:46:01,820 --> 00:46:04,680
♪ You had a busy day today ♪
686
00:46:08,560 --> 00:46:11,950
♪ Hold me closer, tiny dancer ♪
687
00:46:15,000 --> 00:46:18,570
♪ And count the headlights
on the highway ♪
688
00:46:21,540 --> 00:46:25,400
♪ Lay me down in sheets of linen ♪
689
00:46:28,230 --> 00:46:31,320
♪ You had a busy day today ♪
690
00:46:50,670 --> 00:46:55,440
♪ Blue jean baby, LA Lady ♪
691
00:46:58,130 --> 00:47:00,750
♪ Seamstress for the band ♪
692
00:47:03,740 --> 00:47:08,490
♪ Pretty eyed, a pirate smile ♪
693
00:47:11,180 --> 00:47:13,850
♪ You'll marry a music man ♪
694
00:47:17,170 --> 00:47:21,250
♪ Ballerina, oh, you must have seen her ♪
695
00:47:23,770 --> 00:47:26,370
♪ She was dancing in the sand ♪
696
00:47:30,050 --> 00:47:35,320
♪ And now she's in me always with me ♪
697
00:47:36,620 --> 00:47:40,420
♪ Tiny dancer in my hand ♪
698
00:47:49,300 --> 00:47:54,890
♪ But, oh, how real it feels
lying here, with no one near ♪
699
00:47:55,370 --> 00:47:59,980
♪ Only you and you can hear me ♪
700
00:48:01,060 --> 00:48:06,630
♪ When I say softly, slowly ♪
701
00:48:09,430 --> 00:48:13,160
♪ Hold me closer tiny dancer ♪
702
00:48:15,870 --> 00:48:19,180
♪ And count the headlights
on the highway ♪
703
00:48:22,410 --> 00:48:25,980
♪ Lay me down in sheets of linen ♪
704
00:48:29,070 --> 00:48:31,710
♪ You had a busy day today ♪
705
00:48:35,830 --> 00:48:39,410
♪ Hold me closer, tiny dancer ♪
706
00:48:42,270 --> 00:48:45,950
♪ And count the headlights
on the highway ♪
707
00:48:48,740 --> 00:48:52,710
♪ Lay me down in sheets of linen ♪
708
00:48:55,530 --> 00:48:58,500
♪ You had a busy day today ♪
709
00:49:13,600 --> 00:49:14,430
♪ Oh, yeah ♪
710
00:49:27,330 --> 00:49:28,460
(audience cheering)
711
00:49:55,540 --> 00:49:56,890
All right. We're going to do a song now
712
00:49:56,930 --> 00:50:00,050
that we haven't done live
for quite some time
713
00:50:00,860 --> 00:50:02,550
from the album Don't Shoot Me,
714
00:50:02,580 --> 00:50:04,700
I'm on the piano
for the half of the early '70s.
715
00:50:05,220 --> 00:50:07,490
This features our guitarist, David Johnson
716
00:50:08,270 --> 00:50:10,310
and it's called,
"Have Mercy on the Criminal."
717
00:50:12,620 --> 00:50:14,340
("Have Mercy on the Criminal" playing)
718
00:50:35,050 --> 00:50:37,920
♪ Have you heard in the darks of night ♪
719
00:50:39,630 --> 00:50:42,900
♪ Somewhere on the hill ♪
720
00:50:46,990 --> 00:50:49,580
♪ Chasing some poor criminal ♪
721
00:50:51,010 --> 00:50:55,930
♪ And I guess they're out to kill ♪
722
00:50:59,600 --> 00:51:04,440
♪ Oh, there must be shackles on his feet ♪
723
00:51:05,710 --> 00:51:09,730
♪ And mother in his eyes ♪
724
00:51:13,050 --> 00:51:16,300
♪ Stumbling through the devil-dark ♪
725
00:51:17,120 --> 00:51:21,560
♪ With the hound pack in full cry ♪
726
00:51:25,850 --> 00:51:30,050
♪ Have mercy on the criminal ♪
727
00:51:31,490 --> 00:51:33,610
♪ Who is running from the law ♪
728
00:51:38,640 --> 00:51:42,200
♪ Are you blind to the winds of change? ♪
729
00:51:42,960 --> 00:51:45,050
♪ Don't you hear him anymore? ♪
730
00:51:50,040 --> 00:51:52,710
♪ Saying, "Lord, you got to help me ♪
731
00:51:54,910 --> 00:51:58,510
♪ I am never gonna sin again ♪
732
00:52:00,200 --> 00:52:05,420
♪ Just take these chains
from around my legs ♪
733
00:52:05,750 --> 00:52:10,280
♪ Sweet Jesus, I'll be your friend" ♪
734
00:52:14,380 --> 00:52:18,900
♪ Now have you ever seen
all the white teeth gleam ♪
735
00:52:20,370 --> 00:52:24,760
♪ While you lie on a cold, damp ground ♪
736
00:52:27,010 --> 00:52:30,580
♪ You're taking in the face
of a rifle butt ♪
737
00:52:32,050 --> 00:52:36,330
♪ While the wardens hold you down ♪
738
00:52:40,740 --> 00:52:45,580
♪ And you've never seen
a friend in years ♪
739
00:52:46,580 --> 00:52:49,980
♪ Oh, it turns your heart to stone ♪
740
00:52:53,270 --> 00:52:57,560
♪ You jump the walls
and the dogs run free ♪
741
00:52:58,360 --> 00:53:02,830
♪ And the grave's gonna be your home ♪
742
00:53:06,870 --> 00:53:11,570
♪ Have mercy on the criminal ♪
743
00:53:12,700 --> 00:53:14,520
♪ Who is running from the law ♪
744
00:53:19,880 --> 00:53:23,310
♪ Are you blind to the winds of change? ♪
745
00:53:24,280 --> 00:53:26,200
♪ Don't you hear him anymore? ♪
746
00:53:31,420 --> 00:53:33,980
♪ Saying, "Lord, You got to help me"♪
747
00:53:36,140 --> 00:53:39,730
♪ I am never gonna sin again ♪
748
00:53:41,620 --> 00:53:46,970
♪ Just take these chains
from around my legs ♪
749
00:53:47,290 --> 00:53:51,790
♪ Sweet Jesus, I'll be your friend" ♪
750
00:53:52,410 --> 00:53:53,760
(instrumental)
751
00:54:48,600 --> 00:54:54,140
♪ Oh, have mercy on the criminal ♪
752
00:54:55,160 --> 00:54:57,180
♪ Who is running from the law ♪
753
00:55:02,630 --> 00:55:06,100
♪ Are you blind to the winds of change? ♪
754
00:55:06,800 --> 00:55:09,170
♪ Don't you hear him anymore? ♪
755
00:55:13,980 --> 00:55:16,760
♪ Saying, "Lord, you got to help me ♪
756
00:55:19,010 --> 00:55:22,520
♪ I am never gonna sin again ♪
757
00:55:24,920 --> 00:55:29,520
♪ Just take these chains
from around my legs ♪
758
00:55:30,230 --> 00:55:35,180
♪ Sweet Jesus, I'll be your friend" ♪
759
00:55:37,180 --> 00:55:38,180
(audience cheering)
760
00:55:55,450 --> 00:55:56,430
(cheering continues)
761
00:56:01,020 --> 00:56:05,090
(inaudible)
762
00:56:17,520 --> 00:56:18,990
(man speaking indistinctly on radio)
763
00:56:19,020 --> 00:56:24,760
Five, four, three, two, one.
764
00:56:24,800 --> 00:56:25,880
(rumbling sounds)
765
00:56:44,180 --> 00:56:48,250
♪ She packed my bags
last night, preflight ♪
766
00:56:50,890 --> 00:56:53,960
♪ Zero hour, 9:00 AM ♪
767
00:56:57,030 --> 00:57:03,970
♪ And I'm gonna be high
as a kite by then ♪
768
00:57:10,290 --> 00:57:14,430
♪ I miss the Earth so much
I miss my wife ♪
769
00:57:17,570 --> 00:57:20,170
♪ It's lonely out in space ♪
770
00:57:23,170 --> 00:57:29,880
♪ On such a timeless flight ♪
771
00:57:35,720 --> 00:57:39,050
♪ And I think it's gonna be
a long, long time ♪
772
00:57:39,250 --> 00:57:42,540
♪ 'Til touch down brings me
'round again to find ♪
773
00:57:42,840 --> 00:57:46,190
♪ I'm not the man
they think I am at home ♪
774
00:57:47,830 --> 00:57:49,980
♪ Oh, I'm a rocket man ♪
775
00:57:51,930 --> 00:57:53,170
♪ Rocket man ♪
776
00:57:53,620 --> 00:57:56,820
♪ Burning out his fuse up here alone ♪
777
00:58:02,480 --> 00:58:06,100
♪ And I think it's gonna be
a long, long time ♪
778
00:58:06,130 --> 00:58:09,700
♪ 'Til touchdown brings me
'round again to find ♪
779
00:58:09,730 --> 00:58:13,040
♪ I'm not the man
they think I am at home ♪
780
00:58:15,360 --> 00:58:17,130
♪ I'm a rocket man ♪
781
00:58:18,930 --> 00:58:20,260
♪ Rocket man ♪
782
00:58:20,650 --> 00:58:23,730
♪ Burning out his fuse up here alone ♪
783
00:58:30,040 --> 00:58:32,170
♪ Mars ain't the kind of place ♪
784
00:58:32,590 --> 00:58:34,440
♪ To raise your kids ♪
785
00:58:37,510 --> 00:58:40,420
♪ In fact it's cold as hell ♪
786
00:58:42,880 --> 00:58:47,120
♪ And there's no one there to raise them ♪
787
00:58:48,120 --> 00:58:49,520
♪ If you did ♪
788
00:58:55,930 --> 00:58:57,400
♪ And all this science ♪
789
00:58:58,150 --> 00:58:59,630
♪ I don't understand ♪
790
00:59:02,450 --> 00:59:05,840
♪ It's just my job five days a week ♪
791
00:59:07,690 --> 00:59:12,700
♪ A rocket man ♪
792
00:59:14,470 --> 00:59:16,070
♪ A rocket man ♪
793
00:59:22,590 --> 00:59:25,960
♪ And I think it's gonna be
a long, long time ♪
794
00:59:25,990 --> 00:59:29,600
♪ 'Til touchdown brings me
'round again to find ♪
795
00:59:29,630 --> 00:59:32,980
♪ I'm not the man they think
I am at home ♪
796
00:59:35,270 --> 00:59:37,170
♪ I'm a rocket man ♪
797
00:59:38,740 --> 00:59:40,370
♪ Rocket man ♪
798
00:59:40,830 --> 00:59:43,680
♪ Burning out his fuse up here alone ♪
799
00:59:49,830 --> 00:59:52,990
♪ And I think it's gonna be
along, long time ♪
800
00:59:53,190 --> 00:59:56,640
♪ 'Til touchdown brings me
'round again to find ♪
801
00:59:56,940 --> 01:00:00,060
♪ I'm not the man they think
I am at home ♪
802
01:00:02,560 --> 01:00:04,270
♪ I'm a rocket man ♪
803
01:00:06,070 --> 01:00:07,350
♪ Rocket man ♪
804
01:00:07,800 --> 01:00:10,890
♪ Burning out his fuse up here alone ♪
805
01:00:14,460 --> 01:00:17,780
♪ And I think it's gonna be
a long, long time ♪
806
01:00:21,550 --> 01:00:24,570
♪ I think it's gonna be
a long, long time ♪
807
01:00:29,210 --> 01:00:32,240
♪ It's gonna be a long, long time ♪
808
01:00:35,210 --> 01:00:39,120
♪ It's gonna be a long, long time ♪
809
01:00:43,070 --> 01:00:47,260
♪ Ooh ♪
810
01:00:49,060 --> 01:00:51,330
(audience cheering)
811
01:00:53,610 --> 01:00:54,780
(instrumental)
812
01:01:06,490 --> 01:01:07,660
(instrumental continues)
813
01:01:21,290 --> 01:01:22,460
(instrumental continues)
814
01:01:41,810 --> 01:01:42,980
(instrumental continues)
815
01:01:53,560 --> 01:01:54,740
(instrumental continues)
816
01:02:15,350 --> 01:02:16,510
(instrumental continues)
817
01:02:34,700 --> 01:02:35,780
(instrumental continues)
818
01:02:48,080 --> 01:02:49,680
(audience whistling)
819
01:03:10,470 --> 01:03:11,640
(instrumental continues)
820
01:03:24,620 --> 01:03:25,850
♪ Rocket man ♪
821
01:03:30,520 --> 01:03:35,130
♪ Ooh ♪
822
01:03:37,660 --> 01:03:42,980
♪ Oh ♪
823
01:03:50,340 --> 01:03:51,530
(instrumental continues)
824
01:04:12,380 --> 01:04:13,550
(instrumental continues)
825
01:04:27,910 --> 01:04:29,050
♪ Rocket man ♪
826
01:04:29,610 --> 01:04:30,450
♪ Rocket man ♪
827
01:04:31,080 --> 01:04:32,020
♪ Rocket man ♪
828
01:04:32,720 --> 01:04:33,620
♪ Rocket man ♪
829
01:04:34,200 --> 01:04:35,070
♪ Rocket man ♪
830
01:04:35,940 --> 01:04:36,850
♪ Rocket man ♪
831
01:04:37,810 --> 01:04:38,640
♪ Yeah ♪
832
01:04:40,640 --> 01:04:41,490
♪ Yeah ♪
833
01:04:45,630 --> 01:04:46,800
(instrumental continues)
834
01:05:00,480 --> 01:05:01,650
(instrumental continues)
835
01:05:07,220 --> 01:05:08,300
(audience cheering)
836
01:05:12,040 --> 01:05:13,740
♪ Ooh ♪
837
01:05:16,010 --> 01:05:16,840
♪ Oh ♪
838
01:05:19,280 --> 01:05:20,310
♪ Oh ♪
839
01:05:24,170 --> 01:05:27,120
♪ I think it's gonna be
a long, long time ♪
840
01:05:30,930 --> 01:05:34,350
♪ I think it's gonna be
a long, long time ♪
841
01:05:41,120 --> 01:05:42,290
(instrumental continues)
842
01:05:52,980 --> 01:05:54,320
(instrumental continues)
843
01:06:06,760 --> 01:06:08,100
(cheering continues)
844
01:06:23,760 --> 01:06:24,930
(cheering continues)
845
01:06:39,490 --> 01:06:40,660
(cheering continues)
846
01:06:59,050 --> 01:07:00,210
(cheering continues)
847
01:07:18,530 --> 01:07:19,530
(cheering continues)
848
01:07:35,420 --> 01:07:36,570
(cheering continues)
849
01:07:45,730 --> 01:07:47,160
("Take Me to the Pilot" playing)
850
01:08:13,070 --> 01:08:15,540
♪ If you feel that it's real ♪
851
01:08:15,810 --> 01:08:17,040
♪ I'm on trial ♪
852
01:08:17,320 --> 01:08:20,010
♪ And I'm here in your prison ♪
853
01:08:21,600 --> 01:08:23,580
♪ Like a coin in your mint ♪
854
01:08:24,110 --> 01:08:25,270
♪ I am dented ♪
855
01:08:25,500 --> 01:08:28,070
♪ And I'm spent with high treason ♪
856
01:08:30,590 --> 01:08:32,710
♪ Through a glass eye, your throne ♪
857
01:08:33,160 --> 01:08:35,740
♪ Is the one danger zone ♪
858
01:08:35,780 --> 01:08:39,050
♪ Take me to the pilot for control ♪
859
01:08:41,280 --> 01:08:44,570
♪ Take me to the pilot of your soul ♪
860
01:08:46,090 --> 01:08:47,490
♪ Take me to the pilot ♪
861
01:08:47,520 --> 01:08:48,860
♪ Lead me through the chamber ♪
862
01:08:48,890 --> 01:08:50,090
♪ Take me to the pilot ♪
863
01:08:50,120 --> 01:08:51,340
♪ I am but a stranger ♪
864
01:08:51,640 --> 01:08:52,940
♪ Take me to the pilot ♪
865
01:08:52,980 --> 01:08:54,330
♪ Lead me through the chamber ♪
866
01:08:54,360 --> 01:08:55,380
♪ Take me to the pilot ♪
867
01:08:55,700 --> 01:08:56,800
♪ I am but a stranger ♪
868
01:08:57,060 --> 01:08:59,400
♪ Na-na-na, na-na-na ♪
869
01:08:59,970 --> 01:09:01,990
♪ Na-na-na, na-na-na-na-na ♪
870
01:09:02,500 --> 01:09:04,810
♪ Na-na-na, na-na-na ♪
871
01:09:05,210 --> 01:09:07,340
♪ Na-na-na, na-na-na-na-na ♪
872
01:09:16,450 --> 01:09:18,590
♪ Well, I know he's not old ♪
873
01:09:20,020 --> 01:09:20,900
♪ And I'm told ♪
874
01:09:20,940 --> 01:09:23,070
♪ And I'm told he's a virgin ♪
875
01:09:25,140 --> 01:09:26,990
♪ Oh, he may be she ♪
876
01:09:27,460 --> 01:09:28,430
♪ What I'm told ♪
877
01:09:29,200 --> 01:09:31,300
♪ Is never, never for certain ♪
878
01:09:33,880 --> 01:09:36,070
♪ Through a glass eye, your throne ♪
879
01:09:36,500 --> 01:09:38,860
♪ Is the one danger zone ♪
880
01:09:39,120 --> 01:09:42,310
♪ Take me to the pilot for control ♪
881
01:09:44,730 --> 01:09:47,830
♪ Take me to the pilot of your soul ♪
882
01:09:49,550 --> 01:09:50,880
♪ Take me to the pilot ♪
883
01:09:50,920 --> 01:09:52,020
♪ Lead me through the chamber ♪
884
01:09:52,320 --> 01:09:53,500
♪ Take me to the pilot ♪
885
01:09:53,540 --> 01:09:54,890
♪ I am but a stranger ♪
886
01:09:54,920 --> 01:09:56,360
♪ Take me to the pilot ♪
887
01:09:56,390 --> 01:09:57,560
♪ Lead me through the chamber ♪
888
01:09:57,760 --> 01:09:59,090
♪ Take me to the pilot ♪
889
01:09:59,130 --> 01:10:00,290
♪ I am but a stranger ♪
890
01:10:00,560 --> 01:10:02,750
♪ Na-na-na, na-na-na ♪
891
01:10:03,230 --> 01:10:05,450
♪ Na-na-na, na-na-na-na-na ♪
892
01:10:05,980 --> 01:10:08,170
♪ Na-na-na, na-na-na ♪
893
01:10:08,790 --> 01:10:11,070
♪ Na-na-na, na-na-na-na-na, yeah ♪
894
01:10:19,480 --> 01:10:20,310
♪ Yeah ♪
895
01:10:36,930 --> 01:10:39,300
♪ Trough a glass eye, your throne ♪
896
01:10:39,700 --> 01:10:42,120
♪ Is the one danger zone ♪
897
01:10:42,150 --> 01:10:45,570
♪ Take me to the pilot for control ♪
898
01:10:47,770 --> 01:10:51,780
♪ Take me to the pilot of your soul ♪
899
01:10:52,580 --> 01:10:53,980
♪ Take me to the pilot ♪
900
01:10:54,010 --> 01:10:55,420
♪ Lead me through the chamber ♪
901
01:10:55,450 --> 01:10:56,580
♪ Take me to the pilot ♪
902
01:10:56,950 --> 01:10:58,100
♪ I am but a stranger ♪
903
01:10:58,140 --> 01:10:59,450
♪ Take me to the pilot ♪
904
01:10:59,490 --> 01:11:00,590
♪ Lead me through the chamber ♪
905
01:11:00,870 --> 01:11:02,160
♪ Take me to the pilot ♪
906
01:11:02,190 --> 01:11:04,270
♪ I am but a stranger ♪
907
01:11:04,310 --> 01:11:06,960
♪ Na-na-na, na-na-na-na-na ♪
908
01:11:07,190 --> 01:11:09,650
♪ Na-na-na, na-na-na-na-na ♪
909
01:11:09,680 --> 01:11:11,780
♪ Na-na-na, na-na-na ♪
910
01:11:11,820 --> 01:11:13,950
♪ Na-na-na, na-na-na-na-na ♪
911
01:11:14,650 --> 01:11:15,800
♪ Yeah, take me ♪
912
01:11:16,440 --> 01:11:17,290
♪ Take me ♪
913
01:11:17,740 --> 01:11:19,490
♪ Take me to the pilot ♪
914
01:11:20,510 --> 01:11:21,360
♪ Take me ♪
915
01:11:21,910 --> 01:11:22,740
♪ Take me ♪
916
01:11:23,230 --> 01:11:24,960
♪ Take me to the pilot ♪
917
01:11:30,430 --> 01:11:31,440
(instrumental)
918
01:11:35,370 --> 01:11:36,210
♪ Yeah ♪
919
01:12:00,360 --> 01:12:01,570
(audience continues)
920
01:12:22,740 --> 01:12:24,400
One of my favorite albums that we recorded
921
01:12:25,540 --> 01:12:28,080
was called Captain Fantastic
and the Brown Dirt Cowboy.
922
01:12:28,410 --> 01:12:30,190
(audience cheering)
923
01:12:30,230 --> 01:12:34,200
And one of my favorite songs
I ever wrote came from that album.
924
01:12:34,650 --> 01:12:37,370
It's called
"Someone Saved My Life Tonight".
925
01:12:37,570 --> 01:12:39,450
("Someone Saved My Life Tonight" playing)
926
01:12:51,820 --> 01:12:54,940
♪ When I think of those East End lights ♪
927
01:12:55,170 --> 01:12:56,340
♪ Muggy nights ♪
928
01:12:56,370 --> 01:13:01,070
♪ The curtains drawn
in the little room downstairs ♪
929
01:13:03,260 --> 01:13:06,080
♪ Prima Donna, Lord
you really should've been there ♪
930
01:13:06,550 --> 01:13:11,440
♪ Sittin' like a princess perched
in her electric chair ♪
931
01:13:13,220 --> 01:13:14,640
♪ And it's one more beer ♪
932
01:13:14,910 --> 01:13:19,460
♪ And I don't hear you anymore ♪
933
01:13:19,710 --> 01:13:22,260
♪ We've all gone crazy lately ♪
934
01:13:23,110 --> 01:13:27,870
♪ My friend's out there
rollin' 'round the basement floor ♪
935
01:13:28,670 --> 01:13:31,560
♪ Ooh ♪
936
01:13:33,670 --> 01:13:36,010
♪ And someone saved my life tonight ♪
937
01:13:36,480 --> 01:13:40,160
-♪ Sugar bear ♪
-♪ Sugar bear ♪
938
01:13:40,200 --> 01:13:44,500
♪ You almost had your hooks in me
didn't you, dear? ♪
939
01:13:45,020 --> 01:13:48,490
♪ You nearly had me roped and tied ♪
940
01:13:49,760 --> 01:13:55,500
♪ Altar-bound, hypnotized
sweet freedom whispered in my ear ♪
941
01:13:55,850 --> 01:13:57,660
♪ You're a butterfly ♪
942
01:13:59,280 --> 01:14:02,120
♪ And butterflies are free to fly ♪
943
01:14:02,590 --> 01:14:03,850
♪ Fly away ♪
944
01:14:05,940 --> 01:14:08,030
♪ High away ♪
945
01:14:08,490 --> 01:14:10,480
♪ Bye-bye ♪
946
01:14:10,510 --> 01:14:13,360
♪ Ooh ♪
947
01:14:32,920 --> 01:14:37,500
♪ I never realized the passin' hours
of evening showers ♪
948
01:14:37,540 --> 01:14:42,090
♪ A slip noose hanging
in my darkest dreams ♪
949
01:14:44,090 --> 01:14:47,060
♪ I'm strangled
by your haunted social scene ♪
950
01:14:47,730 --> 01:14:52,070
♪ Just a pawn out-played
by a dominating queen ♪
951
01:14:54,270 --> 01:14:56,640
♪ It's four o'clock in the morning ♪
952
01:14:57,010 --> 01:14:59,590
♪ Damn it, listen to me good ♪
953
01:15:00,740 --> 01:15:03,680
♪ I'm sleeping with myself tonight ♪
954
01:15:04,410 --> 01:15:09,270
♪ Saved in time
thank God my music's still alive ♪
955
01:15:09,940 --> 01:15:12,690
♪ Oh ♪
956
01:15:14,690 --> 01:15:17,240
♪ And someone saved my life tonight ♪
957
01:15:17,690 --> 01:15:21,430
-♪ Sugar bear ♪
-♪ Sugar bear ♪
958
01:15:21,470 --> 01:15:25,840
♪ You almost had your hooks in me
didn't you, dear? ♪
959
01:15:26,440 --> 01:15:30,020
♪ You nearly had me roped and tied ♪
960
01:15:31,240 --> 01:15:33,890
♪ Altar-bound, hypnotized ♪
961
01:15:33,930 --> 01:15:37,160
♪ Sweet freedom whispered in my ear ♪
962
01:15:37,480 --> 01:15:39,270
♪ You're a butterfly ♪
963
01:15:41,050 --> 01:15:43,920
♪ And butterflies are free to fly ♪
964
01:15:44,490 --> 01:15:45,810
♪ Fly away ♪
965
01:15:48,020 --> 01:15:50,210
♪ High away ♪
966
01:15:50,610 --> 01:15:52,900
♪ Bye-bye ♪
967
01:15:52,930 --> 01:15:55,730
♪ Ooh ♪
968
01:16:15,250 --> 01:16:17,690
♪ And I would've walked head on ♪
969
01:16:17,720 --> 01:16:20,810
♪ Into the deep end of the river ♪
970
01:16:21,630 --> 01:16:23,660
♪ Clinging to your stocks and bonds ♪
971
01:16:24,060 --> 01:16:27,300
♪ Paying your HP demands forever ♪
972
01:16:28,400 --> 01:16:30,330
♪ They're coming in the morning ♪
973
01:16:30,620 --> 01:16:33,450
♪ With a truck to take me home ♪
974
01:16:35,110 --> 01:16:37,460
♪ Someone saved my life tonight ♪
975
01:16:38,410 --> 01:16:41,410
♪ Someone saved my life tonight ♪
976
01:16:41,630 --> 01:16:44,250
♪ Someone saved my life tonight ♪
977
01:16:45,080 --> 01:16:48,050
♪ Someone saved my life tonight ♪
978
01:16:48,470 --> 01:16:50,770
♪ Someone saved my life tonight ♪
979
01:16:51,150 --> 01:16:52,590
♪ So save your strength ♪
980
01:16:52,840 --> 01:16:56,180
♪ And run the field you play alone ♪
981
01:16:58,650 --> 01:17:01,210
♪ Someone saved my life tonight ♪
982
01:17:01,520 --> 01:17:05,240
-♪ Sugar bear ♪
-♪ Sugar bear ♪
983
01:17:05,270 --> 01:17:09,940
♪ You almost had your hooks in me
didn't you, dear? ♪
984
01:17:10,320 --> 01:17:13,790
♪ You nearly had me roped and tied ♪
985
01:17:15,160 --> 01:17:17,830
♪ Altar-bound, hypnotized ♪
986
01:17:17,860 --> 01:17:21,050
♪ Sweet freedom whispered in my ear ♪
987
01:17:21,420 --> 01:17:23,170
♪ You're a butterfly ♪
988
01:17:25,120 --> 01:17:27,820
♪ Butterflies are free to fly ♪
989
01:17:28,430 --> 01:17:29,730
♪ Fly away ♪
990
01:17:31,880 --> 01:17:34,150
♪ High away ♪
991
01:17:34,430 --> 01:17:35,770
♪ Bye-bye ♪
992
01:17:37,750 --> 01:17:38,640
♪ Oh, yeah ♪
993
01:17:58,660 --> 01:18:00,540
♪ Someone saved, someone saved ♪
994
01:18:00,570 --> 01:18:02,580
♪ Someone saved my life tonight ♪
995
01:18:02,610 --> 01:18:05,480
♪ Someone saved my life tonight ♪
996
01:18:05,510 --> 01:18:07,180
♪ Someone saved, someone saved ♪
997
01:18:07,210 --> 01:18:09,420
♪ Someone saved my life tonight ♪
998
01:18:09,450 --> 01:18:12,250
♪ Someone saved my life tonight ♪
999
01:18:12,290 --> 01:18:13,870
♪ Someone saved, someone saved ♪
1000
01:18:13,900 --> 01:18:15,790
♪ Someone saved my life tonight ♪
1001
01:18:15,820 --> 01:18:18,940
♪ Someone saved my life tonight ♪
1002
01:18:18,980 --> 01:18:20,660
♪ Someone saved, someone saved ♪
1003
01:18:20,690 --> 01:18:22,510
♪ Someone saved my life tonight ♪
1004
01:18:22,550 --> 01:18:24,700
♪ Someone saved my life tonight ♪
1005
01:18:51,890 --> 01:18:53,630
♪ Someone saved, someone saved ♪
1006
01:18:53,660 --> 01:18:55,460
♪ Someone saved my life tonight ♪
1007
01:18:55,500 --> 01:18:58,750
♪ Someone saved my life tonight ♪
1008
01:18:58,780 --> 01:19:00,380
♪ Someone saved, someone saved ♪
1009
01:19:00,420 --> 01:19:02,190
♪ Someone saved my life tonight ♪
1010
01:19:02,220 --> 01:19:05,520
♪ Someone saved my life tonight ♪
1011
01:19:05,560 --> 01:19:07,160
♪ Someone saved, someone saved ♪
1012
01:19:07,190 --> 01:19:08,930
♪ Someone saved my life tonight ♪
1013
01:19:08,960 --> 01:19:12,450
♪ Someone saved my life tonight ♪
1014
01:19:15,180 --> 01:19:16,020
♪ Hey ♪
1015
01:19:20,840 --> 01:19:23,620
(audience cheers, applause)
1016
01:19:44,190 --> 01:19:46,950
(inaudible)
1017
01:19:58,910 --> 01:20:01,360
("Levon" playing)
1018
01:20:11,620 --> 01:20:15,130
♪ Levon wears his war wound like a crown ♪
1019
01:20:19,200 --> 01:20:22,080
♪ He calls his child Jesus ♪
1020
01:20:25,790 --> 01:20:28,240
♪ 'Cause he likes the name ♪
1021
01:20:30,160 --> 01:20:34,260
♪ And he sends him
to the finest school in town ♪
1022
01:20:36,860 --> 01:20:40,780
♪ Levon, Levon likes his money ♪
1023
01:20:44,450 --> 01:20:47,470
♪ He makes a lot, they say ♪
1024
01:20:50,010 --> 01:20:53,400
♪ Spends his days counting ♪
1025
01:20:55,270 --> 01:20:59,290
♪ In a garage by the motorway ♪
1026
01:21:02,420 --> 01:21:06,190
♪ He was born a pauper to a pawn
on a Christmas Day ♪
1027
01:21:06,230 --> 01:21:08,130
♪ When the New York Times said ♪
1028
01:21:08,160 --> 01:21:11,130
♪ "God is dead and the war's begun" ♪
1029
01:21:11,980 --> 01:21:15,990
♪ Oh, Alvin Tostig has a son today ♪
1030
01:21:19,570 --> 01:21:21,490
♪ And he shall be Levon ♪
1031
01:21:22,710 --> 01:21:24,780
♪ And he shall be a good man ♪
1032
01:21:26,050 --> 01:21:27,950
♪ And he shall be Levon ♪
1033
01:21:29,150 --> 01:21:31,350
♪ In tradition with the family plan ♪
1034
01:21:32,270 --> 01:21:34,250
♪ And he shall be Levon ♪
1035
01:21:35,440 --> 01:21:37,540
♪ And he shall be a good man ♪
1036
01:21:39,790 --> 01:21:43,750
♪ And he shall be Levon ♪
1037
01:21:59,030 --> 01:22:02,230
♪ Levon sells cartoon balloons in town ♪
1038
01:22:06,540 --> 01:22:09,120
♪ His family business thrives ♪
1039
01:22:11,410 --> 01:22:15,360
♪ Jesus, he blows up balloons all day ♪
1040
01:22:17,430 --> 01:22:21,600
♪ Sits on the porch swing
watching them fly ♪
1041
01:22:24,090 --> 01:22:28,070
♪ Jesus, he wants to go to Venus ♪
1042
01:22:31,630 --> 01:22:34,450
♪ Leave Levon far behind ♪
1043
01:22:37,300 --> 01:22:40,750
♪ Take a balloon and go sailing ♪
1044
01:22:42,870 --> 01:22:47,840
♪ While Levon, Levon slowly dies ♪
1045
01:22:49,830 --> 01:22:53,750
♪ He was born a pauper to a pawn
on a Christmas Day ♪
1046
01:22:53,780 --> 01:22:55,690
♪ When the New York Times said ♪
1047
01:22:55,720 --> 01:22:58,560
♪ "God is dead and the war's begun" ♪
1048
01:22:59,560 --> 01:23:04,080
♪ Oh, Alvin Tostig has a son today, yeah ♪
1049
01:23:07,250 --> 01:23:09,200
♪ And he shall be Levon ♪
1050
01:23:10,400 --> 01:23:12,440
♪ And he shall be a good man ♪
1051
01:23:13,570 --> 01:23:15,540
♪ And he shall be Levon ♪
1052
01:23:16,810 --> 01:23:18,930
♪ In tradition with the family plan ♪
1053
01:23:19,980 --> 01:23:21,900
♪ And he shall be Levon ♪
1054
01:23:23,000 --> 01:23:25,180
♪ And he shall be a good man ♪
1055
01:23:27,320 --> 01:23:31,150
♪ And he shall be Levon ♪
1056
01:23:32,440 --> 01:23:34,510
♪ And he shall be Levon ♪
1057
01:23:35,610 --> 01:23:37,680
♪ And he shall be a good man ♪
1058
01:23:38,750 --> 01:23:40,650
♪ And he shall be Levon ♪
1059
01:23:41,900 --> 01:23:44,080
♪ In tradition with the family plan ♪
1060
01:23:45,030 --> 01:23:47,040
♪ And he shall be Levon ♪
1061
01:23:48,170 --> 01:23:50,260
♪ And he shall be a good man ♪
1062
01:23:52,490 --> 01:23:56,200
♪ And he shall be Levon ♪
1063
01:23:57,200 --> 01:24:00,920
♪ He shall be Levon, yeah ♪
1064
01:24:23,820 --> 01:24:26,490
♪ He shall, he shall be ♪
1065
01:24:26,930 --> 01:24:28,960
♪ He shall be Levon ♪
1066
01:24:30,130 --> 01:24:32,800
♪ He shall, he shall be ♪
1067
01:24:33,180 --> 01:24:35,170
♪ He shall be Levon ♪
1068
01:24:36,250 --> 01:24:38,940
♪ He shall, he shall be ♪
1069
01:24:39,320 --> 01:24:41,420
♪ He shall be Levon ♪
1070
01:24:42,430 --> 01:24:45,160
♪ He shall, he shall be ♪
1071
01:24:45,530 --> 01:24:48,280
♪ He shall be Levon, yeah ♪
1072
01:27:13,380 --> 01:27:15,550
♪ Okay, okay ♪
1073
01:27:16,380 --> 01:27:19,030
♪ He shall, he shall be ♪
1074
01:27:19,400 --> 01:27:21,380
♪ He shall be Levon ♪
1075
01:27:22,470 --> 01:27:25,220
♪ He shall, he shall be ♪
1076
01:27:25,520 --> 01:27:27,510
♪ He shall be Levon ♪
1077
01:27:28,570 --> 01:27:31,360
♪ He shall, he shall be ♪
1078
01:27:31,640 --> 01:27:33,530
♪ He shall be Levon ♪
1079
01:27:34,710 --> 01:27:37,400
♪ He shall, He shall be ♪
1080
01:27:37,700 --> 01:27:40,700
♪ He shall be Levon, yeah ♪
1081
01:27:48,310 --> 01:27:50,280
(audience cheers, applause)
1082
01:28:05,750 --> 01:28:06,910
(inaudible)
1083
01:28:35,220 --> 01:28:37,240
("Candle in the Wind" playing)
1084
01:28:41,930 --> 01:28:43,680
♪ Goodbye, Norma Jeane ♪
1085
01:28:44,570 --> 01:28:47,300
♪ Though I never knew you at all ♪
1086
01:28:47,340 --> 01:28:50,210
♪ You had the grace to hold yourself ♪
1087
01:28:50,620 --> 01:28:53,230
♪ While those around you crawled ♪
1088
01:28:55,090 --> 01:28:57,380
♪ They crawled out of the woodwork ♪
1089
01:28:58,860 --> 01:29:01,600
♪ And they whispered into your brain ♪
1090
01:29:01,630 --> 01:29:03,990
♪ They set you on the treadmill ♪
1091
01:29:04,400 --> 01:29:07,120
♪ And they made you change your name ♪
1092
01:29:09,840 --> 01:29:13,350
♪ And it seems to me you lived your life ♪
1093
01:29:13,380 --> 01:29:15,870
♪ Like a candle in the wind ♪
1094
01:29:16,880 --> 01:29:19,770
♪ Never knowing who to cling to ♪
1095
01:29:20,370 --> 01:29:22,520
♪ When the rain set in ♪
1096
01:29:24,140 --> 01:29:26,460
♪ And I would've liked to know you ♪
1097
01:29:26,730 --> 01:29:29,360
♪ But I was just a kid ♪
1098
01:29:29,400 --> 01:29:32,600
♪ Your candle burned out long before ♪
1099
01:29:32,900 --> 01:29:35,100
♪ Your legend ever did ♪
1100
01:29:47,330 --> 01:29:49,580
♪ Loneliness was tough ♪
1101
01:29:50,050 --> 01:29:52,950
♪ The toughest role you ever played ♪
1102
01:29:52,990 --> 01:29:55,520
♪ Hollywood created a superstar ♪
1103
01:29:56,010 --> 01:29:58,840
♪ And pain was the price you paid ♪
1104
01:30:00,460 --> 01:30:02,550
♪ Even when you died ♪
1105
01:30:04,350 --> 01:30:06,870
♪ Oh, the press still hounded you ♪
1106
01:30:06,900 --> 01:30:09,070
♪ All the papers had to say ♪
1107
01:30:09,590 --> 01:30:13,440
♪ Was that Marilyn was found in the nude ♪
1108
01:30:14,960 --> 01:30:18,430
♪ And it seems to me you lived your life ♪
1109
01:30:18,460 --> 01:30:21,130
♪ Like a candle in the wind ♪
1110
01:30:21,960 --> 01:30:24,830
♪ Never knowing who to cling to ♪
1111
01:30:25,380 --> 01:30:27,750
♪ When the rain set in ♪
1112
01:30:29,110 --> 01:30:31,720
♪ And I would've liked to know you ♪
1113
01:30:31,760 --> 01:30:34,080
♪ But I was just a kid ♪
1114
01:30:34,440 --> 01:30:37,650
♪ Your candle burned out long before ♪
1115
01:30:37,900 --> 01:30:40,570
♪ Your legend ever did ♪
1116
01:30:52,800 --> 01:30:54,950
♪ Goodbye, Norma Jeane ♪
1117
01:30:55,460 --> 01:30:58,150
♪ Though I never knew you at all ♪
1118
01:30:58,180 --> 01:31:01,290
♪ You had the grace to hold yourself ♪
1119
01:31:01,570 --> 01:31:04,490
♪ While those around you crawled ♪
1120
01:31:07,090 --> 01:31:08,960
♪ Goodbye, Norma Jeane ♪
1121
01:31:09,280 --> 01:31:12,470
♪ From the young man
in the twenty second row ♪
1122
01:31:12,500 --> 01:31:15,330
♪ Who sees you
as something more than sexual ♪
1123
01:31:15,650 --> 01:31:18,990
♪ More than just our Marilyn Monroe ♪
1124
01:31:21,020 --> 01:31:24,180
♪ It seems to me you lived your life ♪
1125
01:31:24,210 --> 01:31:26,780
♪ Like a candle in the wind ♪
1126
01:31:27,500 --> 01:31:30,550
♪ Never knowing who to cling to ♪
1127
01:31:30,930 --> 01:31:32,900
♪ When the rain set in ♪
1128
01:31:34,720 --> 01:31:37,340
♪ And I would've liked to know you ♪
1129
01:31:37,370 --> 01:31:40,010
♪ But I was just a kid ♪
1130
01:31:40,040 --> 01:31:43,410
♪ Your candle burned out long before ♪
1131
01:31:43,450 --> 01:31:46,070
♪ Your legend ever did ♪
1132
01:31:50,440 --> 01:31:52,840
♪ And I would've liked to know you ♪
1133
01:31:53,070 --> 01:31:57,660
♪ But I was just a kid ♪
1134
01:31:58,210 --> 01:32:01,880
♪ Your candle burned out long before ♪
1135
01:32:03,680 --> 01:32:06,050
♪ Your legend ever did ♪
1136
01:32:09,370 --> 01:32:10,390
ELTON: Oh, yeah.
1137
01:32:10,420 --> 01:32:12,910
(audience cheers, applause)
1138
01:32:38,230 --> 01:32:41,320
(indistinct chattering, cheering)
1139
01:32:56,290 --> 01:32:58,640
(wind whooshing)
1140
01:33:34,010 --> 01:33:36,340
(thunder rumbling)
1141
01:33:37,880 --> 01:33:40,410
(audience cheering)
1142
01:33:45,750 --> 01:33:48,290
(thunder rumbling)
1143
01:34:04,650 --> 01:34:06,940
(audience cheering)
1144
01:34:07,610 --> 01:34:10,280
(thunder rumbling)
1145
01:34:40,910 --> 01:34:43,260
(audience cheering)
1146
01:34:52,230 --> 01:34:55,050
(instrumentals playing)
1147
01:35:55,860 --> 01:35:57,920
(audience cheering)
1148
01:39:03,170 --> 01:39:04,000
Yeah.
1149
01:39:15,230 --> 01:39:16,060
Oh, yeah.
1150
01:39:28,790 --> 01:39:30,560
("Funeral for a Friend/Love Lies Bleeding"
playing)
1151
01:39:52,900 --> 01:39:57,590
♪ The roses in the window box
have tilted to one side ♪
1152
01:39:59,360 --> 01:40:03,910
♪ Everything about this house
is gonna grow and die ♪
1153
01:40:05,150 --> 01:40:09,470
♪ Oh, it doesn't seem
a year ago to this very day ♪
1154
01:40:11,520 --> 01:40:14,970
♪ You said I'm sorry honey
if I don't change the pace ♪
1155
01:40:15,010 --> 01:40:17,210
♪ I can't last another day ♪
1156
01:40:18,680 --> 01:40:21,780
♪ And love lies bleeding in my hand ♪
1157
01:40:23,980 --> 01:40:28,200
♪ Oh, it kills me to think of you
with another man ♪
1158
01:40:30,260 --> 01:40:33,440
♪ I was playing rock and roll
and you were just a fan ♪
1159
01:40:33,790 --> 01:40:37,460
♪ But my guitar couldn't hold you
so, I split the band ♪
1160
01:40:38,880 --> 01:40:42,330
♪ Love lies bleeding in my hands ♪
1161
01:40:54,080 --> 01:40:58,670
♪ I wonder if those changes
have left a scar on you ♪
1162
01:40:59,200 --> 01:41:00,190
(vocalizing)
1163
01:41:00,220 --> 01:41:04,740
♪ All the burning hoops of fire
that you and I passed through ♪
1164
01:41:06,040 --> 01:41:10,280
♪ You're a bluebird on a telegraph line
I hope you're happy now ♪
1165
01:41:12,510 --> 01:41:15,820
♪ If the wind of change
comes down your way girl ♪
1166
01:41:15,850 --> 01:41:18,140
♪ You'll make it back somehow ♪
1167
01:41:19,520 --> 01:41:22,710
♪ And love lies bleeding in my hand ♪
1168
01:41:24,830 --> 01:41:29,030
♪ Oh, it kills me to think of you
with another man ♪
1169
01:41:31,000 --> 01:41:34,250
♪ I was playing rock and roll
and you were just a fan ♪
1170
01:41:34,640 --> 01:41:38,410
♪ But my guitar couldn't hold you
so, I split the band ♪
1171
01:41:39,690 --> 01:41:42,860
♪ Love lies bleeding in my hands ♪
1172
01:41:58,610 --> 01:42:00,930
(cheering)
1173
01:42:30,860 --> 01:42:31,860
♪ Oh, yeah ♪
1174
01:42:43,940 --> 01:42:44,940
♪ Yeah ♪
1175
01:42:50,750 --> 01:42:53,880
♪ And love lies bleeding in my hand ♪
1176
01:42:55,980 --> 01:43:00,090
♪ Oh, it kills me to think of you
with another man ♪
1177
01:43:02,260 --> 01:43:05,410
♪ I was playing rock and roll
and you were just a fan ♪
1178
01:43:05,780 --> 01:43:09,380
♪ But my guitar couldn't hold you
so, I split the band ♪
1179
01:43:10,820 --> 01:43:13,920
♪ Love lies bleeding in my hands ♪
1180
01:43:14,600 --> 01:43:15,440
♪ Oh, yeah ♪
1181
01:43:26,000 --> 01:43:29,700
♪ Ho-oh-oh-oh-oh-oh-oh ♪
1182
01:43:32,290 --> 01:43:35,840
♪ Ho-oh-oh-oh-oh-ho-oh ♪
1183
01:43:38,580 --> 01:43:45,150
♪ Ho-oh-oh-oh-oh-oh ♪
1184
01:43:46,540 --> 01:43:49,690
♪ Love lies bleeding in my hands ♪
1185
01:43:50,010 --> 01:43:51,220
♪ Ho-oh-oh ♪
1186
01:43:51,610 --> 01:43:54,710
♪ Ho-oh-oh-oh-oh ♪
1187
01:43:56,310 --> 01:44:00,880
♪ Ho-oh-oh-oh-oh ♪
1188
01:44:00,920 --> 01:44:01,770
♪ Yeah ♪
1189
01:45:08,370 --> 01:45:10,450
(audience cheers, applause)
1190
01:45:10,490 --> 01:45:11,540
(inaudible)
1191
01:45:31,160 --> 01:45:33,330
That was
"Funeral for a Friend/Love Lies Bleeding"
1192
01:45:33,360 --> 01:45:35,530
from the album Goodbye Yellow Brick Road.
1193
01:45:35,560 --> 01:45:37,330
And now, here's a song from the album
1194
01:45:37,630 --> 01:45:40,870
Tumbleweed Connection
called"Burn Down the Mission"
1195
01:45:41,080 --> 01:45:42,450
("Burn Down the Mission" playing)
1196
01:45:42,480 --> 01:45:43,400
(audience cheers, applause)
1197
01:45:54,700 --> 01:45:59,330
♪ You tell me there's an angel
in your tree ♪
1198
01:46:02,000 --> 01:46:07,390
♪ Did he say he'd come to call on me ♪
1199
01:46:08,940 --> 01:46:12,950
♪ For things are getting desperate
in our home ♪
1200
01:46:14,570 --> 01:46:19,270
♪ Living in the parish
of the restless folks I know ♪
1201
01:46:21,160 --> 01:46:26,280
♪ Everybody now bring your family down
to the riverside ♪
1202
01:46:29,630 --> 01:46:33,600
♪ Look to the east to see
where the fat stock hide ♪
1203
01:46:36,810 --> 01:46:40,780
♪ Behind four walls of stone
the rich man sleeps ♪
1204
01:46:44,060 --> 01:46:48,620
♪ It's time we put the flame torch
to their keep ♪
1205
01:46:48,650 --> 01:46:49,470
♪ Yeah ♪
1206
01:46:55,010 --> 01:46:56,990
♪ Burn down the mission ♪
1207
01:46:57,340 --> 01:47:00,250
♪ Oh, if we're gonna stay alive ♪
1208
01:47:02,230 --> 01:47:05,000
♪ Watch the black smoke fly to heaven ♪
1209
01:47:05,250 --> 01:47:07,450
♪ See the red flame light the sky ♪
1210
01:47:09,500 --> 01:47:11,510
♪ Burn down the mission ♪
1211
01:47:12,240 --> 01:47:14,740
♪ Burn it down to stay alive ♪
1212
01:47:15,890 --> 01:47:18,730
♪ It's our only chance of living ♪
1213
01:47:19,110 --> 01:47:21,120
♪ Take all you need ♪
1214
01:47:22,530 --> 01:47:26,970
♪ To live inside ♪
1215
01:47:34,310 --> 01:47:36,430
(audience cheers, applause)
1216
01:47:49,490 --> 01:47:51,610
(audience cheering)
1217
01:48:00,860 --> 01:48:05,630
♪ Oh-oh-oh-oh ♪
1218
01:48:24,830 --> 01:48:28,980
♪ Deep in the woods
the squirrels are out today ♪
1219
01:48:32,620 --> 01:48:37,280
♪ My wife cried when they came
to take me away ♪
1220
01:48:39,890 --> 01:48:43,500
♪ What more could I do
just to keep her warm ♪
1221
01:48:46,620 --> 01:48:50,670
♪ Than burn, burn, burn, burn down
the mission walls ♪
1222
01:48:52,710 --> 01:48:57,830
♪ Everybody now bring your family down
to the riverside ♪
1223
01:49:01,370 --> 01:49:05,620
♪ Look to the east to see
Where the fat stock hide ♪
1224
01:49:08,610 --> 01:49:13,060
♪ Behind four walls of stone
the rich man sleeps ♪
1225
01:49:16,080 --> 01:49:19,980
♪ It's time we put the flame torch
to their keep ♪
1226
01:49:27,240 --> 01:49:29,210
♪ Burn down the mission ♪
1227
01:49:29,590 --> 01:49:32,580
♪ Oh, if we're gonna stay alive ♪
1228
01:49:34,500 --> 01:49:37,440
♪ Watch the black smoke fly to heaven ♪
1229
01:49:37,670 --> 01:49:40,160
♪ The red flame light the sky ♪
1230
01:49:41,870 --> 01:49:43,930
♪ Burn down the mission ♪
1231
01:49:44,680 --> 01:49:47,150
♪ Burn it down to stay alive ♪
1232
01:49:48,360 --> 01:49:51,300
♪ It's our only chance of living ♪
1233
01:49:51,670 --> 01:49:53,590
♪ Take all you need ♪
1234
01:49:55,090 --> 01:49:59,570
♪ To live inside ♪
1235
01:50:06,130 --> 01:50:08,420
(audience cheers, applause)
1236
01:50:29,670 --> 01:50:30,620
♪ Burn it down ♪
1237
01:50:31,390 --> 01:50:32,440
♪ Burn it down ♪
1238
01:50:33,240 --> 01:50:34,490
♪ Burn it down ♪
1239
01:50:35,330 --> 01:50:36,240
♪ Burn it down ♪
1240
01:50:37,060 --> 01:50:38,130
♪ Burn it down ♪
1241
01:50:39,030 --> 01:50:40,010
♪ Burn it down ♪
1242
01:50:40,770 --> 01:50:41,920
♪ Burn it down ♪
1243
01:50:42,700 --> 01:50:43,670
♪ Burn it down ♪
1244
01:50:44,420 --> 01:50:45,490
♪ Burn it down ♪
1245
01:50:46,990 --> 01:50:48,070
♪ Burn, burn, burn ♪
1246
01:50:48,270 --> 01:50:49,140
♪ Burn it down ♪
1247
01:50:50,810 --> 01:50:51,830
♪ Burn, burn, burn ♪
1248
01:50:52,060 --> 01:50:52,890
♪ Burn it down ♪
1249
01:50:54,380 --> 01:50:55,530
♪ Burn, burn, burn ♪
1250
01:50:55,750 --> 01:50:56,580
♪ Burn it down ♪
1251
01:50:58,100 --> 01:50:59,250
♪ Burn, burn, burn ♪
1252
01:50:59,500 --> 01:51:00,340
♪ Burn it down ♪
1253
01:51:01,770 --> 01:51:02,940
♪ Burn, burn, burn ♪
1254
01:51:02,970 --> 01:51:03,810
♪ Burn it down ♪
1255
01:51:09,210 --> 01:51:11,580
-(audience cheers, applause)
-(inaudible)
1256
01:51:23,740 --> 01:51:25,090
(audience cheers, applause)
1257
01:51:28,650 --> 01:51:30,280
ELTON: Okay, it's time to dance.
Here we go.
1258
01:51:33,000 --> 01:51:34,520
("Sad Songs (Say So Much)" playing)
1259
01:51:35,850 --> 01:51:38,070
(audience cheers, applause)
1260
01:52:03,160 --> 01:52:08,490
♪ Guess there are times
when we all need to share a little pain ♪
1261
01:52:10,250 --> 01:52:12,360
♪ And ironing out the rough spots ♪
1262
01:52:13,510 --> 01:52:16,380
♪ Is the hardest part
when memories remain ♪
1263
01:52:17,710 --> 01:52:19,980
♪ And it's times like these ♪
1264
01:52:20,010 --> 01:52:23,420
♪ When we all need to hear the radio ♪
1265
01:52:25,420 --> 01:52:28,560
♪ 'Cause from the lips
of some old singer ♪
1266
01:52:28,990 --> 01:52:31,430
♪ We can share the troubles
we already know ♪
1267
01:52:33,410 --> 01:52:36,260
♪ Turn 'em on, turn 'em on ♪
1268
01:52:36,550 --> 01:52:39,170
♪ Turn on those sad songs ♪
1269
01:52:40,420 --> 01:52:41,840
♪ When all hope is gone ♪
1270
01:52:43,070 --> 01:52:45,610
♪ Tune in and turn them on ♪
1271
01:52:47,510 --> 01:52:51,230
♪ They reach into your room, oh, oh, oh ♪
1272
01:52:51,650 --> 01:52:54,070
♪ Feel their gentle touch ♪
1273
01:52:54,720 --> 01:52:55,630
♪ Gentle touch ♪
1274
01:52:55,670 --> 01:52:56,950
♪ When all hope is gone ♪
1275
01:52:58,320 --> 01:53:00,820
♪ Sad songs say so much ♪
1276
01:53:02,960 --> 01:53:06,240
♪ If someone else is suffering enough ♪
1277
01:53:06,760 --> 01:53:08,980
♪ Oh, to write it down ♪
1278
01:53:10,570 --> 01:53:12,880
♪ When every single word makes sense ♪
1279
01:53:13,770 --> 01:53:16,920
♪ Then it's easier
to have those songs around ♪
1280
01:53:18,290 --> 01:53:21,880
♪ The kick inside is in the line ♪
1281
01:53:21,910 --> 01:53:24,380
♪ That finally gets to you ♪
1282
01:53:25,700 --> 01:53:27,950
♪ Feels so good to hurt so bad ♪
1283
01:53:29,000 --> 01:53:32,020
♪ Suffer just enough to sing the blues ♪
1284
01:53:32,250 --> 01:53:33,170
♪ Yeah ♪
1285
01:53:33,720 --> 01:53:36,620
♪ Turn 'em on, turn 'em on ♪
1286
01:53:37,040 --> 01:53:39,540
♪ Turn on those sad songs ♪
1287
01:53:41,030 --> 01:53:42,330
♪ When all hope is gone ♪
1288
01:53:43,700 --> 01:53:46,150
♪ Tune in and turn them on ♪
1289
01:53:48,070 --> 01:53:51,790
♪ You know they reach into your room
oh, oh, oh ♪
1290
01:53:52,170 --> 01:53:54,380
♪ Feel their gentle touch
1291
01:53:55,210 --> 01:53:56,040
♪ Gentle touch ♪
1292
01:53:56,080 --> 01:53:57,510
♪ When all hope is gone ♪
1293
01:53:58,630 --> 01:54:01,550
♪ Sad songs say so much ♪
1294
01:54:02,950 --> 01:54:05,270
♪ Sad songs, they say ♪
1295
01:54:06,820 --> 01:54:09,070
♪ Sad songs, they say ♪
1296
01:54:10,610 --> 01:54:12,830
♪ Sad songs, they say, yeah ♪
1297
01:54:14,450 --> 01:54:19,400
♪ Sad songs, they say so much, yeah ♪
1298
01:54:21,840 --> 01:54:23,920
(audience cheers, applause)
1299
01:54:49,380 --> 01:54:52,370
♪ Turn 'em on, turn 'em on ♪
1300
01:54:52,700 --> 01:54:55,200
♪ Turn on those sad songs ♪
1301
01:54:56,640 --> 01:54:57,990
♪ When all hope is gone ♪
1302
01:54:59,310 --> 01:55:01,790
♪ Tune in and turn them on ♪
1303
01:55:03,610 --> 01:55:07,500
♪ You know they reach into your room
oh, oh, oh ♪
1304
01:55:07,900 --> 01:55:10,350
♪ Feel their gentle touch ♪
1305
01:55:11,050 --> 01:55:11,920
♪ Gentle touch ♪
1306
01:55:11,950 --> 01:55:13,350
♪ All hope is gone ♪
1307
01:55:14,540 --> 01:55:17,090
♪ Sad songs say so much ♪
1308
01:55:18,780 --> 01:55:20,780
♪ You know all hope is gone ♪
1309
01:55:22,110 --> 01:55:24,730
♪ Sad songs say so much ♪
1310
01:55:26,250 --> 01:55:29,220
♪ When all hope is gone ♪
1311
01:55:29,620 --> 01:55:32,160
♪ Sad songs say so much ♪
1312
01:55:33,790 --> 01:55:36,660
♪ When all hope is gone ♪
1313
01:55:37,200 --> 01:55:41,750
♪ Sad songs say so much, yeah ♪
1314
01:55:44,540 --> 01:55:47,260
♪ Sad songs say so much, yeah ♪
1315
01:55:52,080 --> 01:55:54,000
(audience cheers, applause)
1316
01:56:20,240 --> 01:56:22,360
ELTON: Okay. We're going to change
the mood a little bit here,
1317
01:56:23,820 --> 01:56:25,690
and do a song
for all you lovers out there.
1318
01:56:26,590 --> 01:56:28,330
(audience hooting)
1319
01:56:30,030 --> 01:56:33,170
("Sorry Seems to Be the Hardest Word"
playing)
1320
01:56:44,530 --> 01:56:48,500
♪ What have I got to do
to make you love me ♪
1321
01:56:51,300 --> 01:56:55,170
♪ What have I got to do to make you care ♪
1322
01:56:58,630 --> 01:57:03,230
♪ What I do when lightning strikes me ♪
1323
01:57:05,280 --> 01:57:09,440
♪ And I wake to find
that you're not there ♪
1324
01:57:12,810 --> 01:57:17,730
♪ What have I got to do
to make you want me ♪
1325
01:57:19,660 --> 01:57:24,070
♪ What have I got to do to be heard ♪
1326
01:57:27,100 --> 01:57:31,240
♪ What do I say when it's all over ♪
1327
01:57:33,430 --> 01:57:38,820
♪ And sorry seems to be the hardest word ♪
1328
01:57:40,940 --> 01:57:47,490
♪ It's sad so sad
it's a sad, sad situation ♪
1329
01:57:48,440 --> 01:57:52,150
♪ And it's getting more and more absurd ♪
1330
01:57:55,080 --> 01:58:01,340
♪ It's sad so sad
why can't we talk it over ♪
1331
01:58:02,070 --> 01:58:04,280
♪ Oh, it seems to me ♪
1332
01:58:05,240 --> 01:58:10,720
♪ Sorry, it seems to me the hardest word ♪
1333
01:58:37,480 --> 01:58:44,230
♪ It's sad so sad
it's a sad, sad situation ♪
1334
01:58:45,070 --> 01:58:49,240
♪ And it's getting more and more absurd ♪
1335
01:58:51,620 --> 01:58:57,930
♪ It's sad so sad
why can't we talk it over ♪
1336
01:58:58,550 --> 01:59:00,580
♪ Oh, it seems to me ♪
1337
01:59:01,750 --> 01:59:06,790
♪ That sorry seems to be
the hardest word ♪
1338
01:59:07,370 --> 01:59:10,810
♪ What have I got to do
to make you love me ♪
1339
01:59:13,560 --> 01:59:18,320
♪ What have I got to do to be heard ♪
1340
01:59:20,990 --> 01:59:24,890
♪ What I do when lightning strikes me ♪
1341
01:59:27,340 --> 01:59:34,180
♪ What have I got to do
what have I got to do ♪
1342
01:59:34,580 --> 01:59:41,570
♪ When sorry seems to be
The hardest word ♪
1343
01:59:42,760 --> 01:59:44,830
♪ Oh, oh ♪
1344
01:59:47,210 --> 01:59:54,200
♪ When sorry seems to be
the hardest word ♪
1345
01:59:56,270 --> 01:59:58,340
(cheers, applause)
1346
01:59:58,370 --> 01:59:59,210
All right.
1347
02:00:01,640 --> 02:00:02,480
Okay.
1348
02:00:05,180 --> 02:00:06,010
Thank you.
1349
02:00:10,350 --> 02:00:11,190
ELTON: Okay.
1350
02:00:12,170 --> 02:00:15,620
This is the time of the evening where
I introduce the musicians and singers.
1351
02:00:15,840 --> 02:00:16,720
That is the band.
1352
02:00:18,230 --> 02:00:21,850
Now, I've had a lot of bands
in my time starting off in 1969
1353
02:00:21,880 --> 02:00:25,000
with the late, great Dee Murray
on bass guitar and vocals,
1354
02:00:25,250 --> 02:00:27,250
and Nigel also in drums and vocals.
1355
02:00:27,950 --> 02:00:30,620
And since then,
many musicians and many singers
1356
02:00:30,870 --> 02:00:32,290
have played with me on stage.
1357
02:00:32,620 --> 02:00:35,010
And I can honestly say
they've all been great,
1358
02:00:35,310 --> 02:00:37,580
and I've learned a lot
from each and every one of them.
1359
02:00:37,950 --> 02:00:41,470
So I've been inspired
all through my career by great musicians.
1360
02:00:41,770 --> 02:00:45,390
But this band I have now, I say,
is probably the best one.
1361
02:00:45,690 --> 02:00:46,770
Save for the first one.
1362
02:00:47,370 --> 02:00:50,790
Because every night
I come on stage, they play so well,
1363
02:00:50,830 --> 02:00:52,430
and they inspire me to play well.
1364
02:00:52,940 --> 02:00:56,380
And they are just fantastic,
fantastic musicians and people.
1365
02:00:56,410 --> 02:00:58,170
So I'm going to introduce them one by one.
1366
02:00:58,800 --> 02:01:01,870
And you're going to give them
a final Dodger Stadium roar, okay?
1367
02:01:01,900 --> 02:01:02,940
I want to hear you.
1368
02:01:02,970 --> 02:01:06,670
On the right-hand side of the stage,
on percussion and vocals, John Mayhorn.
1369
02:01:07,410 --> 02:01:09,560
(audience cheers, applause)
1370
02:01:14,680 --> 02:01:17,890
On keyboards,
our keyboard wizard Kim Ballard.
1371
02:01:18,300 --> 02:01:22,210
(audience cheering, applauding)
1372
02:01:23,290 --> 02:01:26,060
And bass guitar and vocals,
Matt Bissonette.
1373
02:01:26,610 --> 02:01:28,650
(audience cheering, applauding)
1374
02:01:31,850 --> 02:01:33,870
One of the greatest musicians
I've ever played with,
1375
02:01:33,900 --> 02:01:36,120
and one of the most interesting people
I've ever met,
1376
02:01:36,640 --> 02:01:39,710
who has been in and out
of the band since 1973.
1377
02:01:40,170 --> 02:01:42,990
I'm so grateful that he's
on the Farewell Yellow Brick Road Tour.
1378
02:01:43,030 --> 02:01:46,100
Because he adds so much to this musically.
1379
02:01:46,980 --> 02:01:51,890
In 1979, he and I went around the world
and played 120 shows just the two of us.
1380
02:01:52,170 --> 02:01:54,540
And it was an extraordinary
musical experience for me.
1381
02:01:54,940 --> 02:01:56,420
So I'm grateful to him for that.
1382
02:01:57,120 --> 02:01:58,590
He's played with everybody there is
to play with,
1383
02:01:58,630 --> 02:02:00,430
basically, on stage and record.
1384
02:02:00,840 --> 02:02:02,430
On percussion, Ray Cooper!
1385
02:02:02,680 --> 02:02:05,520
(audience cheering, applauding)
1386
02:02:19,480 --> 02:02:21,580
He was playing drums in 1969,
1387
02:02:21,620 --> 02:02:25,150
and he was singing in 1969
and he still is, 53 years later,
1388
02:02:25,190 --> 02:02:26,170
Nigel Olson.
1389
02:02:26,400 --> 02:02:28,720
(audience cheering and applauding)
1390
02:02:33,440 --> 02:02:35,810
(inaudible)
1391
02:02:37,880 --> 02:02:41,000
Of the madman across the board,
I wanted to add another texture
1392
02:02:41,320 --> 02:02:43,420
to the band and I wanted to add
1393
02:02:43,450 --> 02:02:45,860
a guitar to the bass
and the drums and the piano.
1394
02:02:46,490 --> 02:02:49,640
And Davey Johnstone have played
acoustic guitar on the Madman Record.
1395
02:02:49,680 --> 02:02:53,360
So I asked him to join
the band for Honky Château.
1396
02:02:53,760 --> 02:02:56,730
And we all went to France, to the hotel,
to the Château,
1397
02:02:56,770 --> 02:02:58,320
the Real, and Paris,
1398
02:02:58,800 --> 02:03:01,620
and Davey walked into the studio,
and picked up an electric guitar
1399
02:03:01,660 --> 02:03:02,840
for the very first time.
1400
02:03:03,190 --> 02:03:05,240
And as you can hear,
he has never looked back.
1401
02:03:05,710 --> 02:03:09,280
He's my band leader that gets
everybody together here in Los Angeles,
1402
02:03:09,310 --> 02:03:11,420
and rehearses them,
so that when I come over,
1403
02:03:11,650 --> 02:03:14,080
I have very little work to do.
So thank you, Davey.
1404
02:03:14,700 --> 02:03:17,660
Um, and he's from Edinburgh in Scotland.
1405
02:03:18,240 --> 02:03:19,090
And he's fantastic.
1406
02:03:19,470 --> 02:03:21,540
On guitars and vocals, Davey Johnstone!
1407
02:03:21,780 --> 02:03:24,580
(audience cheering, applauding)
1408
02:03:39,460 --> 02:03:43,330
During my lifetime on stage,
I've lost four great musicians.
1409
02:03:43,360 --> 02:03:48,250
First of all,
Dee Murray on bass and vocals.
1410
02:03:49,120 --> 02:03:50,420
Roger Pope on drums,
1411
02:03:51,090 --> 02:03:52,590
Guy Babylon on keyboards,
1412
02:03:53,340 --> 02:03:56,740
and Bob Birch on bass guitar and vocals,
1413
02:03:57,310 --> 02:04:00,360
and they were such great members
of the band on stage and on record.
1414
02:04:01,080 --> 02:04:05,850
So I would like to dedicate this song
to the memory of those great guys.
1415
02:04:05,890 --> 02:04:08,970
("Don't Let the Sun Go Down on Me"
playing)
1416
02:04:19,720 --> 02:04:21,990
♪ I can't light ♪
1417
02:04:23,600 --> 02:04:27,610
♪ No more of your darkness ♪
1418
02:04:32,830 --> 02:04:37,600
♪ All my pictures seem to fade ♪
1419
02:04:37,630 --> 02:04:39,420
♪ To black and white ♪
1420
02:04:46,140 --> 02:04:47,760
♪ I'm growing tired ♪
1421
02:04:50,250 --> 02:04:54,080
♪ And time stands still before me ♪
1422
02:04:59,470 --> 02:05:06,230
♪ Frozen here on the ladder of my life ♪
1423
02:05:06,260 --> 02:05:08,680
Ladies and gentlemen, Brandi Carlile!
1424
02:05:12,620 --> 02:05:18,960
♪ It's much too late to save myself ♪
1425
02:05:18,990 --> 02:05:22,400
♪ From falling ♪
1426
02:05:26,300 --> 02:05:33,310
♪ I took a chance
and changed your way of life ♪
1427
02:05:39,710 --> 02:05:45,070
♪ But you misread my meaning ♪
1428
02:05:45,100 --> 02:05:50,490
♪ When I met you ♪
1429
02:05:53,710 --> 02:05:56,160
♪ Closed the door ♪
1430
02:05:57,770 --> 02:06:04,670
♪ And left me blinded by the light ♪
1431
02:06:05,010 --> 02:06:06,520
♪ Oh ♪
1432
02:06:07,170 --> 02:06:11,980
BOTH: ♪ Don't let the sun go down on me ♪
1433
02:06:13,860 --> 02:06:15,620
♪ Although I search myself ♪
1434
02:06:16,420 --> 02:06:18,990
♪ It's always someone else I see ♪
1435
02:06:20,800 --> 02:06:25,130
♪ I'd just allow a fragment of your life ♪
1436
02:06:26,710 --> 02:06:30,350
♪ To wander free ♪
1437
02:06:33,620 --> 02:06:37,970
♪ But losing everything is like the sun ♪
1438
02:06:38,240 --> 02:06:42,980
♪ Going down on me ♪
1439
02:06:43,230 --> 02:06:45,980
(audience cheering)
1440
02:06:54,990 --> 02:06:56,290
♪ I can't find ♪
1441
02:06:59,190 --> 02:07:02,730
♪ Oh, the right romantic line ♪
1442
02:07:08,300 --> 02:07:10,550
-♪ But see me once ♪
-♪ See my once ♪
1443
02:07:12,640 --> 02:07:15,290
BOTH: ♪ And see the way I feel ♪
1444
02:07:22,000 --> 02:07:26,190
-♪ Don't discard me ♪
-♪ Baby, no ♪
1445
02:07:26,220 --> 02:07:29,640
♪ Just because you think I mean you harm ♪
1446
02:07:29,670 --> 02:07:34,410
♪ Just because you think I mean you harm ♪
1447
02:07:35,180 --> 02:07:39,820
-♪ But these cuts I have ♪
-♪ Oh, these cuts I have ♪
1448
02:07:40,670 --> 02:07:43,490
-♪ They need love ♪
-♪ They need love ♪
1449
02:07:43,520 --> 02:07:45,690
-♪ They need love ♪
-♪ To help them heal ♪
1450
02:07:46,610 --> 02:07:48,260
♪ Oh ♪
1451
02:07:48,740 --> 02:07:53,300
BOTH: ♪ Don't let the sun go down on me ♪
1452
02:07:55,300 --> 02:07:57,470
♪ Although I search myself ♪
1453
02:07:57,950 --> 02:08:00,590
♪ It's always someone else I see ♪
1454
02:08:02,190 --> 02:08:06,440
♪ I'd just allow a fragment of your life ♪
1455
02:08:08,200 --> 02:08:12,870
-♪ To wander free ♪
-♪ Yeah, yeah, yeah, yeah ♪
1456
02:08:15,320 --> 02:08:17,650
♪ But losing everything ♪
1457
02:08:18,170 --> 02:08:24,060
BOTH: ♪ Is like the sun going down on me ♪
1458
02:08:36,490 --> 02:08:41,750
♪ Don't let the sun go down on me ♪
1459
02:08:43,210 --> 02:08:45,570
♪ Although I search myself ♪
1460
02:08:45,600 --> 02:08:49,150
♪ It's always someone else I see ♪
1461
02:08:50,170 --> 02:08:54,240
♪ I'd just allow a fragment of your life ♪
1462
02:08:55,940 --> 02:08:59,730
♪ To wander free ♪
1463
02:08:59,760 --> 02:09:03,200
♪ Baby, oh, oh ♪
1464
02:09:03,220 --> 02:09:07,300
BOTH: ♪ Oh, but losing everything
is like the sun ♪
1465
02:09:07,590 --> 02:09:11,540
♪ Going down on me ♪
1466
02:09:11,580 --> 02:09:12,430
ELTON: ♪ Yeah! ♪
1467
02:09:26,560 --> 02:09:29,740
(audience cheers, applause)
1468
02:09:49,500 --> 02:09:52,030
(cheers and applause continue)
1469
02:10:07,530 --> 02:10:10,050
("The Bitch Is Back" plays)
1470
02:10:21,460 --> 02:10:24,550
♪ I was justified when I was five ♪
1471
02:10:25,070 --> 02:10:27,880
♪ Raisin' cane I spit in your eye ♪
1472
02:10:28,570 --> 02:10:31,560
♪ Times are changin'
now, the poor get fat ♪
1473
02:10:31,590 --> 02:10:35,090
♪ But the fever's gonna catch you
when the bitch gets back ♪
1474
02:10:42,300 --> 02:10:45,320
♪ Eat meat on a Friday, that's all right ♪
1475
02:10:45,970 --> 02:10:48,460
♪ I even like steak on a Saturday night ♪
1476
02:10:48,790 --> 02:10:52,290
♪ I can bitch the best
at the social do's ♪
1477
02:10:52,330 --> 02:10:55,960
♪ I get high in the evening
sniffing pots of glue ♪
1478
02:10:59,380 --> 02:11:02,620
♪ I'm a bitch, I'm a bitch
oh, the bitch is back ♪
1479
02:11:02,650 --> 02:11:05,870
♪ Stone cold sober as a matter of fact ♪
1480
02:11:06,340 --> 02:11:09,390
♪ I can bitch, I can bitch
'cause I'm better than you ♪
1481
02:11:09,610 --> 02:11:13,800
♪ It's the way that I move
The things that I do, oh ♪
1482
02:11:27,440 --> 02:11:30,560
♪ I entertain by picking brains ♪
1483
02:11:30,800 --> 02:11:33,780
♪ Sell my soul by dropping names ♪
1484
02:11:34,320 --> 02:11:37,340
♪ I don't like those my god, what's that ♪
1485
02:11:37,370 --> 02:11:40,910
♪ Oh, it's full of nasty habits
when the bitch gets back ♪
1486
02:11:44,490 --> 02:11:47,480
♪ I'm a bitch, I'm a bitch
oh, the bitch is back ♪
1487
02:11:47,700 --> 02:11:50,930
♪ Stone cold sober as a matter of fact ♪
1488
02:11:51,330 --> 02:11:54,520
♪ I can bitch, I can bitch
'cause I'm better than you ♪
1489
02:11:54,550 --> 02:11:58,940
♪ It's the way that I move
the things that I do, oh ♪
1490
02:12:04,130 --> 02:12:05,250
All right. Bless you.
1491
02:12:18,730 --> 02:12:19,560
Oh, yeah!
1492
02:12:22,600 --> 02:12:25,350
♪ I'm a bitch, I'm a bitch
oh, the bitch is back ♪
1493
02:12:25,590 --> 02:12:28,640
♪ Stone cold sober as a matter of fact ♪
1494
02:12:29,210 --> 02:12:32,430
♪ I can bitch, I can bitch
'cause I'm better than you ♪
1495
02:12:32,460 --> 02:12:36,650
♪ It's the way that I move
The things that I do, oh ♪
1496
02:12:43,490 --> 02:12:47,210
♪ Bitch, bitch, the bitch is back ♪
1497
02:12:48,490 --> 02:12:50,440
(vocalizing)
1498
02:12:50,480 --> 02:12:54,250
♪ Yeah, bitch, bitch, the bitch is back ♪
1499
02:12:56,620 --> 02:13:01,070
♪ I tell you bitch, bitch
the bitch is back ♪
1500
02:13:02,210 --> 02:13:08,140
♪ Oh, yeah, bitch, bitch
you know the bitch is back ♪
1501
02:13:08,560 --> 02:13:09,900
♪ Hell, yeah, boy!
1502
02:13:24,260 --> 02:13:28,920
♪ I say bitch, bitch, the bitch is back ♪
1503
02:13:29,620 --> 02:13:35,290
♪ No, tell somebody bitch, bitch
the bitch is back ♪
1504
02:13:35,870 --> 02:13:38,630
(audience cheers, applause)
1505
02:13:42,000 --> 02:13:45,270
("I'm Still Standing" John plays)
1506
02:13:54,090 --> 02:13:55,930
♪ You could never know what it's like ♪
1507
02:13:56,430 --> 02:13:58,910
♪ Your blood like winter
freezes just like ice ♪
1508
02:13:58,950 --> 02:14:01,620
♪ And there's a cold and lonely light
that shines from you ♪
1509
02:14:01,880 --> 02:14:03,980
♪ You'll wind up like the wreck you hide ♪
1510
02:14:04,020 --> 02:14:06,420
♪ Behind that mask you use ♪
1511
02:14:08,170 --> 02:14:10,090
♪ Did you think
this fool could never win ♪
1512
02:14:10,520 --> 02:14:12,990
♪ Well, look at me
I'm a coming back again ♪
1513
02:14:13,030 --> 02:14:15,800
♪ I got a taste of love in a simple way ♪
1514
02:14:16,180 --> 02:14:20,330
♪ And don't you know I'm still standing
you just fade away ♪
1515
02:14:21,520 --> 02:14:25,640
♪ And don't you know I'm still standing
better than I ever did ♪
1516
02:14:27,210 --> 02:14:31,710
♪ Like a true survivor
feelin' like a little kid ♪
1517
02:14:33,200 --> 02:14:37,270
♪ I'm still standing after all this time ♪
1518
02:14:38,150 --> 02:14:42,910
♪ Pickin' up the pieces of my life
without you on my mind ♪
1519
02:14:43,660 --> 02:14:47,660
♪ I'm still standing, yeah, yeah, yeah ♪
1520
02:14:49,300 --> 02:14:53,400
♪ I'm still standing, yeah, yeah, yeah ♪
1521
02:14:56,140 --> 02:14:58,090
♪ Once I never could hope to win ♪
1522
02:14:58,460 --> 02:15:00,840
♪ You're starting down the road
leavin' me again ♪
1523
02:15:01,120 --> 02:15:03,980
♪ The threats you made
were meant to cut me down ♪
1524
02:15:04,010 --> 02:15:08,150
♪ And if our love was just a circus
you'd be a clown by now ♪
1525
02:15:09,470 --> 02:15:13,540
♪ And don't you know I'm still standing
better than I ever did ♪
1526
02:15:15,020 --> 02:15:19,580
♪ Lookin' like a true survivor
feelin' like a little kid ♪
1527
02:15:21,030 --> 02:15:25,150
♪ I'm still standing after all this time ♪
1528
02:15:25,950 --> 02:15:30,600
♪ Pickin' up the pieces of my life
without you on my mind ♪
1529
02:15:31,450 --> 02:15:35,440
♪ I'm still standing, yeah, yeah, yeah ♪
1530
02:15:37,010 --> 02:15:41,050
♪ I'm still standing, yeah, yeah, yeah ♪
1531
02:15:43,020 --> 02:15:43,850
Oh, yeah!
1532
02:15:56,310 --> 02:16:00,520
♪ And don't you know I'm still standing
better than I ever did ♪
1533
02:16:01,080 --> 02:16:04,240
♪ Oh, oh, lookin' like a true survivor ♪
1534
02:16:04,590 --> 02:16:06,960
♪ Yeah, feelin' like a little kid ♪
1535
02:16:08,440 --> 02:16:12,650
♪ I'm still standing after all this time ♪
1536
02:16:13,310 --> 02:16:17,980
♪ Pickin' up the pieces of my life
without you on my mind ♪
1537
02:16:18,820 --> 02:16:22,740
♪ I'm still standing, yeah, yeah, yeah ♪
1538
02:16:24,410 --> 02:16:28,410
♪ I'm still standing, yeah, yeah, yeah ♪
1539
02:16:30,030 --> 02:16:34,100
♪ I'm still standing, yeah, yeah, yeah ♪
1540
02:16:35,720 --> 02:16:40,210
♪ I'm still standing, yeah, yeah, yeah ♪
1541
02:16:42,980 --> 02:16:46,460
(audience cheers, applause)
1542
02:16:57,520 --> 02:17:00,680
-(cheers and applause continue)
-Yeah!
1543
02:17:12,410 --> 02:17:17,730
In 1975, my next guest was here
and sang with me, and we sang this song.
1544
02:17:18,530 --> 02:17:24,370
So I thought it would be great
to re-enact this incredible moment,
1545
02:17:24,400 --> 02:17:25,690
or that incredible moment.
1546
02:17:26,100 --> 02:17:28,610
So I asked her to come over, and she did.
1547
02:17:29,460 --> 02:17:30,970
Here is Kiki Dee!
1548
02:17:31,310 --> 02:17:34,360
(audience cheers, applause)
1549
02:17:43,770 --> 02:17:47,090
("Don't Go Breaking My Heart" plays)
1550
02:17:56,500 --> 02:17:58,300
♪ Don't go breaking my heart ♪
1551
02:17:59,940 --> 02:18:02,140
♪ I couldn't if I tried ♪
1552
02:18:03,720 --> 02:18:06,980
♪ Oh, honey, if I get restless ♪
1553
02:18:07,340 --> 02:18:09,710
♪ Baby, you're not that kind ♪
1554
02:18:11,150 --> 02:18:14,200
♪ Oh, don't go breaking my heart ♪
1555
02:18:15,990 --> 02:18:18,240
♪ You take the weight off of me ♪
1556
02:18:19,840 --> 02:18:22,760
♪ Oh, honey, when you knock on my door ♪
1557
02:18:23,390 --> 02:18:25,630
♪ Oh, I gave you my key ♪
1558
02:18:28,200 --> 02:18:29,520
BOTH: ♪ Woo-ooh ♪
1559
02:18:30,780 --> 02:18:32,590
♪ Nobody knows it ♪
1560
02:18:35,050 --> 02:18:38,420
-♪ But when I was down ♪
-♪ I was your clown ♪
1561
02:18:38,780 --> 02:18:40,240
♪ Woo-ooh ♪
1562
02:18:41,310 --> 02:18:43,180
♪ Nobody knows it ♪
1563
02:18:43,210 --> 02:18:45,550
♪ Nobody knows it ♪
1564
02:18:45,580 --> 02:18:48,920
-♪ Right from the start ♪
-♪ I gave you my heart ♪
1565
02:18:49,300 --> 02:18:53,960
♪ Oh, I gave you my heart ♪
1566
02:18:54,770 --> 02:18:56,790
♪ Oh, breaking now ♪
1567
02:18:56,830 --> 02:18:58,600
♪ Don't go breaking my heart ♪
1568
02:19:00,230 --> 02:19:02,850
♪ I won't go breaking your heart ♪
1569
02:19:03,330 --> 02:19:04,170
♪ Oh, yeah ♪
1570
02:19:05,820 --> 02:19:08,470
♪ Don't go breaking my heart ♪
1571
02:19:15,080 --> 02:19:16,950
♪ And nobody told us ♪
1572
02:19:18,630 --> 02:19:21,170
♪ 'Cause nobody showed us ♪
1573
02:19:21,720 --> 02:19:25,120
♪ And now, it's up to us, baby ♪
1574
02:19:25,540 --> 02:19:28,070
♪ Woah, I think we can make it ♪
1575
02:19:28,110 --> 02:19:32,730
♪ Oh, yeah, so don't misunderstand me ♪
1576
02:19:34,350 --> 02:19:36,980
♪ You put the light in my life ♪
1577
02:19:37,470 --> 02:19:40,620
♪ Oh, you put the sparks to the flame ♪
1578
02:19:41,670 --> 02:19:44,090
♪ I've got your heart in my sights ♪
1579
02:19:44,120 --> 02:19:45,010
You have been.
1580
02:19:46,590 --> 02:19:47,980
BOTH: ♪ Woo-ooh ♪
1581
02:19:49,280 --> 02:19:51,130
♪ Nobody knows it ♪
1582
02:19:53,480 --> 02:19:56,990
-♪ But when I was down ♪
-♪ I was your clown ♪
1583
02:19:57,220 --> 02:19:58,620
♪ Woo-ooh ♪
1584
02:19:59,870 --> 02:20:01,690
♪ Nobody knows it ♪
1585
02:20:01,720 --> 02:20:04,180
♪ Nobody knows it ♪
1586
02:20:04,210 --> 02:20:07,460
-♪ Right from the start ♪
-♪ I gave you my heart ♪
1587
02:20:07,910 --> 02:20:10,100
♪ Woah-oh ♪
1588
02:20:10,620 --> 02:20:13,600
♪ I gave you my heart ♪
1589
02:20:14,440 --> 02:20:17,810
♪ So, Kiki, don't go breaking my heart ♪
1590
02:20:18,780 --> 02:20:21,760
♪ I won't go breaking your heart ♪
1591
02:20:24,550 --> 02:20:26,670
BOTH: ♪ Don't go breaking my heart ♪
1592
02:20:26,700 --> 02:20:27,980
ELTON: All right. Come on, everybody.
1593
02:20:29,320 --> 02:20:30,150
KIKI: Come on now.
1594
02:20:49,020 --> 02:20:50,290
BOTH: ♪ Woo-ooh ♪
1595
02:20:51,590 --> 02:20:53,510
♪ Nobody knows it ♪
1596
02:20:55,980 --> 02:20:59,350
-♪ But when I was down ♪
-♪ I was your clown ♪
1597
02:20:59,570 --> 02:21:02,840
-♪ Right from the start ♪
-♪ I gave you my heart ♪
1598
02:21:03,290 --> 02:21:05,570
♪ Oh, oh ♪
1599
02:21:05,990 --> 02:21:08,010
♪ I gave you my heart ♪
1600
02:21:09,580 --> 02:21:10,410
Kiki, now.
1601
02:21:10,910 --> 02:21:12,680
♪ Don't go breaking my heart ♪
1602
02:21:14,280 --> 02:21:16,350
♪ I won't go breaking your heart ♪
1603
02:21:16,380 --> 02:21:17,630
♪ Don't go breaking my ♪
1604
02:21:18,130 --> 02:21:19,250
♪ Don't go breaking my ♪
1605
02:21:19,720 --> 02:21:21,750
-♪ Don't go breaking my heart ♪
-♪ I won't go breaking your heart ♪
1606
02:21:21,790 --> 02:21:23,060
♪ Don't go breaking my ♪
1607
02:21:23,590 --> 02:21:24,810
♪ Don't go breaking my ♪
1608
02:21:25,160 --> 02:21:27,310
♪ I won't go breaking your heart ♪
1609
02:21:27,340 --> 02:21:28,980
♪ Don't go breaking my ♪
1610
02:21:29,010 --> 02:21:30,300
♪ Don't go breaking my ♪
1611
02:21:30,830 --> 02:21:32,900
-♪ Don't go breaking my heart ♪
-♪ I won't go breaking your heart ♪
1612
02:21:32,930 --> 02:21:34,200
♪ Don't go breaking my ♪
1613
02:21:34,220 --> 02:21:35,600
♪ Don't go breaking my ♪
1614
02:21:36,270 --> 02:21:38,760
-♪ Don't go breaking my heart ♪
-♪ I won't go breaking your heart ♪
1615
02:21:39,370 --> 02:21:40,210
♪ Oh, oh ♪
1616
02:21:43,590 --> 02:21:45,860
(audience cheering, applauding)
1617
02:22:09,950 --> 02:22:12,820
("Crocodile Rock" plays)
1618
02:22:25,300 --> 02:22:26,140
ELTON: Oh, yeah!
1619
02:22:31,610 --> 02:22:33,690
♪ I remember when rock was young ♪
1620
02:22:34,610 --> 02:22:36,800
♪ Me and Susie had so much fun ♪
1621
02:22:37,810 --> 02:22:39,980
♪ Holding hands and skimmin' stones ♪
1622
02:22:40,930 --> 02:22:43,670
♪ Had an old gold Chevy
and a place of my own ♪
1623
02:22:43,700 --> 02:22:45,740
♪ But the biggest kick I ever got ♪
1624
02:22:46,870 --> 02:22:49,160
♪ Was doing a thing called
the Crocodile Rock ♪
1625
02:22:49,830 --> 02:22:52,200
♪ While the other kids were rockin'
round the clock ♪
1626
02:22:53,080 --> 02:22:56,080
♪ We were hoppin' and boppin'
to the Crocodile Rock ♪
1627
02:22:56,120 --> 02:22:58,990
♪ Well, Crocodile Rockin'
is something shockin' ♪
1628
02:22:59,020 --> 02:23:01,220
♪ When your feet just can't keep still ♪
1629
02:23:02,740 --> 02:23:06,990
♪ I never knew me a better time
and I guess I never will ♪
1630
02:23:08,780 --> 02:23:11,010
♪ Oh, lawdy mama, those Friday nights ♪
1631
02:23:11,410 --> 02:23:14,220
♪ When Susie wore her dresses tight ♪
1632
02:23:14,950 --> 02:23:19,710
♪ And the Crocodile Rockin'
was out of sight ♪
1633
02:23:19,740 --> 02:23:20,570
All right!
1634
02:23:21,740 --> 02:23:25,380
AUDIENCE: ♪ La, la, la, la, la, la ♪
1635
02:23:26,160 --> 02:23:31,170
♪ La, la, la, la, la, la, la ♪
1636
02:23:32,240 --> 02:23:35,320
♪ But the years went by
and rock just died ♪
1637
02:23:35,620 --> 02:23:37,940
♪ Susie went and left me
for some foreign guy ♪
1638
02:23:38,620 --> 02:23:41,140
♪ Long nights cryin'
by the record machine ♪
1639
02:23:41,790 --> 02:23:44,430
♪ Dreamin' of my Chevy
and my old blue jeans ♪
1640
02:23:44,460 --> 02:23:46,550
♪ But they'll never kill
the thrills we've got ♪
1641
02:23:47,280 --> 02:23:49,600
♪ Burning up to the Crocodile Rock ♪
1642
02:23:50,290 --> 02:23:52,460
♪ Learning fast
'till the weeks went past ♪
1643
02:23:53,340 --> 02:23:56,290
♪ We really thought
The Crocodile Rock would last ♪
1644
02:23:56,330 --> 02:23:59,480
♪ Well, Crocodile Rockin'
is something shockin' ♪
1645
02:23:59,510 --> 02:24:01,500
♪ When your feet just can't keep still ♪
1646
02:24:03,030 --> 02:24:07,240
♪ I never knew me a better time
and I guess I never will ♪
1647
02:24:08,960 --> 02:24:11,170
♪ Oh, lawdy mama, those Friday nights ♪
1648
02:24:11,720 --> 02:24:14,340
♪ When Susie wore her dresses tight ♪
1649
02:24:14,930 --> 02:24:18,410
♪ And the Crocodile Rockin'
Was out of sight ♪
1650
02:24:18,870 --> 02:24:20,250
Ah-ah, all right!
1651
02:24:21,100 --> 02:24:23,090
AUDIENCE (clapping):
♪ La, la, la, la, la ♪
1652
02:24:23,120 --> 02:24:26,020
♪ La, la, la, la, la ♪
1653
02:24:26,060 --> 02:24:29,080
♪ La, la, la, la, la ♪
1654
02:24:29,110 --> 02:24:31,790
♪ La, la, la, la, la ♪
1655
02:24:32,950 --> 02:24:37,650
♪ La, la, la, la, la ♪
1656
02:24:38,220 --> 02:24:40,770
♪ La, la, la, la, la ♪
1657
02:24:41,290 --> 02:24:44,560
♪ La, la, la, la, la ♪
1658
02:24:45,460 --> 02:24:49,800
♪ La, la, la, la, la ♪
1659
02:24:50,250 --> 02:24:53,230
♪ La, la, la, la, la ♪
1660
02:24:53,270 --> 02:24:55,380
♪ La, la, la, la, la ♪
1661
02:24:56,350 --> 02:24:58,540
♪ I remember when rock was young ♪
1662
02:24:59,320 --> 02:25:01,470
♪ Me and Susie had so much fun ♪
1663
02:25:02,480 --> 02:25:04,610
♪ Holding hands and skimmin' stones ♪
1664
02:25:05,490 --> 02:25:08,310
♪ Had an old gold Chevy
and a place of my own ♪
1665
02:25:08,350 --> 02:25:10,230
♪ But the biggest kick I ever got ♪
1666
02:25:11,320 --> 02:25:13,540
♪ Was doing a thing called
the Crocodile Rock ♪
1667
02:25:14,200 --> 02:25:16,560
♪ While the other kids were rockin'
round the clock ♪
1668
02:25:17,370 --> 02:25:20,240
♪ We were hoppin' and boppin'
to the Crocodile Rock ♪
1669
02:25:20,280 --> 02:25:23,200
♪ Well, Crocodile Rockin'
is something shockin' ♪
1670
02:25:23,230 --> 02:25:25,460
♪ When your feet just can't keep still ♪
1671
02:25:26,730 --> 02:25:28,970
♪ I never knew me a better time ♪
1672
02:25:29,000 --> 02:25:31,070
♪ And I guess I never will ♪
1673
02:25:32,620 --> 02:25:34,940
♪ Oh, lawdy mama, those Friday nights ♪
1674
02:25:35,210 --> 02:25:37,930
♪ When Susie wore her dresses tight ♪
1675
02:25:38,690 --> 02:25:42,060
♪ And the Crocodile Rockin'
was out of sight ♪
1676
02:25:42,420 --> 02:25:43,770
♪ Ah-ah, all right! ♪
1677
02:25:45,890 --> 02:25:50,270
♪ Oh, yeah, yeah, yeah, yeah, yeah, yeah ♪
1678
02:25:52,020 --> 02:25:53,580
♪ La, la, la, la ♪
1679
02:25:55,810 --> 02:26:01,930
♪ Oh, oh, yeah, yeah, yeah ♪
1680
02:26:03,870 --> 02:26:05,540
♪ La, la, la, la ♪
1681
02:26:07,710 --> 02:26:11,230
♪ Oh, oh ♪
1682
02:26:12,110 --> 02:26:13,700
♪ Yeah, yeah, yeah ♪
1683
02:26:15,380 --> 02:26:19,390
♪ La, la, la, la, la, la ♪
1684
02:26:19,620 --> 02:26:20,450
♪ Oh, yeah ♪
1685
02:26:21,640 --> 02:26:25,270
(audience cheers, applause)
1686
02:26:28,630 --> 02:26:29,510
ELTON: All right!
1687
02:26:34,020 --> 02:26:37,370
("Saturday Night's Alright"
by Elton John plays)
1688
02:26:47,130 --> 02:26:49,870
♪ It's getting late
have you seen my mates ♪
1689
02:26:49,900 --> 02:26:51,970
♪ Ma, tell me when the boys get here ♪
1690
02:26:53,190 --> 02:26:55,420
♪ It's seven o'clock and I wanna rock ♪
1691
02:26:55,940 --> 02:26:58,210
♪ Wanna get a belly full of beer ♪
1692
02:26:59,280 --> 02:27:02,180
♪ My old man's drunker
than a barrel full of monkeys ♪
1693
02:27:02,500 --> 02:27:04,210
♪ And my old lady, she don't care ♪
1694
02:27:05,350 --> 02:27:08,000
♪ My sister looks cute
in her braces and boots ♪
1695
02:27:08,330 --> 02:27:10,150
♪ A handful of grease in her hair ♪
1696
02:27:11,440 --> 02:27:17,010
♪ So don't give us none
of your aggravation ♪
1697
02:27:17,410 --> 02:27:18,910
♪ We've had it with your discipline ♪
1698
02:27:20,260 --> 02:27:22,870
♪ Saturday night's alright for fightin' ♪
1699
02:27:23,250 --> 02:27:24,830
♪ Get a little action in ♪
1700
02:27:26,070 --> 02:27:28,590
♪ Get about as oiled as a diesel train ♪
1701
02:27:29,140 --> 02:27:30,610
♪ Gonna set this dance alight ♪
1702
02:27:32,110 --> 02:27:34,390
♪ 'Cause Saturday night's
the night I like ♪
1703
02:27:34,840 --> 02:27:38,080
♪ Saturday night's
alright, alright, alright ♪
1704
02:27:39,480 --> 02:27:41,430
♪ Oh, oh, oh ♪
1705
02:27:49,780 --> 02:27:51,980
♪ Well, they're packed pretty tight
in here tonight ♪
1706
02:27:52,240 --> 02:27:54,930
♪ I'm looking for a dolly
to see me right ♪
1707
02:27:55,400 --> 02:27:58,100
♪ I may use a little muscle
to get what I need ♪
1708
02:27:58,300 --> 02:28:01,070
♪ I may sink a little drink
and shout out she's with me ♪
1709
02:28:01,590 --> 02:28:03,840
♪ A couple of the sounds
that I really like ♪
1710
02:28:04,170 --> 02:28:06,680
♪ Are the sound of a switchblade
and a motor bike ♪
1711
02:28:07,430 --> 02:28:09,810
♪ I'm a juvenile product
of the working class ♪
1712
02:28:10,160 --> 02:28:12,680
♪ Whose best friend floats
in the bottom of a glass ♪
1713
02:28:13,050 --> 02:28:13,880
♪ Yeah! ♪
1714
02:28:15,950 --> 02:28:18,450
♪ Oh, so don't give us none
of your aggravation ♪
1715
02:28:18,850 --> 02:28:20,440
♪ We've had it with your discipline ♪
1716
02:28:21,790 --> 02:28:26,350
♪ Saturday night's alright for fightin'
get a little action in ♪
1717
02:28:27,730 --> 02:28:30,050
♪ Get about as oiled as a diesel train ♪
1718
02:28:30,680 --> 02:28:32,130
♪ Gonna set this dance alight ♪
1719
02:28:33,570 --> 02:28:35,940
♪ 'Cause Saturday night's
the night I like ♪
1720
02:28:36,540 --> 02:28:39,710
♪ Saturday night's
alright, alright, alright ♪
1721
02:28:40,710 --> 02:28:43,760
♪ Oh, yeah ♪
1722
02:29:07,770 --> 02:29:08,620
♪ Oh, yeah! ♪
1723
02:29:10,970 --> 02:29:13,740
♪ Oh, so don't give us none
of your aggravation ♪
1724
02:29:13,960 --> 02:29:15,610
♪ We've had it with your discipline ♪
1725
02:29:16,630 --> 02:29:21,430
♪ Saturday night's alright for fightin'
get a little action in ♪
1726
02:29:22,590 --> 02:29:24,990
♪ Get about as oiled as a diesel train ♪
1727
02:29:25,550 --> 02:29:27,160
♪ Gonna set this dance alight ♪
1728
02:29:28,610 --> 02:29:30,940
♪ 'Cause Saturday night's
the night I like ♪
1729
02:29:31,530 --> 02:29:34,630
♪ Saturday night's
alright, alright, alright ♪
1730
02:29:35,760 --> 02:29:37,550
♪ Oh, oh ♪
1731
02:29:37,750 --> 02:29:39,240
Sing it. Come on, sing it.
1732
02:29:40,300 --> 02:29:43,110
-♪ Saturday ♪
-♪ Saturday, Saturday ♪
1733
02:29:43,140 --> 02:29:46,080
-♪ Saturday ♪
-♪ Saturday, Saturday ♪
1734
02:29:46,110 --> 02:29:49,760
♪ Saturday, Saturday
Saturday night's all right ♪
1735
02:29:51,950 --> 02:29:54,750
♪ Saturday, Saturday, Saturday ♪
1736
02:29:54,780 --> 02:29:59,420
♪ Saturday, Saturday, Saturday, Saturday ♪
1737
02:29:59,660 --> 02:30:01,410
♪ Saturday night's all right ♪
1738
02:30:24,460 --> 02:30:25,810
Here we go!
1739
02:30:26,050 --> 02:30:26,950
(explosions)
1740
02:30:47,400 --> 02:30:51,820
♪ Yeah, Saturday, Saturday, Saturday ♪
1741
02:30:51,860 --> 02:30:56,560
♪ Saturday, Saturday, Saturday ♪
1742
02:30:56,810 --> 02:31:01,220
♪ Saturday, Saturday, Saturday ♪
1743
02:31:01,600 --> 02:31:04,400
♪ Saturday, Saturday, Saturday ♪
1744
02:31:06,320 --> 02:31:09,340
♪ Saturday, Saturday, Saturday ♪
1745
02:31:09,380 --> 02:31:10,660
♪ Saturday ♪
1746
02:31:13,280 --> 02:31:14,110
Oh, yeah!
1747
02:31:14,330 --> 02:31:17,380
(audience cheers, applause)
1748
02:31:27,830 --> 02:31:31,680
(explosions)
1749
02:31:34,080 --> 02:31:37,550
(explosions)
1750
02:31:49,850 --> 02:31:53,100
(cheers and applause continue)
1751
02:32:48,060 --> 02:32:50,510
(cheers and applause continue)
1752
02:34:38,070 --> 02:34:38,980
ELTON: Thank you so much!
1753
02:34:42,440 --> 02:34:43,670
Yeah! Oh!
1754
02:34:45,340 --> 02:34:48,480
(cheers and applause continue)
1755
02:34:49,330 --> 02:34:50,180
Here we go.
1756
02:34:58,190 --> 02:35:01,190
("Cold Heart" plays)
1757
02:35:05,530 --> 02:35:06,480
♪ Oh, yeah ♪
1758
02:35:13,300 --> 02:35:14,140
Here we go!
1759
02:35:17,490 --> 02:35:19,360
-Dua Lipa!
-(audience cheers)
1760
02:35:29,870 --> 02:35:35,790
♪ It's a human sign when things go wrong ♪
1761
02:35:37,810 --> 02:35:44,130
♪ When the scent of her lingers
and temptations strong ♪
1762
02:35:46,440 --> 02:35:52,420
♪ Cold, cold heart, hardened by you ♪
1763
02:35:54,240 --> 02:36:00,980
♪ Some things lookin' better, baby
just passin' through ♪
1764
02:36:02,120 --> 02:36:03,890
Dua Lipa.
1765
02:36:04,800 --> 02:36:08,590
♪ And I think it's gonna be
a long, long time ♪
1766
02:36:08,910 --> 02:36:12,730
♪ 'Till touchdown brings me
round again to find ♪
1767
02:36:13,280 --> 02:36:16,850
♪ I'm not the man they think
I am at home ♪
1768
02:36:16,880 --> 02:36:19,150
♪ Oh, no, no, no ♪
1769
02:36:20,350 --> 02:36:25,410
♪ And this is what I should have said ♪
1770
02:36:28,330 --> 02:36:33,900
♪ Well, I thought it but I kept it hid ♪
1771
02:36:36,050 --> 02:36:41,960
BOTH:
♪ Cold, cold heart, hardened by you ♪
1772
02:36:43,290 --> 02:36:50,300
♪ Oh, some things lookin' better, baby
just passing through ♪
1773
02:36:52,350 --> 02:36:53,320
Sing it, baby.
1774
02:36:54,400 --> 02:36:58,260
♪ And I think it's gonna be
a long, long time ♪
1775
02:36:58,540 --> 02:37:02,530
♪ 'Till touchdown brings me
round again to find ♪
1776
02:37:02,890 --> 02:37:06,570
♪ I'm not the man
they think I am at home ♪
1777
02:37:06,600 --> 02:37:08,620
♪ Oh, no, no, no ♪
1778
02:37:08,650 --> 02:37:09,890
♪ Oh, no ♪
1779
02:37:09,920 --> 02:37:15,410
-♪ And this is what I should have said ♪
-♪ Have said ♪
1780
02:37:17,960 --> 02:37:23,380
♪ Well, I thought it but I kept it hid ♪
1781
02:37:25,680 --> 02:37:31,910
♪ Cold, cold heart, hardened by you ♪
1782
02:37:33,710 --> 02:37:40,070
♪ Some things lookin' better, baby
just passing through ♪
1783
02:37:40,100 --> 02:37:42,230
-Come on, everybody. Sing it!
-Come on. Sing it with us.
1784
02:37:44,050 --> 02:37:47,870
♪ And I think it's gonna be
a long, long time ♪
1785
02:37:48,190 --> 02:37:52,060
♪ 'Till touchdown brings me
round again to find ♪
1786
02:37:52,590 --> 02:37:56,180
♪ I'm not the man
they think I am at home ♪
1787
02:37:56,210 --> 02:37:58,320
♪ Oh, no, no, no ♪
1788
02:37:58,350 --> 02:38:00,590
♪ Oh, no, no, no ♪
1789
02:38:00,620 --> 02:38:04,460
♪ And I think it's gonna be
a long, long time ♪
1790
02:38:04,740 --> 02:38:08,580
♪ 'Till touchdown brings me
round again to find ♪
1791
02:38:09,180 --> 02:38:12,730
♪ I'm not the man
they think I am at home ♪
1792
02:38:12,760 --> 02:38:17,470
-♪ Oh, no, no, no ♪
-♪ Oh, shoorah ♪
1793
02:38:20,190 --> 02:38:25,730
♪ Shoorah, oh, shoorah ♪
1794
02:38:28,450 --> 02:38:30,520
♪ Shoorah-ah-ah ♪
1795
02:38:33,740 --> 02:38:35,950
(audience cheering, applauding)
1796
02:39:06,180 --> 02:39:09,790
I can't tell you how great it is
that at 75 years of age,
1797
02:39:10,520 --> 02:39:12,310
I have the number one record
around the world.
1798
02:39:13,110 --> 02:39:17,130
Thanks to PNAU and to Dua Lipa
for making that possible.
1799
02:39:17,630 --> 02:39:21,030
And now, Britney Spears is breaking out,
so, I'm really, really happy.
1800
02:39:22,380 --> 02:39:26,190
But I'll tell you what.
This is my very first hit 52 years ago.
1801
02:39:26,420 --> 02:39:28,670
("Your Song" plays)
1802
02:39:29,170 --> 02:39:32,290
(cheers, applause)
1803
02:39:34,160 --> 02:39:39,900
♪ It's a little bit funny
this feeling inside ♪
1804
02:39:41,600 --> 02:39:47,040
♪ I'm not one of those
who can easily hide ♪
1805
02:39:48,660 --> 02:39:53,650
♪ I don't have much money, boy, if I did ♪
1806
02:39:55,570 --> 02:40:01,860
♪ I'd buy a big house
where we both could live ♪
1807
02:40:04,510 --> 02:40:09,450
♪ If I was a sculptor but then again, no ♪
1808
02:40:10,350 --> 02:40:16,620
♪ Or a man who makes potions
in a traveling show ♪
1809
02:40:18,540 --> 02:40:23,680
♪ I know it's not much
but it's the best I can do ♪
1810
02:40:25,300 --> 02:40:31,200
♪ My gift is my song
and this one's for you ♪
1811
02:40:34,360 --> 02:40:39,780
♪ And you can tell everybody
this is your song ♪
1812
02:40:41,530 --> 02:40:46,350
♪ It may be quite simple
but, now that it's done ♪
1813
02:40:47,920 --> 02:40:51,340
♪ I hope you don't mind
I hope you don't mind ♪
1814
02:40:51,370 --> 02:40:54,610
♪ That I put down in words ♪
1815
02:40:55,740 --> 02:40:59,000
♪ How wonderful life is ♪
1816
02:40:59,650 --> 02:41:03,070
♪ While you're in the world ♪
1817
02:41:12,940 --> 02:41:18,250
♪ I sat on the roof
and kicked off the moss ♪
1818
02:41:19,620 --> 02:41:25,140
♪ Well, a few of these verses
oh, they've got me quite cross ♪
1819
02:41:26,710 --> 02:41:32,060
♪ But this sun's been quite kind
while I wrote this song ♪
1820
02:41:33,870 --> 02:41:39,800
♪ It's for people like you
that keep it turned on ♪
1821
02:41:42,620 --> 02:41:48,780
♪ So excuse me forgetting
but these things I do ♪
1822
02:41:50,200 --> 02:41:55,240
♪ You see I've forgotten
if they're green or they're blue ♪
1823
02:41:57,170 --> 02:42:00,740
♪ Anyway, the thing is
what I really mean ♪
1824
02:42:04,380 --> 02:42:09,990
♪ Yours are the sweetest eyes
I've ever seen ♪
1825
02:42:13,240 --> 02:42:19,490
♪ And you can tell everybody
this is your song ♪
1826
02:42:20,330 --> 02:42:25,620
♪ It may be quite simple
but, now that it's done ♪
1827
02:42:27,270 --> 02:42:30,590
♪ I hope you don't mind
I hope you don't mind ♪
1828
02:42:30,620 --> 02:42:33,740
♪ That I put down in words ♪
1829
02:42:35,010 --> 02:42:38,100
♪ How wonderful life is ♪
1830
02:42:38,900 --> 02:42:42,320
♪ While you're in the world ♪
1831
02:42:44,820 --> 02:42:48,070
♪ I hope you don't mind
I hope you don't mind ♪
1832
02:42:48,360 --> 02:42:51,780
♪ That I put down in words ♪
1833
02:42:52,790 --> 02:42:55,700
♪ How wonderful life is ♪
1834
02:42:56,800 --> 02:43:00,270
♪ While you're in the world ♪
1835
02:43:08,040 --> 02:43:11,380
(audience cheering, applauding)
1836
02:43:12,410 --> 02:43:14,080
That's your song, Los Angeles!
1837
02:43:14,120 --> 02:43:17,290
(cheers, applause)
1838
02:43:34,920 --> 02:43:38,110
(cheers and applause continue)
1839
02:43:43,160 --> 02:43:44,000
Okay.
1840
02:43:47,900 --> 02:43:50,040
It's been 50 years of touring
in the United States,
1841
02:43:50,070 --> 02:43:51,570
across all 50 states,
1842
02:43:51,600 --> 02:43:54,010
and this is my seventh concert here
in Dodger Stadium.
1843
02:43:54,820 --> 02:44:00,100
Uh, my first concert here
on October 25th and 26th in 1975.
1844
02:44:00,130 --> 02:44:04,620
And tonight, is the 271st show
of the Farewell Yellow Brick Road Tour.
1845
02:44:04,930 --> 02:44:08,450
And my 103rd concert
in the Los Angeles area.
1846
02:44:08,700 --> 02:44:13,560
So, before we continue,
1847
02:44:14,680 --> 02:44:18,080
I would like to thank all our crew,
all the musicians,
1848
02:44:18,110 --> 02:44:22,980
everybody involved in this show since, uh,
we were in, uh, New Orleans in January.
1849
02:44:23,020 --> 02:44:26,070
We've been in a Covid bubble,
all of us, since then,
1850
02:44:26,100 --> 02:44:28,410
and I only see the band
when I come on stage.
1851
02:44:28,810 --> 02:44:31,080
Everyone has been magnificent, um…
1852
02:44:31,490 --> 02:44:34,410
Oh, I hope they have the best Thanksgiving
and the best Christmas.
1853
02:44:34,750 --> 02:44:38,230
Um, and I'd also like
to introduce somebody
1854
02:44:38,650 --> 02:44:42,170
who, if it wasn't for him,
I wouldn't be sitting here right now.
1855
02:44:42,750 --> 02:44:45,790
Come here. Come on, Mr. Bernie Taupin!
1856
02:44:45,820 --> 02:44:49,380
(cheers, applause)
1857
02:45:13,130 --> 02:45:16,720
We've been writing together now
since 1967,
1858
02:45:17,340 --> 02:45:21,810
and we still are, we still love each other
1859
02:45:21,840 --> 02:45:23,160
more than we've ever done before.
1860
02:45:23,190 --> 02:45:25,260
He's an amazing guy. I love you.
1861
02:45:26,360 --> 02:45:27,620
Thanks for all the gifts.
1862
02:45:27,650 --> 02:45:30,640
Hey, is this the greatest band
on the planet?
1863
02:45:30,670 --> 02:45:34,220
-Right?
-(cheers)
1864
02:45:37,340 --> 02:45:40,310
And as you know, I am stopping touring,
1865
02:45:41,060 --> 02:45:43,680
and this will mean my last concert
in America and Canada.
1866
02:45:44,900 --> 02:45:47,490
And the reason why I'm touring,
I think you know,
1867
02:45:47,520 --> 02:45:50,520
is because I want
to spend time with my family
1868
02:45:50,560 --> 02:45:54,180
because I'll be 76
by the time I stop next year.
1869
02:45:54,610 --> 02:45:59,530
So, I want to bring them out,
and show you why I am retiring.
1870
02:45:59,950 --> 02:46:02,430
David, Zachary and Elijah.
1871
02:46:03,020 --> 02:46:06,100
(cheers, applause)
1872
02:46:21,040 --> 02:46:23,220
(cheers, applause)
1873
02:46:47,610 --> 02:46:50,030
ELTON: Thank you all for dressing up.
1874
02:46:50,820 --> 02:46:55,340
It makes me so happy to see you
when you wear the most fantastic costumes,
1875
02:46:55,890 --> 02:46:58,470
and you've been to so many shows.
Eighty-seventh.
1876
02:46:59,010 --> 02:47:00,660
Hundred and something over there.
1877
02:47:01,080 --> 02:47:05,260
Hundred and ninety-fifth show.
Their first show over there.
1878
02:47:05,580 --> 02:47:10,940
Um, yeah, baby, '67, '62, uh, 42nd,
1879
02:47:11,370 --> 02:47:12,740
and I can't see over there.
1880
02:47:13,100 --> 02:47:17,190
A hundred… just 185th? Wow.
1881
02:47:17,780 --> 02:47:18,610
Blimey.
1882
02:47:19,480 --> 02:47:23,620
Well, you know what,
I became successful first in America,
1883
02:47:23,650 --> 02:47:28,370
and you bought the singles
and the albums and the eight tracks,
1884
02:47:28,400 --> 02:47:29,920
the cassettes, the CDs,
1885
02:47:30,310 --> 02:47:33,410
and, uh, more importantly,
you bought the tickets to the shows
1886
02:47:33,440 --> 02:47:35,730
which I love more than anything
is to play live.
1887
02:47:36,260 --> 02:47:39,230
Um, so I want to thank you for that
because you made me.
1888
02:47:39,260 --> 02:47:41,300
Without America, I wouldn't be here.
1889
02:47:41,820 --> 02:47:46,020
So thank you for all the years
of love and generosity and loyalty.
1890
02:47:46,050 --> 02:47:49,320
(cheers, applause)
1891
02:47:58,750 --> 02:48:02,690
I wish you health and love, prosperity.
1892
02:48:02,940 --> 02:48:05,770
Prosperity. Be kind to each other, okay?
1893
02:48:06,390 --> 02:48:08,230
And farewell.
1894
02:48:08,430 --> 02:48:11,460
("Goodbye Yellow Brick Road" plays)
1895
02:48:15,570 --> 02:48:21,490
♪ When are you gonna come down
when are you going to land ♪
1896
02:48:22,660 --> 02:48:28,360
♪ I should have stayed on the farm
I should have listened to my old man ♪
1897
02:48:29,610 --> 02:48:32,070
♪ You know you can't hold me forever ♪
1898
02:48:33,350 --> 02:48:35,520
♪ I didn't sign up with you ♪
1899
02:48:36,650 --> 02:48:39,970
♪ I'm not a present
for your friends to open ♪
1900
02:48:40,220 --> 02:48:46,960
♪ This boy's too young
to be singing the blues ♪
1901
02:48:47,720 --> 02:48:50,690
♪ Oh, oh ♪
1902
02:48:51,520 --> 02:48:55,090
♪ Oh, oh ♪
1903
02:48:55,120 --> 02:48:57,830
♪ So goodbye yellow brick road ♪
1904
02:48:58,540 --> 02:49:01,360
♪ Where the dogs of society howl ♪
1905
02:49:02,430 --> 02:49:05,600
♪ You can't plant me in your penthouse ♪
1906
02:49:06,070 --> 02:49:09,290
♪ I'm going back to my plough ♪
1907
02:49:09,690 --> 02:49:12,860
♪ Back to the howling old owl
in the streets ♪
1908
02:49:13,510 --> 02:49:16,390
♪ Hunting the horny back toad ♪
1909
02:49:18,030 --> 02:49:22,020
♪ Oh, I've finally decided
my future lies ♪
1910
02:49:22,380 --> 02:49:27,360
♪ Beyond the yellow brick road ♪
1911
02:49:28,340 --> 02:49:33,580
♪ Oh, oh ♪
1912
02:49:33,960 --> 02:49:37,030
♪ Oh, oh ♪
1913
02:49:39,430 --> 02:49:41,750
♪ What do you think you'll do then ♪
1914
02:49:43,170 --> 02:49:45,190
♪ I bet that'll shoot down your plane ♪
1915
02:49:46,320 --> 02:49:49,960
♪ It'll take you a couple
of vodka and tonics ♪
1916
02:49:50,210 --> 02:49:52,460
♪ To set you on your feet again ♪
1917
02:49:53,880 --> 02:49:56,580
♪ Or maybe you'll get a replacement ♪
1918
02:49:57,640 --> 02:50:00,120
♪ There's plenty like me to be found ♪
1919
02:50:01,260 --> 02:50:04,560
♪ Mongrels who ain't got a penny ♪
1920
02:50:04,760 --> 02:50:11,630
♪ Sniffing for tidbits
like you on the ground ♪
1921
02:50:12,380 --> 02:50:15,470
♪ Oh, oh ♪
1922
02:50:16,220 --> 02:50:19,540
♪ Oh, oh ♪
1923
02:50:19,820 --> 02:50:22,560
♪ So goodbye yellow brick road ♪
1924
02:50:23,110 --> 02:50:26,310
♪ Where the dogs of society howl ♪
1925
02:50:27,280 --> 02:50:30,470
♪ You can't plant me in your penthouse ♪
1926
02:50:30,890 --> 02:50:33,590
♪ I'm going back to my plough ♪
1927
02:50:34,510 --> 02:50:37,780
♪ Back to the howling old owl
in the woods ♪
1928
02:50:38,210 --> 02:50:41,650
♪ Hunting the horny back toad ♪
1929
02:50:42,950 --> 02:50:47,050
♪ Oh, I've finally decided
my future lies ♪
1930
02:50:47,340 --> 02:50:52,440
♪ Beyond the yellow brick road ♪
1931
02:50:53,270 --> 02:50:56,140
♪ Oh, oh ♪
1932
02:50:57,110 --> 02:51:03,670
♪ Oh, oh, oh ♪
1933
02:51:03,890 --> 02:51:05,220
Oh, yeah. Oh, yeah.
1934
02:51:05,250 --> 02:51:08,520
(audience cheering, applauding)
1935
02:51:24,970 --> 02:51:28,160
(inaudible)
1936
02:51:35,870 --> 02:51:38,900
(inaudible)
1937
02:51:43,560 --> 02:51:46,660
(audience cheering
and applauding continue)
1938
02:52:06,280 --> 02:52:08,400
("Goodbye Yellow Brick Road"
instrumental plays)
1939
02:52:21,250 --> 02:52:23,200
(magical sound plays)
1940
02:52:30,690 --> 02:52:33,290
(instrumental continues)
153223
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