Original subtitles

Movie released by YTS.ME

Movie released on YTS.ME

(ALARM BUZZES)

(BREATHES DEEPLY)

(AIRCRAFT APPROACHING)

(SPRAY HISSING)

(HISSING STOPS)

(DRONE HOVERING)

(POT BOILING)

(TAP RUNNING)

(TAP STOPS)

K: I hope you don't mind metaking the liberty.

I was carefulnot to drag in any dirt.

SAPPER: I don't mind the dirt.

I do mind...

...unannounced visits.

You police?

Are you Sapper Morton?Civic number NK68514?

I'm a farmer.

I saw that.

What do you farm?

SAPPER: It's a protein farm.

Wallace design.

Is that what I smell?

Grow that just for me.

Garlic.

Garlic.

Go on, try some.

No, thank you.

I prefer to keepan empty stomach

until the hard partof the day is done.

(CONTINUES BOILING)

K: How long you been here?

SAPPER: Since 2020.

K: But you haven't alwaysbeen a farmer, have you?

Your bag.

It's colonial medical use.

Military issue.

Where were you? Calantha?

Must have been brutal.

Plan on taking me in?

Let them take a look inside?

Mr. Morton...

...if taking you inis an option...

...I would much prefer thatto the alternative.

I'm sure you knewit would be someone in time.

(SAPPER SIGHS)

I'm sorry it had to be me.

- (POWERING UP)- SAPPER: Good as any.

K: Now, if you don't mind...

...if you could just look upand to the left, please.

(BOTH GRUNTING)

(BANGING)

(SAPPER CONTINUES GRUNTING)

(CHOKING)

(GRUNTING)

(GROANS)

- (CHOKING)- (GRUNTING)

(CHOKING CONTINUES)

(GASPING)

(SAPPER YELLS)

(PANTING)

(GRUNTS)

(SAPPER GASPING)

(SAPPER CHOKING)

(BOTH PANTING)

- Please don't get up.- (GASPS)

SAPPER: How's it feelkilling your own kind?

I don't retire my own kindbecause we don't run.

Only older models do.

And you new modelsare happy scraping the shit...

...because you've neverseen a miracle.

(BODY THUDS LOUDLY)

(SIGHS)

(BOILING CONTINUES)

(SNIFFING)

Just photograph everything.

(BEEPS)

Madam, please.

AUTOMATED VOICE: (ON RADIO)Incoming LAPD re-codec hash.

(DOOR CLOSES)

You're hurt.I'm not payin' for that.

- I'll glue it.- And?

(K SPITS)

One of the tail-end Nexus 8s.

He looks like he couldtake your head off.

He tried.

He went AWOL after Calantha...

...with a few more in his outfitI wouldn't mind closing out.

- Just him?- Just him.

Come on homefor your baseline.

K: One moment, madam.

(SNIFFING)

(DRONE HOVERING)

(SNAPS FINGERS)

K: 30 meters to maximum depth.

JOSHI: What is that?

I'll send a dig team.

Come on home before the storm.

(RADIO CHATTERIN OTHER LANGUAGES)

MAN: Officer KD6-3.7.

- Let's begin. Ready?- K: Yes, sir.

(ALARM BLARES)

MAN: Recite your baseline.

K: And blood-blacknothingness began to spin

A system of cells interlinkedwithin cells...

...interlinked within cellsinterlinked within one stem.

Fuck off, skin-job.

K: And dreadfully distinctAgainst the dark,

a tall white fountain played.

(HIGH-PITCHED RINGING)

MAN: Cells.K: Cells.

MAN: Have you ever beenin an institution?

- Cells.- K: Cells.

MAN: Do theykeep you in a cell?

- Cells.- K: Cells.

MAN: When you're notperforming your duties,

do they keep youin a little box?

- Cells.- K: Cells.

MAN: Interlinked.K: Interlinked.

MAN: What's it like to holdthe hand of someone you love?

- Interlinked.- K: Interlinked.

MAN: Did they teach youhow to feel finger to finger?

- Interlinked.- K: Interlinked.

MAN: Do you long for havingyour heart interlinked?

- Interlinked.- K: Interlinked.

MAN: Do you dreamabout being interlinked?

K: Interlinked.

MAN: What's it like to holdyour child in your arms?

- Interlinked.- K: Interlinked.

MAN: Do you feel that there'sa part of you that's missing?

- Interlinked.- K: Interlinked.

- MAN: Within cells interlinked.- K: Within cells interlinked.

MAN: Why don't yousay that three times.

Within cells interlinked.

K: Within cells interlinked.

Within cells interlinked.Within cells interlinked.

(RINGING STOPS)

MAN: We're done.

Constant "K."

You can pick up your bonus.

Thank you, sir.

AUTOMATED VOICE: (ON PA)Caution, keep clear.

Caution, keep clear.

ANNOUNCER 1: (ON PA)Connect to off-world

any time, any place.

Packages start at 20 minutes.

Many options available.

(ANNOUNCER 2 SPEAKING KOREAN)

ANNOUNCER 3: Joi goes anywhereyou want her to go.

ANNOUNCER 1: Connect tooff-world any time, any place.

(ANNOUNCEMENTS CONTINUEINDISTINCTLY)

(HORN BLARES)

- (MAN SHOUTING)- (WOMAN SPEAKING HUNGARIAN)

(INDISTINCT CHATTER)

(BEEPS)

(INDISTINCT ANNOUNCEMENTSON PA)

(SUMMER WIND PLAYING)

JOI: K? I didn't hear you.You're early.

- K: You want me to come back?- (JOI CHUCKLES)

JOI: (CHUCKLES) Just go scrub.

Yes, ma'am.

JOI: How was your meeting?

The usual.

- How was your day?- (JOI SIGHS)

JOI: I'm getting cabin fever.

AUTOMATED VOICE:99.9% detoxified water.

I had an accident at work.I think I ruined my shirt.

JOI: I'm sureI can fix that for you.

Let me take a look at it.

(SIGHS)

I need a drink.

Do you want a drink first?

JOI: Mmm-hmm.Pour me one, will ya?

I'm trying a new recipe.I just need a bit more practice.

K: Don't fuss.

(SUMMER WINDCONTINUES PLAYING)

JOI: I should havemarinated it longer.

(SIGHS) I hope it isn't dry.

Did you knowthis song was released

in 1966 on Reprise Records?

It was number oneon the charts.

It won't be much longer.

Just putting onthe finishing touches.

Okay, it's ready.I hope you're gonna like it.

I told you not to fuss.

(FOOTSTEPS APPROACHING)

And yet...

Voilà! Bon appétit.

I missed you, baby sweet.

Honey, it's beautiful.

Just put your feet up.

Relax.

Was a day, hmm?

It was a day.

Would you read to me?

It'll make you feel better.

- You hate that book.- I don't wanna read either.

Let's dance.

Do you wanna dance, or do youwanna open your present?

What present?

This one.

What's the occasion?

Let's just say

- it's our anniversary.- Is it?

No, but let's justsay that it is.

- (CHUCKLES)- Okay?

Happy anniversary.

An emanator.

(BEEPS)

(BEEPS)

(WALLACE JINGLE PLAYS)

(JOI LAUGHING)

Thank you.

Honey, you can go anywhereyou want in the world now.

Where do you wanna go first?

(ANNOUNCER SPEAKING KOREAN)

(JOI CHUCKLES)

(BREATHES HEAVILY)

(THUNDER RUMBLING)

I'm so happywhen I'm with you.

You don't have to say that.

(DEVICE BEEPS)

JOSHI: The dig's come through.We have a new lead.

Get down here.

- (BEEPS)- (WALLACE JINGLE PLAYS)

AUTOMATED VOICE:Carbon read: 14.6 GPH.

NANDEZ: Your boxis a military footlocker

issued to Sapper Morton,

creatively repurposedas an ossuary:

a box of bones.

Nothin' else in it but hair.

The soil samples indicate that

she's been buriedfor 30 years.

Bones all dismantled,fully cleaned,

meticulously laid to rest.

"She"?

Cause of death, Coco?

(MACHINE WHIRRING)

No breaks,no sign of trauma, except

a fracturethrough the ilium.

It's a narrow birth canal.Baby must have got stuck.

JOSHI: She was pregnant?COCO: Hmm.

So he didn't kill her?

Mmm. She died in childbirth.

(DIAL CLICKING)

What's that?

Go back.

Closer.

Closer.

What's that?

Huh.

Notching in the iliac crest.

It's fine-point,like a scalpel.

That looks likean emergency C-section.

The cuts are clean.No sign of a struggle.

He was a combat medic.

Maybe he tried to save herand he just couldn't.

He didn't seem likethe saving type.

He went to the troubleof burying her.

A sentimental skin-job.

Sorry.

So where's the kid?

You scan the whole field?

NANDEZ: (SCOFFS)Just dirt and worms.

No other bodies.

Maybe he ate it.

JOSHI: That's not possible.

She was a Replicant.

Pregnant.

(THUNDER RUMBLING)

The world is built on a wall.

It separates kind.

Tell either sidethere's no wall,

you bought a war.

Or a slaughter.

So, what you saw

didn't happen.

Yes, madam.

It is my job to keep order.

That's what we do here.We keep order.

You want it gone?

Erase everything.

Even the child?

All trace.

You have anything more to say?

I've never retired somethingthat was born before.

What's the difference?

To be born is to have a soul,I guess.

Are you telling me no?

I wasn't awarethat was an option, madam.

Attaboy.

Hey.

You've been getting on finewithout one.

What's that, madam?

A soul.

(INDISTINCT ANNOUNCEMENTS ON PA)

SAPPER: And you new modelsare happy scraping the shit

because you've never seena miracle.

Just checking inon an old serial number.

Confirmation DNA?

K: I got hair.

Oh! An old one.

Pre-Blackout. Huh.

That's gonna be tough.

Not much from then.

And what's there is(CLICKS TONGUE)

thick milky.

LUV: You can customize themas much as you'd like.

As humanas you want them to be.

But your operation is strictlya drill site, isn't it?

I wouldn't waste your moneyon intelligence,

attachment or appeal.

Unless you'd like to add somepleasure models to your order.

(DEVICE CHIMING)

Would it be possible toreschedule this call, please?

ARCHIVIST: Everyone remembers

where they wereat the Blackout. You?

K: That was a littlebefore my time.

Mmm. I was home with my folks,

then ten days of darkness.Every machine stopped cold.

When the lights came back,we were wiped clean.

Photos, files, every bit ofdata... Ffft! Gone.

Bank records, too. (CHUCKLES)

Didn't mind that.

It's funny it's only paperthat lasted.

I mean, we hadeverything on drives.

Everything, everything,everything! Huh.

My mom still criesover the lost baby pictures.

Well, it's a shame. You

- must have been adorable.- Hmm... Ah.

Uh... (CLICKS TONGUE)

Pretty fractured.Not much on it.

One of the last gens,pre-Prohibition.

Standard issue.Made by Tyrell.

And?

Unremarkable.

K: "Unremarkable"?

LUV: There must be somethingelse we can find for him.

Another prodigalserial number returns.

A 30-year-old open casefinally closed.

Thank you, officer.

I'm here for Mr. Wallace.I'm Luv.

He named you.

Must be special.

I'm here for Mr. Wallace.

Follow me.

The ancient models give theentire endeavor a bad name.

What a gift, don't you think,from Mr. Wallace to the world?

The outer colonieswould never have flourished

had he not bought Tyrell,

revivified the technology.

To say the leastof what we do.

(WALLACE JINGLE PLAYS)

I see you're also a customer.

Are you satisfiedwith our product?

She's very realistic.Thank you.

Here. All the junk is in here.

Lucky for you,Mr. Wallace is a data hoarder.

(WHIRRING)

No one's beendown here in ages.

(DOOR CREAKS LOUDLY)

Sorry about that.

All our memory bearingsfrom the time.

They were all damagedin the Blackout.

But there aresometimes fragments.

YOUNG DECKARD:You got a little boy.

He shows youhis butterfly collection,

plus the killing jar.

RACHAEL: I'd take himto the doctor.

(DISTORTED)

YOUNG DECKARD: There's a waspcrawling on your arm.

RACHAEL: I'd kill it.

YOUNG DECKARD:You're reading a magazine.

You come across a full-pagenude photo of a girl.

RACHAEL: Is this testingwhether I'm a Replicant

or a lesbian, Mr. Deckard?

YOUNG DECKARD: Just answerthe questions, please.

(VIDEO ENDS)

It was unclear what she was,at least to someone.

This was a test.

We were difficultto spot then.

Was there anything unusualabout how you found her?

To warrant an officialinvestigation?

(INHALES DEEPLY)

You know how people areabout old serial numbers.

Everyone just sleeps better

when they knowwhere they got to.

She likes him.

Who?

This Officer Deckard.

She's trying to provoke him.

It is invigorating being askedpersonal questions.

Makes one feel

desired.

Do you enjoyyour work, officer?

Please thank Mr. Wallacefor your time.

(LOCK CLICKS)

K: You workedwith Officer Deckard

back in the day.

What can you tell meabout him?

He liked to work alone.

So did I.

So we worked togetherto keep it that way.

That was it.

Anything elseyou can tell me?

He wasn't long for this world.

How so?

Something in his eyes.

Any idea how I couldcontact him?

None.

He's nyugdíjas.

Retired.

What happened?

Probably got what he wanted.

To be alone.

Welcome back, sir.

You wanted to reviewthe new model, sir,

before shipment?

WALLACE: An angelshould never enter

the kingdom of heaven

without a gift.

Can you at least pronounce,"A child is born"?

Hmm.

(SIGHS)

A new model.

Well, let us see her, then.

(GASPING)

(SOBBING)

The first thought

one tends to fear,

to preserve the clay.

It's fascinating.

Before we even knowwhat we are,

we fear to lose it.

Happy birthday.

(CONTINUES SOBBING)

(WALLACE SHUSHING)

Now, let's have a look at you.

We make angels

in the serviceof civilization.

Yes, there werebad angels once.

I make good angels now.

That is how I took usto nine new worlds.

Nine.

A child can count to nineon fingers.

We should own the stars.

Yes, sir.

(WALLACE SIGHS)

WALLACE: Every leapof civilization

was built off the backof a disposable workforce.

We lost our stomachfor slaves

unless engineered.

But I can only make so many.

That barren pasture,

empty

and salted...

(REPLICANT SHUDDERS)

...right here.

The dead spacebetween the stars.

And this, the seat thatwe must change for heaven.

- (STABBING)- (GAGGING)

I cannot breed them.So help me, I have tried.

We need more Replicantsthan can ever be assembled.

Millions, so we can betrillions more.

We could storm Edenand retake her.

Tyrell's final trick:

Procreation.

Perfected, then lost.

But there is a child.

Bring it to me.

Sir.

The best angel of all.

Aren't you, Luv?

- (ENGINES REVVING)- (INDISTINCT ANNOUNCEMENTS)

(INDISTINCT ANNOUNCEMENTSCONTINUE)

(WOMEN MOANING)

The man with the green jacket.

The one who killed Sapper.Find out what he knows.

(WOMEN MOANING)

Hi.

Hello, hello, A-Boy.

You alone?

(SPEAKING FINNISH)

(IN ENGLISH) It's okay.It's fine.

Wanna buy a lady a cigarette?

Oh, you don't even smile.

Didn't you hear your friends?

Don't you know what I am?

Yeah.

Guy eating rice.

What's that?

It's a tree.

Oh. Never seen a tree before.

It's pretty.

It's dead.

Now, who keeps a dead tree?

Hmm?

You're not gonna kill me,are you?

Depends.What's your model number?

Why don't you look undermy eye and find out.

(WALLACE JINGLE PLAYS)

Oh!

You don't like real girls.

Well, I'm always here.

(TAPPING)

(NOTES PLAYING)

(TAPS)

(CLICKS)

Hi.

You can't take those.

Of course not. Proper channelsand paperwork. It's all here.

Hold this for me.

- Mmm. Yep. Here you go.- Mmm.

(GASPS)

(GAGGING)

JOSHI: Coco is dead.

Bones are gone.

It's out. Already out.How long'd that take?

So, what do you have for me?And don't say nothing.

I found that.

A sock?

(SIGHS)

- Where'd you find it?- Sapper's.

Anything else?

I burned everything else.

Then what's this?What's that date?

Is that a birthday?Is that a death day?

I don't know yet.

Am I the only one that can seethe fuckin' sunrise here?

This breaks the world, "K."

- (JOSHI SIGHING)- (LIQUID POURING)

(SIGHS)

You know,I've known a lot of your kind.

All useful, but with you,I sometimes forget.

We didn't have any of youwhere I was a kid.

Do you remember anything?

Before you were under me,

you have any memoriesfrom before?

I have memories,

but they're not real.They're just implants.

Tell me one.

From when you were a kid.

I feel a little strangesharing a childhood story,

consideringI was never a child.

Well, would it help you shareif I told you it was an order?

I have oneabout a toy that I had.

A wooden horse.

With an inscriptionunderneath.

All I rememberis a group of boys

trying to take it awayfrom me.

So I run.

I go looking for a placeto hide it,

and the only placeis this dark furnace.

It's very darkand I'm very scared,

but this horse is all I have,

so I go in anyway.

(PANTING)

Later on, those kids find me,

and they beat me to tell 'emwhere it is, but I don't.

And that's it.

JOSHI: Hmm.

Little "K,"fighting for what's his.

It's a good one.

Look at me.

We're all just lookin' outfor somethin' real.

What happens if I finish that?

Shouldn't I get backto work, madam?

(CHUCKLES)

Check back in after DNAbase.

(INDISTINCT ANNOUNCEMENTON PA)

K: Officer KD6-3.7.

(AUTOMATED VOICESPEAKING JAPANESE)

Request.

DNA records:children born 6-10-21.

Looking for anomalies.

(AUTOMATED VOICESPEAKING JAPANESE)

(SIGHS)

You havethe satcrystal backup?

(AUTOMATED VOICESPEAKING JAPANESE)

Okay.

- Run it raw.- (AUTOMATED VOICE RESPONDS)

(WALLACE JINGLE PLAYS)

Mere data makes a man.

A and C and T and G.

The alphabet of you.All from four symbols.

I'm only two:

1 and 0.

Half as much but twiceas elegant, sweetheart.

You don't prefer your madam?

Mmm.

You were listening.

Maybe.

You didn't like her enoughto tell her the truth.

6, 10 and 21.

There's nothin' to tell.

How many timeshave you told me that story?

Your memory?

The date carved beneath.

6, 10 and 21.

Coincidence?

A dangerous coincidence.

I always knewyou were special.

Maybe this is how.

A child.

Of woman born.

Pushed into the world.

Wanted.

Loved.

Well, if it were true,

I'd be huntedfor the rest of my life

by someone just like me.

It's okay to dream a little.

Isn't it?

Not if you're us.

- Stop.- (AUTOMATED VOICE RESPONDS)

K: Put up 4847and 2181, side-by-side.

(AUTOMATED VOICE RESPONDS)

They're identical. Translate.

(AUTOMATED VOICE RESPONDS)

A boy and a girl.

It's impossible.

JOI: Why?

K: Two peoplecan't have identical DNA.

One of these isn't real.It's a copy.

They were both processedat the Morrill Cole Orphanage.

It says the girl died there.

Genetic disorder.

Galatians Syndrome.

And the boy...

(SLIDE CLICKS)

...disappears.

Where's the orphanage?

You wanna go for a ride?

K: Well, here we are.

(THUNDER RUMBLING)

(LOUD RUMBLING)

Buckle up.

(ALARM BLARING)

(HARPOON CLANGS)

(CRASHES)

(DISTORTED WALLACE JINGLE

PLAYS)

K? K?

(DISTORTED)K? K? K? K? K? K?

(INDISTINCT CHATTER)

(WHIRRING)

(CHATTERING CONTINUES)

(GRUNTING)

- (BONE CRACKING)- (MAN SCREAMING)

K: Stay back.

(MAN SHOUTING ORDERSIN OTHER LANGUAGE)

(INDISTINCT SHOUTING)

(MEN SCREAMING)

LUV: Fire again.

Fire again.

Fire.

(MEN SCREAMING)

200 feet to the east.

Fire.

Go north.

Fire.

Stop. 20 degrees east.

Stop.

Zoom in.

Closer.

Oh, come on.

Get up.

Do your fucking job.

Find the child.

(GRUNTS)

(SIGHS)

(AIRLOCK ENGAGES)

(DOOR LOCKS)

K: Watch the car.

(DOOR CREAKS)

(CHILD COUGHS)

(CHILD COUGHING)

(INDISTINCT SHOUTING)

MR. COTTON: Every last piece,

or I'll put you outsidewhere the sky is raining,

where it's raining fire!

You're in here to work.

And if you're not working,I don't need you.

I don't need any of...

Hi.

(CHILDREN COUGHING)

MR. COTTON: The nickelis for the colonial ships.

Closest any of themor any of us is gonna get

to that grand lifeoff-world.

And I encourage play, I do.

Keeps 'em occupied and itmakes 'em nimble, right?

(MR. COTTON CHUCKLES)

But it's work.

It's work that molds theminto a child worth havin'.

(CHILD COUGHS)

So come on, now.

What sort do you have in mind?

(BLOWS WHISTLE)

'Cause I got all kinds.

(UNFURLS BADGE)

- Oh, no, no, no.- I'm not buyin'.

No, no, no.This is just my game,

and I play it fair.

No. No, I mean,bigger than you...

Bigger than youhave tried to shut me down.

Bigger than you.

And they were men, at that.

A little boy came through hereabout 30 years back.

- I need to see your records.- Hmm.

Legitimate placements,private sales, everything.

Don't keep recordsthat far back.

- You don't?- I don't.

Sorry. (CHUCKLES)

Can't help you.

- (EXHALES) You can't?- Nope.

(GUN COCKS)

I think you can.

(GRUNTS)

I think someone like youkeeps a long memory.

Now you can tell mewhat you remember,

or I can put a hole right hereand take a look.

(MR. COTTON MUTTERING)

They were laughin'and what was it you said?

What did you say?

(STAIRS CREAKING)

Are you comin'?

Where is it?

Oh, God.

Where, where, where, where?

I don't see it. Here.

It's gone.

(STAMMERS)It's the entire year.

I didn't do that.

That wasn't me.

I didn't. Wasn't me.

(K SIGHS)

(DOOR CLOSES IN DISTANCE)

(SIGHS DEEPLY)

(BREATHING HEAVILY)

(CONTINUES BREATHING HEAVILY)

JOI: I always told you.

You're special.

Born.

Not made.

Hidden with care.

A real boy now.

A real boy needs a real name.

Joe.

"Joe"?

You're too important for K.

Your motherwould've named you.

Joe.

(SIGHS)

- Joe.- Stop.

How do I know if a memoryis an implant or not?

Who makes the memories?

(INSECT BUZZING)

(CLICKING)

(DOORBELL CHIMES)

Dr. Ana Stelline?

(HOLOGRAM PINGS)

A visitor.

K: Is that okay?

ANA: Yes.

It's just unusual.

Nice to meet you,Officer KD6-3.7.

Sorry. It's a compromisedimmune system.

A life of freedom,so long as it's behind glass.

Is that whyyou're not off-world?

Yes.

My parents had our passesin pocket, but I took sick.

So it was a new life for me.

And they put me in my cage,

filled it with everythingthey could to keep me happy.

Except company, of course.And I was used to crowds.

What can I help you with?

Thought you might be ableto help me with a case.

Oh, that's the mostinteresting thing

I've been offeredto help with in ages.

Do you mind if I workwhile you talk?

Of course.

ANA: I promiseI hear every word.

They say you're the bestmemory-maker there is.

Well, then, they're kind.

I love birthday parties.

K: You work for Wallace.

ANA: Subcontract.I'm one of his suppliers.

He offered to buy me out,

but I take my freedomwhere I can find it.

(CHILDREN GIGGLING)

Why are you so good?

What makes your memoriesso authentic?

ANA: Well, there's a bit ofevery artist in their work.

But I was lockedin a sterile chamber at 8,

so if I wanted to seethe world,

I had to imagine it.

Got very good at imagining.

Wallace needs my talentto maintain a stable product.

I think it's only kind.

Replicants livesuch hard lives,

made to dowhat we'd rather not.

I can't help your future,

but I can give yougood memories

to think back on and smile.

It's nice.

It's better than nice.It feels authentic.

And if you haveauthentic memories,

you have real human responses.

Wouldn't you agree?

(BOTH INHALE)

(BLOWING)

Are they all constructed

or do you ever useones that are real?

ANA: It's illegal to usereal memories, officer.

How can you tellthe difference?

Can you tell if something

really happened?

They all thinkit's about more detail.

But that's not howmemory works.

We recall with our feelings.

Anything realshould be a mess.

I can show you.

Sit.

Now, think about the memoryyou want me to see.

Not even that hard.Just picture it.

Let it play.

(MACHINE WHIRRING)

Someone lived this, yes.

This happened.

I know it's real.

(SNIFFLING)

I know it's real.(EXHALES SHAKILY)

God damn it!

(CHAIR CLATTERING)

(POLICE SIREN WAILING)

OFFICER: (ON LOUDSPEAKER)Officer KD6-3.7.

Madam is calling you in.

You're under arrest.Drop your gun

and keep your handswhere I can see 'em.

MAN: Cells.K: Cells.

MAN: Have you everbeen in an institution?

- Cells.- Cells.

MAN: When you're notperforming your duties,

do they keep youin a little box?

- Cells.- Cells.

MAN: Interlinked.K: Interlinked.

MAN: What's it liketo hold the hand

of someone you love?Interlinked.

Interlinked.

MAN:Within cells interlinked.

K: Within cells interlinked.

MAN: Dreadfully.K: Dreadfully.

MAN: What's it like tobe filled with dread?

- Dreadfully.- K: Dreadfully.

MAN: Do you like beingseparated from other people?

- Distinct.- Distinct.

- Dreadfully distinct.- Dreadfully distinct.

- Dark.- Dark.

MAN:Within cells interlinked.

K: Within the cellsinterlinked.

MAN: Within one stem.K: Within one stem.

MAN:And dreadfully distinct.

K: And dreadfully distinct.

MAN: Against the dark.K: Against the dark.

MAN: A tall whitefountain played.

K: A tall whitefountain played.

MAN: You're not evenclose to baseline.

(DOOR SLAMS)

(FOOTSTEPS APPROACHING)

Out! Close the door.

What the fuck is with you?

I put you on a case.

I impressed on youthe importance of that case,

and then we pick you up

fucking aroundoutside an upgrade center?

Scan said you didn't look likeyou on the inside.

Miles off your baseline.

Do you know what that means?

I found the kid.

He was set uplike a standard Replicant,

put on a service job.

Even he didn't knowwho he was.

- And?- And it's done.

What does that mean,"it's done"?

What you asked.

It's done.

(SIGHS) Fuck.

You just stopped a bombfrom goin' off.

You did good.

I can help youget outta this station alive,

but you have 48 hoursto get back on track.

Surrender your gun and badge.

And your next baseline testis outta my hands.

Thank you, madam.

K: You were right.

You were rightabout everything.

Shh.

(DOOR UNLOCKS)

(DOOR OPENS)

Hmm.

Thought you weren'tinterested, worky man.

You liked her. I could tell.

It's okay.

She's real.

I wanna be real for you.

You are real for me.

You have a special lady here.

MARIETTE: Okay.

Let's do it.

MARIETTE: Look at you.

JOI: Quiet now,I have to sync.

(GASPS)

FEMALE ANNOUNCER: Joi isanything you want her to be.

Joi goes anywhereyou want her to go.

(SPEAKING JAPANESE)

(DOOR SLAMS)

AUTOMATED VOICE:99.9 percent detoxified water.

(TOILET FLUSHES)

(WALLACE JINGLE PLAYS QUIETLY)

(WHISPERS) It's from a tree.

JOI: I'm done with you.

You can go now.

Quiet, now.

I've been inside you.

Not so much thereas you think.

(DOOR CLOSES)

Coffee?

(CHUCKLES)

They'll be comin'after me soon.

I'm coming with you.

But not like this.

If they come herelooking for you,

they'll have accessto all my memories.

You have to delete mefrom the console.

My present.

Put me there.

I can't do that.

Think about it.

If anything happens to this,that's it.

You're gone.

Yes.

Like a real girl.

Please.

Joe, please.

I want this.

But I can't do it myself.

(SIGHS)

Break the antenna.

(BEEPS)

(DOC BADGER SPEAKINGOTHER LANGUAGE)

(INDISTINCT CHATTER)

I don't need a real horse.

I don't need a real horse.I just...

I just wanna find outwhere it's from.

DOC BADGER: (IN ENGLISH) Okay.

(SNIFFS)

(SPEAKING OTHER LANGUAGE)

- (TYPING)- Radiation from a reactor?

It matches a dirty bomb.

K: There's only one placethat dirty.

Mmm-hmm.

Nobody lives there.

(DOC BADGERSPEAKING OTHER LANGUAGE)

- K: Go to five.- (CAMERA CLICKING)

Four, 30 degrees to the left.

Tilt up.

Elevate to 400 feet.

Radiation analysis.

Move forward.

Tilt up.

Stop.

Move forward.

Go to five.

Seven, move forward.

Six.

Stop.

Go to seven.

Eight.

Nine.

Heat analysis.

Life.

JOI: What is it?

Guess we're about to find out.

(SWITCH CLICKS)

Too dark in here.

(DOOR CLOSES)

I like him.

He's a good boy.

Where is he?

(SIGHS)

I have no idea. He's off-duty.

Check around.

I checked

anywhere a good boymight go.

JOSHI: You're too late.

It's gone.

He destroyed it.

Everything about it.

Well, exceptfor the box of bones

that you already took.

Which, I'll wager,wasn't enough. Here you are.

(GASPS)

You tiny thing.

In the faceof the fabulous new,

your only thoughtis to kill it?

- (JOSHI GROANS)- For fear of great change?

You can't hold the tidewith a broom.

Except that I did.

(SHOUTS) Where is he?

(GASPS)

You're so sure.

Because he told you.

Because we never lie.

I'm gonna tell Mr. Wallaceyou tried to shoot me first.

So I had to kill you.

Then do what you gotta do.

Madam.

(GASPS)

(INAUDIBLE)

(SIGHS)

Location: Officer KD6-3.7.

(BEES BUZZING)

(BUZZING STOPS)

(HINGES CREAK)

(BALL RATTLING)

(BALL CLATTERS)

(PIANO PLAYING)

(PLAYS NOTE)

DECKARD:"Mightn't happen to have

"a piece of cheeseabout you, now?"

Would you, boy?

Treasure Island?

He reads.

That's good.

Me, too.

Not much else to doaround here at night anymore.

(CHUCKLES SOFTLY)

"Many is the nightI dream of cheese,

"toasted, mostly."

What are you doing here?

I heard the piano.

Don't lie.

It's rude.

You're a cop.

- I'm not here to take you in.- Oh, yeah?

Then, what?

I just have some questions.

What questions?

(CRASHING)

(SIGHS)

Stay.

(BREATHING HEAVILY)

(BEEPS)

(DOOR OPENS)

(MACHINE POWERING UP)

(MUSIC PLAYS AND STOPS)

(MACHINE POWERING DOWN)

(MUSIC PLAYS AND STOPS)

(MUSIC PLAYS AND STOPS)

(MUSIC PLAYING)

- (MUSIC STOPS)- (DOOR OPENS)

(MUSIC PLAYS)

- (GUNSHOT)- (MUSIC STOPS)

(UPBEAT MUSIC PLAYS AND STOPS)

(BOTH GRUNTING)

(PANTING)

K: Look,I don't wanna hurt you.

But you're not makin' it easy.

(MUSIC PLAYS AND STOPS)

(GRUNTING)

(MUSIC PLAYING)

ELVIS: Like a river flows

Surely to the sea

Darling, so it goes

Some things are meant to be

I like this song.

Take my hand

Take my whole life, too

We could keep at this,or we could get a drink.

For I can't help

Falling in love with you

I'll take the drink.

K: This is really somethin'.

DECKARD: The whole townwas somethin'.

One time.

Forget your troubles,

see a show,

gamble a little.

Win some money,lose some money.

They made moneyseem like candy.

You like whiskey?

I've got millions

of bottles of whiskey.

Here.

Bleeding.

Is it real?

I don't know.

Ask him.

Ya got a name?

Officer KD6-3.7.

That's not a name.That's a serial number.

All right.

Joe.

What do you want, Joe?

I wanna ask yousome questions.

Like what?

Like what was her name,the mother of your child?

What was she like?

- You two live here together?- Too many questions.

I had your job.I was good at it.

It was simpler then.

Why you makin' it complicated?

Why don't you justanswer the question.

What question?

I didn't figure youas one for bullshit.

What's her name?

Rachael.

Her name was Rachael.

What happened to the kid?

(SIGHS)

Who put it in the orphanage?Was it you?

I was long gone by then.

You didn't even meetyour own kid?

Why?

Because that was the plan.

I showed 'emhow to scramble the records,

cover their tracks.

Everyone had a part.Mine was to leave.

Then the Blackout came,paved over everything.

Couldn't have found the childif I tried.

- Did you want to?- Not really.

- Why not?- Because we were being hunted.

I didn't wantour child found,

taken apart, dissected.

Sometimes, to love someone,

you gotta be a stranger.

To strangers.

(COIN CLINKS)

(JAZZ MUSIC PLAYING)

It's quarter to three

There's no one in the place

Except you and me

So, set 'em up, Joe

I got a little story

You ought to know

We're drinkin', my friend

To the end

Of a brief episode

Make it one for my baby

And one more for the road

(DOG PANTING)

(WHIMPERS)

(DEVICE BEEPING)

(WALLACE JINGLE PLAYS)

DECKARD: What'd you do?

Who'd you bring? Huh?

K: No one.

Oh, yeah?

AUTOMATED VOICE:Target locked.

They know you're here.

I came alone.

(RUMBLING)

(GROANS SOFTLY)

(GROANING)

(GRUNTING)

Bad dog.

(GRUNTS)

Stop.

I do hope you're satisfiedwith our product.

- I love yo...- (SHATTERS)

(DEVICE BEEPING)

(BEEPING INTENSIFIES)

(BEEPING STOPS)

(WATER DRIPPING)

(BREATHING DEEPLY)

(FOOTSTEPS APPROACHING)

MARIETTE: Hey, there's someonewho wants to meet you.

You can trust us.

You must want me to look upand to the left.

MARIETTE: This is Freysa.

She fought with Sapperon Calantha.

K: I recognize you.

Did you help himhide the child?

Oh.

I was there.

I saw a miracle delivered.

A perfect little facecrying up at me.

Mad as thunder.

Were you with her?

Rachael?

FREYSA: I held heras she died.

We hid the child and madea vow to keep our secret.

That's why Sapperlet you kill him.

I knew that baby meantwe are more than just slaves.

If a baby can comefrom one of us,

we are our own masters.

More human than humans.

FREYSA:A revolution is coming.

And we're building an army.

I want to free our people.

If you want to be free,

join us.

Deckard, Sapper, you, me,

our lives mean nothingnext to a storm that's coming.

Dying for the right cause

is the most human thingwe can do.

You led Wallace to Deckard.

You cannot allow Deckardto lead Wallace to me.

You must kill Deckard.

Deckard only wantedhis baby to be safe.

And she is.

When the time comes,

I will show herto the world,

and she will lead our army.

"She"?

Of course.

Rachael had a daughter.

With my own eyes,I saw her come.

I dressed her in blue

when it was timefor her to go.

It was a boy that you hid.

That is just a pieceof the puzzle.

You imagined it was you?

Oh.

You did.

You did.

We all wish it was us.

That's why we believe.

ANA:Someone lived this, yes.

DECKARD: I showed 'emhow to scramble the records,

cover their tracks.

FREYSA: With my own eyes,I saw her come.

I dressed her in blue whenit was time for her to go.

ANA: There's a bitof every artist in their work.

(GROANING)

(EXHALES)

WALLACE: Always jumping,that one.

Never a thought of what to doif it made land.

All the courage in the worldcannot alter fact.

I have wanted to meet youfor so very long.

You are a wonder to me,Mr. Deckard.

I had the lock.

I found the key.

Yet the pins do not align.The door remains locked.

I need the specimento reach it, Mr. Deckard.

The child.

I need the child.

To teach them all to fly.

"And God remembered Rachel,

"heeded herand opened her womb."

RACHAEL:Do you like our owl?

DECKARD: It's artificial?

RACHAEL: Of course it is.

DECKARD: Must be expensive.

RACHAEL: Very. I'm Rachael.

DECKARD: Deckard.

WALLACE: Is it the same

now, as then,

the moment you met her?

All these yearsyou looked back on that day,

drunk on the memoryof its perfection.

How shiny her lips.

How instant your connection.

Did it never occur to you

that's why you were summonedin the first place?

Designed to do nothing shortof fall for her

right then and there.

All to makethat single perfect specimen.

That is, if you were designed.

Love

or mathematical precision.

Yes.

No.

(SIGHS)

I know what's real.

(SIGHING HEAVILY)

It was very cleverto keep yourself

empty of information,

and all it cost youwas everything.

But you can still help me.

You had help in the hiding.

Where did they go?

I know you know something.

Help me,

and very, very good thingscan come to you.

You don't have children,

do you?

Oh, I have millions.

You think I havenothing to offer but pain.

Only I know

you love pain.

Pain reminds youthe joy you felt was real.

More joy, then.

(FOOTSTEPS APPROACHING)

Do not be afraid.

An angel

made again.

For you.

RACHAEL:Did you miss me?

Don't you love me?

Her eyes were green.

WALLACE: Off-world,

I have everything I needto make you talk.

You do not knowwhat pain is yet.

You will learn.

(THUNDER RUMBLING)

(WALLACE JINGLE PLAYS)

JOI: Hello, handsome.

What a day, hmm?

You look lonely.

I can fix that.

You look like a good Joe.

FREYSA:Dying for the right cause

is the most human thingwe can do.

Because you've never seena miracle.

AIR-TRAFFIC CONTROLLER:You're entering

Los Angeles Airportrestricted airspace.

Confirm your identity.

PILOT: Transport S-14-4-XD.Confirmed.

PILOT 2: Base, this is06 outbound departure...

Where are we going?

Home.

AUTOMATED VOICE:Drive two down.

Backup engaged.

Warning.

LUV: Can we make it?PILOT: We're too low.

Take us back.

Get us up.

LUV: Open the door.

(GUNSHOT)

(BOTH GRUNTING)

(LUV GRUNTS)

I'm the best one.

(GASPING)

(PANTING)

Off-world is waiting.

(CHOKING)

(GROANS)

(YELLING)

(GROWLING)

Joe. Joe!

Joe!

You shoulda let medie out there.

K: You did.

You drowned out there.

You're free to meetyour daughter now.

All the best memoriesare hers.

Why?

Who am I to you?

Go meet your daughter.

You okay?

Just a moment.

Beautiful, isn't it?

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