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(HEART BEATING)
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NARRATOR: Who was Ricardo Fort?
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(GENTLE MUSIC PLAYING)
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NARRATOR: Where did he come from?
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Where was he headed?
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Did he get there?
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Do you remember his first
public appearances?
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It was like a meteorite's fall.
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He looked like a superhero.
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Or a fighter.
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More so.
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-You think we would've made this series...
-(OPERA MUSIC PLAYING)
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NARRATOR:
...if this man hadn't been a millionaire?
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But let's start at the beginning,
which is how every good story starts.
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More than a century ago, Felipe Fort,
Ricardo's grandfather,
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got off at the Buenos Aires port
from a ship that came from Barcelona...
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and shortly after he founded
a chocolate factory.
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No, no. Not that one. Lower.
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But how old are you? Ten?
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Twelve.
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And isn't it too soon to think
about earning money?
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Twelve-year-olds want to eat candy.
Not make them.
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Evidently, this foreign mini-entrepreneur
had a set idea.
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The world wants chocolate.
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NARRATOR: Felipe grew
in the hellish rhythm of his business,
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-until he drove it to bankruptcy.
-(CROWD CHEERING)
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NARRATOR: There,
sniffing the smell of opportunity...
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`(SNIFFS)
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NARRATOR: ...his son, Carlos,
bought the company from his own father.
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The first thing Carlos did was create
new chocolates.
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Many chocolates.
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The second one was to sell them
in every corner of the country.
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-(CAR HORN HONKING)
-NARRATOR: And the third one
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was to win everyone over.
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Everyone in Argentina could get
their Fel-Fort little delicacy
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in exchange for a coin.
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NARRATOR: One day in 2007,
Carlos went missing for four days.
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He was found at the morgue.
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He left behind
a working factory and three sons.
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-Jorge, Eduardo and Ricardo.
-(OPERA MUSIC PLAYING)
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NARRATOR: It was the very Ricardo
who took on identifying his father's body.
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And at that very same moment,
he inherited an unsurmountable fortune.
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(OPERA MUSIC PLAYING)
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NARRATOR:
And what did Ricardo do with the millions?
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He invested them in order to buy love.
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That's when we found out he liked to sing.
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Ricardo, as well, wanted to be famous.
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But we all know that fame is glory
that disappears when you touch it.
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And that in order to touch it
you have to work a lot,
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and not exactly at a factory.
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Ricardo Fort lived the way he wanted to,
died how he could,
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and became a digital Saint.
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He's in your chats, in mine,
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in that silenced group
you never open in the streets,
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in the schools, in stamps...
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in plastic souvenirs,
in Black Fridays...
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NARRATOR: We saw Ricardo up high.
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And down low.
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Every day.
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For five years.
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But...
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did we know what he felt? What he thought?
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What was that
perfect looking machinery hiding?
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We could imagine, but we never knew.
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Until now.
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Welcome to the depths of Commander Fort.
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(OPERA MUSIC FADES)
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(GENTLE MUSIC PLAYING)
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PATRICIO: Good day, Ricardo.
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We have to record something,
a really short video.
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They're waiting for you.
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They're waiting...
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DURING THE INVESTIGATION FOR THIS SERIES,
RICARDO FORT'S DIARY WAS FOUND.
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-(INDISTINCT CHATTER)
-(FOOTSTEPS APPROACHING)
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NO-ONE KNEW IT EXISTED.
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-RICARDO: Should I sit here?
-PATRICIO: Yeah.
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I'll leave you this.
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RICARDO: What's this?
I have to read it?
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-PATRICIO: Please.
-(GENTLE MUSIC FADES)
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RICARDO: Which is my camera?
Where do I look?
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PATRICIO: This is your camera.
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Where did you find this?
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This diary is private, you guys!
I have to read this?
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PATRICIO: Please, Ricardo.
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(SIGHS)
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"I always thought fame was useful
to teach something."
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Good line, but no,
I don't want to say this.
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PATRICIO:
Well, it's what's in the script.
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Well, I mean,
I can also say whatever I want.
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Is this your series?
I thought it was my series.
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Who would be the script writer then?
(CHUCKLES)
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PATRICIO: Say it in
whatever way you'd like.
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Okay. Record this, please.
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Hello. Welcome, boys and girls,
to The Commander...
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PATRICIO: Ricardo, could you say
"Welcome, everyone"?
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Everyone? I don't follow.
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PATRICIO: Everyone, it's neutral.
People talk that way now.
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Okay, that's fine. I like it.
Let's do it again.
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Hello. Welcome, everyone,
to Commander Fort, my series.
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What you're about to see now
is the part of my life I like the most.
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The most fun. The one that made me famous.
Quite the plan!
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You can tell me about it later.
We should do this again sometime.
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(CHUCKLES)
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Done?
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Are we done?
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COMMANDER FORT
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Are you making series about everyone
or just about the most important people?
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1. PUBLIC PERSON
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(WATER RUNNING)
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-(WHIRS)
-(INDISTINCT CHATTER)
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-NARRATOR: This is Ricardo Fort's head.
-(WHIRS)
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NARRATOR: In it, there are many dreams.
And an obsession that won't leave him be.
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To be a celebrity.
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When his father died,
Ricardo Fort was about to turn 40.
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It's about four decades
picturing this moment.
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At this stage of his life,
with the millions at hand,
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he can finally do every single thing
he always wanted to do.
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KARINA: He said it himself,
"Now that my dad's gone,
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"I'll have enough money to be famous."
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KARINA ANTONIALI'S VOICE
FORMER SISTER-IN-LAW AND FRIEND OF FORT'S
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KARINA:
That's where it all began.
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Back then, he had an income
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that he had inherited from the father.
Bills, lands, and well,
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he'd sell the lands to live his life.
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(INDISTINCT CHATTER)
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MALE VOICE 1: No, look at that!
It looks good. Just two lines.
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CAMERAMAN: Is the magic back?
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-Ricardo Fort is back!
-(WHIRS)
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(INSPIRING MUSIC PLAYING)
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CESAR: When his dad passed away,
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he decided to invest part of his fortune
in his dreams.
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CESAR CAROZZA'S VOICE
FORT FAMILY'S LAWYER
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He loved what he was doing, and he loved
the character he was creating,
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and he was willing to live that life
he had chosen,
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and if the cost for it was his fortune,
then it was his fortune.
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(DOOR SQUEAKS)
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CESAR:
He made a plan to be famous.
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Ricardo Fort is back! That's Peter.
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-That's my hairdresser. The only one.
-Much love to Argentina
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We're back to Ricardo Fort.
We're back to the original haircut.
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CAMERAMAN: Are you pleased
with the new...
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I'm happy! Now I feel like myself again.
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-CAMERAMAN: Watch out.
-Well, shall we go in the car?
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(INDISTINCT CHATTER)
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NARRATOR: Ricardo had a plan
and a lot of money to see it through.
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When you have fame, they buy it from you.
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If you don't, it's your turn to buy it.
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(INSPIRING MUSIC FADES)
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JUAN: One day, he said to me,
"Let's make a reality show."
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"I want to go to the United States
to buy everything, man."
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JUAN DE RENZI'S VOICE
CAMERAMAN "REALITY FORT"
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"Let's go buy equipment
and everything necessary for my reality."
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If you buy something here,
then take it there and it breaks,
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I'm afraid I won't be able to fix it.
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JUAN:
"Microphones, consoles, cameras,
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"look at the best, not at the price."
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SHOP CLERK: I'm not looking for money.
I'm shaking your hand.
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(CHUCKLES) Uh.
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NARRATOR: Before social media
and influencers,
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his idea was to get to the media
by showing himself on the internet
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like an eccentric, charismatic
and capricious millionaire.
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-(PLAYS PIANO)
-CESAR: Ricardo was a visionary.
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He started and became famous
on the internet
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when it was absolutely obscure
to everyone.
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MARCELA:
At first, when he decided
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to start recording himself...
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MARCELA VILLAGRA'S VOICE
RF'S FRIEND/PERSONAL TRAINER
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00:11:48,249 --> 00:11:50,168
MARCELA:
...after having his clothes line.
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00:11:50,293 --> 00:11:52,921
He had a friend then
who had a model agency.
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He transformed those boys into Ford Men,
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and with them, he wanted to make
the reality show, travel the world.
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And so, he began.
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There? Another?
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00:12:06,267 --> 00:12:08,269
CAMERAMAN: Yeah, one more. One more.
Can you do one more?
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(PLAYS PIANO)
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00:12:09,896 --> 00:12:11,564
No, another one. Let's see.
What can I play?
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CAMERAMAN: Change the rhythm!
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(PLAYS PIANO)
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We are here at Ocean Drive,
a beautiful, spectacular day, really.
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Not a single cloud in sight!
We got here and it had rained for a week,
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but Ricardo Fort got here
and the sun came out, you guys!
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So, we went shopping.
We went shopping, like every day.
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00:12:34,629 --> 00:12:37,465
We bought the iPad,
bought some tech things.
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00:12:37,840 --> 00:12:40,301
I bought some headphones, headsets.
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The same Lady Gaga uses! Exactly the same.
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Lady Gaga is the biggest thing there is
right now, in the United States.
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So, I wanted to buy what she uses...
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NARRATOR: He traveled to the United States
for equipment, because Ricardo Fort
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prepared for fame
like someone prepares to go to war.
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00:13:01,322 --> 00:13:02,907
(INSPIRING MUSIC PLAYING)
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00:13:03,366 --> 00:13:06,369
Inspired by the US reality shows
at the time...
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00:13:06,536 --> 00:13:07,620
ROME
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00:13:07,745 --> 00:13:10,081
NARRATOR:
...Ricardo aired his own show on YouTube,
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00:13:10,248 --> 00:13:12,542
which he called "Fort Show."
195
00:13:12,834 --> 00:13:14,502
RICARDO: I'm going to wake up
these assholes
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00:13:14,585 --> 00:13:17,630
because I think their room is colder
than mine and I'm not liking this.
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00:13:18,548 --> 00:13:20,967
So, I'll see if I like it better,
change rooms, and make them go up.
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00:13:21,634 --> 00:13:25,221
NARRATOR: He traveled the world
with many young, beautiful men,
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00:13:25,388 --> 00:13:27,348
whom he called "The Cats."
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00:13:29,100 --> 00:13:31,227
RICARDO: These two...
Guys! Raise everything that goes up. Up!
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00:13:35,523 --> 00:13:36,524
Up!
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00:13:37,191 --> 00:13:39,110
They fucked up! (CHUCKLING)
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00:13:39,277 --> 00:13:41,279
NATALIA: Ricardo's first
reality show was about a trip
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00:13:41,404 --> 00:13:42,864
around the world...
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00:13:42,947 --> 00:13:44,115
NATALIA ROMAN'S VOICE
RF'S PUBLICIST
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00:13:44,282 --> 00:13:45,783
NATALIA:
...with the models from his agency,
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00:13:45,867 --> 00:13:47,410
who ended up being "The Cats."
208
00:13:47,618 --> 00:13:51,539
Ricardo paid for the whole trip,
and he expected them to follow
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00:13:51,664 --> 00:13:53,124
in everything he wanted to do.
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00:13:53,207 --> 00:13:54,500
-CAT 1: Now?
-RICARDO: Now.
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00:13:54,709 --> 00:13:56,669
Oh, I pulled everything out...
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00:13:56,836 --> 00:13:58,254
Well, every room?
213
00:13:58,379 --> 00:14:01,090
-CAT 1: What floor?
-CAT 2: Third floor.
214
00:14:04,052 --> 00:14:05,428
RICARDO: What are you doing here?
215
00:14:05,595 --> 00:14:08,347
-CAT 3: You told us to...
-RICARDO: No, go down.
216
00:14:11,142 --> 00:14:14,520
And you turned off my air, man! Fuck you!
217
00:14:14,979 --> 00:14:17,732
-CAT 3: But we're not hot, man.
-How can you not be hot, man?
218
00:14:21,027 --> 00:14:22,945
I'm staying here. Go up.
219
00:14:23,112 --> 00:14:24,822
I'm staying here.
220
00:14:24,989 --> 00:14:27,158
-Really?
-RICARDO: Yeah, yeah.
221
00:14:27,617 --> 00:14:29,452
But where do you want to sleep, Richard?
222
00:14:29,702 --> 00:14:31,245
CAT 1: Where will we sleep?
223
00:14:31,662 --> 00:14:33,873
-Upstairs?
-RICARDO: I don't know. Why?
224
00:14:34,040 --> 00:14:35,541
CAT 1: Because I want to go to sleep, man.
225
00:14:36,042 --> 00:14:37,585
-Then go to sleep, man!
-CAT 1: Really?
226
00:14:37,668 --> 00:14:39,587
Yeah. If I decide to change again,
I'll wake you up.
227
00:14:39,879 --> 00:14:40,880
(CATS CHUCKLING)
228
00:14:40,963 --> 00:14:42,131
CAT 1: No problem!
229
00:14:44,133 --> 00:14:45,593
Go to sleep, man!
230
00:14:46,803 --> 00:14:50,056
(ENGINE RUMBLING)
231
00:14:56,813 --> 00:14:58,731
-(INDISTINCT CHATTER)
-(INSPIRING MUSIC FADES)
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00:14:58,856 --> 00:15:01,359
-RICARDO: The other one, for whom?
-VALERIA: Can I take a picture of you?
233
00:15:01,609 --> 00:15:02,610
The other one, for whom?
234
00:15:02,693 --> 00:15:04,320
CYNTHIA: Tell him what your name is,
so he can...
235
00:15:04,403 --> 00:15:05,738
-VALERIA: Valeria.
-CYNTHIA: There we go.
236
00:15:05,822 --> 00:15:08,074
VALERIA: He'll do it on the other side
and we can cut it in half.
237
00:15:08,157 --> 00:15:09,408
You see him, Cynthia?
238
00:15:09,492 --> 00:15:11,577
-(INDISTINCT CHATTER)
-Bye!
239
00:15:11,702 --> 00:15:16,040
VALERIA: It's weird to see you in person.
We watch you every day on TV.
240
00:15:16,457 --> 00:15:17,875
-CYNTHIA: I love you!
-Bye!
241
00:15:18,543 --> 00:15:24,340
(INDISTINCT CHATTER)
242
00:15:24,674 --> 00:15:27,385
-I feel like an animal in the zoo, man!
-SECURITY: Yeah!
243
00:15:27,510 --> 00:15:28,553
(CHUCKLES)
244
00:15:30,596 --> 00:15:34,183
NARRATOR: He lived and showed himself
surrounded by a security circle.
245
00:15:34,892 --> 00:15:37,895
He moved with the deployment
of a world leader.
246
00:15:37,979 --> 00:15:39,021
(ENGINE REVVING)
247
00:15:39,105 --> 00:15:41,315
NARRATOR: He would take one step
and be followed by security guards
248
00:15:41,399 --> 00:15:43,234
as big as wardrobes,
249
00:15:43,609 --> 00:15:47,530
with guns, motorcycles,
receivers, blinking lights...
250
00:15:48,781 --> 00:15:51,242
-Behind here...
-(INDISTINCT CHATTER)
251
00:15:51,492 --> 00:15:54,912
RICARDO: Excuse me. So fine!
252
00:15:56,455 --> 00:15:58,749
Not fine at all.
It looks like a motel, man.
253
00:15:59,041 --> 00:16:02,086
CHRISTIAN: Ricardo was,
like, hallucinating.
254
00:16:02,587 --> 00:16:03,880
Having a custody gave him hierarchy.
255
00:16:03,963 --> 00:16:05,256
CHRISTIAN PEPE'S VOICE
FIRST RF CUSTODY
256
00:16:05,339 --> 00:16:08,801
CHRISTIAN: Ricardo was always someone
who needed affection, real affection,
257
00:16:08,968 --> 00:16:11,137
and when we first started
working with him,
258
00:16:11,262 --> 00:16:13,973
he was like obsessed with us.
259
00:16:14,724 --> 00:16:17,143
OSKY: What happened?
I'm scared, man. (CHUCKLING)
260
00:16:17,393 --> 00:16:18,728
I'm scared.
261
00:16:19,228 --> 00:16:20,479
You missed Gustavo.
262
00:16:20,605 --> 00:16:24,317
There's Claudia, and in the next room
there's Gustavo.
263
00:16:26,736 --> 00:16:28,988
-You're with Gustavo.
-OSKY: Okay.
264
00:16:29,780 --> 00:16:32,450
The next room, Guillermo with Guido,
265
00:16:33,576 --> 00:16:35,828
who gets here tomorrow.
266
00:16:36,996 --> 00:16:39,415
Yeah, he gets here tomorrow.
267
00:16:40,583 --> 00:16:42,585
OSKY: You missed Micky.
He arrives... When is he getting here?
268
00:16:42,710 --> 00:16:44,212
-OSKY: Thursday.
-CAT 3: Thursday.
269
00:16:45,504 --> 00:16:46,839
RICARDO: Micky gets here on Thursday?
270
00:16:47,006 --> 00:16:48,090
OSKY: Yeah. He's staying.
271
00:16:48,925 --> 00:16:51,260
Well, then in the next room,
there's Micky...
272
00:16:51,469 --> 00:16:53,137
(INDISTINCT CHATTER)
273
00:16:53,387 --> 00:16:55,014
-OSKY: The upstairs one.
-RICARDO: Yeah.
274
00:16:56,432 --> 00:16:59,185
Micky with you.
Who do you want to be with?
275
00:16:59,352 --> 00:17:02,063
No, no. You know what I think,
and it's what I said...
276
00:17:02,230 --> 00:17:04,482
RICARDO: No, I don't know...
Who do you want to be with?
277
00:17:04,774 --> 00:17:11,697
OSKY: I prefer... My policy is, you say
what room is available to whom
278
00:17:11,822 --> 00:17:15,243
and the troop chooses a room.
They know each other.
279
00:17:15,409 --> 00:17:17,370
They have each a better rapport
with someone.
280
00:17:17,745 --> 00:17:20,873
That will generate a more calm
living situation.
281
00:17:20,957 --> 00:17:23,918
If it fails, boss, you give me the go.
If they comply...
282
00:17:24,585 --> 00:17:28,464
if they comply, I can demand anything.
So, I need you to trust your team.
283
00:17:28,631 --> 00:17:30,216
Between you guys, you do whatever.
284
00:17:30,341 --> 00:17:34,136
I'll say what rooms I'll place security in
and in which room I'll sleep...
285
00:17:34,303 --> 00:17:36,597
OSKY: Perfect. That's what I was asking.
286
00:17:36,889 --> 00:17:39,058
Then we're set.
You make the pairs you like.
287
00:17:39,225 --> 00:17:40,476
OSKY: Well, perfect.
288
00:17:40,726 --> 00:17:46,566
Well, team, let's move to the rooms,
and have a meeting.
289
00:17:48,859 --> 00:17:50,194
Thanks, boss!
290
00:17:50,361 --> 00:17:51,779
-Bye!
-OSKY: Let's go upstairs.
291
00:17:52,238 --> 00:17:57,910
They're going to tie him to a pole.
(CHUCKLES) They'll get him...
292
00:17:58,619 --> 00:18:00,746
I thought at first,
he was pulling your leg, but...
293
00:18:00,871 --> 00:18:06,085
No, he's very much like into the troop.
He loves playing G.I. Joe.
294
00:18:06,377 --> 00:18:08,254
RICHARD'S FRIEND 1: Isn't he
the security guard?
295
00:18:08,671 --> 00:18:11,048
No, he isn't.
He was my security guard before.
296
00:18:11,340 --> 00:18:13,843
RICHARD'S FRIEND 1: And the other guys,
how are they taking to him being...
297
00:18:13,926 --> 00:18:16,345
Oh, they want to kill him. (CHUCKLES)
298
00:18:16,846 --> 00:18:19,390
RICHARD'S FRIEND 1: I thought he was
already assigned as a boss, and they...
299
00:18:19,557 --> 00:18:20,558
Willy!
300
00:18:20,933 --> 00:18:24,437
Remember the troop needs to be up
at 7:00 a. m. (CHUCKLES)
301
00:18:24,729 --> 00:18:26,439
Quarter past seven we'll be ready, boss.
302
00:18:26,814 --> 00:18:30,610
NARRATOR: The Secret is a famous
American self-help book
303
00:18:30,735 --> 00:18:33,404
that every celebrity in the world reads.
304
00:18:33,821 --> 00:18:36,198
NARRATOR: This book states
that dreams come true
305
00:18:36,282 --> 00:18:38,159
only by wishing for them.
306
00:18:38,534 --> 00:18:41,454
They're spoken aloud and that's it.
They're decreed.
307
00:18:41,621 --> 00:18:44,707
RICARDO: I want for everything
I go through in life, to be my choice.
308
00:18:44,957 --> 00:18:48,628
NARRATOR: But is it so easy to be
the God of your own miracle?
309
00:18:48,919 --> 00:18:51,380
I choose my future. If you're doing bad,
it's because you chose wrong.
310
00:18:51,464 --> 00:18:54,842
One has to learn things.
You put obstacles in the way,
311
00:18:55,134 --> 00:18:58,596
with your negative mind, sometimes,
you put obstacles in the way,
312
00:18:59,221 --> 00:19:01,807
so, from those obstacles, you can learn
something and grow, rise spiritually.
313
00:19:02,016 --> 00:19:05,936
-But there's karma...
-Because the people from Haiti
314
00:19:06,103 --> 00:19:09,273
had like a size 12 earthquake.
They weren't all thinking...
315
00:19:09,815 --> 00:19:14,195
There's a universal karma,
there has to be a balance.
316
00:19:14,362 --> 00:19:17,239
I think that happens
from different places.
317
00:19:17,365 --> 00:19:21,118
It's not going to be just
as easy for you to go to Miami
318
00:19:21,327 --> 00:19:22,703
than for someone who has nothing to eat.
319
00:19:22,787 --> 00:19:24,830
But two months ago, did you think
you'd have your ass
320
00:19:24,914 --> 00:19:30,211
on a plane going to Miami,
to Rio de Janeiro, to Mar del Plata...
321
00:19:31,337 --> 00:19:34,090
-HERNAN: Cordoba...
-Everywhere? No.
322
00:19:35,049 --> 00:19:38,302
The first thing you'd have said is,
"No, I can't go to Miami now. I can't..."
323
00:19:38,636 --> 00:19:39,804
And you did all of that.
324
00:19:39,929 --> 00:19:43,182
You took private jets,
you had the best of the best.
325
00:19:43,724 --> 00:19:47,353
You couldn't pay for it, all right.
But Ricardo Fort fell into your lap.
326
00:19:47,436 --> 00:19:50,064
-AYELEN: Right, but that's the thing.
-The Universe sent Ricardo Fort your way,
327
00:19:50,189 --> 00:19:53,526
-which allowed you to do it.
-AYELEN: No, I...
328
00:19:53,651 --> 00:19:55,403
Guys, I believe in The Secret
and that's it.
329
00:19:55,486 --> 00:19:57,113
The Secret is the best.
Laws of Attraction.
330
00:19:57,238 --> 00:19:58,656
What you think is what happens to you.
331
00:19:58,781 --> 00:20:00,241
-That's it.
-RICHARD'S FRIEND 2: Optimism.
332
00:20:00,408 --> 00:20:02,535
The secret is the Law of Attraction.
333
00:20:03,703 --> 00:20:08,082
That's the secret. The Law of Attraction.
That's the secret.
334
00:20:09,291 --> 00:20:10,418
It's true.
335
00:20:10,918 --> 00:20:13,838
So, all I want, I imagine,
as if it will happen.
336
00:20:13,921 --> 00:20:18,300
I'm already imagining
having my own show. I'm already...
337
00:20:18,801 --> 00:20:22,888
Of course, I'm imagining being
in the Dancing for a Dream jury.
338
00:20:22,972 --> 00:20:25,516
Of course, I imagine myself sitting there.
You have to affirm it.
339
00:20:25,683 --> 00:20:30,396
I see myself there. I'm already there.
I can imagine sitting there, them dancing.
340
00:20:30,521 --> 00:20:31,689
RICHARD'S FRIEND 2: Jury for...
341
00:20:31,772 --> 00:20:34,275
I'm imagining I'm in the jury there.
It's what I'm talking about.
342
00:20:34,358 --> 00:20:35,776
Fuck you.
343
00:20:35,985 --> 00:20:36,986
(CROWD CHEERING)
344
00:20:37,069 --> 00:20:38,487
("I KNOW YOU WANT ME" BY PITBULL PLAYING)
345
00:20:38,571 --> 00:20:40,781
I know you want me
You know I want ya
346
00:20:41,365 --> 00:20:44,618
I know you want me
You know I want ya
347
00:20:44,869 --> 00:20:46,746
-MARCELO: Yeah, get it!
-(CROWD CHEERING)
348
00:20:47,079 --> 00:20:50,291
You know I want ya
I know you want me
349
00:20:50,374 --> 00:20:53,085
Watch out! Look at him dance...
350
00:20:53,461 --> 00:20:55,129
One, two, three, four
351
00:20:55,755 --> 00:20:57,256
They're dying for him.
352
00:20:58,299 --> 00:21:02,887
Oh, but the jury is dancing and all.
Stop for a bit! It's all set!
353
00:21:03,012 --> 00:21:06,307
-The guys there, they're all in custody?
-Yeah, where's the rest?
354
00:21:06,640 --> 00:21:08,309
MARCELO:
Where's the rest? How many are they, 22?
355
00:21:08,392 --> 00:21:11,854
-How many do you have, Ricardo?
-Five. Where... where are the five?
356
00:21:12,563 --> 00:21:13,856
Guys, where's the five?
357
00:21:14,064 --> 00:21:15,566
Uno, dos, tres, cuatro
358
00:21:15,691 --> 00:21:19,195
Tick to the tock, on my way to the top
Pit got it locked from goons to the locks
359
00:21:19,361 --> 00:21:22,406
Before you sing, can we see
a bit of your body, please?
360
00:21:22,698 --> 00:21:26,327
Label flop but Pit won't stop
Got her in the cockpit playin' with Pit's
361
00:21:26,535 --> 00:21:28,037
Now watch me make a movie...
362
00:21:28,162 --> 00:21:31,499
MARCELO: Please send in
the first three girls.
363
00:21:31,707 --> 00:21:33,751
Mr Ricardo Fort will see them.
364
00:21:33,834 --> 00:21:35,961
No, it's not a love thing.
The girls come over to have a contract
365
00:21:36,128 --> 00:21:38,005
in the Mar del Plata season...
366
00:21:38,506 --> 00:21:41,550
I know you want me
You know I want ya
367
00:21:41,759 --> 00:21:45,679
I know you want me
You know I want ya
368
00:21:46,055 --> 00:21:48,557
(CROWD CHEERING)
369
00:21:50,893 --> 00:21:53,687
Ella quiere su rumba, rumba
370
00:21:54,772 --> 00:21:57,566
Ricardo! Oh!
371
00:21:57,775 --> 00:22:00,653
Sorry. Is he... That's Ricardo Fort.
They'll have a fight!
372
00:22:00,820 --> 00:22:04,782
-It's disturbing! (CHUCKLES)
-The security people don't listen!
373
00:22:04,949 --> 00:22:07,493
-You have to have balls!
-Wait, let's have a test.
374
00:22:07,743 --> 00:22:09,787
(INDISTINCT CHATTER)
375
00:22:10,412 --> 00:22:13,833
NARRATOR: Ricardo walked into the homes
of millions of Argentines
376
00:22:13,916 --> 00:22:15,376
through Showmatch,
377
00:22:16,168 --> 00:22:19,088
the most-watched show in Argentina.
378
00:22:19,672 --> 00:22:22,800
To stay alive in the Marcelo Tinelli tank,
379
00:22:22,967 --> 00:22:27,263
Ricardo had to have total control
over his image.
380
00:22:27,513 --> 00:22:30,266
That's how he started moving
like the big Hollywood artists
381
00:22:30,432 --> 00:22:32,643
on top of their game.
382
00:22:33,310 --> 00:22:37,857
He was in every detail.
He chose the clothes, profile, gestures.
383
00:22:38,357 --> 00:22:40,609
Photoshoots lasted for hours.
384
00:22:41,026 --> 00:22:45,155
He had no patience at all,
except for that.
385
00:22:45,406 --> 00:22:47,157
KARINA: He was always
showing his Rolex,
386
00:22:47,241 --> 00:22:49,994
always showing his clothes,
where he bought it, this and that.
387
00:22:50,077 --> 00:22:51,954
VOICE OF KARINA ANTONIALI
R. F EX SISTER-IN-LAW AND FRIEND
388
00:22:52,037 --> 00:22:55,708
But the people loved all of that,
because they were tired of the misery.
389
00:22:55,833 --> 00:22:58,210
MARCELO: To me, Ricardo,
the new thing he brought with him
390
00:22:58,377 --> 00:23:02,715
was the millionaire, who made a display
of money, of travels, of cars,
391
00:23:02,840 --> 00:23:05,050
which was a character that wasn't on TV.
392
00:23:05,134 --> 00:23:07,219
There were some around the world,
but not in Argentina.
393
00:23:07,344 --> 00:23:08,929
MARCELO POLINO'S VOICE
ENTERTAINMENT JOURNALIST
394
00:23:09,013 --> 00:23:11,348
MARCELO:
Not as extroverted and showing off
395
00:23:11,473 --> 00:23:13,601
what they had, and their lifestyle.
396
00:23:14,059 --> 00:23:16,979
I think this is what he brought
to the table.
397
00:23:17,313 --> 00:23:21,275
RICARDO: This whole idea
began one day, when I was called,
398
00:23:21,901 --> 00:23:25,446
they surprised me, I was in Mar del Plata
doing the show Fortuna,
399
00:23:25,988 --> 00:23:28,365
and I got a call
from Mrs. Carolina Rabolini,
400
00:23:28,991 --> 00:23:32,244
and I was like "Carolina is calling me?"
401
00:23:32,411 --> 00:23:34,622
Many years ago, I had a dream,
402
00:23:34,872 --> 00:23:38,042
besides what I'm doing in the theatre,
TV and all of that, I had a dream,
403
00:23:38,250 --> 00:23:39,710
which was to have a perfume.
404
00:23:39,835 --> 00:23:44,798
I always believe, and I'm a big follower
of The Secret, of the Law of Attraction.
405
00:23:44,882 --> 00:23:47,301
And I always wanted to have a perfume
with my name on it.
406
00:23:47,468 --> 00:23:48,469
ATTENDEE 1: Hey, Guille!
407
00:23:48,677 --> 00:23:51,013
-(INDISTINCT CHATTER)
-MARITE: Ricardo, look this way!
408
00:23:51,138 --> 00:23:53,349
I know you love Lady Gaga,
and he saw her...
409
00:23:53,515 --> 00:23:55,935
-Paula.
-Hi, thank you!
410
00:23:56,060 --> 00:23:58,228
-She's Lady Gaga's clothes designer!
-CAMERAMAN: Come on!
411
00:23:58,437 --> 00:24:01,315
-Tell me...
-FEMALE VOICE 1: Ta-da! (CHUCKLING)
412
00:24:01,565 --> 00:24:05,402
You go! My prince!
413
00:24:08,280 --> 00:24:13,619
NARRATOR: Fame. A horrible winged goddess,
with an awful eye in each feather.
414
00:24:13,744 --> 00:24:17,706
-(INDISTINCT CHATTER)
-NARRATOR: Age, over 2000 years.
415
00:24:17,915 --> 00:24:18,999
(CHUCKLES)
416
00:24:19,166 --> 00:24:23,212
NARRATOR: Its mission in this world,
to promote immortality.
417
00:24:23,379 --> 00:24:25,923
-All night!
-You didn't give it to me all night.
418
00:24:26,131 --> 00:24:28,467
NARRATOR: Fame is a hard drug
419
00:24:28,634 --> 00:24:31,387
that makes you talk
when you should be quiet.
420
00:24:31,679 --> 00:24:33,305
To ask for things in an awful way...
421
00:24:33,722 --> 00:24:36,976
I want my fucking fan! Fucking hell!
422
00:24:37,101 --> 00:24:38,435
VIOLET: You lost it!
423
00:24:38,560 --> 00:24:40,896
No, no, no...
424
00:24:41,105 --> 00:24:44,191
NARRATOR: It makes you sigh,
it makes you feel hot,
425
00:24:44,650 --> 00:24:45,901
makes you wasted...
426
00:24:46,068 --> 00:24:47,569
RICARDO: Dude!
427
00:24:47,736 --> 00:24:50,823
NARRATOR: Fame is euphoria
and high tensions.
428
00:24:50,990 --> 00:24:53,242
We're in a pickle, and there's no cabs.
429
00:24:53,409 --> 00:24:55,744
Babe, we're poor! War economy!
Let's walk.
430
00:24:55,911 --> 00:24:59,581
No, baby, we're not poor.
There's no cabs. Let's not...
431
00:24:59,748 --> 00:25:01,959
We're not poor. Okay? There's no cabs.
432
00:25:02,334 --> 00:25:05,587
-(INDISTINCT CHATTER)
-(PIANO MUSIC PLAYING)
433
00:25:05,921 --> 00:25:10,050
(CROWD CHEER)
434
00:25:10,259 --> 00:25:14,221
Go, Mendoza, damn it! Go, Mendoza!
435
00:25:15,973 --> 00:25:18,225
They had to be from Mendoza.
436
00:25:21,979 --> 00:25:23,814
NARRATOR: Fame is power.
437
00:25:24,148 --> 00:25:27,526
And power is only friends with power.
438
00:25:29,236 --> 00:25:33,323
The powerful smell each other from afar,
look for each other,
439
00:25:34,199 --> 00:25:35,909
and they find each other.
440
00:25:36,285 --> 00:25:37,786
(PIANO MUSIC CONTINUES)
441
00:25:38,328 --> 00:25:42,791
RICARDO: He reminds me
a lot of my father. A lot.
442
00:25:43,042 --> 00:25:45,669
Not just the physical part.
The way he talks,
443
00:25:46,045 --> 00:25:47,421
the intelligence...
444
00:25:47,755 --> 00:25:51,633
RICARDO:
And well, for my first interview,
445
00:25:51,759 --> 00:25:53,135
CARLOS MENEM
FORMER PRESIDENT OF ARGENTINA
446
00:25:53,218 --> 00:25:59,349
I have even been with Madonna,
talking, having dinner,
447
00:25:59,558 --> 00:26:03,771
but the emotion I felt when listening
to the President talk to me,
448
00:26:03,937 --> 00:26:07,274
on the phone, calling me Ricky,
asking after my children...
449
00:26:07,900 --> 00:26:10,402
I don't think I'll ever forget about this.
450
00:26:12,029 --> 00:26:15,449
I always considered, and I think
I mentioned it a lot on the media,
451
00:26:15,616 --> 00:26:19,369
that the ten years I lived in this country
under Menem's presidency,
452
00:26:19,536 --> 00:26:22,289
were the best ten years of this country,
in my opinion.
453
00:26:22,664 --> 00:26:25,417
And what I highlight
454
00:26:25,876 --> 00:26:28,629
is how safe it was in our country.
455
00:26:28,921 --> 00:26:32,841
Kids could play in the streets, the park,
and it was normal to see them there,
456
00:26:33,383 --> 00:26:39,932
one could buy a house on a credit,
a car on a credit, the city was beautiful.
457
00:26:40,015 --> 00:26:42,226
I always recall Christmas
and New Year鈥檚, for example.
458
00:26:43,102 --> 00:26:47,147
Everything was lit up in the city,
when it was Christmas and New Year鈥檚.
459
00:26:47,606 --> 00:26:51,735
The security, the stability there was.
460
00:26:53,028 --> 00:26:56,323
Will we have Menem
in the next elections?
461
00:26:56,532 --> 00:26:57,950
(CHUCKLES)
462
00:26:58,617 --> 00:27:03,831
On July 2nd, dear Ricky, I'm turning 80.
463
00:27:04,873 --> 00:27:09,503
I'm willing to work, to keep fighting,
but apart from that...
464
00:27:09,795 --> 00:27:11,964
Look, because of politics,
465
00:27:12,965 --> 00:27:17,761
and this is so people know,
I lost everything I had.
466
00:27:18,929 --> 00:27:23,433
The cellar, the vineyards,
absolutely everything.
467
00:27:23,976 --> 00:27:24,977
And a son.
468
00:27:25,143 --> 00:27:28,772
And a son. Unfortunately, a son,
which is what's most painful.
469
00:27:29,773 --> 00:27:34,486
But economically speaking,
I was left very bad.
470
00:27:35,779 --> 00:27:40,909
I'm living off my pension
as a former President.
471
00:27:41,159 --> 00:27:44,079
-Hmm.
-But the rest is in the wind.
472
00:27:44,246 --> 00:27:46,832
I was left with nothing.
473
00:27:46,999 --> 00:27:49,585
Do you want to borrow some? (CHUCKLES)
474
00:27:49,793 --> 00:27:51,962
Everything I had, I put into politics.
475
00:27:52,504 --> 00:27:55,424
Everything went into politics.
476
00:27:55,632 --> 00:28:01,305
For an election, dear Ricky, you need
at least 20 million dollars.
477
00:28:02,306 --> 00:28:03,765
Where do you get those?
478
00:28:04,725 --> 00:28:07,060
-I don't know. I wish I knew. (CHUCKLES)
-(CHUCKLES)
479
00:28:07,311 --> 00:28:09,563
-You're something of a wizard.
-(CHUCKLES)
480
00:28:09,646 --> 00:28:13,025
-Or your mom, who sings so...
-(CHUCKLES) Yes, my mom sings tango.
481
00:28:13,692 --> 00:28:14,776
(CAMERA CLICKS)
482
00:28:15,152 --> 00:28:16,278
JOURNALIST: Can I...
483
00:28:16,403 --> 00:28:17,738
-Yeah.
-JOURNALIST: ... ask something?
484
00:28:17,863 --> 00:28:20,574
You were someone who was persecuted.
485
00:28:20,699 --> 00:28:22,326
RICARDO: No, no, no. Excuse me.
486
00:28:22,534 --> 00:28:24,661
-I ask the questions.
-JOURNALIST: Okay, perfect.
487
00:28:24,828 --> 00:28:28,206
RICARDO: I ask what I want to ask.
There we go.
488
00:28:29,583 --> 00:28:33,712
What I asked, I think is correct
and enough.
489
00:28:34,046 --> 00:28:39,426
Again, to me, this is like talking
to my dad, it makes me emotional.
490
00:28:40,177 --> 00:28:41,720
-Really does.
-Thank you, Ricky, dear.
491
00:28:41,803 --> 00:28:42,846
(PIANO MUSIC FADES)
492
00:28:42,930 --> 00:28:45,390
-It was a pleasure.
-Give your mom a big kiss from me.
493
00:28:46,016 --> 00:28:50,062
Tell her I really love her,
and someday we'll meet up.
494
00:28:50,228 --> 00:28:52,147
-Please.
-At home.
495
00:28:53,440 --> 00:28:55,817
-(INDISTINCT CHATTER)
-(INSPIRING MUSIC PLAYING)
496
00:28:59,696 --> 00:29:01,198
NARRATOR: For Ricardo Fort,
497
00:29:01,365 --> 00:29:03,533
the United States
were his second homeland.
498
00:29:04,618 --> 00:29:05,953
Or his first.
499
00:29:06,828 --> 00:29:09,665
He liked everything.
He found everything attractive.
500
00:29:09,831 --> 00:29:13,293
To him, there, everything was okay.
501
00:29:13,627 --> 00:29:19,174
(INDISTINCT CHATTER)
502
00:29:19,633 --> 00:29:22,678
NARRATOR: He traveled there
to find inspiration, to find ideas,
503
00:29:23,178 --> 00:29:26,014
to purchase clothes, to watch theatre.
504
00:29:26,515 --> 00:29:28,850
He loved the Broadway musicals.
505
00:29:29,476 --> 00:29:34,064
His plan was to import some
of New York into Argentina.
506
00:29:35,148 --> 00:29:38,235
CESAR: Ricardo was a thinking machine.
507
00:29:38,777 --> 00:29:40,988
He didn't sleep. He'd sleep for one hour,
508
00:29:41,154 --> 00:29:44,741
get up, sit at a table,
fall asleep at a table,
509
00:29:44,908 --> 00:29:46,034
go back to bed,
510
00:29:46,159 --> 00:29:50,247
and that's how he went through
all his years of fame.
511
00:29:55,002 --> 00:29:57,963
(INDISTINCT CHATTER)
512
00:30:02,801 --> 00:30:07,139
(INDISTINCT CHATTER)
513
00:30:10,183 --> 00:30:15,439
(INDISTINCT CHATTER)
514
00:30:19,651 --> 00:30:24,448
NARRATOR: Every once in a while, suddenly,
the machine would stop.
515
00:30:25,699 --> 00:30:26,992
Like in a shutdown.
516
00:30:28,160 --> 00:30:30,954
He'd stop talking and lock himself up
inside his head.
517
00:30:33,582 --> 00:30:37,252
What would he think
in those instants of introspection?
518
00:30:39,129 --> 00:30:40,589
Impossible to know.
519
00:30:41,506 --> 00:30:43,341
No-one could get in there.
520
00:30:44,593 --> 00:30:50,182
(INDISTINCT CHATTER)
521
00:30:51,641 --> 00:30:57,481
CORDOBA
VILLA CARLOS PAZ
522
00:30:58,815 --> 00:31:00,484
(CROWD CHEERING)
523
00:31:00,776 --> 00:31:03,987
SANTIAGO: Life with Ricardo
was totally unpredictable, dizzying.
524
00:31:04,112 --> 00:31:05,655
No limits, no schedules.
525
00:31:05,739 --> 00:31:07,449
VOICE OF SANTIAGO "WILLY" BENAVIDEZ
GUARDIAN OF R. F.
526
00:31:07,532 --> 00:31:09,576
There is a big difference
between a businessman
527
00:31:09,743 --> 00:31:11,286
who lives his life in Puerto Madero
528
00:31:11,620 --> 00:31:14,539
or locked in a building
and only goes to his office
529
00:31:14,706 --> 00:31:17,709
and Ricardo, who went anywhere,
anywhere he was invited to.
530
00:31:18,126 --> 00:31:20,212
Ricardo was... He was just normal.
531
00:31:20,462 --> 00:31:23,632
Ricardo got off anywhere
at any time to take a picture
532
00:31:23,715 --> 00:31:26,009
-with anyone. He fed on the people.
-(INDISTINCT CHATTER)
533
00:31:26,426 --> 00:31:28,220
-MALE VOICE 2: Diego, say hi!
-(INSPIRING MUSIC FADES)
534
00:31:31,431 --> 00:31:33,391
FERNANDO: We were doing a play
in Mar del Plata...
535
00:31:33,558 --> 00:31:35,352
VOICE OF FERNANDO NINO
ACTOR / R. F FRIEND
536
00:31:35,435 --> 00:31:38,063
FERNANDO: ...and Ricardo told us
that Maradona wanted to meet him.
537
00:31:38,146 --> 00:31:41,983
Diego went home, they got together
in a room of the house
538
00:31:42,067 --> 00:31:44,277
and they spent a lot of time chatting.
539
00:31:44,486 --> 00:31:46,696
It is said that Ricardo
gave him a Rolex
540
00:31:46,905 --> 00:31:49,574
that Diego already had
and that later Ricardo gave him another.
541
00:31:50,200 --> 00:31:51,743
-(CROWD CHEERING)
-FERNANDO: Diego had to leave
542
00:31:51,827 --> 00:31:54,663
Mar del Plata
and Ricardo invited him to see the play
543
00:31:55,205 --> 00:31:58,875
and Diego said yes
and changed his itinerary
544
00:31:59,000 --> 00:32:01,253
and changed the flight
to stay a couple more days
545
00:32:01,336 --> 00:32:02,796
to be able to go see the play.
546
00:32:03,296 --> 00:32:07,425
A round of applause for God.
Diego Armando Maradona!
547
00:32:07,509 --> 00:32:09,970
(CROWD CHEERING)
548
00:32:10,929 --> 00:32:13,765
CROWD: Go, go, Diego!
549
00:32:13,974 --> 00:32:16,768
Go, go, Diego!
550
00:32:17,018 --> 00:32:19,729
FERNANDO: The day of the performance
everything was a chaos.
551
00:32:19,855 --> 00:32:22,232
-Diego went to T铆o Curzio.
-CROWD: Diego, Diego...
552
00:32:22,440 --> 00:32:25,235
FERNANDO: They went to the terrace,
to the balcony of T铆o Curzio,
553
00:32:25,485 --> 00:32:28,029
Ricardo and Diego,
to greet the people...
554
00:32:28,113 --> 00:32:31,616
-It was a historic moment.
-Come on!
555
00:32:31,825 --> 00:32:35,579
(CROWD CHEERING)
556
00:32:36,872 --> 00:32:37,873
MALE VOICE 3: Diego!
557
00:32:38,039 --> 00:32:42,544
CROWD: Go, go, Diego!
558
00:32:43,336 --> 00:32:46,256
Go, go, Diego!
559
00:32:46,840 --> 00:32:49,634
Diego, Diego!
560
00:32:49,801 --> 00:32:51,761
RICARDO: For me,
Diego is great, he is great.
561
00:32:52,012 --> 00:32:55,098
And it excites me.
All this excites me a lot.
562
00:32:55,515 --> 00:32:56,683
How can I say it?
563
00:32:56,850 --> 00:33:01,021
This is for those who speak nonsense!
564
00:33:02,272 --> 00:33:08,737
(JET ENGINE WHIRRING)
565
00:33:24,419 --> 00:33:28,048
NARRATOR: Fame is a job
that cannot be given up.
566
00:33:31,134 --> 00:33:34,721
If the fans don't come,
you have to go find them.
567
00:33:36,348 --> 00:33:39,226
(CROWD CHEERING)
568
00:33:39,517 --> 00:33:46,149
CROWD: Here, here! A picture! Here!
569
00:33:46,316 --> 00:33:50,070
(INDISTINCT CHATTER)
570
00:33:51,571 --> 00:33:54,115
NARRATOR:
Ricardo Fort was a fan of his fans.
571
00:33:54,991 --> 00:33:56,993
-ANNOUNCER: Who wants to see Ricardo Fort?
-(CROWD CHEERING)
572
00:33:57,118 --> 00:34:00,247
CESAR: One day, I remember
we were in the Rolls Royce, he and I.
573
00:34:00,413 --> 00:34:03,917
Well, thanks, guys, for the welcome.
I love you so much.
574
00:34:04,167 --> 00:34:06,253
CESAR: And there was a truck full
of working people
575
00:34:06,378 --> 00:34:09,256
and at a traffic light,
the traffic stopped,
576
00:34:09,714 --> 00:34:12,926
and two kids got out.
At that moment I said, "Uh."
577
00:34:13,176 --> 00:34:16,054
He lowered the window
and the kid grabbed his hand
578
00:34:16,429 --> 00:34:19,891
and said "I love you." I mean...
He was like Evita.
579
00:34:20,600 --> 00:34:25,730
-Silence, everyone. Silence.
-(INDISTINCT CHATTER)
580
00:34:25,814 --> 00:34:28,984
I ask the adults to go out
and leave the boys.
581
00:34:29,359 --> 00:34:32,070
I want to see the boys,
I don't want to see the adults.
582
00:34:32,237 --> 00:34:34,698
Since I arrived,
all the mothers want to take pictures.
583
00:34:35,156 --> 00:34:37,075
-I want to know the name of each one.
-(INDISTINCT CHATTER)
584
00:34:37,158 --> 00:34:40,328
What's your name? What? Brian?
585
00:34:40,537 --> 00:34:42,664
-LUCILA: Lucila.
-RICARDO: Lucila?
586
00:34:43,206 --> 00:34:44,624
Facundo?
587
00:34:44,874 --> 00:34:51,631
(CROWD CHEERING)
588
00:34:55,302 --> 00:34:57,596
-FEMALE VOICE 2: Ricardo!
-Bye, thanks a lot.
589
00:34:57,762 --> 00:34:59,931
FEMALE VOICE 2:
Ricardo, give me your hand.
590
00:35:00,098 --> 00:35:03,143
-FEMALE VOICE 3: I love you, Ricky!
-Get some rest.
591
00:35:03,435 --> 00:35:09,733
-(CROWD CHEEERING)
-(SIREN WAILING)
592
00:35:13,278 --> 00:35:15,405
LEONARDO:
In Esperanto, those who bought...
593
00:35:15,488 --> 00:35:16,448
VOICE OF LEONARDO TRAVAGLIO
594
00:35:16,573 --> 00:35:19,409
LEONARDO: ...French champagne
were announced with a siren,
595
00:35:19,576 --> 00:35:22,787
the person who had bought
that champagne was named,
596
00:35:22,912 --> 00:35:29,210
and from the bar to the table,
there was like a ritual with sparkles.
597
00:35:29,377 --> 00:35:31,338
Very colorful, very entertaining.
598
00:35:31,463 --> 00:35:33,548
MARCELA:
One of the boys, or two...
599
00:35:33,632 --> 00:35:35,550
VOICE OF MARCELA VILLAGRA
R. F FRIEND / PERSONAL TRAINER
600
00:35:35,634 --> 00:35:39,054
...who were already regulars at Esperanto
told him, "You have to go to this place."
601
00:35:39,471 --> 00:35:44,267
And when he entered the place,
he discovered a paradise.
602
00:35:44,851 --> 00:35:49,898
And they let him sing
and they celebrated everything he did
603
00:35:50,273 --> 00:35:53,902
and he had all the people around him.
A place where he was happy.
604
00:35:55,779 --> 00:35:58,990
LEONARDO: Ricardo was capable of anything
to have exposure.
605
00:35:59,074 --> 00:36:00,992
VOICE OF LEONARDO TRAVAGLIO
EX OWNER OF COCODRILO
606
00:36:01,076 --> 00:36:05,288
LEONARDO: He was building his character
as an eccentric billionaire,
607
00:36:05,455 --> 00:36:09,042
composing all this fable
or all this reality show.
608
00:36:13,546 --> 00:36:16,257
RODRIGO: In 2010, we celebrated
Ricardo's birthday
609
00:36:16,424 --> 00:36:18,301
and I gave him a cake with his face on it.
610
00:36:18,385 --> 00:36:19,344
VOICE OF RODRIGO ESPECTOR
611
00:36:19,427 --> 00:36:20,553
RODRIGO:
He blows out the candles,
612
00:36:20,637 --> 00:36:22,931
makes a wish, ends the show,
and all the lights go out.
613
00:36:23,348 --> 00:36:26,434
I turn around and in the dim light
I see Ricardo putting his hand in the cake
614
00:36:26,518 --> 00:36:27,727
and eating a piece.
615
00:36:28,436 --> 00:36:30,814
I told him, "Ricardo, it's your cake,
you can take it."
616
00:36:31,523 --> 00:36:34,567
"Really?" As if he was surprised.
And I told him, "Yes, yes, it's yours."
617
00:36:34,901 --> 00:36:36,653
And at one point he starts to cry
618
00:36:36,820 --> 00:36:40,615
and says that it was the first time
he had a birthday cake in his entire life.
619
00:36:40,824 --> 00:36:47,789
-(UPBEAT MUSIC PLAYING ON STEREO)
-(CROWD CHEERS)
620
00:36:54,087 --> 00:36:57,674
NARRATOR: Ricardo Fort wore off his body
as he did his millions.
621
00:36:57,841 --> 00:36:59,384
(PANTS)
622
00:36:59,551 --> 00:37:02,262
NARRATOR: After having back surgery,
623
00:37:02,345 --> 00:37:04,264
he decided not to follow
medical recommendations.
624
00:37:04,514 --> 00:37:07,058
MARCELA: He had a very
pronounced scoliosis
625
00:37:07,267 --> 00:37:10,270
that he did not take care
of as he should have.
626
00:37:10,395 --> 00:37:13,940
If he had to train, he trained more.
He was extreme for everything.
627
00:37:14,107 --> 00:37:16,985
And his back already began to hurt a lot.
628
00:37:17,610 --> 00:37:21,573
NARRATOR: Because he didn't take orders.
He gave them.
629
00:37:22,073 --> 00:37:27,829
Doing rehab was a waste of time,
the only thing he didn't have to spare.
630
00:37:27,996 --> 00:37:30,248
I just came from the gym. I'm so tired.
631
00:37:30,498 --> 00:37:32,792
I have to hurry to take a shower
to go to This is the Show.
632
00:37:33,084 --> 00:37:36,504
(SIGHS) They always talk about me.
Come on, follow me.
633
00:37:37,380 --> 00:37:39,048
(SMOOCHES)
634
00:37:39,382 --> 00:37:42,427
(GRUNTS) Go,
Daddy has to change his clothes.
635
00:37:43,845 --> 00:37:46,097
(PANTS)
636
00:37:46,556 --> 00:37:49,017
Today, they said a lot of nonsense online
that I have to respond to.
637
00:37:49,893 --> 00:37:52,729
As today I have to go to the Col贸n,
I am invited by Macri...
638
00:37:52,896 --> 00:37:54,773
They are criticizing me
because I'm going to Col贸n.
639
00:37:55,315 --> 00:37:58,109
(SCOFFS)
People don't know that the Fort family
640
00:37:58,777 --> 00:38:01,988
have had a box at the Col贸n
all their lives.
641
00:38:02,363 --> 00:38:06,242
My mother and I always went there.
But hey... (EXHALES)
642
00:38:06,326 --> 00:38:08,203
-(PANTING)
-(WATER RUNNING)
643
00:38:22,967 --> 00:38:27,514
Towel... I grab the towel.
644
00:38:29,432 --> 00:38:30,517
(SIGHS)
645
00:38:33,436 --> 00:38:36,397
(WHIRS)
646
00:38:36,856 --> 00:38:40,235
Always in a hurry.
I don't have a second of peace.
647
00:38:41,361 --> 00:38:45,323
(SIGHS, SNIFFLES) And my leg still hurts.
648
00:38:47,492 --> 00:38:49,702
(SIGHS, SNIFFLES)
649
00:38:50,370 --> 00:38:52,288
(SIGHS)
650
00:38:58,503 --> 00:39:00,964
MARCELO: One day,
they had operated on his knee
651
00:39:01,172 --> 00:39:02,966
so, they offered him to go off the air.
652
00:39:03,049 --> 00:39:04,759
VOICE OF MARCELO POLINO
ENTERTAINMENT JOURNALIST
653
00:39:04,843 --> 00:39:06,803
MARCELO: And he said 鈥淣o, no.
I'm not going to quit my job.
654
00:39:07,053 --> 00:39:10,139
"I fought a lot to be on television,"
he told me.
655
00:39:10,223 --> 00:39:13,351
He stayed until the end.
He loved the fame.
656
00:39:14,102 --> 00:39:17,105
JOSE: He's a millionaire.
The most eligible bachelor in Argentina.
657
00:39:17,272 --> 00:39:24,153
-With us, Ricardo Fort!
-(CROWD CHEERING, APPLAUDING)
658
00:39:30,785 --> 00:39:32,662
JOSE: Hello, Ricardo.
659
00:39:33,830 --> 00:39:38,501
-MALE VOICE 4: Welcome, Ricky.
-(INDISTINCT CHATTER)
660
00:39:39,419 --> 00:39:40,879
Bye, guys.
661
00:39:45,717 --> 00:39:49,012
-FAN 1: Hello, pal.
-Hi, man. How are you?
662
00:39:49,220 --> 00:39:51,347
-Fine, and you?
-Hey, look, it's Ricardo Fort.
663
00:39:51,973 --> 00:39:53,099
Ricardo Fort.
664
00:39:53,182 --> 00:39:54,392
-Hey, man.
-FAN 2: Everything okay?
665
00:39:54,601 --> 00:39:56,978
-Do you have something to give us?
-RICARDO: Everything okay?
666
00:39:57,186 --> 00:40:00,607
Guys, you are always asking me
for money. I don't...
667
00:40:00,773 --> 00:40:01,858
I'm not a National Bank.
668
00:40:02,025 --> 00:40:04,777
-FAN 1: Give me your cap.
-Yeah, sure. It's very expensive.
669
00:40:04,861 --> 00:40:06,154
(MARTA CHUCKLING THROUGH SPEAKER)
670
00:40:07,822 --> 00:40:09,949
Did you see me? Was I okay?
671
00:40:10,992 --> 00:40:13,161
-What?
-Did you make up with Virginia?
672
00:40:13,828 --> 00:40:16,080
-She doesn't want.
-She's so lovely.
673
00:40:16,247 --> 00:40:19,584
Guys, you don't know her.
Don't talk if you don't know.
674
00:40:20,043 --> 00:40:24,464
Don't talk if you don't know.
What she shows on TV, is not her.
675
00:40:24,547 --> 00:40:26,674
If you are crazy in love
for her, go for it.
676
00:40:26,841 --> 00:40:28,009
I am, she's not.
677
00:40:28,176 --> 00:40:30,887
Those who are these unionists,
I spoke perfectly well with them.
678
00:40:31,012 --> 00:40:32,472
-Ricardo!
-Hey, man!
679
00:40:32,889 --> 00:40:34,307
-FAN 3: Everything okay?
-Hi, guys.
680
00:40:34,641 --> 00:40:36,059
-Good?
-RICARDO: Yeah, thanks. And you?
681
00:40:36,225 --> 00:40:38,311
-Good, good.
-Thanks.
682
00:40:38,394 --> 00:40:40,647
-We love you, Ricky!
-Thanks, guys.
683
00:40:41,230 --> 00:40:42,857
MARTA: (CHUCKLES) They are so sweet.
684
00:40:42,982 --> 00:40:46,527
RICARDO: That are claiming something
that doesn't make sense.
685
00:40:46,694 --> 00:40:50,490
The only thing they are doing is
is scaring the workers we have,
686
00:40:50,657 --> 00:40:52,367
loyal and faithful to the company,
687
00:40:52,533 --> 00:40:55,370
that my father has given them everything
and has always supported them.
688
00:40:55,536 --> 00:40:56,746
MARTA: I already said that.
689
00:40:56,913 --> 00:40:59,999
MARINA: The entertainment world
establishment always knew...
690
00:41:00,166 --> 00:41:01,459
VOICE OF MARINA CALABRO
691
00:41:01,584 --> 00:41:03,878
MARINA: ...that Ricardo was going to do
and say whatever he wanted,
692
00:41:04,045 --> 00:41:07,507
that there was going to be no kind
of speculation
693
00:41:07,674 --> 00:41:11,678
about future
or potential jobs, for money...
694
00:41:12,053 --> 00:41:16,557
I think he... he scared them.
695
00:41:16,724 --> 00:41:20,353
I think it is something of the different,
of the misunderstood,
696
00:41:20,520 --> 00:41:24,691
who was also a threatening figure
697
00:41:24,941 --> 00:41:29,654
because he had this divo image,
like an aura of stardom.
698
00:41:30,613 --> 00:41:35,535
So, he was a very awkward combo
for the industry.
699
00:41:35,618 --> 00:41:38,621
Mom, did you hear everything I said
about Col贸n?
700
00:41:39,122 --> 00:41:42,166
Giving a lecture about the Col贸n.
Because in Internet,
701
00:41:42,333 --> 00:41:43,876
they questioned my presence at the Col贸n.
702
00:41:45,378 --> 00:41:48,006
-Hello.
-FAN 4: Hello!
703
00:41:48,297 --> 00:41:49,298
-How are you?
-RICARDO: Fine.
704
00:41:49,382 --> 00:41:50,633
-Everything okay?
-Yes.
705
00:41:51,259 --> 00:41:52,885
I love you. Ricardo Fort rocks!
706
00:41:54,679 --> 00:41:58,266
-RICARDO: Thank you, kids. Bye.
(INDISTINCT CHATTER)
707
00:42:00,643 --> 00:42:03,813
NATALIA: Ricardo used television
and television used Ricardo.
708
00:42:03,896 --> 00:42:05,148
VOICE OF NATALIA ROMAN
R. F PUBLICIST
709
00:42:05,231 --> 00:42:06,649
NATALIA: It was like that until one night,
710
00:42:06,733 --> 00:42:08,943
he had a fight on live television
on Showmatch with Flavio Mendoza,
711
00:42:09,027 --> 00:42:10,445
who is an Argentinian theater producer.
712
00:42:10,528 --> 00:42:12,947
In the middle of the show,
they began to argue
713
00:42:13,114 --> 00:42:14,323
and it got out of hand.
714
00:42:14,782 --> 00:42:18,119
Tinelli didn't like it, he intervened
and Ricardo left the studio angry.
715
00:42:19,120 --> 00:42:22,540
The next day, they called him
saying he was not going to appear again
716
00:42:22,623 --> 00:42:24,792
on any show of the network
because they were not going to tolerate
717
00:42:24,917 --> 00:42:26,085
any kind of violence.
718
00:42:27,086 --> 00:42:28,963
There was a before and an after.
719
00:42:29,338 --> 00:42:34,844
FRANCO: Fort fell into the trap,
he took the media game very seriously.
720
00:42:35,094 --> 00:42:36,137
VOICE OF FRANCO TORCHIA
721
00:42:36,220 --> 00:42:38,014
FRANCO: But the fight
with Flavio Mendoza on Showmatch
722
00:42:38,097 --> 00:42:41,809
is framed in a series of confrontations
typical of that reality show.
723
00:42:41,934 --> 00:42:47,023
It is Tinelli's historical prowess
in his show of facing minority sectors
724
00:42:47,148 --> 00:42:50,443
against other minority sectors.
725
00:42:50,735 --> 00:42:53,071
For a long time, he did it with women.
726
00:42:53,237 --> 00:42:57,784
That time he faced
two non-heterosexual men.
727
00:42:59,243 --> 00:43:01,412
FLAVIO: He has to be put in its place.
I'll kill this faggot.
728
00:43:01,621 --> 00:43:03,706
Last night he showed his true colors.
729
00:43:04,082 --> 00:43:06,626
FRANCO: Interpreting this fight
as an isolated event
730
00:43:06,876 --> 00:43:07,960
would be a mistake.
731
00:43:08,628 --> 00:43:11,464
I hope that the artists
who are with him realize about this
732
00:43:11,547 --> 00:43:12,548
and leave him.
733
00:43:12,757 --> 00:43:17,178
Because they are with a guy
who is infecting them, contaminating them.
734
00:43:17,345 --> 00:43:18,596
Leave him.
735
00:43:20,056 --> 00:43:24,268
Adriana Salgueiro, Callej贸n...
Leave him or you will get infected.
736
00:43:24,435 --> 00:43:28,022
They are going to end up being vanished
from the scene.
737
00:43:28,231 --> 00:43:29,982
Unfortunately, by contagion.
738
00:43:30,316 --> 00:43:33,736
Because we have to start eliminating Fort
from everywhere.
739
00:43:34,112 --> 00:43:35,822
He doesn't have to appear anywhere else.
740
00:43:36,614 --> 00:43:38,366
RICARDO:
I was called to go to the show.
741
00:43:38,533 --> 00:43:40,660
Not forced, but I felt forced to go
742
00:43:40,910 --> 00:43:44,288
because they were opening the doors
of Ideas del Sur for me again.
743
00:43:44,997 --> 00:43:50,837
They allowed Flavio to approach me twice
744
00:43:51,003 --> 00:43:55,133
and they allowed an employee
of that company to hit me, somehow.
745
00:43:55,675 --> 00:43:58,052
And Marcelo Tinelli is disappointed in me.
746
00:43:58,970 --> 00:44:00,346
VOICE OF CESAR CARROZA
FORT FAMILY LAWYER
747
00:44:00,429 --> 00:44:02,223
CESAR: One day Adri谩n Suar
openly said, "When the fight
748
00:44:02,348 --> 00:44:04,600
"with Flavio Mendoza took place,
we are going to take some time off
749
00:44:04,767 --> 00:44:06,018
"from Ricardo Fort for a while."
750
00:44:06,102 --> 00:44:07,270
And they put him in a freezer.
751
00:44:08,062 --> 00:44:09,814
RICARDO: The attacks I received...
752
00:44:10,731 --> 00:44:13,025
I almost sought professional help.
753
00:44:13,192 --> 00:44:15,278
And I'm not talking
about a hired killer, no, no.
754
00:44:16,863 --> 00:44:18,948
I'm talking about a psychologist.
755
00:44:19,699 --> 00:44:20,950
But then I understood...
756
00:44:21,909 --> 00:44:23,995
that it must not be easy for some...
757
00:44:24,787 --> 00:44:28,958
to assimilate a rise
and success as fast as mine
758
00:44:29,125 --> 00:44:30,334
in this environment.
759
00:44:31,294 --> 00:44:33,296
I'm sure they like it even less
760
00:44:33,880 --> 00:44:36,340
that I'm demonstration
that there is a better life
761
00:44:37,341 --> 00:44:38,843
and that I am enjoying it.
762
00:44:39,427 --> 00:44:41,637
Because there is nothing wrong
with being the son of a millionaire.
763
00:44:42,930 --> 00:44:46,225
It hurts me that they say that I think
I am the rating of Showmatch.
764
00:44:47,143 --> 00:44:48,227
Please.
765
00:44:49,020 --> 00:44:50,271
I don't handle the rating.
766
00:44:51,689 --> 00:44:53,357
I just handle my Rolls Royce.
767
00:44:55,943 --> 00:44:58,696
I believe that love is the only thing
that builds.
768
00:44:59,155 --> 00:45:04,160
So, what's the problem
with expecting them to love me?
769
00:45:06,120 --> 00:45:09,040
I open my heart and my life to them
770
00:45:09,498 --> 00:45:13,753
because I want them to love me
for what I am, an artist.
771
00:45:14,378 --> 00:45:16,923
-With money
-With money
772
00:45:17,673 --> 00:45:22,511
-What I want, with money
-What I want, with money
773
00:45:22,637 --> 00:45:27,516
-What I want will happen
-What I want will happen
774
00:45:27,683 --> 00:45:34,148
-With money, everything I can buy
-With money, everything I can buy
775
00:45:34,315 --> 00:45:41,239
Money, money, make anything possible
776
00:45:41,405 --> 00:45:47,703
-Gold can buy many treasures
-Gold can buy many treasures
777
00:45:50,164 --> 00:45:53,334
-Everything but
-Everything but
778
00:45:53,501 --> 00:45:57,505
-Everything but
-Everything but
779
00:45:57,672 --> 00:46:01,300
Work
780
00:46:01,467 --> 00:46:07,390
-Money, money, money
-Money, money, money
781
00:46:07,556 --> 00:46:08,557
Hey!
782
00:46:08,891 --> 00:46:13,104
(CROWD CHEERING, APPLAUDING)
783
00:46:13,604 --> 00:46:19,193
NARRATOR: After a fight that exceeded
the limits accepted by television,
784
00:46:19,652 --> 00:46:21,696
they told him, "Enough."
785
00:46:21,862 --> 00:46:24,323
The character of Ricardo Fort
had gone too far.
786
00:46:24,824 --> 00:46:28,995
And so, expelled from prime-time paradise,
787
00:46:29,287 --> 00:46:33,541
Ricardo returned to command,
which is what he liked to do the most.
788
00:46:34,041 --> 00:46:36,836
Build and destroy at his will.
789
00:46:37,128 --> 00:46:41,340
He put all his energies
into his role as a theater producer.
790
00:46:41,465 --> 00:46:44,760
By the way, he took up an old passion,
791
00:46:45,594 --> 00:46:46,929
singing.
792
00:46:47,555 --> 00:46:51,434
-I'll install the cameras.
-One or two?
793
00:46:52,268 --> 00:46:56,105
-Maybe two. One on each side.
-Sure.
794
00:46:56,272 --> 00:46:59,608
-Marta, the shirt is fine.
-Cut this part.
795
00:46:59,775 --> 00:47:02,987
That suit is perfect,
don't touch anything and shut up.
796
00:47:03,237 --> 00:47:04,613
You don't understand what we're doing!
797
00:47:04,780 --> 00:47:07,700
That has to be cut, put a Velcro,
because they have to tear it apart
798
00:47:07,867 --> 00:47:10,953
-in the last part of the frame.
-Ricardo, what if you do this?
799
00:47:13,164 --> 00:47:14,832
It's done, perfect.
800
00:47:14,957 --> 00:47:18,336
RICARDO: No, but it would have to be
someone to come and take off my pants.
801
00:47:18,502 --> 00:47:19,837
With the shirt down it's different.
802
00:47:20,254 --> 00:47:23,132
Yes, but it can't be done
because the jacket is made...
803
00:47:23,424 --> 00:47:26,969
It has to be one size larger than mine
so, when we put the Velcro...
804
00:47:28,512 --> 00:47:32,058
Okay, great. Bye, kid. Behave, sweetheart.
805
00:47:32,850 --> 00:47:35,895
Please. And talk to the doctor
about the insoles.
806
00:47:36,145 --> 00:47:38,898
Maybe you need insoles, baby.
807
00:47:39,315 --> 00:47:42,193
I really like it.
808
00:47:45,529 --> 00:47:47,823
-There are very boring parts.
-Mm-hmm.
809
00:47:48,324 --> 00:47:49,617
-You!
-ATTENDEE 2: What happened?
810
00:47:49,992 --> 00:47:55,331
When I go out, they don't have to see me.
I'm invisible and everyone looks at me.
811
00:47:55,498 --> 00:47:57,792
Like, what are you doing here?
Why are you doing this choreography?
812
00:47:57,875 --> 00:47:58,959
And you kept looking at me.
813
00:47:59,168 --> 00:48:03,714
(INDISTINCT CHATTER)
814
00:48:06,592 --> 00:48:07,968
Ricardo...
815
00:48:09,011 --> 00:48:15,643
Mom, you are not helping me.
No, it's done. It's done. It's done!
816
00:48:16,852 --> 00:48:19,397
-I didn't like it.
-But I love it.
817
00:48:19,563 --> 00:48:22,024
I love it how it is.
818
00:48:22,483 --> 00:48:24,735
-MARTA: I already told you what I saw.
-RICARDO: You didn't tell me.
819
00:48:24,985 --> 00:48:28,447
-I did! I'm yelling it!
-That the mother is not necessary.
820
00:48:28,656 --> 00:48:29,740
It's not!
821
00:48:29,907 --> 00:48:31,617
-The little boy?
-No, it's not necessary.
822
00:48:31,784 --> 00:48:33,077
We need one more song.
823
00:48:33,369 --> 00:48:36,247
He has two songs
and we need one more.
824
00:48:36,497 --> 00:48:38,833
Let him sing,
because that's what people like.
825
00:48:39,083 --> 00:48:43,421
Hello, my friends, welcome to my life
826
00:48:43,587 --> 00:48:48,759
I'll show you who I am
My mansion and my world
827
00:48:49,009 --> 00:48:52,763
How do I know the entire play?
I don't know. (CHUCKLES)
828
00:48:53,347 --> 00:48:54,974
No, I'm not nervous at all.
829
00:48:55,433 --> 00:48:57,351
-ATTENDEE 3: Anxious?
-No, no.
830
00:48:57,685 --> 00:48:59,812
I'm just in pain, so...
831
00:49:00,563 --> 00:49:03,482
I'm not scared of it,
but I have to do this daily
832
00:49:03,607 --> 00:49:04,984
and it wears me out.
833
00:49:05,651 --> 00:49:09,655
-(SOBS)
-What happened?
834
00:49:12,116 --> 00:49:13,868
I'm afraid I won't be able to do it.
835
00:49:14,076 --> 00:49:15,911
-ATTENDEE 3: Poor you.
-ADRIANA: What's wrong?
836
00:49:16,162 --> 00:49:20,708
It's logical, I'd be pissed off too.
It's a huge responsibility.
837
00:49:20,875 --> 00:49:25,129
It's a lot of pain
that I have throughout my body.
838
00:49:25,212 --> 00:49:26,881
It has nothing to do
with when I was doing Fortuna.
839
00:49:26,964 --> 00:49:29,300
I don't know why I feel so bad.
Why does everything hurt?
840
00:49:29,592 --> 00:49:31,552
-ATTENDEE 3: Relax, Ricky.
-(SNIFFLES)
841
00:49:31,719 --> 00:49:34,388
It's incredible
842
00:49:34,555 --> 00:49:37,057
that you can't find something
to ease the pain.
843
00:49:37,308 --> 00:49:39,852
Champagne is the only thing
that eases my pain.
844
00:49:40,019 --> 00:49:43,105
But I can't take it anymore. (SNIFFLES)
And it's killing me every day.
845
00:49:45,357 --> 00:49:46,358
I'm tired.
846
00:49:46,525 --> 00:49:51,864
-Each of your dreams will come true, yes!
-Each of your dreams will come true, yes!
847
00:49:52,114 --> 00:49:58,037
CROWD: Ricardo! Ricardo! Ricardo! Ricardo!
848
00:49:58,204 --> 00:50:04,919
Ricardo! Ricardo! Ricardo! Ricardo!
849
00:50:05,252 --> 00:50:07,755
NARRATOR: From time to time
he would return to television,
850
00:50:08,297 --> 00:50:09,757
but as an interviewee.
851
00:50:10,716 --> 00:50:15,763
Ricardo Fort was a victim of television?
Or was he the one who used the media?
852
00:50:15,846 --> 00:50:18,265
RICARDO: What I liked the most
is that he said that when I was coming in,
853
00:50:18,390 --> 00:50:20,351
he said, "I'm not a big fan
of what he does, but hey."
854
00:50:20,434 --> 00:50:22,019
-I almost left. (CHUCKLES)
-(INDISTINCT CHATTER)
855
00:50:22,102 --> 00:50:23,145
NARRATOR: In any case...
856
00:50:23,229 --> 00:50:24,271
Now I'm going to clarify it.
857
00:50:24,355 --> 00:50:25,814
NARRATOR: ...he was a mistreated customer.
858
00:50:26,148 --> 00:50:28,609
-I'm hungry.
-(INDISTINCT CHATTER)
859
00:50:29,485 --> 00:50:31,403
I want some chicken...
860
00:50:32,821 --> 00:50:33,906
with mashed pumpkin.
861
00:50:34,073 --> 00:50:35,783
(MACHINE WHIRRING)
862
00:50:36,116 --> 00:50:39,703
NARRATOR: The establishment hated him
because he made it clear
863
00:50:39,912 --> 00:50:41,622
that fame can be bought.
864
00:50:42,623 --> 00:50:44,291
He was living proof.
865
00:50:44,875 --> 00:50:46,335
-(INDISTINCT CHATTER)
-(MACHINE WHIRRING)
866
00:50:46,544 --> 00:50:47,628
I sing reasonably well.
867
00:50:47,795 --> 00:50:49,630
RICARDO:
The first thing I hear when I enter,
868
00:50:49,755 --> 00:50:52,800
"I'm not a fan of this guy,
I'm not a fan of what he does."
869
00:50:52,883 --> 00:50:54,927
NICHOLAS:
I don't follow what you do.
870
00:50:55,052 --> 00:50:57,012
But I'm curious about your life.
871
00:50:57,179 --> 00:50:59,139
Everybody is talking about you.
872
00:50:59,306 --> 00:51:02,268
Today you talk about anything
and he appears.
873
00:51:02,393 --> 00:51:04,770
-Fort's face.
-He could leave.
874
00:51:04,979 --> 00:51:06,814
He was serious about what he said.
875
00:51:06,897 --> 00:51:09,149
-(CHUCKLES)
-He's being serious. He told me too.
876
00:51:09,400 --> 00:51:10,818
"I'm leaving." He's capable of it.
877
00:51:10,901 --> 00:51:13,237
No, I'm not leaving,
but the first thing I hear is that.
878
00:51:13,320 --> 00:51:15,406
-So, what I'm doing here?
-NICHOLAS: Listen...
879
00:51:15,531 --> 00:51:17,366
we're going to go for a short break
880
00:51:17,575 --> 00:51:19,577
and when we return,
Fort and I will have a great fight.
881
00:51:19,660 --> 00:51:21,870
-(AUDIENCE LAUGHING)
-We'll be right back!
882
00:51:21,954 --> 00:51:25,583
(CROWD CHEERING, APPLAUDING)
883
00:51:26,208 --> 00:51:29,253
(INDISTINCT CHATTER)
884
00:51:30,337 --> 00:51:31,839
MALE VOICE 5: Move aside.
885
00:51:32,756 --> 00:51:34,592
NICHOLAS: Does your knee hurt?
886
00:51:35,134 --> 00:51:36,510
Can you move the table a little closer?
887
00:51:37,219 --> 00:51:39,763
-Do you want to put your foot up?
-PRODUCER: Let's roll?
888
00:51:39,972 --> 00:51:41,849
NICHOLAS:
Wait, let me move the table.
889
00:51:41,932 --> 00:51:43,892
No, no. It's okay.
890
00:51:44,393 --> 00:51:45,394
Move your glass.
891
00:51:45,644 --> 00:51:49,064
-I won't reach it.
-We can reach it for you.
892
00:51:50,816 --> 00:51:51,817
Coming...
893
00:51:51,984 --> 00:51:54,570
You're a self-centered guy, aren't you?
You are sensitive.
894
00:51:54,778 --> 00:51:57,406
-You heard me, say "No, no..."
-I'm sensitive, not self-centered.
895
00:51:57,489 --> 00:51:58,782
Maybe a little bit.
896
00:51:58,866 --> 00:52:00,784
-A little bit of ego?
-Yeah, just a little.
897
00:52:00,868 --> 00:52:02,745
But I'm very sensitive.
898
00:52:02,953 --> 00:52:08,167
When you travel to Miami,
what do you put in the "profession" form?
899
00:52:08,626 --> 00:52:09,877
Artist.
900
00:52:09,960 --> 00:52:11,962
-Artist?
-I was putting "businessman."
901
00:52:12,087 --> 00:52:13,088
Always.
902
00:52:13,172 --> 00:52:16,008
But on the last trip,
I put "artist." And I liked it.
903
00:52:16,175 --> 00:52:19,386
Although he doesn't consider
me an artist. He says I'm mediatic.
904
00:52:19,637 --> 00:52:22,306
For me you still have a lot to prove
but you are on the right track.
905
00:52:22,431 --> 00:52:25,559
NICHOLAS: It's amazing
what happens to you with the public.
906
00:52:25,643 --> 00:52:28,562
I've seen TV shows where you go outside
and people loved you.
907
00:52:28,812 --> 00:52:30,439
Because anyone would say, Jorge,
908
00:52:30,648 --> 00:52:36,654
that the formula of showing wealth
in a country that has so much poverty,
909
00:52:36,779 --> 00:52:39,114
could be a negative formula.
910
00:52:39,281 --> 00:52:40,866
RICARDO: Yes,
but not because they know
911
00:52:40,949 --> 00:52:42,993
that the wealth is made legally.
912
00:52:43,452 --> 00:52:46,997
We are not politicians,
it has not been stolen.
913
00:52:47,247 --> 00:52:50,042
It is a company
that was created in 1912,
914
00:52:50,167 --> 00:52:52,753
and that my whole family has worked
to do what we do
915
00:52:52,836 --> 00:52:55,339
and we have invested in this country
when everyone took their money abroad.
916
00:52:55,422 --> 00:52:58,133
NICHOLAS: And somehow,
isn't an act of obscenity?
917
00:52:58,217 --> 00:53:01,095
-RICARDO: No, not at all.
-NICHOLAS: Why does anyone need
918
00:53:01,178 --> 00:53:02,554
three Rolls Royce?
919
00:53:03,055 --> 00:53:04,264
JORDE: It's not necessary.
920
00:53:04,348 --> 00:53:05,933
RICARDO: Why not?
How many cars do you have?
921
00:53:06,016 --> 00:53:07,893
NICHOLAS: No,
because I have to have vehicles
922
00:53:07,976 --> 00:53:09,186
for the country...
923
00:53:09,269 --> 00:53:11,689
RICARDO: Well,
but you have several, not just one.
924
00:53:11,772 --> 00:53:13,899
NICHOLAS: No,
I have more than one. I'm a fan too.
925
00:53:13,982 --> 00:53:15,067
RICARDO: I'm a Rolls Royce fan!
926
00:53:15,192 --> 00:53:16,193
FAN 5: Ricky!
927
00:53:16,568 --> 00:53:19,446
NARRATOR: But for how long
can you be so famous?
928
00:53:19,613 --> 00:53:20,739
(INDISTINCT CHATTER)
929
00:53:20,906 --> 00:53:25,619
NARRATOR: The character we dream of being
can die from one day to the other.
930
00:53:26,245 --> 00:53:28,080
What will it be like to do that duel?
931
00:53:28,956 --> 00:53:31,250
It is the terrifying phase of fame...
932
00:53:32,000 --> 00:53:33,460
the fear of oblivion.
933
00:53:34,002 --> 00:53:36,672
CESAR: I told him
I had the depression of achievement.
934
00:53:36,880 --> 00:53:39,508
He believed his pathological fiction.
935
00:53:39,883 --> 00:53:43,345
He bought the character
and couldn't get out of it.
936
00:53:43,512 --> 00:53:46,682
Ricardo's environment
was always very complicated.
937
00:53:46,849 --> 00:53:49,309
They were all doctors, engineers, lawyers.
938
00:53:49,518 --> 00:53:53,355
They all knew everything,
none of them knew anything.
939
00:53:53,564 --> 00:53:55,232
It really was a nest of snakes.
940
00:53:55,691 --> 00:53:58,569
NARRATOR:
At some point, the flame begins to fade.
941
00:53:59,695 --> 00:54:03,907
That put Ricardo Fort
in a very bad mood.
942
00:54:06,034 --> 00:54:08,203
-Aye?
-SECURITY: Outside, here.
943
00:54:09,663 --> 00:54:11,331
Sorry, where are the guys?
944
00:54:12,166 --> 00:54:13,333
Where are the guys?
945
00:54:13,834 --> 00:54:15,753
-Where are the guys?
-AYELEN: Which guys?
946
00:54:16,253 --> 00:54:17,588
The Gatos.
947
00:54:18,547 --> 00:54:20,174
(PIANO MUSIC PLAYING)
948
00:54:20,507 --> 00:54:22,968
AYELEN: I did not call them
because they told me
949
00:54:23,051 --> 00:54:24,928
that there can't be
too many people in the hospital.
950
00:54:25,012 --> 00:54:26,764
-Call Felix.
-AYELEN: Okay.
951
00:54:27,723 --> 00:54:28,724
(GRUNTS)
952
00:54:28,849 --> 00:54:30,809
Listen to me...
953
00:54:31,477 --> 00:54:33,395
tell it as a joke.
954
00:54:34,521 --> 00:54:38,150
Listen to me! Listen! For God sakes!
955
00:54:38,859 --> 00:54:40,778
-He's a son of a bitch.
-SECURITY: But seriously...
956
00:54:40,903 --> 00:54:43,572
I don't care.
I want him here. Period.
957
00:54:44,114 --> 00:54:47,075
-SECURITY: Do you want to call him?
-I have to stand up for him.
958
00:54:50,287 --> 00:54:51,872
You just brought this here, didn't you?
959
00:54:52,289 --> 00:54:54,583
-Hey, did you just bring this?
-WORKER: Yes.
960
00:54:54,666 --> 00:54:56,835
-And the cheese?
-WORKER: I'll bring it now.
961
00:54:58,837 --> 00:55:00,589
They can't do anything right.
962
00:55:02,132 --> 00:55:03,800
They can't do anything right.
963
00:55:14,269 --> 00:55:16,146
RICARDO: You can't argue with me.
964
00:55:16,438 --> 00:55:19,399
You can't argue with me.
You have to come to support me.
965
00:55:19,566 --> 00:55:22,152
Marta, bring me the cheese, please.
966
00:55:22,569 --> 00:55:24,238
RICARDO:
I haven't seen my children for three days.
967
00:55:24,738 --> 00:55:28,659
I saw them on Tuesday,
they were up there in the attic.
968
00:55:28,909 --> 00:55:31,370
They eat there, they live there,
they sleep there. I don't see them a lot.
969
00:55:32,204 --> 00:55:33,872
So, you can't argue with me.
970
00:55:35,082 --> 00:55:38,043
Listen to what I say and support me.
971
00:55:38,460 --> 00:55:40,045
GUSTAVO: Don't blame me.
972
00:55:40,170 --> 00:55:42,089
No, because when you tell me
something about her...
973
00:55:42,214 --> 00:55:45,008
When you tell me those things,
I support you.
974
00:55:45,217 --> 00:55:48,011
I didn't even hear
what she told you, I swear.
975
00:55:48,136 --> 00:55:50,514
"I didn't hear it."
Come on, you are here all day.
976
00:55:50,681 --> 00:55:53,392
Your mother is driving me crazy
on the subject of the Sheraton.
977
00:55:53,475 --> 00:55:55,435
Didn't you want to celebrate
New Year's Eve here?
978
00:55:56,395 --> 00:55:58,730
Do you prefer the Sheraton?
Why don't you do it here?
979
00:55:59,523 --> 00:56:03,068
The Sheraton will cost you
about twenty thousand pesos.
980
00:56:06,363 --> 00:56:07,948
I don't know, what do I know?
981
00:56:08,031 --> 00:56:09,783
Do you want it there
because it's already settled?
982
00:56:10,576 --> 00:56:14,997
I don't know, it's more fun.
People can see me there. I'm here all day.
983
00:56:15,080 --> 00:56:16,290
Fine, fine.
984
00:56:18,792 --> 00:56:23,380
I asked you to bring the Rolls Royce.
I told you I wanted the car here.
985
00:56:23,547 --> 00:56:26,925
SECURITY: I went up to ask you, boss,
and I didn't hear you.
986
00:56:27,092 --> 00:56:29,011
Okay, we'll move it. We'll use this one.
987
00:56:29,177 --> 00:56:32,264
RICARDO: Micky. Micky...
988
00:56:32,431 --> 00:56:33,473
SECURITY: Yes, tell me.
989
00:56:33,599 --> 00:56:35,225
RICARDO: No, no.
You are my security guard.
990
00:56:35,434 --> 00:56:39,396
You are my security guard.
Before asking her, you ask me.
991
00:56:39,605 --> 00:56:42,816
I don't care about my mom.
You are my security guard.
992
00:56:43,066 --> 00:56:46,695
Before doing something with my mother,
you ask me and who I want to send.
993
00:56:46,945 --> 00:56:50,574
I will not change my security for her,
I will not give her my guards.
994
00:56:50,741 --> 00:56:52,326
SECURITY: Okay, done.
995
00:57:01,168 --> 00:57:04,004
(BIRDS CHIRPING)
996
00:57:28,028 --> 00:57:30,030
(CELLPHONE RINGING)
997
00:57:32,449 --> 00:57:33,700
(CELLPHONE BEEPS)
998
00:58:00,602 --> 00:58:04,648
(INDISTINCT CHATTER)
999
00:58:19,788 --> 00:58:24,000
NARRATOR: In the end,
fame welcomes you in spring
1000
00:58:24,626 --> 00:58:26,169
and sends you off in winter.
1001
00:58:27,462 --> 00:58:31,758
It gave Ricardo Fort temporary happiness.
1002
00:58:32,718 --> 00:58:36,555
Fame gave him recognition
in the streets, memorable moments
1003
00:58:37,514 --> 00:58:39,766
and even the illusion of immortality.
1004
00:58:45,814 --> 00:58:48,775
But how did he get to this point?
1005
00:58:49,776 --> 00:58:52,529
Who was the person behind the character?
1006
00:58:53,864 --> 00:58:56,992
What things did we never know
about his past?
1007
00:59:00,829 --> 00:59:03,582
(DRAMATIC MUSIC PLAYING)
1008
01:01:37,569 --> 01:01:42,616
(DRAMATIC MUSIC FADES)
79091
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