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These are the user uploaded subtitles that are being translated: 1 00:00:02,169 --> 00:00:05,172 (HEART BEATING) 2 00:00:14,264 --> 00:00:16,350 NARRATOR: Who was Ricardo Fort? 3 00:00:17,434 --> 00:00:18,852 (GENTLE MUSIC PLAYING) 4 00:00:20,187 --> 00:00:21,855 NARRATOR: Where did he come from? 5 00:00:26,151 --> 00:00:27,527 Where was he headed? 6 00:00:32,908 --> 00:00:34,451 Did he get there? 7 00:00:38,205 --> 00:00:41,250 Do you remember his first public appearances? 8 00:00:42,751 --> 00:00:44,920 It was like a meteorite's fall. 9 00:00:48,465 --> 00:00:50,175 He looked like a superhero. 10 00:00:52,886 --> 00:00:54,096 Or a fighter. 11 00:00:56,723 --> 00:00:57,724 More so. 12 00:00:58,642 --> 00:01:02,271 -You think we would've made this series... -(OPERA MUSIC PLAYING) 13 00:01:02,729 --> 00:01:05,357 NARRATOR: ...if this man hadn't been a millionaire? 14 00:01:09,278 --> 00:01:14,157 But let's start at the beginning, which is how every good story starts. 15 00:01:16,535 --> 00:01:21,498 More than a century ago, Felipe Fort, Ricardo's grandfather, 16 00:01:22,416 --> 00:01:27,087 got off at the Buenos Aires port from a ship that came from Barcelona... 17 00:01:29,047 --> 00:01:32,801 and shortly after he founded a chocolate factory. 18 00:01:35,679 --> 00:01:39,182 No, no. Not that one. Lower. 19 00:01:40,183 --> 00:01:42,394 But how old are you? Ten? 20 00:01:43,895 --> 00:01:44,896 Twelve. 21 00:01:45,981 --> 00:01:49,151 And isn't it too soon to think about earning money? 22 00:01:50,944 --> 00:01:54,698 Twelve-year-olds want to eat candy. Not make them. 23 00:02:01,997 --> 00:02:06,460 Evidently, this foreign mini-entrepreneur had a set idea. 24 00:02:07,627 --> 00:02:09,838 The world wants chocolate. 25 00:02:14,051 --> 00:02:16,845 NARRATOR: Felipe grew in the hellish rhythm of his business, 26 00:02:16,928 --> 00:02:18,639 -until he drove it to bankruptcy. -(CROWD CHEERING) 27 00:02:18,722 --> 00:02:20,515 NARRATOR: There, sniffing the smell of opportunity... 28 00:02:20,599 --> 00:02:21,600 `(SNIFFS) 29 00:02:22,184 --> 00:02:26,021 NARRATOR: ...his son, Carlos, bought the company from his own father. 30 00:02:27,439 --> 00:02:31,568 The first thing Carlos did was create new chocolates. 31 00:02:32,110 --> 00:02:33,695 Many chocolates. 32 00:02:34,154 --> 00:02:37,616 The second one was to sell them in every corner of the country. 33 00:02:37,741 --> 00:02:39,618 -(CAR HORN HONKING) -NARRATOR: And the third one 34 00:02:39,868 --> 00:02:42,245 was to win everyone over. 35 00:02:42,746 --> 00:02:46,708 Everyone in Argentina could get their Fel-Fort little delicacy 36 00:02:46,792 --> 00:02:49,044 in exchange for a coin. 37 00:02:49,461 --> 00:02:54,883 NARRATOR: One day in 2007, Carlos went missing for four days. 38 00:02:55,467 --> 00:02:57,636 He was found at the morgue. 39 00:02:57,969 --> 00:03:01,640 He left behind a working factory and three sons. 40 00:03:01,973 --> 00:03:06,019 -Jorge, Eduardo and Ricardo. -(OPERA MUSIC PLAYING) 41 00:03:07,020 --> 00:03:11,650 NARRATOR: It was the very Ricardo who took on identifying his father's body. 42 00:03:12,818 --> 00:03:18,615 And at that very same moment, he inherited an unsurmountable fortune. 43 00:03:18,990 --> 00:03:22,577 (OPERA MUSIC PLAYING) 44 00:03:22,869 --> 00:03:25,163 NARRATOR: And what did Ricardo do with the millions? 45 00:03:29,042 --> 00:03:31,586 He invested them in order to buy love. 46 00:03:36,967 --> 00:03:39,803 That's when we found out he liked to sing. 47 00:03:42,931 --> 00:03:46,435 Ricardo, as well, wanted to be famous. 48 00:03:48,061 --> 00:03:53,525 But we all know that fame is glory that disappears when you touch it. 49 00:03:54,151 --> 00:03:57,070 And that in order to touch it you have to work a lot, 50 00:03:57,487 --> 00:03:59,823 and not exactly at a factory. 51 00:04:01,324 --> 00:04:05,287 Ricardo Fort lived the way he wanted to, died how he could, 52 00:04:05,829 --> 00:04:08,832 and became a digital Saint. 53 00:04:09,082 --> 00:04:11,126 He's in your chats, in mine, 54 00:04:11,209 --> 00:04:14,546 in that silenced group you never open in the streets, 55 00:04:15,589 --> 00:04:17,716 in the schools, in stamps... 56 00:04:17,966 --> 00:04:21,178 in plastic souvenirs, in Black Fridays... 57 00:04:25,056 --> 00:04:27,309 NARRATOR: We saw Ricardo up high. 58 00:04:31,313 --> 00:04:32,731 And down low. 59 00:04:34,733 --> 00:04:35,942 Every day. 60 00:04:37,569 --> 00:04:39,488 For five years. 61 00:04:42,783 --> 00:04:43,784 But... 62 00:04:45,243 --> 00:04:48,497 did we know what he felt? What he thought? 63 00:04:49,372 --> 00:04:52,876 What was that perfect looking machinery hiding? 64 00:04:55,212 --> 00:04:58,882 We could imagine, but we never knew. 65 00:05:00,383 --> 00:05:01,384 Until now. 66 00:05:07,265 --> 00:05:11,228 Welcome to the depths of Commander Fort. 67 00:05:15,690 --> 00:05:17,984 (OPERA MUSIC FADES) 68 00:05:41,633 --> 00:05:43,885 (GENTLE MUSIC PLAYING) 69 00:05:44,553 --> 00:05:45,971 PATRICIO: Good day, Ricardo. 70 00:05:46,388 --> 00:05:48,723 We have to record something, a really short video. 71 00:05:49,558 --> 00:05:51,101 They're waiting for you. 72 00:05:53,436 --> 00:05:56,982 They're waiting... 73 00:06:00,235 --> 00:06:03,238 DURING THE INVESTIGATION FOR THIS SERIES, RICARDO FORT'S DIARY WAS FOUND. 74 00:06:03,321 --> 00:06:06,199 -(INDISTINCT CHATTER) -(FOOTSTEPS APPROACHING) 75 00:06:06,575 --> 00:06:10,328 NO-ONE KNEW IT EXISTED. 76 00:06:11,204 --> 00:06:13,582 -RICARDO: Should I sit here? -PATRICIO: Yeah. 77 00:06:15,000 --> 00:06:16,042 I'll leave you this. 78 00:06:16,126 --> 00:06:17,627 RICARDO: What's this? I have to read it? 79 00:06:17,711 --> 00:06:19,087 -PATRICIO: Please. -(GENTLE MUSIC FADES) 80 00:06:19,921 --> 00:06:22,132 RICARDO: Which is my camera? Where do I look? 81 00:06:22,757 --> 00:06:24,509 PATRICIO: This is your camera. 82 00:06:29,890 --> 00:06:31,850 Where did you find this? 83 00:06:32,267 --> 00:06:36,187 This diary is private, you guys! I have to read this? 84 00:06:36,730 --> 00:06:38,064 PATRICIO: Please, Ricardo. 85 00:06:38,481 --> 00:06:40,400 (SIGHS) 86 00:06:40,692 --> 00:06:43,820 "I always thought fame was useful to teach something." 87 00:06:44,529 --> 00:06:47,699 Good line, but no, I don't want to say this. 88 00:06:47,824 --> 00:06:49,242 PATRICIO: Well, it's what's in the script. 89 00:06:49,409 --> 00:06:52,579 Well, I mean, I can also say whatever I want. 90 00:06:52,912 --> 00:06:56,249 Is this your series? I thought it was my series. 91 00:06:56,625 --> 00:06:58,793 Who would be the script writer then? (CHUCKLES) 92 00:06:59,085 --> 00:07:00,712 PATRICIO: Say it in whatever way you'd like. 93 00:07:00,962 --> 00:07:03,673 Okay. Record this, please. 94 00:07:06,551 --> 00:07:08,678 Hello. Welcome, boys and girls, to The Commander... 95 00:07:08,803 --> 00:07:12,057 PATRICIO: Ricardo, could you say "Welcome, everyone"? 96 00:07:12,557 --> 00:07:14,559 Everyone? I don't follow. 97 00:07:14,809 --> 00:07:17,854 PATRICIO: Everyone, it's neutral. People talk that way now. 98 00:07:18,188 --> 00:07:21,316 Okay, that's fine. I like it. Let's do it again. 99 00:07:23,068 --> 00:07:27,405 Hello. Welcome, everyone, to Commander Fort, my series. 100 00:07:27,864 --> 00:07:30,492 What you're about to see now is the part of my life I like the most. 101 00:07:30,617 --> 00:07:34,829 The most fun. The one that made me famous. Quite the plan! 102 00:07:34,913 --> 00:07:37,082 You can tell me about it later. We should do this again sometime. 103 00:07:37,165 --> 00:07:38,541 (CHUCKLES) 104 00:07:39,292 --> 00:07:40,293 Done? 105 00:07:40,877 --> 00:07:41,795 Are we done? 106 00:07:41,920 --> 00:07:44,214 COMMANDER FORT 107 00:07:44,339 --> 00:07:47,384 Are you making series about everyone or just about the most important people? 108 00:07:47,509 --> 00:07:49,844 1. PUBLIC PERSON 109 00:07:50,095 --> 00:07:52,681 (WATER RUNNING) 110 00:08:19,290 --> 00:08:25,755 -(WHIRS) -(INDISTINCT CHATTER) 111 00:08:28,883 --> 00:08:32,512 -NARRATOR: This is Ricardo Fort's head. -(WHIRS) 112 00:08:33,012 --> 00:08:38,059 NARRATOR: In it, there are many dreams. And an obsession that won't leave him be. 113 00:08:38,935 --> 00:08:40,979 To be a celebrity. 114 00:08:42,439 --> 00:08:48,194 When his father died, Ricardo Fort was about to turn 40. 115 00:08:49,237 --> 00:08:53,283 It's about four decades picturing this moment. 116 00:08:54,409 --> 00:08:58,455 At this stage of his life, with the millions at hand, 117 00:08:58,997 --> 00:09:04,252 he can finally do every single thing he always wanted to do. 118 00:09:04,461 --> 00:09:06,212 KARINA: He said it himself, "Now that my dad's gone, 119 00:09:06,296 --> 00:09:08,256 "I'll have enough money to be famous." 120 00:09:08,339 --> 00:09:10,508 KARINA ANTONIALI'S VOICE FORMER SISTER-IN-LAW AND FRIEND OF FORT'S 121 00:09:10,592 --> 00:09:11,926 KARINA: That's where it all began. 122 00:09:12,093 --> 00:09:14,345 Back then, he had an income 123 00:09:14,679 --> 00:09:17,724 that he had inherited from the father. Bills, lands, and well, 124 00:09:17,849 --> 00:09:20,685 he'd sell the lands to live his life. 125 00:09:31,404 --> 00:09:33,156 (INDISTINCT CHATTER) 126 00:09:33,448 --> 00:09:35,617 MALE VOICE 1: No, look at that! It looks good. Just two lines. 127 00:09:35,784 --> 00:09:37,243 CAMERAMAN: Is the magic back? 128 00:09:38,286 --> 00:09:40,789 -Ricardo Fort is back! -(WHIRS) 129 00:09:45,251 --> 00:09:48,254 (INSPIRING MUSIC PLAYING) 130 00:09:49,714 --> 00:09:51,341 CESAR: When his dad passed away, 131 00:09:51,508 --> 00:09:54,928 he decided to invest part of his fortune in his dreams. 132 00:09:55,011 --> 00:09:56,429 CESAR CAROZZA'S VOICE FORT FAMILY'S LAWYER 133 00:09:56,513 --> 00:10:00,642 He loved what he was doing, and he loved the character he was creating, 134 00:10:00,767 --> 00:10:05,480 and he was willing to live that life he had chosen, 135 00:10:05,814 --> 00:10:08,316 and if the cost for it was his fortune, then it was his fortune. 136 00:10:08,608 --> 00:10:09,943 (DOOR SQUEAKS) 137 00:10:10,068 --> 00:10:11,694 CESAR: He made a plan to be famous. 138 00:10:11,861 --> 00:10:14,781 Ricardo Fort is back! That's Peter. 139 00:10:15,031 --> 00:10:18,827 -That's my hairdresser. The only one. -Much love to Argentina 140 00:10:18,993 --> 00:10:21,204 We're back to Ricardo Fort. We're back to the original haircut. 141 00:10:21,287 --> 00:10:22,664 CAMERAMAN: Are you pleased with the new... 142 00:10:22,747 --> 00:10:25,083 I'm happy! Now I feel like myself again. 143 00:10:25,583 --> 00:10:28,670 -CAMERAMAN: Watch out. -Well, shall we go in the car? 144 00:10:35,760 --> 00:10:39,055 (INDISTINCT CHATTER) 145 00:10:44,435 --> 00:10:48,523 NARRATOR: Ricardo had a plan and a lot of money to see it through. 146 00:10:50,066 --> 00:10:52,819 When you have fame, they buy it from you. 147 00:10:53,194 --> 00:10:56,614 If you don't, it's your turn to buy it. 148 00:10:58,158 --> 00:11:00,201 (INSPIRING MUSIC FADES) 149 00:11:00,285 --> 00:11:02,412 JUAN: One day, he said to me, "Let's make a reality show." 150 00:11:02,579 --> 00:11:04,664 "I want to go to the United States to buy everything, man." 151 00:11:04,747 --> 00:11:06,249 JUAN DE RENZI'S VOICE CAMERAMAN "REALITY FORT" 152 00:11:06,374 --> 00:11:08,501 "Let's go buy equipment and everything necessary for my reality." 153 00:11:08,585 --> 00:11:10,587 If you buy something here, then take it there and it breaks, 154 00:11:10,712 --> 00:11:13,631 I'm afraid I won't be able to fix it. 155 00:11:13,756 --> 00:11:16,926 JUAN: "Microphones, consoles, cameras, 156 00:11:17,093 --> 00:11:18,428 "look at the best, not at the price." 157 00:11:18,511 --> 00:11:20,513 SHOP CLERK: I'm not looking for money. I'm shaking your hand. 158 00:11:20,597 --> 00:11:22,348 (CHUCKLES) Uh. 159 00:11:22,599 --> 00:11:25,894 NARRATOR: Before social media and influencers, 160 00:11:26,477 --> 00:11:29,355 his idea was to get to the media by showing himself on the internet 161 00:11:29,564 --> 00:11:33,735 like an eccentric, charismatic and capricious millionaire. 162 00:11:33,818 --> 00:11:36,529 -(PLAYS PIANO) -CESAR: Ricardo was a visionary. 163 00:11:36,738 --> 00:11:39,449 He started and became famous on the internet 164 00:11:39,657 --> 00:11:42,327 when it was absolutely obscure to everyone. 165 00:11:43,703 --> 00:11:44,913 MARCELA: At first, when he decided 166 00:11:44,996 --> 00:11:46,247 to start recording himself... 167 00:11:46,414 --> 00:11:48,124 MARCELA VILLAGRA'S VOICE RF'S FRIEND/PERSONAL TRAINER 168 00:11:48,249 --> 00:11:50,168 MARCELA: ...after having his clothes line. 169 00:11:50,293 --> 00:11:52,921 He had a friend then who had a model agency. 170 00:11:53,171 --> 00:11:56,216 He transformed those boys into Ford Men, 171 00:11:56,633 --> 00:12:01,638 and with them, he wanted to make the reality show, travel the world. 172 00:12:02,055 --> 00:12:03,097 And so, he began. 173 00:12:04,432 --> 00:12:05,934 There? Another? 174 00:12:06,267 --> 00:12:08,269 CAMERAMAN: Yeah, one more. One more. Can you do one more? 175 00:12:08,394 --> 00:12:09,729 (PLAYS PIANO) 176 00:12:09,896 --> 00:12:11,564 No, another one. Let's see. What can I play? 177 00:12:11,731 --> 00:12:13,233 CAMERAMAN: Change the rhythm! 178 00:12:13,650 --> 00:12:19,864 (PLAYS PIANO) 179 00:12:20,406 --> 00:12:24,410 We are here at Ocean Drive, a beautiful, spectacular day, really. 180 00:12:24,953 --> 00:12:28,748 Not a single cloud in sight! We got here and it had rained for a week, 181 00:12:29,207 --> 00:12:31,459 but Ricardo Fort got here and the sun came out, you guys! 182 00:12:31,584 --> 00:12:34,462 So, we went shopping. We went shopping, like every day. 183 00:12:34,629 --> 00:12:37,465 We bought the iPad, bought some tech things. 184 00:12:37,840 --> 00:12:40,301 I bought some headphones, headsets. 185 00:12:40,510 --> 00:12:44,138 The same Lady Gaga uses! Exactly the same. 186 00:12:44,472 --> 00:12:47,809 Lady Gaga is the biggest thing there is right now, in the United States. 187 00:12:48,184 --> 00:12:49,519 So, I wanted to buy what she uses... 188 00:12:49,686 --> 00:12:54,565 NARRATOR: He traveled to the United States for equipment, because Ricardo Fort 189 00:12:54,941 --> 00:12:59,320 prepared for fame like someone prepares to go to war. 190 00:13:01,322 --> 00:13:02,907 (INSPIRING MUSIC PLAYING) 191 00:13:03,366 --> 00:13:06,369 Inspired by the US reality shows at the time... 192 00:13:06,536 --> 00:13:07,620 ROME 193 00:13:07,745 --> 00:13:10,081 NARRATOR: ...Ricardo aired his own show on YouTube, 194 00:13:10,248 --> 00:13:12,542 which he called "Fort Show." 195 00:13:12,834 --> 00:13:14,502 RICARDO: I'm going to wake up these assholes 196 00:13:14,585 --> 00:13:17,630 because I think their room is colder than mine and I'm not liking this. 197 00:13:18,548 --> 00:13:20,967 So, I'll see if I like it better, change rooms, and make them go up. 198 00:13:21,634 --> 00:13:25,221 NARRATOR: He traveled the world with many young, beautiful men, 199 00:13:25,388 --> 00:13:27,348 whom he called "The Cats." 200 00:13:29,100 --> 00:13:31,227 RICARDO: These two... Guys! Raise everything that goes up. Up! 201 00:13:35,523 --> 00:13:36,524 Up! 202 00:13:37,191 --> 00:13:39,110 They fucked up! (CHUCKLING) 203 00:13:39,277 --> 00:13:41,279 NATALIA: Ricardo's first reality show was about a trip 204 00:13:41,404 --> 00:13:42,864 around the world... 205 00:13:42,947 --> 00:13:44,115 NATALIA ROMAN'S VOICE RF'S PUBLICIST 206 00:13:44,282 --> 00:13:45,783 NATALIA: ...with the models from his agency, 207 00:13:45,867 --> 00:13:47,410 who ended up being "The Cats." 208 00:13:47,618 --> 00:13:51,539 Ricardo paid for the whole trip, and he expected them to follow 209 00:13:51,664 --> 00:13:53,124 in everything he wanted to do. 210 00:13:53,207 --> 00:13:54,500 -CAT 1: Now? -RICARDO: Now. 211 00:13:54,709 --> 00:13:56,669 Oh, I pulled everything out... 212 00:13:56,836 --> 00:13:58,254 Well, every room? 213 00:13:58,379 --> 00:14:01,090 -CAT 1: What floor? -CAT 2: Third floor. 214 00:14:04,052 --> 00:14:05,428 RICARDO: What are you doing here? 215 00:14:05,595 --> 00:14:08,347 -CAT 3: You told us to... -RICARDO: No, go down. 216 00:14:11,142 --> 00:14:14,520 And you turned off my air, man! Fuck you! 217 00:14:14,979 --> 00:14:17,732 -CAT 3: But we're not hot, man. -How can you not be hot, man? 218 00:14:21,027 --> 00:14:22,945 I'm staying here. Go up. 219 00:14:23,112 --> 00:14:24,822 I'm staying here. 220 00:14:24,989 --> 00:14:27,158 -Really? -RICARDO: Yeah, yeah. 221 00:14:27,617 --> 00:14:29,452 But where do you want to sleep, Richard? 222 00:14:29,702 --> 00:14:31,245 CAT 1: Where will we sleep? 223 00:14:31,662 --> 00:14:33,873 -Upstairs? -RICARDO: I don't know. Why? 224 00:14:34,040 --> 00:14:35,541 CAT 1: Because I want to go to sleep, man. 225 00:14:36,042 --> 00:14:37,585 -Then go to sleep, man! -CAT 1: Really? 226 00:14:37,668 --> 00:14:39,587 Yeah. If I decide to change again, I'll wake you up. 227 00:14:39,879 --> 00:14:40,880 (CATS CHUCKLING) 228 00:14:40,963 --> 00:14:42,131 CAT 1: No problem! 229 00:14:44,133 --> 00:14:45,593 Go to sleep, man! 230 00:14:46,803 --> 00:14:50,056 (ENGINE RUMBLING) 231 00:14:56,813 --> 00:14:58,731 -(INDISTINCT CHATTER) -(INSPIRING MUSIC FADES) 232 00:14:58,856 --> 00:15:01,359 -RICARDO: The other one, for whom? -VALERIA: Can I take a picture of you? 233 00:15:01,609 --> 00:15:02,610 The other one, for whom? 234 00:15:02,693 --> 00:15:04,320 CYNTHIA: Tell him what your name is, so he can... 235 00:15:04,403 --> 00:15:05,738 -VALERIA: Valeria. -CYNTHIA: There we go. 236 00:15:05,822 --> 00:15:08,074 VALERIA: He'll do it on the other side and we can cut it in half. 237 00:15:08,157 --> 00:15:09,408 You see him, Cynthia? 238 00:15:09,492 --> 00:15:11,577 -(INDISTINCT CHATTER) -Bye! 239 00:15:11,702 --> 00:15:16,040 VALERIA: It's weird to see you in person. We watch you every day on TV. 240 00:15:16,457 --> 00:15:17,875 -CYNTHIA: I love you! -Bye! 241 00:15:18,543 --> 00:15:24,340 (INDISTINCT CHATTER) 242 00:15:24,674 --> 00:15:27,385 -I feel like an animal in the zoo, man! -SECURITY: Yeah! 243 00:15:27,510 --> 00:15:28,553 (CHUCKLES) 244 00:15:30,596 --> 00:15:34,183 NARRATOR: He lived and showed himself surrounded by a security circle. 245 00:15:34,892 --> 00:15:37,895 He moved with the deployment of a world leader. 246 00:15:37,979 --> 00:15:39,021 (ENGINE REVVING) 247 00:15:39,105 --> 00:15:41,315 NARRATOR: He would take one step and be followed by security guards 248 00:15:41,399 --> 00:15:43,234 as big as wardrobes, 249 00:15:43,609 --> 00:15:47,530 with guns, motorcycles, receivers, blinking lights... 250 00:15:48,781 --> 00:15:51,242 -Behind here... -(INDISTINCT CHATTER) 251 00:15:51,492 --> 00:15:54,912 RICARDO: Excuse me. So fine! 252 00:15:56,455 --> 00:15:58,749 Not fine at all. It looks like a motel, man. 253 00:15:59,041 --> 00:16:02,086 CHRISTIAN: Ricardo was, like, hallucinating. 254 00:16:02,587 --> 00:16:03,880 Having a custody gave him hierarchy. 255 00:16:03,963 --> 00:16:05,256 CHRISTIAN PEPE'S VOICE FIRST RF CUSTODY 256 00:16:05,339 --> 00:16:08,801 CHRISTIAN: Ricardo was always someone who needed affection, real affection, 257 00:16:08,968 --> 00:16:11,137 and when we first started working with him, 258 00:16:11,262 --> 00:16:13,973 he was like obsessed with us. 259 00:16:14,724 --> 00:16:17,143 OSKY: What happened? I'm scared, man. (CHUCKLING) 260 00:16:17,393 --> 00:16:18,728 I'm scared. 261 00:16:19,228 --> 00:16:20,479 You missed Gustavo. 262 00:16:20,605 --> 00:16:24,317 There's Claudia, and in the next room there's Gustavo. 263 00:16:26,736 --> 00:16:28,988 -You're with Gustavo. -OSKY: Okay. 264 00:16:29,780 --> 00:16:32,450 The next room, Guillermo with Guido, 265 00:16:33,576 --> 00:16:35,828 who gets here tomorrow. 266 00:16:36,996 --> 00:16:39,415 Yeah, he gets here tomorrow. 267 00:16:40,583 --> 00:16:42,585 OSKY: You missed Micky. He arrives... When is he getting here? 268 00:16:42,710 --> 00:16:44,212 -OSKY: Thursday. -CAT 3: Thursday. 269 00:16:45,504 --> 00:16:46,839 RICARDO: Micky gets here on Thursday? 270 00:16:47,006 --> 00:16:48,090 OSKY: Yeah. He's staying. 271 00:16:48,925 --> 00:16:51,260 Well, then in the next room, there's Micky... 272 00:16:51,469 --> 00:16:53,137 (INDISTINCT CHATTER) 273 00:16:53,387 --> 00:16:55,014 -OSKY: The upstairs one. -RICARDO: Yeah. 274 00:16:56,432 --> 00:16:59,185 Micky with you. Who do you want to be with? 275 00:16:59,352 --> 00:17:02,063 No, no. You know what I think, and it's what I said... 276 00:17:02,230 --> 00:17:04,482 RICARDO: No, I don't know... Who do you want to be with? 277 00:17:04,774 --> 00:17:11,697 OSKY: I prefer... My policy is, you say what room is available to whom 278 00:17:11,822 --> 00:17:15,243 and the troop chooses a room. They know each other. 279 00:17:15,409 --> 00:17:17,370 They have each a better rapport with someone. 280 00:17:17,745 --> 00:17:20,873 That will generate a more calm living situation. 281 00:17:20,957 --> 00:17:23,918 If it fails, boss, you give me the go. If they comply... 282 00:17:24,585 --> 00:17:28,464 if they comply, I can demand anything. So, I need you to trust your team. 283 00:17:28,631 --> 00:17:30,216 Between you guys, you do whatever. 284 00:17:30,341 --> 00:17:34,136 I'll say what rooms I'll place security in and in which room I'll sleep... 285 00:17:34,303 --> 00:17:36,597 OSKY: Perfect. That's what I was asking. 286 00:17:36,889 --> 00:17:39,058 Then we're set. You make the pairs you like. 287 00:17:39,225 --> 00:17:40,476 OSKY: Well, perfect. 288 00:17:40,726 --> 00:17:46,566 Well, team, let's move to the rooms, and have a meeting. 289 00:17:48,859 --> 00:17:50,194 Thanks, boss! 290 00:17:50,361 --> 00:17:51,779 -Bye! -OSKY: Let's go upstairs. 291 00:17:52,238 --> 00:17:57,910 They're going to tie him to a pole. (CHUCKLES) They'll get him... 292 00:17:58,619 --> 00:18:00,746 I thought at first, he was pulling your leg, but... 293 00:18:00,871 --> 00:18:06,085 No, he's very much like into the troop. He loves playing G.I. Joe. 294 00:18:06,377 --> 00:18:08,254 RICHARD'S FRIEND 1: Isn't he the security guard? 295 00:18:08,671 --> 00:18:11,048 No, he isn't. He was my security guard before. 296 00:18:11,340 --> 00:18:13,843 RICHARD'S FRIEND 1: And the other guys, how are they taking to him being... 297 00:18:13,926 --> 00:18:16,345 Oh, they want to kill him. (CHUCKLES) 298 00:18:16,846 --> 00:18:19,390 RICHARD'S FRIEND 1: I thought he was already assigned as a boss, and they... 299 00:18:19,557 --> 00:18:20,558 Willy! 300 00:18:20,933 --> 00:18:24,437 Remember the troop needs to be up at 7:00 a. m. (CHUCKLES) 301 00:18:24,729 --> 00:18:26,439 Quarter past seven we'll be ready, boss. 302 00:18:26,814 --> 00:18:30,610 NARRATOR: The Secret is a famous American self-help book 303 00:18:30,735 --> 00:18:33,404 that every celebrity in the world reads. 304 00:18:33,821 --> 00:18:36,198 NARRATOR: This book states that dreams come true 305 00:18:36,282 --> 00:18:38,159 only by wishing for them. 306 00:18:38,534 --> 00:18:41,454 They're spoken aloud and that's it. They're decreed. 307 00:18:41,621 --> 00:18:44,707 RICARDO: I want for everything I go through in life, to be my choice. 308 00:18:44,957 --> 00:18:48,628 NARRATOR: But is it so easy to be the God of your own miracle? 309 00:18:48,919 --> 00:18:51,380 I choose my future. If you're doing bad, it's because you chose wrong. 310 00:18:51,464 --> 00:18:54,842 One has to learn things. You put obstacles in the way, 311 00:18:55,134 --> 00:18:58,596 with your negative mind, sometimes, you put obstacles in the way, 312 00:18:59,221 --> 00:19:01,807 so, from those obstacles, you can learn something and grow, rise spiritually. 313 00:19:02,016 --> 00:19:05,936 -But there's karma... -Because the people from Haiti 314 00:19:06,103 --> 00:19:09,273 had like a size 12 earthquake. They weren't all thinking... 315 00:19:09,815 --> 00:19:14,195 There's a universal karma, there has to be a balance. 316 00:19:14,362 --> 00:19:17,239 I think that happens from different places. 317 00:19:17,365 --> 00:19:21,118 It's not going to be just as easy for you to go to Miami 318 00:19:21,327 --> 00:19:22,703 than for someone who has nothing to eat. 319 00:19:22,787 --> 00:19:24,830 But two months ago, did you think you'd have your ass 320 00:19:24,914 --> 00:19:30,211 on a plane going to Miami, to Rio de Janeiro, to Mar del Plata... 321 00:19:31,337 --> 00:19:34,090 -HERNAN: Cordoba... -Everywhere? No. 322 00:19:35,049 --> 00:19:38,302 The first thing you'd have said is, "No, I can't go to Miami now. I can't..." 323 00:19:38,636 --> 00:19:39,804 And you did all of that. 324 00:19:39,929 --> 00:19:43,182 You took private jets, you had the best of the best. 325 00:19:43,724 --> 00:19:47,353 You couldn't pay for it, all right. But Ricardo Fort fell into your lap. 326 00:19:47,436 --> 00:19:50,064 -AYELEN: Right, but that's the thing. -The Universe sent Ricardo Fort your way, 327 00:19:50,189 --> 00:19:53,526 -which allowed you to do it. -AYELEN: No, I... 328 00:19:53,651 --> 00:19:55,403 Guys, I believe in The Secret and that's it. 329 00:19:55,486 --> 00:19:57,113 The Secret is the best. Laws of Attraction. 330 00:19:57,238 --> 00:19:58,656 What you think is what happens to you. 331 00:19:58,781 --> 00:20:00,241 -That's it. -RICHARD'S FRIEND 2: Optimism. 332 00:20:00,408 --> 00:20:02,535 The secret is the Law of Attraction. 333 00:20:03,703 --> 00:20:08,082 That's the secret. The Law of Attraction. That's the secret. 334 00:20:09,291 --> 00:20:10,418 It's true. 335 00:20:10,918 --> 00:20:13,838 So, all I want, I imagine, as if it will happen. 336 00:20:13,921 --> 00:20:18,300 I'm already imagining having my own show. I'm already... 337 00:20:18,801 --> 00:20:22,888 Of course, I'm imagining being in the Dancing for a Dream jury. 338 00:20:22,972 --> 00:20:25,516 Of course, I imagine myself sitting there. You have to affirm it. 339 00:20:25,683 --> 00:20:30,396 I see myself there. I'm already there. I can imagine sitting there, them dancing. 340 00:20:30,521 --> 00:20:31,689 RICHARD'S FRIEND 2: Jury for... 341 00:20:31,772 --> 00:20:34,275 I'm imagining I'm in the jury there. It's what I'm talking about. 342 00:20:34,358 --> 00:20:35,776 Fuck you. 343 00:20:35,985 --> 00:20:36,986 (CROWD CHEERING) 344 00:20:37,069 --> 00:20:38,487 ("I KNOW YOU WANT ME" BY PITBULL PLAYING) 345 00:20:38,571 --> 00:20:40,781 I know you want me You know I want ya 346 00:20:41,365 --> 00:20:44,618 I know you want me You know I want ya 347 00:20:44,869 --> 00:20:46,746 -MARCELO: Yeah, get it! -(CROWD CHEERING) 348 00:20:47,079 --> 00:20:50,291 You know I want ya I know you want me 349 00:20:50,374 --> 00:20:53,085 Watch out! Look at him dance... 350 00:20:53,461 --> 00:20:55,129 One, two, three, four 351 00:20:55,755 --> 00:20:57,256 They're dying for him. 352 00:20:58,299 --> 00:21:02,887 Oh, but the jury is dancing and all. Stop for a bit! It's all set! 353 00:21:03,012 --> 00:21:06,307 -The guys there, they're all in custody? -Yeah, where's the rest? 354 00:21:06,640 --> 00:21:08,309 MARCELO: Where's the rest? How many are they, 22? 355 00:21:08,392 --> 00:21:11,854 -How many do you have, Ricardo? -Five. Where... where are the five? 356 00:21:12,563 --> 00:21:13,856 Guys, where's the five? 357 00:21:14,064 --> 00:21:15,566 Uno, dos, tres, cuatro 358 00:21:15,691 --> 00:21:19,195 Tick to the tock, on my way to the top Pit got it locked from goons to the locks 359 00:21:19,361 --> 00:21:22,406 Before you sing, can we see a bit of your body, please? 360 00:21:22,698 --> 00:21:26,327 Label flop but Pit won't stop Got her in the cockpit playin' with Pit's 361 00:21:26,535 --> 00:21:28,037 Now watch me make a movie... 362 00:21:28,162 --> 00:21:31,499 MARCELO: Please send in the first three girls. 363 00:21:31,707 --> 00:21:33,751 Mr Ricardo Fort will see them. 364 00:21:33,834 --> 00:21:35,961 No, it's not a love thing. The girls come over to have a contract 365 00:21:36,128 --> 00:21:38,005 in the Mar del Plata season... 366 00:21:38,506 --> 00:21:41,550 I know you want me You know I want ya 367 00:21:41,759 --> 00:21:45,679 I know you want me You know I want ya 368 00:21:46,055 --> 00:21:48,557 (CROWD CHEERING) 369 00:21:50,893 --> 00:21:53,687 Ella quiere su rumba, rumba 370 00:21:54,772 --> 00:21:57,566 Ricardo! Oh! 371 00:21:57,775 --> 00:22:00,653 Sorry. Is he... That's Ricardo Fort. They'll have a fight! 372 00:22:00,820 --> 00:22:04,782 -It's disturbing! (CHUCKLES) -The security people don't listen! 373 00:22:04,949 --> 00:22:07,493 -You have to have balls! -Wait, let's have a test. 374 00:22:07,743 --> 00:22:09,787 (INDISTINCT CHATTER) 375 00:22:10,412 --> 00:22:13,833 NARRATOR: Ricardo walked into the homes of millions of Argentines 376 00:22:13,916 --> 00:22:15,376 through Showmatch, 377 00:22:16,168 --> 00:22:19,088 the most-watched show in Argentina. 378 00:22:19,672 --> 00:22:22,800 To stay alive in the Marcelo Tinelli tank, 379 00:22:22,967 --> 00:22:27,263 Ricardo had to have total control over his image. 380 00:22:27,513 --> 00:22:30,266 That's how he started moving like the big Hollywood artists 381 00:22:30,432 --> 00:22:32,643 on top of their game. 382 00:22:33,310 --> 00:22:37,857 He was in every detail. He chose the clothes, profile, gestures. 383 00:22:38,357 --> 00:22:40,609 Photoshoots lasted for hours. 384 00:22:41,026 --> 00:22:45,155 He had no patience at all, except for that. 385 00:22:45,406 --> 00:22:47,157 KARINA: He was always showing his Rolex, 386 00:22:47,241 --> 00:22:49,994 always showing his clothes, where he bought it, this and that. 387 00:22:50,077 --> 00:22:51,954 VOICE OF KARINA ANTONIALI R. F EX SISTER-IN-LAW AND FRIEND 388 00:22:52,037 --> 00:22:55,708 But the people loved all of that, because they were tired of the misery. 389 00:22:55,833 --> 00:22:58,210 MARCELO: To me, Ricardo, the new thing he brought with him 390 00:22:58,377 --> 00:23:02,715 was the millionaire, who made a display of money, of travels, of cars, 391 00:23:02,840 --> 00:23:05,050 which was a character that wasn't on TV. 392 00:23:05,134 --> 00:23:07,219 There were some around the world, but not in Argentina. 393 00:23:07,344 --> 00:23:08,929 MARCELO POLINO'S VOICE ENTERTAINMENT JOURNALIST 394 00:23:09,013 --> 00:23:11,348 MARCELO: Not as extroverted and showing off 395 00:23:11,473 --> 00:23:13,601 what they had, and their lifestyle. 396 00:23:14,059 --> 00:23:16,979 I think this is what he brought to the table. 397 00:23:17,313 --> 00:23:21,275 RICARDO: This whole idea began one day, when I was called, 398 00:23:21,901 --> 00:23:25,446 they surprised me, I was in Mar del Plata doing the show Fortuna, 399 00:23:25,988 --> 00:23:28,365 and I got a call from Mrs. Carolina Rabolini, 400 00:23:28,991 --> 00:23:32,244 and I was like "Carolina is calling me?" 401 00:23:32,411 --> 00:23:34,622 Many years ago, I had a dream, 402 00:23:34,872 --> 00:23:38,042 besides what I'm doing in the theatre, TV and all of that, I had a dream, 403 00:23:38,250 --> 00:23:39,710 which was to have a perfume. 404 00:23:39,835 --> 00:23:44,798 I always believe, and I'm a big follower of The Secret, of the Law of Attraction. 405 00:23:44,882 --> 00:23:47,301 And I always wanted to have a perfume with my name on it. 406 00:23:47,468 --> 00:23:48,469 ATTENDEE 1: Hey, Guille! 407 00:23:48,677 --> 00:23:51,013 -(INDISTINCT CHATTER) -MARITE: Ricardo, look this way! 408 00:23:51,138 --> 00:23:53,349 I know you love Lady Gaga, and he saw her... 409 00:23:53,515 --> 00:23:55,935 -Paula. -Hi, thank you! 410 00:23:56,060 --> 00:23:58,228 -She's Lady Gaga's clothes designer! -CAMERAMAN: Come on! 411 00:23:58,437 --> 00:24:01,315 -Tell me... -FEMALE VOICE 1: Ta-da! (CHUCKLING) 412 00:24:01,565 --> 00:24:05,402 You go! My prince! 413 00:24:08,280 --> 00:24:13,619 NARRATOR: Fame. A horrible winged goddess, with an awful eye in each feather. 414 00:24:13,744 --> 00:24:17,706 -(INDISTINCT CHATTER) -NARRATOR: Age, over 2000 years. 415 00:24:17,915 --> 00:24:18,999 (CHUCKLES) 416 00:24:19,166 --> 00:24:23,212 NARRATOR: Its mission in this world, to promote immortality. 417 00:24:23,379 --> 00:24:25,923 -All night! -You didn't give it to me all night. 418 00:24:26,131 --> 00:24:28,467 NARRATOR: Fame is a hard drug 419 00:24:28,634 --> 00:24:31,387 that makes you talk when you should be quiet. 420 00:24:31,679 --> 00:24:33,305 To ask for things in an awful way... 421 00:24:33,722 --> 00:24:36,976 I want my fucking fan! Fucking hell! 422 00:24:37,101 --> 00:24:38,435 VIOLET: You lost it! 423 00:24:38,560 --> 00:24:40,896 No, no, no... 424 00:24:41,105 --> 00:24:44,191 NARRATOR: It makes you sigh, it makes you feel hot, 425 00:24:44,650 --> 00:24:45,901 makes you wasted... 426 00:24:46,068 --> 00:24:47,569 RICARDO: Dude! 427 00:24:47,736 --> 00:24:50,823 NARRATOR: Fame is euphoria and high tensions. 428 00:24:50,990 --> 00:24:53,242 We're in a pickle, and there's no cabs. 429 00:24:53,409 --> 00:24:55,744 Babe, we're poor! War economy! Let's walk. 430 00:24:55,911 --> 00:24:59,581 No, baby, we're not poor. There's no cabs. Let's not... 431 00:24:59,748 --> 00:25:01,959 We're not poor. Okay? There's no cabs. 432 00:25:02,334 --> 00:25:05,587 -(INDISTINCT CHATTER) -(PIANO MUSIC PLAYING) 433 00:25:05,921 --> 00:25:10,050 (CROWD CHEER) 434 00:25:10,259 --> 00:25:14,221 Go, Mendoza, damn it! Go, Mendoza! 435 00:25:15,973 --> 00:25:18,225 They had to be from Mendoza. 436 00:25:21,979 --> 00:25:23,814 NARRATOR: Fame is power. 437 00:25:24,148 --> 00:25:27,526 And power is only friends with power. 438 00:25:29,236 --> 00:25:33,323 The powerful smell each other from afar, look for each other, 439 00:25:34,199 --> 00:25:35,909 and they find each other. 440 00:25:36,285 --> 00:25:37,786 (PIANO MUSIC CONTINUES) 441 00:25:38,328 --> 00:25:42,791 RICARDO: He reminds me a lot of my father. A lot. 442 00:25:43,042 --> 00:25:45,669 Not just the physical part. The way he talks, 443 00:25:46,045 --> 00:25:47,421 the intelligence... 444 00:25:47,755 --> 00:25:51,633 RICARDO: And well, for my first interview, 445 00:25:51,759 --> 00:25:53,135 CARLOS MENEM FORMER PRESIDENT OF ARGENTINA 446 00:25:53,218 --> 00:25:59,349 I have even been with Madonna, talking, having dinner, 447 00:25:59,558 --> 00:26:03,771 but the emotion I felt when listening to the President talk to me, 448 00:26:03,937 --> 00:26:07,274 on the phone, calling me Ricky, asking after my children... 449 00:26:07,900 --> 00:26:10,402 I don't think I'll ever forget about this. 450 00:26:12,029 --> 00:26:15,449 I always considered, and I think I mentioned it a lot on the media, 451 00:26:15,616 --> 00:26:19,369 that the ten years I lived in this country under Menem's presidency, 452 00:26:19,536 --> 00:26:22,289 were the best ten years of this country, in my opinion. 453 00:26:22,664 --> 00:26:25,417 And what I highlight 454 00:26:25,876 --> 00:26:28,629 is how safe it was in our country. 455 00:26:28,921 --> 00:26:32,841 Kids could play in the streets, the park, and it was normal to see them there, 456 00:26:33,383 --> 00:26:39,932 one could buy a house on a credit, a car on a credit, the city was beautiful. 457 00:26:40,015 --> 00:26:42,226 I always recall Christmas and New Year鈥檚, for example. 458 00:26:43,102 --> 00:26:47,147 Everything was lit up in the city, when it was Christmas and New Year鈥檚. 459 00:26:47,606 --> 00:26:51,735 The security, the stability there was. 460 00:26:53,028 --> 00:26:56,323 Will we have Menem in the next elections? 461 00:26:56,532 --> 00:26:57,950 (CHUCKLES) 462 00:26:58,617 --> 00:27:03,831 On July 2nd, dear Ricky, I'm turning 80. 463 00:27:04,873 --> 00:27:09,503 I'm willing to work, to keep fighting, but apart from that... 464 00:27:09,795 --> 00:27:11,964 Look, because of politics, 465 00:27:12,965 --> 00:27:17,761 and this is so people know, I lost everything I had. 466 00:27:18,929 --> 00:27:23,433 The cellar, the vineyards, absolutely everything. 467 00:27:23,976 --> 00:27:24,977 And a son. 468 00:27:25,143 --> 00:27:28,772 And a son. Unfortunately, a son, which is what's most painful. 469 00:27:29,773 --> 00:27:34,486 But economically speaking, I was left very bad. 470 00:27:35,779 --> 00:27:40,909 I'm living off my pension as a former President. 471 00:27:41,159 --> 00:27:44,079 -Hmm. -But the rest is in the wind. 472 00:27:44,246 --> 00:27:46,832 I was left with nothing. 473 00:27:46,999 --> 00:27:49,585 Do you want to borrow some? (CHUCKLES) 474 00:27:49,793 --> 00:27:51,962 Everything I had, I put into politics. 475 00:27:52,504 --> 00:27:55,424 Everything went into politics. 476 00:27:55,632 --> 00:28:01,305 For an election, dear Ricky, you need at least 20 million dollars. 477 00:28:02,306 --> 00:28:03,765 Where do you get those? 478 00:28:04,725 --> 00:28:07,060 -I don't know. I wish I knew. (CHUCKLES) -(CHUCKLES) 479 00:28:07,311 --> 00:28:09,563 -You're something of a wizard. -(CHUCKLES) 480 00:28:09,646 --> 00:28:13,025 -Or your mom, who sings so... -(CHUCKLES) Yes, my mom sings tango. 481 00:28:13,692 --> 00:28:14,776 (CAMERA CLICKS) 482 00:28:15,152 --> 00:28:16,278 JOURNALIST: Can I... 483 00:28:16,403 --> 00:28:17,738 -Yeah. -JOURNALIST: ... ask something? 484 00:28:17,863 --> 00:28:20,574 You were someone who was persecuted. 485 00:28:20,699 --> 00:28:22,326 RICARDO: No, no, no. Excuse me. 486 00:28:22,534 --> 00:28:24,661 -I ask the questions. -JOURNALIST: Okay, perfect. 487 00:28:24,828 --> 00:28:28,206 RICARDO: I ask what I want to ask. There we go. 488 00:28:29,583 --> 00:28:33,712 What I asked, I think is correct and enough. 489 00:28:34,046 --> 00:28:39,426 Again, to me, this is like talking to my dad, it makes me emotional. 490 00:28:40,177 --> 00:28:41,720 -Really does. -Thank you, Ricky, dear. 491 00:28:41,803 --> 00:28:42,846 (PIANO MUSIC FADES) 492 00:28:42,930 --> 00:28:45,390 -It was a pleasure. -Give your mom a big kiss from me. 493 00:28:46,016 --> 00:28:50,062 Tell her I really love her, and someday we'll meet up. 494 00:28:50,228 --> 00:28:52,147 -Please. -At home. 495 00:28:53,440 --> 00:28:55,817 -(INDISTINCT CHATTER) -(INSPIRING MUSIC PLAYING) 496 00:28:59,696 --> 00:29:01,198 NARRATOR: For Ricardo Fort, 497 00:29:01,365 --> 00:29:03,533 the United States were his second homeland. 498 00:29:04,618 --> 00:29:05,953 Or his first. 499 00:29:06,828 --> 00:29:09,665 He liked everything. He found everything attractive. 500 00:29:09,831 --> 00:29:13,293 To him, there, everything was okay. 501 00:29:13,627 --> 00:29:19,174 (INDISTINCT CHATTER) 502 00:29:19,633 --> 00:29:22,678 NARRATOR: He traveled there to find inspiration, to find ideas, 503 00:29:23,178 --> 00:29:26,014 to purchase clothes, to watch theatre. 504 00:29:26,515 --> 00:29:28,850 He loved the Broadway musicals. 505 00:29:29,476 --> 00:29:34,064 His plan was to import some of New York into Argentina. 506 00:29:35,148 --> 00:29:38,235 CESAR: Ricardo was a thinking machine. 507 00:29:38,777 --> 00:29:40,988 He didn't sleep. He'd sleep for one hour, 508 00:29:41,154 --> 00:29:44,741 get up, sit at a table, fall asleep at a table, 509 00:29:44,908 --> 00:29:46,034 go back to bed, 510 00:29:46,159 --> 00:29:50,247 and that's how he went through all his years of fame. 511 00:29:55,002 --> 00:29:57,963 (INDISTINCT CHATTER) 512 00:30:02,801 --> 00:30:07,139 (INDISTINCT CHATTER) 513 00:30:10,183 --> 00:30:15,439 (INDISTINCT CHATTER) 514 00:30:19,651 --> 00:30:24,448 NARRATOR: Every once in a while, suddenly, the machine would stop. 515 00:30:25,699 --> 00:30:26,992 Like in a shutdown. 516 00:30:28,160 --> 00:30:30,954 He'd stop talking and lock himself up inside his head. 517 00:30:33,582 --> 00:30:37,252 What would he think in those instants of introspection? 518 00:30:39,129 --> 00:30:40,589 Impossible to know. 519 00:30:41,506 --> 00:30:43,341 No-one could get in there. 520 00:30:44,593 --> 00:30:50,182 (INDISTINCT CHATTER) 521 00:30:51,641 --> 00:30:57,481 CORDOBA VILLA CARLOS PAZ 522 00:30:58,815 --> 00:31:00,484 (CROWD CHEERING) 523 00:31:00,776 --> 00:31:03,987 SANTIAGO: Life with Ricardo was totally unpredictable, dizzying. 524 00:31:04,112 --> 00:31:05,655 No limits, no schedules. 525 00:31:05,739 --> 00:31:07,449 VOICE OF SANTIAGO "WILLY" BENAVIDEZ GUARDIAN OF R. F. 526 00:31:07,532 --> 00:31:09,576 There is a big difference between a businessman 527 00:31:09,743 --> 00:31:11,286 who lives his life in Puerto Madero 528 00:31:11,620 --> 00:31:14,539 or locked in a building and only goes to his office 529 00:31:14,706 --> 00:31:17,709 and Ricardo, who went anywhere, anywhere he was invited to. 530 00:31:18,126 --> 00:31:20,212 Ricardo was... He was just normal. 531 00:31:20,462 --> 00:31:23,632 Ricardo got off anywhere at any time to take a picture 532 00:31:23,715 --> 00:31:26,009 -with anyone. He fed on the people. -(INDISTINCT CHATTER) 533 00:31:26,426 --> 00:31:28,220 -MALE VOICE 2: Diego, say hi! -(INSPIRING MUSIC FADES) 534 00:31:31,431 --> 00:31:33,391 FERNANDO: We were doing a play in Mar del Plata... 535 00:31:33,558 --> 00:31:35,352 VOICE OF FERNANDO NINO ACTOR / R. F FRIEND 536 00:31:35,435 --> 00:31:38,063 FERNANDO: ...and Ricardo told us that Maradona wanted to meet him. 537 00:31:38,146 --> 00:31:41,983 Diego went home, they got together in a room of the house 538 00:31:42,067 --> 00:31:44,277 and they spent a lot of time chatting. 539 00:31:44,486 --> 00:31:46,696 It is said that Ricardo gave him a Rolex 540 00:31:46,905 --> 00:31:49,574 that Diego already had and that later Ricardo gave him another. 541 00:31:50,200 --> 00:31:51,743 -(CROWD CHEERING) -FERNANDO: Diego had to leave 542 00:31:51,827 --> 00:31:54,663 Mar del Plata and Ricardo invited him to see the play 543 00:31:55,205 --> 00:31:58,875 and Diego said yes and changed his itinerary 544 00:31:59,000 --> 00:32:01,253 and changed the flight to stay a couple more days 545 00:32:01,336 --> 00:32:02,796 to be able to go see the play. 546 00:32:03,296 --> 00:32:07,425 A round of applause for God. Diego Armando Maradona! 547 00:32:07,509 --> 00:32:09,970 (CROWD CHEERING) 548 00:32:10,929 --> 00:32:13,765 CROWD: Go, go, Diego! 549 00:32:13,974 --> 00:32:16,768 Go, go, Diego! 550 00:32:17,018 --> 00:32:19,729 FERNANDO: The day of the performance everything was a chaos. 551 00:32:19,855 --> 00:32:22,232 -Diego went to T铆o Curzio. -CROWD: Diego, Diego... 552 00:32:22,440 --> 00:32:25,235 FERNANDO: They went to the terrace, to the balcony of T铆o Curzio, 553 00:32:25,485 --> 00:32:28,029 Ricardo and Diego, to greet the people... 554 00:32:28,113 --> 00:32:31,616 -It was a historic moment. -Come on! 555 00:32:31,825 --> 00:32:35,579 (CROWD CHEERING) 556 00:32:36,872 --> 00:32:37,873 MALE VOICE 3: Diego! 557 00:32:38,039 --> 00:32:42,544 CROWD: Go, go, Diego! 558 00:32:43,336 --> 00:32:46,256 Go, go, Diego! 559 00:32:46,840 --> 00:32:49,634 Diego, Diego! 560 00:32:49,801 --> 00:32:51,761 RICARDO: For me, Diego is great, he is great. 561 00:32:52,012 --> 00:32:55,098 And it excites me. All this excites me a lot. 562 00:32:55,515 --> 00:32:56,683 How can I say it? 563 00:32:56,850 --> 00:33:01,021 This is for those who speak nonsense! 564 00:33:02,272 --> 00:33:08,737 (JET ENGINE WHIRRING) 565 00:33:24,419 --> 00:33:28,048 NARRATOR: Fame is a job that cannot be given up. 566 00:33:31,134 --> 00:33:34,721 If the fans don't come, you have to go find them. 567 00:33:36,348 --> 00:33:39,226 (CROWD CHEERING) 568 00:33:39,517 --> 00:33:46,149 CROWD: Here, here! A picture! Here! 569 00:33:46,316 --> 00:33:50,070 (INDISTINCT CHATTER) 570 00:33:51,571 --> 00:33:54,115 NARRATOR: Ricardo Fort was a fan of his fans. 571 00:33:54,991 --> 00:33:56,993 -ANNOUNCER: Who wants to see Ricardo Fort? -(CROWD CHEERING) 572 00:33:57,118 --> 00:34:00,247 CESAR: One day, I remember we were in the Rolls Royce, he and I. 573 00:34:00,413 --> 00:34:03,917 Well, thanks, guys, for the welcome. I love you so much. 574 00:34:04,167 --> 00:34:06,253 CESAR: And there was a truck full of working people 575 00:34:06,378 --> 00:34:09,256 and at a traffic light, the traffic stopped, 576 00:34:09,714 --> 00:34:12,926 and two kids got out. At that moment I said, "Uh." 577 00:34:13,176 --> 00:34:16,054 He lowered the window and the kid grabbed his hand 578 00:34:16,429 --> 00:34:19,891 and said "I love you." I mean... He was like Evita. 579 00:34:20,600 --> 00:34:25,730 -Silence, everyone. Silence. -(INDISTINCT CHATTER) 580 00:34:25,814 --> 00:34:28,984 I ask the adults to go out and leave the boys. 581 00:34:29,359 --> 00:34:32,070 I want to see the boys, I don't want to see the adults. 582 00:34:32,237 --> 00:34:34,698 Since I arrived, all the mothers want to take pictures. 583 00:34:35,156 --> 00:34:37,075 -I want to know the name of each one. -(INDISTINCT CHATTER) 584 00:34:37,158 --> 00:34:40,328 What's your name? What? Brian? 585 00:34:40,537 --> 00:34:42,664 -LUCILA: Lucila. -RICARDO: Lucila? 586 00:34:43,206 --> 00:34:44,624 Facundo? 587 00:34:44,874 --> 00:34:51,631 (CROWD CHEERING) 588 00:34:55,302 --> 00:34:57,596 -FEMALE VOICE 2: Ricardo! -Bye, thanks a lot. 589 00:34:57,762 --> 00:34:59,931 FEMALE VOICE 2: Ricardo, give me your hand. 590 00:35:00,098 --> 00:35:03,143 -FEMALE VOICE 3: I love you, Ricky! -Get some rest. 591 00:35:03,435 --> 00:35:09,733 -(CROWD CHEEERING) -(SIREN WAILING) 592 00:35:13,278 --> 00:35:15,405 LEONARDO: In Esperanto, those who bought... 593 00:35:15,488 --> 00:35:16,448 VOICE OF LEONARDO TRAVAGLIO 594 00:35:16,573 --> 00:35:19,409 LEONARDO: ...French champagne were announced with a siren, 595 00:35:19,576 --> 00:35:22,787 the person who had bought that champagne was named, 596 00:35:22,912 --> 00:35:29,210 and from the bar to the table, there was like a ritual with sparkles. 597 00:35:29,377 --> 00:35:31,338 Very colorful, very entertaining. 598 00:35:31,463 --> 00:35:33,548 MARCELA: One of the boys, or two... 599 00:35:33,632 --> 00:35:35,550 VOICE OF MARCELA VILLAGRA R. F FRIEND / PERSONAL TRAINER 600 00:35:35,634 --> 00:35:39,054 ...who were already regulars at Esperanto told him, "You have to go to this place." 601 00:35:39,471 --> 00:35:44,267 And when he entered the place, he discovered a paradise. 602 00:35:44,851 --> 00:35:49,898 And they let him sing and they celebrated everything he did 603 00:35:50,273 --> 00:35:53,902 and he had all the people around him. A place where he was happy. 604 00:35:55,779 --> 00:35:58,990 LEONARDO: Ricardo was capable of anything to have exposure. 605 00:35:59,074 --> 00:36:00,992 VOICE OF LEONARDO TRAVAGLIO EX OWNER OF COCODRILO 606 00:36:01,076 --> 00:36:05,288 LEONARDO: He was building his character as an eccentric billionaire, 607 00:36:05,455 --> 00:36:09,042 composing all this fable or all this reality show. 608 00:36:13,546 --> 00:36:16,257 RODRIGO: In 2010, we celebrated Ricardo's birthday 609 00:36:16,424 --> 00:36:18,301 and I gave him a cake with his face on it. 610 00:36:18,385 --> 00:36:19,344 VOICE OF RODRIGO ESPECTOR 611 00:36:19,427 --> 00:36:20,553 RODRIGO: He blows out the candles, 612 00:36:20,637 --> 00:36:22,931 makes a wish, ends the show, and all the lights go out. 613 00:36:23,348 --> 00:36:26,434 I turn around and in the dim light I see Ricardo putting his hand in the cake 614 00:36:26,518 --> 00:36:27,727 and eating a piece. 615 00:36:28,436 --> 00:36:30,814 I told him, "Ricardo, it's your cake, you can take it." 616 00:36:31,523 --> 00:36:34,567 "Really?" As if he was surprised. And I told him, "Yes, yes, it's yours." 617 00:36:34,901 --> 00:36:36,653 And at one point he starts to cry 618 00:36:36,820 --> 00:36:40,615 and says that it was the first time he had a birthday cake in his entire life. 619 00:36:40,824 --> 00:36:47,789 -(UPBEAT MUSIC PLAYING ON STEREO) -(CROWD CHEERS) 620 00:36:54,087 --> 00:36:57,674 NARRATOR: Ricardo Fort wore off his body as he did his millions. 621 00:36:57,841 --> 00:36:59,384 (PANTS) 622 00:36:59,551 --> 00:37:02,262 NARRATOR: After having back surgery, 623 00:37:02,345 --> 00:37:04,264 he decided not to follow medical recommendations. 624 00:37:04,514 --> 00:37:07,058 MARCELA: He had a very pronounced scoliosis 625 00:37:07,267 --> 00:37:10,270 that he did not take care of as he should have. 626 00:37:10,395 --> 00:37:13,940 If he had to train, he trained more. He was extreme for everything. 627 00:37:14,107 --> 00:37:16,985 And his back already began to hurt a lot. 628 00:37:17,610 --> 00:37:21,573 NARRATOR: Because he didn't take orders. He gave them. 629 00:37:22,073 --> 00:37:27,829 Doing rehab was a waste of time, the only thing he didn't have to spare. 630 00:37:27,996 --> 00:37:30,248 I just came from the gym. I'm so tired. 631 00:37:30,498 --> 00:37:32,792 I have to hurry to take a shower to go to This is the Show. 632 00:37:33,084 --> 00:37:36,504 (SIGHS) They always talk about me. Come on, follow me. 633 00:37:37,380 --> 00:37:39,048 (SMOOCHES) 634 00:37:39,382 --> 00:37:42,427 (GRUNTS) Go, Daddy has to change his clothes. 635 00:37:43,845 --> 00:37:46,097 (PANTS) 636 00:37:46,556 --> 00:37:49,017 Today, they said a lot of nonsense online that I have to respond to. 637 00:37:49,893 --> 00:37:52,729 As today I have to go to the Col贸n, I am invited by Macri... 638 00:37:52,896 --> 00:37:54,773 They are criticizing me because I'm going to Col贸n. 639 00:37:55,315 --> 00:37:58,109 (SCOFFS) People don't know that the Fort family 640 00:37:58,777 --> 00:38:01,988 have had a box at the Col贸n all their lives. 641 00:38:02,363 --> 00:38:06,242 My mother and I always went there. But hey... (EXHALES) 642 00:38:06,326 --> 00:38:08,203 -(PANTING) -(WATER RUNNING) 643 00:38:22,967 --> 00:38:27,514 Towel... I grab the towel. 644 00:38:29,432 --> 00:38:30,517 (SIGHS) 645 00:38:33,436 --> 00:38:36,397 (WHIRS) 646 00:38:36,856 --> 00:38:40,235 Always in a hurry. I don't have a second of peace. 647 00:38:41,361 --> 00:38:45,323 (SIGHS, SNIFFLES) And my leg still hurts. 648 00:38:47,492 --> 00:38:49,702 (SIGHS, SNIFFLES) 649 00:38:50,370 --> 00:38:52,288 (SIGHS) 650 00:38:58,503 --> 00:39:00,964 MARCELO: One day, they had operated on his knee 651 00:39:01,172 --> 00:39:02,966 so, they offered him to go off the air. 652 00:39:03,049 --> 00:39:04,759 VOICE OF MARCELO POLINO ENTERTAINMENT JOURNALIST 653 00:39:04,843 --> 00:39:06,803 MARCELO: And he said 鈥淣o, no. I'm not going to quit my job. 654 00:39:07,053 --> 00:39:10,139 "I fought a lot to be on television," he told me. 655 00:39:10,223 --> 00:39:13,351 He stayed until the end. He loved the fame. 656 00:39:14,102 --> 00:39:17,105 JOSE: He's a millionaire. The most eligible bachelor in Argentina. 657 00:39:17,272 --> 00:39:24,153 -With us, Ricardo Fort! -(CROWD CHEERING, APPLAUDING) 658 00:39:30,785 --> 00:39:32,662 JOSE: Hello, Ricardo. 659 00:39:33,830 --> 00:39:38,501 -MALE VOICE 4: Welcome, Ricky. -(INDISTINCT CHATTER) 660 00:39:39,419 --> 00:39:40,879 Bye, guys. 661 00:39:45,717 --> 00:39:49,012 -FAN 1: Hello, pal. -Hi, man. How are you? 662 00:39:49,220 --> 00:39:51,347 -Fine, and you? -Hey, look, it's Ricardo Fort. 663 00:39:51,973 --> 00:39:53,099 Ricardo Fort. 664 00:39:53,182 --> 00:39:54,392 -Hey, man. -FAN 2: Everything okay? 665 00:39:54,601 --> 00:39:56,978 -Do you have something to give us? -RICARDO: Everything okay? 666 00:39:57,186 --> 00:40:00,607 Guys, you are always asking me for money. I don't... 667 00:40:00,773 --> 00:40:01,858 I'm not a National Bank. 668 00:40:02,025 --> 00:40:04,777 -FAN 1: Give me your cap. -Yeah, sure. It's very expensive. 669 00:40:04,861 --> 00:40:06,154 (MARTA CHUCKLING THROUGH SPEAKER) 670 00:40:07,822 --> 00:40:09,949 Did you see me? Was I okay? 671 00:40:10,992 --> 00:40:13,161 -What? -Did you make up with Virginia? 672 00:40:13,828 --> 00:40:16,080 -She doesn't want. -She's so lovely. 673 00:40:16,247 --> 00:40:19,584 Guys, you don't know her. Don't talk if you don't know. 674 00:40:20,043 --> 00:40:24,464 Don't talk if you don't know. What she shows on TV, is not her. 675 00:40:24,547 --> 00:40:26,674 If you are crazy in love for her, go for it. 676 00:40:26,841 --> 00:40:28,009 I am, she's not. 677 00:40:28,176 --> 00:40:30,887 Those who are these unionists, I spoke perfectly well with them. 678 00:40:31,012 --> 00:40:32,472 -Ricardo! -Hey, man! 679 00:40:32,889 --> 00:40:34,307 -FAN 3: Everything okay? -Hi, guys. 680 00:40:34,641 --> 00:40:36,059 -Good? -RICARDO: Yeah, thanks. And you? 681 00:40:36,225 --> 00:40:38,311 -Good, good. -Thanks. 682 00:40:38,394 --> 00:40:40,647 -We love you, Ricky! -Thanks, guys. 683 00:40:41,230 --> 00:40:42,857 MARTA: (CHUCKLES) They are so sweet. 684 00:40:42,982 --> 00:40:46,527 RICARDO: That are claiming something that doesn't make sense. 685 00:40:46,694 --> 00:40:50,490 The only thing they are doing is is scaring the workers we have, 686 00:40:50,657 --> 00:40:52,367 loyal and faithful to the company, 687 00:40:52,533 --> 00:40:55,370 that my father has given them everything and has always supported them. 688 00:40:55,536 --> 00:40:56,746 MARTA: I already said that. 689 00:40:56,913 --> 00:40:59,999 MARINA: The entertainment world establishment always knew... 690 00:41:00,166 --> 00:41:01,459 VOICE OF MARINA CALABRO 691 00:41:01,584 --> 00:41:03,878 MARINA: ...that Ricardo was going to do and say whatever he wanted, 692 00:41:04,045 --> 00:41:07,507 that there was going to be no kind of speculation 693 00:41:07,674 --> 00:41:11,678 about future or potential jobs, for money... 694 00:41:12,053 --> 00:41:16,557 I think he... he scared them. 695 00:41:16,724 --> 00:41:20,353 I think it is something of the different, of the misunderstood, 696 00:41:20,520 --> 00:41:24,691 who was also a threatening figure 697 00:41:24,941 --> 00:41:29,654 because he had this divo image, like an aura of stardom. 698 00:41:30,613 --> 00:41:35,535 So, he was a very awkward combo for the industry. 699 00:41:35,618 --> 00:41:38,621 Mom, did you hear everything I said about Col贸n? 700 00:41:39,122 --> 00:41:42,166 Giving a lecture about the Col贸n. Because in Internet, 701 00:41:42,333 --> 00:41:43,876 they questioned my presence at the Col贸n. 702 00:41:45,378 --> 00:41:48,006 -Hello. -FAN 4: Hello! 703 00:41:48,297 --> 00:41:49,298 -How are you? -RICARDO: Fine. 704 00:41:49,382 --> 00:41:50,633 -Everything okay? -Yes. 705 00:41:51,259 --> 00:41:52,885 I love you. Ricardo Fort rocks! 706 00:41:54,679 --> 00:41:58,266 -RICARDO: Thank you, kids. Bye. (INDISTINCT CHATTER) 707 00:42:00,643 --> 00:42:03,813 NATALIA: Ricardo used television and television used Ricardo. 708 00:42:03,896 --> 00:42:05,148 VOICE OF NATALIA ROMAN R. F PUBLICIST 709 00:42:05,231 --> 00:42:06,649 NATALIA: It was like that until one night, 710 00:42:06,733 --> 00:42:08,943 he had a fight on live television on Showmatch with Flavio Mendoza, 711 00:42:09,027 --> 00:42:10,445 who is an Argentinian theater producer. 712 00:42:10,528 --> 00:42:12,947 In the middle of the show, they began to argue 713 00:42:13,114 --> 00:42:14,323 and it got out of hand. 714 00:42:14,782 --> 00:42:18,119 Tinelli didn't like it, he intervened and Ricardo left the studio angry. 715 00:42:19,120 --> 00:42:22,540 The next day, they called him saying he was not going to appear again 716 00:42:22,623 --> 00:42:24,792 on any show of the network because they were not going to tolerate 717 00:42:24,917 --> 00:42:26,085 any kind of violence. 718 00:42:27,086 --> 00:42:28,963 There was a before and an after. 719 00:42:29,338 --> 00:42:34,844 FRANCO: Fort fell into the trap, he took the media game very seriously. 720 00:42:35,094 --> 00:42:36,137 VOICE OF FRANCO TORCHIA 721 00:42:36,220 --> 00:42:38,014 FRANCO: But the fight with Flavio Mendoza on Showmatch 722 00:42:38,097 --> 00:42:41,809 is framed in a series of confrontations typical of that reality show. 723 00:42:41,934 --> 00:42:47,023 It is Tinelli's historical prowess in his show of facing minority sectors 724 00:42:47,148 --> 00:42:50,443 against other minority sectors. 725 00:42:50,735 --> 00:42:53,071 For a long time, he did it with women. 726 00:42:53,237 --> 00:42:57,784 That time he faced two non-heterosexual men. 727 00:42:59,243 --> 00:43:01,412 FLAVIO: He has to be put in its place. I'll kill this faggot. 728 00:43:01,621 --> 00:43:03,706 Last night he showed his true colors. 729 00:43:04,082 --> 00:43:06,626 FRANCO: Interpreting this fight as an isolated event 730 00:43:06,876 --> 00:43:07,960 would be a mistake. 731 00:43:08,628 --> 00:43:11,464 I hope that the artists who are with him realize about this 732 00:43:11,547 --> 00:43:12,548 and leave him. 733 00:43:12,757 --> 00:43:17,178 Because they are with a guy who is infecting them, contaminating them. 734 00:43:17,345 --> 00:43:18,596 Leave him. 735 00:43:20,056 --> 00:43:24,268 Adriana Salgueiro, Callej贸n... Leave him or you will get infected. 736 00:43:24,435 --> 00:43:28,022 They are going to end up being vanished from the scene. 737 00:43:28,231 --> 00:43:29,982 Unfortunately, by contagion. 738 00:43:30,316 --> 00:43:33,736 Because we have to start eliminating Fort from everywhere. 739 00:43:34,112 --> 00:43:35,822 He doesn't have to appear anywhere else. 740 00:43:36,614 --> 00:43:38,366 RICARDO: I was called to go to the show. 741 00:43:38,533 --> 00:43:40,660 Not forced, but I felt forced to go 742 00:43:40,910 --> 00:43:44,288 because they were opening the doors of Ideas del Sur for me again. 743 00:43:44,997 --> 00:43:50,837 They allowed Flavio to approach me twice 744 00:43:51,003 --> 00:43:55,133 and they allowed an employee of that company to hit me, somehow. 745 00:43:55,675 --> 00:43:58,052 And Marcelo Tinelli is disappointed in me. 746 00:43:58,970 --> 00:44:00,346 VOICE OF CESAR CARROZA FORT FAMILY LAWYER 747 00:44:00,429 --> 00:44:02,223 CESAR: One day Adri谩n Suar openly said, "When the fight 748 00:44:02,348 --> 00:44:04,600 "with Flavio Mendoza took place, we are going to take some time off 749 00:44:04,767 --> 00:44:06,018 "from Ricardo Fort for a while." 750 00:44:06,102 --> 00:44:07,270 And they put him in a freezer. 751 00:44:08,062 --> 00:44:09,814 RICARDO: The attacks I received... 752 00:44:10,731 --> 00:44:13,025 I almost sought professional help. 753 00:44:13,192 --> 00:44:15,278 And I'm not talking about a hired killer, no, no. 754 00:44:16,863 --> 00:44:18,948 I'm talking about a psychologist. 755 00:44:19,699 --> 00:44:20,950 But then I understood... 756 00:44:21,909 --> 00:44:23,995 that it must not be easy for some... 757 00:44:24,787 --> 00:44:28,958 to assimilate a rise and success as fast as mine 758 00:44:29,125 --> 00:44:30,334 in this environment. 759 00:44:31,294 --> 00:44:33,296 I'm sure they like it even less 760 00:44:33,880 --> 00:44:36,340 that I'm demonstration that there is a better life 761 00:44:37,341 --> 00:44:38,843 and that I am enjoying it. 762 00:44:39,427 --> 00:44:41,637 Because there is nothing wrong with being the son of a millionaire. 763 00:44:42,930 --> 00:44:46,225 It hurts me that they say that I think I am the rating of Showmatch. 764 00:44:47,143 --> 00:44:48,227 Please. 765 00:44:49,020 --> 00:44:50,271 I don't handle the rating. 766 00:44:51,689 --> 00:44:53,357 I just handle my Rolls Royce. 767 00:44:55,943 --> 00:44:58,696 I believe that love is the only thing that builds. 768 00:44:59,155 --> 00:45:04,160 So, what's the problem with expecting them to love me? 769 00:45:06,120 --> 00:45:09,040 I open my heart and my life to them 770 00:45:09,498 --> 00:45:13,753 because I want them to love me for what I am, an artist. 771 00:45:14,378 --> 00:45:16,923 -With money -With money 772 00:45:17,673 --> 00:45:22,511 -What I want, with money -What I want, with money 773 00:45:22,637 --> 00:45:27,516 -What I want will happen -What I want will happen 774 00:45:27,683 --> 00:45:34,148 -With money, everything I can buy -With money, everything I can buy 775 00:45:34,315 --> 00:45:41,239 Money, money, make anything possible 776 00:45:41,405 --> 00:45:47,703 -Gold can buy many treasures -Gold can buy many treasures 777 00:45:50,164 --> 00:45:53,334 -Everything but -Everything but 778 00:45:53,501 --> 00:45:57,505 -Everything but -Everything but 779 00:45:57,672 --> 00:46:01,300 Work 780 00:46:01,467 --> 00:46:07,390 -Money, money, money -Money, money, money 781 00:46:07,556 --> 00:46:08,557 Hey! 782 00:46:08,891 --> 00:46:13,104 (CROWD CHEERING, APPLAUDING) 783 00:46:13,604 --> 00:46:19,193 NARRATOR: After a fight that exceeded the limits accepted by television, 784 00:46:19,652 --> 00:46:21,696 they told him, "Enough." 785 00:46:21,862 --> 00:46:24,323 The character of Ricardo Fort had gone too far. 786 00:46:24,824 --> 00:46:28,995 And so, expelled from prime-time paradise, 787 00:46:29,287 --> 00:46:33,541 Ricardo returned to command, which is what he liked to do the most. 788 00:46:34,041 --> 00:46:36,836 Build and destroy at his will. 789 00:46:37,128 --> 00:46:41,340 He put all his energies into his role as a theater producer. 790 00:46:41,465 --> 00:46:44,760 By the way, he took up an old passion, 791 00:46:45,594 --> 00:46:46,929 singing. 792 00:46:47,555 --> 00:46:51,434 -I'll install the cameras. -One or two? 793 00:46:52,268 --> 00:46:56,105 -Maybe two. One on each side. -Sure. 794 00:46:56,272 --> 00:46:59,608 -Marta, the shirt is fine. -Cut this part. 795 00:46:59,775 --> 00:47:02,987 That suit is perfect, don't touch anything and shut up. 796 00:47:03,237 --> 00:47:04,613 You don't understand what we're doing! 797 00:47:04,780 --> 00:47:07,700 That has to be cut, put a Velcro, because they have to tear it apart 798 00:47:07,867 --> 00:47:10,953 -in the last part of the frame. -Ricardo, what if you do this? 799 00:47:13,164 --> 00:47:14,832 It's done, perfect. 800 00:47:14,957 --> 00:47:18,336 RICARDO: No, but it would have to be someone to come and take off my pants. 801 00:47:18,502 --> 00:47:19,837 With the shirt down it's different. 802 00:47:20,254 --> 00:47:23,132 Yes, but it can't be done because the jacket is made... 803 00:47:23,424 --> 00:47:26,969 It has to be one size larger than mine so, when we put the Velcro... 804 00:47:28,512 --> 00:47:32,058 Okay, great. Bye, kid. Behave, sweetheart. 805 00:47:32,850 --> 00:47:35,895 Please. And talk to the doctor about the insoles. 806 00:47:36,145 --> 00:47:38,898 Maybe you need insoles, baby. 807 00:47:39,315 --> 00:47:42,193 I really like it. 808 00:47:45,529 --> 00:47:47,823 -There are very boring parts. -Mm-hmm. 809 00:47:48,324 --> 00:47:49,617 -You! -ATTENDEE 2: What happened? 810 00:47:49,992 --> 00:47:55,331 When I go out, they don't have to see me. I'm invisible and everyone looks at me. 811 00:47:55,498 --> 00:47:57,792 Like, what are you doing here? Why are you doing this choreography? 812 00:47:57,875 --> 00:47:58,959 And you kept looking at me. 813 00:47:59,168 --> 00:48:03,714 (INDISTINCT CHATTER) 814 00:48:06,592 --> 00:48:07,968 Ricardo... 815 00:48:09,011 --> 00:48:15,643 Mom, you are not helping me. No, it's done. It's done. It's done! 816 00:48:16,852 --> 00:48:19,397 -I didn't like it. -But I love it. 817 00:48:19,563 --> 00:48:22,024 I love it how it is. 818 00:48:22,483 --> 00:48:24,735 -MARTA: I already told you what I saw. -RICARDO: You didn't tell me. 819 00:48:24,985 --> 00:48:28,447 -I did! I'm yelling it! -That the mother is not necessary. 820 00:48:28,656 --> 00:48:29,740 It's not! 821 00:48:29,907 --> 00:48:31,617 -The little boy? -No, it's not necessary. 822 00:48:31,784 --> 00:48:33,077 We need one more song. 823 00:48:33,369 --> 00:48:36,247 He has two songs and we need one more. 824 00:48:36,497 --> 00:48:38,833 Let him sing, because that's what people like. 825 00:48:39,083 --> 00:48:43,421 Hello, my friends, welcome to my life 826 00:48:43,587 --> 00:48:48,759 I'll show you who I am My mansion and my world 827 00:48:49,009 --> 00:48:52,763 How do I know the entire play? I don't know. (CHUCKLES) 828 00:48:53,347 --> 00:48:54,974 No, I'm not nervous at all. 829 00:48:55,433 --> 00:48:57,351 -ATTENDEE 3: Anxious? -No, no. 830 00:48:57,685 --> 00:48:59,812 I'm just in pain, so... 831 00:49:00,563 --> 00:49:03,482 I'm not scared of it, but I have to do this daily 832 00:49:03,607 --> 00:49:04,984 and it wears me out. 833 00:49:05,651 --> 00:49:09,655 -(SOBS) -What happened? 834 00:49:12,116 --> 00:49:13,868 I'm afraid I won't be able to do it. 835 00:49:14,076 --> 00:49:15,911 -ATTENDEE 3: Poor you. -ADRIANA: What's wrong? 836 00:49:16,162 --> 00:49:20,708 It's logical, I'd be pissed off too. It's a huge responsibility. 837 00:49:20,875 --> 00:49:25,129 It's a lot of pain that I have throughout my body. 838 00:49:25,212 --> 00:49:26,881 It has nothing to do with when I was doing Fortuna. 839 00:49:26,964 --> 00:49:29,300 I don't know why I feel so bad. Why does everything hurt? 840 00:49:29,592 --> 00:49:31,552 -ATTENDEE 3: Relax, Ricky. -(SNIFFLES) 841 00:49:31,719 --> 00:49:34,388 It's incredible 842 00:49:34,555 --> 00:49:37,057 that you can't find something to ease the pain. 843 00:49:37,308 --> 00:49:39,852 Champagne is the only thing that eases my pain. 844 00:49:40,019 --> 00:49:43,105 But I can't take it anymore. (SNIFFLES) And it's killing me every day. 845 00:49:45,357 --> 00:49:46,358 I'm tired. 846 00:49:46,525 --> 00:49:51,864 -Each of your dreams will come true, yes! -Each of your dreams will come true, yes! 847 00:49:52,114 --> 00:49:58,037 CROWD: Ricardo! Ricardo! Ricardo! Ricardo! 848 00:49:58,204 --> 00:50:04,919 Ricardo! Ricardo! Ricardo! Ricardo! 849 00:50:05,252 --> 00:50:07,755 NARRATOR: From time to time he would return to television, 850 00:50:08,297 --> 00:50:09,757 but as an interviewee. 851 00:50:10,716 --> 00:50:15,763 Ricardo Fort was a victim of television? Or was he the one who used the media? 852 00:50:15,846 --> 00:50:18,265 RICARDO: What I liked the most is that he said that when I was coming in, 853 00:50:18,390 --> 00:50:20,351 he said, "I'm not a big fan of what he does, but hey." 854 00:50:20,434 --> 00:50:22,019 -I almost left. (CHUCKLES) -(INDISTINCT CHATTER) 855 00:50:22,102 --> 00:50:23,145 NARRATOR: In any case... 856 00:50:23,229 --> 00:50:24,271 Now I'm going to clarify it. 857 00:50:24,355 --> 00:50:25,814 NARRATOR: ...he was a mistreated customer. 858 00:50:26,148 --> 00:50:28,609 -I'm hungry. -(INDISTINCT CHATTER) 859 00:50:29,485 --> 00:50:31,403 I want some chicken... 860 00:50:32,821 --> 00:50:33,906 with mashed pumpkin. 861 00:50:34,073 --> 00:50:35,783 (MACHINE WHIRRING) 862 00:50:36,116 --> 00:50:39,703 NARRATOR: The establishment hated him because he made it clear 863 00:50:39,912 --> 00:50:41,622 that fame can be bought. 864 00:50:42,623 --> 00:50:44,291 He was living proof. 865 00:50:44,875 --> 00:50:46,335 -(INDISTINCT CHATTER) -(MACHINE WHIRRING) 866 00:50:46,544 --> 00:50:47,628 I sing reasonably well. 867 00:50:47,795 --> 00:50:49,630 RICARDO: The first thing I hear when I enter, 868 00:50:49,755 --> 00:50:52,800 "I'm not a fan of this guy, I'm not a fan of what he does." 869 00:50:52,883 --> 00:50:54,927 NICHOLAS: I don't follow what you do. 870 00:50:55,052 --> 00:50:57,012 But I'm curious about your life. 871 00:50:57,179 --> 00:50:59,139 Everybody is talking about you. 872 00:50:59,306 --> 00:51:02,268 Today you talk about anything and he appears. 873 00:51:02,393 --> 00:51:04,770 -Fort's face. -He could leave. 874 00:51:04,979 --> 00:51:06,814 He was serious about what he said. 875 00:51:06,897 --> 00:51:09,149 -(CHUCKLES) -He's being serious. He told me too. 876 00:51:09,400 --> 00:51:10,818 "I'm leaving." He's capable of it. 877 00:51:10,901 --> 00:51:13,237 No, I'm not leaving, but the first thing I hear is that. 878 00:51:13,320 --> 00:51:15,406 -So, what I'm doing here? -NICHOLAS: Listen... 879 00:51:15,531 --> 00:51:17,366 we're going to go for a short break 880 00:51:17,575 --> 00:51:19,577 and when we return, Fort and I will have a great fight. 881 00:51:19,660 --> 00:51:21,870 -(AUDIENCE LAUGHING) -We'll be right back! 882 00:51:21,954 --> 00:51:25,583 (CROWD CHEERING, APPLAUDING) 883 00:51:26,208 --> 00:51:29,253 (INDISTINCT CHATTER) 884 00:51:30,337 --> 00:51:31,839 MALE VOICE 5: Move aside. 885 00:51:32,756 --> 00:51:34,592 NICHOLAS: Does your knee hurt? 886 00:51:35,134 --> 00:51:36,510 Can you move the table a little closer? 887 00:51:37,219 --> 00:51:39,763 -Do you want to put your foot up? -PRODUCER: Let's roll? 888 00:51:39,972 --> 00:51:41,849 NICHOLAS: Wait, let me move the table. 889 00:51:41,932 --> 00:51:43,892 No, no. It's okay. 890 00:51:44,393 --> 00:51:45,394 Move your glass. 891 00:51:45,644 --> 00:51:49,064 -I won't reach it. -We can reach it for you. 892 00:51:50,816 --> 00:51:51,817 Coming... 893 00:51:51,984 --> 00:51:54,570 You're a self-centered guy, aren't you? You are sensitive. 894 00:51:54,778 --> 00:51:57,406 -You heard me, say "No, no..." -I'm sensitive, not self-centered. 895 00:51:57,489 --> 00:51:58,782 Maybe a little bit. 896 00:51:58,866 --> 00:52:00,784 -A little bit of ego? -Yeah, just a little. 897 00:52:00,868 --> 00:52:02,745 But I'm very sensitive. 898 00:52:02,953 --> 00:52:08,167 When you travel to Miami, what do you put in the "profession" form? 899 00:52:08,626 --> 00:52:09,877 Artist. 900 00:52:09,960 --> 00:52:11,962 -Artist? -I was putting "businessman." 901 00:52:12,087 --> 00:52:13,088 Always. 902 00:52:13,172 --> 00:52:16,008 But on the last trip, I put "artist." And I liked it. 903 00:52:16,175 --> 00:52:19,386 Although he doesn't consider me an artist. He says I'm mediatic. 904 00:52:19,637 --> 00:52:22,306 For me you still have a lot to prove but you are on the right track. 905 00:52:22,431 --> 00:52:25,559 NICHOLAS: It's amazing what happens to you with the public. 906 00:52:25,643 --> 00:52:28,562 I've seen TV shows where you go outside and people loved you. 907 00:52:28,812 --> 00:52:30,439 Because anyone would say, Jorge, 908 00:52:30,648 --> 00:52:36,654 that the formula of showing wealth in a country that has so much poverty, 909 00:52:36,779 --> 00:52:39,114 could be a negative formula. 910 00:52:39,281 --> 00:52:40,866 RICARDO: Yes, but not because they know 911 00:52:40,949 --> 00:52:42,993 that the wealth is made legally. 912 00:52:43,452 --> 00:52:46,997 We are not politicians, it has not been stolen. 913 00:52:47,247 --> 00:52:50,042 It is a company that was created in 1912, 914 00:52:50,167 --> 00:52:52,753 and that my whole family has worked to do what we do 915 00:52:52,836 --> 00:52:55,339 and we have invested in this country when everyone took their money abroad. 916 00:52:55,422 --> 00:52:58,133 NICHOLAS: And somehow, isn't an act of obscenity? 917 00:52:58,217 --> 00:53:01,095 -RICARDO: No, not at all. -NICHOLAS: Why does anyone need 918 00:53:01,178 --> 00:53:02,554 three Rolls Royce? 919 00:53:03,055 --> 00:53:04,264 JORDE: It's not necessary. 920 00:53:04,348 --> 00:53:05,933 RICARDO: Why not? How many cars do you have? 921 00:53:06,016 --> 00:53:07,893 NICHOLAS: No, because I have to have vehicles 922 00:53:07,976 --> 00:53:09,186 for the country... 923 00:53:09,269 --> 00:53:11,689 RICARDO: Well, but you have several, not just one. 924 00:53:11,772 --> 00:53:13,899 NICHOLAS: No, I have more than one. I'm a fan too. 925 00:53:13,982 --> 00:53:15,067 RICARDO: I'm a Rolls Royce fan! 926 00:53:15,192 --> 00:53:16,193 FAN 5: Ricky! 927 00:53:16,568 --> 00:53:19,446 NARRATOR: But for how long can you be so famous? 928 00:53:19,613 --> 00:53:20,739 (INDISTINCT CHATTER) 929 00:53:20,906 --> 00:53:25,619 NARRATOR: The character we dream of being can die from one day to the other. 930 00:53:26,245 --> 00:53:28,080 What will it be like to do that duel? 931 00:53:28,956 --> 00:53:31,250 It is the terrifying phase of fame... 932 00:53:32,000 --> 00:53:33,460 the fear of oblivion. 933 00:53:34,002 --> 00:53:36,672 CESAR: I told him I had the depression of achievement. 934 00:53:36,880 --> 00:53:39,508 He believed his pathological fiction. 935 00:53:39,883 --> 00:53:43,345 He bought the character and couldn't get out of it. 936 00:53:43,512 --> 00:53:46,682 Ricardo's environment was always very complicated. 937 00:53:46,849 --> 00:53:49,309 They were all doctors, engineers, lawyers. 938 00:53:49,518 --> 00:53:53,355 They all knew everything, none of them knew anything. 939 00:53:53,564 --> 00:53:55,232 It really was a nest of snakes. 940 00:53:55,691 --> 00:53:58,569 NARRATOR: At some point, the flame begins to fade. 941 00:53:59,695 --> 00:54:03,907 That put Ricardo Fort in a very bad mood. 942 00:54:06,034 --> 00:54:08,203 -Aye? -SECURITY: Outside, here. 943 00:54:09,663 --> 00:54:11,331 Sorry, where are the guys? 944 00:54:12,166 --> 00:54:13,333 Where are the guys? 945 00:54:13,834 --> 00:54:15,753 -Where are the guys? -AYELEN: Which guys? 946 00:54:16,253 --> 00:54:17,588 The Gatos. 947 00:54:18,547 --> 00:54:20,174 (PIANO MUSIC PLAYING) 948 00:54:20,507 --> 00:54:22,968 AYELEN: I did not call them because they told me 949 00:54:23,051 --> 00:54:24,928 that there can't be too many people in the hospital. 950 00:54:25,012 --> 00:54:26,764 -Call Felix. -AYELEN: Okay. 951 00:54:27,723 --> 00:54:28,724 (GRUNTS) 952 00:54:28,849 --> 00:54:30,809 Listen to me... 953 00:54:31,477 --> 00:54:33,395 tell it as a joke. 954 00:54:34,521 --> 00:54:38,150 Listen to me! Listen! For God sakes! 955 00:54:38,859 --> 00:54:40,778 -He's a son of a bitch. -SECURITY: But seriously... 956 00:54:40,903 --> 00:54:43,572 I don't care. I want him here. Period. 957 00:54:44,114 --> 00:54:47,075 -SECURITY: Do you want to call him? -I have to stand up for him. 958 00:54:50,287 --> 00:54:51,872 You just brought this here, didn't you? 959 00:54:52,289 --> 00:54:54,583 -Hey, did you just bring this? -WORKER: Yes. 960 00:54:54,666 --> 00:54:56,835 -And the cheese? -WORKER: I'll bring it now. 961 00:54:58,837 --> 00:55:00,589 They can't do anything right. 962 00:55:02,132 --> 00:55:03,800 They can't do anything right. 963 00:55:14,269 --> 00:55:16,146 RICARDO: You can't argue with me. 964 00:55:16,438 --> 00:55:19,399 You can't argue with me. You have to come to support me. 965 00:55:19,566 --> 00:55:22,152 Marta, bring me the cheese, please. 966 00:55:22,569 --> 00:55:24,238 RICARDO: I haven't seen my children for three days. 967 00:55:24,738 --> 00:55:28,659 I saw them on Tuesday, they were up there in the attic. 968 00:55:28,909 --> 00:55:31,370 They eat there, they live there, they sleep there. I don't see them a lot. 969 00:55:32,204 --> 00:55:33,872 So, you can't argue with me. 970 00:55:35,082 --> 00:55:38,043 Listen to what I say and support me. 971 00:55:38,460 --> 00:55:40,045 GUSTAVO: Don't blame me. 972 00:55:40,170 --> 00:55:42,089 No, because when you tell me something about her... 973 00:55:42,214 --> 00:55:45,008 When you tell me those things, I support you. 974 00:55:45,217 --> 00:55:48,011 I didn't even hear what she told you, I swear. 975 00:55:48,136 --> 00:55:50,514 "I didn't hear it." Come on, you are here all day. 976 00:55:50,681 --> 00:55:53,392 Your mother is driving me crazy on the subject of the Sheraton. 977 00:55:53,475 --> 00:55:55,435 Didn't you want to celebrate New Year's Eve here? 978 00:55:56,395 --> 00:55:58,730 Do you prefer the Sheraton? Why don't you do it here? 979 00:55:59,523 --> 00:56:03,068 The Sheraton will cost you about twenty thousand pesos. 980 00:56:06,363 --> 00:56:07,948 I don't know, what do I know? 981 00:56:08,031 --> 00:56:09,783 Do you want it there because it's already settled? 982 00:56:10,576 --> 00:56:14,997 I don't know, it's more fun. People can see me there. I'm here all day. 983 00:56:15,080 --> 00:56:16,290 Fine, fine. 984 00:56:18,792 --> 00:56:23,380 I asked you to bring the Rolls Royce. I told you I wanted the car here. 985 00:56:23,547 --> 00:56:26,925 SECURITY: I went up to ask you, boss, and I didn't hear you. 986 00:56:27,092 --> 00:56:29,011 Okay, we'll move it. We'll use this one. 987 00:56:29,177 --> 00:56:32,264 RICARDO: Micky. Micky... 988 00:56:32,431 --> 00:56:33,473 SECURITY: Yes, tell me. 989 00:56:33,599 --> 00:56:35,225 RICARDO: No, no. You are my security guard. 990 00:56:35,434 --> 00:56:39,396 You are my security guard. Before asking her, you ask me. 991 00:56:39,605 --> 00:56:42,816 I don't care about my mom. You are my security guard. 992 00:56:43,066 --> 00:56:46,695 Before doing something with my mother, you ask me and who I want to send. 993 00:56:46,945 --> 00:56:50,574 I will not change my security for her, I will not give her my guards. 994 00:56:50,741 --> 00:56:52,326 SECURITY: Okay, done. 995 00:57:01,168 --> 00:57:04,004 (BIRDS CHIRPING) 996 00:57:28,028 --> 00:57:30,030 (CELLPHONE RINGING) 997 00:57:32,449 --> 00:57:33,700 (CELLPHONE BEEPS) 998 00:58:00,602 --> 00:58:04,648 (INDISTINCT CHATTER) 999 00:58:19,788 --> 00:58:24,000 NARRATOR: In the end, fame welcomes you in spring 1000 00:58:24,626 --> 00:58:26,169 and sends you off in winter. 1001 00:58:27,462 --> 00:58:31,758 It gave Ricardo Fort temporary happiness. 1002 00:58:32,718 --> 00:58:36,555 Fame gave him recognition in the streets, memorable moments 1003 00:58:37,514 --> 00:58:39,766 and even the illusion of immortality. 1004 00:58:45,814 --> 00:58:48,775 But how did he get to this point? 1005 00:58:49,776 --> 00:58:52,529 Who was the person behind the character? 1006 00:58:53,864 --> 00:58:56,992 What things did we never know about his past? 1007 00:59:00,829 --> 00:59:03,582 (DRAMATIC MUSIC PLAYING) 1008 01:01:37,569 --> 01:01:42,616 (DRAMATIC MUSIC FADES) 79091

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