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Dear Aunt,
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I must wonder your reasons for sending me to Baycliff
3
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so many years ago.
4
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That I am sentenced to this life of exile.
5
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I tire of still lifes.
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I tire of my life.
7
00:02:47,467 --> 00:02:48,968
I saw a vision today.
8
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Racing against the wind.
9
00:03:00,113 --> 00:03:01,648
I believe she boards at Baycliff.
10
00:03:03,516 --> 00:03:06,953
They say she is a sculptress, and a bit of a recluse.
11
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Sent from her home many years ago, for reasons no one knows.
12
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A secret.
13
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Baycliff's very own mystery.
14
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She goes by the name Cynara.
15
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Dear Aunt,
16
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I met the most peculiar woman yesterday.
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She's boarding here at Baycliff.
18
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One cannot guess why she would choose this place.
19
00:04:01,507 --> 00:04:05,511
But nonetheless, she's a writer you actually once adored.
20
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She told me after dinner that she had traveled from Paris
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to find solitude for her work.
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She said something that quite struck me,
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that she had gone there to capture
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the essence of beauty and romance,
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but found herself captive instead,
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seduced and intoxicated into a world
27
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that left no room for her poetry.
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I wonder if you would be disappointed
29
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to find the ingenious schemes of your favorite mysteries
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devised by a woman.
31
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She dresses as a man.
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Very sophisticated,
33
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a bit cynical,
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and I detect a weariness about the corners of her mouth.
35
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A tightness to her jaw.
36
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She pretends at gaiety,
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as if she has not a care in the world,
38
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but I suspect otherwise.
39
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Away with your fictions of flimsy romance,
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there's tissues of falsehood which folly has wove.
41
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Give me the mild beam of the soul-breathing glance,
42
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or the rapture which dwells on the first kiss of love.
43
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How I miss Paris.
44
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God, how I miss Paris.
45
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I cannot work in this dungeon.
46
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This paisley prison of respectability.
47
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Naked heart lies flat and still.
48
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Useless.
49
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The silence, too loud.
50
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Naked heart lies flat and still.
51
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The beating breast no more.
52
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Silent are the tears that paint in a thunderous roar.
53
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The black of blood, my frozen blood.
54
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Its arid landscape raw.
55
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My naked heart is still in love, but can beat ne'er more.
56
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Yea I was desolate and bowed my head.
57
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I have been faithful to thee Cynara,
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in my own fashion.
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Your namesake.
60
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Why do you write as a man?
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Because a woman has no voice.
62
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Do you enjoy it?
63
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Your mysteries?
64
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I enjoy poetry much more.
65
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She walks in beauty like the night.
66
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Of cloudless climes and starry skies.
67
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And all that's best of dark and bright,
68
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meet in her aspect,
69
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and her eyes.
70
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Last night.
71
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Ah, yester-night.
72
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Betwixt her lips and mine,
73
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there fell thy shadow Cynara.
74
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Thy breath was shed upon my soul
75
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between the kisses and the wine.
76
00:14:07,179 --> 00:14:11,350
And I was desolate and sick of an old passion.
77
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Yea, I was desolate and bowed my head.
78
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I have been faithful to thee Cynara, in my fashion.
79
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All night upon mine heart,
80
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I felt her warm heart beat.
81
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Night long within mine arms, in love and sleep she lay.
82
00:14:46,418 --> 00:14:49,588
Surely the kisses of her bought red mouth were sweet,
83
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but I was desolate and sick of an old passion.
84
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When I woke and found the dawn was gray.
85
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I have been faithful to thee Cynara, in my fashion.
86
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I have forgot much, Cynara.
87
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Gone with the wind, flung roses,
88
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roses riotously with the throng.
89
00:15:25,057 --> 00:15:29,395
Dancing to put thy pale lost lilies out of mind,
90
00:15:31,030 --> 00:15:34,700
but I was desolate and sick of an old passion.
91
00:15:36,068 --> 00:15:38,370
Yea, all the time because the dance was long.
92
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I have been faithful to thee Cynara, in my fashion.
93
00:15:46,545 --> 00:15:51,150
I cried for madder music, and for stronger wine,
94
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but when the feast is finished and the lamps expire,
95
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then falls thy shadow, Cynara.
96
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The night is thine,
97
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and I am desolate and sick of an old passion.
98
00:16:04,697 --> 00:16:08,200
Yea, hungry for the lips of my desire.
99
00:16:09,601 --> 00:16:12,905
I have been faithful to thee, Cynara, in my fashion.
100
00:18:26,038 --> 00:18:28,307
What are you doing here?
101
00:18:28,307 --> 00:18:29,508
I felt,
102
00:18:30,909 --> 00:18:32,744
I thought I would find something for my work.
103
00:18:32,744 --> 00:18:35,447
And?
104
00:18:35,447 --> 00:18:36,281
Have you?
105
00:18:45,824 --> 00:18:48,127
I want to touch her.
106
00:18:51,129 --> 00:18:52,064
Touch her skin.
107
00:18:57,269 --> 00:18:58,103
Her hair.
108
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Her silk hair in my hands.
109
00:19:01,440 --> 00:19:03,842
I want to feel her.
110
00:19:03,842 --> 00:19:06,912
Her softness upon my skin.
111
00:19:06,912 --> 00:19:10,482
Sweet hands upon my skin. - Her eyes.
112
00:19:10,482 --> 00:19:11,350
They own me.
113
00:19:13,285 --> 00:19:15,787
I ache to taste her.
114
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Own me.
115
00:24:03,642 --> 00:24:06,344
Oh Aunt, she is leaving.
116
00:24:07,579 --> 00:24:10,048
Leaving for Paris in the morning.
117
00:24:12,050 --> 00:24:15,220
Why can't you still be here, dear Aunt,
118
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to help me through this?
119
00:24:18,690 --> 00:24:21,893
Why must you be in the cold earth,
120
00:24:21,893 --> 00:24:25,697
when you are the only one who understood the way I am?
121
00:24:55,160 --> 00:24:56,895
Breath away those lips.
122
00:24:58,230 --> 00:25:00,465
Silken brush with butterfly wings.
123
00:25:01,933 --> 00:25:04,436
Tender tips and velvet tongue.
124
00:25:06,271 --> 00:25:10,976
I haven't even kissed you, and your softness melts me.
125
00:25:13,512 --> 00:25:16,014
With lips my eyes travel to,
126
00:25:17,382 --> 00:25:19,751
I hear the stories in your eyes.
127
00:25:21,353 --> 00:25:23,288
In between the sighs.
128
00:25:24,422 --> 00:25:26,925
Scaping though sweet.
129
00:25:26,925 --> 00:25:29,427
Tender ache to caress lips.
130
00:25:31,396 --> 00:25:34,533
Silk like spun webs of sweet deceit.
131
00:25:35,700 --> 00:25:39,571
Betraying me with a gentle taste,
132
00:25:39,571 --> 00:25:42,440
a single gift to sear the core of me
133
00:25:42,440 --> 00:25:44,709
and brand my heart forever.
134
00:32:53,137 --> 00:32:56,240
Maid of Athens, ere we part.
135
00:32:56,240 --> 00:32:58,109
Ere we part.
136
00:32:59,510 --> 00:33:00,778
Give, oh give me back my heart.
137
00:33:00,778 --> 00:33:02,246
Oh give me back my heart.
138
00:33:04,315 --> 00:33:09,153
Or since that has left my breast.
139
00:33:09,153 --> 00:33:12,123
Keep it now, and take the rest.
140
00:34:22,293 --> 00:34:23,261
Is it over the top?
141
00:34:23,261 --> 00:34:24,128
Absolutely.
142
00:34:25,430 --> 00:34:28,132
Without exception it's over the top.
143
00:34:28,132 --> 00:34:32,770
But it's also a very lush high romance on the seas,
144
00:34:32,770 --> 00:34:34,772
Heathcliff on the moors romance.
145
00:34:34,772 --> 00:34:36,741
It's our lesbian love and romance.
146
00:34:38,376 --> 00:34:41,546
And I programmed many, many films for the film festival,
147
00:34:41,546 --> 00:34:44,215
and I never came across something like this.
148
00:34:44,215 --> 00:34:46,217
So I'm very, very proud of this project.
149
00:34:47,552 --> 00:34:49,353
And it really moves me, so.
150
00:34:56,394 --> 00:34:59,063
You know I feel strongly about this piece,
151
00:34:59,063 --> 00:35:00,465
because I'm volunteering.
152
00:35:01,666 --> 00:35:04,302
I'm not getting paid one iota of money.
153
00:35:54,752 --> 00:35:56,254
Just love these bodies.
154
00:35:56,254 --> 00:35:58,656
Now why is that, Sammy?
155
00:35:59,891 --> 00:36:00,691
I don't know.
156
00:36:01,792 --> 00:36:03,227
'Cause they're great shapes.
157
00:36:03,227 --> 00:36:05,329
Uh-huh.
158
00:36:06,864 --> 00:36:10,768
I must maintain my glamor image at all times.
159
00:36:14,772 --> 00:36:16,140
It's really bad.
160
00:36:16,140 --> 00:36:17,775
I hate my job!
161
00:36:28,319 --> 00:36:30,254
I think it's something very raw,
162
00:36:30,254 --> 00:36:31,989
something you have to film.
163
00:36:31,989 --> 00:36:32,890
Constance?
164
00:36:32,890 --> 00:36:33,724
Constance.
165
00:36:53,277 --> 00:36:54,312
I know her, Sharon.
166
00:36:57,248 --> 00:37:00,151
I don't know what to say.
167
00:37:00,151 --> 00:37:04,121
I hope this isn't going at the end of the movie.
168
00:37:07,258 --> 00:37:08,559
Curve magazine.
169
00:37:08,559 --> 00:37:09,694
The best magazine.
170
00:37:09,694 --> 00:37:11,028
The best and classiest lesbian magazine
171
00:37:11,028 --> 00:37:13,798
that's ever, ever been published.
172
00:37:17,301 --> 00:37:21,639
What a great dressing room, huh?
173
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Very nice, very nice.
174
00:38:14,158 --> 00:38:16,294
You're both so foreign looking and cute.
175
00:38:16,294 --> 00:38:17,395
We actually are foreign.
176
00:38:17,395 --> 00:38:18,562
We actually are.
177
00:38:18,562 --> 00:38:19,497
And you know there's rights for this.
178
00:38:19,497 --> 00:38:21,632
You don't have the right one.
179
00:38:40,518 --> 00:38:42,820
You get to help me?
180
00:38:42,820 --> 00:38:44,522
So Bill, we want to know,
181
00:38:44,522 --> 00:38:47,358
what does it feel like to be an honorary lesbian?
182
00:38:51,629 --> 00:38:53,130
I am touched.
183
00:38:53,130 --> 00:38:54,699
Do you like it better than being a straight man?
184
00:38:58,402 --> 00:38:59,403
Hell yeah.
185
00:39:00,604 --> 00:39:03,407
She knows everything.
186
00:39:03,407 --> 00:39:05,843
There you go, hold that shot.
187
00:39:07,244 --> 00:39:11,949
Yeah, fully come up and like, just go in there like that.
188
00:39:19,023 --> 00:39:19,857
Oh, oh!
189
00:39:25,796 --> 00:39:27,798
That's great.
190
00:39:41,178 --> 00:39:42,279
This is-
13274
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