All language subtitles for 13 - Journey from San Juan

Well, ma'am,

I noticed you sitting with them couple
of fellas last couple of nights out.

Call themselves
Smith and Jones.

Call themselves?

I know for a fact that ain't
their names, ma'am.

Not when I was up in Denver
two years ago.

Go on.

They called themselves something
other, some name, something like

Barton and Slattery
or something Iike that.

And they wasn't no cowboy neither, ma'am.
They was traveling salesmen.

But nobody could figure out
what they was selling.

And after a couple of days
they up and disappear.

Now, I don't know what
they were doing up in Denver,

and I don't know
what they're doing here.

But I got me a hunch,
it ain't what they say it is.

NARRA TOR:
Hannibal Heyes and Kid Curry,

the two most successful outlaws
in the history of the West.

And in all the trains
and banks they robbed,

they never shot anyone.

This made our two Iatter-day
Robin Hoods very popular

with everyone but the
railroads and the banks.

CURRY: There's one thing
we gotta get, Heyes.

HEYES.' What's that?

CURRY: Out of this business.

LOM: The governor can't come flat
out and give you amnesty now.

First, you gotta prove
you deserve it.

Ah, so all we have to do
is just stay out of trouble

till the governor figures
we deserve amnesty.

But in the meantime,
we'll still be wanted.

LOM: Well, that's true.

Till then, only you, me and the
governor will know about it.

It'II be our secret.

CURRY: I sure wish the governor
would let a few more people

in on our secret.

NARRATOR:
Alias Smith and Jones,

starring Pete Duel
and Ben Murphy.

(CURRY AND HEYES MARSHALLING)

Now, don't go getting proddy.

You better get
an interpreter, Heyes.

I mean, after all,
he is a Mexican bull.

It's not what you say,
it's your tone of voice.

(cow MOOING)

(GREETING IN SPANISH)

Hello, there.

We have been
watching you, señores.

We've been watching you
watching us.

You señores are doing something
with these beef cattles?

Yeah. We're rounding them up.

But they do not
belong to you.

We heard they're mavericks.
Don't belong to anybody.

That may be so,
but we know a man

who thinks
they belong to him.

We asked around
before we came out here.

These cows belong to anybody
who rounds them up.

Why do you round them up?

Well, we figured we get
a few hundred head of 'em,

drive 'em up north,
sell 'em in Arizona.

A few hundred?

Yeah.

(SCOFFS)

That is much hard work.

You could maybe die
before your time.

I feel all right.
You feel all right?

Oh, wonderful.

We don't even mind
the hard work.

It's good for us.

This may be not so good
for you as you think.

Vamonos.

Real Iikeable fellas.

In a Iethal sort of way.

Move along now. Easy.
Not too fast.

Come on, in you go. Yeah.

(WHISTLING)

There you go.

AII right.

Can you see men doing this
kind of work all their lives?

I'm having a little trouble
seeing me do it for another week.

It's not only hard work,
it's dangerous.

Well, I'II remind you, Kid,

we're not rounding up
cattle for a living.

We're doing it
to give ourselves a cover

without which things could
get a Iot more dangerous.

CURRY: I still think we could have found
a cover that isn't such hard work.

I'II get the gear.

(WOMAN SCREAMING)

What is it? I don't know,
but it sure sounds wild.

(SPEAKING FRENCH)

(SHUSHING)

Want to start a stampede?

It's another foreigner.

Who are you?
Are you American?

We're the owners ofthe chuck
wagon you just moved into.

Who are you?

Oh. This is your wagon?

I'm sorry. I should have known
somebody would come sooner or later.

She doesn't look Mexican.

Nope.

She doesn't sound Mexican.
Nope.

I'm not Mexican,
I'm an American.

Nope, you're not
that either.

I am an American.
I'm from New Orleans.

My family has been there
for three generations,

and I bet that I'm more
American than you and than you.

Well, that may
or may not be true,

but you're also along way from New
Orleans, and you're in our wagon.

Now, how'd you manage
to get way out here?

I walked.

Well, I didn't walk
from New Orleans.

Just from a small seaport town
about two miles down the road.

That's where we're headed,
to the hotel there.

That's where most people stay,
in a hotel.

Unless, of course,
they're hiding from somebody.

I'm not hiding from anybody. I
don't have any money, that's all.

I'm hiding.

From Captain McTavish.

Police captain?

Ship.

I got stranded
in Corpus Christi

and he said I could have
a free passage home.

Only, when we got to sea
I realized that

it was not going to be
so free after all.

We get the picture.

So when we got to San Juan,
Ijumped ship.

But you can't stay here.

Why not?

Well, it's not too safe
around here, ma'am.

The local bandits would make your
friend McTavish look Iike a missionary.

Look, I was not Iying to you.
I really don't have any money.

How about if we Iend you
enough for a couple of days?

Would that help you out?

You would do that?

Sure.

Let's just say we kind of Iike
people from back home.

Even ifthey do look
and sound a little French.

Especially ifthey look
and sound a little French.

Thank you.
You're welcome.

(PEOPLE CHATTERING IN SPANISH)

DEALER: Number five wins.
The red pays...

Take a look.

DEALER: Place your bets.

You see Captain McRavish
in there?

McTavish, you mean.

DEALER: The bets are down.

Oh, you were making
a small joke.

Smaller than I figured.

No, I don't see him.

DEALER: Eight wins.

Well, you're all set.

Carlos here will show you
up to your room.

MICHELLE: I really don't know
how to thank you.

Well, I'II tell you
one way you can.

How about joining us
for dinner tonight?

I was afraid you were
not going to ask me.

We'll be waiting for you in
there whenever you're ready.

This way, Señorita.

DEALER: Place your bets,
Iadies and gentlemen.

No...

Now, Heyes,
Iwas onlythinking.

I know what you were
only thinking.

Iwas onlythinking
about our cover.

Well, now you got to admit

that it's only a substantial type
citizen who'd help the needy

with nothing in it
for himself personally.

Hmm. Well, it's just Iucky for the
needy that she happens to be pretty

or she'd be spending tonight on a bed
of cactus instead of feathers, huh?

Oh, Heyes.

My intentions are strictly
aboveboard and forthright.

Hmm, that's the point.
They shouldn't be.

Or have you forgotten
why we're here?

CURRY: I haven't forgotten.

DEALER: Sixteen, 1-6.

(GREETING IN SPANISH)

(PEOPLE CHATTERING)

Señores.
Yes.

Could you change this American
currency for us, please?

DEALER: Place your bets.
Bets are down, please.

And number 20...

Twenty, 2-0. For you.

Another win.

Your money, Señor...

Smith. Joshua Smith.

This is my associate,
Thaddeus Jones.

Welcome to San Juan,
gentlemen.

I'm Blanche Graham.

You run this casino?

Yes, I run the casino
and I own the hotel.

Anything I can do
to make you comfortable?

You've already done that,
just being here.

DEALER: Place your bets. Place
your bets, Iadies and gentlemen.

Bets are down.

Number eight. Eight!

(PEOPLE CHEERING)

I think we've done enough
gambling for one evening.

This whole trip
is gonna be a gamble.

But we're gonna
make it pay off.

Excuse me.

Beg your pardon,
Miss Graham.

Yes?

My friend and I find ourselves
with a guest for supper,

and it seems a little out of
balance, one woman, two men.

I wonder if you'd do us
the honor ofjoining us?

To even the odds,
you might say.

Well, I usually make it a rule

never to socialize
with the hotel guests.

But in your case,

I think I'II make
an exception.

Glad you could join us,
Miss Graham.

Nice to be asked, and my
friends call me Blanche.

Ifl remember,
you are Thaddeus Jones

and Joshua Smith?

And you,
I'II bet you're the young lady

a certain sea captain's
been looking for all day.

Is he still looking for me?

Well, he was.
His ship sailed two hours ago.

Oh, thank goodness.

Look, I don't know
what he told you,

but the truth is
that he promised me...

Ah, free passage home?

It's happened before?

Well, with McTavish it has.

How'd you get mixed up
with him in the first place?

I was traveling
with a tent show.

Our manager abandoned us

and he took all the money
and the tent.

You're an entertainer?

Well, I do
a little bit of dancing,

and some people,
Iike my mother,

well, she thinks
I have a nice voice.

You couldn't use a one-girl musical
in your casino, could you?

Well, I'd really
Iike to help you,

but my overhead is so high

and mariachis
playjust for tips.

Oh, I would sing for tips.

Sounds Iike
a pretty good idea, Blanche.

Pretty girl to throw pesos at.

Could bring in a few more
customers to the gambling tables.

You haven't got much to lose.

Do you think they would
throw gold nuggets at me

Iike they did
with Lola Montez?

Sorry, honey. It's a
silver strike, no nuggets.

AII right.

Do you think
you want to try?

Oh, I'II do better than that.

I may not be as good
as my mother thinks,

but I'm much better
than I think.

And I need the money.

Well, here's to you then.

Michelle Monet, an American
chanteuse in Mexico.

And to you, Blanche, the beautiful and
generous lady who made it possible.

I don't believe you two
are ordinary cowpokes.

Well, I never said
we were ordinary.

If you were, you wouldn't be trying
to round up those wild cattle.

What do you plan
to do with them?

Drive 'em north
and sell 'em in Arizona.

We're here already.

Well, I could take you back downstairs
and we could come up again.

Hasn't anybody told you
what else is up on that mesa

besides maverick cows?

Maverick bulls?

(CHUCKLING)

AII right,
somebody has told you,

and you think
you can laugh him off.

I admire your courage,

trying to take EI Clavo's beef
right from under his nose.

I also think you could get
yourselves killed rather suddenly.

You know what, you've
restored my faith in man.

Thank you.

You don't have to thank me.

I Iiked helping you.

Well, I Iike
trying to thank you.

(KEYS JINGLING)

Pleasant dreams, Michelle.

EI Clavo. He's the local
bandido chief, huh?

He thinks those mavericks
belong to him.

They're his food supply.

You know
the old saying, Blanche,

"Nothing worthwhile
ever comes easy."

Beef prices are pretty high
right now in the States.

You and your friend are putting
your lives on the Iine.

Are beef prices that high?

Vamonos.

(ALL SHOUTING)

(MEN LAUGHING)

(MEN CHATTERING)

I heard you came in
shot up.

How bad is it?

Hardly even nicked me.

Stopped bleeding
before I got my shirt off.

Well, I thought
you could use a drink.

One thing we do appreciate,
Blanche,

you didn't come in here
and say, "I told you so."

I was just getting to it.
I told you so.

Now we know better, huh?

And just in time.

So tomorrow we'll try
the other side ofthe mesa.

Well, you're both
long on nerve,

and I can't help
admiring you for that.

It's a shame you're so short
on good sense.

She's right, you know.

And as much as I Iike you,

both of you,

I don't think I want anymore to do with
someone who's trying to get himself killed.

You and the needy folk seem to
be getting along just fine.

AII right.

So I made a mistake.

But you're doing real fine with Blanche.
AII according to plan.

McKendricks said we had to get her
across the border without using force.

Yeah, I know.

Warming her up a little bit with
your charm, that's one thing,

but getting her to cross
the border into the States,

that's another.

It's a beginning.

Uh-huh.

Those guards of hers find out,
it's gonna be the end.

I think you're pressing
our Iuck coming back out here.

Now look, you just stop worrying
and let me do the thinking.

I can handle EI Clavo.

Like I said, Heyes, we should have
come up with a safer cover-up.

Now's your chance
to handle him, Heyes.

Morning.

Are you the gentleman
they call EI Clavo?

I have been called that.

Well, Señor Clavo,

I think it's about time we get
down to business, don't you?

I'm willing to make you
a proposition.

Get down.

Now, why do you do
this foolish thing?

To trust your lives
to a man of my

small mercy.

And how's your shoulder?

Oh, it's fine, fine.

It's a pretty neat trick,
grazing me Iike that.

A moving target at 400 yards
is pretty good.

No. It was not so neat.

I was aiming for your cabeza.

Here.

Oh.

But fortunately for you,
I missed.

So, why you come?

We came about the cattle,
ones we've been rounding up.

The cattle you have taken
is my cattle.

AII right,
can we make a deal with you?

A deal? For my cattle?

That's right.

Cattle prices are way up
in the United States.

You'd be surprised how much those
scrawny beasts of yours would bring.

AII you gotta do is
let us round 'em up,

drive 'em north, sell 'em,

and we'll split 50-50
with you.

That cattle is
food for my men.

Food for my men is much more
important than a few gringo dollars.

No deal?

No deal.

See, I'm talking about
real money.

I mean, those cattle of yours,
they'll bring at least $30 a head.

Oh, no.
$30 American?

That's right. It's a
seller's market up there.

$30 American,

for each of my
scrawny beasts?

Uh-huh.

$30 a head,
that's the going price.

How many cattle will you...

How many cattle will we sell?

I figure our buyer
can handle 500 head.

Now, remember, my partner
and me, we'd get half ofthat.

That's for roundin' 'em up
and drivin' 'em up there,

and Iining up the buyer
in the first place.

Naturally, naturally.
Half for you, half for me.

Me and my men.

Yeah.

It comes to 7,500
American dollars for you

and 7,500
American dollars for me.

And your men.
Yeah.

Yeah, that's right,
that's the figure.

Señores,

you have a deal
with EI Clavo.

You have a deal with EI Clavo?

Well, he's coming in
as kind of a silent partner.

Anyway, he'II stay silent
I guess

until he finds out the real
price of beef in Arizona.

Why? What is
beef selling for?

$20 a head.

And for scrub cattle Iike his,

$8 a head, tops.

And that isn't
what you told him?

No, no. I told him what I needed to,
in order to get him on our side.

Temporarily.

You know something,
Joshua,

you're the kind of man I was
beginning to think I'd never meet.

I mean it.

Anybody who can ride
into EI Clavo's camp

and come back
with his head on,

let alone a cattle deal,

well, you're
something special.

So are you.

Señorita, could I see you
for a moment?

It is most important.

The perils of
running a business.

We'll try again later,
all right?

Very much all right.

Good luck, Michelle.
Thank you.

(PEOPLE CHATTERING)

We're doing fine.

Mmm-hmm, I noticed.

Michelle's dedicating her next
love song to you and Blanche.

Well, that's good, isn't it?

Unless you get careless
in the clinches.

Kid, nobody has to tell me how to
handle myself in the clinches.

Well, you might just keep
just one thing in mind.

The last man who thought he could
handle Blanche is dead now.

(MICHELLE PLAYING GUITAR)

(SINGING IN FRENCH)

This gentleman has been playing
faro with unfortunate Iuck.

He asked for credit,
which of course I told him

was against the rules
ofthe house.

That's right, friend.
No credit.

But didn't he tell you I had some
information you'd want to hear?

I thought maybe you want
to hear what he has to say

because of your orders that
you want to be told anything

having to do with Americanos
who come to San Juan.

I'II listen, but I'm not
making any promises.

Well, ma'am,

I noticed you sitting with them couple
of fellas last couple of nights out.

Call themselves
Smith and Jones.

Call themselves?

I know for a fact that ain't
their names, ma'am.

Not when I was up in Denver
two years ago.

Go on.

They called themselves something
other, some name, something like

Barton and Slattery
or something Iike that.

And they wasn't no cowboys neither, ma'am.
They was traveling salesmen.

But nobody could figure out
what they was selling.

And after a couple of days
they up and disappear.

Now, I don't know what
they were doing up in Denver,

and I don't know
what they're doing here.

But I got me a hunch,
it ain't what they say it is.

(MICHELLE SINGING IN FRENCH)

(INAUDIBLE)

(PLAYING PIANO)

(SINGING)
He takes me out walking

every Saturday night

We spend our time talking

The moon is yellow and bright

Somehow we never quite
reach the place

we're supposed to go

We turn around and sit down

and then before you know

ALL: That's why I

do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

Do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

That's whyl

do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

Do like Ido, like Ido,
like I do

when I'm out with you

He meets me in the par/or

when all the folks are gone

The lights have
all been Iowered

the curtains slightly drawn

He leads me to the sofa

Says that's where we belong

There's no excuse,
I should refuse

I'm too weak to be strong

That's whyl

ALL: do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

Do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

That's whyl

do like Ido, like Ido,
like Ido, like I do

like Ido, do, do

Do like Ido, like Ido,
like I do

when I'm out with you

(KNOCKING ON DOOR)

Come in.

Michelle,

how's it going in the casino?

You getting your passage money
as fast as you'd hoped?

Well, nowthat you
mention it, no.

Well, I could have
told you that.

Gamblers are the worst
tippers in the world.

Oh, they'll tip the dealer
because they're superstitious

or because they think
he might Iet them win

but a singer, no.

They figure they've
already paid for you.

I'm afraid you're right.

Michelle, how would you like
to earn everything you want?

First class passage
to New Orleans

plus a new wardrobe
plus, oh, $200 pin money?

That would be wonderful. How?

I'II give you all that

in return for
one little favor to me.

(SINGING IN FRENCH)

Michelle?

I've been looking
all over for you.

Is something wrong?

I don't know.

Is something wrong?

You're asking me?

Blanche offered me
everything I wanted.

My passage home,
money, clothes.

AII I have to do is find out

who you and Josh really are,

and why you're in San Juan.

I see.

She said you've been Iying

about who you are
and what you're doing here.

She tell you
why she thought that?

No.

Is it true?

Michelle, there are a lot
ofthings Ijust can't tell you.

I'm sorry. Wish I could.

I'II tell Blanche I couldn't
get anything out of you

ifthat's what
you want me to tell her.

And give up your passage
for New Orleans?

New Orleans will
always be there.

I'm not so sure about you.

I knew it. I knew it.

The minute I walked
into this room, I knew it.

I had a feeling
something was wrong.

I knew this room
had been searched.

What could've happened?

I don't know what happened, but
something sure tipped Blanche off.

If she suspects anything at
all, the plan won't work.

So we'd betterjust pack up
and get out of here.

Forget about Blanche?

We got to, Heyes.

Look, if she's suspicious,
we're not gonna be able

to get her across the border
of her own free will.

And if we have to use force,
it ain't gonna work.

Not to mention the fact that we're
not gonna get paid the $5,000

for bringing her in.

So, come on, let's pack up
and get out of here.

Wait a minute.
Wait a minute.

There's another way.

It's a different kind of bait,
but it still works!

A different kind of what?

Bait.

And the bait is us.

You and I are worth
$10,000 reward each.

And it's collectable
in the US of A.

Now that's a language
that Blanche understands.

You mean, you're gonna
tell Blanche who we are?

No, Michelle is.

Kid Curry and Hannibal Heyes?

Shh.

Yeah, that's right. Have you
ever heard ofthem before?

Of course
I've heard ofthem.

They are notorious outlaws,
bank robbers.

Well, I want you to tell
Blanche in the morning

that you did
what she wanted.

You got me drunk,

and I told you
that we were Heyes and Curry

and we were hiding out
down here

until things got cooler
for us in the States.

Why would she believe
such a ridiculous story?

They way our luck's running,
she'II believe it.

She'll not only believe it,
she'II eat it up

and she'II sell our scalps to
the first Iawman she can find.

Why, she couldn't do that.

I mean, you're not really
Curry and Heyes.

Are you?

Michelle,

how could you believe that
we were a pair of such bad,

rotten, dishonest men
Iike that?

But then how can
I make her believe it?

And why do you
want her to?

Because she killed
her husband,

who happens to be
the son of a man

that we know
and Iike very much.

And the only way we can get her
across the border to face trial

is for you to tell her a story

exactly the way
I'm gonna tell it to you.

And she'II believe it
Iike it was carved in stone

and handed down
from a mountain.

Curry and Heyes!

Of course they're not
Curry and Heyes!

Well, that's what I thought
when he first told me.

He had been drinking so much.

I encouraged him to drink
just Iike you said.

And Iike you
I thought he was very drunk,

and he was trying
to impress me or something.

That's exactly what it was.

Until this morning.

That's when I started to think
that maybe it was true.

VVhy?

Well, he came into
my room very early,

Mr. Jones,

and he looked
kind of frightened.

He asked me if
he had been drunk last night,

and I said,
"Yes, quite drunk."

And he wanted to know
if he had said anything funny.

And I said yes,
that he told me

that he was Kid Curry and that Mr.
Smith was Hannibal Heyes.

So he started to laugh, only
it was not really a laugh.

It was kind of scary,

you know, Iike somebody trying to
laugh who really wants to cry.

And he said he was
doing that all the time,

getting drunk and telling
some innocent girl lies.

That he was sorry
if he'd frightened me.

That he was not Kid Curry

and that Mr. Smith
was not Hannibal Heyes.

I said I knew that
all the time.

That does make it sound a
little different, doesn't it?

Have I earned
my passage home?

Let's wait until I've had a chance
to do a little checking myself.

But don't worry,
if you're right,

you'll get everything
I said you would.

Maybe even a bonus.

(SPEAKING SPANISH)

(CLACKING)

(GASPING)

$20,000!

Hello, Blanche, Carlos.
Hi.

Howdy, Blanche.

Well, haven't seen you around the
hotel the last several days.

I was wondering
if you were mad at me.

No, not at all.

We were up to our necks
in wild cows.

We just thought we'd better start
sleeping out there with 'em.

I've missed you.

That's nice to hear, Blanche.

I thought about you, too.
A lot.

Michelle says
she misses Thaddeus.

(CHUCKLING)

I don't think she'II be
seeing much of him anymore.

Michelle seems to bring out
the worst in Thaddeus.

You know,
the rainy season's coming,

and if you don't start
your drive pretty soon,

you can forget about it
until next spring.

Either turn the beasts loose
or feed 'em alI

and lose all our profit.
Don't remind me.

I was wondering, Josh,

could you use some help?

You bet we could.

Well, I have
a proposition for you.

Enough men to finish your
round-up in three or four days

and stay with you
on the drive to Arizona.

Fine,
what do I pay 'em with?

Oh, you don't. I pay them.

And you cut me in
for a third of your money

when the herd is sold.

That sounds fair enough to me.

Better to give up a third
than to lose everything.

I'II talk it over
with my partner.

Oh, one other thing.

If we make a deal,
I come along for the drive.

What's wrong?
Don't you trust us, Blanche?

Well, of course I do.

No, it's that I have some business
to attend to in the States.

We can bring Michelle along,

for appearance's sake.

She can take the train home,

and it'Il give us a chance

to get better acquainted.

Blanche, I Iike the way
you do things.

Wait here. I'II put it
up to Thaddeus right now.

Look serious. We're dickering
to cut her in on the herd.

The trap just went snap.

You sure it wasn't our necks
it just went snap on?

Okay, that's enough dickering.
Nod your neck.

Your head.

Blanche, you just became

the prettiest partner
I've ever had.

(MEN MARSHALLING)

(CATTLE MOOING)

What you looking at?

Trouble.

EI Clavo?

Yeah.

He wants to be sure he gets his
full share of that $30 a head.

Well, we'll just have to
tell him the price went down.

Ah, I hope that "we"
I just heard was a mistake.

'Cause I don't wanna
be around

when you have to tell him that his
$7,500 American came up $5,500 shy.

(CATTLE MOOING)

Are VOU saying
9°0dbye to me?

Well,

we do cross
the border tomorrow.

Well, then what happens
to us?

To you and me?

Well, we put you
on a stage

and it takes you to the train for
New Orleans, just Iike you wanted.

Just Iike I used to want.

You know it's not
what I want now.

Michelle,

what you ought to do
is find yourself

some nice fellow who works
in a bank or something.

It's too Iate.

I found myself a nice fellow
with a silly name Iike Thaddeus.

Only, it isn't Thaddeus,
is it?

When you get home, you're
gonna forget all about me.

No.

Maybe I'II get over the way
I feel about you,

but I won't forget you.

(CATTLE MOOING)

Come on, now.

(URGING CATTLE)

CURRY: Come on, move!

HAYES: Move along there!

What's going on?

Doesn't look Iike they're gonna be
hanging back there much longer.

See what I mean?

Who's he?

Looks Iike somebody EI Clavo sent
ahead to check on cattle prices.

Clavo is just about to get hit
by a major depression.

And I think he's gonna
take it poorly.

(SPEAKING SPANISH)

Hold, hold.
Is something wrong?

Yeah.

EI Clavo is coming
with blood in his eye!

(MARSHALLING)

Come on! Move on there!

(MARSHALLING)

You'll have to do
better than that!

Can you Iadies ride?

BLANCHE: Sidesaddle.

MICHELLE: I've never been
on a horse in my Iife.

Come on, you heard me,
stampede 'em!

(YELLING)

(GUN FIRING)

No herd?

Yeah. No more herd.

Most of 'em will probably end
up back on EI Clavo's range.

Drovers went on home, too.

Why don't we do
the same thing?

Go back to San Juan?

Oh, no, Blanche.
Home is where the heart is.

Right now, mine's about three miles
north in the good old US of A.

Howdy.

Howdy.
Howdy.

You folks from San Juan,
Mexico?

Yes, sir, we are.

Are you Miss Blanche Graham?

Yes, Marshal.

I'm the one who sent you
the telegraph from San Juan

about these two men.

Yep, I got it.

Then arrest them. They're Kid
Curry and Hannibal Heyes.

And I claim the reward
on both ofthem.

Curry and Heyes, huh?

Well, which one of you
answers to Joshua Smith?

That's me. I sent you
the telegraph after hers.

Yep, I got that one, too.

Mr. McKendricks.

That's her, Marshal.

AII right, Jay.

Ma'am, you're under arrest.

The charge is murder.

And what about them?

I swear to you
they're Curry and Heyes.

No, they're not. Theyjust
asked me to tell her that.

It was a trick.

Yes, I know, Miss.

Mr. McKendricks
already told me all about it.

McKENDRICKS: Come on in, boys.

I want to thank you
for what you've done.

It'Il be a great pleasure
to settle for services

faithfully rendered.

There's still a lot of a little
boy in you, isn't there?

Is that why
they call you Kid?

Who says they call me Kid?

I do.

I know for certain
who you are now.

How do you know?

Because of the other night.

Thaddeus Jones could have
asked me to stay with him.

I think he might have, but

Kid Curry can't.

He had to say goodbye.
He doesn't have any choice.

That's why, isn't it?

Michelle,

right now I am wishing that I
hadn't used up those other choices.

Goodbye.

Thaddeus.

Goodbye, Michelle.

Feeling all right?

Wonderful.

Maybe someday
we'll get to New Orleans.

Yeah. Maybe someday
we will.