All language subtitles for BABYLON [2022] - Brad Pitt

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,114 --> 00:00:09,349 (insects buzzing) 2 00:00:20,161 --> 00:00:22,395 (vehicle approaching) 3 00:00:29,536 --> 00:00:31,038 (engine turns off) 4 00:00:42,415 --> 00:00:45,418 Okay. Manuel, right? 5 00:00:45,552 --> 00:00:47,254 This for you. 6 00:00:47,387 --> 00:00:51,158 It's 25 for the vehicle and 30 for the transport of the livestock. 7 00:00:51,292 --> 00:00:54,727 Just put down "one horse" and your signature right there. 8 00:00:55,495 --> 00:00:57,064 You said "one horse"? 9 00:00:57,198 --> 00:00:58,631 Yeah, it's only one, right? 10 00:00:58,765 --> 00:01:00,567 No, it's an elephant. 11 00:01:02,602 --> 00:01:04,905 You mean "really big horse"? 12 00:01:05,039 --> 00:01:07,707 No. I mean an elephant. 13 00:01:07,842 --> 00:01:09,442 Look, sir... (elephant trumpets) 14 00:01:09,576 --> 00:01:11,411 ...the call said "one..." 15 00:01:12,046 --> 00:01:13,147 Whoa... 16 00:01:13,280 --> 00:01:14,849 What the fuck is that? 17 00:01:16,150 --> 00:01:17,650 (elephant grunting) 18 00:01:17,785 --> 00:01:20,054 Holy shit! Is that a fucking elephant? Señor, señor, señor. 19 00:01:20,187 --> 00:01:22,622 Probablemente it was some kind of bad communication. 20 00:01:22,755 --> 00:01:25,592 Bad communication? This is a truck for fucking horses, man! 21 00:01:25,725 --> 00:01:28,494 What do I look like, a goddamn maharaja? All right. 22 00:01:28,628 --> 00:01:30,831 And you're invited to the party. 23 00:01:32,432 --> 00:01:33,666 (elephant grunts) 24 00:01:40,074 --> 00:01:41,108 (elephant grunts) 25 00:01:41,242 --> 00:01:43,811 (gears grinding) 26 00:01:48,581 --> 00:01:50,885 (cows mooing) 27 00:01:59,293 --> 00:02:01,262 (engine revving) 28 00:02:01,394 --> 00:02:03,364 (speaking Spanish) 29 00:02:03,496 --> 00:02:05,632 (tires screeching) 30 00:02:07,835 --> 00:02:08,668 More gas! 31 00:02:08,802 --> 00:02:10,737 Come on. Come on! (engine revving) 32 00:02:11,604 --> 00:02:13,807 Give me... (speaking Spanish) 33 00:02:16,076 --> 00:02:18,112 (engine revving) (tires screeching) 34 00:02:18,245 --> 00:02:20,480 Fuck! Fuck! 35 00:02:24,218 --> 00:02:25,953 (elephant trumpeting) 36 00:02:26,086 --> 00:02:27,388 (screaming) 37 00:02:27,520 --> 00:02:29,056 (brakes screeching) 38 00:02:29,189 --> 00:02:31,959 (trumpeting continues) 39 00:02:34,962 --> 00:02:36,997 (in Spanish) What the fuck are you doing??? 40 00:02:37,630 --> 00:02:39,465 (speaking Spanish) 41 00:02:39,599 --> 00:02:40,968 (elephant grunting) 42 00:02:41,101 --> 00:02:42,870 (in English) Goddamn it! 43 00:02:46,572 --> 00:02:47,808 (shouting) 44 00:02:48,309 --> 00:02:49,376 Motherfucker! 45 00:02:49,509 --> 00:02:51,278 (tires screeching) 46 00:02:51,412 --> 00:02:54,014 (speaking Spanish) 47 00:02:56,116 --> 00:02:57,985 (elephant trumpets) 48 00:03:03,456 --> 00:03:05,059 (elephant groaning) 49 00:03:13,566 --> 00:03:15,568 (speaking Spanish) 50 00:03:22,176 --> 00:03:25,145 Good evening, Officer. What exactly is going on here? 51 00:03:26,180 --> 00:03:29,249 Um, well, we're... I work for Don Wallach, 52 00:03:29,383 --> 00:03:32,052 and we're transporting the entertainment for a party at his house. 53 00:03:32,186 --> 00:03:33,320 (elephant trumpets) 54 00:03:33,454 --> 00:03:35,422 That's an elephant. 55 00:03:35,555 --> 00:03:37,024 Yes, sir. You got a permit? 56 00:03:37,157 --> 00:03:39,625 Um, I didn't know we needed one. 57 00:03:39,759 --> 00:03:41,829 Can't drive an elephant without a permit. 58 00:03:41,962 --> 00:03:44,031 Could you make an exception? 59 00:03:47,001 --> 00:03:49,136 How's the guest list looking for tonight? 60 00:03:53,040 --> 00:03:54,375 It's impressive. Hmm. 61 00:03:54,507 --> 00:03:56,210 What kind of stars are we talking about? 62 00:03:58,711 --> 00:04:00,981 Someone said Garbo, I think. Oh, yeah? 63 00:04:01,115 --> 00:04:02,682 Yeah. I mean, that's what I heard. 64 00:04:02,816 --> 00:04:04,385 So, we're talking an elephant, plus Garbo, 65 00:04:04,517 --> 00:04:06,453 plus others tonight at Don Wallach's house, is that right? 66 00:04:06,586 --> 00:04:08,822 That's right. Sounds like the best party in town. 67 00:04:08,956 --> 00:04:12,793 My cousin Benny lives in Reseda with his wife and kids. I'll see if they're free. 68 00:04:15,162 --> 00:04:15,996 (elephant groans) 69 00:04:16,130 --> 00:04:18,765 Who the fuck are all these people? 70 00:04:19,532 --> 00:04:20,968 (in Spanish) Don't ask. 71 00:04:21,101 --> 00:04:23,237 (on recording) ♫ One, two, three, hey ♫ 72 00:04:23,370 --> 00:04:25,772 (upbeat jazz music playing) 73 00:04:33,147 --> 00:04:35,315 (person laughing) 74 00:04:46,160 --> 00:04:48,462 (laughing continues) 75 00:04:48,594 --> 00:04:50,397 Does Piggy like that? 76 00:04:50,531 --> 00:04:52,833 (laughing) It tickles. 77 00:04:54,001 --> 00:04:56,702 Playtime with potty time! 78 00:04:56,837 --> 00:04:59,373 (people chattering, laughing) José! José! 79 00:04:59,506 --> 00:05:03,911 Can you ask Wallach to give us more King Bubbly, por favor? 80 00:05:04,044 --> 00:05:07,214 Okay. (laughing) (speaking Spanish) 81 00:05:07,347 --> 00:05:09,683 (band playing jazz) 82 00:05:20,161 --> 00:05:22,030 (clamoring) 83 00:05:45,686 --> 00:05:47,288 (glass shatters) 84 00:06:07,575 --> 00:06:09,878 (clamoring, laughing) 85 00:06:14,549 --> 00:06:16,284 (glass shatters) 86 00:06:21,456 --> 00:06:22,723 (snorting) 87 00:06:32,867 --> 00:06:35,136 (guest moaning) 88 00:06:35,270 --> 00:06:38,206 Would you mind showing me to the upstairs powder room, my dear boy? 89 00:06:38,339 --> 00:06:39,908 Sure. Uh, it's here down the hall. 90 00:06:40,041 --> 00:06:41,943 No! No, no, upstairs. 91 00:06:42,076 --> 00:06:44,711 The stairs are very steep, I think. I can be carried. 92 00:06:44,846 --> 00:06:48,682 Evening, Madame. Lovely to see you. I have to steal him, I'm afraid. 93 00:06:48,816 --> 00:06:50,652 What did you say to Elinor? Who? 94 00:06:50,785 --> 00:06:52,787 Elinor St. John. Never speak to her. 95 00:06:52,921 --> 00:06:55,623 If she ever talks to you again, pretend like you don't understand English. 96 00:06:55,756 --> 00:06:59,093 The chicken stole my fucking coke! Go fucking get it! Get it! 97 00:06:59,227 --> 00:07:01,362 Give it to me! (chicken clucking) 98 00:07:02,729 --> 00:07:06,201 So, upstairs is where Don keeps his underage girls, then? 99 00:07:06,334 --> 00:07:07,936 (in Spanish) I don't speak English! 100 00:07:12,607 --> 00:07:14,943 (music stops) (grunting) 101 00:07:15,076 --> 00:07:16,978 (chicken squawking) 102 00:07:20,114 --> 00:07:21,416 (sighs) 103 00:07:30,592 --> 00:07:32,193 (lighter clicks) 104 00:07:36,931 --> 00:07:39,467 (shouting, laughing continues) 105 00:07:46,140 --> 00:07:48,509 Well, that came out of fucking nowhere. 106 00:07:48,643 --> 00:07:51,713 You'll have to pay for that, ma'am. Oh. Okay. 107 00:07:51,846 --> 00:07:54,082 Uh, who are you? I'm security. 108 00:07:54,983 --> 00:07:56,618 You're kind of shitty at your job. 109 00:07:56,750 --> 00:07:59,254 You have statues coming out of nowhere, everywhere you fucking turn. 110 00:07:59,387 --> 00:08:01,289 You're very lucky I don't report you. 111 00:08:01,422 --> 00:08:03,925 Where do you think you're going, ma'am? I'm going inside. 112 00:08:04,058 --> 00:08:05,759 I'm Nellie LaRoy, dummy. 113 00:08:05,893 --> 00:08:07,662 There's no "Nellie LaRoy" on the list. 114 00:08:07,795 --> 00:08:09,564 Okay, well, I think... Come here. 115 00:08:09,697 --> 00:08:13,134 I think what's happened is my assistant has put me under my stage name, 116 00:08:13,268 --> 00:08:14,969 Billie Dove. You're not Billie Dove. 117 00:08:15,103 --> 00:08:17,305 Okay, what the fuck is your prob... What is your name? 118 00:08:17,438 --> 00:08:19,574 What is your precinct? I'm a security guard. 119 00:08:19,707 --> 00:08:22,043 We don't have precincts, ma'am. You're about to not have a job, fucko! 120 00:08:22,176 --> 00:08:23,678 Listen, I know you wish you were Billie Dove... 121 00:08:23,811 --> 00:08:26,414 I think you wish you were eating my asshole! Nellie LaRoy? 122 00:08:26,547 --> 00:08:28,116 They're waiting for you. 123 00:08:38,993 --> 00:08:40,194 I'm Manuel. 124 00:08:41,863 --> 00:08:43,264 I'm Manuel. 125 00:08:43,398 --> 00:08:44,432 I heard ya. 126 00:08:46,801 --> 00:08:48,303 Oh, I didn't need your help. 127 00:08:48,436 --> 00:08:49,704 Oh, no? Nope. 128 00:08:49,837 --> 00:08:51,973 Billie Dove? Why not? 129 00:08:52,840 --> 00:08:54,208 She's kind of a big star. 130 00:08:54,342 --> 00:08:56,744 Well, in 30 years she won't be a big star anymore 131 00:08:56,878 --> 00:09:00,181 and she can tell her grandkids Nellie LaRoy once used her name. 132 00:09:00,315 --> 00:09:02,684 Besides, I'm already a star. 133 00:09:02,817 --> 00:09:05,053 - Ah, you are? - (chuckles) Yeah. 134 00:09:05,186 --> 00:09:07,288 What have you been in? Nothing yet. 135 00:09:07,422 --> 00:09:09,223 Who's your contract with? Don't have one. 136 00:09:09,357 --> 00:09:11,492 Okay, I think you want to become a star. 137 00:09:11,626 --> 00:09:14,829 Honey, you don't become a star. You either are one or you ain't. 138 00:09:14,962 --> 00:09:16,197 I am. 139 00:09:19,500 --> 00:09:20,568 Oh, great. 140 00:09:23,404 --> 00:09:25,506 Do you know where I can find some drugs? 141 00:09:28,042 --> 00:09:30,445 (upbeat jazz music playing) 142 00:09:30,578 --> 00:09:32,547 (crowd cheering) 143 00:09:35,516 --> 00:09:37,852 We're supposed to just keep playing? That's the idea. 144 00:09:37,985 --> 00:09:40,588 It's gonna come through the front and just kind of stomp around. 145 00:09:40,722 --> 00:09:42,957 Are you serious? Just stay out of its way. 146 00:09:43,091 --> 00:09:44,625 You know I can't afford to get injured, Joe. 147 00:09:44,759 --> 00:09:46,394 Will you shut the fuck up? What? 148 00:09:46,527 --> 00:09:48,196 You heard me, you whiny bitch. Excuse me? 149 00:09:48,329 --> 00:09:50,164 Come on, you guys. You see how he just talks to me? 150 00:09:50,298 --> 00:09:52,567 I talk to you like this because every time we play in these, 151 00:09:52,700 --> 00:09:54,102 you playing fucking flat. 152 00:09:54,235 --> 00:09:56,537 If that elephant drop its elephant ass on your face, 153 00:09:56,671 --> 00:09:58,940 maybe you'd be home long enough to fucking practice. 154 00:09:59,073 --> 00:10:00,641 I practice nine hours a day, you fuck. 155 00:10:00,776 --> 00:10:03,544 Yeah, yeah, but I mean on saxophone, not cocksucking. (laughs) 156 00:10:03,678 --> 00:10:04,946 (cheering) 157 00:10:05,079 --> 00:10:06,748 I don't have fucking time for this! 158 00:10:06,881 --> 00:10:08,649 (person) Wake up, wake up, wake up! 159 00:10:08,784 --> 00:10:09,818 What a goddamn mess. 160 00:10:09,951 --> 00:10:11,886 We were just having fun! (sobbing) 161 00:10:12,019 --> 00:10:14,088 Tell it to Wallach. Wake up, wake up. 162 00:10:14,222 --> 00:10:17,492 Where's the Mexican? Wake up, wake up. 163 00:10:18,326 --> 00:10:20,895 Morphine, opium, ether, heroin, coke. 164 00:10:21,028 --> 00:10:22,897 And Louis XIV sat on that. 165 00:10:24,899 --> 00:10:29,370 (guest) ...pretend that everything's fine inside when all I feel is this void. 166 00:10:29,504 --> 00:10:31,239 And all I do is I give and I give! Pedro! 167 00:10:31,372 --> 00:10:33,641 And you, I don't even know, where are you? Where are you? 168 00:10:33,776 --> 00:10:36,911 (speaking Italian) Stop speaking fucking Italian! 169 00:10:37,044 --> 00:10:39,013 (speaking Italian) 170 00:10:39,147 --> 00:10:40,883 No. No, it's not. 171 00:10:41,015 --> 00:10:43,317 I'm trying to have a serious conversation with you. Do you understand? 172 00:10:43,451 --> 00:10:46,855 (speaking Italian) Our marriage is in trouble. I am unhappy! 173 00:10:46,988 --> 00:10:49,223 Stop it! You are not fucking Italian! 174 00:10:49,357 --> 00:10:51,827 You are from fucking Shawnee, you goddamn fraud! 175 00:10:51,993 --> 00:10:53,461 (speaking Italian) Say one more word. 176 00:10:53,594 --> 00:10:55,864 Say one more word in Italian, and I will divorce you. 177 00:10:55,997 --> 00:10:58,933 One more. Okay. Okay. 178 00:11:03,504 --> 00:11:06,107 (speaking Italian) Get the fuck out! 179 00:11:06,240 --> 00:11:08,911 - Get the fuck out of the car! Go! - (chuckling) Ah! Hey! 180 00:11:09,043 --> 00:11:12,180 Get out! Go! (speaking Italian) 181 00:11:12,313 --> 00:11:13,849 (sighs) (engine starts) 182 00:11:13,981 --> 00:11:15,316 I want a divorce. 183 00:11:19,922 --> 00:11:21,389 (speaking Italian) 184 00:11:32,233 --> 00:11:34,001 Morning, Dale. Evening, Mr. Conrad. 185 00:11:34,135 --> 00:11:35,369 Evening. 186 00:11:40,107 --> 00:11:41,877 (band continues playing) 187 00:11:42,009 --> 00:11:43,411 - Jack! Jack! - (guest) Oh, my God! J.C.! 188 00:11:43,544 --> 00:11:45,313 Natalie! It's been forever! 189 00:11:45,446 --> 00:11:47,850 Yeah. I've been saying it since Wally Reid. 190 00:11:47,982 --> 00:11:49,550 Who needs royalty anymore? Madame. 191 00:11:49,684 --> 00:11:52,386 Dearest Jacky boy, we need to talk! I have a good story for you. 192 00:11:52,520 --> 00:11:54,589 I have your face tattooed on my back. Well, look at that. 193 00:11:54,722 --> 00:11:56,424 Jack, for fuck's sake, I've been trying you all week. 194 00:11:56,557 --> 00:11:58,559 Will you just fucking call me back? (speaking Italian) 195 00:11:58,693 --> 00:12:04,732 Come here, you moola-minting money machine motherfucker! 196 00:12:04,867 --> 00:12:07,401 Jack, is it okay to grab one? Hey, Charlie. How's the missus? 197 00:12:07,535 --> 00:12:09,737 I think she left me. Hey, me too! Congrats! 198 00:12:09,872 --> 00:12:11,874 Are you okay with March 17th for the premiere? 199 00:12:12,006 --> 00:12:13,674 No, 18th. Thursdays are always classier. 200 00:12:13,809 --> 00:12:16,611 Hey, send Charlie a bottle of bourbon and get ahold of his negative 201 00:12:16,744 --> 00:12:19,547 and make sure I don't look too shiny. Yes, Mr. Conrad. 202 00:12:21,950 --> 00:12:23,417 No Mrs. Conrad tonight? 203 00:12:23,551 --> 00:12:24,719 Mmm. 204 00:12:24,853 --> 00:12:25,921 Mm-mmm. 205 00:12:26,053 --> 00:12:27,421 Mm-mmm. 206 00:12:32,660 --> 00:12:33,694 Oh. 207 00:12:33,829 --> 00:12:35,329 I'm sorry. (chuckles) 208 00:12:36,197 --> 00:12:37,598 I think we have a problem. 209 00:12:39,634 --> 00:12:40,969 We do? Yep. 210 00:12:41,102 --> 00:12:44,105 This table only has one bottle, and we're gonna need eight. 211 00:12:44,238 --> 00:12:45,706 We're also gonna need two gin rickeys, 212 00:12:45,841 --> 00:12:48,810 an orange blossom with brandy, three French 75s. 213 00:12:48,944 --> 00:12:50,745 Can you do a Corpse Reviver? 214 00:12:50,879 --> 00:12:55,750 Gin, lemon, triple sec and Kina Lillet with a dash of absinthe. 215 00:12:55,884 --> 00:12:57,285 Two of those. Two of those. 216 00:12:57,418 --> 00:12:59,720 Okay. Two gin rickeys, uh, three French... 217 00:12:59,855 --> 00:13:02,557 You didn't have to do that, you know, to get my attention. 218 00:13:06,127 --> 00:13:07,495 I am so sorry, Mr. Conrad. 219 00:13:07,628 --> 00:13:08,931 I want... What's your name? 220 00:13:09,697 --> 00:13:13,434 Jen. I just wanted you to look my way. 221 00:13:15,069 --> 00:13:17,238 Jen, I'd always look your way. 222 00:13:20,008 --> 00:13:22,811 (driver) Sir, George won't come out of the car. 223 00:13:22,945 --> 00:13:26,514 He's insisting I drive him off the nearest cliff. 224 00:13:27,816 --> 00:13:28,850 Right. 225 00:13:29,684 --> 00:13:30,718 Be right back. 226 00:13:33,120 --> 00:13:35,057 She said no, huh? 227 00:13:35,189 --> 00:13:37,391 (crying) After all we've been through. 228 00:13:37,525 --> 00:13:41,262 Well, to be fair, George, you did just meet her a week ago. 229 00:13:42,263 --> 00:13:44,032 What we had was special, goddamn it. 230 00:13:44,165 --> 00:13:47,903 I know, buddy, but you're not gonna kill yourself over it. 231 00:13:48,736 --> 00:13:51,238 Save the ring and come on inside. 232 00:13:51,372 --> 00:13:53,474 There's a girl asking after ya. 233 00:13:53,608 --> 00:13:54,675 (sniffles) 234 00:13:55,743 --> 00:13:56,744 Yeah? 235 00:13:57,311 --> 00:13:58,981 That's right. 236 00:13:59,113 --> 00:14:01,216 (crashing) (guests cheering) 237 00:14:02,885 --> 00:14:04,686 There you go, buddy. 238 00:14:07,723 --> 00:14:10,125 Who's the girl? A goddess. 239 00:14:10,258 --> 00:14:12,227 (snorts, clears throat) 240 00:14:13,428 --> 00:14:14,730 No Paris for me. 241 00:14:14,864 --> 00:14:16,398 I'm good. What? 242 00:14:17,165 --> 00:14:18,567 You've never done cocaine? 243 00:14:19,635 --> 00:14:21,838 (scoffs) Of course I've done cocaine. 244 00:14:21,971 --> 00:14:24,974 Well? I do cocaine all the time. I just, uh... 245 00:14:25,108 --> 00:14:27,175 Don't make me do it alone. 246 00:14:28,710 --> 00:14:31,246 Okay, I'll do a little. Whatever. (chuckles) 247 00:14:31,380 --> 00:14:32,481 I don't care. 248 00:14:32,614 --> 00:14:33,916 I don't know, maybe Niagara Falls. 249 00:14:34,050 --> 00:14:36,752 You know, "Roy," actually, in French, means "king." 250 00:14:36,886 --> 00:14:39,755 And I added the "La," so it's "Nellie the King." 251 00:14:39,889 --> 00:14:41,156 I made that up. 252 00:14:41,289 --> 00:14:43,659 What about you? Where would you go? Sorry? 253 00:14:43,793 --> 00:14:47,629 (sniffs) If you could go anywhere in the whole world, where would you go? 254 00:14:48,931 --> 00:14:51,533 (coughs) Uh, anywhere. 255 00:14:52,200 --> 00:14:53,402 I don't know. Um... 256 00:14:53,535 --> 00:14:55,437 I always wanted to go on a movie set. 257 00:14:55,570 --> 00:14:57,673 Yeah? Yeah. A movie set. 258 00:14:57,807 --> 00:14:59,508 Tell me why. 259 00:14:59,641 --> 00:15:01,778 Why? Yeah, tell me why. 260 00:15:01,911 --> 00:15:03,378 All right, um... 261 00:15:03,512 --> 00:15:05,747 I don't know why. I wanna go on a movie set too. 262 00:15:05,882 --> 00:15:10,086 Why? I just want to be part of something bigger, I guess. 263 00:15:10,218 --> 00:15:11,553 Bigger than what? 264 00:15:12,254 --> 00:15:13,689 Bigger than this. 265 00:15:13,823 --> 00:15:16,358 Bigger than my life. Bigger than scooping elephant shit. 266 00:15:16,491 --> 00:15:18,360 Bigger. Better. Important. 267 00:15:18,493 --> 00:15:21,164 Something important. To be part of something important. 268 00:15:21,296 --> 00:15:23,298 Something that lasts, that means something. 269 00:15:23,432 --> 00:15:24,733 I love that answer. 270 00:15:24,867 --> 00:15:26,836 Making movies. I want to go on a movie set too. 271 00:15:26,969 --> 00:15:30,706 Or at least I want to be there, work there, learn there. I don't know. 272 00:15:30,840 --> 00:15:32,809 I just love watching movies, you know? 273 00:15:32,942 --> 00:15:34,609 I love watching movies too. You sit there. 274 00:15:34,743 --> 00:15:37,546 And you're watching the movie and... And you escape. 275 00:15:37,679 --> 00:15:39,748 You don't have to be in your own shitty fucking life. 276 00:15:39,882 --> 00:15:42,384 Exactly! Exactly! You can be in their life. 277 00:15:42,517 --> 00:15:44,120 Or wherever! Or wherever! 278 00:15:44,252 --> 00:15:46,455 You can be in the fucking Wild West! You can be in fucking space! 279 00:15:46,588 --> 00:15:48,356 You can be like a gangster. 280 00:15:48,490 --> 00:15:50,960 And people dance in movies and people die in movies. 281 00:15:51,094 --> 00:15:53,462 And they're not really dead. It's fucking amazing. 282 00:15:53,595 --> 00:15:56,231 They're not really dead. Like literally, kill me. 283 00:15:56,933 --> 00:15:58,333 Pow! (laughing) 284 00:15:58,467 --> 00:16:01,470 And nothing happened, for real, but at the same time, 285 00:16:01,603 --> 00:16:04,339 it's something even more important than life. 286 00:16:04,473 --> 00:16:08,577 You can feel it. Like... I don't know. Movies are sad sometimes. 287 00:16:08,710 --> 00:16:10,445 Movies are fucking happy. They make you feel something. 288 00:16:10,579 --> 00:16:13,850 One day, you and me, we're gonna be on a movie set. 289 00:16:13,983 --> 00:16:15,985 We can have lunch together. Yeah, for sure. 290 00:16:16,119 --> 00:16:18,320 I don't know what I'm going to do yet. It'll be just you and me. 291 00:16:18,453 --> 00:16:20,255 Yeah, you and me. Yeah. 292 00:16:20,388 --> 00:16:22,024 You know, you're not bad-looking. 293 00:16:23,325 --> 00:16:24,426 Thank you. 294 00:16:24,559 --> 00:16:27,096 And now, the Rose Petal... (drumroll) 295 00:16:27,230 --> 00:16:29,132 ...of the Rising Sun... 296 00:16:29,264 --> 00:16:33,301 Miss Lady Fay Zhu! 297 00:16:33,435 --> 00:16:36,304 (all cheering) 298 00:16:39,407 --> 00:16:41,409 (announcer) Shh. 299 00:16:43,212 --> 00:16:44,847 (cheering stops) 300 00:16:53,522 --> 00:16:56,424 ♫ There's one pet I like to pet ♫ 301 00:16:56,558 --> 00:16:58,593 (cheering, whistling) 302 00:16:58,727 --> 00:17:01,730 ♫ Every evening we get set ♫ 303 00:17:03,465 --> 00:17:06,635 ♫ I stroke it Every chance I get ♫ 304 00:17:06,768 --> 00:17:10,438 ♫ It's my girl's ♫ 305 00:17:10,572 --> 00:17:12,875 ♫ Pussy ♫ (cheering) 306 00:17:13,009 --> 00:17:16,045 ♫ Seldom plays and never purrs ♫ 307 00:17:17,780 --> 00:17:20,515 ♫ And I love The thoughts it stirs ♫ 308 00:17:20,649 --> 00:17:22,151 (audience member whistles) 309 00:17:22,285 --> 00:17:25,453 ♫ But I don't mind Because it's hers ♫ 310 00:17:25,587 --> 00:17:29,658 ♫ It's my girl's pussy ♫ 311 00:17:29,792 --> 00:17:31,560 (cheering) 312 00:17:34,096 --> 00:17:38,567 (whistling) 313 00:18:20,343 --> 00:18:24,347 ♫ 'Cause I'll do anything For my sweet pet ♫ 314 00:18:24,479 --> 00:18:27,283 ♫ She works me to a sweat ♫ (audience applauding) 315 00:18:27,415 --> 00:18:29,819 ♫ And that's hard to do ♫ 316 00:18:29,952 --> 00:18:32,520 ♫ I must first Remove my gloves ♫ 317 00:18:32,654 --> 00:18:36,491 ♫ When stroking my girl's ♫ 318 00:18:36,625 --> 00:18:37,626 ♫ Pussy ♫ 319 00:18:37,759 --> 00:18:40,695 (music ends) (audience cheering) 320 00:18:43,431 --> 00:18:46,202 Lady Fay, Lady Fay, come stai? 321 00:18:46,335 --> 00:18:50,306 Fine. Didn't get the part, but writing the titles on it. 322 00:18:50,438 --> 00:18:53,843 I'm stuck doing another costume picture, and my wife's divorcing me. 323 00:18:53,976 --> 00:18:55,344 Want to trade? 324 00:18:55,477 --> 00:18:56,913 No. Eh... 325 00:19:00,016 --> 00:19:01,616 That woman is something, you know? 326 00:19:01,750 --> 00:19:04,253 She was completely honest with me. 327 00:19:04,387 --> 00:19:05,788 Your wife? 328 00:19:05,922 --> 00:19:07,189 God, no. My... 329 00:19:10,026 --> 00:19:12,594 Jen. The, uh... 330 00:19:14,030 --> 00:19:16,866 Ah. Listen, I need a favor. 331 00:19:16,999 --> 00:19:19,835 You know my old friend George over there? 332 00:19:19,969 --> 00:19:21,971 I wonder if you'd go talk to him. 333 00:19:22,104 --> 00:19:25,341 Tell him you were asking after him. 334 00:19:25,473 --> 00:19:27,276 That sad man over there? 335 00:19:27,410 --> 00:19:28,576 Yeah. 336 00:19:28,710 --> 00:19:30,046 Listen, I'm not asking you to fuck him. 337 00:19:30,179 --> 00:19:32,214 Just, you know, make him... (cow moos) 338 00:19:33,149 --> 00:19:35,450 ...feel special. 339 00:19:36,419 --> 00:19:37,820 Hmm? 340 00:19:40,455 --> 00:19:41,791 Okay. 341 00:19:41,924 --> 00:19:43,793 (kisses, speaking Cantonese) 342 00:19:43,926 --> 00:19:46,362 Don't speak Cantonese to me. All right. 343 00:19:46,528 --> 00:19:48,431 Oh, I love this song! 344 00:19:48,563 --> 00:19:51,499 (up-tempo jazz music playing) 345 00:20:42,485 --> 00:20:44,552 (rhythmic chanting) 346 00:20:47,823 --> 00:20:49,792 (crowd cheering) 347 00:21:01,470 --> 00:21:03,638 (music continues playing) 348 00:21:35,570 --> 00:21:37,840 (cheering) 349 00:21:57,960 --> 00:22:00,029 (cheering continues) 350 00:22:04,567 --> 00:22:06,668 (rhythmic chanting) 351 00:22:09,271 --> 00:22:11,739 You! I've been looking all over for you. 352 00:22:11,874 --> 00:22:13,843 We got a serious fucking situation. 353 00:22:13,976 --> 00:22:16,579 There's no exit except down the main staircase. 354 00:22:16,711 --> 00:22:18,180 Nothing in the back? No. 355 00:22:18,314 --> 00:22:20,682 You gotta go through the ballroom. Everyone will see her. 356 00:22:20,816 --> 00:22:22,918 Is there a doctor? No. 357 00:22:23,052 --> 00:22:25,054 They're all high down there. Maybe they won't care. 358 00:22:25,187 --> 00:22:27,857 If we take her out now... Somebody will care! 359 00:22:27,990 --> 00:22:30,926 She's a fucking kid, and she looks like she's dead. 360 00:22:36,698 --> 00:22:38,100 We use the elephant. 361 00:22:42,037 --> 00:22:43,339 We bring him through the front. 362 00:22:43,472 --> 00:22:47,009 Everyone will look at him. No one will look at her. 363 00:22:50,212 --> 00:22:52,348 It's only 2:00. Don wanted to save the elephant. 364 00:22:54,484 --> 00:22:56,186 Fine. Get the wrangler. 365 00:22:56,319 --> 00:22:59,589 Jimmy, you carry the girl with me. Then you drive her to the hospital. 366 00:22:59,722 --> 00:23:02,325 Doubt she'll be able to work tomorrow. That's her fucking problem. 367 00:23:02,459 --> 00:23:04,895 No. She's in the bar scene in Maid's Off. 368 00:23:09,732 --> 00:23:12,035 Yeah. Jane Thornton, that's her. 369 00:23:12,169 --> 00:23:14,104 Bar shoots tomorrow, doesn't it? 370 00:23:14,670 --> 00:23:15,906 Yes. 371 00:23:17,340 --> 00:23:20,243 (shouts) Who the fuck invited her? 372 00:23:21,211 --> 00:23:22,345 (guest) Um... 373 00:23:23,446 --> 00:23:24,747 I did. 374 00:23:24,881 --> 00:23:27,050 You blimp motherfucker, piece of fat fucking shit! 375 00:23:27,184 --> 00:23:29,152 It was her first film. She wanted to celebrate. 376 00:23:29,286 --> 00:23:31,054 I'll fucking... You doughboy! 377 00:23:31,188 --> 00:23:33,323 You fuckhead motherfucking Humpty Dumpty! (grunting, screaming) 378 00:23:33,456 --> 00:23:35,659 Bob, come on! Bob! I'm gonna cut you up! 379 00:23:35,792 --> 00:23:38,328 No, Bob! Don't leave me! Fuck! 380 00:23:38,461 --> 00:23:40,230 (cheering) 381 00:23:45,635 --> 00:23:46,702 (screams) 382 00:23:46,836 --> 00:23:48,905 (cheering continues) 383 00:23:50,040 --> 00:23:50,974 Her. 384 00:23:51,107 --> 00:23:53,843 Whoever she is. We go with her tomorrow. 385 00:24:02,152 --> 00:24:03,687 (elephant trumpeting) (all clamoring) 386 00:24:03,820 --> 00:24:05,355 (guest) What the fuck? 387 00:24:07,357 --> 00:24:10,227 (screaming) 388 00:24:11,760 --> 00:24:13,330 (elephant groaning) 389 00:24:18,835 --> 00:24:21,338 Come on! Come on, baby! 390 00:24:23,540 --> 00:24:24,908 (glass shatters) 391 00:24:25,942 --> 00:24:28,912 (elephant trumpets) (screaming) 392 00:24:29,613 --> 00:24:32,115 (glass shatters) (trumpets) 393 00:24:32,249 --> 00:24:34,517 Right here! I'm right here! 394 00:24:39,823 --> 00:24:41,458 (music ends) 395 00:24:42,092 --> 00:24:45,862 (band playing quietly) 396 00:24:45,996 --> 00:24:47,897 (elephant trumpets) 397 00:25:09,519 --> 00:25:11,187 (glass clatters) 398 00:25:20,130 --> 00:25:23,300 Yeah. All right, Kapitän. 399 00:25:24,567 --> 00:25:27,771 Just one more drink for old time's sake. 400 00:25:27,904 --> 00:25:29,139 Sir? 401 00:25:30,173 --> 00:25:33,143 I just want to say thank you for the work. 402 00:25:33,276 --> 00:25:37,013 And I was wondering if perhaps, next time, 403 00:25:37,147 --> 00:25:41,951 you or Mr. Wallach might have something for me on a set? 404 00:25:43,119 --> 00:25:44,487 I'll do anything. 405 00:25:44,621 --> 00:25:47,090 I can paint, I can cook, I can clean, I can do coffee... 406 00:25:47,223 --> 00:25:49,326 You're where you belong. 407 00:25:53,697 --> 00:25:55,198 Okay. Thank you. 408 00:25:56,232 --> 00:25:58,635 Nellie: Ooh. I'm gonna raise you. 409 00:26:00,103 --> 00:26:03,940 Jimmy: You need to be on set in three hours. You'd better get some sleep. 410 00:26:04,741 --> 00:26:06,343 (laughs) 411 00:26:06,476 --> 00:26:08,678 Gentlemen. You have a good night, Nellie. 412 00:26:08,813 --> 00:26:09,879 (poker player) Congratulations. 413 00:26:10,013 --> 00:26:11,247 (Nellie squeals) 414 00:26:11,381 --> 00:26:12,916 Manny! 415 00:26:13,750 --> 00:26:14,884 Ain't life grand? 416 00:26:15,018 --> 00:26:16,920 (laughing) 417 00:26:22,359 --> 00:26:24,027 (screams) 418 00:26:25,195 --> 00:26:27,430 Oh, if they could see me now! 419 00:26:27,564 --> 00:26:33,069 All the cunts in Lafayette called me the ugliest mutt in the neighborhood. 420 00:26:33,203 --> 00:26:35,840 Well, let them see me now! 421 00:26:35,972 --> 00:26:38,174 Can you believe this, Manny? 422 00:26:39,109 --> 00:26:41,878 Hey, Josie! Hey, Nana! 423 00:26:42,011 --> 00:26:46,784 Why don't you kiss my royal Angeleno hooch? 424 00:26:46,916 --> 00:26:48,151 Nellie. 425 00:26:48,284 --> 00:26:49,919 (laughs) 426 00:26:52,655 --> 00:26:54,591 (in Spanish) I think I'm in love with you. 427 00:26:59,262 --> 00:27:01,931 (car door opens, closes) 428 00:27:02,632 --> 00:27:04,334 (engine starts) 429 00:27:05,168 --> 00:27:06,503 Night night, honey. 430 00:27:07,504 --> 00:27:08,938 (crashes) 431 00:27:09,672 --> 00:27:10,940 Don't worry about that. 432 00:27:11,074 --> 00:27:13,009 The car is not mine. 433 00:27:26,756 --> 00:27:29,092 Chico. Hey, Chico! 434 00:27:30,393 --> 00:27:31,995 Jack Conrad's passed out. 435 00:27:32,128 --> 00:27:34,297 Use one of Wallach's cars to take him home. 436 00:27:52,115 --> 00:27:55,318 Señor? Sir? Uh, do you have keys? (grunts) 437 00:27:55,452 --> 00:27:58,421 Yeah. I have keys. (speaking Spanish) 438 00:28:00,957 --> 00:28:02,392 (speaking Spanish) 439 00:28:03,426 --> 00:28:05,462 (grunting) 440 00:28:05,962 --> 00:28:07,597 (Jack snoring) 441 00:28:10,868 --> 00:28:14,070 (grunts) (cackling) 442 00:28:15,873 --> 00:28:17,073 Damn it. (door opens) 443 00:28:17,207 --> 00:28:19,442 Ah, musica. Musica? 444 00:28:19,576 --> 00:28:20,510 Huh? 445 00:28:20,643 --> 00:28:21,779 Sì. Sì. 446 00:28:21,912 --> 00:28:24,013 (opera music playing on radio) 447 00:28:24,147 --> 00:28:25,081 (sighs) 448 00:28:25,215 --> 00:28:28,184 (singing along in Italian) 449 00:28:28,318 --> 00:28:32,455 Imagine me at the opera? That would've made Ina's folks happy. 450 00:28:33,556 --> 00:28:34,792 (sighs) 451 00:28:34,925 --> 00:28:36,726 (music continues playing) 452 00:28:36,861 --> 00:28:38,528 Well, if you'll excuse me... 453 00:28:38,661 --> 00:28:41,130 (singing in Italian) 454 00:28:41,264 --> 00:28:43,066 (water running) 455 00:28:43,199 --> 00:28:46,603 (singing continues) 456 00:28:46,736 --> 00:28:48,538 See my point? Come on. 457 00:28:48,671 --> 00:28:51,140 (singing in Italian) 458 00:28:52,075 --> 00:28:53,710 Ina's mom always said, 459 00:28:53,844 --> 00:28:56,613 "I don't see how you can marry someone who paints his face." 460 00:29:05,121 --> 00:29:06,756 You know what we gotta do? 461 00:29:08,993 --> 00:29:11,829 We gotta redefine the form. 462 00:29:11,962 --> 00:29:16,901 The man who puts gasoline in your tank goes to the movies why? 463 00:29:17,033 --> 00:29:18,903 Why? Why? 464 00:29:19,035 --> 00:29:21,638 Because he feels less alone there. 465 00:29:22,806 --> 00:29:25,542 Don't we owe him more than the same old shit? 466 00:29:25,675 --> 00:29:28,244 You got the guys in Europe with the twelve-tone. 467 00:29:28,378 --> 00:29:31,514 You got Bauhaus architecture. Fucking Bauhaus, you know? 468 00:29:31,648 --> 00:29:34,551 And we're still doing costume pictures? 469 00:29:36,419 --> 00:29:38,321 It's the dinosaurs, kid. 470 00:29:39,355 --> 00:29:41,090 It's the ones who go to Beverly Hills 471 00:29:41,224 --> 00:29:43,159 for meatballs and mint juleps 472 00:29:43,293 --> 00:29:45,395 to reminisce about the old days, 473 00:29:45,528 --> 00:29:49,465 when they can't see there's so much more to be done! 474 00:29:51,200 --> 00:29:52,569 (blows) 475 00:29:52,702 --> 00:29:55,705 We've got to innovate. We've got to inspire. 476 00:29:55,839 --> 00:29:59,475 We got to dream beyond these pesky shells of flesh and bone. 477 00:29:59,609 --> 00:30:03,513 Map those dreams onto celluloid and print them into history. 478 00:30:03,646 --> 00:30:07,216 Turn today into tomorrow so that tomorrow's lonely man 479 00:30:07,350 --> 00:30:09,285 may look up at that flickering screen 480 00:30:09,419 --> 00:30:12,056 and say for the very first time, 481 00:30:12,188 --> 00:30:15,325 "Eureka! I am not alone!" 482 00:30:16,192 --> 00:30:17,694 (sighs) 483 00:30:18,528 --> 00:30:19,562 Yeah. 484 00:30:20,663 --> 00:30:22,866 (crashing) 485 00:30:25,936 --> 00:30:27,570 (gasping) 486 00:30:32,508 --> 00:30:33,242 (shouts) 487 00:30:33,376 --> 00:30:34,845 (exhales) (Jack grunts) 488 00:30:34,979 --> 00:30:36,746 (sighs, spits) 489 00:30:36,880 --> 00:30:39,549 And I'm going to bed. 490 00:30:40,650 --> 00:30:41,751 (sighs) 491 00:30:44,120 --> 00:30:45,355 (groans) 492 00:30:46,456 --> 00:30:49,626 (opera continues playing) 493 00:31:01,237 --> 00:31:02,806 Jack: Hey, where'd you go? 494 00:31:02,940 --> 00:31:04,374 You need something? 495 00:31:04,507 --> 00:31:07,243 Yeah, I like you. I want you to take me to set today. 496 00:31:07,377 --> 00:31:08,912 I want you by my side. 497 00:31:11,115 --> 00:31:13,716 You okay with that? 498 00:31:13,851 --> 00:31:14,885 Sí. 499 00:31:16,619 --> 00:31:19,355 You ever been on a movie set before? 500 00:31:20,858 --> 00:31:21,892 No. 501 00:31:23,159 --> 00:31:24,727 You'll see. 502 00:31:25,762 --> 00:31:28,799 It's the most magical place in the world. 503 00:31:32,702 --> 00:31:34,337 (in Spanish) I've heard. 504 00:31:37,100 --> 00:31:47,850 {\an7}Improved by Sailor420 505 00:31:37,100 --> 00:31:47,850 {\an3}Hope you enjoy the sub-show 506 00:31:56,727 --> 00:31:57,829 (gasps) 507 00:32:00,131 --> 00:32:01,498 (groans) 508 00:32:03,767 --> 00:32:07,204 (chattering, children shouting in distance) 509 00:32:12,844 --> 00:32:14,745 (door opens) 510 00:32:17,982 --> 00:32:20,819 (speaking Cantonese) Liu. We could use your help. 511 00:32:20,952 --> 00:32:22,686 (speaks Cantonese) Ok, I'll be right there. 512 00:32:27,725 --> 00:32:28,759 Liu? 513 00:32:33,499 --> 00:32:35,834 Dad got last week's check? 514 00:32:36,794 --> 00:32:39,630 Yes. It was more this time. Thank you. 515 00:32:38,368 --> 00:32:40,205 (laughing) 516 00:32:40,337 --> 00:32:41,672 (launderer) Hole in shirt before. 517 00:32:41,806 --> 00:32:43,640 No, hole not in shirt before, you fucking coolie! 518 00:32:43,774 --> 00:32:45,877 I don't want a fucking discount! I... 519 00:32:53,218 --> 00:32:54,451 Are you... 520 00:32:55,887 --> 00:32:57,021 I am. 521 00:33:36,060 --> 00:33:37,361 (gasps) Morning! 522 00:33:37,494 --> 00:33:39,463 (panting) 523 00:33:39,596 --> 00:33:42,233 Time to go make a movie. 524 00:33:42,366 --> 00:33:43,868 (grunts) 525 00:33:49,640 --> 00:33:51,009 (car door closes) 526 00:33:51,142 --> 00:33:54,311 (excited chattering) 527 00:33:56,114 --> 00:33:57,982 (shouting) 528 00:34:06,523 --> 00:34:08,759 (protestors chanting) 529 00:34:10,161 --> 00:34:11,528 (indistinct shouting) 530 00:34:11,662 --> 00:34:12,997 Maid's Off? Yeah. 531 00:34:13,131 --> 00:34:14,698 Come with me. 532 00:34:16,667 --> 00:34:19,436 (crew member) Higher! More! 533 00:34:22,106 --> 00:34:24,675 (drumming) 534 00:34:26,443 --> 00:34:28,079 (grunting) 535 00:34:30,281 --> 00:34:31,748 (shouting ferociously) 536 00:34:31,883 --> 00:34:34,953 Now go over, put it in the pot. Scream like a big, fat pig. 537 00:34:35,086 --> 00:34:37,021 All right. All right, all right! Yes! 538 00:34:37,155 --> 00:34:38,388 Go! 539 00:34:39,123 --> 00:34:43,360 (playing native music) 540 00:34:46,197 --> 00:34:48,099 (camel lows) 541 00:34:48,233 --> 00:34:50,534 (chattering) 542 00:34:51,836 --> 00:34:54,038 (shouting) 543 00:34:56,473 --> 00:34:58,508 More whiskey! More whiskey! 544 00:34:58,642 --> 00:35:01,946 Well, don't just fucking stand there! Get the fuck out of the shot! 545 00:35:02,080 --> 00:35:04,782 (playing jazz) 546 00:35:06,550 --> 00:35:08,418 (camel grunts) 547 00:35:10,822 --> 00:35:14,558 Peanuts! Good for hangovers! 548 00:35:14,691 --> 00:35:16,928 You. You're new? You're new here? 549 00:35:17,061 --> 00:35:18,897 Your first bag is free. 550 00:35:22,633 --> 00:35:26,137 One bag or two? One. And you're paying this time? Thank you. 551 00:35:26,271 --> 00:35:27,504 Hurry the fuck up! 552 00:35:27,638 --> 00:35:29,807 Can you stop drinking? We are not shooting yet! 553 00:35:29,941 --> 00:35:31,943 Put down the fucking glasses! 554 00:35:34,078 --> 00:35:36,247 Who the fuck is this? I asked for the girl with the tits. 555 00:35:36,381 --> 00:35:38,049 This is who they found. 556 00:35:39,017 --> 00:35:40,952 What happened to the tits part? 557 00:35:41,085 --> 00:35:42,686 She OD'd. 558 00:35:44,322 --> 00:35:46,057 (groans loudly) 559 00:35:51,329 --> 00:35:54,198 Just go. Just go. Get her made up. 560 00:35:55,066 --> 00:35:56,267 Max! Yes. 561 00:35:56,401 --> 00:35:57,567 Just, uh, shoot the men or something. 562 00:35:57,701 --> 00:35:59,137 No tits? No tits. 563 00:35:59,270 --> 00:36:01,839 All right, no tits, everybody! We're shooting the men. 564 00:36:01,973 --> 00:36:05,009 (director) Diese Scheißen fucks! They are ruining my movie! 565 00:36:05,910 --> 00:36:07,845 I want them on camera in five minutes! 566 00:36:07,979 --> 00:36:09,881 Otto, please, please. Jack's arriving. 567 00:36:10,014 --> 00:36:11,581 (tires screech) 568 00:36:11,715 --> 00:36:13,318 What about pancakes? 569 00:36:13,450 --> 00:36:15,920 Do you heat the syrup or do you let the pancake do the warming? 570 00:36:16,054 --> 00:36:19,489 (groans) Heat the syrup? I agree! 571 00:36:19,623 --> 00:36:21,458 Ha. That there is George Munn, 572 00:36:21,591 --> 00:36:24,862 best producer in the biz and my oldest pal. 573 00:36:24,996 --> 00:36:26,931 Set patrol over there is Jim Kidd. 574 00:36:27,065 --> 00:36:30,534 Legend of the Wild West who made his name killing Apaches. 575 00:36:30,667 --> 00:36:32,337 - Lives in Brentwood now. - Otto: This is bullshit! 576 00:36:32,469 --> 00:36:35,273 Georgie, what's up Von Cheeseburger's ass today? (sighs) 577 00:36:35,406 --> 00:36:38,575 The extras want to renegotiate their pay... you motherfucker! 578 00:36:38,709 --> 00:36:40,744 Huh. I do not care if the extras are revolting! 579 00:36:40,878 --> 00:36:42,880 Well, put the kid on it. 580 00:36:43,014 --> 00:36:45,383 The kid? Yeah, the kid. The Mexican I brought. 581 00:36:45,515 --> 00:36:47,251 He's great. What's your name? 582 00:36:47,385 --> 00:36:49,287 - Me? Manuel. - Otto: Bullshit! 583 00:36:49,420 --> 00:36:52,390 Right, Manuel. Manuel's great! Put Manuel on it. 584 00:36:52,522 --> 00:36:54,459 You have experience with strikes? 585 00:36:54,591 --> 00:36:57,095 Um... yes. 586 00:36:57,627 --> 00:36:58,796 Okay, good. 587 00:36:58,930 --> 00:37:00,465 Well, these are all junkies from Skid Row, 588 00:37:00,597 --> 00:37:02,632 - so they're pretty violent. - Otto: ...you fucking assholes! 589 00:37:03,734 --> 00:37:05,003 Who are you? 590 00:37:05,136 --> 00:37:07,405 That's the cocksucker they sent to screw us! 591 00:37:07,537 --> 00:37:11,109 Gentlemen, I believe you all agreed to a day's work. 592 00:37:11,242 --> 00:37:14,812 And I believe I agreed to ram this knife up the asshole 593 00:37:14,946 --> 00:37:17,348 of the first faggot they sent over! 594 00:37:17,482 --> 00:37:19,583 (strikers cheering) (speaking Spanish) 595 00:37:19,716 --> 00:37:22,420 This is where you kiss the apparition, ja? 596 00:37:22,552 --> 00:37:23,855 Ja. 597 00:37:23,988 --> 00:37:25,823 She has led you to your destiny through fate, 598 00:37:25,957 --> 00:37:28,625 through your lifetime to this moment, ja? Mm-hmm. 599 00:37:28,759 --> 00:37:30,194 Very good, ja? Ja. 600 00:37:30,328 --> 00:37:32,430 I'm gonna play it adagio. 601 00:37:32,562 --> 00:37:35,900 You know, for the music and the poetry. 602 00:37:36,034 --> 00:37:38,036 All art aspires to music. 603 00:37:38,169 --> 00:37:39,504 I like it. Yeah. 604 00:37:39,636 --> 00:37:41,239 Sandwich! 605 00:37:41,372 --> 00:37:42,907 What is this dolly doing here? 606 00:37:43,041 --> 00:37:45,943 (strikers shouting angrily) 607 00:37:46,077 --> 00:37:48,612 Sir! Sir, sir! Sir, can I borrow that? 608 00:37:48,745 --> 00:37:51,149 (gunshot) Manuel: All right, you motherfuckers! 609 00:37:51,282 --> 00:37:55,520 Any of you don't work gets a bullet in the fucking skull! 610 00:37:55,652 --> 00:37:56,720 (gunfire) 611 00:37:56,854 --> 00:37:59,157 Get back to work! Get back to work! 612 00:37:59,290 --> 00:38:00,958 Get back to work! 613 00:38:01,092 --> 00:38:02,493 (muffled) Manuel's great! 614 00:38:02,626 --> 00:38:04,262 How's that for camera? Much better, Ruth. 615 00:38:04,395 --> 00:38:05,530 Jesus Christ! 616 00:38:05,662 --> 00:38:07,697 Is somebody gonna fix her face? 617 00:38:07,832 --> 00:38:09,400 Get her out of here! Fuck's sake. 618 00:38:09,534 --> 00:38:11,701 Do you not know how to do makeup? You, what's your name? 619 00:38:11,836 --> 00:38:13,137 Tim. Tim, you're fired. 620 00:38:13,271 --> 00:38:15,039 What? You heard her! Get the fuck off this set! 621 00:38:16,207 --> 00:38:18,076 Otto: Action! (orchestra playing) 622 00:38:18,209 --> 00:38:21,611 (shouting ferociously) 623 00:38:25,950 --> 00:38:28,786 (orchestra continues playing) 624 00:38:40,231 --> 00:38:41,265 (explosion) 625 00:38:51,275 --> 00:38:53,010 (explosion) 626 00:39:00,852 --> 00:39:05,655 (shouting in German) Faster! Faster! Faster! Faster! 627 00:39:05,474 --> 00:39:07,100 Faster, motherfuckers! 628 00:39:11,695 --> 00:39:13,197 (horse whinnies) 629 00:39:15,933 --> 00:39:18,169 (shouting continues) 630 00:39:30,815 --> 00:39:32,350 (screams) 631 00:39:37,822 --> 00:39:40,925 "Marbled meadows metamorphose 632 00:39:41,058 --> 00:39:43,628 into the medieval plains of Iberia. 633 00:39:43,760 --> 00:39:45,196 Soldiers swarm the fields 634 00:39:45,329 --> 00:39:48,833 like flecks of paint from a madman's brush 635 00:39:48,966 --> 00:39:51,469 as your humble servant bears witness 636 00:39:51,602 --> 00:39:55,406 to the latest of the moving picture's magic tricks." 637 00:39:58,042 --> 00:40:00,311 Oh, why do I bother? 638 00:40:00,444 --> 00:40:02,679 Look at these idiots! 639 00:40:02,813 --> 00:40:04,048 (sighs) 640 00:40:06,217 --> 00:40:07,485 (sniffs) 641 00:40:07,618 --> 00:40:09,753 I knew Proust, you know. 642 00:40:09,887 --> 00:40:12,023 (dramatic music continues) 643 00:40:12,156 --> 00:40:13,591 (shouts) 644 00:40:13,723 --> 00:40:16,093 (horses whinnying) 645 00:40:16,227 --> 00:40:17,395 (screaming) 646 00:40:20,298 --> 00:40:21,866 (shouting) 647 00:40:36,882 --> 00:40:38,183 H-He's dead. 648 00:40:39,051 --> 00:40:41,320 He did have a drinking problem. 649 00:40:41,954 --> 00:40:43,589 George: That's true. 650 00:40:43,721 --> 00:40:46,225 Probably ran into it himself, huh? 651 00:40:46,825 --> 00:40:48,460 It's a disease. 652 00:40:55,000 --> 00:40:56,935 (tires screeching) 653 00:41:01,573 --> 00:41:03,342 Your coffee, Mr. Thalberg. 654 00:41:03,475 --> 00:41:04,843 Gracias. 655 00:41:06,178 --> 00:41:09,147 Jack: Close with Swanson and the fireworks. The end! 656 00:41:09,281 --> 00:41:10,949 Irv! For the Clayton movie... 657 00:41:11,083 --> 00:41:12,884 Sir, I-I think your tent's in the line of fire. 658 00:41:13,018 --> 00:41:15,487 They'll edit it out in post. But I think we could get hurt... 659 00:41:15,621 --> 00:41:17,789 (explosion) Jack, every time you wear a prosthetic, we lose money. 660 00:41:17,923 --> 00:41:20,092 Don't be a pussy, Irv. The fireworks shot is too expensive. 661 00:41:20,225 --> 00:41:22,160 And you'll never get Gloria Swanson. Why no Swanson? 662 00:41:22,294 --> 00:41:23,829 She only does leads. She's on the phone, sir. 663 00:41:23,962 --> 00:41:24,930 Thanks, Abby. Who? 664 00:41:25,063 --> 00:41:26,331 Gloria Swanson. What? 665 00:41:26,465 --> 00:41:29,668 Gloria? Jack Conrad. Listen, I need some advice. 666 00:41:29,801 --> 00:41:31,603 You know all the young up-and-comers. 667 00:41:31,737 --> 00:41:35,240 Well, I need a real discovery for the part in my movie. Who do you suggest? 668 00:41:35,374 --> 00:41:37,743 Why discovery? Well, this role requires real range. 669 00:41:37,876 --> 00:41:41,079 A range I just don't see in any of today's stars... (screams) 670 00:41:41,213 --> 00:41:42,547 Excuse me. 671 00:41:42,681 --> 00:41:47,052 Props needs better aging, goddamn it! We talked about this! 672 00:41:47,185 --> 00:41:49,221 Sorry, what... No, I didn't... 673 00:41:49,354 --> 00:41:51,223 Gloria, you have buckets of charm. 674 00:41:51,356 --> 00:41:54,726 This is real drama we're talking about. Shakespeare-level stuff. 675 00:41:54,860 --> 00:41:57,162 Hmm. Of course you could do Shakespeare. 676 00:41:57,296 --> 00:42:00,699 You would be spectacular in one of his fluffier plays. 677 00:42:01,633 --> 00:42:04,369 Gloria, you're taking this the wrong way. 678 00:42:04,503 --> 00:42:07,306 Well, I'd like to work with you too. 679 00:42:07,439 --> 00:42:10,075 No, I'm afraid it's impossible. It's gotta be a discovery. 680 00:42:10,208 --> 00:42:14,146 We couldn't afford star fees even if we wanted to. 681 00:42:14,279 --> 00:42:15,881 Really? Huh. 682 00:42:16,014 --> 00:42:18,850 Well, how about I talk it over with the studio? 683 00:42:18,984 --> 00:42:22,688 I can't speak for them, of course, but I'll do my best. 684 00:42:22,821 --> 00:42:25,223 Okay, then. Bye now. 685 00:42:25,357 --> 00:42:26,158 (hangs up) 686 00:42:26,291 --> 00:42:28,093 She'll do it for cheap. 687 00:42:28,226 --> 00:42:32,230 Now take the money I saved you and put it towards the goddamn fireworks shot. 688 00:42:33,398 --> 00:42:34,801 Cut! 689 00:42:34,933 --> 00:42:37,436 (screams) These fucking horses! 690 00:42:37,569 --> 00:42:38,603 Motherfuckers! 691 00:42:38,737 --> 00:42:39,838 (grunts) Is that the last one? 692 00:42:39,971 --> 00:42:41,773 What happened? We lost all ten cameras. 693 00:42:41,907 --> 00:42:44,309 But what about Jack's scene? We make a camera run right now! 694 00:42:44,443 --> 00:42:46,011 It's too far! Sun sets in three hours! 695 00:42:46,144 --> 00:42:47,446 Send Joey now. Tell him to speed. In the meantime... 696 00:42:47,579 --> 00:42:49,782 Joey has a flag sticking through his chest, Larry. 697 00:42:49,915 --> 00:42:51,616 A flag? He ran into it himself. 698 00:42:51,750 --> 00:42:53,852 Right. Um, send Miguel then. 699 00:42:59,124 --> 00:43:01,193 Here. 1312 Cahuenga. 700 00:43:01,326 --> 00:43:04,429 You give 'em that card, you tell 'em you work for Munn. 701 00:43:04,930 --> 00:43:05,864 And hurry! 702 00:43:05,997 --> 00:43:07,566 Okay, here's the shot. 703 00:43:08,767 --> 00:43:11,636 Flirt with the men. Dance. Get up on the table and that's it. 704 00:43:11,770 --> 00:43:14,306 Just, uh, don't look at the fucking camera. Places! 705 00:43:14,439 --> 00:43:16,942 (crew member) And camera! (camera clattering) 706 00:43:27,787 --> 00:43:28,920 Ruth: And music! 707 00:43:29,054 --> 00:43:32,290 (up-tempo jazz playing) 708 00:43:34,092 --> 00:43:35,460 Ruth: Action! 709 00:43:35,594 --> 00:43:36,995 Hi, boys. 710 00:43:38,930 --> 00:43:40,932 Santa, get me wet. 711 00:43:49,207 --> 00:43:51,109 Another, please. 712 00:43:56,748 --> 00:43:59,819 That one's for you, snuggle pup. (chuckling) 713 00:43:59,951 --> 00:44:01,453 Hey, baby grand. 714 00:44:02,521 --> 00:44:03,588 (grunting) 715 00:44:03,722 --> 00:44:05,390 (chuckles) 716 00:44:05,524 --> 00:44:07,259 Where are you going? 717 00:44:10,095 --> 00:44:12,097 Uh... okay, start dancing, please. 718 00:44:12,230 --> 00:44:14,166 (music continues) 719 00:44:20,505 --> 00:44:21,640 Bauhaus. 720 00:44:21,773 --> 00:44:23,843 You know what I mean by Bauhaus, don't you? 721 00:44:23,975 --> 00:44:26,278 Not as it relates to this, sir, no. 722 00:44:40,425 --> 00:44:42,160 (cheering) 723 00:44:46,264 --> 00:44:49,534 And then he says, "Hasta la vista, motherfucker." 724 00:44:49,668 --> 00:44:50,602 Type it. 725 00:44:50,735 --> 00:44:54,072 (cheering, whistling) 726 00:44:55,974 --> 00:44:57,209 (whooping) 727 00:45:01,413 --> 00:45:02,447 (grunts) 728 00:45:10,422 --> 00:45:11,556 (shouts) 729 00:45:15,427 --> 00:45:18,463 And then he says, "Frankly, Scarlett, you're a cunt." 730 00:45:18,597 --> 00:45:19,631 Type it. 731 00:45:25,938 --> 00:45:27,038 (glass shattering) 732 00:45:31,409 --> 00:45:32,477 Cut! 733 00:45:33,044 --> 00:45:35,213 (brakes squealing) 734 00:45:35,347 --> 00:45:37,249 Man number three, I can see your erection. 735 00:45:37,382 --> 00:45:38,951 All right, tuck it. Just tuck it up. 736 00:45:39,084 --> 00:45:41,353 (panting) 737 00:45:52,999 --> 00:45:55,033 Hi. I work for Mr. George Munn. 738 00:45:55,166 --> 00:45:56,869 We need a camera for Strassberger's show. 739 00:45:57,003 --> 00:45:58,905 Oh, yeah? What kind of camera? 740 00:45:59,037 --> 00:46:01,139 Bell and Howell 35 millimeter. 741 00:46:02,307 --> 00:46:06,545 Uh-huh. Is it a 2708 model or 2709? 742 00:46:08,246 --> 00:46:11,082 I-I'm not sure. Is there a big difference? 743 00:46:15,053 --> 00:46:16,822 Um, yeah. 744 00:46:17,289 --> 00:46:18,791 Hey, Donny! 745 00:46:18,925 --> 00:46:21,259 What? There's a guy up here wants to know 746 00:46:21,393 --> 00:46:25,697 if there's a big difference between a 2708 and a 2709. (chuckling) 747 00:46:25,831 --> 00:46:27,833 Okay. (Donny guffawing) 748 00:46:27,967 --> 00:46:30,268 Do you have either? Nope. 749 00:46:30,402 --> 00:46:32,370 Every camera's been loaned out. Fuck. 750 00:46:32,504 --> 00:46:34,874 One's coming back in half an hour though. 751 00:46:35,007 --> 00:46:35,975 Half hour? 752 00:46:36,107 --> 00:46:37,977 But it's a 2709. 753 00:46:38,109 --> 00:46:39,110 Yeah. Okay. 754 00:46:39,244 --> 00:46:40,612 Thirty minutes. 755 00:46:40,745 --> 00:46:43,615 For the 2709. I can do that. Thirty minutes. 756 00:46:43,748 --> 00:46:45,450 Two-seven... Okay. 757 00:46:45,584 --> 00:46:47,319 ...zero-nine. 758 00:46:48,620 --> 00:46:51,156 (clock ticking) 759 00:47:07,706 --> 00:47:09,274 Are you married? 760 00:47:09,407 --> 00:47:12,510 My wife died. Oh, I'm dreadfully sorry. 761 00:47:14,880 --> 00:47:16,782 Hey! Next part. Miss Moore'll come in. 762 00:47:16,916 --> 00:47:19,517 She saved you from prostitution, so when you see her, cry in shame. 763 00:47:19,651 --> 00:47:22,520 I need big tears! Big! You got it? Okay, yeah. 764 00:47:23,588 --> 00:47:25,290 Is that gum? 765 00:47:25,423 --> 00:47:27,392 Are you fucking kidding me? What's wrong with you? 766 00:47:27,525 --> 00:47:30,195 Five-minute warning for Miss Moore! 767 00:47:42,641 --> 00:47:45,276 (door opens) (car horn honks) 768 00:47:45,410 --> 00:47:46,611 That's mine! 769 00:47:46,745 --> 00:47:48,781 I have 20 minutes to be in Simi Valley. 770 00:47:48,914 --> 00:47:52,384 Which road do I take? Uh, you're gonna look at least 90 in this traffic. 771 00:47:52,517 --> 00:47:57,355 We've got an eight-part sign-out process. Let me go try to find a pen. 772 00:48:01,660 --> 00:48:02,862 Action! 773 00:48:02,995 --> 00:48:05,230 (up-tempo jazz playing) And action, Miss Moore. 774 00:48:05,363 --> 00:48:07,133 Hand on chest. Aghast! (gasps) 775 00:48:07,265 --> 00:48:08,633 My goodness, what is going on here? 776 00:48:08,767 --> 00:48:10,602 Girl on bar, look at Miss Moore. 777 00:48:10,735 --> 00:48:12,237 And tears! 778 00:48:14,239 --> 00:48:15,607 (whispers) Okay, glycerin. 779 00:48:15,740 --> 00:48:18,044 Um, we seem to be out. What? We haven't used any. 780 00:48:18,176 --> 00:48:19,444 Porky thought it was lube. 781 00:48:19,577 --> 00:48:20,813 He thought it was lube? Yes. 782 00:48:20,946 --> 00:48:22,747 Ruth: Are you fucking... She can't cry. 783 00:48:22,882 --> 00:48:24,749 She's just some random whore from Wallach's house! (sobs) 784 00:48:26,852 --> 00:48:28,753 (crying) 785 00:48:44,736 --> 00:48:45,938 Cut. 786 00:48:46,072 --> 00:48:47,439 (sobs, stops) 787 00:48:48,107 --> 00:48:50,709 Hiya. I'm Nellie LaRoy. 788 00:48:51,376 --> 00:48:53,012 So we going again? 789 00:48:53,145 --> 00:48:54,379 Fucking motherfucker. 790 00:48:54,512 --> 00:48:55,848 I'm so sorry, God. 791 00:48:55,981 --> 00:48:58,416 You gave us the beautiful light, and I squandered it. 792 00:48:58,550 --> 00:49:00,019 I won't have any fucking light now. 793 00:49:00,152 --> 00:49:03,089 Otto, you should have fought for 20 cameras, you idiot! 794 00:49:03,221 --> 00:49:05,724 (siren wailing) 795 00:49:05,858 --> 00:49:07,059 What is this bullshit? 796 00:49:07,193 --> 00:49:10,428 (siren wailing continues) 797 00:49:15,333 --> 00:49:17,402 (siren stops) Camera! Camera! 798 00:49:17,535 --> 00:49:18,904 Camera! Yeah. 799 00:49:19,038 --> 00:49:20,605 Camera! Camera! Yeah. 800 00:49:20,739 --> 00:49:22,875 My camera's here! My camera's here! 801 00:49:23,008 --> 00:49:25,077 We roll, we roll! We are losing the light! 802 00:49:25,211 --> 00:49:27,046 Ruth: Take two! Action! 803 00:49:27,179 --> 00:49:28,748 (gasps) And cry. 804 00:49:30,050 --> 00:49:32,518 Cut! Okay, I want to try something. (grunts) 805 00:49:32,651 --> 00:49:34,955 Think you could hold for two beats for tears gushing? 806 00:49:35,088 --> 00:49:37,157 Eyes water for two, on the third beat, I'm gonna do a light effect. 807 00:49:37,289 --> 00:49:39,658 That's when you gush. Water for two, gush on three. Yep. 808 00:49:39,793 --> 00:49:42,528 Yes. Okay, let's do it! Ruth, any notes on my entrance? 809 00:49:45,098 --> 00:49:46,332 You're fine. 810 00:49:54,174 --> 00:49:55,976 Ready for you, Mr. Conrad. 811 00:49:59,246 --> 00:50:00,947 - Ruth: Action! - (gasps) 812 00:50:01,081 --> 00:50:02,916 Eyes water. 813 00:50:03,049 --> 00:50:04,985 Light. And tears! 814 00:50:05,118 --> 00:50:06,585 (sobs) 815 00:50:06,719 --> 00:50:07,620 Cut! 816 00:50:12,926 --> 00:50:14,727 Okay. Forgive the ask. This is nuts. 817 00:50:14,861 --> 00:50:17,831 But could you, by any chance, try the same thing with less tears? 818 00:50:17,964 --> 00:50:19,365 One tear or two? 819 00:50:31,410 --> 00:50:33,546 Let's do this. 820 00:50:33,679 --> 00:50:37,217 'Twas brillig and the slithy toves were... 821 00:50:37,349 --> 00:50:38,584 (bottle clatters) 822 00:50:39,418 --> 00:50:42,155 Oh, hey. Come with. 823 00:50:42,289 --> 00:50:45,091 Camera's up the hill, Mr. Conrad. Over here? 824 00:50:45,225 --> 00:50:46,793 There? Yeah. 825 00:50:47,994 --> 00:50:48,929 We'd better hurry. 826 00:50:49,062 --> 00:50:50,797 (grunts) 827 00:50:56,102 --> 00:50:57,503 (groans) 828 00:51:00,406 --> 00:51:02,641 (grunting) 829 00:51:04,811 --> 00:51:06,512 There? Okay. 830 00:51:06,645 --> 00:51:08,547 Otto: Ah, my beautiful baby boy. 831 00:51:08,681 --> 00:51:10,116 Come, come. Okay, right here. 832 00:51:10,250 --> 00:51:13,220 Now remember, you are sad and lonely man. Right here. 833 00:51:13,352 --> 00:51:16,589 No one will ever love you but her, and she's only in your head, okay? 834 00:51:16,722 --> 00:51:18,792 (crew member) Last looks! Do I know her? 835 00:51:19,491 --> 00:51:22,262 Otto: No. She's in your head! 836 00:51:22,394 --> 00:51:24,231 No, no! No last looks! No last looks! 837 00:51:24,363 --> 00:51:27,366 Get the fuck out! I'll fucking kill you! We are losing the light! 838 00:51:27,499 --> 00:51:28,767 We roll now! We roll! 839 00:51:28,902 --> 00:51:31,137 Roll, roll, roll, roll. (camera whirring) 840 00:51:35,809 --> 00:51:37,710 (groans) 841 00:51:40,914 --> 00:51:41,948 Otto: Music! 842 00:51:44,383 --> 00:51:45,785 (playing quietly) And action. 843 00:52:07,807 --> 00:52:09,342 Ruth: Action! (gasps) 844 00:52:10,076 --> 00:52:11,644 (crew) Oh, my God, it's a fire! 845 00:52:11,777 --> 00:52:13,545 Everyone, run! Run! 846 00:52:13,679 --> 00:52:16,816 Don't stop the camera! Keep rolling! Keep rolling! 847 00:52:16,950 --> 00:52:18,385 Single tear! 848 00:52:18,517 --> 00:52:21,054 (people screaming) 849 00:52:21,187 --> 00:52:23,089 Cannon! Cannon! 850 00:52:23,223 --> 00:52:25,859 (gunshot) (sizzling) 851 00:52:27,426 --> 00:52:28,661 More crying! 852 00:52:28,795 --> 00:52:31,563 Now laugh in embarrassment. (laughing) 853 00:52:31,697 --> 00:52:33,934 Now look at Miss Moore. 854 00:52:34,067 --> 00:52:36,702 You're trying to hide the shame. 855 00:52:37,603 --> 00:52:39,172 Hold steady. What the... 856 00:52:39,306 --> 00:52:41,540 You're trying to be strong. 857 00:52:41,674 --> 00:52:44,643 You're trying to bury the pain. 858 00:52:44,777 --> 00:52:50,582 But you can't hold back that one final tear! 859 00:52:50,716 --> 00:52:53,652 (romantic music playing) 860 00:53:05,497 --> 00:53:08,068 (music swells) 861 00:53:08,201 --> 00:53:10,837 (explosions) 862 00:53:49,442 --> 00:53:51,077 And cut. Cut. 863 00:53:54,347 --> 00:53:56,850 (camera whirring slows, stops) 864 00:53:58,451 --> 00:53:59,386 We got it. 865 00:53:59,518 --> 00:54:01,687 (all cheering) 866 00:54:01,821 --> 00:54:04,224 (crew whooping, applauding) 867 00:54:09,396 --> 00:54:11,965 (crew applauding, cheering) 868 00:54:14,401 --> 00:54:15,667 Who the fuck is that? 869 00:54:15,802 --> 00:54:18,570 Camera boy! The camera boy! You saved my movie! 870 00:54:18,704 --> 00:54:21,875 I love you! I love you! Yes! Did you see that? 871 00:54:22,008 --> 00:54:23,609 Did you see the butterfly? 872 00:54:23,742 --> 00:54:25,145 That was a butterfly. 873 00:54:26,645 --> 00:54:28,580 Who's writing the titles on this? 874 00:54:32,318 --> 00:54:34,788 I gotta ask you something. Yeah? Was it okay? 875 00:54:34,921 --> 00:54:37,924 It was incredible! I just... How do you do it? 876 00:54:38,058 --> 00:54:40,960 Just tear up over and over like it's nothing? 877 00:54:42,328 --> 00:54:44,097 I just think of home. 878 00:54:46,565 --> 00:54:47,967 (band playing jazz) 879 00:54:48,101 --> 00:54:50,336 Elinor: So, Jacky boy, how do you think it turned out? 880 00:54:50,470 --> 00:54:53,173 Ah, people want the kiss, we give them the kiss. (cork pops) 881 00:54:53,306 --> 00:54:55,875 But, madame, I can't help but wonder, 882 00:54:56,009 --> 00:54:57,944 don't we have a higher calling? 883 00:54:58,078 --> 00:54:59,678 We got a lot of great stuff. 884 00:54:59,813 --> 00:55:02,148 We're really excited about our new discovery, Nellie LaRoy. 885 00:55:02,282 --> 00:55:04,683 Is she here tonight? Can you point her out to me? Uh... 886 00:55:04,818 --> 00:55:06,119 (Nellie whooping) 887 00:55:06,252 --> 00:55:08,822 (guests cheering) 888 00:55:08,955 --> 00:55:11,590 Yeah, she's the one having sex with the ice sculpture. 889 00:55:11,723 --> 00:55:13,493 We're all very fond of her. 890 00:55:13,625 --> 00:55:16,196 (up-tempo jazz playing) 891 00:55:20,033 --> 00:55:23,669 It needs more punch. Take two frames off the tail and three more off the head. 892 00:55:23,803 --> 00:55:25,238 Manuel. Yes? 893 00:55:25,371 --> 00:55:28,308 I saw Olga Putti sing to herself in Hungarian, 894 00:55:28,441 --> 00:55:30,043 and I think I'm in love. 895 00:55:30,176 --> 00:55:32,345 Send two dozen roses to her dressing room every morning this week. 896 00:55:32,479 --> 00:55:35,081 You know she doesn't speak English? Neither does love. 897 00:55:36,715 --> 00:55:38,118 Let's do a title here. 898 00:55:38,251 --> 00:55:39,953 "I've been in fashion shows too. 899 00:55:40,086 --> 00:55:42,021 They voted me the 'Least Dressed Woman' in Paris." 900 00:55:42,155 --> 00:55:44,023 And when it looks like the guy asks her something, 901 00:55:44,157 --> 00:55:46,192 have him ask her name and have her reply, 902 00:55:46,326 --> 00:55:50,063 "No names. Just call me the wild child." 903 00:55:54,733 --> 00:55:56,970 Do you think she swings both ways? 904 00:56:21,727 --> 00:56:24,898 You're not on the list. Okay, listen to me. My name is Nellie LaRoy. 905 00:56:25,031 --> 00:56:27,066 Still not on the list. Lady, I'm in the movie. 906 00:56:27,200 --> 00:56:29,836 They clearly cut you, baby. Is that snakeskin? 907 00:56:29,969 --> 00:56:31,971 Oh, my God! Nellie LaRoy! Can I have an autograph? 908 00:56:32,105 --> 00:56:34,007 I once fought a rattlesnake, 909 00:56:34,140 --> 00:56:36,075 and it's against the law to even deal with a rattlesnake. Gorgeous! Gorgeous! 910 00:56:36,209 --> 00:56:38,744 There are laws now because I fought the rattlesnake and lived. 911 00:56:38,878 --> 00:56:40,647 Okay. You can go in. 912 00:56:40,780 --> 00:56:42,882 Why, thank you. 913 00:56:51,858 --> 00:56:53,459 (no audible dialogue) 914 00:57:20,320 --> 00:57:22,721 (audience laughing) 915 00:57:24,290 --> 00:57:27,726 (audience applauding, laughing continues) 916 00:57:33,833 --> 00:57:37,237 (audience cheering) 917 00:57:59,325 --> 00:58:01,394 Naturally, I always knew my daughter had it in her. 918 00:58:01,527 --> 00:58:03,796 We're gonna do great things together, she and I. 919 00:58:03,930 --> 00:58:06,232 By the way, the name is Robert Roy. 920 00:58:06,366 --> 00:58:08,368 She added the "La." (chuckles) 921 00:58:11,404 --> 00:58:13,406 (radio announcer) It's celebration time for Jack Conrad. 922 00:58:13,539 --> 00:58:15,174 The epic "Blood & Gold" has confirmed Jack 923 00:58:15,308 --> 00:58:17,176 as the highest-grossing leading man in the world. 924 00:58:17,310 --> 00:58:19,045 And now he's got his nuptials to toast, 925 00:58:19,178 --> 00:58:21,582 this time with the Hungarian vixen, Olga Putti. 926 00:58:21,715 --> 00:58:23,651 One unlucky girl who did not attend the festivities: 927 00:58:23,784 --> 00:58:26,987 a Kansas teenager who, overcome by the combined effect 928 00:58:27,121 --> 00:58:29,657 of Valentino's death and Conrad's fifth betrothal, 929 00:58:29,790 --> 00:58:31,292 slit her wrists at home. 930 00:58:31,759 --> 00:58:33,193 How sad. 931 00:58:33,327 --> 00:58:35,296 Meanwhile, that new favorite, Nellie LaRoy, 932 00:58:35,429 --> 00:58:39,700 is making other girls with California dreams Roy-ally jealous! 933 00:58:39,833 --> 00:58:42,503 Kinoscope's reteaming the firecracker from Jersey 934 00:58:42,636 --> 00:58:43,937 with Constance Moore. 935 00:58:44,071 --> 00:58:45,506 And you know what that means: 936 00:58:45,639 --> 00:58:49,410 "Moore" delightful chemistry with Constance and Nellie! 937 00:58:49,543 --> 00:58:52,079 This goddamn bitch is stealing the scene right from under me! 938 00:58:52,212 --> 00:58:53,782 She's changing the blocking with every take. 939 00:58:53,914 --> 00:58:56,283 She's icing her nipples so they perk up through her dress. 940 00:58:56,417 --> 00:58:58,619 Fuck you. I ain't icing my nipples. This is natural. 941 00:58:58,752 --> 00:59:01,021 You're just sore because yours look like fucking latkes. 942 00:59:01,155 --> 00:59:04,224 And she placed this in my dressing room. 943 00:59:05,459 --> 00:59:07,561 I don't even know what that is. Oh! 944 00:59:07,695 --> 00:59:10,664 Guys, let's just try a take, okay? I don't think she meant anything by it. 945 00:59:10,799 --> 00:59:12,866 Let's go back to our ones. I need a drink. Whore! 946 00:59:13,000 --> 00:59:14,968 Nellie, back to your one. Guys, back to your one. 947 00:59:15,102 --> 00:59:16,837 I'll give you something to cry about! 948 00:59:16,970 --> 00:59:18,906 Max: All right, we're going again! 949 00:59:21,408 --> 00:59:23,410 Ruth: Action! (chicken clucking) 950 00:59:24,745 --> 00:59:25,979 Whoo! 951 00:59:27,047 --> 00:59:29,450 Stop! She's changed the blocking again! 952 00:59:29,583 --> 00:59:31,352 Fine. Grab a close-up. No! No close-up. 953 00:59:31,485 --> 00:59:33,987 To match-cut with yours. I'm the star! I get the close-up. 954 00:59:34,121 --> 00:59:38,292 This is my money. My company's writing the checks. I decide! 955 00:59:39,660 --> 00:59:41,562 Fine. Close-up on Constance. 956 00:59:41,695 --> 00:59:43,430 Close-up on Constance! 957 00:59:48,769 --> 00:59:50,070 Hi, Dr. Lubin. 958 00:59:50,204 --> 00:59:52,940 I think I want to get that operation we discussed. 959 00:59:53,674 --> 00:59:54,908 Tonight. 960 00:59:56,643 --> 00:59:58,245 Oh, my God. 961 00:59:59,980 --> 01:00:03,283 Ruth: How long will that take to heal? 962 01:00:12,126 --> 01:00:14,495 What do you say we come in for my close-up now? 963 01:00:14,628 --> 01:00:16,798 "Common and uncouth though she may be, 964 01:00:16,930 --> 01:00:20,334 there's something about her that speaks to us in a language 965 01:00:20,467 --> 01:00:22,871 as vital and as bracing as life itself." 966 01:00:23,003 --> 01:00:26,240 (crew member) All right, you heard her. Close-up on Nellie. 967 01:00:26,373 --> 01:00:30,879 "Never have I seen such a maelstrom of bad taste and sheer magic. 968 01:00:31,011 --> 01:00:33,280 Your humble servant bears witness. 969 01:00:34,214 --> 01:00:35,749 She has killed our grandmothers, 970 01:00:35,884 --> 01:00:37,584 and we thank her for it!" 971 01:00:52,566 --> 01:00:54,034 How much? 972 01:00:54,168 --> 01:00:56,403 (urinating) 973 01:01:03,812 --> 01:01:05,012 Jack! 974 01:01:05,145 --> 01:01:07,014 It's Billy. Remember? (chuckling) 975 01:01:07,147 --> 01:01:08,949 Yeah. Hi. 976 01:01:09,082 --> 01:01:10,551 (urinating) 977 01:01:15,622 --> 01:01:18,091 (sighs) You should come by the Warners lot. 978 01:01:18,225 --> 01:01:19,960 Haven't seen you there in a while. 979 01:01:20,829 --> 01:01:22,329 Yeah. 980 01:01:22,463 --> 01:01:25,232 Jolson's sound picture's real good. 981 01:01:25,867 --> 01:01:27,100 (urinating stops) 982 01:01:27,734 --> 01:01:29,369 Sound picture? 983 01:01:29,503 --> 01:01:30,571 Yeah. 984 01:01:31,138 --> 01:01:32,439 Like Don Juan? 985 01:01:32,573 --> 01:01:35,008 (toilet flushes) No, no, no, no. Singing. 986 01:01:35,142 --> 01:01:37,744 Talking pictures. Like you're there. 987 01:01:37,879 --> 01:01:40,214 Not like the shorts. 988 01:01:40,347 --> 01:01:43,250 Really? Yeah. It's wild. 989 01:01:43,383 --> 01:01:46,821 We did a screening on the lot last week. People went nuts. 990 01:01:46,955 --> 01:01:48,555 (flushing) 991 01:01:48,689 --> 01:01:52,426 You, uh, think people want that, though? Sound in their movies? 992 01:01:52,559 --> 01:01:55,362 (defecating loudly) (grunts) 993 01:01:55,496 --> 01:01:56,865 Yeah, why wouldn't they? 994 01:01:56,997 --> 01:01:58,933 Jack: This is what we've been looking for! 995 01:01:59,066 --> 01:02:01,568 Sound is how we redefine the form. Sound! 996 01:02:01,702 --> 01:02:03,905 (shouting in Hungarian) Sweetie, I don't... 997 01:02:04,037 --> 01:02:06,841 I don't know what you're upset about. I don't understand Hungarian. 998 01:02:06,975 --> 01:02:09,409 I heard Warners' screening last week was a train wreck. 999 01:02:09,543 --> 01:02:11,946 Manuel, what's she saying? I got him learning Hungarian 'cause he's good with languages. 1000 01:02:12,079 --> 01:02:14,983 Something about "getting fucked by a wheelbarrow of monkeys." Hiccups are normal. 1001 01:02:15,115 --> 01:02:16,784 (crashing) Geez Louise! 1002 01:02:16,918 --> 01:02:20,855 Olga? Does this mean you don't like the rain machine I made you? 1003 01:02:20,989 --> 01:02:24,057 She missed the rain in Budapest so I built a rain machine in the garden. 1004 01:02:24,191 --> 01:02:26,093 Hiccups that last ten years? Manuel? 1005 01:02:26,226 --> 01:02:28,529 Something about... Took ten years for the Wrights' airplane to work. 1006 01:02:28,662 --> 01:02:30,865 ...a horse's cock and your anus. Didn't it? 1007 01:02:30,999 --> 01:02:34,134 That's not the same thing. That's not the same. Didn't it? Aha! Why not? 1008 01:02:34,268 --> 01:02:35,702 Jack: Progress comes in fits. (screams) 1009 01:02:35,837 --> 01:02:37,337 Hello? Spurts and fits. 1010 01:02:37,471 --> 01:02:40,173 Thalberg. People go to movies not to listen to the noise. 1011 01:02:40,307 --> 01:02:41,341 Irv? Jack. 1012 01:02:41,475 --> 01:02:43,043 (shouting in Hungarian continues) 1013 01:02:43,176 --> 01:02:45,980 I wanna know about the Al Jolson movie. Get Manuel to New York. 1014 01:02:46,113 --> 01:02:49,784 Send him to the Warners' Theatre to see the premiere and have him report back. 1015 01:02:49,918 --> 01:02:52,119 Olga: (screaming) Jolson? All right. Who is that screaming? 1016 01:02:52,252 --> 01:02:53,955 That's just Olga. 1017 01:02:54,087 --> 01:02:56,423 Look, don't stand in the way of progress, Irv. Sound is the future. 1018 01:02:56,557 --> 01:02:58,592 Whoa! Hey! Holy shit! Send Manuel to New York. 1019 01:02:58,725 --> 01:03:01,762 - Jack! Jack, get down! - Jack: Sweetie, sweetie. 1020 01:03:01,896 --> 01:03:04,531 Is this about Greta? You know she's just a friend. 1021 01:03:04,665 --> 01:03:07,568 Get down! Jack! ♫ For the longest while ♫ 1022 01:03:08,669 --> 01:03:11,104 What the fuck was that? Hello? Hello? 1023 01:03:11,238 --> 01:03:12,573 Jack? Jack? 1024 01:03:12,706 --> 01:03:15,375 (person chattering) (car horns honking) 1025 01:03:19,279 --> 01:03:21,114 (coin clattering) 1026 01:03:23,051 --> 01:03:24,585 Jack? (person) Nellie! 1027 01:03:24,718 --> 01:03:27,487 I got the ticket to the premiere. Nellie! Nellie, I love you! 1028 01:03:27,621 --> 01:03:29,991 I know. I'll let you know how it is. 1029 01:03:30,123 --> 01:03:31,558 (fan) Nellie! Nellie! 1030 01:03:31,692 --> 01:03:33,594 (crowd clamoring) 1031 01:03:35,262 --> 01:03:37,097 Yes, Jack. 1032 01:03:37,230 --> 01:03:38,866 Yeah, okay. Bye. 1033 01:03:39,766 --> 01:03:42,003 (horns honking) 1034 01:03:42,135 --> 01:03:43,236 (fan 2) Please, Nellie! 1035 01:03:43,370 --> 01:03:44,638 (tires screech) 1036 01:03:44,771 --> 01:03:46,941 (fan 3) Nellie, please can I have your autograph? 1037 01:03:47,075 --> 01:03:49,043 Nellie! Nellie! 1038 01:03:49,176 --> 01:03:50,078 Nellie! 1039 01:03:50,210 --> 01:03:52,013 Manny! 1040 01:03:52,145 --> 01:03:54,015 (fan 3) Please, Nellie! 1041 01:03:54,147 --> 01:03:55,449 (crowd shouting) 1042 01:03:56,717 --> 01:03:57,819 Manny! 1043 01:03:59,553 --> 01:04:01,722 Show me your tits, you fucking bitch! 1044 01:04:04,157 --> 01:04:05,292 Right here! Stop, stop, stop! 1045 01:04:05,425 --> 01:04:07,327 You fucking whore! I love you. 1046 01:04:07,461 --> 01:04:11,431 No, no, no! Back off, cabrones! Back off now! 1047 01:04:11,565 --> 01:04:13,600 (shouting continues) Nellie! 1048 01:04:20,875 --> 01:04:21,843 Tony, go, go! 1049 01:04:21,976 --> 01:04:24,511 (sighs, laughs) How you been? 1050 01:04:25,312 --> 01:04:28,215 Eh, good, good. Ah! Look at you! 1051 01:04:28,348 --> 01:04:29,750 Wow. You remember me. 1052 01:04:29,884 --> 01:04:32,086 Yeah, of course I remember you. How could I forget? 1053 01:04:32,219 --> 01:04:35,489 And you're a star now. I was always a star, remember? 1054 01:04:35,622 --> 01:04:37,190 Right, right. (laughing) 1055 01:04:37,324 --> 01:04:40,394 And, um, what are you doing here? Are you here for a movie or... 1056 01:04:40,527 --> 01:04:42,396 No, I had to get out of town for a few days. 1057 01:04:42,529 --> 01:04:45,833 Some shit came up with a guy saying I owed him money in a game of craps. 1058 01:04:45,967 --> 01:04:47,835 Then Wallach got pissed. He straightened him out. 1059 01:04:47,969 --> 01:04:49,971 But he thinks I have a gambling problem, which I don't. 1060 01:04:50,104 --> 01:04:53,041 I only gamble if I'm, you know, pissed or drunk or having a great night. 1061 01:04:53,173 --> 01:04:54,508 What about you? 1062 01:04:55,575 --> 01:04:57,210 Um, Jack Conrad sent me. 1063 01:04:57,344 --> 01:04:59,013 Jack Conrad? Yeah, I'm working with him. 1064 01:04:59,147 --> 01:05:02,649 Oh! I would fuck him. Wow. 1065 01:05:02,784 --> 01:05:05,452 Why would Conrad send you here? God. 1066 01:05:05,585 --> 01:05:07,989 I got out of this place first chance I got. 1067 01:05:08,122 --> 01:05:09,791 Took nothing with me but my dad. 1068 01:05:09,924 --> 01:05:11,525 He's actually my business manager now. 1069 01:05:11,658 --> 01:05:14,162 He is? Yeah. He's so bad at it. 1070 01:05:14,294 --> 01:05:17,664 Cannot add, cannot spell. Why don't you hire someone else? 1071 01:05:17,799 --> 01:05:20,300 He's my dad. What else is he gonna do? 1072 01:05:20,434 --> 01:05:22,402 Oh, shit, we're here. Hey, Tony? 1073 01:05:22,536 --> 01:05:25,405 Can you hang onto this for me, please? Thanks. 1074 01:05:25,539 --> 01:05:27,607 I'm just gonna be a minute, okay? 1075 01:05:30,577 --> 01:05:33,213 Actually, uh, do you wanna come in with me? 1076 01:05:33,647 --> 01:05:34,849 Yeah. 1077 01:05:42,990 --> 01:05:45,425 (nurse) May I help you? Yes. Nellie LaRoy. 1078 01:05:51,866 --> 01:05:53,801 (metal door closes) 1079 01:06:08,082 --> 01:06:09,316 Hi. 1080 01:06:16,891 --> 01:06:18,725 Seems okay here. 1081 01:06:20,560 --> 01:06:22,964 It's pretty nice. 1082 01:06:25,298 --> 01:06:26,801 This is Manny. 1083 01:06:28,502 --> 01:06:31,338 He works in the movies too. 1084 01:06:36,510 --> 01:06:38,512 Okay. Thank you. 1085 01:06:42,884 --> 01:06:45,086 That was a waste of time. (chuckling) 1086 01:06:45,219 --> 01:06:46,453 Let's go. 1087 01:06:51,959 --> 01:06:56,898 I hate when people put fucking toppings on ice cream. 1088 01:06:57,597 --> 01:06:58,866 Doesn't need it. 1089 01:06:59,000 --> 01:07:01,668 It messes up a good thing. You know what I mean? 1090 01:07:02,203 --> 01:07:03,905 I fucking hate that. 1091 01:07:05,539 --> 01:07:10,244 God, I've never done nothing except disappoint people my whole life. 1092 01:07:10,377 --> 01:07:13,081 Teachers told me I was no good. Boys told me I was no good. 1093 01:07:13,215 --> 01:07:16,151 Every fucking casting director in the city told me 1094 01:07:16,285 --> 01:07:18,586 I was too short or I was too fat. 1095 01:07:18,719 --> 01:07:20,555 Usually I was too fat. 1096 01:07:21,556 --> 01:07:23,524 You know, my mama actually had some fat years too. 1097 01:07:23,658 --> 01:07:26,727 You wouldn't know it now, looking at her, but she did. 1098 01:07:27,863 --> 01:07:30,531 They fucked up with me, Manny. They really fucked up with me. 1099 01:07:30,665 --> 01:07:32,801 'Cause I make 'em squirm. 1100 01:07:33,601 --> 01:07:35,603 And I like making 'em squirm. 1101 01:07:36,839 --> 01:07:41,910 Let 'em know that I got here on my terms, not theirs. 1102 01:07:42,044 --> 01:07:45,580 And when I'm done, I'm gonna dance my ass off into the night. 1103 01:07:45,713 --> 01:07:47,582 And they'll know... Everyone will fucking know 1104 01:07:47,715 --> 01:07:51,619 that they could never control one goddamn fucking thing. 1105 01:08:07,202 --> 01:08:08,703 Do you like ice cream? 1106 01:08:11,405 --> 01:08:13,407 Of course. 1107 01:08:21,549 --> 01:08:23,517 My family lives in LA, you know. 1108 01:08:26,021 --> 01:08:27,155 Really? 1109 01:08:29,690 --> 01:08:31,860 I thought they were in Mexico. 1110 01:08:31,994 --> 01:08:34,129 We crossed the border when I was 12. 1111 01:08:37,065 --> 01:08:38,432 They're not far. 1112 01:08:38,566 --> 01:08:41,103 I could take a car, drive for 30 minutes 1113 01:08:41,236 --> 01:08:45,040 and just say hi. 1114 01:08:49,644 --> 01:08:51,146 But you never do. 1115 01:08:51,280 --> 01:08:52,513 Sí. 1116 01:08:55,050 --> 01:08:57,652 It's just easier to be on my own. 1117 01:09:01,290 --> 01:09:03,025 I've always been on my own. 1118 01:09:10,598 --> 01:09:14,403 Um, Tony, take Manny wherever he needs to go. 1119 01:09:14,535 --> 01:09:17,940 Oh, no, it's okay. No, no, no. I insist. I insist. 1120 01:09:18,073 --> 01:09:19,007 (sniffs) 1121 01:09:19,141 --> 01:09:21,143 I'm gonna see you back in LA, okay? 1122 01:09:21,276 --> 01:09:22,510 (kisses) 1123 01:10:10,859 --> 01:10:15,629 (audience cheering) 1124 01:10:34,383 --> 01:10:39,553 (loud cheering continues) 1125 01:10:58,206 --> 01:11:01,642 (audience member) Oh, my God! Oh, my God! 1126 01:11:15,791 --> 01:11:18,726 (loud cheering continues) 1127 01:11:20,495 --> 01:11:23,899 (car horns honking) 1128 01:11:28,303 --> 01:11:33,041 Jack? It's Manny. Everything's about to change. 1129 01:12:17,018 --> 01:12:19,187 Nell, how you feeling? 1130 01:12:20,322 --> 01:12:21,223 I'm ready. 1131 01:12:21,356 --> 01:12:23,225 Yeah, you gonna try a take? Yeah. 1132 01:12:23,358 --> 01:12:25,026 Okay, so we're gonna pre-roll first. I'll cue your entrance. 1133 01:12:25,160 --> 01:12:27,028 First mark is where you say the line, "Hello, college," 1134 01:12:27,162 --> 01:12:29,730 and then you head to the phone, do the rest of the dialogue. 1135 01:12:29,865 --> 01:12:31,600 Sounds easy. (chuckles) I think it will be. 1136 01:12:31,732 --> 01:12:33,969 Lloyd, any direction on voice? 1137 01:12:34,102 --> 01:12:36,972 Uh, no, we're good up here, Ruth. Okay, great. 1138 01:12:37,105 --> 01:12:40,075 Uh, Mark, can we fix her makeup? Mark. 1139 01:12:40,208 --> 01:12:43,178 No air conditioning? (chuckling) It's too loud. 1140 01:12:47,449 --> 01:12:49,017 Okay. 1141 01:12:49,151 --> 01:12:50,819 Just be natural. You'll be fine. 1142 01:12:50,952 --> 01:12:52,888 All right, places, everyone! 1143 01:12:55,023 --> 01:12:56,791 (bell rings) (footsteps) 1144 01:12:56,925 --> 01:12:59,861 Uh, hey, whoa, what is that? 1145 01:13:02,696 --> 01:13:05,300 Harry, what kind of shoes are those? 1146 01:13:06,201 --> 01:13:09,571 Uh... Come on, guys, rubber soles! 1147 01:13:09,703 --> 01:13:12,140 Okay, everyone, a reminder. 1148 01:13:12,274 --> 01:13:15,343 Rubber soles only from now on! 1149 01:13:15,477 --> 01:13:16,878 Okay. 1150 01:13:17,612 --> 01:13:20,882 And camera! And sound! 1151 01:13:21,016 --> 01:13:24,419 "It's Joanne from 31 Grimes Hall. I just..." 1152 01:13:24,553 --> 01:13:27,589 Fuck! "31 Grays Hall." Grays Hall, Grays Hall. 1153 01:13:27,721 --> 01:13:29,157 "Hiya, this is Joanne from 31 Grays Hall. 1154 01:13:29,291 --> 01:13:30,992 I just wanted to see if the phone worked." 1155 01:13:31,126 --> 01:13:33,761 "Just wanted to see if the phone worked. Who is this?" 1156 01:13:35,030 --> 01:13:37,966 - Scene 17, take one. - (crew member) Mark. 1157 01:13:39,634 --> 01:13:41,836 (exhales) 1158 01:13:41,970 --> 01:13:44,673 Come on. Come on, come on. You know it. 1159 01:13:44,806 --> 01:13:47,708 Ruth: And action! 1160 01:13:58,453 --> 01:14:01,256 (whirring) 1161 01:14:11,866 --> 01:14:13,802 (door hinge squeaking) 1162 01:14:19,975 --> 01:14:22,344 (electricity buzzing) 1163 01:14:22,477 --> 01:14:25,746 (footsteps) 1164 01:14:30,018 --> 01:14:31,553 Hello, college! (microphone squeals) 1165 01:14:31,686 --> 01:14:33,188 Jesus, fuck! Cut! 1166 01:14:33,321 --> 01:14:34,256 (bell rings) 1167 01:14:34,389 --> 01:14:35,991 Max: What happened? She blew the valves. 1168 01:14:36,124 --> 01:14:38,660 - I just need a minute. - Max: All right, well, hurry. 1169 01:14:39,594 --> 01:14:41,630 Give me one sec. Christ, it's hot in there. 1170 01:14:41,762 --> 01:14:44,065 Max: Okay, are we still in places? 1171 01:14:44,199 --> 01:14:45,900 Okay. 1172 01:14:47,902 --> 01:14:49,738 Okay, all set here. Miss LaRoy? Yeah. 1173 01:14:49,871 --> 01:14:53,774 What would really help us would be if you said the line a little more quietly. 1174 01:14:56,177 --> 01:14:59,014 - Okay. - Max: All right, places, everyone! 1175 01:14:59,614 --> 01:15:01,449 And camera! 1176 01:15:01,583 --> 01:15:03,184 And sound! 1177 01:15:03,318 --> 01:15:04,319 (bell rings) 1178 01:15:04,452 --> 01:15:05,787 Close that! 1179 01:15:05,920 --> 01:15:07,489 Don't you know what a red light means? 1180 01:15:07,622 --> 01:15:09,624 Scene 17, take two. 1181 01:15:09,758 --> 01:15:10,992 (crew member) Mark. 1182 01:15:11,726 --> 01:15:12,961 Action. 1183 01:15:16,398 --> 01:15:17,432 (sighs) 1184 01:15:19,501 --> 01:15:21,136 Ruth: Cut. Missed your mark, Nell. 1185 01:15:21,269 --> 01:15:22,037 (bell rings) 1186 01:15:22,170 --> 01:15:24,239 - Nellie: Oh. - Ruth: It's... 1187 01:15:24,372 --> 01:15:25,874 Yeah, I, uh... 1188 01:15:26,007 --> 01:15:28,810 I don't know, I felt, like, a little lighter on my feet that time. 1189 01:15:28,943 --> 01:15:32,080 I feel I should come further into the room. Right, but the microphone is... 1190 01:15:32,213 --> 01:15:33,815 Um... (snaps fingers) 1191 01:15:33,948 --> 01:15:35,317 All right. Hey, Lloyd? Yeah. 1192 01:15:35,450 --> 01:15:38,553 Can we just move the mic a little deeper in the room? 1193 01:15:39,789 --> 01:15:41,856 Lloyd: Why? 1194 01:15:41,990 --> 01:15:43,725 Because Nellie felt lighter on her feet that time. 1195 01:15:43,858 --> 01:15:46,494 Nellie: I was just saying I think I should come further into the room. 1196 01:15:46,628 --> 01:15:49,431 Oh, okay. Yeah, sure, I mean, if you have half an hour to spare. 1197 01:15:49,564 --> 01:15:52,167 Ruth: Half an hour? Well, I can't just move the mic. 1198 01:15:52,300 --> 01:15:53,868 I have to redo all the wires. 1199 01:15:54,002 --> 01:15:56,538 We'll have to reset the rafters, then find the new position. 1200 01:15:56,671 --> 01:15:59,274 Then I'm gonna have to recalibrate the whole room. Okay, okay. Okay. 1201 01:15:59,407 --> 01:16:01,276 Nell, why don't we just... Is it okay... 1202 01:16:01,409 --> 01:16:03,945 Let's just try one on the mark, okay? You can do it. 1203 01:16:04,079 --> 01:16:07,149 And camera! And sound! 1204 01:16:07,283 --> 01:16:08,250 (rings) 1205 01:16:08,384 --> 01:16:10,686 Scene 17, take three. Mark. 1206 01:16:10,821 --> 01:16:11,954 Action. 1207 01:16:12,555 --> 01:16:15,191 (squeaking) 1208 01:16:19,261 --> 01:16:21,864 (quietly) Well, hello, college. Cut! No good for sound. 1209 01:16:21,997 --> 01:16:24,233 Well, fucking hell, Lloyd. Could you just let us get through one take? 1210 01:16:24,367 --> 01:16:27,470 Why would I do that if you won't be able to use it? You told me to do it quiet. 1211 01:16:27,603 --> 01:16:30,841 That's why I did it quiet. Quiet, not inarticulate. You can't mumble. 1212 01:16:30,973 --> 01:16:32,843 This is bullshit. 1213 01:16:33,008 --> 01:16:35,644 Are we going again or what? I can't breathe in here! We're going again! 1214 01:16:35,778 --> 01:16:37,713 And camera and sound! (rings) 1215 01:16:37,848 --> 01:16:40,116 Scene 17, take four. Mark. 1216 01:16:40,249 --> 01:16:42,151 Action. (squeaks) 1217 01:16:48,157 --> 01:16:49,925 Well, hello, college! 1218 01:16:50,059 --> 01:16:51,527 Motherfucker! Who opened the door? 1219 01:16:51,660 --> 01:16:52,895 (shouting) 1220 01:16:53,028 --> 01:16:54,330 Max: All right, everybody, eyes on me! 1221 01:16:54,463 --> 01:16:56,132 Any other faggots who ignore that red light... 1222 01:16:56,265 --> 01:16:58,167 You're alternating the pitch of your voice too much. 1223 01:16:58,300 --> 01:17:00,804 Okay, can you just... Lloyd, Lloyd, fuck off. 1224 01:17:00,936 --> 01:17:05,307 Fuck off. I listen to my fucking director, not the fucking sound guy! 1225 01:17:05,775 --> 01:17:07,176 Who the fu... 1226 01:17:08,277 --> 01:17:11,147 Mr. Wallach, so happy you're joining us. Come on. 1227 01:17:21,825 --> 01:17:23,359 Maybe try staying more monotone. 1228 01:17:24,427 --> 01:17:25,261 Okay. 1229 01:17:25,394 --> 01:17:27,296 And camera and sound! Yeah, okay. 1230 01:17:27,430 --> 01:17:29,031 (rings) Scene 17, take five. 1231 01:17:29,165 --> 01:17:30,633 Mark. Action. 1232 01:17:30,766 --> 01:17:32,168 (squeaks) 1233 01:17:36,907 --> 01:17:38,340 Well, hello, college. 1234 01:17:47,349 --> 01:17:49,452 - Hiya, this is Joanne from Gray... - Lloyd: Cut! 1235 01:17:49,585 --> 01:17:53,055 Motherfucking shit! Cocksucking... What the fuck? 1236 01:17:53,189 --> 01:17:54,791 Ruth: What the fuck happened now? 1237 01:17:54,925 --> 01:17:56,725 I'm hearing a high-pitched noise. Yeah, it's her voice. 1238 01:17:56,860 --> 01:17:58,727 - Do you hear that? - Nellie: For fuck's sake. 1239 01:17:58,862 --> 01:18:00,596 Do you hear? That squeak? 1240 01:18:02,364 --> 01:18:04,066 Is anybody wearing a watch? 1241 01:18:04,200 --> 01:18:05,936 No. No. 1242 01:18:06,068 --> 01:18:08,437 I'm telling you, I can't stay in there that long. 1243 01:18:08,571 --> 01:18:10,306 It's a fucking hotbox! I get it, Bill. 1244 01:18:10,439 --> 01:18:12,775 Nobody is comfortable in here. Quiet! 1245 01:18:12,909 --> 01:18:14,610 What is that fucking sound? 1246 01:18:14,743 --> 01:18:17,079 - We gotta move this along. - (whispering) I'm so sorry, Mr. Wallach. 1247 01:18:17,213 --> 01:18:19,181 We'll get this under control, I promise you. 1248 01:18:20,182 --> 01:18:22,585 "Hiya, this is Joanne from 31 Grimes Hall." 1249 01:18:22,718 --> 01:18:26,255 Fuck! Grays Hall. "I just wanted to see... Who is this?" 1250 01:18:27,990 --> 01:18:30,493 (breathing heavily) 1251 01:18:31,060 --> 01:18:32,428 (buzzing) 1252 01:18:34,463 --> 01:18:38,033 Hey, Count? Count? (snaps fingers) 1253 01:18:38,167 --> 01:18:39,502 I need a red one. Yeah, yeah. 1254 01:18:39,635 --> 01:18:41,838 "The" Count. It's just The Count. 1255 01:18:41,972 --> 01:18:43,405 Just next time say, "The Count." 1256 01:18:43,539 --> 01:18:45,074 Now's not really "The" fucking time. 1257 01:18:45,207 --> 01:18:47,643 Found it! It's a pin in Ruth's ankle. 1258 01:18:47,776 --> 01:18:49,311 Did you have surgery? 1259 01:18:49,445 --> 01:18:52,781 If you can just keep your right leg absolutely still. 1260 01:18:52,916 --> 01:18:55,952 Max: And camera and sound! 1261 01:18:56,085 --> 01:18:57,052 (sighs) (rings) 1262 01:18:57,186 --> 01:18:58,687 Scene 17, take six. Mark. 1263 01:18:59,388 --> 01:19:01,524 Action. (squeaks) 1264 01:19:04,928 --> 01:19:06,228 Well, hello, college. (sneezes) 1265 01:19:06,362 --> 01:19:10,332 Who sneezed? Who the fuck sneezed? 1266 01:19:10,466 --> 01:19:14,270 Kike-nosed, Hymie-hole piece of mongoloid shit! I see you. 1267 01:19:14,403 --> 01:19:16,873 Oh, I see you right there, you little Shylock dickface. 1268 01:19:17,007 --> 01:19:21,410 Wipe your nose again! Wipe your little hook nose, you menorah motherfucker! 1269 01:19:21,544 --> 01:19:25,247 Now, does anyone else here need to sneeze? Huh? 1270 01:19:25,381 --> 01:19:28,751 Does anyone else here need to fuck this scene in the ass? 1271 01:19:29,318 --> 01:19:31,387 Camera! And sound! 1272 01:19:31,520 --> 01:19:33,255 Scene 17, take seven. Mark. 1273 01:19:33,389 --> 01:19:36,058 Action. (squeaks) 1274 01:19:39,094 --> 01:19:40,462 Hello, college. Nell, your mark! 1275 01:19:40,596 --> 01:19:42,498 (screams) Fuck this shit! 1276 01:19:42,631 --> 01:19:44,667 Fuck. Lloyd. It's a million fucking degrees! 1277 01:19:44,801 --> 01:19:47,603 We gotta move the mic. Or you could fucking direct her to hit her fucking mark. 1278 01:19:47,736 --> 01:19:49,705 But why is it so fucking hard? You're right! 1279 01:19:49,839 --> 01:19:52,241 I didn't realize we were making Ben-Hur! 1280 01:19:52,374 --> 01:19:54,844 I can move it right now. My whole year is wide open. 1281 01:19:54,978 --> 01:19:57,079 We could shoot this thing through fucking New Year's. 1282 01:19:57,212 --> 01:20:00,016 Wherever the fuck those little feet of hers want to go, I can move the mic for them! 1283 01:20:00,149 --> 01:20:03,352 Okay, calm down! Get off of me! I dare you! I fucking dare you! 1284 01:20:03,485 --> 01:20:05,321 Get off the set! You're good. 1285 01:20:05,454 --> 01:20:07,189 Un-fucking-professional! 1286 01:20:07,323 --> 01:20:08,959 Okay. Okay, Lloyd, ready to go again? 1287 01:20:09,091 --> 01:20:11,995 You want me to use this chalk? Make the mark bigger for you? 1288 01:20:12,127 --> 01:20:14,129 Ruth: Okay, we're gonna go again. It's fine. No, it's fine. 1289 01:20:14,263 --> 01:20:16,398 The mark's right here. I'm gonna kick your fucking ass! 1290 01:20:16,532 --> 01:20:19,101 Oh, yeah! Come on! Come on! 1291 01:20:19,234 --> 01:20:20,769 (all shouting) 1292 01:20:20,904 --> 01:20:24,173 Can we go? I'm gonna have a fucking heart attack in here. 1293 01:20:24,306 --> 01:20:27,077 Get back in your fucking box, Bill! 1294 01:20:27,242 --> 01:20:28,377 Lloyd: I can't even believe this. 1295 01:20:28,510 --> 01:20:30,479 Everyone, shut up! Shut the fuck up! 1296 01:20:30,613 --> 01:20:33,682 Nellie: That's not how we make movies. Shut the fuck up! 1297 01:20:33,817 --> 01:20:37,854 Shut up! Shut up! Shut the fuck up! 1298 01:20:37,988 --> 01:20:40,090 Shut the fuck up! 1299 01:20:40,222 --> 01:20:44,360 Now, if anyone stops this scene again, I will shit on you! 1300 01:20:44,493 --> 01:20:48,430 I will shit in your mouth, I promise you! 1301 01:20:50,766 --> 01:20:55,237 Is that clear, Lloyd? Is that good for fucking sound? 1302 01:20:55,371 --> 01:20:59,174 Now, we are going again! 1303 01:20:59,308 --> 01:21:03,612 Camera! And motherfucking sound! 1304 01:21:11,121 --> 01:21:14,223 (breathing raggedly) 1305 01:21:16,960 --> 01:21:18,028 (rings) 1306 01:21:18,160 --> 01:21:20,763 - Scene 17, take eight. - (weakly) Mark. 1307 01:21:21,730 --> 01:21:23,532 (sighs) Action. 1308 01:21:26,168 --> 01:21:28,737 (squeaking) 1309 01:21:34,209 --> 01:21:36,278 Hello, college. 1310 01:21:42,718 --> 01:21:43,652 Hello? 1311 01:21:43,787 --> 01:21:45,654 Hiya, this is Joanne from 31 Grays Hall. 1312 01:21:45,789 --> 01:21:48,158 I was just gonna see if the phone worked. 1313 01:21:48,290 --> 01:21:49,758 Who is this? 1314 01:21:49,893 --> 01:21:53,495 You don't say. The Dean! Well, how you doin'? 1315 01:21:54,763 --> 01:21:56,833 It's a nice campus you got here. 1316 01:21:56,966 --> 01:21:58,434 So, uh, 1317 01:21:58,567 --> 01:22:01,336 what's a girl supposed to do once she's here? 1318 01:22:01,470 --> 01:22:03,205 (laughs) Sure, classes. 1319 01:22:03,338 --> 01:22:05,374 But ain't you got any parties? 1320 01:22:05,507 --> 01:22:07,776 Not till the evening, huh? 1321 01:22:09,045 --> 01:22:11,280 All right, I can handle that. 1322 01:22:11,413 --> 01:22:14,249 I'm from Granville, Ohio, so I know quiet. 1323 01:22:14,383 --> 01:22:15,451 (chuckles) 1324 01:22:15,584 --> 01:22:18,253 Thanks a bunch, Dean. See you later. 1325 01:22:20,890 --> 01:22:24,326 Nice fella. Wonder if he's single. 1326 01:22:32,434 --> 01:22:33,903 Cut! Cut! 1327 01:22:34,037 --> 01:22:36,940 (all cheering) We did it! 1328 01:22:37,073 --> 01:22:38,707 (squealing) 1329 01:22:38,842 --> 01:22:42,078 (laughing hysterically) Yes, we did it! 1330 01:22:42,212 --> 01:22:43,947 (laughing hysterically) 1331 01:22:44,080 --> 01:22:47,349 - Okay, check the gate! - Max: Billy, check the gate! 1332 01:22:48,184 --> 01:22:49,618 (laughing) 1333 01:22:51,420 --> 01:22:53,756 Max: Billy! (laughs) 1334 01:22:53,890 --> 01:22:54,924 Bill! 1335 01:22:56,391 --> 01:22:57,693 Billy, come on. 1336 01:22:57,827 --> 01:23:00,596 Bill... Let's get a crowbar. Come on. Hurry up. 1337 01:23:03,233 --> 01:23:04,234 (all) Bill! 1338 01:23:04,366 --> 01:23:06,035 Ruth: Oh, my God. 1339 01:23:10,539 --> 01:23:11,975 He's dead. 1340 01:23:13,442 --> 01:23:18,047 (playing jazz) 1341 01:23:18,181 --> 01:23:20,415 (people whooping) 1342 01:23:21,084 --> 01:23:22,317 Manuel! 1343 01:23:23,153 --> 01:23:24,419 Meet Estelle. 1344 01:23:24,553 --> 01:23:27,157 She's from Broadway. She's a real actor. 1345 01:23:27,289 --> 01:23:32,294 We got engaged yesterday. Now she's trying to explain to me that movies are a low art. 1346 01:23:33,163 --> 01:23:34,296 Mucho gusto. Drinks? 1347 01:23:34,429 --> 01:23:36,665 Double shot of tequila. Water, darling. 1348 01:23:39,301 --> 01:23:40,937 (shattering) Hola, Jacky! 1349 01:23:41,070 --> 01:23:42,771 Hola, Carmelita. 1350 01:23:43,605 --> 01:23:45,875 I have no idea who that is. 1351 01:23:49,879 --> 01:23:53,850 The point is, darling, I believe movies are every bit as profound. 1352 01:23:53,983 --> 01:23:56,786 And with sync sound, which, who knows, 1353 01:23:56,920 --> 01:23:59,823 could be what the discovery of perspective was for painting, 1354 01:23:59,956 --> 01:24:03,392 I think what we have here in Hollywood is high art. 1355 01:24:03,525 --> 01:24:06,129 It's... Party time, sparkle cocks! 1356 01:24:06,262 --> 01:24:08,397 (all cheering) 1357 01:24:09,165 --> 01:24:10,834 Hot damn! 1358 01:24:10,967 --> 01:24:13,169 Jack Conrad? Hmm. 1359 01:24:13,303 --> 01:24:17,506 You are even more fuckable in person. 1360 01:24:17,639 --> 01:24:20,076 Thank you. This is Estelle. 1361 01:24:20,210 --> 01:24:21,911 His fiancée. Fiancée? 1362 01:24:22,045 --> 01:24:24,080 Hey, I'm not actually gonna fuck him. 1363 01:24:24,214 --> 01:24:26,648 I beat the whole USC football team at a game of craps when we wrapped, 1364 01:24:26,783 --> 01:24:28,918 so now they have to be my slaves for the night. 1365 01:24:29,052 --> 01:24:31,187 Jack, can you say hi to my dad, please? Sure. 1366 01:24:31,321 --> 01:24:33,890 He wanted to meet you. He's also my manager. It's a good thing we met, Jack. 1367 01:24:34,023 --> 01:24:36,192 I got a business proposition just for you. 1368 01:24:36,326 --> 01:24:38,460 A Nellie-themed diner. 1369 01:24:38,594 --> 01:24:40,964 I'm gonna call it "The Wild Child Grill." 1370 01:24:41,097 --> 01:24:44,466 I'm gonna serve sandwiches shaped like her face. 1371 01:24:44,600 --> 01:24:47,003 (band playing quietly) 1372 01:24:47,136 --> 01:24:48,838 Sidney: It's not a threat, it's just what it is. 1373 01:24:48,972 --> 01:24:51,207 If you keep playing flat, I'm gonna fucking headbutt you, 1374 01:24:51,341 --> 01:24:53,508 and it's just gonna be what it's gonna be. 1375 01:24:53,642 --> 01:24:55,278 You need to play better. You embarrassing us. 1376 01:24:55,410 --> 01:24:57,815 Joe, you hear what he just said to me? Listen to this psychopath. 1377 01:24:57,948 --> 01:24:59,817 When you gonna do something? Why you worried about Joe? 1378 01:24:59,950 --> 01:25:01,384 Nigga, when are you gonna do something? 1379 01:25:01,517 --> 01:25:02,920 Have you ever heard of Alexander Scriabin? 1380 01:25:03,053 --> 01:25:05,256 Why the fuck do I care about Alexander Scriabin? 1381 01:25:05,388 --> 01:25:07,291 Alexander Scriabin was a Russian pianist. 1382 01:25:07,423 --> 01:25:10,160 Broke his hands just so his fingers could stretch across the keys better. 1383 01:25:10,294 --> 01:25:13,730 I'm saying if I fucking headbutt you across them funky-ass lips of yours, 1384 01:25:13,864 --> 01:25:15,565 you might start playing a little better. 1385 01:25:15,698 --> 01:25:17,368 We can hope. You're fucking deranged, Sidney. 1386 01:25:17,500 --> 01:25:20,304 Elinor's trying to civilize me for talkies. Ain't that nice? 1387 01:25:20,436 --> 01:25:21,839 "Isn't that nice?" 1388 01:25:21,972 --> 01:25:24,108 Isn't. And more attire next time. 1389 01:25:24,241 --> 01:25:25,943 A little more attire's always in the way. 1390 01:25:26,076 --> 01:25:28,012 Nellie dresses low 'cause Nellie is low. 1391 01:25:28,145 --> 01:25:31,081 Now, let me tell you about the time I fought a rattlesnake. 1392 01:25:31,215 --> 01:25:33,117 It was Death Valley. April. 1393 01:25:33,250 --> 01:25:35,752 Jack? It's George. 1394 01:25:37,420 --> 01:25:38,923 Aw, Georgie. 1395 01:25:39,722 --> 01:25:42,192 Who was it this time? (panting) 1396 01:25:42,326 --> 01:25:43,760 Claire. 1397 01:25:43,894 --> 01:25:45,628 Claire. Well, Claire's a lesbian. 1398 01:25:45,762 --> 01:25:47,463 That's an uphill battle for anyone. 1399 01:25:47,597 --> 01:25:50,267 Come on, buddy, get your head out of there. Let's go get a drink. 1400 01:25:50,401 --> 01:25:52,102 Okay, okay, I'll stop. 1401 01:25:55,072 --> 01:25:56,006 I'm stuck. 1402 01:25:56,140 --> 01:25:58,175 What? I'm stuck. 1403 01:25:58,309 --> 01:25:59,742 Get me the fuck out of here! 1404 01:25:59,877 --> 01:26:02,445 (emcee) Ladies and gentlemen, your attention, please! 1405 01:26:02,578 --> 01:26:04,447 For your entertainment this evening, 1406 01:26:04,580 --> 01:26:08,718 Miss Lady Fay Zhu will now choose a partner. 1407 01:26:09,452 --> 01:26:13,791 (band playing tango) 1408 01:26:25,235 --> 01:26:26,469 Hi. 1409 01:26:27,537 --> 01:26:29,772 I'm Nellie LaRoy's dad. 1410 01:26:30,207 --> 01:26:31,574 (chuckles) 1411 01:26:31,708 --> 01:26:33,210 What's your name? 1412 01:27:44,680 --> 01:27:46,316 Cannonball! 1413 01:27:57,560 --> 01:28:00,030 (laughing) 1414 01:28:06,236 --> 01:28:08,638 (crowd applauding) 1415 01:28:17,680 --> 01:28:20,551 (vocalizing) 1416 01:28:20,683 --> 01:28:22,319 You're great, man. 1417 01:28:22,453 --> 01:28:25,989 You call my office 'cause we're gonna need more musicians. 1418 01:28:26,123 --> 01:28:27,558 And you're talented, man. 1419 01:28:27,690 --> 01:28:29,059 Mr. Thalberg, it's an honor to meet... 1420 01:28:29,193 --> 01:28:31,627 Yeah, I'm gonna go throw up now. 1421 01:28:34,298 --> 01:28:37,067 (guest 1) Spoke to my friend at Kinoscope. He said the movie's a disaster. 1422 01:28:37,201 --> 01:28:39,203 - (guest 2) LaRoy's? - (guest 1) Yeah. 1423 01:28:39,336 --> 01:28:41,405 They went double the budget 'cause she could never hit her fucking mark 1424 01:28:41,538 --> 01:28:44,174 and her voice sounds like a dying pig. (laughter) 1425 01:28:44,308 --> 01:28:46,642 No, seriously, apparently the footage is so awful, 1426 01:28:46,776 --> 01:28:48,345 Wallach's already thinking about dumping her. 1427 01:28:48,479 --> 01:28:50,981 (guest 2) I'm not surprised. She never had any talent anyway. 1428 01:28:51,115 --> 01:28:52,950 (guest 1) Oh, my God. Zero. 1429 01:28:53,083 --> 01:28:57,254 Filthy, slutty piece of fucking trash with a nasty voice. 1430 01:28:57,788 --> 01:28:58,956 (laughing) 1431 01:28:59,089 --> 01:29:00,891 You meet her dad? Oh, my God. 1432 01:29:01,024 --> 01:29:04,128 He's even more embarrassing than she is. Fucking idiot. 1433 01:29:06,096 --> 01:29:07,364 Goodbye! 1434 01:29:07,498 --> 01:29:08,631 (laughing) 1435 01:29:08,764 --> 01:29:10,868 Don't come back! (laughing continues) 1436 01:29:11,001 --> 01:29:14,271 (guest 1) It's the end, I'm telling you. It's the end for all of 'em. 1437 01:29:14,404 --> 01:29:15,638 All the frogs. 1438 01:29:25,582 --> 01:29:28,218 (crying, sniffling) 1439 01:29:45,668 --> 01:29:48,305 (sighs) Don't be a fucking baby. 1440 01:30:02,419 --> 01:30:05,289 Robert: And that, that is when I grabbed the snake by the head. 1441 01:30:05,422 --> 01:30:08,258 The big fucking man! There he is! What? 1442 01:30:08,392 --> 01:30:10,894 What's he telling you? What was he saying to you? 1443 01:30:11,028 --> 01:30:12,496 The snake story. The snake story. 1444 01:30:12,629 --> 01:30:15,132 Come on, buddy. You got it, yeah. 1445 01:30:15,265 --> 01:30:16,934 Nellie: Dad, I have an idea. 1446 01:30:17,067 --> 01:30:21,872 Why don't you fight a snake... A real one... right now? 1447 01:30:22,005 --> 01:30:23,874 Come on. Okay, no problemo. 1448 01:30:24,007 --> 01:30:26,143 Let's go fight a snake. Okay! 1449 01:30:26,276 --> 01:30:30,347 Fucking listen up, all you big-dick Mister Men! 1450 01:30:30,480 --> 01:30:36,019 Who wants to see my dad fight a fucking snake? 1451 01:30:37,921 --> 01:30:39,122 Fuck yeah! 1452 01:30:39,256 --> 01:30:42,125 (all cheering) 1453 01:30:43,660 --> 01:30:45,696 Jack: A snake's getting fought! 1454 01:30:45,829 --> 01:30:47,763 A snake's getting fought! 1455 01:30:54,071 --> 01:30:56,039 Yeah, I mean, Chaplin is hung for sure, 1456 01:30:56,173 --> 01:30:59,243 but Gary Cooper... Gary Cooper is a fucking horse! 1457 01:30:59,376 --> 01:31:03,413 He's also a fucking pussy. All that cock... (snorts) ...no balls. 1458 01:31:03,547 --> 01:31:04,982 A shame. (snorts) 1459 01:31:05,115 --> 01:31:07,351 What are the schlongs like on Broadway? You want some? 1460 01:31:07,484 --> 01:31:10,854 Estelle: No, thank you. Doesn't look that bad, buddy. 1461 01:31:10,988 --> 01:31:12,389 Stop! (pats window) 1462 01:31:17,928 --> 01:31:20,397 (rattling) 1463 01:31:21,398 --> 01:31:23,667 (car doors closing) 1464 01:31:23,800 --> 01:31:25,602 Sweetie, come on. Please don't... 1465 01:31:25,736 --> 01:31:27,271 (laughing) 1466 01:31:27,404 --> 01:31:29,206 Elinor: Thank you. 1467 01:31:29,339 --> 01:31:30,374 Please, hurry! 1468 01:31:30,507 --> 01:31:32,542 (squealing, laughing) 1469 01:31:34,444 --> 01:31:37,147 This can't be where we... Where are we? 1470 01:31:37,281 --> 01:31:39,049 (laughing) 1471 01:31:39,182 --> 01:31:41,785 Where'd he go? (people exclaiming) 1472 01:31:43,220 --> 01:31:44,988 (laughing) Robert: Holy fuck! 1473 01:31:45,122 --> 01:31:48,058 Out of my way! Huh. Huh. 1474 01:31:48,191 --> 01:31:51,261 No! Stand... Stand... Stand back. 1475 01:31:52,229 --> 01:31:53,397 Back! 1476 01:31:53,530 --> 01:31:55,165 I'm gonna fight a snake. 1477 01:31:55,299 --> 01:31:57,934 (rattling continues) Whoo! 1478 01:31:58,068 --> 01:32:02,572 (laughs) Look, sweetie, he's gonna fight a snake. Isn't this great? 1479 01:32:02,706 --> 01:32:04,408 Robert: Here we go. 1480 01:32:04,541 --> 01:32:05,575 Ha! 1481 01:32:08,779 --> 01:32:11,948 See that snake? See this man? 1482 01:32:12,784 --> 01:32:14,151 Watch this. 1483 01:32:16,887 --> 01:32:18,488 (rattling) 1484 01:32:18,622 --> 01:32:20,624 So, first, 1485 01:32:20,757 --> 01:32:25,729 one must assume the position of a mongoose! 1486 01:32:25,862 --> 01:32:28,365 (growls, hisses) (crowd laughing) 1487 01:32:28,498 --> 01:32:31,601 (imitates rattling) 1488 01:32:31,735 --> 01:32:33,805 I'm not... I'm just gonna... 1489 01:32:33,937 --> 01:32:35,439 (grunts) 1490 01:32:35,572 --> 01:32:37,809 (babbling) Tell me that... 1491 01:32:37,941 --> 01:32:41,411 If I could just've done the whole thing over and over and over! 1492 01:32:41,545 --> 01:32:44,748 If I could just fucking defend... Yeah... Fighting... 1493 01:32:44,881 --> 01:32:48,185 (babbling) If I could just... 1494 01:32:48,618 --> 01:32:49,853 I... 1495 01:32:52,389 --> 01:32:53,623 Aw! (laughing) 1496 01:32:53,757 --> 01:32:55,459 (crowd laughing) 1497 01:32:57,060 --> 01:33:00,230 Motherfucker! 1498 01:33:00,931 --> 01:33:02,332 Who is gonna fight it? 1499 01:33:03,867 --> 01:33:05,869 No, I'm not onboard. I'm scared. 1500 01:33:06,002 --> 01:33:07,270 I got practice. I'm allergic. 1501 01:33:07,404 --> 01:33:11,608 Goddamn it, you fucking pussies! (kicks sand) 1502 01:33:11,742 --> 01:33:16,413 You fucking piece-of-shit, fucking bullshit, fucking pussies! 1503 01:33:16,546 --> 01:33:20,183 The night is almost over. I got a 10:00 a.m. call time. 1504 01:33:20,317 --> 01:33:24,254 I just want to see a motherfucking snake fight! 1505 01:33:24,388 --> 01:33:27,591 Nellie, babe... Don't "Nellie, babe" me, you six-foot vagina! 1506 01:33:27,724 --> 01:33:30,360 (crowd laughing) 1507 01:33:30,494 --> 01:33:31,695 I will fight it! 1508 01:33:31,829 --> 01:33:33,330 - (crowd) No, no, no! - Jack: Yes! 1509 01:33:33,463 --> 01:33:35,365 I'm more man than any of you. Nellie, Nellie. 1510 01:33:35,499 --> 01:33:37,768 I ain't a fucking pussy! Nellie... 1511 01:33:37,901 --> 01:33:41,338 (rattling) 1512 01:33:44,541 --> 01:33:47,010 Oh! (gasping) 1513 01:33:47,911 --> 01:33:50,648 See? You see that? 1514 01:33:50,782 --> 01:33:52,483 It's that fucking easy! 1515 01:33:52,617 --> 01:33:53,951 You chickenshit... 1516 01:33:54,085 --> 01:33:55,019 (screaming) 1517 01:33:55,153 --> 01:33:56,521 Nellie! (all gasping) 1518 01:33:56,654 --> 01:33:59,023 (screaming) 1519 01:34:00,925 --> 01:34:03,094 It's not letting go! 1520 01:34:03,227 --> 01:34:04,362 Nellie! Nellie! 1521 01:34:04,495 --> 01:34:06,564 Let it go. Let it... Hey! Hey, I got it! 1522 01:34:08,499 --> 01:34:10,668 (crowd screaming) 1523 01:34:10,803 --> 01:34:13,571 (ballad playing) 1524 01:34:19,310 --> 01:34:22,046 Help me! Help me! (screaming) 1525 01:34:22,580 --> 01:34:24,115 Estelle: Jack! 1526 01:34:24,817 --> 01:34:26,217 Jack! 1527 01:34:30,755 --> 01:34:34,025 (people screaming, shouting) 1528 01:34:34,158 --> 01:34:36,694 (ballad continues playing) 1529 01:35:02,620 --> 01:35:03,988 Estelle: Jack! 1530 01:35:04,622 --> 01:35:05,958 Jack! 1531 01:35:06,090 --> 01:35:07,658 Jack, do something! 1532 01:35:07,793 --> 01:35:11,996 Right. Once more into the breach, dear friends! 1533 01:35:12,129 --> 01:35:14,198 Once more! 1534 01:35:15,132 --> 01:35:17,535 (shouting) 1535 01:35:18,871 --> 01:35:22,373 (screaming) 1536 01:35:25,109 --> 01:35:27,612 Jacky! 1537 01:35:27,745 --> 01:35:29,714 (screams) (groans) 1538 01:35:29,848 --> 01:35:32,750 Help us! 1539 01:35:32,885 --> 01:35:34,418 For fuck's sake. 1540 01:35:39,156 --> 01:35:40,859 (rattling) 1541 01:35:41,559 --> 01:35:43,661 (Nellie thuds) (screaming) 1542 01:36:03,916 --> 01:36:05,716 (sucking) 1543 01:36:05,851 --> 01:36:07,318 (spits) 1544 01:36:07,819 --> 01:36:08,887 (sucking) 1545 01:36:09,021 --> 01:36:10,054 (spits) 1546 01:36:10,187 --> 01:36:13,758 (sucking, spits) 1547 01:36:18,729 --> 01:36:20,298 (gargles) 1548 01:36:23,501 --> 01:36:25,503 (gasps) 1549 01:36:25,636 --> 01:36:26,671 (gags) 1550 01:36:30,641 --> 01:36:33,144 (groans, panting) 1551 01:37:01,138 --> 01:37:04,742 Welcome to the wonderful world of sound! 1552 01:37:22,861 --> 01:37:24,228 I have to do this? 1553 01:37:24,362 --> 01:37:25,964 What do you mean? It's gonna be great! 1554 01:37:26,098 --> 01:37:28,332 Just stand there and sing? Exactly. 1555 01:37:28,466 --> 01:37:30,068 While it's raining. Yeah. 1556 01:37:30,201 --> 01:37:32,503 And that's Noah's Ark? 1557 01:37:33,270 --> 01:37:35,406 Uh, I believe so, yeah. 1558 01:37:35,539 --> 01:37:37,843 Because it's raining so much? 1559 01:37:37,976 --> 01:37:40,444 To be honest with you, I don't really know why it's Noah's Ark. 1560 01:37:40,578 --> 01:37:42,213 Georgie. Come on, come on. 1561 01:37:42,346 --> 01:37:43,849 No. No. What? This is... 1562 01:37:43,982 --> 01:37:46,785 Norma's here. Buster Keaton's here. George, no. No. 1563 01:37:46,918 --> 01:37:48,586 The song's a hit. 1564 01:37:48,719 --> 01:37:50,254 (laughing) You love to sing. 1565 01:37:50,388 --> 01:37:53,859 Oh, I hate you. I hate you. Come on. 1566 01:37:53,992 --> 01:37:56,661 Just don't let Olga shoot me. Okay. 1567 01:38:14,012 --> 01:38:16,148 (mouthing words) 1568 01:38:28,225 --> 01:38:30,028 (director) Cut! Cut! 1569 01:38:30,162 --> 01:38:33,031 Musicians, you're on a break. I wanna work with my actors for a second. 1570 01:38:33,165 --> 01:38:35,766 The head bobbing, it's very mechanical right now. 1571 01:38:35,901 --> 01:38:39,203 Think of something that makes it personal to you. Okay? 1572 01:38:39,336 --> 01:38:41,940 That's a little too much, Mary. That's too personal. Okay? 1573 01:38:42,074 --> 01:38:44,408 So just bobbing, all right? Let's work on that. 1574 01:38:44,542 --> 01:38:46,945 Up. Up. Rest of the body doesn't move. 1575 01:38:47,079 --> 01:38:49,613 Up. Up. Up. Up. Up. Up. 1576 01:38:49,747 --> 01:38:53,584 Very good, Mary. Up. Up. Up. Up. Up. Up. 1577 01:38:53,718 --> 01:38:56,287 Oh, I like this. Isolate the shoulders. What do you think? 1578 01:38:56,420 --> 01:38:59,057 Up. Up. Up. Up. Up. Up. 1579 01:38:59,191 --> 01:39:00,959 You're asking me what I think? 1580 01:39:01,093 --> 01:39:02,194 Okay. Yeah. 1581 01:39:02,326 --> 01:39:03,895 This looks so much better. (laughs) 1582 01:39:04,029 --> 01:39:06,064 I think you got those cameras pointed in the wrong direction. 1583 01:39:06,198 --> 01:39:07,833 Do the rainbow, remember? Big arms! 1584 01:39:07,966 --> 01:39:10,234 That's what I think. Take this one more time. Everybody ready? 1585 01:39:10,367 --> 01:39:12,703 Musicians are ready? And action! 1586 01:39:17,408 --> 01:39:20,212 (trumpet flourishes) 1587 01:39:20,344 --> 01:39:22,214 Up. Up. Up. Up. Up. Up. 1588 01:39:22,379 --> 01:39:23,882 Up. Up. 1589 01:39:24,015 --> 01:39:26,550 Bob. Bob. Bob. Bob. Bob. That's better. 1590 01:39:26,684 --> 01:39:30,122 (trumpet flourishes continue) 1591 01:39:30,254 --> 01:39:32,891 Good. Good, good, Candace. Very good. 1592 01:39:34,592 --> 01:39:39,030 Yeah, it's coming together. This is much better. Remember that energy. 1593 01:39:48,874 --> 01:39:53,912 (end note plays) 1594 01:39:55,013 --> 01:39:57,314 Cut! (bell rings) 1595 01:40:03,221 --> 01:40:04,688 Good idea. 1596 01:40:24,943 --> 01:40:26,577 Manuel Torres. 1597 01:40:28,280 --> 01:40:29,881 How have you been? 1598 01:40:30,481 --> 01:40:32,884 Uh, well, sir. And you? 1599 01:40:35,020 --> 01:40:36,855 Y-You want to talk with Mr. Thalberg? 1600 01:40:36,988 --> 01:40:39,423 Were these Sid Palmer shorts your idea? 1601 01:40:41,325 --> 01:40:44,728 They're more like a collaboration between Sidney and me. 1602 01:40:44,863 --> 01:40:47,299 Uh-huh. How'd you like to leave MGM, 1603 01:40:47,431 --> 01:40:49,100 come be sound chief at Kinoscope? 1604 01:40:50,969 --> 01:40:52,436 What? 1605 01:40:52,570 --> 01:40:55,307 We need Spanish-language pictures. We're taking new directions. 1606 01:40:55,439 --> 01:40:57,641 It's changing times, Manny. I'm honored, sir, but... 1607 01:40:57,775 --> 01:41:00,477 And we need to do something about Nellie LaRoy. 1608 01:41:01,512 --> 01:41:02,914 Oh, yeah. 1609 01:41:03,681 --> 01:41:05,549 You know her, don't you? 1610 01:41:06,584 --> 01:41:08,887 The Jersey thing doesn't work anymore. 1611 01:41:09,020 --> 01:41:11,488 Today's audiences find her pornographic. (chuckles) 1612 01:41:11,622 --> 01:41:14,658 She's been hanging around Jim McKay's casinos like a half-wit. 1613 01:41:14,793 --> 01:41:17,461 She owes gambling debts all over town. 1614 01:41:17,595 --> 01:41:19,663 And she sounds like a donkey. 1615 01:41:20,232 --> 01:41:21,465 I mean... 1616 01:41:23,268 --> 01:41:24,501 Anyways... 1617 01:41:25,469 --> 01:41:26,905 think about it. 1618 01:41:35,046 --> 01:41:36,747 Manny: Gentlemen, here's the plan. 1619 01:41:36,882 --> 01:41:40,352 We turn Nellie LaRoy into a lady. 1620 01:41:40,484 --> 01:41:43,420 We change her parts. We fix her voice. 1621 01:41:43,554 --> 01:41:45,357 No more drugs. No more gambling. 1622 01:41:45,489 --> 01:41:49,560 Elinor St. John writes a story about her amazing transformation. 1623 01:41:49,693 --> 01:41:52,130 With the right endorsements, and with Elinor as an ally, 1624 01:41:52,264 --> 01:41:57,135 we can remake Miss LaRoy into an actress of sophistication. 1625 01:41:57,269 --> 01:41:58,535 Like the ladies of MGM. 1626 01:41:58,669 --> 01:42:00,671 Next, Sidney Palmer. Today's white audiences 1627 01:42:00,805 --> 01:42:02,274 want Negroes in their pictures. 1628 01:42:02,406 --> 01:42:03,741 Negro music, Negro voices. 1629 01:42:03,875 --> 01:42:06,710 So we bring Sidney to Kinoscope, whatever he costs. 1630 01:42:10,414 --> 01:42:11,782 One moment, gentlemen. One moment. 1631 01:42:11,917 --> 01:42:14,585 Um, Sidney Palmer, okay? Sidney Palmer. 1632 01:42:34,039 --> 01:42:36,507 I was hoping I could introduce the two of you. 1633 01:42:36,640 --> 01:42:39,144 Miss LaRoy, meet Mr. Torres. 1634 01:42:39,277 --> 01:42:40,711 Mr. Torres, meet Miss LaRoy. 1635 01:42:40,845 --> 01:42:44,183 Mr. Torres is gonna be working for us here at Kinoscope. 1636 01:42:48,653 --> 01:42:49,989 Hi, Mr. Torres. 1637 01:42:50,122 --> 01:42:51,556 Just want you to know that I'm ready to change, 1638 01:42:51,690 --> 01:42:53,859 and I'll do whatever you need. 1639 01:42:57,196 --> 01:42:58,530 Call me Manny. 1640 01:42:59,165 --> 01:43:00,032 (director) Cut! 1641 01:43:00,166 --> 01:43:02,335 Beautiful. Bellísimo, bellísimo. 1642 01:43:02,467 --> 01:43:04,502 Next time, try softer, okay? 1643 01:43:04,636 --> 01:43:07,406 "But why, my darling Pierre? Why?" 1644 01:43:07,539 --> 01:43:09,008 Walt! Walt, hey! 1645 01:43:09,141 --> 01:43:11,177 Move that microphone 45 degrees, okay? 1646 01:43:11,310 --> 01:43:14,280 That one near her, okay? (phone ringing) 1647 01:43:14,413 --> 01:43:16,816 - Amigo, no, no, no. - Hey... (whistles)... amigo! 1648 01:43:16,949 --> 01:43:19,185 It's not "Manuel," it's "Manny." Manny Torres. 1649 01:43:19,318 --> 01:43:21,253 - Not Manuel, okay? - (assistant) Phone for you, sir! 1650 01:43:21,387 --> 01:43:22,754 Yeah. (speaking Spanish) 1651 01:43:22,888 --> 01:43:24,123 - Manny: Manny Torres. - Jack: Manuel. 1652 01:43:24,256 --> 01:43:26,993 - Jack: Moving up fast. - Jack? I'm sorry. 1653 01:43:27,126 --> 01:43:28,961 I meant to call you. The reds chill her out. 1654 01:43:29,095 --> 01:43:30,930 Blues keep her skinny. Don't say a word. I'm happy for you. 1655 01:43:31,063 --> 01:43:33,132 Jack: You deserve this. Did you see my screen test yet, Manny? 1656 01:43:33,265 --> 01:43:35,901 Jack: Now go show those fat fucks how it's done. 1657 01:43:36,035 --> 01:43:37,502 (line clicks) 1658 01:43:39,071 --> 01:43:41,539 Okay! Okay! (speaking Spanish) 1659 01:43:41,673 --> 01:43:44,642 Let's roll, people! Let's go! Take two! 1660 01:43:44,776 --> 01:43:48,546 "Pierre, who is the fella to whom you are speaking?" 1661 01:43:48,680 --> 01:43:50,749 "Who is the fellow..." Fellow. 1662 01:43:50,883 --> 01:43:52,517 Fellow. Fuck. Fellow. 1663 01:43:52,650 --> 01:43:54,820 Welcome to your new home, Mr. Palmer. 1664 01:44:04,096 --> 01:44:05,965 And your car. 1665 01:44:06,966 --> 01:44:08,901 A gift from Mr. Wallach. 1666 01:44:13,671 --> 01:44:16,674 And that finishes at 5:30, leaving you enough time to make the gala. 1667 01:44:16,809 --> 01:44:18,244 And a Hearst invite has come in for Miss LaRoy. 1668 01:44:18,377 --> 01:44:20,946 Only question is, what do we do about Fay Zhu? 1669 01:44:23,449 --> 01:44:25,818 It won't help Nellie with the Hearst crowd. 1670 01:44:38,898 --> 01:44:41,100 "Listen to me, Catherine. I don't care if they find us. 1671 01:44:41,233 --> 01:44:44,136 They could strip me of my rank and it wouldn't change how I feel." 1672 01:44:44,270 --> 01:44:47,306 Latest voice tests: Conrad Nagel, rich tone. 1673 01:44:47,440 --> 01:44:48,908 William Haines, good consonants. 1674 01:44:49,041 --> 01:44:50,943 Manny: You're messing with Nellie's career, 1675 01:44:51,077 --> 01:44:54,513 and we're trying so hard to get it back on track. 1676 01:44:54,646 --> 01:44:57,249 There's a new sensibility now. 1677 01:44:57,383 --> 01:44:59,418 People care about morals. 1678 01:44:59,552 --> 01:45:03,122 "I've known loss. I've known pain. You're what gives me life." 1679 01:45:03,255 --> 01:45:05,558 Try accenting "you" a little more, darling. 1680 01:45:05,690 --> 01:45:07,759 "You are what gives me life." 1681 01:45:08,260 --> 01:45:09,661 Just a suggestion. 1682 01:45:09,795 --> 01:45:13,065 Marion Davies stutters a bit. Maybe supporting roles from now on? 1683 01:45:13,199 --> 01:45:14,967 Manny: This sort of thing is no longer acceptable. 1684 01:45:15,101 --> 01:45:18,204 "You are what gives me life." Maybe try it slower. 1685 01:45:18,337 --> 01:45:21,773 Ramon Novarro can play guitar, but south-of-the-border accent. 1686 01:45:23,608 --> 01:45:27,980 What I'm trying to say is Kinoscope can no longer employ you. 1687 01:45:31,417 --> 01:45:35,154 Your image is not helpful, and we don't need titles anymore. 1688 01:45:38,157 --> 01:45:39,391 That's it. 1689 01:45:42,228 --> 01:45:43,728 I'm sorry. 1690 01:45:54,507 --> 01:45:58,511 Thalberg: Jack Conrad has a good voice, is our biggest asset. 1691 01:45:58,643 --> 01:46:00,179 Also the most expensive. (knocks on door) 1692 01:46:00,312 --> 01:46:03,349 - Yeah? - Jack: "You are what gives me life. 1693 01:46:03,482 --> 01:46:05,050 I love you." 1694 01:46:05,184 --> 01:46:08,120 Then what I'd suggest there would be to... (phone ringing) 1695 01:46:09,721 --> 01:46:11,123 Jack: Hello? Jack, it's Irv. 1696 01:46:11,257 --> 01:46:13,225 Listen, there's no good way to say this... 1697 01:46:13,359 --> 01:46:15,094 They found George in his home this morning. 1698 01:46:15,227 --> 01:46:17,830 Looks like he struck out with a girl he was seeing. 1699 01:46:17,963 --> 01:46:19,697 He shot himself. 1700 01:46:22,201 --> 01:46:23,235 Jack? 1701 01:46:25,504 --> 01:46:26,738 Thank you. 1702 01:46:33,212 --> 01:46:38,284 So, what I would suggest there would be to play subtext rather than... 1703 01:46:41,153 --> 01:46:42,388 Honey? 1704 01:46:42,521 --> 01:46:44,256 Are you okay? 1705 01:46:45,723 --> 01:46:48,427 He was the first one to say I have talent. 1706 01:46:49,929 --> 01:46:51,797 He saved my life. 1707 01:46:52,531 --> 01:46:53,765 Who? 1708 01:46:58,537 --> 01:47:00,738 It's not a low art, you know. 1709 01:47:00,873 --> 01:47:02,975 I want you to know that. 1710 01:47:04,443 --> 01:47:07,446 What I do means something to millions of people. 1711 01:47:07,580 --> 01:47:11,684 My folks didn't have the money or the education to go to the theater, 1712 01:47:11,817 --> 01:47:14,853 so they went to the vaudeville houses, and then the nickelodeons. 1713 01:47:14,987 --> 01:47:18,324 And you know what? There's beauty there. 1714 01:47:19,491 --> 01:47:22,795 What happens up on that screen means something. 1715 01:47:22,928 --> 01:47:25,965 Maybe not to you in your ivory tower. 1716 01:47:26,098 --> 01:47:30,735 But for real people on the ground, it means something. 1717 01:47:32,571 --> 01:47:35,874 Jack, I-I have no idea what you're talking about. 1718 01:47:36,008 --> 01:47:37,509 Of course you don't. 1719 01:47:37,643 --> 01:47:39,777 Of course you don't! 1720 01:47:39,912 --> 01:47:42,414 A hundred thousand people see you on Broadway, 1721 01:47:42,548 --> 01:47:45,417 and it's the smash of the century, right? 1722 01:47:46,085 --> 01:47:47,920 Well, here it's a flop! 1723 01:47:48,988 --> 01:47:50,522 A fucking flop! 1724 01:47:50,656 --> 01:47:53,758 So do me a favor, darling. Save your subtext recommendations 1725 01:47:53,892 --> 01:47:57,563 for your pretentious Eugene O'Neill-Henrik Ibsen jerk-offs 1726 01:47:57,696 --> 01:48:01,233 that only a handful of rich geriatrics give two fucks about, 1727 01:48:01,367 --> 01:48:04,270 and I'll do what I do without your help! 1728 01:48:05,770 --> 01:48:07,072 Huh? (gasps) 1729 01:48:10,442 --> 01:48:12,411 (breathing heavily) 1730 01:48:16,649 --> 01:48:18,817 (crying) 1731 01:48:30,195 --> 01:48:32,598 Listen, Catherine. I don't care if they find us. 1732 01:48:32,731 --> 01:48:36,001 They could strip me of my rank and it wouldn't change how I feel. 1733 01:48:36,135 --> 01:48:38,837 I've known loss. I've known pain. 1734 01:48:40,005 --> 01:48:42,408 It's you who gives me life. 1735 01:48:43,842 --> 01:48:45,344 I love you. 1736 01:48:53,185 --> 01:48:55,587 You think it works? It's great. 1737 01:48:56,121 --> 01:48:57,523 It's a winner, Jack. 1738 01:48:57,656 --> 01:48:59,325 You think it works? 1739 01:49:02,494 --> 01:49:04,963 (sighs) 1740 01:49:06,031 --> 01:49:08,100 I wish George could've seen it. 1741 01:49:08,901 --> 01:49:10,269 (director) Yes. 1742 01:49:11,570 --> 01:49:13,005 (knock on door) 1743 01:49:13,138 --> 01:49:15,741 (assistant) Mr. Conrad, you're gonna miss your train. 1744 01:49:15,874 --> 01:49:17,109 Christ! 1745 01:49:17,676 --> 01:49:19,411 (groans) Ah, fuck. 1746 01:49:19,545 --> 01:49:22,848 I'm off to repair my marriage. I'll see you bastards in a month. 1747 01:49:22,981 --> 01:49:24,550 (director) Good luck with that. 1748 01:49:27,419 --> 01:49:29,188 Elinor: Okay, don't forget. 1749 01:49:29,321 --> 01:49:32,157 Your friend Manuel pulled a lot of strings to get you in here. 1750 01:49:32,291 --> 01:49:34,393 These people choose who stays and who goes. 1751 01:49:34,526 --> 01:49:36,595 So show them that you're a lady of sophistication 1752 01:49:36,729 --> 01:49:38,063 and you'll be back on top. 1753 01:49:38,197 --> 01:49:39,865 So, now what did we discuss? 1754 01:49:39,998 --> 01:49:42,267 (clears throat) "-ing" not "-in." 1755 01:49:42,401 --> 01:49:44,069 "Isn't" not "ain't." Mm-hmm. 1756 01:49:44,203 --> 01:49:46,472 And when in doubt, say somethin' French. 1757 01:49:46,605 --> 01:49:47,841 Perfection! 1758 01:49:47,973 --> 01:49:51,343 Also, no drinking, and try not to eat too much. 1759 01:49:52,144 --> 01:49:53,946 Billy! Marion! 1760 01:49:54,079 --> 01:49:55,981 Oh, Elinor! Hello. 1761 01:49:56,115 --> 01:50:00,052 May I please present to you Miss Nellie LaRoy. 1762 01:50:00,185 --> 01:50:02,688 How do you do? Enchantée. 1763 01:50:02,822 --> 01:50:04,323 Hearst: Good evening, Miss LaRoy. 1764 01:50:04,456 --> 01:50:05,591 Oh. (chuckles) 1765 01:50:06,158 --> 01:50:07,459 Oh. (chuckles) 1766 01:50:07,593 --> 01:50:09,695 Nell, I'd like you to also meet Mildred Yates. 1767 01:50:10,195 --> 01:50:12,064 Sir Delmer Lunny. 1768 01:50:12,832 --> 01:50:15,501 And Jonathan and Harriet Rothschild. 1769 01:50:15,634 --> 01:50:17,269 Pleasure. (kisses) 1770 01:50:17,403 --> 01:50:19,806 Jonathan: Gerald, have you heard about the new Ellis Engel picture? 1771 01:50:19,938 --> 01:50:21,340 It sounds just awful. 1772 01:50:21,473 --> 01:50:23,877 Gerald: Yes, I've spoken to L.B. about it already. 1773 01:50:24,009 --> 01:50:26,612 There'll be no more of that kind of thing, I can assure you. 1774 01:50:26,745 --> 01:50:31,450 Here we have a pâté de campagne designed by Krümt with a Takagei bubble. 1775 01:50:31,583 --> 01:50:36,522 I hear it's Strindberg season in New York. Do you like Miss Julie? 1776 01:50:37,289 --> 01:50:41,493 Yes, she is lovely and very talented. 1777 01:50:41,627 --> 01:50:43,495 (all laughing) 1778 01:50:46,900 --> 01:50:48,500 (laughs) 1779 01:50:53,605 --> 01:50:54,640 (chattering) 1780 01:50:54,773 --> 01:50:56,341 (chuckles) 1781 01:50:59,578 --> 01:51:01,246 (chattering continues) 1782 01:51:03,282 --> 01:51:05,250 Sidney. Manny. 1783 01:51:14,861 --> 01:51:16,161 All right. 1784 01:51:16,295 --> 01:51:19,765 Billy, is your new rug really a Klikó? 1785 01:51:19,899 --> 01:51:22,734 I got it last spring. One of a kind. 1786 01:51:22,869 --> 01:51:24,002 Mr. Palmer. 1787 01:51:24,136 --> 01:51:26,171 It is truly an honor to meet you. 1788 01:51:26,305 --> 01:51:28,774 Teddy and I saw Cottage Blues last week. 1789 01:51:28,908 --> 01:51:30,509 Genius! 1790 01:51:31,376 --> 01:51:32,411 Thanks. 1791 01:51:36,549 --> 01:51:39,185 Do you play bridge, Miss LaRoy? 1792 01:51:41,789 --> 01:51:44,457 (in French) The bread speaks English with the dog young. 1793 01:51:45,926 --> 01:51:48,094 (speaking French) 1794 01:51:49,028 --> 01:51:51,431 (Elinor responds in French) (laughter) 1795 01:51:55,568 --> 01:51:57,103 (guest) You're from Mexico, then? 1796 01:51:57,237 --> 01:51:59,405 Uh, Spain. Madrid. 1797 01:52:00,039 --> 01:52:02,075 Spain. Madrid. Wow. 1798 01:52:02,208 --> 01:52:04,110 How did you get into music, Mr. Palmer? 1799 01:52:04,244 --> 01:52:07,113 Uh, I taught myself, mostly. 1800 01:52:07,247 --> 01:52:10,918 Incredible. Who are your influences? 1801 01:52:11,084 --> 01:52:13,520 Uh, Scriabin. Ah. 1802 01:52:13,653 --> 01:52:15,288 I like Rachmaninoff. 1803 01:52:19,960 --> 01:52:25,298 Do you think George Eliot was better as a novelist or a poet, Nell? 1804 01:52:27,033 --> 01:52:30,036 I think he was marvelous, marvelous at both. (chuckles) 1805 01:52:30,169 --> 01:52:36,010 Now I do apologize, but I must resign briefly to the powder room. 1806 01:52:36,142 --> 01:52:38,111 I shan't be long. Ta-ta! 1807 01:52:38,244 --> 01:52:41,648 ...everything you need, you know, right here. It's got the restaurants and... 1808 01:52:41,781 --> 01:52:44,985 Of course, now you can't gamble in LA. You been to Cal-Neva? 1809 01:52:45,118 --> 01:52:47,988 This one guy McKay owns a few joints, but he's a little scary, so... 1810 01:52:48,121 --> 01:52:50,356 One moment, please. Oh, sure. 1811 01:52:52,659 --> 01:52:55,261 Jack! Didn't think you'd get in in time. How was Europe? 1812 01:52:55,395 --> 01:52:57,865 Inspiring! Di... And congrats on the new film. 1813 01:52:57,998 --> 01:52:59,499 Opens tonight, right? Correct. 1814 01:52:59,632 --> 01:53:02,702 Did you know Michelangelo painted the entire Sistine Chapel 1815 01:53:02,836 --> 01:53:03,904 on his back? 1816 01:53:04,038 --> 01:53:05,873 Manny! How's our girl doing? 1817 01:53:06,006 --> 01:53:09,409 Oh, She's doing great. Perfect. Okay, good. 1818 01:53:12,012 --> 01:53:13,179 Nellie: Manny, I need to go home. 1819 01:53:13,313 --> 01:53:14,815 You cannot go home. I can't do this. 1820 01:53:14,949 --> 01:53:16,449 You're going back out there. I'm having a heart attack. 1821 01:53:16,583 --> 01:53:18,685 Elinor and I worked so hard to get you into this. 1822 01:53:18,819 --> 01:53:21,154 Manny, I am dying out there. Okay, okay. 1823 01:53:21,287 --> 01:53:23,222 They're a bunch of... They're awful. 1824 01:53:23,356 --> 01:53:26,927 Mildred's got a fucking rabbit on her shoulders that's probably still alive. 1825 01:53:27,061 --> 01:53:28,361 Hey. The ass-pincher! 1826 01:53:28,494 --> 01:53:29,964 They can save your career. They don't like me! 1827 01:53:30,096 --> 01:53:31,764 If they like you... They don't! 1828 01:53:31,899 --> 01:53:33,834 ...we get the right director, the right publicity... What about Ruth? 1829 01:53:33,968 --> 01:53:35,869 I need Ruth back. Ruth doesn't fucking cut it anymore! 1830 01:53:36,003 --> 01:53:38,072 Listen to me, I'm here for you. It's you and me. 1831 01:53:38,204 --> 01:53:41,574 You could be a star again, Nellie. Again. It's you and me. 1832 01:53:43,443 --> 01:53:45,178 You look beautiful, okay? 1833 01:53:45,311 --> 01:53:47,915 I look fucking ridiculous. What's your name? 1834 01:53:48,048 --> 01:53:50,383 Nellie LaRoy. Perfect. Once again. 1835 01:53:50,516 --> 01:53:53,286 Nellie LaRoy. In French. 1836 01:53:53,419 --> 01:53:56,689 It is French already! (chuckles) Okay, let's go. 1837 01:53:56,824 --> 01:53:58,691 Nellie: "Roy" means "king," remember? 1838 01:54:01,929 --> 01:54:03,162 Beautiful. 1839 01:54:04,130 --> 01:54:06,699 Jack. It's great to see you. 1840 01:54:06,834 --> 01:54:08,468 You, too. Salud. 1841 01:54:09,369 --> 01:54:11,204 Are you holding up? 1842 01:54:14,842 --> 01:54:16,609 Well, I do miss him. 1843 01:54:17,276 --> 01:54:18,578 Uh... 1844 01:54:18,711 --> 01:54:19,880 Miss him? 1845 01:54:20,647 --> 01:54:21,748 George. 1846 01:54:22,548 --> 01:54:24,584 What were you referring to? 1847 01:54:24,717 --> 01:54:28,022 Uh... Jack. How was Europe? 1848 01:54:28,154 --> 01:54:30,156 Great! And good to be home. 1849 01:54:30,289 --> 01:54:31,925 That's the attitude. 1850 01:54:32,392 --> 01:54:33,927 Staying strong. 1851 01:54:37,163 --> 01:54:38,765 Where have you been? She's fine. 1852 01:54:38,899 --> 01:54:41,668 And what do you think of the new wave of race films, Mr. Palmer? 1853 01:54:41,802 --> 01:54:46,506 I find the studios' committees for the casting of Negroes inspiring, don't you? 1854 01:54:46,639 --> 01:54:49,977 And he replies, "Do they need an electrician?" 1855 01:54:50,110 --> 01:54:51,177 (all laughing) 1856 01:54:51,310 --> 01:54:52,946 Do you know any good jokes, Nellie? 1857 01:54:53,080 --> 01:54:54,514 Yeah, I... 1858 01:54:54,647 --> 01:54:57,216 Nell prefers listening to jokes rather than telling them. 1859 01:54:57,350 --> 01:54:59,153 Come on, tell us a joke. I have a joke. 1860 01:54:59,285 --> 01:55:01,021 Harold Lloyd and I were in France... 1861 01:55:01,155 --> 01:55:02,956 Hey, how you holding up? 1862 01:55:03,857 --> 01:55:05,258 You, too? 1863 01:55:05,391 --> 01:55:08,095 Well, I guess the movie isn't a hit. 1864 01:55:08,227 --> 01:55:09,529 So be it. 1865 01:55:09,662 --> 01:55:12,231 I'm sure you'll get another chance. 1866 01:55:13,466 --> 01:55:15,635 Why wouldn't I get another chance? 1867 01:55:16,269 --> 01:55:17,805 No, it just... What I mean... 1868 01:55:17,938 --> 01:55:21,909 Would someone kindly tell me what the fuck is going on? 1869 01:55:32,019 --> 01:55:33,686 He shows up with a mime. 1870 01:55:33,821 --> 01:55:38,125 I go, "Harold, my croque monsieur is worth a lot more than a mime!" 1871 01:55:38,257 --> 01:55:39,827 (laughter) 1872 01:55:39,960 --> 01:55:43,262 Nell, you must have some good ones. Well, I-I... 1873 01:55:43,396 --> 01:55:45,531 I am not the best joke teller. 1874 01:55:45,665 --> 01:55:48,068 Jonathan: Come on, Nellie. Isn't being funny what you do? 1875 01:55:48,202 --> 01:55:49,736 Yeah, I believe that films like yours 1876 01:55:49,870 --> 01:55:52,638 are gentle but virile olive branches in these divided times. 1877 01:55:52,772 --> 01:55:56,009 That is my cue. I should be going. Please, you must play for us. 1878 01:55:56,143 --> 01:55:58,544 (laughing) 1879 01:55:58,678 --> 01:56:00,780 Jonathan: Come on, Nellie. We'll approve your next picture. 1880 01:56:00,914 --> 01:56:04,151 - Delmer: Yes, Nellie, be funny. - Elinor: You know, I just thought of one. 1881 01:56:04,317 --> 01:56:05,819 Two fish are on their honeymoon... 1882 01:56:05,953 --> 01:56:07,187 Actually, I got one. 1883 01:56:07,320 --> 01:56:10,157 A bear and a rabbit are shittin' in the woods one day. 1884 01:56:10,289 --> 01:56:12,025 And the bear says to the rabbit, 1885 01:56:12,159 --> 01:56:14,995 "Hey, do ya ever have a problem with the shit stickin' to your fur?" 1886 01:56:15,129 --> 01:56:19,398 And the rabbit finishes shittin' and he says, "No, I never do. Why?" 1887 01:56:19,532 --> 01:56:22,301 And the bear says, "Fan-fuckin'-tastic!" 1888 01:56:22,435 --> 01:56:25,072 And he grabs the rabbit behind the ears 1889 01:56:25,205 --> 01:56:26,272 and... 1890 01:56:26,405 --> 01:56:28,008 (gasps) 1891 01:56:30,610 --> 01:56:32,745 I can't believe you just... 1892 01:56:32,880 --> 01:56:34,014 Why not? 1893 01:56:34,148 --> 01:56:36,682 Why? Haven't you heard what they say about me? 1894 01:56:36,817 --> 01:56:39,019 I'm a degenerate fucking animal. 1895 01:56:39,153 --> 01:56:40,888 "Oh, Nellie!" Look at them. 1896 01:56:41,021 --> 01:56:45,558 "Who knows what she might do? She's from Jersey, you know." 1897 01:56:45,691 --> 01:56:49,096 This is what a degenerate fucking animal from Jersey does. 1898 01:56:49,229 --> 01:56:51,999 (guests gasping, murmuring) 1899 01:56:52,132 --> 01:56:54,600 (moaning) 1900 01:56:57,570 --> 01:56:59,840 (gasping, murmuring continues) 1901 01:57:02,608 --> 01:57:07,247 That's what the degenerate fuckin' animal from Jersey does. 1902 01:57:07,380 --> 01:57:08,748 So you know what? 1903 01:57:08,882 --> 01:57:11,450 I'm gonna let you all go on fucking your cousins, 1904 01:57:11,584 --> 01:57:13,319 polishing your guest lists, 1905 01:57:13,452 --> 01:57:16,824 plying your underaged fuckin' mistresses with fuckin' Beaujolais, 1906 01:57:16,957 --> 01:57:18,324 you sick fucks! 1907 01:57:18,457 --> 01:57:20,794 I'm the animal? What is this shit? 1908 01:57:20,928 --> 01:57:22,162 What is this shit? 1909 01:57:22,296 --> 01:57:25,265 I'm the sick one! I'm the fuckin' crazy one! 1910 01:57:25,398 --> 01:57:27,767 You people make me fucking sick! 1911 01:57:28,334 --> 01:57:30,003 You're not better than me! 1912 01:57:30,137 --> 01:57:33,506 You're not! You're not fucking better than me. 1913 01:57:33,639 --> 01:57:35,976 I don't need this shit. (gasping) 1914 01:57:37,277 --> 01:57:40,848 You know what? I'm gonna go home, I'm gonna stick some coke up my pussy, 1915 01:57:40,981 --> 01:57:44,650 and you all can stick your champagne flutes 1916 01:57:44,784 --> 01:57:48,021 up your rose-smellin', candy-tastin', 1917 01:57:48,155 --> 01:57:51,357 snow-white fuckin' assholes! 1918 01:57:55,262 --> 01:57:57,563 (guests murmuring) 1919 01:58:02,702 --> 01:58:04,905 (stomach gurgling) 1920 01:58:11,879 --> 01:58:13,113 (retching) 1921 01:58:13,247 --> 01:58:15,615 (guests gasping, clamoring) 1922 01:58:18,318 --> 01:58:19,552 Hearst: My rug! (burps) 1923 01:58:19,685 --> 01:58:21,487 You puked on my rug! 1924 01:58:21,621 --> 01:58:24,457 (guests gasping, clamoring) 1925 01:58:26,659 --> 01:58:28,661 (gagging, coughing) 1926 01:58:36,370 --> 01:58:38,771 (guests murmuring) 1927 01:58:46,412 --> 01:58:49,883 Catherine: (whispering) Please, before it's too late. 1928 01:58:50,017 --> 01:58:53,452 You can't stay here. They'll find you. 1929 01:58:54,154 --> 01:58:55,889 They'll find us. 1930 01:58:56,023 --> 01:58:59,092 Jack: Listen, Catherine. I don't care if they find us. 1931 01:58:59,226 --> 01:59:02,561 They could strip me of my rank and it wouldn't change how I feel. 1932 01:59:02,695 --> 01:59:05,498 I've known loss. I've known pain. 1933 01:59:06,900 --> 01:59:09,535 It's you who gives me life. (snorts) 1934 01:59:10,503 --> 01:59:11,972 (snorts) Catherine... 1935 01:59:14,041 --> 01:59:15,842 I love you. (audience laughing) 1936 01:59:15,976 --> 01:59:19,079 I love you, I love you, I love you. 1937 01:59:19,212 --> 01:59:21,614 (laughing continues) 1938 01:59:26,987 --> 01:59:31,158 "I love you, I love you!" (audience member) "I love you!" (laughing) 1939 01:59:36,529 --> 01:59:38,899 (laughing continues) 1940 01:59:51,878 --> 01:59:53,380 Elinor: Jack Conrad. 1941 01:59:53,512 --> 01:59:54,815 (chuckles) 1942 01:59:54,948 --> 01:59:57,951 What are your thoughts for the future? 1943 01:59:59,319 --> 02:00:03,390 Well, my last two movies didn't work, but I learned a lot from 'em. 1944 02:00:03,522 --> 02:00:06,226 There were things I'd taken for granted... (pen scratching on paper) 1945 02:00:06,360 --> 02:00:08,527 that maybe I shouldn't have. 1946 02:00:10,097 --> 02:00:13,599 Well, you're still MGM's biggest asset. 1947 02:00:13,733 --> 02:00:15,701 You still command the biggest paycheck. 1948 02:00:15,836 --> 02:00:17,570 And I'd like to earn it. 1949 02:00:17,703 --> 02:00:20,040 I'm still learning this new language. 1950 02:00:20,874 --> 02:00:22,641 Is it true that you've quit drinking? 1951 02:00:22,775 --> 02:00:24,777 Yeah. It was getting in the way. 1952 02:00:24,911 --> 02:00:27,181 I'm not gonna let that happen anymore. 1953 02:00:27,315 --> 02:00:31,052 There's a lot of acting talent coming in from the theater now. 1954 02:00:31,185 --> 02:00:35,189 Might you go to the stage to gain more experience? 1955 02:00:35,323 --> 02:00:38,759 Elinor, I will master the talking film on film. 1956 02:00:38,893 --> 02:00:40,694 (pen continues scratching) 1957 02:00:40,828 --> 02:00:42,729 Do you miss the silents? 1958 02:00:47,969 --> 02:00:49,003 No. 1959 02:00:49,837 --> 02:00:52,140 We shouldn't stand in the way of progress. 1960 02:00:52,273 --> 02:00:54,142 (scratching continues) 1961 02:00:56,944 --> 02:00:59,113 Okay. Thanks, Jack. 1962 02:00:59,247 --> 02:01:02,150 You're still the kid I met 20 years ago, you know. 1963 02:01:02,283 --> 02:01:05,987 You haven't changed... (chuckles) ...a bit. 1964 02:01:06,120 --> 02:01:08,622 Thank you, Elinor. Neither have you. 1965 02:01:28,443 --> 02:01:29,844 (knock on door) 1966 02:01:30,710 --> 02:01:32,947 We're ready for you on set, Mr. Palmer. 1967 02:01:51,265 --> 02:01:53,334 She's not gonna fuck this up again, is she? 1968 02:01:53,468 --> 02:01:55,837 I guarantee you, she's going to blow you away. 1969 02:01:55,970 --> 02:01:58,339 - Is she ready? Hurry. - (assistant) I'll check. 1970 02:01:58,473 --> 02:02:01,142 You good with the money? Looks realistic. Yeah. What about the gun? 1971 02:02:01,275 --> 02:02:04,212 We're still having a problem with the firing mechanism. 1972 02:02:04,345 --> 02:02:06,613 ¡No, carajo! It still sounds like that? 1973 02:02:06,746 --> 02:02:09,649 Hi there. It's Jack calling for Irving. 1974 02:02:10,318 --> 02:02:11,352 Jack Conrad. 1975 02:02:12,619 --> 02:02:15,323 One o'clock. All right, fine. I'll call back then. Thanks. 1976 02:02:17,225 --> 02:02:18,226 There you are. 1977 02:02:18,359 --> 02:02:20,828 We have a serious fucking problem. What? 1978 02:02:20,962 --> 02:02:22,897 The band looks mixed. What do you mean? 1979 02:02:23,030 --> 02:02:26,100 I mean, the other players are a lot darker than Sid. So? 1980 02:02:26,234 --> 02:02:29,203 Manny, do you think I could say a line? No! Get back to the shot! 1981 02:02:29,337 --> 02:02:31,405 In your wide, next to them, Sidney looks white. 1982 02:02:31,539 --> 02:02:33,773 But he's Black. They won't think that in the South. 1983 02:02:33,908 --> 02:02:36,310 To them, this'll look like a mixed band. We won't be able to book the movie there. 1984 02:02:36,444 --> 02:02:38,146 The South is big money. That's half the revenue lost. 1985 02:02:38,279 --> 02:02:40,248 No, that's not possible. Nellie needs this movie to work. 1986 02:02:40,381 --> 02:02:43,017 Forget working, it's not even worth finishing at that rate. 1987 02:02:43,151 --> 02:02:45,419 Wallach'll just pull the plug. 1988 02:02:45,553 --> 02:02:48,122 (upbeat jazz music playing) 1989 02:02:51,559 --> 02:02:53,494 (sighs) What do you suggest? 1990 02:02:53,628 --> 02:02:58,132 Oh, he did, did he? Okay, then I'll call back at 4:00. Thanks. 1991 02:03:00,700 --> 02:03:02,336 Sidney? Yeah. 1992 02:03:06,874 --> 02:03:08,708 Why? For the lighting. 1993 02:03:08,843 --> 02:03:11,212 Just to match the other players. 1994 02:03:18,920 --> 02:03:20,454 For the lighting. 1995 02:03:22,223 --> 02:03:23,257 Sí. 1996 02:03:25,393 --> 02:03:26,427 I know. 1997 02:03:27,228 --> 02:03:28,329 But look around. 1998 02:03:28,462 --> 02:03:31,165 Your fellow players, if we don't get the shot, 1999 02:03:31,299 --> 02:03:33,901 the studio will shut the picture down 2000 02:03:34,669 --> 02:03:36,404 and they won't get paid. 2001 02:03:37,104 --> 02:03:39,273 You're an actor now, Sidney. 2002 02:03:39,407 --> 02:03:42,643 Actors change their appearance for roles. 2003 02:03:42,776 --> 02:03:44,278 It's normal. 2004 02:03:57,358 --> 02:03:59,093 (sighs) 2005 02:03:59,794 --> 02:04:01,662 It's going to be on you, Sidney. 2006 02:04:01,796 --> 02:04:07,301 You are risking all these guys' ability to feed their families over makeup. 2007 02:04:21,415 --> 02:04:22,984 Gracias. 2008 02:04:31,758 --> 02:04:33,160 We all good? 2009 02:05:03,624 --> 02:05:07,828 Left for the day. Huh. Well, here's what I'm gonna do. 2010 02:05:07,962 --> 02:05:10,264 I'm gonna come down there and see for myself. 2011 02:05:10,398 --> 02:05:13,901 No, that's exactly what I'm gonna do. Thank you. 2012 02:05:17,738 --> 02:05:20,408 I'm sorry, I just can't have you in here right now. 2013 02:05:20,541 --> 02:05:22,276 He left for the day, but I can take a message for you... 2014 02:05:22,410 --> 02:05:23,377 Jack: Thank you. 2015 02:06:43,557 --> 02:06:44,759 (director) Cut! 2016 02:06:44,892 --> 02:06:46,961 That is a wrap on Sid. 2017 02:06:48,129 --> 02:06:50,131 (crew cheering) 2018 02:06:51,298 --> 02:06:54,535 Uh, Mr. Torres? We can't find Miss LaRoy. 2019 02:06:54,969 --> 02:06:56,370 Yeah? 2020 02:06:56,504 --> 02:06:57,571 She's gone. 2021 02:06:57,705 --> 02:07:00,074 (crew cheering, clapping) 2022 02:07:09,150 --> 02:07:11,085 (crew member) Going over to Stage 4! 2023 02:07:13,521 --> 02:07:16,056 You'll need that to come back. It's okay. I won't be back. 2024 02:07:16,190 --> 02:07:17,725 (typing) (door opens) 2025 02:07:17,859 --> 02:07:19,260 Madame? Let's chat. 2026 02:07:19,393 --> 02:07:20,928 I'm on a deadline, darling. 2027 02:07:21,061 --> 02:07:23,063 You know, when I first moved to LA, 2028 02:07:23,197 --> 02:07:25,332 you know what the signs on all the doors read? 2029 02:07:25,466 --> 02:07:28,035 "No actors or dogs allowed." (chuckles) 2030 02:07:28,169 --> 02:07:30,237 Yeah, I changed that. 2031 02:07:30,371 --> 02:07:33,140 I helped build this place you call home. 2032 02:07:33,274 --> 02:07:37,711 I've never had any illusions about us. I've never pretended we're friends. 2033 02:07:38,145 --> 02:07:39,915 We're friendly. 2034 02:07:40,047 --> 02:07:42,316 I scratch yours, you scratch mine. 2035 02:07:43,050 --> 02:07:44,385 That's our work. 2036 02:07:45,753 --> 02:07:47,121 But this? 2037 02:07:47,254 --> 02:07:49,123 This is something else. 2038 02:07:51,492 --> 02:07:52,660 (sighs) 2039 02:07:54,495 --> 02:07:57,164 What do you want, Jack? I want to know why you wrote it. 2040 02:07:57,298 --> 02:07:59,733 No, you want to know why they laughed. 2041 02:08:03,304 --> 02:08:05,206 Would you like me to tell you? 2042 02:08:08,709 --> 02:08:10,544 Why they laughed. 2043 02:08:13,080 --> 02:08:15,182 Sure, Elinor. Why? 2044 02:08:15,649 --> 02:08:17,284 There is no why. 2045 02:08:18,319 --> 02:08:21,722 It wasn't your voice. It wasn't a conspiracy. 2046 02:08:21,857 --> 02:08:24,558 And it certainly wasn't anything I wrote. 2047 02:08:25,861 --> 02:08:28,729 There's nothing you could have done differently. 2048 02:08:28,864 --> 02:08:30,631 There's nothing you can do. 2049 02:08:30,764 --> 02:08:35,002 Your time has run out. There is no why. Stop questioning it. 2050 02:08:40,174 --> 02:08:42,109 I'm on a dry spell. No. 2051 02:08:42,978 --> 02:08:44,211 It's over. 2052 02:08:44,345 --> 02:08:47,147 It's been over for a while. I'm sorry. 2053 02:08:49,016 --> 02:08:51,652 Elinor, you peddle gossip. 2054 02:08:53,320 --> 02:08:54,688 You don't make anything. 2055 02:08:54,823 --> 02:08:57,658 You don't know what it is to put yourself out there. 2056 02:08:57,792 --> 02:08:59,660 You're just a cockroach. 2057 02:09:00,628 --> 02:09:02,563 I've been counted out before. This isn't new to me. 2058 02:09:02,696 --> 02:09:05,566 Have you ever stopped to think why, when there's a house fire, 2059 02:09:05,699 --> 02:09:08,135 the people die and the cockroaches all survive? 2060 02:09:08,269 --> 02:09:09,603 Jesus Christ. 2061 02:09:09,737 --> 02:09:13,374 What happened was you thought the house needed you. 2062 02:09:14,074 --> 02:09:15,309 It doesn't. 2063 02:09:16,377 --> 02:09:19,180 Doesn't need you any more than it needs the roaches. 2064 02:09:19,314 --> 02:09:21,349 And the roaches, knowing this, 2065 02:09:21,483 --> 02:09:25,353 crawl back into the dark, lay low, and make it through. 2066 02:09:27,823 --> 02:09:29,224 See, but you, 2067 02:09:29,357 --> 02:09:31,693 you held the spotlight. 2068 02:09:33,395 --> 02:09:38,700 It's those of us in the dark, the ones who just watch, who survive. 2069 02:09:43,605 --> 02:09:45,140 A house fire. 2070 02:09:45,273 --> 02:09:48,243 And there'll be hundreds more like it, too. 2071 02:09:48,376 --> 02:09:51,112 An earthquake could wipe this town off the map 2072 02:09:51,246 --> 02:09:53,481 and wouldn't make a difference. 2073 02:09:55,250 --> 02:09:57,552 It's the idea that sticks. 2074 02:10:00,288 --> 02:10:03,391 There'll be a hundred more Jack Conrads. 2075 02:10:04,092 --> 02:10:05,327 Hundred more me's. 2076 02:10:05,460 --> 02:10:07,395 Hundred more conversations just like this one, 2077 02:10:07,529 --> 02:10:10,632 over and over again, until God knows when. 2078 02:10:15,004 --> 02:10:16,872 Because it's bigger than you. 2079 02:10:25,380 --> 02:10:28,183 I know it hurts. 2080 02:10:29,217 --> 02:10:31,686 No one asks to be left behind. 2081 02:10:33,722 --> 02:10:37,093 But in a hundred years, when you and I are both long gone, 2082 02:10:38,293 --> 02:10:43,198 any time someone threads a frame of yours through a sprocket, 2083 02:10:44,165 --> 02:10:45,868 you will be alive again. 2084 02:10:46,802 --> 02:10:48,403 You see what that means? 2085 02:10:49,604 --> 02:10:53,608 One day, every person on every film shot this year will be dead. 2086 02:10:53,742 --> 02:10:57,512 And one day, all those films will be pulled from the vaults, 2087 02:10:57,646 --> 02:11:00,482 and all their ghosts will dine together, 2088 02:11:00,615 --> 02:11:04,419 and adventure together, go to the jungle, to war together. 2089 02:11:05,320 --> 02:11:08,723 A child born in 50 years 2090 02:11:08,858 --> 02:11:11,393 will stumble across your image flickering on a screen 2091 02:11:11,526 --> 02:11:15,463 and feel he knows you, like... like a friend, 2092 02:11:15,597 --> 02:11:19,300 though you breathed your last before he breathed his first. 2093 02:11:21,536 --> 02:11:24,706 You've been given a gift. Be grateful. 2094 02:11:26,374 --> 02:11:28,077 Your time today is through, 2095 02:11:29,045 --> 02:11:33,415 but you'll spend eternity with angels and ghosts. 2096 02:11:51,299 --> 02:11:52,868 Thank you for that. 2097 02:12:03,813 --> 02:12:05,915 (typing) 2098 02:12:10,518 --> 02:12:12,855 (insects chirping) 2099 02:12:14,924 --> 02:12:16,758 (knocking on door) 2100 02:12:20,129 --> 02:12:21,964 (knocking continues) 2101 02:12:26,301 --> 02:12:27,769 Manny! I need your help. 2102 02:12:27,903 --> 02:12:30,371 I'm in so much trouble and I really need your help. 2103 02:12:30,505 --> 02:12:32,674 Calm down and tell me what happened. 2104 02:12:32,808 --> 02:12:35,144 I fucked up, Manny. I fucked up, Manny. 2105 02:12:35,276 --> 02:12:38,480 And I know you've been trying to help me, and I've kept fucking up. 2106 02:12:38,613 --> 02:12:40,682 Now I really need your help, and I hate to ask... 2107 02:12:40,816 --> 02:12:41,851 Calm down. 2108 02:12:41,984 --> 02:12:44,186 Cálmate. Okay, yeah, I was in Cal-Neva, 2109 02:12:44,319 --> 02:12:46,989 and I was playing cards and there was... 2110 02:12:47,123 --> 02:12:50,826 This guy, McKay, runs the place and, he's... like, you don't fuck with... 2111 02:12:50,960 --> 02:12:52,393 How much? He's... 2112 02:12:56,165 --> 02:12:57,499 (speaking Spanish) 2113 02:12:57,632 --> 02:12:59,902 It's a lot. It's a lot. How much do you owe? 2114 02:13:03,038 --> 02:13:04,372 Eighty-five grand. 2115 02:13:04,506 --> 02:13:05,673 (speaking Spanish) 2116 02:13:05,808 --> 02:13:07,542 They took me... ¿Como? How? 2117 02:13:07,675 --> 02:13:09,945 He took me back into a room, Manny, and they said 2118 02:13:10,079 --> 02:13:12,313 if I don't have the money by the end of the week, 2119 02:13:12,447 --> 02:13:14,917 they're gonna pour acid on my pussy. 2120 02:13:15,050 --> 02:13:16,718 (speaking Spanish) And they're not kidding. 2121 02:13:16,852 --> 02:13:19,021 They will fucking kill you. These people are killers. 2122 02:13:19,155 --> 02:13:20,856 Pay them, okay? I can't. 2123 02:13:20,990 --> 02:13:23,625 You don't fuck with these kind of people. You just pay them. 2124 02:13:25,527 --> 02:13:27,595 I can't pay them. What do you mean? 2125 02:13:27,729 --> 02:13:30,498 I don't have the money to pay them. I don't have... 2126 02:13:30,632 --> 02:13:33,169 You're Nellie LaRoy. Of course you have the money. 2127 02:13:33,301 --> 02:13:35,537 No, I don't. It's... 2128 02:13:37,206 --> 02:13:40,042 It's gone. (stammering) 2129 02:13:40,176 --> 02:13:42,544 My dad's diner and the... 2130 02:13:42,677 --> 02:13:45,080 We don't own the house. 2131 02:13:45,214 --> 02:13:48,951 I don't have that... I don't have that money. 2132 02:13:53,755 --> 02:13:55,723 (shouting in Spanish) 2133 02:14:05,801 --> 02:14:08,503 (sobbing) (continues shouting in Spanish) 2134 02:14:10,072 --> 02:14:11,173 ...fucking help! 2135 02:14:11,307 --> 02:14:14,709 (sobbing) Please be nice to me, Manny. 2136 02:14:16,212 --> 02:14:18,413 Please. (speaking Spanish) 2137 02:14:18,546 --> 02:14:20,249 You fucked my life! 2138 02:14:20,381 --> 02:14:23,351 I have nowhere else to go. (sniffles) 2139 02:14:23,484 --> 02:14:26,021 You're my only friend. 2140 02:14:26,155 --> 02:14:28,523 You're the only one, Manny! 2141 02:14:28,656 --> 02:14:30,458 You're the only one who's ever been nice to me. 2142 02:14:30,592 --> 02:14:33,963 You're the only one who's ever cared. (speaking Spanish) 2143 02:14:34,096 --> 02:14:37,800 I've always helped you, and all you've done is break my heart! 2144 02:14:37,933 --> 02:14:39,567 (sobbing) Please. 2145 02:14:41,736 --> 02:14:44,039 They're gonna kill me. 2146 02:14:49,311 --> 02:14:51,779 (no audible dialogue) 2147 02:14:54,250 --> 02:14:55,985 (sobbing) 2148 02:14:57,552 --> 02:14:59,355 I tried. 2149 02:14:59,487 --> 02:15:02,557 Manny, I did everything you said. 2150 02:15:02,690 --> 02:15:05,660 I tried. (sniffling) 2151 02:15:12,700 --> 02:15:13,936 Don't go home. 2152 02:15:15,703 --> 02:15:17,605 Stay here for a couple of days. 2153 02:15:19,707 --> 02:15:21,010 I'm gonna fix it. 2154 02:15:27,383 --> 02:15:28,616 Thank you. 2155 02:15:32,720 --> 02:15:34,722 I'll fix it. 2156 02:15:34,857 --> 02:15:36,225 (sniffles) 2157 02:15:36,859 --> 02:15:40,561 (opera playing on phonograph) 2158 02:15:46,101 --> 02:15:48,170 (phone ringing) 2159 02:15:53,242 --> 02:15:55,710 (opera continues playing) 2160 02:16:00,581 --> 02:16:02,583 (ringing continues) 2161 02:16:10,758 --> 02:16:13,494 Irving: Jack! It's Irv. 2162 02:16:14,163 --> 02:16:15,931 Jack? 2163 02:16:16,065 --> 02:16:18,934 Listen, I've been trying you for a while. I got some great news. 2164 02:16:19,068 --> 02:16:21,769 I got a job for you. Prestige one. 2165 02:16:21,904 --> 02:16:25,307 Lead got sick mid-shoot. Quick start, quick wrap. 2166 02:16:25,441 --> 02:16:26,909 Need you, Jack. 2167 02:16:28,243 --> 02:16:29,845 Jack? Yeah. 2168 02:16:29,979 --> 02:16:32,680 Hear what I said? Yeah, I heard. 2169 02:16:32,815 --> 02:16:36,051 Okay? So? What do you think? 2170 02:16:37,685 --> 02:16:40,789 Yeah. I just have one question. 2171 02:16:41,622 --> 02:16:43,524 It's a piece of shit, isn't it? 2172 02:16:44,525 --> 02:16:45,828 (chuckles) What? 2173 02:16:45,961 --> 02:16:48,063 And I'd be bailing you out, wouldn't I? 2174 02:16:48,197 --> 02:16:49,630 No. No. Of course not. 2175 02:16:49,764 --> 02:16:53,836 Irv, let's just call it for what it is. That's all I ask. 2176 02:16:53,969 --> 02:16:56,839 I'll do your movie. I'll bail you out. 2177 02:16:56,972 --> 02:17:00,608 All I want in return is a little honesty. 2178 02:17:01,676 --> 02:17:02,945 Can you do that, Irv? 2179 02:17:03,078 --> 02:17:06,148 Can you be honest with me for ten seconds or so? 2180 02:17:10,019 --> 02:17:12,254 I'd be bailing you out, wouldn't I? 2181 02:17:14,555 --> 02:17:15,858 Yeah, you'd be bailing me out. 2182 02:17:15,991 --> 02:17:18,060 And it's a piece of shit, isn't it? 2183 02:17:20,762 --> 02:17:22,730 Yeah, it's a piece of shit. 2184 02:17:23,432 --> 02:17:24,766 (chuckles) 2185 02:17:28,037 --> 02:17:30,839 Okay, Irv. I'll see you on set. 2186 02:17:34,910 --> 02:17:36,245 (assistant) Mr. Conrad? 2187 02:17:43,385 --> 02:17:47,456 Harold, how you doing? I'm doing good, Jack. How about you? 2188 02:17:47,622 --> 02:17:49,624 I'm doing okay. 2189 02:17:51,126 --> 02:17:53,628 How many movies have we done together now? 2190 02:17:53,761 --> 02:17:55,663 This makes 82. 2191 02:17:56,131 --> 02:17:57,399 Huh. 2192 02:17:57,533 --> 02:18:00,369 Eighty-two. That's right. 2193 02:18:00,502 --> 02:18:01,904 (whistles) 2194 02:18:02,037 --> 02:18:03,704 (actor) Beautiful, isn't she? 2195 02:18:03,839 --> 02:18:05,974 The great wide ocean. 2196 02:18:06,108 --> 02:18:08,609 You remember your first time at sea? 2197 02:18:10,146 --> 02:18:13,349 Kid, I'll never forget it. 2198 02:18:14,616 --> 02:18:16,618 (director) Cut! Fantastic! 2199 02:18:16,752 --> 02:18:18,754 Not a dry eye in the house. 2200 02:18:18,888 --> 02:18:20,857 Great. For this next take... Yeah. 2201 02:18:20,990 --> 02:18:23,893 ...I want to see more of that real emotion. 2202 02:18:24,027 --> 02:18:26,329 Okay. You know? Really dig into it. 2203 02:18:26,463 --> 02:18:28,231 Yeah. Find it out here. 2204 02:18:29,199 --> 02:18:31,468 Find it on that horizon. Yeah. 2205 02:18:31,600 --> 02:18:33,570 A never-ending horizon 2206 02:18:33,702 --> 02:18:36,638 that has brought you all the way to this point. 2207 02:18:36,772 --> 02:18:39,708 Brought you so far in life. You know? 2208 02:18:40,176 --> 02:18:41,211 Jack? 2209 02:18:44,514 --> 02:18:46,748 You good to go again? Sure. 2210 02:18:49,718 --> 02:18:52,288 (upbeat jazz music playing) 2211 02:18:53,957 --> 02:18:55,291 Nellie? Manny! 2212 02:18:55,425 --> 02:18:57,060 Manny, I got it all figured out. 2213 02:18:57,193 --> 02:18:59,162 Because I know that you've been trying to get my career going. 2214 02:18:59,295 --> 02:19:01,965 I've had an idea. I was thinking I can dance. 2215 02:19:02,098 --> 02:19:03,566 If I can dance, I bet I can sing. 2216 02:19:03,699 --> 02:19:05,667 'Cause you can do anything if you set your mind to it. 2217 02:19:05,802 --> 02:19:08,271 Nellie, you have to stop this, okay? You really have to stop. 2218 02:19:08,404 --> 02:19:09,806 I'm figuring out how to get the money. 2219 02:19:09,939 --> 02:19:11,640 Exactly! This is how we make the money back. 2220 02:19:11,773 --> 02:19:13,675 I'm gonna tell Wallach that we're gonna finish the movie, okay? 2221 02:19:13,810 --> 02:19:15,979 And first, all this, all this fucking mess 2222 02:19:16,112 --> 02:19:18,181 that you are doing every fucking day is part of your process. 2223 02:19:18,314 --> 02:19:21,184 Manny, it's gonna be like nothing anyone's ever seen. 2224 02:19:21,317 --> 02:19:22,051 (phone rings) 2225 02:19:22,185 --> 02:19:23,853 Hello? Manny, it's done. 2226 02:19:23,987 --> 02:19:25,687 I got the money and I know a guy who will set the meet. 2227 02:19:25,822 --> 02:19:28,491 You got it? Okay, but... but you're going to be there, right? 2228 02:19:28,625 --> 02:19:32,328 Don't worry, I'll be there the whole time. See you Friday. 2229 02:19:33,329 --> 02:19:34,397 (chuckles) 2230 02:19:34,531 --> 02:19:36,299 Nellie, we did it, okay? 2231 02:19:36,432 --> 02:19:39,035 Fuck Don Wallach! Fuck all of this shit, okay? 2232 02:19:39,169 --> 02:19:41,504 Fuck him, Manny! Yes! Fuck it! Fuck it! 2233 02:19:41,638 --> 02:19:43,072 (both shout) 2234 02:19:47,443 --> 02:19:50,980 Manny: How did you get the money so fast? I have my ways. Don't worry. 2235 02:19:51,114 --> 02:19:53,682 And it's all in here? Yes. 2236 02:19:54,716 --> 02:19:56,085 How do you know the guy? 2237 02:19:56,219 --> 02:19:58,687 I sold him keys a while back. He works for McKay. 2238 02:19:58,821 --> 02:20:02,691 So, we give him the bag, he calls McKay, and the threat against Nellie is off. 2239 02:20:02,825 --> 02:20:04,227 Okay, okay. 2240 02:20:05,761 --> 02:20:07,263 I'm not used to this kind of people. 2241 02:20:07,397 --> 02:20:09,432 They're no worse than movie people. 2242 02:20:11,167 --> 02:20:12,368 You good? 2243 02:20:12,936 --> 02:20:14,971 Yeah, yeah. Let's go. 2244 02:20:15,939 --> 02:20:19,175 Remember. A monologue in the next picture. 2245 02:20:26,015 --> 02:20:27,884 Wilson. Been a while. 2246 02:20:28,017 --> 02:20:30,253 Good to see you. Meet Manny. 2247 02:20:30,386 --> 02:20:33,389 (snorting, hawking) 2248 02:20:35,792 --> 02:20:37,427 Nice to meet you, Manny. 2249 02:20:37,560 --> 02:20:39,596 And nice to meet you, sir. 2250 02:20:39,728 --> 02:20:42,031 I believe this belongs to you. 2251 02:20:49,872 --> 02:20:51,174 You're a producer? 2252 02:20:51,708 --> 02:20:53,742 Um, a studio executive. 2253 02:20:53,876 --> 02:20:56,479 Jim heard you were a big producer. 2254 02:20:56,613 --> 02:21:00,016 He's here now. He'd love to buy you guys a drink. 2255 02:21:01,417 --> 02:21:04,487 That's very kind of him, but... Sounds great. Yeah. 2256 02:21:05,054 --> 02:21:06,755 Great. Follow me. 2257 02:21:09,926 --> 02:21:12,428 Gotta be polite. One drink. 2258 02:21:13,563 --> 02:21:14,797 Fuck. 2259 02:21:19,335 --> 02:21:20,370 (sniffs) 2260 02:21:29,712 --> 02:21:32,548 (ballad playing on record player) 2261 02:21:32,682 --> 02:21:33,716 Jim. 2262 02:21:34,350 --> 02:21:36,919 This is Manny and The Count. 2263 02:21:38,154 --> 02:21:40,556 How do you boys do? 2264 02:21:41,124 --> 02:21:42,558 I'm James McKay. 2265 02:21:43,593 --> 02:21:45,261 How do you do, sir? Hello. 2266 02:21:45,695 --> 02:21:46,896 Sit down. 2267 02:21:47,697 --> 02:21:48,798 Thank you. 2268 02:21:52,669 --> 02:21:53,703 - The Count: Hey. - Manny: Hi. 2269 02:21:53,836 --> 02:21:55,238 James: Do you want a drink? 2270 02:21:55,371 --> 02:21:57,373 It's brandy mixed with ether. 2271 02:21:57,507 --> 02:21:58,508 Yes. Sure. 2272 02:21:58,641 --> 02:22:00,710 Wilson, will you get us some drinks, please? 2273 02:22:00,843 --> 02:22:02,879 (snorts, spits) 2274 02:22:03,012 --> 02:22:07,517 Sir, I... I just wanted to say how sorry I am that things got out of hand. 2275 02:22:07,650 --> 02:22:09,686 Nonsense. You came through. 2276 02:22:09,819 --> 02:22:11,087 That's what counts. 2277 02:22:13,122 --> 02:22:16,659 So, you boys are friends with Nellie LaRoy? 2278 02:22:16,794 --> 02:22:18,161 Um, yeah. 2279 02:22:18,294 --> 02:22:19,495 Mmm. 2280 02:22:19,629 --> 02:22:22,098 Too bad what happened to her career, huh? 2281 02:22:22,231 --> 02:22:24,634 Such a shame, yeah. It's sad. 2282 02:22:24,767 --> 02:22:26,169 Her new movie will work. 2283 02:22:27,103 --> 02:22:29,172 So you're the movie producer. 2284 02:22:30,006 --> 02:22:31,474 Uh, studio executive. 2285 02:22:31,607 --> 02:22:35,311 I got some movie ideas myself. You wanna hear them? 2286 02:22:37,280 --> 02:22:38,514 Yes. 2287 02:22:39,282 --> 02:22:40,183 Please. 2288 02:22:41,050 --> 02:22:43,019 (clears throat, inhales sharply) 2289 02:22:43,152 --> 02:22:45,288 (chuckles) Okay. 2290 02:22:46,589 --> 02:22:47,657 Mmm. 2291 02:22:47,791 --> 02:22:48,725 (giggles) 2292 02:22:48,858 --> 02:22:51,694 Okay, so, 2293 02:22:51,829 --> 02:22:56,065 there's a 10-year-old kid and he's a prodigy at all these adult things. 2294 02:22:56,199 --> 02:22:58,201 He's supersmart with words. 2295 02:22:58,334 --> 02:23:03,573 He can play the piano and recite Lincoln and all this stuff. 2296 02:23:04,774 --> 02:23:06,476 Here's the twist: 2297 02:23:07,310 --> 02:23:10,346 Turns out he's a 50-year-old midget. 2298 02:23:10,480 --> 02:23:14,450 He only looks like he's a kid. The joke's on us. 2299 02:23:15,885 --> 02:23:16,986 (chuckles) 2300 02:23:17,120 --> 02:23:19,389 That's really good. Wow. 2301 02:23:19,522 --> 02:23:21,557 It's very good. It's great, yeah. 2302 02:23:21,691 --> 02:23:23,794 Very good. I am sorry. 2303 02:23:23,926 --> 02:23:27,096 I'm gonna check on the drinks. I don't know where Wilson went. 2304 02:23:32,635 --> 02:23:34,370 (sighs) Stupid... 2305 02:23:34,504 --> 02:23:36,874 One drink and we leave. Right after this we leave. 2306 02:23:37,006 --> 02:23:38,941 Calm down. I am calm, cabrón. 2307 02:23:39,075 --> 02:23:40,943 No, you're not. You're very nervous. 2308 02:23:41,077 --> 02:23:44,213 I'm not here for drinks and fun, okay? I'm in your debt. 2309 02:23:44,347 --> 02:23:46,817 You're not in my debt. Whose money it is? 2310 02:23:46,949 --> 02:23:49,552 The guy makes it by the kilo. It's not a big deal. 2311 02:23:49,685 --> 02:23:51,855 What guy? You never told me how you got it. 2312 02:23:51,988 --> 02:23:54,490 Tony. The prop guy. 2313 02:23:54,624 --> 02:23:56,894 I thought I told you that. It's the prop guy's money? 2314 02:23:57,026 --> 02:23:59,262 No, it's the money that he makes. 2315 02:24:00,062 --> 02:24:02,598 What do you mean? Like, uh, his income? 2316 02:24:03,132 --> 02:24:04,700 No, it's his... 2317 02:24:04,835 --> 02:24:08,504 It's from your bank heist picture. It's movie money. 2318 02:24:08,638 --> 02:24:10,339 It's prop money. 2319 02:24:14,878 --> 02:24:18,314 The money in the bag is prop money? 2320 02:24:18,448 --> 02:24:21,951 Well, where was I gonna get 85 grand in two days? 2321 02:24:22,084 --> 02:24:24,487 We have to go now, pendejo cabrón! 2322 02:24:24,620 --> 02:24:25,555 (shushes) Calm. 2323 02:24:25,688 --> 02:24:28,591 Um, have I, uh, interrupted something? 2324 02:24:28,724 --> 02:24:30,326 The Count: No, no. 2325 02:24:30,460 --> 02:24:32,595 Oh, thank you. 2326 02:24:33,931 --> 02:24:36,399 (hawks, spits) 2327 02:24:36,532 --> 02:24:38,267 I got more ideas. 2328 02:24:38,401 --> 02:24:40,403 You ever heard of Wyatt Earp? 2329 02:24:40,536 --> 02:24:43,072 He died a couple of years ago. I met him once. 2330 02:24:43,206 --> 02:24:44,640 Little known fact: 2331 02:24:44,774 --> 02:24:49,545 The greatest hero of the Wild West couldn't count. 2332 02:24:49,679 --> 02:24:50,713 No? No. 2333 02:24:50,848 --> 02:24:52,950 So I was thinking, you make a movie about him, 2334 02:24:53,082 --> 02:24:55,919 and in it, you make him full-fledged retard. 2335 02:24:56,052 --> 02:24:59,088 (gasps) What? 2336 02:25:00,056 --> 02:25:01,290 You okay? 2337 02:25:02,391 --> 02:25:04,994 What? You're sweating. 2338 02:25:08,397 --> 02:25:10,533 It's probably the ether. It's... 2339 02:25:10,666 --> 02:25:12,001 Oh. 2340 02:25:12,134 --> 02:25:14,470 I thought you were just excited about the idea. 2341 02:25:17,440 --> 02:25:20,743 (laughing) 2342 02:25:21,677 --> 02:25:22,578 (snorts, spits) 2343 02:25:22,712 --> 02:25:24,480 James: My next idea's my best: 2344 02:25:24,614 --> 02:25:26,782 The world's most fearless warrior. 2345 02:25:26,917 --> 02:25:30,186 I know just the guy to play him. You just build the movie around him. 2346 02:25:30,319 --> 02:25:32,288 He is sensational. 2347 02:25:32,722 --> 02:25:33,790 He is? 2348 02:25:36,092 --> 02:25:37,660 Would you like to meet him? 2349 02:25:39,762 --> 02:25:41,999 Sure. Um, I... I can have the studio set... 2350 02:25:42,131 --> 02:25:45,601 Oh, no, no, no. I'm going to see him now. He's at the Blockhouse. 2351 02:25:47,336 --> 02:25:50,573 Where is that? It's just over the hill. 2352 02:25:50,706 --> 02:25:54,210 A few minutes' drive. Wilson and I can take you there and back. 2353 02:25:54,343 --> 02:25:56,679 It's the best party in town. (chuckles) 2354 02:25:58,481 --> 02:26:00,249 Mmm. 2355 02:26:00,383 --> 02:26:04,120 It's, uh... It's very late and we have to go. Oh, no, no, it's worth it. 2356 02:26:04,253 --> 02:26:05,655 I promise you. 2357 02:26:05,788 --> 02:26:09,826 I mean, I appreciate it, but we have to go. Trust me. 2358 02:26:09,960 --> 02:26:12,261 You'll never forget it. 2359 02:26:36,218 --> 02:26:38,621 The Count: Um, what's this? 2360 02:26:38,754 --> 02:26:41,324 James: It's LA's last real party. 2361 02:26:41,457 --> 02:26:44,327 Wilson, bring that cash. 2362 02:26:44,460 --> 02:26:46,128 This town has gotten so repressed. 2363 02:26:46,262 --> 02:26:49,565 This is the only place left where you can have any fun these days. 2364 02:26:52,435 --> 02:26:57,239 Welcome to the asshole of Los Angeles. 2365 02:27:02,412 --> 02:27:05,817 (James whistling) 2366 02:27:07,852 --> 02:27:12,356 (drums beating) 2367 02:27:16,526 --> 02:27:20,464 (crowd cheering, chanting) 2368 02:27:28,372 --> 02:27:31,141 (cheering continues) 2369 02:27:34,378 --> 02:27:37,347 He's two floors down! Follow me! 2370 02:27:45,489 --> 02:27:48,592 (blows landing, grunting) 2371 02:27:53,764 --> 02:27:58,069 This city used to know how to have a good time. It's such a drag now. 2372 02:27:58,201 --> 02:28:00,437 They still know how to party here, though. (chuckles) 2373 02:28:00,570 --> 02:28:04,741 ♫ There's one pet I like to pet And every evening we get set ♫ 2374 02:28:04,876 --> 02:28:08,445 ♫ I stroke it every chance I get It's my girl's pussy... ♫ 2375 02:28:08,578 --> 02:28:09,881 (whipping) (grunting, moaning) 2376 02:28:10,014 --> 02:28:12,716 ♫ Seldom plays And never purrs... ♫ 2377 02:28:12,850 --> 02:28:14,152 One more floor. 2378 02:28:14,284 --> 02:28:16,620 ♫ But I don't mind Because it's hers ♫ 2379 02:28:16,753 --> 02:28:18,388 ♫ My girl's pussy ♫ 2380 02:28:18,522 --> 02:28:20,825 James: This is the kind of thing your industry needs. 2381 02:28:20,958 --> 02:28:22,426 (Wilson hawks, spits) 2382 02:28:22,559 --> 02:28:25,595 Hollywood has just become so stale. Don't you agree? 2383 02:28:25,729 --> 02:28:29,399 (song playing) 2384 02:28:29,533 --> 02:28:32,904 (sighs) Not this floor, either. 2385 02:28:34,504 --> 02:28:37,674 - Wilson, isn't he on tonight? - Wilson: Thought he was. 2386 02:28:38,241 --> 02:28:39,911 Sir? 2387 02:28:40,044 --> 02:28:44,082 It... It's very late. Oh, no, no, no, no. I promised you a sight. 2388 02:28:44,214 --> 02:28:47,051 You're getting a sight. Let's try one more floor. 2389 02:28:47,185 --> 02:28:50,654 (song continues playing) 2390 02:28:58,796 --> 02:29:01,631 Bear with me, fellas. Wait till you see this guy. 2391 02:29:01,765 --> 02:29:04,701 I think we can make millions together! (Wilson hawks, spits) 2392 02:29:05,502 --> 02:29:08,238 (song continues playing) 2393 02:29:10,007 --> 02:29:12,242 (song stops) 2394 02:29:19,416 --> 02:29:21,785 - (growls) - The Count: Oh, shit! 2395 02:29:21,919 --> 02:29:23,754 (laughing) 2396 02:29:23,888 --> 02:29:25,522 That was so good! 2397 02:29:25,655 --> 02:29:28,358 Oh, come on, boys, it's just on the other side. 2398 02:29:28,492 --> 02:29:30,293 It's worth it, I promise. 2399 02:29:33,330 --> 02:29:34,765 The Count: Okay. 2400 02:29:39,636 --> 02:29:43,273 Oh, yes. This is it. 2401 02:29:45,009 --> 02:29:46,376 Yeah. 2402 02:29:48,512 --> 02:29:52,250 (James vocalizes) 2403 02:29:52,382 --> 02:29:54,718 Yes. I think I can hear him. 2404 02:29:54,852 --> 02:29:55,887 Come on. 2405 02:29:58,156 --> 02:30:00,557 Oh... (crowd cheering, chanting) 2406 02:30:00,690 --> 02:30:01,826 Yes. 2407 02:30:05,762 --> 02:30:07,899 (cheering, chanting continue) 2408 02:30:08,032 --> 02:30:11,501 I'm so excited for you. You're gonna love him! 2409 02:30:11,635 --> 02:30:15,039 Yes! Yes! He's the next big thing! 2410 02:30:15,173 --> 02:30:16,706 Whoo! 2411 02:30:16,841 --> 02:30:18,910 (chanting) 2412 02:30:20,677 --> 02:30:22,046 James: Incredible, isn't he? 2413 02:30:22,180 --> 02:30:25,415 You either are a star or you aren't. And he is! 2414 02:30:27,651 --> 02:30:30,754 Watch what he does. It has to be seen to be believed. 2415 02:30:30,888 --> 02:30:33,057 (shushing) 2416 02:30:33,891 --> 02:30:36,027 (squeaking) 2417 02:30:51,474 --> 02:30:53,211 Keep watching. 2418 02:30:53,343 --> 02:30:55,478 (crunching) 2419 02:30:56,180 --> 02:30:57,849 (The Count coughs) 2420 02:31:00,517 --> 02:31:02,954 (crowd gasps, murmuring) 2421 02:31:03,087 --> 02:31:05,355 (crowd cheering) 2422 02:31:06,623 --> 02:31:10,527 (laughing) Yes! Whoo! 2423 02:31:10,660 --> 02:31:13,197 He's just made for the movies, isn't he? 2424 02:31:13,331 --> 02:31:15,199 They found him in a forest in Oregon. 2425 02:31:15,333 --> 02:31:18,236 He will do anything for cash. 2426 02:31:18,903 --> 02:31:21,105 Wilson, quick, give me a 20. 2427 02:31:29,046 --> 02:31:32,250 More! Eat another rat! 2428 02:31:32,382 --> 02:31:34,618 Give me another one. 2429 02:31:50,134 --> 02:31:51,468 It's fake. 2430 02:31:52,837 --> 02:31:53,871 No. 2431 02:31:54,272 --> 02:31:55,772 No, come on. 2432 02:31:55,907 --> 02:31:58,608 Let... Let me explain... We were gonna make movies together. 2433 02:31:58,742 --> 02:32:00,610 Let-Let-Let me explain. Please. 2434 02:32:00,744 --> 02:32:03,580 (stammering) No, no, no, no, no! 2435 02:32:03,713 --> 02:32:05,016 Hey, no, no, no, no! 2436 02:32:05,883 --> 02:32:06,918 (grunts) 2437 02:32:08,418 --> 02:32:09,954 (panting) 2438 02:32:10,087 --> 02:32:11,521 (groans) 2439 02:32:17,594 --> 02:32:20,097 What the fuck? 2440 02:32:22,366 --> 02:32:23,733 Back off! Back off! 2441 02:32:23,868 --> 02:32:25,336 (gunshots) 2442 02:32:25,468 --> 02:32:28,571 (shouting) 2443 02:32:28,705 --> 02:32:30,942 (bullets ricocheting) 2444 02:32:35,246 --> 02:32:36,213 (grunting) 2445 02:32:38,849 --> 02:32:42,353 (song continues playing) 2446 02:32:42,485 --> 02:32:45,022 (panting, grunting) 2447 02:32:46,324 --> 02:32:49,559 (crowd shouting) 2448 02:32:54,865 --> 02:32:56,968 (shouting) (gunshots) 2449 02:33:03,407 --> 02:33:05,142 (engine starts) 2450 02:33:09,013 --> 02:33:12,682 Oh, shit! Go! God! (speaking Spanish) 2451 02:33:13,184 --> 02:33:15,052 (panting) 2452 02:33:15,186 --> 02:33:17,321 (soft jazz playing) 2453 02:33:18,722 --> 02:33:21,993 Lewis: You have to see Dresden. It's the most beautiful city in Germany. 2454 02:33:22,126 --> 02:33:23,965 Rebecca: Jack said he was gonna take me to Greece. 2455 02:33:23,989 --> 02:33:24,594 Lewis: Greece? 2456 02:33:24,728 --> 02:33:26,496 Isn't that right, honey? That's right. 2457 02:33:26,629 --> 02:33:28,598 The architecture is amazing. You'll love it. 2458 02:33:28,732 --> 02:33:31,102 - Santoríni. - Rebecca: I hear it's so beautiful. 2459 02:33:31,534 --> 02:33:33,371 Fay! Jack. 2460 02:33:33,503 --> 02:33:35,272 (speaks Italian) 2461 02:33:35,406 --> 02:33:38,675 Folks, I'd like to introduce you to the wild and wonderful Lady Fay. 2462 02:33:38,809 --> 02:33:40,643 This is Rebecca. This is Lewis. 2463 02:33:40,777 --> 02:33:42,179 - How do you do? - Rebecca: Hello. 2464 02:33:42,313 --> 02:33:44,115 - How do you do? - Jack: What's your excuse? 2465 02:33:44,248 --> 02:33:45,548 Just wandering through? 2466 02:33:45,682 --> 02:33:48,285 Mmm. Something like that. Let me get you a drink. 2467 02:33:48,419 --> 02:33:50,321 Were you shooting? No. 2468 02:33:50,454 --> 02:33:52,256 Just wanted some air. 2469 02:33:52,390 --> 02:33:53,623 What's next? 2470 02:33:53,757 --> 02:33:56,127 I'm going to Europe, actually. Are you? 2471 02:33:56,260 --> 02:33:57,594 Yeah, Pathé wants me. 2472 02:33:57,727 --> 02:34:01,332 That's great! Pathé's got really good taste. 2473 02:34:01,465 --> 02:34:02,400 Thank you. 2474 02:34:02,532 --> 02:34:04,135 Jack's back! 2475 02:34:04,534 --> 02:34:06,603 Way to go, Jack! 2476 02:34:07,704 --> 02:34:09,173 (sighs, chuckles) 2477 02:34:09,306 --> 02:34:11,909 So how's your movie? It's shit. 2478 02:34:13,477 --> 02:34:16,247 Another giant swing at mediocrity. 2479 02:34:17,381 --> 02:34:19,917 Well, the girl seems nice. 2480 02:34:21,485 --> 02:34:22,719 She is. 2481 02:34:24,388 --> 02:34:28,159 And she has no idea it'll end like all the others. 2482 02:34:28,292 --> 02:34:30,027 You like her? 2483 02:34:30,161 --> 02:34:31,195 No. 2484 02:34:33,898 --> 02:34:35,833 You might want to save her. 2485 02:34:45,642 --> 02:34:47,878 You okay, sweetie? 2486 02:34:57,054 --> 02:35:00,091 It was the most magical place in the world, wasn't it? 2487 02:35:03,060 --> 02:35:03,794 It was. 2488 02:35:03,928 --> 02:35:06,997 Another set, another review. 2489 02:35:07,798 --> 02:35:10,267 Another romance, another breakup. 2490 02:35:12,602 --> 02:35:14,371 I'm tired, Fay. 2491 02:35:24,315 --> 02:35:25,483 It's okay. 2492 02:35:26,884 --> 02:35:30,955 (clicks tongue) It's okay. I've been the luckiest bastard in the world. 2493 02:35:33,257 --> 02:35:36,927 I had a good run, didn't I? Hmm? You sure did. 2494 02:35:37,428 --> 02:35:39,196 Yeah. I enjoyed that. 2495 02:35:40,965 --> 02:35:42,833 I gotta run, sweetie. Yep. 2496 02:35:42,967 --> 02:35:47,071 It was so good to see you, Fay. You're gonna do great things in Europe. 2497 02:35:47,204 --> 02:35:50,007 You were always one of the good ones. Thank you. 2498 02:35:56,348 --> 02:35:58,383 Ciao, my love. Ciao. 2499 02:36:00,986 --> 02:36:03,889 See you in Venice. See you in Prague. (Fay chuckles) 2500 02:36:35,686 --> 02:36:37,923 I'm gonna go get those cigars. 2501 02:36:46,565 --> 02:36:51,503 Hey, you do a great job. What's the best tip you've ever received? 2502 02:36:51,636 --> 02:36:53,238 Fifty dollars. 2503 02:36:53,371 --> 02:36:54,639 Who gave you that? 2504 02:36:54,772 --> 02:36:56,942 You did, Mr. Conrad. 2505 02:36:58,643 --> 02:37:02,280 It's on you now, kid. The future's yours. 2506 02:37:20,465 --> 02:37:22,801 (whistles) 2507 02:38:19,724 --> 02:38:20,558 (gun cocks) 2508 02:38:20,692 --> 02:38:22,294 (gunshot) (body falls) 2509 02:38:36,741 --> 02:38:39,277 They're looking for us. Get up. I don't feel good. 2510 02:38:39,411 --> 02:38:41,413 We are going to Mexico, Nellie. Mexico? 2511 02:38:41,546 --> 02:38:44,416 Get dressed. We are going now. I'm not going to Mexico. Are you crazy? 2512 02:38:44,549 --> 02:38:46,184 They are going to fucking kill us, okay? 2513 02:38:46,318 --> 02:38:47,652 I fucked up. Go hit a piñata if you're homesick. 2514 02:38:47,786 --> 02:38:50,455 Nellie, get dressed and get in the fucking car, now! 2515 02:38:50,588 --> 02:38:54,125 Manny, you're scaring me. I need another hit. 2516 02:38:54,926 --> 02:38:56,861 Okay, I feel better. 2517 02:38:56,995 --> 02:38:58,430 Oh, hi. Do you have any coke? 2518 02:38:58,563 --> 02:39:00,098 The Count: Yeah, I've actually got... 2519 02:39:00,231 --> 02:39:01,801 Don't give her anything, pendejo. Anything! 2520 02:39:01,933 --> 02:39:03,568 Fine, I won't! 2521 02:39:06,905 --> 02:39:08,373 Get everything you need. We get gas. 2522 02:39:08,506 --> 02:39:10,608 See you in ten minutes, cabrón. Ten minutes. 2523 02:39:10,742 --> 02:39:12,944 And some pills, please? 2524 02:39:16,181 --> 02:39:17,782 Stop it. Stop messing with the... 2525 02:39:17,916 --> 02:39:20,285 Suck a dick, Señor Avocado. 2526 02:39:20,418 --> 02:39:23,388 We need a fucking gas station, now. "We need a gas station, now." 2527 02:39:23,521 --> 02:39:27,125 Yeah, we fucking need... "Blah, blah, blah, blah, blah." 2528 02:39:27,258 --> 02:39:28,693 There! There's gas. 2529 02:39:28,828 --> 02:39:30,228 Fuck! ¡Puta madre! 2530 02:39:30,362 --> 02:39:32,964 It's closed. I know it's closed! 2531 02:39:33,098 --> 02:39:37,435 You know what we should do? We should go dancing! Manny! Oh, my... 2532 02:39:38,169 --> 02:39:39,805 We could dance up here. 2533 02:39:39,938 --> 02:39:41,539 (speaks Spanish) 2534 02:39:41,673 --> 02:39:43,975 Manny! Manny, come up here. 2535 02:39:44,109 --> 02:39:46,878 Manny! Come on, it's fun. 2536 02:39:47,011 --> 02:39:48,747 No, it's not fun. Yes, it is. 2537 02:39:48,880 --> 02:39:50,749 It's not fun. We can have fun. 2538 02:39:50,882 --> 02:39:53,318 (speaks Spanish) 2539 02:39:53,451 --> 02:39:54,052 (both shout) 2540 02:39:54,185 --> 02:39:55,286 (tires screech) 2541 02:39:59,825 --> 02:40:01,192 Nellie? 2542 02:40:01,893 --> 02:40:03,395 Nellie! 2543 02:40:04,963 --> 02:40:07,966 Maybe they got dancing here! Come on! 2544 02:40:09,000 --> 02:40:11,069 (speaking Spanish) 2545 02:40:15,875 --> 02:40:17,308 Nellie. 2546 02:40:17,442 --> 02:40:19,310 Nellie! (people chattering, cheering) 2547 02:40:19,444 --> 02:40:21,146 Manny! 2548 02:40:42,000 --> 02:40:44,469 Nellie, we have to leave now! 2549 02:40:44,602 --> 02:40:45,970 (speaking Spanish) We're going! 2550 02:40:46,104 --> 02:40:48,473 I'm staying, Manny. I'm not moving. No, no, no, no. 2551 02:40:48,606 --> 02:40:50,876 You know what happen if they find us. 2552 02:40:51,009 --> 02:40:53,978 Why are you doing this, carajo? Why? 2553 02:40:55,113 --> 02:40:57,081 (speaking Spanish) Tell me! 2554 02:40:57,111 --> 02:40:59,530 Don't you know they're going to kill us? 2555 02:41:01,074 --> 02:41:02,533 Wake up! 2556 02:41:02,387 --> 02:41:04,088 Manny, I shouldn't... 2557 02:41:04,222 --> 02:41:06,090 I shouldn't have asked you to help me. 2558 02:41:06,224 --> 02:41:08,092 Let me help. I want to help. 2559 02:41:08,226 --> 02:41:11,162 We can go to Mexico, Nellie. And we can be happy. 2560 02:41:11,296 --> 02:41:14,132 But we have to leave now. Manny. Manny. 2561 02:41:16,734 --> 02:41:19,872 It's the end of the road for me. This is it for me. 2562 02:41:20,004 --> 02:41:21,941 Cállate. 2563 02:41:22,073 --> 02:41:23,308 It's not. 2564 02:41:24,309 --> 02:41:26,177 I'm at peace with that. 2565 02:41:26,311 --> 02:41:28,179 (speaking Spanish) 2566 02:41:28,313 --> 02:41:31,149 I'm not mad anymore. Manny... 2567 02:41:31,282 --> 02:41:34,219 Nellie, cállate. You go to Mexico without me. 2568 02:41:34,352 --> 02:41:38,690 What the fuck I'm gonna do without you? I'm not going anywhere without you! 2569 02:41:38,824 --> 02:41:40,592 (sniffles, speaking Spanish) 2570 02:41:42,928 --> 02:41:43,929 Manny... 2571 02:41:44,095 --> 02:41:45,430 Te amo. 2572 02:41:46,631 --> 02:41:47,900 Te amo, Nellie. 2573 02:41:48,032 --> 02:41:51,102 (speaking Spanish) 2574 02:41:54,072 --> 02:41:55,875 (crying) What have I done? 2575 02:41:56,708 --> 02:41:59,377 I don't think I'm good for you. 2576 02:42:01,412 --> 02:42:03,348 I don't think I'm very good for you. 2577 02:42:03,481 --> 02:42:05,283 Nellie, I want to marry you. 2578 02:42:05,416 --> 02:42:07,652 I want to make you so happy every day. 2579 02:42:07,785 --> 02:42:10,221 Okay, it's my only job. From now on. 2580 02:42:10,355 --> 02:42:12,257 But we have to leave now. 2581 02:42:21,000 --> 02:42:22,200 Okay. 2582 02:42:22,333 --> 02:42:25,103 I just want to be with you. Okay. 2583 02:42:26,104 --> 02:42:27,705 Okay, we'll... 2584 02:42:28,239 --> 02:42:29,641 Okay, we'll... 2585 02:42:29,774 --> 02:42:32,377 We'll go to Mexico. We'll go... 2586 02:42:32,510 --> 02:42:34,312 We'll go to the border and we'll go down south 2587 02:42:34,445 --> 02:42:37,883 and we'll get married and we'll have kids and... 2588 02:42:38,017 --> 02:42:39,684 It'll be you and me, okay? 2589 02:42:43,923 --> 02:42:45,156 Okay. 2590 02:42:46,224 --> 02:42:48,259 Okay. (host speaking Spanish) 2591 02:42:48,393 --> 02:42:50,863 (crowd cheering, applauding) Te amo, Nellie. 2592 02:42:50,996 --> 02:42:52,263 I love you, Manny. 2593 02:42:52,397 --> 02:42:55,099 (upbeat jazz playing) 2594 02:42:59,771 --> 02:43:02,942 Hey, you two with the camera! Do you know who I am? 2595 02:43:03,074 --> 02:43:05,044 I'm Nellie LaRoy, bitches. 2596 02:43:05,176 --> 02:43:09,280 Holy shit, that is Nellie LaRoy. That's Nellie fucking LaRoy. Come here. 2597 02:43:09,414 --> 02:43:12,283 This is my husband-to-be, Manny Torres. 2598 02:43:12,818 --> 02:43:14,252 Wait. Sorry? 2599 02:43:14,385 --> 02:43:16,421 (laughing) We're gonna get married. 2600 02:43:16,989 --> 02:43:18,456 We're gonna get married? 2601 02:43:18,590 --> 02:43:20,525 (photographer) Are... Are you really gonna be her husband? 2602 02:43:23,194 --> 02:43:24,629 Yes. Yeah. 2603 02:43:24,762 --> 02:43:27,732 Congratulations! Get a shot. Get it, get it, get it. 2604 02:43:29,334 --> 02:43:31,336 (camera whirring) 2605 02:43:58,831 --> 02:44:01,199 (engine off) Manny: Do you need anything? 2606 02:44:01,332 --> 02:44:03,735 You go grab him. I'm good. 2607 02:44:04,870 --> 02:44:06,237 Te amo, Nellie. 2608 02:44:06,371 --> 02:44:08,373 I love you, Manny. 2609 02:44:27,092 --> 02:44:28,927 Ain't life grand. 2610 02:44:43,075 --> 02:44:46,578 (humming faintly) 2611 02:45:31,958 --> 02:45:34,460 (knocks on door) The Count: Hey. Hey. 2612 02:45:34,593 --> 02:45:36,628 I'm sorry. It was hard to find gas. 2613 02:45:36,762 --> 02:45:40,632 Yeah, well, I got everything we need. This is my roommate, Kyle. 2614 02:45:41,233 --> 02:45:42,668 - Hey. - Manny: Hi. 2615 02:45:42,802 --> 02:45:44,570 You need anything? I'm gonna fill this real quick. 2616 02:45:44,703 --> 02:45:47,006 No, gracias. Let's go. 2617 02:45:56,950 --> 02:45:57,851 (door slams open) 2618 02:46:00,820 --> 02:46:03,455 (gun hammer clicking) (Manny panting, whimpering) 2619 02:46:07,726 --> 02:46:08,962 (gun clicks) 2620 02:46:09,896 --> 02:46:13,398 No. No, no, no, no. No. No, no. 2621 02:46:13,532 --> 02:46:14,466 Don't kill me. 2622 02:46:14,600 --> 02:46:16,702 (crying, speaking Spanish) 2623 02:46:21,273 --> 02:46:22,775 Please don't kill me. 2624 02:46:22,909 --> 02:46:27,080 I'm nobody. I'm nobody. Que soy mexicano. 2625 02:46:27,213 --> 02:46:30,749 I can leave. Please, please. 2626 02:46:30,884 --> 02:46:32,819 (mutters in Spanish) 2627 02:46:33,418 --> 02:46:35,855 I'm sorry. (sobbing) 2628 02:46:35,989 --> 02:46:37,356 I'm sorry. 2629 02:46:41,027 --> 02:46:42,761 Get the fuck out of LA. 2630 02:46:46,498 --> 02:46:47,733 Disappear. 2631 02:47:01,346 --> 02:47:02,781 Nellie. Nellie? 2632 02:47:05,218 --> 02:47:06,485 Nellie? 2633 02:47:07,253 --> 02:47:08,487 Nellie! 2634 02:47:09,521 --> 02:47:12,091 Nellie! Nellie! 2635 02:47:17,997 --> 02:47:19,765 Oh, fuck! 2636 02:47:19,899 --> 02:47:21,034 (engine starts) 2637 02:47:22,367 --> 02:47:24,003 (tires squeal) 2638 02:47:33,079 --> 02:47:35,681 (club host) And introducing tonight, 2639 02:47:35,815 --> 02:47:38,885 a new addition to the Hart Café Band. 2640 02:47:39,018 --> 02:47:43,755 Fresh from pictures, Mr. Sidney Palmer on the trumpet. 2641 02:47:43,890 --> 02:47:46,558 (audience cheering, applauding) 2642 02:47:51,998 --> 02:47:56,069 Hey, Sid. You want to say a few words? 2643 02:47:56,202 --> 02:48:00,874 Thank you, Tom. Um, I just would like to say to you how happy I am to be here. 2644 02:48:01,007 --> 02:48:03,176 You all are such a beautiful, lovely crowd. 2645 02:48:03,309 --> 02:48:04,911 So thank you. 2646 02:48:05,044 --> 02:48:08,214 If I can, I'd like to, uh, play something that I used to play 2647 02:48:08,780 --> 02:48:10,917 back in... back in the days. 2648 02:48:11,717 --> 02:48:13,485 I hope you all enjoy it. 2649 02:48:14,720 --> 02:48:17,924 (slow jazz playing) 2650 02:48:49,454 --> 02:48:51,991 (slow jazz continues playing) 2651 02:49:23,789 --> 02:49:25,724 (no audible dialogue) 2652 02:50:05,198 --> 02:50:07,066 (song ends) 2653 02:50:07,200 --> 02:50:09,701 (car horns honking) 2654 02:50:27,686 --> 02:50:29,188 (speaking Spanish) This is it. 2655 02:50:29,808 --> 02:50:30,768 What do you think? 2656 02:50:31,685 --> 02:50:33,562 That's where I used to work. 2657 02:50:35,428 --> 02:50:36,462 Passes, sir? 2658 02:50:36,595 --> 02:50:38,231 We're just looking. Thank you. 2659 02:50:39,432 --> 02:50:41,167 Hola. Hi. 2660 02:50:41,868 --> 02:50:43,568 (speaking Spanish) I used to work here. 2661 02:50:44,698 --> 02:50:46,158 A long time ago. 2662 02:50:47,076 --> 02:50:48,535 I started here last year. 2663 02:50:48,619 --> 02:50:49,787 You like it? 2664 02:50:49,942 --> 02:50:51,944 It's okay. Yeah? 2665 02:50:52,164 --> 02:50:53,749 They make anything good these days? 2666 02:50:53,832 --> 02:50:55,793 - You don't go to the movies? - Not much anymore. 2667 02:50:55,876 --> 02:50:59,171 I own an audio shop in New York. Radios, that kind of thing. 2668 02:50:59,254 --> 02:51:00,339 New York? 2669 02:51:01,882 --> 02:51:03,842 It's her first time in L.A. 2670 02:51:03,926 --> 02:51:05,010 Oh yeah? 2671 02:51:05,552 --> 02:51:06,929 Nice talking to you. 2672 02:51:07,012 --> 02:51:08,305 You too. 2673 02:51:09,395 --> 02:51:11,030 (child speaking Spanish) I'm bored. 2674 02:51:11,934 --> 02:51:13,018 Really? 2675 02:51:14,901 --> 02:51:16,969 (spouse speaking Spanish) So early? 2676 02:51:16,855 --> 02:51:17,982 - Let's go. - No, you stay. 2677 02:51:18,065 --> 02:51:20,651 I'll take her to the hotel. 2678 02:51:20,734 --> 02:51:22,069 We'll eat some ice cream. 2679 02:51:22,241 --> 02:51:26,145 (Spanish continues) 2680 02:51:34,287 --> 02:51:35,720 Adios. Bye. 2681 02:52:15,128 --> 02:52:18,097 (horn honking) 2682 02:52:24,303 --> 02:52:25,338 Fifty cents. 2683 02:52:29,809 --> 02:52:31,043 Thank you. 2684 02:57:52,834 --> 02:57:54,100 Nellie: Tell me why. 2685 02:57:54,234 --> 02:57:56,369 Manny: Why? Nellie: Yeah, tell me why. 2686 02:57:56,503 --> 02:57:58,705 I don't know, uh, why. 2687 02:57:58,840 --> 02:58:01,374 I just want to be part of something bigger. 2688 02:58:01,508 --> 02:58:03,076 To be part of something important, 2689 02:58:03,210 --> 02:58:05,145 something that lasts, that means something. 226328

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