Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
foreign
we had a costume designer Deborah Scott
Academy Award winner I'd worked with
since Titanic she had to kind of have a
foot in both worlds because she had to
design all the costumes for the RDA but
she also had to have the whole other
half of her brain to design all the
costumes and jewelry and hair designs
and hair decoration and everything for
the not be costume design is one of the
most important parts of expressing a
character how a person dresses what
their clothes signify in a clan people
who perform different functions the
leader the fisherman a child that all
these people have a different place in
the clan
we researched indigenous people
literally worldwide the environment at
which the Clans live is extremely
important to what they wear
so the amount of kind are Forest people
they use things from the pandorian
forest the mankinda are much more
adapted to water you are not good divers
maybe good at swinging through trees but
one of the main reasons that we've made
the garments to completion is the motion
of the Garment
cannot be understood without having the
whole piece so if something's heavy or
feathery or light or stringy or fringy
the way these things move in air
standing in a breeze underwater for sure
which is a huge part of the movie you
really have to have the sample to see
what happens to it I honestly believe
that being able to create the garments
in their full Glory as opposed to just a
piece of 2D concept artwork is changing
the way that digital films will be made
every Fabric and every woven piece or
every braid and feather they all have
their own life to them they all move in
their own way and that's not something
you can get from just looking at a piece
of artwork and translating that to a
screen we work with what a digital on a
constant basis even the smallest thing
like a necklace goes for scanning where
it can actually map it they read the
texture they read the color and then
they use all of that information in a
virtual world
[Music]
that believability that reality that
we're managing to bring to the movie is
a hundred percent gonna make it just
more real for everyone
[Music]
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.