Original subtitles

WIDOWS

Sofi, get ready. Here.

Take the phone, pIease. I don't know.

-It's nothing. Set it on vibrate. -They're caIIing and caIIing.

Sofi, we're ready. Let's see. That's fine.

Okay, darIing, just reIax.

Let's see what the heII can we say about Iove.

-Love? -Yes, teII me.

Love compIeteIy disappointed me.

I thought it was something for the rest of your Iife.

I'd heard it was the best thing that couId happen to you.

I don't know.

You see peopIe faIIing in Iove, getting married,

they have 50 thousand kids, the rest of their Iives ahead of them,

but it's not Iike that.

When they teII you how good it is,

they forget you wiII be a year crying on your bed.

In the end, it's just a compIete shit!

-But. .. -Sorry, can I say shit?

-Yes, but what a dark thought. -I mean, eternaI Iove. ..

-is practicaIIy impossibIe. -PIease, can we finish here?

-It's over. -What's wrong?

Augusto had a heart attack.

What?

We're here, they'II see you now.

Everything is fine, Iove, don't worry.

-He's scared. -Get him ready to intubate.

-Can I go in? -No, wait a second.

-Let me in, pIease. -Wait here.

Don't be scared.

-Three hours of precordiaI pain. -ECG?

Yes, he had an anteroIateraI heart attack.

There's Augusto.

One moment, pIease. Wait.

-CaIm down. -PIease, I'm his wife.

-Just hoId on. -You can't go in.

No, but.. .

Who is this girI?

She must be the one who brought him in, thank God.

Let's go there.

This coffee is not that bad.

No, it's horribIe.

Look, Esther, there she is.

EIena, I'm sure she found him in the street.

AImost naked Iike that? Come on, Esther.

Where are you going?

I'II find out. We'II get rid of aII doubts.

We don't know how to repay you for what you did for Augusto.

You don't have anything to repay me for.

I just did what I had to do.

WeII, you brought him in, but you don't know him, right?

I know him.

Look, I think the best you can do is Ieave.

I'm sorry, but I won't Ieave untiI I know Augusto is fine.

So, what did she say?

Not much.

You were taIking to her. What did she say?

What were you two taIking about?

Nothing, she just found him in the street.. .

-And what happened? -and she brought him in.

-Anyways, it was difficuIt... -Yes, sure.

TeII me.

Look, EIena, she won't Ieave untiI she sees Augusto.

So pIease, remain caIm. You're right, this coffee sucks.

I'II go get something better.

Excuse me, what wiII you do to him?

We'II stop sedating him.

Do you think he can hear me?

TaIk to him.

Augusto, can you hear me?

Have you been cheating on me with that girI?

PIease, teII me. Have you been cheating on me?

Augusto.

No, he can't hear me. He can't answer me.

Let him be.

CaIm down. Let him rest.

What happened to us?

-Ma'am. Ma'am. -Yes?

PIease, go get your daughter, she's crying.

I can't get her out. PIease.

I'II take care of this.

Get out of here! What are you doing there?

-EIena? -What?

-Can I pIease stay untiI. ..? -What? No way.

Get out of our Iives forever! Don't ever come back!

-Can you pIease go? -No, can we taIk, pIease?

-What the heII is she doing? -What are you doing?

-This is outrageous! -To heII with that!

-Can you pIease Ieave? -What?

She was Iying there with my husband! What the heII?

EIena, pIease.

You can go in, but just for one minute.

You can go first, then your daughter. Understood?

I'm the onIy one going in.

-Can I go? -Yes, right after your mom.

-Do you want a cigarette? -No, I want to see him.

But you can't see him. He said she's the onIy one who can.

No, he said she couId go in, then, her daughter.

WeII, but you're not her daughter.

-Are you? -No, no.

-Do you want a cigarette? -No, I want to see him.

ReIax, don't strain yourseIf. Take it easy.

Take care of her, EIena. Take care of her.

What are you saying? Take care of her?

No, Augusto. How can you ask me to do that?

-She's aII aIone. -What?

She won't.. . She won't be abIe to do it aIone.

How can you ask me to do that?

How can you be such a bastard, Augusto?

How can ask me to do such a thing?

Are you going to die now?

Don't die.

Augusto!

IncIine Thy ear, O Lord, to the prayers.. .

with which we suppIiantIy entreat Thy mercy for Thy servant, Augusto,

whom Thou hast caIIed out of this worId,

and cause him to be joined...

to the feIIowship of Thy saints.

We ask this through Christ, our Lord.

Amen.

Let's go over there.

-I've aIready seen her. -PIease, EIena, try to ignore her.

HeIIo.

Augusto hated fIowers.

These are for you.

Thank you. Get rid of them.

-I'II take them. -Yes.

EIena?

Can I go pay my respects?

This dog has an endIess sadness.

If she knew, she wouIdn't be so sad.

-Don't be so harsh, EIena. -Am I?

We've just buried him.

I've just thought of a text about Rigoberta Menchu...

-that seems to be interesting. -Can you reIax?

I have to continue working. Pastries come with tea,

-not two hours Iater. -I was answering the phone, ma'am.

Who caIIed?

Someone for Mr. Boss, some guy, Agustin.

What did you teII him?

That he died.

I don't want you taIking about my husband's Iife. ..

without teIIing me first.

WeII, he won't compIain, he's dead.

Dead peopIe don't taIk. Excuse me.

Why don't you get rid of her?

Augusto Iiked her. And she knows things.

-What things? -She knows things.

She said something about that girI's apartment.

He paid her an apartment?

In Chinatown.

Hi, this is Adela, please, leave a message after the beep.

Thank you.

Adela, Paula here. Where are you?

Should l call a replacement for you?

l've left you three messages on your cell phone.

Give signs. Let me remind you we're paying you a salary.

Here. Take this. Someone can stiII wear it.

Yes, my IittIe brother.

Mr. Boss found him a job and he has to wear a suit,

but he doesn't have one, poor thing.

Then take everything to your IittIe brother.

Yes.

TeII me, Justina, have you been drinking again?

Have you been drinking again?

No. What are we doing with the cIothes?

ShouId we put these in bags? Take them to the fIea market?

-What shouId we do? -I don't want anything.

WeII, if my husband Ieft things in that girI's home...

take them to your IittIe brother too.

I imagine he Ieft some things there, right?

-Are you asking me? -Yes.

I don't know anything, ma'am.

You may Ieave, Justina.

FinaIIy, you show up.

Your producer came yesterday.

Yes, she's reaIIy mad. She caIIed me severaI times.

It's been two days without a report.

What about the repIacement girI? What's her name? Roxana?

Yes, but she's gone. She's working for MunicipaI Radio.

WiII they fire me?

What did she say?

I don't know, she was swearing. She didn't say she'd fire you.

She was pretty mad.

But weII, they'II teII you when you go on the air.

So what happened?

A reIative died.

A reIative died?

You shouId have toId them. The woman wouId have understood.

But I couIdn't.

HeIIo.

Yes, PauIa. She's here.

I'II put her through. Bye.

HeIIo. How are you, PauIa?

Yes, I'm reaIIy sorry.

Yes, I heard. No.

A reIative died.

A very cIose one.

Okay.

No, I know, I'm not.. .

I know the radio doesn't have anything to do with this.

Of course, even Iess the Iisteners. No, I'm not saying that.

I'm reaIIy sorry. I couIdn't deaI with it. I was.. .

Okay. No, it won't happen again.

No, PauIa, I won't have another death in the famiIy.

I'm not joking. I mean it.

I don't know. I'm sorry. I'm distressed.

Okay, yes, sure. I'II do it.

No, of course I won't cry. Here he is.

-Can you do it? -Yes, come on.

If I Iose this job, I'II kiII myseIf.

Give it to me, give me the info.

There's been an accident on GeneraI Paz and Mosconi.

A car and a motorbike.

AII roads into the city are normaI.

The same for the Buenos Aires La PIata expressway. Hang on.

Okay. Get ready.

-Three. -Was it Mosconi?

Good morning, Mauro.

We have an easy morning in aImost aII the roads into the city,

except for GeneraI Paz avenue and Mosconi...

where the traffic is staIIed due to an accident. ..

between a car and a motorbike. I don't know.

Mauro, can you hear me?

Yes, I was saying, this is causing some deIays in GeneraI Paz.

Be aware, motorists, if you're going to the city,

just keep driving.

And for aII other roads into the city, Buen Ayre highway is free.

We have sIow-moving traffic on DeIfin highway. DeIfain.

LuckiIy, trains and subways are working fine.

Thanks, Mauro. Have a good day.

Thank you, Adela.

We'll meet again this evening at 6.

More music now on this very hot noon in Buenos Aires.

We must not think This is different now

A thousand moments like this Stay forever in my mind

Nobody thinks about the summer When the snow is falling down

Let that moment go

And we'll be back in love

The logic of the world Has never controlled us

Not even such an uncertain tomorrow Has worried us

Once we both thought We needed to go in different ways

But we unpacked the suitcases

Before embarking on our trip

You

Can't be absent from my life

When everything else around me ls missing

You

You are the air l breathe ln that landscape where l live

You

You give me the strength needed To not go away

You give me love

You give me love

We must not think This is different now

A thousand moments like this Stay forever in my mind

Nobody thinks about the summer When the snow is falling down

Let that moment go

And we'll be back in love

You

Can't be absent from my life

When everything else around me ls missing

You

You are the air l breathe ln that landscape where l live

You

You give me the strength

-Are you okay? -Yes, yes.

-Do you think you can do it? -Sure.

-ReaIIy? -Nothing is going on.

Everything is just fine.

-Where is she? -There.

GracieIa, what a pIeasure.

-My goddess spirituaIity. -EIena, you're so sweet.

Thank you.

Thank you for coming and doing the interview.

Thank you very much.

GirI!

What's up, Chan?

-How's your dad? -Fine.

TeII him today's the 1 7 th and he hasn't paid yet.

-He owes me two months. -He didn't pay you Iast month?

No, he said he'd be paying both months.

Don't worry, he'II pay you.

Don't worry? I want the money.

I don't know, Chan, he's on a trip.

-But he's sick! -No, he's fine.

Then give me the money or I'II kick you both out.

Fucking bastards, shitty white peopIe.

Justina!

Justina!

What do you want now?

I'm Iooking for the key to this door. Where is it?

-It's three am, ma'am. -So?

PeopIe sIeep at three am,

they don't open doors supposed to remain cIosed.

Give me the key.

No way.

Don't speak to me Iike that. Give me the key.

No.

You're stiII faithfuI to him, even when he's dead.

Give me the key. I'II open it one way or the other.

Do you Iike to suffer?

If I need you, I'II caII you. Go away.

You aIready have it.

No, thank you, my friend. You didn't need to do it.

I'm not reaIIy in the mood to ceIebrate.

I know, but it's your birthday.

So I ceIebrate it.

Thank you very much. Did you teII anybody?

-No, I didn't. -Maggy, shut up.

Who is it?

That girI.

What girI?

You know, that girI.

She doesn't know how to speak.

-The girI. You go. -No, not me.

-PIease. -We're too high.

If I go see, vertigo kicks in and I'II faII down.

Justina, you go see.

I suffer from vertigo too, and she's Iooking for her.

TeII her she's not here.

I toId her to wait, it means she's here.

I don't Iie, ma'am.

That happens because you speak without asking me first.

TeII her not to caII me ma'am.

Okay.

I'II go.

-Is she down there? -Yes.

She has a bouquet of white IiIies in her hands.

This girI is crazy.

Poor things.

Poor thing.

Poor thing? She comes to the house of the wife. ..

of her Iover, for her birthday?

I can't beIieve this. This girI is not sane.

Maybe Augusto asked the same thing to both of you.

What do you mean, Esther? Shut up, Maggy!

ShouId I Iet her in or teII her you don't want to see her?

I don't understand what you mean, Esther.

Maybe Augusto asked her to take care of you.

Don't be absurd.

TeII her I'm not up for visitors. I'd Iike to mourn in peace.

And thanks for the fIowers,

but she can take them and never come back.

Open up, girI! I saw you coming in.

What's up? Just Ieave me aIone, Chan.

Leave you aIone? Pay me or I'II kick you out.

I toId you when my dad comes back, I'II pay you.

What's your probIem? We've aIways paid you.

You have one week.

Pay me or I'II kick you the heII out.

Okay, fine.

-Fucking asshoIe. -Yes.

-HeIIo. -Happy birthday.

Who is this?

It's me. AdeIa.

Do you know what time it is?

I don't know, it's Iate.

You scare me. Just Ieave me aIone.

No, but I don't want to scare you, EIena.

I was sad and I thought you'd be too. I remembered today is your birthday.

Leave me aIone. Don't foIIow me. Don't bring me fIowers. Just go away!

HeIIo. How are you?

-Hi. -What's up?

What's wrong?

-HeIIo. -What's going on? Hi.

What are you doing here?

What am I doing here? Me?

They didn't teII her?

ApparentIy, they didn't.

-What's going on? -This is so awkward.

What is awkward?

That she's repIacing you.

Roxana? Aren't you on MunicipaI Radio?

-She's there. -No, now I work here.

They caIIed me yesterday. The money is better. Sorry.

Bastards!

They are aII bastards! Aren't they?

You both nod, but. ..

What shouId I do? ShouId I Ieave?

Did they fire me?

Yes.

Can you pIease teII PauIa she's a fucking asshoIe?

She's a fucking coId bitch.

-AdeIa. -Let her go.

Don't get in the middIe of this. Here's your coffee.

It seems the mourning is over. It was short.

Do you know that now Augusto is gone I can fire you?

Great. It's been 1 4 years of service. We can taIk whenever you want.

TaIking about money, that Chinese guy caIIed.. .

because of the apartment on Montaneses.

He said there's a rent and maintenance debt.. .

and this apartment is used as coIIateraI.

-I can't beIieve it. -BeIieve it.

What shouId we do?

What shouId we do? You do. You Ioved your boss.

Go pay up everything owed. Move.

-I imagine you'II give me the money. -Of course.

WeII, you toId me to go pay up everything.. .

because I Ioved the boss. I thought I had to pay with my money.

-Justina, you tire me out. -And you tire me out, ma'am.

My Lord. Go and teII that Chinese guy that you'II take care. ..

of that apartment's expenses from now on, aIright?

-What shouId we do about it? -About what?

That's extra work.

-Extra work? -Yes, of course.

How wiII you pay me? As a reward, bonus?

-Bonus? But you.. . -Yes.

You're crazy, Justina. Go away.

Excuse me.

And throw those fucking fIowers away!

-Are you okay? -Yes, I'm fine.

EIena!

-EIena, Iisten to me. -What do you want?

I've aIready paid the debt.

No, it's not that. I need to be with you.

I can't be aIone.

-Are you crazy? -No.

-Are you high? -No, I'm not high.

I'm begging you. I don't have anything eIse from him.

I feeI reaIIy bad. I can't be aIone at home.

I feeI bad.

I feeI bad too, I don't want to think about you and my husband.

-Listen to me. You're... -PIease, go away.

the onIy thing I have Ieft of him.

What do you want?

Nothing. I just feeI bad. PIease.

I have horribIe thoughts. Listen to me.

I have horribIe thoughts.

I want to forget about you, him and aII this buIIshit.

I feeI so bad!

-EIena? -PIease, go away!

I know that if I'm with you, I'II be fine.

You're crazy, you scare me.

-Why are you afraid of me? -Because!

-Why? You can't be afraid of me! -Go away!

-Go away. -EIena.

-Leave me aIone. -Wait, EIena.

What did I forget, Justina?

The Chinese guy caIIed.

You didn't Iisten to her, you kicked her out Iike a dog.

What are you taIking about?

The girI tried to ''autokiII'' herseIf.

What are you saying, Justina?

She cut her wrists, ma'am.

No, Chief. Don't fiIe the report.

I have to fiIe it.

Come on, we can keep this between us.

-Are you her mother? -What happened? What did she do?

Take it easy. It was just a fright.

She's fine now.

Are you... her mother?

Mother? Look at that mess.

Look. Take her with you.

-CaIm down. -CaIm down? No way.

How wiII I rent this apartment if she dies here?

Take her with you, pIease.

It's ok. PIease, read these papers. ..

and sign them. Take your time.

AdeIa.

-What have you done? -I'm sorry, EIena.

I'm reaIIy sorry.

It's wrong to steaI. I shouIdn't steaI anything from anybody.

I was wrong. I'm sorry.

You take it easy. You take it easy.

I can't justify it. It was wrong.

I'm sorry.

I shouIdn't take anything from anybody.

I feeI bad. That's so wrong. That's so wrong.

EIena,

pIease, forgive me. I'm so sorry.

I'm asking you from the bottom of my heart.

Excuse me, have you signed?

-What? -The papers I gave you.

What are these papers for?

That's the consent to take her with you.

Or we can admit her. Whatever you want.

That's up to you. I mean it.

Fuck.

Fuck.

This way.

Take a sit.

Okay, thank you.

-I'II be right back. -Fine.

Maggy.

Hi, Maggy. Come here.

Come here.

Okay, stay there.

That's Maggy, right?

She's reaIIy cute.

She has a rash because of the stress.

Maggy.

She's Justina.

Hi, Justina. Nice to meet you. How are you?

Fine.

Justina wiII get your room ready.

Okay. That's great.

It's aIready set up.

Let's go.

CaIm down.

I'm sorry. I'm sorry.

I'm sorry.

I'm sorry. I'm sorry.

I toId Chan to teII you.

-Who? The Chinese guy, yes. -Yes.

Don't worry, you can stay here untiI you're better.

-Go with her, Justina. -This way, girI.

-Her suitcase. -Excuse me.

Bye, Maggy.

Here, take this.

We shouId add the Chinese girI and Simona.

Listen to me, I think we shouId divide it. ..

so it doesn't Iook Iike a cIuster of things.

-I toId you that Iast week. -No, you didn't.

-I toId you twice. -You toId me the opposite.

-You were smoking and didn't hear me. -I don't smoke anymore!

That's the girI.

Isn't it dangerous to Iet her aIone in the bathroom?

Is everything aIright?

Justina.

Justina.

Justina!

I'm defrosting the refrigerator. What's going on, ma'am?

Come here.

That girI Iocked herseIf in the bathroom.. .

and there's a cabinet fuII of scissors.

Go see what's going on.

Why don't you go?

Don't be so cheeky. Go.

I can't be everywhere, man.

Why don't you fire her?

She knows things.

GirI.

Are you aIright? Do you need anything?

Ask her again.

GirI. Come out now. Nothing bad is going to happen.

It's me, not Mrs. Boss.

This guy is so rude.

I'II go.

-Move. -She said something.

-Did she? -Yes.

Open up or I'II tear down this door.

What have you done?

Nothing, my bIood pressure went down.

It's not a big deaI.

When she tried to kiII herseIf, did she Iose too much bIood?

-I don't know. -She's anaemic, poor thing.

I'II cook her a steak, spinach and mashed potatoes.

And a good serving of CaIamari sIices.

And peaches in syrup.

-We need to heIp this girI. -No, honey.

I'm sorry, but you're the one who needs heIp.

You have a rude aIien as a maid,

your Iate husband's Iover is Iiving here. ..

and any minute now, she'II turn up dead.

-HonestIy.. . -I couIdn't say no.

-He asked me in a moment that... -That was stupid.

He was out of it. He was about to die, poor Augusto.

-You used to think differentIy! -WeII, I was wrong!

I'm sorry. So shouId we divide it or not?

You reaIIy have a bad temper.

CaII her.

Who?

CaII the girI. I want to taIk to her before I go.

For what?

-What? -I mean it, ma'am.

She's stiII too weak to be mistreated,

be yeIIed at and received punches.

What a footbaIIer way of speaking you have, Justina.

Just caII her.

You won't go?

Justina, you knew about my husband and that girI, right?

Of course, you did.

But you won't say anything. You're stiII faithfuI to him.

I've never faiIed you either.

CaII her. Go.

Excuse me.

Where did you meet my husband?

At university.

University?

Yes, I'm studying JournaIism.

It's true.

I'm studying JournaIism, but I've started three times...

and I quit every time I get bored.

When I go back, I have to take aII the courses again.

I've been doing this for three years.

What was my husband doing there?

At university? He was giving a.. .

Iecture on music history.

When was that?

It was...

five years ago.

And then you got together?

Be patient with her.

It's been five years of cheating and Iying.

It's not a mere trifIe.

2, 1 64 nights sIeeping by my side and I didn't see it. I'm so stupid.

True. I can't beIieve you did such a caIcuIation.

WeII, I did.

Esther, I've just caIIed.

I Ieft three messages, but nothing.

Did he say he's coming?

Yesterday, his assistant toId me he was coming.

Then he's coming. If he said so, he is coming.

We'II stay here waiting.

Can you go for. ..?

-Do you want a cup of coffee? -No.

Bring me one. And some water.

Okay.

Do you know what I'd Iike to know? Why did he do it?

Why? I don't know. I didn't reaIIy know my husband.

Who is that?

Who?

That taII guy.

That's Eduardo, our new cameraman.

-He's good. -The one sent by LeopoIdo?

Yes.

-Is he good? -That's the one. Yes.

I'm sorry, I didn't introduce you to him. Eduardo!

-HeIIo. -You know each other.

EIena, it's a pIeasure. I'm proud to be here.

-Thank you. -I mean it.

You're weIcome.

The sun is coming down this way, right?

No, the sun comes down on this side.

So we have two more hours of dayIight.

Yes, fortunateIy.

I hope I come in handy.

-Sure, thank you. -Whatever you need me for.

-Thank you. -My pIeasure.

I'II be ready in five minutes. Just Iet me know.

Thank you.

He's handsome.

-Ok, I'II go. -Where are you going, EIena?

He's not coming. He doesn't want to be in this documentary.

Don't say that, EIena. Come on, pIease.

Don't do what you aIways do!

You use the phone just to avoid answering me.

The phone didn't ring!

This woman!

EIena!

What are you doing?

''I started Ioving you, you IittIe defeated girI.

Your green sweater, smiIing, caImed.

You were so cIear, so aIive, so mine...

that I wanted to Iove you for the rest of my Iife.''

Did he write this to you?

Give me that.

I don't Iike to have peopIe in my room without my permission.

Touching my things.

No, I'm sorry. The book was on the bed.

I was wondering what side of the bed he preferred.

That side.

I feeI Iike I can't keep Iiving without him.

I can't picture a future.

How dare you teII me something Iike that?

I'm the one who can't Iive without him, AdeIa.

You're so disrespectfuI.

You get in the middIe of everything, pushing around.

What's wrong with you?

Did you think that as we didn't have any kids. ..

we were not a famiIy?

As I was aIone, you said: ''I'II go in''.

But we are a famiIy.

There's a famiIy here.

Even though we didn't have any kids.

Get out of my room. Leave.

Wait.

Let me ask you something.

How many times a week did you two meet?

-Why do you want to know? -I want to know.

Four, five, I don't know.

On weekends too?

Sometimes, yes.

-It depended on what I was doing? -No, no.

It's impossibIe for you to understand. We didn't mean to hurt you.

It just happened. It just. ..

I'II go to the restroom.

Wait a minute.

I'm teIIing you to wait.

You think I'm stupid, right?

No.

I do.

I spent five years thinking that my marriage was working.

Your marriage was working, EIena.

ReaIIy?

Yes, he used to say he couIdn't Iive without you.

He couIdn't imagine a Iife without you.

So what's your part in this?

I don't know.

What did he do with you?

You were a good fuck? Are you better than me?

I don't know if you're good or not.

I'm sorry. Sorry. Sorry.

What the heII are you Iaughing at?

I'm sorry, I remembered a joke about a Iame man in the street. ..

who wants to rape a woman and she teIIs him.. .

''Go away, you're so Iame.''

I don't know, we used to Iaugh a Iot, maybe that's it.

We used to Iaugh a Iot.

-Did he say he was bored with me? -No, didn't teII me that.

-I'm peeing. Can I go now? -Let me go through.

Let her vent.

Or she'II get worse.

But she's not crying.

She is.

I can't hear her. She's not crying.

She has a toweI in her mouth.

There's a curse.. .

by the Arab peopIe. ..

when you do something bad to them.

''I wish you faII in Iove.''

Go, try faIIing in Iove.

You're up, really up...

then, down.

I'm sorry, I didn't mean to interrupt you.

-HeIIo. -Hi. Knock on the door.

You scared me, girI.

I'm sorry.

It's fine.

How are you?

Better.

WeII, I don't know.

What's that?

What?

That thing you're drinking.

Dishwashing Iiquid.

Were you drinking that? Dishwashing Iiquid?

Do you drink dishwashing Iiquid?

It's whiskey.

It's whiskey.

Don't teII Mrs. Boss, she thinks I'm an aIcohoIic.

That's a bit too much.

I don't drink because I'm an aIcohoIic.

I wasn't going to.

I drink because I'm empty.

Hey, after what happened to Augusto.. .?

Do you want some?

-No, thank you. -Come on. It's the expensive kind.

-Mrs. Boss drinks this one. -It must be some other Iiquid.

It's quite tasty.

-The food was reaIIy good. -Good.

Okay, I'II go. I'm teIIing you so you don't freak out.

Okay.

-AdeIa. -Yes.

When wiII you go to the doctor to check on those?

I'm going tomorrow.

And then, if I can, I'II go back to schooI.

I'm Iooking for a job, I want to go as soon as possibIe.

-Fine. -Okay, good night.

No, but no. No. I'm serious. It's not Iike that.

I don't Iike that music. It's too graphic.

It doesn't have a hook, nothing!

No, I mean it. No, Iisten to me.

We'II Iose our sound engineer.

''So much misfortune in my weak heart.

Is it necessary that what makes up a man's happiness.. .

is aIso the source of his misery?''

-I'm sorry. -HeIIo.

In this way, we go back to the German Romanticism...

in contrast to the NeocIassicism of the age.

The mind versus the feeIing.

That's the way this noveI was born,

''The sorrows of young Werther'' by Goethe.

That's the correct pronunciation.

You articuIate an ''o'' and pronounce an ''e''.

What's up with Werther? A young man in Iove,

sensitive, extremeIy romantic...

who faIIs madIy in Iove with the beautifuI CharIotte.

But. ..

She doesn't Iove him back.

He suffers a Iot.

He suffers with desperation.

So he finds his onIy way out. The most drastic one.

Death.

Can someone Iove Iike that?

For those of you who want to read it,

I need to warn you. It says:

''To read this book, you need to have experienced Iove.''

Those who Iove can read it. Those who don't can't.

This is aII for today. Thank you.

-Bye, Professor. -Bye.

Bye.

-Have a good weekend. -Same to you.

Are you better now?

Yes. Kind of.

Do you have cIasses tomorrow?

Yes, I have SocioIogy 3.

How's that coming?

So so.

I can heIp you. I've aIready done it.

No, me too. I've done that course three times.

-You quit? -Yes, I quit, then I came back.

Because of work?

Sorry?

Because of work, husband, chiIdren.

No, Iife. I don't know.

I have time and I'd Iike to heIp you.

Thank you, but no, thank you.

Can I take you home?

I Iive cIose by.

Do you know where I Iive?

No, but I'd Iike to give you a ride.

I tried to kiII myseIf 2 7 times for Iove.

Not because they abandoned me, but because I stopped Ioving them.

I think that now, if I stop Ioving someone. ..

I'd try again because.. .

I can't think of a Iife without Iove.

This body is Iove.

Cut! Very good.

Bravo! ReaIIy good.

So quiet.

TeII me what you want to taIk about.

Eduardo Moreau. You Iike him.

You're crazy.

You Iike him.

Another topic, come on.

Okay.

Moreau Eduardo.

You're amazing. You're a pest.

No, I think he's a nice guy.

I feeI good around him. But I don't know him.

I don't know.

If you feeI good around him, that's a good thing.

Maybe. Yes.

And he's young. Like that girI.

-What do you mean? -No, no.

Just some thoughts in my head.

If I didn't Iove you so much. .. You're a IittIe bitch.

But you know that peopIe Iike me.

If you had a neck, I'd hung you.

So I traveI a Iot.

I give some Iectures in Cordoba, Rosario.

-Now, I want to see Buenos Aires. -That's a good thing.

Are you going to...? No!

-No, no! -What's wrong?

-Is she in? -Who?

-Is she in? -Who?

The woman in the van.

-The van? -Is the van stiII there?

Yes. Who is she? Is that your mother?

Yes, she's my mom.

-I'm sorry for this. -It's aIright.

-Do you want to go? -No, no, wait.

It's a coupIe of minutes.

-There she goes. -There.

-There she goes. -There.

Okay, ready. I'm sorry.

-No, that's okay. -Sorry.

There's no husband, no chiIdren, but do you have a boyfriend?

-No, no. Why? -No? I mean.. .

-The van thing? -Yes.

No, that's because of my mom.

-You're oId enough to. .. -Yes, I am.

-You're oId enough to. .. -Yes, I am.

My famiIy, in generaI, is quite a compIicated group.

Very compIicated peopIe.

No probIem. I'II come by tomorrow.

-I don't know. Why? -The test.

I want to take care of you. There're so many young men around.

I thought you were saying you were going to university tomorrow.

To see that thing with your exam.

Yes, okay, fine. Thank you.

Yes, okay, fine. Thank you.

-Thank you very much. Bye. -Bye.

-Thanks, I'm sorry about before. -No probIem.

-That was horribIe. -No, no.

-Bye. -Bye.

Javier, wait. I wanted to teII you something.

I don't have a husband, chiIdren, boyfriend...

I don't have a husband, chiIdren, boyfriend...

but there's nothing here.

-I don't want to start anything. -Of course, you're...

-I'm kind of.. . -CompIicated.

-Can I teII you something? -Yes.

I'm not a compIicated person. I'm quite simpIe.

And I've made much more compIicated girIs happy.. .

And I've made much more compIicated girIs happy.. .

-girIs that weren't that beautifuI. -That's a fIattering comment.

-Yes, you're beautifuI. -Thank you.

I'd Iike. .. I don't know. I'II wait for you.

No, I don't know. No.

-No? -No.

Wait, Iet's do this.

I'II wait. If something better comes up,

I'II deIete you from my Iist and I'II carry on with someone eIse.

You're fast. I don't know.

WeII, we'II just keep with the exam thing.

-Okay, I'II see you tomorrow. -Thank you.

-Bye. -Bye.

-I'm so gIad you Iiked the materiaI. -I Ioved it.

-Yes. -I Ioved it.

I'm gIad. Let's make a toast to that.

-Cheers. -Yes, and to Iife.

-To Iife. -Thanks, and to women.

Okay.

And to maIe energy, which is great. Cheers.

And to maIe energy, which is great. Cheers.

TaIking about Iove, what was Augusto Iike?

-If you want to. -No, no.

-It's okay. -Are you sure?

-It's okay. -Are you sure?

It hurts, but I can taIk about it.

Are you comfortabIe? Are you aIright?

Yes, thank you. You make me feeI reaIIy good.

Thank you very much.

Augusto was someone I was madIy in Iove with.

I aIways thought he was a marveIous man.

He was a great man.

And you know what? It's difficuIt to expIain...

the meaning of this, but he was a gentIeman.

the meaning of this, but he was a gentIeman.

A gentIeman.

He was someone who makes you feeI safe.

Wherever he was, you knew. ..

he was there, strong. He was right behind me.

he was there, strong. He was right behind me.

I feIt safe.

Wherever I was, there he was, aIways.

That was powerfuI. And I'm thankfuI for that.

Do you think it's going to be difficuIt.. .

to compete against such an opponent?

Compete? How can you? You can't.

Compete? How can you? You can't.

Thanks for thinking that, but you can't.

Anyways, thanks for giving me a new friend to think about.

Thank you.

Thank you.

I'm sorry, I was reaIIy hungry.

Don't Ieave the refrigerator's door open.

Don't Ieave the refrigerator's door open.

It Ioses the coIdness.

I can't stand thinking that he was in Iove with someone eIse.

I wish I had been the onIy one.

Go to sIeep. You have an exam. Maggy!

Go to sIeep. You have an exam. Maggy!

Don't give her anything. She's fat.

She gets up here aIone.

Down.

The use of time is an oId usage.. .

divided in three different procedures.

EstabIish a rhythm. Do specific tasks.

EstabIish a rhythm. Do specific tasks.

And reguIate the repetition cycIes.

WatchfuIness, exercises, shifts, IeveIs, cIassification.. .

and quaIification are just ways of studying. ..

and controIIing aII human muItipIicities.

A group of procedures to divide in areas, measure. ..

A group of procedures to divide in areas, measure. ..

and channeI peopIe to turn them into dociIe and usefuI beings.

For HegeI, aII Iabor was Iike a deferred death.

-AdeIa! -PIease, caII someone.

CaII the nurse. AdeIa, are you okay?

-HeIp is coming. -I feeI terribIe.

Friendship is a supreme Iove.

Friendship is a supreme Iove.

Love heIps you see yourseIf.

And when you're Iooking at yourseIf, coming cIoser to you,

seeing your truth and reaIity,

you aIso get cIose to Iife and the one in front of you.

you aIso get cIose to Iife and the one in front of you.

Trust is the most important thing in Iove...

and the first thing that breaks.

The Iight of trust. ..

buiIds stronger and cIoser friendships.

When you have a cIose friendship between a man and a woman,

When you have a cIose friendship between a man and a woman,

two compIete opposites,

we grow, evoIve.

Love is. ..

HeIIo.

Yes, that's me.

I don't have a daughter.

Ma'am, it's not time for games. AdeIa fainted...

Ma'am, it's not time for games. AdeIa fainted...

and doesn't want me to take her home.

Can you come get her?

HeIIo?

He hung up on me.

-Are you the rude man who caIIed? -Yes, I'm the one.

And you're the mother who forgets about her daughter.

-Where is she? -In the Infirmary.

My God.

She needs to see a doctor.

A nurse aIready saw me.

It's not the same. Let's go home. I'II caII a doctor to see you.

I'II take you.

No, we'II take a taxi.

You can't find a taxi here, I'II take you.

Stop throwing up.

Yes, are you okay?

I think this girI doesn't eat anything heaIthy.

Last night, she stuffed herseIf with food.

Last night, she stuffed herseIf with food.

Okay, Iie down. Lift your top.

Have you have any other symptom? Any stressfuI situation?

She has exams at university.

Someone cIose to me died.

That can affect you.

My husband.

I mean, my husband died.

Even more so, if your dad died.. .

-I need to have a bIood test. -Okay.

-A compIete urine anaIysis. -Okay.

-A compIete urine anaIysis. -Okay.

TeII me, do you think you couId be pregnant?

No, no. I haven't had sex in a Iong time.

ImpossibIe.

ImpossibIe.

-Try to rest as much as you can. -Okay.

And do this tomorrow or the next day.

-Fine. Thank you. -You're weIcome.

AII heII wiII break Ioose soon. You know?

This is going to expIode. What a mess.

This is going to expIode. What a mess.

BIood wiII run.

Are you taIking about me?

No, it's a private caII.

And it's my phone. I know you're taIking about me.

And it's my phone. I know you're taIking about me.

You were speaking Spanish and then, continued in Guarani.

Do you think I'm stupid? Who are you taIking to?

My cousin, CeIsa.

I'm taIking to my cousin, CeIsa, today's her 55th birthday.

But you didn't Iisten to me.

I toId you I needed to Ieave earIy so I couId come back earIy.

I toId you I needed to Ieave earIy so I couId come back earIy.

I'II go to the hair saIon. Then I have to rush to the premiere.

Thanks for inviting me.

I invited you! You toId me you couIdn't come...

because you had your cousin's birthday, CeIsa.

Don't upset me.

Don't upset me.

I'm tired of you, Justina.

One of these days, you'II know who I am.

Did you hear? She's Iike crazy.

He used to taIk about you.

ReaIIy?

Yes, I knew everything.

I was the onIy one who knew about you two.

How did you know?

One day, I found a paper in a pair of trousers.

One day, I found a paper in a pair of trousers.

It said: ''Coco, my body hurts from Ioving you so much.''

Yes, that was mine. It was a joke. How embarrassing.

He toId me not to say anything.

I toId him to be carefuI with what he was saying.

I toId him to be carefuI with what he was saying.

And that I wasn't a snitch.

What did he say when you taIked to him Iike that?

Nothing. He just Iaughed.

-So sweet. -Yes.

I knew about you too.

I'm serious. ReaIIy. He said you took care of him.

I'm serious. ReaIIy. He said you took care of him.

Once, he toId me: ''Too bad you can't meet Justina.''

Now we know each other.

I've been working here since I was young,

1 4 years taking care of them.

Both of them.

Both of them have been good to me.

Mind you, both of them. That's fair.

She...

is wonderfuI. You have to Iearn to deaI with her.

-Yes. -But he.. .

He was too sweet.

He was a good man.

I was reaIIy young when I started working here.

So young!

You were a boy when you got here.

NeIson.

NeIson?

Justina is nicer.

I asked him if he was Coco.

What did he say?

He didn't taIk. He was a reserved man.

He didn't taIk. He was a reserved man.

He must have been embarrassed.

Yes, Coco, Coquito. Coqueiro, CoquiIino.

EIena caIIed him Bear.

He was Iike a bear too.

Yes, and his friends caIIed him BuII.

BuII? Why?

BuII? Why?

Because he was a reaIIy good footbaIIer.

He was a center forward,

headed the baII with either side of the head. He knew how to score.

Don't run.

What?

Don't run.

Wait tiII EIena has her movie premiere. ..

and then.. .

Yes?

Yes?

-Excuse me. -Yes.

Is this for me?

Yes, it's a ticket for the premiere.

For two peopIe. You can take someone if you want.

No, I don't have anybody.

How about that rude guy?

No, I shouIdn't.

Of course, you Iike oIder men.

No, I didn't mean it. It's just difficuIt sometimes.

Why don't you go?

It's about women, Iove. You'II Iike it.

Okay, I don't know.

I don't know.

Do whatever you want.

Thanks anyway.

I've never been so nervous.

-I don't know why. -Hi.

-Everything wiII be fine. -Look who's here.

-HeIIo, good evening. -HeIIo.

-Everything is wonderfuI. -Yes.

Es de Ibanez.

Did you know they were here?

-Did you know they were here? -No.

-Anyway... -Look at the youngster.

He's with a friend, no, his cousin.

-She Ioves the movie worId. -ReaIIy?

How do you know? Is she a cousin or a friend?

It's the same. I don't care. It's not my business.

Esther, EIena, we'II start in five minutes.

-Fine. -What shouId we do?

I don't know. We'II drink something.

-Some Fernet. -Yes.

This champagne is very good.

-You'II Iike it. -ReaIIy?

-It's soft. -You were teIIing me.. .

-Cheers. QuaIity and price. -Cheers.

Here's our dear director.

-Cheers. -Good.

Look who is coming there.

HeIIo, Aunt EIena. I reaIIy Iiked the documentary.

Thank you, honey. HeIIo, pretty girI.

-Hi, darIing. -Did you see her?

HeIIo. Thanks for coming. Where's your mom?

-FiIming. -Good.

Excuse me.

-HeIIo. -HeIIo.

-EIena. -Thank you.

-What a beautifuI baby. -She's so cute.

-Excuse me. -CongratuIations.

Thanks for coming.

-Rose. How are you? -HeIIo. CongratuIations.

Everything is going exceIIent. Don't worry.

-The most wonderfuI. .. -Wait a second. I'II be right back.

I'II be right back.

-I'm gIad you came. -Yes.

-CarefuI, it's strong. -Yes.

What you did is sad.

I don't know what you're taIking about.

The documentary.

ReaIIy?

Very sad. Yes.

Women taIking about a Iove they had and won't come back.

Or a Iove they'd Iike to have,

but I see you were sad when you fiImed it.

When I started it, I wasn't, but I was sad when I finished it.

-EIena. Hi. -Hi, how are you?

Fine. The museum's director is Iooking for you,

he wants to give you a bouquet. Let's go.

Okay.

-I'II see you Iater. -See you.

Hi. HeIIo. Hi, honey.

What wouId Augusto have thought if he had seen what I've just seen?

EIena.

What wouId Augusto have thought if he had seen what I've just seen?

What, honey?

Are you going out with that guy?

You're drunk. Go to bed.

So you can do whatever you want, but I can't do anything.

What are you taIking about?

EIena, you can cry over him because you're his widow,

you can taIk about him because he was your husband,

but I can't do anything.

I can't even go to the bathroom because you think I'II kiII myseIf.

AdeIa, Iisten to me, I'm not interested in having you here with me.

You insisted on barging in here.

You drove me crazy and I Iet you in.

It was the Iast act of Iove for Augusto. It was onIy that.

I'm trying.. .

to Iive as a widow the way I can...

and I have to Iisten to your questionings?

If you don't Iike what you see,

grab your things and go away! Just Ieave me aIone!

Fine.

We'II do that.

EIena.

EIena, can I ask you something?

Are you acting out of revenge? Do you reaIIy Iike that guy?

You never stop. You never stop, never, ever stop.

Let's cIear up that confused head of yours.

Augusto didn't have any moraI authority.. .

to teII me anything or judge me for anything.

You're the Iiving exampIe of what a bastard he was to me!

So Iisten to me.

Have some reguIar coffee, stop this nonsense. ..

and go to bed!

We've Iost our time. You didn't Iove him.

Just go away, shitty brat!

Go away! I'm tired of you!

Get out of here!

-Let me go, EIena. -Go to bed. I'm tired.

-I can't teII you anything. -Just go to sIeep!

-Leave me aIone. -I'm pregnant!

Are you serious?

Yes, I'm serious and I don't know what to do.

-ReaIIy? -Yes.

Son of a bitch!

-Wait! Wait! -Get out of here, you bastard!

I'II kiII you!

-I'II kiII you! -Wait!

Get out of here!

Leave! Get out of this house!

Leave, you son of a bitch!

You do this to me! A chiId!

You bastards, both of you!

What happened?

-HeIIo, Justina. Nothing. -Are you okay?

-Nothing. No. -Nothing?

-Don't Iie to me. -Excuse me.

-GirI. -It was a pIeasure.

Justina!

Come on, get in!

-Where are we going? -Let's go.

What a night. My head is expIoding.

CaII her again.

VoicemaiI.

Does it ring and then goes to voicemaiI?

Yes.

She's reading my name on the screen and she's not answering.

Maybe she threw herseIf into the river.

Her phone wouIdn't be working.

Maybe she Ieft it by the shore before going in.

What a macabre mind.

Macabre? Me? My mind?

Think about it.

Some peopIe are too tidy to kiII themseIves.

But you don't see peopIe. That's the probIem.

My grandpa, Saturnino Cardozo, was a boxer.

He had a shower, shaved...

went to bed with his mouth guard.. .

and bIew his brains out with a .45 with siIencer.

-Not a word. -Shut up. Give me the phone.

-No, I won't give you anything. -Give it to me!

Look forward. What are you doing?

Give me the phone.

-Hello. -Esthercita.

-No, please, l've been drinking. -I need you.

-What do you want? -Red Iight.

What's going on? Are you crazy?

Yes, she is.

-I wasn't taIking to you! -The girI Ieft.

No, she kicked her out.

Come with me. I need you to heIp me find her.

She's pregnant.

-Pregnant? Who is pregnant? -The girI.

-Are you kidding me? -No, pIease, come.

She threw aII her cIothes out. She treated her badIy.

-EIena, pIease. -Tomorrow, a fisherman...

wiII find her IifeIess body fIoating.

PIease, stop that. Do me a favor, go away.

Justina, go. Take a taxi.

-I won't. You won't Ieave me here. -Go back aIone.

Get in the car, Esther.

Yes.

-Come on, Iet's go. -WiII you Ieave me here?

What do you want?

Look, do you know what this is? GuiIt.

But that girI is not aIright.

She can do anything. She's weird.

That's not new. She's aIready done that.

Do you forget that she's pregnant with Augusto's chiId?

Don't sIeep, Esther.

I'm so sick of you.

Stop smoking that shit.

Stop for gas, the Iight is on.

-We won't find her in the streets. -Ok. ..

If we won't, then take me home.

Later.

Where are we going at this hour, EIena?

To the most obvious pIace. How didn't I think of that before?

Where is that? Don't get mysterious now.

Because I aIready know.. . Stop for gas!

I'II have to waIk a miIe with the can in my hand!

-You're right. -Of course I am.

I know, it's aIways me.

Esther, who is this girI?

What are we doing Iooking for her so earIy in the morning?

Why this mercy for her?

Where is she coming from?

What did he Iike about her?

You know men.

Untidy.

Look at Augusto. Look at the mess we're into because of him.

Now, he's buried.

And you're Iooking for the pregnant girI. ..

Iike if she was your own daughter.

I'm smoking this fake cigarette, desperate,

in this girI's awfuI apartment in Chinatown.

I don't know.

I Iost the reason to Iive. For me, this doesn't make any sense.

Yes, it makes sense, Esther.

What?

You don't know how much I Ioved this man.

I Ioved him so much.

WeII.. . my friend.

-Let's make one Iast attempt. -No.

-Let's go. -Where are we going?

No, pIease, don't drive me crazy!

Come on, I don't have energy for this!

Do you think this is the right pIace to come?

Let's go.

There she is. I toId you.

What are you doing here?

We've been Iooking for you. I wanted to know if you were okay.

Yes, I'm fine.

Look, AdeIa, I don't want to feeI guiIty.. .

because I can't deaI with this. It's too difficuIt.

-For me. -I know.

Everything is okay. It's okay.

He's not to bIame either.

Was he worried when he died?

I don't know.

WeII.. .

-EIena, thank you very much. -No.

I mean it.

Take care. PIease.

Where are you going to go now?

To my house. I'm here with the rude guy.

He'II get me a job at the Embassy. ..

in the Press Department. I don't reaIIy know.

Okay.

Thank you.

AdeIa.

Have that chiId.

Yes.

Bye.

-Hi. -HeIIo.

Look.

We'II get wet.

Do you want to get in the car? I'II give you a ride.

Okay.

We must not think This is different now

A thousand moments like this Stay forever in my mind

Nobody thinks about the summer When the snow is falling down

Let that moment go

And we'll be back in love

The logic of the world Has never controlled us

Not even such an uncertain tomorrow Has worried us

Once we both thought We needed to go in different ways

But we unpacked the suitcases

Before embarking on our trip

You

Can't be absent from my life

When everything else around me ls missing

You

You are the air l breathe ln that landscape where l live

You

You give me the strength needed To not go away

You give me love

You give me love

We must not think This is different now

A thousand moments like this Stay forever in my mind

Nobody thinks about the summer When the snow is falling down

Let that moment go

And we'll be back in love

You

Can't be absent from my life

When everything else around me ls missing

You

You are the air l breathe ln that landscape where l live

You

You give me the strength needed To not go away

You give me love

Love

Traduccion y Subtitulado ClVlSA MEDlA www.civisamedia.com Buenos Aires - Argentina