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THE LION DANCE
(Kagamijishi)
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Kikugoro Onoe VI
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Filmed in 1935
Directed by Yasujiro Ozu
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As you all know,
Kabuki actor Kikugoro Onoe VI
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is the most talented
of the last few years.
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He inherited his quick-wittedness
from his father Kikugoro V
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while showing a brilliant inspiration
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worthy of the children of Edo.
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He was born in a great kabuki family
ruled by respect and tradition.
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Thus he was inevitably spoiled.
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But he also had a mischievous side,
being very quick-witted,
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that allowed him to bear
his father's authority.
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The father entrusted
his son's education
to Danjuro Ichikawa IX.
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Kikugoro VI became the heir
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of both the name and the art
of Kikugoro V.
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He acquired strong basis
in kabuki dance
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with master Danjuro IX
during his youth.
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But he was only 19 years old
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when is master died.
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His full potential hadn't
revealed itself yet.
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It was his innate talent and efforts
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that allowed him to
develop his technique.
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When he's dancing,
he doesn't neglect
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any word or move.
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He's always looking for perfection.
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That's where the strength
of his dance lied
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and it made it sublime.
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Sometimes he had
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bright and happy glorious feats.
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Among his famous dances, we can mention
first his feminine roles in Dojoji,
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Fujimusume and Kamuro.
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His corpulence was a great help to
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play young ingenuous girls
with generous curves.
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When he played for the first time
the role of Kamuro,
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who is 12-13 years old girl,
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the scenery had to be extended.
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All his moves and manners had
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a look of a naive and
adorable young girl.
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And in Yasuna's role,
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he expressed a noble erotism
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losing its reason in
the spring melancholy.
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He played a funny and innocent boy
with the role of Kisen.
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For Sanbaso's role,
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requiring a naive and gay dance,
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his performance was never lacking
nobility and rigour.
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For No theatre roles,
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like Tomomori and Tuchigumo that
he was interpreting with brilliance,
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he wasn't just adapting them
to kabuki.
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He succesfully showed humanity
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and kabuki's special ,
different from No.
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The Kagamijishi (Lion Dance ) is known
as the most difficult to perform.
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On top of the complexity of the moves
and of the expression of the feelings,
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this dance requires a lot of stamina.
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Nobody else would have managed
to preform this dance so perfectly.
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All the lion dances come from
No theatre's shakku.
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Among the oldest ones,
there's the Makurajishi.
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This dance includes a courtesan.
But Danjuro IX moved the scenery
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to a big manor the evening
of a new year ceremony.
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Yayoi, a peasant, is boiling
water to make some tea.
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An old lady is coming to get her.
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Shyly, the peasant shows her
her favorite dance.
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Then, near the end of the dance,
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when she's touching the lion's head,
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the lion's spirit seizes her.
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She vanishes then reappears as a lion,
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She's dancing with a butterfly.
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The script was written by a
revolutionary of this time,
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Ouchi Fukuchi, in 1893.
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Kikugoro VI played it
for the first time in 1914.
He was barely 30 years old.
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This movie was made in 1935
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when he was 51 years old,
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with the help of the
Kokusai Bunka Shinko-kai
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to promote the art of
Japanese dance abroad.
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That's why it's missing
the first Yayoi dance
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of which some parts have been modified.
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At some point, it's not
the usual choreography.
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But the heart and the highlight
of the show weren't changed.
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Among the key scenes,
we can name
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the description opening with
"In this time, the peonies...",
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in which he's contemplating
the falling petals.
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It's the famous scene
of the first act,
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one of the hardest to perform.
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We can admire his performance
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when he's attracted by the lion's
spirit despite his fear,
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then the scene where, once
he's become a lion,
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he's shaking his long and heavy mane
with constancy and vigor
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to incarnate an intrepid lion.
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Those performances require
moral strength and technique.
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The lion dance must express
strength and happiness.
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And the curtain must fall
on a calm lion.
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By watching this Kagamijishi film
interpreted by Kikugoro VI,
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and listening to the final line,
"Under the lion star...",
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we can't help thinking
that this line
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is mentioning both
the actor and the lion.
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THE END
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