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ENGLUND:
Hidden away in news reports
from America's past
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are tales so frightening
that they must be true.
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♪♪
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I'm Robert Englund.
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Join me on a journey
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into the dark shadows
of our nation's history
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to uncover a trilogy of stories
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as terrifying as they are real.
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♪♪
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An unholy ritual goes
unpunished.
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[Crowd chants] The life of the
flesh is in the blood.
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ENGLUND: A prophetic dream...
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Your turn next.
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...foretells a gruesome death.
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[ Screams ]
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And an elaborate curse...
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Eye of newt.
Toe of frog.
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...drives a man insane.
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[ Laughing maniacally ]
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Brace yourself
for "True Terror."
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[ Man screams ]
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♪♪
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A bad omen
is an other-worldly message
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that something terrifying is
coming our way.
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You could call it Fate's
sinister way of making us sweat.
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But just how vicious
can an advance warning get?
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Well, now, the three stories
I have for you prove
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these messages
can be downright diabolical.
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So let's begin with a tale
from 1890,
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and a broken man
searching for a reason to live.
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40-year-old carpenter
Taylor Jones knows tragedy,
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three times over, in fact.
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There lie the bodies
of his wife, Mary,
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and his two young daughters.
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♪♪
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Sleep now, my sweet girl.
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CLARKE:
Tuberculosis is a constant
presence in Pennsylvania
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in the 1800s.
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It's especially cruel
to Taylor Jones.
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He lost his wife
and his daughters
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all within just two years.
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♪♪
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ENGLUND:
Of course, grief would be
the standard price you pay
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for lost love.
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Oh, but I wouldn't be telling
you about Taylor Jones
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if his journey was merely
standard, now would I?
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♪♪
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ST. AMAND:
Taylor needs a fresh start.
He was a lost soul.
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He'd lost everything
near and dear to him.
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He was just wandering around
with no purpose, no destination.
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♪♪
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Six months later,
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Taylor finds himself
in Kansas City, Kansas,
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where he lands himself
a job as a farmhand.
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[ Sheep braying ]
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Water?
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♪♪
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Why, yes.
Thank you.
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♪♪
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♪♪
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-Slow down, there's plenty more.
-It's plenty hot today.
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It is.
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Thank you.
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-What's your name?
-My name is Taylor, ma'am.
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Taylor Jones.
-It's nice to meet you, Taylor.
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I'm Rose.
-Nice to meet you, Rose.
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CLARKE: Rose Cooper
is a beautiful young woman
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who ended up in Kansas City,
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after she'd had
a personal tragedy of her own.
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Her parents were killed
in a flood,
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and she's living with her uncle
Silas and his family.
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-Have you been here very long?
-Oh, about three months.
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I come from back East.
Pennsylvania, to be exact.
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Well, how do you
like it?
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Well, it certainly
is wide open.
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Lots of space
for a man to think.
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It is.
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Do you have a church?
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No, I can't say as I do.
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My uncle says
God gives us everything,
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he says that God nourishes
the body and the soul.
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Well, I'm afraid God hasn't
been very kind to me.
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ENGLUND:
Life is filled with events
that can be interpreted
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as signs such as the unexpected
appearance of a new friend
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with a caring heart...
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She passed,
then the oldest one,
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then finally,
my little girl.
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You probably don't want
to hear all this,
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...but proceed with caution
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for few things
can be more deceiving
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than the intentions
of a beautiful stranger.
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I want you to come hear
my uncle preach
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tonight at his church.
He can help you.
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Will you be there?
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Of course.
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My life practically
depends on it.
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♪♪
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♪♪
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♪♪
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WILCOX:
We are a blessed people
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even if we don't think
so sometimes.
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From the Book of Ephesians,
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"In Him we have redemption
through his blood."
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-Hallelujah.
-Amen.
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So we are nourished
body and soul.
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CLARKE: What we know about
Silas Wilcox
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is that he was a pastor
living in Kansas City.
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He started a congregation
known as the Samaritans.
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He tells his followers
that tending to the sick
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is a way to honor God.
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And in doing so, we nourish
our body and our soul.
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WILCOX:
Brothers and sisters...
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ST. AMAND:
Wilcox is an electrifying
speaker who can cast a spell
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over an audience.
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He can mesmerize, motivate,
and even convert
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anyone he speaks to.
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In the Old Testament,
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we find the words
that animate our spirit.
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the life of the flesh
is in the blood.
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[Crowd chants] The life of the
flesh is in the blood.
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ST. AMAND: That passage comes
from the Old Testament,
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the book of Leviticus and Silas
Wilcox latches onto it
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and turns it into a kind
of mantra.
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That's God's love.
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It is our holy mission,
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our charge to deliver
that love to everyone.
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CLARKE:
That first night that Taylor
shows up
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is like every other night.
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Wilcox releases
a powerful sermon
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full of fire and brimstone.
-God is love.
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And that love moves through
each and every one of us.
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I feel it.
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CLARKE:
But he tempers it with hope.
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He tells the faithful
that faith is a guiding light
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when all around them
is darkness.
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WILCOX: I feel it in you.
I feel it in you.
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I feel Him
in every one of you.
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ENGLUND:
Sometimes life's greatest
risks are the ones
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we don't realize we're taking,
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such as the fate
of Taylor Jones.
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He has no idea that his search
for belonging
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has taken a perilous detour.
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WILCOX:
Christ said, for my flesh
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is true food
and my blood, true drink.
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The life of the flesh is
in the blood.
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[Crowd chanting] The life of the
flesh is in the blood.
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[Crowd continues chanting]
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Amen.CROWD: Amen.
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Amen.
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♪♪
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CLARKE: Over the next few weeks,
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Silas takes Taylor
under his wing,
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telling him about faith,
and in particular,
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about the Samaritans,
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but his real focus
is on just one core principle --
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God promises a way
out of the darkness
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if you take on a cause bigger
than yourself by helping others.
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Silas invites Taylor to help
the Samaritans
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in their mission
to heal the sick.
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Cast out the demons
and the afflictions
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and the pain from this man.
Make his blood strong.
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The life of the flesh
is in the blood.
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Cast out the demons
and the afflictions
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and the pain from this man.
Make his blood strong.
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The life of the flesh
is in the blood.
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Cast out
the demons...
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00:09:00,586 --> 00:09:03,206
ENGLUND: Though we all may look
at the same things,
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00:09:03,206 --> 00:09:04,716
what we choose to see
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00:09:04,724 --> 00:09:08,554
depends mainly
on what we are hoping to find.
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00:09:08,551 --> 00:09:09,481
Cast out the demons,
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00:09:09,482 --> 00:09:10,622
cast out the demons,
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00:09:10,620 --> 00:09:12,410
cast out the demons
and the afflictions
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and the pain from this man.
Make his blood strong.
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The life of the flesh
is in the blood.
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The life of the flesh
is in the blood.
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The life of the flesh
is in the blood.
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ENGLUND: Taylor Jones is looking
for a miracle.
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What he fails to see
is the truth.
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Taylor, I'm gonna need you
to leave us for a minute.
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Please wait outside.
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♪♪
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♪♪
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Nothing more I can do
for him now.
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♪♪
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It's in God's hands.
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♪♪
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ENGLUND: Taylor's blindness
will seal his fate
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in the most
shocking fashion imaginable.
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♪♪
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♪♪
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00:10:25,965 --> 00:10:29,235
ENGLUND: When tuberculosis takes
the lives of Taylor Jones' wife
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00:10:29,241 --> 00:10:31,901
and two daughters,
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00:10:31,896 --> 00:10:35,996
everything he's ever
cared about is lost.
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00:10:36,000 --> 00:10:39,140
But among preacher Silas Wilcox
and the Samaritans,
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00:10:39,137 --> 00:10:41,757
he believes he is found.
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00:10:41,758 --> 00:10:45,068
So we are nourished
body and soul.
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ENGLUND:
Soon, his faith in the world
and the possibility
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00:10:48,724 --> 00:10:52,794
of a second chance at love
have been fully restored.
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00:10:52,793 --> 00:10:54,313
Amen.
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00:10:54,310 --> 00:10:58,450
[ Sheep braying ]
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00:10:58,448 --> 00:11:00,588
JONES: Rose, you've done
so much for me already.
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00:11:00,586 --> 00:11:04,586
I don't mean to make you go
to all this trouble.
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00:11:04,586 --> 00:11:07,336
When was the last time
you dusted up here?
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00:11:07,344 --> 00:11:09,104
Honestly,
I couldn't say.
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00:11:09,103 --> 00:11:11,793
♪♪
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00:11:11,793 --> 00:11:14,383
CLARKE: Taylor and Rose grow
closer together
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00:11:14,379 --> 00:11:16,549
during their time
with the Samaritans.
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00:11:16,551 --> 00:11:20,141
He confides in her,
and she's a good listener.
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00:11:20,137 --> 00:11:22,997
You know, Silas wanted
me to make sure
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00:11:23,000 --> 00:11:24,620
you came
to the meeting tonight.
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00:11:24,620 --> 00:11:28,660
He singled out specifically.
-Why is that?
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00:11:28,655 --> 00:11:31,135
He must think you're
a really special person.
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00:11:31,137 --> 00:11:34,477
♪♪
214
00:11:34,482 --> 00:11:36,102
I know I do.
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00:11:38,448 --> 00:11:40,688
CLARKE: Taylor hasn't had a lot
of experience with religion,
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00:11:40,689 --> 00:11:43,339
and he wasn't raised
with any particular faith.
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00:11:43,344 --> 00:11:45,314
Rose was helping him with that
218
00:11:45,310 --> 00:11:48,660
and bringing him
to their Uncle Silas flock.
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00:11:48,655 --> 00:11:52,685
♪♪
220
00:11:52,689 --> 00:11:54,379
CROWD: The life of the flesh is
in the blood.
221
00:11:54,379 --> 00:11:56,449
The life of the flesh
is in the blood.
222
00:11:56,448 --> 00:11:59,098
The life of the flesh is
in the blood.
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00:11:59,103 --> 00:12:00,213
ST. AMAND: Then one night,
the Samaritans
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00:12:00,206 --> 00:12:01,926
are gathered
in the meeting house.
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00:12:01,931 --> 00:12:06,661
Much of Silas' sermon is about
sacrifice and healing the sick.
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00:12:06,655 --> 00:12:08,515
WILCOX: Through us, the Lord
will strengthen those
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00:12:08,517 --> 00:12:11,407
on their bed of illness,
helping the sick, the infirm.
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00:12:11,413 --> 00:12:14,173
The life of the flesh
is in the blood.
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00:12:14,172 --> 00:12:16,662
WILCOX:
The Lord will sustain them
on their death bed.
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00:12:16,655 --> 00:12:19,405
CLARKE:
As usual, Silas Wilcox has
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00:12:19,413 --> 00:12:23,623
his congregates
hanging on his every word.
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00:12:23,620 --> 00:12:24,860
Brothers and sisters,
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00:12:24,862 --> 00:12:29,172
this is not something
we must merely preach.
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00:12:29,172 --> 00:12:31,762
We must put
our words into action.
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00:12:33,827 --> 00:12:36,657
But something else
happens that night.
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00:12:36,655 --> 00:12:41,585
♪♪
237
00:12:41,586 --> 00:12:44,926
[ Door opens ]
238
00:12:44,931 --> 00:12:47,481
Taylor finally learns
why the phrase from the book
239
00:12:47,482 --> 00:12:50,762
of Leviticus is so important.
240
00:12:50,758 --> 00:12:54,788
You see, the Samaritans
take the Bible literally.
241
00:12:54,793 --> 00:12:57,413
They're feeding on blood.
242
00:12:57,413 --> 00:13:04,483
♪♪
243
00:13:04,482 --> 00:13:07,662
The life of the flesh
is in the blood.
244
00:13:07,655 --> 00:13:10,715
The life of the flesh
is in the blood.
245
00:13:10,724 --> 00:13:18,724
♪♪
246
00:13:18,724 --> 00:13:26,694
♪♪
247
00:13:26,689 --> 00:13:28,689
I thought it was strange
at first, too,
248
00:13:28,689 --> 00:13:31,759
but you'll get used to it.
You'll see.
249
00:13:31,758 --> 00:13:35,068
♪♪
250
00:13:35,068 --> 00:13:39,548
Drinking blood --
it seems so unnatural.
251
00:13:39,551 --> 00:13:41,551
WILCOX:
The life of the flesh
is in the blood.
252
00:13:41,551 --> 00:13:44,001
The life of the flesh
is in the blood.
253
00:13:44,000 --> 00:13:47,790
The blood of animals
and sometimes even human blood
254
00:13:47,793 --> 00:13:51,213
is still seen by some
to have mystical powers.
255
00:13:51,206 --> 00:13:55,856
♪♪
256
00:13:55,862 --> 00:14:00,382
ENGLUND:
What do you do when love
and your conscience are at war?
257
00:14:00,379 --> 00:14:03,519
Will you follow your heart,
however dark the cost,
258
00:14:03,517 --> 00:14:07,617
or listen
to your awakening fears?
259
00:14:07,620 --> 00:14:12,030
Either path leads to regret
that can never be undone.
260
00:14:12,034 --> 00:14:19,104
♪♪
261
00:14:19,103 --> 00:14:21,483
Come to me, children,
don't be afraid.
262
00:14:21,482 --> 00:14:25,342
♪♪
263
00:14:25,344 --> 00:14:27,174
How old are you?
-5.
264
00:14:27,172 --> 00:14:31,312
I'm 2.
-2. Very good.
265
00:14:31,310 --> 00:14:35,100
Silas had a hold over all
the Samaritans, young and old,
266
00:14:35,103 --> 00:14:39,593
but he was especially interested
in the cult's youngest members.
267
00:14:51,482 --> 00:14:53,032
Would you girls
like a piece of candy?
268
00:14:53,034 --> 00:14:58,384
♪♪
269
00:14:58,379 --> 00:15:00,209
Candy?
270
00:15:02,310 --> 00:15:07,030
You're both good girls,
run along and play.
271
00:15:07,034 --> 00:15:08,694
God loves you.
272
00:15:08,689 --> 00:15:14,589
♪♪
273
00:15:14,586 --> 00:15:16,446
I want them here
by midnight.
274
00:15:16,448 --> 00:15:20,338
♪♪
275
00:15:20,344 --> 00:15:22,904
Make sure everything
is ready.
276
00:15:22,896 --> 00:15:24,616
Bring the golden chalice.
277
00:15:24,620 --> 00:15:28,520
♪♪
278
00:15:28,517 --> 00:15:33,167
And Frank, make sure
that ax is razor sharp.
279
00:15:33,172 --> 00:15:34,792
I don't want
any suffering.
280
00:15:34,793 --> 00:15:42,413
♪♪
281
00:15:42,413 --> 00:15:46,073
Frank is offering his
two girls up
282
00:15:46,068 --> 00:15:49,338
as a blood sacrifice
to Silas.
283
00:15:49,344 --> 00:15:50,794
-That's crazy.
-It's happening tonight.
284
00:15:50,793 --> 00:15:52,483
Silas is a good man,
285
00:15:52,482 --> 00:15:54,592
and Frank, he loves
his daughters.
286
00:15:54,586 --> 00:15:59,166
Rose, you know that what
Silas is doing is wrong.
287
00:15:59,172 --> 00:16:01,692
It's unnatural.
288
00:16:01,689 --> 00:16:06,339
ENGLUND:
Every age is crowded with people
who misread the signs.
289
00:16:06,344 --> 00:16:09,864
Taylor Jones now finds himself
among them.
290
00:16:09,862 --> 00:16:11,902
We've got
to leave here.
291
00:16:11,896 --> 00:16:14,476
We've got
to leave here tonight.
292
00:16:14,482 --> 00:16:16,622
We'll get those two little
girls, and we'll start again,
293
00:16:16,620 --> 00:16:18,100
the four of us.
294
00:16:18,103 --> 00:16:23,833
♪♪
295
00:16:23,827 --> 00:16:28,337
Yes, tonight,
be ready.
296
00:16:29,965 --> 00:16:33,375
ENGLUND: But the signs he missed
are about to prove
297
00:16:33,379 --> 00:16:37,279
just how dangerous life can be.
298
00:16:37,275 --> 00:16:41,655
Rose tells Taylor
she'll be back at 9:00.
299
00:16:41,655 --> 00:16:43,965
Now, the plan is that
they would rescue
300
00:16:43,965 --> 00:16:47,995
the children that Silas
is planning on sacrificing.
301
00:16:49,551 --> 00:16:52,171
When they do,
they would leave immediately.
302
00:16:52,172 --> 00:17:00,212
♪♪
303
00:17:00,206 --> 00:17:03,826
[ Door knocks ]Rose?
304
00:17:03,827 --> 00:17:05,207
[ Door opens ]
305
00:17:10,931 --> 00:17:17,341
♪♪
306
00:17:17,344 --> 00:17:20,284
ENGLUND:
Discovering the Samaritans are a
bizarre, demented
307
00:17:20,275 --> 00:17:23,275
blood-drinking cult,
308
00:17:23,275 --> 00:17:27,545
Taylor Jones plans
a bold rescue and escape,
309
00:17:27,551 --> 00:17:31,211
one he believes he will make
with his new love, Rose
310
00:17:31,206 --> 00:17:33,896
-Rose?
-Yes, it's me.
311
00:17:33,896 --> 00:17:42,096
♪♪
312
00:17:42,103 --> 00:17:43,793
You disappoint me,
Taylor.
313
00:17:43,793 --> 00:17:50,313
♪♪
314
00:17:50,310 --> 00:17:53,100
Rose!
Rose, don't let them do this.
315
00:17:53,103 --> 00:17:57,213
Rose!
You people are insane!
316
00:17:58,137 --> 00:17:59,757
You're crazy!
317
00:17:59,758 --> 00:18:02,338
♪♪
318
00:18:02,344 --> 00:18:03,454
He's the devil.
319
00:18:04,793 --> 00:18:06,073
He's the devil!
320
00:18:07,068 --> 00:18:08,928
You don't have to do this.
321
00:18:08,931 --> 00:18:10,621
You don't have to do this!
322
00:18:12,827 --> 00:18:13,827
No!
323
00:18:13,827 --> 00:18:19,477
♪♪
324
00:18:19,482 --> 00:18:22,932
The life of the flesh
is in the blood, Taylor.
325
00:18:22,931 --> 00:18:24,481
Rose...
326
00:18:24,482 --> 00:18:30,862
♪♪
327
00:18:30,862 --> 00:18:32,522
...I love you.
328
00:18:32,517 --> 00:18:40,717
♪♪
329
00:18:40,724 --> 00:18:43,934
ENGLUND: Not long after this
ghastly episode,
330
00:18:43,931 --> 00:18:46,451
Silas and his sect
pulled up stakes
331
00:18:46,448 --> 00:18:49,858
and slipped away one night
under the cover of darkness.
332
00:18:49,862 --> 00:18:53,762
Some say they regrouped
under a new name in California,
333
00:18:53,758 --> 00:18:55,208
but the official record
334
00:18:55,206 --> 00:18:59,586
goes as cold
as the blood in Rose's veins.
335
00:18:59,586 --> 00:19:02,926
♪♪
336
00:19:02,931 --> 00:19:05,071
Taylor Jones sealed his doom
337
00:19:05,068 --> 00:19:09,278
by failing to see the warning
signs all around him,
338
00:19:09,275 --> 00:19:12,205
but the bad omens in our
next story appear in a form
339
00:19:12,206 --> 00:19:13,996
that should never be
overlooked --
340
00:19:14,000 --> 00:19:17,030
our nightmares.
341
00:19:17,034 --> 00:19:21,454
Now, psychologists tell us bad
dreams are products of stress,
342
00:19:21,448 --> 00:19:24,098
but what if they're
more than that?
343
00:19:24,103 --> 00:19:27,343
What if they're ominous messages
from powers
344
00:19:27,344 --> 00:19:30,104
far beyond our understanding?
345
00:19:30,103 --> 00:19:36,103
♪♪
346
00:19:36,103 --> 00:19:38,453
Julia Cook is 31,
347
00:19:38,448 --> 00:19:41,338
a secretary
for a Philadelphia law firm.
348
00:19:41,344 --> 00:19:43,454
Most women her age are married.
349
00:19:43,448 --> 00:19:46,338
Julia is single by choice.
350
00:19:46,344 --> 00:19:49,244
Her life is everything
she wants it to be,
351
00:19:49,241 --> 00:19:53,591
with one glaring exception.
352
00:19:53,586 --> 00:19:56,166
She can't get
a good night's sleep.
353
00:19:56,172 --> 00:20:01,902
♪♪
354
00:20:01,896 --> 00:20:07,656
♪♪
355
00:20:07,655 --> 00:20:17,615
[ Clock chimes ]
356
00:20:19,724 --> 00:20:22,004
[ Glass breaks ]
357
00:20:24,172 --> 00:20:28,722
♪♪
358
00:20:28,724 --> 00:20:30,794
[ Heavy breathing ]
359
00:20:30,793 --> 00:20:40,793
♪♪
360
00:20:40,793 --> 00:20:50,793
♪♪
361
00:20:50,793 --> 00:21:00,833
♪♪
362
00:21:00,827 --> 00:21:02,967
Your turn next.
363
00:21:02,965 --> 00:21:05,615
[ Screams ]
364
00:21:05,620 --> 00:21:13,480
[ Heavy breathing ]
365
00:21:13,482 --> 00:21:16,212
What really makes Julia's
nightmare terrifying
366
00:21:16,206 --> 00:21:18,966
is that she's been having
the same one
367
00:21:18,965 --> 00:21:21,715
every night for a month,
368
00:21:21,724 --> 00:21:25,104
and with each recurrence,
the intensity grows.
369
00:21:26,862 --> 00:21:31,242
MURPHY: Her dream is always set
at the same time -- 4:00,
370
00:21:31,241 --> 00:21:34,591
and it begins
with a glass of water breaking.
371
00:21:34,586 --> 00:21:37,996
It always features
the same strange man
372
00:21:38,000 --> 00:21:41,340
who appears in different guises
and settings,
373
00:21:41,344 --> 00:21:44,904
but he always delivers
the same haunting message --
374
00:21:44,896 --> 00:21:48,276
"Your turn next."
375
00:21:48,275 --> 00:21:50,375
MAN: Your turn next
Your turn next.
376
00:21:50,379 --> 00:21:54,239
Your turn next.
Your turn next. Your turn next.
377
00:21:54,241 --> 00:21:58,171
[ Screams ]
378
00:22:12,310 --> 00:22:14,830
ENGLUND: Is Julia's nightmare
some sort of warning?
379
00:22:14,827 --> 00:22:18,477
She fears it is.
About what, she doesn't know,
380
00:22:18,482 --> 00:22:21,902
but she senses the man
in her dreams does.
381
00:22:21,896 --> 00:22:26,026
♪♪
382
00:22:26,034 --> 00:22:27,314
I'm frightened, Emily.
383
00:22:27,310 --> 00:22:29,970
I know honey, but
it was just a dream.
384
00:22:29,965 --> 00:22:33,855
♪♪
385
00:22:33,862 --> 00:22:35,482
-Morning, ladies.
-Morning, Carson
386
00:22:35,482 --> 00:22:37,762
-Eleven, Ms. Cook?
-What else?
387
00:22:40,862 --> 00:22:42,142
Eleven it is.
388
00:22:43,172 --> 00:22:45,932
♪♪
389
00:22:45,931 --> 00:22:49,621
ENGLUND:
Nightmares are something
I know a thing or two about.
390
00:22:51,620 --> 00:22:54,240
And the one thing
that's certain
391
00:22:54,241 --> 00:22:59,171
is that you don't pick them,
they pick you.
392
00:22:59,172 --> 00:23:02,212
You're sure
you never met the guy?
393
00:23:02,206 --> 00:23:04,756
-Positive.
-Maybe you just forgot.
394
00:23:04,758 --> 00:23:06,588
Not that face.
395
00:23:06,586 --> 00:23:11,026
-Well, then, who the hell is he?
-Someone I'm going to meet.
396
00:23:11,034 --> 00:23:16,524
♪♪
397
00:23:16,517 --> 00:23:18,717
Have you told anyone
else about this?
398
00:23:18,724 --> 00:23:20,074
[Whispers]
I'm not that crazy.
399
00:23:20,068 --> 00:23:26,618
♪♪
400
00:23:26,620 --> 00:23:29,690
ENGLUND: When our torment
is other-worldly,
401
00:23:29,689 --> 00:23:34,859
there is no place on earth
we can find help or refuge.
402
00:23:34,862 --> 00:23:36,932
Even sleep can be a curse
403
00:23:36,931 --> 00:23:42,551
in which we relive a narrative
with a ghastly ending.
404
00:23:42,551 --> 00:23:51,411
♪♪
405
00:23:51,413 --> 00:24:00,143
♪♪
406
00:24:00,137 --> 00:24:09,097
♪♪
407
00:24:09,103 --> 00:24:17,103
Your turn next.
[ Laughs maniacally]
408
00:24:17,103 --> 00:24:19,763
Julia, wake up.[ Screams ]
409
00:24:19,758 --> 00:24:22,998
-Julia!
-Emily?
410
00:24:23,000 --> 00:24:25,690
They catch you asleep
411
00:24:25,689 --> 00:24:27,549
and you're gonna be out
on the street.
Right.
412
00:24:28,586 --> 00:24:30,656
Right.
413
00:24:30,655 --> 00:24:37,825
♪♪
414
00:24:37,827 --> 00:24:41,237
ENGLUND: When a nightmare offers
a glimpse of the future,
415
00:24:41,241 --> 00:24:44,211
we live in fear of the moment
becoming real.
416
00:24:44,206 --> 00:24:47,066
♪♪
417
00:24:47,068 --> 00:24:49,518
Oh, but that time will arrive,
418
00:24:49,517 --> 00:24:53,617
and when it does, it will take
more than bravery to survive.
419
00:24:53,620 --> 00:24:57,340
♪♪
420
00:25:02,965 --> 00:25:08,475
♪♪
421
00:25:08,482 --> 00:25:11,862
ENGLUND: In 1893,
31-year-old Julia Cook
422
00:25:11,862 --> 00:25:13,692
is on the brink of madness...
423
00:25:13,689 --> 00:25:15,099
[ Screams ]
424
00:25:15,103 --> 00:25:17,313
...a terrifying
recurrent nightmare
425
00:25:17,310 --> 00:25:20,310
has convinced her
she has a date with death.
426
00:25:20,310 --> 00:25:21,860
Your turn next.
427
00:25:21,862 --> 00:25:23,592
Your turn next.
428
00:25:23,586 --> 00:25:26,756
ENGLUND:
Desperate, Julia wonders
if her dream can shine light
429
00:25:26,758 --> 00:25:32,308
on the strange man's identity
and his cryptic message.
430
00:25:32,310 --> 00:25:35,520
The only way
she can discover the truth
431
00:25:35,517 --> 00:25:38,687
is from within
the nightmare itself.
432
00:25:38,689 --> 00:25:42,069
You're crazy.
This idea is crazy.
433
00:25:42,068 --> 00:25:48,338
♪♪
434
00:25:48,344 --> 00:25:51,174
ST. AMAND:
What Julia Cook hopes to do
is called lucid dreaming.
435
00:25:51,172 --> 00:25:52,762
In a typical dream,
436
00:25:52,758 --> 00:25:55,448
our thoughts and actions
are involuntary.
437
00:25:55,448 --> 00:25:59,028
The narrative plays out like
we're watching a movie.
438
00:25:59,034 --> 00:26:01,904
A lucid dream is more
like playing a video game.
439
00:26:01,896 --> 00:26:06,996
You can consciously control
the dream's narrative.
440
00:26:07,000 --> 00:26:09,620
ENGLUND:
Though the idea terrifies Julia,
441
00:26:09,620 --> 00:26:12,210
she willingly enters
her nightmare.
442
00:26:12,206 --> 00:26:13,656
[ Glass breaks ]
443
00:26:13,655 --> 00:26:15,785
[ Clock chiming ]
444
00:26:19,724 --> 00:26:23,004
♪♪
445
00:26:23,000 --> 00:26:24,410
Who are you?
446
00:26:26,862 --> 00:26:28,452
You'll find out.
447
00:26:29,724 --> 00:26:30,764
[ Door slams ]
448
00:26:32,965 --> 00:26:37,025
Your turn next.
[ Chuckles ]
449
00:26:37,034 --> 00:26:42,244
♪♪
450
00:26:42,241 --> 00:26:45,761
ST. AMAND:
Though terrifying, Julia's
lucid dream serves its purpose.
451
00:26:45,758 --> 00:26:50,618
She learns something
about the cryptic man.
452
00:26:50,620 --> 00:26:53,340
I'm not the only one
who dies.
453
00:26:54,965 --> 00:26:56,655
He dies, too.
454
00:26:56,655 --> 00:26:59,515
♪♪
455
00:26:59,517 --> 00:27:00,967
The boss is going
to be back soon.
456
00:27:00,965 --> 00:27:02,235
We need to
get back to work.
457
00:27:03,586 --> 00:27:07,166
ENGLUND: Death hangs over Julia
like a shroud,
458
00:27:07,172 --> 00:27:09,452
and the clock is ticking.
459
00:27:09,448 --> 00:27:13,758
Tick, tick, ticking, Julia.
460
00:27:13,758 --> 00:27:20,788
♪♪
461
00:27:20,793 --> 00:27:25,343
MAN: Your turn next.
Your turn next.
462
00:27:25,344 --> 00:27:27,344
ST. AMAND:
With every waking minute,
Julia Cook
463
00:27:27,344 --> 00:27:30,834
becomes more and more consumed
with the imminent sense
464
00:27:30,827 --> 00:27:33,477
that something terrible
is going to happen.
465
00:27:34,482 --> 00:27:40,242
MAN: Your turn next.
Your turn next. Your turn next.
466
00:27:40,241 --> 00:27:43,381
-Something wrong, Ms. Cook.
-Excuse me, sir.
467
00:27:44,827 --> 00:27:45,897
[ Elevator dings ]
468
00:27:45,896 --> 00:27:50,206
♪♪
469
00:27:50,206 --> 00:27:51,856
MAN: Going up?
470
00:27:51,862 --> 00:27:56,002
♪♪
471
00:28:04,310 --> 00:28:07,380
-Where's the regular operator?
-On holiday.
472
00:28:08,965 --> 00:28:09,995
MAN:
Going up, Miss?
473
00:28:10,000 --> 00:28:13,000
♪♪
474
00:28:13,000 --> 00:28:14,660
Be right back.
475
00:28:14,655 --> 00:28:17,615
♪♪
476
00:28:17,620 --> 00:28:19,070
Your turn next.
477
00:28:19,068 --> 00:28:23,758
♪♪
478
00:28:23,758 --> 00:28:25,688
[ Clock ticking ]
479
00:28:25,689 --> 00:28:26,899
[ Elevator dings ]
480
00:28:26,896 --> 00:28:34,236
♪♪
481
00:28:34,241 --> 00:28:36,481
Going down, Miss?
482
00:28:38,965 --> 00:28:40,275
Are you coming, Miss?
483
00:28:41,241 --> 00:28:42,691
Going down.
484
00:28:42,689 --> 00:28:45,789
♪♪
485
00:28:45,793 --> 00:28:48,413
MURPHY: It's only now
that Julia Cook fully realizes
486
00:28:48,413 --> 00:28:49,973
the meaning of her nightmare.
487
00:28:49,965 --> 00:28:53,025
The one place on earth
she does not want to be
488
00:28:53,034 --> 00:28:56,004
at this instant
is in this elevator.
489
00:28:56,000 --> 00:28:59,000
♪♪
490
00:28:59,000 --> 00:29:01,720
Stop, stop,
stop, stop.
491
00:29:03,068 --> 00:29:04,478
Okay, okay, okay.
492
00:29:07,241 --> 00:29:09,001
Going down.
493
00:29:09,000 --> 00:29:11,100
[ Erratic breathing ]
494
00:29:11,103 --> 00:29:14,313
[ Elevator buzzing ]
495
00:29:14,310 --> 00:29:21,030
[ Elevator rumbling ]
496
00:29:21,034 --> 00:29:23,664
[ Man screams ]
497
00:29:23,655 --> 00:29:29,655
[ Elevator crashing ]
498
00:29:29,655 --> 00:29:31,235
[ Screams ]
499
00:29:49,827 --> 00:29:53,787
ENGLUND: Webster defines a dream
as a series of thoughts,
500
00:29:53,793 --> 00:29:58,173
images, or emotions
occurring during sleep.
501
00:29:58,172 --> 00:30:00,662
And Julia Cook would advise
Mr. Webster
502
00:30:00,655 --> 00:30:03,475
that he's only
scratched the surface.
503
00:30:03,482 --> 00:30:06,072
She'd tell him that on
rare occasions,
504
00:30:06,068 --> 00:30:09,308
terrifying messages
may come through,
505
00:30:09,310 --> 00:30:12,380
but waking up screaming
is better
506
00:30:12,379 --> 00:30:16,139
than never waking up at all.
507
00:30:16,137 --> 00:30:18,687
As terrifying as
that thought can be,
508
00:30:18,689 --> 00:30:20,999
fate has proven
to be even crueler
509
00:30:21,000 --> 00:30:22,860
when it dispenses
with warnings
510
00:30:22,862 --> 00:30:26,592
and goes out of its way
to destroy you.
511
00:30:26,586 --> 00:30:28,966
A century ago,
this was the plight
512
00:30:28,965 --> 00:30:33,305
of a Pennsylvania factory worker
named John Blymer.
513
00:30:33,310 --> 00:30:35,480
His nightmare deepened
when he discovered
514
00:30:35,482 --> 00:30:37,792
his misfortune was no accident.
515
00:30:37,793 --> 00:30:42,073
Rather, it was the result
of a curse.
516
00:30:50,448 --> 00:30:52,998
Blymer doesn't know
who is cursing him,
517
00:30:53,000 --> 00:30:56,340
but he's certain his tormentor
is always at his heels...
518
00:30:58,310 --> 00:31:00,970
...ready to put an end
to his misery.
519
00:31:00,965 --> 00:31:08,025
♪♪
520
00:31:08,034 --> 00:31:15,004
♪♪
521
00:31:15,000 --> 00:31:22,030
♪♪
522
00:31:22,034 --> 00:31:24,074
[ Three door knocks ]
523
00:31:25,655 --> 00:31:28,235
[ Three door knocks ]
524
00:31:30,103 --> 00:31:31,763
[ Two door knocks ]
525
00:31:31,758 --> 00:31:35,168
♪♪
526
00:31:35,172 --> 00:31:37,932
[ Thunder rumbles ]
527
00:31:37,931 --> 00:31:39,831
[ Gasps ]
528
00:31:39,827 --> 00:31:40,717
Who are you?
529
00:31:40,724 --> 00:31:41,934
[ Chuckling ]
530
00:31:41,931 --> 00:31:45,761
ENGLUND:
Who is Blymer's tormenter?
531
00:31:45,758 --> 00:31:48,718
And can the curse bedeviling him
be broken?
532
00:31:54,896 --> 00:31:57,896
♪♪
533
00:31:57,896 --> 00:31:59,786
[ Thunder rumbles ]
534
00:31:59,793 --> 00:32:01,763
Who are you?
535
00:32:01,758 --> 00:32:05,788
Plagued by misfortune,
John Blymer
536
00:32:05,793 --> 00:32:09,593
is certain that a mysterious
nemesis has cursed him,
537
00:32:09,586 --> 00:32:13,446
and now, is moving in
for the kill.
538
00:32:13,448 --> 00:32:14,928
Who are you?!
539
00:32:14,931 --> 00:32:19,661
♪♪
540
00:32:19,655 --> 00:32:22,475
Stop!
541
00:32:24,931 --> 00:32:28,861
ENGLUND: Every moment for Blymer
is torture, even as he sleeps,
542
00:32:28,862 --> 00:32:31,282
but as alarming
as his dreams may be,
543
00:32:31,275 --> 00:32:33,785
he fears his waking hours
even more.
544
00:32:35,413 --> 00:32:38,413
Everything John Blymer had
he's lost --
545
00:32:38,413 --> 00:32:42,343
his job was taken by his boss'
nephew.
546
00:32:42,344 --> 00:32:47,004
His wife left him.
His children die of typhoid.
547
00:32:47,000 --> 00:32:49,900
This man's life
is a train wreck.
548
00:32:49,896 --> 00:32:53,206
All these things happen
in a very short period of time.
549
00:32:53,206 --> 00:32:55,686
His life is falling apart
so fast,
550
00:32:55,689 --> 00:32:58,239
he's certain
it can't be an accident.
551
00:32:58,241 --> 00:33:00,791
He's convinced
that it's all the work
552
00:33:00,793 --> 00:33:02,623
of some diabolical force.
553
00:33:04,000 --> 00:33:06,550
York County, Pennsylvania,
in 1928,
554
00:33:06,551 --> 00:33:08,831
is home to a large subculture
555
00:33:08,827 --> 00:33:12,407
that believes devoutly
in witchcraft.
556
00:33:12,413 --> 00:33:19,413
And John Blymer is sure that
a witch has put a hex on him.
557
00:33:19,413 --> 00:33:22,413
Many citizens of York County,
including Blymer,
558
00:33:22,413 --> 00:33:24,283
were descended
from German immigrants
559
00:33:24,275 --> 00:33:26,615
who colonized Pennsylvania
in the late 1600s.
560
00:33:26,620 --> 00:33:29,760
These immigrants
brought with them their beliefs
561
00:33:29,758 --> 00:33:32,688
of magic and witchcraft
from the old world,
562
00:33:32,689 --> 00:33:36,139
and those beliefs
are still going strong.
563
00:33:36,137 --> 00:33:38,717
ENGLUND:
Belief is a formidable force.
564
00:33:38,724 --> 00:33:41,594
It can guide and empower,
565
00:33:41,586 --> 00:33:45,546
but it can also delude
and destroy.
566
00:33:45,551 --> 00:33:48,591
The only chance Blymer
has to break the curse
567
00:33:48,586 --> 00:33:52,516
is to identify the witch
that's cursing him,
568
00:33:52,517 --> 00:33:55,477
and only one person
can help him do that...
569
00:33:55,482 --> 00:33:59,382
♪♪
570
00:33:59,379 --> 00:34:02,069
-Yes?
-...another witch.
571
00:34:02,068 --> 00:34:06,168
-Emma Noll?
-Yes.
572
00:34:06,172 --> 00:34:08,482
Come in.
573
00:34:09,482 --> 00:34:14,102
ENGLUND: The dark arts
lead some to the light,
574
00:34:14,103 --> 00:34:17,693
but others into
impenetrable blackness.
575
00:34:17,689 --> 00:34:20,589
Give me your hands.
576
00:34:20,586 --> 00:34:24,336
Can witchcraft
identify Blymer's tormenter
577
00:34:24,344 --> 00:34:27,794
and reveal the secret
to breaking the curse?
578
00:34:27,793 --> 00:34:30,723
Focus on the dreams
that haunt you.
579
00:34:30,724 --> 00:34:39,454
♪♪
580
00:34:39,448 --> 00:34:48,068
♪♪
581
00:34:48,068 --> 00:34:50,448
Put a dollar
in your palm.
582
00:34:50,448 --> 00:34:54,718
♪♪
583
00:34:54,724 --> 00:34:57,214
And stare at the face.
584
00:34:57,206 --> 00:35:00,166
Stare at the face.
585
00:35:00,172 --> 00:35:02,142
Look at the face.
586
00:35:02,137 --> 00:35:04,967
Now pull it away.
587
00:35:04,965 --> 00:35:06,375
Look at your palm.
588
00:35:17,275 --> 00:35:19,755
Who are you?
Who are you?
589
00:35:21,206 --> 00:35:23,206
Rehmeyer.
Rehmeyer.
590
00:35:23,206 --> 00:35:25,276
Rehmeyer.
591
00:35:25,275 --> 00:35:28,585
ST. AMAND:
According to the Evening Star,
Nelson Rehmeyer
592
00:35:28,586 --> 00:35:33,686
has long had the reputation
of possessing uncanny powers.
593
00:35:33,689 --> 00:35:38,169
How do I get rid
of his curse? Tell me!
594
00:35:38,172 --> 00:35:40,832
Emma Noll tells Blymer,
to break the curse,
595
00:35:40,827 --> 00:35:44,997
he must do two things -- first,
he must seek out Rehmeyer.
596
00:35:45,000 --> 00:35:47,210
He must collect
a lock of his hair
597
00:35:47,206 --> 00:35:49,306
and get the book of spells.
598
00:35:49,310 --> 00:35:52,620
Once he has those two things,
he must bury them.
599
00:35:52,620 --> 00:35:58,030
♪♪
600
00:35:58,034 --> 00:36:01,314
-You sure nobody followed you?
-No one.
601
00:36:01,310 --> 00:36:05,140
ENGLUND: Only a fool faces
supernatural evil alone.
602
00:36:05,137 --> 00:36:06,717
The only hope for mortals
603
00:36:06,724 --> 00:36:10,594
is that there is strength
in numbers.
604
00:36:10,586 --> 00:36:13,716
CLARKE: Blymer recruits two
local teenagers --
605
00:36:13,724 --> 00:36:18,764
Wilbert Hess and John Curry.
Their lives are also in crisis.
606
00:36:18,758 --> 00:36:22,338
The farm owned
by Hess' parents is failing.
607
00:36:22,344 --> 00:36:25,934
The crops are wilting
and the livestock is dying.
608
00:36:25,931 --> 00:36:27,971
John Curry is faring no better.
609
00:36:27,965 --> 00:36:29,615
He comes from an abusive family.
610
00:36:29,620 --> 00:36:30,930
A shadowy figure.
611
00:36:30,931 --> 00:36:33,661
He was chasing me.
Followed me here to my own room.
612
00:36:33,655 --> 00:36:35,685
ST. AMAND: Blymer has convinced
the two teenagers
613
00:36:35,689 --> 00:36:40,519
that the same witch cursing him
has also targeted them,
614
00:36:40,517 --> 00:36:42,207
and he's called them
to his house
615
00:36:42,206 --> 00:36:46,376
because he believes he finally
knows the witch's identity.
616
00:36:46,379 --> 00:36:51,589
You want to know who?
Nelson. Nelson Rehmeyer.
617
00:36:51,586 --> 00:36:57,336
♪♪
618
00:36:57,344 --> 00:37:00,384
ENGLUND: All too often,
desperation takes us on a path
619
00:37:00,379 --> 00:37:02,899
leading only to regret.
620
00:37:02,896 --> 00:37:05,066
Our obsession with survival
621
00:37:05,068 --> 00:37:08,478
blinds us to our impending doom.
622
00:37:08,482 --> 00:37:12,102
♪♪
623
00:37:16,034 --> 00:37:20,904
♪♪
624
00:37:20,896 --> 00:37:22,856
ENGLUND:
In 1928, John Blymer
625
00:37:22,862 --> 00:37:25,862
is on a mission
more befitting the Middle Ages.
626
00:37:25,862 --> 00:37:28,592
♪♪
627
00:37:28,586 --> 00:37:30,756
He believes a witch
named Nelson Rehmeyer
628
00:37:30,758 --> 00:37:34,658
has cursed him, and along
with his two young friends,
629
00:37:34,655 --> 00:37:38,165
he's out to break it.
630
00:37:38,172 --> 00:37:40,832
ERDEL: Blymer's tension
is off the charts.
631
00:37:40,827 --> 00:37:43,207
He's ready to blow.
632
00:37:43,206 --> 00:37:45,446
Blymer has to ask himself,
633
00:37:45,448 --> 00:37:48,308
"Does Rehmeyer really possess
that kind of power,
634
00:37:48,310 --> 00:37:50,070
or am I just crazy?"
635
00:37:52,103 --> 00:37:54,413
ENGLUND: To end the curse,
Blymer must steal
636
00:37:54,413 --> 00:37:58,453
Rehmeyer's book of spells
and a lock of his hair.
637
00:37:58,448 --> 00:38:04,968
♪♪
638
00:38:04,965 --> 00:38:07,475
CLARKE:
Blymer's plan is to keep
Rehmeyer busy
639
00:38:07,482 --> 00:38:10,722
while Hess and Curry go
and look for the book.
640
00:38:10,724 --> 00:38:14,284
Once they find the book,
they'll get the lock of hair,
641
00:38:14,275 --> 00:38:16,855
and then they'll be
on their way.
642
00:38:16,862 --> 00:38:20,552
ENGLUND:
Nothing demands more courage
than confronting evil,
643
00:38:20,551 --> 00:38:23,791
even when our fears
maybe of our own making.
644
00:38:23,793 --> 00:38:27,103
♪♪
645
00:38:27,103 --> 00:38:29,143
-Tea?
-No, thank...
646
00:38:29,137 --> 00:38:35,517
♪♪
647
00:38:35,517 --> 00:38:37,827
ENGLUND: Blymer's waking hours
and his nightmares
648
00:38:37,827 --> 00:38:39,827
have both been agonizing.
649
00:38:39,827 --> 00:38:41,857
He can no longer
tell them apart.
650
00:38:41,862 --> 00:38:43,792
Cigar?
651
00:38:43,793 --> 00:38:45,213
No -- No,
thank you.
652
00:38:45,206 --> 00:38:54,476
♪♪
653
00:38:54,482 --> 00:39:03,622
♪♪
654
00:39:03,620 --> 00:39:12,720
♪♪
655
00:39:12,724 --> 00:39:21,834
♪♪
656
00:39:21,827 --> 00:39:24,787
REHMEYER:
In the cauldron boil and bake.
657
00:39:24,793 --> 00:39:28,523
Eye of newt, toe of frog.
658
00:39:28,517 --> 00:39:31,757
Mmm.
659
00:39:31,758 --> 00:39:33,828
ENGLUND: Is what John Blymer
sees real...
660
00:39:33,827 --> 00:39:36,927
♪♪
661
00:39:36,931 --> 00:39:41,451
or is his fragile hold on
his sanity finally severed?
662
00:39:41,448 --> 00:39:44,688
[ Laughs maniacally ]
663
00:39:44,689 --> 00:39:46,719
Time to finally
get rid of this curse.
664
00:39:46,724 --> 00:39:52,004
[ Laughs ]
665
00:39:52,000 --> 00:39:53,070
What are...
666
00:39:53,068 --> 00:39:55,588
[ Grunting ]
667
00:39:55,586 --> 00:39:58,236
♪♪
668
00:39:58,241 --> 00:40:00,521
[ Laughs ]
669
00:40:00,517 --> 00:40:07,067
♪♪
670
00:40:07,068 --> 00:40:09,028
Please, don't hurt me.
Please.
671
00:40:09,034 --> 00:40:11,344
Shut up!
672
00:40:11,344 --> 00:40:13,864
Please, don't hurt me.
673
00:40:13,862 --> 00:40:16,102
Shut up,
you cursed witch.
674
00:40:17,482 --> 00:40:20,142
ENGLUND: Nelson Rehmeyer
has done him no harm,
675
00:40:20,137 --> 00:40:21,587
but in Blymer's eyes,
676
00:40:21,586 --> 00:40:25,166
he's the evil mastermind
who ruined his life.
677
00:40:25,172 --> 00:40:27,552
Wilbert, John,
come help me.
678
00:40:27,551 --> 00:40:29,971
Hess and Curry have a choice.
679
00:40:29,965 --> 00:40:33,305
They can save Rehmeyer or
they can help Blymer kill him.
680
00:40:33,310 --> 00:40:35,030
Come here.
Come help me!
681
00:40:35,034 --> 00:40:37,004
In the madness of the moment...
682
00:40:39,275 --> 00:40:40,755
...they choose to kill.
683
00:40:42,931 --> 00:40:45,141
ENGLUND: All murder is savage.
684
00:40:45,137 --> 00:40:50,477
And on this night, there is
one final act of barbarism.
685
00:40:50,482 --> 00:40:53,172
The press account stated
the chilling truth...
686
00:41:01,620 --> 00:41:04,590
ENGLUND:
Blymer commits this cold-blooded
crime to free him
687
00:41:04,586 --> 00:41:07,656
from Nelson Rehmeyer's curse.
688
00:41:07,655 --> 00:41:11,965
He was dead wrong that his hand
in life would change.
689
00:41:11,965 --> 00:41:14,785
CLARKE:
Not long after the murder,
Blymer is arrested,
690
00:41:14,793 --> 00:41:18,003
tried, and convicted
of first degree murder.
691
00:41:18,000 --> 00:41:21,380
The boys are also imprisoned.
692
00:41:21,379 --> 00:41:25,619
One thought torments
Blymer's shattered mind.
693
00:41:25,620 --> 00:41:30,380
Rehmeyer's book of spells
is never found.
694
00:41:30,379 --> 00:41:33,719
This means Blymer's curse
cannot be broken.
695
00:41:33,724 --> 00:41:38,934
♪♪
696
00:41:38,931 --> 00:41:44,411
And with that, I shall
offer a parting suggestion.
697
00:41:44,413 --> 00:41:46,593
If you ever receive
a cryptic warning
698
00:41:46,586 --> 00:41:52,236
about your bloodthirsty friends,
your next elevator ride,
699
00:41:52,241 --> 00:41:56,591
or even the face of someone
tormenting you,
700
00:41:56,586 --> 00:42:00,756
take heed
and run the other way
701
00:42:00,758 --> 00:42:05,858
so you can join me for our next
descent into true terror.
702
00:42:05,862 --> 00:42:12,482
♪♪
47242
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