Original subtitles

(pen scribbling)

(ambient music)

(suspenseful music)

- [Reporter] Early reports say

that Alhambra has been under an attack.

There is no confirmation of any hostages or casualties

but according to eyewitnesses,

a series of explosions around the fortress created panic

among the visitors,

and heavily armed unidentified men

have now seized control of the fortress.

We're waiting for more details

from officials at the incident,

and hopefully learn the identity of the group

behind the attack.

(siren ringing)

(people chattering in the background)

19 (tense music)

- What's going on?

- The area is closed.

23 (suspenseful music)

25 (car engine roaring)

(suspenseful music)

- [Reporter] That the soldier has been shot at

from the fortress.

(phone ringing)

Less than an hour ago,

a group of unidentified men seized control

of the Alhambra fortress in Granada.

(phone ringing)

(car engine revving)

(singing in foreign language)

(slow ambient music)

(footsteps approaching)

(tense cinematic music)

(gravel crunching)

(car doors closing)

(phone ringing)

(airplane engine roaring)

(phone ringing)

- Yes?

(suspenseful music)

- Okay, you promise to take me to Geneva?

But I can help you to get in contact with Zamen.

(suspenseful music)

- Your phone.

Contact him.

(suspenseful music)

- [Man] So now we wait.

- May I give you a lift?

- No, thank you.

- Come, maybe this might interest you.

(suspenseful music)

(car tires screeching)

(suspenseful music)

- What are we doing here?

(suspenseful music)

(phone beeping)

- He wants to meet you.

(suspenseful music)

In Alhambra.

(intensifying suspenseful music)

67 - Wait, what is it?

Open the door, open the door.

Open the door, can you open the door, let me out!

Where are they taking him?

Where are they taking him?

(ignition starting)

(tires screeching)

- [Driver] You are free to leave the country.

76 (doors unlocking)

(ignition starting)

- [Woman] Why does Zamen Essayah want to meet you?

- I don't know.

- I have to make sure this is not a trap.

- Oh, of course.

- And I can not let you leave the base.

I tell you when we are ready.

85 - I appeal to the Europeans Union mutual defense close.

I ask the European union

to help us find the terrorist branch

that organized the attack directed at Alhambra.

- [High representative] We assume

this is a terrorist attack?

- [Man] At the moment, yes, we do.

- I'm deeply sorry

about the attack directed at your country.

What we have here is an attack that's directed

at the whole Europe.

Whatever the situation in Alhambra is,

we have failed to protect our borders.

We need to have a body that can keep

all of the defensive pieces together.

- We can get EU's rapid deployment force mobilized

in seven days at the earliest.

I apologize.

- If the European countries could join their forces earlier,

My country will not have to suffer from a terrorist threat.

- Excuse me? - Yes?

- Aren't we overreacting a little bit?

- Can you explain what you mean?

- Is it really necessary to gather up here

and use the highest political forum in Europe

for speculation?

I suggest that we wait for the Spanish police army

and intelligence to find out a little bit more.

- Who is the attacker?

- We have no idea for sure.

We only know one name. (phone vibrating)

Zamen Essayah.

(suspenseful music)

- Well, I'm not sure.

Maybe we should have to ask NATO for help.

I spoke briefly with Jeremy MacCoughlin.

He was very interested in Zamen Essayah.

He's considering who's going to take part in the process

of solution on their part.

We have to do all we can do

to resolve this situation quickly.

- Of course we'll cooperate with NATO.

- I think it's a mistake to ask for NATO's help.

We have always, in Finland, chosen transparency

in all action and decision making process.

NATO's decision-making process will always be hidden

from us.

(suspenseful music)

- I see your point.

I suggest that we then send EU's Rapid Deployment force

to Spain at this point.

We will show the world how we solve the crisis peacefully.

(phone ringing)

139

141

(slow tense music)

144

146

(ambient music)

- We are not prepared.

We know nothing about him yet.

The only good thing so far is that

if the weapons are there,

this will be over soon.

And she's not even a hostage negotiator.

(phone ringing)

- Sorry. I have to take this.

157

159

161 (suspenseful music)

163 (distant chattering)

- Mr, can I have a few words with you?

- Yeah, of course.

- Zamen Essayah wants to meet Ann-Mari Sundell.

You know her,

you liked her as foreign minister much more than

you like me.

(chuckling)

- Do Ann-Mari and Essayah know each other?

- She was as shocked to hear about this as we are.

But you know she is the best person

to find a peaceful solution for this mess.

(suspenseful music)

(car engine revving)

178 - You are going in?

Position is then.

- I'm not going alone.

182

- Help me.

185

- Don't let her go in there.

Bullet proof vest won't save her life.

- I'll be with her the whole time.

- We are peace workers, we're not soldiers.

And this is something completely different.

192

194 - Yeah.

(suspenseful music)

197 (suspenseful music)

(slow ambient music)

(suspenseful music)

(car engine revving)

(suspenseful music)

203 (distant music playing)

205

207

- Zamen Essayah is a dangerous terrorist.

This is a lot different than chatting about bees

in a conference room.

You can say no.

We are ready to storm Alhambra.

- I'll meet him.

- We know what the terrorist want.

- No, we don't.

We need to listen to him first.

He has a reason for behaving the way he is.

- By the decision made by the Spanish government

and the minister for foreign affairs,

responsibility for Alhambra has been transferred

from the police to an antiterrorist squad

which is led by me.

To aid the special forces,

we have EU's peace negotiator Ann-Mari Sundell.

This attack was well-planned.

There are no civilian casualties as far as we know.

And we can only estimate the number of attackers.

Special investigator from NATO,

Grady Wells also takes part in the crisis resolution.

- Tom. - Grady.

- The perpetrators cannot be seen

on the security camera footage taken on the evening

and night of the attack.

(whispering) (suspenseful music)

There is a possibility that the shipment of the weapons

that the attackers used was delivered

from the Malheur Harbor to Alhambra.

But the security camera footage tells us nothing more...

- They're totally useless.

- Sorry?

- They're totally useless.

I'm here because I know Zamen.

You know Zamen was a part of an operation

we had back in Iraq

called the Hotel California.

Zamen is actually a good guy.

Talented, gifted,

smart, very liked among men.

He knew a lot.

Some people might say he knew a little too much.

(suspenseful music)

Anyway, what I'm trying to say is that

Zamen is a soldier trained by the US Army and the CIA.

- So he's one of your men?

- Yes.

I know he's a local,

and the locals you can't fully trust.

But then again, who the fuck can we trust these days, right?

(suspenseful music)

Which brings me to this fellow here,

if you mind.

His name is Abu.

Now Abu and Zamen, they're best of friends.

They go way back.

Even grew up in the same village.

Abu was a harbor manager in Jeddah just until recently

when he was found dead.

And let's just pretend for a second here

that poor Abu's passing to the other side

has to do with the fact that he was a arms dealer.

- We are here to talk about how to get Zamen Essayah

out of Alhambra.

- Great. So let's do that.

Let's focused on that.

Let's focus on you for a second.

Ann-Mari Sundell.

I hear that he wants to meet you.

- Yes.

- Well, how come he even knows you?

- I was contacted through someone in Spain.

- The contact's name is Asier Garcia, we have him.

- Fantastic.

I'd love to have a chat with him.

- You will

not actually.

He's in the Union LEX Witness Protection Program.

(suspenseful music)

- You have your funny ways with your EU citizens,

maybe that...

- We have 12 hours before we enter Alhambra.

Can we concentrate on the attack?

- There will be no attack.

I will meet him and we'll talk.

- We don't know precisely where he is located.

There are 16 exit in Alhambra.

And we have a total of 265 soldiers to intrude the fortress.

We will have our monitoring operations from here

and here. (descending footsteps)

300

(approaching footsteps)

(distant chattering)

(door closing)

(whispering)

(distant birds chipping)

307

309 (suspenseful music)

311 (suspenseful music)

(airplane engine roaring)

(phone ringing)

- Yeah, it's me.

I have her phone.

(ambient music)

- Hi?

- Hi.

(ambient music)

- Where is Ann-Mari?

- She's going to meet Zamen inside Alhambra.

- She is?

- I know she'd hate me for saying this,

but I hope God is watching and has a plan.

(ambient music)

- Hey, uh.

Listen, something's going on here.

My father told me about New Era,

and of peace that would start today.

(helicopter rattling)

There in Alhambra.

(ambient music)

(people chattering)

- How many armed assailants are there approximately?

- We don't know.

They were will fire immediately if we go closer.

- I don't feel comfortable when Grady goes around here.

Can you make sure that he doesn't come close

to the fortress?

- Let's try this.

- So, Ann-Mari.

- [Ann-Mari] Yes.

- Yeah, come.

- I can hear you.

- Good.

Wait for my command before you go in, okay?

(suspenseful music)

(clicking) (distant radio calls)

- That's them on the side.

(suspenseful music)

- [Woman] Okay, listen.

We are good to go in.

You can proceed.

355 - Yeah.

(suspenseful music)

358 (distant radio calls)

(suspenseful music)

(slow footsteps) (intense suspenseful music)

- Only Ann-Mari Sundell can enter.

(suspenseful music)

- He's my security man.

He's always with me.

- [Woman] Good, Ann-Mari.

(suspenseful music)

Keep talking.

- He's my security man,

I'm not coming without him.

- Weapons.

- We're unarmed.

(suspenseful music)

- Microphones.

- [Woman] No, we need them.

We need to hear.

- We need the microphones.

The people outside need to know that we're safe.

- Take away the microphones.

- [Woman] Don't give out the microphones.

- I don't have an option.

- Don't, don't cut the connection,

we need to...

384 (radio static)

(distant helicopter rattling)

- Move in.

(slow footsteps)

(gun cocking)

(gun cocking)

(slow footsteps)

(helicopter rattling)

- Wait here.

(helicopter rattling)

(distant birds chipping)

(distant man speaking)

397 (gun cocking)

(helicopter rattling)

(ambient music)

(distant car engine revving)

(car door closes)

(suspenseful music)

(distant men chattering)

(suspenseful music)

- Tom?

- Let's go.

(suspenseful music)

(intensifying suspenseful music)

(slow footsteps approaching)

(suspenseful music)

- Ann-Mari Sundell.

- Zamen Essayah.

- I will have to ask you to give our microphones back

to show that you have faith in these negotiations.

The team outside will storm Alhambra if they can't hear us.

- I see.

I wanna have a word with you in private.

It's important we understand each other.

I'm very happy you came.

It's not a coincidence we're meeting here.

The Muslims and Morrissey built this beautiful fortress

on land called Al-Andalus.

It's the area of Muslim dynasties.

They ruled for 700 years.

And under their rule, this area flourished.

Muslims, Jews, Christians, all living together, peacefully.

Blooming trade,

life,

all his joys.

And then the Spanish Christians took over the land

700 years ago.

And that battle ended here.

A fall of Granada.

- And why are we here today?

- Everyone wants pleasure in their life, right?

Even you.

Even though you come from the North,

woman who never smiles.

I still believe there's a part of you

that wants to enjoy life.

- I want the microphones.

(suspenseful music)

444 (phone buzzing)

446 (suspenseful music)

448

- Are you going to attack?

- No. Now we all wait.

(helicopter rattling)

(suspenseful music)

(gun shots)

(people shouting)

(suspenseful music)

- Did they shoot somebody?

- No. Nobody got shot.

That's a warning.

Here, drink this.

No need to worry, okay?

I promise.

Now, excuse me.

- Hey, what the fuck was that?

- Telling them to keep their fucking distance.

We can't (indistinct)

Okay?

(suspenseful music)

- Sir, listen.

Wait.

(indistinct)

(suspenseful music)

(intensifying suspenseful music)

474 (ambient music)