Original subtitles

(pencil scratching)

(dramatic music)

(light dramatic music)

(rumbling) (heavy breathing)

(engine revving)

(clattering)

- [Man] Get the hood off.

- You can come out.

(light dramatic music)

(birds chirping)

(suspenseful music)

(birds squawking) (wind rustling)

(engine rumbling)

- You did it.

(doors thudding)

(birds squawking)

- Welcome.

Diyar.

You won't believe the joy I felt in my heart

when I heard that the son of Izmet is part of your team.

You may not remember me, but I remember you.

You were this tall. A little man.

- I do remember.

- If he's anything like his father,

he's one of the most trustworthy men.

- Yes.

- Shall we walk a little bit, please?

(light dramatic music)

Saudi Arabia's building oil pipeline to Europe,

and this pipeline goes across our lands.

Berkay Esmer signed contract with Saudi Arabia

and he gets a lot share of oil class for profits.

But he doesn't plan to share with us.

That crook.

Please.

(light dramatic music) (birds chirping)

- Is the house checked?

- Yeah.

(heavy breathing) (light dramatic music)

- What is your relation to Hawar Ciziri?

(man chuckles)

- Everybody knows that he's not a great leader.

I know what's the best for my people.

What do you see?

A country that's a beloved home to its people,

a land that may have an endless oil reserves under it.

- That is an excellent starting point.

We can negotiate about the income from the oil pipeline

and how it will be divided.

And then, of course, at the same time we can discuss

more profound matters.

- How?

How will you make them negotiate?

The United Nation, the USA, Europe and NATO

are forced to support Berkay Esmer

because Turkey is their road to the east.

The superpowers of United Nations won't even converse

with us because we are a nation without status.

- But if we negotiate about the income

and how it will be divided,

then how much do you want for the lease of your land?

(light dramatic music) (bugs chirping)

- 8.3%.

(birds squawking) (light dramatic music)

- Huh.

(silenced gun whizzes) (dramatic music)

- Move back!

(suspenseful music)

Back, go, go, go, move, move!

(guns popping) (helicopter whirring)

Go, go, go!

(metal clattering) (guns popping)

(dramatic music) (heavy breathing)

Everyone okay?

Do not move!

(suspenseful music)

(metal clattering)

(gun clicks)

(helicopter whirring)

(men groaning) (glass shattering)

Go, go!

(light dramatic music)

(heavy breathing)

(clattering)

Stay there!

Go, go, go, go, go, go!

(glass shattering) (gun popping)

(helicopter whirring)

(singing in foreign language) (somber music)

(suspenseful music)

(ground rustling)

(light dramatic music)

(engine rumbling)

- How did...

How did Esmer know?

My source was...

No.

No.

- Hey.

(light dramatic music)

- [Emilia] I'm so sorry.

(door clicks)

(somber music)

(hands clapping)

(birds chirping)

- [Ann-Mari] Are you at the office?

- [Theo] Yes.

- [Ann-Mari] Are you alone?

- [Theo] I am.

- Is it the secure line?

- It is.

- Diyar's contact organized for a meeting with Binav Bashur.

It was going great, we were really getting somewhere,

until the sniper showed up and shot him.

Theo, right in front of us.

He's dead. (somber music)

Can you please say something?

(Theo sighs)

All of his men died.

Tom and Diyar and I were the only ones there.

- Postpone all meetings.

- I have to meet Esmer.

I need to know what he knows about this.

- It's too...

It's too risky.

- The worst has already happened, Theo,

I need you on my side.

We need to be brave to manage the outcome.

- [Theo] Okay, but don't be too brave.

Call me back after the meeting.

(phone clicks)

(phone beeps)

(light dramatic music)

(engine rumbling)

(blinker clicking)

(crickets chirping) (engine rumbling)

(suspenseful music)

(suspenseful music)

- [Esmer] Are you having problems with Jazeeri?

- That's not the reason I'm here.

How can you attack Binav Bashur

in the middle of negotiations?

It's against every rule.

- I don't understand.

- He was shot by your snipers this morning.

- I'm giving you a moment to think and rephrase

what you just said.

You are in my home!

(light dramatic music)

You have a special permission as a foreign negotiator

to come to my home and you walk in here

to accuse me of a murder!

- How can we continue negotia-

- Out!

- You must be aware that I have a very close

connection to Turkey.

- No, you don't.

You're from outside.

- I do care about the future of this country.

- Are you saying that I do not know

what's best for my country?

That I for some reason need you?

Why did you come here?

- When I accepted this mission my only wish

was to help you with a country where its people

could finally live in peace with it.

- How can you think that you could see

what's best for my country?

How can you even think that you could feel what we have?

To find the solutions you have to be inside.

- If he could've come here today, Binav Bashur,

instead of me to meet you,

what would you have said to him?

(light dramatic music)

- I know I'm getting old, my time is limited.

I hardly what the younger ones have in their minds.

This won't ever be over if we don't shake hands

and show our people that we do care

whatever the outcome may be.

- I truly apologize if I was wrong.

- [Esmer] I find it hard to trust people who come here

to sell their god to others.

(door screeching)

(light dramatic music) (engine rumbling)

(light dramatic music)

- The cast of inter-Syria.

Zoom in.

Stop.

Here.

I'm absolutely certain that Binav Bashur was killed there.

- How did you get this information?

- I'm the reason he was there.

- She was there?

- She was able to contact Binav Bashur.

- You knew about this?

She kept you updated the whole time

and you're telling me this now after he has died.

- It took time to find the right footage.

I needed to be 100% sure.

- Cancel the operation straight away.

It's not.

Just need to speed things up, skip Sundell's part.

Can you contact Berkay Esmer?

- Yes. - Good.

- But what will we say to the media?

We can't say the UN fail- - Say something else.

Make it big.

Sign papers, shake hands, cameras, all that.

Just never mention that you know what happened

in the Bursa Mountains.

(light dramatic music)

(door clicking)

- Frank?

Does it state anywhere that these are the Bursa Mountains?

- No, sir. (dramatic music)

- If we start blaming ourselves nothing good

will come out of this.

Do you want to go home?

- I wanna stay.

- In that case I need you to go see your contact again.

- [Diyar] I can't be the one who tells her what happened.

- [Ann-Mari] Jazeeri's not taking Emilia's calls.

Make it happen.

(birds chirping) (dogs barking)

(muffled talking)

(computer beeping)

(keyboard clacking)

- Okay.

(light dramatic music)

(door clicks)

(phone buzzing) (Ann-Mari gasps)

- [Ann-Mari] Hey.

- [Theo] Ann-Mari, the operation has been terminated.

- [Ann-Mari] (sighs) Theo.

- I'm sorry. - Don't do this to me.

I'm waiting for Emilia to get me a meeting

with Jazeeri, I need to see this through.

- It's for your own safety.

- [Ann-Mari] Nobody knows that he's dead.

We're fully operational, we need to operate.

(light dramatic music)

Do you hear me?

- You have one day. (phone beeps)

What?

There's still a chance.

(light dramatic music)

(rain pattering) - Mr. Amedi.

You don't seem to take this seriously.

- And I (stutters) I personally guarantee you that.

- [Man] The weapon needs to be found and delivered

as soon as possible.

- Yeah, of course.

I'm working on it and I'll let you know

as soon as I know when the weapons

are gonna be- - We don't need more weapons.

We have papers that they arrived, but they're not here.

If I don't hear about you in 24 hours I'll make this public.

- Well.

Well, if you have to, I understand.

- [Man] He won't do it personally,

but I am personally responsible for this.

- So am I. - Make your part, fix it.

Or I will stick it into your side,

the case of your gun and it doesn't look good.

(phone beeps) (light dramatic music)

(door thuds)

- Hey.

(light dramatic music)

(boy hums) (clattering)

(light dramatic music)

- Binav Bashur wanted the Kurds to have an 8.3%

share of the oil pipe income for the use

of the Kurdish lands.

- So write that down, I will discuss it with Jazeeri.

- [Emilia] If he wants to meet us.

- [Ann-Mari] With Esmer I need to negotiate

the sharing of the income.

- You really think he could accept the laws of income?

- He told me he was ready to shake hands with Binav Bashur.

He's tired, he's ready to move on.

That's what we're counting on.

- What's Theo's take on all this?

- What do we do with the disarmament?

According to Esmer's advisors,

the Kurdish guerrilla forces have 5,000 guns per unit.

- [Ann-Mari] But what do the Kurds say themselves

about the amount?

- Oh, nothing.

No one answers my questions.

- Well, that's normal.

So, first we'll have Esmer and Jazeeri agree

about the amount and then we'll go there

and collect the weapons.

- I don't think the Kurds will return the guns.

- They will.

If they get income from the oil pipeline they will.

- Are you saying we are going to soon

to collect the weapons?

- No, we are not going back there.

We'll have the others operate it.

- General Iacola.

(Ann-Mari hums) (phone ringing)

Jazeeri will meet you.

- Good.

Hurry up with the draft.

Write the percentage down as 8.3.

(Diyar sighs)

(muffled talking) (clattering)

(door squeaking)

- [Man] Please come here.

- How do you do it? (muffled talking)

- Do what?

- You manage to get people to trust you.

- They trust me as much as they trust you.

- No, they don't.

'Cause I'm a woman.

- Come on, that's not the Emilia I know.

The Emilia I know, she's highly educated,

extremely talented , and great in social relationships.

- And I can't handle my emotions.

As a kid I wanted to have sheep.

- Yeah.

Yeah, I could see you with sheeps.

- Yeah.

A dog.

- Yeah.

Chickens?

(Emilia laughs)

- Maybe I could be the best shepherd on earth.

(dramatic music)

- What's going on?

- [Diyar] Someone leaked the peace negotiations

to the press.

- Why did they come after you and not Ann-Mari?

Why?

You know I don't speak Turkish.

- They wanted to know why the son of a deported

Kurdish terrorist is one of the peace negotiators.

(light dramatic music)

(clock ticking) (dogs barking)

(muffled talking)

- We won't get 31.9% of the profits from the pipeline.

The Kurds inhabit approximately 32% of the Turkish areas.

- But we'll negotiate that with Esmer,

but before that I want you to give me a clear plan

on how you will deliver the income to your people.

I want the plan to include local administration,

education, social welfare, reorganization of the tax system.

- It's a long list.

- I want to avoid a situation where the money

ends up in a few people's personal bank accounts.

- Is this how really you see us?

You think we are incapable of building a society?

- I'm working on permanent peace with you.

That is impossible if the basic elements

of a democratic society are not working as they should.

We also need to know the amount of weapons

per guerrilla unit.

- I see it more as symbolic gesture.

- For me it is armament.

It's a concrete action.

(light dramatic music) (muffled talking)

- Please come with me.

(suspenseful music)

She has just lost her son

and she's searching for him everywhere.

We need 31.9%, Ann-Mari.

(door squeaking)

- Diyar, I'm- - It's okay.

(door thuds)

(plane engine whirring)

- Please have a seat.

Tell me what brings you to Istanbul.

- You know why I'm here.

- Okay.

How's the client?

- Difficult but alive.

- So what can I do for you?

- We were there when Binav Bashur got shot.

I need your help.

You don't happen to know anything about

the chopper there that attacked us?

- Come on, Tom.

You know you're asking the wrong guy.

- The right question, though.

(suspenseful music)

- We're not on the same team anymore.

- What about Grady?

He around?

- Unless there's anything else I can do to help you,

I think you know your way out.

(light dramatic music)

- Right.

- Tom, it was good to see you.

(light dramatic music) (door clangs)

(man sighs)

(jet whirring)

(light dramatic music) (muffled talking)

- You okay? - Yeah.

It's a beauty. - It is.

Familiar with this one?

- I am.

It's been awhile.

Is there any chance for...

- [Man] Just make it quick.

When I get to the reserve I won't be spending

my time hanging around the barracks.

(Tom chuckles) (light dramatic music)

(door clangs)

(light dramatic music)

(dramatic music)

(computer beeping)

- [Soldier] Did you see a civilian here?

- [Soldier] Yeah, I just did a minute ago.

- [Soldier] Which way did he go?

(phone clicks)

(muffled talking)

(knocking)

(door squeaks)

- [Emilia] I know this must...

This whole thing is much more personal to you

and I'm so sorry.

- Come in.

I've never hidden my father's background,

and to be honest- - But I understand

why you did.

- I don't even know what he has done

and he doesn't wanna talk about it with me.

Maybe he's been protecting me.

This is a mess.

- Everything will be fine.

(light dramatic music)

- I remember how my parents used to tell me

that they had their best times in the camps.

How they used to share everything they could

with the other refugees.

They were all looking forward to a better future.

Hearing that always made me feel jealous.

Jealous that they had their best times

before I was even born.

- It just seems that we all suffer from wrong timing.

(light music)

(knocking) (muffled talking)

(banging)

- [Ann-Mari] Hey.

- [Diyar] You need to see this.

(people chanting)

(gate screeching)

(light dramatic music)

(gate clangs)

(paper rustling)

(light dramatic music)

- This is well written.

There's nothing here the jurisprudence

in me worded differently.

- [Diyar] What now?

- What do you mean what's now?

We have 48 hours to finish this treaty and we will.

You ask Jazeeri on the plan on how

the income will be divided,

and Emilia get me Esmer on the phone, I need to talk to him.

Theo, call me back.

I really need to talk to you about something.

(dramatic music)

- They hijacked your negotiations.

They've dismissed everything we've done.

(dramatic music)

So, what do we do now?

(light music)

- We go home.

(light dramatic music)

(door clicking)

(door thuds) (light music)

(singing in foreign language) (light music)

(light dramatic music)

(pencil scratching)