Original subtitles

THANK YOU FOR CALLING THE HOLLYWOOD BANK OF COMMERCE.

CAPTIONING MADE POSSIBLE BY USA NETWORK

WHAT IS YOUR SECURITY CODE?

WHAT KIND OF WIRE WOULD YOU LIKE TO SEND?

THE NAME OF THE BENEFICIARY?

THAT ACCOUNT NUMBER?

THAT'S $425,000?

THE BENEFICIARY?

LET ME RECONFIRM YOUR TRANSACTION.

AFTER A FEDERAL WIRE TRANSFER...

YOUR REFERENCE NUMBER IS 015...

IN THE AMOUNT OF 12,922,000...

HELLO.

NO PROBLEM.

YOUR REFERENCE NUMBER IS 87624.

YOUR ACCOUNT NUMBER?

WHAT KIND OF WIRE TRANSFER?

WHAT WAS THE DOLLAR AMOUNT?

YOUR REFERENCE NUMBER IS 669...

WHAT KIND OF TRANSACTION...

FOREIGN WIRE TRANSFERRED?

HELLO.

THE ACCOUNT YOU'RE DEBITING?

DOLLAR AMOUNT, PLEASE.

$14,900,000?

YOUR PASSWORD, PLEASE?

I'LL REPEAT THAT.

FOREIGN WIRE TRANSFER OF $14,900,000.

YOUR ACCOUNT NUMBER?

FROM THE ACCOUNT NUMBER 266...

ANOTHER $5 MILLION...

HEY, YOU CAN'T GO IN THERE.

CAN I HELP YOU? WAIT!

FREEZE!

L.A.P.D.

WHAT THE HELL?

OH, MY GOD.

ON YOUR FEET. MOVE IT.

YOU HEARD ME. MOVE IT!

OH, I DON'T BELIEVE THIS.

WHAT'S GOING ON?

SHUT UP, SHORTY! SIT DOWN.

YOU, OVER HERE.

ON THE FLOOR. KISS THE CARPET.

YOU HAVE THE WRONG PERSON, OFFICER.

YOU'RE DER?

YES.

YOU'RE UNDER ARREST FOR AGGRAVATED ASSAULT,

ONE COUNT EMBEZZLEMENT...

I DON'T KNOW WHAT YOU WANT--

I'LL TELL YOU EXACTLY WHAT I WANT!

I WANT THE ROLE OF DETECTIVE ANGELO

IN YOUR MOVIE.

EVERYBODY...

UH, THIS IS SCOTT McNALLY.

SCOTT, THIS IS OUR DIRECTOR, DERRICK MARSTON.

OUR PRODUCER, STAN RICHARDS.

YOU MEAN TO SAY THAT YOU'RE AN ACTOR?

HA HA!

YOU SON OF A BITCH!

TAKE IT EASY!

YO!

YOU'RE SCOTT...

UH, McNALLY, RIGHT?

NOT IF YOU'RE A BILL COLLECTOR.

I SAW YOU DO THE ZOO STOY

WITH WILLIAM HURT, CIRCLE REP... 10 YEARS AGO?

15.

THAT LONG? WOW!

HEY, MAN, YOU WERE INCREDIBLE!

I MEAN, YOU KNOW, HURT WAS PRETTY GOOD, TOO,

BUT YOU WERE GREAT!

GEE! WHATEVER HAPPENED TO YOU?

THAT'S--THAT'S A GOOD QUESTION.

UNFORTUNATELY, I DON'T HAVE A SHORT ANSWER,

AND I ONLY GOT A FEW MINUTES ON THE METER,

AND A TICKET WILL REDUCE MY NET WORTH

BY ABOUT 33%.

SO MAYBE SOME OTHER TIME.

GOOD LUCK.

HOW COULD YOU DO THIS?

I JUMPED THROUGH HOOPS TO GET YOU THIS AUDITION,

AND YOU PULL A GUN ON THE DIRECTOR.

A CIGARETTE LIGHTER.

I DIDN'T EVEN SINGE HIM.

WHY?

MEG, THEY CALL THEM AUDITIONS.

THEY'RE REALLY FISHING TRIPS.

THEY DON'T KNOW WHAT THEY WANT TILL THEY SEE IT.

THEY'RE LOOKING FOR A DETECTIVE ANGELO.

I GAVE THEM DETECTIVE ANGELO.

WELL, IF YOU READ WELL FOR MARSTON TOMORROW,

YOU'LL BE DETECTIVE ANGELO.

THEY WANT ME TO COME BACK?

MARSTON DOES.

THE PRODUCER WANTED TO HAVE YOU ARRESTED.

I KNEW I HAD MARSTON!

I DID IT!

DO IT AGAIN, I'LL KILL YOU.

TOMORROW, 11:00, JACKET AND TIE.

MARSTON SAYS NO FATIGUES.

OH, MEG, I LOVE YA!

I THOUGHT WE DECIDED TO KEEP THINGS

STRICTLY PROFESSIONAL FROM NOW ON.

I LOVE YOU PROFESSIONALLY, MEG.

THEN ACT LIKE A PRO TOMORROW.

PLAY IT STRAIGHT WITH MARSTON.

NO FUNNY BUSINESS.

11:00 SHARP, SUIT AND TIE.

DON'T BE LATE.

HA!

HA HA!

IT'S ME.

HI.

IS HE HERE?

HE'S IN THE KITCHEN.

DID YOU TELL HIM?

I CAN'T. I TRIED, BUT--

THEN I'M GOING TO TELL HIM.

NO! PLEASE.

YOU DON'T UNDERSTAND.

HE DOESN'T HAVE A CLUE

ABOUT WHAT'S REALLY GOING ON.

YOU KNOW WHAT I THINK?

I THINK...

I THINK--

I THINK I STINK!

WHAT HAPPENED?

SORRY, MYRA. MY CONCENTRATION IS SHOT!

LET US BEAT YOU UP.

COMMENTS, PLEASE?

UH, MICHAEL.

I DON'T THINK THIS SCENE

IS JUST ABOUT TELLING HER FATHER THEY'RE GETTING MARRIED.

HE WANTS TO GET INTO HER PANTS.

YOUR BRAIN'S CAUGHT IN YOUR ZIPPER.

I PLAYED IT LIKE I KNEW SHE WOULD FOLD.

THERE'S NO TENSION, NO OBSTACLE.

THAT'S A LITTLE MORE LIKE IT. GOOD.

CLASS, LOOK, ACTING IS ALL ABOUT CHOICES,

AND STRONG CHOICES DEMAND GREAT RISKS.

I WANT TO SEE STRONG CHOICES!

I'D ALSO LIKE TO SEE TUITION.

NONE OF YOU DEADBEATS ARE CURRENT.

I'M ALL TAPPED OUT, PROFESSOR.

MY LANDLORD'S GOING TO TOSS ME OUT OF HERE.

NOW, I NEED SOME MONEY.

SCOTT, THEY MESSED UP MY UNEMPLOYMENT CHECK AGAIN.

I'LL BE CATERING NEXT MONTH.

DAMN IT! IT'S THE SAME STORY EVERY WEEK!

CAN I HELP YOU?

UH...ARE YOU SCOTT McNALLY?

YEAH.

I WAS WONDERING...

I WAS INTERESTED...

WOULD IT BE O.K. IF I AUDITED YOUR CLASS?

AUDIT?

HELL, WHY NOT?

NOBODY ELSE PAYS TO STUDY WITH ME.

YOU DON'T THINK I'M TRYING TO MAKE A LIVING?

NO, I'M THE MOTHER TERESA OF ACTING TEACHERS!

HAVE A SEAT!

GOOD CHOICE, MEIN FUHRER.

DEFINITELY HIGH RISK.

HA HA!

YOU STUDY AND STRUGGLE AND STARVE,

AND WHEN IT COMES DOWN TO THE WIRE,

IT'S THAT ONE PART THAT MAKES OR BREAKS AN ACTOR,

AND THAT'S WHAT THIS DETECTIVE ANGELO PART

COULD DO FOR ME.

I MEAN, I CANNOT DO THESE PARTS ANYMORE

THAT HAVE NO MEAT IN THEM.

IT'S LIKE HAVING SEX WITH SOMEONE YOU DON'T LOVE.

I WANT PASSION. I NEED TO BE IN LOVE.

LOVE IS GREAT,

BUT HOW DO WE SURVIVE

UNTIL THE RIGHT PART COMES?

THAT'S MY PROBLEM. I THOUGHT TEACHING WOULD PAY MY RENT.

I APOLOGIZE FOR MAKING YOU

THE BUTT OF MY EXCEEDINGLY RUDE TEMPER.

YOU JUST HAPPENED INTO MY LINE OF FIRE.

GOOD.

GLAD THERE'S NO HARD FEELINGS.

RACHEL!

ALWAYS REMEMBER YOUR KEYS WHEN MAKING AN EXIT.

IT'S ANTICLIMACTIC--

DO YOU KNOW HOW HARD IT WAS

FOR ME TO ASK TO AUDIT YOUR CLASS?

I SAID I WAS SORRY.

HOW DID YOU KNOW MY NAME?

YOUR KEY RING.

WHAT'S YOUR LAST NAME?

COLEMAN.

HOW DO YOU DO, RACHEL COLEMAN?

I'M TIRED, HUNGRY,

MY CAR WAS STOLEN TODAY--

I'M SORRY.

YOU SAID THAT.

YOU BUILD UP THIS INTERNAL RAGE,

AND YOU SNAP AT SOMEBODY WHO DOESN'T DESERVE IT.

EXACTLY.

OR YOU GIVE THEM A FACE FULL OF WINE.

I'M SORRY ABOUT THAT.

GOOD. THAT MAKES TWO OF US.

HOW ABOUT I BUY YOU A HAMBURGER?

THANKS, BUT I'M SICK OF HAMBURGERS.

WHAT ARE YOU HUNGRY FOR?

YOU CAN'T AFFORD WHAT I'M HUNGRY FOR.

OH, YEAH?

YOU'D BE SURPRISED WHAT I CAN AFFORD.

WOULD YOU LIKE A DRINK BEFORE DINNER?

SURE.

RIGHT THIS WAY.

TWO VODKA TONICS. WILL THAT BE ALL?

SIR?

A WHITE WINE SPRITZER FOR THE LADY,

AND VODKA ON THE ROCKS FOR ME.

WHAT ARE WE DOING HERE?

GLEN GIBBONS-- FUTONS, SHOGI LAMPS, PARTITIONS.

ROGER OGLETHORPE-- RATTAN WATERBEDS.

NICE TO SEE YOU.

AND THIS IS MRS. OGLETHORPE.

HI THERE. NICE TO MEET YOU.

SHOGI LAMPS AND PARTITIONS.

GLEN GIBBONS.

THANK YOU.

BEST THINGS IN LIFE...

ARE FREE.

YOU'RE A PARTY CRASHER.

I THINK OF IT AS A GOOD ACTING EXERCISE.

YO! MINTZ--

IMPORTED LACQUER AND LEATHER SOFA SYSTEMS.

GUY STARBUCK-- MACRAME WALL HANGINGS.

AND THIS IS MRS. STARBUCK.

MRS. STARBUCK, NICE TO MEET YOU.

AND WHERE ARE YOU FROM?

HONEY?

ALTOONA, PENNSYLVANIA.

OUR FLIGHT OUT OF PITTSBURGH WAS LATE,

SO WE MISSED THE WEDDING CEREMONY.

THEN THEY LOST OUR LUGGAGE,

SO WE'RE AT THE RECEPTION LOOKING LIKE THIS.

FOR CRYING OUT LOUD.

3,000 MILES FROM HOME, NO TOOTHBRUSH.

ARE YOU FRIENDS OF THE GROOM OR THE BRIDE?

GROOM. BRIDE.

GROOM. BRIDE.

GROOM. GROOM.

HE KNOWS THE BRIDE. I KNOW THE GROOM.

DARLING, IT'S PRISCILLA AND RODNEY WHITEHEAD!

EXCUSE US.

WHAT ARE YOU THINKING RIGHT NOW?

I'M NOT.

YOU?

RIGHT NOW?

MM-HMM.

I THINK I'M DREAMING.

I BELIEVE IN DREAMS.

ESPECIALLY WHEN THEY COME TRUE.

THOSE ARE THE ONLY KIND TO HAVE.

SO WHAT ARE YOU DOING IN MY DREAM?

WHAT ARE YOU DOING IN MINE?

IT'S GETTING LATE.

MAYBE I SHOULD TAKE YOU HOME.

MAYBE YOU SHOULD.

WHERE DO YOU LIVE?

I COULDN'T SWING THE RENT

ON MY PLACE IN LAUREL CANYON,

SO I MOVED IN HERE.

WHERE DO YOU SLEEP?

IN THE MASTER BEDROOM.

WHERE IS THAT?

STAND...

RIGHT HERE.

HUH!

[SOFT JAZZ MUSIC PLAYS]

VOILA.

WHAT DO YOU THINK?

YOU STAND...

RIGHT...

HERE.

YOUR TURN.

NO FAIR.

THERE'S ROOM FOR TWO.

[TELEPHONE RINGS]

[RADIO PLAYING]

[ANSWERING MACHINE] HI. THIS IS SCOTT.

YOU KNOW WHAT TO DO.

[BEEP]

SCOTT, IT'S MEG.

PICK UP. ARE YOU UP?

LISTEN, MARSTON HAS TO CATCH A NOON FLIGHT TO NEW YORK.

WE NEED YOU TO COME IN AT 10:00 INSTEAD OF 11:00.

I DON'T TRUST THIS CRAZY MACHINE OF YOURS.

CALL ME, PLEASE!

[BEEPING]

[RADIO] ...GOOD AIR QUALITY.

DETECTIVE ANGELO, N.Y.P.D.

...SAN BERNARDINO AND SAN FERNANDO VALLEYS,

WITH COOLER TEMPERATURES AT THE COAST.

DETECTIVE ANGELO, N.Y.P.D.

DETECTIVE ANGELO, N.Y.P.D.

GOOD MORNING.

WOULD YOU TELL MR. MARSTON

THAT MR. McNALLY IS HERE?

YOU'RE LATE.

WHAT? IT'S 11:00 ON THE DOT.

DON'T YOU CHECK YOURACHINE?

YOUR AUDITION WAS MOVED TO 10:00.

MARSTON HAD A NOON FLIGHT.

I DIDN'T SEE ANY MESSAGE ON THE MACHINE.

I TOLD YOU TO GET A NEW MACHINE.

WHY DIDN'T YOU CALL LAST NIGHT?

DON'T YOU DARE BLAME ME.

I CALLED AS SOON AS I KNEW.

WHEN IS HE COMING BACK?

HE'S NOT COMING BACK, SCOTT.

HE'S CASTING DETECTIVE ANGELO OUT OF NEW YORK.

NO! CAN'T YOU--

NO! I CAN'T!

I'M ALWAYS MAKING EXCUSES FOR YOU.

I SAT THERE WITH THAT BRITISH TWIT

FOR 40 MINUTES MAKING EXCUSES FOR YOU.

YOU AND YOUR HIGH STANRDS.

YOU WON'T DO THIS AND THAT.

WHEN I FIND WORK YOU WILL DO, YOU DON'T SHOW UP.

I DON'T KNOW WHY I CARE.

I DON'T KNOW WHY.

I CAN'T HELP YOU ANYMORE.

[TAPE REWINDING]

[BEEP]

OMASAKA AGAJANIAN HERE.

IT'S THREE MONTHS RENT YOU OWE ME.

YOU DON'T HAVE THE COURTESY TO ANSWER YOUR TELEPHONE.

I'LL FIND YOU SOONER OR LATER, AND YOU BETTER HAVE MY RENT.

[BEEPING]

WHAT MESSAGES?

YOU DIDN'T GET THE PART, HUH?

I DIDN'T GET THE CHANCE TO GET THE DAMN PART.

WHAT ARE YOU DOING HERE?,

IT WAS MY LUNCH BREAK.

I WONDERED HOW IT WENT.

SORRY.

YOU DIDN'T HEAR THE PHONE THIS MORNING?

NO.

YOU DIDN'T HEAR SOMEBODY TRY TO LEAVE A MESSAGE?

I DON'T KNOW.

WHAT DO YOU MEAN?

I MEAN I WAS ASLEEP.

I HATE BUSES.

I DIDN'T TAKE TWO HERE

TO BE YOUR PUNCHING BAG.

I'M SORRY, BUT IT'S NOT MY FAULT.

SORRY.

I'M...

SORRY.

I SEEM TO HAVE A KNACK...

FOR TAKING THINGS OUT ON YOU.

WELL, I'M A REAL WINNER, HUH?

YOU KNOW WHAT I'D DO IF I WERE YOU?

YEAH.

TAKE THE REST OF THE DAY OFF

AND TAKE YOU ON A PICNIC.

THINK FAST.

PICNIC? WHERE?

HERE.

HERE AT THE BEACH.

I HOPE YOU LIKE...

COLD LOBSTER AND FRESH MELON BALLS.

LOOKS LIKE CHICKEN ON RYE AND POTATO SALAD TO ME.

AND THIS BEACH...

LOOKS LIKE THE STUDIO I OWE THREE MONTHS RENT ON.

WE CAN PRETEND, CAN'T WE?

WE CAN PRETEND THAT THIS IS THE BEACH

AND THAT'S LOBSTER...

AND WE'RE RICH.

I'M TIRED OF PRETENDING.

I'M TIRED...

OF WAITING FOR THE BIG BREAK.

I'M TIRED OF BEING POOR.

COME ON.

SCOTT, WE DON'T HAVE TO HAVE

A BOTTLE OF CHAMPAGNE.

HEY, IF WE'RE HAVING A PICNIC AT THE BEACH,

LET'S DO IT WITH STYLE.

WHAT?

I DON'T BELIEVE THIS.

WHAT'S THE MATTER?

THERE'S AN EXTRA $20,000 IN MY CHECKING ACCOUNT.

EXCUSE ME.

THERE'S SOMETHING WRONG WITH MY CHECKING ACCOUNT.

WINDOW NUMBER TWO.

THERE'S $20,000--

WINDOW NUMBER TWO.

IF YOU'D LIKE, I CAN WRITE IT DOWN.

THERE'S BEEN A MISTAKE--

EXCUSE ME.

THERE'S $20,000 IN MY CHECKING ACCOUNT

THAT DOESN'T BELONG TO ME.

THERE'S $20,000 IN MY CHECKING ACCOUNT

THAT DOESN'T BELONG TO ME.

THERE IS?

YES. I'D LIKE TO GIVE IT BACK.

WHY?

IT'S NOT MY 20 GRAND.

IF IT'S IN YOUR ACCOUNT, IT'S YOUR MONEY.

I WISH IT WERE.

WISH FOR BRAINS. YOU ALREADY GOT THE MONEY.

DO YOU WORK HERE?

NO. I'M WAITING FOR MY HUSBAND.

HE'S BEEN IN LINE SINCE I WAS YOUR AGE.

ALL HE WANTS IS PENNY WRAPPERS.

WHAT DID THEY SAY?

WINDOW NUMBER TWO. IT'S LIKE THEIR MANTRA.

DID YOU TELL THEM?

FORGET IT, YOU KNOW.

IT'S THEIR PROBLEM, NOT MINE.

LET THEM FIGURE IT OUT.

YOU HAVE TO TELL THEM.

I TRIED TO TELL THEM.

WHAT ARE YOU DOING?

SCOTT, YOU CAN'T DO THIS!

IT'S NOT YOUR MONEY!

I'M NOT GOING TO TAKE IT ALL OUT.

JUST ENOUGH TO GET LUNCH.

YOU DON'T HAVE TO DO THIS.

I WANT TO DO THIS FOR YOU.

WHAT IF YOU GET INTO TROUBLE?

IT'S JUST A LOAN.

I'LL REPAY IT WITH MY NEXT RESIDUAL CHECK.

IT'LL BE O.K.

¶ ISN'T IT ROMANTIC? ¶

¶ MUSIC IN THE NIGHT ¶

¶ A DREAM THAT CAN BE HEARD ¶

¶ ISN'T IT ROMANTIC? ¶

¶ MOVING SHADOWS RIGHT ¶

¶ THE OLDEST MAGIC WORD ¶

¶ I HEAR THE BREEZES PLAYING ¶

¶ IN THE TREES ABOVE ¶

¶ WHILE ALL THE WORLD IS SAYING ¶

¶ YOU ARE MEANT FOR LOVE ¶

¶ ISN'T IT ROMANTIC ¶

¶ MERELY TO BE YOUNG ¶

¶ ON SUCH A NIGHT AS THIS? ¶

¶ ISN'T IT ROMANTIC? ¶

¶ EVERY NOTE THAT'S SUNG ¶

¶ IS LIKE A LOVER'S KISS ¶

¶ SWEET SYMBOLS IN THE MOONLIGHT ¶

¶ DO YOU MEAN I WILL FALL IN LOVE, PERCHANCE? ¶

¶ ISN'T IT ROMANCE? ¶

¶ ISN'T IT ROMANTIC ¶

¶ MERELY TO BE YOUNG ¶

¶ ON SUCH A NIGHT AS THIS? ¶

¶ ISN'T IT ROMANTIC? ¶

¶ EVERY NOTE THAT'S SUNG ¶

¶ IS LIKE A LOVER'S KISS ¶

¶ SWEET SYMBOLS IN THE MOONLIGHT ¶

HOW OLD ARE YOU?

I JUST ABOT TOLD YOU MY ENTIRE LIFE STORY.

CAN'T I HAVE A FEW SECRETS?

ALL RIGHT. THEN JUST ANSWER ONE QUESTION.

WHAT?

HOW COME I LIKE YOU SO MUCH?

BECAUSE I WANT YOU TO.

DAMN. I WISH I WAS RICH...

REALLY RICH.

[LAUGHING]

YEAH, SURE.

COME ON.

AAH!

WHAT?

I WANT MY RENT, MR. McNALLY.

WHO THE HELL DO YOU THINK YOU ARE, THE GESTAPO?

3 MONTHS. $3,000 YOU OWE ME.

YOU CAN'T JUST BARGE IN HERE LIKE THIS!

NO MORE HIDE-AND-SEEK.

I WANT MY RENT MONEY RIGHT NOW.

I DON'T HAVE IT.

YOU DON'T HAVE IT?

THEN I WANT YOU OUT OF HERE TODAY.

WHAT AM I SAYING? I GOT IT!

I'LL WRITE YOU A CHECK!

NO MORE OF YOUR FUNNY CHECKS.

I WANT YOU OUT OF HERE TODAY!

BOTH--YOU GET OUT!

MR. AGAJANIAN, WAIT A MINUTE!

MR. AGAJANIAN!

 MR. AGAJANIAN!

I GOT YOUR MONEY, O.K.?

THE BANK OPENS SOON. I'LL GET A CERTIFIED CHECK.

TODAY, YOU'RE OUT

OR I'LL THROW YOU OUT!

YOU CAN'T DO THAT.

I HAVE MY RIGHTS!

YOU CAN'T EVICT ME WITHOUT NOTICE!

THIS IS YOUR NOTICE. YOU'RE OUT, YOU BUM!

I'LL HAVE A CERTIFIED CHECK FOR $3,000

ON YOUR DESK BEFORE NOON TODAY!

YOU CAN'T DO SQUAT TO ME!

WHAT ARE YOU LOOKING AT?

WHAT IF THE BANK FINDS OUT IT MADE A MISTAKE?

$3,000 IS A LOT OF MONEY, SCOTT.

THIS TUDIO IS MY ONLY WAY TO MAKE MONEY.

I'LL COLLECT ON ALL THE PAST-DUE TUITION.

I'LL PAY IT BACK SOMEHOW.

JUST SEEMS LIKE THIS MONEY

IS TOO GOOD TO BE TRUE.

NO. YOU'RE TOO GOOD TO BE TRUE.

MMM...

YOUR ANSWERING MACHINE DOESN'T SEEM TO BE WORKING.

IT'S...DEAD.

I--I KILLED IT.

GOOD.

I'M SORRY ABOUT...

I WASN'T VERY PROFESSIONAL.

I WASN'T PROFESSIONAL AT ALL.

I KNOW HOW IMPORTANT THAT PART WAS TO YOU,

AND I KNOW YOU DIDN'T GET THAT MESSAGE.

I MADE IT ALL ABOUT US,

ABOUT ME.

I'M ANGRY BECAUSE YOU'RE NOT PERFECT,

AND I'M MAD AT MYSELF

FOR LOVING YOU

EVEN THOUGH YOU'RE NOT PERFECT,

BUT I DO.

I JUST DO.

SO WHERE'S MY MORNING COFFEE?

HAPPY BIRTHDAY.

MEG!

MEG!

OH, HELL.

I'M SORRY. I FEEL TERRIBLE.

NO. DON'T.

MEG AND I HAVE BEEN OVER FOR MONTHS.

WE'RE JUST SLOW LEARNERS.

IS IT YOUR BIRTHDAY TODAY?

NO. IT'S NEXT MONDAY.

MEG WAS NEVER VERY GOOD WITH DATES.

WELL, I GUESS I BETTER GO TO WORK.

BYE.

HEY!

HOW ABOUT A DATE TONIGHT?

ARE YOU SURE?

YEAH.

O.K.

WHAT TIME DO YOU WANT ME TO PICK YOU UP?

8:00.

O.K.

O.K.

HEY!

WHAT'S YOUR ADDRESS?

OH.

UM...

I'LL WAIT OUT FRONT

BECAUSE THE DOOR BUZZER'S BROKEN.

O.K.?

PHONE NUMBER, TOO.

RIGHT.

HAVE A NICE DAY.

YOU, TOO.

OH, HELL.

SO I MAKE THIS PAYABLE TO THE BANK?

MAKE IT OUT TO THE RECEIVING PARTY,

AND I'LL PUT THE CERTIFIED STAMP ON IT.

DOES MY ACCOUNT REFLECT MY LAST DEPOSIT?

UH...

YOUR LAST DEPOSIT

WAS A CORPORATE WIRE TRANSFER.

GOOD.

I'M GLAD THEY DID A WIRE TRANSFER.

A WIRE TRANSFER'S THE ONLY WAY TO GO.

DON'T YOU AGREE?

OH, MY, YES,

ESPECIALLY WITH LARGE SUMS OF MONEY.

CHECKS CAN GET LOST OR STOLEN.

A WIRE TRANSFER IS POSTED ALMOST INSTANTLY.

REALLY? I KNEW THEY WERE FAST, BUT NOT THAT FAST.

BASICALLY, A WIRE TRANSFER'S JUST ONE BANK'S COMPUTER

CALLING ANOTHER BANK'S COMPUTER.

I LIKE TO CHECK BECAUSE A COMPUTER CAN MAKE MISTAKES.

OH, IT HAPPENS,

 BUT WE'RE NOT SUPPOSED TO TALK ABOUT THAT.

I'LL BET.

HELLO.

MR. AGAJANIAN?

PAID IN FULL.

IT'S ONLY A COUPLE HUNDRED DOLLARS MORE.

WHAT'S THE BIG DEAL?

I'LL PAY IT BACK.

ANYWAY, THERE'S THIS GREAT SUSHI RESTAURANT

I'M DYING TO TRY.

AN EXPENSIVE SUSHI RESTAURANT?

YEAH.

I DON'T WANT ANYTHING TO DO WITH THIS.

IT'S LIKE A GAME OF MONOPOLY.

IT'S LIKE THAT CHANCE CARD "BANK ERROR IN YOUR FAVOR."

WHAT?

LOOK.

WHAT?

JUST LOOK. LOOK.

I CAN UNDERSTAND A $20,000 MISTAKE,

BUT A $10 MILLION MISTAKE?

SOMEBODY SHOULD BE PAYING ATTENTION

WITH THAT KIND OF MONEY.

WHAT ARE YOU GOING TO DO?

I'M GOING TO TELL THE BANK WHAT'S GOING ON

BEFORE I GET TOO FAR IN OVER MY PIN-SHAPED HEAD.

I'LL HELP REPAY IT.

IT'S MY PROBLEM.

I'LL PLEAD INSANITY.

[SIREN]

IT'S NOT A BIG DEAL.

I'M JUST BEING PARANOID.

AFFIRMATIVE. RED 1965 MUSTANG. REGISTERED TO SCOTT McNALLY.

FREEZE! PUT YOUR HANDS IN THE AIR!

SCOTT McNALLY, KEEP YOUR HANDS AWAY FROM YOUR BODY.

YOU'RE UNDER ARREST FOR MURDER IN THE FIRST DEGREE.

WHY WOULD I PAY MY RENT

IF I WAS GOING TO KILL MY LANDLORD?

IT DOESN'T MAKE SENSE.

MAKES SENSE TO ME.

AGAJANIAN EVICTS YOU.

YOU AND HE FIGHT OUTSIDE YOUR BUILDING.

THEN A FEW HOURS LATER,

YOU GO TO AGAJANIAN'S OFFICE AND SETTLE YOUR ACCOUNT.

I'M SORRY THE MAN IS DEAD,

BUT I DIDN'T KILL AGAJANIAN.

I DIDN'T KNOW HE WASHERE.

YOU DIDN'T SEE THE BODY ON THE FLOOR BEHIND THE DESK?

I WASN'T LOOKING FOR A BODY!

A PARKING TICKET SAYS YOU WERE OUTSIDE AGAJANIAN'S OFFICE

DURING THE TIME FRAME OF THE MURDER.

IF I WAS KILLING THE GUY, I WOULD HAVE FED THE METER.

THE CORONER SAYS AGAJANIAN'S HEAD

WAS CRUSHED WITH A TIRE IRON.

WHEN DID YOU LAST USE YOUR TIRE IRON?

THIS MORNING. I HAD A FLAT.

THEN WHAT DID YOU DO WITH THE IRON?

PUT IT IN MY TRUNK.

YOU PUT IN YOUR TRUNK?

WE CHECKED YOUR TRUNK. IT'S NOT THERE.

WHERE DID IT GO?

 DID IT JUST DISAPPEAR?

OH, HELL.

TO THE LEFT, PLEASE.

ARE YOU O.K.?

I DON'T KNOW.

I DON'T KNOW WHAT'S GOING ON.

I TALKED TO A BAIL BONDSMAN.

HE'LL GET YOU OUT FOR $35,000.

HIS OFFICE IS CALLED FAIR WEATHER BAIL AND BONDS.

HE'LL TAKE A CHECK.

I CAN'T DO THAT.

DID YOU TELL THE POLICE ABOUT THE MONEY?

HELL, NO! I'M IN ENOUGH TROUBLE!

LOOK, I JUST...

I SHOULDN'T SPEND ANY MORE OF THE MONEY

UNTIL I'VE TALKED TO A LAWYER.

GET OUT FIRST. THEN SEE A LAWYER.

I'M GOING TO NAIL YOU, PAL!

I KNOW WHERE YOU LIVE!

WHAT ARE YOU LOOKING AT, PRETTY BOY?

STOP LOOKING AT ME!

I DON'T WANT YOUR FACE IN MY FACE!

YOU CAN'T STAY IN HERE.

I'M GOING TO COME OUT OF THIS PLACE...

HOW CAN THEY JUST IMPOUND YOUR CAR LIKE THAT?

IT'S NOT MY CAR ANYMORE. IT'S THEIR EVIDENCE.

ARE YOU HUNGRY?

LET'S GO BACK TO MY PLACE.

I NEED A SHOWER.

WHAT'S KAM 93?

WHAT?

YOUR LICENSE PLATE.

IT'S MY ROOMMATE.

HER INITIALS-- KATHLEEN ANN MOORE.

SHE A CHEERLEADER?

HIGH SCHOOL, YEAH.

HOW DID YOU KNOW THAT?

SOUNDS LIKE A CHEERLEADER.

AW, THE LOCK'S BEEN CHANGED.

GREAT. THAT'S JUST GREAT.

YOU CAN STAY WITH ME.

KATHLEEN'S FAMILY'S IN TOWN. YOU CAN'T.

THAT'S ALL RIGHT.

I'M ALLERGIC TO ROOMMATES ANYWAY.

GET AWAY FROM ME!

UGH!

AAH!

AAH!

LET GO!

L.A.P.D.! THAT'S ENOUGH!

HE KILLED MY FATHER!

WE KNOW.

THAT'S WHY WE HAVE COURTS.

YOU WANT TO PRESS CHARGES AGAINST JUNIOR?

NAH.

SAY THANKS TO MR. McNALLY.

I'M GOING TO KILL YOU.

SAY THANK YOU.

THANK YOU.

ALL RIGHT. GOOD.

GO HOME.

YOU O.K.?

FINE.

ARE YOU?

YEAH.

YOU SAY YOU'RE AN ACTOR,

BUT I'VE NEVER HEARD OF YOU.

HOW CAN YOU AFFORD 35 GRAND FOR BAIL?

IT'S AN INHERITANCE.

WHY DON'T YOU PLAY IT STRAIGHT?

IT WOULD SAVE US A LOT OF WEAR AND TEAR.

I DIDN'T KILL AGAJANIAN!

THEN WHY DID YOU HIDE THE TIRE IRON?

WHAT ARE YOU GOING TO DO?

I DON'T KNOW. I DON'T KNOW.

THE MONEY HAS TO HAVE SOMETHINGO DO WITH AGAJANIAN

OR WITH HIM BEING KILLED WITH MY TIRE IRON.

GOD! WHAT WAS I THINKING?

HOW COULD I SPEND THAT MONEY?

I GUESS I SHOULD GET MYSELF A GOOD LAWYER.

RIGHT NOW, ALL I WANT TO DO

IS JUST FIND SOMEPLACE TO HIDE.

YOU MEAN RUN AWAY?

MMM...

YOU'RE JUST TIRED.

WE'LL FIGURE SOMETHING OUT.

WE?

I LOVE YOU, SCOTT.

YOU'RE THE ONLY PERSON IN THIS TOWN

THAT MEANS ANYTHING TO ME.

WHATEVER YOU DO, I WANT TO BE WITH YOU.

I LOVE YOU.

TRAFFIC TICKET, CERTIFIED CHECK ON THE DESK,

FIGHT ON THE SIDEWALK.

IT'S ALL JUST CIRCUMSTANTIAL EVIDENCE,

BUT THEY CAN STILL MAKE A STRONG CASE AGAINST YOU.

IF THEY FIND YOUR TIRE IRON

WITH SAMPLES OF AGAJANIAN'S BLOOD,

THEY COULD ASK FOR THE DEATH PENALTY.

I-I-I'M NOT QUITE SURE WHAT YOU'RE SAYING,

BUT I GUESS WHAT I WANT TO KNOW IS,

CAN YOU GET ME OUT OF THIS?

I'LL GIVE IT A SHOT, TOM.

IT'S SCOTT.

SCOTT, YOU'LL HAVE TO EXCUSE ME.

I HAVE A LUNCHEON DATE.

THERE'S SOMETHING ELSE I WANTED TO MENTION.

SEE, THERE'S $10 MILLION IN MY CHECKING ACCOUNT.

I DON'T KNOW WHERE IT CAME FROM.

COME AGAIN.

IT ALL STARTED A FEW DAYS AGO.

$20,000 SHOWED UP IN MY ACCOUNT.

THEN YESTERDAY, I FOUND 10 MILLION IN THERE.

I THOUGHT IT WAS A BANK ERROR.

NOW I'M NOT SURE.

HAVE YOU SPENT ANY OF THIS MONEY?

WELL, UH...

YEAH. SOME OF IT.

HOW MUCH?

A LOT.

MORE THAN $1,000?

10,000?

20?

40? 50?

50 IS IN THE NEIGHBORHOOD.

35 OF THAT WAS BAIL,

SO I'LL GET THAT BACK.

IS PART OF IT THIS $10,000 RETAINER?

YEAH.

APART FROM THE MYSTERIOUS DEPOSITS,

DO YOU HAVE ANY MONEY OF YOUR OWN?

WELL...NO.

WELL, WHAT WE HAVE HERE IS A PSIBLE MURDER ONE

AND PROBABLY SEVERAL COUNTS OF GRAND LARCENY.

VERY SERIOUS CHARGES...

FOR WHICH YOU WOULD HAVE TO BE TRIED SEPARATELY,

WHICH WOULD INVOLVE A GREAT DEAL OF TIME AND EXPENSE...

HUNDREDS OF THOUSANDS OF DOLLARS,

SO I SUGGEST YOU FIND

A LAWYER WHO'S WILLING TO REPRESENT YOU FOR FREE

BECAUSE NEITHER I NOR ANY OTHER ATTORNEY

CAN BE PAID WITH STOLEN MONEY.

THEY HAVE LAWS AGAINST THAT.

IS PAT O'BRIEN DEAD?

IS PAT O'BRIEN DEAD?

YEP.

WELL...

NO WONDER HE'S NOT IN THE LISTING HERE.

I NEED A FLINTY IRISH GRANDFATHER.

HOW ABOUT, UH...

ART CARNEY.

ART CARNEY.

THAT'S GOOD.

THANKS.

SURE.

HE STILL WORKS, DOESN'T HE?

I THINK SO.

I'M THINKING OF QUITTING, MYSELF.

YOU?

YOU COULD NEVER QUIT ACTING.

YOU DID.

I WASN'T AS GOOD AT IT AS YOU.

THAT'S DEBATABLE.

YOU'RE JUST GOING TO START YOUR LIFE ALL OVER AGAIN?

THAT'S--THAT'S WHAT I'M THINKING.

YOU REALLY LOVE HER THAT MUCH?

LOOK, MEG, I'M--

YOU DON'T HAVE TO TELL ME YOU'RE SORRY

BECAUSE YOU LOVE SOMEONE ELSE.

I APPRECIATE THE THOUGHT, BUT...

[SIGHS]

WHEN ARE YOU LEAVING?

PROBABLY TOMORROW.

THAT'S ONE THING I ALWAYS LIKED ABOUT YOU.

WHAT'S THAT?

YOU KNOW HOW TO THINK ON YOUR FEET.

SOME OF US HAVE A HARD TIME MAKING CHOICES.

YEAH, WELL...

IT DOESN'T MEAN I ALWAYS MAKE THE RIGHT CHOICE.

I DIDN'T SAY YOU DID.

RACHEL?

RACHEL?

RACHEL?

[TELEPHONE RINGS]

[WOMAN] JOHNIE'S.

IS RACHEL COLEMAN THERE?

SHE GOT OFF AT 6:00.

NO, I DON'T.

WE DON'T GIVE OUT HOME PHONE NUMBERS.

YOU COULD BE ED McMAHON FROM PUBLISHERS SWEEPSTAKES,

AND I WOULDN'T GIVE OUT THE NUMBER.

[SLAM]

[RINGING]

HELLO.

SCOTT?

RACHEL, WE NEED TO TALK.

THE MAN WITH THE TIRE IRON WANTS TO TALK TO YOU.

WHAT?

HE WANTS TO TALK IN PERSON.

WHERE ARE YOU?

548 LAPORTE.

HE'LL HURT ME IF YOU BRING THE POLICE.

[DIAL TONE]

RACHEL!

405.

[KNOCKING]

[RACHEL] SCOTT, WATCH OUT!

LET GO OF ME! STOP IT!

YOU'RE HURTING ME! STOP IT!

ARGH!

ARGH!

UH!

OH, MY GOD.

OH, MY GOD.

HE HAD A GUN.

HE CAME UPON ME WHEN I LEFT THE RESTAURANT.

HE KEPT ASKING ME

IF YOU WERE HAVING FUN SPENDING THAT MONEY.

WHEN YOU KNOCKED, I TRIED TO WARN YOU.

LET'S CALL THE POLICE.

NO!

WE HAVE TO. WE CAN'T--

NO. THEY'LL JUST ARREST YOU FOR MURDER, TOO.

HE WORKS FOR MY BANK.

STEPHEN RINEHART,

VICE PRESIDENT OF MONEY TRANSFER OPERATIONS.

WE HAVE TO GET OUT OF TOWN.

WE HAVE TO THINK OF SOME WAY

TO TAKE THE MONEY AND RUN.

WHAT ABOUT THE TIRE IRON?

THAT WOULD PROVE THAT YOU DIDN'T KILL YOUR LANDLORD.

THE FINGERPRINTS ON IT ARE MINE.

HE WAS GOING TO BLACKMAIL ME

FOR MONEY IN MY ACCOUNT.

THEN WE HAVE TO FIND IT.

FORGET IT.

THAT TIRE IRON WAS WORTH $10 MILLION TO HIM.

IT WON'T BE ANYPLACE WHERE WE COULD FIND IT.

SOMEONE WILL FIND THAT BODY

IF WE DON'T MOVE IT.

GIVE ME A HAND.

[ENGINE STARTS]

[SIRENS]

UH!

I KILLED HIM.

DEAR GOD, WHAT DID I DO?

YOU SAVED MY LIFE. THAT'S WHAT YOU DID.

SCOTT, WE HAVE TO GET OUT OF HERE,

GO SOMEPLACE LIKE SOUTH AMERICA

OR THOSE PLACES THE NAZIS WENT AFTER THE WAR,

LIKE URUGUAY OR ARGENTINA.

HEY, HEY. I'LL TAKE CARE OF IT.

I JUST NEED TO FIGURE IT ALL OUT.

LET'S GO TO BED.

I HAVE A BUSY DAY TOMORROW,

AND I WANT YOU TO GO TO WORK.

I DON'T WANT ANYONE CATCHING ON THAT WE'RE LEAVING.

AND HOW DO YOU WISH TO DEPOSIT

THIS $10 MILLION, MR. McNALLY?

BY WIRE TRANSFER.

BY WIRE TRANSFER TO BUENOS AIRES.

DON'T YOU THINK THAT'S THE BEST WAY?

THE ONLY WAY, OF COURSE.

HAVE YOUR BANK IN LOS ANGELES

WIRE THE FUNDS TO OUR BUENOS AIRES OFFICE,

AND THEY WILL POST THE DEPOSIT TO YOUR ACCOUNT.

THAT'S IT?

THAT'S IT.

SO THIS MOVIE YOU'RE PRODUCING IN ARGENTINA,

WHAT IS IT CALLED?

THE EASY LIFE.

I LOVE BUENOS AIRES THIS TIME OF YEAR.

HERE'S YOUR TICKET AND YOUR COMPANION'S TICKET.

THE ITINERARY AND THE RECEIPTS ARE IN HERE.

GREAT. THANKS.

YOU MUST ARRIVE AT THE AIRPORT

AT LEAST ONE HOUR BEFORE DEPARTURE.

[NEWSCASTER] THE BODY OF A MURDER VICTIM

WAS DISCOVERED IN THE TRUNK OF A CAR.

AIRPORT POLICE OFFICIALS SPECULATE

THAT A THIEF BROKE INTO THE CAR,

THEN FLED, LEAVING THE TRUNK OPEN.

THE YET-TO-BE-IDENTIFIED MALE VICTIM

WAS WRAPPED IN A SHOWER CURTAIN.

SIR?

ARE YOU O.K.?

RIGHT. SORRY.

WELL, YOU GOT YOUR TICKETS,

YOUR RECEIPTS.

YOU'RE ALL SET.

UH...GREAT. THANKS.

IS RACHEL HERE?

SHE'S ON A BREAK. BACK TABLE.

RACHEL, WE GOT TROUBLE.

I NEED YOUR PASSPORT.

HUH?

OH, I'M SORRY.

I THOUGHT YOU WERE RACHEL.

I AM! WHO ARE YOU?

I MEAN, THE OTHER RACHEL.

RACHEL COLEMAN.

I'M THE ONLY RACHEL COLEMAN AROUND HERE.

WHAT DO YOU WANT WITH MY PASSPORT?

ARE YOU FROM IMMIGRATION OR SOMETHING?

I'M AN AMERICAN CITIZEN, FOR CRYING OUT LOUD!

[MAN] YEAH?

IS THERE A RACHEL COLEMAN LIVING HERE?

I PICKED UP A WOMAN NAMED RACHEL COLEMAN THE OTHER NIGHT

WHWHLIVES HERE.

NEVER HEARD OF HER.

SHE HAS A ROOMMATE-- KATHLEEN ANN MURPHY.

NEVER HEARD OF HER.

ARE YOU SURE?

I'VE LIVED HERE FOR 30 YEARS.

MOORE! KATHLEEN ANN MOORE!

NEVER HEARD OF HER, EITHER.

HAVE YOU GOT A CUSTOMER, A REGULAR NAMED KATHLEEN?

NO.

KATHLEEN ANN MOORE?

NOPE.

OH, DAMN IT!

THERE WAS A KATHY WHO CAME IN A LOT.

IT WAS, LIKE, A YEAR AGO.

SHE WORKED DOWN THE STREET

AT THE BANK.

YES?

HI. YOU GOT A KATHLEEN MOORE HERE?

YES, WE DO. YOUR NAME?

TONY, FROM THE GARAGE.

WE HAD AN ACCIDENT WITH HER CAR.

OH, NO.

[DIALING]

HER LINE'S BUSY. I'LL GO GET HER.

HEY, I WAS SUPPOSED TO DETAIL MR. RINEHART'S JAG TODAY.

HE'S OUT SICK.

OH, HE HURT HIS BACK PLAYING GOLF AGAIN, HUH?

I DON'T KNOW. MISS MOORE DIDN'T SAY.

HE WAS JUST HERE...

JUST A MINUTE AGO.

SORRY, MISS MOORE.

[DIALING]

[RINGING]

SOVEREIGN HOTEL.

HI. COULD I HAVE SUITE 405, PLEASE?

SORRY. MR. McNALLY'S BEEN OUT ALL DAY.

PLEASE TELL MR. McNALLY THAT RACHEL CALLED

AND I'LL BE THERE IN ABOUT AN HOUR.

[OPERATOR] AN HOUR?

UH-HUH.

THANK YOU.

UH!

KATHLEEN MOORE...

OPERATIONS BANKER OF THE YEAR,

LAKE TAHOE, 1991.

I WANT THE TIRE IRON.

I DON'T HAVE IT.

I KNOW. WHERE IS IT?

I DIDN'T KILL AGAJANIAN.

STEPHEN DID THAT.

I DIDN'T KNOW ANYTHING ABOUT IT

TILL AFTER IT WAS OVER.

THAT'S THE TRUTH, SCOTT.

YOU AND RINEHART WERE USING ME

TO MOVE THE MONEY OUT OF THE COUNTRY.

YES.

THE COPS FOUND RINEHART'S BODY A COUPLE HOURS AGO.

ACCORDING TO THE NEWS,

THEY HAVEN'T IDENTIFIED HIM YET.

WE HAVE TO GET BACK TO THE HOTEL

BEFORE HALLAHAN PUTS OUT AN A.P.B.,

OR WE'LL NEVER GET OUT OF TOWN.

YOU'RE STILL GOING THROUGH WITH THIS?

WHAT CHOICE DO I HAVE?

WE'LL BE TOGETHER, SCOTT.

I'LL MAKE YOU HAPPY. I PROMISE.

GET DRESSED.

I LOVE YOU.

UH!

WHEN WE GET TO BUENOS AIRES...

WE'LL SPLIT THE MONEY FIFTY-FIFTY.

AND THAT WILL BE THE END OF IT.

I DON'T LIKE SURPRISES, SCOTT.

YOU DIDN'T TELL ME ABOUT THAT $10 MILLION IN YOUR BANK ACCOUNT.

THE D.A. IS GOING BACK TO COURT TOMORROW

AND HAVE YOUR BAIL RAISED.

I DON'T TRUST YOU,

AND I DON'T TRUST YOU, EITHER.

ARE YOU A GOLD DIGGER

OR AN ACCOMPLICE AFTER THE FACT?

DO YOU KNOW ANYTHING ABOUT A MISSING TIRE IRON?

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

I THOUGHT MAYBE YOU WERE A MIND READER.

READ MY MIND.

GO ON. READ IT.

THERE, YOU SEE? I'M SMARTER THAN YOU THINK.

WE'RE GOING TO BE ON YOU LIKE DIAPER RASH,

SO DON'T EVEN THINK ABOUT BLOWING TOWN.

GOOD NIGHT.

I THINK THE COUPLE AT THE END OF THE BAR

IS WATCHING US.

"LIKE DIAPER RASH" IS RIGHT.

THOSE TWO LOOK LIKE THEY'RE BARELY OUT OF DIAPERS.

HOW WILL WE GET OUT OF L.A.

WITH THE COPS FOLLOWING US EVERYWHERE?

TRUST ME.

HOW ARE YOU MOVING THE MONEY?

BY WIRE TO AN ACCOUNT IN BUENOS AIRES.

YOU APPROVE?

EITHER URUGUAY OR ARGENTINA,

BUT YOU MADE THE BEST CHOICE.

CONSIDERING YOU'RE THE EXPERT,

THAT'S QUITE A COMPLIMENT.

WHOSE MONEY IS IT?

AN INTERNATIONAL HOLDING COMPANY IN LONDON.

THEY ROUTINELY MAKE LARGE MONEY TRANSFERS BY WIRE.

YOUR ACCOUNT NUMBER MATCHED THEIRS,

EXCEPT FOR THE LAST DIGIT.

IT WAS THE SAFEST WAY TO DIVERT THE MONEY.

IF THE DEPOSITS WERE DISCOVERED,

WE COULD HAVE PASSED IT OFF AS A BANK ERROR,

SIMPLE SLIP OF A FINGER ON A KEYPAD.

SO THE FIRST 20,000 WAS THE BAIT, RIGHT?

RIGHT. WE WANTED TO SEE WHAT YOU WOULD DO.

AND I TOOK THE BAIT.

RIGHT.

THEN WE KNEW WE HAD YOU.

WHAT MADE YOU SURE I'D MOVE THE MONEY OUT OF THE COUNTRY?

THAT WAS MY JOB.

I GUESS I MADE IT EASY FOR YOU, DIDN'T I?

TOO EASY.

I WANT MY NAME ON THAT ACCOUNT.

I WANT THE TIRE IRON.

I DON'T HAVE IT.

HOW DO I KNOW YOU WON'T KILL ME

AND TAKE ALL THE MONEY?

TRUST ME.

I THINK WE SHOULD TALK.

ABOUT WHAT?

ABOUT US.

WHAT ABOUT US?

WERE YOU TELLING THE TRUTH

WHEN YOU SAID YOU LOVE ME?

WERE YOU?

YES.

WELL, I GUESS I'M GOING TO HAVE TO

TAKE YOUR WORD FOR IT, AREN'T I?

I WANT YOU TO KNOW EVERYTHING.

I KNOW EVERYTHING I NEED TO KNOW.

IT WASN'T SUPPOSED TO HAPPEN LIKE THIS.

LET'S JUST PRETEND.

I'M NOT PRETENDING.

I AM.

SCOTT?

SCOTT?

DID YOU THINK I LEFT FOR ARGENTINA WITHOUT YOU?

I GUESS YOU DON'T TRUST ME.

I THINK WE'RE BEING FOLLOWED.

I KNOW.

LET'S GO.

[SPEAKING SPANISH]

AH, GOOD MORNING!

GOOD MORNING.

HERE YOU GO.

THEY'RE ACROSS THE STREET NOW.

I SEE THAT.

I BETTER NOT GO INSIDE.

SOMEBODY MIGHT RECOGNIZE ME.

STAY BY THE DOOR WHERE I CAN SEE YOU.

YES, SIR.

GET A COPY OF THE TRANSFER

SO I'LL KNOW THE MONEY'S IN THE RIGHT ACCOUNT.

YES, MA'AM.

DO YOU HAVE A PHONE BOOK?

YES.

ON THE REFRIGERATOR.

FINISH PACKING. I'LL CALL A CAB.

WE CAN TAKE MY CAR--

JUST DO IT.

YEAH, I KNOW-- "TRUST ME."

[HORN HONKS]

THE CAB'S HERE. LEAVE THE SUITCASES.

WHAT?

I'VE GOT A PLANE TO CATCH TO BUENOS AIRES.

ARE YOU COMING?

DON'T LOCK IT. JUST PRETEND TO.

SCOTT, THAT DOESN'T MAKE SENSE.

YOU'RE STILL A MYSTERY TO ME, TOO.

SOVEREIGN HOTEL.

WHY DON'T YOU JUST TELL

THOSE IDIOT COPS EVERYTHING?

WHY DON'T YOU JUST TURN US BOTH IN?

WHY GO THROUGH WITH THIS?

I DON'T HAVE ANY CHOICE-- YOU KNOW THAT--

UNLESS I WANT TO GO TO JAIL, AND I DON'T.

I'M FINISHED IN THIS TOWN--

OR THIS TOWN'S FINISHED WITH ME IS MORE LIKE IT.

I'M 40...

BROKE, HOMELESS, CARLESS, CAREERLESS.

I'VE LOST...

SOMEONE I CARED A GREAT DEAL ABOUT.

I THOUGHT YOU AND MEG

WERE OLD HISTORY.

I'M NOT TALKING ABOUT MEG.

I'M TALKING ABOUT RACHEL COLEMAN.

MAY I HELP YOU?

HEY, WHERE ARE YOU GOING?

TO THE LADIES' ROOM. WOULD YOU LIKE TO COME?

COULD I HAVE MY BILL, PLEASE?

WE'RE CHECKING OUT.

YES, SIR.

I'LL WAIT.

YOU WANTED TO TALK TO ME?

I'VE GOT SOMETHING YOU WANT.

YOU GOT A MATCH?

NO.

LET'S GO.

OH, DAMN! I FORGOT OUR PLANE TICKETS!

HOLD ON A MINUTE.

[ALARMS SOUNDING]

OW! WAIT!

HURRY UP!

FREEZE!

HEY!

I SAID FREEZE!

YOUR BAIL'S BEEN REVOKED.

GET IN THE CAR. BOTH OF YOU.

COME ON!

NICE TRY, PAL.

[KATHLEEN] OH, MY GOD!

COME ON. LET'S GO.

COME ON!

OUT OF THE CAR!

GET OUT OF THE CAR!

MOVE IT!

COME ON!

[HORN HONKS]

HEY, YOU JERK!

[HONK]

L.A.X. IS THE OTHER WAY.

I JUST WANTED THE COPS TO THINK

WE'RE GOING THERE.

OUR FLIGHT FOR BUENOS AIRES LEAVES FROM SAN FRANCISCO.

WHAT ABOUT OUR LUGGAGE?

A CABBY IS GETTING IT.

WE'LL MEET HIM AT LONG BEACH AIRPORT,

THEN FLY TO SAN FRANCISCO.

WHY DID YOU AND RINEHART FRAME ME

FOR AGAJANIAN'S MURDER?

I HAD NOTHING TO DO--

I WANT THE TRUTH NOW!

STEPHEN KILLED HIM BECAUSE...

WHY?

I WAS FALLING IN LOVE WITH YOU.

HE NO LONGER TRUSTED ME.

COME ON!

THE TIRE IRON WAS STEPHEN'S INSURANCE

TO MAKE SURE I WOULDN'T RUN OFF WITH YOU.

I KILLED HIM TO PROTECT YOU.

YOU PLANNED TO KILL HIM ANYWAY,

ONLY THIS WAY, I'D BE IN YOUR DEBT.

NO!

THE ORIGINAL PLAN WAS JUST TO DUMP YOU

ONCE WE'D MOVED THE MONEY.

THE NIGHT I KILLED STEPHEN,

HE SAID HE WOULD KILL YOU

ONCE WE HAD THE MONEY.

SURELY, THERE WERE OTHER SUCKERS

WITH SIMILAR ACCOUNT NUMBERS.

WHY ME?

THREE OTHER ACCOUNT NUMBERS WOULD HAVE WORKED,

BUT YOU WERE PERFECT.

YOU HAD NOTHING GOING FOR YOU, NOTHING TO LOSE.

YOU ERASED THAT MESSAGE ON MY ANSWERING MACHINE

ABOUT THE AUDITION, DIDN'T YOU?

YES.

YOU WERE BEHIND IT ALL, EVERYTHING.

YOU PLAYED ME AND RINEHART LIKE...

PUPPETS.

I WASN'T SUPPOSED TO FALL IN LOVE WITH YOU.

YOU SHOULD HAVE BEEN AN ACTRESS

BECAUSE YOU ARE GOOD,

REALLY GOOD.

I WAS AN ACTRESS BEFORE I GOT INTO BANKING.

WHY DID YOU QUIT?

I COULDN'T MAKE ANY MONEY AT IT.

THE WHITE ZONE IS FOR

IMMEDIATE LOADING AND UNLOADING OF PASSENGERS ONLY.

NO PARKING.

PLEASE DO NOT LEAVE YOUR CAR UNATTENDED.

HERE'S YOUR STUFF, MISTER.

HI.

FLIGHT 641 TO SAN FRANCISCO.

O.K. YOU'LL HAVE TO HURRY.

THEY'RE GETTING READY TO CLOSE THE GATE.

GATE FOUR. HURRY. I'LL TELL THEM YOU'RE COMING.

WHAT'S THE MATTER?

NO. I'M NOT GOING.

WHY?

I KILLED HIM, KATHLEEN.

I'M A MURDERER.

YOU DIDN'T HAVE A CHOICE.

I HAD A CHOICE.

YOU HAVE TO COME. YOU CAN'T STAY HERE.

IT'S A JOINT ACCOUNT.

YOU WON'T HAVE ANY TROUBLE GETTING THE MONEY.

I'M NOT GOING WITHOUT YOU.

THE PLAY'S OVER.

I LOVE YOU.

STOP IT!

YOU STILL LOVE ME! I KNOW THAT!

COME WITH ME.

I DON'T CARE ABOUT THE MONEY.

LET'S GO.

FINAL BOARDING CALL

FOR ALASKA AIRLINES FLIGHT 641 TO SAN FRANCISCO,

NOW DEPARTING AT GATE NUMBER FOUR.

THIS IS THE FINAL BOARDING CALL FOR ALASKA AIRLINES

FLIGHT 641 TO SAN FRANCISCO.

[ALARM SOUNDS]

EMPTY YOUR POCKETS IN HERE

AND STEP BACK THROUGH, PLEASE.

WE NEED TO OPEN YOUR BAG, SIR.

WHAT?

OPEN YOUR SUITCASE, PLEASE.

SIR?

OPEN THE SUITCASE, PLEASE.

FREEZE!

DON'T MAKE A MOVE!

NEED A MATCH?

SUSPECT IS IN CUSTODY AT LONG BEACH AIRPORT.

KEEP YOUR EYE ON HER.

YOU DIDN'T BELIEVE I WAS REALLY A COP?

I JUST THOUGHT YOU WERE PHONING IT IN.

I GOT HER TO GIVE ME THE TIRE IRON.

WHILE I HAD AN INNER MONOLOGUE GOING,

YOU WERE DOING YOUR ERIK ESTRADA IMITATION.

"HERE'S YOUR STUFF, MISTER."

THE ACCENT WAS BROOKLYN.

I GOT TO WORK ON MY SENSE OF PLACE.

YOU'RE A GOOD ACTOR, TOO.

BETTER THAN YOU.

$10 MILLION.

WELL, YOU WERE RIGHT ABOUT THE MONEY.

IT WAS TOO GOOD TO BE TRUE.

WE COULD HAVE HAD IT ALL.

WE WERE GOOD TOGETHER.

AND I WAS RIGHT ABOUT YOU.

YOU WERE TOO GOOD TO BE TRUE.

WHAT YOU DOING, TAKING A NAP?

REWINDING THE TAPE.

YEAH? GET EVERYTHING?

I GOT IT.

LET'S GET HER TO THE CAR.

MY PLEASURE.

SAY...

HOW DID YOU LIKE MY DEATH SCENE?

NOT BAD.

A LOT BETTER

THAN YOUR DIAPER RASH ROUTINE.

I'M STILL SEEING STARS.

THAT WAS MY FIRST PERFORMANCE.

YOU SAID, "KEEP IT REAL." I'M A NATURAL.

A FEW ACTING LESSONS WOULDN'T HURT.

I MIGHT TAKE YOU UP ON THAT.

NO CHARGE. PROFESSIONAL COURTESY.

REALLY?

THANKS.

THANKS FOR--

FOR TRYING IT MY WAY.

THANKS FOR BELIEVING IN ME.

SOMETIMES IT TAKES AN ACTOR TO CATCH AN ACTOR.

SEE YOU IN THE MOVIES.

YEAH.

YOU THINK THIS WILL HURT MY CAREER?

WHAT CAREER?

WELL, I GUESS I'LL HAVE TO START ALL OVER AGAIN.

THINK I CAN?

SURE, WITH THE RIGHT CONNECTIONS.

YOU KNOW SHOW BUSINESS--

IT'S ALL WHO YOU KNOW.

I HAD A FRIEND,

THIS WOMAN WHO'S A CASTING DIRECTOR.

SHE ALWAYS BELIEVED IN ME NO MATTER WHAT.

HAD A FRIEND?

HAVE A FRIEND.

WELL, THAT'S THE RIGHT KIND OF FRIEND TO HAVE.

AS A MATTER OF FACT, SHE'S THE BEST FRIEND

I HAVE IN THIS CRAZY TOWN.

SO MAYBE THERE'S HOPE FOR YOU.

MAYBE YOUR FRIEND

CAN HELP GET YOU WORK

SO YOU CAN PAY BACK THE BANK.

I MADE A DEAL WITH THE BANK.

WHY WOULD THEY MAKE A DEAL WITH YOU?

YOU'D BE SURPRISED

WHAT SOME PEOPLE WOULD DO FOR $10 MILLION.

CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.

CAPTIONS COPYRIGHT 1993 MTE, INC.

PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF

MTE, INC. AND NATIONAL CAPTIONING INSTITUTE